RAWHide Alpha Release Documentation - My
Contents
1. Processing e Drag N Drop support e Clipboard Support e Unique f Stop histogram e Main process and Batch process run on separate threads and in that sense support multiple processors e Windows compatible Ratings tag for output tiff files RAWHide Concepts RAWHide is intended to be a fast convenient RAW image file converter that produces the highest quality output possible Sessions e Sessions are nothing more then a list of files to be processed e Sessions can be ignored Their use is not required to process RAW images e Sessions can be used as a simple means to manage your photo collections However RAWHide is not really intended to manage your RAW file collections It was developed with the photographer in mind who prefers to manage his or her own RAW files using Normal methods RAWHide assumes that your workflow starts with your Camera s settings So settings for Saturation Contrast White Balance Exposure Compensation Sharpness etc are read from your RAW Image files and applied to the conversion unless you override them RAWHide can continuously process the Photo s in your Session List in the background as you work on your current image or selection of images RAWHide never writes to modifies deletes moves or in anyway changes your RAW files The Thumbnail Viewer does have a Delete to Recycle Bin function Settings for each file are stored as sidecar files in RAW2. an EXIF comments as needed Adjust color and exposure as needed Use arrow keys or click the Row Header of the file to preview and adjust another image in session To make the same change to more then one image Select multiple images in the list by selecting the file name and or the EXIF comment cells then adjust the control you wish to change in all selected files NOTE Only the change applied to the selected images will be the particular setting changed The settings indicated by other sliders are not applied to the selected images To be sure what settings are used for an individual image select the image s Row Header Select Batch Queue gt Start or Current Photo gt Send to Editor to begin conversion process es RAWHide and the Mouse 1 2 3 4 Zooming your image in the main view can be done by scrolling the Mouse Wheel or by picking the zoom desired from the list box Scroll Pan your image by pressing and holding the Left Mouse Button or use the Scroll Bars White Balance Use Control Double Click to select White Balance reference patch Background Subtraction Use Altl Double Click to select Background reference patch Session List Thumbnail Image fig 2 Filename Current Session Operafions Program Preferences Session Photos Batch Process D 7D PICT3796 MRW age Date Time Output File E Point Betsy Light 2005 10 15 20 29 34 D 7D PICT3796 TIF_ Ogden Sun
3. arw To create one or more associations check the boxes next to the file types for which you want to create associations and then click the Save button To remove one or more associations un check the boxes next to the file types whose associations you want to remove and click the Save button While RAWHide attempts to restore previous associations There can be no guarantee that those previous associations will be or can be restored by RAWHide If the restoration of the previous association fails you must reinstall the application or if it has a command similar to File Associations you can re establish the associations manually Jpeg File Preferences These settings allow you to automatically make Jpeg Copies of the output tiff files These files are save at the Jpeg Quality rating you select and can be resized based on the largest dimension 1 e A setting of 900 will take a 2000x3000 pixel image and make a 600x900 image This setting is a general RAWHide setting and is not applied separately from image to image Leaving the Resize checkbox unchecked will result in a image being the same size as original rawfile Currently JPEG files will be stored in the same location with the same name as their respective tiff files with a jpg extension of course Other Controls Zoom Box FIT Fits the current image in the preview pane 50 Displays the image at half size 100 Displays content of image buffer at 1 to 1 scale Pixel to Pixe
4. can see actually just how much sharpening other converters actually apply to images when they are set to zero USM Strength USM Radius This determines how far away surrounding pixels influence the target pixel The radius should be just big enough before halos become apparent USM Threshold If the difference in contrast within the radius is F below the threshold Then no sharpening is performed USM Radius USM Threshold Noise Reduction Panel E BTW By default NR is turned off in RAWHide RAWHide uses a simple but effective wavelet based Noise Reduction routine that effectively removes iso noise while preserving most real image detail This code was written by scratch and is not based on any existing code or PhD authored math papers Rather it is based on a natural understanding of wavelets The idea is not to achieve miracles but rather to get improved results For miracles suggest one of the fancy aftermarket Noise Reduction Photoshop add ons is suggested Noise Reduction Strength Controls the strength of the NR effect Noise Reduction Radius Is the radius of the noise frequency to Noise Reduction reduce Most image noise has a kind of grain that is of a certain size Match the radius to that grain size and there will be a dramatic Noise Reduction Strength reduction in perceived noise E Noise Reduction Threshold Is and a threshold of contrast in which not to apply the effect Moise Reduction R
5. converted White Balance as Shot Sutomatic 9 Selected Point White Balance Controls OF Color Temp amp Hue KY As Shot This uses the WB multipliers contained in the RAW File o to Color Temperature Kelvin adjust the image Automatic RAWHide will attempt to determine White Balance Selected Point Double Click Image while holding down the control key to select area to be considered as white or neutral grey Then click the RGB Multipliers List Header on the current image in the Session List to reload amp reprocess A 15x15 pixel sampling region centered at the point of selection is used to calculate the WB data Do NOT select areas which have clipped colors or in areas containing blown highlights Color Temperature Kelvin and Hue Adjusts WB by setting a value that matches the light source s color approximate color temperature Examples tungsten light 2500 K daylight 5500 K cloudy day 4500 K RGB Multipliers Adjusts WB by allowing the user to key in multipliers directly Note that these values adjust change and display the current actual multipliers Also see Copy and Paste Copy and Paste buttons Use the Copy and Paste buttons in the White Balance tool bar to Copy and Paste the Multipliers from one image to another or several An Example on how to use this feature would be to put a gray card in the first shot and set the WB using it and then apply those WB settings to the other shots but withou
6. 16 bits 127 to 255 range The highlight values could go as high as 1000 if not compressed The value shown by the slide indicates where the elbow of the curve required to compress the data starts 0 05 starts near 127 and 0 99 is near 255 In other words 0 05 compresses the data from 130 to 1000 into the 130 to 255 range and 0 99 compresses the data from 250 to 1000 into the 250 to 255 range values are approximate As you can see the 0 99 value compress the highlight data more but over a smaller range Shadow Compression The lowest setting leaves the results as is A higher setting gives an effect of lightening the shadows Contrast Increasing contrast uses an S curve function that does not clip highlights or shadows Clicking the button resets the Contrast to the value originally assigned by the camera Saturation Adjusts Saturation in HSV color space Note Saturation clipping is possible using this setting Clicking the button resets the Saturation to the value originally assigned by the camera Demosaicing Advanced Panel No Demosaicing routine is totally fool proof While one routine may work well with most images one may find another routine works better for a certain image To this end RAWHide offers several routines to Demosaic Algorithm choose from These radio buttons can be used to select one of the three ace AZC Controls demosaicing routines that were developed for RAWHide or a couple standard routines that other
7. Hide s database directory RAWHide Quick Start Guide OL PIN Q 1 2 3 4 DO Start RAWHide Open the Edit gt Edit Copyright menu option Add your personal info The Photographer s Name and Copyright Message Adjust any other settings Saturation Sharpness etc to suit your personal preferences Select the File gt Save Preferences menu selection uick Conversion Guide Single File Open RAWHide by double clicking a single file or by using the RAWHide program icon Using File gt Open Photos find the raw image file you wish to convert and open it After the file initially loads Add a description and or an EXIF comment lf needed adjust White Balance Use custom settings or select a gray or white area in the image with a Control double click Click on the Color and Levels tab to make any adjustments required Select Batch Queue gt Start or Current Photo gt Send to Editor to begin conversion process es Quick Conversion Guide Batch Method 1 2 OU Pe T Open RAWHide by double clicking a single file or by using the RAWHide icon More files may be added to a session by selecting them with the Add Photos menu item Dragging and Dropping them into RAWHide Opening an existing Session List or by double clicking single files in Windows Explorer OR Better yet select View gt Open Thumbnail Viewer and use it to select your Photos Adjust the image or
8. RAWHuide Alpha Release Documentation Send Bugs Reports and Likes and Dislikes to the RAWHide Support Forum RAWHide is 2004 2008 Franklin A Holub All Rights Reserved Some components are derived from David Coffin s DCRaw Inurria verer o a EEEE __ __ _____ sere Cee ee ee RAWHide Features e In NO case are any RAW files changed or modified e RAWHide only outputs the best quality 16 bit per channel Tiff files with full EXIF data e Multi Monitor support with new Thumbnailer e ALL available and recoverable highlight data is extracted and saved in the output tiff image e RAWHide uses the 7D 5D rotation tag to correctly rotate the output tiff image e Dark frame subtraction available at the raw image level Raw data is subtracted from raw data e Flat Frame correction available at the raw image level e ACC Demosaicing routine faithfully extracts and recovers all of the resolution and detail possible e Five other Demosaicing routines available to best suit your image e Simple Control Double Click to select White Balance e Simple Alt Double Click to select Background Subtraction e Uses the Alpha Mount Lens ID to report the lens description for the lens used to take the photo from an editable lens database e Reads KM Sony alpha Zone Matching tag and adjusts the image per the intent of ZM e Sidecar database files remember your conversion settings for each raw file e Batch
9. Set fom The Bench 2004 12 30 00 14 26 D 7D PICT9428 TIF Ogden SunSet R004 12 30 00 15 23 D 7D PICT 9430 TIF Mid Air pO007 08 28 16 49 27 D 7D PICT9505 TIF Workin on the Hall 2004 12 05 15 31 32 D 7D PICT9131 TIF 7DWPICT 9180 MRW Sunrise 2004 12 16 12 54 11 D 7D PICTS180 TIF ee maA n EnD An ea nomm maA ete nal to Row Header Imaae Camments Thiimhbnail Imaae Click Row Header to select new Photo Bold Red text row is the currently shown Photo Row with Pink background indicates the Photo s currently being processed by the Batch Queue Output files Tiffs are shown in bold when completed Edit EXIF comments by changing the Image Comment cell s Controls and Stuff Current Session Operations Menus File Open Session Loads a Session list of files into the RAWHide The current list is cleared Open Photos Click here to open a standard windows Open File dialog to add your RAW file s to the current session list Add Adds a Session or selected photos list of files to the current Session Save Session Saves the current Session using the existing Session filename Save Session As Saves the current Session using a new Session filename Associations See Associations later in document Jpeg File Preferences Settings for saving Jpeg files of your photos Save Default Preferences Saves the current Program Settings Thes
10. adius A Moise Reduction Threshold Note the reduction in noise without any real reduction in true detail RAWHide s noise reduction routine is simple and effective Edit Copyright These are settings that you are less likely to change often They could be moved elsewhere but we have them here to get them out of the way Owner EXIF Artist This sets the EXIF Artist tag Your Name goes here Copyright Message This fills in the copyright tiff tag Add Your Name and maybe the words All Rights Reserved The program will add the symbol and the year based on the year from the Metadata in the RAW file Associations This Control lets you create or remove file associations for RAWHide When you create an association between files of a given type and RAWHide you can open the files from within Windows Explorer or My Computer simply by double clicking on them Also files associated with RAWHide are displayed with the RAWHide icon Since you may have a number of different RAW image conversion programs installed on your computer this command lets you specify which file types you want to open with RAWHide RAWHide creates associations only at your request by default no associations are created when RAWHide is installed on your computer File associations are based on the file s extension For each file type listed in the dialog box the corresponding file extension s will be associated with RAWHide i e ARW for
11. d below the histogram They are from right to left Red Green Blue Input Max long line and Output Max short line Adjusting the EV settings adjusts the histogram data and values are reported in that context Moving your cursor over the histogram itself displays the EV value represented by that point of the histogram 5 The Batch Queue The Batch Process is controlled by a second or third RAWHide thread The background thread processes the image in exactly the same way as the thread that 1s used to display the main image The batch thread runs at a lower priority so its impact from running is minimized on the rest of the system RAWHide utilizes multiple processors cores if available Queue Status Reports the current status of the batch queue How many files are in the queue the number of files in the queue and the number of files yet to be processed Other Notes e This is Alpha level software This means it is likely to have plenty of bugs Use at your our risk e need honest and open feedback If you HATE something let me know but PLEASE do not be cruel or unkind Alpha Release Notes See the History page on the RAWHide Website http Awww my spot com RHC Known Bugs Issues See the History page on the RAWHide Website http Awww my spot com RHC
12. e settings will become the defaults for future images Exit Closes the Program Edit Remove Selected Removes the currently selected images from the Session Remove Current Removes the current image from the Session Remove All Removes all images in the current Session Edit Copyright Pops up a panel where the Artist and Copyright messages for any photos can be edited View Open Thumbnail Viewer Opens the thumbnail viewer Reset Monitors Resets the Monitor usage of RAWHide and the Thumbnailer Switch Monitor Moves RAWHide to the next monitor Swap Monitors Swaps the Monitor usage of RAWHide and the Thumbnailer Processing Info Displays certain processing details to the user Batch Queue Start Starts the batch queue Running Stop Stops the batch queue if running Current Photo Current to Editor Opens the current image s tiff file in the system s default Image editor viewer for tiff files Help User Manual Opens the PDF user manual RAWHide Web Site Uses your internet browser to take you to the the RAWHide Web site RAWHide Support Forum Uses your internet browser to take you to the the RAWHide Support Forum this is the place to ask questions and get answers about RAWHide Edit Lens Database Opens the Alpha Mount Lens Database csv file in the system s default editor Usually Excel About RAWHide Displays RAWHide s build and version information Other Things Session List See fig 2 The Session List d
13. es amp Background Be 2 then a dark frame image of the same duration with the lens cap s on the camera the in camera process just leaves the shutter closed BB Use Dark Frame The dark frame image which in theory only contains noise 1s subtracted from the real image which in theory contains the image noise In this way most of the noise is subtracted out of the resulting image See the Dark Frame Subtraction page on the RAWHide BB Use Flat Frame Website for details Use Flat Frame Also known Vignetteing and or Dust correction Many wide angle lenses vignette at low large aperture settings BB Hot Pixel Filter BD Dark Pit Filter similarly dust on the camera s sensor becomes visible at high or small aperture settings Basically after you take a photo take another Background Subtraction photo with the exact same aperture and focal length settings of a flat A 0 80 field of view Totally empty sky blue is perfect Shutter speed is not important Use that picture as the Flat Frame and your vignetteing p and or dust spots will disappear Dark Pit Filter Effectively eliminates Dark Pit single pixel noise from High ISO images Hot Pixel Filter Primarily intended for use on long exposure images with a darkframe Tends to produce a watercolor effect when used on normal images without darkframes Background Subtraction Primarily intended for use on subjects such as astrophotos Use Alt Double Cl
14. his option may be removed at some time FAST This is a well respected routine with good results and it is the fastest routine of the choices available ACC Controls Only works with ACC Demosaicing Enable Multipass Conversion amp Number of passes Sometimes there are image areas that show a zipper effect when only a single ACC pass is used Check the box and select 2 or more passes and these artifacts will often all but disappear Red Blue Bias This one is really cool It is basically a moir pattern fighter In areas of high detail that approach or exceed the Nyquist Limit the output can take on a blue or red cast in a kind of maze pattern This is because the Bayer pattern data has two valid solutions for the data in the area Adjusting this setting can force the program to correct these areas see the blue patch in the image to the right If you see a patch of blue then adjust the value to the Red a bit and vice a versa Usually values around 15 work the best Caution Fixing one area may cause problems in another area of the image D S Weighting ACC looks at both Luminance Detail values and Color Saturation values to determine how best to determine a given pixel ACC normally looks at both however at times a given image may look better if the ACC routine looks harder at one of these values then the other Darkframes amp Background Controls Use Dark Frame The basic idea is to take a long exposure image and Darkfram
15. ick to select the Background Subtraction area sample The area sample is averaged and then those RGB values are subtracted from the Bayer Pattern data prior to demosaicing Use the slider to determine the strength of the subtraction Color Management Output Profile The two best output profiles are AdobeRGB1998 and sRGB Color Space Profile The ProPhoto RGB and Wide RGB profiles are also included for those who require a wider color gamut Currently RAWHide ignores the camera setting for profile The Adobe profile is popular for proofing and high quality work sRGB 1s best for general propose use and web pages It can look better on the screen too If oO the software you use to view and review the output tiff files is not Color Management color management compatible then use the sRGB output profile You J may notice that the images displayed in RAWHide may only change SUPU Praile slighty if at all when profiles are changed from one to another this is because RAWHide s display uses CMS and corrects the displayed image to the system s color space Two options NONE Gamma Only and None Linear do not embed profiles in the output file Sharpness Panel USM Strength Rawhide uses a real un sharp mask to sharpen images The USM Strength ranges from 4 Blur to 4 Sharpen Zero 0 0 is just that Zero If you set the USM Strength to Zero RAWHide actually turns the sharpening routines OFF With Sharpness this you
16. isplays a simplified list of Raw Files in the current Session e Ifmore then one Raw file in the list is highlighted then any changes made to the image settings will be applied to all of the highlighted images If you highlight multiple comments then you may notice that the Current Image Comment above the Histogram becomes editable Example You have 50 photos from your 2007 summer vacation so you load the images into the Current Session and highlight them all then you can key in the words 2007 Summer Vacation in the Current Image Comment text box and all of the selected files will have their comments updated Also you may wish to adjust the Saturation as well all selected images will then inherit the new Saturation setting other settings will remain unchanged Row Header Clicking on the List Header of a given raw file causes that file to be processed in the main viewport Raw File Name Clicking on the Raw file name of the list displays the Thumbnail Image Also the EXIF data for the raw file is displayed if the Thumb EXIF tab is selected Clicking the Raw File Name does not effect or change the currently displayed image in the main viewport Image Comment This field may be edited This comment will then placed in the TIFF Comment and the EXIF Description file tags Date Time Displays the Date and Time the image was taken _ _ i white Balance Output File The Path and Filename of the photo once it is
17. l 200 Magnifies the image 2x Up to 1600 MouseWheel Is used to zoom in and out The HISTOGRAM The histogram used in RAWHide is a little different then most Instead of being based on pixel values it is based on Stops EV assuming linear output from the raw data in which the values are doubled for each F stop which does seem to be the case It is based on the actual RAW data after highlight recovery The range is approximately 10 to stops with QEV being the lighter line about 2 3 s of the way across the chart The grey vertical lines are 1 stop increments The dashed vertical lines represent the clipping levels of the color channels Red Green amp Blue The EEJ 1 08 243 1 08 AA rightmost dark line represents the limit of data Nothing brighter was recorded in the raw data The dashed vertical black line is the highest level an output file can record without compressing the highlights Data right of this line would be clipped in software with no highlight handling capability Also this is the point at which RAWHide starts to apply its highlight recovery algorithms As you move the cursor over the main image a line will move across the histogram indicating the maximum value of the RGB components A shorter line will also move across the histogram which represents the final output in stops after Highlight Recovery Highlight Compression Contrast and Shadow Compression have been applied The numeric values in stops are reporte
18. s have developed Demosaicing 4dvanced ecw Gi Eriol feluli Pass Cornyartiori ACC Advanced Color Corrective method This routine is the l sys most advanced of those offered and was developed from the mea ane ground up just for RAWHide It will usually produce the d ME EEA highest resolution with the least amount of moir and or color vnc artifacts in high contrast areas In most cases it eliminates the zipper and maze effects and does the best job of les reproducing the full resolution of the camera See ACC Controls below ECW Expanded color weighting This routine produces a fine grain and in some areas can be the most pleasing esp in high ISO low light images Also tends to produce the best results with images that have fine point like or grain detail The histograms of images processed with this routine are very smooth SNS Smooth N Slow This routine reconstructs each RGB channel separately The result is smooth but with a loss of resolution and higher color artifacts in high contrast areas It uses quadratic math and is the slowest of the three methods It is very good for portraits and cases where smooth skin tones may be desired AHD Currently considered the newest state of the art routine and is the basis for many of the top tier converters It is added here so you can compare its results with others VNG An older routine that was added mostly because the code was already in RAWHide T
19. t the gray card Exposure amp Levels Exposure amp Levels Controls Use Camera EV Comp for Highlights Readjusts rescales the brightness of an image taken with a Negative EV exposure E compensation setting for better highlights Kind of a manual Zone Shadow Boost Matching More specifically this brightens the mid tones and shadows to a level that would equal the brightness if the image had been taken j without exposure compensation Highlight data requires more Contrast compression but no highlight data is clipped Exposure Compensation EV This is the digital equivalent of Push positive numbers or Pull negative numbers Processing It can also be said that this settings mimics the exposure compensation of the camera Highlight Compression This is a little hard to explain Basically this setting tells the program how hard to compress the highlights The lowest setting gives a more natural film like response and the highest setting gives a harder more linear response An explanation is a bit complicated but here goes In a gamma adjusted 8 bit image QEV should be at a value of 127 and highlight clipping happens at 255 or 2 2EV As you know the Histogram in RAWHide shows this there is often an extra stop or more of highlight data above that 2 2EV level RAWHide always passes ALL of that data on to the output image which has to be compressed into that speaking in 8 bit terms even though RA WHide outputs
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