OWNER`S MANUAL - HARMAN Professional
Contents
1. sss Modifier Button Fader as Edit Navigation and Full Edit Mode The Soft ROW riens 0 Customizing the Soft ROW 10 Master Edit Page sse 11 Resonance Edit Page 12 LFO Edit Page 13 Voice Edit Pages 14 Pitch Shift Edit Page a15 Stringbox Edit Page 16 Factory Presets 8 Loading a Preset 18 Storing and Managing Presets 19 Portable 18965 20 Where are presets stored 21 Getting the most out of your computer 22 Tempo Mode Presets 23 The Algorithms Chorus Flange 5 Dual Delay MultiVoice Pitch 31 Pitch Shift 5 33 Random Delay Resonant Chords sd StringbOoX aai ese neret e irte 39 The Parameters csss00sossssnsonnnnensnnnnne 40 Pitch Shift Parameters 41 Correlation Delay Time Master 0 0 00 eee Crossfade Detune Master Resonance Low Shift FC Diffusion ar Shift Percent Feedback Bandwidth Shift Type 1 Feedback Diffusion Smart Shift 1 Feedback Filter Type Stringbox Parameters 2 Feedback Frequency Chorus 42 Feedback Level Decay Envelope 2 Feedback Pan A Delay Mode 2 Feedback Shelf Keyboard O 42 Filter Master Res2. These analysis tools provide visualizations of the output signal s stereo image and phase response Lissajous Figure Window l J Stereo Width Meter Lissajous Figure Window This window shows the width of the stereo image and the signal s phase response represented using a Lissajous figure as would be seen on an Oscilloscope The width of the stereo image is displayed by how far out from center the lines spread The phase response is then displayed by the rightward slant of the overall graph Therefore a thin vertical line represents completely mono in phase content and a thin horizontal line represents completely mono out of phase content Stereo Width Meter This meter shows the perceived width of the stereo image in a different way A mono signal would show no level A true stereo signal will display a wider bar while inverted mono will display at the maximum width The widest signals may exhibit problems with mono compatibility so they should be monitored The left and right side of this meter will always show identical level The greater the meter level the wider the stereo image will be perceived The Fader Area The fader area may be populated by up to nine faders This illustration shows what may be found for each fader Parameter Name Diy Fbk Master Parameter Value Modifier Button Fader Parameter Name Shows the parameter being adjusted Parameter Value Shows the current value of the par
3. Output Feedback Section 1 Click one of the Voice buttons Each parameter is described in the Parameters section starting on page 40 Each Voice Edit page within an algorithm contains the same parameters but controls a different voice The Output Feedback section allows you to edit the output and feedback parameters for each voice The Output and Feedback buttons allow you to toggle between these two sections Therefore these Feedback and Output section parameters are independently controlled Here you can control the output and feedback level polarity pan and filtering for each voice Note The MultiVoice Pitch and Resonant Chords algorithms will have additional parameters on this page The Pitch Shift and Stringbox algorithms do not have any Voice Edit pages Pitch Shift Edit Page The Pitch Shift Edit page is available only in the Pitch Shift algorithm and is the only page available in this algorithm Therefore this page is always present and there is no soft row or Edit button available when using this algorithm PRESET Shift Up 4 e display COMPARE RELOAD STORE SHIFT TYPE On SMART SHIFT DITCH CHICT Correlated CORRELATION Each parameter is described in the Parameters section starting on page 40 This page allows you to adjust all of the parameters within the Pitch Shift algorithm The meters display the current quality and stats of the Pitch Shift algorithm based on how the paramete
4. in validation scan will fail and you may not be able to run the plug ins without digging into your system For more information go to www iLok com Important Your PCM Native Effects Bundle will not work without an authorized 2nd Generation iLok USB smart key inserted in your computer s USB port First Look The User Interface When the plug in is instantiated you will see a window that looks something like this Preset Category Realtime Algorithm Name Preset Display Control Buttons Selector Stereo Phase Level Meters Analyzers Fader Area Algorithm Name Displays the name of the currently selected algorithm Preset Category Presets for the algorithm are grouped into categories to make them easier to find Clicking in this area will show the list of categories Selecting a category will load the presets for that category in the Preset Selector Preset Selector Displays the list of presets within the selected category Selecting a preset from the list will cause the preset to be loaded into the plug in Realtime Display Three unique visualizations help you to see inside the effect See the Realtime Display section for more detailed information Stereo Phase Analyzers These tools provide a visual of the phase response and perceived stereo image of the processed signal See the Stereo Phase Analyzers section for more detailed information Level Meters Shows the input output and feedback leve
5. parameter Resonance Frequency This parameter is found in the Resonant Chords algorithm and determines at which frequency the delay voice resonates It can be adjusted by frequency Hz or musical notes Equal Tempered Resonance Master Controls all voices in the algorithm Each voice has its nominal resonance adjusted by this percentage Shift Cent This parameter is found in the MultiVoice Pitch algorithm and controls the amount of pitch shifting per voice and is adjustable between 50 Cents and 50 Cents This parameter can be used in conjunction with the Shift Semitone parameter Shift Semitone This parameter is found in the MultiVoice Pitch algorithm and controls the amount of pitch shifting per voice and is adjustable between 12 Semitones and 12 Semitones This parameter can be used in conjunction with the Shift Cent parameter Transposition Found in the Resonant Chords algorithm this parameter transposes the resonant frequency within all delay voices Tuning Master In the musical world the tuning reference is A 440 This means that the note A above middle C is equivalent to 440 Hz However that s not the way it always works in the real world Therefore in the Resonant Chords algorithm this parameter affects the resonant frequency of all voices in the algorithm Changing the master tuning causes the notes in all voices to be sharp or flat Tuning Mode This parameter is found in the Resonant Chords algorithm an
6. tremendous popularity for the past 22 years It has since been replaced as the standard in professional signal processing by the 960L Multi channel Digital Effects System and the PCM96 series Reverb Effects Processors which have themselves garnered an impressive following of producers artists and engineers Growing demand for proprietary Lexicon technologies has led to its appearance in numerous applications with dramatic results Our processing is relied upon to enhance the sound of prestigious live halls and venues Knowingly or unknowingly you experience Lexicon products and technologies on a daily basis Chances are that Lexicon processing was involved in the television program you watch at home the film you see at the cinema or the song you listen to on the radio From the initial tracks to your listening room or automobile Lexicon is part of the process that brings these recordings to life Our commitment to the audio professional and content delivery ensures an unbroken chain between the artist and the audience Now hear this The Algorithms You ve just received a package with seven plug ins each one controlling a different algorithm The following section will provide details about each of these NER a Chorus Flange The Chorus effect is used to thicken a track or create a lush shimmering effect and is often used on vocals and guitars Flanging creates a sweeping type sound that is similar to that of a
7. ameter This field may be directly edited Modifier Button This button only appears for certain types of parameters It controls aspects of the parameter Fader Changes the value of the parameter May be dragged control dragged for higher resolution or may be controlled by the mouse wheel The Control Buttons These buttons let you access all of a preset s parameters manage presets and compare changes you ve made to the original settings Compare The Compare button temporarily resets all parameters to the original preset value It is used to get back to the original preset and quickly audition your edits verses the original preset When compare is on all parameters are frozen and cannot be changed Turning Compare off returns you to your edits Choosing a different preset cancels compare mode Edit Clicking the Edit button enters Pro mode allowing you to go into deep edit mode Here you can adjust all parameters and configure the soft row See the Edit Navigation and Full Edit Mode section for more detailed information Reload Clicking the Reload button reloads the current preset overriding all user edits Store The Store button allows you to create and manage user presets See the Storing and Managing Presets section for more information Edit Navigation and Full Edit Mode When the Edit button is clicked an additional row of buttons appear along the lower portion of the plug in The names and number
8. cho Tape Echo or Double Tracking This algorithm is very similar to the Chorus Flange algorithm except that it has fewer delay voices and no LFO control The Dual Delay algorithm has 4 total delay voices 2 delay voices per input channel Each voice has independently adjustable delay time of up to 9 5 seconds and independent output and feedback control Each of the delay voice s output and feedback paths include an independently selectable filter adjustable filter frequency filter bandwidth filter shelf polarity level and pan control A py St EN gs MultiVoice Pitch The MultiVoice Pitch algorithm is a pitch shifter with a twist This algorithm works great for thickening up vocals creating lush shifting effects or creating far out special effects such as effects containing multiple delay lines that can shift up and or down while locked to session tempo This algorithm is a multi voice delay which contains an independently controlled pitch shifter on each voice and provides feedback control capabilities which are used for creating arpeggios Pitch can be adjusted in semitones 12 to 12 and or cents 50 to 50 The MutiVoice Pitch algorithm has 6 total delay voices 3 delay voices per input channel Each voice has independently adjustable delay time of up to 4 75 seconds pitch control and independent output and feedback control Each of the delay voice s ou
9. d determines whether the resonant tones are set in Hz or Equal Tempered Wander This parameter determines the amount of additional delay that the LFO process can add to a voice s offset Harman 8760 South Sandy Parkway Sandy Utah 84070 U S A Phone 801 568 7660 Fax 801 568 7662 Questions or comments Visit us at www lexiconpro com 2011 Harman All rights reserved Lexicon is a registered trademark of Harman All other trademarks are property of their respective owners All features and specifications are subject to change Printed in the U S A P N 18 0862 B 3 119 by HARMAN www lexiconpro com
10. ective excitation percussion Other instruments may give a quality of tonal ambience hereally from the background The Resonant Chords algorithm has 8 total delay voices 4 delay voices per input channel Each voice has independen ly adjustable delay time of up to 9 5 seconds resonance frequency resonance amount resonance filter resonance detune and independent output and feedback control Each of the delay voice s ou adjustable filter frequency fi put and feedback paths include an independently selectable filter Iter bandwidth filter shelf polarity level and pan control MS NA IN V Stringbox If you ve ever made a sound near a piano then you know what Stringbox is The strings of the piano vibrate by sympathetic resonance If there is sound energy at the frequency of a string or a multiple of that frequency that string will vibrate By holding down different combinations of keys a ghostly harmony can be created The Stringbox algorithm is a resonator that reacts to whatever energy it sees It has 88 courses of virtual strings with each course consisting of three strings The strings can be tuned in several ways and those strings may be detuned relative to one another The characteristics of the strings the material from which they are made can also be easily adjusted The Parameters The seven plug ins contain hundreds of presets covering just about every possible need but you can refi
11. ent to 440 Hz However that s not the way it always works in the real world In the Stringbox algorithm this parameter allows you to change the base tuning to something other than A 440 Tuning System Controls the way the strings are tuned Many choices are available Equal tempered is best for most applications but several forms of just intonation are available for Baroque musicians Quarter tone is available as are several non tonal tuning plans All Other Parameters Blend This parameter is found in the Resonant Chords algorithm and adjusts how much of the direct signal is allowed to pass along with the effect from the resonator Off meaning you hear only the resonance effect and none of the direct signal and 0 0 dB meaning you hear an equal amount of direct signal and the resonance effect This is a global control which affects all voices Delay Feedback Master Controls all delays in the algorithm Each voice has its nominal feedback gain adjusted by this percentage Delay Level This parameter adjusts the output level of the delay line within each voice Delay Level Master Controls all delays in the algorithm Each voice has its nominal gain value adjusted by this percentage Delay Pitch Master This parameter is found in the MultiVoice Pitch algorithm and controls all pitch levels in the algorithm Each voice has its pitch level value adjusted by this percentage Delay Time Delay time defines the time offset of a delay vo
12. flips that orientation Low Spread alternates notes with the lowest notes at the farthest left and right position High Spread places lower notes in the center just the way organ pipes are distributed Random continually moves the positions of the strings Predelay This parameter is found only in the Stringbox algorithm Your piano doesn t have this but this parameter allows the resonated signal to be delayed Operates in either absolute or tempo mode Rolloff This parameter is found only in the Stringbox algorithm This is a lowpass filter that is applied to the complete resonated signal String Response This parameter is found only in the Stringbox algorithm and controls the virtual material soft hard just right that the string is made from Tail Width This parameter is found only in the Stringbox algorithm A matrix is used to mix the output signal This controls the impression of signal width Very spacious signals should be monitored with both a surround decoder and in mono in order to maintain compatibility All settings in factory presets are safe for any application Transposition In the Stringbox algorithm this parameter transposes the resonance relative to the keyboard For example if a C is depressed on the keyboard and the transposition is 2 semitones that string will resonate a D Tuning Master In the musical world the tuning reference is A 440 This means that the note A above middle C is equival
13. gold border is embedded within a larger window provided by the DAW Appearance will differ from host to host this example is from Logic Oftentimes the DAW itself provides the ability to save presets The presets saved by the DAW can only be used with the DAW that saved them If you work with multiple DAWs this could be a problem Portable Presets Lexicon has provided a solution by providing portable User Presets When you store presets with the Lexicon Store button shown below your presets are available to all DAWs on your machine With only a little effort you can also share them with other machines even when going between Mac and PC If you ve made some edits you d like to save as a plug in press the Store button on the upper portion of the plug in editor You ll see a screen that looks like this 1 Click Store Manage User Presets 2 Click to 3 Click Store edit name to save The upper field contains the list of User Presets that have already been created for this algorithm Presets appear in alphabetical order Click the name field to edit the name ofthe preset Once done click the Store button The lower field contains the name of the preset that was loaded before you began editing You can easily click in this field and change the name to anything you like Once you have the appropriate name click the Store button and the preset will be saved If you decide not to save it then the Cancel button will
14. hose knobs faders and displays require processing power You can always reopen the editor if you need to edit Tempo Mode Presets In some of the plug ins you will find presets with T in the preset name These are tempo mode presets The delays in these presets respond or are synced to the tempo of the DAW They are best used when the tempo of the project actually reflects the tempo of the musical material MIDI sequences and such In those cases the tempo component of the preset will reinforce the tempo in some way Lexicon occupies a unique position as a leading innovator in both professional and consumer audio industries Since the release of the first digital delay Lexicon has stood at the forefront of digital audio with a reputation as a manufacturer of exceptional professional audio and home theater products and an inventor of new technologies Years of research development and learning allow us to continue expanding the boundaries of the listening experience Our professional products are prominent in the creation of worldwide music television and film productions These products have won numerous awards including an Emmy and numerous TEC awards including a TEC Hall of Fame award for the Lexicon Delta T 101 the world s first digital delay Lexicon processors have been embraced as the standard in professional signal processing since the introduction of the 480L Digital Effects Processor which has retained
15. ice This parameter can be adjusted in one of two ways they are Absolute Adjusts the delay time in seconds milliseconds Tempo Adjusts the delay time in fractions of tempo quarter note eighth note etc This tempo is synced to the DAW session tempo This parameter is used in many of the algorithms not just the delays In all cases it does the same thing Delay Time Master Controls all delays in the algorithm Each voice has its nominal delay time adjusted by this percentage Detune Master Resonance This parameter is found in the Resonant Chords algorithm and controls detuning of all voices in he algorithm Each voice has its nominal detune adjusted by this percentage Diffusion nput diffusion is the first part of processing for any signal entering a delay It can be described as a smearing or softening of the signal and is typically used to lessen the impact of strong ransients Feedback Bandwidth When Bandpass or Notch have been selected this parameter allows you set the bandwidth of a eedback filter Bandwidth is specified in octaves or fractions thereof Feedback Diffusion Feedback Diffusion is similar to Input Diffusion except that it is applied to a delayed signal that is being added back into the input Feedback Filter Type This parameter allows you to assign a filter on the feedback portion of the signal within a delay voice There are 6 selections available 1 Pole Lopass 1 Pole Hipass 2 Pole L
16. icking on each key When pressed the key will turn yellow indicating that the key is being held down Any combination of keys can be held down and there is no limit to the number of keys that can be held Note The keyboard area in the Stringbox algorithm does not respond to midi note commands Factory Presets Each plug in comes with a large complement of Factory Presets These presets are grouped in categories Simple Delays Tape Delays etc that make it easier for you to find the sound you need Most presets also come with several variants that may save you a lot of editing time Loading a Preset The preset category is chosen from the drop down menu in the upper left part of the edit window When you select a category the preset menu is updated to show availability of the new presets within the selected category An initial preset will be loaded from the category It will be the first preset in the list unless you have previously visited the category In that case it will be the last preset you loaded from that category Click here Click here to select to select a category a preset Storing and Managing Presets When you load a Lexicon plug in the overall appearance may be something like this DJ 27 Track 27 CF View Show Channel Strip Show Insert Bypass COMPARE EDIT RELOAD Diy Level Master Dly Fbk Mas Diy Time Mi Diffusion LexChorus You will notice that the Lexicon plug in with the
17. lexicon PCM NATIVE EFFECTS BUNDLE OWNER S MANUAL a NN e T F E 7 PAG ios n The Lexicon Legacy continues Pr With the PCM Native Effects Bundle For over 40 years Lexicon has been recognized as the golden standard of digital reverb and effects processing and has continuously introduced leading edge technology for the audio industry Lexicon has again rocked the audio industry with a complete collection of the finest multi effects plug ins available The PCM Native Effects Plug In Bundle is the ultimate bundle for creating professional inspirational mixes within popular DAWs like Pro Tools Logic and any other VST Audio Unit or RTAS compatible platform With all the flexibility you would expect from native plug ins this powerhouse bundle delivers 7 Lexicon effect plug ins with hundreds of the most versatile and finely crafted studio presets Designed to bring the highest level of sonic quality and function to all your audio applications the PCM Native Effects Bundle will take center stage in your DAW Congratulations and thank you for purchasing the PCM Native Effects Plug in Bundle an artful blend of seven Lexicon multi effects plug ins including Chorus Dual Delay MultiVoice Pitch Pitch Shift Random Delay Resonant Chords and Stringbox With decades of legacy products to pull from the PCM Native Effects Bundle includes the finest collection of Fac
18. ls The Feedback meters measure the energy level being fed back into the beginning of the delay line Fader Area Parameter values are shown and controlled in this area This is explained in more depth in the Fader Area section of this manual Control Buttons These buttons are used to compare edit reload and store presets This is explained in more detail in the Control Buttons section of this manual The Realtime Display The realtime display window allows you to visualize the effect in three ways While your ears will always be the primary tool in choosing and adjusting presets the displays provide a direct way to see what s going on Click anywhere in the realtime display window to change the view Off This display mode shows only the algorithm name It is the default view for the plug in and requires the least amount of CPU cycles 3 D Voice View This display shows a 3 D view of each individual voice Each voice feedback or output is displayed on screen using a vertical hollow frame The frame is filled by the measured real time level in the voice and therefore acts as a meter OdB full scale The depth represents logarithmic delay time and the x axis represents pan Frequency This display shows the frequency levels of the left and right output signals Live Impulse Response This display shows a live impulse response of the left and right output signals CHUADI IC The Stereo Phase Analyzers
19. m Delays can be used to place early reflections in stereo or surround fields Modulated Delays Delay times may be modulated by signal level LFO or random values Random Delays have the same diffusion controls as Dual Delays but build upon the Dual Delay algorithm by adding additional LFO control and a second delay parameter or Wander The Wander parameter provides up to one second of additional delay time for each voice Voices can be assigned to either randomize or not randomize The Random Delay algorithm has 4 total delay voices 2 delay voices per input channel Each voice has independently adjustable delay time of up to 9 5 seconds plus an additional 1 second of Wander delay selectable LFO and independent output and feedback control Each of the delay voice s output and feedback paths include an independently selectable filter adjustable filter frequency filter bandwidth filter shelf polarity level and pan control Resonant Chords The Resonant Chords algorithm first introduced in the Lexicon PCM70 allows multiple delay voices to be tuned to resona te on specific notes Use this algorithm to create glistening chords strange ringing delays or truly bizarre room sounds The Resonant Chord algorithm uses impulsive energy at the inputs to excite six resonant voices notes The voices resonate contains all frequencies like in which certain notes rise e to some degree with any input but the most eff
20. ne and customize any preset by adjusting its parameters Parameters are the building blocks within each preset that determine how it sounds and behaves Each algorithm contains a set of parameters and a variety of those parameters are combined to create a preset Following are all the algorithm parameters you can edit in the PCM Native Effects Plug ins Note that sometimes parameter names are abbreviated when they appear onscreen and they may have prefixes indicating which voice or channel they control for example the Feedback Level parameter for voice 1 may appear as L1 FbkLvl Pitch Shift Parameters Correlation This parameter tells the algorithm if the program material needs to be processed as dual mono or stereo If the program material is stereo material this should be on in order to maintain a stable image If the program material is dual mono two independent tracks then this parameter should be set to off Crossfade As the Pitch Shift algorithm needs to create splices of the program material in order to process it this parameter is used to smooth out the signal between these splices A longer crossfade will result in a smoother splice but sometimes at the expense of ghosting double hits when shifting up and missing hits when shifting down Start with shorter crossfades and then raise the value until an acceptable compromise is reached Low Shift FC This parameter affects the lowest frequency at which the shifter l
21. of buttons vary among algorithms Clicking one of the buttons will bring up an edit page holding parameters related to the button name Those parameters may be edited until the desired sound is achieved Click Edit 10 The Soft Row When the plug in is first instantiated a number of parameters appear This page of parameters is called the Soft Row These parameters were chosen as being the most useful parameters for a particular preset In most cases we ve tried to make a consistent set of choices but many presets call for different parameters For most people the soft row is all that s needed Customizing the Soft Row The Soft Row assignments are part of the preset You can change the Soft Row assignments and store the preset as a User preset To do this press the Edit key to go into edit mode and press the button for Soft Row The plug in will look something like this 1 Click Edit m mec e button area Click to assign soft row parameter eo 2 Click Soft Row In the modifier button area just above the fader you will see the name of the parameter that is assigned to that position in the soft row Clicking on any of these parameter buttons reveals a list of all the algorithm s parameters Select a parameter or no selection from the list and that parameter is then assigned to the soft row The assigned parameter is still available on its original edit page but now it appears in the soft ro
22. onance Low Bright Mid Bright High Bright 42 LFO Rate Low Decay Mid Decay High Decay 42 LFO Select Low Trim Mid Trim High Trim 42 LFO Waveform MG 43 AAA Note Selection 43 Output Bandwidth Output Level 43 Output Filter Type Pan Mode 43 Output Frequency Predelay 43 Output Pan 7 Rolloff 3 Output Shelton casi String Response 3 Resonance eio Ai Tail Width 4 Resonance Detune E Transposition 4 Resonance FreqUenCy Tuning Master 4 Resonance Master Tuning System 44 Shift Cent All Other Parameters 5 Shift Semitone Blend 5 Transposition Delay Feedbacl 5 Tuning Master Delay Level 5 Tuning Mode A Delay Level Master 5 Wanders lagian Ea Delay Pitch Master 5 Delay Time Absolute A e a Installation Install the Plug in Bundle Insert the CD into your CD ROM drive The Installer should start automatically If the Installer doesn t start automatically you can start it manually by opening the appropriate file on the CD Mac PCM Native Effects Plug in mpkg Windows setup exe Once the Installer is open follow the on screen instructions to install the software you wish to use iLok License You must download the license to your 2nd Generation iLok USB smart key before running any program that might use these plug ins If a valid iLok license is not present the initial plug
23. ooks for good splices The shifter will shift all frequencies but the quality of shift is sensitive to the mix of frequencies If there are strong low frequencies in the mix this value should be low If the bulk of energy is at higher frequencies then it should be raised Shift Percent Displayed when Percent is selected as the Shift Type This parameter adjusts the pitch as a percentage Shift Type This parameter is found only in the Pitch Shift algorithm This parameter allows you to select whether you want to adjust the pitch using Semitone and Cent controls Musical or by a percentage Percent Smart Shift This parameter affects the quality of pitch shifting When turned on the algorithm looks for optimal splices in the musical material In almost all cases this should be on If attempting to recreate the sound of certain inexpensive shifters from the 1980s then this parameter should be turned off Stringbox Parameters Chorus Controls the amount of detuning in each course of strings Decay Envelope Controls how the note rings after a key is deselected Open means that the note will ring until it dies away The Damped settings causes it to die more quickly Delay Mode Determines whether the predelay uses an absolute value milliseconds or a note value related to the tempo of the mix Keyboard This region shows which keys of the virtual piano have been pressed indicating which pitches will be resonated If the N
24. opass 2 Pole Hipass Bandpass and Notch Feedback Frequency This parameter lets you set the cutoff frequency of the feedback filter The audible effect of this is determined by the Feedback Filter Type parameter Feedback Level This parameter determines the feedback level for a particular voice It is controlled independently of the voice s output level Feedback Pan This parameter controls the left right soundstage of the feedback portion of the delay line signal Feedback Shelf his parameter effects all feedback filter types It allows a certain amount of unfiltered audio to e combined with the filtered audio This effectively lowers the effect of the filter Another way looking at it is that it lessens the normal filter slope of 12 dB per octave Unlike the traditional iquad filter the shelf is effective for all filter forms n Zoga ilter Master Resonance his parameter is found in the Resonant Chords algorithm and controls all voices in the gorithm Each voice s resonator has its nominal cutoff frequency adjusted by this percentage LFO Rate Sets the speed of an LFO in Hz LFO Select This parameter determines which of the available LFOs may be used to control a voice The voice may use the LFO output or the inverted LFO output LFO Waveform Sets the shape of the wave the LFO will follow Mix Mix is the proportion of wet processed signal to dry unprocessed signal Output Bandwidth When Bandpass or N
25. otch have been selected this parameter allows you set the bandwidth of an output filter Bandwidth is specified in octaves or fractions thereof 4 Output Filter Type This parameter allows you to assign a filter on the output of a delay voice There are 6 selections available they are 1 Pole Lopass 1 Pole Hipass 2 Pole Lopass 2 Pole Hipass Bandpass and Notch Output Frequency This parameter lets you set the cutoff frequency of the output filter The audible effect of this is determined by the Output Filter Type parameter Output Pan Routes the post filter delay voice across the left right soundstage Output Shelf This parameter effects all output filter types It allows a certain amount of unfiltered audio to be combined with the filtered audio This effectively lowers the effect of the filter Another way of looking at it is that it lessens the normal filter slope of 12 dB per octave Unlike the traditional biquad filter the shelf is effective for all filter forms Resonance This parameter is found in the Resonant Chords algorithm and determines how much of the resonance effect will be added to the delay voice Resonance Detune This parameter is found in the Resonant Chords algorithm and acts as an adjustment to the specified frequency for the voice s resonator The calculation of cents yields a ratio which is used to modify the specified frequency of the voice This parameter is then modified by the Detune Master
26. ote Selection parameter has been set to Keyboard then notes may be selected by clicking on keys Low Bright Mid Bright High Bright This parameter controls the target brightness of strings in each of four zones This is the brightness of the string as it reaches the end of its decay Lower brightness means that the string becomes duller as it decays This may be adjusted by selecting the blue tab and then shaping the blue line above the keyboard Low Decay Mid Decay High Decay This parameter controls the decay time in each of four zones This may be adjusted by selecting the red tab and then shaping the red line above the keyboard Low Trim Mid Trim High Trim This parameter controls the level of strings in each of four zones This may be adjusted by selecting the green tab and then shaping the green line above the keyboard Mix Mix is the proportion of wet processed signal to dry unprocessed signal Note Selection Controls which strings are allowed to resonate There are several preset selections such as Damper Down White Keys and Black Keys The Keyboard setting allows you to select any pattern of notes by simply clicking on the keyboard There are even several random modes which will play the keyboard for you Output Level Controls the level of the signal out of the plug in Pan Mode Determines how the strings are panned across the stereo field Piano places strings low to high from left to right Reverse Piano
27. phaser effect and is often used on guitars and bass but can be used on other instruments as well This algorithm is quite similar to the other delay algorithms in the PCM Effects Bundle The difference is in the modulation aspect The same LFO modulators are available as in the Random Delay algorithm but the voices react differently In t voices move abruptly However in the Chorus Flange algori he Random Delay algorithm the hm they move very gradually with noticeable and desirable pitch effects as they move For the chorus effect the voices move somewhat independently yielding a thickening effect withou too much filtering For the flange effect voices are generally paired at close intervals As they move a noticeable comb filtering takes place due to cancellation The voices are often fed bac nearly to the point of instability The Chorus Flange algorithm has 8 total delay voices 4 delay voices per input channel Each voice has independently adjustable delay time of up to second of Wander delay selectable LFO and independen 9 5 seconds plus an additional 1 output and feedback control Each of the delay voice s output and feedback paths include an independently selectable filter adjustable filter frequency filter bandwidth filter shelf polari y level and pan control Dual Delay The Dual Delay algorithm is a great choice for creating brilliant delay effects such as Slap Back E
28. return you to the editor If you select one of the existing presets in the library you can replace or delete that preset Manage User Presets 1 Click on a preset 2 Preset name appears here 3 Click to replace or Click to delete Where are presets stored On the Mac User Presets are stored in Home Library Application Support LexiconPro Native User Presets AlgorithmName Home is the name of the account you re logged in under AlgorithmName is the name of the plug in On Windows Vista Seven presets are stored in Users username appdata usertype Lexicon PCM Native User Presets AlgorithmName On Windows XP it s Documents and Settings username Application Data Lexicon PCM Native User Presets AlgorithmName Getting the most out of your computer These plug ins are written to be efficient and most computers will run more copies than you may need But if you find yourself needing to squeeze a little bit more out of your CPU you can take the following simple steps Turn off the active realtime display The active display window can represent your effect in real time in several ways However this display consumes some of your computer s processing power If you click until you reach the static display your computer will have more CPU power available Close the plug in editor Unless you re actively controlling your mix in realtime you don t need the editor after you ve made the appropriate settings All t
29. rs have been set Stringbox Edit Page The Stringbox Edit page is the only page available in the Stringbox algorithm Therefore this page is always present and there is no soft row or Edit button available when using this algorithm Combo Box Slider Parameters Parameters Stringbox lexicon Decay Tone Parameters Strings Window Keyboard m Each parameter is described in the Parameters section starting on page 40 Slider Parameters These are the fader type parameters Combo Box Parameters These are the combo box type parameters Decay Tone Parameters Filtering decay and level can be set here in each of 3 bands The resulting curve is displayed in the strings window represented by matching color coded lines Strings Window Stringbox has a unique metering system that shows just which strings are resonating The strings window is a real time visual representation of the piano strings vibrating based on the energy in each resonator There is a string image for each note If that string is resonating then the string image brightens The Decay Tone parameters can also be adjusted in this graphical display by selecting the group of Decay Tone parameters then left clicking and dragging the nodes on the corresponding colored line Keyboard When the Note Selection parameter is set to Keyboard this keyboard section becomes active This full piano keyboard allows you to select which keys are held down by cl
30. ton A page similar to this will appear Transposition Resonance Filter Master 1 Click Resonance Each parameter is described in the Parameters section starting on page 40 This page provides global control over the resonance parameters For example you can adjust the resonance master on this page which will affect the resonance level of all voices by the percentage indicated above the resonance master slider LFO Edit Page The LFO Edit page is available in the Chorus and Random Delay algorithms To enter the LFO Edit page click the Edit button to display the edit page buttons then click the LFO button A page similar to this will appear LFO4 Rate 1 Click LFO Each parameter is described in the Parameters section starting on page 40 This page allows for control of four LFOs The LFO waveform and rate can be set on this page There is a graphical display for each LFO providing a real time visual ofthe LFO based on how the LFO waveform and rate parameters have been set Voice Edit Pages The Voice Edit pages are available in the following algorithms Chorus Dual Delay MultiVoice Pitch Resonant Chords and Random Delay These algorithms will have multiple Voice Edit pages To enter one of the Voice Edit pages click the Edit button to display the edit page buttons then click the Voice button for the voice in which you would like to edit A page similar to this will appear Output Feedback ll
31. tory Presets available Designed to bring the highest level of sonic quality and function to all of your audio applications the PCM Native Effects Bundle will take center stage in your DAW Quick Start Choose one of the seven Lexicon plug ins Each plug in contains a different algorithm Chorus Flange Dual Delay MutiVoice Pitch Pitch Shift Random Delay Resonant Chords Stringbox In the plug in s window select a category Select a preset Adjust parameters optional Save the preset optional It can be as simple or as in depth as you d like The hundreds of included presets work well for most situations but you can easily adjust any parameter and save any preset See the Factory Presets section for more information on editing loading and saving presets Included Items PCM Native Effects Bundle software CD iLok license code This manual Table of Contents Installation Install the Plug in Bundle iLok License 1 First Look The User Interface 2 Algorithm Name 3 Preset Category 3 3 3 Preset Selector Realtime Display Stereo Phase Analyzers Level Meters The Fader Area Control Buttons The Realtime Display 3 D Voice View FreQueney ierit Live Impulse Response The Stereo Phase Analyzers Lissajous Figure Window Stereo Width Meter The Fader Area 3 Parameter Name Parameter Value
32. tput and feedback paths include an independently selectable filter adjustable filter frequency filter bandwidth filter shelf polarity level and pan control Pitch Shift Pitch Shifting is commonly used in sound design for film and for correcting pitch when converting between different frame rates In music it is generally used for shifting the pitch of vocals for effect or an instrument usually when single notes are played such as in a guitar solo It can also be used for very dramatic shifting effects if you are after that Demonic sounding voice or Chipmunk effect then this is the algorithm to use In the Pitch Shift algorithm pitch can be adjusted using one of two types Musical or Percent In Musical mode pitch can be adjusted in semitones 12 to 12 and or cents 50 to 50 In Percent mode pitch can be adjusted between 60 and 60 This algorithm also provides control over crossfade low shift cutoff frequency smart shift and correlation Random Delay The delays available in the Random Delay algorithm are especially useful for Multitap Tape Loops Feedback can be used to recirculate delays Appropriate use of highpass and lowpass filters emulates the bandpass effects of multi generational tape loops hiss not included Feedback diffusion allows emulation of azimuth misalignment a hallmark of the sound Early Reflection Modeling Although different in scope from Lexicon Ambience algorithms Rando
33. w as well You can assign any parameter to the soft row You can even assign the same parameter more than once When you re done store it as a User Preset and you ll always be able to recall the preset with your customized soft row Master Edit Page The Master edit page is found in the following algorithms Chorus Dual Delay MultiVoice Pitch Resonant Chords and Random Delay To enter the Master Edit page click the Edit button to display the edit page buttons then click the Master button A page similar to this will appear 1 Click Master Each parameter is described in the Parameters section starting on page 40 The Master page allows you to adjust the master levels of the algorithm For example you can adjust the overall mix level wet dry mix and diffusion here This page also gives you global control over some of the individual voice parameters For example adjusting the delay time master on this page will re adjust the delay time parameter for all delay voices Other controllable parameters on this page are feedback diffusion delay level master delay feedback master and in the MultiVoice Pitch algorithm delay pitch master Note The Pitch Shift and Stringbox algorithms do not contain a Master page Resonance Edit Page The Resonance Edit page is found only in the Resonant Chords algorithm To enter the Resonance Edit page click the Edit button to display the edit page buttons then click the Resonance but
Download Pdf Manuals
Related Search