DEF-220P User`s Manual.cdr
Contents
1. Attack it is the time necessary to the gated reverb to pass from the not active status to the active one once the input signal level got above the threshold value the fading in of the signal with signal amplitude increase will take the time set by the attack parameter 4 2 DELAYS VOCAL ECHO effect here we have 15 editable parameter and the Load Store functions for creating and recalling up to 8 presets Displacement relative delay between the several delays of the original signal Delay distance in time between 2 repetition of the original group of delayed signal s Feedback number of repetitions of the delayed signal High Pass F filter attenuating the Low frequencies below the selected one on the vocal delay output Low Pass F filter attenuating the high frequencies above the selected one on the vocal delay output PEQ1 Gain 15dB Gain Attenuation of the first of 3 available bell filters on the vocal delay input signal PEQ1 Freq Center Frequency of the first of 3 available bell fil t ers on the vocal delay input signal PEQ1 Q Q adjustment allowing to size the width of the first of 3 available bell filters on the vocal delay input signal PEQ2 Gain 15dB Gain Attenuation of the second of 3 available bell filters on the vocal delay input signal PEQ2 Freq Center Frequency of the second of 3 available bell filters on the vocal delay input signal PEQ2 Q Q adjustment allowing to size the width of the second of 3 availab2. Range 0 80 ms in 1ms Steps Value N of control change 17 21 Value N of control change 16 from O up to 80 Par 3 Density Range 0 100 Value N of control change 17 2 Value N of control change 16 from 0 up to 100 Par 4 H Damp Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 3 Value N of control change 16 from 0 up to 30 Table n 1 Par 5 L Damp Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1724 Value N of control change 16 from O up to 30 Table nn 1 Par 6 Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 5 Value N of control change 16 from 0 up to 30 Table n 1 Par 7 PEQ Gain 15 dB in 0 5dB Steps Value N of control change 17 6 Value N of control change 16 from O up to 60 Table n 2 Par 8 PEQ Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 7 Value N of control change 16 from 0 up to 30 Table n 1 Par 9 PEQ Q Range 0 050 3 in 0 05 Steps Value N of control change 17 8 Value N of control change 16 from O up to 59 Table n 3 Par 10 E Ref Vol Range 0 100 Value N of control change 17 29 Value N of control change 16 from O up to 100 Par 11 PreDly E Ref 0 40 ms in 1ms Steps Value N of control change 17210 Value N of control change 16 from O up to 40 26 Par 12 F Ref Vol Range 0 100 Value N of control change 17211 Value N of control change 16 from O up to 100 Par 13 PreDly F Ref Range da
3. User s Manual TUNDOISS33U0dd z T P m o O C lt Q R ad O A Y Y O JJ o veer moran FXEYPIENTER DEF 220P Effects Processor Unit MM ue M KO MUS DEF 220P TABLE OF CONTENTS URINE SP S PIED T rRNA 2 3 1 1 Before you get started ME 2 Hee had Mel O er rio ager A EES 2 2 DEF 220P CONTROLS AND CONNECTIONS 4 6 CA Wen MMC 4 5 22 Rear DANCE MERERI 6 3 DEF 220P THE EFFEC O eti sao pd eet 7 8 SAU LASSICHBVERBS ssa sagas ten atquo xtd eee ter Sa A 7 S2 PARTICULAR REVERDS u u uu a erte uni toute ux FERE ade 7 OO DELA TO e doe s USO vd ERU MU DUMP M NIE EMI anne a 7 3A MODULA an el LEE 7 8 do COMBINED EFFECTS iu uu umu om a ein cut na ea a ad 8 Se OPOR SIP DEN EEN 8 4 DEF 220P EF FECTS EDI TABLE PARAMETERS 9 19 misi c 9 11 SE DELAMO m 11 12 e Re Ia UE 13 16 44 COMBINED E E 16 18 TS PITOCHAOHBIETBB Z uuu u uuu dada a da geadas 18 4 6 S 1 ORE RECALL PRESE KE 19 5 APPENDIX 1 List of Effects and Editable Parameters sess 20 23 6 APPENDIX 2 MIDI CHARI u ni dd a ua ace d paid 24 50 77 DEF 220P SPECIFICATIONS E 51 1 INTRODUCTION Thank you for purchasing the DEF 220P With the DEF 220P you have purchased an easy to use effects unit which you
4. Value N of control change 16 from O up to 60 Table n Par 19 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17218 Value N of control change 16 from O up to 30 Table n Par 20 PEQS Q Range 0 050 3 in 0 05 Steps Value N of control change 17210 Value N of control change 16 from O up to 59 Table n 47 PITCH SHIFTER Par 1 SemiTones Range 0 72 Value N of control change 17 0 Value N of control change 16 from O up to 72 Table n 4 Par 2 Chorus Range 0 100 Value N of control change 17 21 Value N of control change 16 from O up to 100 Par 3 PEQ Gain 15 dB in 0 5dB Steps Value N of control change 1722 Value N of control change 16 from O up to 60 Table n 2 Par 4 PEQ Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1723 Value N of control change 16 from 0 up to 30 Table n 1 Par 5 PEQ Q Range 0 050 3 in0 05 Steps Value N of control change 17 4 Value N of control change 16 from O upto 59 Table n 3 48 Table 1 Frequency Hz Table 2 Gain dB Table 3 Bandwidth Oct 49 Table 4 SemiTones s en ee ENE ama EN pem mem emm m Du pem nm pem nm gt mm nn Ls 2 pem nm emm o em m EN EX EX EN 10 33 10 66 ex remm m nm Tee ep em enm pem em nem rm e eee s eom nm Dem pom 5 mee L L L L L L 50 INPUT Type Impedance Max Input level OUTPUT Type Impedance
5. Max output level EFX BYPASS Type MIDI PORT Type USB Type DIGITAL PROCESSING Converters Sampling rate SYSTEM SPECIFICATIONS Frequency response Dynamic range Distortion Crosstalk Signal to noise ratio POWER SUPPLY Mains connection Mains voltage Power consumption DIMENSIONS WEIGHT Dimensions H x W x D Weight 7 SPECIFICATIONS 1 4 TS connectors unbalanced approx 30 kOhm 415 dBu 1 4 TS connectors impedance balanced approx 150 Ohm 21 dBu 1 4 TS footswitch connector Standard 2xFemale DIN 5 Poles connectors Standard USB connector Type A 24 Bit Delta Sigma 128 times oversampling 48 kHz 10 Hz to 22 kHz 3 dB 103 dB 10 Hz to 22 kHz A Weighted 0 01 typ O O dBFS 75 dB 1 kHz 10 Hz to 22 kHz gt 100 0 dBu A weighted IEC C 13 Cable 230 V 50 Hz approx 15 W approx 44 mm x 440 mm x185 mm approx 2 7 kg Marani is constantly striving to maintain the highest professional standards As a result of these efforts modifications may be made from time to time to existing products without prior notice Specifications and appearance may differ from those listed or illustrated China Office 4 5Floor Building B No 885 Shenzhou Road Science City Guangzhou China Tel 86 20 62845258 59 60 Fax 86 20 62845256 c OQ vw Http www marani com cn
6. Par 7 PEQ2 Q Range 0 050 3 in 0 05 Steps Value N of control change 1726 Value N of control change 16 from O up to 59 Table n Par 8 High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 7 Value N of control change 16 from O up to 30 Table n Par 9 Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 8 Value N of control change 16 from O up to 30 Table n Par 10 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17 29 Value N of control change 16 from O up to 60 Table n 37 Par 11 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17210 Value N of control change 16 from O up to 30 Table n Par 12 PEQS Q Range 0 050 3 in 0 05 Steps Value N of control change 17211 Value N of control change 16 from O up to 59 Table n Par 13 Feedback Range 0 100 Value N of control change 17212 Value N of control change 16 from O up to 100 Par 14 Depth Range 0 100 Value N of control change 17 213 Value N of control change 16 from O up to 100 Par 15 Phaser Vol Range 0 100 Value N of control change 17214 Value N of control change 16 from O up to 100 Par 16 Phase In Range 0 1 Value N of control change 17215 Value N of control change 16 from O up to 1 0 Direct 1 Inverse Par 17 Feedback Phase Range 0 1 Value N of control change 17 16 Value N of control change 16 from O up to 1 0 Direct 1 Inverse Par 18
7. 05 3 00 0 05 Steps See Note2 CHR FLG DELAY Semitones 12 12 1 3 Semitone Steps Chorus 0 100 PEQG 15dB 15dB 0 5dB Steps PEQ F 20Hz 20KHz 1 3Oct Steps PEQ Q 0 050 05 3 00 0 05 Steps Table 5 1 List of effects and parameters NOTE 1 When using the TAP DELAY the FX LOAD PAR TAP can be used for setting the delay time to the Delay See Tap Delay Parameters description NOTE 2 When using the ROTARY Effect the FX LOAD PAR TAP and BYPASS ENTER buttons can be used for particular functions making the Rotary Speaker effect as closer as possible to the real one FX LOAD PAR TAP button toggle between Fast and Slow rotation speed BYPASS ENTER button toggle between Run and Stop of speaker rotation See Rotary Parameters description 23 6 APPENDIX 2 6 1 DEF 220P Effects MIDI CHART Program Change 24 Control Change VARIATION View Tab 1 Change value To change a parameter the User must send 2 command control change BOH 11H number parameter BOH 10H value parameter Example Reverb Hall change the DENSITY parameter to 30 Send BOH 11H 02H with this control change the user select the parameter density Send BOH 10H 1EH with this control change the user change the parameter value 6 Appendix 2 25 REVERB HALL REVERB ROOM REVERB PLATE REVERB VOCAL Par 1 Decay Range 0 100976 Value N of control 1720 Value N of control change 16 from O up to 100 Par 2 PreDly Rev
8. 5 Chr Fla Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 4 Value N of control change 16 from 0 up to 30 Table n Par 6 Chr Fla Volume Range 0 100 Value N of control change 17 5 Value N of control change 16 from O up to 100 Par 7 Hi Damp Rev Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1726 Value N of control change 16 from O up to 30 Table n Par 8 Lo Damp Rev Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 7 Value N of control change 16 from O up to 30 Table n Par 9 PreDelay Rev Range 0 80ms step 1ms Value N of control change 17 8 Value N of control change 16 from O up to 80 Par 10 Density Range 0 100 Value N of control change 17 29 Value N of control change 16 from O up to 100 42 Par 11 Decay Range 0 100 Value N of control change 17210 Value N of control change 16 from O up to 100 Par 12 Rev Volume Range 0 100 Value N of control change 17211 Value N of control change 16 from O up to 100 Par 19 PEQQ Gain 15 dB in 0 5dB Steps Value N of control change 17212 Value N of control change 16 from O up to 60 Table n Par 14 PEQ1 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17213 Value N of control change 16 from O up to 30 Table n Par 15 PEQ1 Q Range 0 050 3 in 0 05 Steps Value N of control change 17214 Value N of control change 16 from O up to 59 Table n Par 16 PEQ2 Gain 15
9. Effect The Foot Switch to be used has to bea NORMALLY OPEN one 4 MIDI INPUT OUTPUT connectors these connector are allowing to connect the DEF 220P to an external MIDI controller or Pc Sequencer 5 USB connector this connector is allowing to connect the DEF 220P to an external PC via USB port for controlling the Unit s effects editing and general functions through the available Remote Control Pc Sw coming with the unit itself 6 MAIN POWER the Unit is a 230V 50Hz power supply one powered with a standard IEC C 13 cable The DEF220P is also protected by power overloads by a 250ma T Type fuse 3 THE EFFECTS The DEF 220P comes with 16 classic Effects All of them perform a pure Stereo or pseudo Stereo output Table 6 1 contains a list of the effects parameters which can be edited as well as a description of the FX LOAD PAR TAP and BYPASS ENTER buttons functions related to theeffects parameters extra control 3 1 CLASSIC REVERBS The Classic REVERB effect reproduce the characteristics of natural spaces and a classic artificial reverb as the plate HALL simulates the reverberation that you can hear in big Hall This effect is characterized by a long reverb and a considerable amount of Pre Delay Good for solo instruments and vocals ROOM simulates the reverberation in a mid size Room The effect can be used for natural instruments such as piano PLATE simulates the sound of a reverb plate as used in the past in studio as rever
10. N of control change 1724 Value N of control change 16 from O up to 59 Table n Par 6 Horn High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 5 Value N of control change 16 from O up to 30 Table n Par 7 Horn Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 6 Value N of control change 16 from 0 up to 30 Table n Par 8 Horn PEQGain 15 dB in 0 5dB Steps Value N of control change 17 7 Value N of control change 16 from O up to 60 Table n Par 9 Horn PEQ Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 8 Value N of control change 16 from O up to 30 Table n Par 10 Horn PEQ Q Range 0 050 3 in 0 05 Steps Value N of control change 17 9 Value N of control change 16 from O up to 59 Table n Par 11 Cyl Low Speed Range 0 100 Value N of control change 17210 Value N of control change 16 from O up to 100 40 Par 12 Cyl High Speed Range 0 100 Value N of control change 17211 Value N of control change 16 from O up to 100 Par 13 Cyl Depth Range 0 100 Value N of control change 17212 Value N of control change 16 from O up to 100 Par 14 Cyl Feedback Range 0 100 Value N of control change 17213 Value N of control change 16 from O up to 100 Par 15 Cyl Level Range 0 100 Value N of control change 17214 Value N of control change 16 from O up to 100 Par 16 Horn Low Speed Range 0 100 Value N of control change 17215 Valu
11. creating a nice moving sound making the sound itself richer FLANGER it is a sort of extension of the Chorus adding to this one a retro touch making the sound movement more perceivable than with the chorus and adding a more metallic bright color PHASER is an effect adding a phase shifted copy of the input signal to the input signal itself PHASER is a traditional guitar electric piano and keyboard effect TREMOLO is an effect modulating the input signal amplitude changing so its volume increasing and decreasing it cyclically TREMOLO is particularly suitable for electric pianos orelectric organs ROTARY simulates the rotating movements of a Leslie loudspeaker system The fast rotation produces a characteristic shifting of frequencies Traditionally this is an effect for electronic organ With the ROTARY effect the BYPASS ENTER button is used for the Stop and GO function of the Rotary emulating the start and stop of the loudspeakers The FX LOAD PAR TAP is used for toggling the Rotary Speakers speed 3 5 COMBINED EFFECTS The combined effects are 3 effects combining Reverb Modulation and Delay in different shapes The combined effects are set in parallel configuration CHR FLG REVERB is a combination of the CHORUS FLANGER and ROOM effects DELAY REVERB is a combination of the DELAY and HAL L effects CHR FLG DELAY is a combination of the CHORUS FLANGER and Delay effects 3 6 PITCHSHIFTER PITCH SHIFT adds ano
12. is indicating the occurrence of an analog overload at the Unit s Input output or and of a digital overflow at the DSP side Processing overflow When the CLIP LED will start flashing please reduce the Input or output Level through the Input or Level Potentiometer 10 2X24 LCD SCREEN wide screen used for Unit management and effects editing 11 PWR LED the PWR LED when lighted is indicating that the unit is ON Switch ON Push Button is located on the front panel of the DEF 220P Please note when the DEF 220P is turned on is taking some time for executing a start up procedure necessary for setting the all parameters used by the several effects and for the initialization of memories and controls For this reason during the start up procedure the Unit cannot respond to the front panel controls therefore these will be available for the use ONLY after the end of the start up procedure During the start up phase the LCD is showing the Unit s model name and then the Sw version of the firmware After it the currently running effect will be displayed When the name of the current effect will appear on the LCD the starting up phase is finished and the unit s controlarefullyoperative Merely switching the unit off does not mean that it is fully disconnected from the mains To disconnect the unit from the mains pull out the mains connector Please make sure before installation that the mains connector has not been damaged If you do
13. parameters are the following Decay itis the reverb duration until the tail is damped PreDly Rev time delay before the reverb starts acting Density amount of early reflection on the reverb body H Damp Freq filter introducing an attenuation on the high frequencies above the selected one this filter is inserted in the reverb main loop ans is attenuating as more as the reverb tail is lasting L Damp Freq filter introducing an attenuation on the low frequencies below the selected one this filter is inserted in the reverb main loop ans is attenuating as more as the reverb tail is lasting Low Pass F filter attenuating the high frequencies above the selected one on the reverb output PEQ1 Gain 15dB Gain Attenuation of the first of 3 available bell filters on the reveb input signal PEQ1 Freq Center Frequency of the first of 3 available bell filters on the reveb input signal PEQ1 Q Q adjustment allowing to size the width of the first of 3 available bell filters on the reveb input signal E Ref Vol adjustable level of the early reflections section output on the reverb main output signal PreDly E Ref time delay before the early reflections starts acting F Ref Vol adjustable level of the fast reflections section output on the reverb main output signal the fast reflections represent the reflectionscoming from obstacles as walls in a far positions respect the ones creating the early reflections and the characteristic of
14. summed together delayed and sent to the Left Right outputs in Stereo mode the Left Right input signals wi be delayed independently providing so a real Stereo out even the selected parameters will act in the same way on both channels 12 4 3 MODULATIONS CHORUS effect here we have 9 editable parameter and the Load Store functions for creating and recalling up to 8 presets Depth depth of the modulation affecting the pitch variation amount as more as the value is high H Damp Freq filte rattenuating the high frequencies above the selectedone on the chorus output L Damp Freq filter attenuating the Low frequencies below the selected one on the chorus output Link Rate this function when ON allows to assign to both channels the same parameters values resulting on a MONO chorus with both channels modulating with same rate adjustable with the Rate L amp R parameter When Link Rate is OFF then the left and right channels have independent Rates selectable through the Rate L and Rate R parameters Rate L amp R active and appearing on the LCD screen ONLY if Link Rate is ON define the speed of the MONO chorus s frequency modulation Rate L active and appearing on the LCD screen ONLY if Link Rate is OFF define the speed of the Left channel chorus s frequency modulation Rate R active and appearing on the LCD screen ONLY if Link Rate is OFF define the speed of the Right channel chorus s frequency modulation Chorus Vol level of the
15. the fast reflectionsis to be less defined than the early reflections 9 PreDly F Ref time delay before the fast reflections starts acting Reverb Vol adjustable level of the reverb s internal delay loop on the reverb main output signal High Pass F filter attenuating the Low frequencies below the selected one on the reverb output PEQ2 Gain 15dB Gain Attenuation of the second of 3 available bell filters on the reveb input signal PEQ2 Freq Center Frequency of the second of 3 available bell filters on the reveb input signal PEQ2 Q Q adjustment allowing to size the width of the second of 3 available bell filters on the reveb input signal PEQ3 Gain 15dB Gain Attenuation of the third of 3 available bell filters on the reveb input signal PEQ3 Freq Center Frequency of the third of 3 available bell filters on the reveb input signal PEQS Q Q adjustment allowing to size the width of the third of 3 available bell filters on the reveb input signal Pseudo St percentage of delay between Left and Right reverb output channels used for giving to the Mono reverb a stereo feeling ons and the characteristic of the fast reflectionsis to be less defined than the early reflections GATED REV effect here we have 25 editable parameter and the Load Store functions for creating and recalling up to 8 presets Time itis the lasting time of the gated reverb before to be muted PreDly Rev time delay before the gated reverb starts acting De
16. up to 100 Par 6 Hi Damp Rev Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 5 Value N of control change 16 from O up to 30 Table n Par 7 Lo Damp Rev Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 6 Value N of control change 16 from 0 up to 30 Table n Par 8 PreDelay Rev Range 0 80ms step 1ms Value N of control change 17 7 Value N of control change 16 from 0 up to 80 Par 9 Density Range 0 100 Value N of control change 17 8 Value N of control change 16 from O up to 100 Par 10 Decay Range 0 100 Value N of control change 17 29 Value N of control change 16 from O up to 100 44 Par 11 Rev Volume Range 0 100 Value N of control change 17210 Value N of control change 16 from O up to 100 Par 12 PEQQ Gain 15 dB in 0 5dB Steps Value N of control change 17211 Value N of control change 16 from O up to 60 Table n Par 13 PEQ1 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17212 Value N of control change 16 from O up to 30 Table n Par 14 PEQ1 Q Range 0 050 3 in 0 05 Steps Value N of control change 17213 Value N of control change 16 from O up to 59 Table n Par 15 PEQ2 Gain 15 dB in 0 5dB Steps Value N of control change 17214 Value N of control change 16 from O up to 60 Table n Par 16 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17215 Value N of control change 16 from O up to 30 Table n Pa
17. 0 40 ms in 1 ms Steps Value N of control change 17212 Value N of control change 16 from O up to 40 Par 14 Reverb vol Range da 0 100 Value N of control change 17213 Value N of control change 16 from O up to 100 Par 15 High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17214 Value N of control change 16 from 0 up to 30 Table n 1 Par 16 PEQ2 Gain 15 dB in 0 5dB Steps Value N of control change 17215 Value N of control change 16 from 0 up to 60 Table n 2 Par 17 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17216 Value N of control change 16 from 0 up to 30 Table n 1 Par 18 PEQ2 Q Range 0 050 3 in 0 05 Steps Value N of control change 17217 Value N of control change 16 from O up to 59 Table n 3 Par 19 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17218 Value N of control change 16 from O up to 60 Table n2 Par 20 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 19 Value N of control change 16 from O up to 30 Table n 1 Par 21 PEQ3 Q Range 0 050 3 in 0 05 Steps Value N of control change 17220 Value N of control change 16 from O up to 59 Table n 3 Par 22 Pseudo Stereo Range 0 100926 Value N of control change 17221 Value N of control change 16 from O up to 100 27 GATE REVERB Par 1 Time Range da 0 100 from 31 5ms to 3150ms step 31 5ms Value N of control change 17 0 Value N of contro
18. 1 30ct Steps PEQ1 Gain 15dB 15dB 0 5dB Steps PEQ1 Freq 20Hz 20KHz 1 30ct Steps PEQ1 Q 0 05 3 00 0 05 Steps E Ref Vol 0 100 PreDly E Ref Oms 40ms 1ms Steps F Ref Vol 0 100 PreDly F Ref Oms 40ms 1ms Steps Reverb Vol 0 100 High Pass F 20Hz 20KHz 1 30ct Steps PEQ2 Gain 15dB 15dB 0 5dB Steps PEQ2 Freq 20Hz 20KHz 1 3Oct Steps PEQ2 Q 0 05 3 00 0 05 Steps PEQS Gain 15dB 15dB 0 5dB Steps PEQS Freq 20Hz 20KHz 1 30ct Steps EQ3 Q 0 05 3 00 0 05 Steps Pseudo St 0 100 20 i I i i I Delay Feedback High Pass F Low Pass F PEQ1 Gain PEQ1 Freq PEQI O PEQ2 Gain PEQ2 Freq PEQ2 Q PEQ3 Gain PEQ3 Freq PEQ3 Q Out Level Mode Depth H Damp Freq L Damp Freq Link Rate Rate L amp R Rate L Rate R Chorus Vol Phase Link Rate Rate L amp R Rate R amp L Rate L Rate R Depth H Damp Freq L Damp Freq Feedback Flanger Vol Phase ate PEQ Gain PEQ1 Freq PEQ1Q PEQ2 Gain PEQ2 Freq PEQ2Q High Pass F Low Pass F PEQ Gain PEQ Freq PEQQ Feedback Depth Phaser Vol Phaser In Feedback Phase Offset Depth Rate H Damp Freq L Damp Freq Depth Tremolo Vol Offset 21 Oms 1270ms 5 ms Steps Mono mode Oms 800ms 5 ms Steps Stereo mode 0 100 20Hz 20KHz 1 3Oct Steps 20Hz 20KHz 1 3Oct Steps 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 30ct Steps 0 05 3 00 0 05 Steps 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 30ct Steps 0 05 3 00 0 05 Steps 15dB 15dB 0 5dB Steps 20Hz 20KH
19. 6 from O up to 80 Par 8 Delay Decay Range 0 100 Value N of control change 17 7 Value N of control change 16 from O up to 100 Par 9 Delay Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 8 Value N of control change 16 from O up to 30 Table n Par 10 Delay High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 29 Value N of control change 16 from O up to 30 Table n 46 Par 11 Delay Vol Range 0 100 Value N of control change 17210 Value N of control change 16 from O up to 100 Par 12 PEQQ Gain 15 dB in 0 5dB Steps Value N of control change 17211 Value N of control change 16 from O up to 60 Table n Par 13 PEQ1 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17212 Value N of control change 16 from O up to 30 Table n Par 14 PEQ1 Q Range 0 050 3 in 0 05 Steps Value N of control change 17213 Value N of control change 16 from O up to 59 Table n Par 15 PEQ2 Gain 15 dB in 0 5dB Steps Value N of control change 17 14 Value N of control change 16 from O up to 60 Table n Par 16 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17215 Value N of control change 16 from O up to 30 Table n Par 17 PEQ2 Q Range 0 050 3 in 0 05 Steps Value N of control change 17216 Value N of control change 16 from O up to 59 Table n Par 18 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17217
20. 60 Table n 2 Par 10 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 29 Value N of control change 16 from 0 up to 30 Table n 1 31 Par 11 PEQ2 Q Range 0 050 3 in 0 05 Steps Value N of control change 17210 Value N of control change 16 from 0 up to 59 Table n 3 Par 12 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17211 Value N of control change 16 from O up to 60 Table n 2 Par 13 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 12 Value N of control change 16 from O up to 30 Table n 1 Par 14 PEQ3 Q Range 0 050 3 in 0 05 Steps Value N of control change 17 13 Value N of control change 16 from O up to 59 Table n 2 Par 15 Out Level Range 0 100 Value N of control change 17214 Value N of control change 16 from O up to 100 32 TAP DELAY Par 1 if Mono then Delay Range 0 1270ms step 10ms Value N of control change 17 0 Value N of control change 16 from O up to 127 if Stereo then Delay Range 0 800ms step 10ms Value N of control change 17 0 Value N of control change 16 from O up to 80 Par 2 Feedback Range da 0 100 Value N of control change 17 21 Value N of control change 16 from O up to 100 Pars High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 2 Value N of control change 16 from 0 up to 30 Table n 1 Par 4 Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control chang
21. EQ Q Q adjustment allowing to size the width of the bell filters on the pitch shifter input signal 18 4 6 STORE RECALL PRESETS The all effects can store recall up to 8 presets Within the editing parameters list there are 2 option same for each effect allowing to store recall the presets Load P page allowing to recall 1 of 8 presets of parameters configurations Once scrolled up to this page in order to start the preset recall need to press the BYPASS ENT ER BUTTON As soon as the BYPASS ENTER BUTTON is pressed will be possible to scroll up down the available 8 presets through the PAR VALUE ENCODER The available presets will be shown with an asterisk of the name indicating that the preset displayed itis not the currently running one Chosen the preset it can be loaded pressing again the BYPASS ENTER BUTTON The preset will be then loaded and will become the current one The location number of the loaded preset will be displayed on the upper row of the LCD at the right side of the effect s type name the name of the currently loaded preset will be displayed on the lower row of the LCD again with its location number on the left Save P page allowing to store up to 8 presets of parameters configurations Once scrolled up to this page in order to start the preset store process need to press the BYPASS ENTER BUTTON As soon as the BYPASS ENTER BUTTON is pressed will be possible to scroll up down the available 8 locations w
22. Offset Depth Range 0 100 Value N of control change 17217 Value N of control change 16 from O up to 100 38 TREMOLO Par 1 Rate Range 0 100 Value N of control change 1720 Value N of control change 16 from O up to 100 Par 2 Hi Damp F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 21 Value N of control change 16 from O up to 30 Table n Par 3 Lo Damp F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1722 Value N of control change 16 from O up to 30 Par 4 Depth Range 0 100 Value N of control change 1723 Value N of control change 16 from O up to 100 Par 5 Tremolo Vol Range 0 100 Value N of control change 17 4 Value N of control change 16 from 0 up to 100 Par 6 Offset Range 0 100 Value N of control change 17 5 Value N of control change 16 from O up to 100 39 ROTARY SPEAKER Par 1 Switch Range 0 1 Value N of control change 17 0 Value N of control change 16 from O up to 1 O slow 1 Fast Par 2 Cyl Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 1 Value N of control change 16 from 0 up to 30 Table n Par 3 Cyl PEQ Gain 15 dB in 0 5dB Steps Value N of control change 17 2 Value N of control change 16 from 0 up to 60 Table n Par 4 Cyl PEQ Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 3 Value N of control change 16 from O up to 30 Table n Par 5 Cyl PEQ Q Range 0 050 3 in 0 05 Steps Value
23. again the FX LOAD PAR TAP button the MIDI USB selection page will be left and the unit will go back to its operative status c the FX LOAD PAR TAP button once pressed in normal conditions allows to enter and scroll the several Parameters pages during the Effect editing d with particular effects The FX LOAD PAR TAP button is used as extra control for a particular parameter of the effect Particularly TAP DELAY effect Hitting the button at least 4 times with fixed time intervals eventually corresponding to a desired tempo will force the DELAY TAP effect to set the Delay Time accordingly with the tapped tempo The TAP LED on top of the TAP button starts flashing with time intervals corresponding to the tapped tempo See later about how to select the TAP DELAY tempo to be controlled by the FX LOAD PAR TAP button ROTARY effect the FX LOAD PAR TAP button can here be used for switching between Slow and fast speed of Rotating Speaker emulation 8 BYPASS ENTER BUTTON Hit the button to Bypass the effects muting them on the outputs The BYPASS LED on top of the Bypass button will light ON when Bypass the effects and on the extreme right of the upper row of the LCD will be displayed OFF will be displayed ON when the effect is not bypassed BYPASS ENTER button is also used with extra function for the Start and Stop of the Rotating Speaker emulation when selected the ROTARY effect 9 CLIP LED the CLIP LED
24. ap Mode it is not possible to pass to a new effects rotating the FX SELECT need first to exit the Tap Mode Feedback number of repetitions of the delayed signal High Pass F filter attenuating the Low frequencies below the selected one on the delay output Low Pass F filter attenuating the high frequencies above the selected one on the delay output PEQ1 Gain 15dB Gain Attenuation of the first of 3 available bell filters on the delay input signal PEQ1 Freq Center Frequency of the first of 3 available bell fi ters on the delay input signal PEQ1 Q Q adjustment allowing to size the width of the first of 3 available bell filters on the delay input signal PEQ2 Gain 15dB Gain Attenuation of the second of 3 available bell filters on the delay input signal PEQ2 Freq Center Frequency of the second of 3 available bell filters on the delay input signal PEQ2 Q Q adjustment allowing to size the width of the second of 3 available bell filters on the delay input signal PEQ3 Gain 15dB Gain Attenuation of the third of 3 available bell filters on the delay input signal PEQ3 Freq Center Frequency of the third of 3 available bell filters on the delay input signal PEQS Q Q adjustment allowing to size the width of the third of 3 available bell filters on the delay input signal Out Level level of the delay output Mode define if the output of the TAP DELAY will be a Mono or a Stereo one if Mono the input Left Right signals are
25. ary Speaker is running switched at LOW SPEED switch parameter on Slow Cyl HighSpeed Cylinder rotation speed when the Rotary Speaker is running switched at FAST SPEED swi t ch parameter on Fast Cyl Depth depth of the frequency amplitude modulation of the Cylinder section affecting the pitch variation amount and the sound level variation as more as the value is high 15 Cyl Feedback amount of modulated signal Cyl section output added to the Input signal at the Cyl section input Cyl Level level of the cyl inder section output Horn LowSpeed Horn rotation speed when the Rotary Speaker is running switched at LOW SPEED switch parameter on Slow Horn HighSpeed Horn rotation speed when the Rotary Speaker is running switched at FAST SPEED switch parameter on Fast Horn Depth depth of the frequency amplitude modulation of the Horn section affecting the pitch variation amount and the sound level variation as more as the value is high Horn Feedback amount of modulated signal Horn section output added to the Input signal at the Horn section input Horn Level level of the horn section output PEQ G 15dB Gain Attenuation of the bell filters available on the output of the combined Cylinder Horn sounds for the main output frequency characterization PEQ F Center Frequency of the bell filters available on the output of the combined Cylinder Horn sounds for the main output frequency characterization PEQ Q Q adjustment allow
26. b unit This effect is a sort of modulated reverb and is particularly suited for drums and vocals 3 2 PARTICULAR REVERBS The Particular REVERB comprises not natural reverb algorithms VOCAL REV simulates the reverberation that you can hear in big Hall but with the addition of small echoes suitable for better characterizing the voice GATED REV simulates the reverb type cut off by a gate This effect was typically used with snare or kick drums 3 3 DELAYS The DELAY effect is provided in 2 different shapes dedicate one expressly to the Vocal use and the other one to the classic Delay use VOCAL ECHO produces different echoes on the 2 output channels with not equal delay times so to simulate casual echoes spreading the and sustaining the voice differently on the 2 output channels The effects is similar to a reverb where the voice body is maintained dense and well defined DELAY produces several echoes of the input signal reducing their amplitude and add the result to the original signal The FX LOAD PAR TAP button can be used to set the delay Delay Time and the Led on topof the FX LOAD PAR TAP button will blink with the same interval of time used for tapping the FX LOAD PAR TAP button matching the set tapped Delay time 3 4 MODULATIONS The MODULATION effects set offers the most classic modulation used for moving sound shifting up and down harmonics components CHORUS gives a signal more body and width moving it in frequency
27. chorus output Phase is the distance between the original sound and the chorus delay buffer affecting when direct and chorus signals are added the relative phase between them As more as the percentage is small as more the original signal and the chorus have close phases FLANGER EFFECT here we have 11 editable parameter and the Load Store functions for creating and recalling up to 8 presets Link Rate this function when ON allows to assign to both channels the same parameters values resulting on a MONO flanger with both channels modulating with same rate adjustable with the Rate L amp R and Rate R amp L parameter When Link Rate is OFF then the left and right channels have independent Rates selectable through the Rate L and Rate R parameters Rate L amp R active and appearing on the LCD screen ONLY if Link Rate is ON define the speed of the MONO flanger s frequency modulation Rate R amp L active and appearing on the LCD screen ONLY if Link Rate is ON define the speed of the MONO flanger s frequency modulation Rate L active and appearing on the LCD screen ONLY if Link Rate is OFF define the speed of the Left channel flanger s frequency modulation Rate R active and appearing on the LCD screen ONLY if Link Rate is OFF define the speed of the Right channel flanger s frequency modulation Depth depth of the modulation affecting the pitch variation amount as more as the value is high H Damp Freq filter attenuating
28. control change 16 from O up to 100 Par 24 Release Range 0 100 Value N of control change 17 23 Value N of control change 16 from O up to 100 Par 25 Attack Range 0 100 Value N of control change 17224 Value N of control change 16 from O up to 100 30 VOCAL ECHO Par 1 Displacement Range da 0 100 Value N of control change 17 0 Value N of control change 16 from O up to 100 Par 2 Delay Range da 0 720 ms step 10ms Value N of control change 17 1 Value N of control change 16 from O up to 72 Par 3 Feedback Range da 0 100926 Value N of control change 1722 Value N of control change 16 from O up to 100 Par 4 High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1723 Value N of control change 16 from 0 up to 30 Table n 1 Par 5 Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 4 Value N of control change 16 from 0 up to 30 Table n 1 Par 6 PEQ1 Gain 15 dB in 0 5dB Steps Value N of control change 17 5 Value N of control change 16 from O up to 60 Table n 2 Par 7 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1726 Value N of control change 16 from 0 up to 30 Table n 1 Par 8 PEQS Q Range 0 050 3 in 0 05 Steps Value N of control change 17 7 Value N of control change 16 from O up to 59 Table n 3 Par 9 PEQ2 Gain 15 dB in 0 5dB Steps Value N of control change 17 8 Value N of control change 16 from O up to
29. dB in 0 5dB Steps Value N of control change 17215 Value N of control change 16 from O up to 60 Table n Par 17 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17216 Value N of control change 16 from O up to 30 Table n Par 18 PEQ2 Q Range 0 050 3 in 0 05 Steps Value N of control change 17217 Value N of control change 16 from O up to 59 Table n Par 19 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17 18 Value N of control change 16 from O up to 60 Table n Par 20 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17219 Value N of control change 16 from O up to 30 Table n Par 21 PEQ3 Q Range 0 050 3 in 0 05 Steps Value N of control change 17 20 Value N of control change 16 from O up to 59 Table n 43 DELAY REVERB Par 1 Delay Time Range 0 800ms step 10ms Value N of control change 17 0 Value N of control change 16 from O up to 80 Par2 Delay Decay Range 0 100 Value N of control change 17 21 Value N of control change 16 from O up to 100 Par 3 Delay Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1722 Value N of control change 16 from O up to 30 Table n Par 4 Delay High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1723 Value N of control change 16 from O up to 30 Table n Par 5 Delay Vol Range 0 100 Value N of control change 1724 Value N of control change 16 from O
30. e 1723 Value N of control change 16 from 0 up to 30 Table n 1 Par 5 PEQQ Gain 15 dB in 0 5dB Steps Value N of control change 17 4 Value N of control change 16 from O up to 60 Table n 2 Par 6 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 5 Value N of control change 16 from O up to 30 Table n 1 Par 7 PEQS Q Range 0 050 3 in0 05 Steps Value N of control change 17 6 Value N of control change 16 from 0 up to 59 Table n 3 Par 8 PEQ2 Gain 15 dB in 0 5dB Steps Value N of control change 17 7 Value N of control change 16 from 0 up to 60 Table n 2 Par 9 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 8 Value N of control change 16 from 0 up to 30 Table n 1 Par 10 PEQ2 Q Range 0 050 3 in0 05 Steps Value N of control change 17 9 Value N of control change 16 from 0 up to 59 Table n 3 33 Par 11 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17 10 Value N of control change 16 from 0 up to 60 Table n 2 Par 12 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17211 Value N of control change 16 from 0 up to 30 Table n 1 Par 13 PEQ3 Q Range 0 050 3 in 0 05 Steps Value N of control change 17 212 Value N of control change 16 from 0 up to 59 Table n 3 Par 14 Out Level Range 0 100 Value N of control change 17213 Value N of control change 16 from O up to 100 Par 15 Mode Range 0 1 Va
31. e N of control change 16 from O up to 100 Par 17 Horn High Speed Range 0 100 Value N of control change 17216 Value N of control change 16 from O up to 100 Par 18 Horn Depth Range 0 100 Value N of control change 17217 Value N of control change 16 from O up to 100 Par 19 Horn Feedback Range 0 100 Value N of control change 17218 Value N of control change 16 from O up to 100 Par 20 Horn Level Range 0 100 Value N of control change 17219 Value N of control change 16 from O up to 100 Par 21 PEQ Gain 15 dB in 0 5dB Steps Value N of control change 17 20 Value N of control change 16 from O up to 60 Table n Par 22 PEQ Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17221 Value N of control change 16 from O up to 30 Table n Par 23 PEQ Q Range 0 050 3 in 0 05 Steps Value N of control change 17222 Value N of control change 16 from O up to 59 Table n 41 CHORUS FLANGER REVERB Par 1 Chr Fla Depth Range 0 100 Value N of control change 17 0 Value N of control change 16 from O up to 100 Par 2 Chr Fla Rate Range 0 100 Value N of control change 17 1 Value N of control change 16 from O up to 100 Par 3 Chr Fla Feedback Range 0 100 Value N of control change 17 2 Value N of control change 16 from 0 up to 100 Par 4 Chr Fla High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 3 Value N of control change 16 from 0 up to 30 Table n Par
32. e Rotation of the Speakers is in STOP when the led is OFF the rotation of the speakers is in GO When selected running the Rotary effect the BYPASS ENTER cannot be used for the effect bypass Cyl LPF low pass filter used for setting the upper frequency of the signal sent as output of the section emulating the Cylinder of the Rotary Speaker Cabinet Cyl PEQ G 15dB Gain Attenuation of the bell filters available for the frequency characterization of the Cylinder sound Cyl PEQ F Center Frequency of the bell filters available for the frequency characterization of the Cylinder sound Cyl PEQ Q Q adjustment allowing to size the width of the bell filters available for the frequency characterization of the Cylinder sound Horn HPF high pass filter used for setting the lower frequency of the signal sent as output of the section emulating the Horn of the Rotary Speaker Cabinet Horn LPF low pass filter used for setting the upper frequency of the signal sent as output of the section emulating the Horn of the Rotary Speaker Cabinet Horn PEQ G 15dB Gain Attenuation of the bell filters available for the frequency characterization of the Horn sound Horn PEQ F Center Frequency of the bell filters available for thefrequency characterization of the Horn sound Horn PEQ Q Q adjustment allowing to size the width of the bellfilters available for the frequency characterization of the Horn sound Cyl LowSpeed Cylinder rotation speed when the Rot
33. ed the unit connected to a remote MIDI controller or USB when the unit is connected to a PC for being controlled by the Pc sw To Select the MIDI or the USB interface need to enter the MIDI USB selection page pressing the FX LOAD PAR TAP Button for atleast 3 seconds To exit the MIDI USB editing page need to press again the FX LOAD PAR TAP Button for at least 3 seconds The MIDI USB selection page cannot ne accessed when the FX LOAD PAR TAP BUTTON is used with TAP function in Tap Mode with the TAP DELAY effect see TAP DELAY need to exit that mode for using the button for entering the MIDI USB selection page 6 FX SELECT ENCODER once finished the Start Up phase after turned on the Unit use the FX SELECT ENCODER to select one of the 16 effect available see below the effects list Once Selected the Effect if different from the current one the name of the new effect will appear flashing until will be not confirmed the selection pressing the FX LOAD PAR TAP button 7 FX LOAD PAR TAP BUTTON this is a multi function button a When the DEF 220P is in operative conditions and a new Effects has been chosen and selected using the FX SELECT ENCODER pressing the FX LOAD PAR TAP button the new selected effect will take place becoming the current running one b if pressed for at least 3 seconds the FX LOAD PAR TAP button is allowing to enter the page forthe MIDI USB communication selection Once within the MIDI USB selection page pressing
34. elow the selected one on the vocal phaser output Low Pass F filter attenuating the high frequencies above the selected one on the vocal phaser output PEQ Gain 15dB Gain Attenuation of the bell filters on the phaser output signal PEQ Freq Center Frequency of the bell filters on the phaser output signal PEQ Q Q adjustment allowing to size the width of the bell filters on the phaser output signal Feedback amount of modulated signal phaser output added to the Input signal at the phaser input Depth depth of the modulation affecting the pitch variation amount as more as the value is high Phaser Vol level of the phaser output Phaser In assign the polarity to the phaser input DIR if maintained the original input phase INV if 180Deg Inverted Feedback Phase assign the polarity to the modulated signal phaser output added to the input signal at the phaser input DIR the original phaser output phase INV if 180Deg Inverted Offset Depth displacement in time between the phaser s modulation sources TREMOLO effect here we have 6 editable parameter and the Load Store functions for creating and recalling up to 8 presets Rate define the speed of the tremolo s amplitude modulation H Damp Freq filterattenuating the high frequencies above the selected one on the tremolo output L Damp Freq filter attenuating the Low frequencies below the selected one on the tremolo output Depth amount of amplitude modulatio
35. fore the fast reflections starts acting Reverb Vol adjustable level of the gated reverb s internal delay loop on the gated reverb main output signal High Pass F filter attenuating the Low frequencies below the selected one on the gated reverb output 10 PEQ2 Gain 15dB Gain Attenuation of the second of 3 available bell filters on the reveb input signal PEQ2 Freq Center Frequency of the second of 3 available bell filters on the reveb input signal PEQ2 Q Q adjustment allowing to size the width of the second of 3 available bell filters on the reveb input signal PEQ3 Gain 15dB Gain Attenuation of the third of 3 available bell filters on the reveb input signal PEQ3 Freq Center Frequency of the third of 3 available bell filters on the reveb input signal PEQ3 Q Q adjustment allowing to size the width of the third of 3 available bell filters on the reveb input signal Pseudo St percentage of delay between Left and Right gated reverb output channels used for giving to the Mono gated reverb a stereo feeling Threshold gate reveb threshold it is the threshold above the one the input signal level is activating the gated reverb which duration once activated is depending from the time parameter Release it is the time necessary to the gated reverb to pass from the active status to the muted once passed the selected time the fading out of the signal with signal amplitude decrease will take the time set by the release parameter
36. here to store the parameters configuration as preset through the PAR VALUE ENCODER The available locations empty or containing previous presets not currently in use will be shown with an asterisk on the left side of the name Chosen the location for storing the preset need to press again the BYPASS ENTER BUTTON for entering the page of the Preset Name s Editing with the FX SELECT encoder can be selected the name s character position and with the PAR VALUE ENCODER the character itself up to 8 characters are available for naming the preset Defined the name pressing again the BYPASS ENTER BUTTON the new preset will be saved in the chosen location unless the location instead of empty was occupied by a previous preset In this case before to store the new one the DEF 220P will ask confirmation if pressed again the BYPASS ENTER BUTTON confirming the will to store the new preset on the place of the old one the new preset will be stored If not sure itis possible to exit the storing process pressing the FX LOAD PAR TAP BUTTON As soon as a new preset will be saved this will become the current one its name will be displayed on the lower row of the LCD and its location number aside the Effect type name 19 5 APPENDIX 1 5 1 List of effects and editable parameters Decay 0 100 PreDly Rev Oms 80MS 1ms Steps Density 0 100 H Damp Freq 20Hz 20KHz 1 30ct Steps L Damp Freq 20Hz 20KHz 1 30ct Steps Low Pass F 20Hz 20KHz
37. ing to size the width of the bell filters available on the output of the combined Cylinder Horn sounds for the main output frequency characterization 4 4 COMBINED EFFECTS CHR FLG REVERB effect here we have 21 editable parameter and the Load Store functions for creating and recalling up to 8 presets Chr Flg Depth depth of the modulation affecting the pitch variation amount as more as the value is high Chr Flg Rate define the speed of the Chr Flg s frequency modulation Feedback amount of modulated signal Chr Flg output added to the Input signal at the Chr Flg section input Chr Flg HPF filter attenuating the Low frequencies below the selected one on the Chr Flg section output Chr Flg LPF filter attenuating the high frequencies above the selected one on the Chr Flg section output Chr Flg Vol level of the Chr Flg section output H Damp Freq filter introducing an attenuation on the high frequencies above the selected one this filter is inserted in the reverb main loop ans is attenuating as more as the reverb tail is lasting L Damp Frea filter introducing an attenuation on the low frequencies below the selected one this filter is inserted in the reverb main loop ans is attenuating as more as the reverb tail is lasting PreDly Rev time delay before the reverb starts acting Density amount of early reflection on the reverb body Decay itis the reverb duration until the tail is damped Reverb Vol level of the delay section outp
38. l change 16 from O up to 100 Par 2 PreDly Rev Range 0 80 ms in 1ms Steps Value N of control change 17 21 Value N of control change 16 DA 0a 80 Par 3 Density Range 0 100 Value N of control change 1722 Value N of control change 16 from O up to 100 Par 4 H Damp Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1723 Value N of control change 16 from O up to 30Tabella n 1 Par 5 L Damp Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1724 Value N of control change 16 from 0 up to 30 Table n 1 Par 6 Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 5 Value N of control change 16 from 0 up to 30 Table n 1 Par 7 PEQ Gain 15 dB in 0 5dB Steps Value N of control change 17 6 Value N of control change 16 from O up to 60 Table n 2 Par 8 PEQ Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 7 Value N of control change 16 from 0 up to 30 Table n 1 Par 9 PEQ Q Range 0 050 3 in0 05 Steps Value N of control change 17 8 Value N of control change 16 from O up to 59 Table nn 3 Par 10 E Ref Vol Range 0 100 Value N of control change 17 29 Value N of control change 16 from O up to 100 28 Par 11 PreDly E Ref da 0 40 ms in 1ms Steps Value N of control change 17 210 Value N of control change 16 from O up to 40 Par 12 F Ref Vol Range 0 100 Value N of control change 17211 Value N of control change 16 fro
39. le bell filters on the vocal delay input signal PEQ3 Gain 15dB Gain Attenuation of the third of 3 available bell filters on the vocal delay input signal 11 PEQ3 Freq Center Frequency of the third of 3 available bell filters on the vocal delay input signal PEQS Q Q adjustment allowing to size the width of the third of 3 available bell filters on the vocal delay input signal Out Level level of the Vocal Echo output TAP DELAY ef fect here we have 15 editable parameter and the Load Store functions for creating and recalling up to 8 presets Delay distance in time between 2 repetition of the original delayed signals When within the Delay parameter page maintaining pressed for at least 3 seconds the FX LOAD PAR TAP button the Tap Mode will be entered The display will change the parameter definition in Delay TM where TM is for Tap Mode In this Mode It is possible to set the delay time using the FX LOAD PAR TAP button Hitting the button at least 4 times with fixed time intervals eventually corresponding to a desired tempo will force the DELAY TAP effect to set the Delay Time accordingly with the tapped tempo The Led on top of the FX LOAD PAR TAP BUTTON starts flashing with time intervals corresponding to the tapped tempo To exit the TAP MODE so to enter the delay time using the PAR VALUE ENCODER itis enough to maintain pressed again the FX LOAD PAR TAP button for at least 3 seconds When in T
40. lue N of control change 16 from O up to 100 Par 5 Hi Damp F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 4 Value N of control change 16 from 0 up to 30 Table n Par 6 Lo Damp F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 5 Value N of control change 16 from O up to 30 Table n Par 7 Feedback Range 0 100 Value N of control change 1726 Value N of control change 16 from O up to 100 Par 8 Flanger Vol Range 0 100 Value N of control change 17 7 Value N of control change 16 from O up to 100 Par 9 Phase Range 0 100 Value N of control change 1728 Value N of control change 16 from O up to 100 36 PHASER Par 1 Rate Range 0 100 Value N of control change 17 0 Value N of control change 16 from O up to 100 Par 2 PEQ1 Gain 15 dB in 0 5dB Steps Value N of control change 1721 Value N of control change 16 from O up to 60 Table n Par 3 PEQ1 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1722 Value N of control change 16 from O up to 30 Table n Par 4 PEQ1 Q Range 0 050 3 in 0 05 Steps Value N of control change 17 3 Value N of control change 16 from O up to 59 Table n Par 5 PEQ2 Gain 15 dBin 0 5dB Steps Value N of control change 17 4 Value N of control change 16 from O up to 60 Table n Par 6 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 5 Value N of control change 16 from O up to 30 Table n
41. lue N of control change 17214 Value N of control change 16 from O up to 1 O Stereo 1 Mono 34 CHORUS Par 1 Depth Range 0 100 Value N of control change 17 0 Value N of control change 16 from O up to 100 Par 2 Hi Damp F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 21 Value N of control change 16 from O up to 30 Table n 1 Par 3 Lo Damp F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 1722 Value N of control change 16 from 0 up to 30 Table n 1 Par 4 Link Rate Range 0 1 Value N of control change 1723 Value N of control change 16 0 1 Off On Par 5 Rate L Range 0 100 Value N of control change 1724 Value N of control change 16 from O up to 100 Par 6 Rate R Range 0 100 Value N of control change 17 5 Value N of control change 16 from O up to 100 Par 7 Chorus Vol Range 0 100 Value N of control change 1726 Value N of control change 16 from O up to 100 Par 8 Phase Range 0 100 Value N of control change 17 7 Value N of control change 16 from O up to 100 35 FLANGER Par 1 Link Rate Range 0 1 Value N of control change 17 0 Value N of control change 16 0 1 Off On Par 2 Rate L Range 0 100 Value N of control change 17 1 Value N of control change 16 from O up to 100 Par 3 Rate R Range 0 100 Value N of control change 1722 Value N of control change 16 from O up to 100 Par 4 Depth Range 0 100 Value N of control change 1723 Va
42. m O up to 100 Par 13 PreDly F Ref Range 0 40 ms in step di 1 ms Value N of control change 17212 Value N of control change 16 from 0 up to 40 Par 14 Reverb vol Range da 0 100 Value N of control change 17213 Value N of control change 16 from O up to 100 Par 15 High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17214 Value N of control change 16 from 0 up to 30 Table n 1 Par 16 PEQ2 Gain 15 dB in 0 5dB Steps Value N of control change 17215 Value N of control change 16 from O up to 60 Table n 2 Par 17 PEQ2 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17216 Value N of control change 16 from 0 up to 30 Table n 1 Par 18 PEQ2 Q Range 0 050 3 in 0 05 Steps Value N of control change 17217 Value N of control change 16 from 0 up to 59 Table n 3 Par 19 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17218 Value N of control change 16 from O up to 60 Table n 2 Par 20 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17219 Value N of control change 16 from 0 up to 30 Table n 1 Par 21 PEQ3 Q Range 0 050 3 in 0 05 Steps Value N of control change 17 20 Value N of control change 16 from 0 up to 59 Table n 3 29 Par 22 Pseudo Stereo Range 0 100926 Value N of control change 17 21 Value N of control change 16 from O up to 100 Par 23 Thershold Range 0 100 Value N of control change 17 22 Value N of
43. n operated by the tremolo Tremolo Vol level of the tremolo output Offset minimum amplitude allowed for the tremolo s modulation process 14 ROTARY effect here we have 23 editable parameter and the Load Store functions for creating and recalling up to 8 presets Switch select the speed of the Speakers Rotation which can be SLOW or FAST When within the Switch parameter page maintaining pressed for at least 3 seconds the FX LOAD PAR TAP button the Rotary Mode will be entered The display will change the parameter definition in Switch RM whereRM is for Rotary Mode In this Mode It is possible to set the Speakers Rotation speed using the FX LOAD PAR TAP BUTTON Hitting the button the Speakers Rotation speed will toggle from SLOW to FAST and viceversa When the led on top of the FX LOAD PAR TAP BUTTON is ON then the Speakers Rotation is in FAST mode if the led is OFF then the Speakers Rotation speed is in SLOW mode To exit the ROTARY MODE so to enter the Speakers Rotation speed using the PAR VALUE ENCODER itis enough to maintain pressed again the FX LOAD PAR TAP button for at least 3 seconds When in Rotary Mode it is not possible to pass to a new effects rotating the FX SELECT need first to exitthe Rotary Mode When selected and running the Rotary Speaker effect the BYPASS ENTER BUTTON is EVER used for the function of STOP and GO of the Speakers Rotation Emulation when the BYPASS ENTER Led is ON then th
44. not use the unit for an extended period of time please disconnect it at the mains 2 2 Rear panel FUSE REPLACE WITH SAME TYPE FUSE AND RATING 220v I um Fig 2 2 Rear panel connectors of the DEF 220P 1 INPUTS the DEF 220P is equipped with 2 types of Inputs connectors XLR female connectors are allowing to connect to the Unit BALANCED input signals Unbalanced Input signal can access the Unit through Mono 1 4 Jack connectors A STEREO MONO switch is available so to transform the Stereo Inputs Unit in Mono Input Unit where the Mono Input is the LEFT IN the Mono Mode when selected is routing the LEFT IN signal to both In put channels going to the DPS processor A MIC LINE switch is available allowing to change the Input section sensitivity in order to make the Unit accessible with Line or Microphone Level Signals When selected LINE the Unit can be connected to common Line sound sources instead when selected MIC the Unit can be directly accessed by Microphones 2 OUTPUTS the DEF 220P is equipped with 2 types of Output connectors XLR male connectors are providing BALANCED output signals Unbalanced output signal are instead available on Mono 1 4 Jack connectors 3 FOOT SWITCH the DEF 220P has to 1 4 Jack Inputs for the Foot Control of the TAP function operative when selected the Delay Tap effect or the Speed Selection when selected the Rotary effect and the Effects BYPASS or ROTARY Stop Go when selected the ROTARY
45. nsity amount of early reflection on the gated reverb body H Damp Freq filter introducing an attenuation on the high frequencies above the selected one this filter is inserted in the gated reverb main loop ans is attenuating as more as the gated reverb tail is lasting L Damp Freq filter introducing an attenuation on the low frequencies below the selected one t his filter is inserted in the gated reverb main loop ans is attenuating as more as the gated reverb tail is lasting Low Pass F filter attenuating the high frequencies above the selected one on the gated reverb output PEQ1 Gain 15dB Gain Attenuation of the first of 3 available bell filters on the reveb input signal PEQ1 Freq Center Frequency of the first of 3 available bell fi ters on the reveb input signal PEQ1 Q Q adjustment allowing to size the width of the first of 3 available bell filters on the reveb input signal E Ref Vol adjustable level of the early reflections section output on the gated reverb main output signal PreDly E Ref time delay before the early reflections starts acting F Ref Vol adjustable level of the fast reflections section output on the gated reverb main output signal the fast reflections represent the reflections coming from obstacles as walls in a far positions respect the ones creating the early reflections and the characteristic of the fast reflections is to be less defined than the early reflections PreDly F Ref time delay be
46. of 3 available bell filters on the chr flg delay input signal PEQ1 Q Q adjustment allowing to size the width of the first of 3 available bell filters on the chr flg delay input signal PEQ2 G 15dB Gain Attenuation of the second of 3 available bell filters on the chr flg delay input signal PEQ2 F Center Frequency of the second of 3 available bell filters on the chr flg delay input signal PEQ2 Q Q adjustment allowing to size the width of the second of 3 available bell filters on the chr flg delay input signal PEQ3 G 15dB Gain Attenuation of the third of 3 available bell filters on the chr flg delay input signal PEQ3 F Center Frequency of the third of 3 available bell filters on the chr flg delay input signal PEQS Q Q adjustment allowing to size the width of the third of 3 available bell filters on the chr flg delay input signal 4 5 PITCH SHIFTER PITCH SHIFTER effect here we have 5 editable parameter and the Load Store functions for creating and recalling up to 8 presets Semitones amount of frequency shift detuning of the original sound up to 1 Octave by steps of 1 3 of semitones Chorus amount of harmonics added to the pitch shifter output and coming from the addition of the pitch shifter output to the pitch shifter inputin a feedback configuration PEQ G 15dB Gain Attenuation of bell filters on the pitch shifter input signal PEQ F Center Frequency of the bell filters on the pitch shifter input signal P
47. r 17 PEQ2 Q Range 0 050 3 in 0 05 Steps Value N of control change 17216 Value N of control change 16 from O up to 59 Table n Par 18 PEQ3 Gain 15 dB in 0 5dB Steps Value N of control change 17 17 Value N of control change 16 from O up to 60 Table n Par 19 PEQ3 Freq Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17218 Value N of control change 16 from O up to 30 Table n Par 20 PEQS Q Range 0 050 3 in 0 05 Steps Value N of control change 17 210 Value N of control change 16 from O up to 59 Table n 45 CHORUS FLANGER DELAY Par 1 Chr Fla Depth Range 0 100 Value N of control change 17 0 Value N of control change 16 from O up to 100 Par 2 Chr Fla Rate Range 0 100 Value N of control change 17 1 Value N of control change 16 from O up to 100 Par 3 Chr Fla Feedback Range 0 100 Value N of control change 17 2 Value N of control change 16 from 0 up to 100 Par 4 Chr Fla High Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 3 Value N of control change 16 from 0 up to 30 Table n Par 5 Chr Fla Low Pass F Range 20hz 20Khz 1 3 Oct Steps Value N of control change 17 4 Value N of control change 16 from 0 up to 30 Table n Par 6 Chr Fla Volume Range 0 100 Value N of control change 17 5 Value N of control change 16 from 0 up to 100 Par 7 Delay Time Range 0 800ms steps 10ms Value N of control change 1726 Value N of control change 1
48. r MIDI port Dedicated Independent Direct Effect Mix and Input Output Level controls for Effects level adjustment Additional footswitch connectors for Effects on off and Tap Delay control Selectable mono or Stereo Input Selectable Line or Microphone Input Levels Balanced XLR or Unbalance Jack Input Outputs 2 CONTROLS AND CONNECTIONS 2 1 Front panel Fig 2 1 Front panel controls of the DEF 220P 1 INPUT LEVEL POTENTIOMETER use the INPUT LEVEL POTENTIOMETER to adjust the Unit s input signal level Please be sure to set a level that is sufficiently high but does not overload the unit 2 MIX DIRECT POTENTIOMETER use the MIX DIRECT POTENTIOMETER to set the percentage of DIRECT Original signal on the Unit s Output 3MIX EFFECT POTENTIOMETER use the MIX EFFECT POTENTIOMETER to set the Percentage of EFFECTED Processed signal on the Unit s Output Turning the MIX DIRECT POTENTIOMETER fully on the left and the MIX EFFECT POTENTIOMETER fully on the right will bring the Unit to have on the Output ONLY the EFFECTED signal This condition can be useful when the Unit is used in Send Return configuration with a Mixer 4 OUTPUT LEVEL POTENTIOMETER use the OUTPUT LEVEL control to adjust the Unit s output level 5 PAR VALUE ENCODER use the PAR VALUE ENCODER to adjust the edited parameter on the current editing page during the Editing of the Effects The PAR VALUE ENCODER can be also used to select the MIDI Channel when us
49. selected one on the delay section output Delay Vol l evel of the delay section output H Damp Freq filter introducing an attenuation on the high frequencies above the selected one this filter is inserted in the reverb main loop ans is attenuating as more as the reverb tail is lasting L Damp Freq filter introducing an attenuation on the low frequencies below the selected one this filter is inserted in the reverb main loop ans is attenuating as more as the reverb tail is lasting PreDly Rev time delay before the reverb starts acting Density amount of early reflection on the reverb body Decay itis the reverb duration until the tail is damped Reverb Vol level of the reverb section output PEQ1 G 15dB Gain Attenuation of the first of 3 available bell filters on the delay reverb input signal PEQ1 F Center Frequency of the first of 3 available bell filters on the delay reverb input signal PEQ1 Q Q adjustment allowing to size the width of the first of 3 available bell filters on the delay reverb input signal PEQ2 G 15dB Gain Attenuation of the second of 3 available bell filters on the delay reverb input signal PEQ2 F Center Frequency of the second of 3 available bell filters on the delay reverb input signal PEQ2 Q Q adjustment allowing to size the width of the second of 3 available bell filters on the delay reverb input signal PEQ3 G 15dB Gain Attenuation of the third of 3 available bell filters on the delay re
50. the high frequencies above the selected one on the flanger output L Damp Freq filter attenuating the Low frequencies below the selected one on the flanger output Feedback amount of modulated signal flanger output added to the Input signal at the flanger input 13 Flanger Vol level of the flanger output Phase is the distance between the original sound and the flanger delay buffer affecting when direct and flanger signals are added the relative phase between them As more as the percentage is small as more the original signal and the flanger have close phases PHASER effect here we have 18 editable parameter and the Load Store functions for creating and recalling up to 8 presets Rate define the speed of the phaser s phase modulation PEQ1 Gain 15dB Gain Attenuation of the first of 2 available bell filters on the phaser input signal PEQ1 Freq Center Frequency of the first of 2 available bell fil ters on the phaser input signal PEQ1 Q Q adjustment allowing to size the width of the first of 2 available bell filters on the phaser input signal PEQ2 Gain 15dB Gain Attenuation of the second of 2 available bell filters on the phaser input signal PEQ2 Freq Center Frequency of the second of 2 available bell filters on the phaser input signal PEQ2 Q Q adjustment allowing to size the width of the second of 2 available bell filters on the phaser input signal High Pass F filter attenuating the Low frequencies b
51. ther signal to the original signal below or above the original pitch 4 EFFECTS EDITABLE PARAMETERS The all 16 effects of the DEF 220P are fully editable in their parameters Once selected the desired effect through the FX SELECT encoder and confirmed it making it the current one pressing the FX LOAD PAR TAP it is possible to enter the several parameter pages scrolling between them again pressing the FX LOAD PAR TAP button At any pressure of the FX LOAD PAR TAP button the current parameter page will leave the place to the next one and this cyclically When scrolled the all pages the first one will take place again Each effect s parameter has its own page and when inside the page the parameter s value can be adjusted using the PAR VALUE ENCODER After almost 8 Seconds from the last parameters valued adjustment the LCD will automatically leave the editing pages going back to display the effects name and the currently loaded preset To enter a new editing session need to press again the FX LOAD PAR TAP button Table 6 1 contains a list of the effects parameters which can be edited as well as a description of the FX LOAD PAR TAP and BYPASS ENTER buttons functions related to the effects parameters extra control 4 1 REVERBS EDITABLE PARAMETERS HALL ROOM PLATE and VOCAL effect here we have 22 editable parameter and the Load Store functions for creating and recalling up to 8 presets The Hall Room Plate and Vocal s editable
52. ut PEQ1 G 15dB Gain Attenuation of the first of 3 available bell filters on the chr flg reverb input signal PEQ1 F Center Frequency of the first of 3 available bell filters on the chr flg reverb input signal PEQ1 Q Q adjustment allowing to size the width of the first of 3 availablebell filters on the chr flg reverb input signal 16 PEQ2 G 15dB Gain Attenuation of the second of 3 available bell filters on the chr flg reverb input signal PEQ2 F Center Frequency of the second of 3 available bell filters on the chr flg reverb input signal PEQ2 Q Q adjustment allowing to size the width of the second of 3 available bell filters on the chr flg reverb input signal PEQ3 G 15dB Gain Attenuation of the third of 3 available bell filters on the chr flg reverb input signal PEQ3 F Center Frequency of the third of 3 available bell filters on the chr flg reverb input signal PEQS Q Q adjustment allowing to size the width of the third of 3 available bell filters on the chr flg reverb input signal DELAY REVERB effect here we have 20 editable parameter and the Load Store functions for creating and recalling up to 8 presets Delay Time distance in time between 2 repetition of the original delayed signals Delay Decay number of repetitions of the delayed signal Delay HPF f ilter attenuating the Low frequencies below the selected one on the delay section output Delay LPF filter attenuating the high frequencies above the
53. verb input signal PEQ3 F Center Frequency of the third of 3 available bell filters on the delay reverb input signal PEQS Q Q adjustment allowing to size the width of the third of 3 available bell filters on the delay reverb input signal 17 CHR FLG DELAY effect here we have 20 editable parameter and the Load Store functions for creating and recalling up to 8 presets Chr Flg Depth depth of the modulation affecting the pitch variation amount as more as the value is high Chr Flg Rate define the speed of the Chr Flg s frequency modulation Feedback amount of modulated signal Chr Flg output added to the Input signal at the Chr Flg section input Chr Flg HPF filter attenuating the Low frequencies below the selected one on the vocal Chr Flg section output Chr Flg LPF filter attenuating the high frequencies above the selected one on the vocal Chr Flg section output Chr Flg Vol level of the chr flg section output Delay Time distance in time between 2 repetition of the original delayed signals Delay Decay number of repetitions of the delayed signal Delay LPF filter attenuating the high frequencies above the selected one on the delay output Delay HPF f ilter attenuating the Low frequencies below the selected one on the delay output Delay Vol l evel of the delay output PEQ1 G 15dB Gain Attenuation of the first of 3 available bell filters on the chr flg delay input signal PEQ1 F Center Frequency of the first
54. will surely come to appreciate for its sound enhancement capabilities With the DEF 220P you get 16 classic effects in 24 bit quality including reverb delay chorus flanger phaser rotary speaker pitch shifter and other combined effects 1 1 Before you get started 1 1 1 Initial operation Be sure that there is enough space around the unit for cooling To avoid overheating do not place the DEF 220P on top of power amps or near radiators etc To power the DEF 220P use only the power supply unit that is delivered with your equipment Please ensure that the unit is installed and operated only by people qualified to do so During installation and operation the user must have sufficient electrical contact to earth Electrostatic discharge may affect the operation of the unit Malfunction may occur due to static discharge at the inputs outputs of the DEF 220P In this case switch off the unit temporarily After turned ON the Unit before start using the front panel control make sure the TME ON and ON leds stop blinking informing that the Unit s set up process is ended DEF 220P Professional 24 Bit Stereo FX Processor Professional Stereo effects processor for studio and stage 16 classic Effects in 24 bit 48 kHz resolution including reverb delay chorus flanger phaser rotary speaker pitch shifter and combined effects Effects selection and full parameters editing by powerful LCD interface and Pc Remote Control Sw via USB o
55. z 1 30ct Steps 0 05 3 00 0 05 Steps 0 100 Mono StereO See Notei 0 100 20Hz 20KHz 1 30ct Steps 20Hz 20KHz 1 30ct Steps On Off 0 100 0 100 0 100 0 100 0 100 On Off 096 100 0 100 0 100 0 100 0 100 20Hz 20KHz 1 30ct Steps 20Hz 20KHz 1 30ct Steps 0 100 0 100 0 100 0 100 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 3Oct Steps 0 05 3 00 0 05 Steps 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 3Oct Steps 0 05 3 00 0 05 Steps 20Hz 20KHz 1 3Oct Steps 20Hz 20KHz 1 3Oct Steps 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 30ct Steps 0 05 3 00 0 05 Steps 096 100 0 100 0 100 Dir Inv Dir Inv 096 100 0 100 20Hz 20KHz 1 30ct Steps 20Hz 20KHz 1 30ct Steps 0 100 0 100 0 100 ROTARY Switch Cyl LPF Cyl PEQG Cyl PEQF Cyl PEQQ Horn HPF Horn LPF Horn PEQG Horn PEQ F Horn PEQ Q Cyl LowSpeed Cyl HighSpeed Cyl Depth Cyl Feedback Cyl Level Horn LowSpeed Horn HighSpeed Horn Depth Horn Feedback Horn Level PEQ G PEQF PEQ Q 22 Slow Fast 20Hz 20KHz 1 3Oct Steps 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 3Oct Steps 0 05 3 00 0 05 Steps 20Hz 20KHz 1 3Oct Steps 20Hz 20KHz 1 3Oct Steps 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 30ct Steps 0 05 3 00 0 05 Steps 0 100 0 100 0 100 0 100 0 100 0 100 0 100 0 100 0 100 0 100 15dB 15dB 0 5dB Steps 20Hz 20KHz 1 30ct Steps 0
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