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DCP User`s Manual

1. sod 4aMOd 9 0 SIN pa j Z HOLIMS asnoq o YIMOd STWHITINA IEEE eee eel i j la Tno gt Em s a ozy A aTWH 440 8 e z A fe 2 sole E tsa vo1ow Honma g ue fd s es YOLVOIONI O wie T E E NO OW 3 eg aay IM 440 NO Y3MOd g s gt q SLOWSY 2 no a woownmoaan g eME SM Nauvon t 3 30a PM 1 OVASI 5 J i e EM sole 72 ae TEM UM a 8 ZM 1 Noocls t HOOTSIN Ti XJ zr l i Aava y zsa Z00 018961 ZXY z z ala eecccccccccccs q 3p rar ee Pcccccoccccces SWSLSAS TVLIDIG SULSIUHO 40 NOISSIWY3d ana NALLIUM SS34dX3 LNOHLIM SNLVNddY 40 3S sro 0 02 60 ANSSI IWNISINO V Y0 JYNLIVINNVIN JHL X04 Sisva IHL SY a3s n ss sovis HO daIdoD HO G39NGOa3H 38 LON TIVHS ONV aanouday ava Nolwaitosaa nau SWBISAS TVLI0I0 AULSIHO 40 ALHIdONd SIUC AHL SUV NOLLVOINIOadS ONY SONIMVEC 3S3HL SNOISIASY SCHEMATICS M Figure B 3 DCP Lamphouse SLi D Model DCP User s Manual B 4 Appendix C Serial Communication Cables Serial Links to Cine IPM When connecting the Cine IPM to a computer another Cine IPM or the Marquee Signal Switcher formerly manufactured by Christie use the appropriate serial communication shielded cabling as illustrated 4 From Cine IPM to computer RS 232
2. Unicode Enable UNC 0 Enable non unicode communication default UNC 1 Enable unicode communication non Western languages UNC 000 Reply from proj that communications are in non unicode UNC 001 Reply from proj that communications are in unicode Channel Switch CHA CHA Switch to channel where is 101 108 CHA What is the current channel CHA 107 Reply from proj that current channel is 107 Channel Name NAM NAM 108 Tilt the Wagon or Name or rename a channel button To save up to 8 NAM S108 Tilt the Wagon channel names to flash use SAV command S not yet used Later releases only Save SAV SAV Save to flash will save channel names Picture Mute PMT PMT 0 Turn off picture mute show image PMT 1 Turn on picture mute blank image PMT Is picture mute ON or OFF PMT 000 Reply from proj that picture mute is OFF PMT 001 Reply from proj that picture mute is ON Setup and Shutdown SETUP 1 Open an Ethernet socket to the TPC address socket 5000 By default the TPC address is 10 10 10 110 If you have additional TPCs the installer should have defined their addresses as 10 10 10 111 10 10 10 112 and so on 2 From the controller issue the UNC command to recognize non unicode default or unicode at the socket as desired see Glossary 3 Wait for a response UNC 000 or UNC 001 before continuing with any other commands This will ensu
3. Figure 2 11 Position Adapter at Projector AERIAL VIEW not to scale 3 Center the anamorphic adapter from side to side DCP User s Manual 2 9 INSTALLATION AND SETUP Se 4 Secure all screws 3 16 2 on the top of the clamp 4 on the bottom yust until snug then tighten all 5 INSTALL ANAMORPHIC LENSES Q Q Q Spread the anamorphic arms out fully away from the primary lens Remove lens caps front and back Standing behind either arm face the screen and insert each anamorphic lens rear first into its proper side 1 5X LENS Installs on the operator s side of the projector Add a 4 spacer ring provided at the back of the retaining ring then insert the lens although the 1 5x lens is smaller overall its rear protrusion is longer and will strike the primary lens during use unless the lens is forced to be slightly out from the retaining ring 1 9X LENS Installs on the non operator s side of the projector Insert the 1 9x lens all the way into the adapter ring to the back stop Orient anamorphic lens as shown at right with aperture positioned vertically NOTE Precise orientation of the aperture is established later rotating the lens while examining all edges of an image for perfect leveling t Carefully swing anamorphic arm so that lens is positioned approximately 1 8 in front of the Orientation primary lens do not bump the primary lens Note that if the anamorphic l
4. When you select a direct input press freu or aput newg input or input the existing channels in the Cine IPM are searched for matching input and signal parameters If no match to the incoming input signal is found in the currently defined channels a new channel is temporarily created based on factory defined defaults for this signal The channel number assigned to this channel is the lowest available number from 01 99 NOTES 1 An automatic channel will be discarded unless one or more of its parameters are changed and will not appear in the Channel List see below 2 If two channels have the same distinguishing source characteristics except for the reversal of sync connectors i e H sync and V sync are switched they are still defined as distinct channels 3 You cannot define a new channel without a signal present If the incoming signal does match an existing channel the image will be set up and displayed as usual according to the parameters currently defined for that channel DCP User s Manual 5 17 NON CINEMA OPERATION a USING A CHANNEL You can normally select a channel at any time by pressing see right If you want to prevent a channel from appearing in this list you must edit the channel as described in Channel Edit later in current channel this section Such a Channel 01 channel can still be 01 0 2 pDig Display Enter 2 digit channel selected by entering its 02 0 1 p4WH xga or Mov
5. eee To power supply I Figure 2 1 DC Input Connections 2 Position Pedestal amp Lamphouse Assembly APPROX Roll the pedestal lamphouse assembly to approximately 3 feet in front of port window Center with the theatre screen gt as best you can for your installation area Figure 2 2 If forced to be off center try to optimize aim as shown This will create slightly keystoned images but minimizes horizontal offset In any case the projector may likely be higher than the center of the screen By compromising aim to be more parallel some lens offset will reduce the keystone distortion en INSTALLATION AND SETUP O IDEAL TYPICAL COMPROMISE i r Screen Center i Off center il Projector Center Aimed projector Figure 2 2 Centering lt gt AERIAL VIEWS Note that for installations having a particularly short throw distance combined with a very wide screen you may have to forfeit some aim and increase offset in order to reduce significant keystoning Later when your projector is up and running adjust precise image geometry and placement as described in 2 5 Basic Image Alignment 3 Install Feet For permanent NOTE Projector head does not have to be present installations install 4 feet by raising the pedestal with a fork lift or similar Screw one foot into each of the 4 corners until Raise approximately projector 32 of thread remains exposed Se
6. For computers having a 9 pin AT type serial port Standard RS 232 cable with 9 Pin D Connectors Proj Computer ee Shielded Multi conductor Cable male Wiring T From Cine IPM to computer RS 232 For computers having a 25 pin serial port Standard RS 232 cable 9 Pin male to 25 pin female Proj Network IN Computer female male Wiring Shield DCP User s Manual C 1 SERIAL COMMUNICATION CABLES ee T From Cine IPM to RS 422 compatible computer Proj RS 422 male 7 Shielded Multi conductor Cable r Male proj port Wiring 1or2 a 1 e Wiring varies among computers Consult 2 the documentation for your device 34 e Generally the 12V pin 5 is not connected Consult the documentation for your device 1 Tet Connect Tx to Rx 3 Rey e Connect Tx to Rx 4 Rx Connect Rx to Tx 5 12V Connect Rx to Tx 6 GND g From Cine IPM to Cine IPM RS 232 Standard RS 232 cable with 9 Pin D Connectors Proj Proj Network OUT Network IN male female Wiring T From Cine IPM to switcher Standard RS 232 cable with 9 Pin D Connectors Proj ee E E Switcher IN male port Shielded Multi conductor Cable female port Wiring C 2 DCP User s Manual en SERIAL COMMUNICATION CABLES Serial Links to Projector From a PC or se
7. Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours Hours How Old is My Lamp Calculate lamp age as follows Cumulative lamp hours shown as LAMP HOURS on the projector Last recorded Lamp Hours column 1 in Table 3 10 Hours logged on the installed lamp DCP User s Manual 3 25 BASIC OPERATION 3 26 Mn NOTE See Section 2 3 6 Working with the Lens Zoom Offsets DCP User s Manual Adapter Rods 2 Installation and Setup for all lens installation and boresight instructions The DOP lens mount secures the primary zoom lens to the projector head It provides 1 setup adjustments for correct boresight 2 manually controlled offsets and focus for general use and 3 two protruding rods for installing the anamorphic lens adapter Anchor Bolt One or more anamorphic lenses can be installed into the adapter then either lens can be swung into place in front of t
8. Maintenance 6 1 Warnings and Guidelines Labels and Markings General Precautions This projector is designed for safe and reliable operation However safe operation is not assured by design alone installers service technicians trained operators and all other users must maintain a safe environment at all times Please read through and understand all warnings and precautions before attempting to operate the projector Observe and follow all warnings and instructions marked on the projector The exclamation point within the equilateral triangle indicates related operating maintenance instructions in the documentation accompanying the projector The lightning flash and arrowhead symbol within the equilateral triangle indicates non insulated dangerous voltage within the projector s enclosure that may be of sufficient magnitude to constitute a risk of electric shock Be aware of the following general precautions in all DCP installations A WARNING A A Never look directly into the projector lens or at the lamp The ee extremely high brightness can cause permanent eye damage r A WARNING A a x For protection from ultraviolet radiation O keep all projector housings intact during operation w Protective clothing and safety goggles are recommended NOTES 1 The American Conference of Governmental Industrial Hygienists ACGIH recommends occupational UV exposure for an 8 hour day to be less than 0 1 microwatts per s
9. 0 Display Error Messages All y Large Menu Font a MENU LOCATION Use the pull down list to choose a pre defined or customized default location for the display of on screen menus al Ge Ga gS CS fs To create a custom menu location choose a preset that is closest to the desired area Then adjust the slidebars of Horizontal Shift and Vertical Shift to move the menu to the desired location To prevent cropping of larger menus avoid locations too close to a corner or edge HORIZONTAL SHIFT AND MENU SHIFT Shift your menus as desired creating a customized menu location DISPLAY CHANNEL LIST Enter a checkmark if you want to see a scrollable channel list whenever you press from your presentation These channels must be marked with a list icon in the Channel Setup menu This option also enables on screen feedback when using the key If you prefer to hide the channel list and input dialog box while switching channels and sources during a presentation do not enter a checkmark NOTE The Channel List and input dialog box cannot be hidden when a menu is displayed DISPLAY SLIDEBARS Enter a checkmark to superimpose a small slidebar over the current image whenever an adjustable parameter is selected directly with a key the option does not affect slidebars in menus such as Eoi Position or Bion If Display slidebars is unchecked these slidebars can still b
10. OTHER EMERGENCIES Press the 3Q STOP button at any time to stop an automation the lamp will turn off Turn on the house lights manually if necessary en CINEMA OPERATION 3Q Component Functions Control panel switches and their intended functions are described in Table 4 2 Note that using a functioning manual switch overrides a 3Q automated event MOTOR N AUTO LAMP DOUSER DIMMER FORMAT START ON OPEN UP FLAT AUTO CLOSE DOWN SCOPE FORMAT PRE SELECT MANUAL CONTROLS MANUAL CUES START r FEATURE 1 FORMAT AUDIO FORMAT AUDIO FLAT STEREO FLAT SR SCOPE SR SCOPE DIGITAL Figure 4 4 3Q Control Panel Table 4 2 Basic 3Q Control Panel Intended Functions CONTROL FUNCTION SWITCH TYPE AUTO Start green light Starts automation Latches Start Relay engaging lamp Masking to Start format Sets audio to Momentary non sync Will not start if fail safes are down Illuminated green when on Stop red light Stops automation Disengages Start Relay and lamp off Illuminated red or if fail safes down Momentary MANUAL CONTROLS Motor Manual motor control Latch Lamp Manual lamp control Latch Douser Not applicable there is no quick douser available in this model Momentary Dimmer Manual house lights on off Momentary Format Manual control of masking Momentary FORMAT PRE SELECT Start Format Selects flat or scope format for trailer
11. s Manual A 7 GLOSSARY M RGB Video RS 232 RS 422 S Video Scan Frequency Scan Line SECAM Show Script Slidebar Source Source Setup Spot Size Switcher Sync Sync Width TTL Video A 8 DCP User s Manual The video output analog or digital of most computers Analog RGB video can have 3 4 or 5 wires one each for red green and blue and either none one or two for sync For three wire RGB the green wire usually provides sync See TTL Video A common asynchronous data transmission standard recommended by the Electronics Industries Association EIA Also called serial communication A less common asynchronous data transmission standard in which balanced differential voltage is specified RS 422 is especially suited to long distances The output from certain video tape players and video equipment S Video separates sync and luminance from color information typically producing a higher quality display than composite video The horizontal or vertical frequency at which images are generated One horizontal line on the display A video output format of some video tape and disk players used primarily in France SECAM Sequential Couleur 4 M moire signals are similar in resolution and frequency to PAL signals The primary difference between the two standards is in the way color information is encoded A small file consisting of automation cues in addition to a play list triggering theatre even
12. the effect of a broadcast setting and allow you to control a specific projector when necessary Projector NOTE This function is used in multiple projector installations only Enter a three digit number such as 001 to assign or change a number to the Cine IPM projector currently in use if the current Cine IPM projector already has a Communications 1 Baud Rate 38400 i FrontIR AorB v number assigned that number will appear 4 Wired Keypad Aor B z here Numerical identity for projectors is 5 Broadcast Key V required whenever you want to 6 Projector 003 communicate with a single projector within TE ha sa a multiple projector application see Ur iS key description in 5 4 Using the Key ad To assign a new number enter up to 3 digits 8 yP a 1 001 2 002 etc If you make a mistake in assigning or eten changing the projector number press to cancel Figure 5 23 Projector Number For complete information about controlling multiple projectors see Section 5 10 Reserved No function This read only menu lists a variety of details about the standard and optional components currently in use or installed in the Cine IPM Refer to the Status menu for versions of hardware left side and software right side installed and for your DCP User s Manual 5 41 5 9 Creating Wide Displays DCP User s Manual NON CINEMA OPERATION M Cine IPM serial number In addi
13. until the projector tilt matches the incline of the screen 3 Secure all 4 tilt hold down bolts to tilt Loosen 4 Ss Tighten 4 lock down bolts lock down bolts 4 If necessary adjust the leveling feet for side to side leveling or for additional tilt Figure 2 23 Note that you may have to adjust level more precisely once an image is present NOTE Projector head does not have to be present Sthg Figure 2 23 Adjust Feet for Leveling Tilt DCP User s Manual 2 17 INSTALLATION AND SETUP ME 2 18 ee 2 3 Initial Power up amp Display Se 2 4 Maximizing Light Output 2 5 Basic Image Alignment DCP User s Manual With all components installed and connected connect to AC and power up the projector as described in 3 2 Power up Procedure A important Make sure the liquid cooler alarm sounds upon power up indicating it is ON Also check for green power light on top of cooler Immediately apply the appropriate lamp current for your lamp and adjust the lamp position as described in 3 5 Working With the Lamp Once the projector is powered up with a newly installed replaced lamp and a well aligned reflector adjust lamp bulb position to help ensure safe optimized operation as well as peak brightness at the screen Using the 100 white internal test pattern adjust the lamp as described in 3 5 Working With the Lamp Adjustin
14. Figure 3 4 Main Menu Functions FEATURES and PRESENTATIONS To start a different feature or presentation press its corresponding display button on the Main menu Figure 3 4 If a test pattern was previously displayed it will be turned off with the channel change The small Status and User buttons in the corners do not affect the display USER TEST PATTERN To access the simple user test pattern default full white field press the Test Pattern button To return to a presentation toggle the Test Pattern button again or select one of the 8 display buttons NOTES 1 Allow 2 3 seconds for the user test pattern to appear 2 If desired anyone can re define this test pattern using DCP Librarian default full white field 3 To examine other conditions in the display a trained operator can choose from a full range of test patterns offered in the password protected Advanced menu DCP User s Manual 3 9 BASIC OPERATION 3 10 Status Menu Current Cine IPM Status _ Menu is expanded Press to close Menu is compressed memm Press to see more e Source Info e Environmental Checks e Self test Diagnostics Scroll read only Status About Cine IPM ONLINE a Power On Input 03 Channel 19 Signal H 15 73kHz V 59 94Hz i Standby Off osbD On gt 7 0 EME O Temperatures L Ca
15. NOTES 1 Press or to jump between pages in an extra long pull down list 2 Press while in a pull down list to cancel any change ACTIVATE THE EDIT WINDOW To enter or edit text highlight the desired parameter such as a channel name and press to activate its adjacent edit window Any previously entered text is displayed with its first character highlighted in a square cursor signifying that this character is ready for editing NAVIGATE WITHIN THE EDIT WINDOW Press to move the cursor forward or lt to move the cursor backwards as desired EDIT A CHARACTER To edit a highlighted character use 4 and to scroll through the alphabet numbers spaces and punctuation available When the character you need appears press to select it AON a scroll alphabet Press gt the cursor will move to the next character of VOFF numbers etc to select and Cursor highlight Move with lt show2 go to next current text if present Note that you can also enter a number directly from the Figure 5 8 Entering Text keypad it will be accepted and the cursor will move on ADD OR DELETE A CHARACTER OR SPACE To insert a space at the cursor location press gt To delete a highlighted character or space press lt show2 show2 Press Press lt to insert a space before to delete show 2 show P
16. The key does nothing if the main Cine IPM on off switch is OFF 2 Make sure to hold for approximately one second Or press quickly and release and follow with aon 3 Do both Cine IPM LEDs come on Check that the power cord is properly connected and that you are using the correct cable provided with the module 4 Does the green Status LED flash with each key press If not the Cine IPM is not receiving the keypad s signals Make sure that IR sensor is not blocked or check keypad cable for wired keypad 5 The batteries in the IR remote keypad may need to be replaced 6 The keypad may have been disabled by a change in protocol See 2 10 Keypad Protocols and Conversion and 5 8 Configuring System Parameters The Cine IPM and projector are both on but there s no display 1 Was a lens cover accidentally left on Remove lens cover Is the correct AC power source connected See Section 8 Specifications Is the manual douser lever in Closed position Is the projector in stand by Is the correct button selected on the Touch Panel Controller Gener tS Is an active source connected properly Check the cable connections And is the correct alternative source selected Press neu input input or meug to select See 2 8 Connecting Sources and 5 6 Using Inputs and Channels for details 6 Are there test patterns or menus present If so check your source connections again 7 Is the Cine IPM Status LED flashing a
17. connection may sometimes lead to unexpected results in the display Use of the Cine IPM is recommended for maximum flexibility and best results from all non cinema or alternative content For any display the projector interprets incoming signal data according to one of eight user selectable display files defined at the time of DCP installation and or with each subsequent release of a new digital cinema feature and stored in projector memory Each file is essentially a collection of processing display settings optimized for a particular cinema feature or alternative non cinema content enabling consistent presentations with minimum further adjustment Each file is represented by an assigned display button which is selectable on the Touch Panel Controller Depending on your installation you may have 0 8 different non cinema sources defined DCP User s Manual 5 1 NON CINEMA OPERATION TO SELECT A NON CINEMA SOURCE With a non cinema source connected to the DCP via the Cine IPM use the main menu on the Touch Panel Controller to select the display button representing the desired non cinema source Once selected the button will darken and the projected display will change according to the corresponding file settings See 3 4 Using the Touch Panel Controller if you need help oven Pan y Controller If desired use the Cine IPM keypad and menu system to further adjust the display as described in the remainder of Sectio
18. gt to save or to cancel When you are done press to save and return to your presentation NOTES 1 You can still adjust a direct slidebar as usual if the menu display is turned off see or Menu Preferences menu the slidebar just won t be visible 2 A direct slidebar disappears if it is not used within 5 seconds Checkboxes Conditions are present if its adjacent checkbox contains a checkmark To toggle the checkbox simply highlight and press Ee or to check and lt to uncheck For a checkbox that is numbered simply enter Ee the number of the option to toggle the checkbox Pull down lists To see a pull down list of options available for a given parameter labeled with a v you can e Highlight it and press e Or enter the menu option number Use or keys to navigate up and down within the list the current choice is noted with a small Press to choose an option from the list if desired en NON CINEMA OPERATION Editing Text Configuration 1 K3 2 Language En gt 14 English EA enu Preferences 2 Fran ais Ses 4 Communications 3 Espo ol 5 4 Deutsch New 6 5 Italiano c 7 Auto Power Up _ 8 Diagnostics and Calibration 9 0 Service Figure 5 7 Example of Pull Down List Or of you prefer to quickly scroll through a list without first pulling it down highlight the option and use lt or gt Press when the desired choice appears
19. 1 Two Way Controller 5 4 U User Color Temperatures 5 30 UV Gasket for Snood 2 15 y Vertical Filter 5 36 Vertical Position Cine IPM 5 26 Video Through Cine IPM 5 2 Video Standard Cine IPM 5 32 Video Termination 2 29 Volume Key 5 9 W Warnings for Lamp 6 2 Warnings for Operation 3 10 6 1 Weight of DCP 8 3 White Levels 5 30 Who Should Use This Manual 1 3 Wired Keypad 5 40 Wiring Lamphouse to Pedestal 2 2 Proper Grounding 2 16 Y YPbPr 5 28 Connecting 2 27 Z Zoom Adjustment Primary Lens 3 26 DCP User s Manual INDEX 5
20. 1 e input connected at the Cine IPM can have numerous different channels associated with it INPUT An input simply describes a physical location for an incoming signal connection These connections are always either on the Cine IPM itself one of the four inputs or on a switcher connected to the Cine IPM switcher port describes the source signal according to two specific criteria only to which switcher it is connected and to which slot it is connected and is identified by a 2 digit number entered on the keypad The first digit specifies the switcher 0 9 the second specifies the slot 1 9 Note that the Cine IPM is always considered switcher 0 EXAMPLES use source connected to switcher 1 slot 3 W G use source connected to the Cine IPM slot 1 i e You can switch to an input in either one of two ways Pressing the appropriate direct key on the keypad reu input input or input is a quick and seamless way to display from one of the four inputs connected at the rear of the projector Or if your Cine IPM has a switcher connected to it at the SWITCHER port press the general key and enter the 2 digit number representing the switcher and slot location for the desired signal note there is no on screen feedback for entering these numbers Regardless of which method you use to select a source input the image will be displayed according to the following f it is the first time you have used the sour
21. Blacklevel 50 2 Hi 5 Red Pr Input Drive 50 2 6 Green Y Input Drive 50 2 i l 4 Adjust corresponding 7 Blue Pb Input Drive 50 2 8 9 0 Auto Input Level 1 blacklevel red green or blue until one black band appears input drive red green or blue until one Prasad mo white band appears Red lt Peak Detector M 2 Choose one primary color at a time 1 Enable Peak Detector Figure 5 21 Adjusting Input Levels Using the Peak Detector RED EXAMPLE SHOWN NOTES 1 Input levels apply for the current source only but for any color temperature used 2 Assuming that color temperature has been set up based on the Cine IPM test patterns you can then set up input levels for a given source so that it matches the color temperature of the test patterns Processing Mode This control determines the gt 1 Auto incoming signal s processing 2 Video Not in this route in the projector abtan 3 Graphics HDTV Ej 1 AUTO default The projector Bie a rar will automatically select the correct processing mode according to what input signal it detects Use Auto unless you want or need to override its performance and apply a specific mode instead 2 VIDEO Performs 15 kHz NTSC PAL video de interlacing regardless of signal type Note that this option utilizes 8 bit processing 3 GRAPHICS HDTV Performs basic de interlacing and scaling regardless of
22. CUSTOM MENU OPTIONS Button Identifies sets button 1 8 for current Custom menu settings for a source To assign a new button for the current Custom settings select the desired display will change too and press SAVE Buttons appear in order on the Main menu Button Name Current name or title for a source such as a movie title or DVD Select to rename using pop up keyboard Up to 8 names can appear on the TPC Main menu Large Icon button Shows the icon defined for the current source Press to change to a different icon Refresh Button Updates all Custom lists Such as Gamma Target Color etc to include any data newly added to projector memory via DCP Librarian setup software Image Scaling Enter a check W to compress the cinema image horizontally Clear the checkbox to display the image using its full size original format such as 1920 x 1280 Not applicable for Cine IPM sources Use PCF Enter a check v to use a pre defined PCF for this source and prohibit further Custom adjustments recommended for all cinema use A Y removes the PCF components Source color Space Gamma and Target Color from the Custom menu Select the desired PCF from the Predefined Configurations list Clear the checkbox if you wish to alter a PCF by selecting desired components from within the Custom menu Input Identifies sets the location connection of the current source such as cine
23. Configuration File or Presentation Control File A small file created by the content owner or installer that controls the presentation of the elements and data subdivisions constituting a single version of a title The human readable component may identify the name of the title its owner its length event points and other attributes The PCF specifies color space target color gamut gamma a k a degamma aspect ratio and screen position settings It does not include masking cropping information Every presentation or feature uses a PCF A distortion of the image shape characterized by concave or convex borders The smallest discernible element of data from a computer generated image The phase of the pixel sampling clock relative to incoming data The frequency of the pixel sampling clock indicated by the number of pixels per line A small file or script typically created by the exhibitor or installer that specifies the sequence of presentation of programs including features and trailers The equipment in a digital cinema theatre which delivers previously recorded signals in real time to the playback system The playout may also receive store and process these signals prior to delivering them The phase in film making occurring primarily after production ends its processes include picture editing sound effects editing and mixing ADR Foley titles and en GLOSSARY Presentation Level Production Aperture Projector to
24. Modifying Size amp Stretch for Use with 1 5x Anamorphic Lens Original Source Type 16 9 HDTV or anamorphic DVD 1215 1024 4 3 video or PC 1024 806 2 35 1 letterbox does not fill the screen vertically 853 1024 en NON CINEMA OPERATION 5 10 Multi Unit Installations Assigning a Projector Controlling One Projector Broadcasting to All Projectors NOTE For non cinema use the 1 5x anamorphic lens only the 1 9x is intended for source material that is already modified for cinema scope displays In very rare cases you may need to work with two or more adjacent DCPs for non cinema alternative displays You may want each projector to stand alone or you may prefer to use the Cine IPM RS 232 serial ports to chain the projectors together in a network that you control from either a keypad or a computer controller see 2 9 Connecting Serial and Ethernet Communications You can switch back and forth between broadcasting to all projectors or controlling each projector individually Assign a unique projector number to each Cine IPM projector present this number will be required in order get the exclusive attention of an individual projector To assign a projector number Press and select the Communications menu In the Communications menu scroll down to Projector and enter a three digit number 000 to 999 for identifying the current projector Press to accept the entry or to cancel Repeat for
25. To determine the age of your current lamp consult the lamp log sheet posted near the projector log sheet also provided in 3 5 Working With the Lamp It is recommended that you replace the air filter with every lamp replacement or sooner in dusty or dirty environments Check monthly NOTES 1 For this procedure you will need a compatible Christie Xenon CXL lamp as shown in Section 8 Specifications Never install a lamp intended for a different DCP model or lamphouse 2 Refer to Figure 6 1 for identification of lamp components A WARNING A Make sure to use the correct wattage lamp supplied by Christie A WARNING A Lamp replacement is to be done by a qualified service technician only A WARNING A EXPLOSION HAZARD Wear authorized protective clothing whenever the lamphouse is open Never apply a twisting or bending force to the quartz lamp body Read and follow all other general lamp precautions in 6 1 Warnings and Guidelines MAINTENANCE Igniter IZE rS9486 93N 0 os Terminal Board s s s s s s s s 8 LN 4 O Lamp Lead d Y Vert Lamp Adj 4 al Negative Cathode z Lamp Connector Focus Screw Shaft Coupling D See Notes MONE ieee Z Lamp Ag
26. User s Manual square foot 1 foot Lambert SMPTE RP 98 calls for a luminance of 12 to 22 foot Lamberts for theatre screens See foot Lambert The amount of visible light per square meter incident on a surface 1 lux 1 lumen square meter 0 093 foot candles A list of selectable options displayed on the screen A video output format of some video tape and disk players There are two types of NTSC National Television Standards Committee video NTSC 3 58 and NTSC 4 43 NTSC 3 58 is used primarily in North America and Japan NTSC 4 43 is less commonly used Audio played in a theatre generally from a CD when the cinematic presentation is not running such as during intermissions and prior to the start of film presentation The non unicode method of encoding produces a concise character set of 256 alpha numeric characters typically used in for ASCII messaging in most Western languages A limited number of TPC functions can be executed remotely via non unicode default or unicode messaging See also unicode A type of rear projection screen which re directs light through the screen to increase image brightness in front of the screen Screen gain is usually greater than 1 but audience viewing angles are reduced PAL Phase Alternating Line video is a 50 Hz standard with 768 x 576 resolution It is found on some video tape and disk players used primarily in Europe China and some South American and African countries Projector
27. _ L AS REMOTE ITN L STATUS N POWER o ssb deese b ERR b _ Serial Link to Head U RS 232B To RS 232 B Figure 2 49 RS 232 Serial Connection Cine IPM to the DCP NOTE Connect only the Cine IPM to RS 2323 B This port has special protocol en INSTALLATION AND SETUP 2 10 Keypad Protocols and Conversion Protocols Converting a Keypad If using a switcher You may wish to use the Marquee switcher formerly manufactured by Christie in order to significantly increase the number of Cine IPM sources you can select If so connect the switcher s RGB output to INPUT 1 on the Cine IPM and connect an RS 232 serial communication cable between the switcher and the Cine IPM serial port labeled SWITCHER refer back to Figure 2 43 The switcher communication link which is permanently set at 9600 baud enables you to access inputs connected to the switcher in the same manner as those connected directly to the Cine IPM NOTE See 2 8 Connecting Sources Connecting a Switcher for complete details NOTE Requires Cine IPM option At manufacture the Cine IPM s remote keypad is assigned A as its default protocol which simply means that it uses this recognized protocol to communicate with the Cine IPM Although a keypad s protocol can be changed to protocol B if desired this is useful only for multiple proje
28. a keystoned image The effect is similar to aperture plate filing typically done for correcting images from film projectors As in the calibration of color screen masking adjustments are global that is you can create a variety masks and download them to projector memory for use with sources as desired Mask settings are distinct from aspect ratio or screen position settings PCFs Numerous settings collected into a single Projector Configuration File further define processing variables for optimized display of specific source material such as a motion picture Each PCF file settings for which may be provided by the distributor or created as desired in DCP Librarian defines color space target color gamut gamma a k a degamma aspect ratio and screen position settings for a cinema or non cinema source Once the collected settings are downloaded to the projector s internal memory their PCF can be assigned to the corresponding DCP input connection and quickly applied via a controller such as Christie s Touch Panel Controller No further adjustment in processing should be required Note that correction for proper color balance sometimes reduces overall light output Increase LAMP CURRENT as necessary making sure to stay within the range of acceptable power shown in Table 3 8 DCP User s Manual 2 23 INSTALLATION AND SETUP 2 24 C n M 2 8 Connecting Sources For Cinema PORT A or B For Alternative
29. a remote location for optional lens Mount primary zoom CONNECTIONS e Ports A and B cinema e DVI non cinema Cine IPM e RS 232 control COMMUNICATION PANEL TPC RS 232A server or PC RS 232B Cine IPM only Ethernet 2 5 wire or 4 wire plus 120 VAC 3 phase POWER I D Source and or control cabling Figure 3 1 Basic Projector Components SLH D SHOWN DCP User s Manual 3 1 BASIC OPERATION 3 2 DCP User s Manual DCP components are briefly described and listed in alphabetical order below Air Filter Intake air flows through the filter before circulating throughout the projector head for cooling Replace the air filter whenever the lamp is replaced or sooner in dusty dirty environments Check monthly See 6 4 Replacing the Lamp amp Filter Breakers Each circuit breaker on the pedestal serves two purposes 1 it is a power switch for a component and 2 it protects against over current conditions All breakers must be ON for normal DCP power up and operation enabling AC to reach the necessary components If faulty or excessive AC is detected a breaker will trip to OFF in order to prevent damage to the relevant component Try moving the breaker ON again if the breaker continues to trip OFF the AC problem must be corrected Breakers are Q XENON POWER SUPPLY 3 phase Turns DCP s main power supply on off when the 3 switches are moved in tandem Q PROJECTOR
30. as Christie s 3Q used in a theatre projection booth that responds to cues and commands and then controls various elements of presentation including Q picture format and corresponding lens flat or scope sound format and corresponding cinema processor settings curtain movement and position lighting level in the auditorium non sync play and fade in out digital cinema projector Oooo The ability of the projector to automatically recognize and synchronize to the horizontal and vertical scan frequencies of an input signal for proper display The extra travel distance required for accurate lens mount positions in a Roadster Vista or Mirage projector having a motorized lens mount The frequency range of the projector s video amplifier The speed at which serial communications travel from their origin In this projector the RS 232 or RS 422 default baud rate of 19200 can be changed to match a controlling device The switcher baud rate of 9600 cannot be changed The total number of bits available to represent each pixel or color sample in a digital imaging system or the bits available to represent each sample in a digital audio system Using linear binary coding the total number of resolution steps available is equal to 2 raised to the power of the bit depth The time inside one scan line during which video is not generated The blanking time of the input signal must be equal to or greater than the retrace time of the projec
31. be aligned to the projector head for safe operation optimized lamp performance and peak brightness at the screen As the lamp ages small re adjustments may be necessary to maintain the highest level of brightness possible Use the BULB ADJUST rocker switches to move the lamp bulb as necessary first obtaining peak readings using a light meter centered in front of the lens then at the center of the screen For LAMP HOURS Cumulative Lamp o Hours MPERES DC Current____ gt IE co Volts Amps ee A xV Watts VOLTAGEDG lt S Display awreres VOLTS Volts or Amps Green All interlocks amp lamp copling OK READY S AC POWER Red Breakers are ON Move Maui L R lamp bulb manual Lamp ON OFF DC POWER if i MANUAL manual IGNITION Lamp ON Restricted ________ Tay ON AUTO Access ia Bulb adjustments a L can be locked on the SLH D OFF MANUAL Figure 3 14 Lamp Control Panel SLH D SHOWN each switch continue in one direction then back up when reading begins to decrease NOTES 1 Display the 100 white internal test pattern 2 Use a tripod to center the light meter with the lens Distance from the lens does not matter 3 Bulb adjustment switche
32. cloth to collect the dirt In a normal operating environment check clean and treat the following components every 6 months or so to help ensure proper lamphouse function LAMP FAN A clogged lamp fan impeller or motor can reduce air flow leading to possible overheating and failure of the lamp and lamphouse Clean treat the impeller as follows DCP User s Manual 6 5 MAINTENANCE M 6 6 E 6 4 Replacing the Lamp amp Filter Lamp Replacement Procedure DCP User s Manual 1 Vacuum loose dirt from the lamp fan impeller 2 If necessary use a brush with hot water and suitable detergent Av IMPORTANT Do not bend the impeller blades or loosen the balancing weights IGNITER Clean the high voltage terminal and insulator to remove accumulated dust or dirt AIR FLOW INTERLOCKS Check and if necessary clean the intake and exhaust airflow interlock vanes to remove accumulated dust or dirt The intake interlock vane assembly is located within the plenum near the top The exhaust interlock vane assembly is located near the roof of the exhaust duct The high brightness of your projector is provided by a Xenon lamp mounted at two ends within a reflector and housed in a locked lamphouse When the lamp approaches the end of its life it must be replaced do not exceed warrantied lamp life by more than 20 as an old lamp becomes increasingly fragile The DCP does not track a lamp s age automatically
33. control Cine IPM functions with a computer and or other controlling device such as the Two Way Controller having RS 422 capability connect RS 422 serial communication cables between the computer or other device and the Cine IPM serial port labeled RS 422 this 6 pin XLR connector port is located near the lower right corner of the Cine IPM control panel Figure 2 48 Use an RS 422 port DCP User s Manual 2 33 INSTALLATION AND SETUP only if your equipment has RS 422 capability consult the documentation supplied with your equipment o mPuT2 npurs olo status NEL o Q Figure 2 48 RS 422 Serial Connection Cine IPM to a Computer A WARNING A Do not use the RS 422 port unless you are using a computer controller with RS 422 capability The voltage levels of this signal can damage incompatible equipment CONNECTION TO DCP Then connect the Cine IPM to the DCP as shown in Figure 2 49 Regardless of whether or not you connect your controller to the Cine IPM via RS 232 or RS 422 communications are looped out through this RS 232 OUT port DCP User s Manual ie INPUT 2 INPUT 3 INPUT 4 COMPOSITE VIDEO PN D Lam LOOP J c S VIDEO Y fideo Decoder L LOOP el Module 804600 INPUT 1 RED GREEN BLUE HOR COMP VERT RS 232 IN RS 232 OUT 666
34. in the event of a failure Insert a pen point or small screwdriver POWER ON OFF Turns the Cine IPM ON OFF If left ON a Cine IPM connected to the DCP will power up with the rest of the projector Use either of two remote keypads with the Cine IPM While they are identical in layout and provides complete control of the projector you may find one keypad more convenient than another for your specific installation and application See Figure 5 3 The wired remote keypad connects to the Cine IPM s 3 pin XLR jack via a 50 ft cable It comes standard with the Cine IPM NOTE For extra long distances you may prefer to use an optional remote Two Way Controller to control the projector For operating details please see the Two Way Controller User s Manual included with this accessory en NON CINEMA OPERATION IR Remote OPTIONAL Guide to Keypads Projector Inputs 1 4 e Display from a Cine IPM input Lens Cable Wired kypd only Pixel e No function disabled e Adjust pixel tracking and phase Input 2 Input 3 Input 4 Position Func lt Adjust i us just mags position Position Lens Func Color enable Color shortcut e Adjust color intensity J Detail Tint video only gt Color Tint Deta
35. is identical to the image appearance at 38 thus you can select either setting Filter Filter applies a low pass filter to the input signal This removes high frequencies which can improve pixel phase noise but which also reduces signal bandwidth Note that most signals will not require any filter adjustment use the filter option only if standard pixel tracking and phase adjustments do not adequately clear up a noisy signal For best results DCP User s Manual 5 25 NON CINEMA OPERATION M 5 26 DCP User s Manual 1 Optimize Pixel Tracking and jot down the Good area value Optimize Pixel Phase wae wae 3 If the image is still too noisy return to Pixel Doise norse Tracking and mis adjust so that 2 vertical bands of noise appear separated by a good center band See right 4 Adjust Filter to maximize the width of the good Enlarge good area area See right 5 Return Pixel Tracking to its correct setting from gt Step 1 gt j 6 Readjust Phase en NOTE Filter affects only the current signal H Position SHORT CUT Press and adjust the top slidebar This option moves image right or left NOTE The value shown represents where the approximate center of the image lies in relation to the total number of pixels available horizontally This varies widely according to the signal watch the image while adjusting V Position SHORT CUT Press and adjust th
36. lees SS ee L sync d From S Video y j From S Video Source Source Use 4 pin mini DIN or BNCs as inputs NOT BOTH Figure 2 39 Connecting S Video NOTE If you want to loop an S video signal through to another projector or display device see Video Loop Through below en INSTALLATION AND SETUP Video Loop Through NOTE Requires Cine IPM option To loop a single incoming video signal input connected at the video decoder through to another projector or display device use the empty connector s adjacent to this same input as described below Composite Video Loop Through CONNECTIONS See Figure 2 40 From your source connect a composite video signal to INPUT 3 using either the small phono plug or the adjacent BNC Connect a second cable from whichever INPUT 3 connector is free to one of the composite video inputs of the next display device or projector Continue this looping method for each projector using either the phono plug or the adjacent BNC as input into INPUT 3 then using the other connector as an output i e loop through Whether you use the BNC or the phono plug as input or output depends on the type of cable you have on hand and what type of connectors are on each end VIDEO TERMINATION In Zmage Settings Video Options make sure Video Termination is checked for the final projector only All other projectors must have this option unchecked in order for the signal to continue For other ty
37. near the lip of the reflector Observe the size shape of this spot while rotating the jig fully if the spot size shape ai remains constant as at a T chock Boama F3 y j it travels along the y complete ee D circumference of the 5 4 A reflector the y Bsns reflector is properly aul ri Ce aimed along the a is me optical axis i e it is Figure 2 18 Check tilt of the reflector SIMULATION not tilted See Figure 2 18 If the size shape of the spot varies at any point s or if it separates into 2 beams move the plenum and or lamphouse as necessary to correct the tilt of the reflector see Figure 2 19 It may take a few trials to get the spot exactly constant in size shape 8 SLH D MODEL ONLY Repeat Step 6 centering for the spherical reflector if desired To re center this reflector loosen the mounting screws and push to the center as needed The DCP i model does not have this extra reflector Figure 2 19 Plenum adjustments 9 Remove the jig and close replace all lamphouse doors and panels 10 Replace the UV filter in the head and lock the lid back in place A WARNING A Never operate the projector without the UV filter Install Light Gasket NOTE Metal UV ring is supplied with later DCP models only and Lamp Adhere foam early models or fasten the flexible sheet metal snood ring around the snood that bridges the gap between the lamphouse and projector head Thi
38. o A Standard Components Pedestal on casters 4 feet packaged separately See page 1 2 for models SLI D or SLH D Lamphouse SLI D model includes lamp adapter Lamp Projector Head with lens mount anamorphic adapter and TPC Cooler with mounting hardware and 2 lengths of 14 flexible tubing 1 primary zoom lens high contrast choice of 2 Assorted cabling and assembly hardware DCP User s Manual DCP User s Manual 8 5 SPECIFICATIONS M Accessories Cine IPM includes wired remote keypad Options for Cine IPM 2 Way Controller IR Remote Keypad IR Remote Sensor 5V DCP Librarian for projector software setups Optional Input Modules RGB500 Input Module RGB400 Active Loop Through Input Module RGB400 Buffered Amplifier Input Module Composite S Video Input Module PC250 Analog Input Module Serial Digital Input Module Digital HDTV Input Module DVI DFP Input Module Anamorphic Lenses choice of two see page 8 1 High contrast primary lenses choice of two supplied with projector Q 2 0 3 2 1 HC part 38 809029 01 Q 3 2 5 6 1 HC part 38 809030 01 Adapters for 1 6 kW lamp installation Q Cathode 193605 001 Q Anode 193604 001 Protective Clothing Safety Kit 598900 095 for opening of lamphouse DCP Librarian Setup Software for calibration of DCP by Christie installer Options Ooooo 8 6 DCP User s Manual Appendix A Glossary This appendix defines the specific terms used in this
39. parallel 20 bit 4 2 2 component signal 10 bits each for Y and CbCr SMPTE 292M compatible Two data rates 1 485 Gb sec or 1 485 1 001 Gb sec provides both a SERIAL IN and a SERIAL OUT BNC connector includes 4 status LEDs OPTIONAL INPUT MODULES Serial Digital Input Module The Serial Digital Input Module SDI can be installed in the Cine IPM at INPUT 2 38 804602 xx where it accepts a serial digital 4 2 2 component video signal YCbCr via a single SERIAL IN BNC connector The signal can loop through the SERIAL OUT BNC out to another device such as another Cine IPM Inputs are 75S terminated Serial Digital Input Module 804602 SERIAL IN SERIAL OUT SDI Features accepts serial digital 4 2 2 component video YCbCr provides both a SERIAL IN and a SERIAL OUT BNC connector includes status LEDs for signal and error Marquee The Marquee Case Power Supply enables you to use an analog input module as a Case Power Supply stand alone interface Two supplies are available one for use with 120 volt line 38 801023 xx voltage 38 801023 XX and the other for use with 220 volt line voltage 38 801026 xx 38 801026 XX Both models include a 15 VDC 500 mA AC adapter Interface Module sold separately C Case Power Supply POWER VERT HOR COMP BLUE GREEN RED O OUT 12 15 VDC ais MARQUEE case Power suppLy Marquee Case Power Supply Features easy installation no tools require
40. press pre assigned display button see Figure 3 11 corresponding to the setup you wish to use the button will then appear recessed and the projected image will update according to the display setup assigned to this button No further adjustment of the image should be necessary To change to a different presentation select a different display button CINEMA VS NON CINEMA SOURCES Display setups for digital cinema servers are carefully configured when the projector is installed so that presentations will be automatically optimized and require no further adjustment A user need only select the relevant display button Displays of non cinema or other alternative content such graphics or video sources connected to inputs on the optional Cine IPM are also usually pre configured for easy selection but can then be readjusted and redefined a bit more freely if desired for example by using the Cine IPM keypad Consult Section 5 for details about non cinema applications and display adjustments Other Methods of Source Selection Depending on your installation you may be able to select a source via communication from a different controller Regardless of how the display file is selected the feature will appear on screen according to the specific display settings recorded in that file If the screen display does not appear as expected this indicates that the display setup is incorrectly configured for the incoming source Try a different
41. require the following before beginning Installation and Setup Ooooo D D Ooooo Full understanding of all site requirements Christie job box Wrenches 7 16 1 2 and 9 16 Lamp and protective clothing safety gear Laptop computer with DCP Librarian software and standard RS 232 or Ethernet cable Elicent booster fan if building exhaust does not meet CFM rating see Table 2 1 3 phase Y plus separate single phase hard wiring to pedestal electrician required Vapor free dustoff type compressed air can Polyethylene lab gloves Lens cleaning tissue and solution see 6 3 Maintenance amp Cleaning Standard Video Field Kit 199075 001 Laser jig for aligning the reflector to the projector head These and other tools should be provided in a complete installation kit at the site 1 Detach Lamphouse from Pedestal IF NECESSARY If you can keep the pedestal with lamphouse assembly intact for safe transport and installation skip to 2 Position Pedestal and Lamphouse Assembly below However if you do not have access to an elevator and or fork lift at the installation site you will likely need to separate and install the two components individually as follows DCP User s Manual 2 1 INSTALLATION AND SETUP gS 2 2 DCP User s Manual Remove Lamphouse 1 1 Remove the pedestal side panel 1 2 From inside the pedestal use a 2 shallow socket wrench to loosen and remove the 4 corner bolts
42. simultaneously Video inputs are 75S terminated Video outputs are provided for buffered loop through to another display device S r syBeR as H R COMPOSITE S VIDEO iii INPUT MODULE AUDIO IN d IN Composite S video Features BNC connectors for composite RGB signals 4 pin mini DIN connectors for S Video signals buffered loop through video outputs NOTES 1 This interface is not a decoder NTSC PAL or SECAM signals must connect to the video decoder installed at INPUT 3 INPUT 4 2 The audio connectors are not functional 3 For use with this projector do not connect both composite video and S video signals to the Composite S Video Input Module connect one or the other even when plugged into a switcher The PC250 Analog Input Module may be installed in the Cine IPM a Marquee Signal Switcher formerly manufactured by Christie or a Case Power Supply The module receives analog RGB input signals from IBM PC compatibles or Macintosh computers Video inputs are 75S terminated Video outputs are provided for buffered loop through to another display device PC250 ANALOG INPUT MODULE Mac oo0oo0oo0o 0d oe etme O SENSE 2 o eeeerleo 2 oo0000 a R USE VGA VGA OR MAC NOR MAC INPUT OUTPUT AUDIO Nai 008 PC250 Analog Features accepts VGA or MAC RGB video 15 pin D connectors for video active loop through video outputs NOTES 1 Th
43. specific source input as defined in one of eight display setups created by the installer and for checking basic status information Navigation and use of the TPC including password protected options is fully explained in 3 4 Using the Touch Panel Controller Depending on your installation the portable TPC module may be mounted in one of several locations and it can be tilted as needed A small knob on the back provides a screen brightness adjustment NOTE This is a manual power up procedure Cinema installations typically include an automation system such as the Christie 3Q that controls lamp ignition in conjunction with other theatre variables such as house lights audio and the eventual start of the feature from a digital media storage device server A WARNING Do not attempt operation if the AC supply and pedestal are not within the specified voltage range 1 Make sure that the breakers at the main wall panel for the system are switched ON 2 Make sure that the manual douser large handle on the front corner of the lamphouse is OPEN 3 Make sure the cooler s switch is ON 4 At the pedestal set all DCP circuit breakers to ON these are the Xenon lamp supply 3 phase the projector head lamphouse automation and Outlets 1 and 2 all single phase The cooler s alarm will automatically sound for several seconds Meanwhile the internal lamp fan will start up Figure 3 2 Power up Procedure and the proje
44. time A type of RGB video with digital characteristics en GLOSSARY Terminated Throw Distance Tint Trailer Unicode Variable Scan Vertical Frequency Vertical Offset Video Video Decoder Video Standard Viewing Angle Watermark White Balance White Field A wire connecting a single video source to a display device such as a projector must be terminated by a resistance usually 75S for video The distance between the front feet of the projector and the screen Also called Projector to Screen Distance Always use the correct Christie throw distance formula to calculate the proper throw distance 5 required for your lens Balance of red to green necessary for realistic representation of NTSC signals Motion picture material presented prior to screening of the feature so called because they were originally presented following the feature Trailers are generally manufactured and created by the distributor in close cooperation with the producer they are distributed by trailer specialists at no charge Types of trailers include previews teasers house and or policy trailers advertisements and public service announcements The Unicode method of encoding produces a very large character set typically required for ASCII messaging in non Western languages such as Chinese Russian etc In unicode every number code is unique to a single character A limited number of TPC functions can be executed remotel
45. to Figure 2 44 See If Using a Computer with the Cine IPM below If using a computer with the Cine IPM IF RS 232 PORT Connect a standard RS 232 serial communication cable between the computer and the projector serial port labeled RS 232 IN this 9 pin D connector port is located the Cine IPM input panel see Figure 2 47 Then set the Cine IPM baud rate to match that of the computer changing the Cine IPM baud rate is described in 5 8 Configuring System Parameters NOTE Refer to Appendix D for complete cable wiring details O INPUT 2 INPUT 3 INPUT 4 O COMPOSITE VIDEO S VIDEO N ra Y C c CY ZS ZA an y yY EY SZ LL Loop J Lo Loop Module 804600 INPUT 1 REMOTE RED GREEN BLUE HOR COMP VERT SWITCHER RS 232 IN RS 232 OUT sO STATUS deeceeL Geese Leeeee d ids ees 0 POWER O E 9 pin D style connection To computer JJ Figure 2 47 RS 232 Serial Connection Cine IPM to a Computer IF RS 422 PORT Some computers can relay RS 422 serial communications often through a plug in adapter or external converter rather than the less robust RS 232 communications RS 422 communication has differential transmits and receives and is generally better suited for long distances than is RS 232 Note that RS 422 is not compatible with RS 232 connecting one to the other could damage the equipment at either end If you wish to
46. wire used for AC connections Motorized adjustment of position Reflector s type Model CXL Lamp kw Lamp Current Range amps Lamp Life warranty hrs SLI D CXL 16S 1 6 45 70 750 full 1500 pro rated CXL 20 2 0 60 85 1200 full 2400 pro rated CXL 30 3 0 80 110 720 full 1440 pro rated SLH D CXL 40 4 0 100 140 60 full 1200 pro rated CXL 45 4 5 100 160 50 full 900 pro rated CXL 60 6 0 110 170 50 full 500 pro rated Type Xenon Stand by lamp power level 30 70 of maximum current rating via manual douser lever adjustable 3 axis 0 5 range for each SLI D single elliptical SLH D double elliptical plus spherical C S A C22 2 No 950 M94 U L 1950 and EN60950 FCC Part 15 Class A Conducted and Radiated Emissions CISPR 22 Class A Conducted and Radiated Emissions EN55024 all Temperature Humidity non condensing Altitude Temperature Humidity non condensing SLH D W x Lx H NOTE Includes anamorphic mount extended on one side SLLD W xLxH NOTE Includes anamorphic mount extended on one side Weight approx no packaging NOTE Includes projector head with anamorphic lens mount 100 Ib lamphouse 180 Ib and pedestal 410 640 lb 10 C to 40 C 50 F to 104 F 20 to 80 0 3000 meters 25C to 65 C 13 F to 149 F 0 to 95 24 5 62 2 cm x 62 157 5 cm x 72 8 184 9 cm 24 5 62 2 cm x 62 157 5 cm x 60 9 154 7
47. 00 VAC 10 202100 030 e if SLH D lamphouse gt use 7 kW pedestal 400 VAC 410 202100 060 LAMPS The two DCP lamphouses accommodate different sets of lamps SLI D Lamps SLH D Lamps 1 6 kW 4 0 kw 2 0 kW 4 5 kW 3 0 kW 6 0 kW OTHER Optional components include anamorphic lenses the 3Q automation system Cine IPM and other modules Refer to Section 8 for a complete list en INTRODUCTION 1 3 1 4 Purchase Record and Service Contacts Who Should Use This Manual Whether the projector is under warranty or the warranty has expired Christie s highly trained and extensive factory and dealer service network is always available to quickly diagnose and correct projector malfunctions Complete service manuals and updates are available to service technicians for all projectors Should you encounter a problem with any part of the projector and require assistance contact your dealer or one of the Christie service depots listed on the back cover of this manual In most cases servicing is performed on site If you have purchased the projector fill out the information below and keep with your records Purchase Record Dealer Dealer Phone Number Projector Serial Number Purchase Date Installation Date if applicable NOTE The projector serial number is located above the lamp control panel on the lamphouse USERS OPERATORS This manual is intended for trained users authorized to operate professional h
48. 2 Connection 2 33 S Saves 3 13 Select Color Temp 5 29 5 30 Serial Connection 2 32 Serial Ports Communication Cables Cine IPM 5 39 Service Contacts 1 3 Shutter Key 5 10 Shutter Mechnical See Douser Size and Position Cine IPM 5 22 Sizing Cine IPM 5 23 5 25 Slidebar Adjustment Cine IPM 5 13 Slidebars Cine IPM 5 13 Slot Cine IPM 5 21 SMPTE Field Bit 7 2 Source Connection at Head 2 7 4 1 5 1 Source Connection Cine IPM 2 25 Cinema 2 24 4 1 Non Cinema 2 24 Source Selection Cine IPM 5 7 Source Setup See Channel Spacers SLI D Lamp 6 8 Specifications 8 1 SSM See System Supervisor Stand by Douser Closed 3 4 3 23 Stand by Key 5 7 Status LEDs 5 3 Status Menu Cine IPM 5 41 S Video Connecting 2 28 Extra 2 30 Loop Through 2 29 Switcher 5 21 5 39 Switcher Connection 2 31 Sync Def and types 8 System Supervisor 3 17 T TAS See Theatre Automation System Temperature for Operation 8 3 Test Key 5 11 Test Patterns 5 38 Text Editing in Cine IPM 5 15 Text in ASCII Messages 3 20 Theatre Automation System 4 3 Example 4 4 Interruptions to 4 4 Tilt 3 6 Tilt Adjusting to Screen 2 17 Time outs Cine IPM 5 13 ee N DEX Tint Key 5 9 5 29 Toggle Keys 5 8 Touch Panel Controller 4 2 Description 3 6 How to Use 3 8 Power Supply for 2 4 Remote Control Of 3 19 Selecting a Display 3 17 Troubleshooting Cinema 7 2 Lamp 7 2 Non Cinema 7 3 Power 7
49. 3 27 Use of Anamorphic 5 42 Zoom Adj 3 26 Lens Installation 2 8 Lens Installation Replacement 6 11 Lens Key Cine IPM 5 10 Lens Mount Anatomy 2 19 Clearance at Projector Face 2 20 Description 3 4 3 26 Leveling Hor 2 17 Final Side to Side 2 19 Locks Security 3 5 Luma Delay 5 33 M Maintenance 6 4 Manual Ignition 3 22 Masking Electronic 2 23 Menu Color Setup 5 28 Color Temperature Setup 5 29 Communications 5 37 Menu Preferences 5 37 Odd Pixel Adjustment 5 38 Menu Cine IPM Channel Edit 5 20 DCP User s Manual INDEX 3 INDEX M INDEX 4 DCP User s Manual Channel Setup 5 18 Communications 5 39 Image Settings 5 27 Main 5 12 Size and Position 5 22 Status 5 41 Menu TPC About 3 13 Advanced 3 16 Custom 3 13 Install 3 16 Main 3 9 Status 3 10 Menu Font Size 5 37 Menu Key 5 8 Menu Location on Screen 5 37 Menu Navigation Cine IPM 5 12 5 21 Menu Preferences Menu 5 37 Minimum Delay 5 35 Mode PCF 4 3 Mode Selection Non Cinema 5 2 Motion Filter 5 36 Multiple Projectors 5 43 Mute key 5 10 N No Resizing Cine IPM 5 24 No Signal 5 44 Noise Reduction 5 36 Non Cinema Formats 1 1 5 1 Selection of Source 5 7 Numerical Entry Cine IPM 5 16 O Odd Pixel Adjustment 5 38 Offset Adjustment 2 20 3 26 Offset Range 8 1 Optional Input 2 30 Options 8 6 OSD Key On Screen Display 5 11 Outlets on Pedestal 3 5 P PCF and Touch Panel Co
50. 5 16 securing the lamphouse to its mounting plate above the pedestal 1 3 Remove the rear panel of the lamphouse 1 4 Atthe TB1 terminal on the DC Input module in the lamphouse disconnect the harness routed through the large exit hole in the lamphouse base left corner as follows e Disconnect both lamp cables labeled positive and negative e Disconnect remainder of harness terminals W3 and W4 and terminals W7 W 10 Do not disconnect wires unless they route through the exit hole e Carefully pull the harness from lamphouse through bottom exit hole 1 5 Remove lamphouse from pedestal and set aside Re install Lamphouse loosely for now 1 6 When the pedestal has been rolled to its permanent location or nearby lift the lamphouse on to the pedestal aligning its 4 mounting holes somewhere along the 4 slots on the mounting plate NOTE To allow clearance in front for adding the projector head seat the lamphouse farther back rather than farther forward 1 7 Loosely install the 4 bolts 5 16 Do not secure until the head is mounted and you have aligned the reflector see Align Reflector to Head later in Section 2 1 8 Feed lamphouse harness back up through the lamphouse hole and connect everything as before Connect and re dress harness as shown Do not connect to AC yet Do NOT disconnect TBI DC INPUT Pos Neg J we R
51. 9 1 scope screen 38 809035 01 75 in any direction Maximum offsets are reduced when simultaneously offsetting horizontally and vertically amp k Anamorphic lenses install in the anamorphic adapter standard and are used in conjunction with a primary lens DCP User s Manual 8 1 SPECIFICATIONS M High Definition Inputs Graphics Input i e NON CINEMA for CINE IPM 8 2 Control Ports Power i gey een DCP User s Manual Number of inputs Standard supported Connector Type 2 SMPTE 292M bit serial BNC NOTE All supported cinema formats are listed on page 4 1 Number of inputs Standard supported Connector Type 1 VESA Digital Visual Interface DVI 23 96 Hz 20 pin female DVI NOTE Supported non cinema formats are listed on page 5 1 Cine IPM option recommended RS 232 connectors 2 9 pin D Ethernet connectors 2 RJ 45 TPC connector 1 ethernet Projector Head Voltage range Line frequency Max inrush current Max current consumption Max power consumption Max current rating of AC input SLH D Pedestals Voltage range Line frequency Inrush current max Current consumption max Power consumption max Current rating of 3 phase AC input Current rating of 1 phase AC input SLI D Pedestals Voltage range Line frequency Inrush current max Current consumption max Power consumption max Current rating of 3 phase AC input Current rating of 1 p
52. ANT Do not use Input Levels to adjust color temperature This will distort Contrast and Brightness functions as well as color temperature CLAMP TIP This option full name sync tip clamping can brighten the image produced from certain high resolution high frequency graphic sources Enter a checkmark if the image appears unusually dim if there are horizontal streaks across the image or if there is significant color drift Delete the checkmark if the image is either sufficiently bright or overly bright NOTE The sync tip clamping option is not used for video sources or any RGB source with sync information on the video e g Sync on green COLOR ENABLE Select which color or colors you want to see useful while working with color temperature white levels or input levels PEAK DETECTOR The Peak Detector is fast method of defining individual input levels and may improve the accuracy of input levels set by the Auto Input level function Enabling the Peak Detector activates a special operating mode that detects only pixels that are considered black or white all other levels are displayed as a mid level gray When used with a 16 step grayscale pattern where the black and white bands are known to be at the edges of the image you can watch these isolated areas while adjusting individual blacklevels and input drives as necessary Images from this source will then display correct blacks and whites without crushing See Figure 5 21 1 Disp
53. All Lenses above since their weight may alter boresight To ensure consistently good focus in all areas of the screen a primary zoom lens must be installed and its lens mount precisely adjusted in relation to internal optics as described below If desired an anamorphic lens can then be swung into place to widen images for flat or scope cinema displays V Offset V Boresight Bolt Figure 2 25 Anatomy of the Lens Mount Refer to lens mount components illustrated in Figure 2 25 for these adjustments DCP User s Manual 2 19 INSTALLATION AND SETUP Check Clearance Using the gauge provided with the projector check that the back of the lens mount At Projector clears the projector face by exactly 2 5mm If necessary adjust the anchor bolt to move the lens mount slightly closer or further from the projector Re check with 2 5mm gauge See Figure 2 26 Side View 2 5mm gt Gap use gauge provided mi pu If necessary adjust for proper gap at proj A Lens Mount Back Projector face gt Figure 2 26 Check for 2 5mm clearance behind lens mount Adjust Offset Project an image with the primary lens only Any optional anamorphic lens es should be mounted but swung aside Adjust horizontal and vertical offsets as necessary so that the image is square on screen but offset is minimal See Figure 2 27 Boresight should be adjusted only if offsets are already prope
54. CP s anamorphic lenses restore a scope CinemaScope or flat format film frame to the correct appearance by increasing its horizontal proportion A print made from the cut original camera negative with proposed final color timing and soundtracks furnished by the printing lab to the producer for acceptance of image and sound before screenings and manufacturing begin A check print is similar but is made from the internegative A blacktrack answer print has no soundtracks The ratio of the width of an image to its height such as the 4 3 aspect ratio common in video output The process tools and working environment by which content elements and functions are compiled formatted coordinated and tested for presentation on target systems Comment Authoring in the context of digital cinema does not necessarily result in inseparably married or muxed content components Rather reference is made to a virtual answer print the elements of which may subsequently be DCP User s Manual A 1 GLOSSARY M Automation Auto Source Backlash Zone Bandwidth Baud Rate Bit Depth Blanking Time Brightness Candela or Candle Channel Channel List Channel Number Checkbox Chrominance A 2 DCP User s Manual subdivided or combined encrypted in whole or part and packaged in various ways for distribution of the title a version of the title or an update for revision of the title in the field A system such
55. Cine IPM Components essseesseeseseseseresesreerssrrsreeresrerrsresrrnrerreeresreeresene 5 2 Using the Keypads isss sesscssssths cesses cbbbecsoetssveshisdavasopssveesh Gesscesbed sstesbaodapasdbens e Wired Remote TR REMOTE ve eeeececcee eset este iniaa _Guideto Keypad ecececececscssssesessssesesesesesenseseceseseseneneeeseseseaeneseeseeeeeseaeneneeeeen 5 5 Keypad COMMGNAS serito Mocca R AS en ib ea eaten hates 5 6 Navigating the Menus 00 0 0 eee eecesecesecesecssecseecaeecseeeeeeeeeeseeesecesecaecnaessaesaes 5 12 Using Inputs and Channels cece cee cseecseecseeeeeeeeeeseeeeeceecesecesecsaeeaeenaeaes 5 16 Adjusting the Image oo eee eecesecesecssecssecseecseeseseseessscssecaecsaessaesaeeeneeees 5 21 Configuring System Parameters 0 eceeeseesecesecesecsseceeecneecaeeeneeeeeeeeeeeeees 5 36 Creating Wide Displays ssc ccvasseedeyccsenesstessy say evoch e Saee Ee nE Sa pEi EET T i 5 42 Multi unit Installations neninn aa ae r Eea in E e arai 5 43 Error Conditions esiaren E E E E E E R 5 44 Warnings and GuideliHeS nnise ne E E AS EEA E ES 6 1 Labels and Markings eccsscces essivcsinteishasandeseteseene patslostensiecasseatsselcnasteneateceuteas 6 1 General Precautions x3 vie tit Ahi sina ind Beatie ae a ia aes 6 1 ACZ Power PreCautions c ssscesssesesssseseeetseuseseseecesseceseneeaeeeeaeseeeesseecseeeasees 6 2 Lamp Precautions coed ces n i E EAE R a 6 2 Maintaining Proper Cooling
56. Conversion for information about changing the keypad protocol 2 A key press from a conflicting protocol will cause a single yellow flash on the Status LED located in the lower right corner of the Cine IPM connector panel A important 4 Keep at A OR B default unless you are sure of the current IR keypad protocol Reserved No function Wired Keypad NOTE This function is used in multiple projector installations only Like the IR remote keypad the wired keypad is either a Protocol A keypad default or a Protocol B keypad Likewise the Cine IPM can be set to accept wired keypad data accordingly responding to A and or B The Cine IPM s A or B default is adequate for most single projector cinema installations and should not be changed Select a different protocol only to prevent interference when you are controlling two protectors in the same area and want to work with one projector at a time For use with a single Cine IPM DCP it is recommended that you do not change protocol for keypads or sensors NOTE The wired keypad for this projector is set at manufacture to Protocol A See 2 10 Keypad Protocols and Conversion for information about changing the keypad protocol ADDING A PROTOCOL To add a protocol select the A or B option CHANGING A PROTOCOL As a safeguard you cannot accidentally select an option in the Wired Keypad list that would disable the wired keypad during use such options are automatic
57. DCP User s Manual Table of Contents Section 1 Introduction 1 1 1 2 1 3 1 4 Installation amp 2 1 Setup Basic 3 1 Operation 3 5 3 6 54 017168 03P Software Version 5 1 02 03 Contents Page The Projector miene insider oie Wi E EEA i 1 1 List of Components 3 civic seuss e Lee AE ee ies 1 2 e Variations Between DCP Models ccccccccccccccscscecsseesssesscsesseecsesessecsseeesseeesseenes 1 2 Purchase Record and Service Contacts cccccccccccccccccccccccccccccceescecseseeseseeseseees 1 3 Who Should Use This Manual 0 0 00 cccccccccccccccccccccccccccecseeeecseeseceeseeseseeeeeeseees 1 3 Mounting and Connecting Components Before VOU Be git sireici aa eek a RAA aaa E Naas e Pedestal and Lamphouse Projector HOGA vane ssctacsescosascacessencadnatssacdedehondassedocdn Sbehenda thbantesienenditevesueshants ALLAN SOS 3 a csee e a Wisk tee sceee a a e e e 2 8 Exhaust Ducting and Liquid Cooler i eccsccssessessseeveesseesesseeesenesseneeseneeseaeees 2 11 o Align Reflector to HEA c cscceccesseessesscsscesseeseeseceseeseceseesececeeeeeseeeeeaeerenseees e Install Light Gasket and Lamp Connecting for COMMUNICATIONS cecscceeessseeseseeseteesesenectseeesenetseeeseneeseaeens 2 16 CONNECTING t POW I ecie sexes csvevassies niera aiaeei E aA Te E R chee 2 16 Adjusting Tilt and Leveling 0 eee ceeececsseceenceceseceseeeceaeeeeneecaeeeentecsaeeeeneecsas 2 17 Initi
58. For new installations in which the lamphouse had to be separated from the pedestal the lamphouse can remain loosely installed until you finalize the reflector position as the alignment process may require slight movement of the lamphouse in relation to the pedestal Q Requires Christie laser alignment jig Q The mounted projector head should be 3 16 from the lamphouse snood cone shaped protrusion and the back of the lens mount should be 2 5mm from the projector face A QUALIFIED TECHNICIAN REQUIRED A Installation of laser jig 1 Unlock and remove the lid of the projector head 2 Remove the UV filter plate from the rear opening of the head Figure 2 13 Figure 2 13 Remove UV Filter en INSTALLATION AND SETUP 3 Open remove the lamphouse door on the operator s side For complete access also remove the sheet metal panel on the opposite side of the lamphouse if possible NOTE SLH D includes a removable door on the operator s side as shown open and push down on the hinge spring to remove The SLI D has screw mount sheet metal panels only A WARNING 4 EXPLOSION HAZARD Wear authorized protective clothing if lamp is present Figure 2 14 Open Lamphouse 4 Holding the jig with the 2 laser arms facing you and with all 4 tabs positioned within the circumference of the jig without overlapping the edge carefully move the jig into the lamphouse and insert fully into the projector head any o
59. HEAD Turns the projector head on off Also includes the cooler if it is hard wired within the pedestal Q LAMPHOUSE AUTOMATION Turns the lamphouse and optional 3Q automation system on off enabling subsequent manual or if 3Q is present automatic lamp ignition or power off Despite its name this breaker does not turn the lamp on off Q OUTLET 1 Turns convenience outlet 1 at the front of the pedestal on off Q OUTLET 2 Turns convenience outlets 2 within the pedestal on off NOTE Outlet 2 is located within the pedestal Communication Panel The Communication Panel on the front of the pedestal provides convenient connection of the DCP to a variety of external equipment such as controllers including the TPC that can communicate with the projector head for numerous advanced service tasks downloads of new configuration files and software upgrades for example Often only the TPC and Cine IPM remain connected for general use Connections Internal projector head connections are generally made at the time of installation consisting of all inputs communications and cooling hoses All cables and hoses route into the pedestal via conduit between the head and pedestal Then with the exception of projector head power which is typically connected within the pedestal everything loops back out through the pedestal front for connection to the appropriate component Q PORTS A and B CINEMA Identical SMPTE 292M bit serial
60. LATION AND SETUP Exhaust Ducting amp Liquid Cooler Align Reflector to Head EXHAUST DUCTING You must vent hot exhaust air from the DCP to the outside of the building Connect your pre installed outside venting ductwork via 8 inside diameter flexible fireproof ducting material connected to the 8 exit port on the top of the lamphouse Make sure that 1 there are no obstructions or kinks within the ducting 2 all air intake areas of the DCP are unobstructed and 3 exhaust air flow is within the range shown in Table 2 1 use an air flow meter to measure the ft min or ft sec at various points along the length of the duct then multiply the readings by the cross sectional area of the 8 duct to calculate the cubic feet min airflow HOW TO CALCULATE CFM in 8 DUCT Measured linear ft min x 0 34 CFM Table 2 1 Airflow Requirements Model Lamp Exhaust Airflow 9 Rate SLI D 1 6 250 350 ft min 2 300 400 ft min 3 350 450 ft min SLH D 4 450 550 ft min 45 550 750 ft min 6 750 900 ft min NOTE If the duct becomes significantly blocked or if a fan fails the projector s airflow sensor should trigger a shutdown before the projector becomes overheated or unsafe Check airflow periodically INSTALL COOLER Install the cooler on the front of the pedestal using the 2 mounting brackets and other hardware provided Then 1 Connect hoses Press and release each
61. Latch Start Audio Selects stereo or SR audio for trailer note audio is usually part of mastering i e external Latch Feature Format Selects flat or scope format for feature Latch Feature Audio Selects stereo SR or digital audio for feature note audio is usually part of mastering Latch 3 pos OPTIONS Option 1 ON OFF switch May be used for interlock activation Latch Option 2 May be used for manual curtain control Momentary MANUAL CUES Start Cue Manual Show Start Cue Active only when Start Relay is latched Brings house lights to MID Momentary audio to Mono Stereo opens curtain Feature Cue Manual Feature Cue Active only when Start Relay is latched Brings house lights to LOW Momentary audio to Stereo SR feature format to flat or scope End Cue Manual Show End Cue and Alarm Cancel Brings house lights UP audio to non sync closes Momentary Alarm Reset curtain feature format to flat or scope OTHER Fuse Automation main fuse 2 amp 3 AGC n a Buzzer under fuse Sounds alarm usually wired to theatre s fire alarm Lamp will turn off server stops pauses n a DCP User s Manual 4 5 CINEMA OPERATION Ms For general users only the selection of a digital cinema feature is accessible The 4 4 Adjusting the precise processing affecting cinema image quality is predefined in its display file Cinema Display these settings are password protected and accessible b
62. RESS WHEN FINISHED To accept the edits and move out of the edit window press Ete NOTE Press at any time to cancel changes and return to the previously defined text DCP User s Manual 5 15 NON CINEMA OPERATION M Editing Numerical Values 5 16 ee 5 6 Using Inputs and Channels Do I Select an Input Or a Channel DCP User s Manual Enter numbers directly from the keypad in order to specify numbers representing projectors channels source setups switchers or slots As each digit is entered it is displayed and the cursor moves on Note that channel numbers are defined with 2 digits for example if you enter only a single digit like 7 for a channel number the channel will automatically be defined as 07 Use 07 to utilize this channel NOTES 1 Once you enter the first digit this digit replaces all old digits 2 If you press any non numbered key the number entered up to that point is accepted and updated as the new value 3 Press to cancel editing of numerical values NOTE See Section 2 Installation and Setup for a full explanation of how to connect a variety of sources to the Cine IPM The Cine IPM stores and automatically recalls up to 99 different channels source setups for a variety of inputs This memory feature allows you to define and conveniently use a wide variety of customized setups rather than having to repeatedly re configure for different presentations Each physical source
63. S LED Off Normal Steady Yellow Initializing Single Green Flash Keypress or serial command received Single Yellow Flash Keypress from the wrong protocol Red amp Yellow Pattern System Error See Error Conditions STATUS ay POWER Cine IPM is unplugged Steady Yellow Cine IPM is powered down Steady Green Normal standby or cool down Steady Red System Error code on Status LED identifies error POWER LED Figure 5 2 Reading the Status LEDs NOTE A steady red power light accompanied by a coded pattern of red and yellow flashes from the status light indicates an internal system error related to the Cine IPM Consult the rear Status Display window for an explanation and see 5 11 Error Conditions If the problem persists contact a qualified service technician available through your dealer REMOTE WIRED KEYPAD CONNECTOR 3 pin XLR For tethered remote control of the Cine IPM projector functions such as accessing particular Cine IPM inputs and adjusting their display parameters DCP User s Manual 5 3 NON CINEMA OPERATION a 5 4 5 4 Using the Keypad Wired Remote DCP User s Manual STATUS DISPLAY WINDOW Visual feedback for monitoring projector activities and status INFRARED SENSOR Receives infrared signals from an optional IR keypad for remote untethered control of Cine IPM projector functions HARD RESET Emergency access for powering down the Cine IPM
64. S ddd 1WLS3d4d a SWALSAS TWLISIG SILSIHHS 4O NOISSINAd sro L0 60 0L 200s 003 Nad ASY a NALLINM SS384X3 LNOHLIM SNuvevddy 40 IVS il Mi YO FYNLOVANNVW IHL YO4 SISY IHL SY Gasn sro 00 ag eh anss WNISIHO YO 03ld09 YO 039NQOYdIY 38 LON TIVHS ONY SWALSAS 7VLI9IQ SILSIMHD JO ALY3dOYd SSJYdXI 03A0YddY ava NOlLdId 9S30 Aaa JHL SV SNOLLWOISIDAdS CNV SONIMVHC ISIHL SNOISIASY SCHEMATICS M Figure B 1 DCP Pedestal Schematic All Models DCP User s Manual B 2 en SCHEMATICS 0 L 133HS be awos dhai ONIMVYG 3TVOS LON OG NOLWONddv J g No aasn ASSV 1XIN 9970S anon SN GEN ON OMG ON 39VY9 3ZIS HSINId z japow d H1S aa ZHO9 0S a H1S uw oowzior sro NMWad o1I eWaYyIS esnoydwe 7 MN mes H ava STVAOUddv Be 3 PX SW431LSAS avuisia s310NY STvWID30 SNOLLOVY4 LU JYV SSONVHSTOL SILSIGHD sibali ay alan ee ee i ON LOVHLNOD 03141934S ISIMYIHLO SSIINN ik IHERB a Joa ayaa ON NolIWoIsIDads NOILWOISIO3dS HO ON ONIASILNAGI a301 cosy WALI WIHaLWIN 3YNLVTONSWON YO LuWd 3009 ALO 8 Sod SOd 1 w3MOd 9 0 NER 93N i HOLIMS YaSN0Q ar OTN 1 6 YIMOd HVHN PE ANEA E i w Neg an
65. STEP 2 DCP User s Manual IMPORTANT Handle by the cathode anode shafts only never the glass 8 2 Rest the anode end of the lamp on the front support arm wire cradle 8 3 Install the positive lamp connector over the anode end of the lamp If installing a 1 6 kW lamp make sure to include its adapter Figure 6 3 8 4 Tighten set screws in both positive and negative lamp connectors IMPORTANT Proper electrical contact prevents resistance in the lamp connectors If you accidentally touch the quartz body of the lamp with your bare hands clean it as described in 6 3 Maintenance and Cleaning Check Leads Make sure that the anode lead between lamp and igniter does not touch or run close to any metal parts of the lamphouse or reflector Av important Leads too close to metal parts will cause arcing during starting pulse and the lamp may not ignite Replace the plenum cover and lamphouse door The projector will not operate unless the door is shut Power up the projector and adjust LAMP CURRENT Power up normally and adjust the lamp current to the appropriate level for the wattage of the new lamp refer back to Table 3 8 Adjust lamp position Adjust the lamp within the projector as described in 3 5 Working With the Lamp This ensures that the lamp bulb is well centered with the reflector and is distanced correctly from the remainder of the illumination system Replace the air filter when
66. Screen Distance Protocol Pull Up Pull Down Pull down List QuVis Rear Screen Release Print Resizing Resolution lens Resolution projector Retrace Time Horizontal Rise Time opticals dubbing and print mastering CGI and visual effects and scoring Post production culminates in acceptance of the original negative answer print Even though post production officially begins on the last day of principal photography post production facilities such as editorial are utilized from very early in the production phase in order to save time The projector is at presentation level when an image from a source is displayed without the presence of a slidebar menu pull down list or error message The area in pixels for digital images that constitutes the entire motion picture frame image Compare active picture The distance between the projector s front feet centers and the screen Also called Throw Distance The type of code format such as the A or B formats utilized by the Cine IPM keypad s The default protocol set at manufacture is Protocol A By using two different keypad protocols multiple Cine IPMs can be controlled independently with their remote IR keypads Shifting the frequency sample rate or frame rate to as to achieve a target frequency or time relationship with another signal most commonly by 1 the ratio of NTSC to B amp W TV frame rates See 3 2 pulldown A sel
67. Supplies 6 4 Clock 3 16 Color Adj 5 28 Color Calibration 2 22 Color Enable 5 30 Color Key 5 9 Color Setup Menu 5 28 Color Space Cine IPM 5 28 Color Temperature 8 1 How to Copy 5 30 Interpolated 5 30 Modifying a Setup 5 30 Presets and Factory Presets 5 31 User 5 30 Color Temperature Setup 5 29 Communication Panel 2 16 2 32 3 2 Communications Menu 5 37 Communications Menu Cine IPM 5 39 Component Video 2 27 Components of DCP Location and Use 3 1 Composite Video Connecting 2 27 Extra 2 30 Loop Through 2 29 Computer For Cinema Control 2 32 For Non cinema Control 2 33 Contrast Key 5 9 5 27 Contrast Ratio 1 1 8 1 Controller How to Connect 2 7 Cooler Alarm 3 3 Alarm During Power up 3 6 Connecting to Head 2 7 Filling of 3 4 Function Operation 3 3 If Non functioning 3 3 Installation 2 11 Maintenance 6 3 When to Use 3 3 Cooling Maintaining Proper 6 3 D Data Format 3 15 DC Power Off 3 7 DC Power Switch 3 22 DCP Librarian Overview 2 22 Decoder Luma Delay 5 33 Detail Key 5 9 5 28 Display Channel List 5 37 Display Error Messages 5 37 Display Slidebars 5 37 DMD 1 2 Douser Description 3 4 Setting Proper Lamp Power for 3 23 DVI DFP Input Module 5 27 DVI Port Compatible Formats 5 1 Connection 2 24 E Enable Decoder AGC 5 32 Enter Key 5 8 Error Codes List Cine IPM 5 46 Error Messages Cine IPM 5 44 Bad Sync 5 44 H Sync or V Sync 5 44 Input Si
68. T STEP 1 From the presentation level press to display the main menu To display the Channel Setup menu press 8 or move the highlight to the Channel Setup option and press Ete The Channel Setup menu will appear CHANNEL EDIT STEP 2 To edit parameters shown in the Channel Setup menu select the relevant channel and press Ete The Channel Edit menu will appear similar to the sample shown in Figure 5 12 editable Channel Edit 1 Name pres2 Sync Type S Video 2 Number 02 H Sync 15 73 kHz adoi 3 Switcher 0 V Sync 59 94 Hz 4 Slot 4 Interlace Yes 5 In Menu 6 Auto Source lv T Locked x 8 Previous Channel 9 Next Channel gt Hint text Figure 5 12 Channel Edit Menu SAMPLE CHANNEL EDIT STEP 3 If desired edit the following channel parameters in the Channel Edit menu 5 20 DCP User s Manual en NON CINEMA OPERATION 5 7 Adjusting the Image e CHANNEL NAME An alpha numeric label can be defined and or changed here Channel names can be up to 12 characters in length e CHANNEL NUMBER A channel number from 01 to 99 can be changed here NOTE If you enter a channel number that already exists a dialog message appears indicating that this number is already in use assign a different channel number e SWITCHER NUMBER 0 represents the Cine IPM itself Or if the input source is connected via a switcher the default will be the lowest switcher number availabl
69. TERPOLATED COLOR Use this option if you need a specific color temperature that lies somewhere between one preset color temperature and another Adjust the slidebar to define a new temperature which will be interpolated from the neighboring presets for example 7841 is interpolated from 6500 and 9300 This slidebar is disabled unless you have a source connected and have selected Interpolated Color in the Select Color Temp pull down list RESERVED No function COLOR TEMPERATURE SETUP Use the Color Temperature Setup submenu to apply alter add or copy a color temperature or if you want to use an unaltered factory default color temperature This menu is duplicated in other locations By default the Cine IPM can utilize any of four calibrated factory set color temperatures 3200 5400 6500 or 9300 expressed in degrees Kelvin For most applications these temperatures will display accurate and realistic colors from a variety of sources They can be selected at any time from the Select Color Temp list in the Color Setup submenu However if you require extra color temperatures you can also add up to five custom color temperatures four User and one Interpolated Color by defining them within the Color Temperature Setup menu each defaults to 6500K until then Any User or Interpolated Color temperature created here is immediately applied or it can be selected at any time from the Color Set
70. UMA DELAY This control affects any incoming composite or S video signal delaying the luma signal intensity in relation to the chroma color In the image increasing the luma delay will move luma seen as a shadow where colors overlap to the right slightly with colors remaining in place Decreasing this delay will move the shadow slightly to the left If necessary for your current source adjust so that no shadows occur with adjacent colors Input Levels NOTES 1 The Cine IPM automatically optimizes input levels for all but the most unusual of sources it is recommended that only experienced users use the Input Levels menu 2 Keep overall contrast and brightness settings near 50 and ensure that color temperature is properly set up on an internal grayscale test pattern before attempting an input level adjustment 3 There must be at least one white pixel present in the image for proper Auto Input Level function Leave this control off Good RGB or input levels that is et Input Levels el Always OFF before drives and blacklevels 1 Auto Input Level C leaving menu for each of the th 2 Red Pr Blacklevel 50 2 colons ted ercen and 3 Green Y Blacklevel 50 2 Levels adjust ee 4 Blue Pb Blacklevel 50 2 ma 2fomatically blue ensure that 5 Red Pr Input Drive 50 2 ae coreet images from analog 6 Green Y Input Drive 50 2 NOTE Image sources other than 7 Blue Pb Input Dr
71. a i X Hor Lamp Adj O Motor Lamp Adj Lamp Bulb He Positive Anode Connector Adapter KK See Notes below Oa 5 32 Set Screw Jp hr H ma Insulator Support Arm for Lamp 0 4 SLI D Reflector Plenum Mounting Plate 9 64 Set Screw Notes Elliptical z SLH D Reflectors js Spherical x Permanent cathode adapter required for SLI D any lamp Additional cathode adapter required for 1 6 kW lamp K Anode adapter required for 1 6 kW lamp Figure 6 1 Top View of Plenum i e Lamp Area Before You Begin NOTES FOR SLI D MODEL The SLI D lamphouse includes a permanent adapter attached to the rear cathode connector essentially shortening the lamp space Do not remove this adapter it is required for all SLI D lamps In addition be aware of the following other hardware configurations when installing a lamp in the SLI D lamphouse Table 6 1 particularly if you are switching from one size lamp to another Table 6 1 Special Needs for SLI D Lamps SLI D Lamps Other Adapters x 1 6 kW 2 0 kW 3 0 kW NOTE For any lamp the permanent common adapter must be present in the SLI D LOCATION OF SPACERS Figure 6 2 illustrates the 2 diff
72. a sg video image When set to 0 the image appears black and white and when set too Figure 5 16 Color Setup Submenu high the colors appear overpowering and unrealistic Use or to adjust Color until the desired saturation level is displayed For a shortcut to Color slidebar press at any time Color Temp Setup en NiON CINEMA OPERATION TINT Tint adjusts color hue to obtain true color reproduction of NTSC video signals or HDTV signals Use lt and until the desired balance or red to green is displayed in your image It is best to adjust tint while displaying an external test pattern otherwise it is recommended that tint remain at its default setting For a shortcut to Tint slidebar press at any time SELECT COLOR TEMP Select Color Temp applies either a 4 3200K preset color temperature 3200K 5400K 6500K or 9300K or 2 5400K any previously User defined color temperature Color gt 3 6500K temperatures are measured in degrees Kelvin and represent the 4 9300K coloration reddish or bluish of the whites displayed by the 5 Usert projector the lower the temperature the more reddish the 6 User2 whites the higher the temperature the more bluish the whites A see 9 Interpolated NOTE The custom temperatures User or Interpolated Color can be defined in the Color Temperature Setup menu Until defined these custom choices all default to 6500K IN
73. al 2 25 INSTALLATION AND SETUP SS 2 26 RGB Signals DCP User s Manual NOTE Requires Cine IPM option INPUT 1 provides 5 BNCs connectors for linking to a variety of sources The typical connection would be to an RGB source such as VGA SVGA XGA Mac PowerMac DEC Sun SGI and others This projector supports multiple sync types with RGB signals sync on green composite sync and separate H amp V syncs NOTE Depending on the source you may need a custom adapter cable with BNC connectors at the projector end and a different type of connector at the other such as a 15 pin D connector for computer sources Contact your dealer Connect the SYNC BNC input s first Then connect the red green and blue source outputs to the RED GREEN and BLUE BNCs on the INPUT 1 panel If the source uses sync on green only the red green and blue connections are required If the source provides a composite sync output connect it to the SYNC input labeled HOR COMP If the source provides separate horizontal and vertical sync outputs connect horizontal sync to the SYNC input labeled HOR COMP and connect vertical sync to SYNC input labeled VERT See Figure 2 36 NOTES 1 If for some reason the projector fails to recognize a signal as an RGB signal specify this Color Space option within the Image Settings menu See 4 7 Adjusting the Image 2 To connect YPbPr signals such as from DVD or analog HDTV sources to INPUT 1 use the red gree
74. al Power up and Display 00 e eee cee eeeeseeeeeeeeeeeeeeecesecnsecsecaecnaeenaeeaes 2 18 Maximizing Light Output s sccccsscsssissesvecssceoscesssesces sceesstedesascsessensseossoasoesesenss 2 18 Basic ImagesAlSnment ss fcshvevecideduced sch ee ea e e aR RE EE ERS 2 18 Boresight Alignment 2 500505 eisen prosin noen aseo dues eE E E io s e 2 19 Calibrating the System Using DCP Librarian Setup Software ssssessesesee 2 22 Connecting SOULCES siirsi irre reiri iso snp EEES E Err E EErEE EEEE ES re ariei 2 24 Connecting Serial and Ethernet Communications cece eeeeeeeeeeeeseeereeeees 2 32 Keypad Protocols and Conversion ceccescesecesecseeeseeeeeeeeeeeeeesseeeenseessaenee 2 35 Projector Basisrente ee E RA SE E E E Re 3 1 COMPONENTS FCATUIES seeeescseeseeessenseeteeseneneeseeeeseeeseneeseeesesseeeseeetsceeasaeeeeaeees 3 1 Power Up Procedure ci a a ea a E eaa 3 6 Power dOwn Procedure sineto aa aaa a a aTe E EaR 3 7 Using the Touch Panel Controller sssseseeesssesseeeeseeeresrsrreresreerrsrerrnserreeresrene 3 8 TPC Power up Defaults cccccccceccscssesseseseseesesseceseeeeseeeeseeeseseeeeseeersceeeeseeeeaeees 3 8 TPC Menus and Functions sseesesessesesesesesesssreresessesesesesesenssreresesensesesesesese 3 8 o SeleChngiG Display sc weiikiccccevorassssveisies EEEE RENTO 3 16 Remote Control of the Touch Panel Controller 3 19 Working with the Lamp 0 cece ceeessecsecseeeeeeeeeeeeeeeceeecese
75. ally disabled in the list In other words you cannot switch to the opposite protocol or select OFF using the wired keypad Instead if you want to en NON CINEMA OPERATION Status quickly change to the other protocol you may find it more convenient to use the IR remote to execute the protocol change for the wired keypad The Cine IPM will now recognize only the opposing wired keypad protocol Or if you prefer use the wired keypad to safely change its own protocol 1 Select the A or B option This will ensure that once your keypad protocol is manually changed see Step 2 it will still be recognized by the projector 2 Unplug the keypad and change the protocol in the keypad as desired Do this either by entering the short cut software command or by hard wiring the keypad as described in 2 10 Keypad Protocols and Conversion 3 Plug the keypad back into the projector Return to the Communications menu and select the new protocol you have just set up in the wired keypad The Cine IPM will now recognize this new wired keypad protocol only TURNING OFF THE WIRED KEYPAD Use the IR remote keypad to select OFF in the Wired Keypad list The Cine IPM will no longer respond to the wired keypad Broadcast Keys NOTE This function is used in multiple projector installations only Enter a checkmark if you want the Cine IPM to relay keypad commands to all other Cine IPMs projectors in a network Note the key will temporarily override
76. alog signals connected to INPUT 1 or INPUT 2 Although the color space for such a signal is automatically determined by the Cine IPM in some circumstances you may wish to override this and manually set a different color space NOTE For digital signals or for signals connected to INPUT 3 or INPUT 4 the color space function is entirely automatic and the pull down list disabled The current color space appears in the Image Settings menu Press to select a different option e Select RGB unless you are using component video at INPUT 1 or 2 e Select YPbPr Video with a standard definition televised signal SDTV e Select YPbPr HDTV with a high definition televised signal HDTV NOTE When certain RGB signals are first connected the Cine IPM may not initially recognize them as RGB and will incorrectly decode their color information as YPbPr video These signals can include e RGB signals in NTSC PAL SECAM frequency ranges e Scan doubled sync on green e Scan quadrupled sync on green For these signals change the Color Space to RGB then define a new channel for future use Color Setup Select this submenu to work with aspects Color Setup of color adjust for saturation and overall hue in video signals or adjust color 1 color temperature in any signal 3 Select Color Temp 6500K 4 Interpolated Color 6500K COLOR Color adjusts the color saturation level or the amount of colorin
77. anel video signal and displays it in the native 2 1024x768x120Hz resolution of the projector To use a different resolution for gt 3 1280x1024x60Hz 4 1280x1024x105Hz example if your graphics card does not support the current 5 1600x1200x45Hz resolution select a different Plug amp Play setting from the list Use options in the two page Image Image Settings Settings menu to alter your image in 4 Contrast 50 0 MEE ways that do not affect its size or 2 Brightness 50 0 i 1 position Changes made to the Image 3 Pixel Phase 0 Settings menu are applied 4 Detail 2 immediately and are saved when you 5 Color Space RGB Y exit the menu press or Menu 6 Color Setup Options that are currently unavailable 7 Video Options in your projector such as those that 8 Input Levels require an optional module are 9 at disabled and appear dimmed Reserved options can be ignored Image Settings 2 1 Processing Mode _Auto y 2 Motion Filter Auto v Contrast 3 SHORT CUT Press and adjust 4 the slidebar 5 6 PLL Loop Gain 10 Contrast increases or decreases the 7 perceived difference between light and dark areas of your image 0 100 If contrast is set too high the light Figure 5 15 Image Settings Menu parts of the image lose detail and clarity If set too low the light areas will not be as bright as they could be and the image will be dim Start low and increase so
78. annel DCP User s Manual 5 19 NON CINEMA OPERATION x TO DELETE A CHANNEL highlight the desired channel in the Channel Setup menu then press to activate the Channel Copy Delete submenu Select Delete and press ste a confirmation window will appear to make sure that you really want to delete this channel Channel Setup 01 A 0 1 p4WH 48 73k 60 01 02 A 0 2 iDig 1stdisplay func 03 JA A 0 1 iSG 33 72k 60 00 Channel Copy Delete 1 Copy Do you wish to delete this channel setup 2 Delete default gt Delete Channel Setup Cancel 3 Delete Unlocked Only 4 Delete All Channels Figure 5 11 Deleting a Channel TO DELETE MULTIPLE CHANNELS highlight any channel in the Channel Setup menu and presser to go to the Channel Copy Delete submenu Select Delete Unlocked Only and press to delete all unlocked channels Or select Delete All Channels to delete all channels even those that are locked In either case the current channel will remain but will be redefined from Cine IPM projector defaults NOTE For any deletion a confirmation box appears to make sure that you really want to delete Select Cancel default if you don t want to delete after all Editing a Channel Setup The basic setups that describe how and where a channel can be accessed are listed in the Channel Setup menu These channel setups can be edited at any time in the Channel Edit submenu CHANNEL EDI
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80. ars crushed when brightness 50 choose 0 IRE If black appears excessively elevated use 7 5 IRE VCR This control determines to what degree the Cine IPM tolerates signal disturbances The correct setting is automatically determined and set according to the type of incoming source signal for instance there should be a checkmark for all VCR sources The VCR option may require a change from its auto setting in very rare circumstances only such as if you are having difficulty switching between two unusual and almost identical VGA computer sources Otherwise it is not necessary to change this option VIDEO TERMINATION Enter a checkmark For all single free standing projectors to terminate the video inputs 3 and 4 75 For last projector in a network S The input should be terminated unless For all networked projectors except the last one the signal loops through continues to another Cine IPM or display device in which case only the last device in the chain should be terminated ENABLE DECODER AGC The automatic gain control affects decoded video images only Enter a checkmark default for most decoded video sources this activates the AGC circuit to ensure properly bright images Delete the checkmark if a decoded en NiON CINEMA OPERATION video image exhibits strange color artifacts such as stripes in highly saturated colors indicating an incompatibility between this source and the AGC DECODER L
81. ated m SNe r GREEN BLUE HOR COMP VERT e00 000 0 RGB INPUT MODULE RGB400BA Features accepts 3 4 or 5 wire RGB video sync on green composite sync or separate horizontal and vertical sync BNC connectors for RGB signal inputs Buffered signals to a remote destination NOTE The audio connectors are not functional The RGB400 ALT Input Module may be installed in the Cine IPM a Marquee Signal Switcher formerly manufactured by Christie or a Case Power Supply The module receives analog RGB input signals from computers or other RGB source devices Video inputs are 75S terminated Video outputs provide buffered loop through to another display device RED REE BLUE HoRComP VERT 0600 RGB LOOP THRU MODULE RGB400ALT Features accepts 3 4 or 5 wire RGB video sync on green composite sync or separate horizontal and vertical sync BNC connectors for RGB signal inputs buffered loop through video outputs NOTE The audio connectors are not functional Composite S Video Input Module 38 804608 xx PC250 Analog Input Module 38 804609 xx OPTIONAL INPUT MODULES The Composite S Video Input Module may be installed in the Cine IPM a Marquee Signal Switcher formerly manufactured by Christie or a Case Power Supply The module receives either composite video or S video input signals from tape or disk players do not connect both types of signals
82. attempting critical alignments of components such as the lamp reflector to head and before correcting for precise leveling boresight and the like NOTES 1 An anamorphic lens is needed in installations requiring wide images for either flat or scope cinema displays 2 Install the adapter on the projector before adding an anamorphic lens 3 Your adapter may differ slightly from the illustrations shown basic installation and use do not en INSTALLATION AND SETUP 1 At the clamp on the anamorphic adapter loosen 6 screws 3 16 2 on the top of the clamp 4 on the bottom so that the clamp is loose See Figure 2 9 2 With clamp on top slide the anamorphic adapter on to the adapting rods of the lens mount Figure 2 10 Figure 2 10 Slide adapter on to rods See Figure 2 11 Make sure the rear surface of the clamp is the appropriate distance from the front surface of the projector head given which primary lens is present The ends of the rods should be recessed approximately 1 2 for use with the 2 0 3 2 1 primary lens eee Face of Proj Head Lens Mount l Approx 71 2 Approx 5 if primary if primary lens 2 0 3 2 1 lens 3 2 5 6 1 Ee yy i L 4 3 1 Rods recessed 1 2 f new style NOTE Optimized for 1 5x anamorphic lens Adjust position slightly when using 1 9x anamorphic lens Rods flush old style
83. bed in 3 4 Using the Touch Panel Controller DCP displays are pre configured so that any user can correctly display a desired feature simply by selecting the corresponding button on the Main menu of the Touch Panel Controller There are a maximum of 8 display buttons available at any one time and most users are locked out of processing controls available in other Touch Panel Controller menus For cinema sources in particular which are displayed according to strict parameters pre defined by the producers of the feature and implemented in the projector by a DCP installer or trained operator this simplicity ensures that the intended appearance can be selected quickly and easily by any user To change to a new feature do the following Q Make sure the DCP and TPC are both powered up and operating normally Q On the Touch Panel Controller select the Main menu tab Q On the Main menu press the desired display button the image will update accordingly Refer back to 3 4 Using the Touch Panel Controller for other operating details 4 3 ouch Pang K Controller Ga F Other Methods Automated Control CINEMA OPERATION Main Status Custom Advanced Install About a Cinema A2 La J i Cinema B2 y Cinema A1 Cinema B1 1 Select pre defined source ve y 70S i e DVD VCR 2 Image will change ALT VCR Computer J HDTV Initializing Figure 4 3 Select the Desired Ci
84. c and or Vsync are either too fast or too slow When such a message appears check the frequencies shown in the Status menu If they are correct then the signal is not recognized by the projector On some PCs you may be able to change the settings to generate a compatible signal If the frequencies shown in the Status menu are incorrect check the cabling to see where the problem is en NON CINEMA OPERATION System Warnings Errors When the Cine IPM encounters a system malfunction either a System Warning message or a System Error message may appear Both types of messages are accompanied by a steady red Power LED and a flashing red and yellow error code on the Status LED This condition indicates the need for service by a qualified service technician NOTE System messages appear on screen only if Display Error Messages has been set to Screen or All System Warnings A system warning message indicates that a Cine IPM system malfunction has been detected see Status LED Codes below A system warning message replaces any input signal message and disappears when the input signal status changes While the Cine IPM will remain operational the message indicates the presence of a serious problem that should be reported to the manufacturer You can press to remove the message but for best results you should reset the Cine PM power it down and up again with the key System Errors A system error message indicates
85. caecsaecnaecsaesaeeeneeees 3 22 o Turning the Lamp On Off c ccccscscessessseesesseeeseeesseneeseesseseeeesenessceeeseeetsentens 3 22 e Adjusting Lamp Position e Setting Lamp Power cece e Recording Lamp Hours When to Replace the Lamp sc ccccccscescsceeseseesseseeseeseesenecneeseeseeseeseeseeseneeaeeaseas o How Old isMy Lamp ais iri Ea tates sive d iaasen bes ea aves eases 3 25 Working withthe Liens i c 0 8 hidtie canines sess entities neem S A een 3 26 DCP User s Manual i TABLE OF CONTENTS Se 4 6 Cinema Operation Non Cinema Operation Maintenance Troubleshooting Specifications Appendices 4 1 4 2 4 3 4 34 5 1 5 2 5 3 5 4 6 2 6 3 Jawe Compatible Cinema Sources sseseeeseeeseseeesreersstsrterrsteeteseertssesrrererreeresreeresen Selecting the Cinema Source eee ees eeceeseeseceecesecaecsaecseecseeeaeseaeeeeeeeeees Automated Controleer iisi e e E E E ET EAA Sample SQ AUtOMATION sosote an eE Ra E E TEETER R RA e Ifan Automation is Interrupted 3 Component FUnctions ccccccccesescssessscesesseseeeesenessenseeeenecseeeesseeeseneeaseeeeaes 4 5 Adjusting the Cinema Display 0 ceeccecsseceeececsseceeceeceaeceeececeaeeeeneecsaeeeeneeses 4 6 Compatible Non Cinema Sources ss essseeeseereeserssrerrssrrresrrsreeresrerreserrreresresees 5 1 Selecting the SOUCO essuie omis e aeiee erai a e A E ESEE EErEE as 5 1 Basic
86. ce input or if you used the input but did not define a channel by adjusting anything the Cine IPM will recognize the new input signal based on its frequencies and polarities and will automatically display an image according to default settings for such a signal Note that a graphic source will resize into a full screen image whereas video or HDTV sources will resize as much as possible while maintaining their aspect ratio If you used the source at least once before and changed a display parameter such as contrast V Position etc then a channel was automatically created and still exists in Cine IPM memory see below Using an key will automatically recall this channel and all its setup parameters and update the display accordingly en NON CINEMA OPERATION Creating a New Channel AUTOMATIC If more than one channel exists for the input the image will be displayed according to the setup parameters for the first channel with matching characteristics CHANNEL A channel is a collection of measurements locations and settings that tailor a display to your specific needs Since source types and applications can vary greatly you will likely want to adjust and define a wide variety of parameters such as brightness contrast tint size etc in order to customize and optimize the display coming from a particular source For example the display settings you choose for a VCR source may be very different from those you choose for a
87. centage or specific units such as pixels degrees Kelvin etc depending on the option Press lt or to gradually adjust the setting up or down both the number and the length of the bar change accordingly for continuous adjustment hold down the desired arrow key Or press to activate a slidebar text box for specific number entry via the keypad then press lt or and to save or press to cancel Filter 5 DCP User s Manual 5 13 NON CINEMA OPERATION SS 5 14 DCP User s Manual Double slidebars In double slidebars such as the pixel Adjust with lt or tracking pixel phase double a D slidebar adjust the top slidebar amp H Position 538 E _ with lt or as desired 1 V Position 414 D When you have finished with the Adjust with k top slidebar whether changed or not adjust the bottom slidebar with or Vo When you are done press to return to your presentation For fast continuous adjustments hold down the desired arrow key Direct slidebars For quick access you can often use a slidebar or double slidebar without traveling the menu system For example simply press to immediately display the same contrast slidebar accessed with the Contrast option in the Image Settings menu Direct slidebars are listed below LIST OF DIRECT SLIDEBARS Use the arrow keys to adjust a direct slidebar or press and enter a specific number from the keypad then Ete or lt or
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89. copy delete or edit any of the channels listed in the Channel Setup menu highlight the desired channel and do one of two things e Press if you want to copy the selected channel or delete this or other channels See Copying or Deleting a Channel below e Press if you want to edit channel setups i e non image related parameters for the selected channel See Editing a Channel Setup below Copying or Deleting Channels TO COPY A CHANNEL highlight the desired channel in the Channel Setup menu then press to go to the Channel Copy Delete submenu Select Copy and press cte a new channel will be created It is identical to original which still remains but it is identified with the next available number from 01 99 If you change your mind and do not want to copy the current channel press to cancel and return to the previous menu Copying channels is a quick method for creating numerous channels each of which can then be edited and adjusted for a variety of presentations in the future Channel Setup A 0 1 p4WH 48 73k 60 01 1 2 A 0 1 iDig _33 72k 59 94 3 EA 6 01 iSG 33 72k 60 00 func Channel Copy Delete 1 Copy Channel Setup 2 Delete new channel 01 A 0 1 p4WH 48 73k 60 01 identical ti iDi Chan 02 ue z Alo pet e 3 Delete Unlocked Only 03 H A 04 iSG 33 72k _ 60 00 Peas ee eel 04 A 0 1 iDig 33 72k 59 94 ESE annes Figure 5 10 Copying a Ch
90. ctor head will initialize 5 After the head is initialized set DC POWER to ON at the lamphouse the lamp will ignite Or press the AUTO START button on the optional 3Q automation panel the lamp will ignite and a pre programmed sequence of events will begin en BASIC OPERATION 3 3 Power down Procedure 1 At the lamphouse set DC At the pedestal set the Allow all fans to run for a full Breakers At the pedestal set all NOTE If the lamp fails to ignite momentarily press the MANUAL IGNITION button or if 3Q is present either 1 set the DC POWER to ON or 2 move the 3Q s MANUAL LAMP switch to ON Regardless of method manually igniting the lamp will not affect remaining automated events Make sure the READY light is green see Figure 3 14 this indicates that the lamp interlock circuit is properly closed and the lamp cooling system is functioning Q Lamphouse exhaust airflow OK Q Lamphouse plenum airflow OK Q Lamphouse door closed SLH D model only A SET PROPER LAMP CURRENT Always drive the lamp within its range of acceptable power level as shown in Table 3 8 beginning at 80 for a new lamp or higher if desired for your application As the lamp ages increase power as necessary always remaining within range for your lamp See 3 5 Working with the Lamp for details POWER to OFF NOTE If you have the 3Q theatre automation system the server will automatically send a pulse t
91. ctor networks in which a second Cine IPM would also be changed to recognize only protocol B protocol changes are rarely needed in typical cinema installations For best results do not change the default protocol for either the keypad or the Cine IPM NOTE By default the Cine IPM recognizes both A and B protocols This is set in the Communications menu as described in Section 5 For best results do not change If desired you can convert the Cine IPM s wired keypad into an IR remote keypad and vice versa Simply open the keypad Figure 2 50 and use tweezers or needle nose pliers to set Battery jumpers 3 and 4 as Compartment shown in Figure 2 51 IR or Figure 2 52 Figure 2 50 Open Keypad for Jumper Access wired Add or delete the batteries or cable as required DCP User s Manual 2 35 INSTALLATION AND SETUP gS TO CHANGE FROM WIRED TO INFRARED Unplug the keypad from the Cine IPM Open the keypad back and unplug the keypad cable Wait 1 2 minutes Install batteries Set jumpers 3 and 4 for IR jumper settings as shown in Figure 2 51 Replace battery compartment cover Set 3 and 4 IR Remote Keypad 321 PROTOCOL A ignore Figure 2 51 IR Jumper Settings TO CHANGE FROM INFRARED TO WIRED Remove battery compartment cover from back of keypad Remove batteries Wait 1 2 minutes Plug the keypad cable available separately into th
92. d the Marquee Case Power Supply accepts the following input modules for use with the Cine IPM RBG500 RGB400 Active Loop Thru RGB400 Buffered Amplifier Composite S Video and PC Analog Digital inputs cannot be used retaining clip to secure AC adapter non slip feet supplied with 110 or 220 volt AC adapter So DCP User s Manual D 5 3 3 2 Sync Offset Cinema 7 2 3Q And Lamp Power off 3 7 Components Functions 4 5 Sample Automation 4 4 What is it 3 5 A AC Disconnect 3 5 AC Maintenace of Connections 6 4 AC Problems 7 1 AC Wiring Requirements 2 16 6 2 Acknowledge 3 17 Adapters for SLI D Lamps 6 7 Advanced 10 bit ADP 5 35 Alarm for Cooler 3 3 Alarm Screen 3 17 Alignment Boresight Uniform Focus 2 19 For Screen 2 18 Laser 2 12 Optical 2 19 Reflector to Head 2 11 Alternative Content See Non Cinema Anamorphic Adapter Installation 2 8 Anamorphic Lens Description 3 27 Focus 2 22 Installation 2 10 Anamorphic Resizing Cine IPM 5 24 5 42 Arrow Keys 5 8 ASCII Message Structure 3 19 ASCII Messages Available 3 21 Auto Gain Control See Enable Decoder AGC Auto Input Level 5 33 Automation See Theatre Automation Systems AutoSource Checkbox Cine IPM 5 21 B Bad Sync Cine IPM 5 44 Baud Rate Cine IPM 5 39 Blacklevels and Drives Cine IPM 5 33 Blanking Cine IPM 5 27 Boresight Alignment 2 19 Index Left Right 2 20 Top Bottom 2 21 Breakers 3 2 Bri
93. d The values in the far right columns indicate horizontal and vertical frequencies if a name has been defined for this channel it appears here instead Other columns contain details pertaining to each channel setup such as its switcher number slot location a variety of icons indicating access to the channel and an abbreviated description of each signal type See Editing a Channel Setup for details SIGNAL TYPE Either channel list whether the key list or the Channel Setup menu identifies signal types in a shortened form as defined below These descriptors indicate what signal information the Cine IPM used to identify a match for a given channel and are preceded by either an i interlaced signal or p progressive signal See Table 5 11 66e09 1 5 18 DCP Users Manual en NON CINEMA OPERATION Table 5 11 Abbreviations for Signal Type Abbrev Signal Type 4WH Composite 4 wire on HC input 4WV Composite 4 wire on V input SG Sync on green SR Sync on red 5W Separate H V 5WR Separate H V swapped SVid S Vid CVid Composite Video 3LH Tri Level on HC input 3LV Tri Level on V input 3LG Tri Level on green E3LH European Tri Level on HC input E3LV European Tri Level on V input E3G European Tri Level on green Dig Digital If you have more than a handful of channels use and to see the remaining channels not visible in this initial display To
94. d colors a setting of 0 produces a black and white image for example If the color level is too high colors will be overpowering and unrealistic Use lt and until the desired color saturation level is displayed Tint Press to adjust the red green color hue for true color reproduction of NTSC video signals or HDTV signals For best results adjust tint while displaying a proper external test pattern from the source otherwise it is recommended that tint remain at its default setting Use lt and until the desired tint is displayed Detail Press to adjust the sharpness of a video image it is of limited use for non video Use and until the display is as sharp as desired keeping in mind that any level of detail above 3 will also introduce a certain degree of noise in the image Set below 3 to filter the signal and remove noise from a noisy source Contrast Press to change the amount of white in your images Use lt and until you reach the desired level of contrast for best results start low and increase so that whites remain bright but are not distorted or tinted and that light areas do not become white i e are crushed Conversely low contrast causes dim images See 5 7 Adjusting the Image Image Settings subsection Brightness Press to increase or decrease the amount of black in the image Use lt and until you reach the desired level for best results start high and decrease so
95. d red green or blue color information In response to incoming data streams light from the on pixels of each panel is reflected converged and then projected to the screen through one or more front lenses where all pixel reflections are superimposed in sharp full color images Make sure that you have all of the following standard components see Figure 3 1 D Pedestal on casters 4 feet packaged separately Lamphouse small SLI D model or large SLH D model Lamp Projector Head with lens mount installed and anamorphic adapter separate Touch Panel Controller with mounting hardware and cable Cooler with mounting hardware and 2 lengths of 1 flexible tubing 1 Primary zoom lens high contrast Assorted cabling and assembly hardware DCP User s Manual OoOooooocnd POWER SUPPLIES All DCPs include the standard components shown above however the type of pedestal which includes the main power supply depends on the lamphouse and your geographic region Before assembling the DCP make sure you have the correct pedestal for your installation and area North America e if SLI D lamphouse gt use 4 kW pedestal 230 VAC 10 202100 010 e if SLH D lamphouse use 7 kW pedestal 230 VAC 410 202100 040 Japan e if SLI D lamphouse gt use 4 kW pedestal 200 VAC 10 202100 020 e if SLH D lamphouse gt use 7 kW pedestal 200 VAC 410 202100 050 Europe Asia e if SLI D lamphouse use 4 kW pedestal 4
96. de Screw in 1 6 kW Insert 1 6 kW Lamp Lamp cathode Anode End Figure 6 3 Two Extra Adapters Needed for 1 6 kW Lamp The rear adapter can remain in place when you are replacing one 1 6 kW lamp with another Make sure to remove both of the 1 6 kW adapters from the SLI D lamphouse if you are switching from a 1 6 kW to either of the larger lamps but always keep the permanent adapter secured to the cathode connector in the SLI D lamphouse STEP 1 Turn off the lamp amp power supply Q At the lamphouse set DC POWER to OFF 6 8 DCP User s Manual es MAINTENANCE STEP 2 STEP 3 STEP 4 STEP 5 STEP 6 STEP 7 STEP 8 Q At the pedestal set the 3 phase XENON POWER SUPPLY circuit breaker to OFF Q Allow the fans to run at least 10 minutes for cooling A WARNING A Never attempt to remove the lamp when it is hot The lamp is under great pressure when hot and may explode causing personal injury and or property damage Allow to cool completely Turn off remaining circuit breakers After running the fans for at least 10 minutes turn off all remaining circuit breakers at the pedestal Disconnect from AC A WARNING A SHOCK HAZARD Disconnect from AC at BOTH wall breakers Open the lamphouse door With protective clothing on unlock SLH D or remove screws SLI D For better access remove the SLH D lamphouse door entirely by pressing down on the spring loaded pin hinge and or remove the panel on the o
97. display file If the image is still incorrect the display setup may first have to be re configured with new settings Contact the trained operator responsible for updating display setups E BASIC OPERATION Remote Control of the Some TPC projector functions can be controlled remotely typically at a controller Touch Panel Controller via simple bi directional ASCII messaging on an Ethernet communication link Available functions are e Unicode non unicode enabling e Channel switching e Channel naming e Saving to flash e Picture mute image blanking WHAT SETUP IS NEEDED To control these TPC functions remotely via your own controller you must open an Ethernet socket between your controller and the valid TPC address Note that only one connection is permitted at any given time See complete instructions in Setup and Shutdown later in this section Understanding ASCII Message Formats All remote control information passes in and out of the TPC as simple messages consisting of command code and any data related to it Such messages can be a command to set a projector parameter at a specific level such as changing to a certain channel Or the controller can request information such as what channel is currently in use the projector then returns the data in a reply message Regardless of message type or origin all messages use the same basic format and code see Figure 3 12 Where applicable a message can expand to include additiona
98. e Invalid Channel will appear Or if you try to enter the wrong password you ll see Invalid Password Press or to confirm the message and eliminate the message box NOTE Displaying of Invalid User Entry messages cannot be disabled even if Display Error Messages has been set to Off Input signal errors messages appear when you are in presentation level i e when there are no menus present and have selected an input on which the Cine IPM detects a problem While menus remain operational and pressing any key will temporarily remove the message from the screen you must resolve the signal problem in order to permanently eliminate the message NOTE Input signal messages appear on screen only if Display Error Messages has been set to Screen or All No Signal The message No signal appears when there is no signal detected at the selected input Both HSYNC and VSYNC are inactive and the screen background is black Connect or correct the signal or select another input Bad Sync The message Bad Sync is displayed when HSYNC or VSYNC are active but the signal cannot be displayed Such a condition occurs when only one of the two signals is present or when either signal is unstable or of the wrong frequency Correct the signal or select another input Other Signal Error Messages In addition to the common Bad Sync and No Signal errors you may encounter a signal error message indicating that Hsyn
99. e FPGA 1 1 72 in projector TnterFare PIC 0 0 5 Scrollable read only Figure 3 6 About Menu SAMPLE The About menu lists all current software versions installed in the projector As shown in Figure 3 6 this is a read only menu for general users and includes a button for installers service to exit TPC software and return to Windows Custom Menu NOTE Password protected For installers service and trained operators GENERAL DESCRIPTION The TPC Custom menu enables installers and trained operators to tailor projector processing as they wish for any type of incoming source Up to eight display buttons can be assigned for Projector Configuration Files PCFs files or setups each of which contains numerous custom settings that have either been pre defined in Christie s DCP Librarian setup software or created here in the TPC Custom menu Each button then appears on the Main menu where any user can select it thus offering a reliable way to quickly and correctly change the on screen display The Custom menu also offers control of parameters not contained in the PCFs the physical location of the input connection such as the cinema port or the DVI port the screen format the data format and whether or not the image is to be horizontally scaled compressed rather than projected in its native format These settings are also saved with the corresponding display button SAVING Changes in the Custom menu are saved
100. e check the current power level indicated on the ammeter on the lamphouse panel and increase lamp current as necessary using the Lamp Current Adjustment knob this knob may be on the lamp control panel in newer models or on the power supply in the pedestal for older models Never operate the lamp outside of its recommended range Table 3 8 Lamp Current Ranges NORMAL OPERATION Model Lamp kw Lamp Current Range amps SLI D 1 6 45 70 2 0 60 85 3 0 80 110 SLH D 4 0 100 140 4 5 100 160 6 0 110 170 A warnine 4 Stay within the range shown for your lamp FOR STAND BY MODE Closing the manual douser automatically puts the projector in a cooler stand by mode in which lamp power is reduced to approximately 30 70 user set of its maximum rating To set the stand by mode lamp power close the douser and turn the HALFCUR knob as desired on the power supply within the pedestal key required for access while checking the power level indicated on the ammeter on the lamphouse panel Select a stand by level that is within the range of acceptable power level for your lamp but which does not cause the lamp to flicker wander or turn off unexpectedly Your HALFCUR setting will be in effect whenever the douser lever is closed DCP User s Manual 3 23 BASIC OPERATION Recording Lamp Hours 3 24 When to Replace the Lamp DCP User s Manual Note that the lamp meter near the top of the la
101. e from 1 9 change here as desired e SLOT 1 feputl 2 bapug 3 feug or 4 leug for Cine IPM inputs or current slot number 1 9 if the source is connected to a switcher e LOCKED If checked all of the image settings for this channel are disabled If unchecked default all available image settings can be adjusted as desired You cannot use Auto Setup with a locked channel e IN MENU If checked default except for automatically defined channels with unchanged parameters this defined channel will then appear in the list available when key is pressed If unchecked the channel must be accessed via on the keypad or via the Auto Source function NOTE On screen display of the channel list is an option that must be set in the Menu Preferences menu e AUTO SOURCE If checked default the Cine IPM can automatically locate this channel when an incoming input signal matches If not checked the Cine IPM can locate the selected channel only when it is directly selected via on the keypad and a change in input signal will not result in a channel change e PREVIOUS CHANNEL Select this option to see or change Channel Edit settings for the previous channel in the Channel Setup list e NEXT CHANNEL Select this option to see or change Channel Edit settings for the next channel in the Channel Setup list Most options for non cinema image adjustments can be accessed through two menus Size and Position We G and Image Setting
102. e you can input an SMPTE 259M signal using a Serial Digital Input Module or input an SMPTE 272M signal from a Digital HDTV Serial Input Module Digital Micromirror Devices used in this projector for processing red green and blue color data Digital Source Master A title s native source files in acquisition format edited to create the distribution master and for reformatting for NTSC HDTV DVD etc and potentially archived Located at INPUT 3 and INPUT 4 this device converts NTSC 3 58 NTSC 4 4 PAL PAL N PAL M or SECAM to RGB video The sharpness of a display from a video source A type of rear projection screen which spreads the light striking it Screen gain is less than 1 but audience viewing angles are increased DCP User s Manual A 3 GLOSSARY M Digital Cinema Display Setting E stop Flicker Frame Rate Foot candle Foot lambert Gain or Screen Gain GVG Help Screen Horizontal Frequency Horizontal Offset DCP User s Manual Professional public presentation of theatrical content by electronic means particularly emphasizing projectors whose image source is digital data Also known as d cinema e cinema An adjustment that affects the display of an image Such display settings include contrast brightness tint blanking size offsets and others Emergency stop of the presentation due to equipment failure a commotion in the audience or any trigger from the theatre s life saf
103. e Figure 2 3 NOTE For safety it is Figure 2 3 Raise Pedestal and Install Feet recommended that you raise the whole pedestal rather than tilting one side at a time Keep level Remove casters if desired and carefully lower projector back to the floor NOTE There is no need to adjust leveling and or tilt at this point wait until all other components are mounted and refer to 2 2 Adjusting Tilt and Leveling 4 Install Internal Components and Cables within Pedestal NOTE These components are pre installed in later units ETHERNET HUB WITH BRACKET The Ethernet hub seats on to a bracket that may be pre installed near the ceiling of the pedestal 1 Open both sides of the pedestal DCP User s Manual 2 3 INSTALLATION AND SETUP Ethernet Hub Ceiling beam in pedestal Ethernet Hub Holding Bracket Figure 2 4 Install Ethernet Hub in Pedestal NON OPERATOR SIDE SHOWN 2 See Figure 2 4 Install the hub mounting bracket if it is not already present using 2 screws secured from the operator s side 3 Align hub with bracket and slide into place so that it seats on to the raised screw heads protruding from the floor of the bracket ETHERNET POWER SUPPLY Plug the small power supply directly into outlet 2 on the front inside wall 24V POWER SUPPLY FOR Touch Panel Controller The Touch Panel Controller used with the DCP includes its own 24V power supply Connect and mount this power supply as fol
104. e accessed but will be hidden during adjustment DISPLAY ERROR MESSAGES Choose in what way you want to be notified of errors detected in either the incoming signal or Cine IPM Select Screen or Al to see a brief on screen messages or select RS232 to be see messages via RS232 and RS 422 serial communication only To disable error message display select Off LARGE MENU FONT Enter a checkmark to enlarge menus and their text You may have to adjust Menu Location to accommodate the increased menu area Communications This submenu of the Configuration menu is fully described in a separate System Communications subsection later in Section 5 DCP User s Manual 5 37 NON CINEMA OPERATION x 5 38 DCP User s Manual Reserved 5 and 6 No function Auto Power Up By default the Cine IPM powers up automatically whenever its main power switch is ON and AC is supplied To prevent an auto power up delete the checkmark Diagnostics and Calibration From the Diagnostics and Calibration submenu you can Diagnostics and Calibration access several options for testing 4 TestPattem Geometry v and setup You can work with test 2 Freeze Image ie 3 Color Enable White wi patterns and specific colors freeze 4 Odd Pixel Adjustment an image for inspection and or access the Odd Pixel Adjustment menu for precision settings of offset and gain TEST PATTERN U
105. e bottom slidebar This option moves the image up or down NOTE The value shown represents where the approximate center of the image lies in relation to the total number of pixels available vertically This varies widely according to the signal watch the image while adjusting Blanking Top Bottom Left or Right Blanking These slidebars blank turn to black the top bottom 1 TopBlank 8 1 left or right edge of the image so that any unwanted 2 Bottom Blank 4 information is cropped from view For example when 3 Left Blank 18 displaying native size video you may want to blank out sabu SL a few of the top lines PLL Loop Gain This control changes the relative offset to the default gain The default PLL Phase Lock Loop Loop Gain setting of 10 is set automatically with a Pixel Tracking adjustment and is correct in most cases In rare instances such as when your image exhibits tearing or flag waving increase the PLL loop gain setting as necessary Or if your image is unstable and breaks up this may indicate that the PLL loop gain setting is either too high or too low PLL Loop Gain affect the current channel only Keystone No function en NiON CINEMA OPERATION Image Settings Plug amp Display ESID NOTE Requires optional DVI DFP Input Module Disabled for all other inputs By default the Plug amp Display option detects an incoming 4 1024x768x60Hz digital flat p
106. e empty battery compartment Make sure that the battery cover is smoothly notched to accommodate the cable e Set jumpers 3 and 4 for wired jumper settings as shown in Figure 2 52 Replace battery compartment cover e Plug into the 3 pin XLR port on the Cine IPM Set Jumpers 3 and 4 Wired Keypad 321 PROTOCOL A or ignore 321 PROTOCOL B 321 ALWAYS 321 DISABLE IR 321 mo WIRED KEYPAD Figure 2 52 Wired Jumper Settings 2 36 DCP Users Manual Section 3 Basic Operation 3 1 Projector Basics Components Features This section introduces controls and switches used for basic manual operation of the projector once it is properly installed aligned and configured by a qualified service technician as described in Section 2 Installation and Setup Chief DCP components appear below note SLH D lamphouse shown Security Lock 7 Lamp Control Panel Security 3Q Panel opt ai Vy ry Breakers Projector Head e Lamphouse Automation e Outlet 1 Outlet 2 Breakers Power Supply e Lamp Power internal adj Stand by Lamp Power Adj internal adj Tilt Adjuster 2 Leveling Feet 4 Exhaust Duct to Outside Lamphouse SLH D shown Touch Panel Controller optional install location may be on the lamphouse rear or side or at
107. e highlight and number as shown at right L03 0 4 iSVid Display3 press Enter NOTES 1 The current aati channel name or freq channel is highlighted upon entering the Channel List or if this channel is not displayed in the list the first channel in the list is highlighted 2 Channels created automatically do not appear in the Channel List unless a parameter has been changed What Channels All available channels are listed in the Channel Setup menu which describes how Are Defined So Far each channel can be accessed and which serves as the gateway for editing copying and deleting channels From the presentation level press to menu 3 Channel Setup display ietan imen 01 EA 0 1 p4WH 48 73k 60 01 To display the Channel 02 A 0 2 iDig 1st display Setup menu press 8 or on 03 A A 0 1 iSG 33 72k 60 00 move the highlight to the LC A A A A Channel Setup option and location signal type H sync V sync press Este The Channel Setup menu will appear A locked auto source that appears in the list An unlocked auto source that does not appear in the list see sample at right Figure 5 9 All Channels Appear in the with the active channel Channel Setup Menu highlighted WHAT APPEARS IN THE CHANNEL SETUP MENU As shown in Figure 5 9 this menu lists all channels defined so far and indicates how they are connected to the Cine IPM The far left column contains current channel numbers define
108. e line that follows the current one 0x1B x control code ESC Sample Messages and Their Meaning Table 3 6 Sample Messages Desired Action Message Description Get current Chan CHA Request by controller for current channel Chan reply from proj CHA 101 Reply from proj that current channel is 101 Set Chan CHA 101 Switch to the first channel on the TPC Get picture mute status PMT Request by controller for picture mute status Picture mute reply from proj PMT 000 Reply from proj that picture is mute is off Set picture mute PMT 1 Turn the picture mute on blank the image What is Actually Sent in a Message Although you will send and read all messages as strings of ASCII characters the actual message travels as a sequence of bytes Each character in a unicode message requires 2 bytes whereas the non unicode requires only 1 byte See example below which illustrates a picture mute is off reply from the projector a BASIC OPERATION ASCII NON UNICODE HEX 0x28 0x50 Ox4d 0x54 0x21 0x30 0x30 0x30 0x29 UNICODE HEX 0x00 0x28 0x00 0x50 0x00 0x4d 0x00 0x54 0x00 0x21 0x00 0x30 0x00 0x30 0x00 0x30 0x00 0x29 Figure 3 13 ASCII as Non Unicode and Unicode Codes for All Available Messages The following commands can be used for remote control of the TPC Table 3 7 Available Messages Function Code Function
109. e on the screen 10 Repeat steps 8 and 9 until the top and bottom of V Boresight screen are both well focused Bolt Figure 2 32 Adjust 11 REFOCUS Although all sides of the image should Top Bottom Boresight now be in focus the center of the image will be slightly blurry at this point Refocus at center of image 12 Adjust the hold screw to lock in place and check boresight again Swing the desired anamorphic lens in position in front of the primary lens It should magnify in the horizontal direction only stretching the image straight across the screen this requires that its aperture be vertically aligned to the screen If the image is skewed loosen the locking ring on the anamorphic lens and rotate the lens slightly until the wide image is horizontal 1 FOCUS PRIMARY LENS With the anamorphic lens in place refocus the primary lens using focus knob 2 FOCUS ANAMORPHIC LENS If horizontal focus in the image needs improvement focus the anamorphic lens too rotate its barrel as needed 3 Whenever using the anamorphic lens secure it in place using the large thumbwheel located above the adapter arm and lens Focus ANAMORPHIC DCP Librarian is a comprehensive Windows based software application used for calibrating image color performance and defining electronic screen masking required in your particular DCP installation and for creating individual Projector Configuration Files PCFs necessary for proper display of
110. e presentations so that the intended image quality is not compromised other applications such as post production and alternative or non cinema displays may wish to adjust one or more display parameters individually Current icon for this setup Press to change Main Status Custom Advanced Install AjOu 1 D for current 1 Channel Channel Name Maintain orig format or compress gt Refresh Update Refresh all selection w lists available in Custom Custom settings 5 HDTV 1 Appears on Adjust Color Space Main menu Input Gamma Target Color A Cinerrm Input 1 x Scaling Use PCF amp Source if cleared _ ource connection location Data Format Color Space Always for cinema sources Packing mode and bits Unpacked 8bit x x of your source Screen Gamma Type of color decoding a Such as RGB or YCbCr v Screen area crop amp lens Type of gamma correction Choices defined by installer Source Target Color Such as PL2 6 Source resolution Applies custom color processing aspect ratio and offset Could not open Ethernet Port 13 41 03 Choices defined by installer Choices defined by installer S Default P7V2 Theatre Current Time User Button Press to return to General User rights only Figure 3 8 Custom Menu Creating Custom PCFs and Other Settings 3 14 DCP User s Manual E BASIC OPERATION Table 3 2 Summary of Custom Menu Functions
111. each projector using a unique three digit number for each Once every projector has its own number you can begin to control the network If using an IR remote make certain that only one any networked projector has its Broadcast Keys option selected checked and IR sensors enabled the remaining projectors must have the Broadcast Keys option unchecked and their keypads disabled do this in Communications menu The Broadcast Keys projector will then relay keypad commands to the other projectors If using a wired remote make sure to select the Broadcast Keys option for the projector to which the wired remote is connected To work with a single projector press to display an editable window from each projector Enter the three digit number you have assigned to the projector you wish to control All subsequent keypad commands will then affect this projector exclusively until you press again and enter a different number or until you switch to broadcast mode below NOTE If you are using a computer or controller to issue commands use the correct RS 232 software command to gain control of a single projector First make certain that only one any networked projector has its Broadcast Keys option selected checked the remaining projectors must have the option unchecked and their keypads disabled do this in Communications menu The Broadcast Keys projector will then relay keypad commands to the others If using a wir
112. ect Default below WHEN CUSTOM APPEARS The Custom descriptor automatically appears in the Size and Position menu when any of the values for Size Vertical Stretch H Position V Position or Blanking do not correspond to those for a preset It is not an option in the Resize Presets pull down list e SELECT DEFAULT default for most images This option will center and display your image as large as possible for the current source as described below vA graphic image will resize to fill the screen regardless of its original aspect ratio For example 1024 x 768 becomes 1280 x 1024 v A video image will resize to fill the screen while still maintaining its aspect ratio assumed to be 5 4 y An HDTV wide screen 16 9 image will resize to fill the screen horizontally while maintaining its 16 9 aspect ratio i e there will be black borders at top and bottom commonly called letterboxed Anon HDTV anamorphic 16 9 image typical of DVDs will be stretched vertically So with the exception of HDTV 16 9 the Default setting produces an aspect ratio that is either almost or exactly 5 4 See examples below If non HDTV If graphics If video If HDTV anamorphic signal approx 1024 Image 960 1024 Mt 1280 1280 1280 1280 e SELECT NO RESIZING to display the image in its native resolution which may be smaller or larger than the native resolution of the pro
113. ect an option in a list touch the option text To escape without change from a pull down list touch a blank area of the menu Touch checkboxes to toggle on or off Q Touch large raised buttons to activate a function such as the user test pattern or to start a presentation or select a different icon Such buttons may be rectangular or round and may include text and or an icon Q Touch to jump to the Status menu at any time Oooo D BASIC OPERATION Menus are illustrated and explained below NOTE Shown are SAMPLE menus your specific text and or icons may vary and are dependent on settings in the password protected menus By default from the factory the Main menu offers four display buttons each for cinema and non cinema sources Main Menu Main Status Custom Advanced install About Cinema A1 a Cinema A2 w Test Pattern Button y Default z Full White Field sE 8 NOTE Can be re defined Cinema B1 pa Cinema B2 using DCP Librarian 8 Display Buttons 1 Select pre defined lt source amp VCR 2 Image will change VCR Computer A HDTV Initializing Go to Status Menu e Color indicators User Level Button Green All OK Color identifies user rights Yellow Environment Diagnostics WARNING Press to change Red Environment Diagnostics CRITICAL ERROR ae Flashing ALARM CONDITION 8 Requires System not available in this projector
114. ectable menu item that unfolds into a list of options pertaining to it A manufacturer of a digital video recorder player server QuBit frequently used for providing digital cinema data to the DCP QuVis image compression uses a proprietary technology called Quality Priority Encoding based on wavelets in which the user selects a quality level based on signal to noise ratio The data rate varies to efficiently maintain that quality level Frames are coded individually A translucent panel for screen projection Incident light travels through the incident surface of a rear screen and forms an image on the other surface Composite positive motion picture prints generally made from internegatives intended for distribution to exhibitors The ability to manipulate through software commands the physical size placement and or aspect ratio of an image The maximum number of alternate white and black horizontal lines that can be distinguished on a screen when a photographic target is placed between the lens and a light source and illuminated by that source The maximum number of pixels that the projector can display horizontally and vertically across an image such as 1024 x 768 called XGA The minimum time required for a CRT projector to move the position of the scanning spot from the right edge to the left edge The time required by the video amplifier of the projector to increase its output from 10 to 90 of the maximum value DCP User
115. ed see Pixel Phase below NOTE By default the Cine IPM will sample at the correct frequency for most sources Pixel tracking is adjusted most effectively using a good test pattern such as a smooth gray consisting of a clear pattern of tiny black and white dots or a similar half on half off graphic image such as the Windows shutdown screen Steady flickering or several soft vertical stripes or bands across the entire image indicates poor pixel tracking Adjust the slidebar until the stripes broaden to the point where one large stripe fills the image Again the image may still exhibit some noise See Pixel Phase Pixel Phase SHORT CUT Press and adjust the bottom slidebar Pixel phase adjusts the phase of the pixel sampling clock relative to the incoming signal It is used primarily for adjusting RGB inputs NOTE Adjust pixel phase after pixel tracking is properly set Adjust pixel phase when the image usually from an RGB source shows shimmer or noise Pixel phase adjustment is done most effectively from within a proper test pattern such as a smooth gray consisting of a clear pattern of tiny black and white dots or a similar graphic image such as the Windows shutdown screen Adjust until the image is stable and each dot is clearly defined Using the numbers on the slidebar as a guide you will notice that you can actually stabilize the image at more than one point i e you may find that the image appearance at 11
116. ed remote make sure to select the Broadcast Keys option for the projector to which the wired remote is connected On either the IR remote or wired keypad press to display the projector box Press again without entering a number the keypad commands will now affect all projectors NOTE If you are using a computer or controller to issue commands use the correct RS 232 software command to broadcast DCP User s Manual 5 43 NON CINEMA OPERATION M 5 44 Ms Occasionally the Cine IPM may encounter an error condition that interrupts normal 5 11 Error Conditions User Errors Input Signal Errors DCP User s Manual operation Such a condition can be caused by an invalid user entry an input signal error most common or other system error If you would like to be notified on screen of such errors select the Screen option from the Display Error Messages pull down list in Menu Preferences menu If you would like to be notified via a serial communication only select the RS 232 option instead To receive both notifications select All To disable error messages except for invalid user entries select Off NOTE Error messages also always appear at the LCD on the Cine IPM Invalid User Entry Any keypad entry not recognized by the Cine IPM will trigger an on screen error message describing the problem For example if you specify a channel number that has not been defined the messag
117. een an external controller such as a PC or server and the single RS 232 A port Comunications route to the projector head as shown in Figure 2 45 To TPC and other networked equipment such as a server i To server via Ethernet hub and ey or PC Communication Panel S via Communication Panel port RS 232 A Ethernet Figure 2 45 Possible Communication Link from DCP to PC or Server NOTES 1 The ethernet ports are identical so use either port for any external equipment 2 For serial communication using a PC laptop or server use only the RS 232 A port the other RS 232 port utilizes special protocol intended for Cine IPM serial communications only 3 Depending on your installation connect the TPC to either the dedicated 8 pin connector at the top of the Communication Panel or to one of the ethernet ports Cine IPM Serial Link INSTALLATION AND SETUP Installation must include the RS 232 connection shown at right For serial control of the Cine IPM connect an appropriate serial communication cable between an external controller and either the Cine IPM RS 232 IN port 9 pin D connector or if you have a controller with RS 422 capability the Cine IPM RS 422 port 6 pin XLR To Cine IPM OUT 7 4 via Communication Panel port RS 232 B RS 232 B Figure 2 46 Cine IPM RS 232 Then connect the Cine IPM RS 232 OUT port 9 pin D connector to the Communication Panel on the projector refer back
118. eeseeesseesesreesesreerssrsrrsrrsreeresrerrsrerrererrreresreerese 6 3 Ventilation en E A A Oe 6 3 amp AIP Bier eenia e a a a HOA alld ante E 6 3 Liquid COOLER ecssssssvsseceraysseisteentersdcecuecedadsve cutee cos insid cuncedeydetsexspivedsbescesdodensee e Lamp Fan amp Airflow Interlocks Exhaust DUC ona aa Taa AE RREA N ETA RNR Maintenance amp Cleaning eseeeseeeseeeseseeesesrerrssrrressrsteeresrerenrerrenerreeresrerresent o Flectricalenni oiir E E E E E E abe actos Optical aen Ea E E R E E A E A R S Other Components rir i o E E E E E A E T eee 6 4 Replacing the Lamp amp Filter sseesseeeseeeseeeseseeessseerrsserrrsresreeresereresesrrererreeresre 6 6 Replacing Lens sissies sicssvenssbissunchecsasheesasscpsagesslesntsnes capabatpetsase peneebstbvasiseey 6 11 PONET i a ee ae Ge Len eee 7 1 Ted iaes co ease ne teh a Nace eee hah E os bh E E tol dees as 7 2 Cinema Displayssiieie sith Shs tele he eee Behe See aes 7 2 Non cinemia Displays iscissc s5s sscasocsesisusestcesscesncbesceas cotacesbensseestce bassinet SEER iE 7 3 Specifications sirieni ie nnee E Ghee a hee Ai aio ann eee k 8 1 GIOSSALY esstscs alesse cs hao tates nee ee sae ae oe et A 1 SCHEMALICS rer ea e E AE A NA AEA A EE B 1 Serial Communication Cables cece ceeeesecssecseecreecseceecaeeeneeeeeseeeeeeeeeeeeeeens C 1 Optional Input Modules requires Cine IPM ccccsccesscesscesecesecnsecnsesseeeneeenes D 1 NOTE Due to con
119. el hair brush and or blow dust away with compressed air 2 Fold a microfibre cloth smooth and gently wipe remaining dust particles off the lens Make sure to wipe evenly with the smooth portion of the cloth that has no folds or creases Do not apply pressure with your fingers use the tension in the folded cloth itself to collect the dust 3 If significant dust is still bound to the surface dampen a clean microfibre cloth with lens cleaning solution damp not dripping Wipe gently until clean IF FINGERPRINTS SMUDGES OIL 1 Brush most of the dust off with a camel hair brush and or blow dust away with compressed air Roll a lens tissue around a swab and soak in lens cleaning solution Tissue should be damp but not dripping Gently wipe the surface using a figure 8 motion Repeat until blemish is removed Cleaning the Reflector IF DUSTY 1 2 Brush most of the dust off with a camel hair brush and or blow dust away with compressed air If some dust remains just leave as is air circulating at the lamp is unfiltered so some dust is inevitable Avoid unnecessary cleaning IF FINGERPRINTS SMUDGES OIL 1 First brush dust off with a camel hair brush and or blow dust away with compressed air Fold a clean microfibre cloth and dampen with methanol Make sure to wipe evenly with the smooth portion of the cloth that has no folds or creases Do not apply pressure with your fingers use the solution in the
120. ema graphics port operating details Apv port not used Figure 2 34 DVI Port Non Cinema en INSTALLATION AND SETUP Connecting Sources to the Cine IPM For multiple non cinema or alternative content sources you can connect a variety of sources to input panels on DCP s Cine IPM option See Figure 2 35 the lower left area INPUT 1 typically accepts an RGB signal from an external RGB source or it can also be used for YPbPr signals or additional video sour ces The upper right panel the Video Decoder Module accepts only composite video at INPUT 3 or S video at INPUT 4 from devices such as VCRs laser disk players or DVD players There are also several optional interface modules available sources at INPUT 2 Such a module installs in the upper left NOTE Connect only high quality shielded cables for connecting other area of the Cine IPM Installed externally or within pedestal INPUT 2 INPUT 3 Video Decoder Input INPUT 4 COMPOSITE VIDEO Pe a S Q LL LOOP J SVIDEO Input 3 Input 4 Y c uN CQ Video Decoder L Loor S Module 804600 vic Xi INPUT 1 RED GREEN BLUE HOR COMP VERT SWITCHER RS 232 IN RS 232 OUT f N Gea Ss L REMOTE QO Graphics or Video Serial Control Input 1 RS 232 Keypad Connect m Figure 2 35 Cine IPM Connector Panel DCP User s Manu
121. ens adapter has been installed in the proper position for the 1 9x anamorphic lens the other lens 1 5x will clear the primary lens only if it has been secured approximately 14 from its retaining ring as described above Secure each lens with two lock down screws 5 32 on each side of the lens when done 6 ADJUST POSITION Q To move both anamorphic lenses closer to or further from the primary lens loosen the 6 adapter clamp screws and slide the adapter along the rods You might have to remove the anamorphic lens es first If necessary re adjust the left right position of anamorphic adapter it should be centered with primary lens if the projector is centered with the screen NOTE If the projector is off center from the port window it will require significant horizontal offset of the primary lens The anamorphic lens may also have to be offset slightly to compensate and to prevent vignetting corner cropping in the image Re secure 6 adapter clamp screws To move the anamorphic lens higher or lower to compensate for any vertical offset introduced necessary when the projector is elevated in relation to the center of the screen loosen the small screws securing the anamorphic locking ring to a pair of vertical rods and slide the ring up or down as needed Re secure the ring to the vertical rods 7 Use the large thumbwheel on top of the arm to secure the anamorphic lens in place 2 10 DCP User s Manual ee INSTAL
122. entry 2 See 5 6 Using Inputs and Channels for a detailed explanation of inputs NOTE key behavior during a presentation depends on whether or not the Display Channel List option is selected in the Menu Preferences menu You can choose to have on screen feedback when you press or you may prefer to enter the desired source location blind i e without on screen feedback See Menu Preferences later in this section Channel Press to select a specific source setup channel defined and stored in Cine IPM memory Once you enter a 2 digit channel number or if there is a list displayed highlight it and press E e the display will automatically change and update according to the numerous setup parameters defined for that channel NOTE key behavior during a presentation depends on whether or not the Display Channel List option is selected in the Menu Preferences menu You can choose to use a scrollable list of channels when you press or you may prefer to enter the desired channel number blind i e without on screen feedback See Menu Preferences later in this section Stand by Press and hold for approximately 1 second to blank all display while keeping the projector in a warmed up and ready state Or quickly press and release and follow immediately by or if you want to guarantee the correct toggle useful if you are unsure of the present status Note that the lamp and electronics remain ON in stand by mode even though
123. enu message or test pattern displayed you have limited time in which to make a keypad entry before the projector returns to presentation level and the graphic disappears These time outs vary depending on the current display as shown in the following chart TIME OUTS Slidebar from pres Slidebar from menu Lamp Timer Msg Channel entry If a menu option includes this icon settings for the option apply universally to any incoming signal Most of the function menus allow you to change settings by using slidebars checkboxes and pull down lists To select a slidebar toggle a checkbox status or view a pull down list do one of the following within the function menu e Enter the menu option number corresponding to the setting you wish to change for example press 2 for Vertical Stretch in Size amp Position menu e Or move the highlight to the desired parameter and press Ete e Or move the highlight to the option desired and press 42 or e Or bypass menus entirely and use a single key to immediately access an adjustment note applies only to options having their own key such as Color Tint Detail Contrast Brightness Pixel and Position Once selected change the setting as desired see below and press to save and return to the current function menu Slidebars in menus The current value for a given option such as size or vertical stretch appears to the left of its slidebar icon This number may express a per
124. ere Advanced required they can define the eight display setups as well as Install processing paths network addresses and temperature read out in Celsius or Fahrenheit In most installations a trained operator can adjust or re define the eight display setups for subsequent new source material When the DCP powers up see 3 2 Power up Procedure the Touch Panel Controller will begin the steps of Initializing Attempting to log on and Updating status displaying its progress on the TPC status bar When initializing is complete all files are refreshed on the TPC and the system is in a ready to use default operating mode Q It projects the most recently used source material Q The Main menu appears on the Touch Panel Controller with the current display button depressed darkened If the TPC fails to initialize and instead displays a communication error such as No connection or Cannot locate Ethernet port there is likely a bad connection between the TPC and the rest of the projector The projector will still operate and will display the last active input and settings Check that TPC cabling is intact and try again The Touch Panel Controller software functions in a manner similar to other Windows based applications all activated by touching the TPC screen To go to a new menu touch its tab at the top of the page To see more options in pull down menus touch To sel
125. erent locations for rear spacers in any SLI D lamphouse depending on their location these spacers move the horizontal adjustment box closer to or further from the opposing connector anode so that each of the three different sized SLI D lamps fit in the lamphouse For 1 6 kW or 2 0 kW lamps locate the spacers as shown in Figure 6 2A For a 3 0 kW lamp locate the spacers in front of the horizontal adjustment box as shown in Figure 6 2B essentially moving this box backwards to accommodate the extra length of this lamp To move the spacers Q Remove the rear panel of the SLI D lamphouse DCP User s Manual 6 7 MAINTENANCE Q Remove the nut and washer securing the spacers with the horizontal adjustment box Q Move all three spacers as shown for your specific lamp in Figure 6 2 Q Re secure all nuts washers horizontal adjustment box and spacers to the horizontal adjustment plate Q Re install the rear panel of the SLI D lamphouse FOR 1 6 kW or 2 0 kW Lamps FOR 3 0 kW Lamp Figure 6 2 Location of Spacers for SLI D Lamps EXTRA ADAPTERS FOR 1 6 kW LAMP The smallest SLI D lamp the 1 6 kW requires a unique adapter at each end to provide extra length They are not provided with the 1 6 kW so must be ordered separately Cathode adapter Christie Part 193605 001 Anode adapter Christie Part 193604 001 Cathode Rear Anode Front Thread on to Secure with rear bulb support Clamp Ano
126. es and pull down lists in es Communications the Communications menu to alter the methods or types of communication to and 1 Baud Rate 38400 from the Cine IPM Changes made to the 2 FrontIR AorB v Communications menu will be saved when 4 Wired Keypad AorB you exit the menu 5 Broadcast Key Z 6 Projector 003 NOTE With the exception of baud rate Communications menu options are needed in multiple Cine IPM projector Figure 5 22 Communications Menu installations only Baud Rate The baud rate setting determines the speed of communications to and from the Cine IPM By default the Cine IPM baud rate is set to 19200 Setting the correct speed is 1 1200 important when you are controlling the Cine IPM with an external 2 2400 device such as a computer or another Cine IPM via an RS 232 or RS 3 9600 422 port Set the Cine IPM baud rate at these ports to match the baud gt 4 19200 rate of the controlling device If you are unsure about which baud rate 3 P to choose refer to the documentation for the controlling device In an 7 115200 existing network if you discover that a Cine IPM has the wrong baud De fault rate make sure to use the pull down list and select the correct baud rate with the key do not just scroll this control with lt and f NOTE 1 The baud rate setting does not affect the switcher port which is always 9600 baud 2 See 2 9 Connecting Serial and Ethernet Communica
127. et correct Adjust as necessary using the vertical offset knob 3 Check pixel tracking The display is noisy 1 Display adjustment may be required Adjust pixel tracking phase and filter Noise is particularly common on YPbPr signals from a DVD player 2 The video input may not be terminated Make sure the video input is terminated 75 S If it is the last connection in a loop through chain the video input should be terminated at the last Cine IPM only 3 The input signal and or signal cables carrying the input signal may be of poor quality DCP User s Manual 7 5 TROUBLESHOOTING Se 7 6 Symptom CAUSE REMEDY DCP User s Manual If the distance between the input source device and the Cine IPM is greater than 25 feet signal amplification conditioning may be required If the source is a VCR or off air broadcast detail may be set too high Keep near 4 for most sources There are random streaks on the bottom of the image If a 50 Hz HDSDI signal use cinema processing by entering a checkmark in the Use Cinema Path for DVI checkbox in the Touch Panel Controller s Advanced menu NOTE password protected If a 24Hz or 25Hz HDSDI signal or a 50 Hz SDI digital PAL signal make sure to use non cinema processing delete the checkmark for Use Cinema Path for DVI checkbox in the Touch Panel Controller s Advanced menu NOTE password protected Or if you do not have access to the Touch Panel Controlle
128. ety system that could require stopping the show raising the house lights and enabling a PA announcement A very rapid variation in image brightness caused by a frame rate that is too slow See Interlace The frequency at which complete images are generated For non interlaced signals the frame rate is identical to the vertical frequency For interlaced signals the frame rate also known as field rate is one half of vertical frequency The intensity of visible light per square foot The luminance brightness which results from one foot candle of illumination falling on a perfectly diffuse surface 1 fL 3 423 candela per square meter cd m Note that SMPTE RP 98 calls for theatre screen luminance of 12 to 22 fL 16 2 fL 55 7 cd m is the open gate target according to SMPTE 196M For cinema applications xenon lamp wattage is approximated to achieve this level using 12 W ft x screen height squared or 5 W ft of total scope image area for matte screens and typical lenses The ability of a screen to direct incident light to an audience A flat matte white wall has a gain of approximately 1 Screens with gain less than 1 attenuate incident light screens with gain more than 1 direct more incident light to the audience but have a narrow viewing angle For example An image reflecting off a 10 gain screen appears 10 times brighter than it would if reflected off a matte white wall Curved screens usually have larger ga
129. ever the lamp module is replaced or more frequently if operating the projector in a dusty or dirty environment Check monthly in all cases The filter is located near the bottom of the projector head in front of the internal connector panel Power down and disconnect from AC Follow steps 1 4 from the Lamp Replacement Procedure above Remove top frame On the top frame of the filter pull side latches away from each other to release Pull the top filter frame firmly away from projector 6 5 STEP 4 Replacing a Lens Replace the air filter Remove and discard the old air filter Insert the new air filter into the top frame following the This Side Faces IN labeling There should be no labeling visible when the air filter is correctly installed Re install top frame With the filter in place snap the top frame on to the bottom frame Side latches must be fully engaged to provide the necessary seal around the air filter Make sure there is no labeling visible after installation A WARNING 4 Use only Christie filters Never operate the projector without the filter installed A variety of lenses can accommodate different throw distances and specific types of installations see Section 8 Specifications To Replace a Primary Lens IF HIGH CONTRAST PRIMARY LENSES High contrast primary lenses include their own integral adapter To replace such a lens 1 Remove the external notched locking ring 2 Turn the lens counte
130. g installation The head is closed and locked for normal operation 3Q Theatre Automation Panel OPTIONAL The optional Christie 3Q provides a simple way to start various scheduled theatre events including the ignition of the DCP lamp and start of the selected feature according to a single automation that begins at the press of the 3Q s AUTO START button For a brief summary of 3Q functions see 4 3 Automated Control NOTE Alternatively this location can accommodate the optional Cine IPM or certain other theatre automation systems Security Lock Access to all internal components and or connections is protected by high security locks on the pedestal and head and medium security locks on the lamphouse Source Control Cabling Flexible conduit within the pedestal toe provides safe routing for all source cabling usually connected during installation Use a route not currently occupied by the power cable DCP User s Manual 3 5 BASIC OPERATION 3 6 _ _ 3 2 Power up Procedure DCP User s Manual Tilt Adjuster For most cinema installations the projector is slightly inclined raised at the back to match screen tilt and to reduce the amount of vertical offset required See 2 2 Adjusting Tilt and Leveling for complete instructions on setting the tilt adjuster Touch Panel Controller The Touch Panel Controller is a touch screen used primarily for selecting a
131. g Lamp Position The lamp will then be well centered and distanced correctly from the remainder of the illumination system With a new lamp optimized system and well aligned reflector the uncorrected color light output that is light output that has not been reduced through color correction should be fairly close to the expected maximum levels shown in Table 2 3 Table 2 3 Maximum Achievable Brightness Levels Model Lamp Maximum Achievable kW Brightness lumens SLI D 1 6 3200 2 4000 3 6000 SLH D 4 8000 4 5 8500 6 11000 x Measured in front of the lens not at screen As with any lamp brightness decreases as the lamp is used Keep in mind that performance depends on the age of the lamp reflector alignment and lamp position your light output measurement may be lower NOTE If peak light output remains significantly below the expected level for your lamp wattage there may be a problem that must be resolved at this point concerning the reflector head alignment or the lamp itself NOTES 1 Assumes projector is fully assembled and powered up in its final location 2 If you do not have the optional Cine IPM which offers a variety of test patterns for analyzing optical performance you will need access to the TPC Advanced menu The objectives of this procedure are to ensure the image from the DMDs is parallel to and well centered with both the lens and screen This initial optical alignment
132. ge device server connected to the projector The server will then likely initiate the reverse sequence of events at the end of the feature i e raising the house lights turning audio off and through its simple link to the 3Q shutting down the DCP lamp Specific events and scheduling depend on your application needs what the installer has programmed in the automation scripts and which script you choose to run An automation starts a feature only if the feature has first been selected on the Touch Panel Controller if the wrong display button is pressed beforehand the automated feature will not appear DCP User s Manual 4 3 CINEMA OPERATION 4 4 Sample 3Q Automation If An Automation Is Interrupted DCP User s Manual NOTES 1 Assumes DCP breakers are on and other theatre components are powered up and that the correct feature is selected on the TPC 2 3Q sample only your sequence of tasks events may differ and or they may be run by a different automation system 1 Press the 3Q AUTO START button the lamp ignites and 3Q sends a pulse to the server via dry contacts for Start Playback 2 Server returns a pulse to the 3Q for Start Cue dimming house lights halfway and selecting proper audio format 3 Pause for rolling stock or previews 4 Server returns a pulse to the 3Q for Feature Cue dimming house lights all the way and starting the feature on the DCP 5 Feature runs When cred
133. ge quality and stability NOTES 1 For 60 Hz video standards NTSC NTSC 4 4 PAL M PAL 60 2 Signals can be from RGB video composite video or S video sources Noise Reduction Not functional in this projector Horizontal Filter Not functional in this projector Vertical Filter Not functional in this projector PLL Loop Gain See description in Size and Postion Reserved 8 No function Use the Configuration menu to display and or alter global Cine IPM operating parameters that typically apply regardless of source or to work with other settings that are not unique to the current incoming source NOTE For experienced users technicians only In the Configuration menu you can define a variety of general Cine IPM system parameters to suit your preferences run certain diagnostic tests and access the Cine IPM Service menu password required Settings in the Configuration menu will typically apply regardless of the type of source you are using Reserved No function en NON CINEMA OPERATION Language Choose from English French Spanish German and Italian language The menus will change immediately upon selection of a new language Menu Preferences Choose the options in this menu Menu Preferences to adjust the appearance content Menu Location 4 3 TopiLeft 7 and or location of on screen Horizontal Shift 5 menus displayed in presentation Vertical Shift 10 m level Display Channel Display Slidebars
134. ghtness 1 1 8 1 Lumens for Each Lamp 2 18 Brightness Key 5 9 5 27 Broadcast Keys 5 41 Broadcasting 5 43 Built in Self Test 3 12 Bulb See Lamp C Casters Removal of 2 3 Celsius Display 3 17 Channel Cine IPM Locked 5 21 Name 5 21 Number 5 17 5 21 Channel Copy Delete Cine IPM 5 19 Channel Edit Menu Cine IPM 5 20 Channel Key 5 7 5 17 Channel Selection Cine IPM 5 18 Channel Setup Menu Cine IPM 5 18 And Enter Key 5 19 And Function Key 5 19 Channels Cine IPM Creating automatically 5 17 Creating in Channel Setup Menu 5 19 5 20 Definition of 5 17 Deleting in Channel Setup Menu 5 20 Maximum Number 5 16 Checkbox Toggles 5 14 Cine IPM Components 5 2 Composite Video Connection 2 27 Extra Video Source Connection 2 30 Optional Input Source Connection 2 30 Options For 8 6 Resetting 5 4 5 45 RGB Source Connection 2 26 Routing of DFP DVI Cable 2 5 S Video Source Connection 2 28 Switcher Connection 2 31 Troubleshooting 7 3 Video Loop Through Connection 2 29 YPbPr Source Connection 2 27 Cinema Adjustment of the Image 4 6 Automated Control of 4 3 DCP Users Manual INDEX 1 INDEX M INDEX 2 DCP User s Manual Compatible Signals 4 1 Connection of Source 2 7 2 24 4 1 Formats 1 1 Scaling 7 3 Scaling and Anamorphic Lens 4 2 Troubleshooting 7 2 Circuit Breakers See Breakers Clamp Tip 5 34 Cleaning 6 4 of Lens 6 5 of Non optical Components 6 5 of Reflector 6 5
135. gnal Errors 5 44 Invalid User Entry 5 44 No Signal 5 44 System Warnings Errors 5 45 Ethernet Connecting To 2 32 Hub Installation 2 3 Power Supply For Hub 2 4 Exhaust Airflow Maintenance 6 3 6 4 Airflow Requirements 2 11 Ducting 3 4 Exit Key 5 8 F Feed Through Plate Connections 2 7 Feet 3 4 Installation 2 3 Filter Air Location and Function 3 2 Filter Air Replacement Installation 6 10 Filter Air Warning 6 3 Filter Image Adjustment Cine IPM 5 25 Filter Motion 5 36 Flat Panel Sources 5 27 Focus Constistency 2 19 Focus Adjustment 3 27 Freeze Image 5 38 Function Key 5 10 G Gamma 5 31 8 1 Geometry Menu 5 38 Graphics Port See DFP Port Graphics Sources See Non Cinema H HALFCUR Adjust Knob 3 23 HDTV Connection 2 31 Formats 1 1 Help Cine IPM 5 11 5 12 Horizontal Filter 5 36 Horizontal Offset of DCP 2 10 Horizontal Position Cine IPM 5 26 I Image Adjustments Cine IPM 5 21 Image Settings Cine IPM 5 27 InMenu Checkbox Cine IPM 5 21 Input Cine IPM Connection 2 25 Definition of 5 16 Extra Video Sources 2 30 Selecting Switching 5 16 Input Cinema 2 24 Input Keys 5 7 Installation Alignment of Reflector to Head 2 11 Anamorphic Adapter 2 8 Centering with Screen 2 3 Communications 2 16 Connecting to AC Power 2 16 Exhaust Ducting 2 11 Feet 2 3 For Maximized Light Output 2 18 Laser Alignment Jig 2 13 Lenses 2 8 Positioning the Lamphou
136. h as VCRs RGB INPUT Accepts RGB and sync signals from devices such as computers as well as composite video S Video or YPbPr component signals 5 2 DCP User s Manual en NiON CINEMA OPERATION RS 232 SERIAL INTERFACES WITH LOOP THROUGH Allows one or more Cine IPMs to be remotely controlled by a computer or other controller and provides a communication connection for the Marquee switcher formerly manufactured by Christie The OUT port connects to the DCP projector RS 422 SERIAL INTERFACE WITH LOOP THROUGH Allows one Cine IPM to be remotely controlled by an RS 422 compatible computer or controller such as the Two Way Controller accessory RS 422 communications can travel greater distances than can RS 232 communications but require RS 422 compatible equipment A ac LINE CORD INPUT Power required for the Cine IPM is 100 240 VAC 50 to 60 Hz Use the proper line cord for your AC supply See Cine IPM Manual A WARNING Do not attempt operation if the AC supply is not within the specified voltage and power range Use the correct power cord STATUS POWER LEDS Two LEDs light emitting diodes located in the lower right corner of the connector panel indicate projector Status top and Power bottom During normal operation the Power light is steady green and the Status light flashes green each time a keypad key is pressed or when the Cine IPM receives a serial command Use the following as a guide STATU
137. h color temperature white levels COPY FROM Use this option to replace the currently selected User color temperature setup with that of another This function can be particularly useful as a starting point for a new User color or for accessing an unaltered factory default It is disabled for all color temperatures except User See Figure 5 18 5 30 DCP User s Manual en NON CINEMA OPERATION Color Temperature Setup 4 Color Temp User2 2 6521 E nterpolatec 3 Nhite Leve 1 3200K 4 en White Level 2 5400K 5 White Level 3 6500K 4 9300K lt 6 Color Enable 5 User Select a temperature 7 Copy From gt 6 User2 chat rr a 7 User3 it will replace the a cree 9 Factory 3200K emP Stable for the life Factory 5400K pie ere ees of the projector Factory 6500K Factory 9300K Figure 5 18 Using Copy From To create a starting point To set a starting point for a new custom user color temperature select a user temperature then highlight Copy From and select a temperature that is similar to what you want Adjust white levels from there as desired To use a factory default The preset color temperature setups 3200K 5400K 6500K and 9300K can be altered from within the password protected Service menu only note that although such an 1 3200K alteration changes the setup and Setup can be 2 5400K appearance for a preset it does not eis 3 6500K change its name If y
138. hase AC input A Server or PC communication B Cine IPM communication Stnd 100 base T Fast D link DSS 5 24 VDC amp ground 100 to 120 VAC 10 50 60 Hz nominal 38 amps 2 2 amps 100V 220 W 15A e 200 VAC 10 Japan e 230 VAC 10 N America e 400 VAC 10 Europe Asia 50 Hz 60 Hz nominal e 250 A N America Japan e 111 A Europe Asia 37 A 200 VAC Japan 32 A 230 VAC N America 22 A 400 VAC Europe Asia 12 5kVA 9 0 kW in any region e 40 A N America Japan e 30 A Europe Asia 15A e 200 VAC 10 Japan e 230 VAC 10 N America e 400 VAC 10 Europe Asia 50 Hz 60 Hz nominal e 113 A N America Japan e 71 A Europe Asia e24 A 200 VAC Japan 21 A 230 VAC N America e 11 A 400 VAC Europe Asia 8 0 kVA 5 8 kW in any region e 30 A N America Japan e 20 A Europe Asia 15A ee SPECIFICATIONS AC Wiring Requirements Lamps Safety EMC Emissions EMC Immunity Operating Environment Non Operating Environment Size amp Weight AC Wiring Required AC Amperes Wire Diameter AWG per Cable Length Per Phase 50 ft 100 ft 150 ft 200 ft 250 ft 0 10 14 14 12 10 10 11 15 14 12 10 8 6 16 20 12 10 8 8 6 21 25 10 10 8 6 4 26 35 8 8 6 4 4 36 45 6 6 4 4 3 46 60 4 4 4 3 1 61 70 3 3 3 2 1 71 80 2 2 2 1 0 1 Note Ground wire diameter must be largest
139. he primary lens to widen a squeezed 5 4 image into a larger and properly proportioned flat or scope anamorphic cinema display Securing Ring V Boresight Bolt Figure 3 15 Anatomy of the Lens Mount With the projector in its permanent location turn the lens zoom ring on the DCP primary lens to enlarge or shrink the image in each direction as necessary With the projector in its permanent location turn the horizontal and or vertical offset knobs as necessary so that the image is square on the screen particularly at the top with no keystoning For best results offsets should be minimal If you find that vertical offset is significant it is possible that DCP s mechanical TILT should be changed to help compensate for significant differences in screen and lens height Refer back to Section 2 a BASIC OPERATION Focus Anamorphic Lenses For overall focus improvement rotate the focus adjustment knob near the top of the lens mount For best results use a crosshatch test pattern or similar and focus on the center of the image If the focus quality differs from edge to edge whether top bottom left or right the boresight of the lens mount likely needs correction see Section 2 Installation and Setup NOTE See 2 1 Mounting and Connecting Components All Lenses if you need to install or replace an anamorphic lens Swing an anamorphic lens into place to widen a squeezed
140. hics Follow the steps shown in Figure 2 6 DCP User s Manual 2 5 INSTALLATION AND SETUP j T in rT Ss dvi Cine IPM cable Disconnect pre installed DVI cable from the Motherboard Connec DVI Cine IPM cable into port at Motherboard NOTE You can keep the original DVI cable connected to the back of the feed through plate for possible future use 4 New DVI Cable installed DVI cable into notch R5232 ae 1i S 6 Re install Feed Through Plate l COOLER Figure 2 6 Special By pass Required for DVI Cine IPM 2 6 DCP User s Manual INSTALLATION AND SETUP 7 4 CONNECT CINEMA INPUT S Connect the desired source cabling to the SMPTE 292 serial digital inputs A and or B cinema as shown in Figure 2 7 Source A Source B DVI must ea rs237 CONTROL S 292 A 292 B ETHERNET i i orara e EAEE E EE lt GPO Not used by pass this 4 connector a Network CA wa Ethernet hub RS 232 B Cine IPM RS 232 A Server or PC Figure 2 7 Head Connections at Feed Through Plate 7 5 CONNECT RS 232 CONTROL To control the projector via serial communications connect RS 232 A and B from their respective RS 232 ports on the Communications Panel Q RS 232 A Server or computer PC or laptop Q RS 232 B Cine IPM only Do no
141. high resolution computer source or one signal may simply vary from another signal used earlier through the same input location Once you have adjusted a display parameter such as pixel tracking or contrast all current settings are collectively stored in the Cine IPM s memory as a unique 2 digit channel such as 0 8 You can have numerous distinct channels available for the same input any of which can be selected by using the key on the keypad followed by the 2 digit channel number NOTE The key may display a channel current channel list or not depending on what you have Channel 02 A defined within the Menu Preferences menu 01 0 2 pDig 64 09k 60 12 see Menu Preferences later in this section 02 0 1 i3LG 33 72 59 94 Shown at right is a sample channel list 03 0 4 iSVid 15 73k 59 94 available from Cran 04 0 3 pCVid 15 73 59 94 05 0 1 p4WH Fred s computer In order to use channels 29 on the keypad you must first create them See below channel signal type H and V frequencies location or channel name To use a new non cinema source a new channel must be added to Cine IPM memory Channel List amp 2 so that the projector will respond properly to an input signal from that source in the future A new channel can be created automatically as described here or it can be copied from an existing similar channel and then edited as necessary see Copying or Deleting Channels later in this section
142. hose connector tab so that they click into place at the cooler NOTE The head may not have labels for proper connection The hose connected to the HIGHEST head connector is the cooler s OUT hose and the hose connected to the LOWEST head connector is the coolers IN hose 2 Route the cooler s power cord into the pedestal via the knock out hole 3 Hard wire the cord to a 120V terminal block within the pedestal NOTE To prevent accidental disconnect do not simply plug into an outlet 4 Fill the cooler with a 50 50 mix of distilled water and ethylene glycol Aligning the lamp reflector s to the head helps ensure that reflected light exiting the lamphouse is precisely aimed at the integrator within the head resulting in optimized light output and performance This alignment is recommended For any DCP installation Whenever the lamphouse or projector head is moved replaced Whenever the internal plenum reflector housing is moved replaced To help ensure maximized brightness and contrast ratio from the DCP ODODO Before You Begin Q The DCP must be fully assembled in its final location with or without the lamp Q Disconnect from AC DCP User s Manual 2 11 INSTALLATION AND SETUP Se 2 12 DCP User s Manual A warnine A SHOCK HAZARD Disconnect from AC at both wall breakers Q The plenum and or lamphouse must be loosened in order to move the reflector closer or further from the projector head Q
143. ht boresight is fine skip to Step 7 2 30 as necessary to direct or aim the lens toward the side of the image which focused too close to the lens When both sides appear equally blurry re focus on the left side of the screen Adjust H Boresight image on the screen are well focused Figure 2 30 Adjust Adjust the hold screw to lock in place and L R Boresight check boresight again When the left right boresighting is complete focus the image at the top edge of the screen Figure 2 31 Focus Top Center If the bottom remains blurry while the top edge is focused refer back to Step 2 but use a paper at the bottom of the screen to determine whether the bottom of the image is focused in front of the screen or behind the screen If the bottom is well focused skip to Step 11 pd Figure 2 31 Adjust Top Focus DCP User s Manual 2 21 INSTALLATION AND SETUP Add Anamorphic Lens ee ee 2 7 Calibrating the System Using DCP Librarian Setup Software 2 22 DCP User s Manual 8 Adjust the vertical boresight bolt Figure 2 32 using one allen key to hold the bottom hex screw and another to turn the adjustment bolt above it Adjust as necessary to direct or aim the lens toward the edge of the image which focused to close to the lens When both top and bottom appear equally blurry re focus at the top of the screen Ti 9 Adjust vertical offset to re center the imag
144. igh brightness projection systems located in restricted areas such as projection rooms in theatres Such users may also be trained to replace the lamp and filter but cannot install the projector and should not perform any other functions inside the product enclosures SERVICE Only trained and qualified service technicians knowledgeable about all potential hazards associated with high voltage ultraviolet exposure and high temperatures generated by the lamp and associated circuits can 1 install the projector and 2 perform service functions inside the product enclosures DCP User s Manual 1 3 Section 2 Installation amp Setup This section explains how to install set up optimize and connect to the projector It is assumed that the optional Cine IPM and 3Q automation modules may both be present in the pedestal Note Illustrations apply for either SLI D or SLH D model unless otherwise specified and may not always include the Communication Panel and or TPC Me These instructions describe how to 2 1 Mounting and Connecting Components Before You Begin Pedestal amp Lamphouse Ooooodo position the pedestal with lamphouse relative to the screen mount the projector head and install all lenses connect exhaust ducting and install cooler align the reflector to the head install the lamp connect to a laptop controller source and power A QUALIFIED TECHNICIAN REQUIRED A For all installation procedures You will
145. iguration File that controls image processing for a given source They are protected from change and disappear from the Custom menu when the Use PCF checkbox is checked v DCP User s Manual 3 15 BASIC OPERATION 3 16 DCP User s Manual Advanced Menu Password protected For Installers service only Advamced Menu A Turn test patterns OFF before leaving the Advanced menu Main Status Custom Advanced Install About t Test Current 8 Test Patterns Pattern Display multiple custom defined test patterns on one screen NOTE Conditions for triggering an alarm Alarm Triggers in TPC window Not implemented Not available for L Over Temperature Engish x Choose this projector V Fan Fail language IV Cooler Fail for TPC menus Frozen upon opening of Advanced menu Select increment and ac USt With AOW buttons av Use Cinema Path for DYI Use cinema Press to save adjustments reset clock 1 36 03PM Set processing for Cine IPM Connecting 13 39 49 DVI sources 7 60Hz or lower Current Time t NOTE Affects Cine IPM processing only Cinema sources A B ports always use OSG SERIE full cinema processing regardless of the Press to return to Status of this checkbox General User rights only Figure 3 9 Advanced Menu Functions GENERAL DESCRIPTION The TPC Advanced menu enables installers to
146. il OSD e Adjust ae Adjust red green ied primarily video balance hue Video i OSD Contrast e Cont Bright Vol Menu e Turn menus on off Adjust difference toggle between light dark 4 a Volume ae i Enter Exit No function disabled Brightness M Adjust amount fan ea E of light in image AON toggle Enter Select a highlighted Lightbulb menu item lt 4 gt e Illuminate keys e Change a value Exit Accept a changed N y e Return to previous value VOFF Arrow Keys Channel e Move highlight within TE oe Select channel setup menu Input Chan Proj e Adjust a setting Projector up down e Select projector s 1 2 3 Help Help e Display context Input e Select other sensitive help switcher slot location 4 5 6 Test i toggle es e Display selected Number Keys p 7 8 9 Mute test patterns Enter a number Mute such as channel i No function disabled input projector etc 0 Shutters Stby Power Power Shutter e Turn Cine IPM on off Open or close C w Standby quick douser Turn image off with electronic shutter L Cine IPM ready a toggle key Press and hold to toggle or Press and release followed with AON or VOFF Figure 5 3 Keypad for Cine IPM Control The optional IR InfraRed remote keypad controls the Cine IPM by way of wireless communications from a battery powered infrared IR transmitter Use the IR remote keypad the same way you w
147. image into a large and more correctly proportioned image for a flat or scope theatre screen use the 1 5x anamorphic for 1 85 1 images flat and 1 9x anamorphic for 2 39 1 images scope The latter lens is useful only for cinema sources NOTE The optional Cine IPM offers a variety of re sizing functions that can be used in conjunction with the 1 5x anamorphic lens to create 1 85 1 non cinema images See 5 9 Creating Wide Displays DCP User s Manual 3 27 Section 4 Cinema Operation This section explains how trained operators can use the projector for presenting cinema events such as first run movies stored on a digital media storage device Please read through these pages before displaying cinema for the first time An understanding of all cinema functions and how to access them will help you to run an event smoothly and easily whether controlling manually or via automation NOTE Before attempting operation the projector must be properly installed aligned and configured by a qualified service technician as described in Section 2 Installation and Setup Read also Section 3 Basic Operation es Make sure a digital media storage device is 4 1 Compatible connected to one of the HD high Cinema definition input ports A or B within the DCP Sources head see Figure 4 1 These identical ports use the SMPTE 292M bit serial interface standard and will auto detect source formats shown in Table 4 1 To digi
148. in than flat screens Grass Valley Group formerly part of Tektronix More specifically a file format used for compressed video audio and timecode stream transfer in the Profile video server products and which is being proposed for standardization by SMPTE and as a primary component of MXF Initially implemented on Fibre Channel using FTP with TCP IP but extensible to XTP or other protocols Previously called GXF General Exchange Format A display of help information regarding the current task or presentation The frequency at which scan lines are generated which varies amongst sources Also called horizontal scan rate or line rate The difference between the center of the projected image and the center of the projector lens For this projector this value is expressed as the maximum percentage of the image that can be projected to one side of the lens center without degrading the image quality Horizontal offset ranges can be affected by the type of lens in use and whether or not the image is offset vertically at the same time en GLOSSARY Hot Spot ILS Input Input Signal Interface Interlace Keypad Keystone Life Safety Linearity Line of Best Viewing Loopthrough Loopthru Lumen Luminance A circular area of a screen where the image appears brighter than elsewhere on the screen A hot spot appears along the line of sight and moves with the line of sight High gain screens and rear screens desig
149. ing an interpolated color temperature for a connected source INTERPOLATED COLOR Select this option if you need a specific color temperature that lies somewhere between one preset color temperature and another Adjust the slidebar to define a new temperature which will be interpolated from the neighboring presets for example 7841 is interpolated from 6500 and 9300 It can be used any time and appears as a 4 digit temperature when in use NOTE This option is disabled unless you have a source connected and have selected Interpolated Color in the Select Color Temp pull down list WHITE LEVELS These 3 controls are adjustable only if a User choice is selected in which case User 1 2 3 or 4 appears at the top of the Color Temperature Setup menu Their current values are shown for the active color temperature Changing a white level here changes the drive contrast for that color essentially creating a new color temperature that is warmer or cooler etc For maximum overall brightness always keep at least one white level at 100 When you are satisfied with the new User temperature it can be used immediately upon exit or it can be selected from either the Image Settings menu or the Color Temperature Setup menu as usual You can re define a User color temperature at any time using the Color Temperature Setup menu COLOR ENABLE Select which color or colors you want to see useful while working wit
150. interface standard BNCs for connecting a wide variety of high definition cinema sources Q DVI PORT ALTERNATIVE CONTENT Connection for a wide variety of non cinema video and graphics sources used with the optional Cine IPM NOTE 1 Do not connect sources directly to any DVI port in the DCP head 2 The Cine IPM must by pass the DVI port visible on the projector head s feed through plate near the air filter and instead connect directly to the internal DVI port on the other side of the head a BASIC OPERATION Q RS 232 A SERVER OR PC Connection for external serial communication with a server or PC laptop only Use a standard serial RS 232 cable Q RS 232 B Cine IPM Connection for external serial communication with the optional Cine IPM only Use a standard serial RS 232 cable NOTE Do not use this port for any other equipment Q ETHERNET Connection of a variety of networked equipment such as PCs and servers These 2 ports are identical Adding or deleting any connection within the head requires opening of the lid so you must be able to unlock the high security lock Cooler The cooler is crucial for safe operation of the projector head circulating liquid to the three DMDs via a 4 diameter flexible hose loop approximately 4 feet long It is permanently mounted to the pedestal toe and must be on and properly functioning for all DCP use otherwise the DMDs in the projector head can overheat and fail For best resul
151. is interface does not accept VGA and MAC signals simultaneously 2 The audio connectors are not functional 3 Trademarks are the rights of their respective owners DCP User s Manual D 3 OPTIONAL INPUT MODULES M DVI DFP Input Module Digital HDTV Input Module D 4 38 80461 1 xx DCP User s Manual The DVI DFP Input Module can be installed in the Cine IPM to display digital video input signals conforming to the DVI Digital Visual Interface standard single channel or the DFP Digital Flat Panel Port specification Fea Q gt gt The DVI DFP Input Module 804614 N Oo INPUT OUTPUT tures Supports Digital Visual Interface DVI single channel and Digital Flat Panel Port DFP standards Supports VESA Extended Display Identification Data EDID Provides an active loop through using a 20 pin MDR connector conforming to DFP Specifications Digital HDTV Input Module can be installed in the Cine IPM at INPUT 2 where it accepts a digital 4 2 2 component HDTV signal YCbCr via a single SERIAL IN BNC connector The signal can loop through the SERIAL OUT BNC out to another device such as another projector Inputs are 75S terminated Digital HDTV Module 804611 E SERIAL IN SERIAL OUT 4 ERROR LOCK D SS SY sient RaQ Features 0 occ o accepts a variety of digital HDTV 4 2 2 component signals YCbCr and de serializes into a
152. is the foundation for achieving the best image on screen and must be completed before final boresight adjustments en INSTALLATION AND SETUP 2 6 Boresight Alignment NOTE Before you begin Q The DCP must be properly positioned relative to the screen refer back to Figure 2 2 and Figure 2 21 Q The reflector head alignment must be correct See 2 1 Mounting and Connecting Components Basic Optical Alignment Procedure 1 Display a good test pattern appropriate for analyzing image focus and geometry The projector s user test pattern accessible from the TPC Main menu or checkerboard pattern accessible from the TPC Advanced menu should be adequate or use an external pattern 2 COARSE FOCUS Do a quick preliminary focus and zoom adjustment with the primary zoom lens only see 3 6 Working with the Lens Do not worry about consistency across the image at this point just center focus 3 CENTER THE IMAGE IN THE LENS Holding a piece of paper at the lens surface adjust offsets as necessary until the image is centered within the lens 4 RE CHECK SIDE TO SIDE LEVELING as With a good test pattern on screen Top Edge LEVEL double check projector leveling see 2 2 Adjusting Tilt and Leveling so that the top edge of the image is parallel to the top edge of the screen See right NOTE Assumes projector is fully assembled and powered up in its final location Install any anamorphic lenses first see
153. its begin server repeats the Start Cue pulse to the 3Q raising house lights halfway 6 After the credits server sends a pulse to the 3Q for Show End Cue raising house lights to full selecting non sync format and sending another pulse to the 3Q to shut down the DCP lamp DC POWER OFF NOTES 1 Specific performance may vary with the type of server and other system components 2 If the lamp was ignited manually using the DC POWER switch on the Lamp Control Panel the lamp will not shut off in an emergency or even a standard automation Press the 3Q STOP button FIRE ALARMS When an automation stops in the event of fire alarm the DCP lamp will shut down assuming it had been powered up automatically the 3Q indicator light will be red the house lights will come on and the server may either pause if Grass Valley server or return to the beginning of the automation if Qbit server Depending on how your server and other components have been configured your automation including lamp ignition should run normally once you press the 3Q AUTO START button again If necessary cue the server up to the point where it stopped POWER FAILURE A power failure causes all affected components servers dimmers audio projector etc to reset When power is restored press the 30 AUTO START button to resume the automation and turn on the lamp Note that you must manually input cues that have already been passed for lighting and audio
154. ive 50 2 P must have decoded video have 8 Clamp Tip O at least 1 white pixel maximum contrast 9 Color Enable White M for auto without crushing black 0 Peak Detector or white By default Figure 5 20 Input Levels Submenu and in an Auto Setup from the Main menu the Cine IPM automatically determines the best input levels by monitoring image content and adjusting the controls appropriately further adjustment is typically not required to obtain proper blacks or whites NOTE This automatic adjustment requires at least 1 white pixel in the image Without a white pixel input levels may produce skewed colors particularly in non video images However for a very unusual source exhibiting overly high blacklevels most often caused by a noisy source that causes blacklevel spikes an experienced user may prefer to use the Input Levels menu see Figure 5 20 These adjustments which are actually a calibration process to compensate for differences in sources and cabling enables an experienced user to perfect the source image input levels Note that Input Levels are of limited use with digital signals but offer some ability to tweak poorly mastered source materials AUTO INPUT LEVEL Keep off for virtually all sources default Temporarily enter a checkmark only if you are an experienced user and you have an unusual source that you feel needs further color temperature and or input level adjustment After entering a checkmark wai
155. jector All Size Vertical Stretch H Position V Position or Blanking values will change accordingly For example when displaying a source with a native resolution of 800 x 600 No Resizing will center a small image within a black border Conversely an HDTV image is wider than 1280 and will be cropped on the sides or in the case of 10801 HDTV cropped at top and bottom too With No Resizing signals with DCP User s Manual 5 23 NON CINEMA OPERATION 5 24 DCP User s Manual non square pixels such as video connected to INPUT 3 or INPUT 4 produce distorted images that are too tall or too wide See below No Resizing If 800 x 600 signal If NTSC PAL SECAM If HDTV I HDTV 108 0b E E S T n E T EA 800 variable borders image cropped at sides image cropped all around e SELECT FULL SIZE to use all pixels 1280 x 1024 to display the image regardless of source or original Eval soui es aspect ratio See right 768 Image 1024 SELECT FULL WIDTH to fill the display from left rw A to right Depending on the source this may create EXAMPLE top and bottom borders 1280 SELECT FULL HEIGHT to fill the display from top to bottom Depending on the source this may create ere side borders 1024 SELECT ANAMORPHIC to display an entire non Anamorphic HDTV wide screen anamorphic image i
156. jector audio and auditorium functions 4 Connect all wires cables as required in above instructions Table 2 2 AC Wiring AC Wiring Required AC Amperes Wire Diameter AWG per Cable Length Per Phase 50 ft 100 ft 150 ft 200 ft 250 ft 0 10 14 14 12 10 10 11 15 14 12 10 8 6 16 20 12 10 8 8 6 21 25 10 10 8 6 4 26 35 8 8 6 4 4 36 45 6 6 4 4 3 46 60 4 4 4 3 1 61 70 3 3 3 2 1 71 80 2 2 2 1 0 1 Note Ground wire diameter must be gt largest wire used for AC connections en INSTALLATION AND SETUP Me n an ideal installation the DCP lens surface is centered with and parallel to the 2 2 Adjusting Tilt and Leveling screen this orientation helps to ensure optimized lens performance with minimal offset You do not need to be connected to AC or projecting an image for these initial alignments Make sure the projector has been CENTERED lt gt with the theatre screen as best you can for your installation area refer back to Figure 2 2 YOU MUST TILT the projector to r match your screen tilt angle see Figure 2 21 Check with theatre personnel for this information or measure the incline with a protractor a ae il at the screen Then as shown in Figure 2 22 1 Loosen all 4 tilt hold down bolts Tilted Projector on the pedestal Inclined screen 2 Push on the back of the pedestal Figure 2 21 Tilt Projector to Match Screen
157. jittery or if it disappears and reappears erratically check that the source is properly connected and that its signal is of adequate quality for detection For example if the Cine IPM scans the default input for a signal to display and a poor quality or improperly connected source is connected the projector will briefly and repeatedly attempt to display an image If no source is connected the No signal present error message appears over a blank display Correct the source connection 2 The horizontal or vertical scan frequency of the input signal may be out of range for the Cine IPM Refer to Section 8 Specifications for scan frequency ranges 3 The sync signal may be inadequate Correct the source problem 4 The input signal type may conflict with the input module you re using Install use the correct module for the source 5 Pixel tracking phase filter etc may need more adjustment The display is faint 1 Check Input Levels option turn Auto input Level to off then on again 2 Brightness and or contrast may be set too low Adjust as necessary 3 The source may be double terminated Ensure the source is terminated only once 4 The source if non video may need sync tip clamping Enter a check in the Clamp Tip box found in the Input Levels submenu The upper portion of the display is waving tearing or jittering 1 This can sometimes occur with video or VCR sources If you are using a VCR ma
158. ke sure that the VCR option is checked in Video Options submenu Portions of the display are cut off or wrap to the opposite edge 1 Reduce top bottom left or right blanking from within the Size and Position menu Check size and position adjustments 2 Resizing may need adjustment Adjust until entire image is visible and centered The display appears compressed vertically stretched 1 The frequency of the pixel sampling clock is incorrect for the current source 2 The Size and Position options may be adjusted poorly for the incoming source signal See 5 7 Adjusting the Image 3 Use an anamorphic lens for typical HDTV and anamorphic DVD sources that have been re sized and vertically stretched through Cine IPM software ee TROUBLESHOOTING Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Data is cropped from the top and bottom edges from 1080i image 1 To display the missing material reduce image Size and increase Vertical Stretch to fill the screen from top to bottom then add a 1 5x anamorphic lens to regain the image width Display quality appears to drift from good to bad bad to good 1 The operating temperature of the projector may be fluctuating Watch that the projector is not located too close to heating air conditioning vents The source input signal may be of
159. ked in order for the signal to continue For other types of display devices in the chain typically a Hi Z switch position is needed DCP User s Manual 2 29 INSTALLATION AND SETUP Extra Video COMPOSITE OR S VIDEO Optional Inputs 2 30 DCP User s Manual Use either 4 pin mini DIN or BNCs INPUT 4 O O INPUT 2 INPUT 3 COMPOSITE VIDEO SVIDEO O vic Y c N O e A o 0 LL Loop ml LL Loop INPUT 1 ED GREEN BLUE HOR COMP VERT SWITCHER RS 232 IN RS 232 OU leecee rrr 666 y ET cue ix From S Video Source or a previous projector T STATUS POWER sees d e o T To next projector or display device or vice versa Figure 2 41 Connections for S Video Loop Through NOTE Requires Cine IPM option To use an extra video source in addition to the video source s connected at INPUT 3 or INPUT 4 connect either a Composite or S Video source to INPUT 1 as shown in Figure 2 42 Do not connect both types here simultaneously NOTE For additional video inputs install an optional Composite S Video Input Module at INPUT 2 From Composite V Video COMPOSITE VIDEO SVIDEO Source Of is y g AB BE O LA i Video Decoder Module 804600 INPUT 2 INPUT 3 INPUT 4 ase INPUT 1 REMOTE CONNECT EITHER ED GREEN BLUE N VERT SWITCHER RS 232 IN RS 232 OUT 9 NE COMPOSITE OR S VIDEO TO INPUT 1
160. l intensity cancel the presentation audio and replace it with a PA microphone or pre recorded announcement move a douser to block the lamphouse output flash warning lights and so forth Every jurisdiction may have different statutory requirements for life safety systems The reproduction of the horizontal and vertical size of characters and or shapes over the entire screen When light from a projector is incident on a screen the light reflects from the screen such that the angle of reflection equals the angle of incidence The Line of Best Viewing is along the line of reflection The method of feeding a series of high impedance inputs from a single video source with a coaxial transmission line in such a manner that the line is terminated with its characteristic impedance at the last input on the line The unit of measure for the amount of visible light emitted by a light source The signal representing the measurable intensity comparable to brightness of an electronic image when the image is represented as separate chrominance and luminance Luminance also expresses the light intensity of a diffuse source as a function of its area measured in lumens or candles per square foot 1 lumen per DCP User s Manual A 5 GLOSSARY M Lux Menu NTSC Video Non Sync Non unicode Optical Screen PAL Video PCF Pincushion Pixel picture element Pixel Phase Pixel Tracking Play List Playout Post Production A 6 DCP
161. l parameters of data Message Format Function Examples CHA 103 SET set channel to 103 or Controller 7 CHA103 REQUEST what s current channel CHA ao REPLY channel is 106 CHA 106 Figure 3 12 The 3 Message Formats SHADED MESSAGE IS FROM PROJ Message Components and Structure START AND END OF MESSAGE Every message begins with the character and ends with the character Note that if the start character is received before an end character of the previous message the partial previous message is discarded FUNCTION CODE The function you wish to work with such as channel switching or picture mute is represented by a three character ASCII code A Z upper or lower case This function code appears immediately after the leading that starts the message REQUEST REPLY SYMBOL If the controller is requesting information from the projector a question mark appears directly after the function code If the projector is replying a Y exclamation mark appears directly after the function code For set messages neither of these characters appear the code is followed by the data itself see next paragraph DCP User s Manual 3 19 BASIC OPERATION 3 20 DCP User s Manual DATA The value for a given projector parameter such as channel number appears in ASCII decimal format directly after the request reply symbol Unless you add an optional space after
162. lay a 16 level grayscale test pattern from the desired external source and enter a checkmark in the Peak Detector checkbox NOTE The Peak Detector will initially render the grayscale as a uniform gray field before adjustment 2 Display one primary color use Color Enable to select en NiON CINEMA OPERATION 3 For the current color adjust its corresponding Blacklevel slidebar just until a single band of black appears at one edge of the screen This band represents the first band of the grayscale pattern which should be 100 black Do not adjust too far 4 With the same color still active adjust its corresponding Input Drive slidebar Just until a single band of white appears at the opposite edge of the screen This band represents the last band of the grayscale pattern which should be 100 white Do not adjust too far Go back and check the black band adjust the blacklevel slidebar if necessary Adjustments are related so you may have to go back and forth until both bands are just optimized 5 6 Repeat Steps 2 5 with the other two remaining primary colors When each primary color shows one optimized black band and white band the input levels for this source are correctly set Upon exiting the Input Levels menu the Peak Detector checkbox will clear Input Levels 1 2 _Red Pr Blacklevel_50 2 E 3 3 Adjust corresponding zco 3 Green Y Blacklevel 50 2 a 4 Blue Pb
163. low quality 3 The H or V frequency of the input may have changed at the source end The display has suddenly frozen or an unknown menu has appeared 1 You may have selected the Freeze Image option or you may have accidentally entered a special engineering code using the key in combination with certain numbers Press until presentation goes back to normal 2 Ifthe screen blacks out inexplicably it is possible that excessive voltage noise on the AC or ground input has interrupted the projector s ability to lock on to a signal Turn the projector off wait for the lamp fans to stop and unplug Plug in again and power up as usual The display is not sharp or clean 1 More display adjustment may be required focus brightness contrast pixel tracking pixel phase and detail 2 If you are using a BNC T connector try using a distribution amplifier to boost signal levels 3 Is the video input signal properly terminated Set in Video Options submenu 4 The source input signal may be of low quality Try another source Colors in the display are inaccurate 1 The color tint color space and or color temperature settings may require adjustment Review all settings and refer to 5 7 Adjusting the Image and 5 8 Configuring System Parameters The display is not rectangular 1 Check leveling of the projector Make sure that the lens surface and screen are parallel to one another 2 Is the vertical offs
164. lows 1 Open both sides of the 24V Power Supply pedestal 2 Use 2 3 cable ties to fasten Tie power gt lyt the 24V power supply ean ay securely to the bar at the front edge of the main DCP alge Panpi Bracket Hi 3 Remove the plug from the end of the 24V power supply integral line cord and hard wire the line cord directly to the AC terminal strip within the pedestal NOTE Hard wiring ensures that the head and TPC power up together from the same source Use of the convenience outlet is not recommended INTERNAL COMMUNICATION CABLING From within the pedestal connect communication cables to the rear face of the Communication Panel adjacent to the convenience outlets These cables will be part of the link running from external equipment such as the Touch Panel Controller servers and PCs to the corresponding ports in the DOP head 2 4 DCP User s Manual ee INSTALLATION AND SETUP 1 Open both sides of the pedestal 2 Touch Panel Controller cable Connect to the top port on the panel 3 RS 232 A and B Use 2 screws to secure these identical cables in place 4 Ethernet Plug in these identical cables Projector Head 5 Mount Projector Head to Pedestal 6 1 With 2 people holding the projector head vertically straight i e with long edges vertical and lens opening on the right slide head into place in front of the pedestal its large rear hole will slip over protruding
165. ma ports A or B or the DVI graphics port Data Format Specifies the source type 8 10 12 bit and whether or not it is packed The projector will process the incoming signal according to the data format selected here Note that available data formats depend on which projector input is selected and will reset to a default value if an input has not yet been selected Data format settings are not included in a PCF Screen Identifies sets display area masking cropping and expected lens for the current source Choices are pre defined using DCP Librarian Source Identifies sets the expected incoming source resolution and aspect ratio such as 1920 x1080 or Mk7 default Choices are pre defined using DCP Librarian Color Space Identifies sets the method of color decoding for the current source e Default RGB for all Cine IPM sources DVI port e Default YCbCr for all cinema sources SMPTE A or B ports Gamma Identifies sets the desired gamma a k a de gamma correction needed for proper tonal range of the source material for example a grayscale test pattern will be neutral and smoothly graduated In theatres the only gamma setting currently needed is PL2 6 Target Color Identifies sets the special color processing called Target Color Gamut Data established for a given presentation Default P7V2 Theatre X These components are part of the PCF Projector Conf
166. manual as they apply to this projector Also included are other general terms commonly used in the projection industry 3 2 Pulldown Active Line Time Active Picture Alternative Content Ambient Light Rejection Analog Video Anamorphic Answer Print Aspect Ratio Authoring A frame sequence used to map 24 fps film to 30 fps video or 24 1 001 to 30 1 001 fps in which every second film frame is represented by three video fields instead of two the third being a repeat of the second This leads to a set of ten video fields for each four film frames The time inside one horizontal scan line during which video is generated The area of a video frame which carries image information As an example a total frame size of 1125 x 2200 pixels may have an active picture of 1280 active lines and 1920 samples per active line Compare to production aperture Program material such as concerts plays sporting events and potentially corporate training or conferencing presented in theatres in addition to motion picture exhibition The ability of a screen to reflect ambient light in a direction away from the line of best viewing Curved screens usually have good ambient light rejection Flat screens usually have less ambient light rejection The video output of most computers and video tape machines Analog video can generate a large number of colors Having or requiring a linear distortion generally in the horizontal direction D
167. mp control panel labeled LAMP HOURS shows cumulative lamp power up time logged so far it does not log time when the rest of the projector is on without the lamp nor can it be reset for logging time on an individual lamp You must log lamp hours for the installed lamp by manually recording the Lamp Hours value shown at the time of lamp replacement and estimating the next expected lamp expiring hour by adding the expected lamp life of your lamp see Section 8 Specifications to the current Lamp Hours Use Table 3 10 as your log sheet if desired or there may be a similar sheet posted on the rear of the lamphouse Do not exceed the warrantied lamp lifetime by more than 20 as an old lamp becomes increasingly fragile and more prone to sudden failure These values appear in Table 3 9 Table 3 9 When to Replace Your Lamp Lamp kw Replace Before 1 6 1800 hours 2 0 2800 hours 3 0 1728 hours 4 0 1440 hours 4 5 1080 hours 6 0 600 hours NOTE Hours shown here are 20 beyond the pro rated credit warrantied lifetimes see page 8 3 Do not exceed See 6 4 Replacing the Lamp amp Filter for instructions E BASIC OPERATION Table 3 10 Log for Lamp Hours Lamp Hours Lamp Lamp Why Replaced Installers Next Lamp Replacement Replacement Serial Initials Expected At
168. n Or press followed immediately by or if you want to guarantee the correct toggle useful if you are unsure of the present status Input 1 Press to select the source connected to INPUT 1 on the Cine IPM data input This is the same as entering 0 Input 2 Press to select the source connected to INPUT 2 on the Cine IPM an optional interface This is the same as entering og en NiON CINEMA OPERATION Input 3 Press to select the source connected to INPUT 3 on the Cine IPM composite video This is the same as entering 0 3 Input 4 Press to select the source connected to INPUT 4 on the Cine IPM S Video This is the same as entering OG Input Press when you want to display from a specific source location such as a switcher connected serially to the Cine IPM s switcher port The first digit represents the number you have assigned to your switcher usually 1 9 or 0 for one of the four inputs on the projector The second digit represents the switcher s slot number 1 9 For example display data from switcher 1 slot 2 NOTES 1 Although you don t need to use the input key unless a switcher is connected to the Cine IPM you can also use to access the four input slots on the Cine IPM itself use Q as the first digit representing the Cine IPM as the switcher then Q 2 or amp as the second digit the desired input slot number 0 in combination with higher numbers is an invalid
169. n 5 TO RETURN TO CINEMA MODE use the Touch Panel Controller to select one of the cinema display buttons pre configured for a cinema source input at port A or B the DCP will now ignore the DVI port and respond to the new display file activated by this button E Depending on your installation application and specific display file settings you may 5 2 Basic Cine IPM find that the pre configured display file generates an adequate display from your non Components cinema source However additional Cine IPM functions and image adjustments are accessible through remote wired keypad commands that either control the display from the Cine IPM directly or through a system of menus these settings override those in the active display file Variations in preferences and image settings can be defined and retained in the Cine IPM s internal memory as a custom channel with up to 99 different channels possible NOTE The DCP must first be using the Cine IPM Components Functions Basic Cine IPM components and functions are illustrated in Figure 5 1 and explained below Composite and S video Input Optional Power Cable 120 VAC or 240 VAC depending on region Input and others Switcher IR Sensor to Projector Head Serial IN Serial OUT Power LEDs RS 422 Power ON OFF RS 232 f Remote Keypad Port Figure 5 1 Basic Cine IPM Components COMPOSITE S VIDEO INPUT Accepts a composite video and S Video signal from devices suc
170. n and blue BNCs as described in YPbPr Signals later in this section INPUT 2 INPUT 3 INPUT 4 COMPOSITE VIDEO SVIDEO vic Y c VN OA AA O O eC SY a We Video Decoder LL roo 4 LL roop I Module 804600 INPUT 1 REMOTE RED GREEN BLUE HOR COMP VERT SWITCHER RS 232 IN RS 232 OUT 9 FA N NI AA E suus lemem L swe I BNC connectors RGB and Sync signals from source Figure 2 36 Connecting RGB Input ee INSTALLATION AND SETUP YPbPr Signals COMPONENT VIDEO Composite Video NOTE Requires Cine IPM option Connect a YPbPr signal component video to INPUT 1 as shown in Figure 2 37 INPUT 2 INPUT 3 INPUT 4 COMPOSITE VIDEO S VIDEO ZN L LOOP mal YPbPr signals are also known as Component ED GREEN BLUE HOR COMP VERT SWITCHER RS 232 IN RS 232 OUT suns 66666 SS SO SS LL syne od INPUT 1 REMOTE Signals from YPbPr source Figure 2 37 Connecting YPbPr Signal NOTES 1 If for some reason the projector fails to recognize a YPbPr signal specify this Color Space option within the Image Settings menu See 5 7 Adjusting the Image 2 Do not connect digital component signals known as YCbCr to INPUT 1 Use the appropriate digital interface installed at NPUT 2 NOTE Requires Cine IPM option The video decoder input panel provides simultaneous connection of both a comp
171. n its native For non HDTV anamorphic only 16 9 aspect ratio Known as letterbox the image will fill i the screen from left to right but will not use all vertical pixels available top and bottom will be black If you m do not choose Anamorphic when a non HDTV k anamorphic image is present the default image will be ae stretched vertically characterized by obvious distortion and thin people NOTES 1 Use Anamorphic for regaining a 16 9 display of non HDTV anamorphic sources only typically found on some DVDs for example For HDTV the Default setting will produce the same result 2 See also 5 9 Creating Wide Displays en NON CINEMA OPERATION Size Size controls both the image width and height in tandem maintaining the original aspect ratio proportion of data from the incoming signal Vertical Stretch Vertical stretch adjusts the height of the image while keeping the width constant Use Vertical Stretch to display data from the incoming signal in a different aspect ratio Pixel Track SHORT CUT Press and adjust the top slidebar Pixel tracking adjusts the frequency of the pixel sampling clock indicated by the number of pixels per line so that all pixels generated by a particular source are sampled Proper pixel tracking ensures that the non cinema image quality whether good or poor is consistent across the screen that aspect ratio is correct and that pixel phase can be optimiz
172. ne any projector in a serial network The keypad in use must be OFF disabled for the remaining projectors See 2 10 Keypad Protocols and Conversion and 5 8 Configuring System Parameters Pixel Press to access the pixel tracking and pixel phase double slidebar Adjust pixel tracking first Use lt and to increase or decrease the frequency of the pixel sampling clock to correct consistency of the image For proper phase use and to increase or decrease pixel phase so that any shimmer disappears and the image is stable throughout See 5 7 Adjusting the Image Size and Position subsection for a complete explanation of tracking and phase Position Press to move the image using the double slidebar At the slidebar use lt and to move the image left or right use and to move the image up or down Lens No function Shutter NOTES 1 Electronic shutter only unrelated to any mechanical douser shutter function 2 To prevent accidental blanking of the image this key does nothing if the Cine IPM is connected to the DCP via RS 232 If the Cine IPM is not connected to the DCP via RS 232 press and hold for approximately 1 second to toggle the electronic shutter ON or OFF with a single key press a closed shutter ON blanks the image an open shutter OFF allows normal display Or quickly press and release and follow immediately with or if you want to guarantee the correct toggle useful if you are unsure of the present s
173. ne help For example pressing after startup displays the main menu presentation level is no longer active although the image still appears in the background Press again or to return or leave the menu system and return to presentation level Keypad Operating Settings Protocol Both remote keypads store operating settings called a protocol in memory Although you can change your keypad protocol from A to B or vice versa for controlling two projectors independently such a change is unnecessary in a single projector cinema installation simply keep your keypads set to the default A See 2 10 Keypad Protocols and Conversion for complete instructions Keypad Operating Settings Protocol Both remote keypads store operating settings called a protocol in memory Although you can change your keypad protocol from A to B or vice versa for controlling two projectors independently such a change is unnecessary in a single projector cinema installation simply keep your keypads set to the default A See 2 10 Keypad Protocols and Conversion for complete instructions Specific keypad commands are explained below Power ON OFF NOTE If the power switch is OFF key does nothing With the main Cine IPM power switch on press and hold for approximately 1 second to turn the Cine IPM off with a single key press it is a soft off Cine IPM will still be powered by AC Repeat to toggle power ON agai
174. ned for slide or movie projection usually have a hot spot The Intelligent Lens System describes the ability of projectors having a motorized lens mount to automatically return to lens settings previously defined for a particular channel A physical connection route for a source signal described by a 2 digit number representing 1 its switcher projector location and 2 its slot in the switcher projector Signal sent from a source device to the projector A device such as the Serial Digital Input Module that accepts an input signal for display by the projector A method used by video tape players and some computers to double the vertical resolution without increasing the horizontal line rate If the resulting frame field rate is too low the image may flicker depending on the image content A hand held push button device connected to the Cine IPM It controls most Cine IPM functions For more information refer to 5 4 Using the Keypad A distortion of the image which occurs when the top and bottom borders of the image are unequal in length Side borders both slant in or out producing a keyhole shaped image It is caused when the screen and lens surface are not parallel A safety control system integrated into the HVAC fire alarm and other infrastructure components of the theatre as well as the presentation system Comment In the event of a fire for example the life safety system may turn on the auditorium lighting to ful
175. nema Source NOTES 1 Depending on your expected needs your installer may or may not have configured all eight buttons for use 2 Buttons may have any icon or text Depending on your installation you may be able to select a source and setup via communication from a different controller Regardless of how the display file is selected the feature will appear on screen according to the specific display settings recorded in that file If the screen display does not appear as expected this indicates that the display setup is incorrectly configured for the incoming source Try a different button If the image is still incorrect the source may have to be re configured NOTE This is an introduction only for the optional 3Q Automation that may be present in your projector Consult your 3Q or other documentation for full automated operation details as configured by your installer Your installation may rely on a theatre automation system such as the optional 3Q to smoothly orchestrate certain booth and auditorium tasks Once all DCP breakers are on and the correct display button pressed on the TPC and once all other system components servers etc are powered up pressing the AUTO START button on the 3Q begins a sequence of pre programmed theatre events such as DCP lamp ignition lowering of house lights audio format selection usually included in the mastering and the eventual start of the desired feature display from a digital media stora
176. ntroller 3 18 and Touch Panel Controller 3 14 Description of 2 22 Peak Detector 5 34 Pedestal and Geographic Region 1 2 Cable Routing Through 2 4 3 5 Components 3 5 Lead Dressing Within 2 8 Outlets 3 5 Pixel Key 5 10 Pixel Phase Cine IPM 5 25 Pixel Tracking 7 5 Pixel Tracking Cine IPM 5 25 Plug amp Display 5 27 Position Key 5 10 Power Connecting to 2 16 How What to Disconnect 3 5 Specifications 8 2 Switch for Cine IPM 5 4 To Head 2 7 Power Cord Main 3 5 Power Key Cine IPM 5 6 Power down How to 3 7 Power up How to 2 18 3 6 Power up Problems 7 1 Presentation Level Definition 5 6 Processing Mode 5 35 Projector Components 8 5 Dimensions SLH D 8 4 Dimensions SLI D 8 5 Features 1 1 Head Function 3 5 How it works 1 2 Model Variations 1 2 Number 5 16 5 41 5 43 Options 8 6 Tilt and Leveling 2 17 Projector Head Internal Connections 2 5 Mounting 2 5 Projector Key 5 9 Projector Size and Weight 8 3 Protocols 2 35 5 40 Changing for Cine IPM 5 40 R Ready Indicator Light 3 7 Reflector Cleaning 6 5 How to Adjust Tilt 2 15 How to Center 2 14 Remote Control of TPC 3 19 Resize Presets Cine IPM 5 23 Resizing Cine IPM 5 23 Resolution 8 1 RGB Through Cine IPM 5 2 RGB Connection 2 26 RS 232 2 31 2 35 5 43 and Cine IPM 2 33 Using A 2 7 3 3 Using B 2 7 3 3 RS 232 Cine IPM 5 39 RS 232 Connection 2 32 RS 422 5 39 5 43 RS 42
177. o Options automatically detects the video standard 1 Video Standard A present and displays the name of this 2 Input Video Black 0 IRE standard here Press to view or 3 VCR select a different video standard from a 4 Video Termination v complete list available to the Cine IPM 5 Enable Decoder AGC v some will appear disabled depending eee ae on the current incoming signal Selecting a specific standard forces the Cine IPM to process the signal according to this standard NOTE Keep at Auto for all instances EXCEPT 1 a poor quality input signal or 2 a black and white video signal In order to detect and display such signals select the relevant standard INPUT VIDEO BLACK This control compensates for elevated incoming black levels called setup that are present in certain video signals and ensures that blacks on screen are neither crushed i e with dark gray appearing black nor excessively elevated i e with black appearing dark grey By default the Cine IPM automatically determines the correct setting according to the type of incoming video signal e OIRE For DVD output with enhanced black SECAM most PAL standards and Japanese NTSC e 7 5 IRE For most NTSC video signals For some types of video you can override the setting The control is disabled for other types of video and also for graphics sources Generally if black appe
178. o individually selectable SMPTE 292M inputs BNCs for cinema displays One DVI Digital Visual Interface connector for alternative non cinema content Simple single button Start Display function via programmable touch screen Auto detects 1080p 1080i 10351 and 720p High Definition input formats note incoming interlaced formats must be encoded with proper 3 2 or 2 2 pull down Manual douser shutter for solid black screen and cool stand by mode Can be incorporated into theatre automations such as the Christie 3Q Standard lens mount with simple manual focus and offset adjustments Choice of high contrast primary zoom lenses 2 0 3 2 1 or 3 2 5 6 1 Efficient swing in place adapter for two optional anamorphic lenses that produce 1 85 1 flat or 2 35 1 scope images Communication ports for remote control of the projector via PC or other controller High security locks Q Optional Cine IPM module for connecting multiple video graphics inputs Oooovodo Oooo D oO oO DCP User s Manual 1 1 INTRODUCTION _ How The Projector Works OOO 1 2 Listof Components Variations Between DCP Models 1 2 DCP User s Manual DCP accepts a variety of cinema or DVI compatible signals for projection on to front screens typical in a theatre or other large screen applications High brightness light is generated by an internal Xenon arc lamp then modulated by three DMD Digital Micromirror Device panels that provide digitize
179. o the 3Q to trigger the lamp shut down DC POWER to OFF Lamp Breakers Coo XENON POWER SUPPLY circuit breakers to OFF Remaining 10 minutes remaining circuit breakers to OFF Figure 3 3 Power down Procedure DCP User s Manual 3 7 BASIC OPERATION Ss 3 4 Using the Touch Panel Controller gucn Pan ey gt Controller CG ie TPC Power Up Defaults TPC Menus and Functions 3 8 DCP User s Manual GENERAL USERS For the general user the Touch Panel Controller TPC provides three simple Windows based menus for 1 starting or changing any type of presentation 2 obtaining basic status TPC Access Rights Status a Any U and or diagnostic information about the projector yee and 3 determining the versions of software components installed A simple design and familiar menu icons help ensure that virtually any user can instantly display an accurate and fully optimized Sing Trained image by pressing a single button on the touch Gaston Operator screen and that precisely configured presentations Advanced oon are protected from accidental or unauthorized change INSTALLERS and TRAINED OPERATORS In addition to the three basic menus accessible to any user the San Installer TPC offers two more password protected levels of aus Service Custom password use Installers can access three extra menus wh
180. on or display do the following Q Make sure the DCP and TPC are both powered up and operating normally a On the Touch Panel Controller TPC select the Main menu tab Q On the Main menu press the desired display button the image will update accordingly See Figure 3 11 DCP User s Manual 3 17 BASIC OPERATION 3 18 ouch Pang Controller DCP User s Manual 4 Main Status Custom Advanced Install About A Cinema A1 m Cinema A2 Se Cinema B1 a Cinema B2 y 1 Select pre defined source e ty 70S i e DVD VCR 2 Image will change ALT VCR Computer A HDTV O Initializing Figure 3 11 Source Selection on Main Menu SAMPLE NOTES 1 Depending on your expected needs your installer may or may not have configured all eight buttons for use 2 Buttons may have any icon and or text WHAT HAPPENS WHEN A BUTTON IS SELECTED For any display button on the Main menu the projector interprets incoming signal data according to one of eight user selectable display setups defined at the time of DCP installation and or with each subsequent release of a new digital cinema feature and stored in projector memory Each display setup consists of Projector Configuration File PCF information as well as additional processing display parameters and screen settings optimized for a particular cinema feature or alternative content source For proper processing and display of a source
181. onnections are OK there is no lens cap installed and that the manual shutter is OPEN 2 Is the correct display file selected Check the Touch Panel Controller 3 Is the correct port connected for this display file Check head connections Symptom Severe motion artifacts CAUSE REMEDY 1 Most likely there is a synchronization problem with reversed 3 2 pull down in 60Hz to 24Hz film to digital conversion in your source The display file needs correction Symptom The fields in the cinema image appear to be swapped CAUSE REMEDY 1 This is generally seen in 1920 x 1080 60i sources where field bit polarity is undefined Toggle the SMPTE FIELD BIT setting choices are Normal or Invert 7 2 DCP User s Manual es TROUBLESHOOTING 7 4 Symptom CAUSE REMEDY Non Cinema Displays Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Image appears squeezed or vertically stretched into center of screen 1 Source data converted from film is squeezed for DCP s SXGA display format and requires use of an anamorphic lens to regain image width Make sure you are using the 1 5x anamorphic lens for 1 85 1 flat screens or the 1 9x anamorphic lens for 2 39 1 scope screens The following troubleshooting entries assume that you are using Christie s optional Cine IPM for displaying alternative non cinema material The Cine IPM will not turn on when is pressed 1
182. ons uly homens a E sms NOT BOTH D o P anne 6 rower e Leme 4 Oz Or From S Video Source Figure 2 42 Connecting an Extra Video Source to Input 1 NOTE Requires Cine IPM option Optional modules installed in the Cine IPM increase the total number of inputs and or accommodate different signal types whether analog or digital Any one of these modules can be installed in the area labeled INPUT 2 They include RGB 500 Input Module RGB 400 Active Loop Thru Input Module RGB 400 Buffered Amplifier Input Module Composite S Video Input Module PC250 Analog Input Module Serial Digital Input Module Digital HDTV Module DVI DFP Input Module en INSTALLATION AND SETUP Connecting a switcher Connecting Multiple Switchers Alternatively the analog interfaces i e non digital can be installed in the Marquee switcher formerly manufactured by Christie if desired and used with the projector NOTES 1 Connect analog HDTV signals directly to INPUT 1 or to any RBG input module installed at INPUT 2 2 See Appendix D Optional Input Modules for a brief description of each interface NOTE Requires Cine IPM option You may wish to use the Marquee switcher formerly manufactured by Christie to significantly increase the number of Cine IPM sources you can select If so connect the switcher s RGB output to INPUT 1 and connect an RS 232 serial communication cable between the switcher and the project
183. or Non cinema DVI PORT DCP User s Manual All sources for the DCP connect to one of three ports within the projector head this is typically done as part of installation see 2 1 Installation Projector Head To change or add any connection in the head you must open the lid of the head For cinema displays connect a digital media storage device to the SMPTE 292 serial digital input A or B within the DCP projector head For any connection limit cable length to 300 feet or less See Section 4 for a list of compatible signals and for complete cinema operating details To digital media storage device s SMPTE A via conduit in pedestal toe Figure 2 33 Ports A or B Cinema NOTES I Assumes a source connected via the optional Cine IPM 2 The Cine IPM may be installed at an external location or directly into the rear or side of the DCP if desired refer to the installation instructions provided with the Cine IPM 3 Non cinema sources 23 96 Hz can be connected directly to the DCP head if desired but may sometimes lead to unexpected results in the display For best results use the Cine IPM To display a wide variety of no cinema or alternative content connect your non cinema source to the optional Cine IPM as described in the following pages Then connect the Cine IPM to the projector head s DVI port Connect directly to this DVI port To Cine IPM See Section 5 for complete non cin
184. or serial port labeled SWITCHER see Figure 2 43 The switcher communication link permanently set at 9600 baud enables you to access inputs connected to the switcher in the same manner as those connected directly to the projector NOTE Make sure a switcher connected directly to the projector is set as Switcher 1 If it is not unplug the switcher and set to 1 before plugging back in and connecting to the projector and or network O INPUT 2 INPUT 3 INPUT 4 COMPOSITE VIDEO SVIDEO 7 L Loop J INPUT 1 REMOTE RED GREEN BLUE HOR COMP VERT SWITCHER RS 232 IN RS 232 OUT a C BNC eZ E connectors L_ W0 J e Uc J 9 pin D style connection NOTE 9600 baud rate RGB and sync output from itch Runieee lt From switcher female Figure 2 43 Connecting a Signal Switcher NOTES 1 Requires Cine IPM option 2 Requires the Marquee switcher formerly manufactured by Christie If you are using more than one switcher daisy chain the RS 232 switcher inputs outputs together to form a complete network of inputs accessible from the projector you can network up to 9 switchers and connect Switcher 1 to the Cine IPM as shown in Figure 2 43 In addition connect the RGB output from each switcher to its matching slot on switcher 1 for example connect the RGB output from switcher 2 to slot 2 on switcher 1 and the RGB output from switcher 3 to slo
185. oses while the DCP is running If you hear a BEEP the cooler is functioning normally If there is NO beep the cooler is either off or there is a problem with the flow DCP User s Manual 3 3 BASIC OPERATION 3 4 DCP User s Manual FILLING THE COOLER The cooler should require filling only once when the DCP is installed see Section 2 Installation and Setup Fill with one liter of a 50 50 mix of distilled water and ethylene glycol Exhaust Duct Exhaust air must vent to a properly installed exhaust duct routed to outside the building For proper cooling of the lamphouse and maximum lamp life airflow rates must match those provided in Section 2 Installation and Setup Lamp Control Panel The lamp control panel provides switches for turning the lamp on off and for optimizing lamp position to create the brightest and most uniform image possible Lamp Power Stand by Power Adjustments Lamp power level is adjustable both for normal operation and for the stand by mode activated whenever the manual douser shutter is closed These separate adjustment knobs are located on the power supply within the pedestal thus are protected by a security lock Never exceed the lamp current levels shown in Table 3 8 Lamphouse Depending on your installation the DCP uses either a 2 4 kilowatt lamphouse SLI D model with an elliptical reflector or a 4 5 7 kilowatt lamphouse SLH D with a compound sphere elliptical reflector Lamph
186. osite video source INPUT 3 and an S Video source INPUT 4 If connecting a composite video source use the Composite BNC connector or the RCA phono jack at INPUT 3 do not use both as inputs See Figure 2 38 NOTE If you want to loop a composite signal through to another projector or display device see Video Loop Through later in this section Use phono plug or BNC for input NOT BOTH O INPUT 2 INPUT 3 INPUT 4 O COMPOSITE VIDEO S VIDEO 3 vic Y c s AN ZA O O D oO lt 9 YS N LL Loop d L Loop Module 204600 INPUT 1 REMOTE RED GREEN BLUE HOR COMP VERT RS 232 IN O fp xp From Composite FA Composite g Video Source Video Source RS 232 OUT AO STATUS POWER A O Figure 2 38 Connecting Composite Video DCP User s Manual 2 27 INSTALLATION AND SETUP ME 2 28 S Video DCP User s Manual NOTE Requires Cine IPM option The video decoder input panel provides simultaneous connection of both a composite video source INPUT 3 and an S Video source INPUT 4 If connecting an S Video source use the 4 pin mini DIN connector or the Y and C BNC connectors luma and chroma at INPUT 4 do not use both as inputs See Figure 2 39 INPUT 2 INPUT 3 INPUT 4 O O O COMPOSITE VIDEO SVIDEO ol 00 LL Loop I INPUT 1 D GREEN BLUE HOR COMP VERT SWITCHER RS 232 IN RS 232 OUT 6606 Ge Ge dori
187. ou suspect that you 4 9300K are using a preset temperature that has 5 User been altered and you want instead to use 6 User2 the original factory calibrated color T Users temperature without clearing the entire e 3200K projector memory you can use the Seale Factory 5400K Copy From option in the Color of the projector Factory 6500K Temperature Setup menu to set up a Factory 9300K User temperature with settings from a permanent factory preset Figure 5 19 Presets and Factory Presets 1 Select the User color temperature you wish to update at the top of the Color Temperature Setup menu such as User 2 2 From the Copy From list select the matching temperature labeled Factory such as Factory 5400K These are the calibrated color temperatures set at manufacture they remain intact for the life of the projector 3 The setups for the User color temperature you selected at the top of the Color Temperature Setup menu will now be updated replaced by those for the permanent factory calibrated temperature you selected in the Copy From list Again a User temperature can be altered at any time if desired DCP User s Manual 5 31 NON CINEMA OPERATION M 5 32 DCP User s Manual Video Options Not available to graphics sources Use the Video Options submenu to precisely control processing parameters that are unique to video signals VIDEO STANDARD The Cine IPM Vide
188. ould use a remote keypad supplied with a TV or VCR When making key presses point the keypad toward the IR sensor on the Cine IPM The sensor will detect the signals and relay commands for internal processing Keep in mind the following guidelines 1 Press keys one at a time there are no simultaneous key presses required 2 For any key having an Power for example hold the key for approximately 1 second in order to toggle the function with a single key press For other keys or DCP User s Manual 5 5 NON CINEMA OPERATION M 5 6 Keypad Commands DCP User s Manual to use a key in conjunction with or FoF a momentary press similar to a mouse click is sufficient 3 Press the lightbulb key to temporarily illuminate the backlight for the keys without sending any other command 4 45 gt 409 for and repeat their arrow actions when held down For other keys release and press again to repeat an action In a network pause between adjustments to ensure that the last projector can keep up with the commands 5 If you press a key while the projector is busy with another action the key press may not take effect When you first access the Cine IPM it begins operating at presentation level displaying an image from the most recently used source signal The projector temporarily leaves presentation level whenever you use the keypad to work with control settings display menus or on li
189. ouses also contain an igniter and one of the following Xenon lamps SLI D Lamps SLH D Lamps 1 6 kW 4 0 kW 2 0 kW 4 5 kW 3 0 kW 6 0 kW The lamphouse is closed and locked for normal operation Lens Mount amp Anamorphic Install Rods The lens mount secures a primary zoom lens to the projector head and provides manual adjustment of focus zoom and offsets If desired the anamorphic lens adapter standard slides on to the long protruding rods at the top of the lens mount With one or more optional anamorphic lenses installed in the adapter arms you can pivot an arm into place in front of the primary lens to quickly spread a squeezed 5 4 SXGA image horizontally into a wider anamorphic image Leveling Feet The adjustable feet turn to increase or decrease projector height as needed for proper leveling and or additional tilt See 2 2 Adjusting Tilt and Leveling Manual Douser Shutter Lever The manual douser lever moves a douser blade into the light path to block the image like a shutter Using this lever also reduces lamp power to 30 70 user adjustable of its maximum rating creating a cooler stand by mode Keep OPEN for normal operation E BASIC OPERATION Outlets 1 amp 2 Outlet 1 allows convenient plug in of external equipment you may be using in your installation Outlet 1 is not intended for plugging in DCP system components such as the projector head or optional Cine IPM both of these should be pl
190. pattern of yellow and red lights while the Power LED is steady red This indicates a Cine IPM error that may prevent it from operating If the problem persists contact a qualified Christie service technician The projector does not respond to the infrared remote keypad 1 Does the wired keypad work If so check that the IR keypad is enabled in the Communications menu 2 Does the green Status LED flash each time a key is pressed If not the projector is not receiving the keypad s IR signals Ensure the keypad is directed toward the IR sensor on the Cine IPM or toward an optional remote sensor and that the path is not blocked 3 The keypad batteries may need to be replaced DCP User s Manual 7 3 TROUBLESHOOT NG Se 7 4 Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY Symptom CAUSE REMEDY DCP User s Manual 4 There may be unusual lighting conditions in the room affecting IR keypad operation Determine if such conditions exist and correct 5 When broadcasting in a network enter numbers directly on the keypad rather than holding or to change slidebar settings Numeric entry eliminates the time delay to distant Cine IPMs ensuring all units receive the commands 6 The IR keypad may have been disabled See 2 10 Keypad Protocols and Conversion and 5 8 Configuring System Parameters The display is jittery or unstable 1 Ifthe display is
191. pedestal conduit Make sure the head s rear plate is flush to the plate on pedestal and do not attempt to feed any cabling tubing through the conduit at this point 6 2 See Figure 2 5 Carefully rotate the head counter clockwise until its rear dowel pin seats into the matching notch or stop on the pedestal mounting plate The head will now be yams l Rotate into place 45 loosely cantilevered into position amp although not secured Do not bump Figure 2 5 Positioning Head Keep supported 6 3 Insert 4 bolts provided through the back of the pedestal s mounting bracket and into the head holes 2 holes are above the pedestal 2 are inside the pedestal Secure all with a 9 16 crescent wrench The projector is now safely mounted to the pedestal 6 Connect Within Head 7 1 Open the lid of the head by unlocking the top security lock and pivoting the lid down and off See Figure 2 12 7 2 Near the bottom of the head remove the air filter pull down and out 7 3 CONNECT NON CINEMA INPUT S For optional alternative graphics or non cinema operation route the Cine IPM cable through the notch in the main rib by passing the feed through plate and connecting directly to the DVI port at the other side of the projector under the card cage NOTES The Cine IPM is an optional DCP component recommended for the display of alternative or non cinema content such as grap
192. pes of display devices in the chain typically a Hi Z switch position is needed A Use either INPUT 2 INPUT 3 INPUT 4 a COMPOSITE VIDEO S VIDEO O v c Y e o NF Video Decoder LL Loop Module 804600 INPUT 1 REMOTE RED GREEN BLUE HOR COMP VERT RS 232 IN RS 232 OUT a 66666 fe ena e 2J Z J Z S ves Eep ae Ah rower From Composite S Neen To next projector Video Source or orvice versa _ or display device previous projector Figure 2 40 Connections for Composite Video Loop Through S Video Loop Through CONNECTIONS See Figure 2 41 From your source connect an S video source signal to INPUT 4 using either the 4 pin mini DIN or the 2 adjacent BNCs labeled Y and C Connect a second cable from whichever INPUT 4 connector is free to one of the S video inputs of the next display device or projector Continue this looping method for each projector using either 4 pin mini DIN or the 2 adjacent BNCs as input into INPUT 4 then using the other connector s as an output i e loop through Whether you use 4 pin mini DIN or the 2 adjacent BNCs as input or output depends on the type of cable you have on hand and what type of connectors are on each end VIDEO TERMINATION In the Image Settings Video Options submenu make sure Video Termination is checked for only the final projector All other Cine IPMs present must have this option unchec
193. pposite side Remove the plenum access cover 2 screws Remove the old lamp and inspect reflector 6 1 Loosen set screws from positive front 5 32 and negative rear 9 64 lamp connectors 6 2 Slip the positive anode connector off If 1 6 kW lamp also remove the adapter present refer back to Figure 6 3 6 3 Unscrew the lamp from the rear connector or from the adapter if SLI D refer back to Figure 6 2 and Figure 6 3 and carefully remove the lamp from the lamphouse Immediately place the lamp inside the protective cover saved from previous installation or in a heavy carton on the floor where it cannot fall 6 4 With the lamp removed visually inspect the reflector for dust and clean if necessary as described in 6 3 Maintenance and Cleaning Remove new lamp from protective cover 7 1 Remove tape knurled nut and locking star washer if present securing the lamp within its cover 7 2 Handling at the ends only extract the lamp from the cover Set aside the protective cover for re use in the next disposal or warranty return of an expired lamp Install new lamp 8 1 With protective gloves on insert the threaded cathode end of the lamp into the negative lamp connector or adapter if SLI D model located in the rear of the plenum and screw in fully Do not over tighten DCP User s Manual 6 9 MAINTENANCE M 6 10 STEP 9 STEP 10 STEP 11 STEP 12 Filter Replacement Procedure STEP 1
194. protective clothing recommendations are subject to change 2 Any local or federal specifications take precedence over Christie recommendations Cool the Lamp Completely The arc lamp operates at a very high pressure that increases with temperature Failure to allow the lamp to sufficiently cool prior to handling increases the potential for an explosion causing personal injury and or property damage After turning the lamp off it is crucial that you wait at least 10 minutes before turning off the rest of the projector breakers disconnecting AC and opening the lamphouse This provides enough time for the internal lamp cooling fans to properly cool the lamp Cool completely before handling Again always wear protective clothing A WARNING A e Never attempt to open the lamphouse while the lamp is on e Wait at least 10 min after lamp shut off before powering down disconnecting from AC and opening the lamphouse A WARNING A SHOCK HAZARD Disconnect from AC at BOTH wall breakers before opening the lamphouse For all other precautions critical for safe removal and replacement of the lamp refer to 6 4 Replacing the Lamp amp Filter The DCP high intensity lamp and electronics rely on a variety of cooling components to reduce internal operating temperatures Regular checking and maintenance of the entire cooling system is critical to prevent overheating and sudden projector failure and helps to ensure reliable operation of all projecto
195. quare centimeters of effective UV radiation An evaluation of your workplace is advised to assure employees are not exposed to cumulative radiation levels exceeding the government guidelines for your area 2 Be aware that some medications are known to increase one s sensitivity to UV radiation A WARNING A FIRE HAZARD Keep hands clothes and all combustible material away from the concentrated light beam from the lamp DCP User s Manual 6 1 MAINTENANCE M AC Power Precautions Lamp Precautions 6 2 DCP User s Manual A WARNING A Position all cables where they cannot contact hot surfaces or be pulled or tripped over This projector must be installed on the floor only and operated in an environment which meets the operating range specifications in Section 8 Specifications A WARNING A Opening or removing a projector cover requires a qualified service technician Installation of this projector requires that an electrician hard wire a 3 phase Y feed and a separate 15A single phase feed from the pedestal toe to the AC supply in your building You must also use only the correct pedestal for your geographic area as described in Section 1 Operate the projector at the specified voltage A WARNING A Do not attempt operation if the AC supply and pedestal are not within the specified voltage range Do not allow anything to rest on the power cord Locate the projector where the cord cannot be abused by persons walking on it o
196. r components over time Vents and louvers in the projector covers provide ventilation both for intake and exhaust Never block or cover these openings Do not install the projector near a radiator or heat register or within an enclosure It is recommended that you replace the air filter located near the bottom of the projector head whenever you replace the lamp or sooner in dusty or dirty environments A clogged filter reduces air flow and can lead to overheating and failure of the projector Check monthly See 6 4 Replacing the Lamp amp Filter for instructions The liquid cooler circulates liquid to and from the DMDs in the DCP projector head reducing their operating temperature to an acceptable level To confirm that the cooler is functioning normally momentarily pinch one of its hoses while the DCP is running If you hear a BEEP the cooler is functioning normally If there is NO beep the cooler is either off or there is a problem with the flow FILLING THE COOLER The cooler should require filling only once upon installation see 2 1 Mounting and Connecting Components Fill with one liter of a 50 50 mix of distilled water and ethylene glycol DCP User s Manual 6 3 MAINTENANCE M 6 4 Lamp Fan amp Airflow Interlocks Exhaust Duct 6 3 Maintenance and Cleaning Electrical Optical DCP User s Manual NOTE See 3 1 Projector Basics for all cooler operating details Check maintain both of the
197. r objects rolling over it Never operate the projector if the power cable appears damaged in any way Do not overload power outlets and extension cords as this can result in fire or shock hazards Note that qualified service technicians only are permitted to open any enclosure on the product and only if AC has been fully disconnected at BOTH wall breakers A WARNING A SHOCK HAZARD Disconnect from AC before opening any enclosure Disconnect at BOTH wall breakers Any Xenon arc lamp used in the DCP is under high pressure and must be handled with great care at all times Lamps may explode if dropped or mishandled Wear Protective Clothing Never open the lamphouse unless you are wearing authorized protective clothing such as that included in a Christie Protective Clothing Safety Kit 598900 095 Recommended protective clothing includes but may not be limited to protective gloves polyethylene lab gloves double layer 0 040 acetate face shield and a quilted ballistic nylon jacket or a welder s jacket A WARNING EXPLOSION HAZARD Wear authorized protective clothing whenever the lamphouse is open WARNING A Never attempt to remove the lamp directly after use The lamp is under increased pressure when hot and may explode causing personal injury and or property damage Allow to cool completely es MAINTENANCE 6 2 Maintaining Proper Cooling Ventilation Air Filter Liquid Cooler NOTES 1 Christie s
198. r s Advanced menu and cannot adjust the processing path adjust the Cine IPM bottom blanking until the streaks disappear This control is located on the second page of the Cine IPM s Size and Position menu See 5 7 Adjusting the Image Section 8 Specifications es NOTES 1 Due to continuing research specifications are subject to change without notice 2 8 1 Specifications DCP I DCP H Display Lenses Specifications apply to all models unless otherwise noted Panel Resolution and Refresh Rate Pixel format H x V on 3 DMD panels 1280 x 1024 SXGA Refresh rate 23 97 78 Hz SMPTE 292M 60 Hz 296M input 50 or 60 Hz 1 Hz non cinema Achievable Brightness requires maximum output conditions 12 foot lamberts on 50 ft screen DCP H or 40 ft screen DCP i Achievable Contrast Ratio 460 1 ANSI 1350 1 full field Colors and Gray Scale Displayable colors 4 4 trillion Gray scale resolution 14 bits each per RGB component linear Color Temperature Nominal white x 0 314 0 002 full white after calibration telecine mode y 0 351 0 002 Gamma 2 65 nominal Primary Zoom Lenses Hi contrast Part Max of Image Offset from Lens Center 2 0 3 2 1 38 809029 01 75 in any direction 3 2 5 6 1 38 809030 01 75 in any direction Opt Anamorphic Lenses __ Pat _ Max of Image Offset from Lens Center 1 5x for 1 85 1 flat screen 38 809034 01 75 in any direction 1 9x for 2 3
199. rclockwise as far as possible 3 Pull out and replace with a different high contrast primary lens IF EITHER OF THE ANAMORPHIC LENSES rare remove the entire anamorphic lens mount and the anamorphic lens you wish to replace Install a different anamorphic lens as described in 2 1 Mounting and Connecting Components All Lenses Once installed make sure to adjust its precise position and orientation at the projector note that the 1 5x must be pulled out approximately 4 to properly clear the primary lens during use DCP User s Manual 6 11 Section 7 Troubleshooting If the projector does not appear to be operating properly note the symptoms present and use the following guide to assist you If you cannot resolve the problems yourself contact your dealer for assistance NOTE A qualified service technician is required when opening an enclosure to diagnose any probable cause Pe 7 1 Power Power Supply Probable Cause Corrective Action Does Not Start A No AC 3 phase voltage at TB2 Check disconnect switch or both circuit breakers at AC distribution panel B Phase voltages are unequal at TB2 Measure TB2 L1 L2 and L3 for missing or low voltage correct loose or damaged wire C READY light is not on interlock or blower switches not functioning Check that all switches are closing properly Continuity each switch if necessary Power Supply is Probable Cause Cor
200. rd Cage 91 F L a i Built in Self Test x oor O Green All OK Yellow Environment Diagnostics WARNING Red Environment Diagnostics CRITICAL ERROR Main Status About DCP User s Manual If Yellow Red 0 Environment a Stop operation I Temperatures and correct 970 the problem Card Cage 27 C Built in Self Test 1 O General If Red System _ Failure Power up Self Test Service likely required ARM DSP O Interface Board FPGA Load O Processor Board FPGA Load ce Figure 3 5 Status Menu SAMPLE VIEWS See Figure 3 5 Navigate the Status menu as you would in Windows Explorer file manager expanding or compressing directories as desired by pressing the corresponding small square buttons To see more of the Status menu drag the scroll bar up or down This menu updates approximately every 30 seconds fi INFORMATION INDICATORS As shown above this blue symbol identifies information such as the connection port input and frequency pertaining to the incoming source signal currently highlighted Default current source ENVIRONMENT DIAGNOSTIC INDICATORS The small colored indicators or virtual LEDs for environmental and diagnostic information are green during normal operation As shown above these indicators can change to indicate a warning yellow or critical error
201. re that your communication protocol is properly established A SHUTDOWN You must close the application and shut down the socket properly before shutting down the controller DCP User s Manual 3 21 BASIC OPERATION _ Ms Simple adjustments can help to optimize lamp performance and create the brightest 3 5 Working with the Lamp Turning the Lamp on off Adjusting Lamp Position A CRITICAL RELIABILITY INFO 4 3 22 DCP User s Manual most uniform image possible Commonly used lamp controls are located on the lamp control panel Figure 3 14 Use a full white or grayscale field test pattern so that the meter does not over range or saturate NOTE The SLI D lamp control panel has a slightly different layout from the SLH D lamp control panel shown but offers the same controls With all breakers set to ON ignite the lamp by setting DC POWER to ON the lamp will ignite Or press the AUTO START button on the optional 3Q automation panel the lamp will ignite and a pre programmed sequence of events will begin NOTE If the lamp fails to ignite momentarily press the MANUAL IGNITION button or if 3Q is present either 1 set the DC POWER fo ON or 2 move the 3Q s MANUAL LAMP switch to ON Regardless of method manually igniting the lamp will not affect remaining automated events To turn the lamp off set DC POWER to OFF Allow fans to run for 10 minutes Immediately upon installation a new lamp must
202. rective Action Low or Fluctuating A One phase open or low at input Inspect all DC and AC connections terminals Measure voltages at input to power supply Check AC source or repair circuit B Failed SCRs Swap SCR with new known good devices DCP User s Manual 7 1 TROUBLESHOOTING Se SSS SS 7 2 Lamp Lamp Does Not Ignite Probably Cause Corrective Action A READY light does not come on Check interlock or blower switch circuits In SLH D make sure lamphouse door is closed B DC supply is not set to proper value Increase lamp current by adjusting power supply tap switch C Failed power supply With DC power switch ON open circuit measure across igniter and positions for 85 VDC minimum If minimum voltage is not present check power supply output D Failed igniter Listen for igniter buzz when manual start button is pushed If buzz is heard replace spark gap or AC transformer in igniter E Igniter relay has failed Listen for relay to pull in as start button is pushed If relay does not activate measure coil voltage and or check relay circuit If no output voltage replace defective relay F Lamp failed Inspect lamp and replace Stand by flicker wander lamp failure Increase HALFCUR setting at power supply E 7 3 Cinema Displays Symptom Blank screen no display of cinema image CAUSE REMEDY 1 Confirm all power c
203. red status en BASIC OPERATION Q Yellow Warning indicates an unusual environmental condition For example the card cage temperature may be elevated and nearing its upper limit correct the problem by checking all cooling systems turning off the projector and cooling if necessary make sure to follow the standard shut down procedure Service may be required in some cases Red Error indicates that 1 the environment has a serious problem or 2 a specific electrical component is not detected or does not appear to be functioning properly In some cases a module may need re seating In others service or replacement of a module may be required before the DCP can resume normal operation Regardless a red indicator requires immediate attention Diagnostics showing a icon indicate an unknown status caused by a problem during initialization Try re booting the projector Note that if any of the small indicators are yellow or red the main warning icon on the status bar changes accordingly so that problems are immediately detectable from any TPC menu DCP User s Manual 3 11 BASIC OPERATION 3 12 DCP User s Manual Source Table 3 1 Summary of Status Menu STATUS MENU ENTRIES Projector Input Source connection location of current signal Signal Vert Freq Cine IPM Power On off Input and Channel Source connection location and channel Signal Hor amp Vert Freq of current so
204. rences menu is unchecked 2 To hide the entire menu system from view toggle the on screen display OFF press and hold the key If you want the Cine IPM to quickly set up the image for you select Auto Setup from the Main menu A confirmation box will ask if you really want to continue in which case display parameters listed in the Table below will be set for you An Auto Setup can save time in setting up an excellent image and you can also make further adjustments as desired You must have an unlocked channel present to use Auto Setup What an Auto Setup Does OPTIMIZES Pixel Tracking Pixel Phase Vertical Stretch Position Input Levels if analog source SETS TO DEFAULT Contrast amp Brightness Auto Input Level off Blanking Detail if video source Filter Luma Delay The two page Size and Position menu allows you to increase or decrease the size of your image change its proportion Size and Position 2 Size 1000 aspect ratio move the image to a 3 Vertical Stretch 1000 specific area of the screen and refine 4 Pixel Track 1600 other related parameters Use Size and 5 Pixel Phase 0 Position controls to match the image 6 Filter 0 precisely to the screen size and aspect 7 H Position 700 ratio needed for your application 8 V Position 545 Refer to Using Slidebars and Other 0 More Controls earlier in this section if you need help using an
205. rientation See Figure 2 15 A WARNING A Use extreme caution if lamp is present Wear gloves Figure 2 15 Insert jig into head 5 Reaching into the lamphouse secure the jig in place with a 3 16 ball driver A small turn will rotate each tab into place on the other side Check each tab position with a flashlight and tighten fully See Figure 2 16 DCP User s Manual 2 13 INSTALLATION AND SETUP w Check tabs a with flashlight a tA WOT Figure 2 16 4 tabs must secure jig to the projector head Reflector Centering 1 laser 6 Turn on one laser Direct it very near the corner of the lip in one spot then rotate the jig fully if the beam remains the same distance from the corner of the lip as it travels along the complete PO is circumference of the AN s a reflector the ap T a reflector is well a centered on the x horizontal and y vertical axes relative to the center of the head opening Figure 2 17 Check for x y centering of the reflector See Figure 2 17 SIMULATION If the beam varies at any point s carefully adjust the reflector position by sliding the plenum left or right and or by adjusting the lamphouse lock down bolts from within the pedestal to raise or lower the reflector 2 14 DCP User s Manual en INSTALLATION AND SETUP Reflector Tilt 2 lasers 7 Turn on both lasers and converge the beams on one spot very
206. rly set Adjust Left Right 1 Adjust focus at the far left center Boresight edge of the image Figure 2 28 If possible reduce image size for easier image analysis 2 If the image appears well focused on the left edge but not on the right then the boresight currently differs from one side to Focus the other e the right side of Left Edge the image is well focused either Santer in front of or behind the screen surface rather than on it To determine where the right side is Figure 2 28 Adjust Focus at Left Edge focusing 2 20 DCP User s Manual E INSTALLATION AND SETUP Adjust Top Bottom Boresight 7 Adjust the horizontal boresight bolt Figure Adjust horizontal offset to re center the Repeat Steps 4 and 5 until both sides of the Q Hold a piece of white paper approximately parallel to the screen surface at the right side as close to the vertical center as possible then move closer to the projector while watching the image on the paper e If focus on the paper improves this indicates that the right side of the i image is focusing in REN front of the screen See Figure 2 29 e If focus on the paper worsens this indicates that the right side of the image is focusing behind the screen AERIAL VIEW Focused Projector If the image comes into focus on both sides Figure 2 29 Example of Poor Left Right Boresight simultaneously left rig
207. rver connect a standard 9 wire RS 232 serial cable CTS RTS to the top DCP serial communication panel port labeled PC or Server Do not use a 2 signal cable as shown in the preceding illustrations From the Cine IPM connect either a standard 9 wire RS 232 serial cable CTS RTS or a special 2 wire cable to the bottom DCP serial communication panel port labeled Cine IPM See preceding illustrations DCP User s Manual C 3 Appendix D Optional Input Modules There following input modules and accessories are compatible for use with the optional Cine IPM Marquee NOTE No longer manufactured by Christie Signal Switcher The Marquee Signal Switcher formerly manufactured by Christie is a rack mountable signal selector which can greatly increase the number of analog sources inputs available to the Cine IPM Connected to INPUT 1 a single switcher provides up to 9 more sources Additional Marquee Signal Switchers can be connected to the first with their input locations switcher slot selectable through the key on the keypad Switcher inputs can also be selected at the switcher by pressing the appropriate front panel push button or through serial communications See Section 2 BLECTROHOME IMARQUEE SIGNAL SWITCHER Marquee Signal Switcher Features gt gt S o gt ooo simple connection and push button control easy to see illuminated indicators 9 slots for analog interface modules RS 232
208. rvice technician Check these components periodically in a clean dust free environment using a high intensity light source or flashlight Clean them only when dust dirt oil or other marks are obvious Never touch an optical surface with your bare hand always wear polyethylene lab gloves When to Check LENS A small amount of dust or dirt on the lens has minimal effect on image quality to avoid the risk of scratching the lens clean the lens only if absolutely required See below LAMP REFLECTOR Inspect the mirror surface reflector for cleanliness only during a lamp replacement when the lamp is out If necessary clean as described below make sure to wear protective clothing while inspecting or cleaning Note that the color of the reflector surface may vary this is normal Supplies For cleaning off dust and or grease you will need es MAINTENANCE Other Components D Q Q Q Soft camel hair brush Dust free blower filtered dry nitrogen blown through an anti static nozzle Dust free lens tissue such as Melles Griot Kodak tissues 18LAB020 Optowipes 18LAB022 or Kim Wipes or equivalent Lens cleaning solution such as Melles Griot Optics Cleaning Fluid 18LAB011 or equivalent For lens only Methanol For reflector only Cotton swabs with wooden stems only Lens cleaning cloth microfibre such as Melles Griot 18LAB024 or equivalent Cleaning the Lens IF DUSTY 1 Brush most of the dust off with a cam
209. s 1 Usean external grayscale test pattern with both dark and light gray areas 2 Display the image in its native resolution select No Resizing by accessing Resize Preset in Size and Position menu 3 Display a single color choose from a Color Enable list or use the keypad shortcuts indicated on the back of the keypad en NiON CINEMA OPERATION System Communications 4 Examine an area of darkest gray but not black If there is a 1 pixel wide pattern present adjust Odd Pixel Adjustment offset for the current color Stop when the pattern disappears and the area is smooth 5 Examine an area of lightest gray not white If there is a 1 pixel wide pattern present adjust Odd Pixel Adjustment gain for the current color Stop when the pattern disappears and the area is smooth 6 Repeat for each color adjusting offset then gain for each NOTES 1 Adjust offset before gain since offset affects gain 2 A value of 128 represents no change in normal odd pixel offset or gain 3 Odd Pixel Adjustment eliminates I pixel on I pixel off patterns only not any type of larger patterns Reserved No function Service The Service submenu offers the ability to enable or disable Cine IPM service passwords and to work with factory defined color temperatures and other functions for the Cine IPM This submenu is password protected and intended for use by qualified service technicians only Use the checkbox
210. s Meu 2 both of which appear in the Main menu While in either of these two menus you can change settings affecting the image from the current channel by working with the appropriate slidebars checkboxes and pull down lists will always return to the previous menu or to the presentation if from the Main menu and accept any changes you may have made Or you may prefer to begin with an automated setup in which the projector quickly defines certain display parameters for you select Auto Setup from the Main menu These settings can then be fine tuned in Size and Position and Image Settings at any time From your presentation you can access any of the individual options in these menus by pressing followed by the appropriate two digit number representing their location in the menu system For example press 6 to quickly access the Color Setup option in the Image Settings menu DCP User s Manual 5 21 NON CINEMA OPERATION x 5 22 Auto Setup Size and Position DCP User s Manual For certain options you may prefer to use a direct key from presentation level to go directly to a particular option rather than traveling through the menu system at all note this is not available for all display parameters For example press to access the contrast slidebar immediately Press to return to your presentation NOTE 1 To hide the direct slidebars only make sure the Display Slidebars option in the Menu Prefe
211. s gasket will block escaping UV Install the lamp as described in Section 6 Do not attempt to power up or align yet DCP User s Manual 2 15 INSTALLATION AND SETUP a 2 16 Connecting for Communications Connecting to Power DCP User s Manual At this point all DCP main components pedestal lamphouse and head are permanently secured and aligned to one another Connect to a laptop or PC to one of the Communication Panel ethernet ports if possible Or use a standard RS 232 cable to connect to the tep RS 232 port A on the Communication Panel If needed in your installation connect other equipment as shown in Figure 2 20 For a complete explanation see 2 9 Connecting Serial and Ethernet Communications later in this section A warnine 4 Never connect a PC or computer to the lower RS 232 port This port is for Cine IPM use only TPC RS232A Server or PC RS232B Cine IPM Ethernet m Identical ports cE Figure 2 20 Communication Connections p Pull 3 phase wires single phase and ground wires through one of the knock outs located on the foot of the pedestal 2 Connect 3 phase and single phase wires to the Input Terminal Board located on the non operator side of the pedestal attached to the power supply 3 Check the Schematic and or your automation manual for wiring connection to any installed automation These provide pro
212. s may be disabled locked on SLH D lamphouses as determined by the AUTO MANUAL bulb adjust switch located behind the locked lamp door en BASIC OPERATION Setting Lamp Power A CRITICAL SAFETY INFO amp How to Adjust Lamp Bulb Position 1 Adjust forward aft until the brightness reading in front of the lens is maximized 2 Adjust left right and up down until the brightness reading in front of the lens is maximized Re adjust forward aft as necessary Repeat Steps 1 3 as necessary Repeat Steps 1 4 but reading at the screen instead of at the lens Set correct LAMP CURRENT level see Table 3 8 ON Se If adjustments are made before the projector is fully warmed up re adjust after a 10 minute warm up NOTE You may have to re adjust lamp current if color performance is ever changed via color correction Repeat Step 6 NOTES 1 On the amperes voltage meter the top numbers indicate amps the bottom numbers indicate volts Toggle with nearby rocker switch 2 Keep in mind the formula for calculating lamp power Amperes x Volts Watts FOR NORMAL OPERATION Your lamp power supply is adjustable serving 3 different lamps in your DCP and is actually capable of supplying more power to the lamp than is necessary Always drive the lamp within its range of acceptable power level as shown in Table 3 8 beginning at approximately 80 power for a new lamp or higher if needed for your installation As brightness declines over tim
213. se Pedestal 2 2 Projector Head Mounting 2 5 Recommended Tools Materials 2 1 Summary 2 1 Interfaces Optional 2 30 Interlocks 6 4 Interpolated 5 30 Interpolated Color 5 29 5 30 Invalid Channel 5 44 IR Sensors 5 40 J Job Box Christie 2 1 K Keypad Conversion 2 35 Guidelines 5 5 Protocol 2 35 5 40 7 3 Keypad Head 3 8 Keypad IR Remote Description 5 5 Keypad Wired 5 4 5 40 Keystone Minimizing 2 3 L Lamp Adapters for SLI D 6 7 Brightness in Lumens 2 18 Calculating Age of 3 25 Components 6 7 Cooling 6 3 eee N EX Failure to Turn On 3 6 Hours of Use 3 24 How to Adjust Position 3 23 Log Sheet 3 25 Manual Ignition 3 22 Models amp Specifications 8 3 Normal Mode 3 23 Setting Proper Lamp Power 3 7 3 23 Spacers for SLI D Lamps 6 7 Stand by Mode 3 23 Troubleshooting 7 2 Turning Off 3 7 3 22 Turning On 3 6 3 22 Type for each DCP model 1 2 3 4 Warnings 6 2 When to Replace 3 24 Lamp Control Panel 3 4 3 22 LAMP HOURS meter 3 24 Lamp Installation Replacement 6 6 Lamp Power Adjustment 3 4 Lamp Replacement Procedure 6 6 Lamphouse Compatible Lamps 3 4 Detaching from Pedestal 2 1 Internal Components 3 4 Re installing on Pedestal 2 2 When to Open 6 3 Language 5 37 Laser Alignment See Alignment LCD Status Display Cine IPM 5 4 LEDs Status at Cine IPM 5 45 Lens Cleaning 6 4 6 5 Focus Adj 3 27 Offset Adj 3 26 Specifications 8 1 Use of Anamophic
214. se every 6 months as described in 6 3 General Maintenance and Cleaning Adequate airflow must be maintained within the exhaust duct connected at the top of the lamphouse and routed to outside of the building Inspect regularly and confirm that 1 there are no obstructions or kinks within the ducting 2 all air intake areas of the DOP are unobstructed and 3 exhaust airflow is within the range shown in Table 2 1 NOTE If the exhaust duct becomes significantly blocked or if a fan fails the projector s airflow sensor should trigger a shutdown before the projector becomes overheated or unsafe Check the airflow periodically To help ensure optimized performance and reliability regularly check electrical optical and other components as described below A WARNING A SHOCK HAZARD Disconnect from AC at BOTH wall breakers AC Connections Do the following every 60 days or 500 hours always disconnecting from AC first Q Check the contact surfaces of positive anode and cathode negative connections for cleanliness Clean electrical contact surfaces as necessary to prevent contact resistance from scorching connectors Q Verify that all electrical and lamp connections are tight Unnecessary cleaning of optics can be more harmful than helpful increasing the risk of degrading delicate coatings and surfaces In this projector check only the lens and lamp reflector maintenance of other optical components requires a qualified se
215. se the or keys to navigate within a menu pull down list or text box or to increase or decrease the value in the second bottom slidebar of a double slidebar You can also use or in conjunction with certain toggle keys e those including an asterisk symbol to ensure a toggle only in the desired direction When turning the Cine IPM on with a remote keypad for instance you may be too far from the projector to know whether the Cine IPM is already on If you press and hold it for approximately 1 second in hopes of turning the Cine IPM on the Cine IPM will actually turn off if it was already on Instead to avoid the risk of toggling in the wrong direction quickly press and release normally the function key you wish to toggle in this case Then immediately within 2 seconds press either or as desired The specific toggle will occur Toggle keys are labeled with an asterisk on the keypad They are listed below Shutter disabled Shutter disabled e Stby put the Cine IPM in stand by mode Eey leave Cine IPM stand by o Power turn the Cine IPM on Power turn the Cine IPM off a soft off AC still present o ue disabled Mute disabled Menu turn the menu system on Menu turn the menu system off en NON CINEMA OPERATION Detail Color Press to adjust the color saturation level i e the amount of color in a video image Lower settings produce less saturate
216. se the pull down list to select and display an gt 4 Off internal Cine IPM test pattern Select OFF to turn off the test 2 Checker pattern display 3 Gray16 4 Gray256 SHORTCUT Use key to scroll through patterns ede Gray COLOR ENABLE Refer to description under Image Settings 7 Black 8 Convergence FREEZE IMAGE Enter a check mark to freeze stop an image at go Eon ee 0 Color Bars a single frame This diagnostic tool is useful if you need to Geometry examine in detail a still version of the incoming image that cannot be frozen at the source For example in moving images it is sometimes difficult to observe artifacts such as external deinterlacing resizing and signal noise Remove the checkmark to return back to normal ODD PIXEL ADJUSTMENT For sources with Color Space set to RGB Odd Pixel Adjustment only 1 Red Odd Pixel Offset 128 T Adjust 2 Green Odd Pixel Offset 145 Offset Prier Ane centan BOB sourons 3 Blue Odd Pixel Offset 128 first with still images you may need to 4 Red Odd Pixel Gain 128 m adjust the normal gain or offset of 5 Green Odd Pixel Gain 116 um He odd pixels in relation to even pixels 6 Blue Odd Pixel Gain 128 This will smooth out very narrow 1 7 Color Enable White v pixel wide checks or vertical stripes that indicate adjacent on and off pixels You can remove these patterns as follow
217. serial interface input for a wired remote keypad universal power input up to 9 switchers can be daisy chained together with a Cine IPM RGB500 Input Module The RGB500 Input Module may be installed in the Cine IPM a Marquee Signal 38 804606 xx Switcher formerly manufactured by Christie or a Case Power Supply The module receives analog RGB input signals from computers or other RGB source devices r sync R O GREEN BLUE HOR COMP VERT E O00002 L Al RGB INPUT MODULE DCP User s Manual D 1 OPTIONAL INPUT MODULES M RGB400BA Input Module RGB400 Active Loop Thru D 2 38 8046 10 xx Input Module 38 804607 xx DCP User s Manual RGB500 Features accepts 3 4 or 5 wire RGB video sync on green composite sync or separate horizontal and vertical sync up to 500 MHz bandwidth BNC connectors for RGB signal inputs NOTE The audio connectors are not functional Connect audio to the projector s IN 2 audio port if available standard on Vista models only The RGB400 Buffered Amplifier Input Module may be installed in the Cine IPM in a Marquee Signal Switcher formerly manufactured by Christie or a Case Power Supply Connect three four or five wire RGB video signals of up to 400 MHz bandwidth signals typically produced by high resolution computer or workstations The buffering capability of the module enables the incoming signal to be sent to a remote destination Inputs are 75S termin
218. set the TPC language and time change the projector s processing path and display a variety of test patterns Table 3 3 Summary of Advanced Menu Functions ADVANCED MENU OPTIONS Test Patterns Display a test pattern or turn patterns off Always turn off to resume normal operation Overlay Non functional Do not use Language Choose English or Chinese TPC menu text for next re boot Use Cinema Path for DVI Keep checked W for most sources ensuring that Cine IPM DVI sources are processed using the complete cinema path Uncheck only for DVI frame rates gt 60 Hz Note that cinema sources A B projector inputs always use the cinema path regardless of the status of this checkbox System Clock Reset the system time as desired Select the desired component hour minute second and adjust with arrows Unrelated to the clock in DCP Librarian setup software Install Menu Password protected For Installers service only Selecting a Display Starting a Presentation BASIC OPERATION I D for projector location on network 10 10 10 10 10 10 10 11 etc Main Status Custom Advanced Install About Projector IP Address 10 10 10 10 m Installed Options Other Toggle to read temp System Supervisor Celsius Display in C or F Not Auxiliary Fan available Auxiliary Temp Sensor Fans at Full Speed OT initializing Fig
219. shed with a function menu do one of the following e Press to return to the previous screen e Press to leave the menu system and return to the presentation On line Help If at any time you are uncertain what to do next press to display detailed information about the current menu or highlighted option A scroll bar appears on the right hand side of a help window if there is additional text use the arrow keys to scroll Press again to exit Size and Position 1 Resize Presets No Resizing 2 Size 1000 3 Vertical Stretch 1000 4 Pixel Track 1600 5 Pixel Phase 0 6 Filter 0 C Help gt Help Filter 7 H Position 700 Adjustment of low pass filter of the image signal 8 V Position 545 E A higher number adds more filtering reducing the bandwidth of the image 0 More Figure 5 5 Example of On line Help From presentation level press to access general Help Topics Scroll as necessary within a topic Press to return to your presentation 5 12 DCP User s Manual Time outs The Global Icon Using Slidebars and Other Controls NON CINEMA OPERATION Help Topics Using Help Setup Keys Source Input Selection Stat Pwr LEDs Using 3D Figure 5 6 Accessing General Help Topics Go CH ES C9 IS At the bottom of some menus a line of hint text also appears Whenever the projector is not at presentation level such as when there is a slidebar m
220. signal type Note that this option utilizes 8 bit processing 4 MINIMUM DELAY Not used in this projector 5 ADVANCED 10 BIT ADP Not functional in this projector DCP User s Manual 5 35 NON CINEMA OPERATION M 5 36 E 5 8 Configuring System Parameters System Configuration And Diagnostics DCP User s Manual Motion Filter This control is most useful for smoothing out moving images from interlaced sources In most cases the proper Motion Filter gt 1 Auto setting is automatically determined according to the type of 2 Still incoming source signal However if your source is noisy and or 3 Video inconsistent you may wish to force a setting to ensure stable 4 Film processing for this source if desired override the default Auto setting by selecting the appropriate motion filter 1 AUTO The Cine IPM will automatically use the correct motion filter according to the incoming signal Note that the Still filter will be applied for RGB non HDTV interlaced signals and the Motion filter will be applied for RGB HDTV interlaced sources 2 STILL For static images with no motion such as graphics from a CD Note Applied for RGB non HDTV interlaced signals 3 VIDEO For video images that did not originate from film or for moving computer generated images NOTE Applied for RGB HDTV interlaced signals 4 FILM For video images that originated from film This will optimize ima
221. source material DCP Librarian also defines the system network configuration for communication links to the projector transmitting information to and from the DCP via an Ethernet or RS 232 connection and is used for upgrading main projector software COLOR CALIBRATION After the DCP is installed and all components are mechanically aligned for optimized light output and geometry at the screen its electronic system processing must be calibrated to ensure accurate color display in the new environment In this one time global calibration the installer measures initial colors at the screen and enters this data called Measured Color Gamut Data into Windows based DCP Librarian software installed on a laptop The software then en INSTALLATION AND SETUP calculates precise corrections needed for regaining the desired color performance called Target Color Gamut Data and essentially compensates for the type of port window screen lens light output ambient light and other current environmental factors that affect color performance Results are defined in a file activated and downloaded to projector memory to be used as a basis for all future displays If there are changes to the theatre environment in the future for example a new screen is installed the DCP should be re calibrated ELECTRONIC SCREEN MASKING DCP Librarian also provides a powerful masking tool for precision cropping of the image to correct for geometry problems such as
222. t 3 on switcher 1 Note that slots used in this manner on switcher 1 are no longer recognized as inputs to the projector if you select a slot location that is connected to another switcher s RGB output the projector will display the no input signal error message See Section 5 for a list of compatible high definition non cinema signals and for complete non cinema operating details DCP User s Manual 2 31 INSTALLATION AND SETUP 2 32 Me During installation you will need certain communication links to the DCP As with 2 9 Connecting Serial and Ethernet Communica tions External Internal DCP User s Manual all head connections these connections are typically done as part of installation as described earlier in Section 2 In some cases the serial and or ethernet links are needed only by the installer and are disconnected after installation Connect external communication links as shown in Figure 2 44 TPC S RS232A Server or PC ols RS232B _ oa Cine IPM Our EREET a Ethernet Identical ports Figure 2 44 External Communication Links COMPUTER OR SERVER To communicate with the DCP from a computer or other controller such as the TPC connect the equipment to either of the ethernet ports on the Communication Panel Or if ethernet is not available connect a standard RS 232 communication cable betw
223. t for the six values to stabilize then delete the checkmark and exit BLACKLEVELS AND DRIVES To check your image and adjust these controls DCP User s Manual 5 33 NON CINEMA OPERATION M 5 34 DCP User s Manual 1 Make sure overall Contrast and Brightness are both set to near 50 NOTE Not required for Auto adjustment 50 approx 50 approx 2 Check the color temperature setup using an internal grayscale test pattern adjusting as desired to obtain a neutral grayscale NOTE Not required for Auto adjustment 3 Make sure you are using an analog source not connected to INPUT 3 or INPUT 4 as Input Levels are not applicable for digital sources or sources going through the decoder A grayscale is recommended 4 Ifthe blacks and or whites appear OK input levels do not need adjustment If black levels are too high and or whites are too low which is rare you likely have a noisy source that is producing skewed input levels Continue with Step 5 5 Temporarily enable Auto in the Input Levels submenu Wait for all 6 values to stabilize Alternatively do not use Auto reduce blacklevels manually instead Judge by eye and change one or more of the six levels as necessary to obtain proper blacks and whites You may want to see only a certain color while adjusting use the Color Enable option described below 6 Delete the Auto checkmark and leave the Input Levels menu IMPORT
224. t ratio is often referenced to the clean aperture The range of colors allowed in a specific system as defined within a triangular area located on the CIE color locus diagram whose corners are the three primaries of the system Same as color space A change in the tint of a white field across an image The coloration reddish white bluish greenish etc of white in an image measured using the Kelvin degrees K temperature scale Higher temperatures output more light See YCbCr or YPbPr The output of video tape players and some computers characterized by synchronization luminance and color signals combined on one output cable The degree of difference between the lightest and darkest areas of the image The alignment of the red green and blue elements of a projected image In this projector convergence can be adjusted by Christie service personnel only A projection screen which is slightly concave for improved screen gain Curved screens usually have screen gains which are greater than 1 but viewing angles much less than 180 Curved screens are not recommended for use with this projector Digital Cinema Distribution Master A file or collection of files formatted for exhibition and comprised of all the components of the title A reference size of about 200 GB per title is likely A direct digital interface signal can be supplied to the projector via an optional digital input module installed in INPUT 2 For exampl
225. t reverse these B uses different protocol and is for Cine IPM communications only See Figure 2 7 7 6 CONNECT POWER Power is supplied to the head via a power cable connected to the AC receptacle near the feed through plate in the projector head 7 7 CONNECT COOLER HOSES Connect both cooler hoses at the head making sure the connectors click into place NOTE Make sure the out hose from the cooler connects to the in connector at the head and vice versa See Figure 2 8 A IMPORTANT A It is recommended that you label the cooler hoses at the opposite end for proper connection to the cooler See Figure 2 8 Water INTO head From Cooler OUT eta ra Water FROM head le To Cooler IN Figure 2 8 Connection of Cooler Hoses 7 8 ROUTE EVERYTHING INTO THE CONDUIT Neatly route all cables and hoses into the conduit at the back of the projector head and into the pedestal Then DCP User s Manual 2 7 INSTALLATION AND SETUP ME 2 8 All Lenses DCP User s Manual Q POWER CABLE Hard wire to the terminal block in the pedestal Verify 115V is present Q INPUT CABLING Route to the outside world via conduit in the pedestal toe Q CONTROL CABLING All control cabling RS 232 Ethernet and Touch Panel Controller connected to the head as shown in Figure 2 7 should now also be connected to the internal ports on the Communication Panel Q COOLING HOSES Route both cooler hoses through the e
226. tal media storage device s SMPTE A via conduit in pedestal toe Figure 4 1 Ports A or B Cinema Table 4 1 Compatible Formats for Cinema all High Definition Source Standard Orig Format Vert Freq Scan Type Display Format SMPTE 274M 1920 x 1080 1280 x 1024 24 Hz Progressive 1280 x 1024 24 Hz Progressive 1280 x 1024 24 Hz Progressive 1280 x 1024 30 Hz Progressive 1280 x 1024 29 97 Hz Progressive 1280 x 1024 25 Hz Progressive 1280 x 1024 24 Hz Progressive 1280 x 1024 24 Hz Progressive 1280 x 1024 30 Hz Progressive 1280 x 1024 29 97 Hz Progressive 1280 x 1024 25 Hz Progressive 1280 x 1024 24 Hz Progressive 1280 x 1024 24 Hz Progressive SMPTE RP 211 SMPTE 295M 1920 x 1080 xk Interlaced 1280 x 1024 25 Hz Progressive SMPTE 260M 1920 x 1035 1280 x 1024 24 Hz Progressive E 1920 x 1035 59 94 Hz Interlaced 1280 x 1024 23 97 Hz Progressive SMPTE 296M 1280 x 720 kkk 1280 x 720 60 Hz Progressive i 1280 x 720 59 94 Hz Progressive kk 1280 x 720 59 94 Hz Progressive Signal must include 3 2 pull down encoding and Ancillary Time code information XX Signal must include 2 2 pull down encoding and assumes field one 1 dominance KK K Image will be centered vertically on screen by default Zoom with lens to enlarge DCP User s Manual 4 1 CINEMA OPERATION Image Formats ens 4 2 Selec
227. tatus Close the shutter whenever you want to mute all display yet maintain access to Cine IPM functions Open the shutter to regain the display only blanks the image electronically the blanking is not quite as black as when a mechanical shutter blade physically blocks the lens NOTES 1 The status of this function is shown in the LCD window on the Cine IPM 2 Upon power up the electronic shutter is open 3 Does not affect lamp power Mute No function Function Key From presentation level press followed by a 2 digit number to enable a specific color or colors in the display For example 6 4 will display only red and en NiON CINEMA OPERATION green data 6 O will display all colors data The list of available color combinations is shown below and also appears on the back of the remote keypad Color enabling can also be accessed through the menu system rather than these shortcuts Fun 6 O Red Eng 6 2 Green Fund 6 8 Blue Fund 6 4 Red and Green Fund 6 5 Green and Blue func 6 6 Red and Blue une 6 C All colors same as NOTE Once is pressed in presentation level the projector will not respond to non numeric entry until 2 digits have been entered or until 5 seconds of inactivity have elapsed Use of the key within the menu system is noted with the appropriate topic elsewhere in Section 5 For example press in the Channel Setup menu to enable deletion or cop
228. that dark areas do not become black i e are crushed Conversely high brightness changes black to dark gray causing washed out images See 5 7 Adjusting the Image Image Settings subsection Volume No function Projector NOTE Rarely used in single projector installations Press when you want to see if the projector is listening or when you want to access a specific projector within a network The number appearing in the Enter Number window indicates which projector is currently listening to commands and will match the projector number that has been defined in its Communications submenu The Projector checkbox read only shows whether or not the projector physically connected to a keypad is listening to commands from that keypad A checkmark means that connected projector is listening if there is no checkmark you are communicating with a different projector DCP User s Manual 5 9 NON CINEMA OPERATION M 5 10 DCP User s Manual To use a specific projector enter the 3 digit number assigned to the projector you want to use Press to select press to cancel If you switch to a projector other than the one your are currently using the checkmark will be deleted To broadcast to multiple projectors press and then again without entering a projector number Keypad commands will then affect all projectors present NOTE The Broadcast Keys option in the Communications menu must be selected for o
229. that a serious malfunction has been detected and must be reported to the manufacturer see Status LED Codes below The Cine IPM will no longer operate and must be reset power it down and up again with the Power key The Status LED Codes If the Status LED on the Cine IPM connector panel repeatedly flashes a pattern of yellow and red light while the Power LED glows a continuous red you have encountered a likely system error requiring the attention of a qualified service technician see System Warnings and System Errors above Try resetting the Cine IPM by powering it off and on again cooling when necessary Consult Table 5 12 and contact your dealer if the problem persists The specific pattern of flashing indicates the 2 digit code identifying the type of problem encountered the number of yellow flashes represents the first digit and the number of red flashes indicates the second digit For example a pattern of yellow yellow yellow 3 flashes red red red red red red red 7 flashes is Code 37 meaning there is a general IPM failure These codes are listed in Table 5 12 DCP User s Manual 5 45 NON CINEMA OPERATION x 5 46 DCP User s Manual Table 5 12 System Error Codes Description GENERAL 5 Software bug Contact dealer factoyy 81 If you encounter a system error try resetting the Cine IPM by powering it off and on again Contact dealer factory if error persists ol ol Section 6
230. that whites remain bright but are not distorted or tinted and that light areas do not become white i e are crushed For best results keep close to 50 NOTE If environment lighting changes it may be necessary to re adjust Brightness SHORT CUT Press and adjust the slidebar Brightness increases or decreases the amount of black in the image 0 100 Start high and decrease so that dark areas do not become black i e are crushed Conversely high brightness changes black to dark gray causing washed out images For best results keep close to 50 NOTE If environment lighting changes it may be necessary to re adjust Pixel Phase SHORT CUT Press and adjust the bottom slidebar DCP User s Manual 5 27 NON CINEMA OPERATION a 5 28 DCP User s Manual See description in Size and Position section above Detail SHORT CUT Press and adjust the slidebar Detail adjusts the sharpness of the video image Use lt or until the display is as sharp as possible keeping in mind that any level of detail above 3 default will increase the level of detail as well as introduce some level of noise in the image Set below 3 to filter the signal and remove noise from a noisy source Keep at 3 to apply no detail Color Space This option determines how the color components of an input signal are decoded for accurate color in the display Selecting a color space option is useful only for an
231. the image turns to black and most functions are disabled To leave stand by press and hold again or use Fo Or simply press or Meu Unrelated to the manual douser lever DCP User s Manual 5 7 NON CINEMA OPERATION a 5 8 VOFF DCP User s Manual Menu Exit gt AON Press to display the Main menu A list of several options appears for access to specific functions such as Channel Setup or Image Settings Press again to remove all menus and return to presentation level Enter Press to select a highlighted item to toggle a checkbox checked vs unchecked or to accept a parameter adjustment and return to the previous menu or image Exit Press to return to the previous level such as the previous menu NOTE does not save changes within text editing boxes including number editing of a slidebars or within pull down lists It acts as a cancel in these cases Arrow Keys The arrow keys have a variety of functions depending on the situation Some typical uses are described below See also Editing Text later in Section 5 Use 42 or to e Change a slidebar value hold as desired for continuous adjustment note the adjustment increments and range depend on the parameter being adjusted e Change to a different option within a pull down list without having to display the list first e Jump between pages such as in Help or lengthy pull down lists U
232. the symbol i e before the data in a set message data immediately follows the request reply symbol without a space Other details about data e All values returned by the projector reply messages have a fixed length of either 3 or 5 characters regardless of the actual value the value is padded with leading zeros as needed e Data in set messages does not require padding e For any given parameter data length is always the same E g the picture mute value which is either on 1 or off 0 is always 3 digits 001 or 000 e Within one message multiple parameters of data must be separated by one space character e Text parameters such as channel names are enclosed in double quotes following the data as in Name TEXT PARAMETERS Most data is simply a numerical value however some messages also require text For example a channel naming message typically includes a text based name after the channel number enclose this text in double quotation marks as in Tilt the Wagon Use all characters as desired except for the following special characters these require a 2 character combination as shown Table 3 5 Special Characters for Text If you want this Enter this Description Backslash A g Quote Left bracket Right bracket Ox0A n New line if the text can be displayed on more than one line this will cause the next character to be displayed at the start of th
233. ting the Cinema Source Via Touch Panel Controller 4 2 DCP User s Manual Formatting and other processing parameters are determined in the setup software DCP Librarian Image formatting is summarized below TYPICAL CINEMA FORMATTING Note in Table 4 1 that with the exception of a 1280 x 720 source original cinema formats are pre scaled to precisely fit DCP s pixel area of 1280 x 1024 SXGA Since this shrinking is most significant in the horizontal direction it produces a squeezed 5 4 image when projected though the primary lens only Adding an anamorphic lens then widens the image into a correctly proportioned flat if 1 5x lens or scope if 1 9 lens cinema display without affecting the image height See Figure 4 2 Display via Display with Original Format Primary Lens Anamorphic Lens Added EA reat 1920 x 1080 or 1035 1280 x 1024 Figure 4 2 Cinema Re Formatting Always use the correct anamorphic lens for the incoming cinema source OTHER FORMATTING RARE Although rarely done for theatre Letterbox Display via applications an installer or trained operator may configure Primary Lens cinema source processing to produce a complete and centered letterboxed image in its original aspect ratio but only 1280 pixels wide for display without an anamorphic lens 1920 x 1080 or 1035 NOTE For details regarding all TPC functions refer to 3 4 Using the Touch Panel Controller As descri
234. tinuing research all information in this manual is subject to change without notice DCP User s Manual Section 1 Introduction The DCP is a professional quality DMD projector utilizing 1 1 The Projector Digital Light Processing DLP Cinema technology from Texas Instruments to produce consistently unblemished full screen cinema images perfect for theatres and other related applications Easy to use and compatible with existing projection areas DCP fills the screen with clean high contrast moving images that remain flawless from first release to final show eliminating typical film artifacts of jump weave and flicker as well as degradation caused by fading dirt and scratches When used with an optional Cine IPM DCP expands for multimedia display of standard international video formats as well as graphics generated from IBM compatible PCs Macintosh computers or workstations DCP SLH D SHOWN Features Q DLP Cinema 3 chip electronics optics and colorimetry Q Bit depth of 42 bits 4 4 trillion colors Q Native display resolution of 1280 x 1024 SXGA with electronic and optical scaling to fill flat or scope screens Q Achievable brightness 12 fL on 50 ft screen if DCP H or 40 ft screen if DCP 7 Q Achievable native contrast ratio any model 460 1 ANSI 1350 1 full field Available in 2 4 kW or 4 5 7 kW models with adjustable power to vary light output from any of 3 lamp options each Tw
235. tion the Status menu identifies the current channel switcher slot and frequencies present Use arrow keys to scroll for additional Status information Model S N Native Resolution Chan Name Chan Number Switcher Slot IPM Interconnect LCD HW Panel Driver Decoder FC1 2X1 IPM Temp DOM Temp PHM Temp 123456789 1280 x 1024 02 0 projector 1 Input 1 n a n a n a Status Sync Type Sync Software Boot LCD SW PLL Decoder Engine S W IPM hw sn DOM hw sn PHM hw sn Scroll to see more Tri Level on HC input 33 72 kHz i59 94 Hz 2 2 1 0 23 1 003 1 6 008 T5 1 10r nla n a n a Figure 5 16 Status Menu SAMPLE To create large wide screen displays of non cinema material such as HDTV and anamorphic video likely from a DVD you can work with the Cine IPM s Size and Vertical Stretch controls in conjunction with your 1 5x anamorphic lens Essentially you must first reduce Size to shrink the original display to within the SXGA width available to the projector or less then increase Vertical Stretch to elongate the image up to the maximum height of 1024 lines When projected through the anamorphic lens this tall and thin distorted image will widen back into a normal large image having the original aspect ratio The specific degree of adjustment for Size and Vertical Stretch depends on the original aspect ratio of your source material See Table 5 1 as a guide Table 5 1
236. tions and Appendix D for more information about cable connections between devices DCP User s Manual 5 39 NON CINEMA OPERATION gS 5 40 DCP User s Manual Front IR 4 AorB AS described in Section 2 the optional IR remote keypad is capable of 2 A sending data to the Cine IPM in either one of two protocols called A or B Likewise the sensor on the Cine IPM can be set to accept IR data 4 Off accordingly responding to A B or both The Cine IPM s A or B default is adequate for most single projector cinema installations and should not be changed Select a specific protocol only to prevent interference when you are controlling two protectors in the same area and want to work with one projector at a time For use with a single Cine IPM DCP it is recommended that you do not change protocol for keypads or sensors As a safeguard you cannot accidentally select an option in the Front IR list that would disable the IR keypad during use such options are automatically disabled in the list In other words you cannot switch directly to the opposite protocol or select OFF using the IR keypad Instead to disable the IR keypad or change the Cine IPM s sensor to the opposite protocol you must use the wired remote keypad to execute the change The Cine IPM will no longer recognized the IR keypad protocol previously in use NOTES 1 The IR remote keypad is set at manufacture to Protocol A See 2 10 Keypad Protocols and
237. tor In projection brightness usually describes the amount of light emitted from a surface such as a screen It is measured in foot lamberts or candelas per square meter Unit of measure for measuring intensity of light A collection of measurements stored by the projector for a given input source including frequencies pulse width polarity syncs channel number and location user adjustable display settings etc Use channels to switch between a variety of setups quickly automatically recalling previously defined display parameters A list menu of previously defined channels available in projector memory A number that uniquely identifies a specific channel retained in projector memory The projector can retain up to 99 channels A menu item that indicates whether an option is currently in effect checked or not unchecked The signal representing the color information hue and saturation when the image is represented as separate chrominance and luminance Same as chroma en GLOSSARY Clean Aperture Color Gamut Color Shift Color Temperature Component Video Composite Video Contrast ratio Convergence Curved Screen DCDM DDI DMD DSM Decoder Detail Diffused Screen The fraction of a motion picture frame image that is intended to be viewed by the audience The clean aperture is subjectively free of edge artifacts and lies within the screen area framed by curtains in a cinema Aspec
238. ts action data and possibly including parameters that allow the program to be tailored for a specific venue or engagement A show script is created by the exhibitor or installer and provides automated presentations A slidebar is a graphical display of an adjustable setting The numerical setting often represents a percentage but can be a specific unit such as degrees Kelvin The device such as a computer or VCR connected to the projector or Cine IPM for display For example a source is identified at the Cine IPM as neu freug input or or as other user defined numbers A source may have numerous corresponding channels defined and recognized by the projector See Input See Channel The diameter of the smallest dot that can be generated by a CRT projector This projector has a fixed spot pixel size A signal selector specifically the Marquee Signal Switcher formerly manufactured by Christie can be connected for adding more sources to a projector This term refers to the part of the video signal that is used to stabilize the picture Sync can occur in three forms 1 Composite sync the horizontal and vertical components are together on one cable 2 Sync on green the sync is part of the green video 3 Separate sync or H SYNC and V SYNC the horizontal and vertical components of the sync are on two separate cables The duration of each sync pulse generated by a computer The sync width is part of the blanking
239. ts simply leave the cooler switch ON and always check before DCP power up For security the cooler is usually hard wired within the pedestal A warnine 4 Never operate the DCP without the cooler COOLER ALARM The cooler alarm sounds under the following conditions Q Power up The alarm sounds for 3 4 seconds at every DCP power up If it does not make sure that the cooler s power switch as well as the circuit breaker labeled Projector are both ON If the alarm still fails to sound do not operate the DCP until the unit is serviced Q Low level of liquid This invariably indicates a leak and requires immediate service Q Poor flow Usually caused by a blockage or kink in the tubing Inspect and correct as necessary IF THE COOLER FAILS WHILE PROJECTOR IS RUNNING If the cooler is forgotten off at power up or if it has quietly failed for some reason during use of the DCP the DMDs may become hot enough to fracture if you then suddenly run the cooler As described in 3 4 Using the Touch Panel Controller use the Status menu to confirm that DMDs are 50 C or less before turning on a forgotten cooler If any readings are currently over 50 C power down the DCP and allow to slowly cool down to 50 C before powering up again A warnine 4 If any DMD is 50 C or higher do not fast chill Turn off the DCP and cool slowly CHECKING COOLER FUNCTION To confirm that the cooler is functioning normally momentarily pinch one of its h
240. ugged into the internal Outlet 2 at time of installation NOTE To reduce the risk of accidental unplugging of the cooler hard wire the cooler within the pedestal even if other outlets are present Pedestal The multi purpose pedestal provides 1 housing for the main power supply and numerous harnesses 2 a stable and adjustable base for the lamphouse 3 mounting of the projector head 4 a central location for connecting components 5 connection of 3 phase Y AC and separate single phase AC and 6 normal and stand by lamp power controls The pedestal is closed and locked for normal operation Power Cord In most cinema installations the power cord emerging from the pedestal toe is hard wired to the AC supply in your building Note this AC connection is configured as 3 phase Y feed with a separate 15A single phase feed It provides power to the entire DCP system and is disconnected only by turning off both breakers at the wall Projector Head The projector head houses most of the critical illumination and optical components as well as the DLP Cinema technology responsible for combining light and incoming source signals into brilliant high resolution digital displays Processing is manually controlled via the Touch Panel Controller or other communications from a controller All inputs route through conduit between the pedestal and head and connect internally to the projector head near its lowest corner usually done durin
241. up menu as usual regardless of your source or channel Use of the Color Temperature Setup menu is described below NOTE For best results use an internal grayscale test pattern when working with color temperature DCP User s Manual 5 29 NON CINEMA OPERATION Disabled Color Temperature Setup Bniess 4 ColorTemp 6500K Current Interpolated 1 Color Tem 6500K color temp is selected 2 terpolated 65 Select from list 3 Wh Level 4 Disabled 4 en White Level 1 3200K unless 5 3lue White 0 0 2 5400K User is gt 3 6500K selected F 6 Color Enable White 4 9300K 7 Copy From 9300K 5 User1 ae 6 User2 Replace the current User temperature if shown 7 User3 at the top of the menu with this color temperature 8 User4 9 Interpolated Figure 5 17 Using the Color Temperature Setup Menu SELECT COLOR TEMP See Figure 5 17 Upon opening the Color Temperature Setup menu the current temperature appears as the top option You can change to a different color temperature here as desired just as in the Image Settings menu Note that selecting a User color temperature enables the White Level options in the Color Temperature Setup you can adjust them as desired to define or change a User color temperature see White Levels below Likewise selecting Interpolated Color here activates the Interpolated Color slidebar for defining or chang
242. urce Standby On off NOTE lamp remains on regardless OSD On off screen display of Cine IPM menus Environment Temperatures Monitors internal temperature of card cage only Card Cage Displays direct C or F read out of temp sensor Yellow temp is at the high end of normal Red temp is out of range Possible fan failure or blocked intake Built in Self Test NOTE If any indicator is red service may be needed General System Power up Self Test Security Lock Integrity Interface Board ARM FPGA Code Valid FPGA Initialize FPGA Load FPGA No Load Jumper FPGA Done FPGA Register Read Write UART 0 UART 1 PC Ethernet Synchronous Serial Port File Systems Formatter Board GPI Macro A D Macro Processor Board FPGA Code Valid FPGA Initialize FPGA McBSP XRDY FPGA Load FPGA Done FPGA Register Read Write Serial ID CLUT SRAM Overlay Framestore SDRAM Resizer FIR Chip Resizer FIFO Other BASIC OPERATION About Menu Main Status Custom Advanced Install About EXIT TCP s w and oS a return to er l he bg l Windows available to installer only Name Version Touch Panel Controller 1 0 Interface Arm Boot 1 342 List of all InterFace Arm Main 1 6 90 s w versions Interfac
243. ure 3 10 Install Menu Functions GENERAL DESCRIPTION The primary use of the nstall menu is for defining the IP address for the projector with which the TPC is to communicate default 10 10 10 10 Installers can also set whether temperatures in Status menu are displayed in Celsius default or Fahrenheit NOTE The Installed Options System Supervisor Module SSM is not available for this projector its checkbox should remain cleared Entering a checkmark would force the DCP to unsuccessfully search for the SSM triggering a TPC alarm screen that must be acknowledged and requiring that the SSM checkbox be cleared in order to return to normal operation The latter may take several minutes Table 3 4 Summary of Install Menu Functions INSTALL MENU OPTIONS Projector IP Address Determines which projector the TCP controls and always terminates in 10 99 Keep at 10 10 10 10 for single projector installations Installed Options Requires SSM not available for this projector Do not use Other Choose Celsius or Fahrenheit temperature display for Status menu NOTES 1 For manual operation i e non automated 2 In order to use the TPC software originally shipped with the projector the installer typically connects a laptop and uses Christie s DCP Librarian setup software to download all necessary configuration files to the projector for use at the TPC To change to a new source i e a new presentati
244. us robust or fragile Their usual purpose is for legal support of copyright and they may also be components of copy control schemes The color temperature of white used by the projector The area of an image that is white only For example a full white field is an image that is white everywhere A 10 white field is a white area usually rectangular that occupies 10 of the image the remaining 90 is black DCP User s Manual A 9 GLOSSARY M A 10 YCbCr YPbPr YUV Zoom DCP User s Manual A high end digital component video signal A high end analog component video signal Sometimes called YUV Component or Y R Y B Y the YPbPr signal by passes the video decoder in this projector See YPbPr The adjustment of image size by means of a zoom lens Appendix B Schematics See next page DCP User s Manual B 1 40 L 133HS bib awos NIMYYA 31V9S LON OG NOLLWOMddv q g No aasn ASSY LX3N 69PE0S cance N aY ON OMG ON 39V9 3ZIS HSINI4 Sjepow e WLSAdsd dod er 7 oe 00 LO ZL sto Y N ENA Lsnrav WNYALNI 404 SHIANNF IAOW JILVINNAHOS awo snowy PX g EA EEEE aA SWA3ALSAS Iivitiigaia S1WWIDSG SNOILOWHS i S
245. uvSSONVETION g remem merece es rere emer mmm me memes F ane CRR SIILSIGHD souaga RT a ON LOVELNOD 03141934S ISIMYIHLO SSTINN wasu ad xt lie aa pp a ft r ane 1S SLuvd i deh drb d drb 6 drb i SEA E cee ore nue AAR Ce A J ON NOLLWOISIDAdS NOILWOISIDSdS HO 1Naa aba i i wau IWINILVW IYNLVIONINON 3009 ALO j pa e zgL NI IM WVLAG TIESA A OG GGEC oe SC is aaa EIM EIM T ynoudo S31Y3S XOX XIY NYS asnrav YINWYOASNYYL d3LS LNOHLIM NIYIM ji wano Way 2 ga aM AlddNS YAMOd j UM UM I Aa dns umd 4 s04 aNvis 30 O 9 sod soa i o ee ee Tae AA gan E O EE L e Lo rap Sow o E IIM T O 93N Qeww jo M Ljepsa Ea EEA emer EE E l 0 toe oe eda ee ete aL A EE eee A 1 O HOLMS TM OM 5 wasnoa l om a eM eM zem ozm sem ore foie Joie i Uo YOYINI eu me a YIMOd ISYHd TM TM wW g ZM 1 NOLLWWOLNY i i TM I YBWYOSSNVYL dILS HLIM ONIMIM i 7M TM fees Ae ih eee ca OvASHL otga gv gt NaMOd i 1 189 I EM EM I an 1 i i Yi E gy P po i i DS MDOTHALNI riauno z auno woLoaroud ego OL zal IM Mam E ETM 7 EIM SaM a vM IM rauno o or z89 Bae ZZM j WOLNVHANYI zimuno sao 1 1 ar r st w i 7 i F a809 ov a a g f f jeje js i 1 1 dnd ar BIM Bote tt tet i T i TIM O O O Oj l n O N a Tr em E a a 7 TT Non o n an n f X0L0FOYd 1 ovb owoe i as e E E E E ar owe a409 OV E suo bas a1ydes6oab pue sjapow JJe 104 G I1S G H1
246. when you leave the menu DCP User s Manual 3 13 BASIC OPERATION As shown in Figure 3 7 and Figure 3 8 clearing or checking the Use PCF checkbox determines which Custom settings are available for use Current icon for this setup Press to change Maintain orig format or compress gt Main Status Custom Advanced Install Refresh Update Refresh all selection Appears on 1 Channel Channel Name lists available in ls Bug s Life Main menu Custom Menu Input Use pre defined i v vV Scaling V Use PCF PCF with this tion joouree 1 Cinema A agin e channel a eecuen Data Format Predefined Configurations a Wunpackes sot ma A PCF list replaces Packing mode and bits Unpacked 8bit x TPC1 Color Space of your source Screen Gamma Target Color and Source a x options Screen area crop amp lens Configured by installer Choices defined by installer Connecting 4 37 31 User Button Press to return to Current Time General User rights Figure 3 7 Custom Menu Using Pre defined Configurations USE A PCF OR NOT The number of functions offered in the Custom menu depends on whether you choose to utilize pre defined configuration files PCFs already downloaded to projector memory Figure 3 7 or whether you prefer to implement your own settings from within the Custom menu Figure 3 8 Although pre defined PCFs should be used for all cinema applications i e featur
247. xit hole on the front of the pedestal adjacent to the outlets 7 9 Connect input cabling to your source s Do not connect to AC yet 7 10 Re install the air filter 7 11 Re install the projector head lid 7 Check Lead Dressing Within Pedestal Once all cables from the outside world are connected and routed to the DCP head check the lead dressing within the pedestal and secure as neatly as possible to prevent extra cable lengths from dangling or touching other components and to provide proper strain relief as necessary Primary Lens HIGH CONTRAST PRIMARY LENSES High contrast primary lenses include their own integral permanent adapter for use in the DCP These lenses are QO 2 0 3 2 1 Non threaded QO 3 2 5 6 1 Non threaded To install a high contrast lens 1 Remove the external locking ring from the lens mount 2 Orient the new high contrast lens assembly so that its dowel pin is at the top then insert the assembly straight into the lens mount 3 Turn the lens clockwise as far as possible This properly seats the lens pin in the groove of the adapter correctly orienting the aperture of the lens 4 Secure the lens assembly with the external notched ring turning slowly to avoid cross threading Do not over tighten Anamorphic Lens Installation OPTIONAL Although the anamorphic lenses are not used at this point in the installation it is important to add their weight plus that of their adapter before
248. y of the following slidebars or pull down lists to alter your image Changes made to the Size and Position menu are applied immediately and are saved when you exit the menu press or Menu 1 Size and Position 2 1 Resize Presets No Resizing v p Top Blank 0 Bottom Blank 0 Left Blank 0 Right Blank 0 PLL Loop Gain 10 o Oe I po Figure 5 13 Size and Position Menu en NiON CINEMA OPERATION Resize Presets Use Resize Presets to Resize Presets quickly display an image in 1 Default maximize for current source its native resolution 2 No Resizing display in native resolution including anamorphic orto 3 Full Size fill the screen regardless of source automatically resize an 4 Full Width fill display width image to closely fit the 5 Full Height fill display height screen The value for Size 6 Anamorphic retain 16 9 aspect ratio letterbox Position and Blanking Custom not selectable non preset values for Size Vertical Stretch H Position V Position and or Blanking Figure 5 14 Resize Presets Submenu parameters described later will in turn change as necessary without your having to set them manually WHAT IS THE CINE IPM S DEFAULT When displaying a new source by default your image will fill the screen as fully as possible for the type of source present See Sel
249. y trained operators or installers only If you feel the cinema display is incorrect or faulty contact the trained operator in your theatre who can correct or further customize the display file settings 4 6 DCP User s Manual Section 5 Non cinema Operation This section explains how to display and work with alternative content originating from a non cinema source such as a PC or other graphics device Such a source routes to the DVI Digital Visual Interface port in the DCP projector head usually via the DCP s optional Cine IPM which processes incoming 23 96 Hz signals for use in the projector 5 1 5 2 Compatible Non cinema Sources Selecting the Source A WARNING 4 Use the correct Cine IPM power cord 120 or 220 VAC for your installation See Section 8 Specifications 1 Make sure that the optional Cine IPM is connected to the 20 pin DVI Digital Visual Interface port in the DCP projector head and to AC See right Connect directly to this DVI port To Cine IPM 2 Make sure the desired non cinema graphics port source is connected to one of 4 inputs available on the Cine IPM See 2 8 Connecting Sources for installation details DVI port not used Generally the Cine IPM now accepts and outputs non cinema 23 96 Hz sources NOTE Although the projector can auto detect a number of 23 96 Hz graphics sources connected directly to the DVI port i e bypassing the Cine IPM such a
250. y via unicode or non unicode default messaging See also non unicode The ability of a projector to synchronize to inputs with frequencies within a specified range The frequency at which images are generated Vertical frequencies vary amongst sources Also called vertical scan rate The difference between the center of the projected image and the center of the projector lens For this projector this value is expressed as the maximum percentage of the image that can be projected above or below the lens center without degrading the image quality Vertical offset ranges depend on the type of lens in use and whether or not the image is offset horizontally at the same time The signal that is used by display devices such as projectors to generate an image This term also refers to the output of video tape disk players and computers An optional device that converts NTSC 3 58 NTSC 4 4 PAL PAL N PAL M or SECAM to RGB video A specific type of video signal such as NTSC PAL SECAM This projector can automatically recognize and interpret the incoming standard and display accordingly Screens do not reflect equally in all directions Most light is reflected in a conical volume centered around the line of best viewing Maximum brightness is perceived if you are within the viewing cone defined by the horizontal and vertical viewing angles Data embedded in essence that serve different purposes and that are either imperceptible or obvio
251. ying of a channel OSD On screen display Press and hold for approximately 1 second to toggle menus on or off i e visible or hidden Or press followed immediately by or to guarantee the correct toggle direction useful if you are unsure of the present status Note that hidden menus are fully functional NOTES 1 With OSD on you can still mute menus error messages Slidebars etc with the appropriate setting in the Menu Preferences menu 2 The status of is displayed in the LCD window on the rear panel of the projector Help Press for detailed information about any current menu and highlight Press again to exit From presentation level press to access the General Help menu consisting of Using Help Setup Keys Source Input Selection Stat Pwr LEDs and Using 3D Press to leave General Help and return to presentation level Test Press to display one of the available Cine IPM test patterns Press again to display the next available pattern in the sequence will exit after the last pattern or press at any time to remove the current test pattern from the screen and return to presentation level NOTE For a complete list of all Cine IPM test patterns see the Diagnostics and Calibration submenu description later in Section 5 DCP User s Manual 5 11 NON CINEMA OPERATION a a Most of the controls for non cinema operation menu gt Main Menu 5 5 Navigating the are accessed from within the Cine IPM s menu 7
252. z 1 Size and Position Menus system There are several groups of related 2 Image Settings functions with each group selectable from the 3 Channel Setup Main menu as shown at right Press at any ering 4 Configuration time to display the Main menu 6 Status On the keypad either enter the number 7 Auto Setup corresponding to the function menu you wish to access such as for the Image Settings menu or use the 4 keys to highlight the desired option and press Ee The function menu you selected will then appear If you select Auto Setup this will not activate a separate function menu but rather begin an automated process of optimizing critical display parameters such as size position pixel tracking etc for your current display Figure 5 4 Main Menu Once you have a function menu displayed navigate in a similar manner enter a menu option number for any numbered option or use 4 to move the highlight and press at the desired option Extra long menus have a scroll bar on the right use the arrow keys to see the remainder of the menu Items that are locked out not applicable or irrelevant to the current action appear dimmed and cannot be selected such as Lamp in the Main menu NOTES 1 If there is no signal present all source dependent adjustments are disabled 2 After 15 minutes of inactivity the projector leaves the menu system and returns to the presentation 3 The Status menu is read only When fini

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