MIX.FX SERIES
Contents
1. Headphones 1 2 CD Player a ioc E DAT Recorder Keyboard Drum Machine TAPCO S 5 or other Active Studio Monitors Computer set up MIX 1622FX Mono in Stereo out Reverb optional Qm 1 and 2 Headphones v POWER PHONES INPUT INPUT iNPUT INPUT 5 AUXRETURN FXRETURN MAINOUT BAL UNBAL BAL UNBAL BAL UNBAL BAL UNBAL 2 UNBAL UNBAL MI UNB L TAPCO DB 1A Direct Box Digital Audio Workstation Guitar Drum Machine Link USB or other Digital Audio Interface TECHNICAL SPECIFICATION Model Number Frequency Response Distortion Noise CMRR Crosstalk Equalization Mixer Rated Output Maximum Input Levels Input Impedance Output Impedance VU Meters SERIES MIX FX Series Mixer Mic Input to any Output Trim at 0 dB 0 1 dB 3 dB THD and SMPTE IMD Mic Input to Main Output 10 Hz to 150 kHz 10 Hz to 200 kHz 20 Hz to 20 kHz lt 0 005 4 dBu output 20 Hz to 20 kHz BW 150 Ohm source impedance Equivalent Input Noise EIN Residual Output Noise Main Ctrl Room Phones Mic In Adjacent Inputs or Input to Output Input Gain Conrol Range Phantom Power MIX 1204FX High Mid Low MIX 1622FX Mono Channels High Mid Low MI2. the MIXUEX SERIES C mix USER S MANUAL MIX FX SERIES MIXER MIX FX SERIES NOTE SAFETY RELATED SYMBOLS O Z p 1 4 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN This symbol wherever used alerts you to the presence of un insulated and dangerous voltages within the product enclosure These are voltages that may be sufficient to constitute the risk of electric shock or death This symbol wherever used alerts you to important Operating and maintenance instructions Please read Protective Ground Terminal AC mains Alternating Current AC mains Alternating Current Denotes the product is turned on Denotes the product is turned off WARNING Describes precautions that should be observed to prevent the possibility of death or injury to the user CAUTION Describes precautions that should be observed to prevent damage to the product Disposing of this product should not be placed in municipal waste but rather in a separate collection WARNING Power Supply Ensure that the mains source voltage AC outlet matches the voltage rating of the product Failure to do so could result in damage to the product and possibly the user Unplug the product before electrical storms occur and when unused for long periods of time to reduce the risk of electric shock or fire External Connection Always use proper ready made insulated mains cabling power c
3. 1 N cHORUS REV w 955 ROTARY HALL dd 0 00 FX BYPASS VARIATIONS Since you have selected the preferable effect the next step please go with the fine consideration there are also total 16 variations for each preset and each variation may be managed by several different factors FX INPUT LEVEL Control This control is used to adjust the signal level coming into the internal effects processor Adjust the FX INPUT LEVEL knob until you can hardly see the FX OL LED blink FX OL LED This LED lights up when the signal is too strong for the digital effects processor Turn down the FX INPUT LEVEL knob when you see the FX OL LED blink frequently SERIES CONTROL ELEMENTS FX BYPASS amp LED Engaging this switch in to bypass the internal effects processor and its output will not come into main mix or stage monitors When use this function the LED next to the BYPASS switch will illuminate AUX SEND OUT These 1 4 TRS are used to send out the signal from the AUX bus to external device such as effects equipment they also can be used as monitoring outputs by connecting a power amplifier and monitor speaker Each channel has an AUX SEND 1 MON and AUX SEND 2 FX control that adjusts how much of that channel s signal appear at each of these outputs AY WY PHONES FOOTSW PHANTOM 48V CD TAPE AUX SEND AUX RETURN FX RETURN MAIN OUT INPUT OUTPUT STEREO AUX RETURN
4. Inputs Use these stereo 1 4 jacks to return the signal of an effect unit to main mix Note In MIX 1622FX if you engage the MAIN SUB1 2 switch the signal is routed to Sub 1 2 bus the level controlled by Master AUX RETURN knob Only use the left input if connect a mono input signal to the AUX RETURN inputs the signal will appear on both sides STEREO FX RETURN Inputs Connect these inputs with the output of an external effects device If you plugging a 1 4 jack into these inputs it will disconnect the internal effects processor However if you plug into just the left input the right internal effects is still connected and vice versa The signal is routed to main mix the level controlled by FX RETURN knob 1 4 MAIN OUT Jacks Only for 1622 These 1 4 TRS jacks are used to connect with the inputs of an external amplifiers or active speakers It has the same signal that appears at the XLR MAIN OUTS on the rear panel CD TAPE INPUTS Use the Tape Input if you wish to listen to your mixer from a Taper Recorder or DAT When the TAPE TO MAIN switch is pushed in you can assign the signal coming from Taper Recorder to main mix when the CD TAPE switch which on the front panel is engaged in the signal can also be assigned to the CONTROL ROOM PHONES outputs If you connecting a mono device you will need a Y splitter RCA adapter TAPE OUTPUTS These RCA sockets will route the main out signal into a tape recorder or DAT The TA
5. cs T ALT 3 ALT 4 ALT3 4 Master Faders MIX 1204FX SUB1 2 Master Faders MIX 1622FX These faders are used to control the levels of signal that send to the ALT3 4OUT SUB 1 2 OUT The range goes from to 10 dB By pushing in the MUTE ALT3 4 switch for MIX 1204FX amp SUB 1 2 ASSIGN switch for MIX 1622FX the signals will appear at the ALT3 4 SUB1 2 OUTS MAIN MIX Faders These two faders set the level of main mix signals sent to the Main Outputs Tape Outputs CONTROL ROOM PHONES and LED display Note When connecting a speaker to the speaker output jacks on rear panel please pay more attention to the level setting for avoiding damaging the speaker Generally the faders will be positioned between 0 dB and the 5 dB MASTER AUX SEND Controls Both knobs are used to determine the master AUX SEND levels The adjustable range is from to 15 dB When the external effect unit connected to mixer has no input gain control you can get a further 15 dB gain available from these AUX SEND outputs MASTER AUX SEND SOLO Switches From these two switches you can monitor the aux send signals in the CONTROL ROOM and PHONES outputs AUX FX RETURN Level Controls These two controls adjust the amount of the AUX FX Return signal that added to the L R main mix buses just before the MAIN MIX fader SERIES CONTROL ELEMENTS XLR MAIN OUTS These two outputs are supplied with the XLR connectors Conne
6. damage the cabinet or its components Please comply with all pertinent Regulations 3 Use quality cables Using quality cables will ensure the best possible sound 4 For best results match the speakers to a good amplifier that matches the wattage and impedance of your speakers Proper amplification power results in good quality audio and longer component life Check out the power requirement for your cabinet 5 Avoid pointing a microphone directly at an amplified speaker doing so could cause feedback possibly damaging speaker components and your hearing Enjoy the sound MIX FX SERIES CONTROL ELEMENTS PHONES Jack This socket will send out the mix signal to a pair of headphones and the signal is the same as the CTRL RM OUTS outputs The level controlled by the CTRL ROOM PHONES knob You can listen to the Main Mix the CD TAPE or the ALT3 4 MIX 1204FX SUB1 2 MIX 1622 depending on these CONTROL ROOM SOURCE select switches FOOT Switch This 1 4 TS jack can be used to connect an external footswitch for engaging the internal FX BYPASS function If the LED which next to the FX BYPASS switch lights up it means the bypass function is engaged POWER LED This LED lights up when the power switch is turned on PHANTOM 48V Switch and LED This 48VDC Phantom Power switch only apply to the XLR microphone inputs Never connect microphones when the phantom power is on already The LED near to this switch will light up whe
7. the bass control It is used to boost male voice kick drum or bass guitar Your system will sound much bigger than what it is The gain range goes from 15 dB to 15 dB with a center frequency of 80 Hz AUX Send Controls These two controls are used to adjust the level of signal sent to AUX bus 1 amp 2 and this adjustment doesn t effect the main mix output signal at all AUX SEND1 MON can be configured as PRE POST fader via the PRE switch Up for POST fader the signal is sent out after the channel fader and will be affected by the channel fader Down for PRE fader the signal is sent out before the channel fader and will not be affected by the channel fader AUX 2 FX is configured as POST fader PAN BAL Abbreviation of PANORAMA control for mono channels for the stereo channels always says BALANCE control You can adjust the stereo image of the signal via this control For mono MIC LINE channels keep PAN control in centre position and your signal will be positioned in the middle of stage that is to say the mono signal appears equally in both sides Turn this control fully counterclockwise and the signal will be present only on the left speaker and vice versa For stereo channels by rotating the BAL control you can attenuate the signal of left or right It means if turn the control to left the right channel will be attenuated if turned to right the left channel will be attenuated MI X FX FX SERIES SE
8. N is equipped with the MAIN ALT3 4 MIX 1204FX or MAIN SUB1 2 M IX 1622FX switch Release the switch to send the stereo signal from AUX RETURN to MAIN MIX buses and engage this switch the stereo signal will be sent to ALT 3 4 or SUB1 2 buses CONTROL 0 x 9 MAIN CD SUB 5010 MIX TAPE 1 2 MAIN MODE CTRL ROOM SOURCE SELECT PHONES RUDE SOLO CEIR AUX SEND 15 MAIN JI FX SUB 1 2 RETURN 0 RTRN TO Level Control This control will route the signal that is present at the FX RETURN jacks to AUX1 output so that the effects can be heard in the monitor mix CONTROL ROOM SOURCE Switches You can choose to monitor any combination of MAIN MIX CD TAPE and ALT3 4 MIX 12 O4FX SUB1 2 1622FX via these switches The corresponding stereo signals will be delivered to the CONTROL ROOM PHONES and LED display CTRL ROOM PHONES Knob This control is used to adjust the output level of CTRL ROOM PHONES TAPE TO MAIN Switch You can connect a CD or Tape Deck to the CD TAPE inputs and press this switch to send the CD TAPE signal to the main mix Also you can use the MAIN MIX controls to adjust the volume level MIX FX SERIES CONTROL ELEMENTS SOLO MODE PFL AFL amp RUDE SOLO LED By pushing down this button will made the selected signal of CONTROL ROOM SOURCE replace by the SOLO signal going into the CONTROL ROOM OUTPUT
9. PE OUT level is affected by MAIN MIX faders
10. RIES WIRE CONNECTIONS CONTROL ELEMENTS Either the 1 4 TRS phone jack or XLR connector can be wired in balanced and unbalanced MUTE ALT3 4 SWITCH For MIX 1204FX modes which will be determined by the actual application status please wire your system as MUTE SWITCH For MIX 1622FX the following wiring examples e For 1 4 Phone jack ba Ring Ring Tip Sleeve Sleeve TS Type Unbalanced TRS Type Balanced TRS Type Unbalanced e For XLR Connector Pin2 Pin3 Pint XLR Type Unbalanced In line Connection Linked to Pin1 manually Pin2 Pin1 XLR Type Balanced For these applications the unit provides 1 4 TRS and XLR connectors to easily interface with most professional audio devices Follow the configuration examples below for your particular connection e Balanced 1 TIP RING SLEEVE LEEVE RING TIP TIP RING SLEEVE e Unbalanced RING SLEEVE TIP SLEEVE SLEEVE TIP mo TIP RING SLEEVE SLEEVE RING TIP mA 6 TIP SLEEVE os A gt TIP RING SLEEVE Ring C Ring Sleeve 5 Tip 1 Ring 2 Sleeve 3 Tip 1 Ring 2 Sleeve 3 Tip 1 2 Sleeve 3 2 3 Screen Tip lt
11. S PHONES and the RIGHT LED DISPLAY LEFT and RIGHT LED DISPLAY when in AFL SOLO The audible SOLO levels are controlled by the CTRL ROOM PHONES knob The button provides two modes up for PFL Pre Fader Listen mode down for AFL After Fader Listen mode In either mode SOLO will not be affected by a channel s MUTE ALT switch position NOTE Be caution when switching from AFL to PFL mode If you have the channel fader turned down too much below the unity gain while in AFL mode switch to PFL mode will cause a sudden and startling increase in volume level When the solo mode is engaged the SOLO LED will light up In PFL Solo mode the RUDE SOLO LED is green while in AFL Solo mode the LED is red OUTPUT LEVEL LED DISPLAY These stereo LED meter will indicate the level of the overall output signal INTERNAL EFFECTS SECTION Internal Effects Selector Adjust this knob to select the right effect you wish to perform There are totally 16 options for you SPRING STAGE TREMOLO and two effect combinations When you are satisfied with the right preset please push this knob to store it When changing effects the effects output mutes for a second INTERNAL EFFECTS SPRING 3 16 15 STAGE N J ECHO REV L ws TREMOLD STEREODELAY 14 ROOM gt e CATHEDRAL 13e FLANGER REV 77 STUDIO 12 FLANGER gt CHORUS 41 VARIATIONS FX INPUT e 9 LI LEVEL b FXIOL MAX THEATER
12. Sleeve 0 Sleeve Tip Ring Ring Sleeve Sleeve Tip Sleeve 0 Tip Ring Sleeve Screen 1 1 2 2 3 3 Each channel is equipped with the MUTE ALT3 4 in MIX 1204FX or MUTE switch in MIX 1622FX Pressing this switch is equal to turning the fader down which can mute the corresponding channel output except for SOLO in PFL mode the MUTE LED will illuminate In MIX1204FX the MUTE ALT3 4 switch can also be used for signal routing MIX 1204FX MIX 1622FX SOLO SWITCH amp OL LED When pressing this switch the OL LED will illuminate and the SOLO signal will replace other signals and reach to the CONTROL ROOM PHONES Usually use the SOLO function to preview each channel before they are get into the mix You can solo more than one channel at a time And the soloed channels are sent to the CONTROL ROOM PHONES and LED display Engaging the SOLO switch all CONTROL ROOM SOURCE selections MAIN MIX CD TAPE ALT3 4 MIX 1204FX and SUB1 2 MIX 1622FX will be muted 1 2 amp L R Switches only for MIX 1622FX Each channel provides two assignment switches 1 2 and L R Pressing the 1 2 will assign the channel signal to SUB1 2 you can depend on the PAN BAL control to adjust the amount of channel signal sent to the SUB1 versus SUB2 when turns the PAN BAL to completely left then the signal can be o
13. T OR OTHER ARTICLES IN THE USE SITE OR BY ANY OTHER DAMAGE IF HE IS FORTUITOUS CONSEQUENT OR OF ANOTHER TYPE ALTHOUGH TOPP PRO HAS BEEN NOTICED OF THE POSSIBILITY OF SUCH DAMAGES Some states do not allow to exclusion or the limitation to the fortuitous or consequent damages so the aforesaid limitation can not be applied to you This guarantee gives specific legal rights him you can also have other right that varies of state to state MIX FX SERIES TECHNICAL SPECIFICATION AC Power Requirements Power Consumption 40 Watts US 120 VAC 60 Hz Europe 240 VAC 50 Hz Japan 100 VAC 50 60 Hz Korea 220 VAC 60 Hz AC Connector 3 pin IEC 250 VAC Physical Dimensions H x W x D MIX 1204FX 96 x 292 x 360 mm 3 8 x 11 5 x 14 2 MIX 1622FX 96 x 348 x 384 mm 3 8 x 13 7 x 15 1 Weight MIX 1204FX 4 0 Kg 8 8 Ib MIX 1622FX 4 4 Kg 9 8 Ib SERIES INTRODUCTION Thank you for purchasing the MIX FX series mixing console The MIX FX mixing console is packed with some features that can not be found in other consoles of its size 4 mono these are provided with ultra low noise microphone preamplifiers and phantom power at 48V 2 stereo input channels 4 channels for MIX 1622FX and each of them is provided with warm natural EQ 2 Track inputs assignable to Main mix Phones Control Room outputs etc Besides the 24 bit effect processor with 256 effects Please read this manual carefully so you can take advantages of al
14. X 1622FX Stereo Channels High Mid Mid Low Main Aux Control Room Maximum Rated Output Mic Input Line Input Tape Input and Aux Return Mic Input Line Input Stereo Aux Returns CD Tape In Main Ctrl Room Aux Sends Tape Output Phones Output Main Left and Right 1204 Main Left and Right 1622 129 dBu 105 dBu 60 dB 1 kHz Gain aximum 90 dB 1 kHz 0 dB to 50 dB 48 VDC 15 dB 12 kHz 12 dB 2 5 kHz 15 dB 80 Hz 15 dB 12 kHz 15 dB sweepable from 100 Hz to 8 KHz 15 dB 80 Hz 15 dB 12 kHz 15 dB 3 KHz 15 dB 500 Hz 15 dB 80 Hz 4 dBu 22 dBu 12 dBu Gain 10 dB 30 dBu Gain 10 dB 22 dBu 2 6 balanced 20 balanced 20 balanced 24 unbalanced 240 balanced 120 unbalanced 120 Q 1kQ 2580 Clip 18 10 5 2 0 2 5 20 Clip 18 10 7 4 2 0 2 4 7 10 20 30 MIX FX FX SERIES SERIES BLOCK DIAGRAM CONTROL ELEMENTS Mono MIC Input The MIX FX series is equipped with 4 low noise mic MIX1622FX preamplifiers with optional phantom power providing l up to 50 dB of amplification You can connect almost cigi any type of microphone Dynamic microphones don t 2 3 5 9 OF 9 GE EE E M p urn need phantom power Use phantom power only with condenser microphones but make sure that the MIC BAL UNBAL phantom power switch is disengaged befor
15. ches are used to select the input sensitivity of the line inputs on the stereo channels 4 dBu is suitable for professional audio devices and 10 dBv is suitable for general devices If not sure to use which setting try 4 dBu first then change it to 10 dBv if the volume is too small to be satisfied EQUALIZATION The MIX 1204FX is equipped with 3 band EQ on all the channels while the MIX 1622FX has 3 band EQ with sweepable MID on all mono channels and 4 band EQ on stereo channels All bands provide up to 15 dB boost or cut MIX FX FX SERIES SERIES CONTROL ELEMENTS BLOCK DIAGRAM HIGH 6 This is the treble control You can use it to get rid of high frequency of the human voice The gain range goes from 15 dB to 15 dB with a centre frequency of 12 kHz MIX 1204FX MID FREQ Only for Mono Channels of MIX 1622FX It can change the center frequency for the MID EQ filter From this knob you can more accurately select the band of frequency that you want to boost or cut The ranges goes from 100 Hz to 8 kHz MID EQ This control provides 15 dB boost or cut at 2 5 kHz on the MIX 1204FX The MIX 1622FX has sweepable MID EQ controls on the mono channels and two discrete MID EQ on the stereo channels with center frequencies at 3 KHz and 500 Hz it can affect most fundamental frequencies of all musical instruments and human voice LOW EQ 9 This is
16. ct these to the inputs of your main power amplifier powered speaker or serial effects processor ALT3 4 OUTS Only for MIX 1204FX SUB OUTS Only for MIX 1622FX These 1 4 jacks are unbalanced outputs The signal level to the ALT3 4 OUTPUT SUB OUT is adjusted by ALT3 4 SUB1 2 knob on the front panel CONTROL RM OUT These 1 4 TRS jacks are used to send the control room signal to the studio monitor speakers or a second set of PA They can also be used to provide another main mix output or to monitor the CD TAPE Inputs when CD TAPE switch pushed in or to monitor the ALT3 4 MIX 1204FX only or SUB1 2 output MIX 1622FX only CHANNEL INSERTS1 4 Only for MIX 1622F X Insert sockets are provided for all mono MIC channels It can allow you patch external processing devices into signal path via a TRS connector the signal will be taken out after the input gain control and sent to an external processor such as a compressor limiter then returned into the same channel immediately before the EQ section SERIES INSTALLATION TIPS 1 Speakers should be placed in a position that allows for unobstructe sound projection In many instances is beneficial for speakers to be elevated on tripod stands to achieve maximum dispersion and reach 2 Use professional advice or service when hanging and installing speakers Please take precautions to secure them to prevent them from falling and hurting someone Care should be taken as to not
17. e connecting the microphone Phantom power will not damage your dynamic microphones but it may damage tube or ribbon microphones so make sure to read the microphone instructions manual before engaging phantom power switch There are also equipped with 1 4 TRS balanced and TS unbalanced LINE IN plug you can connect with line level instruments such as synthesizers keyboards drum machines or effect devices NOTE Never try to connect a line level signal to the XLR MIC input when the phantom power is engaged doing this you may seriously damage your equipment AT SUB 1 2 TO CTRL RM MONO wy STEREO LINE INPUTS 9 They are organized in stereo pair and provided with 1 4 TRS jacks It is used to connect the stereo ZY device plug both the left input and the right input LINE Using the left input if connect a mono input signal to the STEREO INPUT the signal will appear both sides GAIN CONTROL This GAIN control is used to control the input sensitivity of the MIC and LINE inputs The adjustable range goes from 0 dB to 50 75 Hz Low Cut Switch By pressing this button you will activate a 75 Hz low frequency filter that cuts the bass frequency below 75 Hz You can use this switch to reduce the hum noise caused by the mains power supply or the stage rumble while using a microphone 4 10 Switch These swit
18. es the normal operation of the product against any defect of manufacture and or vice of material by the term of 12 months counted as of the date of purchase on the part of the user committing itself to repair or to change to its election without position some any piece or component that will fail in normal conditions of use within the mentioned period This guarantee is valid if the original buyer will have to present display this certificate properly sealed and signed by the selling house accompanied by the corresponding invoice of purchase where it consisted the model and serial number of the acquired equipment The guarantee does not cover Damages caused by the illegal use of the product repair and or nonauthorized modification conducted by people by T MIX Damages caused by the connection of the equipment to other equipment different from the specified ones in the manual of use or by bad connection to these last ones Damages caused by electrical storms blows or incorrect transport Damages caused by excesses or falls of tension in the network or by connection to networks with a tension different from the required one by the unit Damages caused by the presence of sand acid of batteries water or any strange element inside the equipment Deteriorations produced by the course of the time use and or normal wear of the unit Alteraion or absence of the serial number of factory of the equipment The repairs cou
19. hese instructions Do not discard Heed all warnings Only use attachments accessories specified by the manufacturer Power Cord and Plug Do not tamper with the power cord or plug These are designed for your safety Do not remove Ground connections If the plug does not fit your AC outlet seek advice from a qualified electrician Protect the power cord and plug from any physical stress to avoid risk of electric shock Do not place heavy objects on the power cord This could cause electric shock or fire Cleaning When required either blow off dust from the product or use a dry cloth Do not use any solvents such as Benzol or Alcohol For safety keep product clean and free from dust Servicing Refer all servicing to qualified service personnel only Do not perform any servicing other than those instruct ions contained within the User s Manual PORTABLE Carts and stands The component should be used CART WARNING only with a cart or stand that is recommended by the manufacturer A component and cart combination should be moved with care Quick stops excessive force and uneven surfaces may cause the component and cart combination to overturn MIX FX SERIES TABLE OF CONTENTS INTRODUCTION FEATURES USEFUL DATA CONTROL ELEMENTS INSTALLATION TIPS WIRE CONNECTIONS BLOCK DIAGRAM TECHNICAL SPECIFICATION GUARANTEE SERIES GUARANTEE T MIX guarante
20. l the features of the MIX FX series Thank you again for making the right choice in purchasing the T MIX MUSIC GEAR FEATURES e 4 mono inputs with gold plated XLR and Balanced TRS jack 2 4 for 1622FX stereo inputs with Balanced TRS jack GAIN control and 48V phantom power for mono inputs e 3 band EQ plus 75Hz low cut filter on all mono channels For 1204 3 band EQ with sweepable MID plus 75Hz low cut filter on all mono channels and 4 band EQ on stereo channels For MIX 1622FX e 2 AUX sends AUX1 with PRE POST fader switch for monitoring AUX2 POST fader for effect sends can be changed in PRE fader for monitoring Each input channel features MUTE ALT3 4 SOLO switches and OL LED MIX 1204F X e MUTE SUB1 2 L R assign switches SOLO switches and OL LED MIX 1622F X e 2 Track IN OUT with discrete switches for routing to Control Room and to Main Mix Two different ways of SOLO PFL AFL for a better control over signal path e Balanced XLR amp TRS jack output e 24 bits internal DSP with 256 effects 16 presets by 16 variations DSP MUTE and Peak LED USEFUL DATA Please write your serial number here for future reference Serial Number Data of Purchase Purchased at HOOKUP DIAGRAM Active Speakers Mackie SRM450s Small Club Gig Stage Monitors athe MAIN OU TAPCO Juice Mono in Stereo out Reverb Power Amplifier optional
21. ld only be carried out the authorized technical service by T MIX that will inform about the term and other details into the repairs to take place according to this guarantee T MIX will repair this unit in counted a term nongreater to 30 days as of the date of entrance of the unit to the Technical Service In those cases in that due to the particularity of the spare part outside necessary their import the repair time and the viability of the same one will be subject to the effective norms for the import of parts in which case one will inquire to the user about the term and possibility into repair With the object of its correct operation and of the validity of this one guarantee this product will have to be installed and to be used according to the instructions that are detailed in the manual associate or the package of the product This unit will be able to appear for its repair next to the invoice of purchase or any other comprobante where the date of purchase consists to its authorized distributer T MIX or an authorized technical center on watch by T MIX Exclusion of damages THE RESPONSIBILITY OF TOPP PRO BY ANY DEFECTIVE PRODUCT IS LIMITED THE REPAIR OR THE REPLACEMENT OF HE HIMSELF TO TOPP OPTION PRO IF WE CHOSE TO REPLACE THE PRODUCT THE REPLACEMENT CAN BEARECONDITIONATED UNIT TOPP PRO WILL NOT BE RESPONSIBLE BY THE DAMAGES BASED ON THE LOST INCONVENIENCE LOSS OF USE BENEFITS LOST SAVINGS BY THE DAMAGE TO OTHER EQUIPMEN
22. n the phantom power is switched on NOTE Turn down all output levels before operating this switch to avoid the possibility of in your speakers Do not use phantom power with tube or ribbon microphones as this may cause damage Rear Panel MIX 1204FX MIX 1622FX POWER ON OFF Switch This switch is used to turn the main power ON or OFF When powered on the power LED on the front panel lights up PHANTOM ON Switch This switch will apply 48VDC Phantom Power only to the four XLR microphone inputs Never connect microphones when the phantom power is on already NOTE Turn down all output levels before operating this switch to avoid the possibility of in your speakers Do not use phantom power with tube or ribbon microphones as this may cause damage AC Inlet with Fuse Holder Use it to connect your mixer to the main AC with the supplied AC cord Please check the available voltage in your country and voltage required for your M FX model before attempting to connect your MIX FX Series mixer to the main AC SERIES CONTROL ELEMENTS If you not plug any signal into FX RETURN inputs the FX Return signal comes from the internal effects module If you plug an external effects processor into FX RETURN inputs the internal effects is disconnected and only the external effects signal is routed through the FX RETURN level control MAIN ALT3 4 Switch MIX 1204FX MAIN SUB1 2 Switch MIX 1622FX AUX RETUR
23. nly controlled by SUB1 and vice versa In the same way pressing the L R will assign the channel signal to MAIN MIX L R This switch must be engaged in to get the channel s signal through to main outs Fader This control will adjust the overall level of this channel and set the amount of signal sent to the main output MIX FX SERIES CONTROL ELEMENTS SUB ASSIGN TO MAIN MIX Switches only for MIX 1622FX Through these switches you can operate the SUB1 2 faders as a master control for assigning the SUB 1 2 to MAIN MIX Engage the LEFT switch to send the corresponding sub signal to MAIN L and the RIGHT switch for MAIN MIX R When engaging the both switches the signal will be sent to L R of MAIN MIX 1622FX 16 INPUT 2 2BUS MIXER WITH DIGITAL EFFECTS a TS BIS I NES EE eae ooo 7 O ITI SER a PN A NC ge Oe or aes M 10 O oo EN a ooo mE E nnaman m m 5 a 8 8 28 MOT o ed MC BS TI E ie T TANT TOT T ECIAM NEC m mh tu IRE RAN T QR T TOV LIE EE M
24. ord Failure to do so could result in shock death or fire If in doubt seek advice from a registered electrician Do Not Remove Any Covers Within the product are areas where high voltages may present To reduce the risk of electric shock do not remove any covers unless the AC mains power cord is removed Covers should be removed by qualified service personnel only No user serviceable parts inside Fuse To prevent fire and damage to the product use only the recommended fuse type as indicated in this manual Do not short circuit the fuse holder Before replacing the fuse make sure that the product is OFF and disconnected from the AC outlet SERIES Protective Ground Before turning the unit ON make sure that it is connected to Ground This is to prevent the risk of electric shock Never cut internal or external Ground wires Likewise never remove Ground wiring from the Protective Ground Terminal Operating Conditions Always install in accordance with the manufacturer s instructions To avoid the risk of electric shock and damage do not subject this product to any liquid rain or moisture Do not use this product when in close proximity to water Do not install this product near any direct heat source Do not block areas of ventilation Failure to do so could result in fire Keep product away from naked flames IMPORTANT SAFETY INSTRUCTIONS Read these instructions Follow all instructions Keep t
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