MORPH The
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1. MORPH Insert two audio tracks Place your two files on the two tracks Insert MORPH SC AU or MORPH VST on track 1 For MORPH SC leave ALIGN off Set track 2 s Audio To selector to send to track 1 1 Audio in this example Set the selector beneath the Audio To to Side Chain MORPH SC AU or In MORPH VST VST Start morphing AU MORPH SC VST MORPH MORPH 37 User Manual v2 0 0 A zynaptia Steinberg CUBASE NUEN DO Steinberg s Cubase and Nuendo do not support side chains for VST 2 x plug ins thus MORPH VST must be used in a 4 to 2 configuration for true stereo operation True Stereo Operation Create two stereo tracks and one quad channel Group track and place your two audio files on the two audio tracks ROUTING ROUTING ROUTING Group 1 Group 1 Stereo Out gt MORPH VST p INSERTS MORPH 38 User Manual v2 0 0 A zynaptiq Set the quad channel group to downmix stereo to stereo Group 1 MixConvert V6 Stereo gt ra Global Gain 0 0 MORPH 39 User Manual v2 0 0 Dual Mono Operation A zynaptia The process is identical to the True Stereo approach described above except that you use a stereo Group track and route the two audio tracks to it panned hard left and hard right Cubase 7 Project morphertest OS 0 Le 30 amis Track A reo EO DE Track ee Group Tracks Stereo Group Volum2. MORPH 40 User Manual v2 0 0 MixConsole morphertest m oes ROUTING ROUTING ROUTING ROUTING Stereo Group Stereo Group Stereo Out INSERTS INSERTS INSERTS MORPH VST A zynaptiq MOTU Digital Performer Digital Performer supports stereo side chains so true stereo operation is easily achieved using MORPH SC True Stereo Operation MORPH SC Create two audio tracks and place your two audio files on them Insert MORPH SC on the first track and route the second track to a bus using the New stereo bundle entry in the output selector s menu None Built in Line Output 1 2 Stereo bus 1 2 Stereo New Stereo Bundle Built in Line Output 1 2 bus 3 4 bus 5 6 MORPH 41 User Manual v2 0 0 A zynaptia Select that bus as side chain input in the plugin and make sure ALIGN is off 0 0 Effects Seq 1 Beat_808 3 0 Effocts Beat_ 303 v InsetA Non Snapshot Sic Start morphing Dual Mono Operation MORPH Create two tracks and place your audio on them MORPH 42 User Manual v2 0 0 A zynaptiq Create a new stereo Aux track using the New Aux Track Via New Stereo Bundle command of the output selector menu and route both tracks to it Built in Line Output 1 2 Stereo New Stereo Bundle New Aux Track Via New Stereo Bundle bus 1 2 bus 3 4 E P Insert MORPH
3. 50 The values for X and Y will be displayed at the top of the control whenever the mouse is over the control Quickstart Setup Operation MORPH 17 A zynaptiq For detailed setup information specific to your host please see the relevant section of this manual You ll need two source signals to morph between labelled A and B in the plug in GUI For starters please create two tracks in your DAW and place some audio files on them If your host supports plug in side chains AU AAX RTAS Insert MORPH SC on track 1 Set the output of the other track to no output or to the side chain input of MORPH for some hosts Select track 2 as side chain source for the MORPH SC plugin Activate ALIGN if your host does not correctly compensate latency for the track feeding the side chain Start morphing by moving the scope in the large central X Y field If your host does not support plug in side chains or multi channel buses Insert MORPH on a stereo bus channel e Route both source tracks to this bus Pan track 1 hard left and track 2 hard right Start morphing by moving the scope in the large central X Y field If your host does not support plug in side chains but does support multi channel buses e Create a 4 channel bus group aux channel and insert MORPH e Route both source tracks to this bus Pan track 1 to the front L R and track 2 to the rear L R Start morphing by moving th
4. for MORPH the mono track will feed the side chain and be input B B Mono New Tracks 0 4 Stereo File A Send the mono track to a bus using a send and not the output selector this would cause additional latency set the bus to PRE and send level to unity and select No Output for the track s output SENDS A E SENDS A E nosend output bus Bus 1 2 Stereo Bus 1 Mono track Bus 2 Mono g new track d Bus 3 3 Stereo Bus 3 Mono AUTO Bus 4 Mono Bus 5 6 Stereo Bus 5 Mono nogroup l no gr Bus 6 Mono Bus 7 8 Stereo Bus 7 Mono Bus 8 Mono Bus 9 10 Stereo Bus 9 Mono Bus 10 Mono Bus 11 12 Stereo Bus 11 Mono Bus 12 Mono Bus 13 14 Stereo B Mono MORPH 31 User Manual v2 0 0 AY zynaptiq Insert MORPH SC on the stereo track it is a multichannel plugin and of type other choose the bus as key input and activate ALIGN INSERTS A E no insert Track Preset multichannel plug in EQ 5 lt factory default gt mui mono piug in id i x TER MORPH SC COMPARE SAFE Reverb Delay Modulation Harmonic Noise Reduction ien interface Dither Sound Field i bus Bus 1 Mono W o noinput 7 Instrument PRE Bus 2 Mons n Eff ans Other MasterMeter stereo Bus 3 Mono MORPH stereo Bus 4 Mono n Avid Marketplace MORPH SC stereo
5. is a higher resolution version of the original Prosoniq MORPH algorithm It has the highest frequency resolution of the 4 provided algorithms and conversely the lowest time resolution We recommend using this algorithm whenever timbre is the main aspect of the morphed sound you are creating and as a starting point in general For example talk box like sounds sustained instrument hybrids or other ambient textures are perfect candidates for this algorithm This algorithm has a latency of 2048 samples Interweave A new algorithm that retains more features of the original sources rather than creating in between ones For some types of sounds this algorithm will give the most natural sounding results Latency is 2048 samples Due to the way this algorithm works output levels may vary strongly with different signals User Manual v2 0 0 A zynaptiq Tight A new algorithm designed to work well with transient heavy signals such as drums but will work nicely with other stuff too Latency is 512 samples Classic LL This is a low latency version of the Classic algorithm with lower frequency and higher time resolution but otherwise the same structure Latency is 512 samples Interweave LL This is a low latency version of the Interweave algorithm with lower resolution frequency and higher time resolution but otherwise the same structure Latency is 512 samples Due to the way this algorithm works output levels may vary strongly with d
6. separate plugins for AU RTAS and AAX MORPH and MORPH SC side chain For VST 2 4 side chains are not supported and thus VST comes as the regular MORPH binary only For true stereo operation your host needs to either support stereo plug in side chains for example Logic Digital Performer Live or support 4 channel bus group channels Pro Tools HD Nuendo Cubase For dual mono support your host needs to either allow routing and panning two channels via a bus channel group channel or compound clip or allow creating a compound clip or if the host can show only one file allow pasting the second file into one of the channels of 8 stereo file In Pro Tools only mono side chains are supported so there you can only achieve mono to stereo morphing using the SC but of course in Pro Tools HD you can use a quad aux bus as described above 6 User Manual v 2 0 0 AY zynaptiq Installation Authorization Installation Installation is very easy On Mac simply unpack the ZIP archive using the Mac OS X Archive Utility third party ZIP tools may cause issues then launch the installer contained It will guide you through the process On Windows unpack the ZIP and choose whether to install 32bit or 64bit plugins the bit depth of your OS does not matter here To authorize your plugin you can use one of the two methods described below Please note that the trial version also needs to be activated the difference bei
7. these are stored inside the actual plug in Factory presets Windows these are stored in the MORPH VST RTAS AAX Data folder which is installed next to the plug in User presets Mac OS X and Windows these are stored to your user document directory Zynaptiq MORPH MORPH Presets and Zynaptiq MORPH MORPH SC Presets MORPH 25 User Manual v2 0 0 Host Specific Setup Apple Logic Pro X MORPH AY zynaptiq Logic Pro X supports stereo sidechains but does not compensate latency for the track sourcing the side chain input So generally you should use MORPH SC with ALIGN on Dual Mono Operation MORPH First create two tracks for your two source files and place your audio files on them The tracks and files can be either mono or stereo Sound A 1 M S Sound B MS Then route both to a new bus pan them hard left and hard right and insert MORPH on the bus M gt M Sound A Sound B 26 User Manual v2 0 0 AY zynaptiq True Stereo Operation MORPH SC Again create two tracks A and B and place your audio on them M S Track A Track B M Track A Track B Output MORPH 27 User Manual v2 0 0 A zynaptia Then insert MORPH SC on track A and choose track B as side chain input Audio FX Output None Side Chain Audio 2 T p Audio 1 Track A Side Chai Audio 2 Track B dB M S M S Track A Track B and you re done MORPH 28 User Manual
8. this if the input sounds are complex noisy or don t have a lot on common At medium to low values larger chunks of the source sounds may appear in the result which can sound very cool Also for the Classic algorithms when complexity is at minimum a very accurate amplitude modulation is produced great for making sustained sounds rhythmic As an analogy think of this as setting the number of polygons of a wireframe model that represents the morphed sound User Manual v2 0 0 B X Y Morph Index amp Crossfade MORPH 22 A zynaptiq L A gt B lt crossfade gt B gt A Morph A gt B Morph B gt A This X Y control is the main control for the morphing process The letters A and B found in the four corners of the X Y represent the two input sources A and B Morphing is done by moving the scope between the four corners If you place the scope directly over any of the A s or B s you will hear the sound of that source unaltered except for the FORMANT SHIFT which will still be applied Moving the scope vertically from an A to a B or vice versa you will hear a gradual morphing going from one sound to the other Moving the scope horizontally will crossfade between two different morphing transitions on the left side the morph starts out at source A and shapes the sound to become B on the right side the morph starts out at B and shapes it to become A The important thing to remember is vertical movements are m
9. v2 0 0 AY zynaptiq AVID Pro Tools Avid Pro Tools supports mono side chains key inputs only so for true stereo operation either a quad Aux channel Pro Tools HD or two dual mono setups must be used Also latency compensation when using Key Inputs may not always work correctly so we recommend using the True Stereo setup whenever possible Dual Mono Operation MORPH First create two mono tracks and a stereo Aux Input New Tracks Place the two files to be morphed on the two audio tracks we ve named them Track A Track B and Stereo Aux in this example Then route the outputs of the two tracks to the Aux Input NI Track A iet zm Drone Sphere 12 L output TrackA no inp ne Sphere 12 L output e I S M bus track Track A Mono new track Track B Mono Stereo Aux Stereo Drone Twilight 6 R e I S m o S M H m S M MORP 29 User Manual v2 0 0 A Zynaptiq Pan the two tracks hard left and hard right and insert MORPH into the Aux it is a multichannel plugin and of type other O O Mix Morph setupTutoria INSERTS A E INSERTS A E INSERTS A AUTO AUTO AUTO a sto ad Y aut o re ls ad V 2 C and you re done MORPH 30 User Manual v2 0 0 AC zynaptiq Stereo With Mono Side Chain MORPH SC Create a stereo and a mono track and place your files on them the stereo track will be input A
10. MORPH as much as we do Yours Stephan M Bernsee amp Denis H G kdag zynaptiq headquarters Hannover Germany March 2015 User Manual v 2 0 0 A zynaptiq System Requirements Mac Requirements Intel based Apple Mac computer e Minimum of 2 CPU cores running at 2 4 gHz or faster e 1 GB of available RAM e Mac OS X 10 6 8 or newer e Apple AU AudioUnits Steinberg VST 2 4 or Avid RTAS AAX compatible host software e AAX requires Pro Tools version 10 3 5 or newer e Internet Connection for Activation though not necessarily on the Computer used for audio e iLok com account for activation e iLok 2 if you want to activate to a dongle iLok 1 not supported Windows Requirements minimum of 2 CPU cores running at 2 4 gHz or faster 1 GB of available RAM e Microsoft Windows Vista or newer XP SP3 may work but is not officially supported e Steinberg VST 2 4 or Avid RTAS AAX compatible host software AAX requires Pro Tools 10 3 5 or newer e Internet Connection for Activation though not necessarily on the Computer used for audio e iLok com account for activation e iLok 2 if you want to activate to a dongle iLok 1 not supported MORPH 5 User Manual v 2 0 0 Host Routing Requirements And Plug in Versions MORPH A zynaptiq MORPH requires two input signals to do morphing It can do so in dual mono or true stereo depending on your host s routing functionality To adapt to the capabilities of your host MORPH comes as two
11. The downside is that the setup is a little more involved You ll need 4 mono tracks one for each of the original channels and two stereo Aux channels then set the routing upas shown below instantiate one stereo MORPH per Aux and pan the Aux channels left and right New Tracks 110 ul m e i INSERTS A E INSERTSA E INSERTSA E INSERTSAE INSERTSAE INSERTS AE SoundAL MEE seine MORPH E MORPH or exp oh 7 0dB Sound AR no Drone Sphere 12 R ae gt i INE FPE 1109 0 7 0 dB AUTO AUTO TO AUTO E Cc a Drone Twilight 6 R E 5 S M P P P Sound AL Sound AR ff Sound BL f Sound BR f Aux 1 L B Aux 2 R MORPH 35 User Manual v2 0 0 A zynaptiq Ableton Live Ableton Live supports stereo side chains for AU on the Mac and 4 to 2 usage of MORPH as VST on Mac and Windows which is operated the same way as using a side chain in Live Dual Mono Operation AU MORPH VST MORPH Insert two audio tracks and one return track Place your two audio files on the two audio tracks and pan the tracks hard left and hard right Set the Audio To selectors for both audio tracks to Sends Only and send both tracks to the return track using the sends Send A in the image below Insert MORPH non SC on the return and start morphing 36 User Manual v2 0 0 AC zynaptiq True Stereo Operation AU MORPH SC VST
12. e scope in the large central X Y field You may need to adjust some down mixing settings in the bus group to ensure you hear the MORPH output only User Manual v 2 0 0 A zynaptiq General GUI Layout Logo Opens About Screen AY zynapiis LEVELS Preset Manager MIX A B Algorithm Section Lv INTERWEAY J DITM PROCESSING Reverb Section Processing Parameter Section AMP SENSE FORMANTS Bn SIZ DAMPING Morphing X Y Control MORPH 18 User Manual v2 0 0 Controls Details Algorithm Section MORPH 19 A zynaptiq This section contains all settings related to the actual morphing algorithm and routing MORPH MORPH SC ALIGN ALIGN is only available in the side chain version of MORPH MORPH SC If ALIGN is on the A signal read the signal present at the regular plug in inputs is delayed by the overall plug in latency bringing it into sync with the B signal if the host does not provide latency compensation for the side chain source track Note when ALIGN is on the plug in s audio as a whole will be delayed relative to other tracks playing the latency compensation is then effectively negated but conversely the plug in input signal and the side chain signal will be in sync with each other Algorithm Select This pull down selector allows choosing one of several algorithms to use for processing the morph Classic This
13. e a rotary control Also the combination of the horizontal marking on the Trackball the circular halo value display and the gradient filled blob make it very easy to tell the current value of the parameter While the mouse is over the control the parameter name underneath the Trackball will change to display the parameter value numerically Drag up down to change the parameter value e Hold shift while dragging for finer resolution When the control has focus the up down arrow keys and the mouse scroll wheel can be used to increment or decrement the value The control has focus whenever the mouse hovers over it e CTRL click or right click on the control to reset it to default e Double click on the control opens a text box for numerical entry of the value If the parameter is receiving modulation from an LFO or other modulation source the blob will show the modulated value while the halo shows the base value set with the slider MORPH 14 User Manual v 2 0 0 MORPH 15 User Manual v 2 0 0 A zynaptiq Standard Slider This is a straight forward slider control which comes in horizontal as well as vertical configurations Essentially it follows the same rules as the Trackball Drag the thumb along the slider axis to adjust the value Click anywhere in the slider groove to set the value directly Hold shift while dragging for finer resolution When the control has focus the up down a
14. ifferent signals MORPH 20 User Manual v2 0 0 Processing Section MORPH 21 AMP SENSE FORMANTS COMPLEXITY A zynaptiq This section contains detail parameters for the chosen algorithm AMP SENSE The functionality of this control depends on the chosen algorithm For Classic and Classic LL it adjusts the maximum level of combined sound features Reduce this value if some components are too prominent in the output sound if some frequencies start ringing or if the noise floor starts pumping For Interweave and Tight it evens out the levels of signal components attenuating high level components and dropping low level components Lower this value if the two signals are very different in level or certain signal features are under represented in the output Amp Sense can also be used as a very aggressive loudness booster if running in Tight or Interweaved algorithms and you set the X Y field to A or B Check it out FORMANTS Shifts the formants of the morphed sound up or down In the center position no formant shifting is applied This will also work if the morphing X Y control is set to play back one of the two sources unaltered The quality of the formant shift is very high and highest for the Classic and Interweave algorithms COMPLEXITY Adjusts the complexity of the resulting sound Higher values give more detailed output sounds taking more detail of the source sounds into account but you may want to reduce
15. into the aux and pan the two tracks hard left and hard right and start morphing MORPH 43 User Manual v2 0 0 A Zynaptiq Bi The About Screen Clicking on the zynaptiq logo in the top right of the plugin GUI opens the About screen It displays copyright information and version numbers and allows opening the manual or going to our website to find updates About MORPH Version 2 0 0 DSP 0 9 4 1503012030 Kitty 1 6 2a Conceived and developed by Denis H Goekdag Stephan M Bernsee Zynaptiq GmbH www zynaptig com Built using the Kitty cross platform plug in SDK by Blue Cat Audio www bluecataudio com User Manual Check version UPDATE CHECK amp DOWNLOAD To check availability of an update simply click on the Check Version button Provided your machine has internet access you will be taken to our website where you will find indication of the current version number If there s a newer version available simply download the trial version from the MORPH downloads page and install over your existing installation any activation will carry over and the trial version is the same as the full version MORPH 4G User Manual v2 0 0 A zynaptiq FAQ Questions amp Answers Q I am hearing ugly drop outs ring modulation distortion what is causing that amp what can I do A Most likely you are overloading your CPU The first thing you should try is to set the I O and or processing buffer
16. k 2 Please note that first generation iLoks are not supported and will be shown grayed out as in the image above Click next amp you re good to go MORPH 9 User Manual v 2 0 0 A zynaptiq 1 C ACTIVATE Should you already have an activation code for the plugin choose ACTIVATE You will then be presented with the following window where you may enter your code eoo Activation Code Entry Do you have an activation code available If yes please enter it below E EN EN EN EN NN ENG NOTO um eed tOo purcnase a VO lOO 419 HPA After entering your code click NEXT MORPH 10 User Manual v 2 0 0 A zynaptiq Clicking this brings up the iLok account login screen where you may enter existing credentials or create a new account Creating an account with iLok com is free and easy Please note that iLok com is used for many different plugins by many different manufacturers and that one account will work for all of those After creating the account you can log in in the activation wizard Fade in te License Account Login This trial requires you to have an ilok com account Please enter your ilok com account credentials uri E Password Remember Me Forgot Password or User ID MORPH 11 User Manual v 2 0 0 A zynaptiq Upon clicking NEXT amp successful login you will be presented with the following options eoo pua zynaptiq Select a Locatio
17. n Mee select the activation location If you want to activate to an iLok you can plug it in at any time 23 YourDrive 12345678 12348610 Choose whether to activate to your Computer or to an iLok 2 Please note that first generation iLoks are not supported and will be shown grayed out as in the image above Click next amp you ll see a progress bar and once it completes you re good to go MORPH 12 User Manual v 2 0 0 A zynaptiq Overvievv Applications for MORPH MORPH can be used to create a virtually unlimited number of unique sounds here are some ideas on what you can use it for Creature alien robot voices for film and game sound e Seamless morphing transitions between film scenes songs or sounds e Hybrid musical instruments Applying timbre and or amplitude features from one sound to another Hybrid rhythms e Adding animation to static sounds using automated FORMANT SHIFT e Surreal ambient textures Vocoder Talkbox like effects MORPH 13 User Manual v 2 0 0 A zynaptiq The Parameters Control Types amp Behavior MORPH sports several control types which have a variety of usability features We will describe the ones with extra functionality here Trackball Slider This control is a unique Zynaptiq type it is essentially a vertical fader that looks like a knob The benefits of this configuration are that they are simple to control with a mouse like a fader yet conserve GUI space lik
18. ng that you do not need an activation code Activation Demo and full version 1 Authorization Wizard The authorization wizard will open if the plugin is not yet authorized when you insert the plugin or when it is scanned by your host application You can choose to Start a trial Try cancel Quit or Activate A zynaptiq VANO ASS ad aL P RealkTime Structural Audio Morphing MORPH 7 User Manual v 2 0 0 A zynaptiq 1 B TRY Clicking this brings up the iLok account login screen where you may enter existing credentials or create a new account Creating an account with iLok com is free and easy Please note that iLok com is used for many different plugins by many different manufacturers and that one account will work for all of those After creating the account you can log in in the activation wizard Padre io License Account Login This trial requires you to have an ilok com account Please enter your ilok com account credentials uri E Password Remember Me Forgot Password or User ID MORPH 8 User Manual v 2 0 0 A zynaptiq Upon clicking NEXT amp successful login you will be presented with the following options eoo AY zynaptiq Select a Location ergs select the activation location If you want to activate to an iLok you can plug it in at any time BY YourDrive 12345678 12948612 Choose whether to activate to your Computer or to an iLo
19. no group PITCHMAP stereo ITE E ERSTE UNCHIRP stereo UNFILTER stereo UNVEIL stereo oco no key input Done There may be a small residual latency in the area of 28 Samples which should not be an issue in most cases To get rid of this you may use a time adjuster plugin MORPH 32 User Manual v2 0 0 MORPH 33 A Zynaptiq True Stereo Operation in Pro Tools HD MORPH Create two stereo tracks and a quad Aux input put your audio on the tracks and route them to the Aux lly New Tracks Track A b Drone Sphere 12 e TS M Track B 1 Drone Twilight 6 bon Iv b 048 Insert MORPH quad stereo into the Aux and then set the Aux to output to your stereo monitoring output no insert setupTutorial INSERTS A E multichannel plug in Murine plug in d gt MEE MORPH Quad stereo Avid Marketplace lad 5 B Track A TrackB Aux1 User Manual v2 0 0 AY zynaptiq Pan Track A to the front L R and Track B to the rear L R Done now start morphing MORPH 34 User Manual v2 0 0 AP zynaptiq True Stereo Operation in non HD Pro Tools MORPH Basically follow the dual mono procedure but twice once to morph the left channels of A and B and once for the right channels of A and B The added advantage of this approach is that you can have different settings for the left and right morphing which can give great stereo effects
20. on with intermediate stages that have characteristics of both source sounds This is the sonic equivalent of video effects like one face turning into another or a square changing shape to become a circle Morphing is a term widely used in the audio industry but it is typically used to describe a simple spectral interpolation or even just a parameter interpolation In terms of the video effects analogy this would be a transition based on doing some math with the pixels while MORPH would be performing edge tracking and inverse raytracing to create a wireframe model for the two input sounds then shaping the geometry of one wire frame model to become the other This is a mathematically significantly more advanced and in our humble opinion sonically much more interesting approach The MORPH technology is the latest result of research that goes back to the 1980 s when our lead scientist Stephan Bernsee created the world s first audio morphing algorithm on the then top of the line SGI platform Along the way this research resulted in the highly regarded morphing algorithms in Prosoniq s sonicWORX series of sample editors the morphing synthesis engine in the Hartmann Neuron synth and MORPH s predecessor Prosoniq Morph Whether you want to create believable creature voices unique SFX unheard hybrid musical instruments immersive sound transitions or crazy remixes and DJ sets MORPH has you covered We sincerely hope you will enjoy using
21. orphing horizontal movements are crossfades and the results will sound different on the left than on the right Clicking on the MORPH or X FADE labels will set a value of 50 for that axis and while the mouse hovers over the X Y control numerical values will be displayed at the top User Manual v2 0 0 A zynaptiq LEVELS In this section we control the output of the plug in the LEVELS Output Mixer output of the morphing algorithm can be mixed with the Mix A B UU two original input signals the two input signals can be TTE solo ed and the plug in bypassed altogether LIP IN TIT MIXINB i MIX AxB Adjusts the level of the morphed signal in the output mix Range is from off inf to 12dB CTRL click on this control resets to 0dB MIX INA Adjusts the level of the A signal in the output mix Range is from off inf to 12dB CTRL click on this control resets to off MIX IN B Adjusts the level of the B signal in the output mix Range is from off inf to 12dB CTRL click on this control resets to Off BYPASS Bypasses the plug in SOLO A Solos the unaltered A signal Useful for verifying that the routing is correct SOLO B Solos the unaltered B signal Useful for verifying that the routing is correct MORPH 23 User Manual v2 0 0 Reverb Section MORPH 24 User Manual v2 0 0 DAMPING A zynaptiq MORPH features a simple but great sounding reverb which is controlled in
22. pua Zynaptiq MORPH User Manual 2 PRESETS LEVELS 5 MIX AB Ill ALIM PROCESSING REVERB C Introducing MORPH What is MORPH System Requirements Mac Requirements Windows Requirements Host Routing Requirements And Plug in Versions Installation amp Authorization Installation Activation Demo and full version Overview Applications for MORPH The Parameters Control Types amp Behavior Quickstart Setup amp Operation General GUI Layout Controls Details Algorithm Section Processing Section X Y Morph Index Crossfade Output Mixer Reverb Section Presets The Preset Manager Storage Locations MORPH 2 User Manual v2 0 0 rer TEES wJrnuu U D y NA N UI Ul A zynaptiq Host Specific Setup Apple Logic Pro X AVID Pro Tools Ableton Live Steinberg CUBASE NUENDO MOTU Digital Performer The About Screen UPDATE CHECK amp DOWNLOAD FAQ Questions amp Answers Getting Support MORPH 3 User Manual v2 0 0 A zynaptiq 26 26 29 36 38 41 44 44 45 45 46 Introducing MORPH What is MORPH MORPH 4 A zynaptiq MORPH is a plugin that does real time audio morphing it takes two input sounds and gradually shapes one to become the other creating a transiti
23. rrow keys and mouse scroll wheel can be used to increment or decrement the value This control type has focus after it was clicked on AND the mouse hovers over it CTRL click or right click on the control to reset it to default Double click on the control opens a text box for numerical entry of the value The parameter label will change to display the parameter value when the mouse hovers over the control Toggle Switch A latching switch that activates a function or switches between two different functions CTRL click resets it to default MORPH 16 User Manual v 2 0 0 A zynaptiq Momentary Button A momentary switch that triggers an action such as a reset clear This control type comes in several sizes It has the same corner cut logic as a toggle switch but is always highlighted so always is bright and has no LED Pull down Selector Menu Opens a menu that contains multiple options when clicked You can recognize this control type by its cut off corners on both lower sides as well as the disclosure triangle CTRL click resets this to default value X Y Field A control that adjusts two parameters simultaneously Drag the scope to adjust the parameters its horizontal position adjusts parameter 1 the vertical position parameter 2 CTRL click resets it to default Depending on the product a click on the name of an axis sets the related parameter to minimum or 50 in the case of MORPH
24. s of your host to higher values ideally 1024 samples or higher This will significantly decrease the CPU use and in most cases eliminates the artifacts mentioned above Q Mac Logic Pro shows me a Sample Rate Mismatch or similar error when inserting MORPH and sound is distorted or stops altogether What can I do A You are overloading the CPU but Logic is displaying the wrong error message Increasing the I O and process buffer sizes usually cures this issue If not see the CPU load optimization section below for some tips on how to get more out of your machine MORPH 45 User Manual v2 0 0 4A zynaptiq Getting Support If you re having trouble with MORPH that isn t covered in these FAQ please email us amp we ll get you up and running ASAP We can be reached via http www zynaptig com support form MORPH 46 User Manual v2 0 0
25. this section The reverb is fed by the output of the mixer so it can be applied to the Mix In A and Mix In B signals too and is not present in the SOLO signals SIZE Adjusts the room size of the reverb MIX Adjusts the reverb send level DAMPING Adjusts high frequency damping for the reverb A zynaptiq Presets To make working with the different plug in formats easier MORPH provides it s own preset manager and preset format This way you can load your custom settings exactly the same way regardless of whether you re working on the Mac or on a Windows machine whether you re using RTAS or VST The Preset Manager A click on the preset selector pull down brings up a menu that provides options for saving and loading presets saving the current setting as default and re setting the default preset to factory default values If you edit a recalled preset the preset name will be displayed in Italic font to indicate that the current and saved values don t match The lt and gt momentary buttons to the left and right of the pull down menu allow loading the previous or next preset respectively Please note that MORPH and MORPH SC have incompatible and thus separate presets as their number of parameters differs Storage Locations There are separate locations for factory presets and user presets as well as for MORPH and MORPH SC and they both depend on the OS platform you re working on Factory presets Mac OS X
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