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1. Figure 2 12 Connecting a Marquee Signal Switcher Connecting Multiple If you are using more than one Marquee Signal Switcher daisy chain the RS 232 Switchers switcher inputs outputs together to form a complete network of inputs accessible from the projector you can network up to 9 switchers and connect Switcher 1 to the projector as shown in Figure 2 12 In addition connect the RGB output from each switcher to its matching slot on switcher 1 for example connect the RGB output from switcher 2 to slot 2 on switcher 1 and the RGB output from switcher 3 to slot 3 on switcher 1 Note that slots used in this manner on switcher 1 are no longer recognized as inputs to the projector if you select a slot location that is connected to another switcher s RGB output the projector will display the no input Ps Multiple projectors can be connected via the serial port inputs on the input panel for 2 3 Serial Port control using serial communication commands otherwise known as RS 232 Connections Connection Located just below the video decoder module are two 9 Pin DIN connectors dedicated to serial communication Using the appropriate serial communication cables see Appendix D connect the controlling source PC to the RS 232 IN connector NOTE A third RS 232 serial port located on the main input panel of the Electronics Module is intended for future use only 2 8 User s Manual OVI input Mo d
2. Canceling Brightness Uniformity Examine test pattern Adjust light outputin each zone as required matching center zone Do corners last Recommended 0 40 for edges 0 80 for comers If you don not want to use or apply Brightness Uniformity settings delete the checkmark from the Uniformity Enable checkbox at the top of the Brightness Uniformity menu User s Manual 3 51 OPERATION Ms Occasionally the projector may encounter an error condition that interrupts normal 3 8 Error operation These can be caused by invalid user entry an input signal error most Conditions common or some other system error If you would like to be notified on screen of such errors select the Screen option from the Display Error Messages pull down list in Menu Preferences menu If you would like to be notified via a serial communication only select the RS 232 option instead To receive both notifications select All To disable error messages except for invalid user entries select Off User Errors Invalid User Entry Any keypad entry not recognized by the projector will trigger an on screen error message describing the problem For example if you specify a channel number that has not been defined the message Invalid Channel will appear Or if you try to enter the wrong password you ll see Invalid Password Press or to confirm the message and eliminate the message bo
3. SPLIT NETWORK Enter a checkmark if you have a network in which each projector is connected via both its RS 232 and RS 422 serial ports Figure 3 24 Option A At each projector serial communications will then remain on either its RS 232 or RS 422 path depending on the controller rather than being broadcast to all 3 remaining serial ports Should a projector or path ever fail the other path will be available as a back up The Split Network feature is unnecessary when only a single serial link is connected between any two projectors Figure 3 24 Option B and will cause communication errors if these single links vary from RS 232 to RS 422 anywhere in the network Likewise if you have two serial links connected between any two projectors failure to use the Split Network checkbox can also cause a communication error Communications Communications a Baud Rate 115200 x doo BR pao __ gt i Baud Rate 115200 z E Reker a as a pales pas RS ni Wired Keypad AoE 6 Projector 0000 5 Broadcast Key 0 6 Projector 0000 Ot mp 7 Split Network Sp t Network O OFF Cable Connections Cable Connections RS422 RS422 FS 422 p1 P2 P3 rs232 _isae RS 222 RS222 on Pt P2 P3 ee a ee Sa J lt _RS422 _ RS422 J RS422 1 e5 PA P2 P3 C RS222 RS232 t
4. 3 2 User s Manual Electronics Module EM The EM module is mounted to the tray and contains all the main electronics and input connectors of the projector Main Input Panel All source connections are made to the main input panel NOTE The connectors located on the input panel vary between projector models See Section 2 Output Panel The output panel includes connectors that connect internal cables between modules of the projector See Installation Module for Connections Diagram Auxiliary Fan Connector A connector exists on the side of the EM that can be used to connect a separate cooling fan useful in applications where the projector is mounted within the confines of an enclosure eg cube Refer to Appendix D for pinout information Status and Power LEDs Two LEDs are located in the lower right corner of the main input panel which indicates projector Status top and Power bottom During normal operation the Power light is steady green and the Status light flashes green each time a key is pressed on the keypad or the projector receives a serial communication command Use the following as a guide STATUS LED Off Normal Steady Yellow Initializing Single Green Flash Command Received Sing e Yellow Flash Wro ng Protocol Continuous Yellow Fash Expired Lamp Red amp Yellow Pattem System Error POWER LED Off Projector Unplugged Steady Yellow Powered Down Steady G
5. A protocol for either type of remote keypad IR or wired can be changed A remote can be changed manually by hard wiring new jumper settings inside the keypad so that they remain in effect until you change the hard wiring Note that a hard wired protocol can be temporarily overridden by the software protocol change effective until the keypad is unplugged and plugged in again if a wired remote or until a battery is removed if an IR remote Remote Keypad Protocol IR or optional Wired Keypad Piet is set Protool Gs zat n Eyer ethane F MERN In eee yer SI Figure 2 16 Independent Keypads and Projectors The standard IR remote keypad or the optional wired remote can be set to one of two different protocols A or B To hard wire a protocol to A or B in either remote follow Steps 1 through 5 Step 1 Unplug the keypad from the projector applies to wired remote only Step 2 Unlatch and open the empty battery compartment on the back of the keypad as shown in Figure 2 17 NOTE A wired keypad opens as shown but a cable passes through the battery compartment cover Batay CMe ein Figure 2 17 Opening the Keypad Step 3 Find the 4 jumpers located along the latching side of the battery compartment These jumpers set the keypad protocol and other settings so that the keypad functions in a certain manner Step 4 Set the J umpers Set the jumpers as shown in Figure 2 18 Refer to the c
6. setting is high enough to keep the corresponding lamp power NOTES 1 Lamps become more stable over time thus a specific intensity is more easily maintained as the lamp ages 2 Intensity can be set only if the lamp is in Intensity mode 3 Intensity cannot exceed the output of Max Brightness mode LAMP HISTORY This read only option lists the most lamps most recently installed and recorded in the projector Lamp History automatically updates whenever you record a new lamp serial number the new lamp is added to the bottom of the list Change Lamp to record the serial number for a newly installed lamp In the Lamp S N window use the number text entry keys to record the new lamp serial number and press again to accept the change See Using Slidebars and Other Controls if you need help entering the number Once entered the new lamp serial number will be added to the Lamp History menu and the Lamp Hours timer will reset to 0 Lamp Mode and Lamp Limit remain as they were for the previous lamp and can be changed at any time NOTE Enter a serial number only if you have just installed a new lamp This will help ensure that lamp timer is not reset on an old lamp and that the number of hours logged on the lamp will be accurate A important 4 Always record the serial number of a NEW lamp This read only menu lists a variety of details about the standard and optional components currently in use on the projector Refer t
7. to be see messages via RS232 and RS 422 serial communication only To disable error message display select Off LARGE MENU FONT _ Fnter a checkmark to enlarge menu character size Note On screen menus will be larger and may require you to change the Menu Location to accommodate Communications Use the checkboxes and pull down lists in the Communications menu to alter the methods or types of communication to and from the projector Refer to Using Slidebars and Other Controls subsection if you need help NOTE Changes made to the Communications menu will be saved when you exit the menu User s Manual 3 35 OPERATION MO Communications Baud Rate 115200 gt Frot IR Wired Keypad og Broadcast Key 7 Projector 0000 Split Network O roi Nampo Figure 3 23 Communications Menu BAUD RATE The baud rate setting determines the speed of communication to and from the projector By default the projector baud rate is set to 19200 Setting the correct speed is important when you are controlling the projector with an external device such as a computer or another projector via an RS 232 or RS 422 port You must set the projector baud rate at these ports to match the baud rate of the controlling device If you are unsure about what baud rate to choose refer to the documentation for the controlling device In an existing network if you discover that a projector has the wrong baud rate mak
8. 8 Bottom Right Comer 9 Overall Color Enable Status 1 Max Brightness Lamp Hours 2 Intensity Lamp SIN 3 Power Lamp Hours Lamp Counter 1 Lamp Message a Projector Hours Native Resolution 2 Lamp Limit Lamp Histo 3 Lamp Mode SN Hours Chan Name Syne Type 4 Power 1234 1999 Chan Num H Syne 5 Intensity 5679 23 Switcher V Syne 6 Lamp History Slot Interlace 7 Change Lamp IPM Software User s Manual F 2 A Anamorphic 3 19 Arrow Keys 3 5 Auto Input Level 3 30 AutoSource Checkbox 3 17 B Back IR Keypad 3 36 Bad Sync 3 52 Ballast Module BM 3 2 Blacklevels and Drives 3 30 Brightness Key 3 6 3 24 Broadcast Keys 3 37 Broadcasting 3 6 3 46 C Channel Locked 3 16 Name 3 16 Number 3 13 3 16 Channel Copy Delete 3 15 Channel Edit Menu 3 16 Channel Key 3 4 3 12 Channel Selection 3 13 Channel Setup Menu 3 14 And Enter Key 3 15 And Function Key 3 15 Channels Creating automatically 3 13 Creating in Channel Setup Menu 3 15 Definition of 3 12 Deleting in Channel Setup Menu 3 15 Maximum Numter 3 12 Checkbox Toggles 3 10 Clamp Tip 3 31 Color Enable 3 28 3 31 Color Space 3 25 Color Temperature How to Copy 3 28 Modifying a Setup 3 27 Presets and Factory Presets 3 28 User 3 27 Component Video YPbPr 2 2 Components 1 2 Composite Video 2 5 Extra 2 7 Loop Through 2 5 Connecting a Marquee Signal Switcher 2 8
9. 2 4 19200 Motion J 2nd Level Menu 8 Diagnostics and Calibration 5 Display Slidebars 3 Reserved 5 33 400 9 Reserved 6 Display Error Messages 4 Wired Keypad 6 57600 _NoHeading 3rd Level Options 0 Service 7 Large Menu Font 5 Broadcast Key 7 115200 NOTE While navigating the menus some menu options 6 Projector appear grayed out This indicates that the option is Configuration tems 5 0 T Split Network either not availabe to the projector mode or is not see der page 4 currently enabled For Main Menu items 5 7 see next page User s Manual F 1 MENU TREE Lens Control zm 1 Focus Odd Pixel Adjustment oe 1 Red Odd Pixel Offset etry 1 Number of Rows y Oeno Ji l per 3 ___Geomet 4 Lens Vertical Offset 2 Number of Ghal ERa agit 1 Keystone 5 Intelligent Lens System 3 Projector Row 3 Blue Odd Pixel Offset 2 Lens Control y P J tor Col gt Continued Diagnosties and Calibration 4 Red Odd Pixel Gain 3 Tiling Setup 4 Projector Column z er ee 5 Green Odd Pixel Gain 4 5 Resize Presets 14 Default ky 1 Test Pattem 6 Blue Odd Pixel Gain 5 Test Pattern oF 2 No Resizing S Configuration 2 Freeze Image 7 Color Enable 3 Full Size 1 Image Orientation 3 Color Enable Pap Ghedi 4 Full Width 2 Language 4 Odd Pixel Adjustment 3 Gray16 5 Full Height 3
10. 2 Cleaning and Maintenance eeseseeeesereeseseeeserrresessissresresresresressesresseesreses 4 3 4 3 Replacing Keypad Batteries eeeseeeseeeeseseeeseesesseesresresrrsresresressesseeseenreses 4 5 4 4Replacing the Lamp oeie i ieee E AA RN i E 4 5 4 5 Replacing the Filter cenccecnnrineniearin a i a ia 4 7 4 6 Troubleshooting cs erien e anren pen sic e aiat ee iraia ia 4 7 SI SpecificattonS i pee ee en oe fete ne e aan e e E E aE E 5 1 Appendix Ar Glossary aiei eedt aer enee at eA E RE EEE A 1 Appendix B Keypad Reference eseseeeesereeseereeseerresrrsrrsresresrrsserriesrsrrssresees B 1 Appendix C Auxiliary Fan Connector eessseeseeeeeseeeresresrrsresresresserriesesrresreeres C 1 Appendix D Serial Communication Cables 0 ceeceeeseeeeeeeeeeeeeeeeeeeneeensees D 1 Appendix E Optional Input Modules cee eeceeeeeeneeeneeeseeeeecaeceaecnaeenaeens E 1 Appendix F Th Ment Treenit nee een Wee F 1 NOTE Due to constant research the information in this manual is subject to change without notice 54 017170 03P User s Manual 1 1 Projector Overview Section 1 Introduction The RPMS and CS70 projectors are SXGA single chip projector s based on Digital Light Processing DLP technology by Texas Instruments to achieve high brightness multi media projection These models are specially designed for rear screen and mission critical control room applications The modular design of these projectors provide qu
11. CSC Primary Color Enable 7 lt Entering a checkmark Red Primary pects scales fe may Green Primary color co nols and sets futur Blue Primary default color temp to User F Select Color Temp 6500K Y Red White Level 69 7 ME _ Green White Level 73 3 M Blue White Level 100 EE Lamp Use primary colors ordefauts oonan p mrja Figure 3 33 Enabling Primary Color Adjustment 2b SELECT A USER COLOR TEMPERATURE USER 1 RECOMMENDED Figure 3 34 In the Adjust Primary Colors CSC menu select a User color temperature that you will be defining through your adjustment of primary colors on each projector Choose any of the four User choices but note that User 1 is the default color temperature applied if you add a new source in the future while Primary Color Adjustment is activated instead of the usual default of 6500K applied when Primary Color Adjustment is not enabled As in any color temperature menu white levels for preset color temperatures cannot be changed User s Manual 3 47 OPERATION M Adjust Primary Colors CSC i Primary Color Enable 2 Red Primary 3 Green Primary 4 Blue Primary 5 Select Color Temp User 1 Y lt Recommenied you select 6 Red White Level 90 2 EE _ ee ot 7 Green White Level 90 2 E Sanar arai naa 8 Blue White Level 90 2 EE that way each color can 9 Lamp be added to the mix for the o ther primary co iors Set amp 90 bebra
12. Comer T 9 array Overall 50 0 EE Figure 3 29 White Uniformity Auto Power Up Enter a check mark to enable the projector to automatically power up after losing power to unplugging or a power failure Note that unsaved display adjustments may be lost Diagnostics and Calibration From the Diagnostics and Calibration menu you can access options useful in calibration and setup of an image You can access test patterns enable various colors freeze an image for inspection and access the Odd Pixel Adjustment menu 3 40 User s Manual en OPERATION Diagnostics and Calibration T Test Pattern Geomet v Freeze Image 2 3 Color Enable White 7 4 Odd Pixel Adjustment 5 6 Syne Noise Margin I Digital Noise Margin QE Figure 3 30 Diagnostics and Calibration menu TEST PATTERN Refer to description under Configuration COLOR ENABLE Refer to description under Image Settings FREEZE IMAGE Enter a check mark to freeze the currently displayed image Remove the checkmark to return back to normal ODD PIXEL ADJ USTMENT This menu is used when Color Space is __ Ode PixelAdjustment set to RGB only NOTE Enabled 1 Red Odd Pixel Offset 128 M1 agi for Xe models only 2 Green Odd Pixel Offset 145 MEE Orsr Blue Odd Pixel Offset 128 MEN firs Red Odd Pixel Gain 128 EEE Green Odd Pixel Gain 116 MME cain Blue Odd Pixel Gain 128 Color Enable White 7 W
13. Setup menu and press to go to the Channel Copy Delete submenu Select Delete Unlocked to delete all unlocked channels Or select Delete All Channels to delete all channels even those that are locked In either case the current channel will remain but will be redefined from projector defaults User s Manual 3 15 OPERATION MO NOTE For any deletion a confirmation box appears to make sure that you really want to delete Select Cancel default if you don t want to delete after all Editing a Channel Setup The basic setups that describe how and where a channel can be accessed are listed in the Channel Setup menu These channel setups can be edited at any time in the Channel Edit submenu CHANNEL EDIT STEP 1 From the presentation level press to display the main menu To display the Channel Setup menu press 8 or move the highlight to the Channel Setup option and press Ete The Channel Setup menu will appear CHANNEL EDIT STEP 2 To edit parameters shown in the Channel Setup menu select the relevant channel and press Channel Edit Name pres2 Syne Type Digital Number 09 H Syne 63 75 kHz i Switcher 0 V Syne 60 02 Hz 4 Slot 1 Interlace No 5 In Menu E 6 Auto Source T 8 i read only Locked Previous Channel Next Channel Figure 3 11 Channel Edit Menu SAMPLE CHANNEL EDIT STEP 3 If desired edit the following channel setups in the Channel Edit menu e CHANNEL NAME A
14. Toggle Keys 3 5 Two Way Controller 3 4 U User Color Temperatures 3 27 a ENDEX Vv W VCR Checkbox 3 29 White Levels 3 27 Vertical Position 3 22 Wired Keypad 3 36 Video Loop Through 2 5 Video Termination 2 6 3 29 Y YPbPr 3 25 User s Manual Index 3
15. VCR 8 SECAM 6 Color Enable 5 Lamp 3 Green Y Blacklevel 4 Video Termination L 7 Copy From 6 Status 4 Blue Pb Blacklevel 5 Enable Decoder AGC 1 Red 7 Auto Setup enter func 5 Red Pr Input Drive 6 Decoder Luma Delay 2 Green Co 6 Green Y Input Drive 3 Blue p ma 7 Blue Pb Input Drive 1 Name Sync Type 1 Copy g Cane To P S Yellow 2 Number H Syne 2 Delete 9 Color Enable Aak 3 Switcher V Syne 6 Pesk Deiselur 6 Magenta 4 Slot Interlace 3 Delete Unlocked Only T White 5 InMenu E 4 Delete All Channels image Settings 2 6 Auto Source ihe 7 Locked 1 Processing Mode 1 Auto Soue Input Se ection 8 Previous Channel 4 3 ToplLeft 2 Motion Filter 2 Video stat us Power LEDS 1 English P a fe 9 Next Channel erin 4 3 Inset 1 3 Dark Interval 3 GraphicsIHDTV a 4 Lakers 4 3 Inset 2 4 Invert Stereo3D 4 Minimum Delay 5 White Boost 5 Advanced 10 Bit ADP A z z Inverted Front 4 Deutsch harp 6 PLL Loop Gain manes D Configuration 4 Inverted Rear 5 Italiano eee 1 Off Noi i as 16 9 Inset 2 7 Noise Reduction 1 Image Orientation 2 Screen 8 Horizontal Filter 2 Language ae 3 Rs232 Vertical Filt 3 Menu Preferences H MenuPreferences 4 All Jt ed Video 4 Communications 4 Meru Location 1 1200 Video 5 Geometry 2 Horizontal Shift 2 2400 Film Ist Level Menu accessed from Main Menu lh eng 3 Vertical Shift 1 3 9600 Graphics 7 AutoPowerUp lt 4 Display Channel List
16. allows for quick and easy access to various components during operation and servicing Listed below are the main prong modules of the projector S and a brief description about their function and features Ballast Modu Projector Head Module PHM The PHM module containing the light engine contains the main y 6 Axis Adjuster N optical components of the includes cradie projector It also provides NEn all the electrical interfaces Output Panel to drive the DMD and Auxiliary Fan Connector colorwheel The lamp Figure 3 1 Projector Components lens all internal optical RPMS 500Xe shown prisms lenses and DMD colorwheel IR sensor and cooling fans are located in this module For lens vertical configurations the PHM and cooling duct are the only components that must be flipped NOTE Refer to the Installation Guide supplied in the User s Kit for instructions on changing projector configuration Lamp and Filter The projector uses a 500W Xenon lamp which can be adjusted through software to maintain a constant level of brightness It is located on the PHM and can be easily replaced on site within a few minutes without having to disassemble the entire PHM to access The filter is also located on the PHM module and is typically replaced when replacing the lamp See Section 4 Replacing the Lamp and Replacing the Filter for replacement instructions User s Manual 3 1 OPERATION
17. an HDTV image is wider than both 1024 and 1280 and will be cropped on the sides or in the case of 10801 HDTV cropped at top and bottom too With No Resizing signals with 3 18 User s Manual OPERATION non square pixels such as video connected to INPUT 3 or INPUT 4 produce distorted images that are too tall or too wide See below e SELECT FULL SIZE to use all pixels for displaying the image regardless of source or original aspect ratio See right NOTE SXGA For all sources resolution shown 1024 Image 1280 e SELECT FULL WIDTH to fill the screen from left to right for displaying the image The top and bottom of the image may appear black similar to a 16 9 image EXAMPLE 820 1280 e SELECT FULL HEIGHT to fill the screen from top to bottom for displaying the image The left and right areas of the image may appear black EXAMPLE Full Height G 1024 e SELECT ANAMORPHIC to display an entire non Anamorphic G HDTV wide screen anamorphic image in its native 16 9 aspect ratio Known as letterbox the For non HDTV anamorphic image will fill the screen from left to right but will not use all vertical pixels available top and bottom will be black If you do not choose Anamorphic when a non HDTV anamorphic image is present the default image will be stretched vertically 1280 characterized by obvious distortion and thin i as NO
18. and detail 2 Ifyou are using a BNC T connector try using a distribution amplifier to boost signal levels 3 Is the video input signal properly terminated Set in Image settings Video Options menu 4 The screen size may be too large As screen size increases magnification increases reducing brightness and clarity See lens specifications in Section 5 5 The source input signal may be of low quality Try another source Colors in the display are inaccurate 1 The color tint gamma color space and or color temperature settings may require adjustment Review all settings See also Section 2 for descriptions and instructions 2 Check cable connections Make sure Red is red etc The display is not rectangular 1 Check leveling of the projector If necessary try relocating the projector or screen so that the lens surface and screen are approximately parallel 2 The Vertical Stretch option may need adjustment Also check pixel tracking 3 Turn keystone to 50 0 The display is noisy 1 Display adjustment may be required Adjust pixel tracking phase and filter Noise is particularly common on YPbPr signals from a DVD player 2 The video input may not be terminated Make sure the video input is terminated 75Q If it is the last connection in a loop through chain the video input should be terminated at the last projector only 3 The signal cables carrying the input signal may be of poor qualit
19. center of the image lies in relation to the total number of pixels available vertically This varies widely according to the signal watch the image while adjusting Top Bottom Left or Right Blanking By adjusting these options you blank turns to black the top bottom left or right edge of the image so that any unwanted information is cropped from view For example when displaying native size video you may want to blank out a few of the top lines PLL Loop Gain This control changes the relative offset to the default gain The default PLL Phase Lock Loop Loop Gain setting of 10 is set automatically with a Pixel Tracking adjustment and is correct in most cases In rare instances such as if your image exhibits tearing or flag waving increase the PLL loop gain setting as necessary Or if your image is unstable and breaks up this may indicate that the PLL loop gain setting is either too high or too low PLL Loop Gain affects the current channel only Keystone Adjust the Keystone slidebar if images appear non rectangular in shape NOTES 1 Keystone is enabled for a source only if Size is 1000 and Size x Vertical Stretch in Size and Position Menu is 1 000 000 2 Keystone adjustments are not available to RPMS 500XeF models en OPERATION Generally set at 50 default to apply no keystone if your projector is positioned with its lens surface parallel to the screen images will be rectangular If im
20. computer or controller to issue commands use the correct RS 232 software command to broadcast Matching Colors of The main objective when setting up a videowall is to try and precisely match image Multiple Projectors color and brightness from screen to screen so the wall appears seamless This requires adjustment of the various options in the Adjust Primary Colors CSC and Brightness Uniformity menus To match screens in a videowall do the following NOTES 1 Look only at the center of the screen when performing this procedure 2 A color meter may be used but is not required to successfully perform this procedure 3 Refer to the on line hints for additional guidance during adjustment 4 Color matches are optimized for graphic sources If using video sources with over adjusted primary colors you may notice a slight posterized or banded effect in images 5 It is recommended that you look at your primary colors again after installing a new lamp Step 1 Preliminary Setup 1a Setup and optimize all projector settings It s not important to setup color temperature at this point It is however important to try and get all other projector settings as close to perfection as possible Also make sure the edges of adjacent screens are close to one another 1b Assign projector ID numbers Make sure each projector is assigned a unique 3 digit number This will give you the freedom to switch between communicating to one projector
21. copy the current channel press to cancel and return to the previous menu Copying channels is a quick method for creating numerous channels each of which can then be edited and adjusted for a variety of presentations in the future Channel Setup 01 BA 0 3 15 73k 59 94 02 EA 020 33 75k 60 00 03 B A 0 2 45 00k 60 00 func y iaa Channel Copy Delete 1 Copy lt Enter gt Edit lt Funo gt more options Channel Setup 2 Delete 01 BA 0 3m 15 73k 59 94 02 BA 0 2 33 75k 60 00 3 Delete Unlocked Only identical 03 EB fA 0 2 45 00k 60 00 4 Delete All Channels toChan03 gt 04 A 0 2 45 00k 60 00 lt Enter gt Edit lt Funo gt more options Figure 3 9 Copying A Channel TO DELETE A CHANNEL highlight the desired channel in the Channel Setup menu then press to activate the Channel Copy Delete submenu Select Delete and press Exe a confirmation window will appear to make sure that you really want to delete this channel 01 BA 0 3 15 73k 59 94 02 A 0 2 33 75k 60 00 3 03 EA _0 2 45 00k 60 00 func J7 Tikt 85 034 lt Enter gt Edit lt Funo gt more options Channel Copy Delete 1 Copy Do you wish to delete this channel setup 2 Delete Cefau it gt Delete Channel Setup Cancel 3 Delete Unlocked Only 4 Delete All Channels Figure 3 10 Deleting a Channel TO DELETE MULTIPLE CHANNELS highlight any channel in the Channel
22. from the lens hits the optical mirror and is then projected onto the rear screen The following components are shipped with each product Ensure you have received these components with your product Each RPMS projector is shipped with an approved 120V AC line cord Each purchased RPMS system is provided with a User s Kit 38 804809 01 which contain the following items User s Manual 54 017170 xxP Installation Guide 54 017171 xxP O IR remote keypad with batteries The CS70 display cube is shipped with the projector the cube enclosure the optical mirror and all internal harnesses connected It also contains a package of the following hardware components required for cube to cube cube to base and screen mounting 8 5 16x3 4 screws 2 5 16x1 34 8 5 16 18 hex nuts 8 split lock washers and 16 flat washers 4 1 mm nylon spacers have also been included that are required for screen spacing Each purchased CS70 display system is provided with a User s Kit 38 804816 01 which contains the following items User s Manual 54 017170 xxP Installation Guide 54 017178 xxP IR remote keypad assorted ball drivers 9 64 7 64 allen key 5 64 lint free cotton gloves Additional User s Kits can be purchased through Christie RPMS 500Xe XeF User s Kit 38 804809 01 CS70 500Xe XeF User s Kit 38 804817 01 occ o Whether the projector is under warranty or the warranty has expired Chri
23. function menu but rather begin an automated process of optimizing critical display parameters such as size position pixel tracking etc Once you have a function menu displayed navigate in a similar manner enter a menu option number for any numbered option or use 4 to move the highlight and press at the desired option Extra long menus have a scroll bar on the right use the arrow keys to see the remainder of the menu Items that are locked out or do not pertain to the current action appear dimmed and cannot be selected NOTES 1 If there is no signal present all source dependent adjustments are disabled 2 After 15 minutes of inactivity the projector leaves the menu system and returns to the presentation 3 The Status menu is read only When finished with a function menu do one of the following e Press to return to the previous screen e Press to leave the menu system and return to the presentation On line Help If at any time you are uncertain what to do next press to display detailed information about the current menu or highlighted option A scroll bar appears on the right hand side of a help window if there is additional text use the arrow keys to scroll Press again to exit At the bottom of some menus a line of hint text also appears From presentation level press to access general Help Topics Scroll as necessary within a topic Press to return to your presentation 3 8 User s Manual en OPERATION Ti
24. it 9 ColorEnable White v 5 Cyan matches the color 0 Peak Detector C _6 Magenta gt temperature of the internal test patterns PEAK DETECTOR Enabling the Peak Detector activates a special operating mode that detects only pixels that are considered black or white all other levels are displayed as a mid level gray When used with a 16 step grayscale pattern where the black and white bands are known to be at the edges of the image you can watch User s Manual 3 31 OPERATION 3 32 User s Manual these isolated areas while adjusting individual blacklevels and input drives Images from this source will then display correct blacks and whites without crushing See Figure 3 20 1 Display a 16 level grayscale test pattern from the desired external source and enter a checkmark in the Peak Detector checkbox NOTE The Peak Detector will render all but the black and white side edges as a uniform gray field 2 Display one primary color use Color Enable to select 3 For the current color adjust its corresponding Blacklevel slidebar just until a single band of black appears at one edge of the screen This band represents the first band of the grayscale pattern which should be 100 black Do not adjust too far 4 With the same color still active adjust its corresponding Input Drive slidebar Just until a single band of white appears at the opposite edge of the screen This band represents the las
25. percentage of the image that can be projected above or below the lens center without degrading the image quality Vertical offset ranges depend on the type of lens in use and whether or not the image is offset horizontally at the same time The signal that is used by display devices such as projectors to generate an image This term also refers to the output of video tape disk players and computers An optional device that converts NTSC 3 58 NTSC 4 4 PAL PAL N PAL M or SECAM to RGB video A specific type of video signal such as NTSC PAL SECAM This projector can automatically recognize and interpret the incoming standard and display accordingly Screens do not reflect equally in all directions Most light is reflected in a conical volume centered around the line of best viewing Maximum brightness is perceived if you are within the viewing cone defined by the horizontal and vertical viewing angles The color temperature of white used by the projector The area of an image that is white only For example a full white field is an image that is white everywhere A 10 white field is a white area usually rectangular that occupies 10 of the image the remaining 90 is black A high end digital component video signal A high end analog component video signal Sometimes called YUV Component or Y R Y B Y the YPbPr signal by passes the video decoder in this projector See YPbPr The adjustment of image size by means of a
26. the number of hours you expect to log on the current lamp before replacing it NOTES 1 If you change modes over the life of a lamp the lamp limit you originally expected may no longer be possible 2 Turning the lamp on and off can reduce lamp life significantly as will other factors LAMP MODE Use the pull down list and select a Lamp Mode you want to use in order to control the light output Although there are exceptions in most lamps the higher the light output or power setting the shorter the life span of the lamp Use the Lamp Mode that best suits your brightness needs For example in a tiled application you may want to closely match brightness levels between adjacent images choose Intensity for each projector then judge by eye and set each individual intensity setting as necessary see Intensity below Or you may simply always need as much brightness as possible choose Max Brightness Lamp modes are described below e Max Brightness The lamp will always burn as brightly as possible driven by maximum power of 500W Keep in mind that the maximum brightness for any lamp gradually diminishes with age the image will become dimmer over time Its current output level appears in the Intensity option not in lumens e intensity Brightness will remain close to a specified level for as long as possible Once you select this option enter a number representing the intensity level brightness you wish to maint
27. to use Press to select press to cancel If you switch to a projector other than the one you are currently using the checkmark will be deleted To broadcast to multiple projectors press and then again without entering a projector number Keypad commands will then affect all projectors present NOTES 1 The Broadcast Keys option in the Communications menu must be selected for only one any projector in a serial network The keypad in use must be OFF disabled for the remaining projectors See Keypad Protocols and Communications later in this section Pixel Press to access the pixel tracking and pixel phase double slidebar Adjust pixel tracking first use and to increase or decrease the frequency of the pixel sampling clock to correct consistency of the image For proper phase use and to increase or decrease pixel phase so that any shimmer disappears and the image is stable throughout See Size and Position for a complete explanation of tracking and phase 3 6 User s Manual en OPERATION Position Press to move the image using the double slidebar At the slidebar use lt and to move the image left or right use and to move the image up or down Function Key From presentation level press followed by a 2 digit number to enable a specific color or colors in the display For example 6 4 will display only red and green data 6 7 will display all colors data The list of available color combinations is shown below
28. which can lead to an accumulation of intense heat in the touched area and cause the lamp to shatter To clean Moisten a clean lint free cotton cloth with isopropyl alcohol and gently rub the surface of the glass in a circular motion until clean Lamp replacement As required It is recommended that you replace the lamp when you notice a significant change in its performance over a short period of time Filter Replace when you replace lamp Check the filter at 3000 hours to determine the typical accumulation of dust occurring in your environment Typical environments require the replacement of lamp and filter at the same time NOTE The filter must be replaced and cannot be cleaned and reused See Replacing the Lamp and Filter procedure later in this section Adjuster As required Use a clean cloth and remove any dust from the knobs top plate and adjuster tray as required Exterior Module Covers As required Clean dust from external module covers using a clean lint free cotton cloth as required NOTE Before cleaning the modules it is recommended that you install the lens cap This will keep dust particles from settling on the glass surface of the lens Lae eee 4 3 Replacing Keypad Batteries Figure 4 1 Open Keypad Battery Compartment SSS ee ee 4 4 Replacing the Lamp checkbox located in the Lamp menu Adetore you begin It is important that you read an
29. 2 2 User s Manual a SOURCE SETUP JOVI Input Module OVI UT Oi OUTPUT YPbPr signals are also called Component YUV Y R Y BY agente Signals from S V4 Mie YPbPr source Figure 2 3 Connecting Component Video Sources DVI Digital Video Signals The DVI Input module installed in INPUT 2 displays digital video input signals conforming to the DVI Digital Visual Interface standard This is a standard module in Xe projectors only DVI Connection To connect an incoming digital video signal to the projector connect the cable Xe Models running from the source to the DVI input connector at Input 2 the DVI output adjacent to the DVI input connector remains empty If you want to loop the source through to another display device connect a cable from the DVI output connector that was empty to a DVI input connector on the digital display Digital Comp itant F lst Panel Display Figure 2 4 Connecting a Digital Video Input Signal User s Manual 2 3 SOURCE SETUP NOTE The DVI output connector J94 on the output panel is used to connect the Projection Head Module PHM and Electronics Module EM DVI Loop Through To loop a single incoming digital video input signal connected to the DVI input through to another projector connect a cable from the source to the DVI input connector on the main input panel Take another cable and connect it to the DVI output connector adjacent to DVI input and connect
30. C connectors provided on the video decoder module INPUT 4 NOTE 1 Requires Optional Video Decoder module 38 804600 01 2 Not applicable to XeF models Connect S Video sources to INPUT 4 _ choose one inputonly Dil ina Module ov INPUT wioupu Figure 2 8 Connecting S Video Sources To loop a single incoming video input signal connected at the video decoder through to another projector or display device use the empty connector s adjacent to this same input as described below Composite Video Loop Through CONNECTIONS From your source connect a composite video signal to INPUT 3 using either the small RCA plug or the adjacent BNC Connect a second cable from whichever INPUT 3 connector is free to one of the composite video inputs of the next display device or projector Continue this looping method for each projector using User s Manual 2 5 SOURCE SETUP 2 6 User s Manual either the phono plug or the adjacent BNC as input into INPUT 3 then using the other connector as an output i e loop through Whether you use the BNC or the phono plug as input or output depends on the type of cable you have on hand and what type of connectors are on each end From Composite Video source To next projector or previous projector lt O Visa versa p or display device naput Mo dule ov IipUT Figure 2 9 Composite Video Loop Through VIDEO TERMINATION In the Video Options men
31. CS70 display cubes 1896 ot for 0 7611 anl 12 1 fone 19 59 of noir for 078 4 bee 1525 Hhgsse an cantina foe 1211 hore a Se i 31 50 Noe Pe bes amp Lens Vertical contusion For CS70 k 5455 gt 43 62 52 74 43 66 User s Manual 5 3 SPECIFICATIONS Se Safety and Regulatory Compliance 5 4 User s Manual CSA C22 2 No 950 UL 1950 3 Edition EN60950 European Norm Safety of Information Technology Equipment Electro Magnetic Compatibility E M C Emmisions FCC Code of Federal Regulations Title 47 Part 15 Conducted and Radiated Emissions Class A EN55022 CISPR 22 for Information Technology Equipment Conducted and Radiated Class A EN61000 3 2 Induced Harmonic Distortion EN61000 3 3 Induced Voltage Fluctuations Flicker Electro Magnetic Compatibility E M C Immunity EN55024 specific to Information Technology Equipment all parts under which are EN61000 4 2 ESD EN61000 4 3 Radiated Immunity EN61000 4 4 Fast Transient Burst Immunity EN61000 4 5 Surge Immunity EN61000 4 6 Immunity to Conducted Disturbances EN61000 4 8 Magnetic Field Immunity EN61000 4 11 Voltage Dips Short Interruptions and Voltage Variations Immunity Appendix A Glossary This appendix defines the specific terms used in this manual as they apply to this projector Also included are other general terms commonly used in the projection industry Acti
32. Contrast Key 3 6 3 24 Index D Decoder Luma Delay 3 30 Detail Key 3 24 DVI Digital Video Signals 2 3 E Electronics Module EM 3 2 Enter Key 3 5 Error Messages 3 52 Bad Sync 3 52 H Sync or V Sync 3 52 Input Signal Errors 3 52 Invalid User Entry 3 52 No Signal 3 52 System Warnings Errors 3 52 Exit Key 3 5 F Filter Image Adjustment 3 21 Front IR Keypad 3 36 Full Screen 3 18 3 19 Function Key 3 7 H HDTV Connection 2 7 Help Context 3 8 Help Key 3 7 Horizontal Position 3 22 I Image Adjustments 3 17 Image Settings 3 24 InMenu Checkbox 3 16 Input Definition of 3 12 Input 1 Extra Video Sources 2 7 Input 2 2 7 Input Video Black 3 29 Intensity Lamp Mode 3 44 Invalid Channel 3 52 K Keypad Guidelines 3 4 Keypad Protocol 2 10 Keypad Protocol 2 10 3 36 Changing in Keypad 2 10 User s Manual Index 1 INDEX A Index 2 User s Manual Default 2 10 Hard wired 2 11 Keypad IR Remote Description and Use 3 3 Keypad Wired 3 3 3 36 L Recording Serial Number 3 44 Lamp and Filter 3 1 Lamp History 3 44 Lamp Hours 3 42 Lamp Limit 3 43 Lamp Modes Intensity 3 43 Max Brightness 3 43 Power 3 43 Lamp Serial Number 3 42 LEDs Status 3 53 Locked Channel Checkbox 3 16 Luma Delay 3 30 M Main Input Panel 3 2 Menu Advanced Color Temp 3 27 Channel Edit 3 16 Channel Setup 3 14 Image Settings 3 24 Main 3 8 Status 3 44 Men
33. Display Channel option is selected in the Menu Preferences menu You can choose to use a scrollable list of channels when you press J or you may prefer to enter 3 4 User s Manual en OPERATION the desired channel number blind i e without on screen feedback See Menu Preferences later in this section Standby Press and hold for approximately 1 second to blank the display while keeping the projector in a warmed up and ready state Or quickly press and release and follow immediately by or if you want to guarantee the correct toggle useful if you are unsure of the present status Note that the lamp and electronics remain ON in standby mode even though the image turns to black and most functions are disabled To leave standby press and hold again or use Fo Or simply press or Meny Menu Press to display the Main menu A list of several options appears for access to specific functions such as Configuration or Image Settings Press again to remove all menus and return to presentation level Enter Press to select a highlighted item to toggle a checkbox checked vs unchecked or to accept a parameter adjustment and return to the previous menu or image Exit Press to return to the previous level such as the previous menu NOTE does not save changes within text editing boxes including number editing of a slidebars or within pull down lists It acts as a cancel in these cases Arrow Keys The arrow keys have
34. Drive 50 2 E 6 Green Y Input Drive 50 2 9 7 Blue Pb Input Drive 50 2 MT 8 Clamp Tip O 9 Color Enable White _ 0 Peak Detector C Figure 3 19 Input Levels Menu Good RGB or input levels that is the drives and blacklevels for each of the three colors red green and blue ensure that images from analog sources other than decoded video have maximum contrast without crushing black or white By default and in an Auto Setup from the Main menu the projector automatically determines the best input levels by monitoring image content and adjusting the controls appropriately further adjustment is typically not required to obtain proper blacks or whites NOTE This automatic adjustment requires at least 1 white pixel in the image Without a white pixel input levels may produce skewed colors particularly in non video images However for a very unusual source exhibiting overly high blacklevels most often caused by a noisy source that causes blacklevel spikes an experienced user may prefer to use the Input Levels menu see Figure 3 19 These adjustments which are actually a calibration process to compensate for differences in sources and cabling enables an experienced user to perfect the source image input levels Note that Input Levels are of limited use with digital signals but offer some ability to tweak poorly mastered source materials AUTO INPUT LEVEL Keep off for virtually all sources default Temporarily ente
35. ES 1 An automatic channel will be discarded unless one or more of its parameters are changed and will not appear in the Channel List 2 If two channels have the same distinguishing source characteristics except for the reversal of sync connectors i e H sync and V sync are switched they are still defined as distinct channels 3 You cannot define a new channel without a signal present If the incoming signal does match an existing channel the image will be set up and displayed as usual according to the parameters currently defined for that channel USING A CHANNEL You can normally select a channel at any time by pressing Cer If you want to prevent a channel from appearing in this list you must edit the channel as described in Channel Edit later in this section Such a channel can be selected by entering its number or by highlighting it and pressing ENTER see Figure 3 7 above NOTES 1 The current channel is highlighted upon entering the Channel List or if this channel is not displayed in the list the first channel in the list is highlighted 2 Channels created automatically do not appear in the Channel List unless a parameter has been changed User s Manual 3 13 OPERATION MO What Channels All available channels are listed in the Channel Setup menu which describes how Are Defined So Far each channel can be accessed and which serves as the gateway for editing copying and deleting channels From the presentation le
36. GB signals are first connected the projector may not initially recognize them as RGB and will incorrectly decode their color information as YPbPr video These signals can include e RGB signals in NTSC PAL SECAM frequency ranges e Scan doubled sync on green e Scan quadrupled sync on green For these signals change the Color Space to RGB which will define a new channel for future use Color Setup Select this option to gain access to another window that offers options to modify Color Tint Gamma and Color Temperature of an image Color Setup i Color 50 0 TE _ 2 Tint 50 0 p 3 Select Color Temp 6500K Y 4 Interpolated Color 6500K sd 5 Gamma Default 6 Color Temp Setup Note Color Tint and Interpolated Color are not available to RPMS 500XeF models User s Manual 3 25 OPERATION MO COLOR Color adjusts the color saturation level or the amount of color in a video image When set to O the image appears black and white and when set too high the colors appear unrealistic Use lt and to adjust Color until the desired saturation level is displayed TINT Tint adjusts color hue to obtain true color reproduction of NTSC video signals or HDTV signals Use and until the desired balance or red to green is displayed in your image It is best to adjust tint while displaying an external test pattern otherwise it is recommended that tint remain at its default setting SELECT COLOR
37. GB4OOBA Features accepts 3 4 or 5 wire RGB video sync on green composite sync or separate horizontal and vertical sync BNC connectors for RGB signal inputs Buffered signals to a remote destination NOTE The audio connectors are not functional RGB400 Active Loop Thru The RGB400 ALT Input Module may be installed in this projector a Marquee Signal Input Module Switcher or a Marquee Case Power Supply The module receives analog RGB input 38 804607 xx signals from computers or other RGB source devices Video inputs are 75X terminated Video outputs provide buffered loop through to another display device RGB LOOP THRU H ULE RGB4OOALT Features accepts 3 4 or 5 wire RGB video sync on green composite sync or separate horizontal and vertical sync BNC connectors for RGB signal inputs buffered loop through video outputs NOTE The audio connectors are not functional Composite S Video The Composite S Video Input Module may be installed in this projector with a Input Module Marquee Signal Switcher The module receives either composite video or S video 38 804608 xx input signals from tape or disk players do not connect both types of signals simultaneously Video inputs are 75 terminated Video outputs are provided for buffered loop through to another display device unre anne coe Composite S video Features BNC connectors for composite RGB signals 4 pin mini DIN connectors for S Video signals
38. Menu Preferences 5 Syne Noise Margin See page 1 4 ae 6 Anamorphic 4 Communications 6 Digital Noise Margin Color Temp Setup Gay 7 Tiled Full Size 5 Geometry y 8 Tiled Full Width 6 Color and Uniformity Color and Uniformity 7 Black 9 Tiled Full Height 7 Auto Power Up 1 Color Temp Setup ra aa 0 Tiled Anamorphic 8 Diagnostics and Calibration User Lockouts 2 Adjust Primary Colors 0 Col SB 9 Reserved Tooke Artice 3 Brightness Uniformity G ar a 0 Service Saa ES s l a 1 Enable Password Staneby __ Adjust Primary Colors CSC 2 ee Mute Brightness Uniformity 1 Primary Color Enable See page 1 3 UserLockouts Volume AO Ee E y Color Temp Setup 4 Color Temp Setu Proj Select 1 Uniformity Enable 2 Red Primary Pa Gatien Tino Color Enable 2 Test Pattern 3 Green Primary x P Ser Sanip 2 J o Setup 3 Reserved 4 Blue Primary 6 Shutdown If Fan Fails OK Resize Presets 7 Color Wheel Calibration Size A enue a ae rane S Henares Caneel 5 Reserved White Uniformity 6 Red White Level Resetto Factory Defaults 9 Reserved 6 Reserved 1 Left Side 7 Green White Level la pee wee Color Wheel Calibration 7 White Uniformity 2 Right Side 8 Blue White Level Cancel J 1 Color Enable See page 1 See page 1 8 Color Temp Setup 3 Top Edge 9 Lamp 2 Color Wheel Delay Video Options Color Temp Setup 9 Lamp 4 Bottom Edge gt InputLevels 5 Top Left Comer 6 Top Right Corner 7 Bottom Left Comer
39. PRO or all projectors PRO PROJ 3 46 User s Manual en OPERATION 1c Display a 100 white field test pattern on each screen Use of the internal white field is strongly recommended However if you wish to use an externally generated white field set Contrast and Brightness in Image Settings to 50 for each projector Then in the Input Levels menu set input levels correctly for each projector while displaying an external 256 step grayscale 1 Enter a checkmark for the Auto Input Level option 2 Wait for the 6 values blacklevels and drives to stabilize 3 Delete the checkmark and leave the Input Levels menu Input levels are now correct for the source Switch to the external white field for the remainder of this procedure NOTE Avoid using a digital source particularly YUV for the white field 1d Setall projectors to the same Lamp Mode Power or Intensity NOTE Do not try to match perceived light output at this point STEP 2 Establish Starting Point for Color Adjustment 2a ENABLE PRIMARY COLOR ADJ USTMENT In the Adjust Primary Colors CSC menu enter a checkmark in the Use Primary Color Enable checkbox so that primary color controls can be adjusted and applied to the image If at any time you decide not to use or apply the Adjust Primary Colors CSC feature delete the checkmark this disables Red Green and Blue Primary controls and they will appear grayed out in the menu Adjust Primary Colors
40. R MODULE LIGHT ENGINE ELECTRONICS Unrecognized Panel Driver Module PDM Unable to program a device on Panel Driver programming bus 52 Fan 2 failed Low voltage power supply failed to turn on VIDEO DECODER MODULE INPUT 3 OR 4 81 Unable to program the video decoder VDM If you encounter a system error try resetting the projector by powering it off and on again allow proper cooling if necessary Contact dealer factory if error persists 24 25 26 27 34 35 36 37 38 41 42 49 3 54 User s Manual Section 4 Maintenance Eu _ __ Warnings and Labels and Markings Projector Location The projector is an internationally approved product designed for safe and reliable operation To assure complete safety at all times it is important to acknowledge the following precautions while operating the projector WARNING NEVER look directly into the projector lens The high brightness of this projector could cause permanent eye damage a d WARNING Os For protection from ultraviolet radiation wr keep all projector shielding intact during operation CAUTION Installation should be performed by qualified personnel Observe and follow all warnings and instructions marked on the projector A exclamation point within the equilateral triangle alerts the user to important operating and maintenance servicing instructions in the literature accompanying the projector A lightning flash a
41. RMITY SLIDEBARS J UDGE BY EYE OR USE A METER gt O oo G O G O STEP 1 General Setup 1a Adjust primary colors see Matching Colors in Multiple Screens This ensures matched overall color temperatures and light output between screens Ad important Double check that all WHITES and LIGHT OUTPUT are well matched See Step 3f of Matching Colors in Multiple Screens procedure Use a color meter if necessary 1b Enable Brightness Uniformity by entering a checkmark in the checkbox This enables access to the uniformity controls and applies the settings to your image Brightness Uniformity 1 Uniformity Enable 9 Enter Sto enable brightness uniformity r Test Pattem Off 7j options tem 7 White Uniformity 2 Brightness Uniformity 65 1 Uniformity Enable 6 2 Test Pattern Off Y 7 Overall F 3 8 Color Temp Setup 4 9 Lamp 5 6 7 White Uniformity Overall 8 Color Temp Setup 9 Lamp en OPERATION 1c Select the 13 Point test pattern for display This pattern provides 9 screen zones with 13 targets For best results look at the extreme top bottom left right edges of the image instead of the center 1d Select User 1 in the Color Setup window accessed through Image Settings If you have adjusted User 1 primary colors to create a closely matched wall continue to i Step 2a If you prefer maximum brightness rather than a particular color temperature set the User 1 whi
42. RPMS 500Xe XeF amp CS70 User s Manual Table of Contents 1 INTRODUCTION 2 SOURCE SETUPS 3 OPERATION 4 MAINTENANCE amp TROUBLESHOOTING 5 SPECIFICATIONS APPENDICES Contents Page L Projector Overview nics fai tet it agen ae E E aie els 1 1 KX COMpPONeMmts rror PN eee el tee Cee Ne tec a leurs mene oat eats 1 2 1 3 Purchase Record and Servicing cesceecesecesceseeeeeeeeseesseeeseecnaeeaecnaeenaeens 1 2 2A Introduction ins ei et a ei eit ee netstat 2 1 2 2 SOULCE CONMECUONS aeir doneerde cedeesth ie a i e a E eel 2 1 2 3 Serial Port Connections ereenn ar i i i 2 8 24 Power Connect Ons iinei oien e en n e E E E EE EERS EDERA 2 10 2 5 Keypad Protocol vai enri ea at eee ese Ae Ea ae 2 10 Del OVERVIEW nea ea tence al cath teas ee lant A 3 1 3 2 PLOJECLOL B asic Soes enee iaeo agerent eta ea aE S EEEE EE EEE eles 3 1 3 3 Using th Keypad eor i ctad tte dai ek i E E eet oe 3 3 3 4 Navigating the Menus inccr eiei svueecte gendebtendesesececersancoeieelenetds 3 8 3 5 Using Inputs and Chantnels cee eeceeceeeceeeeeeseeeseeeneecaaecsaecaecaeenaeenseee 3 12 3 6 Adjusting an Image and Setting System Parameters ee eeeeeseeeeeee 3 17 3 7 Using Multiple Projectors 0 0 ee eecesceeseeeeeeeeceeseeeaeeeseeceaeceaecsaecnaeenseee 3 45 3 8 Error Conditions oee cond sec ease cutee he ges cs ace ance ever EO E EE E aa 3 52 4 1 Warning and Guidelines ceeceeceseeeeeeeeeeeeseeeseecseecaeecsaecsaecsaesnaeenseens 4 1 4
43. RS232 S on P2 P3 oR e Co Rsa RS422 RS422 rs422 4 pan oa Pai P3 RS 232 nonz Bez NOTE Required fro downloading new projector software Cy to a network Option A Split Network ON Option B Split Network OFF Figure 3 24 Split Network Options NOTES 1 Requires double serial links RS 232 and RS 422 between all projectors in a network 2 Set each projector s Broadcast Key OFF 3 Keypads cannot broadcast in a split network use controller s instead 4 Do not use a split network when downloading new projector software to a network Geometry Select Geometry to access another sub menu with Keystone Tiling Setup and Test Pattern options Geometry 1 Keystone 50 0 0E J Tiling Setup Test Pattern Of vy Figure 3 25 Geometry Menu KEYSTONE and TILING SETUP Refer to description under Size and Position earlier in this section 2 3 4 5 LENS CONTROL This option is not supported by all models and will appear grayed out in these instances 3 38 User s Manual en OPERATION TEST PATTERN Use the pull down list to select and display one of the available internal test patterns Select OFF to turn off the display of a test pattern gt 1 Off Checker Gray 16 Gray 256 White Gray Black Convergence 13 Point Color Bars Geometry bed od medi revit idl acted Sed Color and Uniformity Use the options in this menu to select or adjust Color Temperature Adj
44. Red White Level 100 DDD 4 Green White Level 100 P 5 Blue White Level 100 MD 6 Color Enable 7 CopyFrom 6500K 4 3200K 2 5400K The currentcolor mpera ture gt gt 3 6500K User3 is replaced by the 4 9300K selec fon made Us in Copy From User2 User3 User4 Interpolated Color Factory 3200K Factory 5400K Factory 6500K Factory 9300K SOKO aH Figure 3 18 Copy From To create a starting point To set a starting point for a new custom user color temperature select a user temperature then highlight Copy From and select a temperature that is similar to what you want Adjust white levels from there as desired To use a factory default The preset color temperature setups 3200K 5400K 6500K and 9300K can be altered from within the password protected Service menu only note that although such an alteration changes the setup and appearance for a preset it does not change its name If you suspect that you are using a preset temperature that has been altered and you want instead to use the original factory calibrated color temperature without clearing the entire projector memory you can use the Copy From option in the Color Temperature Setup menu to set up a User temperature with settings from a permanent factory preset 1 Select the User color temperature you wish to update at the top of the Color Temperature Setup menu such as User 2 2 From the Copy From l
45. Size and Position menu when any of the values for Size Vertical Stretch H Position V Position or Top Bottom Right and Left Blanking do not correspond to those for a preset It is not an option in the Resize Presets pull down list e SELECT DEFAULT default for most images This option will center and display your image as large as possible for the present source as described below A graphic image will resize to fill the screen regardless of its original aspect ratio For example 1024 x 768 becomes 1280 x 1024 A video image will resize to fill the screen while still maintaining its aspect ratio assumed to be 5 4 An HDTV wide screen 16 9 image will resize to fill the screen horizontally while maintaining its 16 9 aspect ratio i e there will be black borders at top and bottom commonly called letterboxed A non HDTV anamorphic 16 9 image typical of DVDs will be stretched vertically So with the exception of HDTV 16 9 the Default setting produces an aspect ratio that is either almost or exactly 5 4 See examples below e SELECT NO RESIZING to display the image in its native resolution which may be smaller or larger than the native resolution of the projector All Size Vertical Stretch H Position V Position or Blanking values will change accordingly For example for a source with a native resolution of 800 x 600 No Resizing will center a small image within a black border Conversely
46. TE Use Anamorphic for regaining a 16 9 display of non HDTV anamorphic sources only typically found on some DVDs for example For HDTV the Default setting will produce the same result Resize Presets will appear only when a multi tiled array is defined in the Tiling Setup Menu described later in this section User s Manual 3 19 OPERATION 3 20 User s Manual SELECT TILED FULL SIZE to fill all screens in the defined array with the data from the incoming signal The data will be stretched horizontally and vertically to fill all screens this option does not maintain aspect ratio Tiled Full Size EXAMPLE Column 1 Column 2 Tiling Setup 1 Number of Rows 92 i Fr Size of array 2 Number of Columns 2 4 Projector Column 1 5 2 Number of Columns 2 3 4 Projector Column 1 I J 5 4 Number of Rows 2 seua 2 Number of Columns 2 3 Projector row 2 Identifies projector hows 4 Projector Column 1 f in array 7 5 Resize Presets Tiled Full Height e 1 __Number of Rows 92 E Gidea Projector row 2 J Identifies projector Row2 in array Resize Presets Tiled Full Size SELECT TILED FULL WIDTH to fill all screens from left to right with the data from the incoming signal The data will fill the width of the array leaving a top and bottom black border aspect ratio maintained Best suited for HD
47. TEMP Select Color Temp applies either a preset color temperature 3200K 5400K 6500K or 9300K or any previously User defined color temperature All temperatures are measured in degrees Kelvin and represent the coloration reddish or bluish of the whites displayed by the projector Whites appear more reddish when a low color temperature is selected and more bluish when a higher color temperature is selected INTERPOLATED COLOR Increase or decrease the value of Interpolated Color if you need a specific color temperature somewhere in between two preset color temperatures For example 7841 is interpolated from 6500 and 9300 GAMMA NOTE Gamma does not normally require adjustment and is intended for experienced users only The Gamma option affects the shape of the curve determining what gray shades are available for a given amount of signal input between minimum black and maximum white Different curves can improve performance for certain kinds of source input and applications Generally the best gamma curve is one that produces maximum contrast brightness and color performance for the current signal and ambient lighting conditions DEFAULT default This setting provides good black levels and high contrast under optimum viewing conditions for virtually all types of images including video HDTV and computer graphics ENHANCED This setting elevates middle gray levels compared to Default and provi
48. TV signal Tiled Full Width EXAMPLE Column 1 Column 2 Tiling Setup Projector row 2 M_____ Identifies projector in array J Resize Presets Tiled Full Width Y SELECT TILED FULL HEIGHT to fill all screens from top to bottom with the data from the incoming signal The data will fill the array vertically while maintaining aspect ratio black borders will appear on the left and right of the image EXAMPLE Column 1 Column 2 Row 1 __ Tiling Setup _ SELECT TILED ANAMORPHIC to display a wide screen anamorphic image in a 16 9 aspect ratio Size Size controls both the image width and height in tandem maintaining the current aspect ratio proportion of data from the incoming signal en OPERATION Vertical Stretch Vertical stretch adjusts the height the image while keeping the width constant Use Vertical Stretch to display data from the incoming signal in a different aspect ratio Pixel Track SHORT CUT Press and adjust the top slidebar Pixel tracking adjusts the frequency of the pixel sampling clock indicated by the number of pixels per line so that all pixels generated by a particular source are sampled Proper pixel tracking ensures that the image quality whether good or poor is consistent across the screen that aspect ratio is correct and that pixel phase can be optimized below NOTE By default the projector will sample at the correct f
49. Table 3 1 Table 3 1 Abbreviations for Signal Type Abbrev Signal Type 4WH Composite 4 wire on HC input 4WV Composite 4 wire on V input SG Sync on green SR Sync on red 5W Separate H V 5WR Separate H V swapped SVid S Vid CVid Composite Video 3LH Tri Level on HC input 3LV Tri Level on V input 3LG Tri Level on green E3LH European Tri Level on HC input E3LV European Tri Level on V input E3G European Tri Level on green Dig Digital If you have more than a handful of channels use 42 and to see the remaining channels not visible in this initial display To copy delete or edit any of the channels listed in the Channel Setup menu highlight the desired channel and do one of two things 3 14 User s Manual en OPERATION Copying or Deleting Channels e Press if you want to copy the selected channel or delete this or other channels See Copying or Deleting a Channel below e Press if you want to edit channel setups i e non image related parameters for the selected channel See Editing a Channel Setup below TO COPY A CHANNEL highlight the desired channel in the Channel Setup menu then press to go to the Channel Copy Delete submenu Select Copy and press rte a new channel will be created It is identical to original which still remains but it is identified with the next available number from 01 99 If you change your mind and do not want to
50. Video filter will be applied for RGB non HDTV interlaced signals and the Motion filter will be applied for RGB HDTV interlaced sources 2 STILL VIDEO For static images with no motion such as graphics from a CD Note Applied for RGB non HDTV interlaced signals 3 VIDEO For video images that did not originate from film or for moving computer generated images NOTE Applied for RGB HDTV interlaced signals 4 FILM For video images that originated from film This will optimize image quality and stability 5 NOTES 1 For 60 Hz video standards NTSC PAL M PAL 60 2 Also recommend for PAL video standard if the ADP module is present note that you must select film mode manually in this case 3 Signals can be from RGB video composite video or S video sources 6 GRAPHICS For graphic images 7 MOTION For video images that did not originate from film or for moving computer generated images NOTE Applied for RGB HDTV interlaced signals Dark Interval Not available appears grayed out Invert Stereo3D Not available appears grayed out White Boost Note This option is only enabled when the Brightness Uniformity option in Configuration Color and Uniformity is disabled This option allows you to recapture some of the lost light from the transition between segments in the color wheel when it is spinning Use the slidebar to increase the value of White Boost from 0 to 10 Set at 0 this opti
51. a Delay OPTIMIZES Pixel Tracking Pixel Phase Vertical Stretch Position Input Levels if analog source When working with multiple projectors you may want to use the RS 232 or RS 422 serial ports to chain the projectors together in a network that you control from either a keypad or a computer controller see 2 9 Serial Port Connections Or you may prefer that each projector stand alone in which case you will probably use a single IR remote keypad In either case you can switch back and forth between broadcasting to all projectors or controlling each projector individually Make sure you have assigned a unique projector number to each projector present this number will be required in order get the exclusive attention of an individual projector To assign a projector number Press and select the Communications menu In the Communications menu scroll down to Projector and enter a three digit number 000 to 999 for identifying the current projector Press to accept the entry or to cancel Repeat for each projector using a unique three digit number for each Once every projector has its own number you can begin to control the network User s Manual 3 45 OPERATION MO Controlling One Projector First make certain that only one any networked projector has its Broadcast Keys option selected checked and IR sensors enabled the remaining projectors must have the Broadcast Keys option un
52. a variety of functions depending on the situation Some typical uses are described below See also Editing Text later in this section Use k or to change a slidebar value hold as desired for continuous adjustment note the adjustment increments and range depend on the parameter being adjusted Use lt 2 or to change to a different option within a pull down list without having to display the list first Use lt or to jump between pages such as in Help or lengthy pull down lists Use the or keys to navigate within a menu pull down list or text box or to increase or decrease the value in the second bottom slidebar of a double slidebar You can also use or in conjunction with certain toggle keys i e those including an asterisk symbol to ensure a toggle only in the desired direction If you press and hold it for approximately 1 second in hopes of turning the projector on the projector will actually turn off if the projector was already on Instead to avoid the risk of toggling in the wrong direction quickly press and release normally the function key you wish to toggle in this case Power Then immediately within 2 seconds press either or as desired The specific toggle will occur Toggle keys are labeled with an asterisk on the keypad They are listed below User s Manual 3 5 OPERATION M e Sy aon put the projector in standby mode Soy VoF leave standby e Power turn the projector on Pow
53. ages are too narrow at the bottom increase keystone If images are too narrow at the top reduce keystone The keystone control may be limited when Size is just slightly greater than 1000 In general work with image Size Vertical Stretch and Keystone controls as necessary for your application Plug amp Display EDID By default the Plug amp Display option detects an incoming digital flat panel video signal and displays it in the native 2 1024x768 x120Hz resolution of your projector If you have additional daisy gt 3 1280x1024x60Hz chained projectors they too will display in this resolution If 4 1280x1024x105Hz you want to use a different resolution for example your 5 1600x1200x45Hz graphics card may not support the current resolution select a different Plug amp Display setting from the list see right NOTE Unavailable options appear grayed out Tiling Setup NOTE Enabled for Xe models only Use the options provided in this menu to define Tiling Setup the size of a tiled array also known as a 1 Number of Rows 2 videowall 2 Number of Columns 2 7 eer a Projectorrow 2 i NUMBER OF ROWS Adjust the slidebar until 4 Projector Column 10 the value shows the correct number of rows of 5 Resize Presets Default Y projectors in the array It can be set between the range of 1 to 4 NUMBER OF COLUMNS Use the slidebar until the value shows the correct
54. ain the projector will automatically adjust power as needed to maintain this intensity as closely as possible Note that the intensity value is a correlation only 0 9999 not actual lumen levels possible See Intensity below e Power The power supplied to the lamp will remain at a desired watt level throughout the life of the lamp Once you select this option enter the number of watts representing the power level you wish to maintain See Power below POWER The number shown here indicates how many watts are applied to the lamp Set the power to insert range watts as desired For any model keep in mind that lower power levels produce dimmer images When in Power or Max Brightness modes the power level remains constant When in Intensity mode the power level will change as necessary Specifying the maximum power level in Power mode is the same as operating in Max Brightness mode NOTES 1 Power level can be set only if the lamp is in Power mode 2 If you are in Intensity mode the power level value will automatically increase over time as necessary to maintain the desired brightness as closely as possible until power reaches its maximum 3 If set too low the aging lamp can cause a projector shutdown Upon your next power up lamp power will automatically maximize a message box relates Unexpected lamp off Power set to max User s Manual 3 43 OPERATION 3 44 Use
55. all Note this is not available for all display parameters For example press to access the contrast slidebar immediately Press to return to your presentation NOTE 1 To hide the direct slidebars only make sure the Display Slidebars option in the Menu Preferences menu is unchecked 2 Press and hold the key to toggle the on screen display OFF this hides the entire menu system from view The Size and Position menu allows you to increase or decrease the size of your image change its proportion aspect ratio move the image to a specific area of the screen and refine other related parameters Use Size and Position controls to match the image precisely to the screen size and aspect ratio needed for your application Size and Position 1 Resize Presets No Resizing v Size and Position 2 Size 1000 SS Vertical Stretch 1000 f 1 Top Blank 0 2 3 4 Pixel Track 1600 Pm _ Bottom Blank 0 5 Pixel Phase 0 pj Left Blank 0 H 6 0 7 0 8 2 3 Filter 0 5 Right Blank _ m HPosition 700 M0 PLLLoop Gain 10 C VPosition 545 E Es Keystone 50 0 7 8 l Plug amp Disphy EDD 1290x1024x80Hz 0 More Tiling Setup Figure 3 12 Size and Position Menu Refer to Using Slidebars and Other Controls earlier in this section if you need help using any of the following slidebars or pull down lists to alter your image User s Manual 3 17 OPERATION MO Changes made to the Size and P
56. and Position menu Check adjustments 2 Resizing may need some adjustment Adjust until entire image is visible and centered The display appears compressed or stretched 1 The frequency of the pixel sampling clock is incorrect for the current source 2 Size and position options may be adjusted incorrectly for the incoming source The image appears to drift from good to bad and visa versa 1 The operating temperature of the projector may be fluctuating Watch that the projector is not located too close to heating air conditioning vents 2 The source input signal may be of low quality User s Manual 4 9 MAINTENANCE M Symptom Symptom Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY 4 10 User s Manual 3 The horizontal or vertical frequency of the input may have changed at the source end The display has suddenly frozen or an unknown menu has appeared 1 You may have accidentally entered a special engineering code using the key in combination with certain numbers or you may have selected the Freeze as necessary to cancel the function and return to presentation level A split rolling image has appeared 1 The electronics of the projector require resetting press and then press 9 9 The display is not sharp or clean 1 More display adjustment may be required focus brightness contrast pixel tracking pixel phase
57. and also appears on the back of the IR remote keypad Color enabling can also be accessed through the menu system rather than these shortcuts Fund 6 1 Red Fund 6 2 Green Funo 6 3 Blue Func 6 4 Red and Green Fung 6 5 Green and Blue Func 6 6 Red and Blue Fund 6 7 All colors Et does the same thing NOTE Once is pressed in presentation level the projector will not respond to non numeric entry until 2 digits have been entered or until 5 seconds of inactivity have elapsed Use of the key within the menu system is noted with the appropriate topic elsewhere in Section 3 For example press in the Channel Setup menu to enable deletion or copying of a channel OSD On screen display Press and hold for approximately 1 second to toggle menus on or off i e visible or invisible Or press followed immediately by or to guarantee the correct toggle direction useful if you are unsure of the present status Note that invisible menus are fully functional NOTES 1 With OSD on you can still mute menus error messages slidebars etc with the appropriate setting in the Preferences menu Help Press for detailed information about any current menu and highlight Press again to exit From presentation level press to access the General Help menu consisting of Using Help Setup Keys Source Input Selection and Stat Pwr LEDs Press to leave General Help and return to presentation l
58. ary Color Enable To switch to your primary color adjustments select the proper User color temperature as usual from any color temperature menu Make sure that the Primary Color Enable checkbox is checked e 6500K is the default color temperature if the Primary Color Enable checkbox is unchecked regardless of which User color temperature you chose in Step 6 Canceling a Primary Color Adjustment To disable all primary color adjustments delete the checkmark in the Primary Color Enable checkbox This will disable Red Green and Blue Primary controls and re enable the Gamma control User s Manual 3 49 OPERATION 3 50 Achieving Brightness Uniformity User s Manual As described earlier in this section by adjusting brightness uniformity you are attempting to create a seamless image in which the appearance of red green and blue are the same Also no one area of the screen appears any brighter than another Achieving this smooth overall appearance is important in stand alone projectors but ever so important in videowall displays To adjust brightness uniformity do the following NOTE The procedure assumes you are adjusting a multi screen display A before ou begin Read through the entire procedure before starting and keep in mind the following checklist of prerequisites and guidelines USE PRIMARY COLORS RUN LAMP FOR 100 HOURS SET LAMP POWER USE USER 1 COLOR TEMPERATURE IGNORE THE COLOR OF MENUS USE WHITE UNIFO
59. buffered loop through video outputs NOTES 1 This interface is not a decoder NTSC PAL or SECAM signals must connect to the video decoder installed at INPUT 3 INPUT 4 2 The audio connectors are not functional 3 For use with this projector do not connect both composite video and S video signals to the Composite S Video Input Module connect one or the other even when plugged into a switcher E 2 User s Manual PC 250 Analog Input Module 38 804609 xx Digital HDTV Input Module 38 804611 xx Serial Digital Input Module 38 804602 xx OPTIONAL INPUT MODULES The PC250 Analog Input Module may be installed in this projector a Marquee Signal Switcher or a Marquee Case Power Supply The module receives analog RGB input signals from IBM PC compatibles or Macintosh computers Video inputs are 75x terminated Video outputs are provided for buffered loop through to another display device oka oko O lE o Qurrur NPIT PC 250 Analog Features accepts VGA or MAC RGB video 15 pin D connectors for video active loop through video outputs NOTES 1 This interface does not accept VGA and MAC signals simultaneously 2 The audio connectors are not functional 3 Trademarks are the rights of their respective owners The Digital HDTV Input Module can be installed in the projector at INPUT 2 where it accepts a digital 4 2 2 component HDTV signal YCbCr via a single SERIAL IN BNC connector The signal can loop throu
60. ca and Japan NTSC 4 43 is less commonly used A type of rear projection screen which re directs light through the screen to increase image brightness in front of the screen Screen gain is usually greater than 1 but audience viewing angles are reduced PAL Phase Alternating Line video is a 50 Hz standard with 768 x 576 resolution It is found on some video tape and disk players used primarily in Europe China and some South American and African countries The smallest discernible element of data from a computer generated image The phase of the pixel sampling clock relative to incoming data The frequency of the pixel sampling clock indicated by the number of pixels per line The projector is at presentation level when an image from a source is displayed without the presence of a slidebar menu pull down list or error message The distance between the projector s front feet centers and the screen Also called Throw Distance The type of code format called A or B utilized by the remote keypad s The default protocol set at manufacture is Protocol A By using two different keypad protocols adjacent projectors can be controlled independently with their remote IR keypads A selectable menu item that unfolds into a list of options pertaining to it A translucent panel for screen projection Incident light travels through the incident surface of a rear screen and forms an image on the other surface The abil
61. can Progressive RGB Sync Horizontal Frequency Range VESA15 amp VESA17 Vertical Frequency Range VESA15 amp VESA17 Scan Format Progressive Sync Types Separate H amp V Voltage Range Line Frequency Inrush current Current rating Power Consumption max Type Power Warm up to full brightness 100 240 VAC 50 Hz 60 Hz nominal 60A max 7 3A 100V 2 9A 240V 10 730W max 100V 696W max 240V 410 Xenon Cermax lamp 500 Watts maximum 1 minute 0 76 1 lens OR 1 2 1 lens CS70 uses the 0 76 1 short throw lens Operating Temperature Operating Humidity Altitude Storage 10 C to 35 C 20 to 80 non condensing 0 to 3000 meters 10 to 50 C 20 to 80 RH NC es SPECIFICATIONS Physical Characteristics projector only CS70 Stacking Limits Dimensions Weight without lens including lt 85lb adjuster shipping weight includes packaging lt 115lb Size include lens and 6 axis_ 15 25 depth X 37 5 length X 19 2 height adjuster and tray in lens tolerance 0 25 horizontal configuration CS70 Weight 207lbs without screen 4 display cubes high Ay Display cubes can be stacked up to 4 high the vertical number of cubes stacked must be less or equal to the number of display cubes on the horizontal For RPMS 500Xe and RPMS 500XeF with 0 76 1 and 1 2 1 lens NOTE The lens vertical dimensions apply to projectors enclosed in
62. can be affected by the type of lens in use and whether or not the image is offset vertically at the same time A circular area of a screen where the image appears brighter than elsewhere on the screen A hot spot appears along the line of sight and moves with the line of sight High gain screens and rear screens designed for slide or movie projection usually have a hot spot The Intelligent Lens System describes the ability of projectors having a motorized lens mount to automatically return to lens settings previously defined for a particular channel A physical connection route for a source signal described by a 2 digit number representing 1 its switcher projector location and 2 its slot in the switcher projector Signal sent from a source device to the projector A device such as the Serial Digital Input Module that accepts an input signal for display by the projector A method used by video tape players and some computers to double the vertical resolution without increasing the horizontal line rate If the resulting frame field rate is too low the image may flicker depending on the image content A small push button device for controlling most projector settings and operation For more information refer to 3 3 Using the Keypad A distortion of the image which occurs when the top and bottom borders of the image are unequal in length Side borders both slant in or out producing a keyhole shaped image It is caused whe
63. checked and their keypads disabled do this in Preferences menu The Broadcast Keys projector will then relay keypad commands to the other projectors If using a wired remote make sure to select the Broadcast Keys option for the projector to which the wired remote is connected To work with a single projector press to display an editable window from each projector Enter the three digit number you have assigned to the projector you wish to control All keypad commands will then affect this projector exclusively until you press again and enter a different number or until you switch to broadcast mode below NOTES 1 If you are using a computer or controller to issue commands use the correct RS 232 software command to gain control of a single projector Broadcasting to First make certain that only one any networked projector has its Broadcast Key All Projectors option selected checked the remaining projectors must have the option unchecked and their keypads disabled do this in the Configuration Communications menu The Broadcast Key projector will then relay keypad commands to the others If using a wired remote make sure to select the Broadcast Key option for the projector to which the wired remote is connected On either the IR remote or wired keypad press to display the projector box Press again without entering a number the keypad commands will now affect all projectors NOTE 1 If you are using a
64. ction 4 Communications 4 inverted Rear 5 Geometry 6 Color and Uniformity 7 Auto Power Up O 8 Diagnostics and Calibration 9 Reserved 0 Service Figure 3 5 Example of Pull Down List 3 10 User s Manual en OPERATION Editing Text Editing Numerical Values Or of you prefer to quickly scroll through a list without first pulling it down highlight the option and use lt or gt Press when the desired choice appears NOTES 1 Press 4 or to jump between pages in an extra long pull down list 2 Press while in a pull down list to cancel any change ACTIVATE THE EDIT WINDOW To enter or edit text highlight the desired parameter such as a channel name and press to activate its adjacent edit window Any previously entered text is displayed with its first character highlighted in a square cursor signifying that this character is ready for editing NAVIGATE WITHIN THE EDIT WINDOW Press to move the cursor forward or lt to move the cursor backwards as desired i EDIT A CHARACTER To edit a highlighted character use 4 and IY to scroll through the alphabet numbers spaces and i punctuation available When the character you need appears press to select it i the cursor will move to the next character of a omi vorar GB Ai Poptart fy ANL de aiae wt Rb sat current text if present Note that you can a a nr a also enter a number directly from the Figure 3 6 Entering Text ke
65. d understand all the safety precautions and warnings regarding lamp replacement Before replacing the lamp do the following Power down the projector and allow the fans to run approximately 10 minutes before uplugging the projector Do not touch the glass surface of the lamp Handle the lamp by its handle only Intense heat can accumulate in areas where fingerprints exist These hotspots can lead to an accumulation of intense heat which may result in the lamp exploding Wearing clean cotton gloves when handling the lamp will prevent getting fingerprints on the glass surface Never leave the lamp half inserted into the lamp compartment in lens vertical configurations It could fall out and shatter NOTE The following lamp instructions assume the projector is in the lens horizontal configuration Other than orientation the lamp is removed in the same manner when the projector is in the lens vertical configuration To remove a lamp 1 Power down the projector and allow cooling fans to run for approximately 10 minutes MAINTENANCE 4 6 User s Manual 2 3 4 5 6 In CS70 display cubes the lamp access door can be removed to access the lamp 4 screws Turn the main power switch OFF and unplug the line cord from the outlet Loosen the 4 spring loaded captive screws located on the top plate black with handle a with a 1 Phillips head screwdriver A Grasp the small handle and lif
66. ded or recommended 2 See Appendix E Optional Input Modules for a brief description of each interface You can use one or more external Marquee Signal Switchers or a third party switcher in order to significantly increase the number of sources you can select If you are using a Marquee Signal Switcher connect the switcher s RGB output to INPUT 1 and connect an RS 232 serial communication cable between the switcher and the projector serial port labeled SWITCHER see Figure 2 12 The switcher communication link permanently set at 9600 baud enables you to access inputs connected to the switcher in the same manner as those connected directly to the projector For most other third party switchers connect and access sources according to the documentation provided with that switcher Use high quality shielded cables User s Manual 2 7 SOURCE SETUP NOTE Make sure any Marquee Signal Switcher connected directly to the projector is set as Switcher 1 If it is not unplug the switcher and turn the thumbwheel to 1 before plugging back in and connecting to the projector and or network Dilingut Module From composite a wimpuT p 1ouTpuT video source Mi Connect either Composite or 5 Video to input 1 NOT BOTH 7 Ea NO o a o E o O By fem oO J Cik 9 pi D stye J top connection Or from a he Svideo source lt 4 From switcher lt female
67. des a more gradual rolled off transition to maximum white Together these differences can improve the appearance of many kinds of images HIGH AMBIENT This setting elevates Jow gray levels compared to the Default and Enhanced settings In high ambient light conditions details can be seen in the dark parts of an image that would otherwise be difficult to perceive PAL SECAM This setting results in a darker image with higher contrast The gamma curve more closely matches the official standard for PAL and SECAM video signals NTSC ENHANCED This setting is similar to ENHANCED but results in a darker image with higher apparent contrast LINEAR This setting is a straight linear transition from black to white For normal source signals it results in a picture of low contrast with highly elevated low and mid level grays It should be used only with sources that have their own pre applied gamma control 3 26 User s Manual en OPERATION COLOR TEMPERATURE SETUP Select the Select Color Temp option if you want to apply alter add or copy a color temperature or if you want to use an unaltered factory default color temperature By default the projector can utilize any of four calibrated factory set color temperatures 3200 5400 6500 or 9300 expressed in degrees Kelvin For most applications these temperatures will display accurate and realistic colors from a variety of sources They can be selected at any ti
68. e Color Enable option described below 8 Delete the Auto checkmark and leave the Input Levels menu IMPORTANT Do not use Input Levels to adjust color temperature This will distort Contrast and Brightness functions as well as color temperature CLAMP TIP This option full name sync tip clamping can brighten the image produced from certain high resolution high frequency graphic sources Enter a checkmark if the image appears unusually dim if there are horizontal streaks across the image or if there is significant color drift Delete the checkmark if the image is either sufficiently bright or overly bright NOTE The sync tip clamping option is not used for video sources or any RGB source with sync information on the video e g sync on green COLOR ENABLE Select which color or colors you want to see useful while working with color temperature white levels or input levels NOTES 1 Input levels apply for the current source Input Levels only but for any color 1 Auto Input Level _ temperature used 2 2 Red Pr Blacklevel 50 2 PE Assuming that color 3 Green Y Blacklevel 50 2 PE temperature has been set 4 Blue Pb Blacklevel 50 2 EE 1 Red up based on the internal 5 Red Pr Input Drive 50 2 D i tases ieee pai th 6 Green Y Input Drive 50 2 3 BI est paterns you can ten 7 Blue Pb input Drive 50 2 ME gt Sue set up input levels for a 8 Clamp Tip O 4 Yellow given source so that
69. e sure to use the pull down list and select the correct baud rate with the key do not just scroll this control with lt and keys NOTE 1 The baud rate setting does not affect the switcher port which is always 9600 baud 2 See Serial Port Connections and Appendix D for more information about cable connections between devices FRONT IR As described in Section 2 the standard IR remote keypad is capable of sending data to the projector in either one of two protocols called A or B Likewise the front IR sensor on the projector can be set to accept IR data accordingly responding to A B or both The projector s A or B default is adequate for most single projector installations Select a specific protocol to prevent interference when you are controlling two protectors in the same area and want to work with one projector at a time IMPORTANT Keep at A OR B unless you are sure of the current IR keypad protocol NOTES 1 The IR remote keypad for this projector is set at manufacture to Protocol A See Keypad Protocols for information about changing the keypad protocol 2 A key press from a conflicting protocol will cause a single yellow flash on the Status LED located in the lower right corner of the rear projector panel WIRED KEYPAD Like the IR remote keypad the optional wired keypad is either a Protocol A keypad default or a Protocol B keypad Likewise the projector can be set to accept wired keypad data accordin
70. e that this option utilizes 8 bit processing en OPERATION 4 MINIMUM DELAY Single option enabled for XeF models only 5 ADVANCED 10 BIT ADP Uses 10 bit processing instead of the standard 8 bit processing provided in the projector resulting in smoother and clearer details in video images This feature requires installation of optional internal hardware the Advanced Digital Processing Module and is disabled unless this module is present It provides full source to screen 10 bit processing for a digital video source typically connected via the optional Serial Digital Input Module or the Digital HDTV Input Module INPUT 2 Images from analog signals INPUT 1 3 or 4 will also be noticeably improved however these signals are first converted with 8 bit processing before routing through the ADP module Motion Filter This control is most useful for gt 1 Auto smoothing out moving images from interlaced sources 2 Still Video In most cases the proper Motion Filter setting is 3 Video automatically determined according to the type of t rales incoming source signal However if your source is 6 Motion noisy and or inconsistent you may wish to force a setting to ensure stable processing for this source if desired override the default Auto setting by selecting the appropriate motion filter 1 AUTO The projector will automatically use the correct motion filter according to the incoming signal Note that the Still
71. earing dark gray By default the projector automatically determines the correct setting according to the type of incoming video signal e OIRE For DVD output with enhanced black SECAM most PAL standards and Japanese NTSC e IRE For most NTSC video signals For some types of video you can override the setting The control is disabled for other types of video and also for graphics sources Generally if black appears crushed when brightness 50 choose 0 IRE If black appears excessively elevated use 7 5 IRE VCR This control determines to what degree the projector tolerates signal disturbances The correct setting is automatically determined and set according to the type of incoming source signal for instance there should be a checkmark for all VCR sources The VCR option may require a change from its auto setting in very rare circumstances only such as if you are having difficulty switching between two unusual and almost identical VGA computer sources Otherwise it is not necessary to change this option VIDEO TERMINATION Enter a checkmark to terminate the video inputs 3 and 4 75 Q The input should be terminated unless the signal loops through continues to another projector or display device in which case only the last projector in the chain should be terminated ENABLE DECODER AGC The automatic gain control affects decoded video images only Enter a checkmark default for most decoded video
72. ed by using the key on the keypad followed by the 2 digit channel number 3 12 User s Manual en OPERATION Creating a New Channel AUTOMATIC ourrent channel Channel List Chan 5 NOTE The key may display a Channel 01 channel list or not depending on what you 01 0 2 PDig 64 09k 60 12 have defined within the Menu Preferences 02 0 1 i3LG 33 72 59 94 menu see Menu Preferences later in this 03 0 4 jSVi section Shown at right is a sample A k A 4 channel list available from location V ohannd Signal ohannel narre or freq ype In order to use channels Eran on the keypad you must first create them See below Figure 3 7 Channel List To use a new source with the projector a new channel must be added to projector memory so that the projector will respond properly to an input signal from that source in the future A new channel can be created automatically as described here or it can be copied from an existing channel and then edited as necessary see Copying or Deleting Channels later in this section When you select an input eg 0 1 the existing channels in the projector are searched for matching input and signal parameters If no match to the incoming input signal is found in the currently defined channels a new channel is temporarily created based on factory defined defaults for this signal The channel number assigned to this channel is the lowest available number from 01 99 NOT
73. ee of difference between the lightest and darkest areas of the image The alignment of the red green and blue elements of a projected image A projection screen which is slightly concave for improved screen gain Curved screens usually have screen gains which are greater than 1 but viewing angles much less than 180 Curved screens are not recommended for use with this projector A direct digital interface signal can be supplied to the projector via an optional digital input module installed in INPUT 2 For example you can input an SMPTE 259M signal using a Serial Digital Input Module or input an SMPTE 272M signal from a Digital HDTV Serial Input Module Digital Micromirror Devices used in this projector for processing red green and blue color data Located at INPUT 3 and INPUT 4 this device converts NTSC 3 58 NTSC 4 4 PAL PAL N PAL M or SECAM to RGB video The sharpness of a display from a video source A type of rear projection screen which spreads the light striking it Screen gain is less than 1 but audience viewing angles are increased An adjustment that affects the display of an image Such display settings include contrast brightness tint blanking size offsets and others A very rapid variation in image brightness caused by a frame rate that is too slow See Interlace The frequency at which complete images are generated For non interlaced signals the frame rate is identical to the vertical freque
74. ely 12 If the projector is part of a videowall you will notice a difference in brightness between the projector with a new lamp and surrounding projectors with older lamps To match brightness between projectors change the Intensity setting in the Lamp menu of the projector with the newly installed lamp until brightness appears the same The filter should be replaced whenever the lamp is replaced If the operating environment appears extraordinarily dusty then replacement of the filter should occur more frequently CAUTIONAL Do not attempt to clean and reuse a filter Discard old filters Use the filter supplied in the Lamp and Filter Replacement Kit 1 Disconnect the cables above the filter 2 Slide the filter out of its holder and discard 3 Slide the new filter in wire side facing IN Figure 4 2 Remove filter Use the following table as a guide in identifying general operating problems the cause and how they can be corrected Most of these problems can be corrected by a User and do not require the assistance of a qualified technician The more technical User s Manual 4 7 MAINTENANCE M 4 8 Symptom Cause Remedy Symptom Cause Remedy Symptom Cause Remedy Symptom Cause Remedy User s Manual problems that require the attention of a qualified technician can be found in the Service Manual The projector does not power on when the key is pressed 1 2 3 4 5 To po
75. er turn the projector off e p turn the menu system on fse turn the menu system off Contrast Press to change the amount of white in your images Use lt and until you reach the desired level of contrast for best results start low and increase so that whites remain bright but are not distorted or tinted and that light areas do not become white 1 e are crushed Conversely low contrast causes dim images See Image Settings Brightness Press to increase or decrease the amount of black in the image Use lt and decrease so that dark areas do not become black i e are crushed Conversely high brightness changes black to dark gray causing washed out images See Image Settings Projector Press when you want to access a specific projector within a network or if you simply need to see if the local projector is listening The number appearing in the Enter Number window indicates which projector is currently listening to commands and will match the projector number that has been defined in its Communications menu The Projector checkbox read only shows whether or not the projector physically connected to a keypad is listening to commands from that keypad A checkmark means that connected projector is listening if there is no checkmark you are communicating with a different projector To use a specific projector enter the 3 digit number assigned to the projector you want
76. evel Test Press to display one of the available test patterns Press again to display the next available pattern in the sequence will exit after the last pattern or press at any time to remove the current test pattern from the screen and return to presentation level NOTE For a complete list of all test patterns see the Geometry menu description later in Section 3 User s Manual 3 7 OPERATION M Display Use to hide the current menu Press and hold for approximately 1 second to toggle on or off with a single key press Or quickly press and release and follow immediately with or if you want to guarantee the correct toggle useful if you are unsure of the present status _ E E 3 4 Navigating the Most of the controls for the projector are accessed from within the projector s menu system There are several groups of related functions with each group selectable Menus from the Main menu Press at any time to display the Main menu menuj gt Main Menu 1 Size and Position 2 Image Settings Choose a 3 Channel Setup function 4 Configuration 5 Lamp 6 Status 7 Auto Setup On the keypad either enter the number corresponding to the function menu you wish to access such as 2 for the Image Settings menu or use the 4 keys to highlight the desired option and press Ee The function menu you selected will then appear If you select Auto Setup this will not activate a separate
77. eypad accesses various menus in which settings can be changed and saved into memory called channels There are 99 channels in which you can store customized settings for various sources The IR remote keypad provided in the User s Kit provides the user with wireless control of the projector of up to 100 feet away The keypad is operated by 4AA batteries which require periodic replacement Section 4 Ans m cao al Mens m Lj The most effective method of operating the projector is by facing and pointing the keypad directly at the screen There is only one IR sensor that picks up the transmissions of the keypad and it is located just below the lens It is important to keep the transmission path clear because any obstruction will limit if not prohibit transmission of commands e C 0 The IR Remote Keypad controls the projector by way of wireless communications from a battery powered infrared IR transmitter Use the IR remote keypad the same way you would use a remote keypad supplied with a TV or VCR When making key presses point the keypad directly at the center of the screen The IR sensor responsible for detecting signal and relaying commands for internal processing is located just below the projection lens on the PHM Figure 3 3 The Keypad 0 0 0 0 IRIE Calin et The wired remote keypad connects to the 3 pin XLR jack via a 25 ft cable It is recommended when e the lighting conditions are uns
78. gh the SERIAL OUT BNC out to another device such as another projector Inputs are 752 terminated Features accepts a variety of digital HDTV 4 2 2 component signals YCbCr and de serializes into a parallel 20 bit 4 2 2 component signal 10 bits each for Y and CbCr SMPTE 292M compatible Two data rates 1 485 Gb sec or 1 485 1 001 Gb sec provides both a SERIAL IN and a SERIAL OUT BNC connector includes 4 status LEDs S o gt oo The Serial Digital Input Module SDI can be installed in the projector at INPUT 2 where it accepts a serial digital 4 2 2 component video signal YCbCr via a single SERIAL IN BNC connector The signal can loop through the SERIAL OUT BNC out to another device such as another projector Inputs are 75 terminated Siaha Meda dir eat Braxia AAN SERIA BE SERIAL ENIF O mag O ERRER FIGNAL Gi ka SDI Features accepts serial digital 4 2 2 component video YCbCr provides both a SERIAL IN and a SERIAL OUT BNC connector includes status LEDs for signal and error User s Manual E 3 OPTIONAL INPUT MODULES E 4 User s Manual Appendix F Menu Tree iti ee pa apen aa Ch Viton n m ie Sas 1 ResizePresets 3 F
79. gly responding to A or B If desired you can prohibit the projector from responding to a particular wired keypad protocol or you can ensure that the projector responds to either protocol default You can also prevent the projector from responding to the keypad entirely In the pull down list select the desired protocol NOTE The wired keypad for this projector is set at manufacture to Protocol A See Keypad Protocols for information about changing the keypad protocol ADDING A PROTOCOL To add a protocol select the A or B option 3 36 User s Manual en OPERATION CHANGING A PROTOCOL As a safeguard you cannot accidentally select an option in the Wired Keypad list that would disable the wired keypad during use since such options are automatically disabled in the list In other words you cannot switch to the opposite protocol or select OFF using the wired keypad Instead if you want to quickly change to the other protocol you may find it more convenient to use the IR remote to execute the protocol change for the wired keypad The projector will now recognize only the opposing wired keypad protocol Or if you prefer use the wired keypad to safely change its own protocol 1 Select the A or B option This will ensure that once your keypad is manually changed see Step 2 it will still be recognized by the projector 2 Unplug the keypad and change the protocol in the keypad as desired Do this either by hard wiring the ke
80. hen using certain RGB sources with still images you may need to adjust the normal gain or offset of odd pixels in relation to even pixels This will smooth out very narrow 1 pixel wide checks or vertical stripes You can remove these patterns as follows lth a ait allt aad 1 Use an external grayscale test pattern with both dark and light gray areas 2 Display the image in its native resolution select No Resizing by accessing Resize Preset in Size and Position menu 3 Display a single color from the Color Enable option or use the key options described on the back of the keypad 4 Examine an area of darkest gray but not black If there is a 1 pixel wide pattern present adjust Odd Pixel Adjustment offset for the current color Stop when the pattern disappears and the area is smooth 5 Examine an area of lightest gray not white If there is a 1 pixel wide pattern present adjust Odd Pixel Adjustment gain for the current color Stop when the pattern disappears and the area is smooth 6 Repeat for each color adjusting offset then gain for each NOTES 1 Adjust offset before gain since offset affects gain 2 A value of 128 represents no change in normal odd pixel offset or gain 3 Odd Pixel Adjustment eliminates I pixel on I pixel off patterns not any type of larger patterns SYNC NOISE MARGIN Enabled for XeF models only this option allows you to set how sensitive the V amp HC sync input
81. ick and easy maintenance ideal for applications where down time must be minimal Some of the projector s key features are listed below For a complete list of product specifications see Section 5 SXGA native resolution other resolutions fully scaleable in Xe models only lchip DLP technology Brightness RPMS gt 900 ANSI lumens CS70 gt 700 cd m Contrast Ratio 300 1 full field 24 bit RGB display 50 120 diagonal image size Advanced tiling features including LiteLOC and Color Control 500 watt Xenon CERMAX lamp uniquely integrated 6 axis geometry adjustment system 0 and 90 lens orientation 90 in CS70 IR Remote control intuitive menu system easy fast on site lamp replacement So Figure 1 1 The Projector shown in RPMS lens horizontal position So occococolclcoclclcCOClc COC SO User s Manual 1 1 INTRODUCTION EM How the projector works 1 2 A 1 2 Components RPMS CS70 ee 13 Purchase Record and Servicing User s Manual The projector accepts an SXGA input signal from an external source The light generated by an internal 500 watt Xenon CERMAX lamp is sequentially filtered into RGB color primaries by a spinning color wheel and presented to the single DMD in sequence Reflected light from the DMD chip then passes through the projection lens and is displayed on a display screen for viewing NOTE In CS70 display cubes the light
82. ies a low pass filter to the input signal This removes high frequencies which can improve pixel phase noise but also reduces signal bandwidth Note that most signals will not require any filter adjustment use the filter option only if standard pixel tracking and phase adjustments do not adequately clear up a noisy signal For best results 1 Optimize Pixel Tracking and jot down the value 2 Optimize Pixel Phase 3 Ifthe image is still too noisy return to Pixel Tracking and mis adjust so that 2 vertical bands of noise appear separated by a good center band See Figure 3 14 4 Adjust Filter to maximize the width of the good area See Figure 3 14 5 Return Pixel Tracking to its correct setting from Step 1 6 Readjust Phase User s Manual 3 21 OPERATION 3 22 User s Manual Good Area Increase iN OISE HOISE Good Area lt gt Figure 3 14 Adjust Filter NOTE Filter affects only the current signal H Position SHORT CUT Press and adjust the top slidebar This option moves image right or left NOTE The value shown represents where the approximate center of the image lies in relation to the total number of pixels available horizontally This varies widely according to the signal watch the image while adjusting V Position SHORT CUT Press and adjust the bottom slidebar This option moves the image up or down NOTE The value shown represents where the approximate
83. image according to default settings for such a signal If you used the source once before and changed a display parameter such as contrast V Position etc then a channel was automatically created and still exists in projector memory see below Selecting an fee JL 0 2 9 3 or 0 4 will automatically recall this channel and all its setup parameters and update the display accordingly Note If more than one channel exists for the input the image will be displayed according to the setup parameters for the first channel with matching characteristics CHANNEL A channel is a collection of measurements locations and settings that tailor a display to your specific needs Since source types and applications can vary greatly you will likely want to adjust and define a wide variety of parameters such as brightness contrast size etc in order to customize and optimize the display coming from a particular source For example the display settings you choose for a VCR source may be very different from those you choose for a high resolution computer source or one signal may simply vary from another signal used earlier through the same input location Once you have adjusted a display parameter such as pixel tracking or contrast all current settings are collectively stored in the projector s memory as a unique 2 digit channel such as 0 9 You can have numerous distinct channels available for the same input any of which can be select
84. in fire electric shock or risk of personal injury and irreparable equipment damage The projector itself requires little or no cleaning if it is operated in an environmentally controlled environment However if you find that the projector may need some cleaning based on its performance call a qualified service technician The table below provides cleaning instruction for those items on the projector that may require periodic cleaning WARNING Always power down and unplug the projector before any cleaning or servicing Table 4 1 Maintenance Guide Part Description Frequency How to clean Lens As required Clean if absolutely necessary A small amount of dust on the lens has very little affect on picture quality To clean Apply a solvent such as Acetone Alcohol or Vinegar sparingly to clean lint free lens tissue Wipe in single sweep across the surface of the lens Do not scrub or rub tissue in circular motion this will scratch the User s Manual 4 3 MAINTENANCE M 4 4 User s Manual Part Description Frequency How to clean lens Do not reuse tissue Do not use cleaning tools treated with Ether If particles still appear on the lens try using compressed air to remove Lamp cleaning Clean as required Clean if absolutely necessary Never touch the glass surface of the lamp Any oil left by fingerprints will seriously degrade lamp performance or cause hotspots
85. ist select the matching temperature labeled Factory such as Factory 5400K These are the calibrated color temperatures set at manufacture they remain intact for the life of the projector 3 28 User s Manual en OPERATION 3 The setups for the User color temperature you selected at the top of the Color Temperature Setup menu will now be updated replaced by those for the permanent factory calibrated temperature you selected in the Copy From list Again a User temperature can be altered at any time if desired Video Options VIDEO STANDARD The projector automatically detects the video standard present and displays the name of this standard here Press to view or select a different video standard from a complete list available to the projector some will appear disabled depending on the current incoming signal Selecting a specific standard forces the projector to process the signal according to this standard NOTE This option should remain set at Auto for all instances EXCEPT 1 a poor quality input signal or 2 a black and white video signal In order to detect and display such signals select the relevant standard INPUT VIDEO BLACK This control compensates for incoming elevated black levels called setup that are present in certain video signals and ensures that blacks on screen are neither crushed i e with dark gray appearing black nor excessively elevated i e with black app
86. it to the DVI input connector of the next projector Continue looping connection to all projectors your last projector will have an empty DVI output connector NOTES 1 When looping a DVI input signal all projectors will display the same data from that one source To pert poje cr or another cipiiely cop t diay cevke Figure 2 5 Loop Digital Video Input Signals DVI Connection The DVI input connector available on XeF models accepts DVI standard input RPMS 500XeF signals in the projector s native resolution only No loop through or resizing ability available on these projectors Typical connection to this port is shown below T From DI source lt incoming signal in projector s native resolution Figure 2 6 Connecting a Digital Video Input Signal to RPMS 500Xef 2 4 User s Manual en SOURCE SETUP Composite Video S Video Video Loop Through Connect a composite video input to either the BNC connector or the RCA jack provided on the video decoder module INPUT 3 NOTE 1 Requires Optional Video Decoder 2 If you want to loop a composite signal through to another projector or display device see Video Loop Through later in this section 2 Not applicable to XeF models sources to INPUT3 choose one inputonly APE art gt gt D input Module ov iiMPpUT Figure 2 7 Connecting Composite Video Sources Connect an S Video input to either the 4 pin mini DIN connector or the Y and C BN
87. ity to manipulate through software commands the physical size placement and or aspect ratio of an image The maximum number of alternate white and black horizontal lines that can be distinguished on a screen when a photographic target is placed between the lens and a light source and illuminated by that source The maximum number of pixels that the projector can display horizontally and vertically across an image such as 1024 x 768 called XGA The minimum time required for a CRT projector to move the position of the scanning spot from the right edge to the left edge en GLOSSARY Rise Time RGB Video RS 232 RS 422 S Video Scan Frequency Scan Line SECAM Slidebar Source Source Setup Spot Size Switcher Sync Sync Width TTL Video The time required by the video amplifier of the projector to increase its output from 10 to 90 of the maximum value The video output analog or digital of most computers Analog RGB video can have 3 4 or 5 wires one each for red green and blue and either none one or two for sync For three wire RGB the green wire usually provides sync See TTL Video A common asynchronous data transmission standard recommended by the Electronics Industries Association EIA Also called serial communication A less common asynchronous data transmission standard in which balanced differential voltage is specified RS 422 is especially suited to long distances The output f
88. k display Correct the source connection 2 The horizontal or vertical scan frequency of the input signal may be out of range of the projector Refer to the Specifications in Section 5 3 The sync signal may be inadequate Correct the source problem 4 The input signal type may conflict with the input module Install use the correct module for the source 5 Pixel tracking phase filter etc may need more adjustment The display is faint 1 Check the Input Levels options Image Settings and turn the Auto Input Level to off then on 2 Brightness and or contrast may be set too low Adjust as necessary 3 Gamma setting may be inadequate It is recommended that the default gamma is used for most sources 4 The projection room may be too bright Limit the amount of light reflecting off the screen 5 Ensure the projector is not too far from the screen 6 Is the screen being viewed from the best angle Check seating plans and viewing angles 7 Ensure the source is only terminated once 8 The source if non video may need sync tip clamping Enter a check in the Clamp Tip box in Input Levels submenu The display is reversed and or upside down 1 Image orientation is not set correctly Access Image Orientation in the Configuration menu See Section 2 Portions of the display are cut off or warp to the opposite edge 1 Reduce top bottom left or right blanking from within the Size
89. level whenever you use the keypad to work with control settings display menus or on line help For example pressing after startup displays the main menu presentation level is no longer active although the image still appears in the background Press again or to return or leave the menu system and return to presentation level Keypad Commands Specific keypad commands are explained below Power ON OFF Press and hold for approximately 1 second to turn the projector on or off with a single key press Or press followed immediately by or if you want to guarantee the correct toggle useful if you are unsure of the present status NOTES 1 It is recommended that you wait at least 10 minutes after powering down the projector and before unplugging it from the power outlet The cooling fans in the projector DO NOT automatically turn off when the lamp is cool This waiting period gives the lamp enough time to cool before unplugging the projector 2 Avoid turning the projector ON and OFF without waiting 10 minutes hot re strikes reduce lamp life Channel Press to select a specific source setup channel defined and stored in projector memory Once you enter a 2 digit channel number or if there is a list displayed highlight it and press Exe the display will automatically change and update according to the numerous setup parameters defined for that channel NOTE key behavior during a presentation depends on whether or not the
90. ll no longer operate and must be reset power the projector down and up again with the key The Status LED Codes If the Status LED on the back of the projector repeatedly flashes a pattern of yellow and red light while the Power LED glows a continuous red you have encountered a likely system error requiring the attention of a qualified service technician see System Warnings and System Errors above Try resetting the projector by powering it off and on again cooling when necessary Consult Table 3 2 and contact your dealer if the problem persists The specific pattern of flashing indicates the 2 digit code identifying the type of problem encountered the number of yellow flashes represents the first digit and the number of red flashes indicates the second digit For example a pattern of yellow yellow red red red is Code 23 meaning the lamp ballast power supply is overheated These codes are listed in Table 3 2 User s Manual 3 53 OPERATION MO Table 3 2 System Error Codes Code Description GENERAL 12 Software bug Contact dealer factory Attempting to download code without being in boot mode 16 Invalid interrupt Power off on If persists contact dealer factory 21 22 23 Lamp ballast power supply is overheated One or more of the lamp interlock switches are open 13 14 15 31 32 Unable to program a device on Altera programming bus Code being downloaded will not fit in ROMs PANEL DRIVE
91. mage Use or until the display is as sharp as possible keeping in mind that any level of detail above 3 default will increase the level of detail as well as introduce some level of noise in the image Set below 3 to filter the signal and remove noise from a noisy source Keep at 3 to apply no detail 3 24 User s Manual en OPERATION Color Space This option determines how the color components of an input signal are decoded for accurate color in the display Selecting a color space option is useful only for analog signals connected to INPUT 1 or INPUT 2 Although the color space for such a signal is automatically determined by the projector in some circumstances you may wish to override this and manually set a different color space NOTE For digital signals or for signals connected to INPUT 3 or INPUT 4 the color space function is entirely automatic and the pull down list disabled The current color space appears in the Image Settings menu Press to select a different option Image Settings Contrast 50 0 M1 1 2 Brightness 50 0 7 3 Pixel Phase 0 4 Detail 2 ae 5 ColorSpace RGB __ 1 RGB 6 Color Setup 2 YPbPr Video 7 Video Options 3 YPbPr HDTV 8 Input Levels 9 More e Select RGB unless you are using component video at INPUT 1 or 2 e Select YPbPr Video with a standard definition televised signal SDTV e Select YPbPr HDTV with a high definition televised signal HDTV NOTE When certain R
92. matically locate this channel when an incoming input signal matches If not checked the projector can locate the selected channel only when it is directly selected via on the keypad and a change in input signal will not result in a channel change e PREVIOUS CHANNEL Select this option to see or change Channel Edit settings for the previous channel in the Channel Setup list NEXT CHANNEL Select this option to see or change Channel Edit settings for the next channel in the Channel Setup list Most options for image adjustments can be accessed through two menus Size and Position We UJ and Image Settings Me 2 both of which are listed in the Main menu While in either of these two menus you can change settings affecting the image from the current channel by working with the appropriate slidebars checkboxes and pull down lists Selecting will always return you to the previous menu or to the presentation if from the Main menu and accept any changes you may have made From your presentation you can access any of the individual options in these menus by pressing followed by the appropriate two digit number representing their location in the menu system For example press 2 6 to quickly access the Color Setup option in the Image Settings menu Note that for certain options you may prefer to use a direct key from presentation level to go directly to a particular option rather than traveling through the menu system at
93. mberts or candelas per square meter Unit of measure for measuring intensity of light A collection of measurements stored by the projector for a given input source including frequencies pulse width polarity syncs channel number and location user adjustable display settings etc Use channels to switch between a variety of setups quickly automatically recalling previously defined display parameters A list menu of previously defined channels available in projector memory A number that uniquely identifies a specific channel retained in projector memory The projector can retain up to 99 channels User s Manual A 1 GLOSSARY M Checkbox Color Shift Color Temperature Component Video Composite Video Contrast ratio Convergence Curved Screen DDI DMD Decoder Detail Diffused Screen Display Setting Flicker Frame Rate Foot candle Foot lambert Gain or Screen Gain A 2 User s Manual A menu item that indicates whether an option is currently in effect checked or not unchecked A change in the tint of a white field across an image The coloration reddish white bluish greenish etc of white in an image measured using the Kelvin degrees K temperature scale Higher temperatures output more light See YCbCr or YPbPr The output of video tape players and some computers characterized by synchronization luminance and color signals combined on one output cable The degr
94. me contrast slidebar accessed with the Contrast option in the Image Settings menu Direct slidebars are listed below LIST OF DIRECT SLIDEBARS H Position or V Position Pixel Tracking or Phase Use the arrow keys to adjust a direct slidebar or press and enter a specific number from the keypad then or 4 or to save or to cancel When you are done press to save and return to your presentation NOTES 1 You can still adjust a direct slidebar as usual if the menu display is turned off see or Menu Preferences menu the slidebar just won t be visible 2 A direct slidebar disappears if it is not used within 5 seconds Checkboxes Conditions are present if its adjacent Broadcast Key ZI checkbox contains a checkmark To toggle the checkbox simply highlight and press Exe or highlight and use to check and lt to uncheck For a checkbox that is numbered simply enter the number of the option to toggle the checkbox Pull down lists To see a pull down list of options available for a given parameter labeled with a v you can e Highlight it and press e Or enter the menu option number Use or keys to navigate up and down within the list the current choice is noted with a small Press to choose an option from the list if desired __ Indicates Pa current Configuration selection A Image Orientation Frot 44 Front 2 Language English 2 Rear 3 Menu Preferences _3 _Inverted Front lt New Sele
95. me in either the Image Settings menu 4 Color Setup or in the Color Temperature Setup menu Color Tem perature Setup 1 Select Color Temp 6500K J 2 interpolated Color 6500 ME 3 Red White Level 100 P 4 Green White Level 100 Pm 5 Blue White Level 100 F 6 Color Enable _White 7 Copy From 6500K _ l Figure 3 17 Color Temperature Setup Menu However if you require extra color temperatures you can also add up to five custom color temperatures four User and one Interpolated by defining them within the Color Temperature Setup menu each defaults to 6500K until then Any User or Interpolated temperature created here is immediately applied or it can be selected at any time from the Image Settings menu 4 Color Setup as usual regardless of your source or channel The Color Temperature Setup menu options are described below NOTE For best results use an internal grayscale test pattern when working with color temperature SELECT COLOR TEMP The current color temperature is shown in the menu and can be changed here just as in the Image Setting Color Setup menu When a User color temperature is selected the White Level and Interpolated options are disabled and can be adjusted to create your own color temperature INTERPOLATED Use this option to increase L4 or decrease 4 the value of Interpolated Color if you need a specific color temperature somewhere in between
96. me outs The Global Icon Using Slidebars and Other Controls _ Help Topics 1 Using Help 2 Setup 3 Keys 4 Source input Selection 5 Status Power LEDs Figure 3 4 General Help Topics Whenever the projector is not at presentation level such as when there is a slidebar menu message or test pattern displayed you have limited time in which to make a keypad entry before the projector returns to presentation level and the graphic disappears These time outs vary depending on the current display as shown in the following chart Slidebar from pres 5 seconds 15 minutes 30 seconds Channel entry 5 seconds 15 minutes A menu item marked with a global icon means that any changes made to that option are global to the projector and will be applied to all incoming signals Most of the function menus allow you to change settings by using slidebars checkboxes and pull down lists To select a slidebar toggle a checkbox status or view a pull down list do one of the following within the function menu e Enter the menu option number corresponding to the setting you wish to change for example press 2 for Size in the Size amp Position menu Or press or to e move the highlight to the desired parameter and press Ente e move the highlight to the option desired and press or gt e Or bypass menus entirely and use a single key to immediately access an adjustment note applies only to options having their own ke
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98. mmended Mating Connector Terminals AMP 770902 1 or 770986 1 User s Manual C 1 Appendix D Serial Communications Cables When connecting projector to a computer or another projector use the appropriate serial communication shielded cabling as illustrated D Frost projector to computer A5 232 Phy every ete teers aden WY pre gcd geet Rack iy BS AN nakas walle be Pio 2 Cw cages Senator Pray i Meteor oh Afsraata Cmpa une User s Manual D 1 SERIAL COMMUNICATION CABLES A NOTE RS 422 not available on all projector models RPMS 500Xe only Ui From projector to RS 422 compatible computer iintiw ERVARE MaA ALARY DE irig ewin yzy wnn ke cheek ta EKAINAK TAAN fa YTN whee bmg iig o FAY cet Rp gered Coryreite EMAA K Mar ELLY dias N vax Sar SONS TAP K fae v cleat Te fe Fhe Cys ffi bs Tx a yaaran Pit i Fre eogpeegpeeqpenqpeoqpeogpeogpocgpongpecgpengpenqpeoqpeoqpooqpoogpoopongpoegpoegpengpeeqpeoqpeoqpeoqpengporyy Ui From projector t projector R 232 iyii AS ZAP ocak wiki hee Li Couwasotary D 2 User s Manual ES ER IAL COMMUNICATION CABLES O From projecior fo projecior A S 22 PAAAAAAAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAA AAA AAAA AAAA AAA AE Prezi FRE urrater gt a E 3 Preeeeeceecescecescesecsscesssescnsssescescsseees enteetreetenteeed awer Agr Kaaa TS 22 O
99. n alpha numeric label can be defined and or changed here Channel names can be up to 12 characters in length e CHANNEL NUMBER A channel number from 01 to 99 can be changed here NOTE If you enter a channel number that already exists a dialog message appears indicating that this number is already in use assign a different channel number e SWITCHER NUMBER 0 represents the projector itself Or if the input source is connected to a switcher the default will be the lowest switcher number available from 1 9 change here as desired SLOT 1 feu 2 eug 3 eug or 4 leag for projector inputs or current slot number 1 9 if the source is connected to a switcher e LOCKED If checked all of the image settings for this channel are disabled If unchecked default all available image settings can be adjusted as desired You cannot use Auto Setup with a locked channel e IN MENU If checked default except for automatically defined channels with unchanged parameters this defined channel will then appear in the list available when key is pressed If unchecked the channel must be accessed via on the keypad or via the Auto Source function NOTE On screen display of the channel list is an option that must be set in the Menu Preferences menu 3 16 User s Manual en OPERATION 3 6 Adjusting an Image and Setting System Parameters Size and Position e AUTO SOURCE If checked default the projector can auto
100. n the screen and lens surface are not parallel or in X models by poor Keystone adjustment The reproduction of the horizontal and vertical size of characters and or shapes over the entire screen When light from a projector is incident on a screen the light reflects from the screen such that the angle of reflection equals the angle of incidence The Line of Best Viewing is along the line of reflection The method of feeding a series of high impedance inputs from a single video source with a coaxial transmission line in such a manner that the line is terminated with its characteristic impedance at the last input on the line User s Manual A 3 GLOSSARY M Lumen Lux Menu NTSC Video Optical Screen PAL Video Pixel picture element Pixel Phase Pixel Tracking Presentation Level Projector to Screen Distance Protocol Pull down List Rear Screen Resizing Resolution lens Resolution projector Retrace Time Horizontal A 4 User s Manual The unit of measure for the amount of visible light emitted by a light source The amount of visible light per square meter incident on a surface 1 lux 1 lumen square meter 0 093 foot candles A list of selectable options displayed on the screen A video output format of some video tape and disk players There are two types of NTSC National Television Standards Committee video NTSC 3 58 and NTSC 4 43 NTSC 3 58 is used primarily in North Ameri
101. ncy For interlaced signals the frame rate also known as field rate is one half of vertical frequency The intensity of visible light per square foot The luminance brightness which results from one foot candle of illumination falling on a perfectly diffuse surface The ability of a screen to direct incident light to an audience A flat matte white wall has a gain of approximately 1 Screens with gain less than 1 attenuate incident light Help Screen Horizontal Frequency Horizontal Offset Hot Spot ILS Input Input Signal Interface Interlace Keypad Keystone Linearity Line of Best Viewing Loopthrough Loopthru en GLOSSARY screens with gain more than 1 direct more incident light to the audience but have a narrow viewing angle For example An image reflecting off a 10 gain screen appears 10 times brighter than it would if reflected off a matte white wall Curved screens usually have larger gain than flat screens A display of help information regarding the current task or presentation The frequency at which scan lines are generated which varies amongst sources Also called horizontal scan rate or line rate The difference between the center of the projected image and the center of the projector lens For this projector this value is expressed as the maximum percentage of the image that can be projected to one side of the lens center without degrading the image quality Horizontal offset ranges
102. nd arrowhead symbol within the equilateral triangle alerts the user to uninsulated dangerous voltage within the projector s enclosure that may be of sufficient magnitude to constitute a risk of electric shock Read all operating instruction prior to using the projector Operate the projector in an environment which meets the operating range specified in Section 5 Specifications Do not operate the projector close to water such as near a swimming pool Do not operate in extremely humid environments User s Manual 4 1 MAINTENANCE 4 2 Lamp Replacement Power Cord and Attachments Ventilation User s Manual Do not place the projector on an unstable cart stand or table A projector and cart combination should be used with care Sudden stops excessive force and uneven surfaces may cause the projector and cart combination to overturn You will notice a significant change in the performance of the lamp when it is nearing the end of its life It is important that the changes in lamp performance are noted and the number of hours the lamp has been in use is considered Refer to Section 2 Lamp for details on menu options Ad warninc Never attempt lamp replacement soon after shutdown The lamp is under great pressure when hot and may explode causing physical injury and or property damage Always allow the lamp to cool completely before handling Allow the lamp cooling fans to run approximately 10 mi
103. nnel Display Slidebars Display Error Messages All 7 Large Menu Font O ee Si Figure 3 22 Menu Preferences Menu MENU LOCATION Use the pull down list to choose a default location for the display of on screen menus 7 preset and 1 custom locations are available To create a custom menu location choose a preset that is closest to the desired area Then adjust the slidebars of Horizontal Shift and Vertical Shift to move the menu to the desired location Menus may differ in size and therefore it is recommended that you do not choose a location too close to a corner or edge to prevent cropping larger menus HORIZONTAL SHIFT AND MENU SHIFT see Menu Location above DISPLAY CHANNEL Enter a checkmark to display a list of channels that are available These channels must be marked with a list icon in the Channel Setup menu to appear in the Display Channel list DISPLAY SLIDEBARS Enter a checkmark to display a slidebar over the current image when an adjustable parameter is selected directly with a key These direct slidebars include Piel oston cont and Es If Display Slidebars is unchecked these slidebars can still be accessed but will be hidden during adjustment DISPLAY ERROR MESSAGES _ Use this pull down list to select the way you want to view error messages generated by the projector Select Screen or All to see a brief on screen messages or select RS232
104. nts are together on one cable 2 Sync on green the sync is part of the green video 3 Separate sync or H SYNC and V SYNC the horizontal and vertical components of the sync are on two separate cables The duration of each sync pulse generated by a computer The sync width is part of the blanking time A type of RGB video with digital characteristics User s Manual A 5 GLOSSARY M Terminated Throw Distance Tint Variable Scan Vertical Frequency Vertical Offset Video Video Decoder Video Standard Viewing Angle White Balance White Field YCbCr YPbPr Zoom A 6 User s Manual A wire connecting a single video source to a display device such as a projector must be terminated by a resistance usually 752 for video The distance between the front feet of the projector and the screen Also called Projector to Screen Distance Always use the correct Christie throw distance formula to calculate the proper throw distance 5 required for your lens Balance of red to green necessary for realistic representation of NTSC signals The ability of a projector to synchronize to inputs with frequencies within a specified range The frequency at which images are generated Vertical frequencies vary amongst sources Also called vertical scan rate The difference between the center of the projected image and the center of the projector lens For this projector this value is expressed as the maximum
105. number of columns of projectors in the array It can be set between the range of 1 to 4 PROJ ECTOR ROW AND PROJECTOR COLUMN By adjusting these slidebars you can define the location of the projector within the array See Figure 3 15 Column 1 Column 2 Ming Seup Tings eup 1 Number of Rows 2 1 _Ninberof Row 2 2 T 2 er junmns Row 1 A Rojector Row 1 i 5 Fesi Resets core 3 Rector Fow 1 C 4 AegectorColurn 1 C 5 Rese Rests Ii Ming Seup _ ___Thing S eup 1 Mi mber of Rows 2 E 1 Minber of Rows 2 ROW 2 Giimteroftoum 2 2NinberfCdums 20 3 Rgecor ow 2 i 3 Rojector Row 2 4 Rector Column 1 F 4 the roel ysl O Re Tiked Full Size 5 ize Presets Tied Ful Size 5 Resins Resets i Figure 3 15 Tiling Setup Example of 2x2 array User s Manual 3 23 OPERATION MO Image Settings Use the options available in the two page Image Setting Menu to alter your image Options not available are grayed out and cannot be selected Changes made to the Image Settings menu are applied immediately and are saved when you exit the menu press or Meny Image Settings Image Settings 2 Contrast 50 0 I 4 Processing Mode Auto v Brightness 50 0 7 Motion Filter o x 1 1 rf 2 a Pixel Phase 0 E j 0 4 Detail 2 fF _ j 4 5 ColorSpace RGB yy OS White Boost 10 6 Color Setup 6 PLL Loop Gain 10 A Video Options 7 Noise Reduction 0 8 In
106. nutes after powering down and before unplugging the projector Use only the lamps specified and supplied by the manufacturer Use only the attachments and or accessories recommended by the manufacturer Use of others may result in the risk of fire shock or personal injury AX WARNING Use only the AC power cord supplied by the manufacturer Do not attempt operation if the AC supply is not within the specified voltage and power range Do not set or rest items on the power cord Locate the projector in an area where the projector cord cannot be abused or damaged by persons walking on it or by objects rolling over it Operate the projector at the specified voltage only Do not overload power outlets and extension cords as this can result in fire or shock hazards The projector is equipped with a three wire plug having a third grounding pin This is a safety feature if you are unable to insert the plug into an outlet contact an electrician to have the outlet replaced Do not defeat the safety purpose of this grounding type plug NOTE The power cord supplied with the projector is approved for North American use only An appropriately rated power cord with IEC320 type plug is required for European and other countries Slots and vents in the projector provide ventilation Never block or cover these openings This ensures reliable operation of the projector and prevents overheating Do not place the projector over a radiator or hea
107. o the Status menu for versions of hardware left side and software right side installed the number of lamp hours logged in total and for a specific period such as a rental period and for your en OPERATION 3 7 Auto Setup Using Multiple Projectors Assigning a Projector projector model name and serial number In addition the Status menu identifies the current channel switcher slot and frequencies Use aon vor lt or gt to see additional Status information Status Scroll to see more Model RPMS 500 Xe SIN 11111111 LampHours 0 Lamp Counter Projector Hours 0 Native Resolution 1280 x 1024 Chan Name Chan Num 02 Syne Type Digital Switcher O projector Syne 63 75kHz Slot 2 Input 2 Sample Rate 94 41 MHz IPM 6 3 Software 2 1 Figure 3 32 Status Menu SAMPLE If you want the projector to quickly set up the image for you select Auto Setup from the Main menu A separate message window appears and requests confirmation that you want to continue with Auto Setup in which case display parameters listed in the Table below will be set for you Selecting Auto Setup can save you some time in setting up an image and you can also make further adjustments as desired You must have an unlocked channel present to use Auto Setup What an Auto Setup Does SETS TO DEFAULT Contrast amp Brightness Auto Input Level off Blanking Detail if video source Filter Lum
108. on is turned OFF As you increase the value you will notice the image becomes slightly brighter and a little less saturated For NTSC HDTV PAL and SECAM signals the default is set to 2 and for graphic User s Manual 3 33 OPERATION MO 3 34 Configuration User s Manual PLL Loop Gain see description in Size and Position Noise Reduction requires optional ADP Module Select the amount of image noise reduction desired with 0 applying no noise reduction default and 10 applying maximum noise reduction The higher the value the softer the image Not available in XeF models Horizontal Filter requires optional ADP Module Select the amount of horizontal filtering desired for the current source Note that the default setting of 0 allows the projector to optimize the amount of horizontal filtering according to the current source and is the recommended setting for most situations You can override this by selecting a value from 1 10 with 1 applying no filtering and 10 applying maximum filtering High filtering levels will soften the image slightly particularly evident along vertical edges Vertical Filter requires optional ADP Module Select the amount of vertical filtering desired for the current source Note that the default setting of 0 allows the projector to optimize the amount of vertical filtering according to the current source and is the recommended setting for most situa
109. onverted into an IR remote keypad and vice versa Follow the settings shown above adding or deleting the cable and batteries as required The cable is available separately from your dealer 38 804011 01 Converting a Keypad If desired you can convert an IR remote keypad into a wired remote keypad and vice versa TO CHANGE FROM INFRARED TO WIRED Remove battery compartment cover from back of keypad Remove batteries Wait 1 2 minutes Set keypad protocol as desired using wired jumper settings Plug the keypad cable available separately into the empty battery compartment Make sure that the battery cover is notched smoothly to accommodate the cable Replace battery compartment cover Plug into the 3 pin XLR port at the rear panel of the projector Ae a ea SIE 2 12 User s Manual a SOURCE SETUP TO CHANGE FROM WIRED TO INFRARED 1 Qe et Unplug the keypad from the projector Open the keypad cover and unplug the keypad cable Wait 1 2 minutes Set keypad protocol as desired using IR jumper settings Install batteries see Section 4 Replace battery compartment cover User s Manual 2 13 3 1 3 2 Overview Projector Basics Section 3 Operation This section explains how to operate the projector after it has been installed Make sure that you have read and understood the instructions in this section before operating the unit The projector is modular in design which
110. orrect part of the drawing IR or wired optional Use tweezers or needle nose pliers to remove and replace each jumper as necessary User s Manual 2 11 SOURCE SETUP MOm e J 1 jumper For either remote set between pins 1 and 2 to set as Protocol A Set between pins 2 and 3 to set as Protocol B e J 2 jumper For either remote set between pins 2 and 3 as shown otherwise the projector will not respond correctly to keypad commands e J 3 jumper For the IR remote make sure that the jumper is set between pins 2 and 3 as shown For the wired remote make sure that the jumper is set between pins 1 and 2 as shown e J 4 jumper For the IR remote make sure that the jumper is set between pins 1 and 2 as shown For the wired remote make sure that the jumper is set between pins 2 and 3 as shown Step 5 Replace battery compartment cover Plug into projector wired keypad only and test IR Remote Keypad 321 o PROTOCOLA JP1 aj PROTOCOL B Locate Jumpers ALWAYS 4 EER f JP3 AN0 ENABLEIR oe le 321 T a JP4 c IR KEYPAD 351 P T T Teg d JP3 ea f 3 A aT sray Wired Keypad fl 1 N 321 j P D PROTOCOLA f lt JP1 or a 321 fao PROTOCOLB oj ALWAYS 324 JP3 O CISABLE IR 321 JP4 amp a WIRED KEYPAD Figure 2 18 Locating and Setting the J umpers NOTE A wired keypad can be c
111. osition menu are applied immediately and are saved when you exit the menu press or Meng NOTE Resize Presets Size Vertical Stretch Lens Control Keystone Plug amp Display and Tiling Setup are not applicable to RPMS 500XeF models This projector displays images in its native resolution only no resizing ability Resize Presets Applicable only to Xe models Resize Presets use Resize Presets to quickly 1 Default maximize for current source display an image in its native 2 No Resizing display in native resolution resolution including 3 Full Size fillthe screen regardless of source 4 Full Width display full width anamorphic or to 5 5 Full Height display full height automatically eee an Mage Anamorphic retain 162 aspect ratio letterbox to closely fit the screen The Tiled Full Size 6 7 value for Size Position and 8 Tiled Full Width Same as above except multiple Blanking parameters 9 Tiled Full Height enaga lt E hiicmadin described later will in turn 0 Tiled Anamorphic change as necessary without Figure 3 13 Resize Presets Submenu your having to set them manually WHAT IS THE PROJ ECTOR S DEFAULT When displaying a new source by default your image will fill the screen as fully as possible for the type of source present See Select Default below WHEN CUSTOM APPEARS The Custom descriptor automatically appears in the
112. ps rather than having to repeatedly re configure the projector for different presentations Each physical source i e input can have several different channels associated with it Do Select an Input INPUT An input simply describes a physical location for an incoming signal Ora Channel connection These connections are always either on the projector itself one of the four inputs at the rear of the projector or on any switcher connected to the projector s switcher port describes the source signal according to two specific criteria only to which switcher it is connected and to which slot it is connected and is identified by a 2 digit number entered on the keypad The first digit specifies the switcher 0 9 the second specifies the slot 1 9 Note that the projector is always considered switcher 0 EXAMPLES 1 3 use source connected to switcher 1 slot 3 0 1 use source connected to the projector slot 1 To switch between input ports if your projector has a switcher connected to it press the key and enter the 2 digit number representing the switcher and slot location for the desired signal Note there is no on screen feedback for entering the numbers If it is the first time you have used the source input or if you used the input but did not define a channel by adjusting anything the projector will recognize the new input signal based on its frequencies and polarities and will automatically display an
113. pter null modem Proj Swit cher OUT male port male port Wiring D 4 User s Manual Appendix E Optional Input Modules RGB500 Input Module 38 804606 xx RGB4OOBA Input Module 38 804610 xx There are many optional input modules and accessories currently available for this projector Contact your dealer for a complete and up to date listing NOTE Always unplug the projector or switcher before installing or removing any optional input module or decoder The RGB500 Input Module may be installed in this projector a Marquee Signal Switcher or a Marquee Case Power Supply The module receives analog RGB input signals from computers or other RGB source devices PLUE HORLO HP RGB500 Features accepts 3 4 or 5 wire RGB video sync on green composite sync or separate horizontal and vertical sync up to 500 MHz bandwidth BNC connectors for RGB signal inputs NOTE The audio connectors are not functional The RGB400 Buffered Amplifier Input Module may be installed in this projector in a Marquee Signal Switcher or in a Marquee Case Power Supply Connect three four or five wire RGB video signals of up to 400 MHz bandwidth signals typically produced by high resolution computer or workstations The buffering capability of the module enables the incoming signal to be sent to a remote destination Inputs are 752 terminated PLUE HORLO HE User s Manual E 1 OPTIONAL INPUT MODULES ee R
114. ptions Enter a checkmark beside Enable Uniformity to enable various options to control and smooth out overall color and brightness of an image useful in multi screen applications Adjust the options in this menu only after you have adjusted the primary color in the Adjust Primary Colors menu Refer to Adjusting Brightness Uniformity later in this section _ Brightness Uniformity _ 1 Uniformity Enable Ener to enable brightness uniformity 2 Test Pattem Off options item 7 White Uniformity A Brightness Uniformity 5 1 Uniformity Enable 7 6 2 Test Pattern Off v 7 Overall F 3 8 Color Temp Setup 4 9 Lamp 5 6 7 White Uniformity Overall Y White Uniformity 8 Color Temp Setup enabled 9 Lamp Figure 3 28 Enabling Brightness Uniformity TEST PATTERNS Use this option to select a variety of test patterns Select the 13 Point test pattern when adjusting Brightness Uniformity White Uniformity White Uniformity White Uniformity is a separate menu accessible 4 Left Side 0 0 7 __ only when Uniformity Enable is enabled by 2 Right Side 0 0 placing a checkmark in the checkbox The 3 Top Edge 0 0 0 options in White Uniformity menu allow you Bottom Edge 0 0 0 6 match light output across multiple screens See bend ative me m Adjusting Brightness Uniformity later in this 7B hae E eft AA ux section for adjusting White Uniformity in a tiled g Bottom Right
115. put Levels 8 Horizontal Filter 0 9 More 9 Vertical Filter 0 Figure 3 16 Image Settings Menu page 1 and 2 shown NOTES 1 Detail Color Space Video Options Processing Mode Motion filter Noise Reduction Horizontal Filter Vertical Filter are not available to RPMS 500XeF 2 Dark Interval and Invert Stereo3D are not available in both models Contrast SHORT CUT Press and adjust the slidebar Contrast increases or decreases the perceived difference between light and dark areas of your image 0 100 If contrast is set too high the light parts of the image lose detail and clarity If set too low the light areas will not be as bright as they could be and the image will be dim Start low and increase so that whites remain bright but are not distorted or tinted and that light areas do not become white i e are crushed For best results keep close to 50 Brightness SHORT CUT Press and adjust the slidebar Brightness increases or decreases the amount of black in the image 0 100 Start high and decrease so that dark areas do not become black i e are crushed Conversely high brightness changes black to dark gray causing washed out images For best results keep close to 50 Pixel Phase SHORT CUT Press and adjust the bottom slidebar Refer to description under Size and Position menu Detail SHORT CUT Press and adjust the slidebar Detail adjusts the sharpness of the video i
116. r s Manual Status INTENSITY This number is a representation of the current brightness of your lamp decreasing over time when you are operating at Max Brightness or at a specific power level However when you are operating in Intensity mode this value remains at the original Intensity setting chosen NOTE The number shown for intensity is not the actual lumen output but rather a correlated value only 9999 may represent up to 2000 lumens for example Intensity mode judge by eye and set the level as desired for your application remembering that higher settings can significantly shorten lamp life Over time the projector will automatically increase the power supplied to the lamp as needed to maintain the chosen intensity as closely as possible This is called brightness tracking Keep in mind that once the lamp power has reached its maximum watts see Power above this tracking is no longer possible At this point the lamp will gradually begin to dim as usual even though your original Intensity value will still appear in the menu To resume accurate tracking reduce the intensity setting so that the resulting Power value is under its maximum the lower the intensity the longer it can be maintained Do not lower the Intensity so much that the corresponding Power value reaches its minimum the intensity setting will be inaccurate and cannot be maintained Intensity
117. r a checkmark only if you are an experienced user and you have an unusual source that you feel needs further color temperature and or input level adjustment After entering a checkmark wait for the six values to stabilize then delete the checkmark and exit BLACKLEVELS AND DRIVES To check your image and adjust these controls 1 Make sure overall Contrast and Brightness are both set to near 50 NOTE Not required for Auto adjustment en OPERATION 2 50 approx 3 50 approx 4 Check the color temperature setup using an internal grayscale test pattern adjusting as desired to obtain a neutral grayscale NOTE Not required for Auto adjustment 5 Make sure you are using an analog source not connected to INPUT 3 or INPUT 4 as Input Levels are not applicable for digital sources or sources going through the decoder A grayscale is recommended 6 Ifthe blacks and or whites appear OK input levels do not need adjustment If black levels are too high and or whites are too low which is rare you likely have a noisy source that is producing skewed input levels Continue with Step 5 7 Temporarily enable Auto in the Input Levels submenu Wait for all 6 values to stabilize Alternatively do not use Auto reduce blacklevels manually instead Judge by eye and change one or more of the six levels as necessary to obtain proper blacks and whites You may want to see only a certain color while adjusting use th
118. r all power requirements WARNING Do not attempt operation if the AC supply and cord are not within the specified voltage and power range A Caution Once the projector is powered down wait approximately 10 minutes to allow the lamp to cool sufficiently before unplugging the projector from the AC outlet At manufacture every keypad is assigned A as its default protocol which is simply a collection of settings that determine how the keypad operates Once assigned this protocol remains in effect until it is changed that is the keypad will operate as it currently does until you change its protocol Protocols are most useful for multiple projector applications For example you might want to change a keypad protocol if you are working with two projectors and two remote keypads in the same room and need to control each projector independently Figure 2 16 When Keypad A has a different protocol than Keypad B each keypad communicates only with the projector having a matching protocol Or if you have a network of two or more projectors connected together via RS 232 serial ports you may want only certain projectors to respond to a wired keypad thus you can use different protocols to limit responses NOTE Matching the protocol on the projector to that of a keypad is done through a setting in the Communications menu See menu descriptions for further information on how to change the projector s infrared sensor rear and front protocol
119. reen Powered Up or Cooling Down Steady Red System Error Ballast Module BM The BM contains the projector s lamp power source 500 W ballast It is mounted to the tray and it connects to the EM The approved line cord supplied with the projector is plugged into the AC receptacle located on top of the BM 3 3 Using the Keypad IR Remote Keypad Wired Remote OPTIONAL OPERATION 6 Axis Adjuster The 6 axis adjuster is manually adjusted to modify the geometry of an image This capability is useful adjustment stabilizers A setscrews on ZL SND A B D blocks during the setup of a multi level ee videowall where screen matching is N T extremely important Adjustments a L can be locked in place by tightening Suo 7 T three lock screws located on the adjustment blocks Two stabilizers are also included in the design of the adjuster to ensure stability of the adjuster during projector operation Refer to the Installation Guide or the label on the product for instructions on how to adjust the adjuster NOTE A separate label is included in RPMS 500Xe XeF User s Kit which illustrates how to adjust the adjuster when the projector is in a lens vertical configuration It can be adhered over top of the lens horizontal label for easy reference if desired 1 coarse adjustment feet Figure 3 2 6 Axis Adjuster The projector is controlled via an IR remote keypad The k
120. requency for most sources Pixel tracking is adjusted most effectively using a good test pattern such as a smooth gray consisting of a clear pattern of tiny black and white dots or a similar half on half off graphic image such as the Windows shutdown screen Steady flickering or several soft vertical stripes or bands across the entire image indicates poor pixel tracking Adjust the slidebar until the stripes broaden to the point where one large stripe fills the image Again the image may still exhibit some noise Pixel Phase SHORT CUT Press and adjust the bottom slidebar Pixel phase adjusts the phase of the pixel sampling clock relative to the incoming signal It is used primarily for adjusting RGB inputs NOTE Adjust pixel phase after pixel tracking is properly set Adjust pixel phase when the image usually from an RGB source shows shimmer or noise Pixel phase adjustment is done most effectively from within a proper test pattern such as a smooth gray consisting of a clear pattern of tiny black and white dots or a similar graphic image such as the Windows shutdown screen Adjust until the image is stable and each dot is clearly defined Using the numbers on the slidebar as a guide you will notice that you can actually stabilize the image at more than one point i e you may find that the image appearance at 11 is identical to the image appearance at 38 thus you can select either setting Filter Filter appl
121. rom certain video tape players and video equipment S Video separates sync and luminance from color information typically producing a higher quality display than composite video The horizontal or vertical frequency at which images are generated One horizontal line on the display A video output format of some video tape and disk players used primarily in France SECAM Sequential Couleur 4 M moire signals are similar in resolution and frequency to PAL signals The primary difference between the two standards is in the way color information is encoded A slidebar is a graphical display of an adjustable setting The numerical setting often represents a percentage but can be a specific unit such as degrees Kelvin The device such as a computer or VCR connected to the projector for display A source is identified at the projector as neu neug or re or as other user defined numbers A source may have numerous corresponding channels defined and recognized by the projector See Input See Channel The diameter of the smallest dot that can be generated by a CRT projector This projector has a fixed spot pixel size A signal selector such as the Christie Marquee Signal Switcher that can be connected to a projector for the purpose of adding more sources This term refers to the part of the video signal that is used to stabilize the picture Sync can occur in three forms 1 Composite sync the horizontal and vertical compone
122. s are to noise A higher value will allow noisier sources to be locked onto properly and a lower value will allow locking to more heavily attenuated signals Adjust sync noise margin using the slidebar User s Manual 3 41 OPERATION DIGITAL NOISE MARGIN This option is enabled for XeF models only This option allows you to set how sensitive the digital inputs are to noise cable lengths and slight incompatibilities between the transmitter and receiver Adjust the slidebar for the best image possible Service This is a password protected menu intended for use by qualified technicians When accessed passwords can be enabled or disabled access to User Lockout Color Temperature Lamp Counter Color Wheel Calibration and Factory Defaults options can be accessed and modified Refer to the Service Manual for complete details on the various options available in this menu Service 1 Enable Password 2 Change Password 3 User Lockouts 4 Color Temp Setup 5 Reset Lamp Counter 6 Shutdown H Fan Fails 9 7 7 Color Wheel Calibration 8 a 0 Factory Default Figure 3 31 Service Menu Lamp The Lamp menu can be accessed through several other secondary menus or by selecting item 5 in the Main Menu Whenever you install a new lamp in the projector you need to access the Lamp menu and record the lamp serial number in the projector s memory You can also set different Lamp submenu options such as intensity output or po
123. s contact a qualified service technician The projector does not respond to the infrared remote keypad 1 2 3 4 5 Check to see if the wired keypad works If yes check that the correct protocol is used for that keypad Make sure there is nothing blocking the transmission path between the keypad and IR sensor Check keypad batteries Keep ambient lighting to a minimum This may be interfering with keypad IR transmission Ensure the keypad has not been disabled for use with this projector Press PRO to broadcast to all projectors The power is on but the lamp isn t 1 2 3 Check to see that an error code doesn t exist Check lamp hours via RS 232 the lamp may have reached the end of its life Check that the lamp is fully inserted en MAINTENANCE Symptom Cause Remedy Symptom Cause Remedy Symptom Cause Remedy Symptom Cause Remedy Symptom Cause Remedy Symptom Cause Remedy The display is jittery or unstable 1 Ifthe display is jittery or if it disappears and reappear erratically check that the source is properly connected and that its signal is of adequate quality for detection For example if the projector scans the default input for a signal to display and a poor quality or improperly connected source is connected the projector will briefly and repeatedly attempt to display an image If no source is connected the No signal error message appears over a blan
124. s eting primary colors Figure 3 34 Select User 1 and set White Levels to 90 2c SET WHITE LEVELS TO 90 In the Adjust Primary Color menu set all White Levels to 90 Note A starting point should not be 100 because this color could not be added to the mix for either of the two remaining primary colors therefore limiting the success for matching colors 2d MATCH ALL LIGHT OUTPUT OF INDIVIDUAL PROJ ECTORS Compare all white fields and choose the dimmest Using the function to talk to the other projectors individually reduce Lamp power settings as necessary until each projector has approximately the same light output as the dimmest STEP 3 Primary Color Adjustment 3a SELECT GREEN PRIMARY SUBMENU In the Adjust Primary Color menu select the Green Primary option The Green Primary menu will appear and your screens will turn to a full green field 3b MATCH GREEN LIGHT OUTPUT Compare green fields and choose the dimmest For each remaining projector reduce the Green White Level as necessary until all green light output appears to match 3c MATCH GREENS compare green fields and choose the least saturated green the green you feel is the furthest from a true green In the Green Primary menu for each remaining projector starting with the adjacent projector add red or blue as necessary until all green fields match the first both in color and light output In some cases all projectors will need some color and in o
125. sources this activates the AGC circuit to ensure properly bright images Delete the checkmark if a decoded video image exhibits strange color artifacts such as stripes in highly saturated colors indicating an incompatibility between this source and the AGC User s Manual 3 29 OPERATION 3 30 User s Manual DECODER LUMA DELAY This control affects any incoming composite or S video signal delaying the luma signal intensity in relation to the chroma color In the image increasing the luma delay will move luma seen as a shadow where colors overlap to the right slightly with colors remaining in place Decreasing this delay will move the shadow slightly to the left If necessary for your current source adjust so that no shadows occur with adjacent colors Input Levels NOTES 1 It is recommended that only experienced users use the Input Levels menu the projector automatically optimizes input levels for all but the most unusual of sources 2 Always check that overall contrast and brightness settings are near 50 and that color temperature is properly set up on an internal grayscale test pattern before attempting an input level adjustment 3 There must be at least one white pixel present in the image for proper Auto Input Level function Leave this control off Input Levels 4 Auto Input Level C 2 Red Pr Blacklevel 50 2 gt 3 Green Y Blacklevel 50 2 7 4 Blue Pb Blacklevel 50 2 5 Red Pr Input
126. ssive scan formats Horizontal frequency range 15 120 kHz Vertical frequency range 23 97 120Hz Pixel clock rate maximum 160 MHz Input Levels RGB with sync 1 0V p 2dB 0 79 V 1 26V RGB without sync 0 7V 2dB 0 56 V 88V 0 7 Vp p 2dB 0 56 V 88V Nominal Impedance 75 ohms Sync interlaced or progressive scan formats Horizontal frequency range 15 120 kHz Vertical frequency range 23 97 120Hz Sync Types Separate H and V Composite bi level and tri level User s Manual 5 1 SPECIFICATIONS Se Inputs xef model Power Requirements Lamp Lens Environmental C onditions 5 2 User s Manual Nominal Impedance Polarity Input Level DC Operating range Sync on green luma bi level and tri level 75 ohms positive or negative 0 5V pp 5 0V 0 5V Composite Video and S Video Signal Formats Video Standards requires optional Video Decoder composite video CVBS S Video Y C NTSC NTSC 4 43 PAL PAL M PAL N PAL60 SECAM Input Levels Composite video 1 0V 3dB S Video luma 1 0V 3dB S Video chroma 630mV norminal Nominal Impedance 75 ohms Analog Inputs VESA Standards Supported Resolution 1280 x 960 1280 x 1024 Pixel Frequency MHz 108 108 H Frequency KHz 60 63 96 H Width pix 112 112 H Back Porch pix 312 248 Tracking 1800 1688 V Frequency Hz 60 60 V Width lines 3 3 Total Lines 1000 1066 Type Progressive S
127. stalled in Input 2 and ea ion gt an optonal video decoder can ier ie be installed in Input 3 amp 4 see Appendix D ow d a am sae a Switcher port i e m S 69606 S a a H b imd XeF Model op OSS a Figure 2 1 Comparing connector availability between models User s Manual 2 1 SOURCE SETUP MOm RGBHV 5 BNCs Input 1 provides 5 BNC connectors for connecting to a variety of sources such as VGA SVGA XGA SXGA Mac PowerMac DEC Sun SGI and others This projector supports multiple sync types with RGB signals sync on green composite sync and separate H amp V syncs To properly connect RGB sources to INPUT 1 use the table and illustration below Figure 2 2 NOTE Front panel shown for the Xe model Same connection applies to XeF models e e 0 me puts Rea ee Blue O omp sync on green N N N composite sync N N N N separate horizontal and N N N Ni V vertical sync NOTE Connect the Sync BNC inputs first GB and SYNC to INPUT 1 Figure 2 2 Connecting RGBHV sources Component Video YPbPr Connect a YPbPr signal component video to INPUT 1 NOTES 1 Not applicable to RPMS 500XeF models 2 If for some reason the projector fails to recognize a YPbPr signal specify this Color Space option within the Image Settings menu 2 Do not connect digital component signals to INPUT 1 Use the appropriate digital interface installed at INPUT 2
128. stie s highly trained and extensive factory and dealer service network is always available to quickly diagnose and correct projector malfunctions Service manuals and updates are available to service technicians for all projectors If you encounter any problems with the projector and require assistance contact your dealer or Christie Digital Systems Fill out the information in the table below and keep with your records for future reference Purchase Record Dealer Dealer Phone Number Projector Serial Number Purchase Date Installation Date if applicable NOTE The projector serial number can be found on the license label on the electronics module Section 2 Source Setup 2 1 2 2 Introduction Source Connections This section includes information on the setup and connection of various sources to the projector Sources should only be connected after the projector has correctly been installed For mechanical installation and first time setup instructions refer to the separate Installation Guide provided in the User s Kit A variety of external sources can be connected to the input ports on the Electronics Module EM main input panel The projector s main input panel is located on the Electronics Module Use the illustration below Figure 2 1 to compare the various connectors available with each projector model Xe Model Various Optional Input Modus can be in
129. t band of the grayscale pattern which should be 100 white Do not adjust too far 5 Go back and check the black band adjust the blacklevel slidebar if necessary Adjustments are related so you may have to go back and forth until both bands are just optimized 6 Repeat Steps 2 5 with the other two remaining primary colors When each primary color shows one optimized black band and white band the input levels for this source are correctly set Upon exiting the Input Levels menu the Peak Detector checkbox will clear 2 Agun OAA NAg apa tat De ARABI pent aoe omit Be sie Derek vance coe 4 Ace pasa ONG ier ove Ger prez kelmi one WIS DRL ROSY ee YL Z Caoese woe wires ooa a nins Ww ie 3 SDa v Mlay Aaea Figure 3 20 Adjusting Blacklevels by Enabling Peak Detector Processing Mode This control determines the projector s processing route for the incoming signal gt 1 Auto 1 AUTO default The projector will automatically 2 Video 3 GraphiesIHD TV select the correct processing mode according to 4 Minimum Delay what input signal it detects Use Auto unless you 5 Advanced 10 Bit ADP want or need to override its performance and apply a specific mode instead 2 VIDEO Performs 15 kHz NTSC PAL video de interlacing regardless of signal type Note that this option utilizes 8 bit processing 3 GRAPHICS HDTV Performs basic de interlacing and scaling regardless of signal type Not
130. t register The projector should not be placed in an enclosure unless proper ventilation is provided en MAINTENANCE 4 2 Servicing Cleaning and Maintenance Do not poke objects into the ventilation openings of the projector They may touch dangerous voltages or short out components resulting in a fire or shock hazard Do not spill liquids of any kind into the projector Should an accidental spill occur immediately unplug the projector and have it serviced by a qualified service technician If any of the following conditions exist immediately unplug the projector from the power outlet and ask a qualified service technician to look at it The power cord has been damaged The internal cooling fans do not start operating when the projector is first turned on NOTE Fans in the lamp ballast will start once lamp is ignited Liquid has been spilled into the projector The projector has been exposed to excessive moisture The projector is not operating normally or its performance has significantly deteriorated in a short period of time The projector has been dropped or the shipping case if applicable has been badly damaged A WARNING Do not attempt to service the projector yourself All servicing must be performed by manufacturer accredited service technicians Use replacement parts that are manufacturer approved only Use of any other part other than the ones specified by the manufacturer can result
131. t straight up until the side locating tabs are clear and the lamp module is free Discard the lamp using approved disposal procedures in your area To replace a lamp 7 Grasp the new lamp by the handle Orient the lamp so the only and lift it over the opening Pilea leaps ater S Align the side locating tabs with KS the cutout recessed area in the lamp compartment een MAINTENANCE EE M 4 5 Replacing the Filter SSS ee eed 4 6 Troubleshooting 8 Lower the lamp all the way in so the lamp seats fully into the terminal block at the bottom of the compartment 9 Tighten the 4 captive screws loosened in Step 3 until the lamp plate is flush with the lamp housing The lamp will not strike if the screws are not tightened 10 Plug in and power up the projector 11 Access the Lamp menu item 5 in Main Menu and select the Change Lamp option Enter the new serial number in the Lamp S N text box When the new number is recorded the lamp timer will automatically reset to 0 hours and begin to log time NOTES 1 Once entered the new lamp serial number is also automatically added to the Lamp History submenu read only 2 Lamp life data is required for warranty claims IMPORTANT If you fail to enter a serial number the lamp timer will not automatically reset to 0 and inaccurate lamp hours will be shown in the Status menu The lamp life limit may then expire prematur
132. te levels to 100 maximum Ad importante Never change color temperature white levels in color matched applications Step 2 Adjust Light Output in 8 Zones 2a For each screen compare the light output of each edge and corner to that of the center If any of the areas differ use the White Uniformity menu to match edges and corners to the center as described below Begin with the screen exhibiting the most obvious variations in light output Adjust edge White Uniformity first note that each edge adjustment also affects the rest of the screen slightly Keep all edges just slightly lower than the center light output rather than matching light output precisely Otherwise it may not be possible to brighten the corners typically the dimmest areas of the screen enough In the White Uniformity menu Overall should be set to 50 0 or less Do not exceed 50 0 a higher level will interfere with achieving brightness uniformity and is not recommended Adjust corner White Uniformity last each corner adjustment affects only this quadrant Repeat for each screen White Uniformity Mezod light ou put to an rf zone 4 Left Side 35 6 z Right Side 17 4 2 3 TopEdge 9 20 gt 4 Bottom Edge 10 2 5 Top Left Comer 35 11 01 6 7 8 9 Top Right Comer 73 5 PT Bottom Left Comer 3 00 Bottom Right Comer 94 _ Overall 50 0 Pa ldjuatiaite putt entre kt de Looketoerterofaie
133. the signal is not recognized by the projector On some PCs you may be able to change the settings to generate a compatible signal If the frequencies shown in the Status menu are incorrect check the cabling to see where the problem is System Warnings Errors When the projector encounters a system malfunction either a System Warning message or a System Error message may appear Both types of messages are accompanied by a steady red Power LED and a flashing red and yellow error code 3 52 User s Manual en OPERATION on the Status LED This condition indicates the need for service by a qualified service technician NOTE System messages appear on screen only if Display Error Messages has been set to Screen or All System Warnings A system warning message indicates that a system malfunction has been detected see Status LED Codes below A system warning message replaces any input signal message and disappears when the input signal status changes While the projector will remain operational the message indicates the presence of a serious problem that should be reported to the manufacturer You can press to remove the message but for best results you should reset the projector power the projector down and up again with the key System Errors A system error message indicates that a serious malfunction has been detected and must be reported to the manufacturer see Status LED Codes below The projector wi
134. ther cases only red or blue may be required NOTE Green affects the light output of any color the most blue the least 3d ADJ UST NEXT PRIMARY IN ALL PROJ ECTORS When all greens match select Next Primary from the Green Primary menu The blue Primary menu will appear and your screens will turn to a full blue field Repeat steps 3b amp 3c for blue and then red For each primary adjustment add other secondary colors as necessary 3e RECHECK ALL COLORS AND ADJ UST IF NECESSARY 3f ADJ UST WHITES Exit the main Adjust Primary Colors CSC menu to view all white fields once more If necessary adjust white levels to match all white fields All screens should now be color matched For each projector the settings define your chosen User color temperature For best results set Lamp Mode to Intensity on all projectors light output from each will be maintained over time to within 10 of the current level Then proceed to the Achieving Brightness Uniformity procedure provided below 3 48 User s Manual en OPERATION Applying the Primary Color Adjustments for New Sources For any new sources that you may use keep in mind the following e User 1 is the default color temperature for all sources as long as the Primary Color Enable checkbox is checked in the Adjust Primary Colors CSC menu e 6500K is the default color temperature if you adjusted primary colors for User 2 3 4 regardless of the status of Prim
135. tions You can override this by selecting a value from 1 10 with 1 applying no filtering and 10 applying maximum filtering High filtering levels will soften the image slightly particularly evident along horizontal edges Use the options in the Configuration menu to change system parameters to suit your preferences run diagnostics and access the Service Menu These options should only be modified by experienced users and technicians and typically don t require modification when switching sources Configuration Image Orientation Eroi Language Menu Preferences Communications Geometry Color and Uniformity Auto Power Up O Diagnostics and Calibration Reserved Service SOON MAERwW Nr Figure 3 21 Configuration Menu Image Orientation Use this pull down list to change the orientation of the image according to your installation For example when the projector is in a rear screen lens vertical configuration using a first surface optical mirror the image must be inverted and flipped therefore Inverted Rear should be selected Language Choose from English French Spanish German and Italian language The menus will change immediately upon selection en OPERATION Menu Preferences Choose the options in this menu to adjust the way the on screen menus are displayed in presentation level Menu Preferences _ Menu Location L4 bi Horizontal Shit 5 P Sid Vertical Shit 10 m Display Cha
136. two preset color temperatures For example 7841 is interpolated from 6500 and 9300 WHITE LEVELS These 3 controls are adjustable only if a User choice is selected in which case User 1 2 3 or 4 appears at the top of the Color Temperature Setup menu Their current values are shown for the active color temperature Changing a white level here changes the drive contrast for that color essentially creating a new color temperature that is warmer or cooler etc For maximum overall brightness always keep at least one white level at 100 When you are satisfied with the new User temperature it can be used immediately upon exit or it can be selected from either the Image Settings Color Setup menu or the Color Temperature Setup menu as usual You can re define a User color temperature at any time using the Color Temperature Setup menu User s Manual 3 27 OPERATION MO COLOR ENABLE Select which color or colors you want to see useful while working with color temperature white levels COPY FROM Use this option to replace the currently selected User color temperature setup with that of another This function can be particularly useful for creating a starting point for a new User color or for accessing an unaltered factory default It is disabled for all color temperatures except User See Figure 3 18 le Color Temperature Setup 1 Select Color Tem 2 Interpolated Color 6541 M 3
137. u Image Settings make sure Video Termination is checked for the final projector only All other projectors must have this option unchecked in order for the signal to continue For other types of display devices in the chain typically a Hi Z switch position is needed S Video Loop Through CONNECTIONS From your source connect an S video source signal to INPUT 4 using either the 4 pin mini DIN or the 2 adjacent BNCs labeled Y and C Connect a second cable from whichever INPUT 4 connector is free to one of the S video inputs of the next display device or projector Continue this looping method for each projector using either 4 pin mini DIN or the 2 adjacent BNCs as input into INPUT 4 then using the other connector s as an output i e loop through Whether you use 4 pin mini DIN or the 2 adjacent BNCs as input or output depends on the type of cable you have on hand and what type of connectors are on each end From S Video source To next projector or previous projector i or display device or visa versa pe DVI Input Module OWIINPUT wi CUTPpUT Figure 2 10 S Video Loop Through a SOURCE SETUP Extra Video COMPOSITE OR S VIDEO Optional Inputs Connecting a switcher VIDEO TERMINATION In the Video Options menu Image Settings make sure Video Termination is checked for only the final projector All other projectors must have this option unchecked in order for the signal to continue For other t
138. u Key 3 5 Menu Navigation 3 8 Menu System Navigation 3 17 Minimum Delay 3 33 Multiple Projectors 2 10 3 45 Mute Key 3 8 N Network Split See Split Network No Resizing 3 19 No Signal 3 52 Numerical Entry 3 11 O Optional Inputs 2 7 OSD Key On Screen Display 3 7 P Pixel Key 3 6 Pixel Phase 3 21 3 24 Pixel Tracking 3 21 4 10 Position Key 3 7 Power Requirements 2 10 Setting for Lamp 3 43 Power Connection 2 10 Power Key 3 4 Presentation Level Definition 3 4 Processing Mode 3 32 Proj Key 3 6 Projector Number 3 11 3 37 3 45 Resetting 3 53 Projector Head Module PHM 3 Projector Overview 1 1 Protocols 2 10 3 36 Changing 2 10 Changing in Projector 3 36 Pull Down Lists Use of 3 10 Purchase Record and Servicing 2 R Resize Presets 3 18 Resizing 3 18 RGBHYV 2 2 RS 232 2 7 2 10 3 36 3 45 3 46 RS 422 3 36 3 45 S Screen Size 4 10 Serial Port Connections 2 8 Serial Ports Communication Cables 3 36 Sizing 3 18 3 20 Slidebar Adjustment 3 9 Slidebars Using 3 9 Slidebars Direct 3 10 Slidebars Double 3 9 Slidebars Direct 3 17 Slot 3 16 Source Connections 2 Source Setup See Channel Split Network 3 38 Standby Key 3 5 Status and Power LEDs 3 2 Status Menu 3 44 S Video 2 5 Extra 2 7 Loop Through 2 6 Switcher 3 16 3 36 Switcher Connection 2 7 Sync Def and types 5 Test Key 3 7 Text Editing 3 11 Time outs 3 9
139. uie OVI MPUT L_ Spin D style c connection To computer lt _ Figure 2 13 Connecting to the RS 232 input connector When connecting multiple projectors in a network with serial communication connect the controlling source to the RS 232 IN connector of the first projector in the network Then take another serial communication cable and connect one end to the RS 232 OUT connector and the other end to the RS 232 IN connector of the next projector Continue this pattern of connection with all projectors The last projector in the network will only have a connection to the RS 232 IN Vi inar Module Ov LiMPUT v1 OUT PUT offsite ofm 1 woncoum venr ye J PAN EN Sg ie y I CIS a L L gt E l From computer ot previous projector To next projector Figure 2 14 Looping RS 232 cables between multiple projectors User s Manual 2 9 SOURCE SETUP 2 10 or a 2 4 Power Connection EEE 2 5 Keypad Protocol User s Manual Figure 2 15 Connecting RS 232 between multiple projectors Plug the projector s line cord into the AC receptacle located on the top of the Ballast Module then plug the 3 pronged end of the line cord into a grounded AC outlet Input voltage to Xe and XeF models must be capable of 100 240 VAC Use the proper power source and the rated line cord provided North America only See Section 5 Specifications fo
140. uitable for proper IR transmission e you want to use a separate keypad for each projector in a group User s Manual 3 3 OPERATION NOTES 1 For extra long distances and or harsh environments you may prefer to use an optional remote Two Way Controller to control the projector For operating details please see the Two Way Controller User s Manual included with this accessory Keep in mind the following guidelines 1 Press keys one at a time there are no simultaneous key presses required 2 For any key having an Poer for example hold the key for approximately 1 second in order to toggle the function with a single key press For other keys or to use a key in conjunction with or Yor a momentary press similar to a mouse click is sufficient 3 Press the lightbulb key to temporarily illuminate the backlight for the keys without sending any other command 4 E gt and repeat their arrow actions when held down For other keys release and press again to repeat an action In a network pause between adjustments to ensure that the last projector can keep up with the commands 5 Ifyou press a key while the projector is busy with another action such as during a power up the key press may not take effect When you turn on the projector it begins operating at presentation level such as an image from the most recently used source signal The projector temporarily leaves presentation
141. ull Si g Pixel Pixel Track 128 M 2 Size Full V ck Pixel Phase 0 EE 4 4 Full Width s 3 Vertical Stretch 5 Full Height 4 Pixel Track Size and Position 2 1 Focus idan tie arch 1 Top Blank 2 Zoom 7 Tiled Full Size f aoe 2 Bottom Blank 3 Lens Horizontal Offset 8 Tiled Full Width 1 3200K ete 3 Left Blank 4 Lens Vertical Offset 9 Tiled Full Height 2 5400K z oai 4 Right Blank 5 Intelligent Lens System 07 Tiled Anamorphic 3 6500K ET x E 5 PLL Loop Gain 4 9300K More o 6 Keystone 5 Useri 7 Plug amp Disphy DQ 1 1024x768x60Hz Co 6 User2 oaran 8 Tiling Setup 2 1024x768x1 20Hz T use 7 User3 Enhanced Channel 01 Sample 3 1280x1024x60Hz 2 Tint 8 Userd an annen aki eee Mel realty 3 Setect Color Tomip 9 Interpolated Color 5 NTSC Enhanced 03 o4 svideo Image Settings L5 1600x1200x45Hz A peepi Color 6 Linear Gamma 1 Contrast RGB 6 Color Temp Setu i 2 Brightness YPbPr Video ne Color Temperature Setup Channel Setup eee YPbPr HDTV ET 1 Select Color Temp 01 EA 03a 1573k 59 94 Py rara 2 NTSC 2 Interpolated Color cee parame aw E cardu E MSc b ed iat 1 Size and Position 4 BAe 01 68T 95 03 T racy eo Options re 4 Green White Level 2 Image Settings lt Enter gt Edit lt Funo gt mere optiors 9 More FAS scrim 1 Video Standard 6 PALNC 5 Blue White Level 3 Channel Setup 1 Auto Input Level 2 Input Video Black 7 PALS0 4 Configuration 2 Red Pr Blacklevel 3
142. ust Primary Colors CSC or to enable or disable Brightness Uniformity Color and Uniformity 1 Color Temp Setup 2 Adjust Primary Colors 3 Brightness Uniformity Figure 3 26 Color and Uniformity Menu Color Temp Setup Refer to Color Temperature Setup description under Image Settings Adjust Primary Colors When selected a separate menu appears that gives you the ability to adjust primary colors and intensity This is particularly important in multiple screen installations where the color and intensity of one screen must precisely match all other adjacent screens to create a seamless image Primary color adjustments affect all sources and can be applied or disabled at any time by entering or deleting a checkmark at the top of the Adjust Primary Colors menu Primary Color Enable eee ee ea 1 Primary Color Enable C 2 Red Primary Green Primary Blue Primary 3 4 Select Color Temp 6500K v 5 Red White Level 69 7 M_ Green White Level 73 3 M 6 Blue White Level 100 EE 7 Lamp Use pimay cobs ordefauts Primary colors uses defaut gamma Figure 3 27 Adjust Primary Colors CSC Menu Refer to Using Multiple Projectors for a step by step procedure on adjusting the items in this menu User s Manual 3 39 OPERATION MO Brightness Uniformity This menu allows you to Enable Uniformity and access Test Patterns White Uniformity Color Temp Setup and Lamp o
143. ve Line Time Ambient Light Rejection Analog Video Aspect Ratio Auto Source Bandwidth Baud Rate Blanking Time Brightness Candela or Candle Channel Channel List Channel Number The time inside one horizontal scan line during which video is generated The ability of a screen to reflect ambient light in a direction away from the line of best viewing Curved screens usually have good ambient light rejection Flat screens usually have less ambient light rejection The video output of most computers and videotape machines Analog video can generate a large number of colors The ratio of the width of an image to its height such as the 4 3 aspect ratio common in video output The ability of the projector to automatically recognize and synchronize to the horizontal and vertical scan frequencies of an input signal for proper display The frequency range of the projector s video amplifier The speed at which serial communications travel from their origin In this projector the RS 232 or RS 422 default baud rate of 19200 can be changed to match a controlling device The switcher baud rate of 9600 cannot be changed The time inside one scan line during which video is not generated The blanking time of the input signal must be equal to or greater than the retrace time of the projector In projection brightness usually describes the amount of light emitted from a surface such as a screen It is measured in foot la
144. vel press EE l 3 to display the Main menu To display SSO Canna Sup the Channel Setup menu press 3 or e E A 3 38 72k 59 94 move the highlight to the Channel ee a eee Setup option and press E3 The 03 BAA 01 33 72k 60 00 Channel Setup menu will appear see W Ne locetion I a Vsyno sample at right with the active A locked auto cource that appears in thol list channel highlighted An unlooked uutes ource that docs not appear in thela list Figure 3 8 All Channels Appear in the WHAT APPEARS IN THE CHANNEL Channel Setup Menu SETUP MENU As shown in Figure 3 8 this menu lists all channels defined so far and indicates how they are connected to the projector The far left column contains current channel numbers defined The values in the far right columns indicate horizontal and vertical frequencies if a name has been defined for this channel it appears here instead Other columns contain details pertaining to each channel setup such as its switcher number slot location a variety of icons indicating access to the channel and an abbreviated description of each signal type See Editing a Channel Setup for details SIGNAL TYPE Either channel list whether the key list or the Channel Setup menu identifies signal types in a shortened form as defined below These descriptors indicate what signal information the projector used to identify a match for a given i interlaced signal or p progressive signal See
145. wer as required These setups can be changed at any time Read only information includes the number of hours logged on the lamp so far and the serial number recorded for the installed lamp NOTE See Replacing the Lamp and Filter in Section 4 for complete instructions on installing a new lamp in the projector LAMP HOURS This is a read only window that shows the number of hours logged on the current lamp Whenever you record a new lamp serial number this value automatically resets to 0 where it begins to log time for the new lamp NOTE This information also appears in the Status menu LAMP S N This is a read only window that displays the serial number recorded for the current lamp When you install a new lamp and enter its serial number the number will appear here in the Lamp menu LAMP MESSAGE Enter a checkmark to enable a warning message to appear once the projector has powered up which indicates if the lamp has reached the specified lamp limit and should be replaced Delete the checkmark if you do not want to see this warning instead when your lamp expires only the status information on the back of the projector will provide the warning to replace the lamp 3 42 User s Manual en OPERATION NOTES 1 It is recommended that the Lamp Message checkbox remain enabled 2 Press to temporarily cancel the warning message The message will continue to appear upon power up until you install a new lamp LAMP LIMIT Enter
146. wer up make sure you press the key for at least 1 second or quickly press the key followed by the key Check the status of the LEDs on the input panel Are they lit If not check the connection of your power cord to the wall outlet Does the green Status LED produce a single flash with each keypress If not it is not receiving any of the keypad IR signals Point the keypad directly at the center of the screen the IR sensor is located at the front of the projector Also ensure that there is nothing blocking the transmission path Replace the keypad batteries See the instructions in this section Ensure the keypad protocol has not been changed for your keypad See Section 2 The projector is on but no image is displayed 1 2 3 4 5 6 7 8 Make sure the lens cap has not been left on Ensure projector is not in standby mode Press to clear Is an active source connected properly Check all cable connections Are there test patterns or menus present If yes check your source connections again Make sure the room lighting is not too bright Reduce light reflections as much as possible Increase contrast and or brightness of image Make sure the projector is not too far away from the screen Is the Status LED flashing a pattern of yellow and red lights while the Power LED is steady red This indicates an internal system error that may prevent the projector from operating If the problem persist
147. x NOTE Displaying of Invalid User Entry messages cannot be disabled even if Display Error Messages has been set to Off Input Signal Errors Input signal errors messages appear when you are in presentation level i e when there are no menus present and have selected an input on which the projector detects a problem While menus remain operational and pressing any key will temporarily remove the message from the screen you must resolve the signal problem in order to permanently eliminate the message NOTE Input signal messages appear on screen only if Display Error Messages has been set to Screen or All No Signal The message No signal appears when there is no signal detected at the selected input Both HSYNC and VSYNC are inactive and the screen background is black Connect or correct the signal or select another input Bad Sync The message Bad Sync is displayed when HSYNC or VSYNC are active but the signal cannot be displayed Such a condition occurs when only one of the two signals is present or when either signal is unstable or of the wrong frequency Correct the signal or select another input Other Signal Error Messages In addition to the common Bad Sync and No Signal errors you may encounter a signal error message indicating that Hsync and or Vsync are either too fast or too slow When such a message appears check the frequencies shown in the Status menu If they are correct then
148. y Use only good quality signal cables 4 Switching between analog and digital sources both connected to EM at the same time disconnect the source that is not being used 5 The distance between the input source device and the projector may be too great If the distance between the input source device and the projector is greater than 25 feet signal amplification conditioning may be required en MAINTENANCE 6 The input signal may be of poor quality 7 Ifthe source is a VCR or off air broadcast detail may be set too high Keep near 4 for most sources User s Manual 4 11 Section 5 Specifications E oS Specifications Display Inputs xe model 1 Due to continuing research specifications are subject to change without notice 2 Specifications apply to all models unless otherwise noted 3 CS70 specifications assume the use of the High Performance Screen 38 804812 01 Display Resolution SXGA resolution 1280 X 1024 pixels Brightness RPMS 500Xe XeF gt 900 ANSI lumens CS70 500Xe XeF gt 700 cd m nits Contrast Ratio 300 1 full field ON OFF Gray Scale and Color Resolution 8 bits resolution 16 8 million displayable colors Color Temperature Default 5500K 500 at 100 white Range 3200K 9600K C S70 Viewing Angle using High Performance Screen 38 804812 01 Horizontal 25 degrees half gain viewing angle Vertical 9 degrees p p half gain viewing angle Analog RGB interlaced or progre
149. y such as Position Pixel Bright and Contrast Once selected change the setting as desired see below and press to save and return to the current function menu Slidebars in menus The current value for a given option such as size or vertical stretch appears to the left Bright 500 m of its slidebar icon This number may express a percentage or specific units such as pixels degrees Kelvin etc depending on the option Press 42 or to gradually adjust the setting up or down both the number and the length of the bar change accordingly for continuous adjustment hold down the desired arrow key Or press to activate a slidebar text box for specific number entry via the keypad then press lt or 4 and Erte to save or press to cancel Double slidebars In double slidebars such TERTE Adjust with A o a as the Pixel Tracking Pixel Phase double CELE A pe slidebar adjust the top slidebar with 42 or eer ih o as desired When you have finished with AREY a the top slidebar whether changed or not Adjust with AON or YOFF User s Manual 3 9 OPERATION adjust the bottom slidebar with or FoF When you are done press to return to your presentation For fast continuous adjustments hold down the desired arrow key Direct slidebars For quick access you can often use a slidebar or double slidebar without traveling the menu system For example simply press to immediately display the sa
150. ypad it will be accepted and the cursor will move on ADD OR DELETE A CHARACTER OR SPACE To insert a space at the cursor location press gt To delete a highlighted character or space press lt PRESS WHEN FINISHED To accept the edits and move out of the edit window press Ente NOTE Press at any time to cancel changes and return to the previously defined text Enter numbers directly from the keypad in order to specify numbers representing projectors channels source setups switchers or slots As each digit is entered it is displayed and the cursor moves on Note that channel numbers are defined with 2 digits for example if you enter only a single digit like 7 for a channel number the channel will automatically be defined as 07 Use 07 to utilize this channel NOTES 1 Once you enter the first digit this digit replaces all old digits 2 If you press any non numbered key the number entered up to that point is accepted and updated as the new value 3 Press to cancel editing of numerical values User s Manual 3 11 OPERATION MO E VOTE See Section 2 Source Setup for a full explanation of how to connect a 3 5 Using Inputs variety of sources to the projector and Channels The projector stores and automatically recalls up to 99 different channels source setups for a variety of inputs This memory feature allows you to define and conveniently use a wide variety of customized setu
151. ypad as described in 2 10 Keypad Protocols and Conversion 3 Plug the keypad back into the projector Return to the Communications menu and select the new protocol you have just set up in the wired keypad TURNING OFF THE WIRED KEYPAD If you want to disable the wired keypad entirely you cannot use it to select the OFF option This safeguard prevents you from accidentally disabling the wired keypad during use Use the IR remote keypad to select OFF The projector will no longer respond to the wired keypad BROADCAST KEY Enter a checkmark if you want keypad commands sent to one projector to be relayed to all projectors in a network Note the key will temporarily override the effect of a broadcast setting and allow you to control a specific projector when necessary Make sure to remove the checkmark if using the split network feature PROJECTOR Enter a three digit number such as 001 to assign or change a number to the projector currently in use if the current projector already has a number assigned that number will appear here Numerical identity for projectors is required whenever you want to communicate with a single projector within a multiple projector application see key description in 3 8 Using the Keypad If you make a mistake in assigning or changing the projector number press to cancel For complete information about controlling multiple projectors see Using Multiple Projectors User s Manual 3 37 OPERATION
152. ypes of display devices in the chain typically a Hi Z switch position is needed If you want to use an extra video source in addition to the video source s connected at INPUT 3 or INPUT 4 connect either a Composite or S Video source to INPUT 1 as shown in Do not connect both types here simultaneously NOTE For additional video inputs remove the DVI Input module and install an optional Composite S Video Input Module at INPUT 2 pur INPUT 4 From composite video source h re ar Cud i Connect either Composite or SVideo to input 1 HOT BOTH Or from l SVideo source Figure 2 11 Connecting Extra Video Christie offers optional modules that allow you accommodate different signal types whether analog or digital Any one of these modules can be installed in RPMS 500Xe models in the area labeled INPUT 2 They include RGB 500 Input Module 38 804606 xx RGB 400 Active Loop Thru Input Module 38 804607 xx RGB 400 Buffered Amplifier Input Module 38 804610 xx Composite S Video Input Module 38 804608 xx PC250 Analog Input Module 38 804609 xx Serial Digital Input Module 38 804602 xx Digital HDTV Input Module 38 804611 xx Video Decoder Module 38 804600 01 NOTES 1 Connect analog HDTV signals directly to INPUT 1 or to any RGB input module installed at INPUT 2 the optional HDTV Input Module used in earlier Christie projector models is not nee
153. zoom lens Appendix B Keypad Reference Adjust pixel phase and tracking Adjust h oriz ontal and vertical position Adjust contrast Adjust brightness Use to select a menu item change a value and accept an option Move highlight in menu up down increase decrease values tog gle power on off Use with number keys to select an input Use to enter a value projector ID Turn image off screen goes black Fume To access color shortcuts Cd osp Turn menu on off ce Menu Access Main Menu Turn keypad cp m backlighting on Use to exit a menu or return to previous EE Select projector a ai i Selecta channel Access general help _ Access test pattern s Jeet Toggle current menu on off Power projector on off 00 DISITAL rYreTEene indicates Press and Hold for approximately 1 second to activate the feature User s Manual B 1 Auxiliary Fan Connector 4 1 View looking into connector Appendix C Auxiliary Fan Connector pin 1 pin2 pin3 pin 4 pin5 5 2 l pin6 12V 300mA max GHD DETECT connectto pin 2 or 4 to enable detection of external fan GUD SENSE connectto open collector style tachometer output of 3rd wire style fan 12V 600mA max PCB Connector AMP 770969 1 Recommended Mating Connector AMP 172168 1 Reco

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