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1. or voice to sound much fuller when you sing close to the mic than when you mic it at a distance The key to developing the best mic technique Is experimentation along with awareness of the general principle that the closer your M606 is to a signal source the greater the bass response Typical Frequency Response Curve hh 20 EA AAA AAA A E EA AADA LS 1 _ EA A A de AAA A AE AAA o A A E A A E ETE E d CO TS A A CO O ES E SS E FS AE O E E EA E a Es A a ee EEEE JT JT E SD A EE E D P OR O ED e E SD EEE E RS CR W es e a OE LV St eS A 20 50 100 20 500 1000 2000 5000 10000 20000 Frequency Hz Wiring Guide and Specifications ot 2 Gorrira Sollee Polis y E 0 63 Aa Female XLR t Comitia J Male Phori alder Porta Al Jack 75 Eor E a 9 She mn d Comm f Gala Female ALK Up YN Sad il j wate gu Te KA Female XLE wales mae Edseve Common The M606 can be connected to any mixer mixer amplifier or mic preamp using a standard microphone cable As shown in the wiring diagrams below connect the female XLR end directly to the M606 s gold plated connector and the other end normally a male XLR end although some mixers use 1 4 connectors to the mixer mixer amplifier or mic preamp M606 Specifications Type Condenser Polar pattern Cardioid FREQUENCY RESPONSE 40 20000HzZ Sensitivity 45 dBV Pa f 1KHZ S P L 1Pa 0dB 1V Pa Output impedance 6 8 KQ f 1000Hz Current Consumption 502. designed to accept mostly signal coming from directly in front and to reject signal coming from behind or from the side The cardioid pattern is utilized by 4 the M606 as shown in the illustration below For this reason the M606 excels in environments where there is a good deal of unwanted ambient sound it delivers those signals originating directly in Tont of the mic capsule itself while rejecting those that originate from behind The polar pattern also determines how prone a particular mic is to inducing feedback Feedback is that characteristic nasty howling sound that occurs when a mic is placed too close to a loudspeaker the signal from the loudspeaker Is fed into the mic then into the loud speaker then into the mic over and over again until an oscillating tone is generated Because the cardioid pattern utilized by the M606 Is so good at rejecting signal not coming from directly in front of the mic you ll find that use of the M606 greatly minimizes feedback prob lems Ml 6 06 Polar Pattern The M606 can be mounted to any standard microphone stand using the included mic clip or can be handheld If handheld take care not to cover the any part of the head grille with your hand Be aware ofa phe nomenon called the proximity effect which causes a noticeable increase in low frequencies bass response when a microphone is close to the audio source This can have positive impact for example it will cause your instrument
3. to reduce feedback A special shock mounted mic holder is included to minimize noise and provide addtional pro tection Feature The Ypa M606 utilizes state of the art microphone technology and is engineered to the finest detail Here are some of its main features Extended frequency response 40Hz to 20kHz which accurately reproduces audio with great detail while minimizing low frequency noise Tight cardioid polar pattern which minimizes pick up at the off axis sections eliminating ambient noise and reducing feedback High SPL response which reduces signal at high sound pressure levels without noise or distortion The included foam wind screen can be fitted to greatly reduce wind noise when used in an outdoor environment or for reducing P Popping in vocal applications Operating the M606 Microphone Placement and Tone Guality Listed are some common microphone placement technigues Use these suggestions as a guide and let your ears determins what works pest in your situation Sound source less than 6 inches away from mic Full sound pro nounced bass increased isolation from background noise Sound source 6 inches to 2 feet away from mic Balanced natural sound less bass some background noise Sound source 3 to 6 feet away from mic Thinner ambient sound Guidelines for Microphone use Aim the microphone atthe desired source Keep unwanted sound sources at a 135 angle from the front o
4. 0A VS 1 5V RL 6 8KQ Max S P L 120 dB THD lt 1 1000HZz Signal to Noise Ratio 66 dB S f 1KHz S P L 1Pa N A Weighted curve Power supply 48V Phantom Power Dimensions O14x6 3mm Weight 63g Manufacturer Declarations Warranty 2 years GE Declaration Conformity The eguipment is in compliance with the essential reguirements and other relevant provisions of Directive 2011 202 CN The declaration is available on the internet at www ypaaudio com WEEE Declaration Please dispose of this product at the end of its operational lifetime by taking it to your local cllection point or recycling center for such equipment REPLACEMENT PARTS Windscreen 2 per packagQe ooccocccoccconcocncococococoncncnnanonaninnnnos A66W Storage bag rrrennnennnennnee anne anne nnen nne nn nene nene A6B Shanghai Ziyan Industrial Co Ltd 33 202 No 3898Jinshan Avenue Jinshan shanghai 201512 China Phone 86 21 37219581 Fax 86 21 37219520 Http www ypaaudio com ll 3316 Printed in Hong Kong Publ 01 1 1 920586 A02
5. USER S MANUAL YPA M606 AYPA PROFESS CONDENSER MICROPHONE Contents Introduction and Features rrrnnneeneeneenene nene nnea 1 Operating the M606 soccer rie 2 M606 ADDIICAHONS NOTOS 1045 21000800 38 tia kiita mamma aa aii 3 M606 Characteristics nnmnnnnneeneenneennen nee nnnn annan nnn ena 4 Wiring Guide and Specifications eneneneennnne nene 6 Manufacturer Declarations nnennneneennna nne nan nen nn enn 8 Thank you for choosing YPA We have designed this product to give you reliable operation over many years Over 10 years of accumulated expertise in the design and manufacturer of high quality electro acoustic equipment have made YPA a chinese leading company in this field Please take a few moments to read these instructions carefully as we want you to enjoy your new YPA product quickly and to the fullest Introduction and Features Thank you for purchasing the Ypa M606 Condenser Microphone The M606 condenser microphone brings a high level of accuracy and audio performance to instrument miking applications The M606 is a pencil style condenser microphone that excels in both live performance and recording applications Equipped with a linear frequency response for superior reproduction it is also designed to withstand high sound pressure levels Extremely sensitive it employs a tight cardioid pattern
6. f the microphone Place the microphone as close to the sound source as possible o Use the proximity effect to your advantage The closer the mic is to the sound source the more emphasized the bass response will be Use the windscreen to suppress unwanted wind noise Never cup your hand over the microphone grill Operating Notes o The M606 will boost bass frequencies when the microphone is be tween 0 6 inches from the sound source As you move the sound source further away from the microphone the bass response will gradually roll off The M606 has a built in wind screen which protects against most wind and breathing noise Under adverse conditions such as high winds an optional oam windscreen can be used M606 Applications Notes Application Notes The M606 is a great microphone choice for many instrument miking situations Below is a brief guide on using the M606 in some typical applications Acoustic Guitar There are a variety ot ways that the M606 can be used to mic an acoustic guitar The microphone placement will depend on the type of instrument and what kind of sound youre looking to capture for ex ample the tonal quality you want to focus on and how much finger slide or pick noise you may or may not want When miking a standard steel string acoustic a good place to start is with the microphone posi tioned pointing towards the end of the fingerboard at a distance of about 6 inches to 2 feet away from the instrume
7. nt You can experi ment by moving the microphone slightly in the direction of the sound hole which will produce more low frequencies or move it in the direc tion of the fingerboard to capture more high end or to remove any un wanted boomieness For nylon string acoustic try posi tioning the mi crophone above the bridge to emphasize more of the attack from the sound of the finger picking or for less move the mic closer to the sound hole If you have a pair of M606 s try one positioned at the fin gerboard and the second over the sound hole Piano You can achieve outstanding results using the M606 on acoustic piano Several placement approaches can be used depending on the size of the piano and the type of sound you are looking to record When miking a Grand Piano for an ambient sound like that used in a classical recital a single M606 can be positioned directly in front of the instrument Open the lid to the full position and place the microphone five to twenty feet in front on the instrument For a more contemporary ensemble sound place two M606 s in the piano posi tioning one over the low strings and the other of the high strings 3 Overhead Drum Kit Because of its extended high frequency response and fast transient response the M606 perfoms outstandingly when used as an overhead cymbal microphone You can position one M606 on a boom mic stand directly above the kit pointing from front to back For stereo miking use two M606
8. s placed over the drum set at a distance of three to five feet You can xperiment with the exact placement depending on the size of the room and whether you relooking for an ambient or close miked sound In general when miking a drum kit it s a good idea to Start with the overhead mics Even though you use the overhead mics mostly for the cymbals try to get the entire kit to sound great in the overheads Then it will be easier to just bring up your individual mics for more attack and thickness in the overall sound Hi Hat The M606 is a perfect microphone for miking Hi Hats thanks to its smooth top end and the ability to capture fast attack transients Try placing the microphone over the edge of the top cymbal Experiment by moving the mic further over the cymbal to produce more of a stick sound but keep in mind it may pick up more of the kit Remember that the M606 has a cardioid frequency response so position the micro phone in the direction of the Hi hat but for increased separation be sure to point the mic away from other drums or cymbals whenever possible M606 Characteristics Every microphone has a characteristic polar pattern that determines how well it accepts or rejects signal coming from various areas around the microphone For Example omnidirectional mics accept all signals regardless of where those signals originate in front of the mic behind it to the side etc In contrast directional cardioid mics are specifically
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