Scope of this User Manual
Contents
1. 9 3 1 2 2 Estimate Save Open Reset Take b itte d ven 9 3 1 2 3 Interpolation Line 6 iiir de cet ihe Edel Lee 9 3 1 2 4 Estimate Limes 7 ea 9 uy deese se 9 3 1 2 5 Threshold WEE 10 3 1 2 6 R d cti n 9 eegene 10 3 1 2 7 Sharpness E 10 3 1 2 8 Settings Save Open Recall 11 11 3 1 2 9 MA EE 11 3 1 2 10 High Frequency Cutoff HI a s au Wawanakana aW RD A ER E 11 3 1 2 11 Low Frequency Cutoth tee te etri ce ieu ye dcc tne irte eue rue 12 3 2 Rate RR 12 3 2 1 The Nolse Estirmatexs mnan au EE EES 13 3 2 1 1 Noise EstiM teS 13 3 2 1 2 VWh re toakean Estimate ces oed EES 14 3 2 1 3 Post processing an EStifmate l a Saa aha aa aka Shu de 15 3 2 1 5 SAVING AM E ET 15 3 3 Workflow recommendation aaa res rse teretes nnne 16 3 3 1 NoNOISE For soundBlade Four Steps Follow 16 3 3 2 NoNOISE For Other Apps That Support Plug Ins Four Steps To Follow 16 Chapter 4 Contacting Sonic Studio LLC 18 4 1 For frequently asked questions FAO and searchable KnowledgeBase 18 4 2 For bug reports and support issues EEN 18 4 3 For up to d2. Hi 560 THRESHOLD 0 db Settings BANDWIDTH 1 49 db REDUCTION 0 db HK3H CUTOFF 22050 Hz II SHARPNESS 16 db LOW CUTOFF 24 Hz NOISE www sonicstudio com 4 gt 4 Sonic Studio NoNOISE 3 User Manual Table Of Contents Chapter 1 NoNOISE Introduction 4 1 1 KEIER EE 4 Chapter2 NoNOISE Installation amp Activation 6 2 1 Minimum Software Requirements 6 2 2 Installing NoNOISE eege 6 2 3 Activating NoNOISE ER 6 2 3 1 ibok Eicense InstallatiOn 6 2 3 2 soundBlade Option Installaton seen eene nennen enne 7 Chapter 3 Using NoNOISE 3 8 3 1 User Interface Overview Ee ee 8 3 1 1 Preset Buttons On Off amp 9 3 1 1 1 Preset Buttons 1 rinnen aaaea aiea Ee aa aeua 9 3 1 1 2 Process On Off Buttori 2 u a s lu tenete Seaan ae rn rex enee ga Ee annii pana 9 3 1 1 4 Preview NONOISE Button iniit ttti Peer rrr nere fe rera deo Pea 9 3 1 2 NoNOISE 3 Parameters aa 9 3 1 2 1 4 A uu
3. Pluq in Select the options you want to install in the Sonic Options Installer Window Page 7 Chapter 3 Using NoNOISE 3 3 1 User Interface Overview The NoNOISE 3 window with its 14 controls discussed below has buttons to open an Estimate file to open and save the controls and their parameters to bypass the process and to toggle between the processed signal and the suppressed or removed portion of the signal The figure below is the NoNOISE 3 plug in window Noted by number each feature is detailed on upcoming pages on NoNOISE 3 Output 1 4 Presets Process Preview TNS D FAUNEI E _ hou T en 8 THRESHOLD i Settings 12 BANDWIDTH 9 REDUCTION z m JOSHARPNESS L SIBI l gn E NOISE E hra sad Bagi All The NoNOISE 3 DeNoise window Remember Save your Estimates and Settings for easy recall Page 8 3 1 1 Preset Buttons On Off amp Preview 3 1 1 1 Preset Buttons 1 These four buttons are presets These presets are useful for taking different Estimates then toggling between them to compare different settings Presets get saved with the plug in 3 1 1 2 Process On Off Button 2 The Process On Off button patches the NoNOISE 3 process in or out of the signal flow It is useful for comparing the DeNoised processing and the pre processed signal 3 1 1 4 Pr
4. Recommended Extreme Threshold 60to60 0 n a Reduction 6000 0 09 Bandwidth 0 5 to 2 5 1 8 to 2 2 High Cutoff Oto 24 000Hz 22050 22050 n a Low Cutoff 0 to 24 000 Hz 50 to 2000 3 1 2 5 Threshold 8 Together with the 9 Reduction parameter the Threshold parameter provides the basic control over how aggressively the process is applied As Threshold is raised more of the signal at all frequencies is processed At extremely high settings a distinctive watery aliasing may be heard in the resulting audio If the Threshold is set too low little or no noise reduction is obtained The Threshold can be thought of as the fine line between noise and music globally raising or lowering it relative to its original position The default Threshold is arbitrary Threshold and Attenuation settings should generally be adjusted together for best results The 3 Noise NoNOISE button can help to determine an acceptable compromise setting 3 1 2 6 Reduction 9 This value in decibels sets the maximum attenuation to be applied A setting of 0 produces no noise reduction The higher or more negative this value is set the greater the reduction in noise but with increasing danger of producing audible artifacts in the audio signal Again Threshold and Attenuation settings should be adjusted together for best results Critical listening and use of the Noise NoNOISE button can help to determine an acceptable compromise setting
5. If the maximum attenuation setting is too extreme ambience and or high frequency content may be lost 3 1 2 7 Sharpness 10 As mentioned earlier in the introduction the denoising process works much like a multiband downward expander As signal level in a particular band drops the process reduces the gain in that band even further using an internal attenuation curve The Sharpness parameter sets the slope of this curve Higher values cause quicker attenuation as instantaneous energy falls off from the Threshold value resulting in a response similar to that of a noise gate Page 10 Sharpness Curves Threshold Attenuation dB Energy of Signal at Frequency Bin 20 Sharpness 40 DP Sharpness Curves If Sharpness is set too low there may be no reasonable amount of noise reduction possible despite what the other parameters are set to Generally this parameter should be set as high as possible without audible ill effects on the program A value of 1 0 is recommended for common tape hiss problems while a value of about 1 2 has been found useful for standard 78 RPM phonograph recordings If the sharpness is too high you may hear the noise floor become less uniform producing a rapid modulation 3 1 2 8 Settings Save Open Recall 11 3 1 2 9 Bandwidth 12 Denoising with each Bin adjusted separately produces an unnatural sounding result In Broadband DeNoise individual Bins share information for more
6. ended broadband noise reducer that unlike less refined products can suppress or eliminate broadband noise with little or no audible artifacts even at extreme settings NoNOISE 3 is one part of Sonic Studio s NoNOISE restoration product line It is an updated and improved version of the legendary restoration technology from Sonic Solutions The Grammy award winning NoNOISE technology set the standard by which all other restoration toolsets are judged And because NoNOISE 3 is built on the Sonic Studio Engine you can be certain that the processing is double precision resulting in less quantization noise no timbral shifts and dramatically lower distortion and artifacts 1 1 Overvievv NoNOISE 3 is designed to address audio contamination from broadband or wide band noise sources Whether the problems are electrical or acoustical NoNOISE 3 can vastly improve perceived fidelity and provide a quiet more uniform noise floor to your recordings without objectionable artifacts or any shift in timbre or room tone NoNOISE 3 is effective on these and other types of noise Modulation and asperity noise on analog magnetic recordings Obtrusive grain induced noise in optical motion picture soundtracks Johnson Nyquist noise in analog signal chains Acoustical noises from engines HVAC units wind water insects amp other sources Colorless suppression of excessive reverberation Noise removal is easy 1 Define small sample of noise generall
7. 9 Project Panel 3 Reaper 17 Recall 4 8 9 11 13 15 16 17 Reduction 10 Reset 9 Save 4 8 9 11 13 15 16 17 Settings 8 11 Sharpness 10 11 soundBlade 3 5 6 7 13 16 21 support 5 18 21 Page 20 T Take 4 9 13 14 16 17 Threshold 10 16 VST 5 6 2014 Sonic Studio LLC 1340 Mission Street San Francisco 94103 1 415 944 7642 soundBlade NoNOISE sonicstudio com the Sonic Studio logo and type are trademarks of Sonic Studio LLC in the United States and other countries All other trademarks trade names service marks and logos referenced herein belong to their respective companies Comments corrections and suggestions regarding this manual are always welcome Please contact us at lt support sonicstudio com gt NoNOISE 3 v03r06 Page 21
8. PERMITTED BY SOME STATES THE ABOVE EXCLUSION MAY NOT APPLY TO YOU IN NO EVENT WILL SONIC STUDIO LLC ITS DIRECTORS OFFICERS EMPLOYEES OR AGENTS BE LIABLETO YOU FOR ANY CONSEQUENTIAL INCIDENTAL OR INDIRECT DAMAGES INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS BUSINESS INTERRUPTION LOSS OF BUSINESS INFORMATION AND THE LIKE ARISING OUT OF THE USE OR INABILITY TO USE THE SONIC STUDIO SOFTWARE EVEN IF SONIC STUDIO HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES BECAUSE SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU Sonic Studio Sonic Clarity SSE soundBlade and the Sonic Studio logo are trademarks of Sonic Studio LLC All other company or product names are either trademarks or registered trademarks of their respective owners Chapter 1 NoNOISE Introduction The NoNOISE 3 Audio Units amp and VSTG plug in is the new updated version of our award winning noise reducer for the Mac that can rescue both old and new recordings alike Broadband noise whether white pink or brown in spectrum is one of the most common forms of audio degradation Noise can be introduced from any of a number of sources including the modulation and asperity noise inherent in analog tape recording and Johnson or thermal noise from microphones preamps and other analog signal processing equipment NoNOISE 3 is a single
9. pleasing subjective result Bandwidth governs the process of how the different frequency bands in this plug in share information Higher values produce more intra frequency sharing of gain changes Subjectively a higher value will in general create a more natural sounding result but with a risk of noise floor modulation A low value for Bandwidth eliminates the possibility of noise pumping but may sound more muffled Low values command little sharing while higher values command more sharing As with other Broadband DeNoise settings experiment for the best compromise setting This depends entirely on the program material and should be set high enough to retain high frequency response but low enough to avoid pumping or distortion caused by the noise floor being modulated by the high order harmonics of a signal 3 1 2 10 High Frequency Cutoff 13 The DeNoiser lets signal in frequencies above the high frequency cutoff point pass through the process untouched That is they are not processed This limits processing to frequencies below Page 11 the high cutoff point This can be used in situations where noise is not objectionable above a certain frequency but in most cases this parameter is left set at 22 050 Hz In special cases better results may be obtained by processing your program in two passes with a low frequency pass and a high frequency pass run separately using different parameter values Run your program material through Broa
10. LC Thanks for purchasing a Sonic Studio product We really appreciate your patronage and are always interested in your experiences with our software 4 1 For frequently asked questions FAQ searchable KnowledgeBase www sonicstudio com sonic support sonic support 4 2 For bug reports and support issues www sonicstudio com sonic support sonic portal 4 3 For up to date information on all of Sonic Studio s products www sonicstudio com products 4 4 Software Updates Updates to soundBlade HD are available in the Downloads section of the Sonic Studio website http www sonicstudio com sonic support sonic supportzDOWNLOAD Page 18 Sonic Studio NoNOISE 3 User Manual Index Symbols 32 bit 6 64 bit 6 Audio Units 5 6 17 Bandwidth 10 11 Bin Controls 13 15 dbx 12 Digital Performer 17 Dolby 12 Estimate 8 9 12 13 14 15 Estimate Save 9 FFT 12 15 High Frequency Cutoff 11 12 Interpolation 4 9 13 15 16 17 KnowledgeBase 18 Logic 17 Low Frequency Cutoff 12 Page 19 M Macintosh 6 INI Noise Estimate 13 NoNOISE 3 4 5 6 8 9 12 13 15 16 21 Bin Controls 13 15 Broadband DeNoise Bandwidth 11 High Frequency Cutoff 11 Low Frequency Cutoff 12 parameters 9 Sharpness 10 Threshold 9 10 editing the noise Estimate 15 noise Estimate 13 post processing the noise Estimate 15 saving a noise Estimate 15 Open 4 8 9 11 13 15 16 17 Parameters 9 Preset 9 Preview 9 Process
11. at precisely the same levels onto the same media 3 stored in the same way 4 transferred to the same intermediate media in precisely the same way b and converted to digital samples in the same signal chain then it is advisable to take separate estimates for each cut or take When denoising stereo material it is also recommended to derive a separate Estimate for each channel Likewise if the character or level of the noise floor can be heard to change at all during the recording then the best results are be obtained by dividing that piece into sections to be denoised individually After denoising the individual sections can edited together and sequenced to create a seamless whole Page 14 Learn Try to listen and locate a region of your file with uniform noise and use this for your Estimate As to duration optimum results are obtained when the Estimate is taken from a section of pure noise between about 0 3 and 0 5 seconds in length 3 2 1 3 Post processing an Estimate After taking an estimate the Estimate Panel changes to show the Estimate a Fast Fourier Transform FFT indicated as a blue line After deriving the Estimate NoNOISE 3 performs a best fit approximation from the composite FFT data displaying it as a smoothed grey spline connecting a series of dots the Bin Controls mentioned above superimposed on the composite FFT Analog tape hiss has a characteristic noise curve or shape NoNOISE 3 takes advantage of this prop
12. ate information on all of Sonic Studioe products 18 4 4 Software Updates LE 18 02006 2014 Sonic Studio LLC All rights reserved This manual as well as the software described in it is furnished under license and may only be used or copied in accordance with the terms of such license The information in this manual is furnished for informational use only is subject to change without notice and should not be construed as a commitment by Sonic Studio LLC Sonic Studio LLC assumes no responsibility or liability for any errors or inaccuracies that may appear in this document Except as permitted by such license no part of this publication may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic mechanical recording or otherwise without the prior written permission of Sonic Studio LLC SONIC STUDIO LLC MAKES NO WARRANTIES EXPRESS OR IMPLIED INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE REGARDING THE APPLE SOFTWARE SONIC STUDIO LLC DOES NOT WARRANT GUARANTEE OR MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SONIC STUDIO LLC SOFTWARE IN TERMS OF ITS CORRECTNESS ACCURACY RELIABILITY CURRENTNESS OR OTHERWISE THE ENTIRE RISK AS TO THE RESULTS AND PERFORMANCE OFTHE SONIC STUDIO SOFTWARE IS ASSUMED BY YOU THE EXCLUSION OF IMPLIED WARRANTIES IS NOT
13. dband DeNoise twice using the low and high cutoff frequencies to define the two bandpass ranges to be noise reduced 3 1 2 11 Low Frequency Cutoff 14 This parameter the complement to the High Frequency Cutoff parameter discussed in the section above allows signal below the specified frequency to pass through unchanged This can be useful if noise is not objectionable below a certain frequency and you wish to leave it unprocessed Low Frequency Cutoff is usually left set around 50 100 Hz though setting it at 2 5 kHz or above will ensure that the critical midband will remain untouched If this parameter is lower than 25 Hz there may be artifacts because program wavelengths will exceed the analysis window 3 2 Using The DeNoiser To suppress such noises in your program it is necessary to analyze the noise spectrum and adapt the denoising algorithm to the characteristics of the material Broadband DeNoise operates by means of analysis and resynthesis though it can be thought of as a lot of bandpass filters each followed by a below threshold expander This is somewhat analogous to the classic analog Dolby and dbx multi band double ended noise reduction systems of yore An FFT or Fast Fourier Transform analysis is performed on a user specified sample of noise from the material to be processed The average amplitude of noise in each of 2048 individual frequency bands or bins is determined The result of this analysis is a Noise Estimat
14. e which is used to set the average threshold of the noise reduction The Estimate sets aggregate threshold for the expansion During processing the source material is also subjected to a 2048 point FFT analysis The average amplitude of signal in each bin is compared against the threshold value determined by the noise Estimate Based on this comparison the algorithm determines whether a given band at that particular instant contains audio signal or only noise If a frequency bin is found to be at or above threshold its gain remains at unity If it is determined that the signal amplitude in that band falls below threshold then it is considered noise and the amplitude of that band is reduced by an amount determined by the Attenuation parameter discussed later The results of this comparison and amplitude compensation for all bands is a modified version of the original FFT frequency analysis A reverse FFT is then performed using the new adjusted version reconstituting the audio signal with aggregate noise attenuated by the specified amount Because NoNOISE 3 operates with high frequency resolution and at extended precision the removal of noise is precise and artifact free Page 12 3 2 1 The Noise Estimate The first step in denoising is to derive a Noise Estimate from the material to be processed The Noise Estimate or simply Estimate is an individual fingerprint of the noise and determines local threshold values for each f
15. erty to produce a smooth Interpolation from any individual region of the Estimate based on that region s average amplitude Make a time region selection of a portion of the Estimate that appears to be outside the range of the contaminating audio program 3 2 1 4 Editing an Estimate The Estimate technique works well for recordings containing typical tape hiss or other steady state noise but many recordings have other noise sources or peculiarities In such cases it is often necessary to manually adjust the Interpolation differentiating between the desired program content and the noise floor To edit an Interpolation drag a Bin Control Grey Dot up or down If for example a number of piano harmonics are contaminating the Estimate the Bin Controls can be moved down so that the Interpolation follows the average amplitude rather than the local amplitude Moving a Bin Control down will command a lower threshold and cause less sensitivity in that Bin resulting in less noise reduction while moving a Bin Control up sets a higher threshold causing more noise reduction LEARN Moving Bin Controls down will decrease the amount of reduction Moving a Bin Control up will increase the amount of reduction 3 2 1 5 Saving an Estimate Once you are satisfied with the Interpolation you need to save it To do so select the red Save button ca NoNOISE 3 displays a Save File dialog Choose a location for the Estimate file rename it if you wish the
16. eview NoNOISE Button 3 Preview toggles the NoNOISE 3 processing to a solo mode where only the noise being removed is heard Purple solo mode Soloing just the noise is useful for adjusting NoNOISE 3 parameters 3 1 2 NoNOISE 3 Parameters 3 1 2 1 Estimate Name 4 Displays the current Estimate name 3 1 22 Estimate Save Open Reset Take 5 Cne Save button in NoNOISE 3 displays a Save File dialog Choose a location for the Estimate file rename it if you wish then click OK NoNOISE 3 saves the file including the Interpolation and Bin Control state to disk When red your Estimate has not been saved and could be lost Please save all estimates Lk Open button displays a Mac Open File dialog allowing you to select previously saved Estimate files Choose the Estimate file you want to open and click OK Clicking the Reset button resets the Estimate Interpolation and Parameters to Default settings Clicking theTake button samples the audio that s playing and creates both a noise Estimate blue line and an adjustable Interpolation line grey line 3 1 2 3 Interpolation Line 6 Shows the adjustable Interpolation filters printed when the Take button was pressed 3 1 2 4 Estimate Line 7 Shows the noise estimate or individual fingerprint of the noise printed when the Take button was pressed The following parameters are available as adjustable parameters click hold Parameter Range DefaultValue
17. n click OK NoNOISE 3 saves the file including the Interpolation and Bin Control state to disk Page 15 3 3 Workflow recommendation LEARN The operation of the NoNOISE 3 is a subjective process there is no single correct setting only your hearing can decide In general though if too much program is present in the suppressed signal then you are probably using Threshold or Attenuation settings that are too aggressive Also it s fairly easy to misinterpret noise as high frequency content so critical listening with a wide band speaker system or quality headphones are required for proper operation 3 3 1 NoNOISE 3 For soundBlade Four Steps To Follow 1 Define small sample of noise generally 1 2 second is good Set an Edit Point by clicking a second or two before the noise 2 Play the file from the Edit Point and press the Take button during the segment you defined as noise Save that estimate that appears You can take multiple estimates in the 1 2 3 4 filter banks and save them This is useful for content that may have different noise content throughout the file then applying automation as Desk Events 3 Adjust Interpolation Bins to taste Use the NoNoise In Out button to compare processed vs Original 4 Export your files to apply NoNOISE 3 processing Note that NoNOISE 3 is a non destructive process It does not alter your original files In soundBlade NoNOISE 3 can be used as either PL Dr
18. n the NoNOISE3_Installer pkg and follow the on screen instructions This plug in is installed in these locations Audio Units version Library Audio Plug Ins Components VST version Library Audio Plug Ins VST 2 3 Activating NoNOISE 3 Via iLok 2 3 1 iLok License Installation When you purchase any Sonic Studio option you are delivered an Activation Code for each product via email To active your licenses on your iLok 1 Copy your Activation Code 2 Launch your iLok License Manager app 3 Select Redeem License Code from the View menu 4 Paste your code into the field proved then follow the on screen instructions to download your iLok license for soundBlade from their servers to your iLok Page 6 2 3 2 soundBlade Option Installation For audio apps other than soundBlade this step is not required For NoNOISE 3 to be enabled for use in soundBlade the installation of certain software and a Sonic Studio Options File is required Running the Install Sonic Studio Options mpkg located in your soundBlade app folder s Sonic Options folder installs the necessary software for each of these options and enables the options that you have licenses for on your iLok to be recognized by soundBlade Install TT eters License Destination Saber asalan Installation MoNCOISE ii Fx Package FR Packa B Summary FR Package I SR Package TT Dynamics Maser
19. o take an Estimate Once the source sound file is opened into your audio app the first step is to identify a suitable location from which to take the Estimate Since the denoising algorithm depends on a constant amplitude and spectrum in the noise floor try to listen and locate a time region with uniform noise As to duration optimum results are obtained when the Estimate is taken from a section of pure noise between about 0 3 and 0 5 seconds in length with a worst case minimum of 100 milliseconds Where To Take A Noise Estimate If a region of pure or clean noise noise uncontaminated with program is unavailable as is often the case with tightly edited material then choose a region with minimal program The resulting Estimate will require manual adjustment as discussed below If an Estimate must be taken in presence of signal it is advisable to avoid sections of spectrally complex or non harmonic material as it makes manual adjustment more time consuming It is usually necessary to derive a separate Estimate for each cut or take If these are contained in a consolidated sound file and the spectrum of the noise varies for each cut then the consolidated file should be denoised in sections so that the optimal combination of estimate and parameters can be applied to each cut Unless there is strong reason to believe that each cut in a compilation or consolidated file was 1 recorded in the same session with the same equipment 2
20. requency bin The NoNOISE 3 user interface provides a group of commands for creating processing editing and storing the Estimate The Estimate determines the result of the entire denoising process so it is important to ensure that the estimate taken is valid and represents the true noise floor of the source sound file 3 2 1 1 Noise Estimates The procedure for taking a usable Estimate has several steps First open the source sound file into either soundBlade or your audio software then open the NoNOISE 3 plug in Next identify a short section of audio where there is only noise or predominantly noise About 0 3 to 0 5 seconds is sufficient Set the playback cursor to a few seconds before the section you ve identified as noise Start playback and as the play head move over the noise segment press the Take button once That action automatically interpolates the Estimate applying Bin Controls which are individual threshold controls for separate regions of the frequency spectrum and writes that Estimate into the Estimate Window Section 1 2 2 2 below discusses where to take a Estimate in detail Save Your Estimates An Noise Estimate Blue Line with adjustable Interpolation Bin Control Dots At this point you now have an Estimate Window with a blue Interpolation line with grey Bin Controls attached Select the Save button ERR save the Estimate as a file that will be used by the NoNOISE 3 processor Page 13 3 2 1 2 Where t
21. umXchanae desk event for use on segments or a selection SPL Ma Verh SPL Vitalizer MK2 T Studia NoNOISE 3 TORS TG12412 TC12414 e in the EDL Desk to apply to an individual track Page 16 3 3 2 NoNOISE 3 For Other Apps That Support Audio Units or VST Plug Ins Four Steps To Follovv Please referto your Digital Audio Workstation s documentation for howto use plug ins NoNOISE 3 will operate like other plug ins used in your workstation Here is how to use it 1 Define small sample of noise generally 1 2 second is good Set your audio app to play a second or two before the noise 2 Play the file and press the Take button during the segment you defined as noise Save that estimate that appears You can take multiple estimates in the 1 2 3 4 filter banks and save them This is useful for content that may have different noise content throughout the file then applying automation 3 Adjust Interpolation Bins to taste Use the NoNoise In Out button to compare processed vs Original In Digital Performer In Logic In Reaper mnm Add FX t Track 1 18 St L uis Blues Plugins FK Hew AU Sonic Srudia 3 VAT 3 Sonic Studio Ach VSTi ALI Is Instrumants Cockos Recently used FX Chains F Folders D Clear Ping 17 Chapter 4 Gontacting Sonic Studio L
22. y 1 2 second is good Set your audio app to play a second or two before the noise 2 Play the file and press the Take button during the section you defined as noise Save that estimate that appears 3 Adjust Interpolation Bins to taste Use the NoNoise In Out button to compare processed vs original Page 4 4 You may need to export or bounce your files to apply NoNOISE 3 processing to a finished file Note that NoNOISE 3 is a non destructive process It does not alter your original files Scope of this User Mlanual This User Manual describes the functionality of Sonic Studio s NoNOISE 3 plug in for use in both soundBlade and other host applications that support Audio Units or VST plug in architecture Notes Overview These notes add more information or reinforce concepts about a particular topic or subject Learn Overview The learn notes are meant to provide how to or specifics about a topic or subject Page 5 Chapter 2 NoNOISE 3 Installation amp Activation 2 1 IVlinimum Softvvare Requirements Intel Apple Macintosh Mac OS 10 6 8 or newer Spare USB port for iLok Smart Key Note NoNOISE 3 will not run on Power PC Macs or Windows Learn NoNOISE is supported on both 32 bit and 64 bit host applications The same Audio Units or VST plug in automatically runs in either 32 or 64 bit mode depending on your audio application s settings 2 2 Installing NoNOISE 3 Ru
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