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1. After the trim action ADL CLP 1B 5 1 01 00 00 06 00 on LP_i006 3 00 00 00 07 00 46 011 00 12 46 08 00 on LP_i006 3 00 00 00 07 00 44 011 00 12 46 08 00 12 30 3D U 12 40 35 DU ADL CLP 1006 1 01 00 00 06 00 12 30 35 DU 12 30 30 129 Issue 5 9 B 4 9 5 130 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TRIMMING TIMELINE ELEMENTS You can trim elements using the user interface the keyboard shortcuts or the ShuttlePRO The three procedures are explained below the overview HOW TO TRIM AN ELEMENT IN THE USER INTERFACE To trim an element using the user interface proceed as follows 6 Select the Insert or Overwrite amp mode to be applied in the trim action by clicking the Insert Overwrite Global mode button lf the trim mode is not active click the left mouse button in the upper or lower Lasso Selection area and keeping it pressed drag the mouse from right to left over the transitions on which you want to activate the Trim mode If required refine the track selection by selecting or deselecting the tracks using the Track Selection buttons on the left of the timeline display If required change the trim mode by clicking on e the left of the transition to activate the Trim Left mode e the right of the transition to activate the Trim Right mode e the transition itself to activate
2. 181 amp 20 17 1447 09 16 14472515 1447 37 07 Result 15 1820 17 14 47 03 15 144725815 14 47 37 07 15 18 20 17 14 47 03 15 1447525815 14 47 357 07 SELECTION BASED ON THE NOWLINE POSITION e To select all elements before the nowline including the elements where the nowline is positioned press CTRL and click a e To select all elements after the nowline including the elements where the nowline is positioned click 81 Issue 5 9 B 82 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 SELECTION BASED ON THE RECORDED CAMERA ANGLE The Select Camera command available when you right click in a timeline allows you to select the timeline elements recorded on the camera you will choose from the list displayed in the contextual menu Delete Renane Add swap mute Fit to content Replace settings Resync amp gt V Set Timecode slip Seleck Camera 01 XT ADL RECI Replace by D1 XT ADL REC Set speed This selection is used in combination with the Replace by command to replace all selected clips by another camera angle The selection based on the recorded camera angle is done according to the following rules e Only elements on the activated A V tracks will be selected e Only elements recorded on the selected camera will be selected e f mark IN and mark OUT points are defined only relevant elements bet
3. 12 35 00 12 35 08 0 ADL CLP 1006 3 00 00 00 08 00 12 30 30 12 30 3B ADL CLP 1006 1 01 DC DID Dei 12 30 3D 12 40 36 12 35 00 12 35 08 00 During the trim action If 00 00 01 00 Y Y ADL_CLP_1006_ 1 01 06 0 ADL CLP 10068 3 00 00 00 00 00 00 00 05 00 ADL_CLP_1006_1 01 ADL CLP 1 6 3 00 00 00 08 00 ADL Ci 00 80 00 00 00 00 05 00 36 12 45 00 06 12 45 D8 D 12 40 5 ADL CLP 1006 1 01 DU HAM ADL CLP 1 06 3 00 O0 00 03 00 ADL Ci p 12 45 00 00 12 45 08 0 D B5 BO 00 DO OD D5 D0 3 36 After the trim action ADL CLP 1DB amp 1 01 00 00 05 0 AOL CLP_1006 3 00 O0 00 08 00 AOL CLP iDD8 12 30 34 DU ADL CLP 1 6 12 35 00 12 35 08 00 ADL CLP 1 n amp 3 00 00 00 08 DII 12 30 3D U 12 30 35 ADL CLP 1B0 6 1 01 00 00 04 0 12 45 08 00 12 40 34 00 12 46 00 00 12 30 35 12 30 30 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 TRIM LEFT IN OVERWRITE MODE In a trim left performed in Overwrite mode the OUT point of an element is shifted to the right i e element extended or to the left i e element trimmed impacting what follows in the timeline e When the OUT point of the element is shifted to the right the next element is reduced by an equivalent duration e When t
4. 9 Note If you select video and audio tracks to apply effects but you define a Wipe effect in the Add Modify Transition Effects window IPEdit will apply a Mix effect by default on the audio tracks EFFECT DURATION The video and audio transition effects can have a different duration The transition effect will not impact the duration of the element as it is created beyond the IN or OUT points of the element using the material available in the guardbands or on the record train 9 Note No effect can be defined on an element for which no guardband or record train is available EFFECT POSITIONS The transition effect is always linked to the beginning of the element on which it is defined It can be positioned as follows Transition Position Setting in the Transition Display Effect Definition Before Cut on the previous element J BTE J 611E01 N 1 27 43 20 11 20 40 2727 J 611E 01 N 1 27 43 20 ADL CLP 2 11 20 40 22 151 Issue 5 9 B 4 12 6 152 Transition Position Centered After Cut on the element where the transition is defined ADD MODIFY TRANSITION EFFECT WINDOW You can add and modify transition effects manually in the Add Modify Transitions Effect window To access this window do one of the following IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Setting in the Transition Effect Definition
5. Click the Add Fx button to open the Add Transition Effect window In the Tracks group box click the tracks on which transition effects should be added For example In the Transition Effect group box modify the default settings for the effect type duration and position if needed For example Transition Effect Type Cut Mix LI E Duration Frames even value Before cut Centered on cut fter cut Position In the Video Transition GPI specify a Start transition GPI and an End transition GPI if requested For example no GPIs are defined Tick the check box Apply to all transitions between mark in and mark out If you want to overwrite any transition effect that may have been previously defined on the selected transitions tick the check box Overwrite existing transition effects IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 0 Click the Add button The transition effects are added to the beginning transitions of the elements that are covered by the mark IN and mark OUT points and that are selected in the Track group box The effects have the settings defined in the Transition Effect group box and the GPls defined on the video track if any 00 00 03 18 How TO ADD EFFECTS AUTOMATICALLY TO NEW ELEMENTS The IPEdit module is open and the timeline on which you want to add automatic transition effects is loa
6. You can now load media to the Player and to the Timeline panes y Note To unassign the player channels double click the PGM Assignment Display field VIDEO DISPLAY PURPOSE The video display makes it possible to view any media loaded on the Player that is available on the XNet network PREREQUISITES The video display needs to be connected to the server s PGM2 or PGM4 SDI output to be operational For more information refer to section 3 2 Assigning Player Channels to IPEdit on page 12 ACTIVATION AND DEACTIVATION When the video display is operational you can activate or deactivate it by right clicking the Video Display area and selecting Show Hide Video Display IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 3 4 3 4 HOW TO ASSOCIATE A VIDEO DISPLAY TO THE PLAYER PREREQUISITE In all cases the video display will only be available in the Player if the PGM2 or PGM4 of the server is physically connected to the IPDirector workstation on which the AVH board is installed AUTOMATIC ASSOCIATION If the AVH board is associated to the player PGM in the Remote Installer the video display will automatically be displayed when the user selects the Timeline Engine For more information on the association between the player channel and the AVH board in the Remote Installer refer to the IPDirector Technical Reference manual How TO ASSOCIATE M
7. January 2011 Example Shift to the left Before the trim action DO OD DS 19 Jr ADL_CLP_1006_1 01 i LP_1006 3 00 O0 00 08 00 ADL C 12 40 30 D 12 40 38 45 00 00 12 45 08 00 12 40 AD L CLP iDD5 1 01 00 00 06 T L CLP_i006 3 00 O0 00 08 00 ADL C 12 40 30 00 12 40 35 45 00 00 12 45 08 00 During the trim action 00 00 010 ADL CLP iDDU6 1 01 ADL _CLP_1006_1 01 00 60 00 00 ADL CLP iDD6 1 01 12 40 ADL C 00 60 00 00 12 40 After the trim action i in LP_i006 3 00 00 00 09 00 4459 00 17 45 08 00 ADL CLP 1008 1 01 00 00 05 0 12 40 30 D 12 40 35 12 40 73 AD L_CLP_i006 1 01 00 00 05 1 d LP i006 3 00 00 00 09 00 ADL C 12 40 30 0 12 40 35 4459 00 17 46 08 00 12 40 125 Issue 5 9 B 126 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TRIM LEFT IN INSERT MODE In a trim left performed in Insert mode the OUT point of an element is shifted to the right i e element extended or to the left i e element trimmed in the available A V material without impacting what follows in the timeline Example Shift to the left The following example shows a trim left in Insert mode where the element is trimmed The following timeline element remains unchanged after the trim action Before the trim action ADL CLP 1006 1 01 00 00 06 ADL_CLP_1006_3 00 00 00 08 00
8. Display 5114 01 ADL CLP Pree er es B11 401 11 26 27 24 11 256 40 02 e Click the Add Transition Effects button XE in the Timeline pane e Press the Backslash key OVERVIEW This window is made up of four main group boxes in addition to the usual Add and Cancel buttons e racks e Transition Effect e Options e Video Transition GPI h a IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Transition Effect Video Transition GFI Type Link GPI s to video transition effect Start transition GPI PULSE HiBH w 01s00 wipe End transition GFI 2 NE PULSE LOW v 24 0100 san Durations s 8 Frames ewen value ale 0 fields Before cut Centered on cut After cut E Apply to all transitions between mark in and mark aut BUT existing transition effects The following sections explain the various group boxes in details WHERE ARE THE TRANSITION EFFECTS APPLIED Elements from the Same Media Source By default the transition effects defined manually in the Add Modify Transition Effect window are applied to the selected tracks and to the elements which are the closest to the nowline Contiguous Elements from Different Media Sources If you want to apply the transition effects to several contiguous transitions you need to place mark IN and mark OUT points to cover all the transitions on which to apply the transiti
9. To move timeline elements using the numeric pad proceed as follows 1 Click the Insert Overwrite Global Mode button to select the Insert or Overwrite mode that you want to use in the move action Select the elements to be moved Do one of the following e To move the element to the left press the Minus key E on the numeric pad e To move the element to the right press the Plus key on the numeric pad A Minus or Plus sign appears on the first selected element Type the number of frames you want to shift the selected elements Press ENTER How TO MOVE ELEMENTS USING THE ARROWS To move timeline elements using the arrow keys proceed as follows 1 Click the Insert Overwrite Global Mode button to select the Insert or Overwrite mode that you want to use in the move action Select the elements to be moved Do one of the following e To move the element 1 frame to the left press a Ctrl e To move the element 10 frames to the left press c EJ e To move the element 1 frame to the right press LJ e To move the element 10 frames to the right press tO IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 8 4 8 1 EXTENDING TIMELINE ELEMENTS INTRODUCTION DEFINITION The Extend function consists of extending a timeline element by redefining its IN point Extend IN or OUT point Extend OUT This function will apply to t
10. Track Selection The rules for the track selection described in the section Track Selection Applied to the Timeline Element on page 90 apply to the Match Frame Replace function when you use the Player buttons or keyboard shortcuts Available Material The general principles about available material remain valid for the Match Frame Replace function See also the section Applicable Principles on page 83 95 Issue 5 9 B 96 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 REPLACING TIMELINE ELEMENTS FROM IN To OUT POINTS Description The following schema shows how the Match Frame Replace is performed when timeline elements are replaced from their IN to OUT points adi 030512 1 00 00 00 00 adi 080512 1 00 00 00 00 Procedure To replace one or more timeline element s of the same source clip using the Match Frame Replace function proceed as follows 1 In the Player and Timeline panes select the tracks to be taken into account when you will insert the media See also the section Track Selection Applied to the Timeline Element on page 90 2 In the Player panel load the clip or train that contains the material to be inserted into the timeline 3 Click in the jog bar to define the reference frame position in the loaded media 4 In the loaded timeline place the nowline on the element s to be replaced 5 Do one of the following
11. User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 14 4 AUDIO VOLUME AUTOMATION PANEL Audio Track Name Maximum Graphic Volume Automation Volume Automation Volume Range Point Curve Minimum Graphic 0 db Line Volume Range Global Increase Decrease Button AUDIO TRACK NAME The Audio Track Name shows the name of the audio track that is displayed in Volume Automation mode GLOBAL INCREASE DECREASE BUTTONS The buttons makes it possible to increase or decrease the volume of the whole volume automation line or curve For more information refer to section 4 14 7 Increasing or Decreasing the Global Volume of a Track on page 183 O DB LINE The 0 db line represents the original audio level of the track in the timeline When it is added to the timeline each element on the track has the same audio level as its source media MAxiMUM MINIMUM GRAPHIC VOLUME RANGE 2 bal The Maximum Graphic Volume Range box upper box specifies the range for increasing the audio volume of a track track portion or point above the O db line The range is expressed in decibels and can be between 1 and 18 decibels 180 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 The Minimum Graphic Volume Range box lower box specifies the range for decreasing the audio volume of a track track portion or point below the 0 db line Th
12. IPEdit EVS Broadcast Equipment January 2011 3 Modify the requested parameters in the Modify Locator window 4 Click Apply The parameters of the locator have been modified How TO DELETE A LOCATOR 1 Select the locator with the lasso as described in the section 4 16 4 The locator is displayed with a white border 2 Right click on the locator and select Delete Locator from the contextual menu The following warning message is displayed 3 Click Yes to confirm that you want to delete the locator The locator has been removed from the Timecode bar USING GPIS IN IPEDIT GENERAL INFORMATION ON GPIS BASICS The GPI is the General Purpose Interface device that can be connected to the XT server The GPI signals i e electric signals generated by the GPI device allow the operator to e receive commands from a third party device to the server These are Input GPIs our GPls IN GPls IN can be used in the Playlist panel OR e send commands from the server to a third party device via given IPDirector applications These are Output GPls or GPIs OUT GPls OUT can be used in the Playlist panel and in IPEdit IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 GPI USE IN IPEDIT In IPEdit you can define up to eight GPls OUT The IPEdit module and the Playlist panel have to share these eight GPlIs OUT AN Important IPDirector does not prevent
13. January 2011 Issue 5 9 B EXAMPLE Initial Situation The initial elements of the clips adl clp 10 adl clp 11 and adl clp 12 are present in the timeline Their TC IN and OUT of the elements are specified on the element blocks and displayed on the screenshots DOO 00 00 1016 ODDO 2D 510C420 adl elp 10 6104 20 adl clp 11 6105 20 adl clp 12 B1 c 2n D3 45 04 13 09 49 09 18 0649 26 12 09 49 32 08 09 49 39 17 09 49 49 05 adl_cip_10 6104 20 adi clp 11 6105 20 adl clp 12 B1 cu2n D3 45 04 13 09 49 09 18 Dx49 26 12 09 49 32 08 09 49 39 17 09 49 49 05 adl clp 10 6104 20 adl clp 11 6105 20 adl clp 12 B1DC 2D 3 49 04 13 09 49 09 18 0849 26 12 09 49 32 08 09 49 39 17 09 49 49 05 adl_cip_10 6104 20 adl clp 11 6105 20 adl clp 12 B1ncu2n 09 49 04 13 09 49 09 1418 09 49 26 12 09 49 32 08 09 49 39 17 09 49 49 05 Element Selected for Slipping Action All elements of the same source clip are selected for the slip action adi cip 1 28 49 04 13 adi cip 1 3 49 04 13 adl cip 1 09 49 04 13 adi cip 1 5r 49 04 13 142 610 472 09 49 09 1 610472 3 453 08 1 adi cip 11 9 49 26 12 adi cip 11 3 49 26 12 adi cip 11 5 49 26 12 adi cip 11 5 49 26 12 610620 09 49 32 08 610620 09 49 32 08 6106 20 09 49 32 08 6106 20 0949 32 08 BiUC 8 43 43 05 clp 12 B10C 20 49 59 17 09 49
14. Merge Blank Elements Add Blank Find blank elements Copy move Timeline Copy clips locally Publish Edit Rename IPEdit Settings Delete Timeline Delete Timeline and Clips IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Description Opens the Create a Timeline window to create a new timeline and make it directly editable in the Timeline pane Closes the current timeline loaded in the Timeline pane Removes all elements of the current timeline loaded in the Timeline pane The timeline remains available in the Database Explorer or Browser as an empty timeline Reloads the timeline from the EVS server Merges together the blank elements that are contiguous in the timeline Allows you to add a blank of the desired duration from the nowline on the selected tracks in the active mode Insert or Overwrite Lists the blank elements inside the opened timeline which allows the user to easily localize and manage them From the Find Blank Element window which lists the blanks track TC IN TC OUT and Duration you can double click the row corresponding to a blank element to position the nowline on the corresponding TC Opens the Copy Timeline window that allows you to create a copy of the timeline and all timeline elements to another server Creates a copy of all distant timeline elements onto the local server Opens the Publish Timeline window timel
15. Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 TRIM RIGHT IN OVERWRITE MODE In a trim right performed in Overwrite mode the IN point of an element is shifted to the right i e element trimmed or to the left i e element extended impacting what comes before in the timeline e When the IN point of the element is shifted to the right a blank of an equivalent duration is added before the trimmed element e When the IN point of the element is shifted to the left the previous element is reduced by an equivalent duration Example Shift to the right The following example shows a trim right in Overwrite mode where the element is trimmed A blank element is added in front of the trimmed element Before the trim action ADL_CLP_1006_1 01 00 00 06 DIOE ipa LP 1 D6 3 00 00 00 08 00 12 30 3D 12 40 36 DU 445 010 010 12 46 08 00 ADL_CLP_1006_1 01 00 00 06 DIOE ua LF_1006_ 3 00 DD DO OS DIDI 445 010 010 12 46 08 00 12 30 30 12 30 35 DU During the trim action 00 00 01 00 Soe 06 00 ADL C ADDE LPOG 3 00 O0 00 08 00 ADL CI 0000 07 00 00 00 07 00 2 L C ADLE ELP AT0D6 3 0 00 00 08 00 ADL Ci ADL CLP 1DD amp 1 01 DD DO D8 00 12 40 30 060 12 40 35 00 ADL CLP 10 6 1 01 00 00 06 00 E 0D D0 DT DD 12 40 23 E 00 00 08 00 ADL Ci 12 30 35 DU 12 40 30 00 45000000007 DO DU BD Dr DD 12 30 55
16. Ripple A on the left element adi clr gt The yellow vertical bar is displayed on the left element and the Trim Left mode is active IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 To activate the In the user interface On the keyboard Trim Right mode Click next to the transition Press Ripple B on the right element gt The yellow vertical bar is displayed on the right element and the Trim Right mode is active To activate the In the user interface On the keyboard Trim Left and Right Click right on the transition Press mode Roll le gt The yellow vertical bars are displayed on the both left and right elements and the Trim Left and Right mode is active How TO ACTIVATE THE TRIM MODE ON THE NEXT PREVIOUS TRANSITION When you are in trim mode you can activate the trim mode on the next or previous transition using keyboard shortcuts Principles When the trim mode is moved to the next or previous transition it is set back to the roll mode by default The trim will only be activated on the next or previous transition where all the selected tracks are vertically consecutive Procedures gt To activate the trim mode on the next transition press on the keyboard To activate the trim mode on the previous transition press on the keyboard 123 Issue 5 9 B IPDirector Version
17. Template 3 Click OK The values defined in the loaded template are applied IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 10 3 10 1 HOW TO DELETE A TEMPLATE To delete an audio monitoring template proceed as follows 1 Click the Audio Monitoring button to open the AVH Config window 2 In the Template area select the template that you want to delete from the list of available templates 3 Click Remove 4 Click Yes to confirm that you want to delete the selected template The values defined in the loaded template are deleted Note that the values of the deleted template have been still displayed in the AVG Config window If you do not change them before leaving the window they will still be applied LOADING MEDIA ONTO THE PLAYER GENERAL INFORMATION PREREQUISITE To be able to load a clip record train or log onto the Player you first need to assign a pair of player channels i e a timeline engine to IPEdit This will automatically assign the second player channel to the Player For more information refer to section 3 2 Assigning Player Channels to IPEdit on page 12 LOADABLE MEDIA The following media can be loaded to the Player e Aclip that contains at least a hi res clip element local or distant present on a server e A growing clip that contains at least a hi res clip element local or distant which material
18. User s Manual Version 5 9 January 2011 Part 8 Editing IPEdit IP LWirector Video Production Management Software IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 COPYRIGHT EVS Broadcast Equipment Copyright 2005 2011 All rights reserved DISCLAIMER The information in this manual is furnished for informational use only and subject to change without notice While every effort has been made to ensure that the information contained in this user manual is accurate up to date and reliable EVS Broadcast Equipment cannot be held responsible for inaccuracies or errors that may appear in this publication IMPROVEMENT REQUESTS Your comments will help us improve the quality of the user documentation Do not hesitate to send improvement requests or report any error or inaccuracy on this user manual by e mail to doc evs tv REGIONAL CONTACTS The address and phone number of the EVS headquarters are usually mentioned in the Help gt About menu in the user interface You will find the full list of addresses and phone numbers of local offices either at the end of this user manual for manuals on hardware products or at the following page on the EVS website http www evs tv contacts USER MANUALS ON EVS WEBSITE The latest version of the user manual if any and other user manuals on EVS products can be found on the EVS download center on the fol
19. l 1 1 1 1 I1 1 1 1 L L 1 1 1 1 1 1 1 1 I d L1 1 LI 46001 adl cip 8 00 Fem ADL CLP 3 00 6106 01 adl clp r ADL CLP 3 00 610E adl _clp L 45 01 adl cip 8 00 11 25 43 21 11 25 51 1195 16 31 24 C2216 17140405 4601 adl cip 3 b ADL CLP 3 610601 adl clp c EB 1140406 11 25 43 21 11 25 51 1595 16 31 24 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 After Extend IN in Insert Mode The IN point of the timeline element ADL_CLP_3 00 has been shifted to the left in the available A V material IPEdit calculates the shift on the basis of the duration between the mark IN point placed in the timeline and the IN point of the timeline element The duration of the previous timeline element has not been reduced After Extend IN in Overwrite Mode The IN point of the timeline element ADL_CLP_3 00 has been shifted to the left in the available A V material IPEdit calculated the shift on the basis of the duration between the mark IN point placed in the timeline and the IN point of the timeline element The duration of the previous timeline element has been reduced by the duration of the extend DD 01 13 11 113 Issue 5 9 B 4 8 4 114 IPDirector Version 5 9 User Manual Part 8 Editing IPEdi
20. to 35x by pressing the J keyboard shortcut 1 click 100 2 clicks 150 3 clicks 200 4 clicks 250 5 clicks 300 Stops the playback of the media if loaded or freezes the record train loaded at the current timecode Plays the loaded media on the assigned player channel The Keyboard shortcut toggles between Play or Pause Plays the loaded media forward The forward speed is set via the contextual menu available from the Fast Forward button The possible speeds are from 25 to 100 and from 2x 200 to 35x by pressing the L keyboard shortcut 1 click 100 clicks 150 3 clicks 200 4 clicks 250 5 clicks 300 22 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 User Keyboard ShuttlePRO key Interface Shores TC left 03 07 12 14 00 00 043 00 03 07 16 14 Duration middle 03 07 127 14 00 00 04 00 03 07 16 14 TC right 03 07 12 14 00 00 04 00 03 07 16 14 Issue 5 9 B Description Opens the Save Clip window to save the loaded media into a new clip The mark IN and mark OUT points defined in the Player or for lack of them the IN and OUT points initially defined will delimit the clip Timecode of the mark IN point defined on the Player Right clicking the field will allow the user to edit it The changes have to be saved in a new clip Durat
21. 09 49 26 12 09 49 32 08 610420 3x 49 088 adl clp 11 6106 20 9 49 26 12 09 49 32 08 adi cip 11 6106 20 09 43 25 12 3 43 32 08 adi clp 1 2 09449 3891 H 610420 adl clp 11 B10B 20 ad clp 12 adl clp 11 610620 rl clp 12 J amp 49 09M8 09 49 26 12 09 48 32 08 09 48 39 17 D5 48 26 42 Dg 483208 1 49 39817 G1 DAI20 adl cip 11 61 0620 acl clp_1 2 adl cip 11 6106 20 clp 12 19 49 0918 08 49 26 12 3 43 32 8 D9i49 39 1 F Q3 43 09 14 J 09 49 26 12 3 43 32 08 49 39 17 pc a a ae ee ae ee eee eee E Click the requested Timeline Track Selection buttons to select or unselect the tracks you want or do not want to slip Rotate the jog to the left or to the right to slide the elements respectively to the left or to the right When you stop turning the jog the slide action is applied within 1 sec Click anywhere in the Lasso Selection area to leave the slip mode 147 Issue 5 9 B 4 12 4 12 1 148 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TRANSITION EFFECTS INTRODUCTION PRINCIPLES AND LIMITATIONS In IPEdit the transition effects follow the principles below e Effects can be added on the transitions of the audio and video elements of any timeline track e They can be heard and seen when browsing the timeline e A transition effect is always linked to the beginning of the elemen
22. January 2011 e Note If an audio transition effect is defined where the swap mix is defined the transition effect will have priority on the swap mix The latter will not be applied 4 13 8 ADDING AUDIO SWAPS How TO ADD A SWAP OR MUTE TO ONE OR MORE ELEMENTS OF AN AUDIO TRACK To add an audio swap to one or more elements of an audio track proceed as follows 1 In the general timeline display select the elements of a track on which you want to define a swap For a multiple selection select the elements while pressing CTRL 2 Right click one of the selected elements and select Add Swap Mute The Swap Mute Configuration window opens Swap mute configuration e Swap mute matrix SSIES A 42 435 44 45 AG AF AS Li Li a Pu cule 1 E n d 3 Do one of the following to define a swap or mute e For a swap click in the matrix at the intersection between the source channel to play and the output channel on which the source should be played e For a mute click in the matrix on the bullet located on the line of the output channel to mute 4 Repeat the step 3 on all the channels that you want to swap or mute 5 Click Apply The swap and mutes are defined on the requested elements of the audio track 174 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 This is symbolized with the global swap icon d or the mute icon disp
23. Key Description This chapter describes the Playlist Panel module that allows complex playlists to be made modified and played to air using an efficient workflow This chapter explains the Fill amp Key function in IPDirector which make it possible to gang channels of the EVS video server together in a Fill and Key relationship to allow the operator to perform synchronized clip or playlist recalls in a Fill amp Key scenario PART PLAYOUT AB ROLL PLAYLIST The seventh part contains the following chapter Chapter AB Roll Playlist Description This manual describes the AB Roll Playlist module This application is used to control and play material on up to 1 to 4 channels A to D at the same time The operator plays clips in A B C D sequence using the MPlay remote control PART 8 EDITING The eighth part contains the following chapter Chapter IPEdit VI Description This manual describes the IPEdit module This is a video editing solution that delivers real time performance through a new server based architecture It offers complete timeline editing with no rendering process required IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 PART 9 EDITING The ninth part contains the following chapter Chapter Description Edit While This manual describes the Edit While Playout mode of the Playout IPEdit application Th
24. SELECT ELEMENTS FROM OR TO NOWLINE Selection from the nowline _ Selection to the nowline Ctrl C 45 Issue 5 9 B 46 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 The Select Clips From or to Nowline function allows you to select all the timeline elements e from the nowline to the last timeline element The first element that is selected is the one on which the nowline is positioned e from the first timeline element to the nowline The last element that is selected is the one on which the nowline is positioned ADD EDIT AT NOWLINE POSITION e The Add Edit at the Nowline function cuts the timeline element at the nowline position This cut is applied only to the tracks selected in the timeline track selection EXTEND The Extend function makes it possible to extend or shorten a timeline element You will find detailed information on this feature in section 4 8 Extending Timeline Elements on page 109 The Extend button is enabled when a mark IN or mark OUT is defined on the loaded timeline When the function is applied IPEdit only takes into account the tracks selected in the timeline track selection EXTEND SLOW FAST gs ss The Extend Slow Fast function makes it possible to extend or shorten a timeline element without adding new material This action will stretch the existing material of the element to fit in the new length The
25. adl cip 1208 7 adl cip 1205 8 aq drag 3e ud8 00 00 11 17 adr ad 48 0 O10 DOE 1 3 01 adi cip 1205 7 i adl cip 1205 a OW aman 36 09 00 00 11 17 aman 48 01 Die onc 13 0 Timeline during the Overwrite action O0 DO 48 0 adl cip 1805 2 DD DO 48 CH D adl clp 1206 7 T adl cip 1805 2 DU DIOE 38 08 00 00 11 17 00 00 48 01 D 00 00 71 3 04 adl clp 1208 7 T adl cip 1806 2 DU DIOE S8 08 00 00 11 17 00 00 48 01 D Dor an 3 01 Timeline after the Overwrite action adl cip 1206 7 adi cip 1605 2 adi cip 1206 8 00 00 36 08 00 00 11 1417 f 00 00 48 01 0 00 00 52 2324 00 00 08 03 adl cip 1205 7 adi cip 1 BOB 2 adi clp 1205 6 Obr 0 11 17 00 n 36 08 OO 00 46 01 0 00 00 52 2424 00 00 08 03 87 Issue 5 9 B 4 5 3 88 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 MATCH FRAME REPLACE E o The Match Frame Replace button allows you to replace timeline elements or parts of them by matching the current position on the clip or train loaded on the Player to the nowline position in the timeline The system calculates automatically the mark IN and mark OUT in the Player that will match the part of the timeline element s to be replaced N C M For detailed information refer to the section 4 5 5 Adding Media Using the Match Frame Replace on page 95 ADDING ME
26. e Press Cui JC e Press B i i The effects are deleted on the selected transitions for the selected tracks How TO DELETE TRANSITION EFFECTS ON CONTIGUOUS ELEMENTS To delete transition effects on contiguous elements proceed as follows 1 Place a mark IN and mark OUT points to cover the transitions on which the effects should be removed 2 Select the audio and video tracks where the effects should be removed 3 Do one of the following e Click the Delete Fx button EE Rf iu The effects are deleted on the selected transitions for the selected tracks ct e Press 163 Issue 5 9 B 4 13 4 13 1 164 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 AUDIO SWAPS AND MUTES INTRODUCTION TO THE SWAP MUTE FUNCTION DEFAULT AUDIO TRACK AND CHANNEL ALLOCATION By default the tracks and channels of the source media are added in a linear way and in the same sequence when an element is added to a timeline The following schema shows how the channels and tracks of a source media with 4 tracks of 2 mono channels are added into the timeline Tracks and channels in the source media al ad a3 ati a5 ab ar ad p L WEN E IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 13 2 SWAP MUTE FUNCTION The swap function makes it po
27. locator ij Locator description Add voice over e Select move or modify locators HOW TO SELECT DESELECT LOCATORS To select locators proceed as follows 1 Click the Locator Selection button V to activate the locators 2 In the Timeline Track selection select the track on which the locator is defined and only this track for example the Video track 3 Left click the mouse in the Lasso Selection area and draw a rectangle around the locator you want to select to cover it When you release the mouse key the locator is selected it is displayed with a white border A To deselect a locator simply click in the Lasso Selection area The white border around the locator disappears How TO MOVE A LOCATOR WITHIN THE TIMELINE ELEMENT When a locator is selected you can move it within the limits of the clip by dragging it with the mouse along the timecode bar As you are moving the locator it turns light blue and displays the frame on which it is positioned in the clip Y How TO MODIFY LOCATORS To modify the locator color or description proceed as follows 1 Select the locator with the lasso as described in the section 4 16 4 The locator is displayed with a white border 2 Right click on the locator and select Modify Locator from the contextual menu The Modify Locator dialog box opens 203 Issue 5 9 B 4 17 4 17 1 204 IPDirector Version 5 9 User Manual Part 8 Editing
28. select elements with the lasso 4 4 3 Page 80 select Transitions to Perform Trim Actions 4 9 3 Page 121 select Transitions to Perform Slide Actions 4 11 2 Page 144 select Transitions to Perform Slip Actions 4 10 2 Page 135 4 1 3 EDIT COMMAND BAR AND GENERAL EDITING FUNCTIONS a j The Edit Command bar provides access to the main editing functions The command buttons are enabled when a timeline is loaded Other general editing functions are available using keyboard shortcuts or ShuttlePRO keys This section provides an overview of the general editing commands accessible via the buttons of the Edit Command bar the keyboard shortcuts or the ShuttlePRO keys OVERVIEW These general editing functions are summarized in the following table The names of the editing functions related to a button in the user interface point to the related paragraph in this section Shortcut keys to navigate in the timeline are defined in the section 4 4 1 Moving the Nowline in the Timeline on page 77 Function Name User Keyboard ShuttlePRO key Shortcut Interface Item 41 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Function Name User Keyboard ShuttlePRO key Interface Item Shortcut Insert Overwrite Global Mode cz 2 B Q Set Timeline Mark IN Set Timeline Mark OUT scc O Clear Mark IN Clear Mark OUT Mark Current Element Selection Cle
29. 03 f2 54 20 20 EB OCI LX uour M E G2 sl Gf a Ga El m nt Cc 595 a0 OO0000000 00 TE I EMONIMN NeguNOMEM ADL TL 201i 1 Timeline 1 4 5 ACTIVATING A PANE IN IPEDIT The Player and Timeline panes need to be activated before editors can work on them The active pane is surrounded by a white frame Do one of the following e To activate the Player or the Timeline click anywhere inside the requested pane e To toggle between the Player and Timeline panes press the key IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 1 4 6 1 4 7 1 4 8 9 Note The keyboard shortcut definition is based on the key position on the keyboard not on a dedicated letter IPEdit automatically detects the keyboard used hence it supports default shortcuts on Qwerty and Azerty keyboards The following shortcuts are applicable to Qwerty keyboards When working with Azerty keyboards the default shortcuts are located on the same keyboard position i e Q gt A Users can always edit the default keyboard shortcuts in the Tools Define Shortcuts window PLAYER The Player allows editors to load and browse existing media i e clips record trains or logs as well as create new clips based on the loaded media The editors can also directly include the media loaded and selected on the Player into a timeline To do this the editors first need to select the ins
30. 49 05 clo 12 B1 0 c2 49 39 17 09 49 49 05 clp 12 B10 c2 49 39 77 09 49 49 05 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 During the Slide Action In this case the element adl clp 11 is shifted to the right e The elements before and after the slid element are highlighted in dark blue to indicate that their length will be impacted e The new position of the slid element in the timeline which corresponds to the slide action applied is displayed in the Timecode bar and in the element blocks instead of the element timecode O10 00 06 24 00 00 12 20 JU adl cip 11 610620 m nor an az 00 adl cip 11 00 00 07 00 adl cip 11 6106720 md i DEODO DzDD 09423208 DCRDOEDSSD adl cip 11 6105620 rn i OO 00 07 00 09 49 32 08 UDAM adl cip 11 f 00 00 07 00 Final Situation The position of the slid element in the timeline has been shifted to the right However the IN and OUT point of the slid elements have not changed The element before the slid element has been lengthened its TC OUT has changed from 09 49 09 18 to 09 49 11 13 The element after the slid element has been reduced its TC IN has changed from 09 49 39 17 to 09 49 41 12 adi cpi 8 498 04 13 adi cip 10 8 43 04 13 adi cip 10 DE 49 04 13 adi cip 10 09 49 04 13 6104 20 09 49 11 13 610420 09 49 11 13 6104 20 09 45 11 1
31. 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 HOW TO LEAVE THE TRIM MODE You can leave the trim mode with the mouse the keyboard shortcut or the ShuttlePRO With the Mouse To leave the trim mode with the mouse click anywhere in the Lasso Selection area above or below the timeline display With the Keyboard To leave the trim mode with the keyboard press a With the ShuttlePRO To leave the trim mode with the ShuttlePRO press the Trim key 4 9 4 POSSIBLE TRIM ACTIONS Note The Trim Left and Right or trim actions in roll mode are NOT possible on elements whose playout speed has been modified The Trim Left action or Trim Right action is possible on such elements TRIM LEFT AND RiGHT ROLL In the trim left and right action the transition is moved to the right or to the left Both elements around the transition are modified e When the transition is rolled to the right The 1st element is extended i e its OUT point is shifted to the right The 2nd element is trimmed i e its IN point is shifted to the right e When the transition is rolled to the left The 1st element is trimmed i e its OUT point is shifted to the left The 2nd element is extended i e its IN point is shifted to the left The Insert Overwrite mode does not influence trim left and right 124 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment
32. AOE to move the IN or OUT point 1 frame on the left J to move the IN or OUT point 1 frame on the right to move the IN or OUT point 10 frames on the right The selected tracks of the element are trimmed according to the active trim mode up to the requested position Note If the limits of the A V material are reached the trim actions are no longer taken into account 131 Issue 5 9 B 132 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 How TO TRIM AN ELEMENT USING THE SHUTTLEPRO To trim an element using the ShuttlePRO proceed as follows 1 Select the Insert of Overwrite mode to be applied in the trim action by clicking Insert Overwrite Global mode button 2 If the trim mode is not active do the following a Position the nowline next to the transition on which to activate the trim mode b Select the Track Selection buttons of the tracks to be taken into account in the trim action c Press the Trim key on the ShuttlePRO 3 If required change the trim mode by clicking on e the left of the transition to activate the Trim Left mode e the right of the transition to activate the Trim Right mode e the transition itself to activate the Trim Left and Right mode roll mode again 4 Move the jog right or left to shift the IN or OUT point of the trimmed element respectively to the right or to the left The selected tracks of the element ar
33. Asia amp Pacific Other regional offices Headquarters available on 852 2914 2501 www evs tv contact 2 To learn more about EVS go to www evs tv User s Manual Version 5 9 January 2011 Part 9 Editing Edit While Playout IP LWirector Video Production Management Software IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 COPYRIGHT EVS Broadcast Equipment Copyright 2005 2011 All rights reserved DISCLAIMER The information in this manual is furnished for informational use only and subject to change without notice While every effort has been made to ensure that the information contained in this user manual is accurate up to date and reliable EVS Broadcast Equipment cannot be held responsible for inaccuracies or errors that may appear in this publication IMPROVEMENT REQUESTS Your comments will help us improve the quality of the user documentation Do not hesitate to send improvement requests or report any error or inaccuracy on this user manual by e mail to doc evs tv REGIONAL CONTACTS The address and phone number of the EVS headquarters are usually mentioned in the Help gt About menu in the user interface You will find the full list of addresses and phone numbers of local offices either at the end of this user manual for manuals on hardware products or at the following page on the EVS website http www evs tv c
34. Creation Re nul I Timeline FURORE EXIIT Editing Track LI voen x LX Makout m Buttons rac o LENS Oy musmomsmss selection gg lt Audio Monitoring 3 2 ASSIGNING PLAYER CHANNELS TO IPEDIT 3 2 1 PRINCIPLE The IPEdit module requires two player channels to function This pair of player channels is called the Timeline Engine The Timeline Engine can be PGM1 PGM2 or PGM3 PGM4 e PGM1 or PGMS is the Timeline output channel also called timeline PGM An external video monitor needs to be linked to PGM1 or PGM 3 for the user to preview the timeline e PGM2 or PGM 4 is the Player output channel also called player PGM The IPDirector video board AVH needs to be associated to PGM2 or PGM 4 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 2 2 3 2 3 3 2 4 for the users to preview the player on the video display See also section 3 3 4 How to Associate a Video Display to the Player on page 15 DISPLAY The player channels assigned to IPEdit are visible in the PGM Assignment Display field in the lower left corner of the IPEdit main window No player channel assigned to IPEdit sse Edit To Air Player channels PGM1 amp PGM2 assigned to IPEdit LIES JE IT T VET T T_ADL PGM1 PGM2 Edit Ta Air AUTOMATIC PGM ASSIGNMENT If PGM1 or PGM2 is already defined as the default player channel i
35. HOW TO RESET THE VOLUME ON AN TRACK To reset the volume on the whole track loaded proceed as follows e n the Volume Automation panel right click and select Reset track automation volume The volume of the whole track is reset to its initial volume How TO RESET THE VOLUME ON A PART OF A TRACK To reset the volume on a part of the track loaded proceed as follows 1 In the Volume Automation panel delimit the part of the track on which you want to reset the volume as follows a Add a mark IN point at the position to start the volume reset b Add a mark OUT point at the position to stop the volume reset 2 Right click and select Reset automation volume The volume of the selected part of the track is reset to its initial volume How TO RESET THE VOLUME ON AN AUDIO ELEMENT To reset the volume on an element of the loaded track proceed as follows 1 In the Volume Automation panel position the mouse cursor on the element for which you want to reset the volume 2 Right click and select Reset clip automation volume The volume of the audio element on the loaded track is reset to its initial volume 187 Issue 5 9 B 4 15 4 15 1 188 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 CONSOLIDATING A PART OF A TIMELINE REPLACE VERSUS CREATE CLIP FROM TIMELINE The Replace function and the Create Clip from Timeline function both make it p
36. Issue 5 9 B EVS Broadcast Equipment January 2011 4 8 2 After an Extend Slow Fast Action When the user clicks the Extend Slow Fast button IPEdit automatically shifts the OUT point of the clip to the position of the mark OUT point and adapts the playout speed of the timeline element and displays it on the extended elements As no new material is added the duration of the extended element is not modified As the user is in Overwrite mode the duration of the next timeline element is reduced Qn 0 12 14 04 acl090514_ 1 00 HEREIN adi nansT4 2 00 00 00 06 06 adl C o e 04 Dio ag 05 D4 adi 090514 2 00 00 00 06 06 adl C 8196 15 03 4 00 00 04 06 09 20 0 17 00 10 09 20 55 11 4 00 00 04 adl_090514_ 1 00 ooog 05 04 00 00 06 06 adl C 8196 S03 a OD DICE OE DS 09 20 05 17 00 10 09 20 55 11 4 00 00 OVERVIEW OF THE EXTEND ACTIONS The following table shows an overview of the extend actions The same Extend actions apply to the Extend Slow Fast function Extend Action Description Extend IN The user wants to extend a timeline element by shifting its IN in Insert or point to the left in the available A V material in Overwrite Mode ADL CLP 3 Depending on the selected Global Insert Overwrite mode this will reduce or not the duration of the previous timeline element Extend OUT The user wants to extend the timeline element by shifting its in Insert or OUT point
37. Slave timelines are Sync and PlaySync The TLO Play Pause Recue Speed Nudging and Commit functions are used independently hence not synchronized on the Master and the Slave IPEdit EDIT WHILE PLAYOUT SETTINGS ACCESSING THE EWP SETTINGS To access the settings related to the Edit While Playout mode click the menu Tools gt Settings and select the category IPEdit gt Edit To Air in the tree view REMAINING COMMIT THRESHOLD WARNING This settings allows defining when the Commit button will start blinking red white This will draw the user s attention to the fact that s he should perform a commit because the TLO nowline is coming near to the first uncommitted changes The value defined in this setting corresponds to the duration between the TLO nowline and the first uncommitted changes uz Instant Tapeless TechnOlogy MAR ANN EVS Broadcast Equipment Li ge Science Park 16 rue Bois St Jean B 4102 Ougr e Belgium Corporate North amp Latin America Headquarters Headquarters 32 4 361 7000 1 973 575 7811 Asia amp Pacific Other regional offices Headquarters available on 852 2914 2501 www evs tv contact 2 To learn more about EVS go to www evs tv
38. TIMELINE 4 9 1 INTRODUCTION DEFINITION The Trim function consists of adjusting the IN or OUT point of a timeline element This function is used to fine tune transitions between two elements after you have performed the first rough cuts The Trim function will shorten or lengthen the element that is in trim mode The length of the following or previous element will be impacted in Overwrite mode The elements can be trimmed up to the limits of the media still available before the IN point and after the OUT point of the timeline element e f a record train including the timeline element is still available the material from the record train is made available e f a clip including the timeline element is available the trim can be performed up to the Protect IN or Protect OUT of the clip EXAMPLE In the example below the trim mode is applied to the OUT point of a timeline element and to the IN point of the following element trim left and right This is the only case where the Insert Overwrite mode does not have an impact on the result In this case the following actions are performed e The OUT point of the first element is rolled to the right and the element is extended e The IN point of the following element is rolled to the right and the element is trimmed 118 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Before the Trim Action 4d oF 14
39. The lock on the player channels is however preserved as usual TRANSPORT COMMAND BAR TLO RECUE BUTTON 3 k al Pressing TLO Recue button loads the on air timeline on the first frame of the first element TLO PAUSE BUTTON E nini Pressing the TLO Pause button stops the playout of the TLO at the current position TLO PLAY BUTTON Fi B us d Pressing the TLO Play button starts the playout of the TLO from the nowline position MASTER SLAVE SYNCHRONIZATION BUTTONS Sync TLE BUTTON The Sync TLE button is only relevant with the Master Slave redundancy In this configuration the Sync TLE button allows synchronizing the TLE on the Master and the Slave instances of IPEDIT This means that e The TLE is copied from the Master IPEdit to the Slave IPEDIT e The timeline elements are created as clips on the Slave EVS server IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 1 3 6 The user can execute this command from either the Master or the Slave IPEdit A global message is displayed in the global status bar to inform the user if the timeline has been successfully synchronized or if the synchronization has failed It is recommended to synchronize the TLEs regularly after committing changes to the Master TLO TLO PLAYSYNC BUTTON The TLO PlaySync button is only relevant with the Master Slave redundancy In
40. This is defined when you add the source media to the timeline the channels or tracks not selected in the source are muted in the timeline 165 Issue 5 9 B 166 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 MANUAL SWAP MUTE DEFINITION IN THE GENERAL TIMELINE DISPLAY What is it applied to It can be applied to one more or all output channels of a track of one or more elements The swap icon V is displayed on the timeline as well as the active channels affected by the swap Where is it defined This is defined in the general timeline display right click one of the element s of the audio track on which to apply the swap and select Add Swap Mute Delete 05 2 meee Add swap mute 21 22 40 18 ean tn copi k 515E 01 XU zig 21 22 40 18 21 Fit to content Pp ee a E Replace settings See also section 4 13 5 Manual Swap Definition in the General Display Mode on page 169 for more information MANUAL SWAP MUTE DEFINITION IN THE SWAP MUTE ZOOM DISPLAY What is it applied to It can be applied e from the nowline to the end of the track on a timeline element where the nowline is placed e from a mark IN point to mark OUT point on a timeline track The swap icon displayed on the timeline is i Where is it defined This is defined in the Swap Mute Zoom display of a track Click the button for a given track to access this mode
41. Timeline grid to the Timeline pane in IPEdit e From Timeline pane in IPEdit o by selecting the Copy Move Timeline command in the contextual menu of the Timeline Name field FIELDS IN THE COPY TIMELINE WINDOW Meueun COL PL TODBTD 3 Destination LSMID __ le Please select the destination T Send To e m Copy Move Type ECL Only EDL and clips short without guardbands EOL and clips long with quardbands Move Cancel 68 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 The table describes the various fields in the window above displayed Issue 5 9 B Field Button Description Manda tory Name Name of the timeline in maximum 32 characters Yes The field is filled with the original timeline name LSM ID ID identifying the timeline position in the XNet network No e f you enter an LSM ID that is already used the copy will not be created and an error message will be displayed in the Message Pane e f you do not enter an LSM ID IPDirector will assign one to the timeline Destination List of all servers on the XNet network to which the Yes XT timeline can be copied Send to Bins where a shortcut to the timeline copy can be No stored Copy Type Allows you to select how the copy should be performed No e EDL Only this copies only the timeline definition to the IPDirector database and to the server e EDL and clips short this c
42. Timeline to the Open Timeline ener 101 4 6 DELETING ELEMENTS FROM THE TIMELINE eere 102 Ao MEMO ETE S TEENS 102 4 6 2 Lifting Timeline Elements or Parts of a Timeline enn 102 4 6 3 Extracting Timeline Elements or Parts of a Timeline eesesss 103 4 MOVING ELEMENTS WITHIN THE TIMELINE enerrenrnnnnnnnnnnnnnnnne 105 LE MEE ioo elo e 105 4 7 2 Possible Element Selections and Move Types cccsccssessessssssssssssesessssessessessesseseesaesaees 106 4 7 3 How to Move Elements By Drag and Drop ccccescesssssesssesssssssessesssesessessaeserssnssaesanees 107 4 7 4 How to Move Elements Using the Numeric Pad sene 108 4 7 5 Howto Move Elements Using the Arrows eeeeeeennennnnnnnnnns 108 49 SEX TENDING TIMELINE ELEMENTO iiti tt peto erepta ee t rti ertt 109 ABT INTOUCH rmi HR ERE RT 109 4 8 2 Overview of the Extend Actions ccssssscsscsscssssssssssesesseseesecesseseeseesaesecseseesersansansansaaas 111 4 8 3 Extending in Insert or Overwrite Mode serene 112 4 8 4 Extending OUT in Insert or Overwrite Mode nennnnnnnnnnnnn 114 4 8 5 Extending In or OUT in Insert or Overwrite Mode nnne 115 4 8 6 How to Extend IN or Exten
43. a green vertical line on the timeline that displays the position of a mark IN point The mark OUT point is a red vertical line on the timeline that displays the position of a mark OUT point You will add mark IN and mark OUT points to help you place media in the timeline IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 TIMELINE ELEMENT The timeline element is the portion of media that is added to the timeline and displayed as a block in the timeline Information Displayed The element display on a track contains the following information by default Position Information Displayed Top left Clip name Top right Element duration Bottom left Element TC IN Bottom right Element TC OUT You can modify the information to be displayed on the timeline element Select the Tools gt Settings menu then select the category IPEdit gt General in the tree view You can modify the information displayed on the timeline element in the Clip Information Display setting Growing Clips 4S0L_CLP_Jun2s_ 2 ADL CLP Jun23 2 When a growing clip is inserted into the timeline the growing clip icon and the percentage of material already recorded on the EVS server is specified on the timeline element 39 Issue 5 9 B 40 Background Colour IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 The backgro
44. al gt Output a5 196 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 The following screenshot shows how you need to set up the audio channel input matrix for the G1 track to get the result illustrated in the drawing above Proceed the same way for the other tracks Swap Audio Tracks 2 As you want to output the track G1 into the track G3 you Track G1 will do the following SOURCES 41 A2 A3 Ad AS AB AT AB E e On the G1 track click on A1 dU the bullets to mute the Mute gt Az channels a1 and a2 fe e On the G3 track click at the sheet intersection of the a1 source AG gt AB channel and the ad output channel to route the al source to the a5 output e On the G3 track click at the intersection of the a2 source channel and the a6 output Swap Mix Duration mm frames even value channel to route the a2 source to the a6 output Cancel SLAGALA How to Define the Audio Channel Input Matrix T Right click anywhere in the timeline and select Replace Settings The Replace Settings window opens 2 In the Audio Channel Input Matrix group box map each channel that you want to have in the replaced media output channel to the source channel to be played on this output channel To map the source channel and the output channel click at the intersection of both channels in the grid that corresponds to the track where you want to o
45. apply the swap to these channels from a point to another point of the audio track You will specify the start and end points as follows e with a mark IN on the start point and a mark OUT on the end point e with the nowline on the start point In this case the swap is applied up to the end of the element where the nowline is positioned You can define such a swap in the Swap Mute Configuration window accessible when right clicking in the audio track and selecting Add Swap Mute EXAMPLE Initial Situation The timeline audio configuration is 4 tracks of 2 channels You want to play the channels a7 and a8 G4 track of the source media onto the output channels a5 and a6 respectively G3 track of the selected part of the track Manual Swap Action You will perform the swap action from a given point to another point of the G3 track In this track you specify which source channels will be played on the channels of the G3 track In this case you will map e the source channel a7 to the output channel a5 and e the source channel a8 to the output channel a6 170 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Issue 5 9 B Swap mute configurabon e Swap mute matrix SULIRCES Al A2 A3 Ad A J 4 I Uu I n alee EE fo Ah NN m Result In the general timeline display upper screenshot below you can see the swap icons on the G3 track wh
46. are defined If one of both Mark points has not been defined in the Player the original IN or OUT point of the clip will be taken into account 9 Note The guardbands of the clip remain available for further editing once the element has been added to the timeline For full information on how and where the media loaded and marked on the Player is added to a timeline refer to section Position Applied to the Timeline Element on page 90 MATCH FRAME REPLACE N OR mdi The Match Frame Replace button allows you to replace timeline elements or parts of them by matching the current position on the clip or train loaded on the Player to the nowline position in the timeline The system calculates automatically the mark IN and mark OUT in the Player that will match the part of the timeline element s to be replaced For detailed information refer to the section 4 5 5 Adding Media Using the Match Frame Replace on page 95 27 Issue 5 9 B 3 8 3 8 1 3 8 2 3 8 3 28 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 PLAYER TRACK SELECTION PURPOSE The Player Track Selection allows you to select the tracks to be taken into account when you play the loaded media and when you add the media to a timeline e Check boxes in front of the video track and of each audio mono channel allow the selection of the channels individually The video channel is named wi
47. at its IN point Trim Right Insert The IN transition of the element in trim mode is moved to Ripple B mode the right or to the left e he element is extended or trimmed around its IN 17 00 point DL_i e his does not impact the previous element in the timeline Trim Right Overwrite The IN transition of the element in trim mode is moved to Ripple B mode the right or to the left e he element is extended or trimmed around its IN point e f the element is trimmed a blank element is added before it e f the element is extended the previous element is trimmed at its OUT point IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 9 3 ACTIVATING AND DEACTIVATING THE TRIM MODES HOW TO ACTIVATE THE TRIM MODE You can activate the trim mode on the requested transitions with the mouse the keyboard shortcuts or the ShuttlePRO With the Mouse To enter the trim mode with the mouse proceed as follows e Click the left mouse button in the upper or lower Lasso Selection area and keeping this button pressed drag the mouse from right to left over the transitions on which you want to activate the Trim mode Hl LL DL LILI Lii id LL 2 Lil LL 00 00 07 00 14 47 21 18 The trim mode is activated on all the selected tracks and is in roll mode by default With the Keyboard To enter the trim mode with the keyboard shortcuts p
48. between Pause and Play PLAY L nin LJ Jj The Play button allows the user to play the timeline from the actual nowline position The L keyboard shortcut is only dedicated to the Play function whereas the spacebar is also a toggle key between Pause and Play IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 START REPLACE e The Replace button starts the Replace action This function replaces the selected part of the timeline by the same media to which external video or audio effects have been added You will find detailed information on the Replace function in section 4 15 Consolidating a Part of a timeline on page 188 CREATE CLIP FROM TIMELINE gt kod The Create Clip from Timeline button starts the consolidation process of the selected portion of the timeline into a single clip and the effects defined on this material You will find detailed information on the Create Clip from Timeline function in section 4 15 Consolidating a Part of a timeline on page 188 AUDIO MONITORING The Audio Monitoring feature allows the user to monitor and adjust the global audio level that is output when playing the timeline loaded in IPEdit through headphones You will find detailed information on the Audio Monitoring function in section 3 9 Audio Monitoring on page 30 ON AIR J Lonan The ON AIR button sets the first PGM
49. bullet reappears and the channel is no longer muted If you want to define a mix effect at the start and end of the swap specify the duration of the effect in the Swap mix duration spin box Click Apply The swap and mutes are modified according to the new settings 177 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 13 10 DELETING AUDIO SWAPS How TO DELETE A SWAP OR MUTE ON ONE OR MORE ELEMENTS OF AN AUDIO TRACK To delete a swap or mute defined on one or more elements of an audio track proceed as follows 1 In the general timeline display select the elements of a track on which you want to delete the swap For a multiple selection select the elements while pressing CTRL 2 Right click one of the selected elements and select Delete Swap Mute 3 Answer Yes to the message asking whether you want to delete the swaps or mutes The selected swaps or mutes are deleted How TO DELETE A SWAP OR MUTE DEFINED FROM AND TO GIVEN POINTS OF A TRACK To modify an audio swap or mute defined on a part of an audio track proceed as follows 5 In the general timeline display click the Swap Mute Zoom button on the right of the track on which to add the swap or mute The track is displayed in Swap Mute Zoom mode 2 Select the swaps you want to delete in one of the following ways e Lasso the swap point s to select from right to left e Right
50. category Transition Effects group box and select AutomaticVideo or AutomaticAudio in the Mode drop down list IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 COMPONENTS TO SPECIFY IN THE TRANSITION DEFINITION When you define a transition effect you need to specify e the transitions and tracks on which the effects See also section 4 12 2 on will be applied page 149 e the transition type See also section 4 12 3 on page 150 e the transition duration See also section 4 12 4 on page 151 e the transition position at the beginning of the See also section 4 12 5 on element page 151 4 12 2 SELECTION OF TRANSITIONS AND TRACKS ON WHICH TO APPLY THE EFFECTS When you define the transition effects you need to specify the transitions and tracks on which you want to apply the effects The following table summarizes the various ways to proceed TRANSITION SELECTION When you want to add Do the following effects on one or several Position the nowline close to the transitions on transitions of elements that which to add the effects U190g te Wie SRITS OUP Then define the effects via the Add Modify Transition Effects window on the transitions of Add a mark IN and mark OUT points that will cover several contiguous all the transitions on which to add the effects elements Then define the effects via the Add Modify Transition Effects win
51. click the swap point s to select keeping CTRL pressed for multiple selections 3 Right click and select Delete Swap Mute The Swap Mute Configuration window opens 4 Answer Yes to the message asking whether you want to delete the swaps or mutes The selected swaps or mutes are deleted 178 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 14 4 14 1 4 14 2 4 14 3 ADJUSTING THE AUDIO VOLUME ON THE TIMELINE INTRODUCTION You can adjust the audio volume for each track i e group of audio channels of a timeline by means of the Volume Automation mode 9 Note You cannot use the volume automation feature on timeline elements whose speed is different than 100 ACCESSING AND LEAVING THE VOLUME AUTOMATION MODE e To access the Volume Automation mode on a given track of the loaded timeline click the Volume Automation button on the right of the track display e oleave the Volume Automation mode click the button OVERVIEW OF THE POSSIBLE ACTIONS In the Volume Automation mode you can perform the following actions e Increase or decrease the global audio volume of a track e Increase or decrease the volume of a part of a track e Modify the audio level on a given position of a track e Reset the audio volume of a whole audio track e Reset the audio volume of the audio track of a given element 179 Issue 5 9 B IPDirector Version 5 9
52. convention to refer to an audio mono channel of a track in a timeline A hole in the timeline track The blank video element is played as a black image The blank audio elements are played as muted elements Term used to refer to the mark IN and mark OUT points that can be added in a timeline or in media loaded on the Player Abrupt and instantaneous transition at a frame boundary from one video source to another This is the default audio and video transition when no transition effect is defined Gradual transition from one video or audio source to another in which an image from one source gradually becomes less distinct as an image from a second source replaces it Editing action that consists of extending a timeline element by redefining its IN point or OUT point Writing convention to refer to audio tracks in a timeline Mode to add media in the timeline without overwriting any media already included in the timeline IN point of a clip without the guardbands It is sometimes called Short IN point OUT point of a clip without the guardbands It is sometimes called Short IN point IN point defined on the media loaded in the Player or in the timeline and symbolized by a green vertical bar OUT point defined on the media loaded in the Player or in the timeline and symbolized by a red vertical bar Mode to add media in the timeline overwriting the media already included in the timeline from the selected position IN
53. create the timeline e keywords e audio configuration If requested send the timeline to a bin or to the default archive by ticking the requested destination in the Send to group box If requested make the timeline available to a group of users by ticking the requested user groups in the Publish to group box The user groups who are entitled to see the timelines are displayed in the group box If requested associate metadata to the timeline as follows o n H e click the right rectangle on the Pane Display button is metadata pane to open the e select the profile to associate to the timeline in the Current Profile field e select the requested values for each metadata field displayed below Click OK The timeline is created and visible in the Browser IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 FIELDS IN THE CREATE TIMELINE WINDOW Timeline Mame ADL TL 100713 Description LSM ID V arlDr T C Track Estimated duration manere Audio Configuration 1 audio track of 4 mono channels 2 sudio tracks of 2 mono channels 4 audio tracks of 1 mono channel Left Pane The left pane contains the following fields Field Description Mandatory Name Name of the timeline in maximum 32 characters Yes Description Description of the timeline in maximum 256 No characters LSM ID ID identifying the timeline position
54. display mode e view how the audio swaps and mutes have been defined on the individual mono channels of an audio track You will find detailed information on audio swaps and mutes in section 4 13 Audio Swaps and Mutes on page 164 55 Issue 5 9 B 56 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 MUTE BUTTON n The Mute button allows the user to temporarily mute all the mono channels of a track on the whole timeline When the track is muted the button is as follows IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 2 4 2 1 TIMELINE MANAGEMENT CONTEXTUAL MENU ON THE TIMELINE NAME FIELD Issue 5 9 B You can manage a timeline via the Timeline contextual menu To access it right click the Timeline Name field in the Timeline pane To reach the detailed explanation on this section if any click the command name in the table below ADL TL 102506 Create Timeline Close Timeline Clear Timeline Reload From XT Merge blank elements Add Blank Find blank elements Copvimave Timeline Cop clips locally Publish Edit F amp name IP Edit Settings elete Timeline Send Ta Flatten to XT Backup to Wear Line Export timeline Import timeline T elete Timeline and Clips o Issue 5 9 B 58 Menu Command Create Timeline Close Timeline Clear Timeline Reload from XT
55. eat Cota eatcin Fe Ub delati ona QU abeo ped au 47 2 5 uEOCAIOIHDULOLIS uniano o xD RIED a ond senate R asada fanc oen mE dud 48 4 1 6 Transport Command Bar and Transport Related Functions sssses 48 4 1 7 Timecode and Duration Fields eese nnn nnn nnn 53 4 1 8 Timeline Track Selection ButtONnS ccccccsscssesesssessssseseesseseseesessesseseesasseseeseeseeseesaesateass 54 A139 Locator GPL eleelonBUllelis cs soni tae qb p ODER CO fitu oo d b EN bel Und uae d b Bd 54 41 10 Scale Bdrand MOVE BAI unser olei e tte enim bue re ica betedte tain 55 4 1 11 Audio Volume Automation Swap amp Mute Buttons essen 55 AD MMELINE MANAGEMEN T scii ttn tab ra tut ra o Duties ist 57 4 2 1 Contextual Menu on the Timeline Name Field seen 57 4 2 2 Creating a New Timeline etie e eite tn t etit e ela ruis tutte Dat een pec aa eni 60 4 2 3 Converting a Playlist Into a Timeline seen 63 4 2 4 Openinga TIMENE aie cssiccesent atate eed M Ert id rete Het OE tiroteo 66 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 42 5 Copying and Moving a Timeline oir d tru eet to tt ran ed re etae dette 67 4 2 5 Kansien TIMENE S x detenserap edet ch ovx teda een A Eae aan 70 M3 TIMELINE EDHING cio Escala tutU uU ee IU et enu bet 72 49 1 Ove
56. external devices How TO ASSIGN A RECORDER TO INGEST THE REPLACE CLIP INTO THE TIMELINE To assign a recorder channel to IPEdit proceed as follows 1 Right click the None indication on the grey background in the Recorder Assignment Display field This is in the lower left corner of the IPEdit main window T_ADL PGM1 PGM2 BGreg Edit To Air The available recorder channels are displayed 2 Select the recorder channel to be used T_ADL PGM1 PGM2 p 01 sT_ADL_RECT Edi Tou You can now set up and use the Replace feature in IPEdit Note To unassign the recorder channel double click the Recorder Assignment Display field 190 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 15 4 REPLACE SETTINGS DEFAULT REPLACE SETTINGS Generic default settings for the Replace function are defined in the window accessible via the menu Tools gt Settings and IPEdit gt Replace in the tree view The following screenshot presents the generic default settings Pre Boll Define the pre roll and postroll duration while performing a replace Pre duration 05400 Post duration 02200 GPI Settings on MarklM Define if you wantto apply GPle on markll and markQUT during a replace and and MarkOUT define the GPI parameters Lin Markl On Mark Ll lT GFI API x 0 Type oo o y Type 0 o w o B frames Offset o g trames Ozet Pul
57. for the track Then right click the track display where you want to define the swap and select IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 13 3 Add Swap Mute Add swap f mute h Fik to content IF Edit settings See also section 4 13 6 Manual Swap Definition in the Swap Mute Zoom Mode on page 170 for more information AUTOMATIC SWAP DEFINITION DESCRIPTION When you add an element to the timeline you can perform an automatic audio swap as you drag the source media into the timeline by placing for example the G1 track of the source media to the G2 track of the timeline EXAMPLE Initial Situation The source media has 4 tracks of 2 channels All tracks and channels are selected In the timeline all buttons of the Timeline Track Selection are selected Automatic Swap Action As you drag the source media into the timeline you position the mouse on the G2 track Doing this you force the G1 track of the source media to be placed on the G2 track of the timeline OOOO 33 15 f SA 51 08 54701 34 09 5401 MEN 54 04 S08 167 Issue 5 9 B 4 13 4 168 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Result The automatic swap action performed generates the following swaps on the output audio channels of the timeline element The so
58. from the GPI Out drop down list e In the GPI settings group box select the GPI mode from the Output Mode drop down list e f the output mode is of type Pulse specify the pulse duration in seconds and frames 4 Click Apply A GPI marker is added to the Timecode bar to identify the GPI defined If you move the timeline element to which the GPI is associated the locator will move with the clip GPI DISPLAY When the GPI Selection button is disabled the GPls are not active they are displayed in grey on the Timecode bar You need to click the GPI Selection button above the Timeline Track Selection buttons to allow the GPI selection When the GPI selection is enabled the marker for a clip GPI is grey and the letter corresponding to the track on which it is defined is displayed on the marker When you select only the track on which the GPI is defined the GPI turns purple The GPI settings will display after one second when you position the mouse cursor on the GPI marker 207 Issue 5 9 B 208 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 i GPI info GPI 1 on krack v type PULSE Low How TO SELECT DESELECT A CLIP GPI To select a clip GPI proceed as follows 1 In the timeline track selection select the track on which the clip GPI is defined The grey GPI turns purple 2 Click the mouse in the Lasso Selection area and drag t
59. graphic volume range above the 0 db line increase the graphic volume range below the 0 db line decrease the graphic volume range below the 0 db line Click one or more times the upper arrow in the Maximum Graphic Volume Range spin box until the requested value for the range is displayed the lower arrow in the Maximum Graphic Volume Range spin box until the requested value for the range is displayed the upper arrow in the Minimum Graphic Volume Range spin box until the requested value for the range is displayed the lower arrow in the Minimum Graphic Volume Range spin box until the requested value for the range is displayed PRELIMINARY ACTIONS BEFORE ANY INCREASE OR DECREASE ON THE VOLUME AUTOMATION CURVE Before you increase or decrease the volume automation curve go through the following steps LOADING THE TRACK IN THE VOLUME AUTOMATION PANEL To enter the volume automation mode and load the track in the Volume Automation panel click the Volume Automation Mode button next to the track where you want to increase or decrease the volume ADAPTING THE GRAPHIC VOLUME RANGE You need to ensure that the graphic volume range displayed allows you to perform the increase or decrease action you want to If this is not the case change the graphic volume range For more information refer to section 4 14 5 How to Change the Graphic Volume Range on page 182 IPDirector Version 5 9 User Manual
60. in the Player or in the timeline Loading material onto the Player Adding material to the timeline Description Several search methods are available as well as the use of saved filters However the Auto Play Assign and Print modes are not available in the Browser For full details refer to the Database Explorer chapter For full details refer to the Section 2 2 Searching For Media in the Browser on page 8 Useful to check the material content before adding it or part of it to the timeline For full details refer to the Section 3 10 Loading Media Onto the Player on page 33 Only possible if the clip includes a hi res clip element on a server Lo res clips or nearline files cannot be directly added to an IPEdit timeline For full details refer to the Section 4 5 4 Adding Media in Insert or Overwrite Using Drag and Drop Actions on page 92 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 UE E gil E Saved Filters zi IPE Ea Playlist eee Bi Ins Teen Logs ET1D DI ETF D1 2 m E E s 20 01 2 2 SEARCHING FOR MEDIA IN THE BROWSER 2 2 1 GENERAL SEARCH AND FILTERING FEATURES The following search and filtering features are common to the Browser and the Database Explorer Refer to the user manual on the Database Explorer for more information on these features e Filtering bas
61. is partially available on a server e A hi res record train local or distant present on a server e Alog When a log is dragged to the Player this loads either the protect media clip or the associated record train if still available on the server LIMITATIONS If the Player is being used or if the IPEdit panel is locked the user will not be able to load media into the Player 33 Issue 5 9 B 3 10 2 3 10 3 3 10 4 34 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 How TO LOAD MEDIA FROM THE BROWSER INTO THE PLAYER To load media from the Browser to the Player in IPEdit proceed as follows 1 Select the media clip log or record train in the grid of the Browser 2 Load the media to the Player in one of the following ways e drag the media anywhere in the Player and in the Video Display if available e double click on the media in the grid of the Browser The media is loaded on the Player and ready to be browsed or played WAYS TO LoAD CLIPS You can load clips or clip elements by dragging and dropping the clip from one of the following locations to the Player e from the Browser in IPEdit from a bin or from the Clips grid e from the Database Explorer from a bin or from the Clips grid e from the History list of a Control Panel e from the Last Created Clips of a Control Panel 9 Note Growing clips are loaded into the Player with an IN point b
62. media only once in the list even if loaded several times by the user LSM ID FIELD DESCRIPTION The field on the right of the Loaded Media field displays the LSM ID of the loaded element or train If the user wants to load a clip numerically from the XNet network it is possible to enter the LSM ID directly in this field Issue 5 9 B 3 5 4 3 5 5 3 5 6 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TIMECODE FIELD 17213552 08 DESCRIPTION The Timecode field shows the current timecode of the media being controlled by the panel e fa record train is loaded the field shows the timecode of the record train e fa clip XT clip growing XT clip protect media is loaded the field shows the current timecode position of the clip DisPLAY MODE The user can select the timecode information to be displayed The following display modes are available when right clicking the Timecode field IPEdit supports the various types of timecodes B C K Timecode and Date Timecode and Date and TC Tvpe Timecode and TC Type For more information on the timecode display mode refer to the Control Panel chapter TRAIN NAME FIELD 01 XTI A amp DL REC2 This is the name of the record train associated with the PGM2 DURATION FIELD The Duration field will have a different meaning and display color according to the activity being performed on the channel
63. of IN mark timeline calculation of OUT the mark OUT point of inserted media 3 point OUT IN OUT Nowline Mark OUT point of edit media positioned on mark OUT of timeline calculation of the mark IN of inserted media 3 point OUT Nowline Mark OUT point of edit before media positioned on mark mark OUT OUT of timeline mark IN calculation of the mark IN of inserted media 91 Issue 5 9 B 4 5 4 92 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Edit Type Points Marks Marks in Timeline Element Position in Player OUT Nowline Blue indicator of media on mark IN positioned on mark IN of timeline calculation of the mark OUT point of inserted media 3 point m Nowline Blue indicator positioned 3 point edit edit on mark on mark OUT of timeline OUT calculation of the mark IN point of inserted media 4 point IN OUT IN OUT Nowline Media between marks in edit the Player added between mark IN and mark OUT points in the timeline speed is automatically calculated in the timeline 4 point IN Nowline Equivalent to a 4 point edit after mark edit since the nowline IN acts as a mark OUT 4 point IN Nowline Equivalent to a 4 point edit before edit since the nowline mark OUT acts as a mark IN ADDING MEDIA IN INSERT OR OVERWRITE USING DRAG AND DROP ACTIONS Dragging media to the timeline does not directly determine whether
64. on the keyboard not on a dedicated letter IPEdit automatically detects the keyboard used hence it supports default shortcuts on Qwerty and Azerty keyboards The default shortcut keys specified in this user manual are applicable to Qwerty keyboards The shortcut keys applicable to Azerty keyboards are the keys that have the same relative position on the Qwerty keyboard In other words the shortcut key Q on a Qwerty keyboard corresponds to the shortcut key A on an Azerty keyboard and so on 9 Note Users can always edit the default keyboard shortcuts in the Tools Define Shortcuts window SHORTCUTS FOR TRANSPORT CONTROLS ON SPECIFIC KEYBOARDS Specific keyboards e g Bella DV include a jog shuttle device based on keyboard shortcut events The following rules are applicable when using the jog shuttle device on such keyboards e A right left move of the jog respectively corresponds to the RIGHT ARROW and LEFT ARROW keys on a standard keyboard e The hidden shortcuts corresponding to the shuttle steps for the various play speeds are specified in the table below Hidden Shortcut Transport Control Action CTRL F13 Play at 1000 CTRL F14 Play at 800 CTRL F15 Play at 600 CTRL F16 Play at 400 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 CTRL F17 Play at 300 CTRL F18 Play at 200 CTRL F19 Play at 100 K Pause 0 F13 Play at 100 F14 P
65. proceed as follows 1 Toggle to the button by clicking the Insert Overwrite Global Mode button 2 Select the elements of the timeline to be lifted by clicking or lassoing them See also section 4 4 3 on page 80 for more information 3 a k Delete Press e The selected elements are deleted and replaced by blank elements Second Method To lift elements from a timeline in Overwrite mode you can proceed as follows 1 select the elements of the timeline to be lifted by clicking or lassoing them see also section 4 4 3 on page 80 for more information L Press Wmm The selected elements are deleted and replaced by blank elements IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 6 3 How TO LIFT MEDIA BETWEEN THE MARK IN AND MARK OUT To delete a part of a timeline between the mark IN and mark OUT in Overwrite mode proceed as follows 1 Toggle to the button by clicking the Insert Overwrite Global Mode button 2 Activate the Timeline Track Selection buttons for which you want to delete a part of the timeline 3 Add a mark IN point and a mark OUT point to delimit the part of the timeline to delete 4 Delete Press y The part of the timeline selected is deleted and replaced by a blank element EXTRACTING TIMELINE ELEMENTS OR PARTS OF A TIMELINE PRINCIPLE When you delete timeline elements or a part of a timel
66. proceed as follows 1 In the Timeline pane select the Insertion mode with the Insert Overwrite Toggle button in the Edit Command bar 2 In the loaded timeline do one of the following to define the insertion position if you do not want to add the media on an element transition e Position the nowline e Add a mark IN or mark OUT point on the requested insertion position 3 In the Browser pane select the media to add and drag it to the requested position in the timeline The media is added to the timeline from the mark IN to the mark OUT points based on the Insert Overwrite mode selected in the timeline DRAGGING MEDIA FROM OTHER IPDiRECTOR MODULES You can also drag media from the following IPDirector modules directly to the timeline e the Database Explorer e the History list of a Control Panel e the Last Created Clips of a Control Panel Proceed in the same way as when you drag media from the Browser 93 Issue 5 9 B 94 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TRACK SELECTION APPLIED TO THE TIMELINE ELEMENT General Principles The track selection defined in the timeline is NOT taken into account when media is dragged to the timeline If IPEdit cannot determine the tracks to be added all of them are added to the timeline The channels in the audio tracks are added to the timeline in the same sequence as they are defined in the source media In oth
67. tetera sales teat acl ca Ud epe uoce ose fot OA 29 3 9 AUDIO MONITORINQ eese nnne nnn nnn nn nnn nnn nnne nnns 30 3 9 T JDeTIPIHOLD asas serrind outdated donne od ann sten dc rd deb nha bcd 30 3 9 2 How to Access the Audio Monitoring Parameters seen 30 3 9 3 Adjusting the Audio Level Output to the Headphones esses 30 3 9 4 Assigning the Audio Channels to the Headphones eee 31 3 9 5 Saving the Audio Monitoring Parameters in a Template eeseesee 32 3 10 LOADING MEDIA ONTO THE PLAYER essent nnne 33 3 10 1 GONE Val IfOTfialloli esas bare etude mcer vere er tutu hone ee ee out laudate 33 3 10 2 How to Load Media from the Browser into the Player eee 34 510 8 WAV S10 OAC CIOS sia iases crsetsnnaradaandeaasheaanonse a 34 9 10 4 WAVS10 Load TTGIEIS 1 its t de qutt cutee tutte Tiana tie tec t ult ena ue ge tla sene du 34 om ORDER Ways 10 OAC OOS eR Dp 35 3 10 6 Changing the Camera Angle init ese tpi pata ai 35 HERB 36 4d OVERVIEW OF THE TIMELINE ELEMENTS atteso pe etus M etr see e ve durs ve oct 36 4 1 1 Timeline Name and IDs nnne nnne nnn nnn 36 s EMEN nie M HH 37 4 1 3 Edit Command Bar and General Editing Functions sess 41 21 4 Transition MCCS Dal aeseum ucatenadhs ed obi que
68. the Trim Left and Right mode roll mode again Left click the transition and keeping the left mouse button pressed drag the transition to the right or to the left to perform the trim action Release the left mouse button where you want the element to be trimmed The selected tracks of the element are trimmed according to the active trim mode up to the requested position i Note transition further If the limits of the A V material are reached you cannot drag the IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 How TO TRIM AN ELEMENT USING THE KEYBOARD SHORTCUTS To trim an element using the keyboard shortcuts proceed as follows 1 Select the Insert of Overwrite mode to be applied in the trim action by clicking the Insert Overwrite Global mode button If the trim mode is not active do the following a Position the nowline next to the transition on which to activate the trim mode b Select the Track Selection buttons of the tracks to be taken into account in the trim action c Press U on the keyboard If required change the trim mode using the following keyboard shortcuts 4 to activate the Trim Left mode zx to activate the Trim Right mode z to activate the Trim Left and Right mode roll mode again Use the following keyboard shortcuts to perform the trim action B to move the IN or OUT point 10 frames on the left
69. the following information The white section represents the length of the trimmed clip i e between the IN point and the OUT point that have been defined The yellow sections represent the guardbands before the IN point and after the OUT point The blue position indicator shows the actual relative position in the clip The position indicator can be moved with the mouse in the clip to play it from any position If the editor adds a new mark IN point on the jog bar a green position indicator will be added to mark this position If the editor adds a new mark OUT point on the jog bar a red position indicator will be added to mark this position When a local train is loaded the guardbands are not displayed When a distant train is loaded the train boundaries are not available In this case the jog bar is dimmed and unavailable IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 3 6 3 6 1 3 6 2 Issue 5 9 B TRANSPORT amp CREATION FUNCTIONS PURPOSE As already mentioned editors cannot update existing clips in IPEdit However they can create a new clip based on a loaded clip on which a new mark IN and or mark OUT has been defined BUTTON DESCRIPTION Note The keyboard shortcut definition is based on the key position on the keyboard not on a dedicated letter IPEdit automatically detects the keyboard used hence it supports default shortcuts on
70. the operation is completed click the Undo To restore the consolidated material you can click the Redo button When you have used the Create Clip from Timeline the clip is only deleted if it is not being used IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 16 USING LOCATORS IN IPEDIT 4 16 1 GENERAL INFORMATION ON LOCATORS DEFINITION A locator is a reference point to a specific frame in a timeline element The locator is identified by a TC value and generally relates to requested or required actions or to comments about the production 6150701 ADL CLP 1025065 1 6156 01 amp DL CLP 102506 2 14 2837 03 114 29 59 1 B15CuU1 TADL CLP 14 28 058 15114 29 3z2 08 61 S01 E DL CLP 102505 2 ADL CLP 102505 1 14 29 08 15114 23 32 08 14 28 37 03 114 23 53 1 CHARACTERISTICS The locators in IPEdit have the following characteristics e They are represented by a reverse triangle e They have a user defined color e They need to be associated to a timeline element on a single video or audio track e You can add metadata to the locator 9 Note This is not possible to place more than one locator at the same timecode on the same track If more than one locator are positioned at the same timecode but on different tracks they will appear as follows on the timecode bar 201 Issue 5 9 B IPDirector V
71. the operator from using the same GPI OUT to the Playlist panel and in IPEdit This is up to the administrators and operators to manage the use of GPIs OUT GPI AND SLOW MOTION When the speed of an element is different than 100 you cannot add new GPls to the element or modify existing ones However you can delete the GPls When you modify the speed of an element which already contained a GPI the GPI remains defined on the same TC as before OVERVIEW OF GPI SETTINGS Each time you define a GPI you need to specify the following settings GPI Setting Description Possible Values GPI number Number of the GPI used From 1 to 8 GPI mode Type of electric signal used Pulse high Pulse low Level high Level low GPI duration Duration of GPI signal In frames and seconds GPI offset Whether and with how In frames and seconds much advance or delay the GPI signal will be sent to the third party device GPI TYPES IN IPEDIT The GPls OUT can be used in the following context in IPEdit e Replace GPls e Video Transition GPls e Clip GPls 205 Issue 5 9 B 4 17 2 4 17 3 4 17 4 206 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 REPLACE GPls PURPOSE They can be used to trigger the external device that will add video or audio effects to the part of the timeline that will be replaced MORE ABOUT REPLACE GPIS For full information on the GPls OUT used with the R
72. this click at the intersection between the source and the output channels to associate e which output channels will be muted To do this click the bullet that corresponds to the output channel This removes the bullet which means that the output channel will be muted Summary Information The information at the right of the output channels summarizes the channel allocation means that the source channel a7 is assigned to the output channel mute 42 means that no source channel will be assigned to the output channel a2 This will be mute ADDITIONAL OPTIONS These options are only available when you access the Swap Mute Configuration window from the Swap Mute Zoom display of a track Apply between mark IN and mark OUT When you have defined a mark IN and mark OUT within which you should apply the swap or mute function you need to tick this check box Overwrite existing swap mute When you have ticked the Apply between Mark IN and Mark OUT option you can tick the Overwrite Existing Swap Mute option if you want to overwrite possible swap mute that might have been previously defined on the selected part of the track Swap Mix Duration Swap mis duration o B even value You can add a mix audio effect at the beginning and end of the swap In this case specify the duration of the swap mix in this spin box 173 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment
73. to the right in the available A V material in Overwrite Mode 514Ci01 Depending on the selected Global Insert Overwrite mode this will reduce or not the duration of the next timeline element 111 Issue 5 9 B 4 8 3 112 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Extend Action Description Extend IN amp OUT The user wants to extend the timeline element by shifting its in Insert or IN point to the left or its OUT point to the right in the in Overwrite available A V material Mode In this case IPEdit asks the user to make a choice between Extend IN or Extend OUT Depending on the selected Global Insert Overwrite mode this will reduce or not the duration of the next timeline element in Extend OUT or previous timeline element in Extend IN EXTENDING IN INSERT OR OVERWRITE MODE When you perform an Extend IN you extend a timeline element by shifting its IN point to the left This takes up A V material on the IN guardband of the element or on the record train available before the IN point of the element e When the Extend IN is performed in Insert mode this does not reduce the duration of the previous timeline element e When the Extend IN is performed in Overwrite mode this reduces the duration of the previous timeline element by the duration of the extend Before I I 1 1 1 1 1I 1 1 1 1 1
74. v a6 v az v v e 4 tracks of 2 mono channels y al az a3 ad ab ab af ad nee EN yg NN e 1 track of 2 mono channels 1 track of 6 mono channels aA v atv ean ae a v lass a v az A v e 1 track of 6 mono channels 1 track of 2 mono channels v I v fat v a2 v esy a v jab o v a v v EXAMPLE The editor wants to add the clip loaded on the Player to the timeline using the Insert button in the Player The clip contains 4 audio tracks of 2 mono channels All the tracks are selected in the timeline The editor performs the following selection in the check boxes of the Player Track Selection v Hal a2 v ai v ad REPE In this case the following will happen e he tracks selected on the Player will be added on the same position as in the source clip G1 onto G1 and a2 onto a2 a3 onto a3 etc e The channel ai of the track G1 not selected in the Player will be muted in the timeline e Asthe channels of the track G3 and G4 remain unselected a blank element will be added to the timeline instead of the track itself 29 Issue 5 9 B 3 9 3 9 1 3 9 2 3 9 3 30 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 The following screenshot shows how the clip is inserted into the timeline adi DODB30 1 02 D DD D4 12 Ti m mj 23 26 44 00 25 26 48 13 adl O90630 1 D2 DD DD 04 13 2326 45 13 AUDIO MONIT
75. 00 11 27 28 03 F k 6112401 ADL CLP 3 0 11 26 50 19 11 25 13 03 n F P T 6112 ADL CLP 4 00 de suse s 11 26 13 03 a F Fo k 611201 ADL CLP 4 n 11 25 30 138 11 26 13 03 134 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Final Situation The IN points of the slipped elements have been shifted 6 frames to the left They are now 11 27 27 00 The OUT points of the slipped elements have been shifted 6 frames to the left They are now 11 27 28 03 The element position and duration in the timeline have not changed nor have the surrounding elements been impacted by the slip action OO OO DE 17 4 10 2 ACTIVATING AND DEACTIVATING THE SLIP MODE How TO ACTIVATE THE SLIP MODE You can only activate the slip mode on one or more elements of the same source media To activate the slip mode on one or more elements of the timeline proceed as follows 1 Click the left mouse button in the upper or lower Lasso Selection area after the elements on which to activate the slip mode 2 Keeping this button pressed drag the mouse from left to right over the tracks that you want to select OR 135 Issue 5 9 B 136 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 The slip mode is activated on the tracks that are completely lassoed The elements on whi
76. 11 61 0620 adi clp_1 2 adl cip 11 61 08 20 _clp_12 19 49 0918 09 49 26 12 3 43 32 8 09 49 39 1 F 09 49 26 12 09 49 32 08 49 39 17 9 E F Click the keyboard shortcuts eJ bj to select or unselect the tracks you want or do not want to slide 3 Use the following keyboard shortcuts to perform the slide action e a to slide the element 10 frames to the left to slide the element 1 frame to the left lii e he to slide the element 1 frame to the right to slide the element 10 frames to the right L When you release the key the slide action is applied within 1 sec 4 Click anywhere in the Lasso Selection area to leave the slip mode 146 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 11 5 How TO SLIDE AN ELEMENT USING THE SHUTTLEPRO To slide one or more elements of the same source media using the ShuttlePRO proceed as follows 1 Activate the slide mode on the requested elements by lassoing the whole elements from right to left keeping the CTRL key pressed see also section 4 11 2 Activating and Deactivating the Slide Mode on page 144 B1 gat20 adl cip 11 B1 0B 20 adi clp 1 2 doy Q4 2 I We 3 r 9 49 32 08 na 73 39 17 nnl oa I d 5 r1 yo 6104 20 39 48 098 adl cip 11 amp 1 B au 3 48 26 12 3 43 32 8 adi clp 1 2 09 49 39 1 T adi cip 11 6106 20
77. 3 6104 20 8 43 11 13 adi cip 11 8 48 25 12 adi clip 11 8 43 26 12 adi cip 11 8 43 26 12 adi cip 11 J8 43 26 12 6108 20 3 43 32 08 6108 20 3 43 32 08 6106 20 I8 43 32 08 6106 20 I3 43 32 08 adi cip 12 2 498 41 12 adi cip 12 8 48 41 12 adi cip 12 8 48 41 12 adi cip 12 09 49 41 12 61000 3 48 43 05 B10C20 3 43 43 05 B10C20 09 49 49 05 B10C 20 09 43 48 05 143 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 11 2 ACTIVATING AND DEACTIVATING THE SLIDE MODE 144 How TO ACTIVATE THE SLIDE MODE You can only activate the slide mode on one or more elements of the same source media To activate the slide mode on one or more elements of the timeline proceed as follows 1 Click the left mouse button in the upper or lower Lasso Selection area after the elements on which to activate the slip mode 2 Keeping the mouse button pressed and pressing CTRL simultaneously drag the mouse from left to right over the tracks that you want to select 610 820 adi cip 11 20 adl cp 6105 20 adf clp 12 510Aj20 adl cip 0B 20 adi cip 12 Ha 09 49 26 1 9 08 48 32 08 D9349 39 17 19 49 09118 Jg 4g aat 09 49 26 12 L 3 49 32 08 09349 39 17 B10AgR20 adl_clp_11 6105 20 adf clp 12 610420 adi cip 11 610B 20 ad cip 12 Jg49 08H8 09 49 26 12 09
78. 3 Redundancy Status Ibi IP EG omoes tator te amt ee i UN IR Mr bales desea 3 1 3 EDIT WHILE PLAYOUT CONTROL PANEL seen 5 Fol IDROGUCO M astescetssussicacensttrecentede cadis utat tutes otcon a ea iaioden ee deseados 5 k32 EGOTIGVIBW BO ostium aM adalah au Rd EI DEUM 5 Too Needs PUER E MEM 6 US MEC eus m LU TT 6 1 3 5 Master Slave Synchronization Buttons caer or rtl ead a lr RO Pte d 6 1 3 6 Speed Nudging Buttons essssesseeeenennennn nnne nnn 7 E37 LOCAOrBURONS sosie A N E 8 1 9 9 Fed ANG Duration MORMVAL OM scx nie E PO US IE od 8 S9 ABECHOOIDEIBIE E IDLO I cee a asc facta dnc cerca cat asst store items cs ast esate Stamens 9 1 4 TIMELINE DISPLAY IN EDIT WHILE PLAYOUT MODE enne 10 UNES CI rc 10 1 4 2 TLO and TLE Nowlines 2 0 00 ccccccecsssssssssscsecsessesesseseessssesesseseesseseeseusaesassassassesensensatees 10 143 TLO SOCUINY ZOMG NER TM 10 1 4 4 TLO Remaining Commit Duration essere nnns 11 TA Uncommitted CAIN GSS accade aetati tetti sanitate S 11 1 5 COMMIT ACTIONS IN EDIT WHILE PLAYOUT MODE nen 11 ME CO ul kic rr 11 1 5 2 Overwrite the Edit Timeline with the On Air Timeline eene 12 1 6 EDIT WHILE PLAYOUT MODE IN A MASTER SLAVE CONFIGURATION 13 1 6 1 Connection Between Master and Slave EVS Server seeeees 13 1 6 2 How to Synchro
79. 33 23 1 13831113 aree L1 39 291 1 1 3 9 TLO Commit BUTTON a Ctrl lt Enter J or y The Commit button allows applying the editing actions performed on the TLE to the TLO even when the TLO Control Panel is locked The button will have a white background as long as the TLE is the same as the TLO In this case no changes have to be committed The coMMIT button will become red as soon as the user performs an editing action on the TLE This means the Commit button is active and editing actions can be applied from the TLE to the TLO The commit button will blink red white when the TLO Remaining Commit Duration duration between the TLO nowline and the first changes still to be committed is equal or less than the value defined in the Remaining Commit Threshold Warning setting For more information on this setting refer to the section 1 7 2 Other Commit Actions Right clicking the Commit button gives access to two other kinds of Commit actions Overwrite edited timeline with on air timeline For more information on these features refer to the section 1 5 2 Overwrite the Edit Timeline with the On Air Timeline on page 12 Issue 5 9 B IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 1 4 TIMELINE DISPLAY IN EDIT WHILE PLAYOUT MODE 1 4 4 OVERVIEW When you are editing the timeline you work on the TLE As long as you have not
80. 47 53 05 Obr an 01 15 ADL CLP 1 00 00 07 0F 2 WE ADL CLP 1 00 00 07 0 DD DO 24 20 14 47 21 1 ADL CLP 1 00 00 07 0 14 00 24 26 14 37 21 1 After the Trim Action 14 476 5305 14 485 119 Issue 5 9 B 4 9 2 120 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 OVERVIEW OF TRIM MODES AND TRIM ACTIONS The following table gives an overview of the possible trim actions You can find more detailed information on trim actions in the Section 4 9 4 Possible Trim Actions on page 124 Trim Action Description Trim Left amp Right The transition between both elements in trim mode is Hell mode moved left or right within each element but the overall length of both elements is preserved e he duration of each individual element is modified e One element is extended one element is trimmed Trim Left Insert The OUT transition of the element in trim mode is moved Ripple A mode to the right or to the left e The element is extended or trimmed around its OUT point e This does not impact the next element in the timeline Trim Left Overwrite The OUT transition of the element in trim mode is moved Ripple A mode to the right or to the left e The element is extended or trimmed around its OUT point e f the element is trimmed a blank element is added after it e f the element is extended the following element is trimmed
81. 49 32 08 09449 39 17 19 49 09118 09 49 26 12 09 49 32 08 09149 39 17 6104720 adl clp 11 X 5105 20 adi cip 12 6104720 adl cip 11 6106 20 ad cip 12 J amp 48 09H8 09 49 26 12 45 32 08 09 48 3817 19 49 0918 09 49 2642 09 49 32 08 09 49 39 17 61 oaj20 E 5 11 6106 20 adi cip 1 2 B1 gatan adl cip 11 adi cip 1 2 Jg 48 098 09 49 26 12 S 09349 3817 9 48 08H E vs 49 26 12 09 49 32 08 09349 39 17 I 1 P ee OR M The slide mode is activated on the tracks that are completely lassoed The elements on which the slide mode is active have yellow vertical bars displayed outside the element close to the transitions AP adi cip 11 B ju moma l LE he 1 LE Li RE Bl DEV 20 1 E adi cip 11 6108 20 p 8 45 08 1 8 43 25 12 09 49 32 08 49 39 17 51 o adi cip 11 6108 20 E O09 43 3 1 JH 43 25 12 09 43 32 8 43 38 17 610442 adi cip 11 6108 20 clp_ 12 O09 43 3 1 JH 43 25 12 09 49 52 8 43 38 17 610442 adl clp 11 6108 20 E 2 O09 43 3 1 8 49 25 12 13 43 32 08 43 38 17 Note When the slide mode is active on given elements the ShuttlePRO can also be used in slide mode on these elements IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 11 3 HOW TO LEAVE THE SLIDE MODE With the Mouse To leave the slide mode with the m
82. 7 SNe Camm gt 10 BI gs oU UIT 17 S04 WIMCCOUG PICMG D 18 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 396 CI aig RM 18 S SSH MM NIC RTT DETTO 18 DIS YOBE ea are tenenets io staaeee tee ore aiptaccaumedenoiata stn aca eiiolaeraa mea aneeenateneatas 20 3 6 TRANSPORT amp CREATION FUNCTIONS cies intere Pendet ted reet Red emerias 21 SOT JHMIDOSOastineudittitunien diete riot tosuee nod eite dla hasce ded Saetetensniedtaeeacs 21 9 0 2 BOT DOSOF DIOE geecu iei beit tdi atit sc tt cetn Coat i tee anal cs Eck ate nee 21 3 6 3 How to Create a Clip Based on the Loaded Media esses 25 95 TIMELINE EDITING BUTEONG stetit csset teodet init eeuvn debt rut ert zuerst 26 SA MERI P P 26 O72 aae rm 26 Blo OVENS FUNCIO onana a 26 3 7 4 Marking the Media to be Added to the Timeline esee 27 3 7 5 Match Frame Replace e ennenenenneneensnnnrsnnnrennnrsnrnnanrsranrennnreranrarnranrnnnnnsnnnrnnnnrnrnnnnnnsnnnrnnnnenn 27 0 9 PLAYER TRAGKSELEOTION oet interest toto se Fate tetas teo tot t a ipaet bue te tpe 28 290 P PUDOSO a eget eRe IM DM en MM 28 3 8 2 Tracks Selected When the Media is Added to the Timeline 28 3 8 3 Possible A di Configurations 05 es ott ed Ii Eee Date Uis bodar cd t reiten te cent 28 OO EXAMP ees
83. A V material of the selected branch that contains the same timecode as the timecode where the nowline is positioned on the player or on the timeline IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 1 3 Player OVERVIEW OF THE PLAYER PANE MAIN FUNCTIONS The purpose of the Player is to easily browse and select the media to be integrated into the timeline The Player pane allows editors to perform the following actions Loading clips and record trains Loading logs and jump to their corresponding record train or protect media Browsing the loaded media Defining mark IN and mark OUT points in order to o add the media between marks to the timeline o save the media between marks as a new clip selecting the video and audio tracks to be added to the timeline Configuring the AVH audio monitoring It is not possible to modify an existing clip in the Player Editors need to edit their clip in the Control Panel or create a new clip in the Player Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 VARIOUS AREAS The following screenshot highlights the various areas in the Player pane They are explained in details from section 3 3 pg 14 to section 3 9 pg 30 Video Display z ae Loaded ADL CLP 101025 4 01 611B 01 gt Kon 11 54 24 17 01 XT ADL REC ae Transport amp
84. ANUALLY A VIDEO DISPLAY TO THE PLAYER IN IPEDIT If administrators have not set up the automatic association between the player PGM and the AVH board proceed as follows e Right click the video display area in the Player and select AVH DISPLAY ON THE TIMELINE ENGINE The video material display on the player channels of the timeline engine complies with the following rules The 1st PGM PGM1 or PGM3 of the timeline engine is associated to the Timeline pane and will display e the material initially loaded on the PGM1 when you open IPEdit and before you load a timeline for the first time e the timeline element where the nowline is positioned or the one that is currently being played when a timeline is loaded e a black screen when an empty timeline is loaded The 2 9 PGM PGM2 or PGM4 of the timeline engine is associated to the Player pane and will display e the material loaded on the Player when the focus is on Player pane e a black screen or the next timeline element to be played when the focus is on the Timeline pane and when a timeline is being played in positive speed You will see the previous clip if the timeline is being played in negative speed The display on the video preview black or material depends on the setting Video Preview Display Option defined in the category IPEdit General Issue 5 9 B 3 9 3 5 1 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment Janu
85. D ON THE NOWLINE POSITION IN THE TIMELINE An editor is playing a timeline and would like to find another camera angle for a given element He places the nowline on the requested frame of that element and activates the Multi Camera Timecode filter in Timeline mode When he refreshes the view in the Browser the grid will display only the material including the same date and timecode as the nowline position in the timeline Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 How TO UsE THE MULTI CAMERA FILTER To search in the database for A V material including the same timecode as the one loaded on the Player or Timeline proceed as follows 1 In the Browser select the branch corresponding to the type of object you want to search in 2 Click the Multi Camera Timecode Filtering button Ea to activate this filtering mode 3 If you want to search the database based on the TC of the clip loaded on the Player a In the Browser click the Player button a b In the Player pane position the nowline or click the Pause button Lk d on the requested timecode in the loaded clip 4 If you want to search the database based on the TC of an element present in the timeline a In the Browser click the Timeline button gl b In the Timeline pane position the nowline on the requested timecode of the desired element In the Browser the filter will automatically display the
86. DIA IN INSERT OR OVERWRITE VIA THE KEYBOARD SHUTTLEPRO OR PLAYER BUTTONS These methods to add media to the timeline are direct insertion methods In other words selecting the requested shortcut button or key to add the media determines directly which mode i e Insert or Overwrite will be used PROCEDURE IN THE PLAYER To add media to a timeline using keyboard shortcuts or the editing buttons on the Player proceed as follows 1 In the Timeline pane select the tracks to be taken into account when you will add the media with the Timeline Track Selection buttons 2 In the timeline loaded place the nowline or add a mark IN or and mark OUT points where you want to insert the media For more information on the media position refer to section Position Applied to the Timeline Element on page 90 3 In the Browser pane click on the media you want to add to the timeline and drag it to the Player to load it 4 If you want to define new mark IN and mark OUT points in the Player do the following in the Player a Browse to the requested position b Click the mark IN button and or mark OUT button Mak OUT 5 Do one of the following k al e Click the Insert button or Overwrite button in the Player pane IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 e Press the Insert key or Overwrite key on the keyboard The media is added to the timeline wi
87. Director suite This chapter details the various areas in the IPDirector main window i e the window that opens when IPDirector is started This chapter describes the Channel Explorer i e the module that provides an overview on the components of the XNet network It allows the users among others to take control of one or several channels from different EVS video servers connected to the XNet This chapter contains a description of overall system settings e shortcut definitions e MPlay and BEPlay Remote configuration e ShuttlePRO configuration and button layout PART 2 LOGGING The second part contains the following chapters Chapter IP Logger Description This chapter provides information on the IPLogger module which is used to create logs that relate to recorded events with timecodes camera angles clip numbers and metadata Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Chapter Description Keyword This chapter covers the management of keywords i e the Management creation and setup of the various tools which allow the users to assign keywords to logs clips playlists or timelines in a unified manner Assigning keywords to logs clips playlists or timelines make it possible to search on the video material stored on the XNet network and easily find it back PART 3 BROWSING The third part contains the following chapter Chapter Descrip
88. E Lm 2D 47 20 DD clips e Automatically you have defined a mark OUT and the process will be stopped when it reaches the mark OUT e Manually press again the Replace button to stop the Replace process e End of timeline If the Replace process is not stopped automatically or manually it will be stopped when the process reaches the end of the timeline Two seconds after the end of the Replace process the replaced part of the A V material is available in the timeline and you can read it How TO CONSOLIDATE A PART OF A TIMELINE USING THE CLIP CREATION FROM TIMELINE FUNCTION Before you can use the Clip Creation from Timeline function ensure that a recorder is assigned to IPEdit and the desired Preroll value is defined in the Replace settings See section 4 15 3 Assigning a Recorder Channel to IPEdit on page 190 and 4 15 4 Replace Settings on page 191 To create aclip from a part of a timeline proceed as follows 1 In the Timeline Track Selection buttons activate the buttons of the tracks on which the Replace process will be performed Set a mark IN point and if requested a mark OUT point to delimit the part of the timeline to be replaced You can also stop the process manually Td To start the Create Clip From Timeline process click the 1 9 i button The Create Clip From Timeline window opens e Fill in the window with the requested clip information e Tick the Replace in Timeline check box if you want t
89. EVS Broadcast Equipment January 2011 PART 9 EDITING The ninth part contains the following chapter Chapter Description Edit While This manual describes the Edit While Playout mode of the Playout IPEdit application This mode allows playing out a timeline pew while the same timeline is being editing in IPEdit XII IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 1 1 1 2 1 Introduction PURPOSE IPEdit is a video editing solution fully integrated in the IPDirector framework that delivers real time performance through a new server based architecture It offers complete timeline editing with no rendering process required Long form editing is available for quick program fixing while short form editing can be used for highlights creation Intuitive editing functions like drag and drop and keyboard shortcuts make it easy to do video and audio transition effects and the enhanced replace process lets you add video graphics and voice over Up to four audio tracks a total of 8 audio channels provide flexible audio editing including audio swap mute and volume automation IPEdit also allows multiple channel access over the entire media network The timeline engine is based on the server s field proven reliability and up to two simultaneous timelines can be created per server GPI Out allows for external device automation and the ability to play
90. GPI check box to a GPI at the beginning of the transition effect The two drop down lists on the right of the check box become available In the first drop down list select the number of the GPI OUT to be used Video Transition GPI Link GPI s to video transition effect Start transition GFI PULSE HIGH v 0000 I E W EndtansitionGP B FIILSE HIGH TEMO t In the second drop down list select the type of the GPI OUT to be used Video Transition GFI Link GPI s to video transition effect Start transition GP PULSE_HIGH OOs00 1 I E m W EndtransitionGPl FIILSE HIGH 3 Offset 0 B fields If you need to associate a GPI OUT to the end of the transition apply steps 3 to 5 to the End Transition GPI If you want the GPI to be sent to the external device before the start and the end of the transition effect specify the number of fields for the advance in the GPI offset spin box Click the Add or Modify button When the transition effect is added to the timeline the Start transition and End transition GPls are displayed on the Timecode bar as orange markers The GPI number is mentioned on the marker and the marker position takes the advance into account IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 12 7 TRANSITION EFFECT SETTINGS Transition Effect settings are available in the Tools Settings menu in the category IPE
91. INE ELEMENT To extend the mark OUT point of a timeline element perform as follows 1 With the Timeline Track Selection buttons select the tracks to be taken into account in the Extend action i die select the Insert or Overwrite mode to be applied in the extend action by clicking the Insert Overwrite Global Mode button 3 Out In the timeline loaded click to add a mark OUT point after the transition of the elements whose OUT point you want to extend Define precisely the position of the mark OUT point IPEdit will indeed calculate the duration of the extend based on the duration between e the transition of the element to extend and e the mark OUT point added 4 Do one of the following e Click the Extend button to perform the Extend action e Click the Extend Slow Fast Button to perform the Extend Slow Fast action The Extend or the Extend Slow Fast action is performed according to the defined settings e on the selected tracks e in the selected Insert or Overwrite mode e on the elements before which the mark OUT point has been added e with the duration between the element transition and the mark OUT point 9 Note When you place a mark IN and mark OUT before using the Extend function IPEdit will ask you which extend action you want to perform 117 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 9 TRIMMING ELEMENTS IN THE
92. ION FIELDS The timecode fields displayed in the Timeline pane are shortly described below Duration between mark IN and mark OUT Mark IN TC Mark OUT TC Nowline TC Timeline Duration DOMIN Bek OR FY C3030303030 0309 03 e et ie 2506 2 615401 1144 01 1144 01 Z 29 37 0341 4 ei 14 29 14 39 29 14 14 39 31 13 14 39 114 39 29 14 515C 0 ADL CLP 1023ADL C 2506 2 6154001 1144 01 1144 01 mm um 23 37 03414 29 5915 114 29 0 14 29 3f 03 14 39 29 14 14 39 31 K 1439 14 39 28 14 MARK IN TC The Mark IN TC field displays the timecode of the mark IN position on the timeline if any mark IN point is defined If you want to position the mark IN point on a given TC of the timeline type this timecode in the Mark IN TC field and press ENTER MARK OUT TC The Mark OUT TC field displays the timecode of the mark OUT position on the timeline if any mark OUT point is defined If you want to position the mark OUT point on a given TC of the timeline type this timecode in the Mark OUT TC field and press ENTER DURATION BETWEEN MARK IN AND MARK OUT The middle field displays the duration between the mark IN and mark OUT points defined on the timeline It is not editable NOWLINE TC The Nowline TC field displays the timecode of the nowline position on the timeline If you want to position the nowline to a given TC of the timeline type this timecode in the Nowline TC field press ENTER TIMELINE DURATI
93. It allows the users among others to take control of one or several channels from different EVS video servers connected to the XNet This chapter contains a description of overall system settings e shortcut definitions e MPlay and BEPlay Remote configuration e ShuttlePRO configuration and button layout PART 2 LOGGING The second part contains the following chapters Chapter IP Logger Description This chapter provides information on the IPLogger module which is used to create logs that relate to recorded events with timecodes camera angles clip numbers and metadata IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 Chapter Description Keyword This chapter covers the management of keywords i e the Management creation and setup of the various tools which allow the users to assign keywords to logs clips playlists or timelines in a unified manner Assigning keywords to logs clips playlists or timelines make it possible to search on the video material stored on the XNet network and easily find it back PART 3 BROWSING The third part contains the following chapter Chapter Description Database Explorer This chapter explains the Database Explorer module which has been designed to allow the users to organize and bes search all media or data available in the XNet network as PART 4 INGEST well as to search for off line nearline f
94. ON The Timeline Duration field displays the effective duration of the timeline loaded calculated from the start of the first element to the end of the last element 53 Issue 5 9 B 4 1 8 4 1 9 54 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TIMELINE TRACK SELECTION BUTTONS Description The Timeline Track Selection buttons allow the editor to select the tracks that will be taken into account in the editing actions the user will perform in the timeline or via drag and drop actions Click the track to activate or deactivate it e When the track is blue it is active and will be taken into account in the following editing actions e When the track is grey it is inactive and will NOT be taken into account in the following editing actions To de select multiple contiguous tracks select the first one then press SHIFT as you press the last track Keyboard Shortcuts The following keyboard shortcuts allow you to select and deselect the tracks directly from the keyboard Track Keyboard Shortcuts LOCATOR GPI SELECTION BUTTONS e v Ow The Locator Selection button V allows the user to activate the locators which means they are displayed in their respective color You need to click this button to be able to select locators The GPI Selection button allows the user to activate the GPI which means they remain grey but the related track is disp
95. ORING DEFINITION The Audio Monitoring feature allows you to monitor and adjust the global audio level that is output when playing the media loaded on the Player through headphones HOW TO ACCESS THE AUDIO MONITORING PARAMETERS To access the audio monitoring parameters proceed as follows 1 1 e When media is loaded in the Player click the Audio Monitoring button located on the right of the Player Track Selection check boxes This opens to the Audio Output Channels window in which you can define and modify the Audio Monitoring parameters described below ADJUSTING THE AUDIO LEVEL OUTPUT TO THE HEADPHONES WHERE You can adjust the global audio level that will be output to the headphones in the Input Gain area of the Audio Output Channels window IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Input gain 23dB dB 3dB How To adjust the audio level output to the headphones proceed as follows e Move the slider up or down on the scale to specify how many dBs you want to add to or remove from the initial audio level of the media to be played The audio level gain or reduction is displayed in the field in the middle of the Input Gain range 3 9 4 ASSIGNING THE AUDIO CHANNELS TO THE HEADPHONES WHERE You can select the audio channels you want to assign to the right and left headphones in the Audio Channels area of the AVH Confi
96. Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 14 7 INCREASING OR DECREASING THE GLOBAL VOLUME OF A TRACK How TO INCREASE THE GLOBAL VOLUME OF A TRACK To increase the global volume of a track displayed in the Volume Automation panel proceed as follows To increase the Click global volume of the track or aap the button on the left of the volume automation curve nia ee the L button while pressing SHIFT How TO DECREASE THE GLOBAL VOLUME To decrease the global volume of a track displayed in the Volume Automation panel proceed as follows To decrease the Click global volume of the track or a gt the m button on the left of the volume automation Curve aA the Will button while pressing SHIFT EXAMPLE INCREASING THE GLOBAL VOLUME OF A TRACK Before 2 94 dB 183 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 After 4 14 8 INCREASING OR DECREASING THE VOLUME ON PART OF A TRACK How TO DECREASE OR INCREASE THE VOLUME ON A PART OF A TRACK To increase or decrease the volume on part of a track displayed in the Volume Automation panel proceed as follows 1 Delimit the part of the track on which you want to increase the volume as follows a Add a mark IN point at the position to start the volume increase or decrease b Add a mark OUT point at the position to stop the v
97. Qwerty and Azerty keyboards The following shortcuts are applicable to Qwerty keyboards When working with Azerty keyboards the default shortcuts are located on the same keyboard position i e Q gt A Users can always edit the default keyboard shortcuts in the Tools Define Shortcuts window The following table describes briefly the transport and creation functions available in the Player User Keyboard ShuttlePRO key Interface Shortcut Description Returns to the same TC position in the record train as the one of the currently loaded clip if this material is still available Returns the media to the last point where the E E mode was exited effectively snapping back to where the user left off in the record media Unloads the loaded media showing the last record train loaded at its current recording position The left Timecode field will be running to indicate the current position Right click on this button gives access to the other recorders on the XNet network which allows selecting another camera angle 21 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 User Keyboard ShuttlePRO key Description Interface Shortens Rewinds the loaded media The rewind speed is set in one of the following ways via the contextual menu available from the Fast Rewind button The possible speeds are from 25 to 100 and from 2x 200
98. ST A TIMELINE ELEMENT To extend the IN point of a timeline element perform as follows 1 With the Timeline Track Selection buttons select the tracks to be taken into account in the Extend action select the Insert or Overwrite mode to be applied in the extend action by clicking the Insert Overwrite Global Mode button In In the timeline loaded click to add a mark IN point before the transition of the elements whose IN point you want to extend Define precisely the position of the mark IN point IPEdit will indeed calculate the duration of the extension based on the duration between e the mark IN point added and e the transition of the element to extend Do one of the following e Click the Extend button a perform the Extend action e Click the Extend Slow Fast button to perform the Extend Slow Fast action The Extend or the Extend Slow Fast action is performed according to the defined settings on the selected tracks in the selected Insert or Overwrite mode on the elements after which the mark IN point has been added with the duration between the mark IN point and the element transition 9 Note When you place a mark IN and mark OUT before using the Extend function IPEdit will ask you which extend action you want to perform IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 8 7 How TO EXTEND OUT OR EXTEND OUT SLOW FAST A TIMEL
99. TIMELINE DISPLAY The following screenshot highlights some important objects in the timeline display 37 Issue 5 9 B 38 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Timecode Lasso Bar Selection Area p e i e ia bd hi d e b i d a A E ke tee Meo Med h aa adi clp 1206 1 adi cip adi cip 1 00 00 00 0000 00 14 06 00 00 14 00 00 21 adi cip 1206 1 adi cip adi cip 1 00 00 00 0000 00 14 06 00 00 14 00 00 21 Er a M Timeline Mark IN Element bus OUT un TIMECODE BAR It displays a graduation of the timecode in the timeline The timecode of the timeline track starts with the timecode defined in the Control Track Initial Timecode setting To modify this setting go to the menu Tools Settings in the category IPEdit General The most precise graduation is a graduation by frame i e from frame 0 to 24 in PAL and from frame 0 to 29 in NTSC NOWLINE The nowline is the blue vertical line that displays the current position on the timeline It is used to browse in the timeline or mark an insertion position In the following cases the nowline in the timeline will act as a mark IN or mark OUT when performing editing actions Mark IN or OUT Nowline position The nowline acts as a defined Mark IN defined After the mark IN Mark OUT Mark OUT defined Before the mark OUT Mark IN MARK IN OUT POINTS The mark IN point is
100. The following screenshot presents the Replace settings window where you can adapt the default settings to your timeline p Replace 5 etings Ca Fre Rall Midea audia delay compensation Pre Holl Duration diis seb Enter the delay compensation values that your external devices add to the signal PostRolDuration Video delay Frames Audio delay o Frames Boundary Marks GFI GFI Out Audio Channel Input Matris Pulse durations Post Mark IN Offset 0o Bg Frames Mark Out GPI Settings GPI Out Output Made Fulse duration Pre Mark OUT Offset o Bg Frames For open ended replace process GFI out is triggered T AEST with a manual stop S ES A amp A2 Ad Ad A5 AB Output Mode mute A mute 4 SLA LO SLA LAC Audio Settings Select audio group tracks that will be muted during between Markln and MarkOut SLA LC Follow track selection SOURCES ERE 41 A A3 44 45 AG AT ABS 23 44 MESES Ene sf lali The default Replace settings are described in the sections below The specific Replace settings are similar but specific to the open timeline For this reason they will not be further described 192 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 PRE ROLL AND POST ROLL Detine the pre roll and past rall duration while performing a replace Pre duration ERHI Postduration DERIN Introduction A pre roll of minimum 1 secon
101. The timeline editing is performed on the IPEdit engine PGM3 4 The edit timeline is called the TLE e The timeline playout is performed on the IPEdit engine PGM1 2 The on air timeline is called the TLO The on air timeline is updated by applying the editing actions performed on the TLE to the TLO via a Commit button This is possible to use the EWP mode Edit While Playout mode in IPEdit so that it offers a failover mechanism in a redundant setup User Interface Both TLE and TLO are managed on the same instance of IPEdit and are visible on the same Timeline display The TLE editing is performed as usual with the commands above the Timeline display The TLO playout and related actions is managed via dedicated commands displayed on the EWP Control Panel TLO commands QOv Ya EB TELE gt Saaana P OO O0 00 00 52 20 Cou oe O TETTE TTE T TT Oc ToD O 0000 ADL TL 2011 1 27 5 14 28 01 10 14 38 214 29 08 07 14 114 29 20 03 27 5 114 28 01 10 14 26 08 261 14 29 08 07 14 114 29 20 03 E EERE Master Slave Local Status TT IT Connection status connected to slave X T ADL PGM3 P TLE Transport Commands Issue 5 9 B 1 1 2 1 1 3 IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 9 Note In the IPEdit user manual we will shorten the Edit While Playout mode into EWP mode In the IPEdit user int
102. To Next Locator button on the EWP Control Panel makes it possible to move the TLO nowline to the next locator defined in the timeline ve The Go To Previous Locator button on the EWP Control Panel makes it possible to move the TLO nowline to the previous locator defined in the timeline For more information on locators refer to the IPEdit user manual FIELD AND DURATION INFORMATION TLO ON AiR NOWLINE POSITION This field displays the timecode position of the on air nowline or TLO nowline This is the red nowline on the Timeline Display area Note If you want to position the TLO nowline to a specific timecode you can type the requested timecode in this field and press ENTER TLO EFFECTIVE DURATION Duration 00 01 435 13 This field displays the effective duration of the TLO TLO REMAINING COMMIT DURATION This field displays the duration between the TLO nowline and the first TLE element that has not been committed yet The TLO Remaining Commit Duration is represented by a red area in the upper Lasso Selection area on the Timeline Display IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 TLO Remaining Commit Duration 11 00 18 08 SISCUTY raar a i ADL CLP 1 25 ADL CLP 102506 1 34142985415 29 0 ADL CLP 1025 amp Dp CLP 102505 1 3414 22 5215 an Oz A14 39 28 14 1 4 28 37 03 41 4
103. VS Broadcast Equipment January 2011 4 10 6 How TO SLIP AN ELEMENT BY SETTING A NEW TIMECODE 140 You can slip one or more element s by redefining either the TC IN or TC OUT If several elements are selected they must belong to the same source media and have the same TC IN and OUT To slip an element by modifying the timecode proceed as follows 1 Select one or more elements of the same source media 2 Right click on the selected elements and select Set Timecode from the contextual menu The Slip Timecode dialog box opens Enter either a new mark in or mark out Mark in Mark out Duration 3 Enter the new requested TC IN or TC OUT and click ENTER to validate the new TC value 4 Click Apply The TC IN and TC OUT of the selected elements have been modified according to the new TC information entered If the new timecode defined is not available in the record train an error message will be displayed IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 11 4 11 1 SLIDING ELEMENTS IN THE TIMELINE OVERVIEW DEFINITION Sliding an element on a timeline consists of moving its position in the timeline without changing e the element duration included in the timeline e the element TC IN and OUT points Moving the position of the timeline element will reduce or extend the length of the surrounding elements in the timeline as the co
104. Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TIMELINE EDITING OVERVIEW OF EDITING ACTIONS All actions to add or modify timeline elements or to add transitions within the timeline are timeline editing actions The editing functions are explained in separate sections below The most important editing functions are the following ones Editing Functions Section Page Placing media in the timeline using the 4 5 Page 83 e Insert or Overwrite mode e Match Frame Replace mode Deleting elements from the timeline 4 6 Page 102 Moving elements within the timeline 4 7 Page 105 Extending elements 4 8 Page 109 Trimming elements 4 9 Page 118 Slipping elements 4 10 Page 133 sliding elements 4 11 Page 141 OVERVIEW OF SLOW MOTION EDITING several features offer the possibility to speed up or slow down the playout of the video or audio element of the timeline in other words to perform slow fast motion editing SLOW MOTION FEATURES This section provides an overview on the main slow fast motion editing features They are explained in details in the relevant sections Slow Fast Motion Editing via Section Page Set Speed command available from the 4 3 5 Page 75 contextual menu of the timeline element 4 Point Edit that matches media with mark IN 4 5 3 subsection Page 90 and OUT points to a timeline element Position Applied to the Timeline Element IPDirector Version 5 9 Us
105. WHEN A CLIP IS LOADED The following table shows the possible colors and values of the Duration field when a clip is loaded The Duration field value and color depends on e whether the clip is playing or paused e the media position indicator IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 e the defined mark IN and mark OUT points o When no new mark IN and mark OUT have been defined after the clip has been loaded the values displayed in the Duration field are based on the original IN and OUT points of the clip Issue 5 9 B o When a new mark IN and or mark OUT have been defined after the clip has been loaded the values displayed in the Duration field will be based on this new mark IN and or mark OUT point s Play Pause Pause Play Pause Play Pause Play Position Indicator On or between IN and OUT points On or between IN and OUT points Before IN point Before IN point After OUT point After OUT point Duration Value Duration to the OUT point Countdown to OUT point Duration to the IN point Count down of remaining time to OUT point Duration from the OUT point Count down of remaining time to end of guardband WHEN A RECORD TRAIN IS LOADED Colour Yellow Yellow Grey Grey Grey Grey The following table shows the possible colors and values of the right Duration field when a train is loaded The ri
106. YOUT CONTROL PANEL 1 3 1 INTRODUCTION When the EWP mode is active the EWP Control Panel is displayed on the main IPEdit window between the Browser and the Timeline pane e l Duration 02 O0 O0000 ovs The EWP Control Panel makes it possible to e Control the TLO playout e Perform synchronization actions between both TLOs in a Master Slave configuration e Get the nowline positions and useful duration information in the Edit While Playout mode e Commit the changes from the TLE to the TLO The various buttons and fields available in the EWP Control Panel are described in the following sections 1 3 2 TLO PREVIEW BAR The TLO preview bar displays a read only summary of the TLO with the following elements Locators various colors security TLE portion visible in Zone red Timeline Display white Full timeline blue TLE Nowline blue TLO Nowline red The TLO preview bar is refreshed after a commit and the nowline moves in real time Issue 5 9 B 1 3 3 1 3 4 1 3 5 IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 LOCK BUTTON ale ro When the user clicks the Lock button oc it becomes active This means the PGM1 2 are locked and the Transport Control commands and Commit button are no longer available When the user clicks again the Lock button it unlocks the PGM1 2 and the commands become available again
107. able in IPEdit to perform a slip e Slipping the element by dragging it once it is selected Use this method if you do not know precisely the new mark IN and OUT points you want to define e Slipping the element by setting a new timecode Use this method if you know precisely the new mark IN and OUT points you want to define 133 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 EXAMPLE In the following example the first method mentioned above is used In the example the TC IN and TC OUT of the elements are specified on the element block Element Selected for Slipping Action The initial elements of a source clip ADL CLP 1 00 are present in the timeline Their TC IN is 11 27 27 06 Their TC OUT is 11 27 28 09 All elements of the same source clip are selected for the slip action 611201 ADL CLP 4 00 ADL CLP 1 00 611E 0 11 26 13 03 11 27 28 0 11 26 50 1959 2r OB 611401 ADL CLP 1 00 E1160 ADL CLP 4 00 11 26 50 19 2r 2r 0G 11 27 28 0 11 25 13 03 During the Slipping Action In this case the IN point and OUT point of the elements are being shifted to the left e The available A V material on the server is represented by the light blue blocks before and after the element boundaries e The TCs of the IN point and OUT point that correspond to the slip action applied are displayed in the Timecode bar 11 27 27
108. ansition Effect group box of the Add Modify Transition Effect window you can modify these default settings by specifying another type duration and or position for the transition effects to be added Transition Effect Type Cut Mix Vat LI A n Duration Frames ewen value Before cut Centered on cut After cut E Ea E When you first access the window in a session the default value defined in the Timeline settings is displayed Then the last value used is restored each time you open the window Field Description The following table provides a short description of the fields Field Description Type Effect type that will be applied to the selected transitions The possible values are e Cut e Mix e Wipe If you select wipe you need to select the kind of wipe you want to perform in the drop down list e Wipe L gt R wipe from left to right e Wipe R L wipe from right to left e Wipe U D wipe from top to bottom e Wipe D U wipe from bottom to top When the wipe effect is defined it is applied to the video track and a mix is automatically defined on the selected audio tracks IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Field Description Duration Duration of the effect that will be applied to the selected transitions The duration is defined in frames must fulfill the following conditions e Even numb
109. applied the changes from the TLE to the TLO the Timeline Display area will be similar to the following screenshot TLO Remaining Uncommitted Commit Duration changes 00 7 09 security Zone TLO Nowline L TLE Nowline 1 4 2 TLO AND TLE NOWLINES The nowline of the on air timeline is displayed in red The nowline of the edit timeline is displayed in blue as usual in IPEdit 1 4 3 TLO SECURITY ZONE The TLO Security zone is the portion of the timeline after the TLO nowline on which the Timeline Engine will not be able to commit changes from the TLE to the TLO This zone is defined by the Timeline Engine IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 1 4 4 1 4 5 1 5 1 5 1 TLO REMAINING COMMIT DURATION This red zone in the upper lasso selection area above the Timeline display represents the duration between the TLO nowline and the first TLE element that has not been committed yet It corresponds to the TLO Remaining Commit Duration field prm UNCOMMITTED CHANGES On the timeline display the A V material that contains uncommitted changes has a reddish layer on the top of the usual element color COMMIT ACTIONS IN EDIT WHILE PLAYOUT MODE This section explains how you can perform various commit actions in Edit While Playout mode COMMITTING THE TLE You need to click the COMMIT button to commit the chang
110. ar Timeline Marks Delete Between Mark IN and Mark OUT 42 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Function Name User Keyboard ShuttlePRO key Interface Item Shortcut Select Elements From or to Nowline Add Edit at Nowline Position Extend Slow Fast Match Frame in Player Or The Undo function cancels the last editing action performed in the timeline and restores the previous timeline state 10 levels of undo are available 43 Issue 5 9 B 44 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 REDO or The Redo function reapplies the last editing action that was cancelled by an Undo action 10 levels of redo are available INSERT OVERWRITE GLOBAL MODE E Biz insert B overwrite or aj The Insert Overwrite Global Mode function makes it possible to toggle between the Insert and Overwrite mode The active mode will be taken into account only when media is dragged to the timeline As the shortcut keys provide a direct insertion mode the Insert Overwrite Global mode defined in the timeline will NOT be taken into account when you use the shortcut keys SET TIMELINE MARK IN The Set Timeline Mark IN function places a mark IN on the timeline at the current nowline position SET TIMELINE MARK OUT LOCE The Set Timeline Mark OUT function place
111. art 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 Point Edit The user performs a 3 point edit when only one reference point is defined in the Player pane and two reference points are defined in the Timeline pane In this case IPEdit calculates the portion of the source media to be added between the mark IN and mark OUT points in the Timeline pane 4 Point Edit The user performs a 4 point edit when two reference points are defined in the Player pane and two reference points are defined in the Timeline pane In this case the material defined between the mark IN and mark OUT in the Player is inserted between the mark IN and mark OUT in the Timeline The speed is automatically calculated to fit in the space between boundary marks Possible Cases The following table summarizes all possible cases Edit Type Points Marks Marks in Timeline Element Position in Player Standard IN OUT Nowline Mark IN point of media edit positioned on the timeline nowline Standard IN OUT Nowline Mark IN point of media edit before positioned on the timeline mark IN mark IN Standard IN OUT Nowline Mark OUT point of edit after mark media positioned on the OUT timeline mark OUT 3 point IN IN OUT Nowline Mark IN point of media edit positioned on mark IN of timeline calculation of the mark OUT of inserted media 3 point IN Nowline Mark IN point of media edit after mark positioned on mark IN
112. ary 2011 LOADED MEDIA INFORMATION The Loaded Media area provides the information on the loaded media The various sections will provide a detailed description on the element of the user interface LOCK BUTTON Oe DESCRIPTION This button makes it possible to lock both player channels associated to IPEdit i e to prevent any operation from any other module or instance of IPDirector This is a manual lock process which differs from the automatic lock timeline function CONTROL FROM THE REMOTE PANEL Users on the Remote Panel in LSM exclusive or parallel mode only retain the control on the transport commands while a timeline is loaded on IPEdit but no control on any editing command UNLOCK CHANNELS You need to click again the Lock button to unlock the channels that you have locked When you unlock the PGM assigned to the IPEdit Player it remains locked to the other users You or other users will have to unlock it in the Channel Explorer to make it fully available again Right click and select Unlock to unlock the channel AUTOMATIC LOCK TIMELINE FUNCTION The Lock button available in the IPEdit Player is activated manually When player channels are associated to IPEdit another lock mode is automatically activated in IPDirector This is the Lock Timeline mode Display The Lock Timeline status is visible in the Channel Explorer the Timeline Mode button is displayed next to both PGMs assigned to IPEdit Description Th
113. ch the slip mode is active have yellow vertical bars displayed inside the element close to the transitions Hi cip 4 00 E1400 adl cip 9 00 614C clp_ 9 00 B14 079 ADL 14 04 06 17 14 12 0 1140406 151451202 11 2 Note When the slip mode is active on given elements the ShuttlePRO can also be used in slip mode on these elements How TO LEAVE THE SLIP MODE With the Mouse To leave the slip mode with the mouse click anywhere in the Lasso Selection area above or below the timeline display With the Keyboard To leave the slip mode with the keyboard press Sm IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 10 3 How TO SLIP AN ELEMENT USING THE MOUSE To slip one or more elements of the same source media using the mouse proceed as follows 1 Activate the slip mode on the requested elements by lassoing the whole elements from right to left See also section 4 10 2 Activating and Deactivating the Slip Mode on page 135 di_clp_3 00 B14C 079 ADL ADL ad clp 89 00 614C cp 8 00 amp 14C D 16140406 17141202 40408 17 1410 EM ca ad cip 9 00 6140 01 cp 8 00 amp la4cinty ADL EC 11404056 17141202 sess usus 1714120 gt lil Click the requested Timeline Track Selection buttons to select or unselect the tracks you want or
114. ck Timeline prevents you and other users from using the players of the Timeline Engine in another mode than the timeline mode which means that e Other users will still have the possibility to use both PGMs in another instance of IPEdit e You and other users will have the possibility to load a timeline in a Control Panel e You and other users will NOT be allowed to use one of the assigned PGMs to play a clip in the Control Panel or to load a playlist in the Playlist Panel or in any use other than the timeline mode AUTOMATIC UNLOCK When you exit IPEdit or IPDirector whereas the timeline is NOT being played out the timeline lock is automatically removed When you exit IPEdit or IPDirector whereas the timeline is being played out the following message is displayed and you can decide whether to exit IPEdit or not o Are you sure to exit Ip Edit and step playing timeline 7 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 1 4 4 IPEDIT OUTLINE The IPEdit main window includes three main panes highlighted in the screenshot below Player Browser MP Ect pA DL FL Ar 1 O T 1 x M TL E E E E a ADL CLP 101025 4 01 611B 01 11 54 24 17 w B wx La E HE ba Lm L 2 J F L B D E 2 i j p ba m i tH NEM A E Ej zi d rni E l T Lr om T Fi fia s4 24 17 foo o0 06
115. clip added is 00 00 04 23 long The element after the insertion point is 00 00 13 01 When the new clip is added the timeline element after the insertion position is shifted to the right and remains 00 00 13 01 long Timeline before the Insert action 00 00 32 15 R o P M Pr qQ J adl clp 1208 7 ad cip 1206 8 adl clip 1206 7 adl cip 1206 8 00 00 36 09 00 00 11 1417 On anc 45 0 00 ag 13 01 adl clp 120B 7 adl clp 1208 8 00 00 36 08 OOOO 11 anran 4501 00 0 13 01 85 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Timeline during the Insert action 00 00 48 01 Timeline after the Insert action E on OR When the Overwrite mode is active the clip will be added to the requested position AND the media located after the insertion point will be overwritten by the length of the added media Player mode Example of an Overwrite Action The clip added is 00 00 04 23 long The element after the insertion point is initially 00 00 13 01 When the new clip is added the element after the insertion position is reduced by the length of the added media It is now 00 00 08 03 long 86 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Timeline before the Overwrite action Dr 0 42 15
116. d IN Slow Fast a Timeline Element 116 4 8 7 How to Extend OUT or Extend OUT Slow Fast a Timeline Element 117 4 9 TRIMMING ELEMENTS IN THE TIMELINE eere 118 25 MEM iree lei arsena LL EOOEUEEET 118 4 9 2 Overview of Trim Modes and Trim Actions seen 120 4 9 3 Activating and Deactivating the Trim Modes see 121 AIA ROSSIDIB TTITIUADG TOTIS rsessse nackte onis usati iti usu eodd a pu ode dE tou 124 2 9 5 JTnrnmirg Timeline Elemo S ias pe c ep teme en ao desee a E o mena uir PURIS 130 4 10 SLIPPING ELEMENTS IN THE TIMELINE t citer 133 MERECE m 133 4 10 2 Activating and Deactivating the Slip Mode eene 135 4 10 3 How to Slip an Element Using the Mouse ccccccsssssssssssssesssssssesssesssceseseesesersesasersanss 137 4 10 4 How to Slip an Element Using the Keyboard seeennnnne 138 4 10 5 How to Slip an Element Using the ShuttlePRO ccssesssssssssssssserssssssssssesssersssesersenss 139 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 10 6 How to Slip an Element by Setting a New Timecode eeee 140 4 11 SLIDING ELEMENTS IN THE TIMELINE iicscsieciish ns r
117. d can be defined for example to allow the user to listen to the content of the timeline before starting its voice over A post roll of minimum 2 seconds is defined to allow the Replace process to be finalized and the replaced part to be made available in the timeline In a replace process the timeline will be played including the pre roll and post roll but only the part of the timeline between the mark IN and the mark OUT will be replaced in the timeline Defining a Pre Roll and Post Roll To define a pre roll and post roll other than the default values you first have to click in the field to activate it Then you can do one of the following actions before clicking Apply to validate the changes e Type the whole pre roll duration with the zeros that should precede the actual value e Click again at the exact position and type directly the value for the pre roll duration leaving the zeros on the left VIDEO AUDIO DELAY COMPENSATION Enter the delay compensation values thatyour external device adds to the signal Video delay o BH frames Audio delay 0 HH frames Introduction When the external devices add a delay to process the A V material you can compensate this delay by entering a delay compensation equivalent to the delay brought about by the external device You specify this delay compensation in the Video Audio Delay Compensation group box A delay can be entered individually for the audio or video material to take in
118. d of the open timeline are removed e f the tracks do not have the same duration the appended timeline is placed at the end of the longest timeline element of the open timeline 6124101 1200 29 15 1200 29 15 PROCEDURE To append a timeline to an open timeline proceed as follows 1 Select the timeline to append in the Browser area 2 Press CTRL as you drop the timeline to the Timeline Display area The timeline is directly appended to the current timeline 9 Note If you simply drop the selected timeline to the Timeline Display area a dialog box will open to ask you whether you want to open or append the dropped timeline 101 Issue 5 9 B 4 6 4 6 1 4 6 2 102 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 DELETING ELEMENTS FROM THE TIMELINE INTRODUCTION The elements of a timeline are said to be lifted when they are deleted from the timeline in Overwrite mode The elements of a timeline are said to be extracted when they are deleted from the timeline in Insert mode LiFTING TIMELINE ELEMENTS OR PARTS OF A TIMELINE PRINCIPLE When you delete timeline elements or a part of a timeline in Overwrite mode i e lift them a blank element will be left at the position where each element or the part of the timeline has been deleted How TO LiFT ELEMENTS FROM A TIMELINE First Method To lift elements in Overwrite mode you can
119. d to video or audio elements to Issue 5 9 B 1 5 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 video transitions or to the Replace feature ASSIGNING THE SHUTTLEPRO TO IPEDIT The ShuttlePRO can be used to perform more rapidly many editing actions in IPEdit When the ShuttlePRO is physically connected and recognized by the IPDirector hardware it can be assigned to IPEdit as follows 1 Press the Select Player key on the ShuttlePRO controller 02 XT1 Pgm 3 02 XT Pqm 4 lt None gt 2 Rotate the jog dial to move through the available channel list and highlight the channel you want to control lf IPEdit is assigned to PGM1 and PGM2 you can select either PGM1 or PGM2 on the ShuttlePRO 3 Press the Select Player key again to confirm the channel selection and exit the menu When the ShuttlePRO is assigned to IPEdit the icon is displayed on the top right corner of the Player panel To unassign the ShuttlePRO to IPEdit apply the same procedure selecting None in the list IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 2 1 INTRODUCTION 2 1 1 POSSIBLE ACTIONS Issue 5 9 B 2 Browser The Browser pane allows users to perform the following actions Action Searching for media referenced in the IPDirector Database Filtering material based on the position of the loaded material
120. dcast Equipment January 2011 1 2 1 2 1 1 2 2 1 2 3 MASTER SLAVE REDUNDANCY INTRODUCTION PURPOSE The Master Slave redundancy feature is available with the Edit While Playout mode It makes it possible to synchronize the content of a timeline being edited on the Master main EVS server running IPEdit to a Slave backup EVS server also running IPEdit This redundancy allows providing a failover mechanism when using the Edit While Playout mode in IPEdit TERMINOLOGY To make it short we will use the following terms e Master IPEdit to refer to the IPEdit application working with the Master EVS server e Slave IPEdit to refer to the IPEdit application working with the Slave EVS server REQUIREMENTS FOR MASTER SLAVE REDUNDANCY If you want to use the Edit While Playout mode with the Master Slave configuration you need to e Have the same versions of IPDirector e Work with 6 channel EVS servers having the same Multicam version e Work with the Multicam application having 4 PGMs on each EVS server typically the application IPDP Spotbox 4 PGM 2 REC e Associate your EVS servers in Master Slave relationship in the Redundancy tab of the Remote Installer Master Slave servers need to have exactly the same genlock same LTC timecode signal and same source signal on the recorders selected for redundancy For more information on how to set up the redundancy between a Master and Slave EVS server pleas
121. ded in the Timeline pane To add transition effects automatically to new elements proceed as follows 1 Open the menu Tools gt Settings and select the category IPEdit gt General 2 In the Transition Effects group box select AutomaticVideo in the Mode drop down list Then specify the transition effect settings to be applied automatically to the video track of new clips placed in the timeline e effect type mix or wipe e effect duration in seconds and frames even number min 2 frames e effect position before cut centered after cut For example Define the default parameters applied on transitions Mode Autamaticvided V Mix Duration Position I 3 In the Transition Effects group box select AutomaticAudio in the Mode drop down list Then specify the settings the transition effect settings to be applied automatically to the audio track s of new clips placed in the timeline 161 Issue 5 9 B 4 12 9 162 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 e effect duration in seconds and frames even number min 2 frames e effect position before cut centered after cut The effect type is automatically mix For example Define the default parameters applied on transitions Mode Automatic udia Duration 16m Position d ina 4 Click OK in the Timeline tab frames even value 5 In Timeline pane tick the fo
122. dit General Transition Effects setting Define the default parameters applied on transitions Mix Duration Wipe Wipe D 21l ka frames even value Position id They allow you to e define the default settings for the transition effects applied manually For more information on this refer to section How to Define Default Settings for Manual Transition Effects on page 157 e define the settings for the transition effects applied automatically For more information on this refer to section How to Add Effects Automatically to New Elements on page 161 How TO DEFINE DEFAULT SETTINGS FOR MANUAL TRANSITION EFFECTS 1 Open the menu Tools gt Settings and select the category IPEdit gt General 2 In the Transition Effects group box select Manual in the Mode drop down list Then specify the default values to be used for the transition effect settings that will be applied manually e effect type mix or wipe e effect duration in seconds and frames even number min 2 frames e effect position before cut centered after cut 3 Click OK in the Timeline tab The following default settings will be defined for or applied to manual transition effects in the following situations e when you first open the Add Modify Transition Effects window in a new session e when you apply transition effects using keyboard shortcuts without modifying the settings in the Add Modify Transition Effects window in a
123. do not want to slip Click the mouse on one of the elements in slip mode and drag it to the left or right to slip the elements respectively to the left or to the right The TCs of the IN point and OUT point that correspond to the slip action applied are displayed in the Timecode bar When you release the mouse the slip action is applied within 1 sec Click anywhere in the Lasso Selection area to leave the slip mode 137 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 10 4 How TO SLIP AN ELEMENT USING THE KEYBOARD To slip one or more elements of the same source media using the keyboard proceed as follows 1 Activate the slip mode on the requested elements by lassoing the whole elements from right to left See also section 4 10 2 Activating and Deactivating the Slip Mode on page 135 dl cip 3 U0 B14cmm ADL ADL ad clp 89 00 614C cp 8 00 amp 14C D 1 14 0406 17141202 4 04 06 1714120 EM ca ad cip 9 00 6140 01 cp 8 00 amp la4cinty ADL 11404056 17141202 usus 1714120 Click the keyboard shortcuts e m to select or unselect the tracks you want or do not want to slip 3 Use the following keyboard shortcuts to perform the slide action M d to slip the element 10 frames to the left to slip the element 1 frame to the left 2 to slip the e
124. dow and select the check box Apply to all transitions between mark IN and mark OUT on any new elements added 12 NN to the loaded timeline Select the VFX and AFX check boxes we which activates the automatic mode to add transition effects Then define the effects in the menu Tools gt Settings Timeline tab Transitions Effects group box Mode Automatic Video or Automatic Audio 149 Issue 5 9 B TRACK SELECTION When you add transition effects Manually Automatically 4 12 3 EFFECT TYPES IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Specify the tracks with the Timeline Track Selection buttons OR the Tracks group box in the Add Modify Transition Effects window the Timeline Track Selection buttons The following video and audio effects can be defined on transitions VIDEO EFFECTS For a definition on the various effects refer to the glossary at the end of this user manual Effect Comments Display Cut Default transition Mix Dissolve Horizontal Wipe e From top to bottom e From bottom to top Vertical Wipe e From left to right e From right to left 150 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 12 4 4 12 5 AUDIO EFFECTS Effect Comments Display Cut Default transition E1 0c 01 11 20 51 24 Mix Dissolve 6112401
125. drag it to the left or right to slide the elements respectively to the left or to the right The new position of the slid element in the timeline which corresponds to the slide action applied is displayed in the Timecode bar When you release the mouse the slide action is applied within 1 sec 4 Click anywhere in the Lasso Selection area to leave the slide mode 145 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 11 4 How TO SLIDE AN ELEMENT USING THE KEYBOARD To slide one or more elements of the same source media using the keyboard proceed as follows 1 Activate the slide mode on the requested elements by lassoing the whole elements from right to left keeping the CTRL key pressed See also section 4 11 2 Activating and Deactivating the Slide Mode on page 144 51 pajan di clip 11 6106 20 adi clp 12 gt i 5 20 47 6104 20 39 48 0948 adl cip 11 amp 1 B au 09 49 26 12 3 43 32 8 adi clp 1 2 09 49 39 1 T adi cip 11 6106 20 09 49 26 12 09 49 32 08 610420 3x 49 08H68 adl clp 11 6106 20 09 49 26 12 09 49 32 08 adi cip 11 6106 20 09 43 25 12 3 43 32 08 adi clp 1 2 09449 3851 H E10Aj20 adl clp 11 6105 20 ad clp 12 adl clp 11 610620 rl clp 12 J amp 49 09M8 09 49 26 12 09 48 32 08 09 48 38 17 D5 48 26 42 Dg 483208 1 49 39817 G1 DAI20 adl cip
126. e Clip function The user specifies the part of the timeline to be replaced by defining a mark IN point and possibly a mark OUT point in the timeline The mark OUT point for the Create Clip function is optional If no OUT point exists the user is performing an open ended rendering and can stop the rendering process when desired See Section 4 15 3 on page 190 Section 4 15 6 on page 199 189 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Section 4 15 6 on Tg The user presses the L 4 button which calls the page 199 Create Clip From Timeline window to be filled in with the requested clip information At this stage the user specifies whether the consolidated A V material needs to be replaced in the timeline itself 4 The resulting A V material is ingested back to the server Section 4 15 5 on via the assigned recorder channel page 198 5 A newly created clip based on this ingested material will Section 4 15 5 on directly be available in the Browser and possibly page 198 replace the defined portion in the timeline The new clip includes fixed IN and OUT guardbands of 3 seconds 4 15 3 ASSIGNING A RECORDER CHANNEL TO IPEDIT PRINCIPLE The recorder channel is used to automate the process of recording back to the server portions of a timeline The process allows video and audio effects to be added to the replaced portions by means of
127. e For a swap click in the matrix at the intersection between the source channel to play and the output channel on which the source should be played e For mute click in the matrix on the bullet located on the line of the output channel to mute If you click again the bullet reappears and the channel is no longer muted Repeat the step 3 on all the channels that you want to swap or mute Click Apply The selected swaps or mutes are modified according to the new settings How TO MODIFY A SWAP OR MUTE DEFINED FROM AND TO GIVEN POINTS OF A TRACK To modify an audio swap or mute defined on a part of an audio track proceed as follows 1 6 In the general timeline display click the Swap Mute Zoom button on the right of the track on which to add the swap or mute The track is displayed in Swap Mute Zoom mode select the swaps you want to modify in one of the following ways e Lasso the swap point s to select from right to left e Right click the swap point s to select keeping CTRL pressed for multiple selections Right click and select Modify Swap Mute The Swap Mute Configuration window opens Do one of the following to modify or add a swap or mute e For a swap click in the matrix at the intersection between the source channel to play and the output channel on which the source should be played e For mute click in the matrix on the bullet located on the line of the output channel to mute If you click again the
128. e elements of several clips all timeline elements from a mark IN to a mark OUT all timeline elements not black on the selected tracks To deselect one timeline element all selected timeline elements Do the following Click the timeline element Press SHIFT while clicking one timeline element of the clip Press CTRL while timeline elements clicking all non contiguous Press SHIFT CTRL while clicking one timeline element of each clip Place a mark IN and OUT points then press CTRL A Whole elements will be selected Press CTRL A Do the following Press CTRL while clicking the timeline element to deselect e Click in the Lasso Selection area e Click CTRL SHIFT A SELECTION WITH THE LASSO You can only select contiguous tracks with the lasso To select tracks with the lasso left click the mouse in the Lasso Selection area and drag the mouse from left to right over the tracks that you want to select Only the tracks that can be completely lassoed will be selected IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Selection ETE 14 47 37 07 ADL PERO
129. e mark IN GPI and a level low GPI for the mark OUT GPI The application will not prevent you from defining incompatible types AUDIO SWAP INPUT MATRIX Introduction When you use the Replace function the current track selection in the timeline determines which track will be replaced If you want to route the result of the external mixing to a track other than the original one you can use the audio channel input matrix to configure how the audio channels should be routed in the Replace process Detine the audio swap configuration applied during the replace proce G G2 E G4 You need to click the Config button corresponding to the requested track to open the Audio Channel Input Matrix for this track 195 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Swap Audio racks amp Track G1 SOURCES 41 A2 A3 Ad A5 AB AT AS TIERS M ute AZ r m md s nd MEOS Ao TT EXE Swap Mis Duration frames even value Example You have four audio tracks with 2 mono channels on each of the track You want to e add a voice over to the track G1 including the channels a1 and a2 AND e replace the track G3 by the track G1 with the voice over The following drawing shows an overview of the swap you want to perform in the Replace process XT Audio Server Mixer Voiceover added to Ihe audio tracks Source a2 Output ab Source
130. e range is expressed in decibels and can be between 1 and 122 decibels The default values for the maximum and minimum graphic volume range are specified in the timeline settings available in the menu Tools Settings category IPEdit General Volume Automation Range group box Each time you open a session the default values for the range are restored The Maximum and Minimum Graphic Volume Range spin boxes allow you to change the default values and adapt the range to your needs For more information refer to section 4 14 5 How to Change the Graphic Volume Range on page 182 DISPLAY OF THE AUDIO TRACK VOLUME When you have entered the volume automation mode on a selected audio track the audio level of the track is displayed as follows e Initially it is displayed as a blue line on the 0 db line the Volume Automation line This means that the audio level heard when playing the timeline is the initial audio level of the source media e As you modify the audio level on the track on a portion of the track and or on given points you draw a volume automation curve that reflects the volume variation of the track compared to its initial volume 181 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 14 5 How TO CHANGE THE GRAPHIC VOLUME RANGE 4 14 6 182 In order to increase the graphic volume range above the 0 db line decrease the
131. e refer to the Technical Reference manual REDUNDANCY STATUS IN IPEDIT You can check that both Master and Slave EVS servers are correctly connected in the Status bar of IPEdit The following connection status information related to the Master Slave redundancy can be displayed Displayed information Connected to master XT 69950 Connected to slave Error not connected to masto XT 69950 Error not connected to slave L_XT_89950_ Error No SDTI between master and cave MEME Error No SDTI between slave and master IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout On M S On Slave server On Master server On Slave server On Master server On Slave server On Master server EVS Broadcast Equipment January 2011 Meaning The EVS server is available and the SDTI connection is established between the Master and the Slave servers The EVS server is available and the SDTI connection is established between the Master and the Slave servers The Master server is not available on the routing The Slave server is not available on the routing No SDTI connection is established between the Master EVS server and the Slave EVS server No SDTI connection is established between the Master and Slave EVS servers IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 1 3 EDIT WHILE PLA
132. e trimmed according to the active trim mode up to the requested position Note If the limits of the A V material are reached you cannot drag the transition further IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 10 4 10 1 SLIPPING ELEMENTS IN THE TIMELINE OVERVIEW DEFINITION slipping an element in a timeline consists of adjusting the content of the clip without changing e the element position in the timeline e the duration of the element included in the timeline e the surrounding elements in the timeline In other words slipping a timeline element moves its IN and OUT points to another frame in the A V material still available The IN and OUT points will be moved simultaneously by the same number of frames in the same direction 9 Note All slip actions are possible on timeline elements whose playout speed has been modified LIMITS The A V material still available on the server i e the source media or the record train will determine the limits of a slip action e f the record train of the source media is still available around the source media the record train will be loaded and the user can perform the slipping action on the loaded record train e f only the source media is still available the source media will be loaded and the user can perform the slipping action up on the available guardbands METHODS Two methods are avail
133. ections updated to reflect the new and updated features on IPDirector versions 5 9 In the user manual the icon e has been added on left margin to highlight information on new and updated features Click the section number or the description in the table to jump directly to the corresponding section Section Description Supported Hidden shortcuts for transport controls on specific Keyboards keyboards A N Important Screenshots may contain some user interface elements icons buttons that slightly differ from the current IPDirector 5 9 user interface However the position of updated elements and their underlying function have not changed compared to the old ones VIII IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 About this Manual This manual is intended to cover all aspects of IPDirector It should be seen as a reference guide that provides a detailed description on the various modules of IPDirector as well as procedural information on how to work with the IPDirector system The user manual for IPDirector Version 5 9 is divided into 9 parts This is part 8 of the manual PART 1 GENERAL WORKSPACE The first part contains the following chapters Chapter Introduction IPDirector Main Window Channel Explorer System Management Description This chapter gives an overview on the product and describes the components of the IP
134. ed on the branch selected in the tree view e Free text searches on all columns e Searches on individual columns displayed in the grid e Searches based on keywords which are performed via the Keywords column or in combination with the keyword grid or dictionary as in the previous versions e Filtering based on search criteria that have been saved as a filter and can be reused and associated to other search criteria IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 2 2 2 MULTI CAMERA TIMECODE FILTER DESCRIPTION The Browser provides an additional filtering tool the Multi camera timecode filter It allows the editor to search in the entire IPDirector database for the e clips including XT clips files or growing clips e record trains e logs that contain the same date and timecode as the actual image displayed o atthe current position on the Player OR o atthe nowline position in the timeline FILTER BASED ON THE POSITION IN THE PLAYER An editor is browsing a clip on the Player and would like to find another camera angle which matches the position in the clip The editor pauses the Player on the requested frame and activates the Multi Camera Timecode filter in Player mode When he refreshes the view in the Browser the grid will display only the material including the same date and timecode as the position in the clip loaded on the Player FILTER BASE
135. eden ep eu eeruss utr P Ee era og en 141 JEROME M 141 4 11 2 Activating and Deactivating the Slide Mode nnn 144 4 11 3 How to Slide an Element Using the Mouse ssenennnnnnn 145 4 11 4 How to Slide an Element Using the Keyboard sense 146 4 11 5 How to Slide an Element Using the ShuttlePRO eese 147 dde RAN OL EION EFFECT O ossientsoatentuttent desea tiia minc iUe a 148 2 12 T JREOOUCHO es sescdtdim E amoto eR et M M ME E MU EMO 148 4 12 2 Selection of Transitions and Tracks on Which to Apply the Effects 149 2 12 9 BITGCL VOCS eet tco ii eroe NEEN 150 21235 EIBSODDUESOD no pedem ate ct tener one et INDEM d Mato UN IU e 151 4 125 Effect Le OSIM or ercsi re dud a ta unn MUT NEUE 151 4 12 6 Add Modify Transition Effect Window 152 2512 77 Transition MEME CE SeltlliS uester Eton uum RN p n eu EU ne taxed De I 157 4 12 8 Adding Transition Effects suits disessiecn ptas pe iree versata aei puece PUn Re sueta omia a en o tuuc 158 4 12 9 Modityind Transition ETIGCIS sudore ue duris uina mE 162 2 12 10 Deleting Transition ENEC S oss edes ume oth ee uu ede med Eu pU 163 4 138 AUDIO SWAPS AND MUTES sese nnne nnne 164 4 13 1 Introduction to the Swap Mute PFUDCHODssserxicity pe e ado aenea Onion ren 164 4 13 2 Overview of the Ways to Define Swaps and Mu
136. effect type duration and position if needed For example Transition Effect T upe Cut e Hi LI al LI Duration Frames lewen value Before cut Centered an cut After cut In the Video Transition GPI specify a Start transition GPI and an End transition GPI if requested Click the Add button The transition effects are added to the beginning transitions of the elements that are closest to the nowline and that are selected in the Track group box The effects have settings defined in the Transition Effect group box and GPls defined on the video track if any In the given example the result is as follows 4 T ADL CLP 5 00 Bic f P 1 0n 611601 ar 11 M ADL CLP 5 00 oie ADI CLP 1 611E401 Ar 24 11 256 48 02 EUM 11 o1 ADL CLP 5 00 AlL CLP 1 EM EDI ab 24 11 25 48 02 11 25 57 08 zB 27 ere e Note To add the same transition effect than the last one without displaying the Transition Effects dialog box select the clip transition on which the effect should be added and press SHIFT x 159 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 How TO ADD EFFECTS TO CONTIGUOUS ELEMENTS To add transition effects manually to contiguous elements in the timeline proceed as follows 1 3 4 160 Place a mark IN and mark OUT to cover the transitions on which an effect needs to be defined For example
137. ent January 2011 EXAMPLE OF EXTEND In the example below the user wants to extend the point OUT of a timeline element and reduce the next element in the timeline This means that the Extend function is applied e to the OUT point of the timeline element e in Overwrite mode Before the Extend Action The user places an OUT point to show up to which position IPEdit should extend the OUT point of the element clip adl 090514 1 00 OO DILE 1 3 18 Te Y d m feo pe E o DOPO ES LISI l M LI E Ling E dii E a lu ml M E LU ae d phaea ai rau bo eros an a l oa aR Sl 3 M J Ji f ra 1 i per M i 04 adl_090514 7 00 00 00 5 04 OO 00 07 10 adl O 15 03 4 an an 4 06 a 20 08 17 DI 20 53 11 4 OD GC t04 adl_090514 1 00 00 00 05 04 adl 090514 2 00 00 00 07 10 adl 0O 15 03 4 an an 4 06 09 20 08 17 4 00 00 03 10 09 20 55 11 4 00 00 After an Extend Action When the user clicks the Extend button ca IPEdit automatically shifts the OUT point of the clip to the position of the mark OUT point As the user is in Overwrite mode the duration of the next timeline element is reduced OO DIDE DES 25 adl_090514_1 00 adi O90514 2 00 00 010 06 DS 00 00 04 06 OO O10 1 0 1 4 09 20 55 11 adi _090514_1 00 adi _090514_2 00 00 00 06 06 BOO ODE 04 06 A8 O09 OO 00 10 14 09 20 55 11 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit
138. eplace function refer to section GPI Settings on Mark IN and Mark OUT on page 194 VIDEO TRANSITION EFFECT GPls PURPOSE They can be used for example to add video effects to cover a transition effects MORE ABOUT REPLACE GPIS For full information on the GPls OUT used with the video transition effects refer to section Video Transition GPI on page 155 CLIP GPIS PURPOSE The Clip GPls allow the operators to add video effects or foregrounds to the timeline and to play these in real time as the timeline element is being played out They could also be used to launch an audio jingle while an element of the timeline is being played out How TO ADD A GPI TO AN ELEMENT To add a GPI anywhere on an element of the timeline proceed as follows 1 Right click the Timecode bar at the position where you want to add the GPI The Timeline bar contextual menu opens 2 Click Add GPI in the contextual menu The Add GPI OUT dialog box opens IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Link GFI to clip on GPI settings JA GPI Out Output Mode 3 In the Add GPI OUT dialog box do the following e In the Link GPI to clip on group box tick the track on which the GPI will be defined and applied Only the tracks on which an element exists on the requested GPI position are enabled e In the GPI settings group box select the GPI OUT number
139. eplace process has stopped The offset is not taken into account when the Replace process is stopped manually How to Define a GPI OUT for Mark IN and Mark OUT points 1 Right click anywhere in the timeline and select Replace Settings The Replace Settings window opens 2 To define a GPI on the mark IN point do the following in the Boundary Mark GPls group box e Select the number of the GPI OUT to use on the mark IN in the Mark IN GPI OUT field e Select the type of GPI OUT pulse in the Output Mode drop down box e For Pulse GPls specify the pulse duration in the related field e f requested type the offset to apply to the GPI in the Post Mark IN Offset spin box IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 To define a GPI on the mark OUT point perform the operations described in step 2 for the Mark OUT GPI fields 4 Click Apply to save the Replace settings When the mark IN and mark OUT for the replace function are placed on the timeline the Replace GPls are displayed on the Timecode bar as a green marker for the mark IN GPI and a red marker for the mark OUT GPI The GPI number is mentioned on the marker and the marker position takes the offset into account n Note When you define a GPI for the mark IN and for the mark OUT points of the Replace function you need to define compatible GPI types for example a level high GPI for th
140. er Ctrl a E e Press J mmm on the keyboard The timeline element s whose tracks are selected are replaced by the media loaded in the Player from the nowline to their OUT point In this action the reference position in the Player is matched to the nowline in the timeline 97 Issue 5 9 B 98 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 REPLACING TIMELINE PARTS FROM MARK IN TO MARK OUT Description The following schema shows how the Match Frame Replace is performed when a part of timeline between a mark IN and a mark OUT points is replaced You can perform a similar action to replace a portion of the timeline between a mark IN and the nowline or the nowline and a mark OUT In this case you define only the nowline and the mark IN or OUT Procedure To replace parts of a timeline between a mark IN and mark OUT points using the Match Frame Replace function proceed as follows 1 In the Player and Timeline panes select the tracks to be taken into account when you will insert the media See also the section Track Selection Applied to the Timeline Element on page 90 2 In the Player panel load the clip or train that contains the material to be inserted into the timeline 3 Click in the jog bar to define the reference position in the loaded media 4 In the loaded timeline place the mark IN and Mark Out to define the timeline portion to be re
141. er e Minimum of 3 frames e Maximum recalculated based on the transition selection Position Position of the effect in relation to the transition The possible values are e Before cut before the transition e Centered centered on the transition e After cut after the transition VIDEO TRANSITION GPI Video Transition GPI Link GPI s to video transition effect Start transition GFI PULSE_HIGH v 000 End transition GPI FILSE LU f 01 00 Ctfset IES fields About Video Transition GPls The server can trigger an external device that will perform an effect in association with a video transition To do this you need to associate a GPI OUT to the beginning and possibly to the end of the video transition Typical use is for example to hide a wipe effect with an image that would be superimposed to the timeline during the transition How to Define a GPI OUT Linked to a Video Transition You will define the GPI OUT at the same time you define the video transition effect To associate a GPI OUT to a video transition proceed as follows 1 In the Add Modify Transition Effect window click the Pane Display button to display the left part of the window 155 Issue 5 9 B 156 8 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 In the Video Transition GPI group box tick the check box Link GPl s to video transition effect Tick the Start Transition
142. er Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 3 3 Slow Fast Motion Editing via Section Page Extend Slow Fast that extends a timeline 4 8 Page 109 elements by adapting its speed and without adding material SUPER SLOW MOTION CLIPS SLSM clips 33 or 50 can be added to the timeline The display speed is automatically their initial speed 33 or 50 with specific color Using the contextual menu you can change the speed of the SLSM clip as follows e from 33 to 66 or 100 and back to 33 e from 50 to 100 and back to 50 A V MATERIAL AVAILABLE FOR EDITING IN THE TIMELINE Any clip in a timeline called TL clip is always associated to a clip in the IPDirector database e When a clip is added to a timeline with its initial IN and OUT points the TL clip points to the initial clip e When a clip is added to a timeline with different IN and OUT points than the initial ones no new clip is created for the clip in the timeline The TL clip still points to the initial clip e When a part of a record train is added to a timeline a new clip is automatically created with the guardbands defined in the Default Clip Duration setting Clip Creation tab The aim is to identify and protect the media added to the timeline When an element is edited in a timeline the A V material of the corresponding clip is or can be made available e The A V material between the Protect IN a
143. er words a1 in the source media will be matched to a1 in the timeline a2 in the source media to a2 in the timeline etc Possible Cases The principles applied to define which tracks will be added to the timeline are the following If the media is dragged from Then the Player pane the Player track selection is taken into account to add tracks to the timeline the Browser pane all the tracks of the media are added to the timeline another IPDirector module all the tracks of the media are added to the timeline Automatic Audio Swap in Drag and Drop Actions When you drag the media to the timeline you can perform an automatic audio swap if you force for example the G1 track to be placed on the G2 track position in the timeline To do this position your mouse on the G2 track when you drop the media on the timeline For more information on the automatic audio swap refer to section Overview of the Ways to Define Swaps and Mutes on page 165 POSITION APPLIED TO THE TIMELINE ELEMENT Principle You always need to define an IN and OUT points in the media to be dragged since it is added to the timeline from its IN to its OUT point This is not applicable when you drag media from the Player since the 3 point Edit is possible In all cases the IN point of the media dragged will be snapped to the insertion position To disable the snap effect press CTRL during the drag and drop action The media will be dropped at the
144. erface it is currently referred to as Edit To Air For this reason we will use this term when it appears in the IPEdit user interface LIMITATIONS The EWP mode Edit While Playout mode has the following limitations e When the editing actions on the TLE have been committed to the TLO it is not possible to undo the commit The user has to undo the editing actions in the TLE and to re commit to the TLO e All modifications are applied and committed for the future only not in the past in other words before the TLO nowline ACTIVATING THE EDIT WHILE PLAYOUT MODE Prerequisite As the Edit While Playout mode requires 4 player channels you need to ensure you are running a Multicam application with 4 PGMs on the EVS server with which you are working When you use the Master Slave redundancy IPEdit will thus require 4 PGMs on each server Activation To activate the EWP mode click the EaitTo4i button at the bottom of the IPEdit main window Result When the EWP mode becomes active the following occurs e The button turns green ERISETZ e f IPEdit is used in a Master Slave configuration the Master Slave connection status is displayed on the status bar next to the Edit Tosti button e The EWP Control Panel is added on the main IPEdit window Deactivation e Click the E SALE button again to deactivate the EWP mode IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broa
145. ers available on the XNet network If another recorder is selected a new clip is created at the same timecode as the source clip and the timeline elements are replaced by this new clip see also the section 4 5 6 Changing the Camera Angle of Timeline Elements on page 99 Allows you to modify or reset to 100 the speed in which the selected timeline elements have to be played out Selecting multiple elements is possible but only one element per track at a time IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 4 4 4 1 Issue 5 9 B MARKING AND SELECTING TECHNIQUES MOVING THE NOWLINE IN THE TIMELINE You move in the timeline by placing the nowline at the requested position To move the nowline or change its position the following actions are possible To move the nowline to a specific position within an element One second before the last editing point to the beginning of the timeline to the end of the timeline to the next transition compared to the current position to the previous transition compared to the current position to the mark IN point to the mark OUT point to the next frame compared to the current position Do the following e Left click the mouse in the Timecode bar at the position where you want to place the nowline e Select the nowline by left clicking the mouse in the Timecode bar at the nowline posi
146. ersion 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 16 2 ADDING LOCATORS 4 16 3 202 To add a locator anywhere to a timeline element proceed as follows 1 2 4 Position the nowline where you want to add the locator Do one of the following actions e Right click the Timecode bar and select Add Locator from the contextual menu The Add Locator window opens Link locator to clip on Locator settings Color Oo Descriptions Fill in the dialog box as follows e Tick the radio button of the track to which you want to associate the locator e Click the requested color for the locator e Add a description of maximum 128 characters for the locator Click Add The locator is added in the Timecode bar If you move the timeline element to which the locator is associated the locator will move with the clip ACTIVATING THE LOCATORS When the Locator Selection button is disabled the locators are not active they are displayed in grey on the Timecode bar You need to click the Locator Selection button V above the Timeline Track Selection buttons to be able to e Display the locators with their respective color W example IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 16 4 4 16 5 4 16 6 e Display the locator information when you position the mouse cursor on the
147. ertion mode Insert or Overwrite insertion position and the tracks to include in the timeline See also the Sections 3 7 and 4 5 3 BROWSER The Browser pane allows users to perform the following actions e Searching for media referenced in the IPDirector Database just as a normal Database Explorer Several search methods are available as well as the use of saved filters e Adding the selected clip to the timeline This is only possible if the clip includes a hi res clip element on a server Compared to the Database Explorer the Browser pane has a filter tool specific to the timeline which is called Multi camera timecode filtering See also the section 2 2 2 However the Browser does not have the Auto Play Assign and Print modes TIMELINE The timeline allows editors to create manipulate and organize the video and audio media into elements to produce a final edit ready for playout The timeline in IPEdit provides the following editing features that will be detailed in the Timeline chapter insert overwrote cut extend trim slip slide delete move 2 addition the timeline makes it possible to perform the following actions e Add video and audio transition effects e Replace partial video and audio tracks after having added audio or video effects to them via external devices e Manipulate the audio channels by swapping muting them or modifying their audio level e Use GPls OUT to trigger some actions relate
148. es from the TLE to the TLO When the TLO is being played out only the uncommitted changes located after the TLO security zone are applied to the TLO When the TLO is on pause the whole TLE is reapplied to the TLO This commits all uncommitted changes without taking into account the security zone The following screenshots show the timeline display before and after a commit Before Commit The TLO is being played out the TLO nowline is moving forward The Remaining Commit Duration extends from 11 00 28 XX to 11 00 49 XX 115B 01T01 XT ADL iN M HE47 2804 M2 07 52 18 414 39 28 22 14 39 38 18 4 Toi 115B 01T01 XT ADL n E4T2 amp DI iz rsz486 1439 29 22 14 35 38 18 Issue 5 9 B IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 After Commit After committing the changes the TLE is the same as the TLO The remaining Commit Duration is no longer displayed and all timeline elements have their usual color 1176 01 j 14 39 3818 20 54 57 18 22 36 20 1822 44 20118 22 32 09 18 1142401 1114001 for 1156401 O1 XT ADL EE 1175 01 4 39 31 1414 39 29 14 38 38 18 421 54 57 418 22 36 20 18 22 44 20 118 22 32 09 1 5 2 OVERWRITE THE EDIT TIMELINE WITH THE ON AIR TIMELINE If you do unwanted changes and want to reset the TLE to the situation when you last committed your changes you can overwrite the edit timeline with the
149. g window How To assign the audio channels to the headphones proceed as follows 1 Left click the white bar next to the channel you want to associate to the left ear Channel 1 Channel 2 2 Right click the white bar next to the channel you want to associate to the right ear A Channel 6 hannal 7 31 Issue 5 9 B 3 9 5 32 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 SAVING THE AUDIO MoNITORING PARAMETERS IN A TEMPLATE WHERE In the Template area you can save the values assigned to the Input Gain and Audio Channels parameters in a template and reload them later on when necessary How TO CREATE A TEMPLATE To create a template of the audio monitoring parameters proceed as follows 1 Define the values for the Input Gain and Audio Channels parameters in the AVH Config window 2 Type a name for the template in the Name field of the Template area 3 Click Add When you click OK the values defined in the template you have just created are applied If you want to apply different values you need to modify them before leaving the window or to load another existing template HOW TO LOAD A TEMPLATE To load an audio monitoring template proceed as follows 1 Click the Audio Monitoring button to open the AVH Config window 2 In the Template area select the template that you want to load from the list of available templates
150. ght Duration field value and color depends on e whether the clip is playing or paused e whether an IN and or OUT points are defined e the media position indicator Play Pause Play Pause Play Pause Play Pause Play Pause IN OUT Point Position Duration Colour Indicator Value No IN no OUT On current Recording Blue timecode capacity left on the train No IN no OUT Before current Delay time Yellow timecode from current timecode Only IN defined Before IN point Duration to IN Grey point Only IN defined After IN point Duration from Yellow IN point Issue 5 9 B 3 5 7 20 Play Pause Play Pause Play Pause Play Pause Pause Play Play Pause JOG BAR LLL ET S IN OUT Point Only OUT defined Only OUT defined IN and OUT defined IN and OUT defined IN and OUT defined IN and OUT defined IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Position Indicator Before OUT point After OUT point Before IN point Between IN and OUT point Between IN and OUT point After OUT point Duration Value Duration to OUT point Duration from OUT point Duration to IN point Duration between IN and OUT points Countdown to OUT point Duration from OUT point Colour Yellow Grey Grey Yellow Yellow Grey When a clip is loaded the jog bar shows the duration of the clip Moreover it displays
151. ginal timeline Provides a list of possible destinations to which the selected timeline can be sent that is to say any destination folder visible on the GigE network that has been defined in the Remote Installer to allow timeline transfer This is used to store or back up A V material Users can access the A V material of nearline folders in IPDirector or restore it on an EVS server Allows exporting the definition EDL of the loaded timeline in other words the timeline structure and timeline related information in xml format This does not export the timeline material Allows importing the definition of the loaded playlist EDL as long as the clips included in the EDL are already present on the network 59 Issue 5 9 B 4 2 2 60 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 CREATING A NEW TIMELINE How TO CREATE A NEW TIMELINE To create a new timeline in IPEdit proceed as follows 1 f In the Timeline pane right click the Timeline Name field and select Create Timeline If a timeline is already opened answer Yes to the following message Are you sure to close timeline name The Create Timeline window opens Fill in at least the Timeline Name field and specify the following values if requested e description LSM ID TC Track e f you do not define the LSM ID and TC Track they will be automatically assigned when you click OK to
152. hannels 4 audio tracks of 1 mono channel ase select the destination XT I 47 4_PGE Celte original playlist The following table describes briefly how you can use the various fields in this window Field Description Timeline Name Name of the timeline in maximum 32 characters By default the original playlist name is taken over Timeline VarlD ID for timeline identification on the network The VarlD is not editable The VarlD of the original playlist is taken over if the Delete Original Playlist check box is selected Otherwise a new VarlD is assigned to the new timeline 64 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Field Description Destination ID for timeline identification on the server and network LSM ID By default the Timeline ID is automatically assigned when IPEDIT converts the timeline T C Track First TC value of the timeline If you do not enter a value for the TC Track in the Create a New Timeline window the default TC track assigned is 00 00 00 00 Configuration Audio configuration of the timeline The possible configurations are available Destination XT EVS server on which the new timeline will be created By default it is the server on which the original playlist is stored Send To Bin where the timeline can be transferred to Delete Original Check box to be ticked if you want to delete the original play
153. he OUT point of the element is shifted to the left a blank of an equivalent duration is added after the trimmed element Example Shift to the right The following example shows a trim left in Overwrite mode where the element is extended The following element is trimmed by the same duration at its IN point Before the trim action ADL_CLP_1006_ 3 00 00 00 03 DIOE ADL CLP 1006 1 01 00 00 06 12 35 00 00 12 45 08 00 12 40 34 ADL CLP 1 n06 3 00 00 00 08 00 12 30 30 12 40 36 ADL_CLP_1006_ 1 01 00 00 06 12 30 30 12 30 38 12 35 00 DU 12 35 08 D During the trim action Do O0 Qn ad as ac OO no o1 00 POICEOICETOEOO ADL CLP 1DDB 1 01 00 00 0601 00 00 00 00 12 40 3500k8 n CLP_1006_3 00 O0 00 08 00 ADL p me ADL CLP_1006_1 01 00 00 06 i CLP 1 n6 3 D O0 00 08 00 ADL CL 00 00 00 00 12 40 300000 07 00 00 00 12 45 D8 0D 12 40 34 ADLE LP_1006 1 01 00 00 06 DP ADL CLP_1006_3 00 O0 00 08 00 ADL CL 00 00 00 00 2 40 2800 00 07 00 00 00 12 45 D8 DD 12 40 34 After the trim action ADL CLP 1B 5 1 01 OO 00 07 Ors ADL CLP 1D 6 3 DD 00 00 07 DO 12 35 01 DU 12 45 08 D ADL CLP 1 n amp 3 00 00 00 07 12 30 3D 0 12 30 37 0 ADL CLP 1 0 6 1 01 00 00 07 0 12 46 08 00 12 30 37 D 12 35 01 D 12 30 30 127 Issue 5 9 B 128 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcas
154. he consolidated A V 199 Issue 5 9 B 4 15 7 200 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 material to be replaced in the timeline 4 The nowline is automatically positioned on the mark IN point If a pre roll is defined the nowline is positioned on the mark IN minus the pre roll duration As the Replace process takes place the nowline moves to the right and the area already replaced is displayed on an orange background Yvo v EET E L RECI R D1 XT ADL TO1 XT ADL RECA EC 5 The Create Clip From Timeline process is stopped in one of the following Ways e Automatically you have defined a mark OUT and the process will be stopped when it reaches the mark OUT Ta e Manually press again the L7 button to stop the process e End of timeline If the process is not stopped automatically or manually it will be stopped when the record reaches the end of the timeline Two seconds after the end of the Create Clip from Timeline process the replaced part of the A V material is available in the timeline if you have checked the Replace in Timeline check box in step 3 the consolidated clip is available in the Browser and you can play it How TO CANCEL A CONSOLIDATION PROCESS You can cancel the Replace process or Create Clip from Timeline process by doing the following e f the operation is in progress click the ESC key to cancel it e f
155. he element that is in Extend mode in other words e to the element located after the mark IN that is placed to perform an Extend IN e to the element located before the mark OUT that is placed to perform an Extend OUT The length of the next or previous element will be impacted in Overwrite mode EXTEND VERSUS EXTEND SLOW FAST The material in the extended timeline element can be modified in two ways e The standard Extend function will add media on the element extension without changing the speed e The Extend Slow Fast function will stretch the existing material of the element to fit in the new length The playout speed of the whole element will be adapted accordingly Si Note A standard Extend applied to an element with modified speed will not modify the element speed but only the element length LIMITS FOR THE STANDARD EXTEND The elements can be extended up to the limits of the media still available before the IN point and after the OUT point of the timeline element e f a record train including the timeline element is still available the element can be extended beyond the Protect IN and Protect OUT of the clip up to the limits of the A V material available e f only the source clip of the timeline element is available the element can only be extended up to the Protect IN or Protect OUT of the source clip 109 Issue 5 9 B 110 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipm
156. he mouse cover the clip GPI marker When you release the mouse key the clip GPI is selected and the marker is surrounded by a white border To deselect a clip GPI simply click in the Lasso Selection area The white border around the GPI disappears How TO MOVE A CLIP GPI When a clip GPI is selected you can move the GPI within the limits of the clip in one of the following ways e By dragging it with the mouse e By pressing the following shortcut keys O a to move the GPI 10 frames to the left in the clip o to move the GPI 1 frame to the left in the clip O to move the GPI 1 frame to the right in the clip i j O to move the GPI 10 frames to the right in the clip As you are moving the GPI it turns light blue and displays the frame on which it is positioned in the clip IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 How TO MODIFY A CLIP GPI To modify a GPI defined on an element of the timeline proceed as follows 1 3 4 Select the Clip GPI with the lasso as described above in this section The GPI marker is displayed with a white border Right click on the GPI and select Modify GPI from the contextual menu The Modify GPI OUT dialog box opens Modify the requested settings in the Modify GPI Out window Click Apply The settings of the clip GPI have been modified The new GPI settings will display after one second when y
157. ich means that channels are swapped on this track In the Swap Mute Zoom display lower screenshot below you can see that the channels a7 and a8 are played instead of a5 and a6 on track G3 from the mark IN point to the mark OUT point OO Q0 04 11 J adi Danais 13 adl D80914 B1SB D1 AIFFT adl_ogogi4 1 01 bISA01 ad 090014 1 02 esap 11 37 586 13 11 48 D2 08 11 37 56 1 adi 090914 1 02 amp 18BJ U 1 adl 09091 38 12 D8 11 47 556 13 11 38 02 08 11 37 56 13 11 48 02 08 11 42 56315 B1r FAm1 adl_o90914 1 01 a B185 01 adl_090914 1 02 d B1SB D1 adl_O90914_ o49 mz ES 11 47 56 13 11 48 02 08 7 ARTS i 11 48 02 08 11 47 56 13 GIF ad nanaia 1 01 E j 18601 adl nanaia 11 47 56 13 11 48 02 08 adi 090914 1 01 E182 1 38 02 08 BirFA wdeD2me 11 47 56 13 11 48 02 08 11 47 56 1 171 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 13 7 SWAP MUTE CONFIGURATION WINDOW 172 WINDOW VARIATIONS You can access the Swap Mute Configuration window e from the general timeline display to apply a swap to an audio track of a timeline element from its IN point to its OUT point e from the Swap Mute Zoom display to apply a swap from a mark IN to a mark OUT point placed on the audio track Some additional fields are available at the bottom of the Swap Mute Configuration window when yo
158. ield gives access to a contextual menu This menu allows the user to manage the loaded timeline For more information on the menu commands refer to section 4 2 Timeline Management on page 57 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 1 2 Modifying the Timeline Name You can update the timeline name in the Properties window which is accessible by right clicking the Timeline Name field and selecting Properties TIMELINE VARID 00 0340 The VarlD is a 32 character ID with variable length and format It is automatically assigned to new timelines It is mainly used to ensure redundancy on the system It can be unique for a clip on the EVS video server level or on the XNet network level depending on the EVS server settings LSM ID Description The LSM ID identifies the timeline position in the XNet network The timeline can be stored on bank 10 of any page of a server The timeline ID is made up as follows timeline number gt lt server gt where e he timeline number is between 1 and 99 e he server number is between 1 and 29 Example Timeline ID 31 02 This indicates that the timeline is stored on page 3 position 1 of bank 10 on the server 02 of the XNet network TIMELINE DISPLAY DESCRIPTION The timeline display is the area where the timeline elements are displayed and where users edit the timeline MAIN OBJECTS IN THE
159. iles The fourth part contains the following chapters Chapter Description Recorder Panel This chapter provides information on the Recorder Panel i e the module used to control the recorder channels of an EVS video server Ingest Scheduler This chapter covers the Ingest Scheduler module that allows for clips or streams to be automatically made on any channel under the lIPDirector control at a time scheduled in advance VTR Control Panel This chapter describes the VTR Control Panel module that allows the users to control a VTR from IPDirector and to extract clips from a tape to an EVS video server PART 5 PLAYOUT CONTROL PANEL The fifth part contains the following chapters Chapter Description Player Control This chapter explains in details the Player Control Panel Panel i e the module used to control player channels of an EVS video server and to make clips and simple playlists Issue 5 9 B Chapter Software Player Video Display IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 Description This chapter provides information on the use of the Software Player This chapter describes the configuration of the Video Display and its options to display the media associated to a player channel or the Software Player PART 6 PLAYOUT PLAYLIST PANEL The sixth part contains the following chapters Chapter Playlist Panel Fill amp
160. in the XNet No network The timeline can be stored on bank 10 of any page of a server The timeline ID is made up as follows lt timeline POSLELOn gt lt server number gt where e The timeline position is between 01 and 99 e The server number is from 1 to 29 If you enter a requested position that is already used the application will display an error message You ll have to enter a new position If you do not enter an ID in the Create a New Timeline window the Timeline ID is automatically assigned when IPEDIT creates the timeline 61 Issue 5 9 B 62 Field VarlD Estimated Duration TC Track Send to Publish to Keywords Audio Configura tion IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Description The VarlD is a 32 character ID with variable length and format It is automatically assigned to new timelines It is mainly used to ensure redundancy on the system It can be unique for a clip on the EVS video server level or on the XNet network level depending on the EVS server settings Duration of the timeline estimated by the user Based on this duration IPEdit will calculate the most appropriate display range This value is the default timeline duration visible when you zoom the created timeline First TC value of the timeline If you do not enter a value for the TC Track in the Create a New Timeline window the default TC trac
161. ine track Also refer to the section 4 14 4 Audio Volume Automation Panel on page 180 Growing Clip Display Option This option defines how the data of growing clips that is not yet recorded should be displayed e The EVS server displays a black image Display black option e The EVS server displays the head of the record train Display record train head option Video Preview Display Option This option defines what will be displayed on the preview channel PGM2 or PGM4 in timeline mode e The preview channel is set to black Display black option e The preview channel displays the first frame of the next clip Display first frame of next element option MACRO COMMANDS The IPEdit related macro commands are defined on the Macro Commands sub category see also the section 4 18 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Using Macro Commands in IPEdit on page 210 4 19 3 REPLACE SETTINGS The Replace settings are explained in the section 4 15 4 Replace Settings on page 191 213 Issue 5 9 B 214 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 supported Keyboards IPEdit supports the standard Qwerty and Azerty keyboards as well as a number of hidden shortcuts for transport controls STANDARD KEYBOARDS The keyboard shortcut definition is based on the key position
162. ine in Insert mode i e extract them the elements that remain in the timeline are shifted so that no blank is left How TO EXTRACT ELEMENTS FROM A TIMELINE First Method To delete elements from a timeline in Insert mode proceed as follows 1 Toggle to the button by clicking the Insert Overwrite Global Mode button 2 Select the elements of the timeline to be extracted by clicking or lassoing them See also section 4 4 3 on page 80 for more information 3 Press The selected elements are deleted and the remaining elements in the timeline are shifted to the left 103 Issue 5 9 B 104 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Second Method To delete elements from a timeline in Insert mode proceed as follows 1 select the elements of the timeline to be extracted by clicking or lassoing them See also section 4 4 3 on page 80 for more information X 2 f D Press The selected elements are deleted and the remaining elements in the timeline are shifted to the left HOW TO EXTRACT MEDIA BETWEEN THE MARK IN AND MARK OUT To delete a part of a timeline between the mark IN and mark OUT in Insert mode proceed as follows 1 Toggle to the button by clicking the Insert Overwrite Global Mode button 2 Activate the Timeline Track Selection buttons for which you want to delete a part of the timeline 3 Add a mar
163. ine to selected group of users to publish the Opens the Edit a Timeline window in which you can modify the timeline properties as entered when the timeline was created The audio configuration can however not be modified Opens the Settings window directly from the IPEdit user interface instead of navigating to the Tools gt Settings menu Deletes the loaded timeline from the IPDirector Database and from the server It will no longer be available in the Browser or DB Explorer Deletes the loaded timeline from the IPDirector Database and from the server as well as the clips created by the timeline engine IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Menu Command Send to Flatten to XT Backup to Nearline Export Timeline Import Timeline Description Provides a list of possible destinations to which the selected timeline can be sent e the user s default bin e a default archive target e any target destination visible on the GigE network that has been defined in the Remote Installer CleanEdit targets Avid targets Final Cut Pro targets File targets XT targets This is used to make A V material available to external systems Displays a list of hi res EVS servers and pages available on the XNet network to which the user can store a consolidated clip out of the open timeline The flattened clip will have the same VarID as the ori
164. ion between the mark IN and mark OUT points Right clicking the field will allow the user to edit it The changes have to be saved in a new clip Timecode of the mark OUT point defined on the Player Right clicking the field will allow the user to edit it The changes have to be saved in a new clip Goes to the mark IN point defined on the Player Sets a mark IN point at the timecode shown on the jog bar A green mark is added at this timecode on the jog bar Clears the mark IN point defined on the Player if any Goes to the mark OUT point defined on the Player 23 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 User Keyboard ShuttlePRO key Description Interface Shores nie Sets a mark OUT point at the s f timecode shown on the jog bar A red mark is added at this timecode on the jog bar Clears the mark OUT point defined on the Player if any Clears both mark IN point and mark OUT point Goes to the Protect IN point Goes to the Protect OUT point Goes to the previous frame in Pause mode Goes to the next frame in Pause mode Goes 10 frames before the position in Pause mode 24 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 User Keyboard ShuttlePRO key Description Interface Shaiicul Goes 10 frames after the position in Pause
165. is Lock Timeline prevents you and other users from using the players of the Timeline Engine in another mode than the timeline mode which means that IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 5 2 3 5 3 e Other users will still have the possibility to use both PGMs in another instance of IPEdit e You and other users will be able to load a timeline in a Control Panel e You and other users will NOT be allowed to use one of the assigned PGMs to play a clip in the Control Panel or to load a playlist in the Playlist Panel or in any use other than the timeline mode LOADED MEDIA FIELD Q1 xr ADLRECI isa DESCRIPTION This field displays the name UmID or VarlD of the clip growing clip or record train that is loaded on the channel not the name of the clip element When a loaded clip is protected it will be displayed on a blue background The value displayed in this field name or ID depends on the setting Default Clip ID Display Mode in the Clips category The icon in front of the field allows identifying the type of material loaded i Clip TS Growing clip iii Record train SHORTCUT TO THE PREVIOUSLY LOADED MEDIA This field is also a drop down list that contains the last 20 clips or trains that you have loaded on the channel in the current session The drop down list displays the most recently loaded clips at the top and it displays the loaded
166. is mode allows playing out a timeline while the same timeline is being editing in IPEdit VII Issue 5 9 B VIII IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 What s New The following table describes the sections updated to reflect the new and modified features on IPDirector from version 5 9 compared to version 5 8 In the user manual the icon e has been added on left margin to highlight information on new and updated features Click the section number or the description in the table to jump directly to the corresponding section Section Description Tis New buttons to move among the locators on the TLO 1 5 1 Change in the behavior of the Commit command A N Important Screenshots may contain some user interface elements icons buttons that slightly differ from the current IPDirector 5 9 user interface However the position of updated elements and their underlying function have not changed compared to the old ones IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 1 1 1 1 1 14 36 20 23 00 00 04 09 M14 36 25 07 BG 1 Edit While Playout INTRODUCTION GENERAL DESCRIPTION Purpose The Edit While Playout mode allows the users to play out a timeline in IPEdit while editing the same timeline in the same instance of the IPEdit application e
167. it to Air mode Master Slave redundancy LIMITATIONS No audio mix down internally on the XT It requires an external audio mixer for mix down to stereo or other formats No real time edit redundancy No simultaneous editing on a timeline panel and a Remote Panel No software player support for timeline IPEdit cannot work with nearline storage or with XL 2 server material Frame based editing only even in Progressive format no field editing No server native flatten process of timeline need replace No support for playing timeline in playlist OVERVIEW OPENING IPEDIT To open IPEdit click the IPEdit button EN iP Ect the Application toolbar IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 1 4 2 1 4 3 RESIZING THE MAIN WINDOW The IPEdit main window can be resized between 1000 and 1280 pixels using e The MAXIMIZE button on the top right corner o e The bottom right corner ol AUTOMATIC LOCK TIMELINE FUNCTION When player channels are associated to IPEdit the so called Lock Timeline mode is automatically activated in IPDirector The Lock Timeline mode prevents you and other users from using the players of the Timeline Engine in another mode than the timeline mode DISPLAY The Lock Timeline status is visible in the Channel Explorer the Lock Timeline Mode icon is displayed next to both PGMs assigned to IPEdit DESCRIPTION This Lo
168. k IN point and a mark OUT point to delimit the part of the timeline to delete 4 Delete ses r Press The selected elements are deleted and the remaining elements in the timeline are shifted to the left IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 7 4 7 1 MOVING ELEMENTS WITHIN THE TIMELINE INTRODUCTION You can move one or several elements of a timeline to any requested position using the Insert or Overwrite mode The element speed is preserved This section gives an overview of the various aspects to consider when performing a move MOVE IN INSERT OR OvERWRITE MODE When you perform a move action in Insert mode e he A V material where you move the selected elements to is preserved and shifted to the right e The elements initially positioned on the right of the moved element are shifted to the left to fill the gap of the moved elements ADL CLP i05 1 D1 SDETELREL1 REC DDEDO 11 17 ADL CLP 1BBB8 1 Di Di xT1 ADL REC DD DD 11 17 ADL ELP 1006 1 D1 ADLICLPOL REC2 DD DD 11 17 ADL CLP 1006 1 D1 D1 XT ADL REC2 DD D0 11 17 12 40 30 00 12 40 36 00 00 3408 10 52 44 1D 12 40 20 00 12 40 36 12 40 34 00 10 52 32 18 10 52 44 10 When you perform a move action in Overwrite mode e The A V material where you move the selected elements to is overwritten e The initial position of the elements is
169. k assigned is 00 00 00 00 Destinations where the timeline can be transferred to i e either the default archive or a bin select the check boxes corresponding to the requested destinations User groups to which the timeline can be published i e made available select the user groups to which the timeline should be published Maximum 5 keywords can be added to describe the timeline To add a keyword to the timeline when the Create Timeline window is opened click on a keyword in either the keyword grid or dictionary when the Apply button is active in the relevant keyword tool Audio configuration used in the timeline Mandatory No No Yes No No No Yes IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 2 3 Metadata Pane The Metadata pane contains the following fields Field Description Clip Profile Drop down list in which you can select a profile to be associated to the timeline By default the current timeline profile specified in the menu Metadata gt Edit Current Profiles is automatically applied with its fields and default values to each new timeline Timeline Profile fields The fields belonging to the Timeline Profile displayed in the Timeline Profile drop down list The user can modify the values of the timeline profile fields The modifications will only apply to the given timeline and not impact the default
170. l 2 start IPEdit on the IPD workstation working with the Slave EVS server and create a timeline with the same A V configuration as the timeline loaded on the Master IPEdit On the Slave IPEdit click the After a few seconds a timeline identical to the timeline loaded on the Master IPEdit is loaded This timeline has the same name as the main one but it has different IDs and is stored on the Slave EVS server The same timelines are now loaded on the Master and Slave IPEdit You can start working in the Master IPEdit Issue 5 9 B 1 6 3 1 7 1 7 1 1 7 2 IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 WORKING PROCESS IN A MASTER SLAVE CONFIGURATION After both timelines have been loaded and synchronized for the first time in your Master and Slave IPEdit you will typically work in the following way 1 Start the TLO playout on the Master IPEdit On the Slave IPEdit click to synchronize the TLO playout Ja Edit the TLE on the Master IPEdit On the Master IPEdit click comm to apply the changes from the TLE to the TLO to synchronize the TLE of the Slave IPEdit On the Slave IPEdit click commit o apply the changes from the TLE to the TLO The steps 4 to 6 will be repeated each time you perform changes on the TLE on the Master IPEdit ys Note The functions that allow synchronization between the Master and the
171. lay at 200 F15 Play at 300 F16 Play at 400 F17 Play at 600 F18 Play at 800 F19 Play at 1000 Note The play speeds associated to the shuttle steps can only be modified using an SQL script available in the installation package For more information please contact the EVS customer service 215 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 ShuttlePRO ShuttlePRO in the Player Pane Fast Rewind Previous a Train Next Train PGM selection 2 G Recorder selection Pause Fast Forward Play E E Mark IN Mark OUT Insert Activate Player Timeline Overwrite Save 216 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 ShuttlePRO in the Timeline Pane Fast Rewind 300 Previous B Next cut cut Select PGM Match Frame Pause Fast Forward 300 Play d M Replace Mark IN Mark OUT Extend Activate Player Timeline Cut 4 1 Trim 217 Issue 5 9 B 218 Term Abbreviation al a2 a3 Blank Element Boundary Marks Cut Dissolve Mix Extend G1 G2 Insert Mode IN point OUT point mark IN point mark OUT point Overwrite Mode Protect IN point IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Glossary Definition Explanation Writing
172. layed on the element in the general display of the timeline The swaps and mutes can be viewed on the Swap Mute Zoom display How TO ADD A SWAP OR MUTE FROM AND TO GIVEN POINTS OF A TRACK To add an audio swap or mute from and to given points of an audio track proceed as follows 1 E In the general timeline display click the Swap Mute Zoom button on the right of the track on which to add the swap or mute The track is displayed in Swap Mute Zoom mode 2 Do one ofthe following to specify the start and end point of the swap e Place a mark IN at the start point and a mark OUT at the end point e Place the nowline at the start point if you want the end point to be the end of the element 3 Right click after the nowline or between the mark IN and mark OUT points and select Add Swap Mute The Swap Mute Configuration window opens Swap mute configuralion D T Swap mute matris SOURCES e LE ell fo Apply between mark in and mark out Drvenie existing swapemute Swap mis duration o m leven value 175 Issue 5 9 B f IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Do one of the following to define a swap or mute e For a swap click in the matrix at the intersection between the source channel to play and the output channel on which the source should be played e For a mute click in the matrix on the bullet located on the line of the ou
173. layed on the GPI marker You need to click this button to be able to select GPls IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 1 10 SCALE BAR AND MOVE BAR 4 1 11 The Scale and Move bars allow the user to easily navigate in the timeline SCALE BAR TT or mouse wheel The Scale bar makes it possible to zoom in and out on the timeline e To zoom in drag the slider to the left or rotate the mouse wheel down e To zoom out drag the slider to the right or rotate the mouse wheel up MOVE BAR The Move bar makes it possible to move within the timeline when the whole timeline is not displayed in the timeline pane at the defined scale e To move within the timeline move the scroll box right or left ve AUDIO VOLUME AUTOMATION SWAP amp MUTE BUTTONS VOLUME AUTOMATION MODE The Volume Automation Mode button displays the timeline in a mode that allows the user to correct the volume of one or more mono channels of each audio track in a timeline element You will find detailed information on this mode in section 4 14 Adjusting the Audio Volume on the Timeline on page 179 SWAP MUTE ZooM MODE The Swap Mute Zoom Mode button displays the timeline in a mode that allows the user to zoom on an audio track in order to e swap or mute one or more mono channels of the selected track You can also define swaps and mutes from the general timeline
174. left empty ADL CLP in 5 1 D1 DETELPUT REC DD DD 11 17 ADL CLP inn amp 1 01 ni xTI ADL RECZ 00 00 ADL CLP 1005 1 D1 BDETELPOL EC DB DO 11 17 ADL CLP 1008 1 D1 Di XTl ADL REC o0 00 12 40 30 DD 12 40 36 DD BB ZS DB 10 52 24 10 12 40 30 00 12 40 36 12 40 34 10 52 38 18 10 52 44 10 POSSIBLE SELECTIONS AND MOVES Not all moves are possible Whether a move is allowed or not depends on e which elements are selected for the move action e where the selected elements are moved to Before explaining how a move is performed section 4 7 2 Possible Element Selections and Move Types on page 106 describes which element selections and which types of moves are possible MAGNET EFFECT By default a magnet effect allows the selected element s to be moved to a transition or to the nowline However you can deactivate this magnet effect by pressing CTRL on the keyboard while moving the elements 105 Issue 5 9 B 4 7 2 106 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 POSSIBLE ELEMENT SELECTIONS AND MOVE TYPES POSSIBLE ELEMENT SELECTIONS The methods for selecting elements before moving them are the ones explained in section 4 4 3 Selecting and Deselecting Timeline Elements on page 80 You can move the following elements or group of elements Selection Type Example One element on one track Contiguous elements on o
175. lement 1 frame to the right e to slip the element 10 frames to the right When you release the key the slip action is applied within 1 sec 4 Click anywhere in the Lasso Selection area to leave the slip mode 138 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 10 5 How TO SLIP AN ELEMENT USING THE SHUTTLEPRO To slip one or more elements of the same source media using the ShuttlePRO proceed as follows 1 Activate the slip mode on the requested elements by lassoing the whole elements from right to left See also section 4 10 2 Activating and Deactivating the Slip Mode on page 135 di_clp_3 00 B14C 079 ADL ADL ad clp 89 00 614C cp 8 00 amp 14C D 16140406 17141202 4 04 06 1714120 EM ca ad cip 9 00 6140 01 cp 8 00 amp la4cinty ADL EC 11404056 17141202 sess usus 1714120 gt lil Click the requested Timeline Track Selection buttons to select or unselect the tracks you want or do not want to slip Rotate the jog to the left or to the right to slide the elements respectively to the left or to the right When you stop turning the jog the slip action is applied within 1 sec Click anywhere in the Lasso Selection area to leave the slip mode 139 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit E
176. lement has been reduced by the duration of the extend MOT ZU O0 01 21 18 Lan THEN 614001 adl clip 3 QU Bi4cu ADL_CLP_3 00 B1 E mT adl_clp a3 6145 01 adl clp 9 00 614001 ADL CLP 3 00 B1DE adl clp C 15 31 24 queso 17 14 1x 00 111 25 44 18 342216 17 14 0406 614601 adl clp 9 00 6140701 AGL CLP 3 D0 B amp 10EA1 adl clp C 5342216 1714 04 06 17 14 15 00 111 22 44 18 11 25 51 1989 15 31 24 EXTENDING IN OR OUT IN INSERT OR OVERWRITE MODE PRINCIPLES When you place a mark IN and mark OUT before using the Extend function IPEdit does not know whether you want to perform an Extend IN or an Extend OUT In this case a question is displayed when you click the Extend button and you need to specify at that time which extend action you want to perform Question e Extend to Mark IM Mark OUT ar cancel The Extend IN or OUT action generate the same results as the Extend IN or Extend OUT actions Extend IN OUT Corresponds to Insert amp Extend to mark IN an Extend IN in Insert mode Insert amp Extend to mark OUT an Extend OUT in Insert mode Overwrite amp Extend to mark IN an Extend IN in Overwrite mode Overwrite amp Extend to mark OUT an Extend OUT in Overwrite mode 115 Issue 5 9 B 4 8 6 116 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 How TO EXTEND IN OR EXTEND IN SLOW FA
177. list Playlist when it is converted to a timeline CONVERSION RESULTS AND LIMITATIONS Preserved and Translated Features The conversion process will preserve e All metadata metadata profiles and fields keywords published groups auxiliary clip e the element sequence e the speed of video elements e the video transition effects and types The video transitions are all translated to centered on cut transitions e the audio transition effects and types e the swap mute points e the GPls e the audio level adjustment Unconverted Features The conversion process will not preserve e the Hide tag e the Start mode settings e the Stop mode settings e the Loop mode settings e the record train delay 65 Issue 5 9 B 4 2 4 66 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Element Conversion to Blank Elements The following playlist elements will be converted to blank elements e virtual elements e delay elements e freeze elements In case of virtual elements the element will therefore never be available in the timeline even when it is restored on the server Audio Channel Assignment By default the audio channels are assigned as follows e The channels 1 2 are converted to G1 4 channel or 8 channel configuration e The channels 3 4 are converted to G2 4 channel or 8 channel configuration e The channels 5 6 are converted to G3 8 channel configurati
178. llowing check boxes in the Transition Effects bar e VFX check box if you want to add automatic transition effects to the video track of new clips added to the timeline e AFX check box if you want to add automatic transition effects to the audio tracks of new clips placed to the timeline In the IPEdit module each time you will add a new media to the timeline the transition effects will be defined on the video and or audio tracks of the new clip with the settings defined in the Timeline tab For example BTODJD2 f 6100 02 adl gig 2507 2 14 45 32 07 610002 fadl 25 2 14 48 32 07 6100 02 adl gig 2507 2 14 48 32 07 6100 02 adl gie 2507 2 14 49 32 07 MODIFYING TRANSITION EFFECTS To modify transition effect apply the same procedures as for creating the transition effects IPEdit will open the Modify Transition Effects window from which you will be able to modify the effects defined on the selected transitions IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 12 10 DELETING TRANSITION EFFECTS How TO DELETE TRANSITION EFFECTS ON ELEMENTS OF THE SAME CLIP To delete transition effects on elements of the same clip proceed as follows 1 Position the nowline next to the transitions to delete 2 Select the audio and video tracks where the effects should be removed 3 Do one of the following FX e Click the Delete Fx button EE E
179. lowing webpage http www evs tv downloadcenter Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Table of Contents TABEEOPGONTENIS irinin naaid it WAAT S NEW eceiaeres tsrsneschecigtcithata cured avaicuteces ie eate stp c NEED OE UON VIII ABOUT THIS MANUAL aciccanidututelt Ugo con Peu eK X eap Eukn d aa IX dl INTRODUCTION cuscieustcusutaiutudu nene me i 1 MEE Sat UU UUUURMUNOUTUES 1 L2 AMAIN FEA TURE S onsite tt bito iit edite inr dei bat ub pieles 1 gs emma Seu dette este ducibus tid 2 Ee G 2 Lael Opening IPE diaesa re PHP TE 2 142 RESIZING the Maln VVITIQOW asciutto an aptae ce hc cn d eh Gea sd tu once cierta di 3 143 Automatic Lock Timeline Function Hx ss coacti roten ciet dosi tede pat e bdo Fsaiee etel are rette estet 3 144 IPEGIFOUITS teeta tts oce o pita RP etna alee RP o epe ue vale sho a 4 1 4 5 Activating a Pane in IPEdit eese 4 14 5 PVA Gl E E tento iba cass unten det etie ciconia tendis d E on A bo as uncut E D Iud IBIONSOLSIIIIUU EI bt dE MEE URP MM MEE Daas bate aaa MM ME D Tec Se lIDO oocteseeeudedittett siete bor eas tts tus e inea avrS neben E D 1 5 ASSIGNING THE SHUTTLEPRO TO IPEDIT iiio ito aa retten t tere 6 Di BROWSER auitences tase cnc tecetu te
180. ltes seeeeee 165 4 13 3 Automatic Swap Definition rrt rer ertt 167 4 13 4 Automatic Mute Deflnitlon s sso iar Hast eter leder te eb m re tie ret eng oot durat 168 4 13 5 Manual Swap Definition in the General Display Mode sssssss 169 4 13 6 Manual Swap Definition in the Swap Mute Zoom Mode sessssss 170 4 13 7 Swap Mute Configuration WindOw sess 172 A13 8 too aos oes o 174 2 13 9 Moditvilhd AUDIO OMS tutore Dari qua tento apa tet ao qti a 176 4 13 10 Deleting AUdIO SWapsS sensa au IR da veo Pea udo Eve Er tox au tenis esteso toe etam 178 4 14 ADJUSTING THE AUDIO VOLUME ON THE TIMELINE eenrnrnnnnnne 179 ANM aen a a 179 4 14 2 Accessing and Leaving the Volume Automation Mode sssessssss 179 4 14 3 Overview of the Possible Actions ccccesccsssssssssssscscssssssessessesseseessesessesesseseeseeseesaesates 179 4 14 4 Audio Volume AULOFnadorP arl edocti bad Gori di eiae a om t eet orit deberia ertt 180 4 14 5 How to Change the Graphic Volume Range senes 182 4 14 6 Preliminary Actions Before Any Increase or Decrease on the Volume Automation Curve 182 4 14 7 Increasing or Decreasing the Global Volume of a Track sss 183 4 14 8 Increasing or Decreasing the Vo
181. lume on Part of a Track sene 184 4 14 9 Modifying the Volume On a Given Position of a Track serene 186 4 14 10 Resetting the Volume nnne nnne nnn nnn nnn nnn nnns 187 4 15 CONSOLIDATING A PART OF A TIMELINE eene 188 4 15 1 Replace Versus Create Clip From Timeline sse 188 2 1592 PIOCESS OV CIN IO W R tuoi sedie tetas acent iets TE 189 4 15 3 Assigning a Recorder Channel to IPEdit eene 190 A154 Replace Settings asesoria scar etd amt pedites tuus cocto qucd attic secs vuv znd 191 4 15 5 How To Render Part of a Timeline Using the Replace Function 198 4 15 6 How To Consolidate a Part of a Timeline Using the Clip Creation From Timeline Function 199 4 15 7 How To Cancel a Consolidation Process sess 200 416 USING LOGAT ORS IN IPED T ss ausit iestcinEtp nn epic pUV ENDS co etptu tnter deines 201 4 16 1 General Information on LOCALOMS c cscsscescsesscssssssssssessesseseesecesseseeseesaesansenseceeeeseesaneaeas 201 VI IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 ATEZ eiecit 202 4 16 3 Activating Me OC ALOIS fess eae sans alsanutudies oust ogsiguosuahuni be besivccsdelvactsdotsnuedsevsetbeuetdineasehwndtetca 202 4 16 4 How to Select Deselect Locator
182. material from the on air timeline as follows 1 Right click the Commit button and select Overwrite edited timeline with on air timeline from the contextual menu 2 Confirm the operation by clicking Yes on the displayed warning message e This will overnite the actual edited timeline with the an air timeline 12 IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 1 6 EDIT WHILE PLAYOUT MODE IN A MASTER SLAVE CONFIGURATION 1 6 1 CONNECTION BETWEEN MASTER AND SLAVE EVS SERVER Before you start working you should check that the Master and Slave EVS servers are connected together To do this open IPEdit on the IPD workstations connected to the Master and Slave EVS servers and check the connection messages on the Status bar of IPEdit The message on the Master IPEdit should specify the connection to the Slave is established AI ADL PaGM3 WIESE Connection status connected to slave XT2 PGE The message on the Slave IPEdit should specify the connection to the Master is established T2 PGE PRM3 PGMA 1 6 2 HOWTO SYNCHRONIZE THE TIMELINE ON THE SLAVE IPEDIT When you use the Edit While Playout mode in a Master Slave configuration proceed as follow before you start using the Edit While Playout mode 1 otart IPEdit on the IPD workstation working with the Master EVS server and load the timeline on which you want to work as usua
183. menu The requested elements are selected 2 Right click one of the elements and select Replace by in the contextual menu 99 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 3 Do one of the following a lf the current timeline element belongs to a group of linked clips select one of the other linked clips Add swap mute Fit Ea content Replace settings Reswvnc amp V Set Timecode slip Seleck Camera Replace by ADL CLP 102506 3 615D 01 ADL CLP 102506 1 615B 01 k Set speed b If the current timeline element does not belong to a group of linked clips select another recorder on which you will create a new clip This clip will have the same IN and OUT points and will replace the selected timeline element Add swap mute Fit Ea content Replace settings Resy nc Vy Set Timecode slip Select Camera Replace by XT ADL O1 XT ADL RECI Set speed amp T2_PGE O1 XT ADL RECZ 100 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 5 7 APPENDING A TIMELINE TO THE OPEN TIMELINE INTRODUCTION You can append a timeline to the open timeline provided both timelines have the same configuration The append action brings about the following results e All tracks of the selected timeline are appended to the open timeline e Effects at the en
184. mode 3 6 3 HOW TO CREATE A CLIP BASED ON THE LOADED MEDIA By double clicking the media in the Browser you will load the media to the Player To create a clip based on the loaded media proceed as follows 1 Place the blue position indicator where you want to add a mark IN point and click the Mark IN button The TC of the mark IN point is displayed in the related TC field 2 Place the blue position indicator where you want to add a mark OUT point and click the Mark OUT button The TC of the mark OUT point and the clip duration are displayed in the related fields 3 Click SAVE The Save Clip window opens 4 Fill in the Name field and if requested keyword fields interest level clip type and metadata fields For more information on the Clip Creation window refer to the Control Panel chapter 5 Click SAVE The Save Clip window closes the new clip element and clip are created and added to the Browser 29 Issue 5 9 B 3 7 3 7 1 3 7 2 3 7 3 26 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TIMELINE EDITING BUTTONS PURPOSE The Insert and Overwrite buttons in the Player make it possible to add the media loaded on the Player pane into the timeline loaded on the Timeline pane The Match Frame Replace button in the Player makes it possible to change the camera angle of a timeline element in the Timeline pane This section only provides an overvie
185. n IPDirector PGM1 and PGM2 are automatically assigned as the Timeline Engine when a user opens IPEdit If one of the PGM required by the Timeline Engine is locked by another IPDirector module an error message is displayed telling which channel is locked on which module How TO ASSIGN PLAYER CHANNELS MANUALLY TO IPEDIT When no default player is defined in IPDirector or when you want to change the player channels that have been assigned to IPEdit you can re assign player channels to this module To assign player channels to IPEdit proceed as follows 1 Right click the None indication on the red background in the PGM Assignment Display field This is in the lower left corner of the IPEdit main window MINNIE ta Edit To Air Issue 5 9 B 3 3 3 3 1 3 3 2 3 3 3 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 The available pairs of PGMs are displayed Mane H1 XT ADL P MIi PGM2 Di XT ADL PGM3 PGM4 H2 XT2 PGE PaMIi PGMz None 02 XT2 PGE PGM3 PGM4 2 Select the pair of PGMs to be used as Timeline Engine in IPEdit e f one of the PGM requested for the Timeline Engine is locked by another IPDirector module an error message will prevent you from choosing these two PGMs e f the requested PGMs are not used by another IPDirector module the PGMs are assigned to IPEdit and are displayed on a green background E VEI ZEE Edit To Air
186. nd Protect OUT of the clip always remains available e The record train on which the clip is based is made available if the A V material around the clip TC IN and OUT is still available on the local or on a distant Server 73 Issue 5 9 B 4 3 4 74 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 GROWING CLIPS IN TIMELINES As already mentioned growing clips are supported in timelines They can be identified by the growing clip icon and usually by the percentage of the material already recorded displayed on the timeline element ADL CLP Junz3 z ADL CLP Jun23 2 ox O i1z us 18 08 4S0L_CLP_Jun2s_2 I ox O 44052109 All editing actions are possible on growing clips placed in timelines except extend actions when the growing clip is stopped before reaching the size of the corresponding element in the timeline The setting Growing Clip Display Option available in the category IPEdit gt General defines what the EVS server will display on the player channels when users browse the growing clip over a TC where data is not yet recorded Depending on the setting the EVS server displays either a black video or the head of the record train where the clip is being recorded The timecode displayed on the OSD is the TC of the record train head IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment Janua
187. ne track One or more contiguous elements on several tracks POSSIBLE MOVE TYPES You can only move the elements on the same track as their initial one This rule is also valid when you have several audio tracks you cannot move selected elements from an audio track to another one IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 7 3 How TO MOVE ELEMENTS BY DRAG AND DROP To move timeline elements by drag and drop proceed as follows 1 Click the Insert Overwrite Global Mode button to select the Insert or Overwrite mode that you want to use in the move action 2 Select the elements to be moved 3 Do one of the following e To move the elements so that one of them is dropped on an existing transition or on the nowline drag the elements to the requested position magnet effect active QD O0 20 13 e To move the elements so that they can be dropped anywhere in the timeline click CTRL and drag the elements to the requested position magnet effect deactivated 00 O0 13 05 4 Release the mouse at the position where you want to move the elements The elements are moved to the requested position taking into account the global mode defined 107 Issue 5 9 B 4 7 4 4 7 5 108 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 How TO MOVE ELEMENTS USING THE NUMERIC PAD
188. ne up to 10 macro commands in the menu Tools gt Settings in the category IPEdit gt Macro commands The defined macro commands are numbered from 0 to 9 WHAT ARE THE LIMITATIONS In some cases the macro command cannot be defined or applied as it has been defined e A macro command cannot be applied if it is linked to a GPI OUT of TTL type which has then been changed to a GPI IN In this case the macro command is displayed on a red background in the macro command settings e A macro command cannot be applied if it is defined on an audio track that does not exist in the current timeline In this case the message box track does not exist for this macro appears in the global status bar when you try to apply the macro command IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 18 2 4 18 3 4 19 4 19 1 How TO DEFINE OR MODIFY A MACRO COMMAND To define or modify a macro command proceed as follows 1 Click the menu Tools gt Settings and click the category IPEdit gt Macro Commands in the tree view The list of macro commands opens on the right pane 2 Do one of the following e To define a new macro command select the action to be performed with the macro command in the Action drop down list box e To modify an existing macro command double click in the grey box corresponding to the macro to modify The settings window related to the
189. new session 157 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 12 8 ADDING TRANSITION EFFECTS 158 As already mentioned in section 4 12 2 Selection of Transitions and Tracks on Which to Apply the Effects on page 149 you can add effects to e the transitions of elements that belong to the same clip manual mode e the transitions of several contiguous elements in the timeline manual mode e the transitions of any new element added to the timeline automatic mode The following procedures explain how to add transition effects in these three situations How TO ADD EFFECTS TO ELEMENTS OF THE SAME CLIP To add transition effects manually to timeline elements of the same source clip proceed as follows 1 Place the nowline close to the transitions on which you want to add an effect For example O0 00 0 3 0 3 ps ADL_CLP_5 00 ADL cip fedi B11 E01 1 25 48 PB Srl SEE 11 27 43 20 11 26 48 02 P ADL CLP 5 0 ed AL CLP 1 00 B11 E04 11 25 48 02 11 25 57 08 Be 11 27 43 20 FX 5 Click the Add Fx button to open the Add Transition Effect window 3 In the Tracks group box select the tracks on which transition effects should be added For example IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 In the Transition Effect group box modify the default settings for the
190. nize the Timeline on the Slave IPEGit esesessssss 13 1 6 3 Working Process in a Master Slave Configuration enennnes 14 u EDITWALEPLAYOUFSETHNGS scidit chu tdt tmd S 14 1 7 1 Accessing the EWP Settings sse iie dc tutdioer ipt eure read drerit tud etemestebedto edle epus 14 1 7 2 Remaining Commit Threshold Warning sse 14 Issue 5 9 B IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 About this Manual This manual is intended to cover all aspects of IPDirector It should be seen as a reference guide that provides a detailed description on the various modules of IPDirector as well as procedural information on how to work with the IPDirector system The user manual for IPDirector Version 5 9 is divided into 9 parts This is part 9 of the manual PART 1 GENERAL WORKSPACE The first part contains the following chapters Chapter Introduction IPDirector Main Window Channel Explorer System Management Description This chapter gives an overview on the product and describes the components of the IPDirector suite This chapter details the various areas in the IPDirector main window i e the window that opens when IPDirector is started This chapter describes the Channel Explorer i e the module that provides an overview on the components of the XNet network
191. nse uatantateiee T 2 1 INTRODUC HON ceanii a a a dtes tU adeb 7 2 1 POSSIDIG ADIIOTISeesssdod desit pimte ium t etie t a enero trn frecstt eau fessa fastest Poen e crea ddsides 7 2 2 SEARCHING FOR MEDIA IN THE BROWSER estende tn e tetur 8 2 2 1 General Search and Filtering Features ccccsecssssssesssessssesssseessseessseesseeessesesasersaseesateeees 8 2 2 2 Multi Gamera Timecode FINCK icti toties tette titer ttor te tei ett deett 9 9 JEAYE rinse n ER EET a S SE Dre Da 11 391 OVERVIEW OF THE PLAYER PANE rote hit lett lta m o gto 11 3 2 ASSIGNING PLAYER CHANNELS T IPEDIT nsi ette ttt iue rte em iet eiae 12 ocn MED RINGD om E TE MU Ee RE ER RIEN 12 322 DISHA T 13 S 2 0 Automatic POM ASSIGNMENT qmesetecccdcd teet beni n ferente cit Potete dedos 13 3 24 How to Assign Player Channels Manually to IPEdit eseseesssss 13 o0 WIDEODISPLAY en Dorint tede id ettet xu de roter tie dade edet 14 DO PADOS ERE EL em 14 992 PIOIEdUISIIBS a xoc don MERE md n M dud MEE MEE 14 39 3 9 ACUVATION ANG DeacllVallOI nsiuceceoton n cote ca codeine csetera 14 3 3 4 How to Associate a Video Display to the Player seeeeennn 15 24 DISPEAY ON THE TIMELINE ENGINE ioc isto tod e t Dna o n t tee 15 3 5 LOADED MEDIA INFORMATION eren nnne 16 For ME EOK BUO inanan a 16 392 Loaded MOdFIE darea a a E E Ranta 1
192. ntiguous limits of the surrounding elements will be modified LIMITS The A V material still available on the server for the previous and next elements in the timeline i e the source media or the record train of these elements will determine the limits of a slide action e f the record train of the adjacent elements is still available around the source media the record train of these elements will be loaded and the user can perform the slide action on the loaded record train e f only the source media of the adjacent elements is still available the source media of these elements will be loaded and the user can perform the slide action up on the available guardbands RESTRICTIONS WITH SLOW MOTION The slide action is possible if only the selected element has a modified playout speed I Oo 00 05 16 614F 01 ADL 090825 4 00 615401 ADL _090625_3 01 614E 75 5 App 090825 3 01 61 4E 0 Da 84 13 15 ADL _O90e25 3 02 61 4F 01 DL 090825 4 00 6154 01 Pot 8 54 15 15 ADL _O80e25 3 02 61 4F 01 03 54 10 0535 03 54 14 ADL _090825_3 01 614E 0 4 3003 Da 54 34 13 DL a0825 4 00 6154 01 To 08 54 15 165 Ug 84 10 03 Ua 84 14 2 S4 30 03 OS 543415 The slide action is NOT possible if one or more elements surrounding the selected one have a modified speed 141 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment
193. of the timeline engine in On Air status PLAY FORWARD MULTISPEED You can play forward the timeline as follows e at various speeds by pressing the L keyboard shortcut several times o 1 click 100 9o 51 Issue 5 9 B 52 O O O IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 2 clicks 150 3 clicks 200 4 clicks 250 5 clicks 300 e at 300 by pressing the Fast Forward key on the ShuttlePRO Note If you press the L keyboard shortcut when the timeline is being rewinded at 300 for example the play speed will increase by steps according to the speed levels defined on J and L from 300 to 300 each time the key is pressed FAST REWIND MULTISPEED You can rewind the timeline as follows e at various speeds by pressing several times the J keyboard shortcut O O O O O 1 click 100 2 clicks 150 3 clicks 200 4 clicks 250 5 clicks 300 e at 300 by pressing the Fast Rewind key on the ShuttlePRO Note If you press the J keyboard shortcut when the timeline is being played forward at 300 for example the play speed will slow down by steps according to the speed levels defined on J and L from 300 to 300 each time the key is pressed IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 1 7 TIMECODE AND DURAT
194. olume increase or decrease 2 Drag the part of the track between the mark IN and mark OUT points up increase or down decrease with the left mouse button 3 Release the mouse button when the part of the track selected is positioned at the requested audio level 184 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 EXAMPLE INCREASE THE VOLUME ON A PART OF A TRACK Before 0 26 dB During After 185 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 14 9 MODIFYING THE VOLUME ON A GIVEN POSITION OF A TRACK 186 To modify the volume on a given point of a track proceed as follows 1 On the Volume Automation panel double click the position where you want to add a volume automation point The point is added 2 If you need to adjust the volume or the position of the point select it again and drag it up or down right or left according to your needs The decibel increase or decrease compared to the 0 db line is specified as you move the volume automation point 3 When the volume automation point is correctly positioned release the mouse EXAMPLE ADD A VOLUME AUTOMATION POINT Before During IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 After 4 14 10 RESETTING THE VOLUME
195. on e The channels 7 8 are converted to G4 8 channel configuration OPENING A TIMELINE INTRODUCTION There are different ways to open a timeline This section describes the two modes to open the timeline from IPEdit Prerequisites In all cases you first need to ensure that a timeline engine is assigned to IPEdit Conditions to Fulfill The timeline can only be loaded in IPEdit if the following conditions are fulfilled e he timeline contains the same number of tracks and channels as the local server configuration If this is not the case you cannot load the timeline e he timeline definition at least is stored on the local server If this is not the case you can create a copy of the timeline definition and if requested a copy of its elements OPENING A TIMELINE BY A DRAG AND DROP ACTION When you open a timeline by dragging it from the Browser to the Timeline pane you will follow the procedure below IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 2 9 Select TL to open in Browser Drag TL to TL Display area TL compatible with server Mo TL cannot he put on line Copy TL ha TL cannot locally be put on line TL opens in the TL Display area The following checks are performed when you drag a timeline from the Browser e f the timeline is not compatible with the audio config
196. ons the copy or move process will fail or be only partially executed The copy or move process will fail if e The VarlD of the copied or moved timeline already exists on the destination Server e The requested LSMID on the destination server is not available In this case the original timeline is kept In a move process the original copy may not be deleted if e t is open IPEdit during the move process e tis loaded on a channel during the move process TRANSFERRING TIMELINES DESTINATION TYPES It is possible to transfer a timeline to a destination Possible destinations are e the user s default bin e a default archive target e any target destination visible on the GigE network that has been defined in the Remote Installer CleanEdit targets Avid targets Final Cut Pro targets File targets XT targets This is used to make A V material available to external systems e nearline folder visible on the GigE network that has been defined in the Remote Installer This is used to store or back up A V material Users can access the A V material of nearline folders in IPDirector or restore it on an EVS server AN Important Refer to the IPDirector Technical Reference manual for more information on the configuration of targets and nearline folders IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 TRANSFER TYPES There are different ways to transfe
197. ons effects and select the option Apply to all transitions between mark IN and mark OUT n Note By default the pre existing transition effects will be preserved when you define new transition effects between mark IN and a mark OUT points However you can overwrite the pre existing transition effects by selecting the option Overwrite existing transitions effects when you define the new effects TRACKS GROUP BOX The Tracks group box in the Add Modify Transition Effects window allows you to select the tracks on which the defined transitions effects will be added in the timeline The effects will only be added to the tracks whose buttons are highlighted in blue The selection in this group box is reflected in the Timeline Track Selection and vice versa For a quick selection from the keyboard you can use the same keyboard shortcuts as for the track selection in the Timeline pane See also section 4 1 8 Timeline Track Selection Buttons on page 54 153 Issue 5 9 B 154 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TRANSITION EFFECT GROUP BOX Default Settings and Settings Defined in this Group Box You can define default settings for the transition effects applied manually via the Add Modify Transition Effect window These settings are defined in the Tools Settings menu in the category IPEdit General Transition Effects group box Manual mode In the Tr
198. ontacts USER MANUALS ON EVS WEBSITE The latest version of the user manual if any and other user manuals on EVS products can be found on the EVS download center on the following webpage http www evs tv downloadcenter Issue 5 9 B IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 IP Director Version 5 9 User s Manual Part 9 Edit While Playout Issue 5 9 B EVS Broadcast Equipment January 2011 Table of Contents TABLE OF CONTENTS nici ipiis iier ie Sid aco ie ci rixEEr E DEVEZ LEN SEvE LEE Gu EcL EYE PIE it ABOUT THIS MANUA esccicescecceseasnesceidcxuneuuaaneciasscetusisectusumtantenennuesedicasbetsetesttsetesniccsenstenis IV WHATS NEW cessit dsxpuknierieio siut n dor EE a Eana A Aea dcn Cu Ee x aU VIII ls SEGA VY PULSES PBAYOUT tandi Dina Ri NR NOT ar d cp Ifi csd 1 jd BIRODUGEPIODssssuscent timido opO VM Ep P Fiet EHE E HID EIS REED EHE Pip tt a RIA DUOC EA SEDED agen 1 la GORGE SSC MON sio ictu eite o ete tle etal oid a doeet le rte botes etate 1 LEZ Eug cases tases trie Sad ics hwccea Sed aes c cee nd E Seven ded is ee nce Se 2 1 1 3 Activating the Edit While Playout MOde cccssssssrcscscscsrssrssrssrssessesceecaesrsrsansarsersenees 2 L2 MASTERISEAVE REDUNDANCY asisten Tnt a ya E E DIEITUR EU I RACER EINER URL 3 12 MM onde e o c M 3 1 2 2 Requirements for Master Slave Redundancy essere 3 12
199. opies the timeline definition and the clips from their IN to the OUT points as defined in the timeline This is the default value e EDL and clips long this copies the timeline definition and the clips from their Protect IN to the Protect OUT Move starts the move process Copy Starts the copy process Cancel Cancels the copy move command How TO COPY OR MOVE A TIMELINE To create a copy of a timeline proceed as follows 1 In the Timeline pane right click the Timeline Name field and select Copy Move Timeline The Copy Move Timeline window opens 2 If requested modify the default name and type the requested LSM ID 2 select the server to which you want to copy the timeline in the Server list box 3 In the Copy Type group box tick the radio button corresponding to the type of copy you want to perform 69 Issue 5 9 B 4 2 6 70 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 If requested check a bin to which you want to send a shortcut of the timeline copy 5 Click the button corresponding to the requested action e Copy to make a copy of the selected timeline e Move to move the selected timeline to the new location The timeline is copied or moved onto the selected server You can monitor the copy or move process in the Transfer Monitoring box in the main window and in the Database Explorer ERRORS IN MOVE OR COPY PROCESSES In the following situati
200. ossible to consolidate and replace a part of the timeline However both functions follow different purposes and methods REPLACE FUNCTION The Replace function aims at replacing a part of a timeline by the initial A V material as well as A V effects added by external devices Typical use is to add graphical effects inside a video track or to add mixed audio as voice over to an audio track With the Replace function the output e overwrites the initial timeline material e cannot be saved as a separate clip and is therefore only available in the timeline e is only available at the end of the Replace process CREATE CLIP FROM TIMELINE FUNCTION The Create Clip from Timeline function aims at replacing a part of a timeline that includes several effects defined in IPEdit This allows the consolidation of the A V material in the timeline Typical use is to consolidate several consecutive small timeline elements into a single clip to ensure a smooth playout With the Create Clip from Timeline function the output e overwrites or not the initial timeline material e is saved as a separate clip and can therefore be used outside the timeline e is directly available as a growing clip in IPDirector IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 15 2 PROCESS OVERVIEW Issue 5 9 B When you use the Replace function or Create Clip from Timeline function you will follow a
201. ou position the mouse cursor on the GPI marker How TO DELETE A CLIP GPI 3 Select the Clip GPI with the lasso as described above in this section The GPI marker is displayed with a white border Right click on the GPI and select Delete GPI from the contextual menu The following warning message is displayed Warning e Are you sure you wish to delete the selected GPI 7 Click Yes to confirm that you want to delete the clip GPI The clip GPI marker has been removed from the Timecode bar 209 Issue 5 9 B 4 18 4 18 1 210 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 USING MACRO COMMANDS IN IPEDIT OVERVIEW WHAT IS A MACRO COMMAND You can apply some functions in a timeline by means of macro commands A macro command is a kind of shortcut to a function to which predefined values are associated WHICH FUNCTIONS ARE AVAILABLE VIA MACRO COMMANDS In IPEdit you can use macro commands with the following functions Function Detailed information on the related settings in Clip GPI Section 4 17 4 Clip GPls on page 206 Replace section 4 15 4 Replace Settings on page 191 Transition section 4 12 6 Add Modify Transition Effect Window on page effect 152 The settings in the Define Effect Parameters window are the same as the ones on the Add Modify Transition Effects window WHERE CAN A MACRO COMMAND BE DEFINED You can defi
202. ouse click anywhere in the Lasso Selection area above or below the timeline display With the Keyboard To leave the slide mode with the keyboard press HOW TO SLIDE AN ELEMENT USING THE MOUSE To slide one or more elements of the same source media using the mouse proceed as follows 1 Activate the slide mode on the requested elements by lassoing the whole elements from right to left keeping the CTRL key pressed See also section 4 11 2 Activating and Deactivating the Slide Mode on page 144 Aiea aclclp 14 6106720 gaoa 1w 40 722 610 oye adl clp 11 6106 20 019 49 26 12 09 49 32 08 adi cip 11 6106 20 09 43 25 12 09 49 32 08 adi clp 1 2 610420 08 48 3817 J5 49 09H 8 E1DAP20 19 46 0941 8 adl_clp_11 61 0620 09 49 26 12 3 43 32 8 ad clp 1 2 09449 3981 T adi cip 11 6106 20 09 49 26 12 09 49 32 08 amp 10Af20 adl_clp 11 6106 20 adt_clp_12 adl clp 11 6106 20 l clp 12 19 49 0818 0949 256 12 03 48 32 08 08349 39 17 D3 49 28 12 09 49 32 08 E49 3817 B1 DAI20 adl cip 11 61 0620 ad clp 1 2 adl cip 11 6106 20 clp 12 19 49 09118 08 45 26 12 3 43 32 8 09449 3891 F 09 49 09 1141 J 09 43 26 12 09 43 32 08 49 39 17 2 Click the requested Timeline Track Selection buttons to select or unselect the tracks you want or do not want to slide 3 Click the mouse on one of the elements in slide mode and
203. out while editing ensures a speed to air workflow 9 Note The IPEdit module is a software option which requires the license key 60 being imported to XSecure For more information on the required license key contact the Support or Sales team MAIN FEATURES IPEdit s main features are e 1 video track up to 8 audio channels in 4 audio tracks e Video player preview on VGA Timeline output on external video monitor e Fast and intuitive editing functions insert overwrite roll trim delete with drag and drop and keyboard shortcuts Standard Qwerty and Azerty keyboards and specific keyboards are supported e Replace mode for advanced graphics editing GFX is superimposed externally by using an external video mixer e Voice over done externally through an audio mixer e GPI Outputs can be linked to clips transition effects and replace points on the timeline e Intelligent Browser automatic search by TC Issue 5 9 B 1 3 1 4 1 4 1 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 On the fly multi camera angle selection in timeline Video dissolve wipe Audio dissolve Clip Track Audio volume automation Cue and play timeline on Control Panel and Remote D Local and distant clips and trains can be used XNet Undo Redo on editing Minimum clip size 3 frames 7 configurations available Slow motion in timeline Full VITC Support VITC Legacy User clip support Ed
204. placed 5 Do one of the following to execute the Match Frame Replace e Click the Match Frame Replace button in the Player e Press a on the keyboard The parts of the timeline element s whose tracks are selected are replaced by the media loaded in the Player from the mark IN point to the mark OUT point IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 5 6 In this action the reference position in the Player is matched to the nowline in the timeline CHANGING THE CAMERA ANGLE OF TIMELINE ELEMENTS INTRODUCTION You can change the camera angle of timeline elements according to the following rules e Changing the elements of a single clip by a linked clip e Changing the elements max 20 of one or more clips by A V material having the same TC IN and OUT and recorded on other recorders on the XNet network PROCEDURE To change one or more timeline elements by another one which would allow you to change the camera angle proceed as follows 1 select the timeline elements you want to replace see also the section 4 4 3 To select specifically elements created on a given camera angle do the following a Activate the tracks to be taken into account in the selection b If requested place a mark IN and mark OUT points to delimit the portion where to apply the selection c Right click in the timeline and select Select Camera from the contextual
205. playout speed of the whole element will be adapted accordingly You will find detailed information on this feature in section 4 8 Extending Timeline Elements on page 109 The Extend Slow Fast button is enabled when a mark IN or mark OUT is defined on the loaded timeline When the function is applied IPEdit only takes into account the tracks selected in the timeline track selection IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 1 4 MATCH FRAME IN PLAYER amp LJ rJ o N The Match Frame in Player function allows you to search for the original source of a frame field marked with the nowline in the timeline and to load the corresponding media in the Player at the timecode marked in the timeline CLEAR MARK IN rm D J Pressing D removes the mark IN point in the timeline if it has been defined CLEAR MARK OUT a Pressing F removes the mark OUT point in the timeline if it has been defined TRANSITION EFFECTS BAR The buttons in the Transition Effects bar allow you to add and remove transition effects to existing or future elements in the timeline For full information on how to handle transition effects refer to section 4 12 Transition Effects on page 148 ADD TRANSITION EFFECT FX EL Coloured icon Clicking the Add Transition Effect button opens the Add Modify Transition Effects dialog box In this windo
206. point of a clip including the guardbands IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Term Abbreviation Protect OUT point Replace Timeline Engine Trim Slide Slip Wipe Definition Explanation OUT point of a clip including the guardbands Feature that consist of replacing a portion of a timeline with the initial A V material to which audio or video effects have been added Two player channels that are associated to IPEdit and makes it possible for the module to run Editing action that consists of adjusting the IN or OUT point of a timeline element Editing action that consists of moving the position of an element in the timeline without changing its duration nor TC IN and TC OUT points Editing action that consists of moving an element s IN and OUT points to another frame in the A V material still available The IN and OUT points will be moved simultaneously by the same number of frames in the same direction A gradual spatial transition from one video source to another in which a vertical or horizontal border moves across the screen to gradually replace the image with another image 219 uz Instant Tapeless TechnOlogy MAR ANN EVS Broadcast Equipment Li ge Science Park 16 rue Bois St Jean B 4102 Ougr e Belgium Corporate North amp Latin America Headquarters Headquarters 32 4 361 7000 1 973 575 7811
207. position where you will release the mouse IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 5 5 Possible Cases When you drag the media in the timeline you can drop the media on the following positions e any element transition e nowline e mark IN point when defined In this case the IN point or mark IN point defined in the media to add is matched to the mark IN point in the timeline e mark OUT point when defined In this case the IN point or mark IN point defined in the media to add is matched to the mark OUT point in the timeline ADDING MEDIA USING THE MATCH FRAME REPLACE OVERVIEW The Match Frame Replace button allows you to replace timeline elements or parts of them by matching the current position of the clip or train loaded on the Player to the nowline position in the timeline The system calculates automatically the mark IN and mark OUT in the Player that will match the part of the timeline element s to be replaced The Match Frame Replace feature comes in three variants e Replacing one or more timeline element s of the same source clip from their IN point to their OUT point e Replacing the portion of the timeline element s of the same source clip from the nowline position to the OUT point of the element s e Replacing a portion of timeline element s between a mark IN and mark OUT points defined in the timeline GENERAL RULES
208. ption Adapts the timeline zoom to display the whole timeline in the Timeline pane Opens the Replace settings window Opens the General settings window for IPEdit Resynchronizes the selected audio tracks to the corresponding video tracks Resynchronizes the selected video tracks to the corresponding audio tracks In this case you need to select the audio track to which the video track should be resynchronized Allows you to slip the selected elements by defining a new TC IN or TC OUT As in all slipping actions the element duration its position in the timeline and the surrounding elements are not impacted see also the section 4 10 6 How to Slip an Element by setting a New Timecode on page 140 Allows you to select the timeline elements recorded on the camera you will choose from the list displayed in the contextual menu This command is used in combination with the Replace by command See also the section Selection Based on the Recorded Camera Angle on page 82 Alows you to change the source clip used for the selected timeline element s This makes it possible to change the camera angle e f the selected clip s in the timeline are part of a linked clip group the sub menu displays the other clips from the group If another linked clip is selected the clip in the timeline is replaced by the selected clip e f the selected clips are not part of a linked clip group the sub menu displays the other record
209. r a timeline to a target or nearline This is set in the target or nearline definition in the Remote Installer and cannot be modified in IPDirector The possible transfer types are briefly described below All transfer types are possible with nearlines However the supported transfer types to a target depend on the target itself Transfer Type Description EDL and clips EDL file XML format that describes the timeline and backup of each clip used in the timeline EDL and flatten file EDL file XML format that describes the timeline and Consolidated file that represents the A V result of the timeline with the defined A V effects EDL only EDL file XML format that describes the timeline Flatten file only Consolidated file that represents the A V result of the timeline with the defined A V effects How TO SEND A TIMELINE TO A TARGET BIN OR NEARLINE To send a timeline open in IPEdit to the default bin a target or an on line nearline proceed as follows 1 In the Timeline area right click the Timeline Name field The Timeline contextual menu is displayed 2 Do one of the following e To send to the default bin or to an available destination target select Send to and the requested destination e To send to an on line nearline folder select Back up to Nearline and the requested nearline folder The timeline is sent to the requested destination 71 Issue 5 9 B 4 3 4 3 1 4 3 2 72 IPDirector
210. rack Selection buttons activate the buttons of the tracks on which the Replace process will be performed Set a mark IN point and if requested a mark OUT point to delimit the part of the timeline to be replaced You can also stop the Replace process manually The GPls OUT defined in the settings are displayed on the Timecode bar as a green marker for a mark IN GPI and a red marker for a mark OUT GPI To start the Replace process do one of the following e Click the Replace button start the Replace process OR E CO e Press Mi C e Press the Replace key on the ShuttlePRO IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 15 6 The nowline is automatically positioned on the mark IN point If a pre roll is defined the nowline is positioned on the mark IN minus the pre roll duration As the Replace process takes place the nowline moves to the right and the area already replaced is displayed on an orange background 523D403 clip BIBD D3 lip12 B18Em clip 2D0 46 20 00 clip12 2D 35 13 05 clip13 B18DD lip12 2D0 46 20 00 clip12 B1BD DS clip12 2D0 46 20 00 clip12 B1BD DS clip12 20 46 20 00 clip12 The Replace process is stopped in one of the following ways 623 B03 E 2 35 28 20 HIS ED EFC 2 D 37 18 20 B139EID3 clip13 2D 47 20 DD clips B18ED lip 13
211. ration of the Video Display and its options to display the media associated to a player channel or the Software Player PART 6 PLAYOUT PLAYLIST PANEL The sixth part contains the following chapters Chapter Description Playlist Panel This chapter describes the Playlist Panel module that allows complex playlists to be made modified and played to air using an efficient workflow Fill amp Key This chapter explains the Fill amp Key function in IPDirector which make it possible to gang channels of the EVS video server together in a Fill and Key relationship to allow the PART7 PLAYOUT AB ROLL PLAYLIST operator to perform synchronized clip or playlist recalls in a Fill amp Key scenario The seventh part contains the following chapter Chapter Description AB Roll Playlist This manual describes the AB Roll Playlist module This application is used to control and play material on up to 1 to 4 channels A to D at the same time The operator plays clips in A B C D sequence using the MPlay remote control PART 8 EDITING The eighth part contains the following chapter Chapter Description IPEdit This manual describes the IPEdit module This is a video editing solution that delivers real time performance through cT a new server based architecture It offers complete timeline editing with no rendering process required Xl Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit
212. re defined in the source media In other words a1 in the source media will be matched to a1 in the timeline a2 in the source media to a2 in the timeline etc Possible Cases The following table summarizes the impact of the track selection in the Player and the Timeline on the element added to the timeline Track selected Track selected Track available in the timeline element in the Player in the Timeline Yes Yes Element added to the timeline Yes No Nothing added to the timeline E Important The elements after the insertion position will be desynchronized No Yes Black element added to the timeline No No Nothing added to the timeline 9 Note When one or more audio channels of a track but not all of them are deselected in the Player these channels will be muted in the timeline POSITION APPLIED TO THE TIMELINE ELEMENT Principle The position of the element added to the timeline will depend on the following elements e N mark IN points and OUT mark OUT points are defined in the Player pane When a clip is loaded in the Player the mark IN and mark OUT points supersede the original IN OUT points e Mark IN mark OUT and or nowline are defined in the Timeline pane Standard Insert Overwrite Action The user performs a standard insert or overwrite action when two reference positions IN point OUT point mark IN point mark OUT point or nowline are defined in the Player IPDirector Version 5 9 User Manual P
213. roceed as follows 1 Position the nowline next to the transition on which you want to activate the trim mode 2 Select the Track Selection buttons of the tracks on which you want to activate the trim mode 3 B Press mmm on the keyboard The trim mode is activated on the nearest transition for the selected tracks and is in roll mode by default 121 Issue 5 9 B 122 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 With the ShuttlePRO To enter the trim mode with the ShuttlePRO proceed as follows 1 Position the nowline next to the transition on which you want to activate the trim mode 2 Select the Track Selection buttons of the tracks on which you want to activate the trim mode Press the ShuttlePRO key to activate the trim mode The trim mode is activated on the nearest transition for the selected tracks and is in roll mode by default How TO EXCLUDE OR INCLUDE TRACKS When the trim mode is active for at least one of the tracks of the timeline you can include or exclude tracks by clicking the corresponding Track Selection button on the Timeline pane How TO CHANGE THE TRIM MODE By default the trim mode is activated in roll mode To change the trim mode on the user interface via the keyboard refer to the following table To activate the In the user interface On the keyboard Trim Left mode Click next to the transition Press P
214. rt functions are available using keyboard shortcuts or ShuttlePRO keys This section provides an overview of the general transport commands accessible via the buttons of the Edit Command bar the keyboard shortcuts or the ShuttlePRO keys IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 OVERVIEW These transport functions are summarized in the following table and point to the related paragraph in this section Shortcut keys to navigate in the timeline are defined in the section 4 4 1 Moving the Nowline in the Timeline on page 77 Function Name User Keyboard ShuttlePRO key Interface Item Shortcut 7 Pause Play Start Replace Create Clip From Timeline Audio Monitoring Play Forward Multispeed Fast Rewind Multispeed DL e M 49 Issue 5 9 B 50 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Function Name User Keyboard ShuttlePRO key Interface Item Shortcut On Air RECUE The Recue button allows the user to recue the timeline i e to automatically position the nowline before the first element of the timeline PAUSE L 1 cor Or or The Pause button allows the user to pause at the nowline position while the timeline is being played The K keyboard shortcut is only dedicated to the Pause function whereas the spacebar is also a toggle key
215. rview or Editing AGONS ssiconisociisosnunaanni a 72 4 3 2 Overview of Slow Motion Editing sese 72 4 3 3 AN Material Available for Editing in the Timeline enne 73 2 9 4 Growing CIPS In TIIrielifieS sa caesis ila eue cat t ht a ELT ard x eaten 74 4 3 5 Contextual Menu on the Timeline Element eenennnnnnnnnnnnn 75 4 4 MARKING AND SELECTING TECHNIQUES eres ener 77 4 4 1 Moving the Nowline in the Timeline eee 77 4 4 2 Adding Mark IN and Mark OUT points sss 79 4 4 3 Selecting and Deselecting Timeline Elements eee 80 4 5 PLACING MEDIA IN THE TIMELINE eeeerrenrnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn 83 4 5 1 Applicable Principles secseseataccecoaterctecastineceteusasadeelssientevesteanntieide teaver tdusleel tapis ix hus 83 2 9 2 JEGINNG Modes FIO The PIAV OM eiat t n Ut rav im qa cub m IPSE ELI Ta ie I PUEDE But 85 4 5 3 Adding Media in Insert or Overwrite via the Keyboard ShuttlePRO or Player Buttons 88 4 5 4 Adding Media in Insert or Overwrite Using Drag and Drop Actions 92 4 5 5 Adding Media Using the Match Frame Replace seen 95 4 5 6 Changing the Camera Angle of Timeline Elements eeeeee 99 4 5 7 Appending a
216. ry 2011 Issue 5 9 B 4 3 5 CONTEXTUAL MENU ON THE TIMELINE ELEMENT Several actions can be performed from the contextual menu available when right clicking a timeline element ADL CLP 102505 1 Menu Command Delete Rename Add swap mute Modify swap mute Delete swap mute Delete Rename Add swap mute Fit Ea content Replace settings Resvnc A Set Timecode slip Select Camera Replace by Set speed Description Deletes the selected elements If the elements of the same source clip are not deleted together the timeline tracks will be desynchronized Allows you to rename the selected timeline elements This is also available via the CTRL R keyboard shortcut This will not affect the original clip name Allows you to swap or mute audio tracks See also section 4 13 Audio Swaps and Mutes on page 164 Allows you to modify the audio swaps or mutes previously defined See also section 4 13 9 Modifying Audio Swaps on page 176 Allows you to delete the audio swaps or mutes previously defined See also section 4 13 10 Deleting Audio Swaps on page 178 75 Issue 5 9 B Menu Command Fit to content Replace settings IPEdit settings Resync A gt V Resync V gt A Set Timecode slip Select Camera Replace by Set Speed 76 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Descri
217. s esee nnne nnn nnns 203 4 16 5 How to Move a Locator Within the Timeline Element esses 203 4155 HOWTO MOI LOGAIOLES tinens tes etas tete eren ettet ede obe t ettet eie damt tete in eire 203 ANE SING GPIS ANP EDIT ooi aeo DERBI b te P i Ree tects ala 204 41731 General inroriauobr On GPS scans ento scis eod E ud med es oS DNE 204 BAe Rpa EGR Side ede etat deae d ntes esontadeuntobsutto tetisd aera bant G 206 415 3 Vigeo Transition Efect GPS sisi itn I nulo EIS MI EE EI MI 206 417A Nc c 206 4 18 USING MACRO COMMANDS IN IPEDIT sesseeeeeeneennn nnn 210 2 19 OVENI W enaena pr aped imt MAP OR ptu Nec D Vt bon Rd eu 210 4 18 2 How to Define or Modify a Macro Command ssseeeeennnne 211 4 18 3 Calling a Macro Command From the Timeline eene 211 ATInIPEDIT SEFINGS uH E iEn DE M OE ME UEM M MEE IM 211 EIIE GONE aa TTE 211 A192 Macro Command Ssnin e O A a A 212 219 3 HeDlace SCTINGS suscite teh EM OO O 213 SUPPORTED KEYBOARDS diiit hacc eu i tei a Des crue TH Fd Cv o Co oS coh 214 s BH i 216 GLOSSARI estu steterat em nU M pM EN MEE 218 VII Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 What s New The following table describes the s
218. s a mark OUT on the timeline at the current nowline position IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 MARK CURRENT ELEMENT SELECTION E 152 The Mark Current Element Selection function allows you to place a mark IN and mark OUT based on the elements contiguous or non contiguous selected in the timeline e The mark IN is placed on the IN point of the first element selected in the timeline e The mark OUT is placed on the OUT point of the last element selected in the timeline The editing actions performed on the portion selected between the mark IN and mark OUT will take into account the timeline track selection CLEAR TIMELINE MARKS B G The Clear Timeline Marks function removes the mark IN and or mark OUT placed on a timeline AS a consequence the three timecode fields below the Edit Command bar are set back to DELETE BETWEEN MARK IN AND MARK OUT z Delete COM s The Delete between Mark IN and Mark OUT function deletes the timeline media between the mark IN and the mark OUT points taking into account the timeline track selection and the Insert Overwrite global mode that is active e f the Insert mode is enabled IPEdit shifts the rest of the timeline to fill the gap of the deleted tracks e f the Overwrite mode is enabled IPEdit leaves a blank at the position of the deleted media on the selected tracks
219. se duration 2 Onani Pulse duratian anean Yideo fAudio Delay Enter the delay compensation values that your external device adds to the Compensation signal Video delay o B frames Audio delay o B frames Audio Group Track Mute Select audio group tracks that will be muted during the replace process between markl and markQUTy B Follow track selection selected track will be muted BU BG c Ba s Audio Swap Input Matrix Define the audio swap configuration applied during the replace pr E ae EX G4 qu gu Lu qu Lu qu Lu Lu Lu ut Lu fal LI Lu qu qu E u c Lu nm Lu E LI at ri e De X qm tH Lu J CT Fe oo M ge Lu J Cn CH Se oo ha gee qu 7 ee FR C3 r3 Eu Lu po CT3 CT Rz Co 3 ge Lu 7 C3 CTI FR oo Po D Du Cn CH Im oo hia ge qu M CH Fe oo Mi gu Lu gu gu gu LI a1 gu wp re Lu an re ap Tem Lu DO 7 CD On P CO PO bs m UE EE nig Us gu Oo TB Lu m D Qu t Cu 191 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 SPECIFIC REPLACE SETTINGS Before using the Replace function you can adapt the settings to your edit To access this window right click anywhere in the timeline display and select Replace Settings from the contextual menu The changes you will perform in this window will impact the settings related to the current timeline
220. selected action appears 3 Define or modify the relevant settings according to the detailed information you can find in the sections 4 17 4 Clip GPls 4 15 4 Replace Settings or 4 12 6 Add Modify Transition Effect Window 4 Click OK to confirm the macro definition and leave the Settings window CALLING A MACRO COMMAND FROM THE TIMELINE When a macro command has been defined you can call the macro command via the key combination INSERT macro command number associated to the macro command in the Settings window When you call a macro command in a timeline the associated function is automatically applied if the position is properly defined or the relevant timeline elements properly selected IPEDIT SETTINGS GENERAL Clip Information Display This option defines the default information displayed on the timeline element Transition Effects This option defines the default settings for the transition effects applied manually or automatically Also refer to the section 4 12 7 Transition Effect Settings on page 157 Volume automation Range This option defines the default values for the maximum and minimum graphic volume range in the Audio Volume Automation panel 211 Issue 5 9 B 4 19 2 212 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Control Track Initial Timecode This option defines the default start timecode for the initial value for the timel
221. similar but not identical sequence of steps REPLACE The Replace process can be summarized as follows Step 1 The user first needs to assign a recorder channel to IPEdit to be able to use the Replace function The user defines the Replace settings including Preroll audio remapping and optional GPI triggers for external devices in use The user specifies the range of the timeline to be replaced by defining a mark IN point and possibly a mark OUT point in the timeline The mark OUT point for the Replace function is optional If no OUT point exists the user is performing an open ended replace and can Stop the replace when desired The user initiates the Replace process This can be done by pressing the button above the timeline or CTRL lt SPACE BAR gt The resulting A V material is ingested back to the server via the assigned recorder channel A newly created clip based on this ingested material will directly replace the defined portion in the timeline The new clip includes a fixed guardband IN and OUT of 1 second CREATE CLIP FROM TIMELINE See Section 4 15 3 on page 190 Section 4 15 4 on page 191 Section 4 15 5 on page 198 Section 4 15 5 on page 198 Section 4 15 5 on page 198 Section 4 15 5 on page 198 The Create Clip from Timeline process can be summarized as follows Step 1 The user first needs to assign a recorder channel to IPEdit to be able to use the Creat
222. ssible to change the source audio channel to be played on a given output audio channel for example to play the source channel a4 onto the output channel a6 The mute function makes it possible to mute the content of an audio channel or track The swap and mute functions can be defined e on one or several elements of an audio track e from the nowline position up to the end of the element where it is placed e On a part of a track from a mark IN point to a mark OUT point placed on the track 9 Note No swap or mute can be added or modified on timeline elements whose speed is different than 100 However swaps or mutes can be deleted on such elements OVERVIEW OF THE WAYS TO DEFINE SWAPS AND MUTES You can define audio swaps and mutes in different ways briefly explained below in this section AUTOMATIC SWAP DEFINITION What is it applied to The swap is applied to all output channels of an audio track of a timeline element This impacts the output channels of other tracks of the same timeline element Where is it defined You perform an automatic swap when you drag an audio track of the source media onto a different output audio track in the timeline see also section 4 13 3 Automatic Swap Definition on page 167 for more information AUTOMATIC MUTE DEFINITION What is it applied to The mute is applied to one more or all audio channels of a track in the source media loaded on the Player Where is it defined
223. t e t is possible to perform transitions from and to mute or blank elements e The video and audio transition effects can have a different duration e The transition effect will not impact the duration of the element as it is created beyond the IN or OUT points of the element using the material available in the guardbands or on the record train e No effect can be defined on an element for which no guardband or record train is available AuTOMATIC VERSUS MANUAL TRANSITION EFFECTS The Transition Effects bar allows you to define and manage the video and audio transition effects on the loaded timeline F 3 FX A JF X You can add transition effects manually or automatically e You can add transition effects manually on existing elements The transitions on which the effects are added depend on the position of the nowline or mark IN and mark OUT points See also the section 4 12 2 on page 149 The settings for the manual transition effects are defined in the Add Modify Transition Effects window To access it click the Add Transition Effects button EE For more information refer to section 4 12 6 Add Modify Transition Effect Window on page 152 e You can add transition effects automatically on all future elements that will be added to the loaded timeline The settings for the automatic transition effects are defined in the settings To access the settings go to the Tools Settings menu Timeline category General sub
224. t EVS Broadcast Equipment January 2011 EXTENDING OUT IN INSERT OR OVERWRITE MODE When you perform an Extend OUT you extend a timeline element by shifting its OUT point to the right This takes up A V material on the OUT guardband of the element or on the record train available after the OUT point of the element e When the Extend OUT is performed in Insert mode this does not reduce the duration of the next timeline element e When the Extend OUT is performed in Overwrite mode this reduces the duration of the next timeline element by the duration of the extend Before DO 01 20 15 After Extend OUT in Insert Mode The OUT point of the timeline element adl_clp_9 00 has been shifted to the right in the available A V material IPEdit calculates the shift on the basis of the duration between the OUT point of the timeline element and the mark OUT point placed in the timeline The duration of the next timeline element has not been reduced 00 01 22 13 1 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 8 5 After Extend OUT in Overwrite Mode The OUT point of the timeline element adl clp 9 00 has been shifted to the right in the available A V material IPEdit calculates the shift on the basis of the duration between the OUT point of the timeline element and the mark OUT point placed in the timeline The duration of the next timeline e
225. t Equipment January 2011 TRIM RIGHT IN INSERT MODE In a trim right performed in Insert mode the IN point of an element is shifted to the right i e element trimmed or to the left i e element extended in the available A V material without impacting what comes before in the timeline Example Shift to the left The following example shows a trim right in Insert mode where the element is extended The previous timeline element remains unchanged after the trim action Before the trim action ADL CLP 1B 5 1 01 00 00 06 00 00 00 03 00 12 30 3D U 12 40 36 DU ADL_CLP_i006_ 1 01 00 00 06 00 12 45 08 DO 12 30 54 L_CLP_i006 3 00 00 00 08 DII 12 40 30 00 12 40 36 00 45 00 00 12 35 08 0 During the trim action OO 00 01 10H QUST UO CLP 1006 1 01 00 00 ADVE LPE LRDDOOBS 2 00 00 00 02 00 j DD DD DA 23 5 00 00 DO DO D8 DD DOG 3 D o6 3 00 O0 00 08 00 ADL ELP 1DD amp 1 01 DB 12 40 30 00 12 4 DD DD D4 28 55 00 00 DD DDRDEGDDO ADL CLP iDD6 1 01 D0 D IT DB6 LRODOO 3 00 DD DO D8 DD 8 45 00 00 DO DODERDD 12 40 30 00 12 40 DD DO D After the trim action ADL CLP 1B 5 1 01 00 00 06 00 L_CLP_1006_3 00 00 00 09 DIDI 12 30 3D U 12 30 35 DU ADL CLP 1 0 6 1 01 00 00 06 00 44 59 00 12 35 08 00 L CLP_i006 3 00 00 00 09 DII 12 40 30 00 12 40 36 DU 44 59 00 12 35 08 0 IPDirector Version 5 9 User Manual
226. th the Insert of Overwrite mode from the mark IN and OUT points PROCEDURE WITH THE SHUTTLEPRO To add media to a timeline using the ShuttlePRO proceed as follows 1 In the Timeline pane select the tracks to be taken into account when you will add the media In the timeline loaded place the nowline or add a mark IN or and mark OUT point where you want to insert the media For more information on the media position refer to section Position Applied to the Timeline Element on page 90 In the Browser double click the media you want to add to the timeline If you want to define new mark IN and mark OUT points do the following to add a mark IN e Press the ShuttlePRO key to add a mark OUT e Press the ShuttlePRO key To add the media to the timeline press the ShuttlePRO key for Insert or for Overwrite The media is added to the timeline with the Insert of Overwrite mode from the mark IN and OUT points 89 Issue 5 9 B 90 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 TRACK SELECTION APPLIED TO THE TIMELINE ELEMENT General Principles When you use the Editing buttons in the Player the keyboard shortcuts or the ShuttlePRO keys the tracks added to the timeline are the combination of the track selection in the Player and in the Timeline The channels in the audio tracks are added to the timeline in the same sequence as they a
227. th v video Each audio mono channel is named with a1 audio a2 etc e Check boxes for each audio track allow the selection of all audio mono channels of a track at a go Each audio track is named with G1 group G2 etc TRACKS SELECTED WHEN THE MEDIA IS ADDED TO THE TIMELINE When you use the Editing buttons in the Player the keyboard shortcuts or the ShuttlePRO keys the tracks added to the timeline are the combination of the track selection in the Player and in the Timeline Consequently you need to select both the tracks in the Player and in the Timeline panes before you add the media loaded on the Player to the timeline For detailed information on this refer to section Track Selection Applied to the Timeline Element on page 90 POSSIBLE AUDIO CONFIGURATIONS In the Player the number of audio tracks and channels available for selection will depend on the audio configuration of the loaded media The possible audio configurations are listed below Clips with 4 audio mono channels e track of 4 mono channels a v t v laa v las v land ELS LLL e 2 tracks of 2 mono channels a o e vlas v led Ta ay IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 8 4 Clips with 8 audio mono channels e 1 track of 8 mono channels v vlan ve v ja3 ve v jes v lian v Jig v e 2 tracks of 4 mono channels v asi v aav a5 2
228. the media will be inserted or overwritten in the timeline The Insert or Overwrite mode defined in the timeline is taken into account for drag and drop actions DRAG MEDIA FROM THE PLAYER IN THE TIMELINE To add media to a timeline by dragging it from the Player to the timeline proceed as follows 1 In the Timeline pane select the Insertion mode with the Insert Overwrite Toggle button in the Edit Command bar 2 In the loaded timeline do one of the following to define the insertion position if you do not want to add the media on an element transition e Position the nowline on the requested insertion position e Add a mark IN or mark OUT point on the requested insertion position IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 In the Player pane load the requested media and select the tracks to be taken into account when you will add the media 4 If you want to define a new mark IN and mark OUT points in the Player do the following in the Player a Browse to the requested position b Click the mark IN button and or mark OUT button Mark OUT 5 Drag the loaded media from the Player pane to the requested position in the timeline The media is added to the timeline based on the Insert Overwrite mode selected in the timeline DRAG MEDIA FROM THE BROWSER IN THE TIMELINE To add media to a timeline by dragging it from the Browser to the timeline
229. the timeline The mark OUT point is symbolized by a red vertical line on the timeline The following table summarizes the various techniques to add mark IN and or mark OUT points To add Do the following Mark IN L Place the nowline at the requested position and click ik Note If you have already defined a mark OUT point in the timeline and if you position the nowline before the mark OUT point the nowline will act as a mark IN point when you perform an editing action Mark OUT but Place the nowline at the requested position and click t Note If you have already defined a mark IN point in the timeline and if you position the nowline after the mark IN point the nowline will act as a mark OUT point when you perform an editing action Mark IN and OUT Place the nowline on a clip whose boundaries you want to on the boundaries define a mark IN and mark OUT and click of a clip l l This works when no timeline element is selected Mark IN and OUT Select an element of the first clip and an element of the last on the boundaries clip and click of several contiguous clips 79 Issue 5 9 B 4 4 3 80 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 SELECTING AND DESELECTING TIMELINE ELEMENTS SELECTION BY CLICKING To select one timeline element all timeline elements of the same clip non contiguous timeline elements all timelin
230. ther editing e When you add a portion of a record train to the timeline a clip is automatically created with the guardbands defined in the Clip Creation settings e When you add a growing clip without mark OUT a popup message is displayed to force the user to specify a duration for the timeline element and consequently a mark OUT 83 Issue 5 9 B 84 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 This clip is growing and doesn t have a predefined mark aut Please Introduce expected duration Far your timeline element e Duration based on current record head position Specific duration 00 00 10 00 o When you select the first option the mark OUT is the current TC of the record head of the growing clip o When you select the second option the mark OUT is calculated based on the duration you have specified AVAILABILITY OF CLIP MATERIAL When material from a clip is placed in the timeline e f the necessary material to create the timeline element is available in the clip or record train it is taken over from the clip or record train e f the necessary material to create the timeline element is not available in the record train an error message is displayed in the Message Panel and the material cannot be placed into the timeline AVAILABILITY OF RECORD TRAIN MATERIAL When material from a train is placed in the timeline e f the necessary material
231. this configuration pressing the TLO PlaySync button on the Slave IPEdit will synchronizing the TLO playout on the Slave IPEdit to the TLO playout in progress on the Master IPEdit When the synchronized playout of both TLOs is active the button is displayed on a blue background on the Slave IPEdit Note The TLO on the Master IPEdit needs to be in PLAY for the TLO PlaySync command to work on the Slave IPEdit SPEED NUDGING BUTTONS The speed nudging consists of transport commands that allow adjusting manually and momentarily the playout speed of a timeline in order to resynchronize the playing TLO to an external program feed played through a vision mixer TLO NUDGE DECREASE BUTTON a T Jor Gem on numeric pad Pressing the TLO Nudge Decrease button decreases temporarily the TLO playout speed Then it comes automatically back to its original speed If you press the button several times the effect speed decrease effect lasts longer Gr TLO NUDGE INCREASE BUTTON My or i Pressing the TLO Nudge Increase button increases temporarily the TLO playout speed Then it comes automatically back to its original speed If you press the button several times the effect speed increase effect lasts longer LOS on numeric pad Issue 5 9 B 1 3 7 1 3 8 IP Director Version 5 9 User s Manual Part 9 Part 9 Edit While Playout EVS Broadcast Equipment January 2011 LOCATOR BUTTONS ve Y The Go
232. tion Database Explorer This chapter explains the Database Explorer module which has been designed to allow the users to organize and bes search all media or data available in the XNet network as PART 4 INGEST well as to search for off line nearline files The fourth part contains the following chapters Chapter Description Recorder Panel This chapter provides information on the Recorder Panel i e the module used to control the recorder channels of an EVS video server Ingest Scheduler This chapter covers the Ingest Scheduler module that allows for clips or streams to be automatically made on any channel under the lIPDirector control at a time scheduled in advance VTR Control Panel This chapter describes the VTR Control Panel module that allows the users to control a VTR from IPDirector and to extract clips from a tape to an EVS video server PART 5 PLAYOUT CONTROL PANEL The fifth part contains the following chapters Chapter Description Player Control This chapter explains in details the Player Control Panel Panel i e the module used to control player channels of an EVS video server and to make clips and simple playlists IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Chapter Description Software Player This chapter provides information on the use of the pe Software Player Video Display This chapter describes the configu
233. tion and drag it to the requested position Press the key Home Press the key End Press the key Fr k f S Press the e key Press the key Q Press the eu key W Press the V key Press the di key OR Press if no element selected OR T1 Issue 5 9 B To move the nowline to the previous frame compared to the current position by 10 frames to the right on the timeline by 10 frames to the left on the timeline 78 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Do the following Jog one frame to the right with the ShuttlePRO if no element selected Jog one frame to the left with the ShuttlePRO Press the HS key OR Press y selected if no element Press the j OR Press selected if no element IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 4 2 To move the nowline Do the following by a requested number of frames to the right Press if no element selected requested number of frames on the numeric pad ENTER by a requested number of frames to the left l Press if no element selected requested number of frames on the numeric pad ENTER ADDING MARK IN AND MARK OUT POINTS The mark IN point is symbolized by a green vertical line on
234. to account a different delay generated by the audio device or by the video device 193 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 GPI SETTINGS ON MARK IN AND MARK OUT Detine if you wantto apply GFls on marklM and markOQUT during a replace and define the GFI parameters On Warki On MarkOQUT GFI X Fl Offset co B frames set BH frames Pulse duration 00010 Pulse duration 0 11 194 About Replace GPls When you use the Replace function you have the option to use external devices manually You can also trigger the external devices by specifying a GPI OUT to occur on the IN and or OUT of the Replace function In this case the server will send a first GPI OUT signal to the external device at the IN point and a second GPI OUT signal at the OUT point or when the user stops the Replace process manually For each GPI OUT you need to define the GPI number and the type of GPI that will be sent About GPI Offsets You can also specify an offset for each GPI The offset shifts the position of the GPI compared to the mark IN or mark OUT point It allows for example an audio mixer to make smooth configuration transitions or a graphic keyer to make dissolves for graphics You can define e a positive offset for the mark IN to send the GPI after the replace process has started e a negative offset for the mark OUT to send the GPI before the r
235. to create the timeline element is available it is taken over from the record train e f the necessary material to create the timeline element is not available an error message is displayed in the Message Panel and the material cannot be placed into the timeline CRITERIA FOR ELEMENT INSERTION There are many different ways to place media in a timeline The main criteria to take into account are the following e how you want the clip to be included in the timeline e where you want the clip to be included in the timeline e which tracks of the clip should be included in the timeline IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 5 2 NAME OF TIMELINE ELEMENTS When a clip is added to the timeline however it has been created either created in the Player or dropped from the Browser the element name inherits the clip name by default EDITING MODES FROM THE PLAYER The editing mode applied i e insert overwrite or match frame replace will determine how the material will be placed in the timeline INSERT When the Insert mode is active the clip will be added to the requested position AND the media located after the insertion point will be shifted further to the right of the timeline The timeline will accommodate the new element in the timeline without impacting the length of the existing elements Player mode Example of an Insert Action The
236. to execute the Match Frame Replace e Click the Match Frame Replace button in the Player e Press a on the keyboard The timeline element s whose tracks are selected and where the nowline is positioned are replaced by the media loaded in the Player In this action the reference position in the Player is matched to the nowline in the timeline IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 REPLACING TIMELINE ELEMENTS FROM NOWLINE TO OUT POINTS Description The following schema shows how the Match Frame Replace is performed when timeline elements are replaced from the nowline to the OUT point Procedure To replace one or more timeline element s of the same source clip from the nowline to the OUT point using the Match Frame Replace function proceed as follows 1 In the Player and Timeline panes select the tracks to be taken into account when you will insert the media See also the section Track Selection Applied to the Timeline Element on page 90 In the Player panel load the clip or train that contains the material to be inserted into the timeline Click in the jog bar to define the reference position in the loaded media In the loaded timeline place the nowline on the element s to be replaced from the nowline to the OUT point Do one of the following to execute the Match Frame Replace p e Click simultaneously in the Play
237. to the output channels a1 and a2 respectively G1 track of one timeline element Manual Swap Action You will perform the swap action on the G1 track of the timeline element where you specify which source channels will be played on the channels of the G1 track In this case you will map e the source channel a3 to the output channel a1 and e the source channel a4 to the output channel a2 Swap mute configuration e Swap mute matrix SOURCES i mney a Ayr ne we ny nzcG i 1 i a rm d um i m i b i t i INI SALLI Result In the general timeline display left screenshot below you can see that the global Swap icon on the G1 track which means that channels are swapped on this track In the Swap Mute Zoom display right screenshot below you can see that the channels a3 and a4 are played instead of a1 and a2 on track G1 from the IN to the OUT point of the element 169 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 BG1SB 01 adl 090914 1 02 Lie 11 47 56 13 11 48 02 08 adi nana14 1 02 6198 B D1 adl D5 11 37 56 13 11 48 02 08 11 47 56 adl 090914 1 02 BISB01 adl Dar 11 47 56 13 11 48 02 08 11 47 56 adl 090914 1 02 12601 adl dr 11 37 56 13 11 48 02 08 11 47 56 4 13 6 MANUAL SWAP DEFINITION IN THE SWAP MUTE ZOOM MODE DESCRIPTION You can swap one or more channels of an audio track and
238. tput channel to mute If you want to apply the swap between a mark IN and mark OUT points tick the Apply between mark IN and mark OUT check box In this case you can overwrite existing swap mute between these points by ticking the Overwrite existing swap mute check box If you want to define a mix effect at the start and end of the swap specify the duration of the effect in the Swap mix duration spin box Click Apply The swap and mutes are defined on the requested part of the audio track This is symbolized with the swap icon ID or the mute icon displayed on the relevant elements in the general display of the timeline The swaps and mutes can be viewed on the Swap Mute Zoom display 4 13 9 MODIFYING AUDIO SWAPS 176 How TO MODIFY A SWAP OR MUTE ON ONE OR MORE ELEMENTS OF AN AUDIO TRACK To modify a swap or mute defined on one or more elements of an audio track proceed as follows 1 In the general timeline display select the elements of a track on which you want to modify the swap For a multiple selection select the elements while pressing CTRL Right click one of the selected elements and select Modify Swap Mute The Swap Mute Configuration window opens with the parameters defined on the first swapped element of the selection IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 Do one of the following to modify or add a swap or mute
239. u access it from the Swap Mute Zoom display For this reason this window will be described below Swap mute configuration e Swap mute matrix SOURCES n 1 no no mn ul na z ng i ae nza2 m ma gd og ml AB T r mill i a ac e 5 TT Fu C zm Apply between mark in and mark out W Ovenvite existing swap mute Swap mis duration 0 g even value How TO ACCESS THE SWAP MUTE CONFIGURATION WINDOW From the General Display of a Timeline To access the Swap Mute Configuration window proceed as follows e Right click the element in an audio track on which you want to define a swap and Select Add Swap Mute From the Swap Mute Zoom Display of a Track To access the Swap Mute Configuration window proceed as follows e After you have specified where you want to perform the swap right click on the track where to define a swap and select Add Swap Mute IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 SWAP SOURCES OUTPUTS Description The swap sources are the audio mono channels available in all the audio tracks of the source media added to the timeline The swap outputs are the audio channels of the element as they have to be played in the timeline Uses In the Swap Mute Configuration window of a given track you can define the following e which source channels will be sent to the audio channels of this track when the timeline is played To do
240. und color of the timeline element indicates the clip status Colour Light blue Dark blue Green Greenish dark blue timeline background color grey Greyish dark blue Hed White Grey Display ad D9D831 1 DD 14 52 03317 f1iZB01 14 32 10 03 ADL 090608 5 Dn 17 28 55 24 B10A 01 50 17 28 58 D LASSO SELECTION AREA Meaning Unselected audio element Selected audio element Unselected video element Selected video element Unselected blank element Selected blank element Offline timeline element i e e an element located on a server that is not connected to the XNet network e an element deleted from the server e an element backed up hence not directly available on the XNet network In addition an OFFLINE indication is displayed on the element Element in slow motion Element in fast motion With the lasso selection you can select elements or select transitions to perform slide or slip actions To select with the lasso left click the mouse in the Lasso Selection area and drag it over the elements or transitions you want to select Several methods are used to select with the lasso depending on what you need to select and what for IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 For more information refer to the following sections Using the lasso to Section Page
241. uration of the local server it will not open e f the timeline is not on the local server you will be asked to make a local copy of the timeline definition before the timeline is loaded HOW TO OPEN A TIMELINE VIA THE LSM ID FIELD To open a timeline via the LSM ID field of the timeline proceed as follows 1 Type the LSM ID of the timeline in the LSM ID field of the Timeline pane 2 Press ENTER The same checks as for the drag and drop action from the Browser are performed COPYING AND MOVING A TIMELINE INTRODUCTION When you copy or move a selected timeline IPEdit copies the timeline definition and if requested the timeline elements on the selected server 67 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 You can copy or move a timeline from different places in IPDirector e From the Database Explorer in Timeline or Bin views o by selecting the Copy Move Timeline command in the contextual menu in the grid o by dropping a distant timeline to the Timeline pane in IPEdit o by dropping a timeline stored on an EVS server from the grid to another EVS server in the Timeline branch of the tree view In this case the Copy Move Timeline window is simpler than shown below e From the Browser pane in IPEdit in Timeline or Bin views o by selecting the Copy Move Timeline command in the contextual menu in the grid o by dropping a distant timeline from the
242. urce channels are sent to the output channels of the timeline element a1 on G1 a3 on G2 a2 on G1 a4 on G2 a3 on G2 a5 on G3 a4 on G2 a6 on G3 a5 on G3 a7 on G4 a6 on G3 a8 on G4 a7 on G4 are muted a8 on G4 are muted Si Note If you position the mouse on the G3 track the a1 source channel is sent to the a5 output channel as so on In this situation the channels of the source tracks G3 and G4 are muted in the timeline AUTOMATIC MUTE DEFINITION DESCRIPTION When you mute one more or all channels of a track on the source media loaded on the Player these channels or tracks will be muted once the source media is added to the timeline IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 13 5 MANUAL SWAP DEFINITION IN THE GENERAL DISPLAY MODE DESCRIPTION You can swap one or more channels of one or more elements selected on an audio track when you are in the general timeline display In this case the swap is applied to the swapped channels from the IN point to the OUT point of the selected elements You can define such a swap in the Swap Mute Configuration window accessible when right clicking a given audio track of the selected elements and selecting Add Swap Mute EXAMPLE Initial Situation The timeline audio configuration is 4 tracks of 2 channels You want to play the channels a3 and a4 G2 track of the source media on
243. usly loaded record train E E e Change on the fly by right clicking the button and select the requested recorder channel R e Pause the record trains by clicking the kb 4 button Then right click the same button and select the requested recorder channel 35 Issue 5 9 B 4 1 Time Code IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 4 Timeline OVERVIEW OF THE TIMELINE ELEMENTS The following screenshot highlights the various areas in the Timeline pane The various buttons are shortly explained in the subsections Timeline Time Code Fields 1 E pes Fields I Transport Edit Command Transition Command Effect Bar Bar E s Vii Va Ye Yt Y Fez Ya Ya e WR FE TEH l o L gt e aD 00 00 06 05 ADL TL 102506 007 340 31 01 00 01 49 0 se 2 eco nat 10 08 14 29 37 03114 39 29 14 114 39 31 13 14 39 114 39 2914 el Leon s 14 29 37 03 14 39 29 19 14 39 31 13 14 33 114 39 2914 4 1 1 36 L PI Selection ires Timeline Scale Bar amp Audio Level Swap Buttons Buttons Display Move Bar amp Mute Buttons TIMELINE NAME AND IDS The Timeline Name and LSM ID fields display the name of the loaded timeline and its ID on the XNet network TIMELINE NAME Characteristics The Timeline Name field contains a maximum of 32 characters It is not mandatory Contextual Menu from Field Right clicking this f
244. ut no OUT point WAYS TO LOAD TRAINS You can load a record train by dragging and dropping the train from one of the following locations to the Player e from the Browser in IPEdit from the Clips grid e from the Database Explorer from the Clips grid e from the Channel Explorer e from the History list of a Control Panel IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 10 5 3 10 6 WAYS TO LOAD LOGS When a log is dragged to the Player this loads either the protect media clip or the associated record train if still available on the server If no protect media or associated train exists the log cannot be loaded to the Player You can load logs by dragging and dropping them from one of the following locations to the Player e from the Browser in IPEdit from the Logs grid e from the Database Explorer from the Logs grid e from IPLogger CHANGING THE CAMERA ANGLE Clip Loaded on the Player When a clip is loaded on the Player and belongs to a group of linked clips you can easily load the linked clips as follows t e Press UP ARROW a to load the previous linked clip at the same TC e Press DOWN ARROW to load the next linked clip at the same TC Record Train Loaded on the Player When a record train is loaded on the Player you can select another recorder on the XNet network This record train will be loaded on the same TC as the previo
245. utput the signal 3 Repeat the step 2 for each output channel you want to have in your replaced media 4 Click Apply to save the Replace settings AUDIO GROUP TRACK MUTE Select audio group tracks that will be muted during the replace process between marki and markOUyy B Follow track selection selected track will be muted Ju Ge BG Narr 197 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 Introduction This setting makes it possible specify which audio tracks should be muted during the Replace process It is possible to either mute the tracks selected in the timeline track selection In this case check the Follow track selection check box force one or more stereo audio tracks to be muted whatever the timeline track selection In this case check the check boxes corresponding to the tracks to be muted 4 15 5 How To RENDER PART OF A TIMELINE USING THE REPLACE FUNCTION Before you can use the Replace function ensure that you have assigned a recorder to IPEdit See section 4 15 3 Assigning a Recorder Channel to IPEdit on page 190 To replace a part of a timeline proceed as follows 1 2 198 Right click the timeline display and select Replace Settings In the Replace Settings window define the requested settings as explained in section 4 15 4 on page 191 and click Apply to confirm the changes In the Timeline T
246. values of the profile CONVERTING A PLAYLIST INTO A TIMELINE PRINCIPLES The conversion from playlist to timeline follows the below mentioned principles e The conversion is only possible on the local server where the playlist is stored e The conversion cannot be cancelled e When a target LSM ID is specified but not available the conversion will not be done and an error message Is displayed e f an error occurs during the conversion it will be displayed in the global status bar of IPDirector CONVERSION METHODS You can convert a playlist to a timeline from different modules e In IPEdit by dragging a local playlist from the Browser to the Timeline pane e n the DB Explorer by selecting the Convert to Timeline command from the contextual menu in the playlist grid e n the Playlist Panel by selecting the Convert to Timeline command from the Playlist contextual menu Performing one of these actions opens the Make Timeline Online window 63 Issue 5 9 B IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 MAKE A TIMELINE ONLINE WINDOW The Make Timeline Online window opens in IPEdit when you drag an online playlist to the Timeline pane in order to convert the playlist to a timeline Timeline name JPL PE U414b Timeline varlD PARE Destination LOM ID 2 THC Track lan zd Configuration I audio track of 4 mono channels 2 audio tracks of 2 mono c
247. w you can define the transition effects to be applied to the transition next to the nowline or to the transitions between the mark IN and mark OUT points REMOVE TRANSITION EFFECT grey icon Clicking the Remove Transition Effect button deletes the transition effects defined on the transition next to the nowline or on the transitions between the mark IN and mark OUT points 4T Issue 5 9 B 4 1 5 4 1 6 48 IPDirector Version 5 9 User Manual Part 8 Editing IPEdit EVS Broadcast Equipment January 2011 APPLY VIDEO AUDIO TRANSITION ErFECT TO NEW ELEMENTS When the VFX check box 1 1 is selected the last transition effects defined will be added to the video track of any new element added to the timeline F VEX When the AFX check box LL is selected the last transition effects defined will be added to the audio track s of any new element added to the timeline LOCATOR BUTTONS eo e oS The Go To Next Locator button makes it possible to move to the next locator defined in the timeline b J e Le LJ The Go To Previous Locator button makes it possible to move to the previous locator defined in the timeline For more information on locators refer to the section 4 16 TRANSPORT COMMAND BAR AND TRANSPORT RELATED FUNCTIONS CHDI Ic The Transport Command bar provides access to the main transport functions The command buttons are enabled when a timeline is loaded Other transpo
248. w on the Insert Overwrite and Match Frame Replace functions The various ways to use these functions will be further explained in the chapter 4 Timeline on page 36 INSERT FUNCTION The Insert function adds the media in the timeline without overwriting any media already included in the timeline It inserts the media in the selected position and pushes further right the existing elements of the timeline placed after this position OVERWRITE FUNCTION The Overwrite function adds the media in the timeline overwriting the media already included in the timeline from the selected position In other words the media in the timeline will be removed by the duration of the added media IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 3 7 4 3 7 5 MARKING THE MEDIA TO BE ADDED TO THE TIMELINE The portion of media added to the timeline depends on the IN and OUT points or on possible new mark IN and mark OUT points defined e f the user adds a clip element to the timeline without defining a new mark IN and new mark OUT points to the clip loaded in the Player the clip is added to the timeline from its original IN point to its original OUT point e f the user adds a clip to the timeline after having defined a mark IN and or a mark OUT point to the clip loaded in the Player the clip will be added to the timeline from the mark IN point to the mark OUT point if both
249. ween the marks are taken into account for the selection e f no mark IN OUT are defined all relevant elements on the selected tracks are taken into account for the selection IPDirector Version 5 9 User Manual Part 8 Editing IPEdit Issue 5 9 B EVS Broadcast Equipment January 2011 4 5 4 5 1 PLACING MEDIA IN THE TIMELINE APPLICABLE PRINCIPLES The following principles are applicable when you want to place media in the timeline MINIMUM CLIP DURATION The media you place in the timeline or generate after editing actions needs to have 3 frame duration at least However consecutive clips of less than 10 frames can lead to a freeze during playout In this case it is recommended to consolidate the small clips into a single clip using the Replace function For this reason the user is warned as follows when consecutive clips of less than 10 frames are detected in the timeline e A red triangle is displayed on the timeline to indicate the presence of consecutive small clips e The following warning message is displayed in the message bar INSERTED MATERIAL DEPENDING ON ELEMENT TYPES You can place a whole clip XT clip growing clip or protect media as well as a portion of a clip or record train e When you add a clip with the initial IN and OUT points or a portion of it with mark IN and mark OUT points to the timeline the guardbands and the non selected portions remain available in the timeline for fur

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