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1. Nn A s ea o T a a c N 5 5 1 5 1 Controls and Connections Central Station Plus Front Panel Layout EE PART Il REFERENCE 5 0 Controls and Connections Front Panel Layout 5 1 TALKBACK PHONES CUE MAIN Auer METER PASSIVE SPEAKER CONTROL INPUT SELECT INPUT SELECT CENTRAL STATION SPEAKER SELECT SPEAKER TRIM Q Q em TE O eee TRS 1 TRS2 TRS 1 TRS2 58 54 CLEAR A B C SPDIF dBfs 58 lt dBfs PUSH deas x PN PEAK A B c ee 9 9 O DIGITAL AUX DIGITAL UX TOS USAMA CAL MUTE DIM MONO A MAN LEVEL 1 Talkback e Talkback microphone The built in talkback microphone is an electret condenser microphone and is positioned just below the Talkback Level knob e Talkback Level Adjusts the gain level of the talkback microphone preamplifier 15 to 55 dB e Talk Engages and disengages the talkback microphone preamplifier The talkback microphone routes to the Cue bus only Engaging the talkback microphone automatically engages the Dim feature for both the Main and Cue buses 5 1 2 Headphones O C C o 2g mD aS Sa N 16 e Phones Connect headphones to the Central Stations two headphone amplifiers e Dual function Level Control When turned the knob adjusts the level of the associated headphone amplifier When pressed it s2. Owner s Manual INTRODUCTION CUE PASSIVE SPEAKER CONTROL y M IN TES INPUT SELECT BHFUT SELECT CENTRAL STATION SPEAKER SELECT SPIERA THIKA mis meia cena e AUX IN o e T G TE R Li a 4 el A Bg cC A m Cc To Ga Ea MUR TET r TTA gs gs amp Thank you for purchasing the Central Station Plus the ultimate monitoring and communications system for recording studios The Central Station uses high grade components to ensure optimum performance that will last a lifetime and features a purely passive signal path for ultimate sonic performance It provides talkback speaker switching input source switching two loud clear headphone amplifiers and a pair of line level Cue and Main outputs to feed a headphone distribution system Best of all the included CSR 1 Central Station Remote allows you to control these features remotely We encourage you to contact us at 1 225 216 7887 with any questions or comments you may have regarding your PreSonus Central Station Plus system PreSonus Audio Electronics is committed to constant product improvement and we value your suggestions highly We believe the best way to achieve our goal of constant product improvement is by listening to the real experts our valued customers We appreciate the support you have shown us through the purchase of this product We are confident that you will enjoy your Cent
3. i D A S A cU I EY cr 6 Technical Information 6 3 Specifications 6 3 Specifications Audio Inputs TRS1 amp TRS2 Type Input Impedance S N Ratio THD N Frequency Response Aux Type Input Impedance THD N Frequency Response Gain Range Digital Type DAC Dynamic Range THD N Maximum Output Bit Depth Sample rates Audio Outputs Speakers Type Type Mono Activated Trim Range Main Level Range Dim Attenuation 24 Central Station Plus V4 TRS Passive Balanced 2 5 depends on speaker load and trim gt 140 dB 0 000596 1 kHz 0 dBu gt 1 MHz RCA Active Unbalanced 8 kO S N Ratio gt 115 dB 1 kHz 0 dBu Unity gain lt 0 002 1 kHz 0 dBu Unity gain 10 Hz 50 kHz 0 5 dB 90 to 20 dB 750 RCA coaxial and Toslink optical 115 dB lt 0 0025 1 kHz 0 dBfs 18 dBu Active Balanced 24 44 1 48 88 2 96 176 4 and 192 kHz Note All input specifications except Input Impedance measured at Speaker A output with Trim and Main Level set to maximum Ya TRS Passive Balanced 4 TRS Active Impedance Balanced 90 dB to 0 dB 90 dB to 0 dB 16 dB Owner s Manual Main Type Output Impedance THD N Frequency Response Cue Type Output Impedance THD N Frequency Response Gain Range Dim Attenuation Headphones Type Maximum Output THD N Frequency Response 1 0 dB Talkback I
4. Remove all effects processors such as EQs compressors and reverbs from the signal path and play a clean 0 dB test tone for example a 1 kHz sine wave through the outputs of your primary audio source Select TRS 1 as the Main Source and begin turning up the outputs of your primary audio source to their unity gain setting or until the Central Station meter s red 0 dBVU LED comes on If you are not able to reach unity gain or come very close to it without the red 0 dBVU LED coming on ensure that you have properly calibrated the meter Repeat the steps in manual Section 3 1 and then repeat this step Unity gain is the level or setting at which the signal level is neither boosted nor attenuated and it is usually marked by a 0 on the audio device s level fader or knob In many digital interfaces and other digital devices the device s maximum level is also its unity gain setting Please consult your audio device s user manual or the manufacturer s Web site for more information on its levels and adjustments Aux Phono only Do not adjust the output level of your audio device if Owner s Manual Calibration 3 Calibrating Speaker Levels 3 3 it is set at its optimum or maximum level Instead turn on your phono preamp if necessary and increase the Aux Input Level knob starting from 80 until the red 0 dBVU meter just comes on and no higher 5 Repeat steps 1 through 3 for the secondary cue audio sources connected to the TRS
5. 2 and Aux inputs 3 3 Calibrating Speaker Levels The main purpose of speaker calibration is to ensure that a specific metered audio level typically O dBVU equals a certain acoustic level measured in dB SPL in your studio environment Depending upon the method and reference levels used during calibration proper calibration can help reduce unwanted noise minimize the risk of damage to your speakers and your ears maximize the reference capabilities of different speaker types and ensure that you and your listeners are hearing the audio as the engineer intended There are many different methods for calibrating studio monitors The methods discussed here are not the only methods Various studio environments with different gear clientele and audio mixes may ultimately benefit more from other calibration methods All calibration methods including those discussed in this manual have something in common test tones The most commonly used test tones are 100 Hz 1 kHz and 10 kHz sine waves 40 to 80 Hz and 500 Hz to 2 5 kHz bandwidth limited pink noise and 20 Hz to 20 kHz pink noise and white noise Test tone CDs can be purchased from your local music retailer or downloaded off the Internet from a variety of Web sites As a less technical and more subjective alternative the chorus of your favorite modern commercially produced song can be substituted for full bandwidth pink noise When calibrating reference monitors in a studio the acous
6. I 5 6 is e is 4 x a A a f 5 o A Y ex AR AAAS 5 Turn the following controls completely counterclockwise Talkback Mic Level Headphone Level Output Level Aux In Level and Main Output Level v 6 Using a flat head screwdriver turn the speaker trims for all E passive speaker outputs completely counter clockwise 7 Poweron your main input source such as an audio interface or mixer 8 Turn the volume of your main input source all the way down 9 Power up your Central Station by connecting the power supply to the rear of the unit and to an AC outlet or power strip c D e e ua mk e D e 1 1 5 Getting Started Using the Digital Input 10 11 12 13 14 15 16 1 5 1 p o oe ww m 6 Central Station Plus Power up your power amp or powered monitors and turn the level controls to O dB Press the Speaker Output A button Press the TRS 1 button in the Main Input Select section Play a stereo signal from your main input source and slowly turn the volume on the source to unity gain You may need to consult the manufacturer of your main input source if you do not know the position of unity gain Slowly turn the Main Level control on your CSR 1 fully clockwise until you hear signal in the monitors Adjust the sound to a comfortable listening level If the listening level of your mo
7. below the RoHS specified threshold levels REACh This product is compliant with the European Union Directive EC1907 206 for the Registration Evaluation Authorization and Restriction of chemicals REACh and contains none or less than 0 196 of the chemicals listed as hazardous chemicals in the REACh regulation WEEEThis symbol on the product or its packaging indicates that this product must not be disposed of with other waste Instead it is your responsibility to dispose of your waste equipment by handing it over to designated collection point for the recycling of waste electrical and electronic equipment The separate collection and recycling of your waste equipment at the time of disposal will help conserve natural resources and in ensure that it is recycled in a manner that protects human health and the environment For more information about where you can drop off your waste equipment for recycling please contact your local city recycling office or the dealer from whom you purchased the product CEThis product complies with the European Union Council Directives and Standards relating to electromagnetic compatibility EMC Directive 2006 95 EC and the Low Voltage Directive 2004 108 EC Owner s Manual 1 0 1 1 1 2 1 3 1 4 1 5 1 6 2 0 2 1 2 2 3 0 3 1 3 2 3 3 4 0 4 1 4 2 INTRODUCTION 7 Getting Started 2 Connect Power 2 Connect Input Sources 2 Connect the CSR 1 to Y
8. interfaces the analog to digital and digital to analog converters ADCs and DACs are referenced so that 0 dBFS equals a certain amount of analog voltage For example a 0 dBFS tone playing at unity gain from a FireBox measures 18 dBu while a 0 dBFS from a FireStudio Project at unity gain measures 10 dBu It is important to know your digital devices 0 dBFS reference to prevent clipping and to aid in proper calibration 1 Zero the Speaker Main Cue and Phones levels by turning them fully counterclockwise 2 Select the TRS1 Main Source and Speaker Output A 3 Turn your primary monitoring system s connected to Speaker Output A input level to its lowest setting Consult your monitor system s user manuals or the manufacturer s Web site for more information about adjusting the input or amplification level 4 Remove all effects processors EQs compressors reverbs etc from the signal path and play 500 Hz to 2 5 kHz bandwidth limited pink noise at 20 dBFS through your primary audio source outputs If you are calibrating a subwoofer use 40 Hz to 80 Hz bandwidth limited pink noise You should not hear the test tone If you do turn down the speaker volume and repeat Step 1 5 Panthetesttone so it only plays in the left speaker hard left 6 Turn the Main level knob to Unity Gain by turning it fully clockwise 7 Inthe Passive Speaker Control section locate the Speaker Trim controls for L R Output A Using a flat head sc
9. is wired differently If you require a replacement cable you will need to order it from www PreSonus com E qp Fus cS w lt gt um ru lt B lt 2 Pressthe Activate button on the back of your Central Station When the CSR 1 is properly communcating with your Central Station the Active light to the left of the Main Volume control on the CSR 1 will illuminate blue Once the CSR 1 is connected and activated it will disable the Main Volume control on the front panel of your Central Station use the Main Volume control on your CSR 1 instead All buttons on the CSR 1 correspond directly to and control their counterparts on the Central Station 1 4 Connecting Monitor Speakers 1 Turn off allpowered monitors and power amps before connecting cables 2 Connect your powered control room monitors or power amp to Speaker Output A 3 Optional Connect your secondary control room a monitors or power amp to Speaker Output B 4 Optional Connect your subwoofer or tertiary control room monitors or power amp to Speaker Output C Because Speaker Output C can be enabled concurrently with either Speaker Output A or Speaker Output B we recommend that you connect this output to your subwoofer for 2 1 mixing PHO CUE MAIN q J INPUT SELECT INPUT SEI rA Ne OUTPUT 7 WD CJ gt Y WR VUA WO xA SOURCE L o 9 PUSH PUSH v V o
10. phones remain active when the CSR 1 is connected it is recom uc Main Level Adjusts the overall volume level of the Main output Active Light When illuminated this light alerts you that your CSR 1 has Main Volume Control ACTIVE do Nr MAIN LEVEL ae pat e lt and Connections mended that you turn the f l Talkback Mic levelalith Talkback Mic and Level The Talkback Mic Level adjusts way down on the main the gain for the built in eletret condenser microphone on unit when you are not the CSR 1 only using it Because the Talkback Mic in the CSR 1 remains active when an external microphone is connected we recom mend you turn the Mic Level all the way down when using an external talkback microphone C 21 6 Technical Information Central Station Plus 6 1 Frequently Asked Question EE 6 0 Technical Information 6 1 Frequently Asked Questions Why can t hear the talkback microphone e Only headphones with a Phones Source of Cue d can hear the talkback microphone S e Connect and or calibrate your talkback microphone according to Section 1 5 e Verify your external mic does not require phantom power e lf you are not using an external microphone disconnect anything connected to the XLR input Why do see levels on the LED meter but not hear anything through the speakers e TheLED meter only measures the Central Stations
11. section will familiarize you with the CSR 1 control functions C Please Note Your Central Station Plus system can be used with or without r the CSR 1 connected When using your Central Station without the remote simply control all functions from the main unit 5 3 1 CSR 1 Controls Below is a diagram of the CSR 1 controls Each control corresponds directly to the same control on the Central Stration All CSR 1 functions control their corresponding Central Station functions except for the M Talkback Mic level The Central Station and CSR 1 retain independent a control over their respective onboard talkback microphones Input Select Buttons Digital Input Select Passive Speaker TRS1 Patches the analog Selects the S PDIF or Controls TRS1 input to the Mains eae e ea Speaker Select A B C source for the Cue an TRS2 Patches the analog Main audis paths Activates the stereo TRS2 input to the Mains speaker line outputs Digital Patches the Mute Mutes the Main Me current digital input CENTRAL STATION REMOTE Audio Output selection to the Mains INPUT SELECT O f If SPEAKER SELECT Dim Attenuates the Main Aux Patches the analog Q audio output by 16 dB Aux input to the Mains TR 1 TRS 2 A B c Mono Sums the left and Q Q right signals DIGITAL MUTE DIM MONO CSR 1 TALKBACK e L Talk Button Engages disengages the talkback microphones on both the CSR 1 and the Central Station Because both micro
12. while minimizing noise and coloration The Central Station uses the highest quality passive components including military grade 1 tolerance metal film resistors multi element potentiometers and durable connectors to deliver the highest sonic performance 22 1 Summary of Features Passive audio path no op amps or ICs Three sets of stereo analog inputs lets you switch between sources Two sets of stereo digital inputs coax and optical Three sets of stereo speaker outputs with Speaker Select switches and recessed trim pots for each output Cue section with input select switch and output level control Main section with input select switch aux input level control output level control mute dim and mono switches Talkback microphone system with onboard mic external microphone input and footswitch input Dual 30 segment fast acting peak hold LED metering with Clear Peak switch and calibration High definition 24 bit 192 kHz D A converter with 115 dBu dynamic range Remote controllable via Central Station Remote CSR 1 cS i Q TS lt 3 Calibration 3 1 Calibrating the Meter Central Station Plus L 3 0 Calibrating Your Central Station In order to create the most accurate mixing environment it is important to calibrate each component in your system so that the metering and output levels match 3 Calibrating the Meter d The meters on your Central Station can and should be calib
13. 1 1 l L L L 1 L LIS a MAIN LEVEL e Central Station Studio Control Center e Central Station Power Supply e CSR 1 Central Station Remote CENTRAL STATION PDMOTE VIT DLEE e CSRO03 3 Meter Cable for CSR 1 e PreSonus Warranty Card Owner s Manual 2 Features Overview 2 Features 2 2 The Central Station features high quality analog circuitry and digital conversion Three sets of stereo analog inputs enable the Central Station to accept a wide variety of sources Its S PDIF coax and Toslink optical digital inputs provide up to 24 bit 192 kHz digital to analog conversion and the converters deliver over 115 dB of dynamic range Each of the three sets of balance monitor outputs has a passive trim pot The monitoring section provides Mute Dim and Mono controls in addition to separate main line level output and a set of cue outputs that can feed headphone amplifiers The main audio path uses no amplifier stages and has no op amps or active integrated circuits ICs as these types of components typically add noise color and distortion and produce a pinched sound Eliminating distortion also helps reduce ear fatigue Signal routing is achieved using 34 sealed mechanical relays instead of active ICs Extraneous electronics are hard wire bypassed helping maintain a minimal signal path Using relays ensures the most transparent signal path and maximizes dynamic range frequency range and headroom
14. BLED MAIN LEVEL e Speaker Select A B and C These buttons activate stereo speaker line level outputs A B or C Speaker Select A and B cannot be enabled at the same time Speaker Select C can be enabled concurrently with either A or B Because of this Speaker C is typically used for a subwoofer e Speaker Trim Left Right A B and C These recessed potentiometers are used to adjust each Speake output inda separately Use a small flat head screwdriver to adjust this control EE e Main Level This multi element potentiometer adjusts the overall volume level of the Main audio path e Mute Mutes the Main audio output e Dim Attenuates the Main audio output by approximately 16 dB e Mono Combines the left and right signals to check J mono compatibility and phase cancellation 32 Back Panel Layout Allis PreSonus AAA BOAR AA CONSOLE REMOTE a This is the connection for the Central Station s proprietary external power supply Only this power supply should be used with your Central Station Replacement power supplies can be purchased directly from PreSonus or from a musical equipment retailer SUOI 22UUO pue 01 U0 12 18VDC 10Watts 18 Owner s Manual Controls and Connections 5 Back Panel Layout 5 2 5 2 2 Digital Inputs 24 bit 192 kHz DIGITAL INPUTS 24BIT 192KHZ N gt gt N TOSLINK SPDIF Central Station automatically reads and locks to the sample rate of the in
15. Central Station Plus Owner s Manual cut MAIN NAM PASSIVE SPEAKER CONTROL gt INPUT SELECT INPUT SELECT SPEAKER SCLECT SPEAKER TUM 9603 96 G um mo m s res E AK A F I t GSZSRAEESZBZEESZSSSZSSZSSZSEKSSZSEEEZSSE rrr rrr LEETETELELELELTLETLLLLETLITILTLIT WONT 4 MAIN LEVEL J CENTRAL STATION MEMO TE IUT SELECT 25D ALARA dbLE ct A B c m a ub PreSonus Central Station Plus Important Safety Instructions The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing instructions in this manual uN The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to humans CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE THE COVER NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL CAUTION To reduce the risk of electric shock do not expose this appliance to rain and moisture The apparatus shall not be exposed to dripping or splashing liquids and no object filled with liquids such as vases shall be placed on the apparatus CAUTION These service instructions are for u
16. DAT Recorder Record to external recorder ua y D c 2 ry Ua Powered Speakers A Speaker C Powered Subwoofer Power Amplifier AO mS 2 A Passive Speakers B d h b Headphone Distribution Amp wf Owner s Manual Sample Hookup Diagrams 4 Mixdown Mastering Setup 4 2 4 2 Mixdown Mastering Setup Here is a typical mixdown or mastering setup in which the Central Station s 24 bit 192 kHz digital to analog converter is being used to compare the music being created mixed or mastered with a commercial CD PASSIVE SPEAKER CONTROL TALKBACK DIGITAL M CENTRAL STATION 9 a3 O O TIIIIIITITIITITITITITTITTTIIT e MIC TRS1 TRS2 TRS2 SPDIF LEVEL TRS 1 Xam TA TT e 77 III e Ae dX ue MMM DIGITAL AUX Tos PreSonus MAIN LEVEL Headphones to FIRESTUDIO PROJECT Computer Interface checesong OOOO OOOO ERE 9999999909 _ CSR 1 SPDIF Digital Output CD Player Remote Control or Main L R Analog Output RCA Analog Output or TOSLINK Output DIGIT UTS Y SPEAKER OUTPUTS lb PreSonus LC CENTRAL STATION rs se DAT Recorder Record to external recorder Powered Speakers A Speaker C Powered Subwoofer Power Amplifier nf ME O Headphone Distribution Amp Passive Speakers B 15
17. It may be necessary to contact the manufacturers of your other studio equipment to obtain additional technical support Please check www presonus com regularly for information updates and technical support If you experience any difficulty with your Central Station please try the following before contacting PreSonus Customer Support e Check our Web site at www presonus com for answers to frequently asked questions and for troubleshooting techniques specific to the Central Station e Turn the power off and then on by disconnecting and reconnecting your Central Station s power cable e Check your connection cables and audio sources e Check your headphones and speakers Isolate the problem by disconnecting your input sources and monitor systems and testing them independently to ensure they are functioning properly For technical assistance visit our Web site at www presonus com call us at 1 225 216 7887 C between 9 a m and 6 p m CST GMT 06 00 z or e mail us at techsupport presonus com When contacting technical support please have the following information at hand e Abrief description of what equipment and connections are being made to your Central Station e The desired application of your Central Station in your studio environment e Your Central Station serial number located on the bottom of your unit EN ec S mm e nz S lt 2 w 23
18. cause of the Central Station s passive circuitry using unbalanced cables can reduce the output level and can introduce noise into your system Main L R Connect this stereo pair of left L and right R line level 14 balanced TRS outputs to a recording device There is no attenuator volume control on this output Cue L R Connect this stereo pair of left L and right R line level 4 balanced TRS outputs to a headphone distribution amplifier The front panel Cue Output Level adjustment controls volume level ae pat e lt and Connections C C o 2g mD aS cet N 5 Controls and Connections 5 2 Back Panel Layout 20 5 2 5 Analog Inputs ANALOG INPUTS 5 2 6 Console Remote Control CONSOLE REMOTE CONTROL ACTIVATE CONSOLE ACTIVATE Central Station Plus These inputs are for your audio sources mixer audio interface CD player etc Only balanced cables should be used when connecting the balanced TRS inputs of your Central Station to these devices Because of the Central Station s passive circuitry using unbalanced cables can reduce the output level and can introduce noise into your system TRS 1 L R Left and right line level balanced 4 TRS inputs TRS 2 L R Left and right line level balanced 44 TRS inputs AUX L R Left and right line level
19. coming digital stream and can receive and lock to sample rates of 44 1 48 96 and 192 kHz Both of these digital inputs are designed for the S PDIF stereo digital format Coaxial connectors are most commonly used for S PDIF While S PDIF coaxial connections may resemble the analog RCA connection on consumer audio products these connections should not be confused In recent years Toslink optical connections have gain popularity especially in consumer grade audio products like DVD players As with the professional AES EBU format a single cable carries both channels of the stereo audio signal Toslink Accepts a stereo S PDIF digital input signal via an optical connector S PDIF Accepts a stereo S PDIF digital signal via a coaxial RCA type connector 5 2 3 Speaker Outputs L R A B and C SPEAKER OUTPUTS K o 5 24 Line Outputs These three stereo pairs of left L and right R line level 4 balanced TRS outputs can connect to powered monitors or to power amps for passive speakers Only balanced cables should be used when connecting the Central Station to your monitors Because of the Central Station s passive circuitry using unbalanced cables can reduce the output level and can introduce noise into your system These outputs are ideal for connecting external headphone distribution systems or external mastering units Again only balanced cables should be used when connecting your Central Station to these devices Be
20. e companies All specifications subject to change without notice except the recipe which is a classic 31 Central Station Plus wer Manual PHONES a MAIN TALKBACK eur anea PASSIVE SPEAKER CONTROL INPUT zl INPUT e CENTRAL STATION SPEAKER SELECT KER Tm 1 e E e eo Aux im minm ee e EIE EETEETI 3 j L i m III e 9 DIGITAL Ax 2 2 ERE ra me I EETTTIT ao 0 MAIN LEVEL EMC Statement NOTE This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures e Reorient or relocate the receiving antenna e Increase the separation between the equipment and the receiver e Connect the equipment into an outlet on a circuit differ
21. e source device Adjust the Main Level control to desired level Follow the same instructions for Toslink devices Toslink is a type of stereo digital optical S PDIF connection found on many consumer audio devices While the Toslink jack is similar to the ADAT Lightpipe connector it is not an ADAT port Owner s Manual Getting Started 1 Using the Headphones and Talkback System 1 6 1 6 Using the Headphones and Talkback System aS WI ge ee Turn the Phones and Mic levels fully counterclockwise Press the Phones 1 control knob so that the Cue light rather than the Main light is illuminated Press the TRS 1 button in the Cue Input Select section Connect a pair of headphones to the Phones 1 output Play a stereo signal from the source connected to the TRS 1 input While wearing headphones slowly turn the Phones level clockwise until the listening level is comfortable Press the TB Talkback button and talk into the Mic Input grille on the front panel while slowly turning the Mic Input Level knob clockwise until the talkback microphone is at a comfortable level 2 Overview Central Station Plus 21 What s in the Box Psi What s In the Box In addition to this manual your Central Station package contains the following TALKBACK PHONES CUE MAIN PASSIVE SPEAKER CONTROL SPEAKER SELECT SPEAKER TRIM TS 000 eee PEAK A B c A u c 6606 999 oan MUN OM MONO tamh AAR L
22. ent from that to which the receiver is connected e Consult the dealer or an experienced radio TV technician for help CAUTION Changes or modifications to this device not expressly approved by PreSonus Audio Electronics could void the user s authority to operate the equipment under FCC rules This apparatus does not exceed the Class A Class B whichever is applicable limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils num riques de class A de class B selon le cas prescrites dans le r glement sur le brouillage radio lectrique dict par les ministere des communications du Canada f A e 7257 Florida Boulevard Baton Rouge j e onus Louisiana 70806 USA 1 225 216 7887 WWW presonus com Parti 820 C50010 B
23. es equipped with dual independent tricolored 30 segment LEDs for metering the audio signal The scale is represented in dBfs and dBu for use with analog outboard equipment and digital M audio workstations sound cards and other digital systems r e Clear Peak The meters on the Central Station have CENT NA een oe a Peak Hold feature so that the red clip LED will ZITTEEEETTEEEEEETEEEEEEIELEILELEHEHEITES O remain on once the signal has clipped Pressing 1 0 dBfs the Clear Peak button will reset the clip light LER 32 0 M 20 18 46 i p a 8 2 0 2 6 B B O H 213 H T5 T B dB gIIIIIIIIIIIIIIIIIIIIIIIIIIIII e Calibrate You can calibrate the meters on your Central Station to match the metering on other equipment Audio software metering can vary depending on the software and it o is usually desirable to calibrate the meters on your Central Station to match the metering in your audio software For detailed instructions on calibrating the meters on your Central Station please refer to Section 3 1 N e pum E EN I EN E Ll E L CS 58 54 50 42 38 W A 2 30 289 26 34 22 Dw Te 5 E E WJ and Connections 5 Controls and Connections Central Station Plus 5 2 Back Panel Layout L z 5 1 5 Passive Speaker Control PASSIVE SPEAKER CONTROL SPEAKER SELECT SPEAKER TRIM 000 6060 A B C A B C 6000 9 9 90 lt lt MUTE DIM MONO J 8 s REMOTE ENA
24. gram 6 4 UOIEWOJU JedIUYyIa Block Diagram 6 4 T3A312IW J18VN3 d heme VNH3IX3 JND YWOVENIVL DIWVNAG u iw 2 1VNH3lX3 1331 ONIHDLIMS AND IW P 13415313 JNOHdQV3H Scd IWNYSALNI CELO l CHO a Samana S3NOHd E CHO j JL1OWHH l 3JIlGdS 3Vq Te ANI TISOL IAdLNO XVOD 2 d3 V4ddS VEA TII Ee II 3t lt IW EY 2 g YaNVAdS i BO lt I ak 2 11 E iu VEA ZEZ E e dex Isis L GK x lt C Sd l V d3 V3dS x AIWNIOA ONOW ALNW AN 1 im 7 4 u3lsvW iu F S L SYL Cz ONEN BIBLIA TUA han Ex LNdNI Sd3 13IN LAdNI 27 6 Technical Information Central Station Plus 6 5 Remote DB15 Cable Pin out 6 5 Remote DB15 Cable Pin out BS brs Cy nodus M 00000 Twisted P1Pin P2 Pin Pair Number Number Remote Function ED 22 9 9 ightiowRetum Level 32 8 8 LeftHigh Send J I 8 amp 1 6 6 Ground 82 N nc smaps 1 1 S i D A S A cU 3 D cr 28 Owner s Manual Technical Information 6 PreSonus Limited Warranty 6 6 6 6 PRESONUS LIMITED WARRANTY PreSonus Audio Electronics Inc warrants this product to be free of defects in material and workmanship for a period of one year from the date of original retail purchase This warranty is enforceable only by the original retai
25. ing a monitoring system with independent subwoofer level control such as a 2 1 or 2 way speaker system repeat steps 4 through 8 for the subwoofer level 11 Repeat steps 1 through 9 for the monitoring systems connected to Speaker Outputs B and C Owner s Manual Calibration 3 Calibrating Speaker Levels 3 3 12 Test Play audio through Speaker A only Without adjusting any of the Central Station s levels toggle Speaker A off and Speaker B on You may hear a slight tonal variance due to the different acoustic properties of the monitoring systems but the loudness should remain the same If the loudness varies drastically you may wish to repeat this calibration procedure from step 1 3 32 85 dB SPL Standard Reference This method of speaker calibration references a specific standard meter reading to a certain acoustic level This is the most technical least subjective method and is good for studios where a specific type of audio is produced or where an industry standard audio level exists such as for film or broadcast One of the most common calibration Standards and the one presented here is 20 dBFS referenced to 85 dB SPL NOTE dBFS means decibels full scale and is associated with decibel amplitude levels in digital systems where there is a finite maximum available level such as in standard PCM encoding The maximum level possible is referred to as 0 dBFS In digital systems with analog outputs such as digital
26. input not its output e Connect and calibrate your speakers according to Sections 1 3 and 3 3 e Ensure that the correct Speaker Select button is lit and that its Speaker Level Adjust knob is turned up e Disengage the Talk Mono Mute and Dim buttons Then slowly turn up the Main Level knob e Move your speakers to a different output to verify E the outputs are functioning properly e Connect the input source directly to your speakers to verify the speakers are functioning properly I have everything turned all the way up but my speakers stillaren t loud enough What gives e The Central Station is not an amplifier so please do not try to use it as one P e The only inputs with preamp gain are the Aux Phono and external microphone inputs EE e Theonly outputs with gain are the headphone amplifiers Why doesn t the Main Level knob control the Main Outs e The Central Station was not designed to function that way Connect the Main Outs to a device that should receive an unprocessed signal such as a CD recorder P D A S A cU z 3 D ct 5 22 Owner s Manual Technical Information 6 Troubleshooting 6 2 6 2 Troubleshooting Please note that many technical issues can arise when connecting different components in a studio environment PreSonus only provides support for issues directly related to the Central Station Studio Control Center we do not provide support for non PreSonus hardware and software
27. itching system like the Central Station is to enable you to create a mix that sounds great on your car radio and home stereo as well as in your studio 2 cs gt c TO lt 3 Calibration Central Station Plus 3 3 Calibrating Speaker Levels e y o r 10 3 3 1 Maximum Loudness Reference This method of speaker calibration references a 0 dBVU meter reading to the loudest level you want This is the least technical most subjective method and is good for environments where there is such a thing as too loud such as an apartment school or OSHA regulated venue or when a certain level of louder needs to be attainable for example for entertaining guests at parties clubs and other live venues 1 Zero the Speaker Main Cue and Phones levels by turning them fully counterclockwise 2 Select the TRS1 Main Source and Speaker A selections 3 Turn your primary monitoring system s connected to Speaker A input level to its lowest setting Consult your monitor system s user manual or manufacturer s Web site for more information about adjusting the input or amplification level 4 Remove all effects processors such as EOs compressors and reverbs from the signal path and play 500 Hz through 2 5 kHz bandwidth limited pink noise at 0 dB through your primary audio source outputs If you are calibrating a
28. l purchaser To be protected by this warranty the purchaser must complete and return the enclosed warranty card within 14 days of purchase During the warranty period PreSonus shall at its sole and absolute option either repair or replace free of charge any product that proves to be defective on inspection by PreSonus or its authorized service representative To obtain warranty service the purchaser must first call or write PreSonus at the address and telephone number printed below to obtain a Return Authorization Number and instructions of where to return the unit for service All inquiries must be accompanied by a description of the problem All authorized returns must be sent to the PreSonus repair facility postage prepaid insured and properly packaged PreSonus reserves the right to update any unit returned for repair PreSonus reserves the right to change or improve the design of the product at any time without prior notice This warranty does not cover claims for damage due to abuse neglect alteration or attempted repair by unauthorized personnel and is limited to failures arising during normal use that are due to defects in material or workmanship in the product Any implied warranties including implied warranties of merchantability and fitness for a particular purpose are limited in duration to the length of this limited warranty Some states do not allow limitations on how long an implied warranty lasts so the above limitation ma
29. mbination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Servicing is required when the apparatus has been damaged in any way such as if a power supply cord or plug is damaged or liquid has been spilled or objects have fallen into the apparatus or if the apparatus has been exposed to rain or moisture does not operate normally or has been dropped All PreSonus products in the USA should be serviced at the PreSonus factory in Baton Rouge Louisiana If your product requires a repair contact supporta presonus com to arrange for a return authorization number Customers outside the USA should contact their local distributor Your distributor s contact information is available at www presonus com 15 Theapparatus shall be connected to a Mains power outlet with a protective grounding earthing connection 16 Where the Mains plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable EU Directives on the Protection of the Environment and Other Euro Stuff RoHS This product is compliant with the EU Directive 2011 65 EU for the Restriction ofthe use of Certain Hazardous Substances in Electrical and Electronic Equipment No lead Pb cadmium Cd mercury Hg hexavalent chromium Cr 6 PBB or PBDE is intentionally added to this device Any traces of impurities of these substances contained in the parts are
30. n e 1 can Rotel tomotoes with chilies diced regular hot e Tabasco sauce Cooking Instructions 1 Ina 16 qt pot or larger slice link sausage and pan fry until brown 2 Add ground beef and brown 3 Do not remove from pot Add diced onions celery and bell peppers 1 can Rotel Original diced tomatoes w chilies 3 oz concentrate chicken stock 1 2 teaspoon of Cajun seasoning 1 teaspoon of Tabasco hot sauce or more maybe lots more Cook until onions are translucent Add chicken and cook until it turns white Add diced green onions 1 tsp salt V gallon water and bring to a boil Cook covered on low for 10 minutes stirring only once 4 5 6 7 Addrice and bring to a boil Cook on high for 8 minutes covered stirring every 2 minutes 8 9 Turn off and let sit for 30 minutes 1 0 Serve and enjoy Serves 20 2012 PreSonus Audio Electronics Inc All Rights Reserved AudioBox DigiMax FireStudio Nimbit PreSonus QMix StudioLive and XMAX are trademarks or registered trademarks of PreSonus Audio Electronics Inc Capture Impact Mixverb Presence RedLightDist SampleOne Studio One and Tricomp are trademarks or registered trademarks of PreSonus Software Ltd Mac Mac 0S and Macintosh are registered trademarks of Apple Inc in the U S and other countries Windows is a registered trademark of Microsoft Inc in the U S and other countries Other product names mentioned herein may be trademarks of their respectiv
31. n the correct order with the flip of a single switch If you are uncomfortable leaving your equipment powered on all the time these products are excellent solutions 12 Connect Input Sources 1 Zero the Main Cue Aux In and Phones level knobs by turning them fully counterclockwise 2 Connect your primary audio source such as an audio interface or mixer main outputs to the left and right TRS 1 inputs on the back of your Central Station 3 Optional Connect your secondary audio source such as a CD or MP3 player or cue audio source such as the auxiliary outputs of your interface or mixer to the left and right TRS 2 inputs on the back of your Central Station J 4 Optional Connect a third source such as a turntable or tone E generator to the left and right Aux RCA inputs Note Turntables require a phono preamp that applies a special RIAA EQ curve Most turntables do not have a phono preamp built in and the Central Station does not supply one so you may have to purchase a phono preamp from a local retailer Owner s Manual Getting Started 1 Connecting the CSR 1 to your Central Station 1 3 1 3 Connecting the CSR 1 to your Central Station 1 Connect one side of the included DB15 cable to the back of the CSR 1 and the other side to the Console connection on the back of your Central Station Please note that the DB15 cable has a proprietary pin out it looks like a standard VGA cable but
32. nitors cannot be adjusted low enough with the Central Station do not lower the volume of your main input source instead lower the level control on your power amp or powered monitors until the level is satisfactory Press the Speaker Output B button and repeat steps 12 through 14 If the set of monitors connected to one output is louder than the other set of monitors adjust the power amp for the louder set or use a flat head screwdriver to adjust the level of the louder set of monitors to match the quieter set Toggle between Speaker Output A and Speaker Output B to verify that the levels match If you have connected a third set of monitors to Speaker Output C repeat the process in step 15 for this set of monitors If you have connected a subwoofer to Speaker Output C repeat steps 12 through 14 while Speaker Output A is concurrently engaged and adjust the volume of your subwoofer until you have a balanced 2 1 mix Using the Digital Input Using a digital S PDIF cable connect the S PDIF coaxial RCA style output from your DAW CD player audio interface or other digital device to the S PDIF coaxial input on the Central Station Press the Digital button on the CSR 1 s Main Input Select section Press the S PDIF button in the CSR 1 s Digital Input section Press the Speaker Select button for your desired monitors Play stereo audio from an S PDIF source The Central Station will automatically detect and lock to the sampling rate of th
33. nternal Microphone Type Sensitivity Mic Preamp Type Input Impedance Frequency Response 1 dB Maximum Gain Gain Range Technical Information 6 Specifications 6 3 1 TRS Active Balanced 510 0 002596 10 Hz 50 kHz 0 5 dB 4 TRS Active Impedance Balanced 510 lt 0 003 1 kHz 0 dBu 10 Hz 50 kHz 0 5 dB 90 dB to 0 dB 16 dB Talkback activated 1 TRS Active Stereo 150 mW channel 600 load 0 015 150 mW channel 600 10 Hz 50 kHz Electret Condenser 42 dB XLR Female Balanced 24k0 10 Hz to 40 kHz 50 dB 15 to 55 dB 25 EL SIEMENS c i c 2 nz c lt w i D A S A cU z 3 D ct 5 6 Technical Information 6 3 Specifications Input Meters Type Range Accuracy Frequency Range Calibrate Range Power Supply Type Power Input Voltage Range Power Requirements continuous Physical Main Chassis Package Type Dimensions Weight 26 Central Station Plus 30 segment LED w Peak Hold 48 dB to 18 dB 66 dBfs to 0 dBfs Better than 0 25 dB 10 Hz 22 kHz 18 dB External 12 18 VDC 10W 1U 19 W X 1 75 H X 5 50 D inches 5 0 Ibs As a commitment to constant improvement PreSonus Audio Electronics Inc reserves the right to change any specification stated herein at any time without notification 6 Technical Information Owner s Manual Block Dia
34. ording Room 4 1 4 0 Sample Hookup Diagrams The Central Station is an extremely flexible tool and can be used in all stages of the recording and music production process There are many ways to use and set up your Central Station Here are two typical setups 4 1 Separate Control Room and Recording Room Here is a typical recording setup where the band or artist is in another soundproof room while the recording engineer and producer are in the control room listening to the recording on speakers PASSIVE SPEAKER CONTROL CENTRAL STATION S s ni PreSonus MAIN LEVEL a P Headphones to check song Separate Control Rooms and Recording Room continues next page 13 Nn E o A gt E EL e Wn 4 Sample Hookup Diagrams Central Station Plus 4 1 Separate Control Room and Recording Room continued 4 1 Separate Control Room and Recording Room continued FIRESTUDIO PROJECT Computer Interface P m ee gt E 00000000 3222229900 CSR 1 Optional SPDIF Digital Output CD Player Remote Control mic or Main L R Analog Output eee 0080 ES eoo 08080 RCA Analog Output or m TOSLINK J Output aww AN PreSonus DIGITA WRL UTS SPEAKEROUTPUTS LINEOUTPUS ANALOGINMAMMR 3CoNSOL CENTRAL STATION sunk sec c m AIN S1 TRS2 AUX ACTIVATE CONSOLE P
35. our Central Station 3 Connecting Monitor Speakers 3 Using the Digital Input 4 Using the Headphones and Talkback System 5 Overview 6 What s In the Box 6 Features 7 2 2 1 Summary of Features 7 Calibrating Your Central Station 8 Calibrating the Meter 8 Calibrating the Input Sources 8 Calibrating Speaker Levels 9 3 3 1 Maximum Loudness Reference 10 3 3 2 85 dB SPL Standard Reference 11 Sample Hookup Diagrams 13 Separate Control Room and Recording Room 13 Mixdown Mastering Setup 15 PART Il REFERENCE 76 5 0 Controls and 5 1 5 2 5 3 6 0 6 1 6 2 6 3 6 4 6 5 6 6 Connections 16 Front Panel Layout 76 5 1 1 Talkback 16 5 1 2 Headphones 16 5 1 3 Cue Main Select 17 5 1 4 Meter 17 5 1 5 Passive Speaker Control 18 Back Panel Layout 18 5 2 1 Power 18 5 2 2 Digital Inputs 24 bit 192 kHz 19 5 2 3 Speaker Outputs L R A B and C 19 5 2 4 Line Outputs 79 5 2 5 Analog Inputs 20 5 2 6 Console Remote Control 20 5 2 7 Talkback Section 20 CSR 1 Central Station Remote optional 27 5 3 1 CSR 1 Controls 21 Technical Information 22 Frequently Asked Questions 22 Troubleshooting 23 Specifications 24 Block Diagram 27 Remote DB15 Cable Pin out 28 PRESONUS LIMITED WARRANTY 29
36. ral Station Plus 1 Getting Started Central Station Plus 1 1 Connect Power 1 0 Getting Started 1 1 Connect Power c D e O mr mF D e Before connecting a power supply to the Central Station ensure that the power supply meets the input voltage requirements of the region or country where you are using it PreSonus only supports the power supply that is shipped with your Central Station If it does not meet your requirements or you wish to purchase an additional power supply please contact your local dealer or distributor PHO CUE INPUT SELECT MAIN Di INPUT SELECT IN poo Q Y c 5 lt iS is e is a 3 a P n o a l da A 1 SOURCE SOURCE PUSH PUSH 1 Zero the Main Cue Aux In and Phones level knobs by turning them fully counterclockwise If you have speakers or other gear connected to the Main L R outputs turn them all the way down and make sure that the amplifier is powered off ei AAAA AAN 2 Connect the included power supply to the Central Stations power input connector and to the appropriate wall socket Because of its passive circuitry itis designed to be left on for long periods of time Many manufacturers make power relay systems that send power to blocks of outlets at different times so that your gear is instantly turned on and off i
37. rated B to match the meters in your DAW or on your mixer 2 3 gt o 3 4 5 n 6 1 2 A 3 4 P a I Senda 1 kHz 0 dBu sine wave test tone to any input on your Central Station Select the input you are using in the Main Input Select section on the front panel In a computer based recording system this can be accomplished by creating an audio track in the software and importing a test tone audio file or by using a tone generator plug in Decrease the volume of the test tone channel until the meter on your DAW or on your mixer s main output reads 18 dB Press and hold the calibration button on the front panel of the Central Station it s the bottom button in the Meter section for two seconds The meter will recalibrate to read 18 dBfs O dB Raise the level of the test tone until the meter on your DAW s master section reads 0 dB and check to see whether the Central Station meter shows a red lined signal which indicates that the signal is overloading clipping the input For more accurate calibration raise or lower the test tone level plus or minus 0 10 dB and repeat steps 2 through 4 Note that the calibration range of the Central Station is approximately 12 dB 3 2 Calibrating the Input Sources Zero the Main Cue and Phones level knobs by turning them fully counterclockwise Turn the outputs of your primary audio source connected to TRS1 to their lowest setting
38. rewdriver turn the trim control for the left channel completely counter clockwise Next slowly turn Speaker Output A s passive control clockwise You should begin hearing the test tone playing through your primary speakers Increase the level until the SPL meter reads 85 dB In most cases you should not reach 85 dB SPL yet 8 Begin slowly increasing the input sensitivity volume of your primary monitoring system s left speaker until the acoustic level of the test tone reaches 85 dB SPL 9 Repeatsteps 4to 8 for the right channel 2 cs gt c TO lt 3 Calibration Central Station Plus 3 3 Calibrating Speaker Levels a 10 If you are calibrating a monitoring system with independent subwoofer level control such as a 2 1 or 2 way speaker system repeat steps 4 to 9 for the subwoofer level Repeat steps 1 through 10 for the monitoring systems connected to Speaker Outputs B and C 11 Test Play audio through Speaker A only Without adjusting any of the Central Station s levels toggle Speaker A off and Speaker B on You may hear a slight tonal variation due to the different acoustic properties of the monitoring systems but the loudness should remain the same If the loudness varies drastically you may wish to repeat this calibration procedure from step 1 e Z 12 Owner s Manual Sample Hookup Diagrams 4 Separate Control Room and Rec
39. se by qualified service personnel only To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions Repairs must be performed by qualified service personnel Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry a cloth DU eS SS o Do not block any ventilation openings Install in accordance with the manufacturer s instructions oo Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade and the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Use only attachments accessories specified by PreSonus 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with this apparatus When a cart is used use caution when moving the cart apparatus co
40. subwoofer use 40 Hz to 80 Hz bandwidth limited pink noise You should not hear the test tone If you do turn down the speaker output and repeat Step 1 5 Ifyou are using an SPL meter pan the test tone so that it only plays in the left speaker hard left NOTE When both speakers play simultaneously the overall SPL will increase by about 3 dB To account for this subtract 3 dB when calibrating the left and right channels For example if your overall acoustic level cannot exceed 90 dB SPL calibrate each speaker to reach only 87 dB SPL 6 Turn the Main level knob on your Central Station to Unity Gain by turning it fully clockwise 7 Inthe Passive Speaker Control section locate the Speaker Trim controls for L R Output A Using a flat head screwdriver turn the trim control for the left channel completely counter clockwise Next slowly turn Speaker Output A s passive control clockwise You should begin hearing the test tone playing through your primary speakers If the acoustic level reaches your desired maximum level as measured by your ears or with an SPL meter stop increasing the speaker level and skip step 8 In most cases you should not reach your maximum level yet 8 Begin slowly increasing the input sensitivity volume of your primary monitoring system s left speaker until the acoustic level of the test tone reaches the desired maximum SPL 9 Repeatsteps 4 through 8 for the right channel 10 If you are calibrat
41. tic level or sound pressure level SPL should be measured from the proper mix position Ideally this position will place the monitors at ear level while you are seated at your mixing desk The monitors should be equidistant from your ears and from each other forming an equilateral triangle with your head at the point The SPL meter should be held at arm s length with the microphone pointed at the center point between the left and right speakers angled at 45 degrees to ensure an accurate reading You should also calibrate the left and right monitors independently pan the test tone hard left calibrate the left monitor and then repeat for the right channel When monitoring systems are calibrated using the same method each system should generate the same acoustic level when given the same input source This is especially important when referencing your mix on different monitoring systems such as toggling between Speaker A and Speaker B for comparison In an incorrectly calibrated studio the acoustic level will jump when toggling among the different systems resulting in an inaccurate perception of the consistency of your mix across different types of speakers When calibrated properly playing audio through Speaker A then switching to Speaker B should not cause a change in volume Switching monitors usually results in a slight tonal variation due to the different acoustic properties of the monitoring systems The purpose of a speaker sw
42. unbalanced RCA TS inputs Activate button Activates optional CSR 1 remote control When the Activate button is depressed the Main Level control on the Central Station is bypassed Console Remote Connection This proprietary DB15 15 pin connector is for the optional CSR 1 Central Station remote control See Section 5 3 for complete instructions Pedal Unbalanced 4 TS connector for use with a momentary footswitch Activate button Activates the external microphone input to be the source for the Talkback system and bypasses the onboard Central Station microphone Please note the onboard CSR 1 microphone is always active regardless of whether or not the external mic is activated External Microphone Input This XLR connector feeds an onboard microphone preamp for use with an external Talkback mic This preamp does not supply phantom power so only dynamic microphones can be used Controls and Connections 5 Central Station Remote 5 3 Owner s Manual AES 513 CSR 1 Central Station Remote The Central Station Remote Control CSR 1 connects to the rear of the Central Station via a proprietary DB15 cable included with the Central Station Plus to control Volume Talkback Mute Input Source Switching and Speaker Output Switching functions Allowing you to keep the Central Station in your rack with your gear and use the CSR 1 on your desktop for ultimate control and flexibility This
43. witches between Main and Cue audio inputs as sources for the corresponding headphone amplifier The Talkback Microphone will not be patched to the headphones unless Cue has been selected as the source Owner s Manual Controls and Connections 5 Front Panel Layout 5 1 5 1 3 Cue Main Select The Central Station comes equipped with separate Cue and Main signal paths The Cue signal path includes the talkback microphone signal and sends this signal to the recording artist via an external headphone amp or the two onboard headphone amps The Main signal path is intended for the control room and does not include the Talkback signal CUE MAIN DIGITAL k INPUT SELECT INPUT SELECT di OUTPUT DIGITAL AUX DIGITAL AUX e Cue Output Level Control Adjusts the overall output level of the Cue audio path C e Input Select Buttons Determing the sources for the Cue or Main Audio Paths ie e TRS 1 Patches the analog TRS1 input to the Cue or Main audio path e TRS 2 Patches the analog TRS2 inputs to the Cue or Main audio path e Digital Patches the currently selected Digital input Toslink or S PDIF to the Cue or Main audio path e Aux Patches the Aux input to the Cue or Main audio path e Digital Input Selects the S PDIF or Toslink input as the M digital source for the Cue and Main audio paths 1i e Aux Input Level Control Adjusts the overall input level of the Aux input 5 1 4 Meter The Central Station com
44. y not apply to you In no event will PreSonus be liable for incidental consequential or other damages resulting from the breach of any express or implied warranty including among other things damage to property damage based on inconvenience or on loss of use of the product and C to the extent permitted by law damages for personal injury Some states do not y allow the exclusion of limitation of incidental or consequential damages so the above limitation or exclusion may not apply to you This warranty gives you specific legal rights and you may also have other rights which vary from state to state This warranty only applies to products sold and used in the United States of America For warranty information in all other countries please refer to your local distributor PreSonus Audio Electronics Inc 7257 Florida Blvd Baton Rouge LA 70806 www PreSonus com A PreSonus Baton Rouge USA www presonus com e Ld cs 2 nz E lt o 29 Owner s Manual Added bonus PreSonus previously Top Secret recipe for Jambalaya Ingredients e 5 bs link andouille sausage 3 Ibs boneless chicken 2 lbs ground beef 3 lbs onions yellow or purple e 2 stalks of celery 1 lb bell peppers green or red e 1 batch green onions 3 lbs rice e Tony Chachere s Cajun Seasoning e 1 bottle chicken stock concentrate or 3 cubes chicken bullio
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