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1. 51 INTRODUCTION Congratulations and thank you for purchasing the PCM96 Reverb Multi Effects Processor The PCM96 offers legendary reverbs you ve come to expect from Lexicon plus new mono reverbs new room algorithms with selectable reversible reflection patterns and more The PCM965 intuitive front panel makes operation simple Just select a preset and load it to hear the reverb or effect you want Adjust a preset s soft row parameters with the three Parameter knobs Or dial up and adjust any parameter with the large Navigation knob Save or load presets with a Compact Flash memory card Use the Compare button to A B the original preset with changes you ve made to it With its unmatched reverbs and effects and intuitive interface the PCM96 will prove to be a valuable addition in your studio 2 3 THE FRONT PANEL HEADROOM 1 1 Gain LEDs Each pair of Gain LEDs indicate input signal strength of each of the PCM96 s inputs If the Audio Source is set to Analog in the Audio Setup menu they show analog levels If Audio Source is set to Digital they show digital levels Range is from 18dB 12dB 6dB 3dB and OdB 2 MACHINE Button The 96 can be configured as a single system or as 1 4 machines each of which can run its own preset The Machine button cycles the selected pre set through its system and machine configura
2. OUON 44 PCM96 MENU NAVIGATION MAP MONO CHAMBER AND ROOM ALGORITHMS 092 lepow YYZ I8PON Ob I8PON seeds Jod u l xiS onseld pes Mog MON onseld PIO xog onseld Big ueg ull dng sse io Big saoeds dels 42945 1e ns ueqingns ueqinqns sean Je4 pJeA uny 9946 Joopino 0423 100pjno yeas A19 o61e7 jeens siou x3 8 uomuo JayeouL 810987 oipnis e61e7 5 ipny ews 4 1 wooy AL uoo 6un N wooy pes A N Iles opns ews oipnis eoueiquiy 2155210 seo2eds uinipeyw wooy ews 195010 3209 euoug Joueju seeds jews 3511 MoBsze puce puze PAHO 49 uig 419 PONOA uig uju i3 peyog SenjeA pue spuooeg eui Aejaq v 00 440 seus
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6. WUE Jadul PINOA SION SION pue spuooes senje 1660 oi v ss9id 9 0 0 340 494 se ei2O 00 010 2 0 00002 0051 Aousnbex4 uoioN ssedpueg sseg 9 ow 9 euo dKL 2314 3000 330 12487 095 0 HEL Buideus apoo 3301 494 00 lt 01 01 2 0 00002 0061 Kouanbai4 194 8p0 0 330 1 Sudeys NO 3401 8022 0 0 2HO r 00 o t 0 adors dey Kresh 3450 zH0 00002 0051 3ND IH 2H0 0000 006 sseg xo0 92 0 sseg 522 012 LL 0 08 0 1 9215 101302 suoo01 0 Aejapaig 55001 0 ucisnyig 10305 ynduy quency 3SH3A3M 330 0 ZL 15008 sseg 0100002 0061 sseg 00 2 05 0 leos 6420001 0 sbumes waned fis waned 9 ees weed hsr waned 9 aas 10 29195 Buideus qeney Buideus I0nuoo 1
7. 4 USING THE 96 5 Powering Up the PEMIG s 5 R Preset Set em aa aan 5 Selecting Your Audio Source and Clock Source 6 Loading a Preset aan 6 Changing Categories l rude 6 System Presets and Machine Presers Remote 7 The Configuration leon sia Sn RS NN 8 Editing a Diese ann au ak Gun aaa u 9 ear ee o 10 Initializing formatting Compact Flash Card 11 Creating a new System Preset nn 11 DSP CONFIGURATION S 12 Single Mono In Stereo Queue na net 12 Sinale SE eC Sa ota es dea 12 Dual Mono a ent Eoi P 12 fos A FL DA DERE 12 Cascade MONO mA 12 Cascade Mono to Stereo anyana Lon Ass 12 Combined Stereo Mono Tt ceo tes di urine entente 12 NETWORKING 13 Overview OP VCP IP Basis eee 13 Connecting the Compu
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10. ejeqa spiou9 yeueuosay 5 jueuosoy pue 4 5 0 2 ouo N 47 SPECIFICATIONS ANALOG INPUTS Connectors Impedance Level for 0 dbFS Freq Response 96K A D Conversion A D Dyn Range THD Crosstalk 1Khz ANALOG OUTPUT Connectors Impedance Level at 0 dBFS Freq Response 96K D A Conversion D A Dyn Range THD Crosstalk 1kHz DIGITAL AUDIO IO Connectors Format Word Size SAMPLE RATES Internal Accuracy External Lock Range Two Female XLR 20K Ohm balanced 4dBu mode 20dBu 10dBV mode 8 2dBu 20Hz to 40KHz 0 3dB 24 bits gt 112 dB unweighted 115dB A weighted lt 002 20 20kHz 4dBu lt 90 dB 20 20k 20dBu input signal Two Male XLR 30 Ohm electronically balanced 20dBu 20 Hz 20 kHz 0 25 dB 20Hz 40kHz 0 3dB 24 bits 112 dB unweighted 115 dB A weighted lt 002 20Hz 20kHz at 4dBu lt 90 dB at 20Hz 20kHz with 20dBu input signal One Male XLR Output One Female XLR Input AES EBU 24 bits 44 1kHz 48kHz 88 2kHz 96kHz within 50ppm 44 1kHz 48kH7 88 2kHz 96kHz 2 of nominal PROPAGATION DELAYS MILLISECONDS SYNCHRONIZATION TTL Word Clock Input Falling edge marks start of frame 48 75 Ohm BNC CLOCK JITTER Intrinsic Exceeds AES3 Amendment 1 Jitter Gain Exceeds AES3 Amendment 1 CONTROL INTERFACES MIDI In Out Thru supports program change ALGORITHM
11. 0 00002 0 05 amp ouenbei4 ssedpueg 9 OML euo edAL 4 00 440 Buideus 00 440 reus 00 01 01 ulpiwpueg 0 00002 0 05 Kouenbei4 ssedpueg 9 UBIH euo edAL 29314 00 440 Buideys Aeg 0 0 440 9 0 0 ANI peqpee 00 440 9 0 0 ANI 18187 suu0 000S 0000 0 ou 3 0934 96001 0 ayse ouo3 001 0 181SeN ouo3 590424 00 440 0 ANI 18187 sanea 10 8 0 0005 0000 0 99I0A 001 0 181SeN eui uonoeyes NO 330 eyuyul suig zz 0 0 zHO 0 0 uids o t 0 1 5 dey jeuuoN 3467 zH0 00002 07061 210 ZHO 00001 07061 4e ox sseg xoo v 92 0 1s sseg sZeOLZ 0 0 08 0 21 ezis 104302 quanay 001 0 peeids r9 0 edeus edeus 5000 0 96001 0 uoisnyiq 1 ynduj Buideys Buideus seouo
12. 50005 6 5 000 0 sBunjes Aejag 2 4 990A Aejaq 95001 0 oeqpeeJ Aejaq 95001 0 eise 18187 Aejaq 95001 0 nasen 96001 0 uorsnyia 96001 0 vorsnyiq S OIJUOD 19 SElW Aejaq 5 2 eng Aejaq wopuey pue Aejag ouoj 46 JON puze Y9 PUZE OJON U9 48 PONOA 8JON ug ulu6i3 penog 8JON pue spuooes Aejaq v sseld 5410001 0 ANIL O41p lo l s 043U09 O31 ZHO 0000z 00S Aouenbeasy 219114 soyeuosay 00 0 eoueuoses s u90 06 05 1 zg 09 Aouanba 4 Sionuoo 00 440 seus 1 0 00 010 pmpueg zH0 0000Z 0 09 Aouenbe 4 ssedpueg sseg 9 UBIH euo 1913 32eqpoo4 00 440 1945
13. amp 10N puze ldu WIL 3eldu uig eioN 48 jeueno ysg penoq ejoN JIeH pue spuooeg ueawjeq ejeg 2 660 v 55914 x P0 0 410 Jleus se e12O 00 010 2 0 00002 0 09 Aousnbes4 ssedpueg sseg 9 UBIH euo 9 1 2193113 1 4 quaney 0 0 440 18187 09 0 1 Buideus quanay 0 440 1945 00 O10 uipiwpueg 7H0 00002 0 09 Kouenbei4 ssedpueg BUC d L Jeyr 0 0 440 18187 Buideus 95001 0 udeq snioya 01 0 snuouo 95001 0 uoniuyeq 2 0 00002 0061 212 zH000001 0 09 sseg 00 6201 1 sseg 00 440 8P0 0 ANI JO 8 0 0009 00000 el q 1 lt A lt A lt 1 lt 71 8 0 0 330 434S 006 01 01 ujpipueg 2 0 00002 0 09 Aouanbe14 u9 oN ssedpueg ssed YBIH 2104 9 1 18y14 QAY qianoy 9 0 0 440 18187 09 0 UPIM 1 Buid
14. 1 0 00 01 0 upmpueg zH0 00002 0 09 Aouanba 4 ssedpueg sseg 9 UBIH ejog 9 euo 9 1 4 4 4 00 440 seus 0 00 O10 uipiwpueg 2 0 00002 0 09 Aouenbe 4 PCM96 MENU NAVIGATION MONO EFFECTS ALGORITHMS ssedpueg sseg 9 UBIH euo d L 19314 yndino 00 440 1945 00 010 upmpueg 2Ho 00002 0 05 Aousnbe 4 ssedpueg sseg 9 UBIH 9 euo adAL 3ndjno 291 4 3ndino 0 440 ANI 0 1814 00 440 ANI 0 18487 1ndino 30N 10 50008 6 5000 0 el q 0 440 ANI 001 4 ejeg 00 440 ANI 9 0 8JoN 10 50009 6 6 000 01 el q sBunjes 210A Aejag 04409 1 99101 y ejoq SIOHUON eoueuoses Aejaq Y S8210A y 9910A Aejaq Aejaq 9910A Aejag 1 Aejaq 9910A Aejaq 99I0A 99I0A Aejag 2 00 0 0 0
15. 1033002 qanay 2 001 0 peaxis Iro 0 odeus 52000 0 56001 0 uoisnyig indul qanay Duideus gt buideus Apeg s ouo3 LIT lIonuoo MWeney adeys quee 1ndu qianay pue 5 o9131S 41 PCM96 MENU NAVIGATION MAP STEREO DELAY ALGORITHMS je e7 18197 yJooymes esenbs jndjno wopuey ejBueu euls aul t O31 ndu ujoowes eienbs indinO eulsg LOUIS uuoje eM 041 SION puze 189 penoq SION WIL 188 491 PONOA eioN 48 3 ldu1 ulu6i3 SenieA pue eui v sseid SW000 0 ANIL 1 5103409 041 7103 1331 71141 LLHOIY 7113 1437 7703 ved Sjouo9 00 440 seus 0 00 010 uipiwpueg 0 00002 0 05
16. PEO 8JON UID US 109 PONOA JON 418 je du ulu6Bi3 papoq 2 Yadu 9joN pue spuooegs senje ejeg 2 660 v SsaJd x 840001 0 uepueM ANI ANIL 047 Sionuo2 031 7104 1431 7714 yoeqpee4 1103 1331 1103 ued 0 440 3945 00 O10 000002 0 05 Aouenbei4 u91oN ssedpueg 5564 YBIH ejod BUC d L 4313 yOeQpee4 0 440 124 sene 90 00 010 4pimpueg 0 00002 0051 Aousnbas4 uojoN ssedpueg sseq 9 ejod euo edAL 293115 3ndjno 4 xoeqpee 4 4 00 440 ANI 9 0 0 1 yoeqpae4 8 00 440 ANI qp0 0 10 800056 41000 0 SBuiyes Slonuoo 47 29101 L S92I0A fejeq Y 1 2910A el q 1 6 4 99I0A Aejag Z 99I0A Aejag 1 614 L 2910A 1uBr44 9910 Aejag 1 Aejag 1 2910A ye1 L 99I0A Aejaq 1 2H00 0 10 0 v O41 ZH00 0L 100 eieu O47
17. 00 01 01 ulpiwpueg 0 00002 0 05 Kouenbei4 ssedpueg uBiH BUC edAL 1934 HAY 4 00 440 Buideus 00 440 seus 00 01 01 0 00002 0 09 amp ouenbei4 ssedpueg uBiH BUC edAL 1993 00 440 19497 Buideys Aeg NO 440 suo zz 0 0 zHO t 00 utds Lo 01 5 4467 000002 0 05 IND 1H 2H0 00001 02051 sseg 550 LH sseg sc 0LZ 0 0 08 o z ezis 1043002 quanay 51000 0 001 0 uorsnyig Ionuoo ynduj 85 330 95 o apzi 0 21 1 15008 sseg 2 0 00002 0 09 sseg xoo z 05 0 ereos sW000 0 sBum s hsr weaned Hoba ees uened 9 Aloba e9 ees 103291 6 eus Buideus peg 103002 1011002 qieAes Jopejes wooy 00 440 seus 00 01 01 ulpiwpueg
18. to bounce around When the room size is small the walls of this space are closer together and the resultant reflection density increases When the room size is large that density decreases The most natural reverbs use room sizes that vary from about 24 meters to 45 meters or so but there are many useful reverbs that are outside of this range There is a relationship between this parameter and the MidRT parameter Please see the MidRT parameter for clarification RtHC Damping The damping parameter is closely tied to the RTHC parameter It controls the strength of the hi frequency absorption and has three values Light Normal and Heavy The normal value gives filter response identical to previ ous Lexicon reverbs The other values should be self descriptive Scale This parameter is used to modify the overall time of the selected early impulse It is a multiplier that goes from 0 5x to 2 0x The actual time of the responses varies from response to response The Early Scale parameter simply scales that amount of time It s fair to describe this a rubber banding the impulse response Selected LFO This parameter determines which of the available LFOs may be used to con trol a voice The voice may use the LFO output or the inverted LFO output Shape Early Shape The Shape parameter is closely tied to the Spread parameter Shape controls how energy is injected into the reverberator A low value means that sound enters th
19. 0 0 440 09 0 uipiM EL Buideus quanay 9 0 0 330 41945 sene 90 006 01 01 ujpiwpueg 0 00002 0 05 Aouenbe14 uojoN ssedpueg sseq MOT 9 UBIH OML euo 9 1 4 Jey3 Aue3 00 440 Buideus Ajje3 8 00 440 9 0 0 ANI i eqpeeJ 00 440 8p0 0 ANI Ie e1 8 0 0009 0000 0 jui 397 0093 14614 0423 ye1 9001 0 0423 95001 0 xoeqpee 4 ouo3 590423 00 440 8 0 0 ANI ie e1 10 0 0009 0000701 2910A 31 lt 3 1 lt 71 99I0A H lt H 1 lt 1 95001 0 saIseW uonoojes NO 330 8 0 22 0701 zH0 v 0 0 195 0 0 1 edois dey jeuuoN 3467 6uiduueq 2 0 00002 0061 210 iH 20 00001 0 0S sseg 92 0 1 sseg 526 012 1170 008 0 z ezis IonuoS 001 0 peesds 9 0 edeus edeus 8410001 0 95001 0 uoisnyiq 103002 Buideys quenay Buideys Aue3 590 03 JO NUOD qanay adeys qenoy Ionuoo eJeld
20. 07051 Kouenbei4 uojoN ssedpueg sseq 9 YBIH lod OMI 9 euo 9 1 29314 xoeqpao4 8 00 440 eus 00 010 upImpueg 2 0 0000 0 09 Kouenbei4 yo on ssedpueg ssed uBiH euo d L 29314 ndno Jay oeqpaee J4 indinO 00 440 ANI qP0 0 4 8 00 440 ANI qp0 0 18187 senjeA 30N JO 80009 6 5 000 0 eur eq 29101 sjonuo Buluued 29101 Aejaq 2 y 9 1 Z 99I0A Aejag 14614 L 3910A 146 4 Z Aejag yor 990A Aejaq 001 0 eise Keja 95001 0 3 1seW 18187 Kejeg 9600 0 96001 0 uoisnyiq yoeqpee4 95001 0 uoisnyia s 043u02 ejeq Se910A Aejag 1ejsey o 19 S Kel q 42 PCM96 MENU NAVIGATION MAP STEREO EFFECTS ALGORITHMS 2HO 00002 0 05 4 1oeuossy 95001 0 s ua9 06 06 eunjeg Joyeuosay zg 05 AouenbajJ Sionuoo LHOIY 1104 1431 7104 xoeqpee 4 7703 1431 1103 ued 8 00 430 00 01 0 uipiwpueg H0 00002 07051 ouenbei4 ssedpueg sseq
21. 2HOO O 100 3eY 2 O47 ZH00 0L 10 0 21284 L O47 119497 1ndu ujoojwes eienbg auen SUIS POY AUIS ULOJSAEM t 047 1ndu ujoojwes wopuey 340 uuoje eM O41 Indu uloolwes wopuey albuen 5 euis HO Z O31 1ndu uyoowes asenbs jndjno wopuey ejBueu suis peunoe UIS uuoje eM O47 SlonuooS dno19 047 Indul 19497 Idul 8487 1nduj yndu 108144 8487 001 0 1eSen 001 0 asen 18197 96001 0 96001 0 uolsnyiq yoeqpee4 96001 0 uoisnyia S 01 U09 Aejag 047 4 1049 0 2 pue 4 5110 5 0949 43 PCM96 MENU NAVIGATION MAP MONO HALL ALGORITHMS 00 4301 31945 6 00 010 upiwpueg zH0 00002 07051 ouenbei4 ssedpueg 9 9 1 J9 IJ 19114 1 00 440 1e e1 Buideus 00
22. 440 31945 00 00 0 00002 0 05 Aouenbes4 ssedpueg sseq YBIH ejod OML 9 euo 9 1 1914 00 440 Buideus 00 440 8P0 0 ANI 4 00 440 9 0 0 ANI swo 000S 0000701 0423 0093 001 0 3 1seW 001 0 Hasen xoeqpeeJ ou 3 590423 8 0 0 440 00 ANI 20N 10 110 0006 0000 0 Aejaq 9210A 99I0 001 0 Hasen NO 1101 8 0 22 0 0 0 0 uids 0 011 edois jeuuoN 3467 0 00002 0051 210 2H0 00001 07051 sseg 0 92 0 1 sseg 526012 110 008 021 9215 JO4jU0D 001 0 peaids v9 0 edeys edeus 510001 0 amp ejepeud 001 0 uoisnyiq 1 3ndu Buideys Buideus peg S90U934 1031002 qenay adeys queney 1033002 ndu 9jeld puze puze eioN W9 IIdu uig PONOA 8JON uig jeueno uju amp r3
23. Lexicon reverbs are renowned for smooth tails and controlled frequency response However in many cases the earlier components are more impor tant This may be true for some forms of popular music and is even more true for post production In these cases specific types of spaces need to be invoked for convincing dialog and effects SIGNAL GENERATOR This algorithm is used to generate test signals These signals may be used both for building presets and for testing aspects of recording studio function ality THE PARAMETERS The 96 contains hundreds of presets covering just about every possible need But you can refine and customize any preset by adjusting its param eters Parameters are the building blocks within each preset that determine how it sounds and behaves Each algorithm contains a set of parameters and a variety of those param eters sometimes from more than one algorithm are combined to create a preset You can edit a machine preset s parameters via the A B and C knobs which control the Soft Row see Editing a Preset on page 9 for more information or you can access parameters located in sub menus via the Machine menu see Machine Menu on page 20 for more information You can edit a system preset s parameters by accessing them via the preset s sub menus or you can edit the parameters in the individual machine presets contained within the machine preset Below are all the algorithm parameters you
24. of which can run its own algorithm This lets you route signals from each input through a variety of algorithm combinations The PCM96 can use up to two physical inputs and two physical outputs at a time configurations for the physical inputs and outputs are described below SINGLE MONO IN STEREO OUT A mono signal is split into a stereo signal SINGLE STEREO The left and right inputs are sent through a single virtual machine DUAL MONO The left signal travels through one virtual machine and the right signal travels through a separate second virtual machine CASCADE STEREO The left and right signals are processed together in one virtual machine and the resulting signal is sent to a second virtual machine where they are again processed together CASCADE MONO The left signal is sent through two virtual machines in sequence while the right signal is sent through two addi tional virtual machines in sequence The left and right sig nals are processed independent from each other CASCADE MONO TO STEREO The left and right signals are processed independently in two separate virtual machines and their resulting signals are processed together in a third virtual machine The final result is output as stereo COMBINED STEREO MONO IN This configuration features two stereo machines Each receives one of the input channels The two stereo outputs are combined and output as a single stereo pair NETW
25. 55024 1998 Partie 15 des FCC Informations compl mentaires Ce produit est conforme aux exigences suivantes Directive sur la basse tension 2006 95 CE Directive 2004 108 CE Directive RoHS 2011 65 UE Directive DEEE 2002 96 CE Ce produit appartenant la cat gorie Mat riel audio professionnel il n est pas concern par la directive 2005 32 CE ou par le r glement europ en 1275 2008 du 17 d cembre 2008 Rex C Reed Directeur Ing nierie Traitement des signaux 10653 South River Front Parkway Suite 300 South Jordan Utah 84095 TATS UNIS Date 6 juin 2014 Contact en Europe votre revendeur dbX local et le bureau d assistance de Harman Signal Processing 10653 South River Front Parkway Suite 300 South Jordan Utah 84095 TATS UNIS T l 801 566 8800 Fax 801 568 7583 WARRANTY This warranty is valid only for the original purchaser and only in the United States If outside the United States please contact the local Lexicon distribu tor 1 The warranty registration card that accompanies this product must be mailed within 30 days after purchase date to validate this warranty Proof of purchase is considered to be the burden of the consumer 2 Lexicon Professional warrants this product when bought and used solely within the U S to be free from defects in materials and workmanship under normal use and service 3 Lexicon Professional s liability under this warranty is limited to
26. FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE ATTENTION pour R DUIRE LE RISQUE D INCENDIE OU D LECTROCUTION N EXPOSEZ PAS CET APPAREIL LA PLUIE OU L HUMIDIT Les symboles illustr s ci dessus sont des symboles accept s internationalement qui avertissent des dangers potentiels relatifs l utilisation de produits lectriques Le voyant clignotant avec une fl che dans un triangle quilat ral signifie la pr sence de tensions dangereuses dans l appareil Le point d exclamation dans un triangle quilat ral indique que l utilisateur doit se r f rer au manuel d utilisation Ces symboles indiquent qu il n y a aucune pi ce utilisable par l utilisateur l int rieur de l appareil Ne pas ouvrir l appareil Ne pas essayer de r parer soi m me l appareil Confier toute r paration du personnel qualifi Ouvrir la structure de l appareil pour quelque raison que ce soit annulera la garantie du fabricant Ne pas mouiller l appareil Si du liquide est renvers sur l appareil fermer imm diatement l appareil et l apporter chez un r parateur D brancher l appareil pendant les temp tes afin d viter des dommages Ce qui suit est repr sentatif d une utilisation basse altitude ne pas utiliser ce produit au dessus de 2000 m AVERTISSEMENT CONCERNANT LA FICHE SECTEUR Une fiche secteur moul e qui a t coup e du cordon est dangere use Jeter la fiche secteur dans un
27. Menu in this way MIDI ON Sysex Device ID 0 System MIDI Ch 0 Each subsequent PCM Device would then start on MIDI channel 5 with each machine as Channel 1 Machine 1 MIDI Ch 1 Machine 2 MIDI Ch 2 Machine 3 MIDI Ch 3 Machine 4 MIDI Ch 4 PRESET LOADING Because of the large number of potential presets in the PCM96 Preset Change messages are used along with the Bank Select extension to provide MIDI preset selection Controller 32 is used to select the current preset bank Controller 32 is sent to the system to select the desired bank fol lowed by a Preset Change message to select a preset The Bank values are sticky meaning the PCM96 will remember the Bank values for each MIDI channel It is not necessary to send a Bank change with each Preset Change unless the Bank has indeed changed HOW TO ASSIGN A BASE CHANNEL TO THE PCM96 The base channel identifies a PCM96 unit to a MIDI device Add 1 2 3 or 4 to the unit s base channel to identify virtual machines within the unit You can connect up to three PCM96 units to a single MIDI device 21 To assign a base channel to the PCM96 Press the Back button until the Preset screen appears Press the Machine button until System View is displayed Press the Select knob to enter the System Menu Turn the Select knob until Midi Control is highlighted Press the Select knob to access the Midi Control Menu Turn the Select knob until Base Channel is highlighted Turn
28. PCM96 21 Channel Map how channels map to machines 22 Bank Asa Sua p h h 22 Reverse Bank Dump Bank 22 Continuous Controllers 22 Soft Row MIDI CC Maps 23 Bank Preset tut usa Obagi miei 23 MID SysEx Implementation ass anne NE 24 THE ALGORITHN S 26 Chamber Stereo and Mono 26 Random Delay Stereo and 26 Hall Stereo and 4000000 00000000 27 Random Hall Stereo and Mono 28 Plate Stereo and Mono 28 Dual Delay Stereo and Mono er bu EUR 28 Resonant Chords Stereo and Mono see 29 Chorus Flange Stereo only donatores mnt ae 30 Concert hall seve seat actu nt nae oe 30 Room Stereo and Mono eese eee eene 30 Signal 30 THE PARAMETERS 6 31 PCM96 MENU NAVIGATION MAPS 39 SPECIFICATIONS fe 48 MIDI IMPLEMENTATION CHART
29. Preset screen The Preset screen shows the current preset and configuration Note that the Preset screen has two views System view for System Presets and Machine view for Machine Presets For more information see System Presets and Machine Presets on page 7 SYSTEM VIEW Current Preset Clock Syncicon Clock Rate EE 1 Single Stereo Config System View Configuration Icon MACHINE VIEW Clock Sync icon Clock Rate Current Preset 0 Large Hall l PreDelay 20ms Z Reverbrine 2 795 3 RvbOutFreq 6500 0Hz Soft Row Parameters Configuration Icon SELECTING YOUR AUDIO SOURCE AND CLOCK SOURCE 1 Press the Machine button until the words System View appear in the Display 1 Single Stereo Config System View 2 Press the Select knob The System Menu appears System Menu Version 1 0 48 Audio Setup System Control MIDI Control 3 With Audio Setup highlighted press the Select knob The Audio Setup menu appears Audio Setup Audio Source ANALOG Clock Source INTERNAL Clock Rate 48KHz Lock 4 Turn Knob A to select your audio source Analog or AES 5 Turn Knob B to select your wordclock source Internal AES or BNC 6 Press the Back button twice to save your changes and return to the Preset screen LOADING A PRESET 1 From the Preset screen turn the Select knob to scroll through the avail able presets in the current category Presets are arranged in
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31. can edit in the PCM96 Note that sometimes parameter names are abbreviated when they appear onscreen for example Delay Level Master may appear as DlyLvlMaster and they may have prefixes indicating what channel they control for example Level may appear as RightInLvl or OutLvl To see the parameters in context see PCM96 Menu Navigation Maps on page 39 Bandwidth This parameter lets you set the bandwidth of a multimode filter Bandwidth is specified in octaves or fractions thereof Bass Boost Room This parameter is closely tied to the Bass Crossover parameter It controls the boost or cut of signal below that crossover Depending on the type of impulse response selected the listener may become aware of an excess or insufficiency of low frequency output This parameter may be used to correct the frequency response Bass Crossover BassXOver The Bass Crossover parameter is closely tied to the BassRT parameter It rep resents the frequency below which BassRT has an effect Note that there are two of these parameters in the Room algorithm One is tied to BassRT the other is found in the Pattern settings menu and affects the BassBoost BassRT This parameter controls bass reverb time It is closely associated with the Bass Crossover and MidRT parameters BassRT is a multiple of MidRT that applies to signal below the frequency described by Bass Crossover If BassRT is less than 1 0 then the low frequency part of the reverb
32. categories within the PCM96 see Changing Categories below for more informa tion The preset name blinks after you turn the Select knob indicating that you are in preset selection mode 2 Press the Select knob to load the preset you ve selected The display briefly reads Loading Preset and the preset name appears It is no longer blinking CHANGING CATEGORIES Presets are grouped into categories in the PCM96 Each category has its own set of presets When you turn the Select knob while viewing a preset you only see presets available in the current category System Presets and Machine Presets each have their own set of catego ries System Preset categories are based on DSP configurations see DSP Configurations on page 12 and Machine Preset categories are based on algorithms see The Algorithms on page 26 System Presets and Machine Presets also have User and Card categories where you can access user edited presets Presets in the User category are stored on the PCM96 and presets the Card category are stored on a Compact Flash card To select a different category 1 From the Preset screen press the Back button The Category Selection screen appears Note that there are different Category Selection screens for System Presets and Machine Presets Category Selection Screen System Presets Preset Category Selection Default Configurations Combined Mono Reverbs Combined Mono Effects Category Sele
33. centre de d chets adapt VOUS NE DEVEZ EN AUCUNE CIRCONSTANCE INS RER UNE FICHE ENDOMMAG E OU COUP E DANS UNE PRISE SECTEUR 13 AMP Ne pas utiliser la fiche secteur si le couvercle du coffret fusibles n est pas bien en place Vous pouvez vous procurer des capots de fusible de rechange aupr s de votre d taillant local Les fusibles de remplacement sont de 13 A et DOIVENT tre approuv s ASTA BS1362 pas jeter ce produit avec les ordures m nag res Il existe un syst me de collecte s lective pour les produits lectroniques usag s en conformit avec les lois en vigueur en mati re de traitement de r cup ration et de recyclage mmm Dans les 25 Etats membres de l UE en Norv ge et en Suisse les m nages peuvent envoyer leurs produits lectroniques usag s sans frais vers des centres de collecte s lective ou chez un distributeur contre l achat d un nouveau produit Contacter les autorit s locales pour connaitre les proc dures de traitement des d chets adapt es dans les pays non mentionn s ci dessus Non seulement cette pr caution vous permettra d tre s r que votre produit est correctement trait r cup r et recycl mais elle vous vitera galement de nuire involontairement l environnement et la sant humaine AVERTISSEMENT POUR VOTRE S CURIT LIRE ATTENTIVEMENT CONSERVER CES CONSIGNES RESPECTER TOUS LES AVERTISSEMENTS SUIVRE TOUTES LES CONSIGNES L appareil
34. ne doit pas tre expos des claboussures ou des gouttes d eau Aucun objet rempli de liquide comme un vase ne doit tre pos sur l appareil NETTOYER UNIQUEMENT AVEC UN CHIFFON SEC POUR USAGE INT RIEUR UNIQUEMENT NE PAS OBSTRUER LES OU ES D A RATION EFFECTUER L INSTALLATION CONFORM MENT AUX INSTRUCTIONS DU FABRICANT NE PAS INSTALLER PROXIMIT DE SOURCES DE CHALEUR TELLES QUE DES RADIATEURS BOUCH ES D AERATION PLAQUES CHAUFFANTES OU TOUT AUTRE APPAREIL Y COMPRIS DES AMPLIFICA TEURS DEGAGEANT DE LA CHALEUR UTILISER UNIQUEMENT LES PIECES ACCESSOIRES MENTIONN S PAR LE FABRICANT DEBRANCHER L APPAREIL AU COURS DES ORAGES OU EN CAS DE NON UTILISATION PENDANT UNE DUREE PROLONG E Ne pas d t riorer la s curit de la fiche polaris e ou de la fiche de terre Les fiches polaris es sont quip es de deux bornes de largeurs diff rentes Les fiches de terre comportent deux lames et une troisi me broche de mise la terre La broche la plus large ou troisi me broche de mise la terre est pr vue pour votre s curit Si la fiche fournie ne correspond pas votre installation lectrique faire appel un lectricien pour remplacer la prise hors normes Prot ger le cordon d alimentation contre les risques de pi tinement ou de pincement notamment au niveau des fiches des prises de courant et du point d attache avec le mat riel Utiliser uniquement le chariot le support le tr pied ou la table
35. sp cifi e par le fabricant ou vendu e avec le mat riel Si vous utilisez un chariot pour d placer l appareil soyez suffisamment prudent pour viter une ventuelle blessure cons cutive au basculement du chariot et de sa charge Les r parations doivent tre confi es un technicien S A V qualifi Une r paration est n ces saire en cas de dommage quelconque et en particulier en cas d endommagement du cordon d alimentation ou de la fiche lectrique d infiltration liquide d introduction involontaire d un objet dans l appareil d exposition de l appareil la pluie ou un milieu humide de fonctionnement anormal ou de chute de l appareil INTERRUPTEUR MARCHE ARRET l interrupteur d alimentation de cet quipement NE coupe PAS la connexion secteur DEBRANCHEMENT DE L APPAREIL la prise de courant doit rester facilement accessible Pour un montage en rack ou une installation avec une prise inaccessible un interrupteur omnipolaire distance d ouverture de contact d au moins 3 mm doit tre int gr l installation lectrique du rack ou du local Sile mat riel est reli une alimentation de 240 V utiliser imp rativement un cordon d alimentation adapt certifi CSA UL pour ce branchement Cet quipement est exclusivement destin un montage en rack CONSIGNES DE SECURITE IMPORTANTES COMPATIBILITE ELECTROMAGNETIQUE Cet appareil est conforme au volet 15 des r gles du FCC et aux sp cifications te
36. tail will be shorter than the midrange part If BassRT is greater than 1 0 then the low frequen cy part of the tail is longer 31 32 Category Room This parameter lets you select a specific category from which a room response may be chosen Changes here have a direct effect on the Pattern Selector parameter Chorus Depth Concert Hall This parameter controls the amount of randomization of the chorus tap Higher values are generally preferred in order to minimize reverb coloration Pitch effects may result and are closely tied to the Reverb Chorus Rate parameter Chorus Rate Concert Hall This parameter controls the rate at which the reverb chorus is run Low values may cause a barely noticeable undulation Higher values will cause noticeable wobble in fixed pitch instruments such as piano It is closely tied to the Reverb Chorus Depth parameter Definition Definition controls the density of some reverbs Higher values result in lower density Delay Feedback Master Controls all delays in the algorithm Each voice has its nominal feedback gain adjusted by this percentage Delay Level Master Controls all delays in the algorithm Each voice has its nominal gain value adjusted by this percentage Delay Time Echo Delay Delay time defines the time offset of a delay voice in milliseconds or in fractions of tempo quarter note eighth note which is defined by the tap tempo or by midi tempo It is used in many of the algo
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38. 0 edeus adeys 5410001 0 Kejepeid 95001 0 uoisnyiq 1 3ndu Buideys qeney Buideus suonoayay JOUOD edeus 0 3002 wopuey 40 PCM96 MENU NAVIGATION MAP STEREO CHAMBER AND ROOM ALGORITHMS 052 YYZ l PON s oeds jeroyniv 104 ueayis PIO 215214 pyeoqpie Big ueg dna 3215 Big se2eds dels 3291 jeens uequnqns vewnans deje e N dei sey uny oyog 19918 AID yas O Jews sioueyxa 48 Jequeyo p Jequeu uomuo 1 opns 7 SHEJS 9190U0D JEWS 5 wooy woo Buug uooJpeg AL Buysay ang poy OMS A N EWS News ou lquuiy 216580 s oeds wrug ews 35010 1209 uoud urejooJod wooiujeg 43ouaju seeds jews 3511 uoaz uoo uoioN ssedpueg sseg 9 ubIH ejog OM 9 euo dKL sion puze Jedu WOE loN ug 49 PONOA NON
39. 2 At the prompt enter ping c 4 IP address of your PCM96 gt and press Enter The data should appear something like this PING IP address of your PCM96 gt 56 data bytes 64 bytes from lt IP address of your PCM96 gt icmp_seq 0 ttl 62 time 1 118 ms 64 bytes from lt IP address of your PCM96 gt icmp_seq 1 ttl 62 time 1 093 ms 64 bytes from lt IP address of your PCM96 gt icmp_seq 2 ttl 62 time 1 067ms 64 bytes from IP address of your PCM96 gt icmp_seq 3 ttl 62 time 1 042ms lt IP address of your PCM96 gt ping statistics 4 packets transmitted 4 packets received 0 packet loss round trip min avg max 1 042 1 08 1 118 ms If you get a Reply from response from the IP address that you were ping ing in a timely manner it means that you have a valid network connection between the two devices If you receive a No route to host or 0 packets received message this indi cates that your computer is not communicating with the device SYSTEM MENU The System Menu lets you adjust several settings in the PCM96 To access the System Menu press the Select knob while a System Preset is loaded The System Menu contains sub menus and options Sub menus contain options and or more sub menus To enter a sub menu highlight it with the Select knob and press the Select knob Options contain values that you can adjust indicated by a colon followed by a value for example Audio Source ANALOG To adjust an optio
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41. AITE ON SUOJAKOSKETTIMILLA VARUSTETTUUN PISTORASIAAN DECLARATION OF CONFORMITY Manufacturer s Name Lexicon Manufacturer s Address 10653 South River Front Parkway Suite 300 South Jordan Utah 84095 USA declares that the product Product name Lexicon PCM 96 Note Product name may be suffixed by the EU Product option None conforms to the following Product Specifications Safety IEC 60065 031 Amd 1 2 EMC EN 55022 2006 EN 55024 1998 FCC Part 15 Supplementary Information The product herewith complies with the requirements of the Low Voltage Directive 2006 95 EC EMC Directive 2004 108 EC RoHS Directive 2011 65 EC WEEE Directive 2002 96 EC With regard to Directive 2005 32 EC and EC Regulation 1275 2008 of 17 December 2008 this product is designed produced and classified as Professional Audio Equipment and thus is exempt from this Directive Rex C Reed Director Engineering Signal Processing 10653 South River Front Parkway Suite 300 South Jordan Utah 84095 USA Date June 6 2014 European Contact Your local dbx Sales and Service Office or Harman Signal Processing 10653 South River Front Parkway Suite 300 South Jordan Utah 84095 USA Ph 801 566 8800 Fax 801 568 7583 CONSIGNES DE SECURITE IMPORTANTES RISK OF ELECTRIC SHOCK DO NOT OPEN A ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR WARNING REDUCE THE RISK OF
42. Knob B to select the base channel 0 15 Press the Back button twice to return to the Preset screen RS BS Now the PCM96 unit is identified by the selected base channel and virtual machines 1 2 3 and 4 within the PCM96 are identified by the base chan nel plus 1 2 3 and 4 respectively CHANNEL MAP HOW CHANNELS MAP TO MACHINES Channel Base System Level Use for loading System presets This is the PCM96 units base channel The next four Channel channels apply to this 96 unit s virtual machines Virtual machine 1 Changes parameters in one virtual machine in a System preset on the PCM96 unit with base channel 0 Use for loading machine presets and changing parameters for machine 1 Virtual machine 2 Changes parameters in one virtual machine in a System preset on the PCM96 unit with base channel 0 Use for loading machine presets and changing parameters for machine 2 Virtual machine 3 Changes parameters in one virtual machine in a System preset on the PCM96 unit with base channel 0 Use for loading machine presets and changing parameters for machine 3 with base channel 0 Use for loading machine presets and changing parameters for machine 4 Virtual machine 4 Changes parameters in one virtual machine in a System preset on the PCM96 unit BANK DUMP The Bank Dump feature lets you copy all the presets in a User bank from one 9 to another or to another MIDI device See MIDI Contro
43. L UTILISATION D UN CORDON D ALIMENTATION DIFFERENT ET OU D UNE FICHE DE BRANCHEMENT DIFF RENTE SELON LA SOURCE D ALIMENTATION DISPONIBLE A L INSTALLATION SI LA FICHE DE BRANCHEMENT DOIT ETRE CHANG E FAIRE APPEL UN TECHNICIEN QUALIFI QUI DEVRA SE REFERER AU TABLEAU CI DESSOUS LE FIL VERT JAUNE DOIT TRE BRANCH DIRECTEMENT AU CHASSIS DE L APPAREIL COULEUR DU FIL CONNECTEURS normal Alt L PHASE MARRON NOIR N NEUTRE BLEU BLANC E TERRE VERT JAU VERT ATTENTION UN D FAUT DE MISE LA TERRE PEUT PROVOQUER CERTAINS DYSFONCTIONNEMENTS DE L APPAREIL OU DU SYST ME AUQUEL IL EST RELI POUVANT SE TRADUIRE PAR UNE TENSION COM POS E ENTRE LA MASSE ET LA PRISE DE TERRE CELA PEUT PROVOQUER DES BLESSURES S RIEUSES OU FATALES SI LA MASSE ET LA PRISE DE TERRE SONT TOUCH ES EN MEME TEMPS ATTENTION APPARATET M TILKOPLES JORDET STIKKONTAKT APPARATEN SKALL ANSLUTAS TILL JORDAT UTTAG LAITE ON SUOJAKOSKETTIMILLA VARUSTETTUUN PISTORASIAAN D CLARATION DE CONFORMIT Nom du fabricant Lexicon Adresse du fabricant 10653 South River Front Parkway Suite 300 South Jordan Utah 84095 TATS UNIS d clare que le produit Nom du produit Lexicon PCM 96 Remarque Le nom du produit peut tre suivi des lettres UE Option du produit Aucune est conforme aux sp cifications suivantes S curit CEI IEC 60065 031 Amd 1 2 CEM EN 55022 2006 EN
44. LEAN ONLY WITH A DRY CLOTH FOR INDOOR USE ONLY DO NOT BLOCK ANY OF THE VENTILATION OPENINGS INSTALL IN ACCORDANCE WITH THE MANU FACTURER S INSTRUCTIONS DO NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS HEAT REGISTERS STOVES OR OTHER APPARATUS INCLUDING AMPLIFIERS THAT PRODUCE HEAT ONLY USE ATTACHMENTS ACCESSORIES SPECIFIED BY THE MANUFACTURER UNPLUG THIS APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or third prong are provided for your safety If the provided plug does not fit your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience recep tacles and the point where they exit from the apparatus Use only with the cart stand tripod bracket or table specified by the manufacture or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed
45. ND YELLOW EARTH BLUE NEUTRAL BROWN LIVE AS COLOURS OF THE CORES IN THE MAINS LEAD OF THIS APPLIANCE MAY NOT CORRESPOND WITH THE COLOURED MARKINGS IDENTIFYING THE TERMINALS IN YOUR PLUG PROCEED AS FOLLOWS e THE CORE WHICH IS COLOURED GREEN AND YELLOW MUST BE CONNECTED TO THE TERMINAL IN THE PLUG MARKED WITH THE LETTER E OR WITH THE EARTH SYMBOL OR COLOURED GREEN OR GREEN AND YELLOW e THE CORE WHICH IS COLOURED BLUE MUST BE CONNECTED TO THE TERMINAL MARKED N OR COLOURED BLACK e THE CORE WHICH 5 COLOURED BROWN MUST BE CONNECTED TO THE TERMINAL MARKED L OR COLOURED RED THIS EQUIPMENT MAY REQUIRE THE USE OF A DIFFERENT LINE CORD ATTACHMENT PLUG OR BOTH DEPENDING ON THE AVAILABLE POWER SOURCE AT INSTALLATION IF THE ATTACHMENT PLUG NEEDS TO BE CHANGED REFER SERVICING TO QUALIFIED SERVICE PERSONNEL WHO SHOULD REFER TO THE TABLE BELOW THE GREEN YELLOW WIRE SHALL BE CONNECTED DIRECTLY TO THE UNITS CHASSIS CONDUCTOR WIRE COLOR Normal Alt L LIVE BROWN BLACK N NEUTRAL BLUE WHITE E EARTH GND GREEN YEL GREEN WARNING IF THE GROUND IS DEFEATED CERTAIN FAULT CONDITIONS IN THE UNIT OR IN THE SYS TEM TO WHICH IT IS CONNECTED CAN RESULT IN FULL LINE VOLTAGE BETWEEN CHASSIS AND EARTH GROUND SEVERE INJURY OR DEATH CAN THEN RESULT IF THE CHASSIS AND EARTH GROUND ARE TOUCHED SIMULTANEOUSLY WARNING APPARATET M TILKOPLES JORDET STIKKONTAKT APPARATEN SKALL ANSLUTAS TILL JORDAT UTTAG L
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47. ORKING This section provides a step by step guide on how to properly connect the 96 to a Local Area Network LAN for several different network archi tectures The first topology is a simple direct connection using the provided Ethernet cable The second method describes how to connect and config ure several PCM96 units to create an isolated network using an Ethernet switch with static IP addresses or with DHCP This section concludes with some further networking considerations and troubleshooting tips that will help with connecting to your PCM96 via Ethernet If your application is more than these simple examples we recommend that you involve a trained Ethernet network administrator in the design and commissioning of your system Careful planning needs be made before placing a PCM96 on a network that provides any access to the public Some examples of public access are direct access to the unit from the Internet an unsecured or weakly secured wire less network a network jack in a public area that provides network access to the PCM96 or having a computer on the LAN that is not secured so that someone could use it to reconfigure PCM96 It is highly recommended that the equipment be placed on a protected isolated network that does not have any connection to the public to prevent unauthorized users from recon figuring the unit Please refer to the VPN portion of this section for more information Factory defaults for the Internet Proto
48. OWNER S MANUAL Lexicon PCM96 Reverb Effects Processor lexicon by HARMAN Professional Audio Equipment IMPORTANT SAFETY INSTRUCTIONS RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR WARNING REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE ATTENTION POUR R DUIRE LE RISQUE D INCENDIE OU D LECTROCUTION N EXPOSEZ PAS CET APPAREIL LA PLUIE OU L HUMIDIT The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products The lightning flash with arrowpoint in an equilateral triangle means that there are dangerous voltages present within the unit The exclamation point in an equilateral triangle indicates that it is necessary for the user to refer to the owner s manual These symbols warn that there are no user serviceable parts inside the unit Do not open the unit Do not attempt to service the unit yourself Refer all servicing to qualified personnel Opening the chassis for any reason will void the manufacturer s warranty Do not get the unit wet If liquid is spilled on the unit shut it off immediately and take it to a dealer for service Disconnect the unit during storms to prevent damage The following is indicative of low altitude use do not use this product above 2000m U K MAINS PLUG WARNING A molded mains pl
49. S Chamber Stereo and Mono Random Delay Stereo and Mono Random Hall Stereo and Mono Plate Stereo and Mono Dual Delay Stereo and Mono Resonant Chords Stereo and Mono Chorus Flange Stereo only Concert Hall Stereo only Room Stereo and Mono Hall Stereo and Mono Signal Generator Storage Media Type I Compact Flash Can hold up to 1536 user presets MACHINE CONFIGURATIONS 44 1K 88 2K Two Mono Super mono capable Single Stereo Super stereo capable Two Cascaded Mono pairs Cascaded Stereo Two Mono cascaded into single Stereo Dual mono in stereo out with combined outputs Single Super Stereo Two Stereo Dual Super Mono Four Mono Two Mono and One Stereo INTERNAL HARD DISK STORAGE Internal non volatile Flash Can hold 768 user presets POWER Requirements 100 120 220 240 VAC 50 60Hz 20W max Connector 3 pin IEC DIMENSIONS WEIGHT Rack Units 1U Size 19 0 W x 1 75 Hx 12 5 D 483mm x 44 5mm x 317 5mm Weight 8 65 Ibs 49 50 REGULATORY APPROVALS FCC CE UL cUL TUV ENVIRONMENT Operating Storage Humidity Class A EN55103 1 EN55103 2 UL1419 622 2 EN60065 15 to 35 30 to 70 C 7596 relative humidity max MIDI IMPLEMENTATION CHART Transmitted Basic Default X 1 16 Channel Changed X N A X X Note Number True Voice Velocity Note ON Note OFF Keys Touch Channel Pitch Bend Recognized Remarks Control OX 32 Change OX 48 55 32 Bank Change OX 48 55 Pr
50. T PRESET DUMP When this command is received by the PCM96 it will respond with a preset dump of the requested preset If the preset does not exist the PCM96 will not respond Only presets from User banks may be requested Factory banks will not be transmitted DONI OON x seme Lexicon 1 Bank in which requested preset lives COMMAND 1 PRESET DUMP This sysex is transmitted by a MIDI sequencer or by PCM96 The PCM96 may transmit this dump in response to a request or by means of a front pan el action The PCM96 receiving this dump will store the encapsulated preset data in the designated location o n cm O 3 2 x maa Size LSB Size is variable and is not shown in this example Preset Location in the bank where the preset is to be placed Nibbleized preset data BOX pu 0 0 0 0 0 0 0 0 F x x x x x x x x x COMMAND 2 REQUEST PRESET BANK DUMP When this command is received by the PCM96 it will respond with a series of preset dumps for all presets in the bank Blank presets will be transmitted in a special form Only presets from User banks may be requested Factory banks will not be transmitted c Lorie msg 0x06 Lexicon Manufacturer a mde __ x 25 26 THE ALGORITHMS CHAMBER STEREO AND MONO Chamber is a complex miniature space effect resembling an echo chamber at it
51. This can also be done in a safe manner not compromising your local network s security If you would like to manage your PCM96 units remotely you should create a secure VPN con nection There are many solutions on the market today that provide VPN access These products offer different features methods of VPN complexity of setup and maintenance as well as varying levels of security It is beyond the scope of this manual to recommend a VPN solution that will best suit the needs of your network although you will need a VPN that is capable of passing UDP and TCP traffic most do The PCM96 has been tested against several solutions and should work with all VPNs that meet these criteria Please work with your system administrator and Internet ser vice provider to find a VPN that will best fit your network The 3Com OfficeConnect Secure Router model 3CR860 95 is one solution that has been tested and is both inexpensive and simple to set up It provides up to two concurrent VPN connections NETWORK CONSIDERATIONS AND LIMITATIONS Without a VPN there be no access from the outside world to any 96 that is behind a Network Address Translation NAT router One to One NAT and port forwarding will not work Firewall Considerations The PCM96 uses port 3804 udp and tcp to communicate with the control software Make sure that you configure your firewalls correctly so that data sent to and from this port number can traverse yo
52. ally with noticeable and desirable pitch effects as they move For the chorus effect the voices move somewhat independently yielding a thickening effect without too much filtering For the flange effect voices are generally paired at close inter vals As they move a noticeable comb filtering takes place due to cancella tion The voices are often fed back nearly to the point of instability CONCERT HALL STEREO ONLY This is a recreation of one of Lexicon s oldest algorithms It was an essential part of many of the mixes of the late seventies and eighties It is a less dense reverb allowing it to add lushness to a mix without stepping on the dry source material It also has quite noticeable modulation causing strong pitch effects at higher settings The reverb tail has a life of its own desirable in pop music less so in jazz or classical applications ROOM STEREO AND MONO A room is similar to a reverb in that it is used to create the illusion of space However it differs in important ways A room is comprised of a selectable early impulse taken from actual room measurements There are several cat egories of responses including small rooms large rooms and odd rooms impulses from unconventional sources There are parameters to allow adjustments to this response including scaling and reversing the response In many cases this is sufficient A reverb tail can be added to the room by means of an included small reverb algorithm
53. chniques voqu es dans la D daration de conformit Son fonctionnement est soumis aux deux conditions suivantes appareil ne doit pas causer d interf rences nuisibles et e cet appareil doit accepter les interf rences capt es y compris les interf rences susceptibles de nuire son fonctionnement L utilisation de cet appareil proximit de champs lectromagn tiques puissants n est pas recommand e e utiliser exclusivement des c bles d interconnexion blind s CONSIGNES DE S CURIT NOTICE ADRESS E AUX CONSOMMATEURS QUIP S D UN MATERIEL AVEC CORDON D ALIMENTATION FOURNI AVERTISSEMENT CET APPAREIL DOIT TRE BRANCH SUR UNE PRISE SECTEUR DOT E D UNE PROTEC TION PAR MISE LA TERRE LES COULEURS DES NOYAUX DANS LES FILS SECTEURS DOIVENT RESPECTER LES CODES SUIVANTS VERT ET JAUNE TERRE BLEU NEUTRE MARRON PHASE LES COULEURS DES NOYAUX DANS LES FILS SECTEURS DE CET APPAREIL PEUVENT NE PAS CORRESPON DRE AUX INSCRIPTIONS COLOR ES IDENTIFIANT LES TERMINAUX DANS VOTRE FICHE IL FAUT DONC PROC DER DE LA FACON SUIVANTE E NOYAU VERT ET JAUNE DOIT ETRE BRANCH AU TERMINAL DE LA FICHE O APPARAT LA LETTRE E OU LE SYMBOLE DE MISE A LA TERRE OU AU TERMINAL VERT OU VERT ET JAUNE E NOYAU BLEU DOIT TRE BRANCH AU TERMINAL MARQU D UN N OU DE COULEUR NOIRE LE NOYAU MARRON DOIT ETRE BRANCH AU TERMINAL MARQU D UN L OU DE COULEUR ROUGE CE MAT RIEL PEUT N CESSITER
54. col IP settings for the 96 as follows Auto IP DHCP Address 169 254 x x where x x is determined by the PCM96 box numbers Subnet Mask 255 255 0 0 Gateway 0 0 0 0 DHCP Support Enabled OVERVIEW OF TCP IP BASICS IP ADDRESS An identifier for a computer or device on a TCP IP network Each device in a network has its own IP address to identify it Example 126 126 17 42 Networks using the TCP IP protocol route messages based on the IP address of the destination An IP address is made of four numbers separated by peri ods Each number can be zero to 255 The last number should not be a zero or 255 For example 126 126 17 1 could be an IP address 126 126 17 0 would not be a valid IP address A TCP IP or IP address has two parts the NETWORK ID and the HOST ID The NETWORK ID identifies the network and the HOST ID identifies either the subnet and device or just the device if there is no subnet The subnet mask is a code that indi cates which part of the TCP IP address is the NETWORK ID and which part is the HOST ID In subnet mask code 255 means This part of the address is the NETWORK ID Example Suppose the IP ADDRESS of a device is 192 168 xx yy and the SUBNET MASK is 255 255 x y That means 192 168 is the NETWORK ID The remaining set of numbers xx yy is the HOST ID If your network stands alone it is not part of a larger network then the HOST ID identifies each device in the network If your
55. configuration and status information 11 BACK Pressing this button moves you up one level in the menu tree Note that when a System preset is loaded this button takes you to the System Mode Category Selection menu When a Machine preset is loaded the Back but ton takes you to the Machine Mode Category Selection menu 12 LOAD Press this button to load the selected preset You can also press the Select knob to load a preset 13 COMPARE This button is used to compare an edited preset against its unedited self When a preset is loaded this button s LED is off As soon as the preset is edited in any fashion the LED lights If the button is pressed the edited state is temporarily stored and the preset is reloaded from the file system During this period of time editing is disallowed and the button LED blinks rapidly When the Compare button is pressed a second time the edited state is restored editing is allowed again and the LED is illuminated THE REAR PANEL 3 lt ETHERNET A THRU IN 1 POWER JACK Standard 3 pin IEC power connector 100 240V 50 60Hz automatic switching to correct voltage range 2 ETHERNET INPUTS These RJ 45 connections are used to network PCM96 devices and control them via Ethernet 3 MIDI IN Receives MIDI information from other MIDI equipment such as master keyboard controllers MIDI foot contr
56. contains all frequencies like percus sion Other instruments may give a quality of tonal ambience in which cer tain notes rise ethereally from the background The output of the resonator is then fed into a stereo plate reverb effect Recirculation Level Recirculation Filter multimode Output Filter multimode The two algorithms differ in the way pitches are assigned to the resona tors In Res1 gt Plate pitches are assigned to the six voices chromatically in a round robin For example if MIDI note numbers are used to assign pitch the resonators will constantly be re tuned to the pitches of the last six MIDI notes received This can produce an effect similar to playing a piano with 29 30 the sustain pedal depressed In Res2 gt Plate pitches are assigned to the six resonators diatonically harmonized with the key scale and root of your choice If MIDI note numbers are used to assign pitch the resonators will constantly be re tuned to harmonize with the incoming notes CHORUS FLANGE STEREO ONLY Chorus Flange is quite similar to other delay algorithms in the PCM96 It has four delay voices per channel each delay voice having over 9 seconds of delay The delays may be independently panned and filtered The difference is in the modulation aspect The same LFO modulators are available as in Random Delay but the voices react differently In Random Delay the voices move abruptly In Chorus Flange they move very gradu
57. ction Screen Machine Presets 2 Turn the Select knob to scroll through the available categories An aster isk appears next to the currently selected category 3 Press the Select knob to load the highlighted category A flashing preset name appears if it is not the currently selected preset 4 Select a preset with the Select knob and press the Select knob to load it SYSTEM PRESETS AND MACHINE PRESETS The 96 features a single powerful processor which be used as up to four virtual machines For example you could send the left input signal through a mono reverb in one virtual machine and send the right input sig nal through a mono delay in another virtual machine You could then send both signals through a chorus effect on a third virtual machine You could then save this configuration as a System Preset Its a preset that includes a system of virtual machines System Presets can be extremely complex and are generally tailored especially for the mix youre working on Lexicon has provided a number of these presets just to give you an idea about what you might do Who knows You might like them just the way they are Feel free to make modified versions of the factory presets or create your own from scratch The possibilities are nearly endless so have fun When a preset only includes a single virtual machine it s called a Machine Preset Note that pressing the Back button or the Select knob have different resu
58. ds to be unobtrusive 27 28 RANDOM HALL STEREO AND MONO Random Hall is a hall effect with gradual build up well suited to complex sounds like orchestral music Its reverberators change over time in controlled random ways to avoid the buildup of tinny grainy metallic or other color ations The modulation can be noticeable and is often a desirable effect The early reflections are user adjustable in amplitude and delay Some skill is needed to set useful reflection patterns The pattern can be expanded or con tracted in time using the Delay Master control and the overall level of the pattern can be set with the Early Level control A hall is the principal venue for classical ensembles but has proven to be useful for all types of music A hall is comparatively large with wall to wall distances that are typically several tens of meters Smaller halls may be used for smaller ensembles The characteristic sound of a hall includes very low initial reflection density with little reflection energy before 60 100 mil liseconds Density buildup is more gradual because of the larger distances between reflecting surfaces Reverberation time is somewhat longer as well Finally in most halls lower frequencies reverberate longer than higher fre quencies One of its charms is a bit of irregularity in the decay In some cases very small rooms with precisely pitched instruments this modulation may not be the best choice But in g
59. e even highly desirable but the mix engineer must fully understand the process and its implications This is a powerful tool for audio whose release format is two channel It is not useful in any other format Formats include compact disc and radio tele vision broadcast Some of these effects are clear and noticeable without any sort of decoder Many are even more dramatic when a decoder is in place such as in a home theater Tap Slope This is an extremely subtle parameter and is useful in only a couple of cases For halls and reverbs with relatively long reverb times the slope should be slightly positive 0 2 or so For rooms with very short reverb times the slope should be slightly negative 0 2 or so Using a reverb to create a gate effect or to create a pseudo room sound MidRT should be at 0 Spread should be fairly high Shape should be 37 38 fairly high Size should be fairly high TapSlope should be in the range of 0 5 to 1 0 Play with spread shape and size to vary the effect Type This parameter lets you configure a filter as any of 4 basic types in order Lowpass Highpass Bandpass Notch Band reject The filter provides a subset of filter types available to a Biquad filter Wet Dry Mix Wet Dry Mix is the proportion of wet processed signal to dry unpro cessed signal PCM96 MENU NAVIGATION MAPS PCM96 MENU NAVIGATION MAP SYSTEM VIEW AND MACHINE VIEW 32324 p o
60. e As such it is one of the primary controls affecting the length of the reverb tail At low values it models a space with absorbent walls a signal won t bounce many times before it dis sipates At high values the walls are flat and extremely reflective A signal lives a long time before dying away The parameter most closely associated with MidRT is Size A large room size with a small MidRT can easily have the same decay time as a small room with a large MidRT The value that is actually displayed is an approximate reverb time based on both of those values Mix Wet Dry Mix Mix is the proportion of wet processed signal to dry unprocessed signal Output Level Output Level controls the amount of post mix signal emitted onto a channel of output Pan Routes the post filter delay voice across the left right soundstage Pattern Selects a space available in the selected Category see Category parameter Reflection Delay Delay Time A reflection delay is a delay tap taken from one of the inputs and sent to one of the outputs It is often called a delay voice Depending on the algorithm there may be one or more reflection delays for each input channel Some of the delays may mix their outputs to the same channel left to left and some may go cross channel left to right Reflection Gain Level Each Reflection Delay voice also has a gain value This gain is controlled by the Reflection Gain parameter Resonance This parame
61. e reverb at the beginning of the spread window A high value means that most sound moves into the reverb at the end of the spread window A value somewhere in the middle means that sound enters the reverb evenly across the spread window Tip Shape will not have this effect if spread is at its minimum value But even then it can make a difference In this case it affects reverb tim bre and density Higher values of shape will be both darker and denser although the effect is subtle Shelf This parameter effects all filter types It allows a certain amount of unfiltered audio to be combined with the filtered audio This effectively lowers the effect of the filter Another way of looking at it is that it lessens the normal filter slope of 12 dB per octave Unlike the traditional biquad filter the shelf is effective for all filter forms Signal Event Freq Changes the rate of discreet signals from the signal generator This only has an effect when the signal type is set to sweep tones or pink click Signal Frequency Changes the frequency of the signal generator sine wave This only has an effect when the signal type is set to sine wave Signal Type Selects the type of signal to be created by the signal generator The types of signal are Sine Wave When this is selected the signal frequency parameter is used to control frequency Sweep Up 20Hz to 20KHz sweep When this is selected the signal rate parameter is used to co
62. em Preset is to edit an existing System Preset and save it to the User or Card category Another way is to start from scratch as described below 1 2 10 11 With any System Preset loaded press the Select knob The System menu appears Highlight Machine Config with the Select knob and press the Select knob The available DSP configurations appear Turn the Select knob to highlight a configuration and press the Select knob to choose it You return to the Preset Screen The preset s name indicates the configuration you just selected for example if you selected the Cascade Stereo configuration the preset s name is Cascade Stereo Config Press the Machine button to select a Machine Preset within your System Preset Press the Back button to access the Preset Category menu Turn the Select knob to highlight a category and press the Select knob to choose it A flashing Machine Preset name appears Turn the Select knob to choose a Machine Preset and press the Select knob to load it Press the Machine Button to choose the next Machine Preset if there is one and repeat steps 5 through 7 Repeat step 8 for each virtual machine in your System Preset Press the Machine Button until your System Preset is selected Store the System Preset For more information on storing presets see Storing a Preset on page 10 11 12 DSP CONFIGURATIONS The 96 processor be divided in up to four virtual machines each
63. eneral this is a time tested reverberator PLATE STEREO AND MONO The Plate programs mimic the sounds of metal plates with high initial dif fusion and a relatively bright colored sound For this reason they are good choices for percussion They are designed to be heard as part of the music mellowing and thickening the initial sound itself The Plate sound is what many people associate with the word reverb and it is useful for all popular music DUAL DELAY STEREO AND MONO Dual Delay feature two delay lines for each input channel Each delay line has a single output or voice Each voice has independent delay time up to 2 seconds output level feedback control filtering and panning The feedback path includes highpass and lowpass filters In addition to this basic voice architecture Dual Delays feature parameters that provide expand ed diffusion controls not present in mono Recirculation Level Output Filter Output multimode Level Recirculation Filter multimode Tuneable R Resonator Level w Filter evel Delay Memory RESONANT CHORDS STEREO AND MONO The Resonant Chord algorithm uses impulsive energy at the inputs to excite six resonant voices notes The level pitch duration and high frequency cutoff of the overtones for each voice are separately controllable Each voice can be panned independently The voices resonate to some degree with any input but the most effective excitation
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65. he state of the Resonance Mode parameter When a frequency is calculated for this parameter it must then be affected by the value of the Master Tuning parameter Reverb PreDelay Predelay This is a delay that s added to the diffused signal before it enters the main part of the reverb For all intents it may be considered as delay that is added to the reverberated signal It is used to temporally separate the reverb from the dry signal Reverb Spin Spin This is usually simply called spin It controls the speed of the reverb random izer Spin is also connected with the Reverb Wander parameter Reverb Time Hi Cut This parameter also known as Hicut or RTHC is a low pass filter in the recirculating part of the reverb It represents a frequency above which the tail dies away more quickly In some ways it represents the opposite end of the scale from BassRT and may be considered an analog of air absorption It is also closely tied to the Hi Cut Damping parameter Reverb Wander This parameter also known as just Wander along with Reverb Spin is used to control the reverb randomizer It controls the maximum size of random izer steps and is expressed in a time value typically milliseconds Room Size Room Size corresponds roughly to the length of the longest wall of a rect 35 36 angular room In a more general sense it corresponds to the overall dimen sion of some mythical space This space has a geometry that causes sound
66. ho will Use the PCM System Presets User or Default only for either a live or studio setup Control more than 3 PCM Devices on the same MIDI Port Setup 2 More Control This setup is designed for the user who Wants to be able to control every aspect of MIDI on the PCM Device Only has 1 to 3 PCM Devices SETUP DEFINITIONS Setup 1 More Devices This setup would be used in situations where you want to control more than 3 PCM Devices on the same MIDI port This setup will control up to 16 PCM Devices In this particular setup configura tion you cannot make specific patch changes on individual machines via MIDI you can only change the System Presets You would arrange the MIDI Control Menu in this way MIDI ON Sysex Device ID 0 System MIDI Ch 0 Each subsequent PCM Device would be the next number 0 15 Machine 1 MIDI Ch OFF Machine 2 MIDI Ch OFF Machine 3 MIDI Ch OFF Machine 4 MIDI Ch OFF Setup 2 More Control This setup allows the user to control all the aspects of the PCM Device that can be controlled via MIDI However the user is limited to a maximum of 3 PCM Devices with this setup The user can define the Machine Configuration on one MIDI channel then define what preset will be loaded in each Machine using different MIDI channels This setup also allows each Soft Row parameter on each Machine to be con trolled with MIDI Continuous Controllers You would arrange the MIDI Control
67. is loaded The sub menus vary depending on what algorithm is active SOFT ROW SETUP This sub menu lets you assign parameters to a Machine Preset s soft row The soft row is the list of parameters that appears below a Machine Preset s name in the Preset screen You can easily adjust these parameters with the A B and C knobs press Knob A to see more parameters in the soft row 1 0 SETTINGS Here you can adjust the following settings depending on the selected pre set Wet Dry Mix Adjusts the proportion of wet processed signal to dry unprocessed signal Ranges from 0 all dry to 100 all wet In almost all cases you will leave this at 100 and control levels on your mixer Input Level Controls the amount of signal admitted into the process from the input Ranges from 0 0dB INV to 90 0dB INV or OFF INV and from 90 04 or OFF to 0 0dB Output Level Controls the amount of post mix signal emitted onto the output Ranges from 90 0dB or OFF to 0 0dB VARIOUS PARAMETERS The sub menus that appear below the I O Settings sub menu depend on the active algorithm See The Parameters on page 31 for more information USING MIDI The MIDI Control menu is where all MIDI related control is changed See MIDI Control on page 18 for information about the MIDI Control menu MIDI in the PCM Device series can be setup in two basic configurations Setup 1 More Devices This setup is designed for the user w
68. l on page 18 for information about Bank Dump REVERSE BANK DUMP BANK LOAD You can perform a reverse bank dump by recording a bank dump to your MIDI sequencer then playing that sysex back to the PCM96 to restore the bank CONTINUOUS CONTROLLERS All PCM96 soft row parameters be controlled with single 7 bit control lers Each parameter is controlled with the full controller range regardless of the parameter range For example if the controller is at the midpoint of its range 64 the parameter will also be at the midpoint of its range no matter what the actual number 22 Continuous Controllers range from 0 to 127 If the parameter range is less than 127 then a small controller change might not result in a parameter update But the entire range of the parameter can still be accurately con trolled In addition if the actual range of the parameter is greater than 127 MIDI control might be somewhat coarse This is most noticeable with large delays When MIDI is enabled the PCM96 automatically sends MIDI messages through the MIDI Out port for soft row parameters and preset loads when ever those actions are performed via the front panel controls SOFT ROW PARAMETER MIDI CC MAP BANK PRESET MAP m es M ad Mono User Presets 256 383 Mono User Presets 384 511 Flash Card Stereo User Presets 0 127 su PCM96 Surround Only nee 24 MIDI SYSEX IMPLEMENTATION COMMAND REQUES
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70. lts depending on what kind of preset is loaded The following diagram shows what happens when you press the Select knob Back button and Machine button in both System View and Machine View System Category Selection View Machine Category Selection View Press Back Press Select Select Press Machine Button Press Machine Button Machines 1 4 Machine Presets System View System Presets System Menu Machine Menu THE CONFIGURATION ICON The Configuration icon appears at the upper right corner of the Display It tells you if a System Preset or a Machine Preset is loaded When a System Preset is loaded a border appears around the Configuration icon and the words System View appear in the Display below the preset s name 1 ConcertHall gt Flange System View Configuration Icon System Preset When a Machine Preset is loaded the selected machine is highlighted in the Configuration icon and three of the loaded preset s parameters appear at the bottom of the Display 0 Med Hall 1 PreDelay 14ms 2 ReverbTime 1 59s 3 RvbOutFreq 4750 0Hz Configuration Icon Machine Preset Press the Machine button repeatedly to cycle through the virtual machines in a System Preset and eventually back to the System Preset EDITING A PRESET To edit a System Preset you must edit the virtual machines within it Press the Machine button to cycle thr
71. ly useful for Multitap Tape Loops Feedback can be used to recirculate delays Appropriate use of highpass and lowpass filters emulates the bandpass effects of multi generational tape loops hiss not included Feedback diffusion allows emulation of azimuth misalignment a hallmark of the sound Early Reflection Modeling Although different in scope from Lexicon Ambience algorithms Random Delays can be used to place early reflections in stereo or surround fields Modulated Delays Delay times may be modulated by signal level LFO or random values HALL STEREO AND MONO A hall is the principal venue for classical ensembles but has proven to be useful for all types of music A hall is comparatively large with wall to wall distances that are typically several tens of meters Smaller halls may be used for smaller ensembles The characteristic sound of a hall includes very low initial reflection density with little reflection energy before 60 100 mil liseconds Density buildup is more gradual because of the larger distances between reflecting surfaces Reverberation time is somewhat longer as well Finally in most halls lower frequencies reverberate longer than higher fre quencies This new hall algorithm shares these basic characteristics with Random Hall and Concert Hall but is smoother with a more even decay Its initial density is also lower than Random Hall so it may be a better choice when the rever beration nee
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73. network is part of a venues larger network your network is actually sub network or subnet 13 14 SUBNET A small network within a larger network For example a TCP IP network might be a subnet of a venues network which could include computers throughout the building or a network might be divided into subnets For example in a large installation there may be one subnet per rack or room DHCP DYNAMIC HOST CONFIGURATION PROTOCOL This is a protocol for automatically assigning IP addresses to devices on a network With dynamic DHCP addressing a device might have a different IP address every time it connects to the network DHCP relies on a DHCP server to assign and manage IP addresses AUTO IP If DHCP fails the PCM96 selects a number and looks for collisions If no collisions are found the PCM96 accepts that number If collisions are found the PCM96 randomly selects another number and tries again CONNECTING THE COMPUTER DIRECTLY TO THE PCM96 Assumptions Computer has a working Ethernet network adapter You have administrative rights so that network settings can be changed if necessary 1 Connect the included Ethernet cable to both the PCM96 and the com puter 2 Apply power to the PCM96 and wait for it to boot 3 Open the control software application The PCM96 should automati cally appear in the main application window If it does not the control software settings may have to be configured to connect
74. ns value turn the corresponding knob Knob A for an option on the first line Knob B for an option on the second line and Knob C for an option on the third line Press the Back button at any time to save your changes and move one level up through the menus and sub menus AUDIO SETUP The Audio Setup sub menu contains the following options Audio Source This is a global setting that configures the PCM96 to accept ANALOG or AES input Clock Source Select your clock source here Choose from INTERNAL AES and BNC Clock Rate Select your clock rate here when the wordclock source is set to INTERNAL Choose from 44 1HKz 48KHz 88 2KHz or 96KHz Analog Setup The Analog Setup sub menu lets you adjust the following parameters Analog Input Level Increases or decreases the incoming analog signal before it reaches the processor s Set to 4dBU or 10dBU Analog Output Level Increases or decreases the outgoing analog signal after it leaves the processor s Set to 4dBU or 10dBU Analog Type IV Enable or disable the Type IV conversion system here The dbx Type IV Conversion System is a proprietary analog to digital A D conversion process that combines the best attributes of digital conversion and analog recording processes to preserve the essence of the analog signal when it is converted to a digital format Global Mute Mutes all signals from the PCM96 Set to Muted or Unmuted AES Setup The AES Setup sub menu gives y
75. ntrol rate Sweep Down 20Khz to 20Hz sweep When this is selected the signal rate parameter is used to control rate Pink Click Broadband impulse When this is selected the signal rate parameter is used to control rate White Noise correlated sends identical white noise to all outputs e White Noise decorrelated sends decorrelated white noise to all out puts Pink Noise correlated sends identical pink noise to all outputs Pink Noise decorrelated sends decorrelated pink noise to all out puts Spread Early Spread The spread parameter is closely tied to the Shape parameter Spread is a win dow of time during which a signal is injected into the reverb Shape controls just how the signal is injected during this window Tail Width This parameter is present in all stereo reverbs and rooms The reverb tail all components of the reverb except for early reflections etc is passed through a simple 2x2 matrix This provides an encoding of the tail that dramatically changes its spatial characteristics The tail can be changed to feel narrower even down to mono or wider than normal stereo There are values for the parameter to encode the tail in such a way that it decodes into surround channels The parameter operates in the range of 0 to 360 degrees with an incremen tal change of 1 degree The matrix uses Sine Cosine rules so that power dis tribution remains constant This may be acceptibl
76. ogram OX 1 127 Change Device Device ID Inquiry Bank Select System Device ID Exclusive System Song Position Common Song Select Tune Request System Clock Real Time Commands Aux Local ON OFF Messages All Notes OFF Active Sensing System Reset NN eene Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No OX Selectable 51 exicon by HARMAN 10653 South River Front Parkway Suite 300 Questions or comments South Jordan UT 84095 USA Email us at customer lexiconpro com Phone 801 566 8800 or visit us online at www lexiconpro com PCM96 Copyright 2014 Lexicon Professional Part 5047785 A
77. ollers sequencers and synthesizers MIDI THRU Passes any MIDI data received without change MIDI OUT Transmits MIDI data to other equipment 4 AES EBU In Out AES EBU format digital connectors conform to AES professional standards 5 ANALOG IN OUT Output impedance is 30 electronically balanced and levels up to 20dBu maximum full scale 6 WORD CLOCK INPUT This connection allows the PCM96 to lock to a master system clock It is not terminated For best results we recommend using T connectors when setting up a BNC Word Clock network and terminating the end of of this network with a 75 ohm BNC terminator USING THE PCM96 POWERING UP THE PCM96 1 Plug in the power cord 2 Press the Power button 3 Lexicon logo appears and remains until the boot process is com plete Next the Preset screen appears showing the currently loaded pre set THE PRESET SCREEN The Preset screen is the starting point for many of the instructions in this manual so it s a good idea to know how to get to the Preset screen In most cases pressing the Back button one or more times will take you back to the Preset screen If you press the Back button while viewing the Preset screen youll arrive at the Machine or System Category Selection screen In this case just turn the Select knob to select a category the current category is marked with an asterisk and press the Select knob to load it You will then be taken to the
78. ou the status of the following AES infor mation Data Validity Valid indicates the data is OK Invalid indicates that the Validity bit was set in a frame of incoming data and that the data attached to it may be corrupted This bit may also be sent when the 17 18 transmitting device is paused Mode This parameter can not be edited The PCM96 always transmits professional AES signal out of the AES connector Confidence Error 0 indicates no problem 1 indicates the PCM96 is detecting excessive jitter or noise on the digital audio line No data has been corrupted but corrective action should be taken Sample Slip An unchanging number indicates you are not slipping samples An increasing number indicates samples are misaligned with the window defined by the Input Source This may occur when an external master changes sample rate or when it is just powering up but should not occur in normal operation Bi Phase Error 0 indicates no problem 1 indicates that at least one bit and therefore at least one audio sample was corrupted CRC Error 0 indicates no problem 1 indicates a Cyclic Redundancy Check error in the incoming data Parity Error 0 indicates no problem 1 indicates that at least one bit and therefore at least one audio sample was corrupted MACHINE CONFIG The Machine Config menu lets you configure the PCM96 processor as one two three or four
79. ough the virtual machines within a System Preset Each virtual machine contains a set of parameters that you can edit and adjust When a virtual machine is selected three of its parameters appear at the bottom of the Display Adjust the first parameter with Knob A the sec ond parameter with Knob B and the third parameter with Knob C To see the next set of parameters you can adjust press Knob A 0 Med Hall 14ms 2 MidRT 1 59s 3 RvbOutFreq 4750 0Hz Soft Row Parameters Each virtual machine has 8 parameters you can adjust this way All presets have more than 8 parameters but only 8 can be edited via the A B and C knobs in this fashion You can choose which parameters are in the list by using the Soft Row Setup menu located in the Machine menu see Machine Menu on page 20 10 STORING A PRESET Once you ve edited a preset you can store it on the PCM96 in the User cat egory or on a Compact Flash card in the Card category Note When you first insert a Compact Flash card you may receive the message Card Needs Initializing See Initializing formatting a Compact Flash Card on page 11 for instructions on how to initial ize a Compact Flash card 1 From the Preset screen press the Store button The Save As screen appears Select Knob gt Change Position A Knob gt Change Letter Save As Single Stereo Config 2 Turn the Select knob to select a letter to change 3 Tu
80. repairing or at our discretion replacing defective materials that show evidence of defect provided the product is returned to Lexicon Professional WITH RETURN AUTHORIZATION from the factory where all parts and labor will be covered up to a period of 1 year A Return Authorization number must be obtained from Lexicon Professional by telephone The company shall not be liable for any consequential damage as a result of the product s use in any circuit or assembly 4 Lexicon Professional reserves the right to make changes in design or make additions to or improvements upon this product without incurring any obligation to install the same additions or improvements on products pre viously manufactured 5 The foregoing is in lieu of all other warranties expressed or implied and Lexicon Professional neither assumes nor authorizes any person to assume on its behalf any obligation or liability in connection with the sale of this product In no event shall Lexicon Professional or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond its control TABLE OF CONTENTS INTRODUCTION 1 THE FRONT PANEL 2 THE REAR PANEL
81. rithms not just the delays In all cases it does the same thing Delay Time Master Controls all delays in the algorithm Each voice has its nominal delay time adjusted by this percentage Delay Wander This parameter determines the amount of additional delay that the LFO process can add to voice s offset Diffusion Input diffusion is the first part of processing for any signal entering a reverb or delay It can be described as a smearing or softening of the signal and is typically used to lessen the impact of strong transients Bass Crossover Bass XOver Room Thus parameter is closely tied to the Early Bass Boost parameter It repre sents the frequency below which early bass boost has an effect Feedback This controls the amount of echo output that is fed back to the input of the echo buffer The actual feedback level is modified by the Master Echo Feedback param eter if present The master value is a percentage 0 100 that is applied to the Echo Feedback level Feedback Diffusion Feedback Diffusion is similar to Input Diffusion except that it is applied to a delayed signal that is being added back into the input Feedback Level This parameter determines the feedback level for a particular voice It is con trolled independently of the voice s output level Feedback Pan Routes the post filter delay voice back to the inputs of the delay lines Frequency This parameter lets you set the cutoff frequency of the mul
82. rn Knob A to change the selected letter Press Knob A to toggle between uppercase lowercase special characters and numbers Press Knob B to clear the selected character space 4 Repeat steps 2 and 3 until you ve changed all the letters you want to change 5 Press the Select knob to continue If a Flash card is inserted the Location menu appears If no Flash card is inserted skip to step 8 User 6 Turn the Select knob to select a location User is the PCM96 built in memory Flash is the inserted Compact Flash card if one is present 7 Press the Select knob to continue The numbered list appears 1 2 3 4 8 Turn the Select knob to select a slot in the numbered list The preset s name automatically appears in the selected slot 9 Press the Select knob to save the preset to the selected slot Storing Preset appears briefly in the Display and you are returned to the Preset screen INITIALIZING FORMATTING A COMPACT FLASH CARD To initialize or format a Compact Flash card DES eR Press the Back button until the Preset screen appears Press the Machine button until System View is displayed Press the Select knob to enter the System Menu Turn the Select knob until Card Config is highlighted Press the Select knob to access the Compact Flash Menu Press Knob B to Format the card OR press Knob C to initialize the card CREATING A NEW SYSTEM PRESET One way to create a new Syst
83. s smaller settings and at its larger ones a small performance space with a more rapid build up of reflection density than a hall Reverberant tails are randomized RANDOM DELAY STEREO AND MONO Random Delays provide no holds barred control over delays These algo rithms feature one delay line per input channel Each delay line has two out puts called voices Each voice has independent delay time up to and over 9 seconds plus an additional second provided by the randomizers described in the next paragraph output level feedback control filtering independent filters for feedback and output and panning Random Delays have the same diffusion controls as Dual Delays Delay Memory This diagram shows Input Diiis four voices for each input levels channel Actual number of voices varies by algorithm Output Voice Controls Delay Memory Recirculation Diffusion Conirola Four LFOs are available in the Random Delay and Flange Chorus EN In addition to this basic voice architecture Random Delays feature four randomizers that provide up to one second of additional delay time for each voice Voices can be assigned to either randomizer or to no randomizer at all Recirculation Pan not present Recirculation Level Output Filter Output multimode Level Recirculation Filter multimode Random Delays are similar to Simple Delays but are especial
84. ter and half note values are available If for exam ple the rate is 120 BPM and you select eighth note here the tempo will be 120 eighth notes per minute If you select quarter note here the tempo will be 120 quarter notes per minute The factory default is quarter note Tempo Source Select INTERNAL to determine the tempo using parameters within the 96 or MIDI to set the tempo using MIDI beat clock Refer to your DAW s manual to learn how to transmit this value CARD CONFIG The Compact Flash Setup sub menu indicates whether a Compact Flash card is INSERTED or NOT INSERTED and gives you the options to Format erase the inserted card by pressing Knob B or initializing the inserted card by pressing Knob C NETWORK CONFIG Here you can set the PCM96 Subnet Mask IP Address Gateway and DHCP information Turn the Select knob to select a three digit number of the DHCP value and turn Knob A to change the number or the DHCP value See Networking on page 13 for more details HIQNET CONFIG Set the HiQnet Negotiation Mode Static Random or Sequential and Node Address here Turn the Select knob to underscore a value and turn Knob A to change the value RESTORE FACTORY DEFAULTS Returns the 96 to its original state as shipped from the factory 19 20 MACHINE MENU The Machine menu lets you adjust settings for a single virtual machine To access the Machine menu press the Select knob while a Machine Preset
85. ter Directly to the PCM96 14 Setup of a Simple Isolated Ethernet Network Using DHCP 14 Virtual Private Networks VPN a 15 Network Considerations and Limitations eese 15 Network prora Reto 15 SYSTEM MENU 17 Audio SEER oom das Sh ne 17 Machine arm s Qu M 18 MIDI m 18 Tempo Control n aeri A 19 Card Contig sua an a yn S 19 Network Config nn mo es io ecd ral Doe ts 19 Hit net Conte nent ri tek Ls se 19 Restore Factory 19 MACHINE MENU 20 Soft Row Setup sls 20 pta e fete dash ha 20 Various Parameters ns rere err err er e RISE ES 20 USING MIDI 20 Setup Definitions u nm an D s 21 Dreset rboading awaq MRT ota E EN i aa 21 How to Assign a Base Channel to the
86. ter determines at which frequency the delay voice resonates Resonance Detune Master Controls detuning of all voices in the algorithm Each voice has its nominal detune adjusted by this percentage Includes a built in ducker that attenuates the delay output whenever signal is present at the input This can be used to keep the original signal from being muddied up by delay repeats Resonance Filter Master Controls all voices in the algorithm Each voice s resonator has its nominal cutoff frequency adjusted by this percentage Resonance Master Controls all voices in the algorithm Each voice has its nominal resonance adjusted by this percentage Resonance Tuning Master Affects all voices in the algorithm Each voice has its nominal resonance adjusted by this value In the musical world the tuning reference is A 440 This means that the note A above middle C is equivalent to 440 Hz Changing the master tuning causes all notes to be sharp or flat Resonator Detune This parameter acts as an adjustment to the specified frequency for the voice resonator The calculation of cents yields a ratio which is used to modify the specified frequency of the voice This parameter is modified by the Master Detune parameter Resonator Filter Freq This parameter controls a lowpass filter inside the resonator Resonator Frequency This parameter determines at which frequency the delay voice resonates The action of this parameter is determined by t
87. timode filter The audible effect of this is determined by the Type parameter Front Early Level This parameter acts as a master control for any early signals going to the out put channels Early signals include echoes reflections and the room reflec tion patterns Infinite This parameter captures the reverb tail as an infinite loop This may be use ful in music where a note or chord can be extended It is also useful in post production for creating ambience backgrounds Input Level Input Level controls the amount of signal admitted into the process from a single input channel Input Pan Routes the signal from an input channel into the algorithm in such a man ner as to alter its apparent location Level This parameter acts as a master control for reverb signals going to the output channels It is used for all reverbs LFO Rate Set the speed of an LFO in Hz LFO Waveform Type Set the shape of the wave the LFO will follow 33 34 Master Echo Delay Controls all echo voices in the algorithm Each echo delay has its nominal time adjusted by this percentage Master Echo Feedback Controls all echo voices in the algorithm Each echo feedback has its nomi nal gain adjusted by this percentage Master Reflection Delay Reflection Time Master Controls all reflection delays in the algorithm Each reflection delay voice has its nominal delay time adjusted by this percentage MidRT MidRT is the mid frequency reverb tim
88. tions 3 SELECT Knob Turn the Select knob to scroll through presets and menu options Press the Select knob to select the current preset or menu option Once you ve selected a menu option you can turn the Select knob to adjust the menu option s value Press the Back button to accept the change 4 A B and C Knobs These knobs adjust parameters shown in the Display Turn Knob A to adjust the parameter in the top row Knob B to adjust the parameter in the second row and Knob C to adjust the parameter in the third row Press Knob A to access additional pages of parameters when in the Soft Row Press Knob C to view the current preset s Algorithm Bank number Program number and MIDI channel These knob also have additional context sensitive functions when pressed 5 TAP TEMPO Button Press two or more times to set tempo for delays and modulated effects Look for presets with T in the name for effects that react to tempo 6 STORE Button Press to store a preset When pressed a menu appears in the Display where you can enter a new name for the preset 7 Compact Flash Card Slot Insert Compact Flash card here 8 FLASH BUSY LED This LED lights when the Compact Flash card is being read or written to Do not remove the Compact Flash card when this LED is lit 9 Power Button Press to turn the PCM96 on or off 10 Display This high resolution high contrast and high viewing angle OLED Organic LED display shows menu and box
89. to rain or moisture does not operate normally or has been dropped POWER ON OFF SWITCH The Power switch used in this piece of equipment DOES NOT break the connection from the mains MAINS DISCONNECT The plug shall remain readily operable For rack mount or installation where plug is not accessible an all pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated into the electrical installation of the rack or building If connected to 240V supply a suitable CSA UL certified power cord shall be used for this supply This Equipment is intended for rack mount use only IMPORTANT SAFETY INSTRUCTIONS ELECTROMAGNETIC COMPATIBILITY This device complies with part 15 of the FCC Rules and the Product Specifications noted on the Declaration of Conformity Operation is subject to the following two conditions this device may not cause harmful interference and this device must accept any interference received including interference that may cause undesired operation Operation of this unit within significant electromagnetic fields should be avoided e use only shielded interconnecting cables SAFETY INSTRUCTIONS NOTICE FOR CUSTOMERS IF YOUR UNIT IS EQUIPPED WITH A POWER CORD WARNING THIS APPLIANCE SHALL BE CONNECTED TO A MAINS SOCKET OUTLET WITH A PROTECTIVE EARTHING CONNECTION THE CORES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE GREEN A
90. to the PMC96 See the control softwares help for more information SETUP OF A SIMPLE ISOLATED ETHERNET NETWORK USING DHCP Assumptions Computer has a working Ethernet network adapter You have an Ethernet switch router with DHCP capability and Ethernet cables for each connection needed You have administrative rights so that network settings can be changed if needed 1 Connect the computer and any PCM96 processors to the switch hub using straight through Ethernet cables 2 Apply power to all PCM96 processors and wait for them to boot 3 With DHCP enabled the Ethernet switch router should assign an IP address to each of the devices including your computer 4 Open the control software application The PCM96 should automati cally appear in the main application window If it does not the control software settings may have to be configured to connect to the PMC96 See the control softwares help for more information VIRTUAL PRIVATE NETWORKS VPN Virtual private networks VPN provide an encrypted connection or tunnel between networks or between a network and a user over a public network such as the Internet Instead of using a dedicated real world connection such as a leased line a VPN uses virtual connections through the public network The advantage to a VPN is that your computer can be virtually connected to a local network even though it is physically anywhere in the world where you have an internet connection
91. ug that has been cut off from the cord is unsafe Discard the mains plug at a suitable disposal facility NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED OR CUT MAINS PLUG INTO A 13 AMP POWER SOCKET Do not use the mains plug without the fuse cover in place Replacement fuse covers can be obtained from your local retailer Replacement fuses are 13 amps and MUST be ASTA approved to BS1362 If you want to dispose this product do not mix it with general household waste There is a separate collection system for used electronic products in accordance with legislation that requires proper treatment recovery and recycling Private households in the 25 member states of the EU in Switzerland and Norway may return their used electronic products free of charge to designated collection facilities or to a retailer if you purchase a similar new one For Countries not mentioned above please contact your local authorities for a correct method of disposal By doing so you will ensure that your disposed product undergoes the necessary treatment recovery and recycling and thus prevent potential negative effects on the environment and human health WARNING FOR YOUR PROTECTION READ THE FOLLOWING KEEP THESE INSTRUCTIONS HEED ALL WARNINGS FOLLOW ALL INSTRUCTIONS The apparatus shall not be exposed to dripping or splashing liquid and no object filled with liquid such as vases shall be placed on the apparatus C
92. ur network NETWORK TROUBLESHOOTING If you are having difficulty getting your PCM96 to show up in the control software here are some things that you can try to resolve the problem SOFTWARE FIREWALL If the PC that you have installed the control software on has a built in fire wall you need to make sure that you allow the software the ability to talk on your network Try disabling your firewall and then going offline and back online in the control software If this fixes the problem refer to your firewall manufacturer s documentation on how to reconfigure your firewall to allow the control software and or port 3804 tcp and udp to pass through the fire wall ETHERNET LINK Make sure that you have a valid Ethernet connection by looking at the link status lights Most Ethernet devices will have some kind of indicator that shows the link is present Check the following connections PCM96 device If there is a valid connection on the PCM96 you will see a solid green LED running the control software 15 16 e Hub Switch if used If you fail to see a link light try removing and reinserting the cable or trying a different known good cable Also make sure that you are using the cor rect cable PING There is a simple utility built into OS X that tests the network connection between two devices The following steps outline how to use this utility 1 In the Applications folder double click the Terminal icon
93. virtual machines in a new preset Note that once you ve selected a configuration you must then populate each virtual machine with a Machine Preset see Editing a Preset on page 9 Choices include Single Mono In Stereo Out Single Stereo Dual Mono Cascade Stereo Cascade Mono Cascade Mono to Stereo Combined Stereo Mono In See DSP Configurations on page 12 for more detailed descriptions of each configuration MIDI CONTROL The MIDI Control sub menu lets you adjust the following MIDI related options MIDI Turns MIDI processing on or off Device ID Select the connected MIDI device s ID here Choose from 0 126 Base Channel Select the connected MIDI device s base channel here Choose from 0 15 Bank Dump Lets you copy an entire bank of presets from the PCM96 to another device via MIDI see Bank Preset Map on page 23 for a map of banks and presets to see the current presets bank number press Knob while viewing the Preset screen When Bank Dump is highlighted turn the corresponding B or C Knob to select a bank Press the corresponding B or C Knob to send the bank to the connected device TEMPO CONTROL The Tempo Control sub menu contains the following options Tempo Value Set the current preset s tempo here by turning Knob A or by pressing the Tap Tempo button at least two times Tempo Beat Tempo is expressed in BPM This control allows you to specify the value of the beat Eighth quar

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