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INTRODUCTION TO COMPUTER MUSIC - Free

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1. compozitorul Dwight WINENGER infiinteaza in U S A renumita LIVING MUSIC FOUNDATION http www e universe com lmfhome unul dintre cele mai importante centre internationale de promovare a muzicii noi inclusiv in genul Computer Music ce este coordonat actualmente de catre compozitorul si profesorul Charles Norman MASON dintre membrii L M F mentionam pe Liana ALEXANDRA Charles ARGERSINGER Christy BANKS Rusty BANKS Heskel BRISMAN Madeline BYRNE Barry L COHEN Dinos CONSTANTINIDES George CRUMB Greg D ALESSIO David DEL TREDICI Aurelio DE LA VEGA Carlos DELGADO Emma Lou DIEMER Violeta DINESCU Donna Kelly EASTMAN Grant FLETCHER Lukas FOSS Orlando GARCIA David McGU AG score HINDMAN Craig HULTGREN Ladislav KUBIK Dennis KAM Hye Kyung LEE David LIPTAK Tom LOPEZ Serban NICHIFOR Rodney OAKES Pauline OLIVEROS Aaron J RABUSHKA Bruce REIPRICH Wieslaw RENTOWSKI Andrew RINDLFLEISCH Elliott SCHWARTZ Nicolas SLONIMSKY Gregg SMITH Erich H STEM Augusta READ THOMAS Catherine TOWBIN Mary Jeanne VAN APPLEDORN David VAYO Rob VOISEY Olly WILSON Paul WITNEY Scott WYATT in anul 1984 se infiinteazanu mai putin celebra SOCIETATEA DE MUZICA ELECTRO ACUSTICA DIN STATELE UNITE THE SOCIETY FOR ELECTRO ACOUSTIC MUSIC IN THE UNITED STATES SEAMUS http seamus Isu edu avand ca presedinte fondator pe compozitorul Barry SCHRADER profesor la California
2. ee scor PROGRAME AUDIO IN SISTEMUL DE OPERARE WINDOWS Windows Audio Software NB Sunt prezentate doar programe disponibile in versiunile Free si Demo a PROGRAME MIDI DE REDACTARE MUZICALA MOZART VIRTUOSO 6 THE MUSIC PROCESSOR BY DAVID WEBBER David WEBBER 1994 2004 http www mozart co uk dave mozart co uk 484 Warrington Rd Culcheth Warrington WA3 5RA UK FUNCTIILE PROGRAMULUI MOZART 6 I GENERALE File New Template None Alto Sax Jazz Quartet Brass Band Brass Quintet Clarinet and Piano Clarinet Choir Clarinet Jazz Quartet Clarinet Quartet Crumhorn Quartet default Part Fake Book Flute and Piano Flute Jazz Quartet Guitar Jazz Band 1 Jazz Band 2 Oboe and Piano Orchestra 2 Fl 2 Ob 1 C 1 2 CL 1 CLB 2 Fg 4 Hr 3 Trbe 3 Trbn Tuba Timp 2 Perc Archi 29 staves Piano solo Recorder Consort Recorder Quartet Sax Quartet Solo bass clef Solo treble cleff Song Sheeet Soprano Sax Jazz Quartet String Quartet Tenor Sax Jazz Quartet Trombone and Piano Trumpet and Piano Trumpet Jazz Quartet Viola and Piano Violin and Piano Voice and Piano Wind Band Wind Octet Wind Quintet Open Import Open clipboard Play in new piece Re import played in piece Import MIDI Print Setup Stop playing Exit View Tool bars Keyboard shortcuts Colour scheme Global preferences Metronome Chord symbols Autosave Setting
3. 2 a dt dt x n y n b dt a dt z n dt x n 2 y n 2 3 norm z n 1 z n 3 x n dt x n y n y n dt y n 2 2 c dt z n Parameters are dt a b and c lorenz3d4 Lorenz four lobe attractor orbit in three dimensions The original formulas were developed by Rick Miranda and Emily Stone z 0 y 0 z 0 1 x n 1 x n a dt x n 43 2 a dt b dt z n dt x n 2 y n a dt 2 dt x n y n 2 z n dt b dt y n 3 2 x n 2 y n 2 y n 1 y n b dt z n dt x n 3 a dt 2 dt x n 2 y n 2 a dt b dt z n dt x n y n 2 a dt y n 3 2 x n 2 y n 2 z n 1 z n 2 x n dt x n 2 y n 2 x n dt y n 3 c dt z n Parameters are dt a b and c Isystem Using a turtle graphics control language and starting with an initial axiom string carries out string substitutions the specified number of times the order and plots the resulting ee scor 51 lyapunov Derived from the Bifurcation fractal the Lyapunov plots the Lyapunov Exponent for a population model where the Growth parameter varies between two values in a periodic manner magnetlj z 0 pixel z n 2 c 1 Z n 1 1 2 V2 z n c 2 Parameters the real and imaginary parts of c magnetIm z 0 0 c pixel z n 2 c 1 V Z n 1 12 2 z n c 2 Parameters the real amp imaginary parts of perturbation of z 0 magnet2j z 0 pixel
4. Auburn University http www auburn edu wallski CTM650 CTM650syllabus html Radford University http www runet edu rscohen Music127 syllabus htm McMurray http cs1 mcm edu dshea comped html Case Western Reserve University http www midischool cwru edu MUSC308 syllabus html Dordt College IA http homepages dordt edu hduitman musicstudent musictechnology html Alma College http www alma edu academics music mus215 syllabus htm Youngstown State University http www fpa ysu edu music crist came pdf Georgia State University http www trombonelessons com syllabus html East Carolina State http www music ecu edu courses 6300 6300syllabus html University of North Carolina Greensboro http www uncg edu vitrolli courses html Elmhurst College IL http www elmhurst edu markh musicedtech Central Michigan State http blackboard cmich edu 80 bin common course pl course id 39 1 amp frame University of Delaware http amy music udel edu faculty mmorgan index html Berklee School of Music http classes berklee edu mbierylo mtec111 html Flordia State University http otto cmr fsu edu 70 7Emus2360 Schedules Syllabus html James Madison University http www lib jmu edu users cockbuba mus150 Peabody http mambo peabody jhu edu 7Emdboom itc University of Montevallo http www cfa montevallo edu mtech Su2000 mu676 syllabus htm SUNY at Stonybrook http www sinc sunysb edu Class
5. T o mee han w Sn i dieu T cuante d energie somon hase st 19 9 R24 Padi i 02 20 45 48 4 46 45 se 43 42 di 40 Axis Mundi a Na i A 4 SPECTRUL UnbeLoR SoNoREA N 3 k do oh Ee n minak nny dai difuzate n aer teza smmetetui n aer ta 18 C AR NB Date aa pests Tah lui Einstein n aceste sisteme de referinta inertiale ah aplicabila fo dilatirit temporale At At ca expresie a Tarafuri n Amaliza raport bai auzit 73 profan y mi ALE SPECTRULUI ELECTROMAGNETIC IN SPA IUL SoNoR C NE Unitatea DetavaP213 Doy 7 4 03425 He El Unde Cerebrate 1 155 0d e Rare lufrarosii a se hakot E Rate x 583 6435 0 Umde Radis 4 5 24 8 OF Rare reote irl e ter Od H Radia ii y 6435 69 0d B Unde Ubtrascurte 2 Esot Be fas Vand jai ah Radiafii kanang Spite SSS A 407i lp 42 10 h Lo He Jann 408 438 Ms ios LORS EI m NC gg ma E ID ree scor oor name ard aep ferm f8 NIYAN peop PB Saking a n pede s aug WHY 3 H m A N 95 e emg NYT uo A C lt em i NG R U RSA vrea Trag uw DE TAN ls stepei im ft N few airs Cep F icta a nd MATUYO Mm gt FR a er Si UN ee scor ngi rr mt pia ehs en yen narda PA nin cm A reir pa ka NENG pm mawan A KANA yt pape rid m Fo pin 1 Am aids ent e ns G qme me pe a
6. Lyrics Tool Click Assign lyrics one syllable at a time Click within the staff lines at the position of the note Click Assign lyrics all at once Ctrl click within the staff lines at the position of the first note Display a Word Extension handle Click within the staff lines at the position of the sustained syllable With Edit Word Extension selected from the Lyric Menu Move Syllables Click within the staff lines at the position of the syllable with Adjust Syllables selected from the Lyric Menu Move to the previous or next verse chorus or section up arrow or down arrow using Type into Score Left Justify syllable Ctrl left square bracket Right Justify syllable Ctrl right square bracket Center Justify syllable Ctrl apostrophe Align syllable block to the Left Ctrl Shift left square bracket Center syllable block Horizontally Ctrl Shift apostrophe Align syllable block to the Right Ctrl Shift right square bracket Mass Edit Tool Display the Fit Measures dialog Ctrl M with measures selected in Page View Lock currently selected systems L Unlock currently selected systems U Select a measure or measures If Select Partial Measures is selected in the Edit Menu doubleclick a measure If Select Partial Measures is off a single click selects a measure drag enclose a region Extend a selection of measures vertically Double click a selected measure to include the entire vertical measure stack
7. ce a fost asimilat in sistemele de operare MICROSOFT WINDOWS Este formatul cel mai voluminos 1 minut 10 MB contraindicat asadar in transmisiile prin Internet dar si cel mai fidel sub aspect acustic fiind singurul format utilizat in procesul de editare a CD urilor In sistemul Macintosh formatul standard necompresat deci echivalentul formatului Wave din Windows este AIFF Audio Interchange File Format MP3 MPEG I layer 3 Audio Codec mp3 mpeg mpg este unul dintre cele mai eficiente si mai populare fisiere de compresie audio compresia Hoffman utilizata implicand analizarea muzicii prin grila pragurilor de audibilitate umana 2 Hz 20 KHz si eliminarea elementelor inaudibile Marimea fisierului este determinata de numarul de kilobiti per secunda 8 16 18 20 24 32 40 48 56 64 80 96 112 128 160 192 224 256 ee scor 320 kbps configuratia optima in raportul fidelitate dimensiune fiind cea de 128 kbps Acest tip de fisier este format din milioane de cadre fiecare cadru continand titlul de identificare a punctelor de reper eticheta cu informatii despre muzica respectiva si datele propriu zise compresate si inregistrate sub forma de biti O alternativa free la MP3 este reprezentata de formatul Ogg Vorbis marcat prin sufixul ogg 5 PROGRAME DE CONVERTIRE UTILIZATE IN ACEST CURS MIDI WAV Midi2Wav Demo www midi2wav com WAV MIDI
8. z n 34 3 C 1 z n C 1 C 2 Z N 1 ia 1 2 V3 z n 2 3 C 2 z n C 1 C 2 1 Parameters the real and imaginary parts of c magnet2m z 0 0 c pixel z in 3 3 C 1 z n C 1 C 2 Z N l aa aa 1 2 V3 z n 2 3 C 2 z n C 1 C 2 1 Parameters the real and imaginary parts of perturbation of z 0 mandel Classic Mandelbrot set fractal z 0 c pixel z n 1 z n 2 c Two parameters real amp imaginary perturbations of z 0 mandel4 Special case of mandelzpower kept for speed z 0 c pixel z n 1 z n 4 c Parameters real amp imaginary perturbations of z 0 mandelfn z 0 c pixel z n 1 c fn z n Parameters real amp imaginary perturbations of z 0 and fn Martin Attractor fractal by Barry Martin orbit in two dimensions z 0 y 0 0 x n 1 y n sin x n y n 1 a x n Parameter is a try a value near pi mandellambda z 0 5 lambda pixel z n 1 lambda z n 1 z n 2 Parameters real amp imaginary perturbations of z 0 manfn exp Mandelbrot Equivalent for the julfn exp fractal z 0 c pixel z n 1 fn z n e z n C Parameters real amp imaginary perturbations of z 0 and fn ee scor 52 manfn zsqrd Mandelbrot Equivalent for the Julfn zsqrd fractal z 0 c pixel z n 1 fn z n z n 2 c Parameters real amp imaginary perturbations of z 0 and fn manowar z1 0
9. Dat fiind faptul ca noile aplicatii sunt in plina evolutie prezentarea de mai jos nu este si nici nu ar putea fi exhaustiva ea limitandu se doar la unele dintre cele mai importante aspecte relevate pana la data elaborarii acestei lucrari ce sunt expuse concentrat dar cu trmiteri directe la principalele surse de informatie ce pot oferi celor interesati detalii suplimentare a Phase Shifting procesul sonor de tip phasor este dedus din Teorema lui Fourier gt toate functiile periodice pot fi exprimate prin suma pana la Infinit a sinusoidelor componente si se bazeaza pe baleierea sweep uniforma si continua intr un perpetuum mobile ascendent descendent a partialelor armonicelor unui sunet implicand trecerea semnalului initial printr o serie de filtre speciale generand un phase lag asemanator unui lt time delay gt si suprapunerea semnalului astfel prelucrat cu semnalul originar vor rezulta o serie de intersectii notches in spectrul tonal determinate de filtrarile combinate comb filter response Functiile principale de control in modulul MXR Phase 100 sunt 1 Speed referitoare la viteza ratei sweep intre limitele 0 1 10 Hz si 2 Intensity actionand in patru pozitii caracteristice asupra celor doua coordonate fundamentale ale procesului phase shifting amplitudinea dimensiunii sweep si profunzimea
10. Forced Full Justify text in a text block Ctrl Shift semicolon Bold Ctrl Shift B Italic Ctrl Shift I Underline Ctrl Shift U Increase Point Size by one Ctrl Shift period Decrease Point Size by one Ctrl Shift comma Page Number Text Insert Ctrl Shift P Sharp sign Text Insert Ctrl Shift S Flat sign Text Insert Ctrl Shift F Natural sign Text Insert Ctrl Shift N Display Character Settings dialog box Ctrl T Display Line Spacing dialog box Ctrl Shift L Align Text block to the Left Ctrl Shift left square bracket Center Text block Horizontally Ctrl Shift apostrophe Align Text block to the Right Ctrl Shift right square bracket Align Text block to the Top Ctrl minus Center Text block Vertically Ctrl Shift 2 equals Align Text block to the Bottom Ctrl Shift minus Display the Standard Frame dialog box Ctrl M Display the Custom Frame dialog box Ctrl Shift M Display the Frame Attributes dialog box Ctrl Shift T or shift double click a text block handle or right click the handle and select Edit Frame Attributes from the contextual menu Display the Text Menu Click the Text Tool Display handles on text blocks Click the Text Tool Select a text block or text blocks Click a text block handle or drag enclose text block handles shiftclick a text block handle Create an unbounded frame that expands as you enter text Double click in the score Create a bounded fixed size frame
11. View Toolbar Status Bar Focus to Track View Explorer Chooper vizualizeaza in detaliu fisierul deschis Mixer Video Audio Plug In introduce EQ Track Properties descrie fisierul deschis Surround Panner Soft Synth Properties Show Video Track Show Bus Track Zoom Normal Edit Overview Time Rules Show Time Ruler Samples Seconds Time amp Frames Absolute Frames Feet and Frames 16 mm 40 fpf si 35 mm 16 fpf SMPTE Film ee scor 31 Sync 24 fps SMPTE EBU 25 fps Video SMPTE Non Drop 29 97 fps Video SMPTE Drop 29 97 fps Video SMPTE 30 30 fps Audio Set Time at Cursor Show Envelopes Volume Pan Minimize All Tracks Insert Marker Region Time Marker Tempo Key Time Signature Cnage Command MIDI Track Assignable FX Bus Soft Synth DLS Soft Synth Sonic Foundry Inc Time Envelopes Volume Pan Tools Render to New Track Burn Track at Once Audio CD Start AC 3DVD Burner Reset AII MIDI Ports Edit in Sound Forge Options Snapping Enable Grid Only Grid Spacing Ruler Marks Measures Half Notes Quarter Notes Quarter Notes Triplets 8th Notes 8th Notes Triplets 16th Notes 16th Notes Triplets 32th Notes 32th Notes Triplets 64th Notes 64th Notes Triplets Ripple Edits Lock Envelopes to Events Loop Playback Enables Real Time MIDI Timecode Generate MIDI Timecode Generate MIDI Clock Trigger from MIDI Timecode Customize Toolbar Preferences Help Contents and
12. 1991 Fractals Chaos Power Laws New York Freeman Co Sharp David LMuse 0 7 documentation manualul programului http www geocities com Athens Academy 8764 Imuse Imuse html Stewart Ian Does God Play Dice Thompson Phil Gingerbread the Mandelbrot music generator documentatia programului http www organised chaos com oc ginger ginger html Williams P G 1997 Chaos Theory Tamed Washington DC Joseph Henry Press Hearing the Mandelbrot set http members aol com dshp3 mandelmaps html How to compose Mandelbrot music http www fin ne jp yokubota composee shtml Cap E LIVE COMPUTER MUSIC O NOUA IPOSTAZA A ARTEI INTERACTIVE Interactivitatea ilustreaza relatia individului cu mediul ambiant Acest fenomen este cuantificabil avand o configuratie spectrala ce variaza de la pasiv la interactiv El reprezinta totodata si o coordonata esentiala a artei sunetelor in general si a muzicii de camera in special In acest context domeniul computer music include si genul live computer music cel mai simplu exemplu fiind ilustrat prin tehnica karaoke Live electronic music s a dezvoltat in a doua jumatate a secolului XX in zona avangardei americane urmand directia cercetarii fascinantelor relatii interactive stabilite in timp real intre om performer si masina ordinator prin intermediul unei interfete speciale conform schemei performer s controllers sensors comput
13. C 1990 93 The Stone Soup Group Gustavo Diaz Jerez FractMus gusdiaz ibm net gusdiaz attglobal net FractMus 2000 Webpage at http www geocities com SiliconV alley Haven 4386 Arnold Reinders a Musical Generator 3 0 Beta 7 Copyright 1997 2002 Arnold Reinders Copyright 1997 2002 MuSoft Builders http www musoft builders com Email sales kagi com FAX 1 510 652 6589 Kagi 1442 A Walnut Street 43392 Q97A Berkeley California 94709 1405 USA barnsleyj1 z 0 pixel z n 1 z 1 c if real z gt 0 else z n 1 z 1 modulus c c Two parameters real and imaginary parts of c barnsleyj2 z 0 pixel if real z n imag c real c imag z n gt 0 z n 1 z n 1 c else z n 1 z n 1 e Two parameters real and imaginary parts of c barnsleyj3 z 0 pixel if real z n gt 0 then z n 1 real z n 2 imag z n 2 1 i Q real z n imag z n else z n 1 real z n 2 imag z n 2 1 real c real z n i Q real z n imag z n imag c real z n Two parameters real and imaginary parts of c barnsleym1 z 0 c pixel if real z gt 0 then z n 1 z 1 c else z n 1 z 1 modulus c c Parameters are perturbations of z 0 barnsleym2 z 0 c pixel if real z imag c real c imag z gt 0 z n 1 z 1 c else z n 1 z 1 c Parameters are perturbations of z 0 barnsleym3 z 0 c pixel if real z n g
14. Copy Art to Clipboard Paste Tag Art from Clipboard View Small Player View Full Player View My Library MusicMatch Radio Music Guide NowPlaying Recorder Media Window Buy CD Site Visualizations Select Start Configure Sound Enhancement Select Enable Show UI Auto Arrange Components Always on Top Options Player Play Control Previous Record Play Pause Stop Next Seek backward forward Skip back songs forward songs Increase Volum Decrease Volum Mute Play Cycle Once Repeat Play Reording Reorder by Album Track Shuffle Equalizer Settings Playlist Open Music Auto DJ Save Playlist Clear Playlist Music Library New Open Save Clear Export Import Add New Track s to Music Library Delete Edit Find Track s Search and Add Track s from All Drives Music Library Settings Recorder Control Start Stop Cancel CDDB Refresh Select All None Source E CD Line In Mic In System Mixer Quality MP3 160 128 96 64 kbps WMA 128 96 64 kbps WAV Custom VBR 6 Custom CBR 48 kbps Custom WMA 5 kbps Send Album Info to CDDB Settings NB pentru auto configurare Settings Recorder Advanced Autoconfig medium Add New Features Get Miusic Recommendations Update Software Change Skin Download Skins Change Text Size Settings Help MusicMatch Jukebox Help Getting Started Tip of Day Additional Help Online Purchase UpdateRegistration Request Technical Support Online Satisfaction Survey About Mus
15. Ctrl shift click a full or abbreviated staff name handle or right click the handle and select Position Full Staff Name or Position Abbreviated Staff Name from the contextual menu Revert the position of the full or abbreviated staff name to its default position Press backspace for a selected staff name handle Adjust the position of the selected staff name Drag a full or abbreviated staff name handle Select a bracket or brackets Click a bracket handle or drag enclose several bracket handles Add the bracket to the selection If a bracket is already selected remove the bracket from the selection Shift click a bracket handle Remove the selected brackets Press delete for selected ee scor 21 brackets or right click the handle and select Delete from the contextual menu Revert the selected brackets to their default length Press backspace for selected brackets Make a bracket taller or shorter Drag a bracket handle vertically Move a bracket closer to or away from bracketed staves Drag a bracket handle horizontally Select a clef for the staff Right click the staff handle and select Select Clef from the contextual menu Remove Staff Styles from selected region Backspace Text Tool Left Justify text in a text block Ctrl left square bracket Right Justify text in a text block Ctrl right square bracket Center Justify text in a text block Ctrl apostrophe Full Justify text in a text block Ctrl semicolon
16. Dorian sharp 4 Kaffa 2 1 3 1 2 2 1 Lydian Diminished Mela Dharmavati Raga Arunajualita Dumyaraga Madhuvanti Ambika 2221113 Mela Kantamani Raga Kuntala Srutiranjani 2 221131 Mela Latangi Raga Gitapriya Hamsalata 2 2 2 1311 Mela Citrambari Raga Chaturangini 2 322111 Raga Sorati Sur Malhar 3 121122 Mela Jyotisvarupini Raga Jotismatti 3 121212 Hungarian Major Mela Nasikabhusani Raga Nasamani 3 121221 Mela Kosalam Raga Kusumakaram Lydian sharp 2 3 12212 1 Aeolian flat 151 221222 Gr Mixolydian Gr Hyperdorian Med Hypophrygian Med Locrian Pien chih China Makam Lami Yishtabach Jewish 2 21222 1 Gr Lydian Med Ionian Med Hypolydian Major Bilaval That Mela Shankarabharanam Ghana Heptatonic Peruvian major 4th plagal Byzantine Ararai Ethiopian Makam Cargah Ajam Ashiran Dastgah Mahur Dastgah Rast Panjgah 2 122212 Gr Phrygian Med Dorian Med Hypomixolydian Kafi That Mela araharapriya Raga Bageshri Sriraga Bhimpalasi Mischung 5 Gregorian nr 8 Eskimo Heptatonic Yu China Hyojo Oshikicho Banshikicho Japan l 2 2 2 1 2 2 Gr Dorian Med Phrygian Gr Med Hypoaeolian Bhairavi That Mela Hanumatodi Raga Asavari Asaveri Raga Bilashkhani Todi In Japan Makam Kurd Gregorian nr 3 Ousak Greece Major inverse 2 22122 1 Gr Hypolydian Med Lydian Kalyan That Yaman Mela Mecakalyani Raga Shuddh Kalyan Ping Kung China 2 2 1 2 2 1 2 Gr Hypophrygian Gr Ionian astian Med Mixolydian Gr Med Hypoionian Khama
17. Hong Kong ISCM 1988 Jihlava 19959 Karlsruhe 1996 Koln 1997 Newtown Wales 1998 Birmingham Alabama 1999 Este Comandor al Ordinului National Pentru Merit 2000 Doctor in Muzicologie 1994 este autor al tratatului Musica Caelestis anamorfoza Sacrului in arta sunetelor UNMB 2000 si al cursului universitar Introducere in Computer Music Este conferentiar la Universitatea de Muzica din Bucuresti Facultatea de Interpretare Muzicala Catedra Muzica de Camera membru in juriile internationale ale Concursurilor de Compozitie de la Trento 1985 si Pescara 1998 fondator si vicepresedinte al Asociatiei Romania Belgia membru titular al UCMR al SABAM Belgia si al Fundatiei Living Music SUA Creatia sa componistica cuprinde trei opere Domnisoara Christina dupa Mircea Eliade Talaria dupa Etienne De Sadeleer si Le Martyre de Saint Claude Debussy pe un libret propriu bazat pe corespondenta marelui muzician francez sapte simfonii Simfonia Nr I Umbre Simfonia Nr II Via Lucis Simfoniile Americane Nr III si IV Simfonia Nr V Pro Patria Simfonia Nr VI Arcuri in Timp Simfonia Nr VII pentru violoncel si orchestra piese simfonice Constelatii American Air Turkish Bolero s a une Requiem dedicat Tinerilor Martiri ai Revolutiei Anticomuniste din 1989 un Oratoriu de Craciun cantatele Izvoare 2050 Gloria Heroum Holocausti si Remember dupa un poem
18. P1 n1 2 0 n0 2 0 Mutation Original PO n0 n1 n0 gt 5 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 nl 1 0 n0 2 0 Insert random symbol PO n0 n1 n0 gt 7 0 a 1 0 b 2 0 1 n1 c 3 0 n0 gt 2 0 P1 n1 1 0 n0 2 0 Encapsulate a block of characters PO n0 n1 n0 gt 5 0 P2 n0 n1 n1 n0 gt 2 0 P1 nl 2 0 n0 2 0 P2 n0 n1 n0 5 5 0 a 1 0 b 2 0 n0 gt 2 0 a 1 0 b 2 0 Recombination Original P3 n0 n1 n0 gt 5 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 nl 1 0 n0 2 0 P3 n0 n1 n0 5 3 0 b 3 0 a 2 0 n0 gt 1 0 P1 nl 1 0 n0 2 0 ee scor 60 Replace condition successor pair P3 n0 n1 n1 5 3 0 b 3 0 a 2 0 n0 gt 2 0 P1 n1 1 0 n0 2 0 Original P3 n0 n1 n0 gt 5 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 n1 1 0 n0 2 0 P3 n0 n1 n0 5 3 0 b 3 0 a 2 0 n0 gt 1 0 P1 n1 1 0 n0 2 0 Replace successor P3 n0 n1 n1 5 3 0 b 3 0 a 2 0 n0 gt 2 0 P1 n1 1 0 n1 2 0 Original P3 n0 n1 n0 gt 5 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 nl 1 0 n0 2 0 P3 n0 n1 n0 5 3 0 b 3 0 a 2 0 n0 gt 1 0 P1 nl 1 0 n0 2 0 Replace one block with another P3 n0 n1 n1 5 3 0 b 3 0 a 2 0 n0 2 0 b 3 0 a 2 0 References Algorithmicbotany com Prusinkiewicz P and Lindenmayer A The Algorithm Beauty of Plants 1996 Hornby Gregory S and Pollack Jordan B 2001 The advantages of Generative Grammatical Encodings for Physical Desi
19. Transpose Notehead Color Tablature String Thumb Hide Tuplet Rest Don t Combine Rest Chord Drag Internal Fields Stem Stem Up Down No Stem Slashed Stem Stem Between Staves Continue End Beam Continue End Subbeam Default Beaming Beaming Rule Tremolo Beam Swing Eight Beam Modify Slur Tie Hear Hear Tuning Dynamic Levels Default Playback Modify Playback Softer Louder Level Lower Higher Pitch Shorter Longer Earlier Later Recompute Playback Play Octave Higher Lower Keyboard Shift 3 1 Octaves Up Normal 1 3 Octaves Down MIDI Input Output Symbol Clef Key Time Signature Bar Line Align Bars System Bracket Parameters Hidden Test Annotation Preview Next Annotation Text Category Font Size Style Text Assistant Line Curve Line and Curve Style Horizontal Vertical Lock All Notation Context Only In Score Not In Score This Notation Context Only Window Previous Next Window Arrange Icons Close All Functiile programului ENCORE The Musician s Choice for Composing amp Publishing Version 4 5 5 1993 2003 Interactive Music Passport Designs Inc www gvox com PO Box 2755 NJ 07091 USA File New Page Layout Staves per system Systems per page Measures per system Staff Format Open Scores enc mus mto rhp MIDI mid miff MT Pro mts Close Save Save As Encore Files enc MIDI Files mid MT Pro Files mts Revert to Saved Extract Pa
20. and select Edit Repeat Assignment from the contextual menu Resize Tool Reduce or enlarge a notehead Click on the notehead or right click and select Resize Notehead from the contextual menu Reduce or enlarge an entire note or beam group Click on the note stem or right click and select Resize Note or Rest from the contextual menu Reduce or enlarge a staff In Page View click to the left of the staff or right click and select Resize Staff from the contextual menu Reduce or enlarge a system In Page View click between any two staves in the system or rightclick and select Resize System from the contextual menu Reduce or enlarge a page or a range of pages In Page View click the upper left corner of the page or right click and select Resize Page from the contextual menu Selection Tool Switch to Selection Tool Ctrl Shift A Select an item Click on the item Select the appropriate tool to edit item With item selected double click or press enter Select between overlapping items Click on the item then press plus or minus to cycle through overlapping items Simple Entry Tool 128th Note through Double Whole 0 8 128th Rest through Double Whole Rest Shift and a number key 0 7 or Enter 0 through Enter 8 on the Number Keypad Switch Tools and clear other selections Double click tool or quickly repeat tool selection keyboard shortcut Erase selected Note or Rest or select the Eraser Tool to delete accidentals ties dots or tu
21. existand numeroase programe specifice in domeniile matematicii fizicii biologiei medicinei geneticii chimiei psihologiei sociologiei stiintelor strategice ecologiei economiei tehnologiei educatiei lingvisticii si nu in ultimul rand in cel artistic in general si muzical in special cf http www calresco org applicat htm Fractalii se traduc matematic prin algoritmi formule aplicate in informatica reprezentand seturi de instructiuni operatii comenzi ce pornind de la un set de valori din domeniul de definitie produc in timp finit un alt set de valori expresia fractalului Mandelbroit The ee scor 47 Mandelbrot Set fiind Z gt Z 2 C sau z z c cea a fractalului Julia The Julia Set dupa numele matematicianului francez Gaston JULIA fiind identica dar procesata diferit iar cea a fractalului Feigenbaum fiind reprezentata prin ecuatia x n 1 rx n 1 x n Dintre principalele formule proto fractale mentionam multimea lui Cantor curbele lui Peano si Hilbert Curba lui Koch Triunghiul lui Sierpinski si Buretele lui Menger apud M sica Fractal El Sonido del Caos de Juan Antonio P rez Ortiz Departamento de Lenguajes y Sistemas Inform ticos Universidad de Alicante Mayo 2000 japerez dlsi ua es 02 Alti algoritmi aplicati in geometria fractala formule ale Teoriei Haosului apud xxx Winfract Fractint for Windows Copyright
22. 1 base nm n m integers multiplier mn where both nm and mn are primes The best teacher is experimenting your only limit is your imagination Earthworm Sequence Earthworm algebra was first discussed by Clifford A Pickover in his book Computers and the imagination While digging up in his garden Clifford accidentally severed an earthworm It is known that both parts of a severed earthworm generally continue growing so Mr Pickover did not worry to much about the fate of the earthworm However he devised a method of multiply and severe which he called Earthworm algebra It works as follows take any whole number A a constant multiplier B and a number which will be the maximum number of digits allowed C Next multiply A and B Take the result and multiply it again by B Repeat this process until the number of digits in the result get past C Now severe the result by truncating it to the its rightmost C digits Multiply again by B and severe again to C digits and so forth It turns out that all earthworms mathematically speaking eventually enter a cycle an infinite loop of repeating values A simple example lets take 2 as our first number 3 as the multiplier and 2 for the maximum number of digits The sequence will go as follows 6 18 54 62 severed 162 86 58 74 22 66 98 94 82 46 38 14 42 26 78 34 2 6 18 This particular combination gives a cycle of 20 different values Some combinations generate worms that are thousands of
23. 1 Mela Visvambhari Raga Vamsavathi 1 313211 Verdi s Enigmatic descending 2 131113 Mela Syamalangi Raga Shyamalam 2 1 31131 Minor Gipsy Mela imhendramadhyama Raga Madhava Manohari Maqam Nawa Athar Hisar Double Harmonic Minor Hungarian Minor Niavent Greece 2 1 3 1 3 1 1 Mela Nitimati Raga Nisada Kaikavasi 3 1 2 11 1 3 Mela Sucaritra Raga Santanamanjari 3 1 2 1 1 3 1 Mela Dhatuvardhani Raga Dhauta Pancama Devarashtra 3 1213 1 1 Mela Rasikapriya Raga Rasamanjari Hamsagiri 1 3113 1 2 Oriental Raga Ahira Lalita Minor Gipsy inverse 2 1 2 2 1 3 1 Harmonic Minor Spanish gipsy Mischung 4 Pilu That Mela Kiravani Raga Kiranavali Kirvani Kalyana Vasantha Deshi 3 Maqam Bayat e Esfahan Zhalibny Minor 1 3 1 2 212 Harmonic Minor inverse Mela Cakravaka Raga Ahir Bhairav Bindumalini Vegavahini Makam Hicaz Zanjaran 2 212131 Harmonic Major Mela Sarasangi Raga Haripriya Mischung 2 Ethiopian 1 213122 Makam Huzzam Phrygian flat 42213121 Ionian sharp 55312213 12 Locrian natural 6 Maqam Tarznauyn 2 121231 Locrian no 2 1 2122 13 Ultra Locrian Mixolydian sharp 1 1 2 2 12 1 3 Locrian double flat 7 2 3 121 2 1 Nohkan Flute scale Japan 2 1 1 3 1 2 2 Sambah Sabach Greece 2 1 2 1 3 12 Makam Karcigar Dorian flat 5 Kiourdi ascending Greece 2 1 2 1 3 2 1 Jeths mode l 132122 Mela Ratnangi Raga Phenadyuti 1 1 32 2 1 2 Mela Vanaspati Raga Bhanumati 1 1 3 2 2 2 1 Mela Manavati Raga Manoranjani 1 2 2 2 1 1 3 Mela Senavati Raga Senagrani Ma
24. 2 5 12531 Ratio 1 2 Chromatic Lydian 5 1 25312 Ratio 1 2 Chromatic Phrygian l 2 53125 Ratio 1 2 Chromatic Dorian 2 531251 Ratio 1 2 Chromatic Hypolydian 5 312512 Ratio 1 2 Chromatic Hypophrygian 3 125125 Ratio 1 2 Chromatic Hypodorian 3 2 3 3 242 Nineteen tone Harmonic Minor 3 3 2 3 24 2 Nineteen tone Harmonic Major 3 3 2 3 3 32 Nineteen tone Major 3 233233 Nineteen tone Natural Minor 3 2 3 3 3 3 2 Nineteen tone Melodic Minor 2 2322323 Oljare Octatonic 1 3 1331313 Oljare Pentaenharmonic 2 2 2 2 2 2 2 2 2 1 Negri s Ten Plus Nine 3 1131311311 Keenan eleven out of 19 3 1131111313 McLaren eleven out of 19 2 2222121221 Krantz eleven out of 19 1 22121212212 Meantone Chromatic 1 3 comma 2 12121221212 Genus diatonico chromaticum 2 1 2 1 2 2121212 Yasser s Supradiatonic Modes for default scales Imd Alternate notes 1 n 1 22 22 tone equal modes Paul Erlich 155454 Septimal Minor Pentatonic 6 3 13 63 Blues 4 3 34 44 Harmonic Whole Tone 4 34434 9 limit Consonant Whole Tone 4 4 14441 Twenty two tone Major 4 144144 Twenty two tone Minor 4 2 34252 Twenty two tone Harmonic Minor 4 324 252 Twenty two tone Harmonic Major 4 3 24342 Twenty two tone Just Major 4 234243 Twenty two tone Natural Minor 4 234342 Twenty two tone Melodic Minor 4 3 3333 3 Major quasi equal Heptatonic 3 3 34333 Minor quasi equal Heptatonic 2 32323232 Rezsutek s Percussion scale 2 232223222 Standard Pentachordal Major 2 2 3 2 2 2 2 3 2 2 Static Symmetrical Major 2 32222232 2 Alte
25. 5 2212 Raga Kuntvarali 2 5 212 Raga Matha Kokila Matkokil 2 2 5 2 1 Raga Neroshta 2 1 2 2 5 Raga Purnalalita Chad Gadyo Jewish Ghana Pentatonic 1 5 2 2 2 1 Raga Puruhutika Purvaholika 2 3 2 1 4 Han kumoi Japan Raga Shobhavari l 4 2 3 2 Kokin joshi Miyakobushi Han Iwato Japan Raga Vibhavari Revati Bairagi Lasaki 14223 Altered Pentatonic Raga Manaranjani II 2 1 2 4 3 Raga Abhogi 2 1 2 34 Raga Audav Tukhari 2 2314 Raga Bhupeshwari Janasammodini 3 2 4 21 Raga Chandrakauns modern Marga Hindola Rajeshwari 3 2 4 1 2 Raga Chandrakauns kafi Surya Varamu 1 2324 Raga Chhaya Todi 2 3241 Raga Desh 4 2123 Raga Dhavalashri 2 23 4 1 Raga Hamsadhvani Hansadhvani 3 2 1 4 2 Raga Jayakauns 3 2 2 1 4 Raga Kokil Pancham 4 3 2 2 1 Raga Mamata 4 1 2 2 3 Raga Nagasvaravali Raga Mand 3 2 2 4 1 Raga Nata Udayaravicandrika Madhuranjani 4 2 3 2 1 Raga Hindol Sunada Vinodini Sanjh ka Hindol 2 3 4 2 1 Raga Rasranjani 2 1 4 2 3 Raga Sivaranjini Shivranjani Akebono I Japan Dorian Pentatonic 3 4 1 2 2 Raga Shailaja 2 4 1 2 3 Raga Shri Kalyan 4 3212 Raga Valaji 4 123 2 Mixolydian Pentatonic Raga Savethri 3 2 3 3 1 Raga Chandrakauns kiravani 1 3 3 3 2 Raga Manaranjani 3 1 3 2 3 Raga Mohanangi 2 3 3 31 Raga Priyadharshini 1 3 3 2 3 Raga Rasika Ranjani Vibhas marva Scriabin 3 3 1 3 2 Raga Samudhra Priya Madhukauns pentatonic 2 3 2 2 3 Ritusen Ritsu Gagaku Japan Zhi Zheng China Raga Devakriya Durga Suddha Saveri Arabhi Scottish Pentatoni
26. Before you run DISKCOPY bear in mind Diskcopy only works if both diskettes are EXACTLY the same type The diskette you are copying FROM is the SOURCE diskette The diskette you are copying TO is the TARGET diskette You don t need to format the target diskette DISKCOPY does it for you DISKCOPY erases any information you already had on the target diskette If your computer has only one diskette drive this is normal 1 Type DISKCOPY A A ENTER 2 When this message appears Insert SOURCE diskette in drive A Press any key when ready Insert the source diskette and press any key when ready 3 When this message appears ee scor 70 Insert TARGET diskette in drive A Press any key when ready Remove the SOURCE diskette and insert the TARGET diskette into drive A and press any key again 4 When copying is complete this prompt appears Copy another diskette Y N Type Y for yes to copy another diskette N for no to exit from the DISKCOPY command NOTE Later versions of MS DOS may ask if you wish to make another copy of the diskette this makes another copy WITHOUT having to insert the SOURCE diskette again ee scor 71 sa kasa Sid E Seo UNbELoR ELECTROMA GNETICE vacan34 74 Na feta bumini m vid MT Gentes 538 39 fede A He 4 2 Freoesti Unde Radic ks Unde SW Mw Lw maki I Bt Ni T d ccs wtf ko 30 no x 40 0 N TN SA Universa
27. Clip etc Time Display Position Sync Trigger Status Playlist Position Passive Update Video Passive Update etc Scroll Playback Scroll Smoothy Drag and Drop Snapping Lock Loop Region Length Past Events Selection Grid Lines Auto Snap to Time to Yero MIDI Input Sync Trigger Output Sync Pre Queue for SMPTE MTE MIDI Triggers Preferences Window New Window Cascade Title Horizontally Vertically Arrange Icons Minimize AII Restore All Close All Help Contents Search for Help Keyboard Shortcuts Troubleshooting Tip of Day Sonic Foundry on Web Product News Frequently Asked Questions Online Support Sound Forge Home Page Send Feedback Sonic Foundry Home Page About Sound Forge Functiile programului Audacity 1 2 0 pre2 http audacity sourceforge net File New Open Audacity Projects aup WAV wav AIFF aif AU au MP mp3 OggVorbis ogg List of Files lof Close Save Project aup Save Project As aup Export As WAV Export Selection As WAV Export As MP3 Export Selection As MP3 NB functia mp3 este viabila doar prin adaugarea lame enc dll ce poate fi obtinut la mitiok free fr sau la www jthz com lame Export As OggVorbis Export Selection As OggVorbis Export Labels Preferences Exit Edit Undo Redo Cut Copy Paste Trim Delete Silence Split Duplicate Select All Start to Cursor Cursor to End Find O Crossing Selection Save Move Cursor to Track Star
28. Concert hall Deep hall Long hall Warm ambience Metal tank etc Prin convolutie pot fi insa generate si noi sunete ca de pilda sinteza dintre zgomot si respiratie realizata cu programul Soundhack creat de Tom ERBE apud BURK Phil POLANSKY Larry REPETTO Douglas ROBERTS Mary ROCKMORE Dan Music and Computers an interactive web text http eamusic dartmouth edu book MA TCpages tableofcontents html Aceeasi autori semnaleaza un aspect deosebit de interesant reverberatia simpla poate fi simulata si prin convolutia zgomotului alb whitenoise cu orice alt sunet d Sampling acest foarte popular procedeu in special in genurile rap dance si beat consta in selectarea unor mici esantioane sonore din muzici pre existente sau in crearea unor esantioane originale si in recontextualizarea lor prin mijloace digitale cu eventuale modificari ale frecventelor si ale duratelor initiale In acest sens au fost realizate ca hardware instrumente digitale specifice Samplers si Drum Machines iar in domeniul software au aparut in principalele sisteme de operare Windows Mac si Linux noi programe de tip Digital Audio Workstations DAW incluzand functiile analog digital input output sound recording editing playback multi track mixer amplifier etc ca de pilda Pro Tools Acid Cakewalk The Matk of the Unicorn MOTU cu Fire Wire i
29. Copyright O 1998 1999 Cenobyte Software Design Ltd Designed by written by Phil Thompson http fractalmusician com Gingerbread v3 0 The Return Copyright O 1998 1999 Cenobyte Software Design Ltd Designed by written by Phil Thompson http fractalmusician com KeyKit version 7 3d Copyright 1996 by Tim Thompson AT amp T Corp San Jose California USA tjt nonsuch com http nosuch com keykit Koan Pro Version 2 70 2 Copyright O 1991 2001 by SSEYO Ltd http www sseyo com LMUSe v0 7b 12 24 98 DOS version Copyright by David Sharp davidsharp rcn com dsharp interport net http www geocities com Athens Academy 8764 Imuse Imusej html Make Prime Music 98 version 1 1 3 2b Armand Turpel armandt unforgettable com 1998 copyrights Armand Turpel armandtQunforgettable com or armand t yahoo com Download the latest release at http members tripod de Latrodectus98 index html http www2 vo lu homepages armand index html http www geocities com CapeCanaveral Hangar 7291 Mandelbrot Composer http www asahi net or jp HB9T K TD music muslte htm Katsuda Tetsuji MusiNum The Music in the Numbers by Lars Kindermann http reglos de musinum 10o midhttp reglos de musinum 10 mid Oblivion Chaotic Music Generator cynique postmark net ee scor 62 poodles amp flan E Mail amp Web Site Paul Whalley the author can be contacted by e mail at pwhalley poodlesandflan com You can
30. FM peak frequncy deviation ilustreaza o functie a amplitudinii semnalului modulat in frecventa si indica diferenta dintre maxima minima sunetului modulat si sunetul initial de pilda avand un carrier signal de 700 Hz ce este modulat in sus la 900 Hz si in jos la 500 Hz valoarea peak frequncy deviation va fi de 200 Hz In programul Sound Forge FM se realizeaza prin functia Tools Synthesis FM Tot in acest domeniu se remarca si faptul ca frecventele emise sub pragul auditiv uman inferior de 20 Hz sunt percepute ca durate acest fenomen deschizand perspectivele unor interesante transformari ale coordonatelor spatiu sonor si timp muzical cu aplicatii directe in practica componistica asa cum am demonstrat in studiul meu Mistica lui Debussy si revelatia universului supratonal Revista Muzica Nr 3 1999 Bucuresti pag 61 72 In sfarsit Ring Modulation reprezinta un caz particular de FM si consta in ee scor 45 realizarea sumei si a diferentei dintre doua frecvente cu ajutorul unui aparat initial analog numit Ring Modulator acest efect a fost insa transpus si in mediul digital de pilda in programul Csound dezvoltat de Barry VERCOE la MIT apud SCHRADER Barry Introduction To Electro Acoustic Music Published by Pretince Hall Inc Englewood Cliffs N J p 50 51 si 90 92 CHOWNING John M The Synthesis of the Complex Audio Spectra b
31. FORMAT ee scor 69 Copying a diskette DISKCOPY Comparing two diskettes DISKCOMP Checking the condition of a disk CHKDSK Copying a file COPY Displaying the contents of a file TYPE Renaming a file REN RENAME Printing a file PRINT Deleting a file DEL ERASE Listing the files in a directory DIR Making a new directory MD Changing from one directory to another CD Removing a directory RD Setting a command search path PATH Assign a name to a disk LABEL Wildcards are symbols that enable you to perform an MS DOS operation on more than one file at a time A file specification that contains wildcards can refer to more than one file because it gives MS DOS a pattern to match MS DOS searches for any file whose filename or extension matches the pattern There are two wildcard characters A question mark in a filename or extension means that up to a maximum of ONE character letter number can occupy that position An asterisk in a filename or extension means that any number of characters letters numbers up to maximum of EIGHT before the dot and up to a maximum of THREE after the dot can occupy that position NOTE There can be LESS than the maximum number of characters letters numbers For example suppose you had a directory containing the following files A DOC AA DOC AAA DOC B DOC A TXT B TXT The following command and file patterns match some or all the above files DIR DOC Is the equivalent to DIR DOC and matche
32. GVOX products Encore MusicTime Deluxe Igor LilyPond Lime Melody Assistant MidiScore Mosaic Mozart MTX MUP Muse Musicator MusicEase MusicWrite MusiXTeX NIFF Nightingale Noteworthy Composer Object Composer Opcode products Fermata Studio Vision Pro 4 5 1 Vision DSP 4 5 1 pentru Macintosh la www opcode com OpusTeX Personal Composer PMX Rosegarden Sibelius Sionsoft QuickScore Elite 9 0 Copyst 6 0 cf http www mulveyfamily com Katy Music Notation contents html Site urile principalelor programe Mozart www mozart co uk Finale www codamusic com Sibelius www sibelius com Score www scoremus com http ace acadiau ca score si adresa autorului Prof Leland SMITH lcs ccrma stanford edu Encore www gvox com Pizzicato www arpegemusic com Sion QuickScore Elite www sionsoft com Nightingale Music Notation Software for Macintosh Entrance www ngale com MusEdit Powerful Notation Software www musedit com 3 Music Publisher www braeburn co uk NoteWorthy www braeburn demon co uk MusicWrite Professional www voyetra turtle beach com NoteWorthy Composer www noteworthysoftware com Opcode www opcode com Sionsoft www sionsoft com OpusTeX ftp ftp tex ac uk incoming opustex arwork Csound Rosegarden si SNDAN www csound com NIFF Notation Interchange File Format Notation File Standard www musitek com niff html Lime Notation Software w
33. IntelliScore Poliphonic Demo www intelliscore net AmazingMIDI Demo www pluto dti ne jp araki amazingmidi WAV MP3 WMA Shuffler Music Convertor www illustrate org MusicMatch Jukebox Demo http mmjb musicmatch com Sound Forge 4 5 Demo www sonicfoundry com ACID Pro 4 0 Demo http sonicfoundry com acid Adobe Audition 1 0 Demo www adobe com audition WAV AIFF si WAV OggVorbis WAV Audacity 1 2 0 pre2 Free Digital Audio Editor www sourceforge net 1 minut de muzica stereo 10 MB WAV 10 MB AIF 973 KB OGG 950 KB WMA 128 kbps 937 KB MP3 128 kbps 253 KB AUD Audacity Projects 122 KB RM 16 kbps I WAV 1 AIF 10 27 OGG 10 53 WMA 128 kbps 10 67 MP3 128 kbps 39 53 AUD 82 RM 16 kbps 1100 1 MIDI format 0 10 MB 6 PROGRAME MUZICALE NB Prezentul compendium are un caracter strict didactic Programele de calculator analizate fac obiectul dispozitiilor legale interne si internationale in materie de copyright utilizarea lor impunand respectarea conditiilor specificate de producatori pe site urile indicate la fiecare software a Programe de redactat partituri Music Notation Programs ABC Braeburn Software products Noteworthy 2 Music Publisher Music Publisher 32 Brahms Koobase Cakewalk family Capella CodaMusic products Finale Finale Allegro PrintMusic CSound CuBase Graphire Music Press
34. Ita208 syllabus html University of California at Irvine http www arts uci edu music mzed Music 51 M51 syllabus html University of Central Florida http pegasus cc ucf edu jgardner m amp t html University of Michigan http www personal umich edu msimoni Sp98PA T201 html Alma College http academics alma edu music mus214 syllabus html Penn State University Music http www courses psu edu courseweb courses index cgi course music497d meb26 University of Hawaii at Manoa http www outreach hawaii edu programs 2001 EVENT L04269 htm Dakota State University http www homepages dsu edu mortensd MUS 600 MUS600syl htm St Cloud State http www stcloudstate edu slmiller 101syllabus htm St Olaf College http www stolaf edu people hamlin elmus em99 syllabus htm Univ of Texas San Antonio http multimedia utsa edu index mp html New York University http www nyu edu classes gilbert cai University of Michigan http www personal umich edu msimoni F97PA T441 html UC Berkeley http media2 bmrc berkeley edu classes m198 Northwestern http www northwestern edu musicschool classes webAuthoring University of Utah http www finearts utah edu artstech FA3000 index html Loyola New Orleans http music loyno edu cd mugnm450 pdf University of Houston http www uh edu tkoozin techseminar html
35. L a Mijloace manuale in sistem zecimal 1 Abacul inventat in China antica si preluat de cultura greco romana 2 Instrumentele de navigatie b Mijloace mecanice in sistem zecimal 1 Rigla de calcul 1620 William OUGHTRED logaritmi 2 Masina de calcul inventata de Leonardo DA VINCI sec XV operationala cu numere pana la 13 cifre 3 Arca Musarithmica sintetizorul pneumatic cu partitura montata pe un tambur program imaginat in 1640 de Athanasius KIRCHER teoretician al manieristilor si autor al primei enciclopedii in Musurgia Universalis 4 Masina de calcul inventata de Blaise PASCAL 1642 bazata pe adunare si scadere 5 Aritmometrul inventat de Gottfried VON LEIBNITZ 1671 cu cele 4 operatii aritmetice si perfectionat de Xavier THOMAS 1820 si Charles BABBAGE 1822 Analytical Engine masina diferentiala cu cartele perforate operationala pana la 8 secimale si capabila sa genereze structuri muzicale asa cum remarca in 1847 Lady Ada LOVELACE evoluand pana la diferitele masini de calcul mecanice si electromecanice utilizate inclusiv in a doua jumatate a sec XX bazate pe principiul rotilor Odhner si pe stocarea informatiei pe banda de hartie perforata 6 W rfelspiel Joc de zaruri de Wolfgang Amadeus MOZART 1756 1791 primul experiment de aleatorism controlat in muzica Appendix 3 7 Sisteme mecanice cu program a Razboiul de tesut cu cartele perforate 1802 Joseph JACQUAR
36. Polymodular Time Structural Polytempi Music Lecture given at New York University January 5 1985 curs universitar BURK Phil POLANSKY Larry REPETTO Douglas ROBERTS Mary ROCKMORE Dan Music and Computers an interactive web text http eamusic dartmouth edu book MA TCpages tableofcontents html CHADABE J 1997 Electric Sound The Past and Promise of Electronic Music Prentice Hall New Jersey CHAFE Chris and LEISTIKOW Randal Levels Of Temporary Resolution In Sonification Of Network Performance Center for Computer Research in Music and Acoustics CCRMA Department of Music Stanford University Stanford California 94305 cc ccrma stanford edu randalQ ccrma stanford edu CHAFE Chris WILSON Scott 5 WALLING Daniel Physical Model Synthesis With Application To Internet Acoustics Center for Computer Research in Music and Acoustics CCRMA Department of Music Stanford University ee scor 67 Stanford California 94305 cc rswilson dwalling ccrma stanford edu CHAFE Chris A Short History of Digital Sound Synthesis by Composers in the U S A Center for Computer Research in Music and Acoustics CCRMA Department of Music Stanford University Stanford California 94305 cc ccerma stanford edu CHOWNING John M The Simulation of Moving Sound Sources in Journal of the Audio Engineering Society vol 20 n0 6 1971 CHOWNING John M The Synthesis of the Complex Audio Spectra by Means of Fr
37. View All None Transport Window Shows Counters MIDI Controls Expanded Sends View Shows Bars Beats Minutes Seconds Samples Markers Tempo Meter All None DSP Usage Window Shows Disk Space Window Shows Display Time In Regions None Current Time Original Time Stamp User Time Stamp Display Name In Regions Display Auto Created Regions Bars Beats Minutes Seconds Samples Windows Show Hide Mix Show Edit MIDI Operations Tempo Meter 1 9 on numeric keypad only show Transport Session Setup Big Counter Automation Enable Memory Locations Disk Space Help Pro Tools Reference Guide DigiRack Plug Ins Guide MIDI Controllers Guide Keyboard Shortcuts About Pro Tools c CONVERTERE WAV MP3 WMA ee scor 28 Functiile programului MusicMatch Jukebox 6 00 http www musicmatch com File Open All Song Files cda epex mp2 mp3 saf wav wma Convert din wav in wma 5 6 8 10 12 16 20 22 32 36 40 44 48 64 80 96 128 160 kbps sau in mp3CBR 8 16 18 20 24 32 40 48 56 64 80 96 112 128 160 192 224 256 320 kbps sau in mp3VBR 1 100406 din mp3 in wav sau in wma 5 160 kbps sau in mp3CBR 8 320 kbps sau in mp3VBR 1 100406 din wma doar in wma 5 160 kbps Add New Track s to Music Library Open Music Library Print Export Play List Tracks Create CD from Playlist Exit Edit Playlist Track Tag s Select All in Playlist Clear Playlist
38. and the selected action in the Note Mover Menu will take place Copy notes to the beginning of a measure Drag a note or a group of notes to the beginning of the measure if the measure isn t rhythmically full Ossia Tool Display handles on every ossia measure Click the Ossia Tool in Page View Display a handle on a measure assigned ossia measure Click the Ossia Tool in Scroll View and click the measure to which the Ossia measure is attached Display the Ossia Measure Designer dialog box In Page View double click anywhere on the document In Scroll View click a measure with no ossia measure attached or double click a measure with an ossia measure attached Double click a floating measure s handle or right click the handle and select Edit Ossia Definition from the contextual menu Select an ossia measure Click the ossia measure s handle ee scor Move a selected ossia measure Drag the handle Delete a selected ossia measure Press delete or right click the handle and select Delete from the contextual menu Display the Page Assignment for Ossia Measure dialog box Shift double click a page assigned floating measure s handle or right click the handle and select Edit Ossia Assignment from the contextual menu in Page View Display the Measure Assignment for Ossia Measure dialog box Shift double click a measure assigned floating measure s handle or right click the handle and select Edit Ossia Assignment from the contextual menu Page
39. contextual menu Expression Tool Display the Expression Selection dialog box Double click on above or below a measure or note that doesn t have an expression attached Display an expression handles Click on a measure or note with an xpression attached when show all handles is not selected Select an expression handle Click or shift click to select multiple handles or press ctrl A to select all available handles Move selected expressions Drag the selected handles Move selected expressions without using dynamic drawing Ctrl drag the selected handles Delete ee scor selected expressions Press delete or right click the handle and select Delete from the contextual menu Resize a shape expression Double click an expression handle or right click the handle and select Edit Score Shape Expression Graphically from the contextual menu Display the Text Expression Designer dialog box Double click an expression handle text expression or right click the handle and select Edit Text Expression Definition from the contextual menu Display the Shape Expression Designer dialog box Ctrl double click an expression handle shape expression or rightclick the handle and select Edit Shape Expression Definition from the contextual menu Display the Measure or Note Expression Assignment dialog box Shift double click an expression handle or right click the handle and select Edit Expression Assignment from the contextual menu Graphic
40. continue with this process until you reach the number 1 This is the procedure to generate 3n 1 number sequences a k a hailstone numbers Take for example the number 7 It generates the following sequence 7 22 11 34 17 52 26 13 40 20 10 5 16 8 4 2 1 4 2 1 4 2 1 It is conjectured that all numbers fall to 1 after a finite number of iterations Some numbers generate extraordinarily long sequences before falling to 1 27 is one of the smallest examples Very little is known about these simple but mysterious sequences Although seemingly chaotic there is an hidden order in these sequences and you can easily tell when you listen to the music they generate Logistic Map The Logistic Map is one of most studied non linear equations in chaotic dynamics It models very well the behavior of many natural phenomena such as predator prey ecosystems food population etc It is defined as follows X nt1 X n p 1 X n where py is any real value in the interval 0 4 The iteration of this formula gives back values between 0 1 For u values less than 3 5 the iteration quickly stabilizes into one value But at higher values of u the solutions bifurcate stabilizing in 2 values then 4 8 16 until total chaos is reached This is call period doubling Surprisingly among this sections of total chaos there are others that have a stable number of values For a p value of 4 the behavior is totally unpredictable random The logistic
41. dimensiunii notch b The Phase Vocoder prin analizarea resintetizarea sunetelui conform reprezentarilor Fourier DFT Discrete Fourier Transform FFT Fast Fourier Transform reprezentarea cea mai frecvent utilizata si IFFT Inverse Fast Fourier Transform se poate schimba atat inaltimea unui sunet fara a i modifica lungimea pitch shifting cat si lungimea unui sunet fara a i altera inaltimea time stretching Ambele tipuri de transformari pot fi operate cu ajutorul programului Audacity 1 2 0 pre2 pitch shifting prin comenzile Edit Select All Effect Change Pitch without Changing Tempo iar time stretching prin comenzile Edit Select All Effect Change Tempo without Changing Pitch Convolution convolutia reprezinta un caz particular de utilizare a phase vocoder prin realizarea unei sinteze incrucisate cross synthesis implicand impunerea unei coordonate a unui sunet numit impulse response altui sunet Reverberatia digitala ofera un exemplu concludent de convolutie rezonanta caracteristica a unei sali este inregistrata formand ee scor 43 un impulse response si impusa unui alt sunet Programul Sound Forge ofera posibilitatea unui astfel de proces prin comanda Effects Reverb specificandu se tipul de impulse record prin Reverberation mode Rich hall Wide open hall
42. enclose an area Playback Begin Pause playing Playback Controls open Alt D P or Alt D O Begin playing from the measure clicked Spacebar click in staff Begin playing from the clicked measure in the clicked staff only Shift spacebar click in staff Begin playing from the clicked measure in all staves Spacebar click in between staves Begin playing from measure one in all staves Spacebar click to the left of a staff system Begin playing from measure 1 for the clicked staff Spacebar shift click to the left of staff Scrub onscreen music all staves Ctrl spacebar and drag across music Scrub onscreen music clicked staff only Ctrl Shift spacebar and drag across music Functiile programului SIBELIUS Versiunea 2 1987 2001 by Sibelius Software Limited www sibelius com ee scor 22 File New Type of manuscript paper Instruments Play using the device Open All Music Files sib mid opt mus etf tmp pag pge s7 Sibelius sib MIDI mid Photo Score opt Finale Allegro PrintMusic mus Finale ENIGMA etf SCORE File tmp Page mus pag pge Sibelius 6 7 s7 Append Score sib Close Close All Save Save As Sibelius sib Scorch Web Page htm MIDI mid Save As Graphics EPS BMP EMF Save As Manuscript Paper Save All Sibelius sib Scorch Web Page htm MIDI mid Print Extract Parts Publish on SibeliusMusic com Score Info Plug ins Batch Processing Apply House Style
43. forme si suprafete reductibile fenomenologic la structura initiala Teoria Haosului sintetizata in 1961 de meteorologul Edward LORENZ este de factura determinista si defineste drept haotice sistemele dinamice non lineare si aperiodice cu perioade infinite ce sunt foarte sensibile la conditiile initiale Aceste sisteme implica doua fenomene cu configuratii distincte neteda si respectiv franta ale caror interferente marcheaza o regiune bine definita in spatiul fazelor numita Lorenz Attractor sau Strange Attractor ce are si o dimensiune fractala proprie In acest domeniu este extrem de interesant si experimentul initiat de Prof Diana S DABBY de la Massachusetts Institute of Technology ce a aplicat cu ajutorul computerului o serie de coordonate ale Atractorului Lorentz la Preludiul I in Do Major din Caietul I al Clavecinului Bine Temperat de J S BACH pentru a compune Bach to Chaos Chaotic Variations on a Classical Theme Science News 24 Dec 1994 Mentionez de asemenea faptul ca in studiul Anamorfozele Timpului Muzical publicat in revista Muzica Bucuresti Nr 3 1991 p 100 107 precum si in tratatul MUSICA CAELESTIS Anamorfozele Sacrului in Arta Sunetelor Editura UNMB 2000 ISBN 973 0 02102 3 am analizat o serie de transformari de tip fractal operate in sfera imagisticii muzicale anamorfotice De altfel aplicabilitatea teoriei fractalilor este cu adevarat universala
44. in viitoare aplicatii Prin suprapunerea mai multor piste tracks se pot obtine texturi sonore deosebit de complexe ce pot fi integrate in partituri prin convertirea formatului MIDI in formatul programului utilizat pentru elaborarea partiturii de pilda prin comanda Import MIDI in programule Mozart Finale sau Sibelius UMM poate rula atat in sistemul de operare Windows XP 2000 Me 98 cat si in Mac OS X v10 2 Jaguar si v10 3 Panther a Musical Generator 3 0 Beta 7 Copyright O 1997 2002 Arnold Reinders Copyright O 1997 2002 MuSoft Builders http www musoft builders com Email sales Qkagi com FAX 1 510 652 6589 Kagi 1442 A Walnut Street 392 Q97A Berkeley California 94709 1405 USA Abominaclavia si Abhorreghasty http www wizardmaster com bludgeonsoft abominaclavia bludgeon wizardmaster com ALand ERWIN AL gorithmic Compositional Environment by Rajmil Fischman r a fischman keele ac uk http www keele ac uk depts mu staff rajmil htm Algorithmic Composer Software Copyright O by Angelo Fraietta angelo f bigpond com http www users bigpond com angelo f AlgorithmicComposer download html ee scor 61 ArborRhythms Music Processor version 3 1 Beta c 1995 98 TM Copyright Alec M Rogers 3945 SE Cora Street Portland OR 97202 USA http www teleport com mantr Email mantra Qteleport com ArtSong Copyright 1993 1997 by Pa
45. iterates the equations from 1 to N N is a value you can provide The iteration value is assigned to the variable T So you have four variables T the iteration variable and X Y Z the variables for each dimension The equation computed for Z is used for the color you may omit this equation An equation for Y must be supplied If you omit the equation for X the value for T will be assumed That means that if you provide only the equation y sin x y will assume the value sin 1 sin 2 sin N Apart from the variables you may provide up to five parameters A E These do not change during the computation of the formula you can set these when you edit the formulas _ How to create your own fractal Select the Dynamic Sytems tab and click the button Your own fractal The user editor comes up and you can supply the formulas starting values of the fractal and the values for the parameters apud Arnold Reinders a Musical Generator 3 0 Beta 7 Copyright 1997 2002 Arnold Reinders Copyright O 1997 2002 MuSoft Builders http www musoft builders com Email sales kagi com FAX 1 510 652 6589 Kagi 1442 A Walnut Street 443392 Q97A Berkeley California 94709 1405 USA 03 Generarea fractalilor prin L Systems apud Jason Stredwick MSU 2004 L Systems Lindenmayer Systems algorithmicbotany org L System Overview Goals Plant modeling Structural Developmental Chemical Parallel replaceme
46. line and follow it di a C harlewa we Palestine Dveetone Stud ia Sing overtones unk Cus arate peaches pod ti Wi ainful to Contin This study 15 c NG i as well as Sound For that unfiltered ace s more chat v T v4 Ms i Mute pry hy Cap wproweake A beri NAG n hr n h Labh pei VA t Sara aai o qe a mo iari EO duo Lies Este s ut empl J Phase Music NA EXE e Lto Ek abes e ich ExT a taberi Perdre Ex vi addere 3 7 Mea re KG dus ee scor TI File W rfelspie S I II 36 bars SPIEL Series I III WURFEL OZART arr S Nichifor W A M Copyright 2003 arr by Serban NICHIFOR SABAM ee scor Julia Set free scores com 3 3 4 on A a PY O Hm Mandelbrot Set free scores com 80 Serban NICHIFOR Nascut la Bucuresti in anul 1954 a absolvit ca sef de promotie pe tara Universitatea Nationala de Muzica din Bucuresti 1977 si Facultatea de Teologie a Universitatii din Bucuresti 1994 A urmat cursuri de specializare la Munchen cu Sergiu Celibidache Darmstadt Weimar Breukelen si Amsterdam A fost bursier USIA 1982 laureat al Premiilor Academiei Romane 1982 UCMR 1980 1982 1989 precum si al Concursurilor Internationale de Compozitie de la Amsterdam Premiul I Gaudeamus 1977 Tours 1977 Evian 1978 Atena ISCM 1979 Toledo 1980 Urbana Illinois 1983 Trento 1984 1994 Roma 1985 Bydgoszcz 1986
47. map is an example of deterministic chaos How the Logistic Map is transformed into notes is a very simple matter The Start Counter is used as an iteration control The formula will be iterated until the number shown there The result between 0 and 1 is then multiplied by the number of notes in the scale and by the number of octaves The result of adding this value to the starting note is the final note that will be played Since the sequence of values is deterministic for a given value of u you always get the same sequence of values thus the same melodies 1 f noise 1 f noise one over f noise occasionally called flicker noise or pink noise is a type of noise whose power spectra P f as a function of the frequency f behaves like P f 1 f a where the exponent a is very close to 1 hence the name 1 f noise 1 f noise appears in nature all over the places including traffic flow radioactive decay chemical systems granular flow ecological systems human speech and music Extensive spectral analysis of pleasing pieces of music such as Bach s Brandenburg Concerti Vivaldi s four seasons etc etc show the same spectrum as the 1 f noise The music derived from the 1 f noise is the most pleasing to the human ear it does not have the unpredictability and randomness of white noise the power spectrum of the Logistic Map for a p value of 4 nor the predictability of brown noise derived from brownian motion The 1 f noise i
48. menu Display a handle on chord symbols Click a note with a chord symbol attached or select Show All Chord Handles from the Chord Menu when Manual Input is selected in the Chord Menu Delete a chord symbol Select the handle and press delete or right click the handle and select Delete from the contextual menu Move a chord symbol With Manual Input selected in the Chord Menu drag the symbol handle or ctrl drag the handle to move without using dynamic drawing Input chord symbols using MIDI keyboard With MIDI Input selected click a note and play chord on the MIDI keyboard Analyze chord in one or two staves With One or Two Staff Analysis selected in the Chord Menu click on a note in the chord Clef Tool Display the Change Clef dialog box Click a measure without a mid measure clef Display handles in mid measure clefs Click a measure with a mid measure clef Adjust the mid measure clef position Drag the handle of the mid measure clef Delete a mid measure clef Select the handle and press delete or right click the handle and select Delete from the contextual menu Change a mid measure clef to another clef Double click the mid measure clef s handle and drag left or right or right click the handle and select Edit Clef Definition To insert another mid measure clef Double click in the measure Display the mid measure clef dialog box Ctrl click a mid measure clef s handle or right click the handle and select Edit Clef Definition from the
49. observate in dubla diminuare intre diferitele partiale precum si cele ale instrumentelor de coarde in special in zona zgomotelor complementare produse prin contactul arcusului cu coarda Rezultatele acestor atat de pertinente cercetari sunt ulterior implementate in programele originale ruland pe sistemul de operare MacIntosh Resonans si Modalys ER ex Mosaic ultimul oferind o descriere uniforma a modelelor Aplicatiile sunt multiple de la cele mai traditionale ca de pilda notarea calitatii trompetelor pana la determinari ale raportului psiho fizic in utilizarea unor instrumente traditionale modificate partial sau total ca de pilda flautul cu sfert de ton si sisteme micro intervalice arcusul de vioara construit din materiale sintetice Mundst ck ul cu volum variabil pentru clarinet permitand schimbarea frecventei in timp real noul dispozitiv electronic de acordaj al timpanului sau surdina wawa pentru corn In acest context trebuie subliniata si contributia esentiala adusa de compozitorul american Rodney OAKES profesor emerit la Los Angeles Harbor College si fondator al Journal SEAMUS in impunerea midi trombonului ca instrument de importanta majora pentru creatia muzicala live electronica In paralel la Institutul International de Muzica Electroacustica de la Bourges IMEB www imeb asso fr coordonat de Francoise BARRIERE si de Christian CLOZIER se utilizeaza in mod curent doua instrumente digitale origina
50. org www squarelmusic com http garbo uwasa fi www freefunfiles com www simplythebest net shareware music PROGRAME AUDIO IN SISTEMUL DE OPERARE LINUX Audio software for LINUX Majoritatea sunt prezentate pe site ul http linux sound org cele mai utilizate fiind Ardour free software multi channel http ardour sourceforge net 5 FinalScratch generator de sunete ce ruleaza atat pe Linux cat si pe MacOS X www finalscratch com fs4 MusE sequencer MIDI Audio pe Red Hat ce proceseaza date MIDI controland device urile de sunet realizat la Center for Computer Research in Music and Acoustics CCRMA Department of Music Stanford University USA www ccrma stanford edu planetccrma software Rosegarden 4 editor de partituri de tip KDE3 bazat pe bibliotecile lt kdelibs3 www all day breakfast com rosegarden Sweep editor de sunet inclus in distributia SuSE 8 2 utilizat pentru post procesarea inregistrarilor digitale prin lectorul virtual Scrubby www metadecks org software sweep NoteEdit editor de partituri si sintetizor de instrumente muzicale virtuale inclus in distributia lt SuSE http mvs informatik tu chemnitz de jan noteedit noteedit html FluidSynth sintetizor software bazat pe samples wavetable synthesis 5 www fluidsynth org AlsaModularSynth sintetizorul software ALSA lt Advanced Linux Sound Arch
51. poate fi ulterior convertit intr o partitura muzicala de pilda prin programul MOZART 6 comanda File Import MIDI sau integrat ca mostra sample sau bucla loop in programul ACID Pro 4 0 Functiile programului PRAAT doing phonetics by computer Version 4 1 12 1992 2003 by Paul Boersma and David Weenink 1992 1998 Summer Institute of Linguistics 1 PRAAT objects Control Statistics New Praat script Open Praat script Goodies Calculator Stop playing sound Report floating point properties Preferences Buttons Sound input prefs Sound output prefs Quit New Record mono sound Record stereo sound Sound Create sound Create sound from tone complex gamma tone Shepard tone Matrix Create Matrix Create simple Matrix Tables Create Table Create TableOfReal Create formant table Pools amp Van Nierop 1973 Create formant table Peterson amp Barney 1952 Create TableOfReal Pols 1973 Tiers Create empty PointProcess Poisson process PitchTier FormantTier IntensityTier DurationTier AmplitudeTier Create TextGrid Create Strings as file list Optimaly Theory OT learning tutorial Create NoCoda grammar place assimilation grammar place assimilation distribution tongue root grammar metrics grammar Articulatory synthesis AS tutorial Create Articulation Speaker Artword Vocal Track from phone Polynomial Create Polynomial LegendreSeries ChebyshevSeries MS
52. proprietatile A intersectat cu B 0 si A intersectat cu A diferit de 0 se poate exprima relatia de colaj prin A gt lt A si cea de anamorfoza prin A lt gt B Ulterior in studiul Anamorfozele Timpului Muzica publicat in revista Muzica Bucuresti Nr 3 1991 p 100 107 precum si in tratatul MUSICA CAELESTIS Anamorfozele Sacrului in Arta Sunetelor Editura UNMB 2000 ISBN 973 0 02102 3 am dezvoltat cercetarea muzicologica in acest domeniu aplicat de altfel in majoritatea creatiilor mele componistice de pilda in opera Domnisoara Christina 1981 conceputa dupa un libret de Mircea ELIADE in care am extins utilizarea tehnicii anamorfotice din domeniul sonor in cel multi media In prezent posibilitatile practic nelimitate ale sistemelor digitale au determinat aparitia unor programe specializate in anamorfoza muzicala music morphing precum Diphone promovat la IRCAM Paris www ircam fr Cendroid creat in baza programului SoundHack de compozitorii Douglas I REPETTO si Larry POLANSKY de la Dartmouth College Bregman Electronic Music Studio http music dartmouth edu douglas cendroid sit hqx si de PROSONIQ morph VST PC Realtime Audio Morphing Plugin http products soniq com Voicechanger Software www voicechanger biz si deja mentionatul crusherX www crusher x de ce poate fi descarcat la adresa www stelkens de bs download Practic exista doua modalita
53. si prin utilizarea Internetului de pilda in sensul experimentelor efectuate prin proiectul Sound WIRE mentionat mai sus 4 Efectul de intarziere in practica ansamblurilor cu aplicatie la proiectul Sound WIRE O analiza pertinenta a acestui aspect a fost realizata in studiul pilot The Effects of Latency on Ensemble Performance elaborat in Mai 2002 de Nathan SCHIETT sub coordonarea lui Chris CHAFE directorul CCRMA din cadrul Universitatii Stanford USA Aceasta ampla cercetare sponsorizata de prestigioasa National Science Foundation a implicat efectuarea unor experimente bazate pe scenarii muzicale inedite desfasurate in real time ca de pilda cantatul in ansamblu prin transmisii pe Internet la distante continentale Sub aspect teoretic s au luat in considerare urmatoarele elemente intarzierea de 7 msec nu este perceptibila intarzierile tolerabile in convorbirile telefonice sunt de 100 300 msec intarzierile tolerabile in concerte publice sunt de cca 40 msec pentru ansamblurile simfonice situate pe scene ce depasesc 40 ft distanta parcursa in aer de unda sonora in 40 msec si de cca 5 msec pentru formatiile camerale motiv pentru care distanta maxima intre muzicieni este de 2 m cf http ww2 mcgill ca icc canarie learnWare milestonel Appl htm Prin masurarea diferitelor nivele ale coordonatei EPT Ensemble Performance Thereshold s au stabilit limitele in msec ale LDS Latency Design Spec sintetizandu se toto
54. si secventele sintetizate cu Marco STROPPA programe originale PsiExp si FTS Compozitia asistata de ordinator CAO Echipa Representations Musicales Coordonator Gerard ASSAYAG activitate curenta aplicatii ale programelor originale PatchWork Sympatos si OpenMusic in cadrul Forumului utilizatorilor implicand colaborari sistematice cu compozitori si muzicologi interesati in elaborarea unor proiecte avansate de informatica muzicala Analiza sinteza sonora Echipa coordonata de Xavier RODET proiecte Sinteza aditiva aplicarea algoritmului de sinteza FFT 1 in studiul anvelopei spectrale Sinteza sursa filtru producerea unor variate sunete instrumentale si detectarea inaltimii si analizei ee scor 42 zgomotului complementar Sinteza SINOLA bazata pe suprapuberea si juxtapunerea formelor elementare de unda determinand modificarea inaltimii si a duratei sunetelor emise vocal vorbit sau cantat Sinteza modelelor fizice analizarea in timp real a modelelor matematice si informatice ale instrumentelor acustice din clasele clarinet trompeta si voce studiul oscilatiilor periodice si haotice Caracterizarea semnalelor sonore diferite de cuvinte extragerea parametrilor constitutivi separarea de surse segmentare identificare si recunoastere reprezentarile unor scene reale si ale sintezei intr un limbaj hieratic legat in conti
55. sonicfoundry com acid File New Open All Project and Media Files incl ACID Project Files acd acd bak MIDI Files mid smf rmi CD Audio MP3 Audio cda Audio Interchange File Format aif OggVorbis ogg Quick Time mov qt dv gif Sonic Foundry Audio sfa Sonic Foundry Perfect Clarity Audio pca Sonic Foundry Wave64 w64 Wave Microsoft wav Windows Media Audio V8 wma Windows Media Video V8 wmv Save Save As ACID Project File acd ACID Project File With Embedded Media acd zip Export Loops AIFF aif MP3 Audio mp3 OggVorbis ogg Sonic Foundry Perfect Clarity Audio pca Wave Microsoft wav Render As AIFF aif Main Concept MPEG1 mpg Main Concept MPEG2 mpg MP3 Audio mp3 OggVorbis ogg Quick Time mov Real Media rm Sonic Foundry Perfect Clarity Audio pca Sonic Foundry Wave64 w64 Video for Windows avi Wave Microsoft wav Windows Media Audio V8 wma Windows Media Video V8 wmv Extract Audio from CD Get Media from Web Publish Setup Publish Properties Summary Title Artist Engineer Copyright Comments Audio Master bus mode Stereo 5 a Round Number of additional stereo busses Sample rate Hz Bit depth 8 16 24 Exit Edit Undo Draw Event Redo Cut Copy Paste Delete Select All Paste Repeat Paste Insert Trim Split Join Fit to Time Editing Tool Draw Selection Paint Erase Envelope Time Selection Next Tool Previous Tool Undo All Clear Undo History
56. that measure in all staves If Select Partial Measures is turned on the first double click selects a single full measure and the second double click selects the measure stack Shift click a measure or a beat within a measure Extend a selection of measure horizontally to end or beginning While holding down Shift press right arrow or left arrow If Select Partial Measures is turned on Shift right arrow or Shift left arrow selects the end or beginning of the measure then to the end or beginning of the score Select a staff or staves Click to the left of a staff Shift click to the left of a staff to extend the selection Move or Copy a selected section of music Drag the region so it is superimposed on the beginning of an unselected region which elements and whether you are moving or copying are selected in the Mass Edit Menu before you drag Ctrl shiftclick the place where the selected elements should be copied or moved to Display the Items to Clip dialog box Press ctrl or shift while choosing Cut or Copy from the Edit Menu Display the Paste dialog box Press ctrl while choosing Insert or Replace Entries in the Edit Menu Delete selected music Press delete Move selected measures to the previous or next staff system up arrow or down arrow Erase selected music Press backspace Cancel a Mass Edit operation Press esc Implode Music displays the Implode Music dialog box Select the measures you want to affect then p
57. way arrow Draw Paint rectangle Draw Paint sounded rectangle Draw arc Draw Paint ellipse Draw Paint circle Draw Paint circle mm Axes Measure Horizontal mm to wc wc to mm Vertical mm to wc wc to mm Text width wc mm PostScript text width wc mm Select Plain Dotted Dashed line Line width Black White Red Green Blue Yellow Cyan Magenta Maroon Lime Navy Teal Purple Olive Silve r Grey Font 10 12 14 18 24 Font size Times Helvetica New Century Schoolbook Palatino Courier Help Picture window help About special symbols About text styles Phonetic symbol chart Search manual NB Acest foarte specializat program este dedicat analizei sintezei si prelucrarii sunetelor cuvintelor precum si generarii unor imagini grafice complexe ale fenomenului sonor Programul PRAAT este utilizat si in experimentele efectuate la CCRMA Stanford University Principalele functii ale programului Fractal Tune Smithy v 2 21 O Robert Walker 2000 www tunesmithy co uk support tunesmithy co uk NB Programul genereaza melodii fractale in baza unor moduri prefigurate dar sintetizeaza si noi moduri precum si noi configuratii ale desenelor melodice fractale imaginate de utilizator Structurile melodice rezultate pot fi salvate in mai multe formate audio inclusiv in formatul MIDI ce poate fi convertit ulterior in partituri inclusiv prin programele de redactat mentionate mai sus Mozart functia Impor
58. y n a x n x n y n 1 b x n Two parameters a and b Hopalong Hopalong attractor by Barry Martin orbit in two dimensions z 0 y 0 0 x n 1 y n sign x n sqrt abs b x n c y n 1 a x n Parameters are a b and c IFS Barnsley IFS fractals julfn exp A generalized Clifford Pickover fractal z 0 pixel z n 1 fn z n e z n c Three parameters real amp imaginary parts of c and fn julfn zsqrd z 0 pixel z n 1 fn z n z n 42 c Three parameters real amp imaginary parts of c and fn julia Classic Julia set fractal z 0 pixel z n 1 z n 2 c Two parameters real and imaginary parts of c julia4 Fourth power Julia set fractals a special case of julzpower kept for speed z 0 pixel z n 1 z n 4 tc Two parameters real and imaginary parts of c julibrot Julibrot 4 dimensional fractals julzpower z 0 pixel z n 1 z n m c Three parameters real amp imaginary parts of c exponent m julzzpwr z 0 pixel z n 1 z n z n z n m c Three parameters real amp imaginary parts of c exponent m kamtorus kamtorus3d Series of orbits superimposed 3d version has orbit the z dimension ee scor 50 x 0 y 0 orbit 3 x n 1 x n cos a x n x n y n sin a y n 1 x n sin a x n x n y n cos a After each orbit orbit is incremented by a step size Parameters a step size stop value for orbit and poi
59. z 0 pixel z n 1 z n 2 z1 n c z1 n 1 z n Parameters real amp imaginary perturbations of z 0 manowarj z1 0 z 0 pixel z n 1 z n 2 zl n c z1 n 1 z n Parameters real amp imaginary perturbations of z 0 manzpower Mandelbrot Equivalent for julzpower z 0 c pixel z n 1 z n exp c try exp e 2 71828 Parameters real amp imaginary perturbations of z 0 real amp imaginary parts of exponent exp manzzpwr Mandelbrot Equivalent for the julzzpwr fractal z 0 c pixel z n 1 z n z n z n exp C Parameters real amp imaginary perturbations of z 0 and exponent marksjulia A variant of the julia lambda fractal z 0 pixel z n 1 c exp z n c Parameters real amp imaginary parts of c and exponent marksmandel A variant of the mandel lambda fractal z 0 c pixel z n 1 c exp z n c Parameters real amp imaginary perturbations of z 0 and exponent marksmandelpwr The marksmandelpwr formula type generalized it previously had fn sqr hard coded z 0 pixel c z 0 z 0 1 z n 1 c fn z n pixel Parameters real and imaginary pertubations of z 0 and fn newtbasin Based on the Newton formula for finding the roots of z p 1 Pixels are colored according to which root captures the orbit z 0 pixel z n 1 p 1 z n p 1 p z n p D Two parameters the polynomial degree p and a flag to turn on
60. 0 de milisecunde ce isi metamorfozeaza permanent configuratiile de frecventa si amplitudine comportandu se conform principiilor probabilistice ca niste picaturi de ploaie transformabile in anumite conditii meteorologice in fulgi de zapada La randul lor norii de sunete proveniti de pilda atat de la un ansamblu cameral cat si de la un computer ee scor 46 se pot intersecta generand noi fenomene sonore absolut inedite Cercetarile lui Iannis XENAKIS au fost dezvoltate si de compozitorul canadian Barry TRUAX ce a elaborat in 1986 un sistem in real time PODX realizat la Simon Fraser University Actualmente sunt aplicate o serie de programe speciale precum Chan utilizat in sistem Mac la IRCAM Paris www ircam fr KTGranulator www smartelectronix com koen si crusherX www crusher x de ultimul avand pe langa functia de vapor synthesis si pe aceea de morphing system Cap D MUZICA FRACTALA ALGORITMICA GENERATIVA Motto Les images algorithmiques conduisent une nouvelle forme d art Benoit MANDELBROT Les fractales l art algorithmique et le test de Turing in La science et la m tamorphose des arts Textes r unis par R Daudel Paris PUF 1994 p 39 52 01 Definitia Fractalilor figuri geometrice ce se genereaza prin auto similaritate ca forma de armonie interna si auto referentialitate avand anumite dimensiuni fractiona
61. 1 Raga Kumurdaki Kumudki 5 2 2 1 2 Raga Kuntvarali 2 5 2 1 2 Raga Matha Kokila Matkokil 2 2521 Raga Neroshta 2 1 2 2 5 Raga Purnalalita Chad Gadyo Jewish Ghana Pentatonic 1 5 2 2 2 1 Raga Puruhutika Purvaholika 2 3 2 1 4 Han kumoi Japan Raga Shobhavari 1 4 2 3 2 Kokin joshi Miyakobushi Han Iwato Japan Raga Vibhavari Revati Bairagi Lasaki ee scor 38 Capitolul C MUZICA DE CAMERA ASISTATA DE CALCULATOR 1 Aspecte intonationale Acordajul precum si intonatia individuala si de ansamblu pot fi verificate si corectate prin programul In Tune Multi Instrument Tuner Functiile programului In Tune Multi Instrument Tuner v 1 8 2001 2002 Joseph Heimiller by Aspire Software www MusicMasterWorks com Options Auto String Select Tuning Options Source Default Windows Input Wave Out Mix Yamaha Audio Microphone CD Audio Line in A Help Unlock Configurari Instrument Type View Graph Gauge Pitch Range Strings Pitch Indicator Pitch Graph Frequency Average Frequency Target Frequency View Microphone Input Yellow too low Greenzgood Red too high 2 Interpretarea comparata Se utilizeaza programul Acid Pro 4 inserandu se pe track uri separate versiunile interpretative analizate prin comenzile File Open anularea functiei sincronizatoare Beatmapper Wizart cu No si Finish trasarea desenului sonor Mo
62. 13 1331 Raga Lalita Sohini Hamsanandi Lalit Bhairav l 13313 Raga Suddha Mukhari 1 313 1 3 Messiaen truncated mode 3 Prometheus Liszt 3 1 3 1 3 1 Messiaen truncated mode 3 inverse Major Augmented Genus tertium 214221 Hawaiian 2 12412 Raga Bagesri Sriranjani Kapijingla 2 2 2 1 4 1 Raga Caturangini 2 2 1 42 1 Raga Hamsa Vinodini 4 1222 1 Raga Hari Nata Genus secundum 2 4 1 1 2 2 Raga Jaganmohanam 1 4 2 2 2 1 Raga Jivantika 4 21122 Raga Jyoti 4 1 2 12 2 Raga Kamalamanohari 4 12212 Raga Khamas Baduhari 2 14212 Raga Manavi 2 2 1 2 4 1 Raga Nalinakanti Kedaram 1 4 2 1 2 2 Raga Phenadyuti Insen Honchoshi Niagari Japan 1 22142 Honchoshi plagal form Japan 2 2 1 4 1 2 Raga Rageshri Rageshwari Nattaikurinji 1 4 2 2 1 2 Raga Rasavali 1 2 4 2 1 2 Raga Salagavarali 2 4 1 2 1 2 Raga Sarasvati 2 1 2 2 4 1 Raga Sindhura Kafi 1 2 2 2 1 4 Raga Suddha Simantini 2 14 1 2 2 Raga Trimurti 4 2 1 2 12 Raga Vutari 1 32312 Prometheus Neapolitan 3 2 1 13 2 Blues scale I2 12133 Pyramid Hexatonic l 22 1 3 3 Double Phrygian Hexatonic 3 112 32 Raga Bhanumanjari Jog 2 3 2 1 3 1 Raga Bhinna Pancama 2 1 2 3 3 1 Raga Ghantana Kaushiranjani Kaishikiranjani 123231 Raga Gurjari Todi 1 32 32 1 Raga Hamsanandi Marva Pancama Puriya 1 3 2 2 1 3 Raga Hejjajji 1 3 1 2 23 Raga Kalavati Ragamalini 2 2 3 1 3 1 Raga Latika 3 31212 Raga Madhukauns hexatonic l 33212 Raga Malayamarutam 2 1 3 32 1 Raga Ranjani Rangini 2 3 2 3 11 Raga Brindabani Sarang Megh Megh Malhar 2 2 13
63. 3 Genus tertium 4 6 9 6 42 Genus nonum 10 35553 Genus secundum 4 6 5 64 6 Genus septimum 12 1012 10 5 Enharmonic Mixolydian 2 10 12 10 5 1 Enharmonic Lydian 10 1 2 10 5 1 2 Enharmonic Phrygian 1 210512 10 Enharmonic Dorian 2 10 5 12 10 1 Enharmonic Hypolydian 10 5 1 2 10 1 2 Enharmonic Hypophrygian 5 1 2 10 12 10 Enharmonic Hypodorian 5 2 2 9 222 Hemiolic Chromatic Hypodorian 2 2 9 2 2 9 5 Hemiolic Chromatic Mixolydian 2 9 2 2 9 5 2 Hemiolic Chromatic Lydian 9 229 52 2 Hemiolic Chromatic Phrygian 2 2 9 5229 Hemiolic Chromatic Dorian 2 95229 2 Hemiolic Chromatic Hypolydian 9 5 2 2 9 2 2 Hemiolic Chromatic Hypophrygian 2 3 8 2 3 8 5 Ratio 2 3 Chromatic Mixolydian 3 8 2 3 8 52 Ratio 2 3 Chromatic Lydian 8 2 3 8 52 3 Ratio 2 3 Chromatic Phrygian 2 3 8 5 2 3 8 Ratio 2 3 Chromatic Dorian 3 8 5 2 38 2 Ratio 2 3 Chromatic Hypolydian 8 5 2 3 8 2 3 Ratio 2 3 Chromatic Hypophrygian 5 2 3 8 2 3 8 Ratio 2 3 Chromatic Hypodorian 2 5 6 2 56 5 Soft Diatonic Mixolydian 5 6 2 5 6 5 2 Soft Diatonic Lydian 6 2 5 6 5 25 Soft Diatonic Phrygian 2 5 6525 6 Soft Diatonic Dorian 5 652562 Soft Diatonic Hypolydian 6 5 2 5 6 2 5 Soft Diatonic Hypophrygian 5 2 5 6 2 5 6 Soft Diatonic Hypodorian 5 3 5 5 37 3 Thirty one tone Harmonic Minor 5 535373 Thirty one tone Harmonic Major 5 5 3 5 55 3 Thirty one tone Major Intense Diatonic Lydian M lonian 5 3 5 53 5 5 Thirty one tone Natural Minor Intense Diatonic Hypodorian Aeolian 5 3 5 5 5 5 3 Thirty one tone Melodic Minor 5 535355 Thirty one ton
64. 31 Raga Sarasanana 2 13132 Raga Simharava Sinharavam 3 2 2 1 3 1 Raga Takka 1 31322 Raga Vasantabhairavi 2 1 3 12 3 Raga Vijayanagari 1 2 2 3 3 1 Raga Viyogavarali 1 2 3 1 2 3 Messiaen truncated mode 2 1 32 13 2 Messiaen truncated mode 2 2 3 2 2 1 2 P yongjo Korea Yosen Japan Raga Darbar Narayani Suposhini Andolika Gorakh Kalyan Mixolydian Hexatonic 2 2 2 3 1 2 Prometheus Raga Barbara l 22322 Ritsu Japan Raga Suddha Todi 2 2 1 2 2 3 Arezzo Major Diatonic Hexachord Raga Kambhoji Devarangini Scottish Hexatonic 2 1 2 2 3 2 Minor Hexatonic Raga Palasi Manirangu Nayaki Yo Japan Eskimo Hexatonic 1 Alaska King Island 2 2 2 2 3 1 Eskimo Hexatonic 2 Alaska Point Hope 1 23222 Raga Bhavani 1 22232 Raga Gandharavam 3 2 2 1 2 2 Raga Gopikavasantam Desya Todi Phrygian Hexatonic 2 2 3 2 2 1 Raga Kumud Sankara Shankara Lydian Hexatonic 3 22212 Raga Manohari 2 22321 Raga Mruganandana 2 32221 Raga Nagagandhari 2 32122 Raga Navamanohari 2 2 1232 Raga Siva Kambhoji Vivardhini 2 1 2 2 2 3 Raga Suddha Bangala Gauri Velavali 2 2 2 1 2 3 Raga Yamuna Kalyani Kalyani Keseri Ancient Chinese 2 2 2 2 2 2 Whole tone Messiaen mode 1 Raga Gopriya Anhemitonic Hexatonic 1141113 Mela Salaga 1 14113 1 Mela Jhalavarali Raga Varali Jinavali l 141311 Mela Raghupriya Raga Ravikriya Ghandarva 1 141122 Mela Jalarnava l 141212 Mela Navanitam Raga Nabhomani l 141221 Mela Pavani Raga Kumbhini 2 2 14111 Raga Ragesri 4 12211 1 Raga Madhuri 1 131132 Chromati
65. 429 RISSET Jean Claude Synthesis of Sounds by Computer and Problems Concerning Timbre in Music and Technology Paris La Revue Musicale 1971 p 123 ROADS C 1996 The Computer Music Tutorial MIT Press Massachusetts SCHAFFER Boguslaw Introduction to Composition PWP Edition Varsovia 1976 SCHRADER Barry Introduction To Electro Acoustic Music Published by Pretince Hall Inc Englewood Cliffs N J 07632 SCHUETT Nathan and CHAFE Chris Advisor The Effects of Latency on Ensemble Performance Research sponsored by National Science Foundation Center for Computer Research in Music and Acoustics CCRMA Department of Music Stanford University Stanford California 04305 ce Qcerma stanford edu ee scor la 68 STANCIU Victoria PANA Adrian BRAN Florin si ERHAN Florin Bazele utilizarii calculatoarelor personale Editura Economica Bucuresti 1999 STRANGE Allen Electronic Music Systems Techniques and Controls WM C Brown Company Publishers 1972 ISBN 0 697 03612 X TRUAX B 1988 Real Time Granular Synthesis with a Digital Signal Processor Computer Music Journal 12 2 WEBBER David Mozart Virtuoso 6 The Music Processor Tutorial Manual c 1994 2001 by David Webber 484 Warrington Rd Culcheth Warrington WA3 5RA UK The Thompson Partnership Lion Buildings Market Place Uttoxeter Staffs STI4 8HZ UK www mozart co uk dave musical demon co uk dave mozart co uk
66. 7 NICHIFOR Serban Anamorfoza Sonora Revista Muzica Nr 6 Iunie 1985 Bucuresti pag 18 21 NICHIFOR Serban Anamorfozele Timpului Muzical De la ritmurile poetice la structuri heterometrice Revista Muzica Nr 3 1991 Bucuresti pag 100 107 NICHIFOR Serban Mistica lui Debussy si revelatia universului supratonal Revista Muzica Nr 3 1999 Bucuresti pag 61 72 NICHIFOR Serban Musica Caelestis Anamorfotica Sacrului in arta sunetelor Editura Universitatii Nationale de Muzica din Bucuresti 2000 ISBN 973 0 02102 3 NICHOLS C David Musical Ecounters Published by Pretince Hall Inc Englewood Cliffs N J 07632 ORFANIDIS S J 1996 Introduction to Signal Processing Prentice Hall Upper Saddle River New Jersey OTTMAN W Robert and MQINOUS D Frank Rudiments of Music Fourth Edition Published by Pretince Hall Inc Englewood Cliffs N J 07632 PASCU RADULESCU Dorel Esenta fenomenului sonor muzical Bucuresti Editura AGIR 2000 PERRY Rosalie Sandra Charles Ives And The American Mind The Kent State University Press 1974 PERSICHETTI Vincent Twentieth Century Harmony W W Norton and Company PETERS Constantin Reading up on MIDI for the Novice and the Pro PC Magazine 29 Nov 1988 258 POPESCU Dumitru Gh Teologie si Cultura Bucuresti Editura I B M B O R 1993 PUCKETTE M 1988 The Patcher Proceedings ICMC San Francisco International Computer Music Association pp 420
67. 9 index html SUNY Plattsburgh http faculty plattsburgh edu richard davies courses mus 305syl htm Univ of Southern Cal http www rcf usc edu kds courses mued 452 pdf Southwest Texas State http 147 26 106 74 tech MusTechsyllabus html Lebanon Valley College http csunix1 lvc edu snyder mme803 mtfesyl htm Louisiana Tech Univ http performingarts latech edu music MusicTechnology TechnologySyllabusLankford html Metropolitan State College of Denver http clem mscd edu worster mtech1 1900syl html Unversity of Washington http depts washington edu smccweb courses 400 syl html Kennesaw State University http ksumail kennesaw edu lsherr 2100syllabus html Palomar College http www palomar edu performingarts midilab music180 html University of Illinois Champaign Urbana http www camil music uiuc edu classes 210 syllabus syllabus html Brown University http www brown edu Departments Music Musicl l syllabus html University of Texas at San Antonio http music utsa edu technology mat University of South Carolina http www music sc edu ea mued mued554 syllabus html University of Wisconsin at Whitewater http facstaff uww edu craggsj techsyl html Northern State University Aberdeen SD http lupus northern edu 90 wieland mus321 htm Eastern Kentucky University http www music eku edu faculty davis Mus584S yllabus html Cal State Chico http www csuchico edu seppanen 103 syllabus103 pdf
68. CALCULATOR 1 Aspecte intonationale 2 Interpretarea comparata 3 Politempia structurala 4 Efectul de intarziere in practica ansamplurilor cu aplicatie la proiectul Sound WIRE 5 Configurarea toposului acustic de la spatiul arhitectonic la spatiul virtual 6 Configurarea acusticii instrumentale ee scor 7 Alte domenii abordate la IRCAM 8 Procedee de sinteza si transformare digitala a sunetului utilizate si in aplicatii camerale live electronice Phase Shifting The Phase Vocoder Convolution Sampling Localizare Spatializare Prelucrari grafice Sinteza aditiva Filtrari Waveshaping Amplitude Modulation Frequency Modulation Morphing Sinteza granulara Cap D MUZICA FRACTALA ALGORITMICA GENERATIVA Cap E LIVE COMPUTER MUSIC O NOUA IPOSTAZA A ARTEI INTERACTIVE BIBLIOGRAFIE GENERALA SELECTIVA APPENDIX Principalele comenzi in sistemul de operare PS DOS INTRODUCERE Adresat in principal studentilor Universitatii Nationale de Muzica din Bucuresti dar si tuturor celor interesati in investigarea complexului fenomen COMPUTER MUSIC acest compendium incearca sa surprinda intr o imagine eminamente sintetica coordonatele unui nou gen muzical aflat in plina evolutie cu consecinte majore in prezentul dar mai ales viitorul artei sunetelor
69. CANGEMI si Romania Liana ALEXANDRA Octavian NEMESCU Serban NICHIFOR Livia TEODORESCU Sever TIPEI Dan VOICULESCU apare pe Internet primul curs interactiv in domeniul MUSIC AND COMPUTERS conceput la Darmouth College U S A sub coordonarea compozitorului si profesorului Jon APPLETON de catre Phil BURK Larry POLANSKY Douglas REPETTO Mary ROBERTS si Dan ROCKMORE http eamusic dartmouth edu book MA TCpages tableofcontents html Prof Diana S DABBY de la Massachusetts Institute of Technology aplica in 1994 cu ajutorul computerului o serie de coordonate ale Lorenz Attractor la Preludiul I in Do Major din Caietul I al Clavecinului Bine Temperat de J S BACH pentru a compune Bach to Chaos Chaotic Variations on a Classical Theme Facultatea de Interpretare Muzicala din cadrul Universitatii Nationale de Muzica din Bucuresti initiaza in anul universitar 2003 2004 primul curs de Computer Music din Romania 5 Calculatoarele electronice din generatia a V a se bazeaza pe dezvoltarea incepand din 1981 in S U A si in Japonia a inteligentei artificiale dupa modelul uman interfata vocala sensibilitate vizuala auditiva tactila ele fiind inca in faza experimentala O alta dimensiune este determinata de perspectivele fascinante ale INTERNET ului In prezent redutabilul compozitor si profesor Chris CHAFE director al Stanford CCRMA a initiat impresionantul experiment SoundWIRE utilizand o seri
70. CGE 3 h eni sm i va 1 r S opo 3 s TO poa d 5 a ee scor 74 286 Arang Vina pralea eris Pa Pep 3t mmy wed Coen le E prede evt oopast tt grin P y maipag ways pensa eie PIE l sn sat Jp oem d EU osmy JPS 244 MIN kx Ko VUES T rs a CAMS tag s Tf 1 en Pantea Quen a kn anag kaway mirang pang ngenam p m jeep 3 Ji oupd ejoapenle udyr a 3 SANG 7o avow 3225 pee ey ET aiad i nitoy i p di Mary an HD a quu wes yaw maba JAJAN lias nagpa p 4 P gt PRION Qe Pe S wijrdst s m 2 A 2 2pu SM MI aed mpis agenda ow a A C uaua n p waka ap adera ar PEx SEE cop putu you fur re re Myr fte men 245 ppa Sea 1 ery an maaga PAS ipod pons ED NG ein MAYAT d gae OF wo steps sd mad pp mo ele ap 000 07 9 f4 Sag n aye Spem apanga aneh free scor A maya ta hua a Make sa mata 4 Chance oper gun Tan Jiber wana bae Lo dat rala zar NAAT va bah Menza F uh sitat Andduis oma lepra wedhak Te KA er depo F Ni a e d creador ad hee t o loud ipag malat ferret 7 i ag n S m d akoa H shit a Sibak speso cout gawake mh rere a alon suha kah Nd eie Ls G 7 u Ha As Mayo BI pucha y ato S fu dana ee scor 76 Awa Th Taka FIR im muro 2 Extupl SA La Monte Young Congue salott N to be held for a dang bin a a fw Marte Young elo 1560 4o 5 Drawa straight
71. D b Echipamentul mecanografic cu cartele perforate inventat de americanul Herman HOLLERITH si folosit in 1890 la prelucrarea datelor referitoare la recensamanatul populatiei din S U A IL Calculatoarele din generatia 0 1931 1944 cu program si in sistem zecimal 1 calculatoarele electromecanice ZI Z3 1931 1941 Konrad ZUSE 2 calculatorul Colossus cu 2000 de tuburi electronice realizat in 1943 la British Intelligence Establishement si utilizat in descifrarea codului secret german Enigma 3 calculatorul cu relee electromagnetice si ee scor cartele perforate ASCC Automatic Sequence Controller Computer realizat in 1937 la Universitatea Harvard de Howard AITKEN si perfectionat cu sprijinul IBM in 1944 prin calculatorul Mark 1 Harvard primul calculator electromecanic complet automatizat si dirijat prin program operational pana in 1949 III Calculatoare electronice in sistem binar 1 Calculatoarele electronice din generatia 1 1946 1958 bazate pe o arhitectura sintetizata de americanul John VON NEUMANN in sistem binar si logica booreana a ENIA C Electronic Numerical Integrator and Calculator 1946 U S A John V MANCHLY J Presper ECKERT John VIN NEUMANN Universitatea Pennsylvania operational pana in 1955 in anul 1957 Departamentul Apararii din S U A organizeaza initiaza proiectul ARPA reprezentand prima retea cibernetica de comunicatii b UNIVAC 1 Universal Automatic C
72. E in tratatul Electronic Music Systems Techniques and Controls WM C Brown Company Publishers 1972 ISBN 0 697 03612 X Cap 9 Location Modulation p 75 85 f Prelucrari grafice operatii ce determina convertirea imaginilor vizuale in imagini sonore cu ajutorul unor instrumente si respectiv programe speciale de la aparatul Spectrogram creat de High LeCaine in 1950 si dela UPIC sistem inventat de Iannis XENAKIS si utilizat la CEMAMu Paris pana la aplicatiile software MetaSynth Hyperupic SoundHack QT coder AudioSculpt Squiggy in Mac si MIDImage in py windows Dintre toate acestea Squiggy creat Douglas REPETTO la renumitul Darmouth College din S U A este cel mai performant program graphics to sound avand ca finalitate interpretarile live electronice g Sinteza aditiva conform Teoremei lui Fourier toate functiile periodice pot fi exprimate prin suma pana la Infinit a sinusoidelor componente un sunet complex poate fi creat prin insumarea unor sunete simple ca de pilda prin aditia de armonice prin reconstruirea anvelopei ADSR Attack Decay Sustain Release prin asa numitul Shepard Tone Effect bazat pe perceptia chroma referitoare la circularitatea frecventelor distantate la o octava adica inmultite cu 2 sau prin sinteza formantilor adica a acelor frecvente fixe ireversibile ce definesc un a
73. EATORUL gt comunicarea unui Sens Mistic soterilogic exprimat prin Semn Divin Compozitor 5 a decodificarea quasi hermeneutica a Semnului Divin prin descoperirea lt irationala gt pnevmatologica a Sensului Mistic mysterium tremendum 2 codificarea Sensului Mistic in semn grafic muzical partitura prin procesul de creatie componistica 3 comunicarea partiturii in manuscris sau prin intermediul editorului 5 Interpret a decodificarea partiturii rationala la nivel formal intuitiva irationala gt la nivel conceptual si decelarea Sensului Mistic muzical b codificarea Sensului Mistic muzical in semn acustic sunet prin procesul de creatie interpretativa c comunicarea interpretarii prin concert sau inregistrare Public a decodificarea individuala in functie de cultura muzicala dar si de intuitie a semnului acustic in Sens Mistic b asimilarea personala dar si in comuniune ab alio in alis a Sensului Mistic al muzicii in procesul soteriologic al perfectionarii spirituale conform Planului Divin Dimensiuni sonore 1 fizice obiective spatiul sonor frecventa audibilila la om 16 20000H7 x amplitudine perceptibila suportabila la om de la 10 la puterea 16 W cm pana la 12 W cm x structura spectrala lt naturala si lt artificiala 5 acustica electroacustica x locatie inchisa deschisa x timpul fizic infinit h d m y etc 2 muzicale subiectiv
74. INUX realizat in 1991 de studentul Linus Torvalds pentru mainframe uri IMB OS 400 pentru minicalculatoare RSX11M cu versiunea romaneasca MIX pentru microcalculatoare IBM PC MICROSOFT DISC OPERATING SYSTEM MS DOS din care a derivat seria WINDOWS si Apple MacIntosh Mac OS si pentru calculatoarele portabile miniaturizate WINDOWS CE apar in U S A doua lucrari teoretice de referinta in domeniul muzicii electro acustice Electronic Music Systems Techniques and Controls de Allen STRANGE si Introduction To Electro Acoustic Music de Barry SCHRADER in U S A disciplina Computer Music este inclusa in programele curente de studiu ale celor mai importante universitati si colegii precum Stanford University CCRMA www ccrma stanford edu planetccrma MIT Media Lab http sound media mit edu Brooklin College Center for Computer Music www brooklvn cunv edu ee scor Columbia Princeton Electronic Music Center http www columbia edu Cal State Univ Northridge Music http www csun edu dwh50750 tech classes MUS191 Northwestern University http faculty web at nwu edu music webster D34 Rutgers University http mmlweb rutgers edu imtmw html Furman University http www furman edu dkoppelm Tech 17 mus17 html Dartmouth College Bregman Electronic Music Studio http music dartmouth edu University of Northern Colorado http arts unco edu musictech mus20
75. Index What s This Keyboard Shorcuts ACIDplanet com Sonic Foundry on the Web About ACID Pro Comenzi Mouse dreapta Select in Chopper Select All on Track Select Events to End Cut Copy Paste Delete Split at Cursor Join Pitch Shift Up Semitone Down Semitone Reset Insert Remove Envelope Volum Pan Bus A B C FX Automation FX Automation Envelopes FX Automation Quick Fade Edges Properties Zoom to Loop Region Add Point Cut Copy Paste Delete Linear Fade Fast Fade Slow Fade Smooth Fade Sharp Fade Hold Select All Reset All Comenzi incluse in Track de la stanga la dreapta Minimize Restore Nume Track Microsoft Sound Mapper Track FX Mute Solo OPERATII CURENTE CU SAMPLES SI LOOPS Acest program bazat pe tehnica buclelor sonore loops based music creation implica combinarea mai multor scurte fragmente muzicale pre inregistrate samples ce sunt ordonate intr un folder special reprezentand o banca de esantioane sonore de obicei in formatele wav mp3 sau midi Prin comanda File Open acestea pot fi inserate in track uri linii temporale prin trasarea lor cu creionul digital activat prin comanda Draw Tool button Esantioanele mai lungi de 30 se pot sincroniza prin Beatmapper Wizard ce determina precizarea unui tempo comun tuturor track urilor in BPM bits per minute primul timp din prima masura fiind considerat Downbeat Tempourile si inaltimile ac
76. Institute of the Arts sunt dezoltate noi programe speciale de redactare a partiturilor CAKEWALK ENCORE FINALE NOTE WORTHY MUSIC WRITE MUSIC PUBLISHER si INTELLISCORE printre altele in S U A MOZART si SIBELIUS in Anglia PIZZICATO in Belgia precum si numeroase programe de editare muzicala in baza sistemelor de operare WINDOWS ca de pilda bogata serie a aplicat lor elaborate de firmele americane SONIC FOUNDRY REAL DIGIDESIGN si ADOBE precum si de firma germana MUSICMATCH si APPLE in aceasta directie recentul program american MetaSynth ilustrand noi modalitati de convertire a imaginii in sunet in Noiembrie 2003 se desfasoara in Romania primul festival de COMPUTER MUSIC coordonat de compozitorii Liana ALEXANDRA si Serban NICHIFOR in cadrul Universitatii Nationale de Muzica din Bucuresti sub genericul NUOVA MUSICA CONSONANTE LIVING MUSIC FOUNDATION fiind prezentate lucrari apartinand unor compozitori din U S A Ben BIERMAN George BRUNNER Madelyne BYRNE Chris CHAFE Douglas COHEN Bob FANELLI Matthew HAY John J A JANNONE Peter KIRN Tom LOPEZ Miguel MACIAS Charles Norman MASON David McGUIRE Rodney OAKES Marco OPPEDISANO Udi PLADOTT Mark PRIEST Patricia REPAR Barry SCHRADER Martin SIMON Dirk Johan STROMBERG Robert VOISEY Dwight WINENGER Amnon WOLMAN Belgia Kris DE BAEDERMACKER Joris DE LAET Raoul DE SMET Todor TODOROFF Dick VEVLEMANS Wilfried WESTERLINCK Anglia David WEBBER Italia Gianluca
77. L e Flatten beams for selected note M Add or remove parentheses around accidentals for selected note P Select a note or rest Control click the note or rest Select a note or rest within a chord without clearing previous selection Control shift click the note or ee scor rest Move selection one note rest to the left If no selection select the last edited note rest left arrow e Move selection one note rest to the right right arrow Move selection one note up if chord selected Control up arrow Move selection one note down if chord selected Control down arrow Select all notes in selected chord Ctrl A click the chord Clear selection Escape or Backspace Smart Shape Tool Flip a selected Slur Ctrl F Change a selected Slur back to Automatic Ctrl Shift F Display handles on all smart shapes Click the Smart Shape Tool Edit or Delete a Smart Shape Click the handle of the Smart Shape Control A Select all Smart Shapes on the page Drag or nudge an endpoint handle Change the slur s ending or starting note Drag or nudge a center curve handle Change the slur s arc height Shift drag a center curve handle Change the slur s arc height and angle Drag or nudge an inner curve handle Change the slur s arc and inset asymmetrically Control drag an inner curve handle Change the slur s arc and inset symmetrically Control double click and drag Create an inverted bracket with the hook pointi
78. LAY Esc STOP Ctrl F M P f m p ca expresie Ctrl Shift C D CRESC DIM Functiile programului NoteWorthy Composer v 1 75 2002 NoteWorty Software Inc www notewortysoftware com File New Open NWC Files MIDI Files Song Files Save Save As Standard NWC File Type 1 Midi File Type 0 Midi Files Uncompressed NWC File Revert Close Info Title Author Copyright Notice 2 All Rights Reserved Comments Page Setup Printer Setup Print Preview Print History Exit Edit Undo Page Setup Redo Cut Copy Copy Special Paste Clear Select All Remove Chord Note Beam Triplet Find Find Next Go to Lyrics Properties View Zoom In Out Zoom Refresh Score Status Bar Toolbars Staff New Staff Import Recording Delete Staff Move Staff Move Staff Up Down Mute Staff Staff Properties Insert Note Rest Chord Member Bar Line Bar Line Decorated Clef Dynamic Dynamic Variance Flow Direction Key Signature Performance Style Special Ending Sustain Pedal Tempo Tempo Variance Text Time Signature Instrument Patch Multi point Controller Notes Whole Half Quarter Eight Sixteenth Thirty second Sixty fourth Natural Flat Sharp Double Sharp Double Flat Accent Dotted Double Dotted Grace Slur Staccato Tenuto Tied Stem Up Down Tools Record Staff Play Play Stop Score Review Mute List MIDI Input Active Persistent Note Tools Automatic Beam Transpose Staff Force Accident
79. LETON impreuna cu inginerii Sydney ALONSO si Cameron JONES construiesc primul sintetizor digital DDS Dartmouth Digital Synthesizer perfectionat in 1976 prin seria Synclavier dezvoltata in paralel cu Con Brio ADS 200 Fairlight Computer Music Instrument Crumar General Development System si Alpha Syntauri toate aceste instrumente oferind importante facilitati in travaliul componistic dar si in domeniul performantei in timp real live electronic music pionier al muzicii interactive renumitul compozitor american Rodney OAKES initiaza o serie de experimente extrem de interesante cu MIDI Trombonul la Paris este infiintat dupa redutabilul model oferit de catre Stanford CCRMA www ccrma stanford edu planetccrma mult apreciatul IRCAM Institut de Recherche et Coordination Acoustique Musique www ircam fr condus sub patronaj american de compozitorul francez Pierre BOULEZz deosebit de active sunt si institutiile similare din Belgia renumitul Instituut voor Psychoacustica en Elektronische Muziek IPEM din Gent precum si nu mai putin notoriul Institut Musiques amp Recherches din Bruxelles coordonat de compozitoarea Annette VANDE GORNE www musiques recherches org Olanda Institute of Sonology din Utrecht Anglia BBC Studio Italia RAI Studio Polonia Studio of Polish Radio Ungaria Studio of Radio Budapest Germania NWDR Studio din Koln si Japonia NHK Studio ce au urmat cu c
80. Layout Tool Display Page and System margins Click the Page Layout Tool Resize page margins or system Drag a handle in Page View Move a system Drag the system in Page View Move a system without moving other systems Hold down Ctrl and drag the center of a staff system Select handles Drag enclose to select handles Select all handles Ctrl A Repeat Tool Display the Repeat Selection dialog box Click a measure without a repeat or double click a measure with a repeat Display handles on a repeat Click a measure with a repeat Delete a text repeat repeat barline Click on the handle and press delete or right click the handle and select Delete from the contextual menu Move a text repeat Select the handle and drag Change the size of a repeat barline s bracket Drag the repeat bracket handle up or down left or right Display the Repeat Designer dialog box Double click a text repeat handle or right click the handle and select Edit Repeat Definition from the contextual menu Display the Backward Repeat Bar Assignment dialog Box Double click a repeat barline handle or right click the handle and select Edit Repeat Assignment from the contextual menu Display the Ending Repeat Bar Assignment dialog box Double click a repeat ending number handle or right click the handle and select Edit Repeat Assignment from the contextual menu Display the Repeat Assignment dialog box Shift double click a text repeat handle or right click the handle
81. Moon electro bios lyon html Integrarea computerului in arta muzicala interactiva este esentiala aparatul oferind creatorilor o extraordinara libertate in transgresarea frontierelor dintre sunet si imagine dintre concret si abstract dintre lumea reala si realitatea virtuala In consecinta putem afirma ca live computer music este un gen in plina evolutie conducand spre noi spatii ale cunoasterii artistice Bucuresti 25 August 2005 BIBLIOGRAFIE GENERALA SELECTIVA ALEXANDRA Liana Componistica Muzicala un inefabil demers intre fantezie si rigoare Editura Universitatii Nationale de Muzica din Bucuresti 1999 ALEXANDRA Liana Tehnici de Orchestratie Editura Universitatii Nationale de Muzica din Bucuresti 2000 ISBN 973 0 02115 5 ARNELL Billy McScope System Music Computers and Software April 1988 58 60 BERENDT Joachim The Jazz Book 1953 1959 1968 1973 Fischer Taschenbuch Verlag Frankfurt am Main Lawrence Hill amp Company New York Westport Independent Publishers Group N Y N Y 10022 BERGER Wilhelm Georg Muzica Simfonica moderna contemporana 1930 1950 Vol IV Editura Muzicala Bucuresti 1976 BOWELS Edmund A Musicke s Handmaiden Or Technology in the Service of the Arts in The Computer and Music ed Harry B Lincoln Ithaca Cornell University Press 1970 BREDICEANU Mihai Timpul polimodular si artele vizuale Bucuresti Ed Stiintifica si Enciclopedica 1982 si Music and
82. NFORMATIEI CU APLICATIE IN ARTA SUNETELOR Mijloace manuale si mecanice in sistem zecimal Calculatoarele din generatia O Calculatoare electronice in sistem binar generatia I generatia II generatia III generatia IV generatia V Cap B ELABORAREA AUDIO NUMERICA 1 Prolegomene 2 Sinteza sunetului digital 3 Tipuri de fisiere digitale audio 4 Principalele fisiere digitale audio 5 Programe de convertire utilizate in acest curs 6 Programe muzicale Programe audio in sistemul de operare LINUX Programe audio in sistemul de operare MACINTOSH Programe audio in sistemul de operare WINDOWS functii a Programe MIDI de redactare muzicala Mozart 6 Finale 2003 Sibelius 2 NoteWorty Composer 1 75 Lime 8 00 Encore 4 5 5 Score b Programe WAV de editare muzicala Sound Forge 4 5 Audacity 1 2 0 pre2 Pro Tools 5 0 1 471 c Convertere WAV MP3 WMA MusicMatch Jukebox 6 00 Shuffler 4 2 WAV in MIDI AmazingMIDI 1 70 MIDI in WAV sau MP3 Acid Pro 4 0 Imaginea partiturii in sunet SharpEye 1 15 Text scris in sunet voce River Past Talkative 1 5 1 31216 Imaginea fotografica in sunet MIDImage 2 4 4 1 d Programe de editare multi tracks Acid Pro 4 0 e Programe complementare KB Piano 1 1 Praat 4 1 12 Fractal Tune Smithy 2 214 Cap C MUZICA DE CAMERA ASISTATA DE
83. Nascut ca si jazz ul in atat de fecundul spatiu cultural nord american ponderea muzicienilor din U S A fiind de peste 90 genul Computer Music reprezinta acum o dimensiune unanim recunoscuta dinamica dezvoltarii sale fiind impresionanta mai ales printr o perpetua expansiune in cele mai inedite domenii ale cunoasterii determinand si elaborarea unor proiecte inter disciplinare in planurile creatiei interpretarii si cercetarii imposibil de realizat cu mijloacele traditionale De aceea prezentul compendiu nu poate avea un caracter exhaustiv el reflectand in mod pragmatic din perspectiva practicii muzicale doar trei elemente constitutive ce sunt structurate in capitolele A Evolutia mijloacelor de prelucrare a informatiei cu aplicatie la arta sunetelor B Elaborarea audio numerica si C Muzica de camera asistata de calculator Avand o configuratie interactiva determinata si de evolutia extraordinar de rapida a genului in multiplele lui ipostaze compendium ul evidentiaza in acest sens si o serie de legaturi links uri cu unele dintre cele mai documentate surse de informare accesibile prin Internet Dedic aceasta lucrare mamei mele Dr Livia NICHIFOR si sotiei mele distinsei compozitoare si profesoare Liana ALEXANDRA http romania on line net whoswho AlexandraLiana htm Capitolul A EVOLUTIA MIJLOACELOR DE PRELUCRARE A INFORMATIEI CU APLICATIE IN ARTA SUNETELOR
84. Press Function key F2 F12 Select Yes or No in dialog boxes Type N for no and Y for Yes Move to top of page score Page Up Move to bottom of page score Page Down Next or Previous Page Ctl PageUp or Ctl PageDown Change layers Alt Shift layer number Articulation Tool Display the Articulation Selection dialog box Click on above or below a note or rest that doesn t have an articulation attached or click on a note whose articulation handles are visible OR drag enclose a group of notes Display articulation handle Click a note to which an articulation has been attached Select an Click or shift click the handle Move an articulation Drag the handle ctrl drag the handle to move without using dynamic drawing Delete an articulation Select the handle and press delete or right click the handle and select Delete from the contextual menu Drag enclose a group of notes while holding delete to delete articulations on all the notes Display the Articulation Designer dialog box Double click an articulation handle or right click the handle and select Edit Articulation Definition from the contextual menu Chord Tool Display positioning arrows Click the staff but not on a note or rest Display the Chord Definition dialog box Click a note with no chord symbol attached with Manual Input selected in the Chord Menu or double click a chord symbol handle or right click the handle and select Edit Chord Definition from the contextual
85. Serban Nichifor Composer Teacher Roumania Bucaresi About the artist http www voxnovus com composer Serban_Nichifor htm Born August 25 1954 in Bucharest Romania Married to Liana Alexandra composer http Awww free scores com partitions_gratuites_lianaalexandra htm Studies National University of Music Bucharest Doctor in Musicology Theology Faculty University of Bucharest International courses of composition at Darmstadt Weimar Breukelen and Munchen USIA Stipendium USA Present Position Professor at the National University of Music Bucharest Chamber Music Department Member of UCMR Romania SABAM Belgium ECPMN Holland Vice president of the ROMANIA BELGIUM Association Cellist of the Duo INTERMEDIA and co director of the NUOVA MUSICA CONSONANTE LIVING MUSIC FOUNDATION INC U S A Festival with Liana ALEXANDRA Selected Works OPERA SYMPHONIC VOCAL SYMPHONIC AND CONCERTANTE MUSIC Constellations for Orchestra 1977 Symphony Shadows 1980 Cantata Sources 1977 Cantata Gloria Heroum Holocausti 1978 Opera Miss Christina libretto by Mircea ELIADE 1981 more online Qualification PROFESSOR DOCTOR IN COMPOSITION AND MUSICOLOGY Personal web http romania on line net whoswho NichiforSerban htr Associate SABAM IPI code of the artist I 000391194 0 About the piece Title INTRODUCTION TO COMPUTER MUSIC Composer Nichifor Serban Licence Copyright c Serban Nichifor pui Ins
86. algoritmic intr o noua perspectiva holistica in lumea virtuala a computerului nici o transformare nu este imposibila nici o asociere nu este irealizabila De aceea proiectarea lumii reale in oglinda anamorfotica a lumii virtuale create de computer poate oferi imagini tulburatoare cu profunde si inedite valente artistice In fond acesta este si sensul artei interactive asa cum s a demonstrat recent si cu prilejul festivalului New Sound New York 30 Martie 16 Mai 2004 http www timeoutny com nsny ce a fost dedicat exclusiv relatiilor interactive dintre muzica arhitectura si artele vizuale impresionanta manifestare incluzand concerte experimentale in aer liber si instalatii multi media subsumate urmatoarelor teme NB cu scurte prezentari originale the interactive project activated environments and hybrid instruments presentations about responsive environments and new technologies resonating frequencies dialogues on architecture amp music prominent architects and composers are paired to reflect on architecture and music architects design music Michael J Schumacher s computer based matrix feedback sound innovators explore the use of feedback to create sonic environments anyware a real time concert in networked collaboration with colleagues worldwide Ljubjana Berlin Munich Barcelona Montreal London Canary Islands Vienna Amsterdam Prague tune in the kitch
87. als Audit Bar Lines Accidents Enharmonic Spelling Note Stems Options Window Cascade Title Arrange Icons Close All Help Contents Search for Help on Did you know Getting Started Command Reference Keyboard Reference Benefits of Registering How to Order Support Go to NoteWorthy Software com Check for Web Updates About Functiile programului LIME 8 00 January 2003 by Lippold HAKEN and Dorothea BLOSTEIN www cerlsoundgroup org lime 1906 Augusta Champaign IL 61821 USA File New Open Import NIFF Import MIDI Close Save Save As Lime Fle lim ee scor 24 Export NIFF Export MIDI Revert Layout Print Setup Print Print Multiple About Lime Exit Edit Undo Redo Cut Copy Copy Music Paste Clear Note Text Annotation At Each System On Each Page In Every Context Staff Chord Accident Drag Invisible Notes Copy Measures Align Annotations Duplicate Extend Line to Here Allow Any Alt click Enable Duration Edits Shortcut Keys Options Context Previous Notation Context Next Notation Context Part Extraction Score Page Previous Next Page Go to Page Bar Split Page System Add to Next Page System Systems Insert Delete Measures Correct Measure Voice Previous Next Part or Voice Record Note Entry Parts and Voices Voice to Staff Above Bellow Staff Drag Hightlight Voice Voice on Channel Note Previous Next Note Show Accidental Default Special Accidentals
88. also visit the poodles amp flan web site at poodlesandflan com QuasiFractal Composer Version 2 0 Copyright 1999 Paul Whalley All rights reserved e mail paulwhalley 9 yahoo com URL http members tripod com paulwhalley Saccara SA 01 Ambience Synthesizer Version 07 02 MFC Copyright 1999 2001 Visiomedia Software Corporation http www visiomedia com Symbolic Composer 5 0 Modular www symboliccomposer com Tangent 1 0 Copyright 1999 Paul Whalley All rights reserved e mail paulwhalley yahoo com Venharis An Adventure in Sound Copyright 1998 1999 Cenobyte Software Design Ltd Designed by written by Phil Thompson http fractalmusician com The Well Tempered Fractal v 2 0 Copyright 1993 By Robert Greenhouse 3401 Hillview Ave Palo Alto CA 94304 USA robert greenhouse spacebbs com Ultra Fractal v 3 05 program de sinteza a imaginilor fractale statice a fotogramelor algoritmice www ultrafractal com info ultrafractal com Fractal eXtreme v 1 902 program de sinteza a imaginilor fractale dinamice filmice Copyright 1997 2003 by Cygnus Software http www cygnus software com Bibliografie Specifica Domeniului Barnsley M Fractals Everywhere 2 a edici on Academic Press 1993 Calonge J Barrallo Geometrica fractal algoritmica y representacion Anaya Multimedia 1993 Bennett Gerald Chaos sel similarity musical phrase an
89. anoforte 1993 Musica Caelestis treatise 1994 Rorate Caeli per Soprano ed Orchestra 1994 Chamber Opera Talaria libretto by Etienne DE SADELEER 1994 Medium per Arpa 1995 Medium per Flauto 1995 Cantata Per CHRISTUM 1997 Concerto GRIEGoriano for Piano and Orchestra 1997 3 Christmas German Chorals for Organ 1997 Hommage a DEBUSSY per 2 Pf ossia Pf e Nastro Magnetico 1998 La Nuit Obscure per Orchestra da Camera 1998 Chamber Opera Le Martyre de Saint Claude DEBUSSY libretto after Claude DEBUSSY and E A POE 1999 Turkish Bolero for 4 Cellos and Orchestra 2002 Symphony Concerto for Cello and Orchestra 2003 2004 Introduction to Computer Music handbook 2003 2005 Symphony No VII for Cello and Orchestra 2004 Sounds of Mars computer music 2004 American Air for Orchestra 2005 Tribute to Joseph Smith The American Prophet computer music 2005 ee scor
90. ar cel digital este gradual format din trepte succesive de informatii numite samples a caror viteza este direct proportionala cu fidelitatea calitatea reproducerii astfel Teorema Nyquist a stabilit ca respectiva viteza sampling rate sau sampling frequency masurata in Hz trebuie sa aiba o valoare cel putin dubla in raport cu cea mai inalta frecventa cuprinsa in semnalul sonor Sampling frequency Unitatea de masura a informatiei in teoria statistica a comunicatiei este BIT ul ca prescurtare a Binary digIT Considerand doua evenimente cu probabilitati egale de realizare BIT ul reprezinta informatia obtinuta asupra unui eveniment prin realizarea sa sau incertitudinea asupra evenimentului inlaturata prin realizarea sa Multiplii BIT ului sunt 4 bits 1 nibble 8 bits 2 nibbles 1 byte 16 bits 2 bytes 1 word 1024 bits 1 kilobyte K 1000 K 1 megabyte MB 1000 MB 1 gigabyte GB 1000 GB 1 terabyte TB Formula standard de reproducere sonora utilizata si in realizarea CD urilor audio este aceea a unei viteze sampling frequency sau sampling rate de 44100 Hz la 16 bits conform Teoremei Nyquist enuntate mai sus sampling frequency de 44100 Hz este raportata la pragul auditiv superior la om ce este situat la cca 20000 Hz NB data fiind constitutia exclusiv numerica a sunetului digital imaginea sonora este perfect conservata eliminandu se z
91. ard Shortcuts Troubleshooting Tip of Day Sonic Foundry on Web Product News Frequently Asked Questions Online Support Sound Forge Home Page Send Feedback Sonic Foundry Home Page About Sound Forge SPECIALE File New Open All Tzpes Close Workspace Save Save As asf smp svx iff v8 voc vox pat ivc aif snd sds au snd rm ra smp sfr dig sd snd avi wav wma Save All Properties Send Exit Edit Can t Undo Can t Redo Can t Reper Cut Copy Copy Object Link Paste Paste Special Crossfade Mix Overwrite Replicate Paste to New Trim Crop Delete Clear Select All Preview Cut Cursor Pre roll Cursor Tool Edit Magnify Pencil Go To Selection Snap to Time Snap Edge to Time Snap to Yero Snap Edge to Yero Set Undo All Disable Undo Redo View Maximize Width Full Screen Clipboard Contents Play Zoom Level Out Full ee scor 26 Window Selection Zoom Time In Full Normal Out Full Selection Focus to Data Window Region List Playlist Cutlist Keyboard Mixer Time Display Video Preview Play Meters Undo Redo History Loop Tuner Special Transport Record Play All Play Pause Stop Go to Start Rewind Forward Go to End Play Normal Mode Play Looped Mode Play as Sample Cutlist Mode Region list Add Delete Edit Replicate Split Update Clear Markers to Regions Open Save As Copy onto Clipboard Playlist Cutlist Add Delete Edit Replicate Clear Sto
92. atorul de distributie Standard MIDI Files SMF sau mid ce contine Status Byte format din Note On Note Off System Exclusive SysEx si Path Change configurat in Chains si Loops distribuite pe cele 16 canale MIDI Chanels 0 15 fie in forma misata intr un singur traiect MIDI O fie in cea spatializata pe 16 voci separate MIDI 14 Fisierul este foarte redus iar celelalte coordonate dinamica timbrul panoramarea sunt mobile putand fi precizate de catre utilizator aceste aspecte constituind principalele diferente in raport cu celelalte tipuri de fisiere audio wav mp3 aiff rm etc ce sunt cu mult mai voluminoase deci mai greu de transmis prin Internet si au toti parametrii inamovibili Formatul MIDI are numeroase aplicatii instrumente muzicale electronice sintetizoare digitale sequencers programe de redactare muzicala MIDI Notation Software ca de pilda MOZART FINALE CAKEWALK SIBELIUS etc MIDI Show Control in spectacole MIDI Machine Control in studiourile de inregistrari toate putand fi interconectate prin noile protocoale GENERAL MIDI 1 GM1 din 1991 si GENERAL MIDI 2 GM2 din 1999 stabilite de catre MIDI Manufacturers Association Incorporated din Los Angeles WAVE wav formatul standard audio digital necomprimat CD DA aplicat in realizarea CD urilor format CD Audio cda
93. blu pre existent Key Tonalitate Time Masura Tempo OK apoi Layout Titles precizand Title Titlu Composer Compozitor Reference Denumirea si sau caracterul Tempo ului sau File New precizand Template None Staves Portative n dela 1 la 64 OK apoi Score Clef Cheie Instrument Score layout precizand Score si Style eventual Lyric lines apoi Layout Titles precizand Title Titlu Composer Compozitor Reference Denumirea si sau caracterul Tempo ului 2 O lucrare pre existenta File Open sau File Import MIDI 3 Redactarea textului muzical Scrierea efectiva a notelor implica urmatoarele trei operatii precizarea duratei longa 0 nota intraga 1 doimea 2 patrimea 3 optimea 4 saisprezecimea 5 etc precizarea inaltimii cu butonul stang al mouse ului sau cu tastele de orientare sus jos stanga dreapta sau cu claviatura virtuala ce apare in imaginea programului si fixarea notei prin apasarea tastei de spatiu a keyboard ului Pentru stergerea rapida a unei note se utilizeaza tastele de orientare si apoi tasta Delete iar pentru stergerea mai multor note acestea se selecteaza cu mouse ul dupa care se apasa aceeasi tasta Delete Pentru anularea unei unor masuri se utilizeaza comanda Edit Delete bars iar pentru adaugarea unei unor masuri comanda Edit Insert bars 4 Alte operatii frecvente ItemPartitionMultiplet pentru formule ritmice exceptionale ItemTails pentru or
94. c Mixolydian 1 3 1 1 3 2 1 Chromatic Lydian Raga Lalit Bhankar 3 113211 Chromatic Phrygian 1 132113 Chromatic Dorian Mela Kanakangi Raga Kanakambari 1 3 2 1 1 3 1 Chromatic Hypolydian Purvi That Mela Kamavardhani Raga Shri Pantuvarali Basant Kasiramakriya Suddharamakriya Puriya Dhanashri Dhipaka 3 2 1 13 1 1 Chromatic Hypophrygian Blues scale II52 1 13 1 1 3 Chromatic Hypodorian Raga Dvigandharabushini 2 3 11311 Chromatic Mixolydian inverse 1 1 2 3 1 13 Chromatic Phrygian inverse 1 13 11 23 Chromatic Hypophrygian inverse 3 113112 Chromatic Hypodorian inverse 1 132131 Mela Ganamurti Raga Ganasamavarali l 1 3 2 3 1 1 Mela Tanarupi Raga Tanukirti l 3 1 1 2 3 1 Raga Lalita Chromatic Hypolydian inverse Raga Suddha Pancama 1 312113 Mela Gayakapriya Raga Kalakanti Gipsy Hexatonic 1 3 ee scor 35 12131 Major Gipsy Persian Double Harmonic Major Bhairav That Mela Mayamalavagaula Raga Paraj Kalingada Second Byzantine mode Hitzaskiar Greece Maqam Zengule Hijaz Kar Suzidil 1 3 1 2 3 1 1 Mela Hatakambari Raga Jeyasuddhamalavi 3 112 1 1 3 Mela Yagapriya Raga Kalahamsa 3 11213 1 Mela Gangeyabhusani Raga Gangatarangini Sengah Greece 3 1 1 2 3 1 1 Mela Calanata Raga None Chromatic Dorian inverse l 231113 Mela Gavambodhi Raga Girvani 1 231131 Todi That Mela Shubhapantuvarali Raga Multani Gamakasamantam Chromatic Lydian inverse 1231311 Mela Divyamani 1 3211 1 3 Mela Dhavalambari Foulds Mantra of Will scale l 3213 1
95. c Ujo Korea Major complement 2 2 3 2 3 Major Pentatonic Ryosen Japan Man Jue Gong China Raga Bhopali Bhup Mohanam Deskar Bilahari Kokila Jait Kalyan Peruvian Pentatonic 1 Ghana pent 2 2 3 2 3 2 Yo Japan Suspended Pentatonic Raga Madhyamavati Madhmat Sarang gyptian Rui Bin Jin Yu Qing Yu China 2 3 3 2 2 Chaio China 2 2 2 3 3 Kung China 3 2 2 32 Minor Pentatonic Raga Dhani Suddha Dhanyasi Abheri Udhayaravi Chandrika Qing Shang Gu Xian Jia Zhong Yu China P yongjo kyemyonjo Korea Minyo Japan Peruvian Pentatonic 2 Blues Pentatonic 3 3 2 2 2 Raga Harikauns Chin China 3 23 2 2 Raga Malkauns Malakosh Raga Hindola Man Gong Quan Ming Yi Ze Jiao China 2 2 3 3 2 Dominant Pentatonic Shang China 3 2223 Minor added sixth Pentatonic Kyemyonjo Korea 1 1 4141 Raga Vijayasri 1 141 14 Messiaen mode 55411411 Messiaen mode 5 inverse 2 2 1 115 Raga Dipak 2 1 3141 Raga Amarasenapriya l 1 4 123 Raga Chandrajyoti 1 3211 4 Raga Dhavalangam l 31241 Raga Gaula l 42113 Raga Kalakanthi 2 4 1 31 1 Raga Malarani Hamsanada 1 3 2 14 1 Raga Mandari Gamakakriya Hamsanarayani l 4213 1 Raga Padi 4 1213 1 Raga Paraju Ramamanohari Simhavahini 12141 Raga Rasamanjari l 314 12 Raga Rudra Pancama 4 12113 Raga Saravati Sharavati 2 1 3114 Raga Syamalam 4 12311 Raga Tilang Savitri Brindabani Tilang 1 3 1421 Raga Vasanta Chayavati 4 2 1 3 1 1 Raga Vijayavasanta 1 3313 1 Raga Bauli 3 31311 Raga Jivantini Gaurikriya l 33113 Raga Kalagada
96. cest converter necesita si instalarea unor programe complementare DirectX SAPI 5 1 Text to Speech Engine etc ce sunt descarcate automat de pe Internet prin activarea functiei ee scor 30 Download IMAGINEA FOTOGRAFICA IN SUNET pixels in MIDI Functiile programului MIDImage The Loxound Musical Pixelator Version 2 4 4 1 conceput cu Borland Delphi v 5 2003 Brute Force Programming by Daniel J Wojcik Landstuhlerstr 2 Ramstein Miesenbacg 66877 Germany Imp genjerdan com www genjerdan com File New Project Project Files Iprj MIDI Files mid Configuration Files Impc WAVE Files wav Open Project Project Files Iprj Images bmp jpg gif MIDI Files mid Configuration Files Impc Patches bank Save Project Add Image to Project jpg jpeg bmp gif Create Web Page Save Settings As mid Iprj Impc wav Load MIDI Print Composition Settings Exit Configure Pathes amp Note Ranges Select MIDI Device Configure Scales Bank Settings Load Additional Patches Banks Options Track 10 is Percussion Boost Dynamics Show Flyover Hints Overwrite Image on Save Strict Bank Control Tools Create Bank Patch List Autoload SoundFonts Go to Position Track Editor Help Help Program Info Registration Credits MIDImage Homepage d PROGRAME WAV MP3 MIDI DE EDITARE MULTI TRACKS Functiile programului ACID Pro 4 0 http
97. ckspace or right click the handle and select Restore Default Position from the contextual menu Delete a measure number Press delete or right click the handle and select Delete from the contextual menu Move a measure number Drag the measure number s handle Display the Enclosure Designer dialog box Double click a measure number s handle or right click the handle and select Edit Enclosure from the contextual menu Force a measure number to appear Ctrl click a measure without a measure number Force measure numbers on a measure in all staves of a staff system Ctrl shift click on a measure Break a multimeasure rest Right click the handle and select Break a multimeasure rest from the contextual menu Mirror Tool Display Mirror and Placeholder icons Click the Mirror Tool Display the Placeholder dialog box Click a measure with notes or with a Placeholder icon Display the Tilting Mirror dialog box Click an empty measure or a measure with a Mirror icon Display the Mirror Attributes dialog box Shift click a measure with a Mirror icon Note Mover Tool Display a handle on every notehead in the measure Click a measure Select a handle or handles Click shift click drag enclose or shift drag enclose the handles Delete selected notes still in their original measure Press delete or right click the handle and select Delete from the contextual Menu Move or Copy notes to another measure Drag a note or a group of notes to the end of the measure
98. color stripes to show alternate iterations newton Based on the Newton formula for finding the roots of z p 1 Pixels are colored according to the iteration when the orbit is captured by a root z 0 pixel z n 1 p 1 z n p 1 p z n p 1 One parameter the polynomial degree p pickover Orbit in three dimensions defined by x n 1 sin a y n z n cos b x n y n 1 z n sin c x n cos d y n ee scor 53 z n 1 sin x n Parameters a b c and d plasma Random cloud like formations Requires 4 or more colors A recursive algorithm repeatedly subdivides the screen and colors pixels according to an average of surrounding pixels and a random color less random as the grid size decreases Three parameters graininess 5 to 50 default 2 old new algorithm seed value used popcorn The orbits in two dimensions defined by x 0 xpixel y 0 ypixel x n 1 x n h sin y n tan 3 y n y n 1 y n h sin x n tan 3 x n are plotted for each screen pixel and superimposed One parameter step size h popcornjul Conventional Julia using the popcorn formula x 0 xpixel y 0 ypixel x n 1 x n h sin y n tan 3 y n y n 1 y n h sin x n tan 3 x n One parameter step size h rossler3D Orbit in three dimensions defined by x 0 y 0 z 0 1 x n 1 x n y n dt z n dt y n 1 y n x n dt a y n dt z n 1 z n b dt x n z n dt c z
99. compozitia rezultata fiind difuzata public in timp real Totodata tehnica SoundWIRE reprezinta si o confirmare a viabilitatii perceptiei holistice quasi acustice a Universului demonstrand o data in plus caracterul cosmogonic al Vibratiei Transcendentale Capitolul B ELABORAREA AUDIO NUMERICA 1 PROLEGOMENE Ciclul creatiei prin analogie in perspectiva panenteista si prin reductie fenomenologica DUMNEZEU lt LOGOSUL CREATOR lt MARELE ARHITECT AL UNIVERSULUI gt Continuumul realitatii informational energetice lt Panarmonios Kosmou Sintaxis 9 lt Musica Caelestis cf Appendix 2 Creatia Muzicala componistica si interpretativa Creatia Instrumentala gt Creatia Electro Acustica gt Computer Music Definirea Informatiei a ontologic sub aspect existential componenta a traidei informatie energie materie ca principiu universal b cibernetic matematic prin analogie formala cantitatea de noutate dependenta si de gradul de interes al receptorului epistemologic prin cunoastere stiintifica componenta a dihotomiei lt realitate informatie gt realitatea manifestandu se prin informatie in procesul delimitarii adevar eroare semiotic sub aspectul logicii simbolice 2 un ansamblu logic de semne sau semnificanti purtatoare de sensuri sau semnificati in contextul comunicarii Comunicarea Muzicala DUMNEZEU CR
100. d 1 3121211 Maqam Hijaz 1 2111312 Maqam Shadd araban 2 1 2 2 2 1 1 1 Raga Mian Ki Malhar Bahar Sindhura 2 1221112 Raga Mukhari Anandabhairavi Deshi Gregorian nr 1 Dorian Aeolian mixed 2 1 1 1 2 2 1 2 Minor Bebop Raga Zilla Mixolydian Dorian mixed 2 2 1 2 2 11 1 Gennes 1e COT Naminant Bebop Raga Khamaj Desh Malhar Alhaiya ee scor 36 Bilaval Magam Shawq Awir Gregorian nr 6 Major Mixolydian mixed Chinese Fight Tone Rast Greece 22121121 Major Bebop Altered Mixolydian 2 1211212 Blues scale II 12112122 Spanish Phrygian 1 2111 222 Espla s scale Eight tone Spanish 2 1212121 Diminished Modus conjunctus Messiaen mode 2 inverse Whole Half step scale 2 2 1 1 12 2 1 Ishikotsucho Japan Raga Yaman Kalyan Chayanat Bihag Hamir Kalyani Kedar Gaud Sarang Genus diatonicum veterum correctum Gregorian nr 5 Kubilai s Mongol scale Major Lydian mixed 2 1221121 Zirafkend Arabic 1 1122212 Adonai Malakh Jewish l 2122121 Magen Abot Jewish 2 1 2 2 12 11 Maqam Nahawand Raga Suha Suha Kanada Gregorian nr 4 Utility Minor 1 2 1 2 12 12 Octatonic Messiaen mode 2 Dominant Diminished Diminished Blues Half Whole step scale 11221122 Messiaen mode 6 2 2 1 12 2 1 1 Messiaen mode 6 inverse 1 2211221 Van der Horst Octatonic 1 12 1 12112 Messiaen mode 3 Tsjerepnin 2 11211211 Messiaen mode 3inverse 2 12211111 Raga Pilu Full Minor 2 11122111 Raga Malgunji Ramdasi Malhar 2 21211111 Raga Pahadi 2 11111212 Blues Enneatonic 2 12111112 Kiourd
101. d Tracks Delete Selected Tracks Import Audio Track Import MIDI Track Import MIDI Get Info Exit Edit Can t Undo Cut Copy Paste Merge Paste Clear Duplicate Repeat Shift Select All Trim Capture Region Separate Region Heal Separation Quantize Regions Mute Unmute Region Lock Unlock Region Consolidate Selection Identify Sync Point Identify Beat Identify Silence Strip Silence Insert Silence Fades Create Delete Fades Fade To Start End Thin Automation AudioSuite DeEsser Compressor Limiter Expander Gate Gate 1 Band EQ II 4 Band EQ II Invert Duplicate short delay slap delay medium delay long delay Normalize Gain Reverse DC Offset Removal Time Compression Expansion Pitch Shift MIDI Change Tempo Change Meter Quantize Change Velocity Change Duration Transpose Select Notes Split Notes Input Quantize Click Click Options MIDI Beat Clock Input Filter MIDI Thru All Notes Off Operations Destructive Record Loop Record QuickPunch Auto Input Monitor Input Only Monitor Online Pre Post Roll Playback Loop Playback Scroll Options No Auto Scrolling Scroll After Playback Page Scroll During Playback Link Edit and Timeline Selection Play Edit Selection Active In Background Pre Fader Metering Display Show Edit Window Narrow Mix Window Mix Window Shows Comment View 1 0 View Insert View Sends View All None Edit Window Shows Comment View 1 0 View Insert View Sends
102. d form http www computermusic ch files articles Chaos Self Similarity Chaos html Blanc Talon J Inference of grammars from fractal sets the inner structure en Grammatical Inference L Erlbaum Assoc Publisher 1994 Simon Lucas Ed Briggs J and F D Peat 1989 Turbulent Mirror New York Harper amp Row Casti J L 1994 Complexification New York Harper Collins Degazio Bruno Nikola Tesla and Joseph Schillinger the music of NT the man who invented the twentieth century http www ks rus uni stuttgart de people schulz fmusic tesla html Bulen Shawn Self similarity theories musings and observations http ourworld cs com shawnbulen SelfSimi htm Elert Glenn The chaos hypertext book http hypertextbook com chaos Glass L and D Kaplan 1995 Understanding non linear dynamics New York Springer Gleick James 1987 Chaos New York Penguin Books Greenhouse Robert The Well Tempered Fractal 3 0 manualul programului 1995 http www ks rus uni stuttgart de people schulz fmusic wtf de Guzman Miguel Martin Miguel Angel Moran Manuel Reyes Miguel Estructuras fractales y sus aplicaciones Labor Barcelona 1993 Kindermann Lars MusiNum 2 08 the music in the numbers documentatia programului 2000 http www forwiss uni erlangen de kinderma musinum musinum html Leung Tac The music makers http www discovery com stories technology fractals musicmakers html Lorenz E N 1963 Nondetermini
103. data o serie de concluzii referitoare la 1 relatia dintre intarziere delay latency si tempo daca intarzierea este mai mare de 30 msec tempoul are tendinta sa scada EPT ul muzicii ritmice este de cca 20 30 msec 2 aplicarea strategiei de tip leader subordonat pentru mentinerea unui tempo uniform chiar si in conditiile unei intarzieri mari de 50 70 msec a determinat aparitia unor severe desincronizari EPT ul variaza in functie de specificul muzicii viteza stil timpul de atact al instrumentelor etc 3 nivelul optim al intarzierii este de 10 20 msec si nu de 0 msec 6 EPT ul determinat prin intarziere electronica este cu mult mai scazut decat in cazul EPT ului determinat in mediul acustic natural ce include fenomene complementare de reverberatie si variatie de amplitudine Acest important studiu poate fi obtinut pe site ul www ccrma stanford edu sau la adresa cc Q ccrma stanford edu 5 Configurarea Toposului Acustic de la spatiul arhitectonic la spatiul virtual Precizare terminologica notiunea de TOPOS gr 01010 loc desemneaza in domeniul acusticii muzicale spatiul fizic in care evolueaza sursa sonora sala de concert Toposul Acustic impreuna cu Inaltime Frecventa Volumul Amplitudinea si Timbrul Structura Spectrala reprezinta parametrii Spatiului Sonor proiectiile acestuia in Timp definind Sunetul ce se clasifica in Sunet muzical cu Frecventa regulata si Zgomot cu Frecve
104. de Victor Barladeanu lucrari concertante Concerto GRIEGoriano pentru pian si orchestra camerale vocale corale si electroacustice parte din ele publicate la Bucuresti New York Munchen Tours Metz Koln Roma si Pescara si Palermo Ca violoncelist activeaza in duo ul Intermedia alaturi de compozitoarea si pianista Liana Alexandra impreuna cu care a organizat la Bucuresti mai multe manifestari de muzica contemporana sub genericul NUOVA MUSICA CONSONANTE LIVING MUSIC FOUNDATION ee scor 81 Serban NICHIFOR Born in Bucharest Romania 25 08 1954 Studies National University of Music Bucharest Doctor in Musicology University of Bucharest Theology Faculty International courses at Darmstadt Weimar Breukelen and Munchen USIA Stipendium USA At present Professor at the National University of Music Bucharest Chamber Music Department Member of UCMR Romania SABAM Belgium ECPMN Holland Vice president of the ROMANIA BELGIUM Association Cellist of the Duo INTERMEDIA and co director of the NUOVA MUSICA CONSONANTE LIVING MUSIC FOUNDATION Festival with Liana ALEXANDRA Composition prizes at Amsterdam Tours Athens Urbana Illinois Evian Toledo Trento Roma Bydgoszcz K ln Karlsruhe Newtown Wales Birmingham Alabama Comandor of the Merit National Order 2000 Works published at Editura Muzicala Bucharest Edition Modern Munchen Pro musica Studium Roma Quadrivium Music Press New Yo
105. du book MA TCpages tableofcontents html j Modulatia de Amplitudine Amplitude Modulation AM este un proces de prelucrare timbrala analog unui efect de tremolo implicand varieri periodice ale volumului sonor ce consta in modificarea amplitudinii semnalului sonor initial numit carrier signal printr un semnal de modulatie numit modulating signal inducand prin coordonatele sale de amplitudine frecventa si forma waveshape nivelul viteza si respectiv configuratia pattern modulatiei de amplitudine amplitudinea sunetului initial va deveni amplitudinea medie a sunetului modulat De pilda dintr un sunet initial carrier signal pe care il numim x de 700 Hz sinus modulat in amplitudine cu un sunet modulating signal pe care il numim y de 5 Hz sinus va rezulta un sunet sinus cu amplitudinea medie de 700 Hz si cu variatii de amplitudine intre 705 Hz x y si 695 Hz x y la o viteza de 5 cicluri secunda Daca sunetul de modulatie este de peste 20 Hz viteza schimarilor va fi imperceptibila in planul amplitudinii volumului in aceasta situatie ea percepandu se ca doua noi frecvente numite sidebands reprezentand suma x y si diferenta x y dintre sunetul original si cel de modulatie ce se suprapun peste sunetul original Astfel daca x 700 Hz sinus si y 20 Hz sinus vor rezulta 3 sunete cu frecventele de 700 Hy sinus x 720 Hz sinus
106. e spatiul muzical inaltime netemperata in sistemele extraeuropene si in cele europene de sorginte pitagoreica temperata in sistemul european occidental incepand din sec al XVIII lea x intensitate relativa ppppp fffff valorile depinzand de sursa stil acustica topos ului etc x timbru vocal instrumental acustic electroacustic mixt x topos amplasamentul sursei scenic extra scenic mono stereo qudrofonic panoramic multi dimensional x timpul ee scor muzical finit ritm agogica forma evolutiva non evolutiva repetitiva non repetitiva catenata mono bi tri tripentapartite rondo suita forma mozaic contrastanta sonata variationala meta ana morfotica monodica polifonica heterofonica omogena mixta inchisa deschisa supra juxtapusa determinista stochastica aleatorie controlata necontrolata micro macrostructurala de la celula motiv fraza perioada sub sectiune si sectiune la parte si intreg Evolutia Muzicii Electro Acustice 1 Tape Music Musique Concr te Electronic Acousmatic Music Synthesizer Music analog RCA Buchla Moog Korg etc digital Synclavier Yamaha etc 2 Live Electronic Music Tape and Instruments Electronics and Instruments 3 Computer Music Bell Labs Princeton Studio CCRMA IRCAM etc 4 Cyber Art Digital Music Computer Animation Audio Visual Effects Interactive Art Net Vision Sound WIRE Project CCRMA etc Calculul a
107. e Major Minor 3 5 53555 Intense Diatonic Mixolydian M Locrian 5 35553 5 Intense Diatonic Phrygian M Dorian 3 5 5 5 355 Intense Diatonic Dorian M Phrygian 5 553553 Intense Diatonic Hypolydian M Lydian 5 5 3 5 5 3 5 Intense Diatonic Hypophrygian M Mixolydian 4 4 5 44 5 5 Neutral Diatonic Mixolydian 4 5 4 4 5 5 4 Neutral Diatonic Lydian 5 4 4 5 5 44 Neutral Diatonic Phrygian 4 4 55445 Neutral Diatonic Dorian 4 5 544 5 4 Neutral Diatonic Hypolydian 5 5 44 5 44 Neutral Diatonic Hypophrygian 5 445445 Neutral Diatonic Hypodorian 4 5 44 5 4 5 Neutral Mixolydian 5 4 4 5 4 5 4 Neutral Lydian 4 454545 Neutral Phrygian 4 5 4 5 4 5 4 Neutral Dorian 5 4 54 544 Neutral Hypolydian 4 54 544 5 Neutral Hypophrygian 5 4 5 44 5 4 Neutral Hypodorian 4 6 2 64 3 3 3 Genus sextum 5 5355323 Genus diatonicum 5 3 535253 Modus conjunctus 3 5253535 Octatonic 5 2 65256 Natural Minor 352 353253 Genus chromaticum 5 33335333 Rothenberg Generalized Diatonic 3 3 43 53433 Hahn symmetric pentachordal 3 4 3353433 Hahn pentachordal 4 34343433 Thirty one tone Orwelli4144414414 Breed 10 tone 4 2424 24333 Lumma Decatonic 5 1515151511 de Vries 11 tone 5 21253214123 Genus bichromaticum 3 4 3 321414123 Genus enharmonicum vocale 2 24223331333 Genus enharmonicum instrumentale 2 3 3 2 3 2 323323 Meantone Chromatic 53 220 comma 53 23232332323 Genus diatonico chromaticum 3 2233233 2233 Fokker 12 tone Modes for default scales Imd Alternate notes 1 100 cents Equal Temperament M 12 Default 12 tone l
108. e United States A Historical Introduction Second Edition 1974 1969 Published by Pretince Hall Inc Englewood Cliffs N J 07632 JOHNSON ROGER SCORES An Anthology of New Music Schirmer Books A Division of Macmillan Publishing Co Inc New York 1981 ISBN 0 02 871190 4 LEOPOLDSEDER Hannes and SCHOPF Christine PRIXARS ELECTRONICA 2003 CyberArts Katje Cantz Verlag Ostfildern Ruit D A P Distributed Art Publishers Inc New York 2003 LIPSCOMB Eric HOW MUCH FOR JUST THE MIDI BITNET LIPS UNTVAX October 1989 North Texas Computing Center Newsletter Benchmarks MALM P William Music Cultures On The Pacific The Near East And Asia Second Edition 1977 1967 Published by retince Hall Inc Englewood Cliffs N J 07632 MANCINI Henry A Practical Guide To Professional Orchestration 1973 Northridge Music Inc Cherry Lane Music o Inc ISBN 0 89524 060 2 MARCUS Solomon Semne despre semne Editura Stiintifica si Enciclopedica Bucuresti 1979 MATZKIN Jonathan A MIDI Musical Offering PC Magazine 29 Nov 1988 229 MIDI Manufacturers Association Incorporated 1995 2003 Los Angeles California MOLES Abraham Art et Ordinateur Casterman 1971 Ed Meridiane Bucuresti 1974 MOORE F R 1990 Elements of Computer Music Prentice Hall Englewood Cliffs New Jersey MOORER James A Signal Processing Aspects of Computer Music A Survey in Computer Music Journal vol 1 no 1 February 197
109. e de aplicatii originale ale sistemului LINUX in realizarea pe INTERNET a unor legaturi audio complexe permitand de pilda interpretilor sa cante impreuna in timp real de la mari distante in conditii acustice ideale realizandu se astfel un proces de audio teleportare In acest context aplicandu se standardul ping ca metoda de testare a conectivitatii computerelor ce consta in masurarea RTT round trip time s a observat ca reteaua respectiv INTERNET ul reactioneaza la fluxul traficul variabil de mesaje ca o coarda muzicala avand lungimea direct proportionala cu distanta dintre cele doua computere conectate aceasta coarda virtuala producand la excitarea ei prin mijloace specifice tehnicii SoundWIRE diferite sunete waves in functie de modul de atac prin ping uri in real time Inaltimea deci frecventa f acestor sunete este invers proportionala cu RTT ul ping ului f 1 sR unde s 1 R 5ms k R gt 5ms k 0 025 cf Chris CHAFE and Randal LEISTIKOW Levels of Temporal Resolution in Sonification of Network Performance CCRMA Music Department Stanford University Stanford CA USA ee scor 94305 cc ccrma stanford edu randal ccrma stanford edu Reteaua INTERNET ul devine astfel si un autentic instrument muzical ce executa o partitura conceputa prin conectarea specifica a doua computere aflate la o distanta cat mai mare pentru a se sintetiza o coarda virtuala cat mai ampla ca spectru armonic
110. e whole note 1 8 Add or change 128th note ctrl 0 zero Insert 64th note whole note shift 1 through shift 7 on keyboard only with MIDI while playing note Insert 128th note without MIDI ctrl 0 zero in insert mode only Add 64th rest whole rest with MIDI shift 1 through shift 7 without pressing note Add rest with or without MIDI ctrl shift 1 7 on keyboard only Add 128th rest with MIDI ctrl 0 zero Add a rest with Hands Free MIDI play any three note cluster Toggle Insert mode insert or shift 0 zero Constrain dragging a note horizontal vertical shift drag Begin a tuplet duplet octuplet ctrl 2 through ctrl 8 Define a tuplet ctrl 1 e Raise by a half step plus or shift S Lower by a half step minus or shift F Raise by a half step for entire measure ctrl plus Lower by a half step for entire measure ctrl minus e Flat note F Sharp note S e Natural note N Double sharp X Double flat V Previous note left arrow Next note right arrow Move to first note or rest in measure ctrl left arrow Move just beyond last note or rest in measure ctrl right arrow Down a step down arrow Up a step up arrow Remove note from chord backspace Change single note to rest backspace or R e Tie untie to next note equals or T e Tie untie to previous note ctrl equals or shift T Flip a tie ctrl F Restore tie direction to automatic ctrl shift F e Break join beam from previous no
111. en this sound installation event is designed for a virtually silent environment in which listeners hear live performances through individual radio headsets amnon wolman amp carl stone a sound installation by Israeli composer Amnon Wolman and a new erythroblastic remix of the Tokyo urban soundscape by pioneer of live computer music Carl Stone The Morrow Sound CubeTM a multi channel playback environment providing an immersive 3D audio experience christopher janney sonic forest 04 a free standing interactive sound light installation composed of sixteen 4 foot aluminum electronic trees each set with audio speakers lights and photo electric sensors As passersby walk between columns the sensors are triggered to produce an ever changing score of melodic tones environmental sounds and spoken text accompanied by varying light effects If participants solve the riddle they may also activate pre programmed patterns from a flock of birds to a swarm of fireflies at night listening room two compilation CD s featuring highlights from the 1979 New Music New York concerts Philip Glass Steve Reich Meredith Monk Pauline Oliveros Tony Conrad One of the most important records ever of the history of minimal music Tom Johnson The Village Voice rock s role after ryoanji sound works by artists responding to John Cage s musical transliterations of the famed Japanese Zen rock garden Ryoanj
112. ended to complex degrees Complexnewton colors pixels according to the number of iterations required to escape to a root Complexbasin colors pixels according to which root captures the orbit The equation is based on the newton formula for solving the equation zip r z 0 pixel z n 1 p 1 z n p r p z n p 1 Four parameters real amp imaginary parts of degree p and root r diffusion Diffusion Limited Aggregation Randomly moving points accumulate One parameter border width default 10 fn fn pix z 0 pixel z n 1 fn1 z p fn2 c Six parameters real and imaginary parts of the perturbation of z 0 and factor p and the functions fnl and fn2 fn z z z 0 pixel z n 1 fn z n z n One parameter the function fn fn fn z 0 pixel z n 1 fn1 n fn2 n Two parameters the functions fn1 and fn2 fn z z z 0 pixel z n 1 p1 fn z n z n p2 z n Six parameters the real and imaginary components of pl and p2 and the functions fn1 and fn2 ee scor 49 fn fn z 0 pixel z n 1 p1 fn1 z n p2 fn2 z n Six parameters The real and imaginary components of pl and p2 and the functions fn1 and fn2 formula Formula interpreter write your own formulas as text files gingerbread Orbit in two dimensions defined by x n 1 1 y n Ix n I y n 1 x n Two parameters initial values of x 0 and y 0 henon Orbit in two dimensions defined by x n 1 1
113. enzione attenzione html www underground pcdome hu magazin php pos 32 www kapaza be results userid 27K ZFARBA 6 www kapaza be subcat index cfm id 584 amp www all forums co uk forum showthread php t 192787 www mixradio ro index php oldal 15 amp vsz 17 www element music com fr sister php www interactive music no omoss htm thehacker free fr afp index php3 m independants amp start 300 amp t 1 spark cla umn edu archive2005 SPro sec3 pdf www design kyushu u ac jp sn critic shiftcontrol html www morph dk misc html archiv transponder news de sat stefan 1999 160 html www undergroundmagazin hu cikk php id 2174 www meceoo fr search kw streaming 20music amp stype web amp searchzone local digital tinusi com fr search page1 1 digital html finance euroclips com music_15_1 html www meceoo fr search kw streaming 20music amp stype web amp searchzone local digital tinusi com fr search page1 1 digital html Live Computer Music www atariarchives org bcc3 showpage php page 81 www onds com hvega music events php artscilab org david scores Pleromal pdf nagasm suac net ASL profile ee scor 66 nagasm suac net ASL kassel arcana dartmouth edu eric Lyon resume html bibserv isti cnr it Dienst UI 2 0 Describe cnr isti 2003 A2 101 tiposearch ercim amp langver www cnmat berkeley edu Research NIME2002 NIME02W essel WrightSchottPr html www artifact com catalog php www berkowski net cv php www music columbia edu alessi pianorecitals html www1 pac
114. ept MPEG 1 mpg mpeg mla Main Concept MPEG 2 mpg mpeg m2a Macintosh Audio Interchange File Format AIFF aif snd Macintosh Resource snd Macromedia Flash swf MIDI SDS sds MIDI Files Format 1 all instruments saved to separate tracks si Format 2 all instruments saved into a single track mid smf rmi MidiScan File mnd MOZART File mz MP3 Audio mp3 Mp3PRO FhG mp3 OggVorbis ogg Music Write 2000 File mwk NeXT Sun Java File au snd NoteWorthy Composer nwc PIZZICATO File piz QuickScore File qsd Quick Time mov qt dv gif Raw File raw RealMedia rm ra RealNetwork G2 rm RHAPSODY File rhp Sample Vision smp SmartScore File fin SCORE File pge pag mus SIBELIUS File sib SIBELIUS Scorch Web Page htm Sonic Foundry sfr Sound Designer 1 dig sd Sounder Sound Tool snd Video for Windows avi Tune Smithy Fractal Tunes ts TwinVQ ver 2 0 format vqf Windows Media Audio wma Windows Media Format asf NIFF Notation Interchange File Format format standard pentru notatia muzicala 4 PRINCIPALELE FISIERE DIGITALE AUDIO UTILIZATE IN ACEST CURS MIDI Musical Instrument Digital Interface mid a aparut in 1983 lansarea sa a avut loc la Los Angeles The First North American Manufacturers Show si cuprinde 1 Protocolul de comunicatii limbajul codificat in forma binara 2 Conectorul interfata hardware ce este de tipul 5 pins DIN MIDI si 3 Form
115. equency Modulation in Journal of the Audio Engineering Society vol 21 no 7 1973 CHOWNING John M GREY John M MOORER James A RUSH Loren Computer Simulation of Music Instrument Tones in Reverberant Spaces Department of Music Stanford University Technical Report STAN M 1 1975 CONGER Jim C Programming for MIDI Redwood City M amp T Books 1988 _ COOPER Jim Mind Over MIDI Information Sources and System exclusive Data Formats Keyboard October 1986 110 111 DODGE Charles and THOMAS A Jerse Computer Music Synthesis Compositions and Performance Second Edition New York Macmillan Library 1997 EDSTROM Brent Making Music With Your Computer Second Edition EM Books 2001 www astropro com LLC ISBN 0 87288 744 8 ENDERS Bernd and KLEMME Wolfgang MIDI and Sound Book for the Atari ST Redwood City M amp T Books 1989 GARDNER John K HARVEY Brian LAWSON James R RISSET Jean Claude Computer Facilities for Music at IRCAM as of October 1977 Rapports IRCAM 3 78 GIBSON Bill Audio Pro Home Recording Course Volume I and II Hal Leonard Corporation GIULEANU Victor Tratat de Teoria Muzicii Bucuresti Editura Muzicala 1986 HAMM Charles Music In The New World W W Norton and Company 1983 ISBN 0 393 95193 6 HILLER Lejare Music Composed with Computers in The Computer and Music ed Harry B Lincoln Ithaca Cornell University Press 1970 HITCHCOCK H Wiley Music In Th
116. er cu programe specifice precum MidiLive pCM Kyma Max Sonar 3 etc generator sintetizator analog sau digital amplificator difuzoare In aceasta ordine de idei celebrul compozitor Rodney OAKES ce este si un important pionier al genului imi marturisea urmatoarele utilizez curent MX4 un program sintetizor produs de MOTU ce ruleaza in combinatie cu Digital Performer eu comand computerul cu trombonul prin intermediul unui Yamaha G50 pitch to MIDI controller si al unei pedale Yamaha MFC10 Partea electro acustica complementara este inregistrata pe CD In ultimii doi ani am folosit programele MetaSynth Digital Performer si ocazional Reason MetaSynth mi a oferit posibilitatea de a sintetiza imagini sonore din fotografii digitale astfel incat in acesti ani am compus trei DVD uri Homage to Chopin Matise si The Blue Bridge Toate aceste lucrari au fost create prin transformarea unor fotografii realizate de mine Mentionam de asemenea si experimentele initiate la Illinois University in perioada 1972 1975 de catre compozitorul Joseph PINZARRONE ce a imaginat impreuna cu inginerul Thomas NOGGLE si cu coregrafa Debra LOEWEN un interesant sistem de transformare a miscarii in sunet Interactive Woman Machine Improvisations bazat pe un proces de tip bio feedback implicand conectarea a 64 de senzori instalati pe corpul dansatoarei la un sintetizor analog prin intermediul unui pr
117. ere permite optimizarea directivitatii ansamblurilor de difuzoare corectia ecoului in sistemele de teleconferinta controlul in timp real a orientarii directiei in fluxurile sonore precum si multe alte efecte Un alt program deosebit de important in domeniul interactiunii timp real spatializare este Max MSP version 4 3 1 aplicabil atat pe Mac cat si pe lt Windows XP gt si disponibil la adresa http www cycling74 com products download html utilizat de asemena la IRCAM in combinatie cu programele lt AudioSculpt lt Modalys gt si Diphone ce sunt axate pe analiza sinteza sonora 6 Configurarea Acusticii Instrumentale Totla IRCAM Paris www ircam fr proiect coordonat de Rene CAUSSE dar si la alte importante centre de cercetare acustica din U S A precum Bregman Electronic Music Studio Dartmouth College http eamusic darmouth edu proiect coordonat de Charlie SULLIVAN s au efectuat si o serie de experimente dedicate studierii functionalitatii instrumentelor traditionale in scopul perfectionarii lor prin lt grefe acustice 5 precum si realizarii unor noi instrumente reale sau virtuale Caracterul eterogen al domeniului organologic a impus initierea unor cercetari fundamentale multidisciplinare acustica botanica mecanica vibratiilor mecanica fluidelor in colaborare cu institutii de specialitate Un proiect important se refera la modelare fizica physica
118. es Click a staff or a staff handle or drag enclose staff handles Add the staff to the selection If a staff is already selected remove the staff from the selection Shift click a staff or a staff handle Display the Staff Attributes dialog box Double click a staff or a staff handle or double click a full or abbreviated staff name handle or right click the handle and select Edit Staff Attributes from the contextual menu Add a staff without repositioning the lower staves to make room for the new staff Double click in the score in Scroll View Insert a staff between staves repositioning the lower staves to make room for the new staff Shift double click below a staff in the score in Scroll View Display the Group Attributes dialog box Double click a group handle or double click a bracket handle or right click the group or bracket handle and select Edit Group Attributes from the contextual menu right click the staff handle and select Add Group and Bracket from the contextual menu Delete the selected staves without repositioning the remaining staves Press delete for selected staves or right click the handle and select Delete Staves from the contextual menu Delete the selected staves and reposition the remaining staves Press shift delete for selected staves or right click the handle and select Delete Staves and Reposition from the contextual menu Adjust the staff s position in Scroll View only The placement of staves remains unchanged in Page Vie
119. estor esantioane sonore samples pot fi ulterior reformulate la diferite scari rates de durate si frecvente prin operatia resample De asemenea in cadrul track urilor se pot efectua operatiile curente cut copy paste delete split etc precum si cele referitoare la configurarea dinamicii si a micro structurii sonore envelope Compozitia rezultata prin suprapunerea mai multor track uri poate fi salvata Save Save As in formatele specifice programului acd acd zip precum si in celelalte formate uzuale ca bucla sonora File Export loops aif mp3 ogg pca wav sau ca lucrare definitivata File Render As aif mp3 ogg mov rm pca wwav wma etc Acest program bazat pe bucle sonore loops reprezinta o cale foarte eficienta de sinteza a structurilor muzicale de factura repetitiva e PROGRAME COMPLEMENTARE Functiile programului KB PIANO Version 1 1 2003 Gabriel Fernandez http www gfsoftwgre com File New Open KBPiano Files kbp Save Save As kbp Export to MIDI File mid Properties Title Author Comment Exit Channel Delete Events Remove Vol Messages Remote Pan Messages Clear channel Options Tuning Show notes Mem used Midi devices Restart Device Metronome Set up Milliseconds Sound number Volume Enabled ee scor 32 Help Contents KB Shortcuts Quick Help Support the author About Alte comenz
120. for text Double click and drag in the score Edit the text block Double click a text block handle or right click the handle and select Edit Text from the contextual menu Delete the selected text blocks Press delete for one or more selected text blocks or right click the handle and select Delete from the contextual menu Adjust the text block s position in the score Drag a selected text block handle Tuplet Tool Display positioning handles Click the first note of a tuplet Position tuplet Drag a positioning handle Position tuplet without dynamic drawing Ctrl drag a positioning handle Delete tuplet Press delete for selected tuplet or right click the handle and select Delete from the contextual menu Display the Tuplet Definition dialog box Double click a positioning handle or the first note in a group that you want to define as tuplets or right click the handle and select Edit Tuplet Definition from the contextual menu Display the Default Tuplet Visual Definition dialog box Ctrl click the Tuplet Tool or right click the Tuplet Tool and select Edit Default Tuplet Visual Definition from the drop down list Zoom Tool Zoom in enlarge 2x if tool is selected Click the score Zoom out reduce by 1 2 if tool is selected Ctrl click the score Temporary switch to Zoom Tool enlarge Shift click the right button Temporary switch to Zoom Tool reduce Ctrl Shift click the right button Fill the screen with the selected area Drag
121. g configurations such as all dead or all alive cells Class IL includes frozen configuratiz _ _ ty eventually settles down to stable structures ee scor 22 Class III rules generate chaotic configurations resembling noise patterns Class IV rules display complex but not random behavior The output is highly sensitive on initial conditions cell configuration In the Rules group box you can select which rule you want to use This can be done either by entering the rule number directly in the edit box or selecting the state of the cells by clicking on the check boxes A checked box means the cell will live if the 3 cell configuration above it the cell and its two neighbors is met in the previous generation an unchecked box means the cell will die Initial configuration is a number between 1 and 1410065408 representing the initial state of cells in generation 1 encoded as a 32 bit integer Universe size is the length of the cellular automaton in cells This universe is a one dimensional torus that is the last cell connects with the first cell Allowed values range from 128 to 512 It is remarkable how the aural representation resembles the graphical output of these CA You can very clearly hear the differences between all four classes and how they match perfectly with their graphical counterpart 3n 1 numbers Take any whole number greater than 1 If it is even divide it by two if odd multiply by 3 and add 1
122. giatura Grace note Reiteration 0 1 2 3 Phrasing Phrase mark Phrase mark below Tie Tie Invert Tie Bar lines Bar line Repeat Final bar line Line break Music break Number Rehearsal mark First time Second time Dynamics fz fff ff f mf mp p pp ppp cresc dim swell fade Symbol Chord symbol Chord repeat Text Down bow Up bow Pedal Pedal off Break Tempo Control Mute Unmute Properties Offset Hide Show Properties Spacing Insert Compress end Bar Joint Tails Invert Tails Default Tails direction Accidents Enharmonic default Octave up Octave down Compress bar Whole bar repeat Whole bar rest n bar rest Pad with rests Score Transpose piece Key Time signature Tempo Stave Clef Instrument Concert octave up down Combine strands Separate strands Score layout Lyric lines Add lyric line Remove lyric line Move lyric line up Move lyric line down Style options Chord symbols Clefs Written pitch Layout Titles Page format Music font Bar numbering Print empty stave Justify ee scor 14 Window New window Cascade Title Arrange items Close all Next window Previous window n Mozart n Help Mozart help topics Search for help Lesing help Command list Editing commands Getting started Tip of day Optaining support About Mozart OPERATII CURENTE 1 O noua lucrare File New precizand Template Formatul de solist sau ansam
123. gn Hornby Gregory S and Pollack Jordan B 2001 Body Brain Co evolution Using L systems as a Generative Encoding Hornby Gregory S Lipson Hod and Pollack Jordan B 2001 Evolution of Generative Design Systems for Modular Physical Robots Hornby Gregory S and Pollack Jordan B 2001 Evolving L Systems to Generate Virtual Creatures 04 PRINCIPALELE PROGRAME MUZICALE FRACTALE ALGORITMICE GENERATIVE Universal Music Machine UMM v 0 5 7 Free compositional software tool developed by Steve Ricks and Morgan Quigley http www universalmusicmachine com steve ricks byu edu mlq3G email byu edu morganquigley gmail com Acest important program algoritmic este extrem de util in asistarea procesului componistic de pilda in sintetizarea diferitelor tipuri de texturi in zona sonoritatilor globale Utilizarea programului implica trei etape 1 se stabilesc pentru fiecare pista track setarile adica coordonatele de baza Pitch Rhythm Dynamics tipul de algoritm Random Sequential Bottle sau Persistent Sequence Track Size Beat Offset MIDI Patch Tempo 2 se actioneaza comanda Generate Sequence 3 produsul sonor ce poate fi salvat atat in formatul MIDI Export MIDI file cat si in formatul specific programului ssn Session File prin succesiunea de comenzi File Save poate forma si un Sample utilizabil
124. gomotele complementare ce apar in cazul inregistrarilor analoge Dimensiunile audio si compresia digitala o secunda de muzica reprodusa in formatul standard audio CD Stereo este alcatuita din doua samples cate unul pentru fiecare canal de 16 bit 2 bytes totalizand asadar 4 bytes derulati cu viteza de 44100 Hz consumand in consecinta un spatiu de 176 400 bytes 176 4 kilobytes Un minut va consuma asadar 10 584 kilobytes 10 584 MB iar o ora 635 04 MB In aceste conditii necesitatile transmiterii muzicii pe Internet au determinat realizarea unor noi formate audio ce sunt comprimate dupa algoritmi ee scor specifici De pilda aplicand principiul de codificare mu law conform caruia auzul uman este mult mai sensibil la schimbarile joase de amplitudine decat la cele inalte formatul MP3 reduce spatiul ocupat de fluxul sonor citindu I printr o grila cu numai 256 de elemente 3 TIPURI DE FISIERE DIGITALE AUDIO ACID Project Files acd acd bak ACID Projekt With Embedded Media acd zip Ad Lib Sample smp Amigo SVX svx iff Audacity projects aup Audition Loop cel CAKEWALK Files wrk bun CD Audio cda Covox V8 v8 Creative Labs VOC voc Dialogic VOX ADPCM vox Gravis Patch pat ENCORE File enc FINALE Coda Notation File mus FINALE ENIGMA Transportable File etf FINALE Coda Template File ftm InterVoice ivc IRCAM Files snd Main Conc
125. hue sequence comes from number theory and has many interesting mathematical properties It can be generated in many ways one of the simpler ones is starting from 0 and adding its binary complement as follows 01 10 1001 1001 0110 One of the most interesting properties of the sequence is that if you remove every even number you get back the same sequence This self similarity gives the sequence fractal properties How do you make music out of this sequence Very simply First you choose a Base in which to count the original sequence is in base 2 Second you choose a number by which the counters will be multiplied Multiplier Now this is what happens The number shown in the Start Counter is multiplied by the Multiplier then the result is converted to the base you have chosen for example base 3 mult 3 counter 17 3 17 51 gt 3 1220 The digits of this number are then added 14242402 5 and made the modulo operation with the number of notes in the scale times the number of octaves Assuming C major 7 notes and 1 octave this yields 5 7 1 5 which is then is added to the starting note in MIDI values middle C is No 60 Since the mapping starts at 0 then the resulting note is an A above middle C Some base multiplier combinations yield an amazing variety while others are boringly static The result depends in the right combination of base multiplier and scale These are some interesting combinations base n multiplier n p
126. i Greece 2 21112111 Taishikicho Japan Ryo Japan Raga Chayanat 1 2 1121121 Genus chromaticum l 21121211 Moorish Phrygian 1 12111212 Youlan scale China 1 1122 1112 Chromatic and Diatonic Dorian mixed 1 12121121 Chromatic and Permuted Diatonic Dorian mixed 2 1 1121112 Modes of Major Pentatonic mixed 1 111211112 Messiaen mode 72111121111 Messiaen mode 7 inverse 2 111211111 Major Minor mixed 2 111112111 Minor Pentatonic with leading tones 1 1 1 1121211 Raga Sindhi Bhairavi 1 121111211 Symmetrical Decatonic 1 11111111111 Twelve tone Chromatic Modes for default scales Imd Alternate notes 1 3 1 13 Bohlen Pierce scale 3 121321 Prooijen Major 2 13123 1 Prooijen Minor 2 12112121 Delta Moll 15121211212 Dur I Delta inverse 121211221 Gamma 122 112121 Gamma inverse 2 11212112 Dur IE5 211212121 Lambda 1 21212112 Harmonic Lambda inverse l 2 1 2 12 12 1 Pierce Moll II 1 12121212 Walker A5121121212 Walker B212121211 Walker 5212121121 Walker II 1 n 1 15 15 tone equal modes 4 14141 Blackwood Hexatonic 3 123141 Fifteen tone Harmonic Minorl3 21314 1 Fifteen tone Harmonic Majorl3 2 1 3 2 3 1 Fifteen tone Major 3 1 2 3 1 3 2 Fifteen tone Minor Natural Minorl3 1 2 3 2 3 1 Fifteen tone Melodic Minorl2 2 2 3 2 2 2 Fifteen tone Miller s Porcupine 712 3 2 2 2 2 2 Fifteen tone Miller s Porcupine 7 Majorl 3 111311211 Fifteen tone Major Minor mixedll 212121212 Blackwood Decatonicll 21112111121 Twelve tone ChromaticIModes for default scales Imd Alternate no
127. i Patch QChord Play Rec Rec Over Solo Stop Undo Pan Octave 1 6 Channel 1 12 13 15 Name Channel Volume Master Volume NB Prin comanda Rec programul transforma tastatura keyboard ul computerului intr o claviatura muzicala prima linie de taste alfabetice in sistemul anglo american QWERTYUIOP devine o claviatura cu un ambitus diatonic de o duodecima C2 G3 cromatizabil prin adaugarea accidentilor linia de taste numerice 2356790 de deasupra si extensibil la 6 octave C2 G8 prin comanda Octave 1 6 sau FI F6 de asemenea prin activarea liniei IV de taste alfabetice ZKCVBNM se pot obtine trisonuri diatonice pe ambitusul C2 G3 extensibil la 6 octave prin tastele F7 F12 configuratia acordurilor putand fi setata prin comanda QChord Liniile de taste alfabetice monodice tastele diatonice OWERTYUIOPI la care se adauga tastele cromatice 2356790 si acordice ZXCVBNM se pot utiliza simultan astfel programul permite inregistrarea unor linii monodice Rec Solo cat si omofonice polifonice sau eterofonice prin suprapuneri consecutive Rec Rec Over pe toate cele 15 canale disponibile canalul 9 fiind rezervat percutiei Compozitia rezultata poate fi salvata prin Save sau Save As in formatul specific KBPiano File kbp ce nu este insa recunoscut de alte programe sau in formatul MIDI prin Export to MIDI File format universal ce
128. i the works are arranged spatially and temporally so that they can be heard both in isolation and simultaneously ota bruce odland and sam auinger blue moon an installation that transforms the ambient soundscape of the Hudson River waterfront at the World Financial Center into a resonant environment tuning tubes wired with microphones and suspended over the harbor harmonize the local acoustic happenstance from waves to helicopters overhead five cube loudspeakers play back this real time data and serve as street furniture on which listeners can experience Blue Moon s shifting sonic bricolage shirazeh houshiary breath 2004 this ee scor 65 twenty foot tall enameled brick tower emits a low sequence of vocal tracks from Buddhist Christian Jewish and Islamic traditions Breath is the fourth installment in Art on the Plaza treble exploring the practices that fall between sound art and visual art this group exhibition seeks to locate moments when sound inhabits and informs drawing sculpture and architecture Pe plan european remarcam pretioasa contributie adusa de Ars Flectronica Center din Linz Austria www aec at info aec at in promovarea consecventa a artei interactive in multiplele ei forme de manifestare Alte links uri Interactiv Art www teatron org forum post php action reply amp fid 10 amp tid 202 amp repquote 3423 www italiq expos com actualites 95 html lists indymedia org pipe
129. icMatcj Jukebox Functiile programului Shuffler Music Converter 4 r2 http www ilustrate org Convert From Mp3 File s Wave File s WMA File s Next Convert to Audio Format Wave Quality 44 100 Hy 16 Bit Stereo MP3 Quality 56 64 96 128 160 192 256 320 Kbps Stereo Mono WMA Quality 32 000 Khz 36 48 64 Kbps Stereo 44 100 Khz 48 64 96 128 160 Kbps Stereo Save Converted File s Same Folder as Original This Folder Browse Back Convert Exit Help About WAV in MIDI Functiile programului AmazingMIDI v1 70 Copyright O 1998 2003 arakisoftware http www pluto dti ne jp araki amazingmidi File Specify Tone File piano0 pianol pulse sample sine Specify Input File wav Specify Output File mid Exit Play Play Tone File Play Input File Play Output File ee scor 29 Transcribe Transcribe View Zoom In Horizontally Zoom Out Horizontally Zoom In Vertically Zoom Out Vertically Help Contents About AmazingMIDI MIDI in WAV sau MP3 ACID Pro 4 0 http sonicfoundry com acid Prin activarea functiilor File Open MIDI Files si apoi File Render As Save as type WAV sau MP3 NB toate functiile acestui complex program de editare sunt prezentate mai jos IMAGINEA PARTITURII IN SUNET Functiile programului SharpEye Music Reader version 1 15 Mar 18 2000 1999 2000 Graham Jones www
130. ientarea cozilor ItemAccents pentru accente Item Ornaments pentru ornamente ItemPhrasing pentru indicarea legaturilor de frazare ItemBarline pentru barele de masura de repetitie precum si pentru bara finala ItemDynamics pentru nuante ItemSymbolText pentru textele integrate in partitura ca de pilda indicatiile de expresie ScoreTranspose pentru transpunerea lucrarii Schimbarile de tonalitate masura tempo si chei se realizeaza cu comenzile din Score Key Time signature Tempo si respectiv Clef Transpunerile la octava superioara sau la cea inferioara prin comenzile din Bar Octave up si Octave down numerotarea masurilor prin comanda Layout Bar numbering repetarea masurilor lenesii prin Bar Whole bar repeat extragerea stimelor prin File Duplicate iar tiparirea prin File Print Explicatii suplimentare se pot obtine prin activarea functiei Help sau prin accesarea site ului www mozart co uk Functiile programului FINALE 2003 The Art of Music Notation 2002 by MakeMusic Inc Coda Music Technologies www codamusic com Keyboard Shortcuts and Special Mouse Clicks material extras din Finale User Manual File Menu New Ctrl N Open Ctrl O Close Ctrl W Save Ctrl S Import Ctrl D Print Score Ctrl P Quit Alt F4 Edit Menu Undo Ctrl Z Redo CtrI Y Undo List Ctrl shift Z Cut Ctrl X Cut create ee scor Clip file Press ctrl when choosing Cut Cut displa
131. ific edu rcoburn music htm www ercim org publication Ercim_News enw37 tarabella html www o art org history 80s amp 90s Mills LPolansky PolCVita 2 html www springeronline com sgw cda pageitems document cda downloaddocument 0 10900 0 0 45 110264 0 00 pdf www newmusicbox org article nmbx id 4187 www japansociety org events event detail cfm id event 1702597446 cmr soc plymouth ac uk publications CMW 20Music 20Leaflet pdf www music buffalo edu faculty lippe pdfs liege pdf artscilab org david Index1 htm cmr soc plymouth ac uk event htm www lovely com bios bischoff html www ultrasound ws showcase html www spjc edu spg music emit98 99 html arcana dartmouth edu eric LyonMP3 www zakros com mica iMesp01 iMesp01 html www informatik uni trier de ley db conf cmmr cmmr2003 html www doctornerve org nerve pages schubertstatement shtml smc04 ircam fr scm04actes P30 pdf www sukothai com X SA 14 X 14 Uehara html depthome brooklyn cuny edu music special html www cnmat berkeley edu Research NIME2002 NIME02W esselW rightSchottDm html Softsynth Spins Out Polyphonic www tmcnet com usubmit 2003 Dec 1022045 htm www sequenza21 com 2005 08 teaching 20th century music html www acma asn au chroma_pdf chroma33 pdf www spectrumpress com miranda news and concerts html www symbolicsound com cgi bin bin view Community WebHome music calarts edu hpark links html mitpress2 mit edu e journals Leonardo Imj Imj9intro html cec concordia ca econtact Harvest
132. in timp real generand sinteza locatiei surselor si cea a efectului de sala reverberatia artificiala Modulul de prelucrare poate fi configurat pentru sisteme individuale de reproducere tridimensionala la casca sau prin doi transductori precum si pentru sisteme multi tracks cu reproduceri lt stereo si lt stereo 3 2 In coordonata scenei sonore virtuale modulul de comanda permite controlul prelucrarii audio numerice a semnalelor intr o maniera accesibila adaptata prin functii lt simbolice procesului de elaborare muzicala In paralel prin proiectul Design Sonore s a experimentat si fenomenul legat de perceptia si controlul iradiatiei surselor sonore instrumentale in scopul realizarii unor surse sonore artificiale capabile sa reproduca caracteristicile celor naturale si totodata sa induca directivitatea sunetului printr un sistem de transductori difuzoare ce compun lt imaginea de directivitate a semnalelor prelucrate lt prin sinteza aditiva gt in modul si in faza filtrat urmarindu se efectele fizice si psiho fizice ale fenomenului S au sintetizat astfel cu putine surse sonore imagini de directivitate fascinante prin noutatea si complexitatea lor Asa cum subliniaza si cercetatorii de la IRCAM aplicatiile studiului sunt numeroase dincolo de simularea caracteristicilor spatiale ale instrumentelor pentru sunete pre inregistrate sau pentru sunetelor de sinteza acest procedeu de reproduc
133. ing Euler rotations n 4 90 F P F F F F F F n 2 90 F F F F P F F FF FF F F F F n 2 90 F F F F P F F Hf FF F FF Ff FF f FF F FF Ff FFF f ffffff Context Sensitive L System Non deterministic Types 1 2 and I written 2L System Uses neighbor information as a condition to use a production rule Right of predecessor Left of predecessor Example 1 F Type 1 2 lt gt F Type2 TF lt gt F F Type I Context Sensitive Example Signal Propagation baaaaa pl b lt ab p2 ba baaaaa abaaaa aabaaa ee scor 58 aaabaa aaaaba aaaaab aaaaaa Non deterministic Each predecessor Multiple production rules Each rule has a probability of use Probabilities must sum to one Example F FF FFF Stochastic L System 0 1 0 2 0 7 Bracketed L System push current state onto a stack pop current state onto a stack Used to create tree like structures n 5 25 7 F P F F F F F F n 5 20 F P F F F F F F n 4 22 5 F P F FF F F F F F F n 7 20 X P F FF X F X F X X n 7 25 7 2X P FFF X F X X FX n 5 22 5 X P F FF X F X X F FX X Parameterized L System V is the alphabet is the set of formal parameters real numbers is the axiom seed V x E represent math operations C represent logic operations conditional is the predecessor V x is the successor V x E PxC x G V P defines a parametric 0L System Parameterized 0L System Examp
134. ist 10 2 Warao ditonic South America 5 7 Honchoshi Japan 7 5 Niagari Japan 6 1 5 Raga Ongkari 3 7 2 Ute tritonic 5 25 Raga Sarvasri Warao tritonic South America 5 5 2 Sansagari Japan 34 5 Peruvian tritonic 2 4 3 5 Raga Malasri Peruvian tritonic 1 1 5 1 5 Messiaen truncated mode 5 5 1 5 1 Messiaen truncated mode 5 inverse 2 172 Warao tetratonic South America 2 4 5 1 Raga Sumukam 1 4 3 4 Raga Lavangi 2 23 5 Eskimo tetratonic Alaska Bethel 2 3 2 5 Genus primum 5 2 3 2 Genus primum inverse 2 4 2 4 Messiaen truncated mode 6 4 2 42 _ Messiaen truncated mode 6 inverse 2 3 4 3 Raga Bhavani 4 3 3 2 Raga Mahathi 3 4 3 2 Bi Yu China 1 6131 Raga Deshgaur 1 316 1 Raga Megharanji 1 14 1 5 Raga Nabhomani 1 5 1 1 4 Raga Saugandhini Yashranjani 5 2131 Raga Devaranjani Devaranji 2 1 4 1 4 Hira joshi Kata kumoi Japan 1 4 2 1 4 Hon kumoi joshi Sakura Akebono II Japan Olympos Enharmonic Raga Salanganata Saveri Gunakri Gunakali Latantapriya 14142 Iwato Japan 4 2 14 1 Raga Amritavarshini Malashri Shilangi 4 1 4 2 1 Raga Bhinna Shadja Kaushikdhvani Hindolita 1 2 4 1 4 Balinese Pelog Raga Bhupalam Bhupala Todi Bibhas 4 1 24 1 Raga Gambhiranata Ryukyu Japan 1 4241 Raga Gaurij414 1 2 Raga Khamaji Durga 2 4141 Raga Vaijayanti Hamsanada 4 1214 Raga Zilaf 4 1 331 Bacovia Romania Raga Girija 1 4 3 3 1 Raga Kshanika 1 3134 Raga Megharanjani Syrian pentatonic 3 3 1 4 1 Raga Multani l 3 3 14 Raga Reva Revagupti Ramkali Vibhas bhairava 2 22 5
135. itecture gt utilizeaza module pre definite precum MCV lt MIDI Controlled Voltage Supply ce converteste timbrele MIDI in valori de tensiune VCO Voltage Controlled Oscillator generator de sunete determinate de valorile de tensiune PMC Pulse Code Modulation converter analog digital si digital analog ca interfata pentru difuzoare si VCA Voltage Controlled Amplifier amplificator bazat pe valorile de tensiune http alsamodular sourceforge net NB revista lt LINUX MAGAZIN gt www linux magazin ro Nr 4 Decembrie 2003 pag 21 35 include o prezentare amanuntita a acestor noi programe audio PROGRAME AUDIO IN SISTEMUL DE OPERARE MACINTOSH Apple MacIntosh Mac OS Audio Software Numeroase programe specifice pot fi procurate pe Internet ca de pilda pe site ul www hitsquad com smm mac atat in categoria lt Music Notation gt Cubase Score 5 Lime Music Notation Software 8 08 NoteAbility Pro v 1 996 ScoreWriter 2 Sibelius 3 1 Finale 2003 Vivaldi Gold Mac Sonata 4 0 etc cat si in categoria Audio Editors Ableton Live 3 0 2 real time audio production Amadeus II 3 6 1 direct to disk sound editor and analyser with MP3 support Audacity 1 1 1 for Mac free cross platform miti track sound editor Sound Sculptor II multi track sound editor Peak http eamusic darmouth edu masters courses Music24 software htmp etc
136. j That Mela Harikambhoji Raga Harini Janjhuti Surati Mischung 3 Ching Shang China Gregorian nr 7 2 122122 Gr Med Hypodorian Gr Med Aeolian Gr Hyperphrygian Natural Minor Asavari That Mela Natabhairavi Raga Jaunpuri Raga Adana Se Chiao China Gregorian nr 2 Makam Buselik Nahawand Peruvian minor Geez Ezel Ethiopian Kiourdi descending Greece 2 1 2 2 2 2 1 Melodic Minor ascending Jazz Minor Minor Major Mela Gaurimanohari Raga Patdip Velavali Deshi 2 Mischung 1 Hawaiian 2222121 Lydian Augmented Lydian sharp 5 2211222 Major Locrian 2 121222 Minor Locrian Half Diminished Locrian sharp 2 Minor flat 5531 2122 22 Super Locrian Altered Diminished Whole tone Locrian flat 4 Pomeroy Ravel 1 2 2 2 2 2 1 Neapolitan Major Phrygian Major Mela Kokilapriya Raga Kokilaravam 1 2 2 2212 Mela Natakapriya Jazz Minor inverse Phrygian Mixolydian Raga Natabharanam Ahiri Todi 2 2 1 2 1 2 2 Mischung 6 Mixolydian flat 6 Major Minor Mela Carukesi Raga Charukeshi Tarangini 2221122 Lydian Minor Mela Risabhapriya Raga Ratipriya 2 221212 Lydian Dominant Mela Vacaspati Raga Bhusavati Overtone Lydian Mixolydian Bartok 2 2 2 2 2 1 1 Leading Whole tone 1 3111131 Raga Ramkali Ramakri 11131113 Messiaen mode 4 3 1113111 Messiaen mode 4 inverse 1 3111221 Raga Bhatiyar 21311112 Raga Cintamani 1 3121121 Raga Saurashtra 1 2211131 Half diminished Bebop 1 3112211 Verdi s Scala enigmatica 1 1 1 2 2 1 3 1 Harmonic and Neapolitan Minor mixe
137. l modeling a instrumentelor si a vocii in aceasta directie continuandu se experimentele ce au condus inca de acum doua decenii la stabilirea lt algoritmului Karplus Strong K KARPLUS and A STRONG Digital Synthesis of ee scor 41 Plucked String and Drum Timbres Computer Music Journal 7 2 1983 bibtex entry http www cmi univ mrs fr HASSIP hassipbib Author KARPLUS K html pentru unele instrumente cu corzi ciupite chitara banjo koto si de percutie prin analizarea elementelor constitutive sunet vibratie aer coarda etc si prin reconstituirea timbrelor originale cu ajutorul unor sisteme speciale lt building blocks 5 bazate pe lt delays filtre lt feedbacks loops gt si mai ales pe lt buffers gt unitati de memorie cu acces aleatoriu tip RAM ce acumuleaza si totodata elibereaza permanent informatii intr un proces repetitiv generand prin periodicitate frecvente sonore S au elaborat astfel prin multiple analize si simulari si alte esantioane semnaturi acustice caracteristice instrumentelor cu ancie simpla clarinet saxofon cu ancie dubla oboi fagot cu jet de aer Blockfl te flaut transversal tub de orga si cu ancii libere acordeon in acest caz evidentiindu se faptul ca o miscare sinusoidala a anciei poate genera un timbru foarte bogat compus din peste 30 de armonice in prezent la IRCAM sunt analizate sunetele pianului studiindu se diferentele
138. le B 2 A 4 4 pl A x y y 23 A x 2 x y p2 A x y y gt 3 B x A x y 0 p3 B x x lt 1 C p4 B x x gt 1 B x 1 B 2 A 4 4 B DB HA 1 0 B 0 B 3 A 2 1 ee scor CB 2 A 4 3 CB 1 A 8 7 CB 0 B 8 A 1 0 Hornby Pollack Multiple applications 59 Considers there system generic by simply replacing the alphabet Uses Parameterized Bracketed DOL System Constrain conditions to compare with a constant Additional feature n block repeat Table Language Forward n Backward n Up n Down n Left n Right n Clockwise n Counter clockwise n 1 block n forward 6 left 1 4 up 1 forward 3 down 1 forward 4 5 left 1 4 Neural Network Language decrease weight n duplicate n increase weight n loop n merge n next n output n parent n reverse n set function n Mutation Original P0 n0 n1 n0 gt 5 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 n1 1 0 n0 2 0 Mutate condition P0 n0 n1 n0 gt 7 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 n1 1 0 n0 2 0 Mutate arguement P0 n0 n1 n0 gt 5 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 n1 2 0 n0 2 0 Mutation Original PO n0 n1 n0 gt 5 0 a 1 0 b 2 0 n1 n0 gt 2 0 P1 n1 1 0 n0 2 0 Mutate symbol PO n0 n1 n0 gt 7 0 c 1 0 b 2 0 n1 n0 gt 2 0 P1 n1 1 0 n0 2 0 Mutate random symbol removed b 2 0 PO n0 n1 n0 gt 5 0 a 1 0 n1 n0 gt 2 0
139. le atat in coordonata lt hard gt cat si in cea lt soft deosebit de utile in plan pedagogic lt Cybersongosse 7 si interpretativ lt Cybern phone 7 gt Referitor la sinteza vocala mentionam cercetarile efectuate la Princeton University din U S A de Perry R COOK ce s au finalizat si prin programul de modelare fizica lt SPASM singing voice software http www cs princeton edu prc NewWork html precum si inovatiile in domeniul emisiei vocale prelucrate audio numeric reliefate in creatiile realizate la prestigiosul lt Brooklyn College Center for Computer Music gt de compozitorul Robert VOISEY director al societatii Vox Novus din New York 7 Alte domenii abordate la IRCAM apud www ircam fr Cercetarea psihoacustica Asociatia PECA Coordonator Stephen McADAMS proiectele Perceptia si memorizarea timbrului muzical analiza parametrilor acustico auditivi perceptia proprietatilor fizice ale obiectelor sonore caracterizarea verbala a timbrului muzical si a relatiilor dintre timbre Procesul organizarii auditive organizarea simultana si cea secventiala Perceptia structurilor muzicale contemporane perceptia inarmonicitatii in agregatele de inaltimi si a progresiei in secvente de agregate cu Tristan MURAIL evolutia atentiei in structuri cu straturi multiple cu Antoine BONNET relatia perceptiva intre micro si macro structuri in sunetele
140. le specifice numite si fractale termenul derivand din limba latina fractus participiul trecut al verbului frangere ce se traduce prin a frange Auto similaritatea asigura asadar o forma cantitativa fara a schimba structura arhetipala ideea generatoare Fractalii au fost descoperiti in natura si analizati in doua lucrari de referinta Les objets fractals forme hasard et dimension 1975 The fractal geometry of nature 1982 de catre ilustrul matematician Benoit MANDELBROT n 20 Nov 1924 la Varsovia si stabilit din anul 1958 in U S A cercetator la IBM s Watson Research Center si profesor la institutii de invatamant superior de inalt prestigiu precum Yale University Harvard University si Einstein College of Medicine laureat al Barnard Medal for Meritorious Service to Science Franklin Medal Alexander von Humboldt Prize Nevada Medal Steinmetz Medal MANDELBROT a definit fractalul drept un obiect ale carui elemente constitutive reproduc macro structura in micro structura apud Les inattendus des fractales in Pour la Science No 234 Aprilie 1997 p 10 12 Astfel aceste structuri geometrice se pot multiplica prin dilatare augmentare sau prin reductie diminuare la scari simetrice in cadrul unui proces recursiv reiterativ numit haos ordonat intermediar din perspectiva euclidiana intre ordine si haosul total ce genereaza noi
141. lgoritmic in sinteza audio numerica 1 Daniel CUMMEROW The Sound of Mathematics combinari triunghiul lui Pascal constante e pi omega numarul lui Ramanujan functii phi Euler mu Mobius functii trigonometrice numere Niven prime tripletii primitivi ai lui Pitagora siruri fluturele lui Lorenz sirul lui Fibonacci sectiunea de aur www geocities com Vienna 9349 daniel cummerow stockholm mail telia com 2 Chris K CALDWELL Prime Number Listening Guide www utm edu research primes programs music listen 3 Ivars PETERSON Dancing chaos MAA Online Jan 11 1999 Prime listening MAA Online June 22 1998 The Mathematical Association of America webmaster maa org ip sciserv org 4 Jos Oscar MARQUES The Strange Beauty of Fractal Music www midiworld com c jmarques htm 2 SINTEZA SUNETULUI DIGITAL Tipuri de sunete electro acustice waveforms waveshapes sinusoidal sine dinti de ferastrau sawtooth IJ rectangular square I I si triunghiular triangle A Anvelopa sunetului Attack Decay Sustain Release ADSR Conversia sunetului ADC sau A gt D Analog to Digital Conversion transformarea imaginii acustice in imagine numerica binara 0 si 1 DAC sau D gt A Digital to Analog Conversion transformarea imaginii numerice binare 0 si 1 in imagine acustica Sunetul analog are un caracter continuu i
142. lini l 2 2 2 1 3 1 Neapolitan Minor Mela Dhenuka Raga Dhunibinnashadjam Maqam Shahnaz Kurdi 1222311 Mela Rupavati 1 312122 Mela Vakulabharanam Alhijaz Arabic Raga Jogiya Vativasantabhairavi Ahava Rabba Jewish Maqam Humayun Hitzaz Greece Dorico Flamenco Spain Harmonic Major inverse Phrygian Dominant 1 312221 Mela Suryakanta Bhairubahar That Raga Supradhipam Sowrashtram 2121132 Modified Blues 2 1 2 2 11 3 Mela Jhankaradhvani Raga Jhankara Bhramavi 2 122311 Mela Varunapriya Viravasantham 2 2 1 2 1 1 3 Mela Mararanjani Raga Keseri 2 2 1 2 3 1 1 Mela Naganandini Raga Nagabharanam Samanta 3 1 1 2 12 2 Mela Ragavardhani Raga Cudamani 3 1 1 2 2 12 Mela Vagadhisvari Raga Bhogachayanata Nandkauns Ganavaridhi Bluesy R amp R 3 1 1 2 2 2 1 Mela Sulini Raga Sailadesakshi Raga Trishuli Houzam Greece l 2 3 1 1 2 2 Mela Bhavapriya Raga Bhavani Kalamurti 1 2 3 12 1 2 Mela Sadvidhamargini Raga Sthavarajam Tivravahini l 2 3 1 2 2 1 Mela Suvarnangi Raga Sauviram 1 3 2 1 1 2 2 Mela Namanarayani Raga Narmada Pratapa 1 3 2 1 2 12 Mela Ramapriya Raga Ramamanohari Romanian Major Petrushka chord 1 3 2 1 2 2 1 Marva That Mela Gamanasrama Raga Partiravam Puriya Puriya Kalyan Sohani Peiraiotikos Greece 1322211 Verdi s Enigmatic ascending 2 131122 Mela Sanmukhapriya Raga Camara Chinthamani 2 1 3 12 1 2 Mela Hemavati Raga Desisimharavam Magam Nakriz Tunisian Hedjaz Misheberekh Jewish Souzinak Peiraiotiko Minore Greece
143. n dt Parameters are dt a b and c sierpinski Sierpinski gasket Julia set producing a Swiss cheese triangle z n 1 2 x 2 y 1 if y gt 5 else 2 x 1 2 y if x gt 5 else 2 x 2 y No parameters spider c 0 z 0 pixel z n 1 z n 2 c n c n 1 c n 2 z n 1 Parameters real amp imaginary perturbation of z 0 sqr 1 fn z 0 pixel z n 1 1 fn z n 2 One parameter the function fn sqr fn z 0 pixel z n 1 fn z n 2 One parameter the function fn test test point letting us and you easily add fractal types via the c module testpt c Default set up is a mandelbrot fractal Four parameters user hooks not used by default testpt c tetrate z 0 c pixel z n 1 c z n Parameters real amp imaginary perturbation of z 0 tim s_error A serendipitous coding error in marksmandelpwr brings to life an ancient pterodactyl Try setting fn to sqr ee scor 54 Z 0 pixel c z 0 z 0 1 tmp fn z n real tmp real tmp real c imag tmp imag c imag tmp real tmp imag c imag tmp real c z n 1 tmp pixel Parameters real amp imaginary pertubations of z 0 and function fn unity z 0 pixel x real z n y imag z n One x 2 y 2 y 2 One x x 2 One y z n 1 x i y No parameters apud Winfract Fractint for Windows Copyright C 1990 93 The Stone Soup Group Morse Thue Sequence The Morse T
144. n Objects Highlights Note Colors Note out of Range Pitch Spectrum Voice Colors None Page Margins Textures Selection Object Staff Rulers Full Screen Scroll Bars Toolbar Zoom Zoom Zoom In Out Create Bar Barline Clef Graphic Guitar Frame Highlight Instruments Key Signature Line Rehearsal Mark Symbol Text Expression Technique Lyrics Lyrics verse 3 5 Chord symbol Other Staff Text Plain text Lyrics verse 3 5 Figured bass Fingering Boxer text Small text Lyrics above staff Nashville chord numbers Footnote Technique 2 Note flags 2 Small Text 2 Title Subtitle Composer Lyricist Dedication Tempo Metronome mark Other System Text Copyright Header Header after first page Footer outside edge inside edge Rit accel Title 2 Header 2 Footer 3 Footer Footer 2 Special Text Bar numbers Guitar frame fret Instrument name at top left Instrument names Multirests Page numbers Rehearsal marks Time signatures huge large Tablature letters numbers Tuplets Bar Numbers Change Bracket or Brace Bracket Sub bracket Brace Extra Slur Arc Extra Staff Above Below Ossia Above Below Staff Type Change Pitched 1 5 lines No lines etc Tab Standard guitar Bass guitar etc Percussion 1 5 lines Transposition Change Play Play or Pause Stop All Notes Off Mixer Performance Dictiuonary Devices Substitute Devices Playback Options Notes Flexi
145. nchoshi Japan 7 5 Niagari Japan 6 1 5 Raga Ongkari 3 7 2 Ute tritonic 5 2 5 Raga Sarvasri Warao tritonic South America 5 5 2 Sansagari Japan 3 4 5 Peruvian tritonic 2 4 3 5 Raga Malasri Peruvian tritonic 1 1515 Messiaen truncated mode 5 5 1 5 1 Messiaen truncated mode 5 inverse 2 1 7 2 Warao tetratonic South America 2 4 51 Raga Sumukam 1434 Raga Lavangi 2 235 Eskimo tetratonic Alaska Bethel 2 3 2 5 Genus primum 5 2 3 2 Genus primum inverse 2 4 2 4 Messiaen truncated mode 6 4 2 4 2 Messiaen truncated mode 6 inverse 2 343 Raga Bhavani 4 332 Raga Mahathi 3 432 Bi Yu China 1 6131 Raga Deshgaur 1 316 1 Raga Megharanji 1 1415 Raga Nabhomani 1 5 114 Raga Saugandhini Yashranjani 5 2 13 1 Raga Devaranjani Devaranji 2 14 14 Hira joshi Kata kumoi Japan 1 4 2 14 Hon kumoi joshi Sakura Akebono II Japan Olympos Enharmonic Raga Salanganata Saveri Gunakri Gunakali Latantapriya l 4 1 4 2 Iwato Japan 4 2 1 4 1 Raga Amritavarshini Malashri Shilangi 4 1 4 2 1 Raga Bhinna Shadja Kaushikdhvani Hindolita 1 2 4 1 4 Balinese Pelog Raga Bhupalam Bhupala Todi Bibhas 4 1 2 4 1 Raga Gambhiranata Ryukyu Japan l 4241 Raga ee scor 34 Gauri 4 1412 Raga Khamaji Durga 2 414 1 Raga Vaijayanti Hamsanada 4 1 2 1 4 Raga Zilaf 4 133 1 Bacovia Romania Raga Girija 1 4 3 3 1 Raga Kshanika 1 3134 Raga Megharanjani Syrian pentatonic 3 3141 Raga Multani l 3 3 14 Raga Reva Revagupti Ramkali Vibhas bhairava 2 2 2 5 1 Raga Kumurdaki Kumudki
146. ne OLIVEROS si Terry RILEY studioul fiind echipat cu sistemul electronic 100 series proiectat de Donald BUCHLA experimentele sonore realizate de Max MATHEWS la Bell Labs cu RCA Mark II si IBM 7090 sunt gravate pe discul Music from Mathematics Decca DL 79103 apar noi compozitii generate pe calculator Stochastic Quartet de James TENNEY 1963 Bell Labs si Computer Cantata de Lejaren HILLER si Robert BAKER 1963 Illinois University in Romania apar computerele MECIPT II Institutul Politehnic Timisoara CET 500 5I P A Bucuresti si DACICC 200 Institutul de Calcul din Cluj 3 Calculatoarele electronice din generatia a III a 1964 1970 bazate pe circuite integrate pe limbajele de nivel foarte inalt PASCAL LISP si pe limbajele cu interfata grafica au fost produse in S U A de firmele IBM International Business Machines si DEC Digital Equipment Corporation la Princeton Studio apare Quartets in Pairs 1964 de J K RANDALL o lucrare muzicala ce trateaza computerul ca instrument in timp real la Bells Lab este elaborata in baza programului MUSIC V lucrarea Mutations 1 1969 de Jean Claude RISSET relationand frecventa si timbrul sonor iar la San FranciscoTape Music Center sunt realizate 3 piese antologice semnate de Morton SUBORNICK Silver Apples if the Moon 1966 The Wild Bull 1967 si Touch 1968 toate beneficiind de oportunitatile echipamentului B
147. ng away from the staff instead of toward the staff It will also change the text for an 8va or 15ma below the staff or 8vb or 15mb above the staff Display the Smart Line Style Selection dialog box Ctrl click the Custom Line Tool Add a slur S Add a dashed slur V Add a crescendo Add a decrescendo gt Add a trill T o Add a trill extension E Add an 8va or 8vb marking 8 Add a 15ma or 15mb marking 1 Add a double ended bracket O Add a dashed double ended bracket H e Add a bracket K Add a dashed bracket 9 Add a line L Add a dashed line D Add a glissando G Add a bend N Add a tab slide A Add a custom line C Speedy Entry Tool Display the Edit Frame dialog box Ctrl click any measure that contains music Remove note rest or chord delete Hide show note or rest letter O or H Add or remove accidental parentheses P Jump to previous measure left square bracket or shift left arrow Jump to next measure right square bracket or shift right arrow Flip stem in opposite direction L Restore stem direction to floating status Ctrl L e Change to from a grace note semicolon or G Change to from a slashed flagged grace note accent or semicolon or G Voice 1 2 apostrophe Switch to next layer shift apostrophe Move editing frame down a staff shift down arrow Move editing frame up a staff shift up arrow Add or change note 64th doubl
148. nt grammar Representative of multicellular growth Other types of parallel replacement systems Open polygon by Koch Cellular automata by Wolfram Game of Life by Conway L System grammar interpretations LOGO graphical modeling of plants Pure math Jordan Pollack s Golem project DOL System Notation ee scor 57 0 stands for context free D stands for deterministic V is the alphabet V is the set of all words over V V is V excluding the empty word is the word in V that is the seed of the system called the axiom P is the set of production rules explained later 0L System is defined as G lt V P gt DOL System Product Rules Production rule is defined as P V x V Alternate notation or is called the predecessor is called the successor can only be a single character can be any word which includes letters If no production rule is given for a predecessor it is assumed to be Determinism A system is considered deterministic if and only if for each predecessor there exists exactly one production rule or more simply each letter in the alphabet can map to exactly one word in V Example DOL System Alphabet a b Words a b ab Production Rules aab ba seed b Recursion Depth 5 String Depth b0 al ab 2 aba 3 abaab 4 abaababa 5 LOGO Language Used to graphically model plants F move forward while drawing a line f move forward without drawing a line rotate left rotate right 3 D instructions are also available us
149. nta neregulata Asadar Sunetul Spatiu Sonor x Timp in care Spatiul Sonor Frecventa x Amplitudine x Structura Spectrala x Topos Acustic Edificatoare in aceast sens sunt cercetarile complexe efectuate la celebrul EXPERIMENTAL MUSIC STUDIOS al Universitatii din Illinois U S A http ems music uiuc edu ems index html de catre Scott WYATT in domeniul difuzarii proiectiei sonore lt Investigative Studies on Sound Diffusion Projection at the University of Illinois a report on an explorative collaboration gt precum si cele initiate de Sever TIPEI compozitor american de origine romana impreuna cu matematicianul Hans G KAPER in directia proiectarii intr un mediu imersiv al realitatii virtuale a compozitiilor multiple a vizualizarii muzicii si a sonificarii stiintifice Manifold Compositions Music Visualization and Scientific Sonification in an Immersive Virtual Reality ee scor 40 Environment gt Astfel in introducerea pertinentului sau studiu compozitorul Scott WYATT afirma ca primele investigatii in planul spatializarii sonore s au concretizat intre altele prin muzica concreta elaborata de Pierre SCHAEFFER prin creatiile lui Edgard VARESE Po me Electronique John CAGE ciclul Imaginary Landscape Earle BROWN Octet Joji YUASA Icon Morton SUBOTNICK Touch John CHOWNING Turenas Salvatore MARTIRANO Sal Mar Construction Ben JOHNSTON si Herbert BRUN ul
150. nterface etc e Localizare Spatializare Localizarea sursei sonore prin auzul cyclaural este determinata de mai multi factori intensitatea sunetului ce este mai puternica la urechea mai apropiata de sursa diferentele de perceptie Jnteraural Time Delay ITD aspect determinat de distantele inegale dintre sursa si fiecare dintre urechi marcate printr o mica intarziere a perceptiei la urechea mai indepartata si cele de frecventa asa numitele Head Realated Transfer Functions HRTF generate de obstacolele fonice plasate pe traseul sonor ce produc un efect de low pass filter specific fiecarei urechi In consecinta spatializarea sonora poate fi simulata in doua dimensiuni prin diferentierile de intensitate ecou si filtraj dintre cele doua canale audio de pilda localizarea sursei in partea stanga impune cresterea intensitatii pe canalul Left si totodata adaugarea unui mic ecou si filtrarea frecventelor inalte pe canalul Right In acest sens s au efectuat experimente relevante cu Binaural Dummy Head Recording o instalatie de inregistrare ce reconstituie cutia craniana avand amplasate microfoanele in orificiiile auditive Solutiile descrise mai sus se pot aplica si intr o proiectie audio 3 D ce ia in considerare si coordonata verticala a perceptiei auditive Multe dintre procedeele aplicate au fost utilizate si in epoca analoga fiind pertinent descrise de Allan STRANG
151. nts per orbit lambda Classic Lambda fractal Julia variant of Mandellambda z 0 pixel z n 1 lambda z n 1 z n 2 Two parameters real and imaginary parts of lambda lambdafn z 0 pixel z n 1 lambda fn z n Three parameters real imag portions of lambda and fn lorenz lorenz3d Lorenz two lobe attractor orbit in three dimensions In 2d the x and y components are projected to form the image z 0 y 0 z 0 1 x n 1 x n a x n dt a y n dt y n 1 y n b x n d0 y n dt z n x n dt z n 1 z n c z n dt x n y n dt Parameters are dt a b and c lorenz3d1 Lorenz one lobe attractor orbit in three dimensions The original formulas were developed by Rick Miranda and Emily Stone 2 0 y 0 z 0 1 norm sqrt x n 2 y n 2 x n 1 x n a dt dt x n a dt b dt y n dt a dt norm y n dt z n y n 1 y n b dt a dt x n a dt dt y n b dt a dt norm x n dt z n norm z n dt z n 1 z n y n dt 2 c dt z n Parameters are dt a b and c lorenz3d3 Lorenz three lobe attractor orbit in three dimensions The original formulas were developed by Rick Miranda and Emily Stone z 0 y 0 z 0 1 norm sqrt x n 2 y n 2 x n 1 x n a dt dt x n a dt b dt z n dt y n 3 dt a dt x n 2 y n 2 2 b dt a dt z n dt x n y n 3 norm y n 1 y n b dt a dt z n dt x n a dt dt y n 3
152. numit timbru vocal sau instrumental h Filtrari tratarea sunetelor cu filtre fixe formand filter bank si variabile aceasta ultima categorie incluzand filtrele High pass ce elimina frecventele joase Low pass ee scor ce elimina frecventele inalte Band pass ce selecteaza doar o anumita banda de frecvente definita prin bandwidth adica prin diferenta dintre cutoff frequencies cea mai inalta si cea mai joasa frecventa la amplitudine maxima si prin center frequency frecventa medie si Band reject ce elimina o anumita banda de frecvente Prin EQ Graphic Equalizers variind de obicei intre 10 si 12 dB se pot realiza amplificari si sau atenuari ale mai multor benzi de frecventa De asemenea anumite situatii sonore impun utilizarea filtrelor Finite Impulse Response FIR incluzand delays ale unor fragmente sonore anterioare si Infinite Impulse Response IIR incluzand efectul feedback j Waveshaping operatie constand in transformarea sunetelor simple in sunete complexe printr o functie de transfer y f x ca de pilda in cazul transformarii formei sinusoidale a unui sunet intr una triunghiulara Functia de transfer poate avea si configuratia unui Polynomial Chebyshev asa cum demonstreaza si autorii admirabilului tratat Music and Computers an interactive web text http eamusic dartmouth e
153. nut prelucrari si transformari ale obiectelor sonore codificarea selectiva a continutului Farinelli fuziunea timbrelor cu aplicatie la reconstituirea vocii celebrului cantaret castrat pentru filmul realizat de Gerard CORBIAU programe originale Super VP AudioSculpt Diphone Studio Chant sinteza granulara Xspect 8 Procedee de sinteza si transformare digitala a sunetului utilizate si in aplicatii camerale live electronice NB Se disting 2 categorii de muzici live electronice cea pentru interpreti in timp real si banda electronica preinregistrata numita si tape and instruments music precum si cea in care banda este inlocuita cu sunete electronice produse ad hoc sau cu sunetele interpretilor prelucrate chiar in momentul producerii lor asadar in timp real aceasta a doua categorie formand genul electronics and instruments music gt In muzica electro acustica analoga se utilizau sisteme complexe de prelucrare incluzand mai multe magnetofoane mixere filtre ring modulatoare amplificatoare difuzoare procedeele fiind exemplar analizate de Allen STRANGE in tratatul Electronic Music Systems Techniques and Controls WM C Brown Company Publishers 1972 ISBN 0 697 03612 X p 126 137 Tehnica digitala a inlocuit insa cu rezultate acustice net superioare aceste sisteme analoge prin programe si module specializate in sinteza si prelucrarea numerica a sunetului
154. ogram special instalat pe computer http www atariarchives org bcc3 showpage php page 81 Tot in aceasta perspectiva reliefam si recentul lt computerART project coordonat de compozitorul Leonello TARABELLA in cadrul lt Computer Music Laboratory of CNUCE CNR din Pisa Italia ce consta in transformari ale miscarii mainilor in structuri sonore prin intermediul unor senzori cu raze IR TwinTowers si PalmDriver ale caror semnale sunt transformate de computer in baza programului pureC MUSIC LANGUAGE in coduri acustice preluate in final de lantul generator amplificator difuzor http tarabella isti cnr it Un reprezentant de frunte al genului live computer music este si compozitorul american Carl STONE ce foloseste curent tehnica sampling ce consta in combinarea libera a unor mici fragmente sonore preinregistrate in conjuctie cu imagini sonore sintetizate live http redcat org In acelasi spirit compozitoarea si violoncelista Joan JEANRENAUD autoare si a interesantului studiu Reinventing Chamber Music publicat in NewMusicBox gt lasso euge net ar nmbx isi propune ca nrin intermedinl acestui nou gen cultivat in lucrari ee scor precum Metamorphosis pentru violoncel si computer sa realizeze inedite structuri sincretice compuse in real time din variate elemente de factura audio vizuala http www jjcello org O coordonata esentiala in anumite ci
155. om number generator to produce values between 0 and 1 The music generated with this algorithm is always unpredictable and does not show any discernible pattern You can choose the range of the numbers generated Minimum and Maximum must be in the range 0 1 Minimum must be less than Maximum These algorithms come from number theory such as the Morse Thue algorithm noise simmulation 1 f noise chaotic dynamics Logistic Map fractals Henon etc and cellular automata Wolfram All algorithms dialog boxes include a visualize button which shows a graphical representation of the data For a more in depth discussion of these algorithms refer to any of the great number of books written on the subject apud Gustavo Diaz Jerez FractMus gusdiaz ibm net gusdiaz attglobal net FractMus 2000 Webpage at http www geocities com Silicon Valley Haven 4386 Build your own fractals The most exciting thing in my opinion is trying to build your own fractals but you must have some idea of common mathematics Fractals are based on self referencing That means that expressions like x a sin y y sin x cos y z x y are quite common The X before the equals sign denotes the newly to be computed X Note that in this example the X and Y after the equals sign refer to the current X and Y values So in the expression y sin x cos y the current X is used even when a new X was computed in the former equation A Musical Generator
156. omputer 1950 U S A primul calculator electronic comercializat c MANCHESTER MARK 1 1948 Marea Britanie cu program memorat d EDSAC Hlectronic Digital Sequential Automatic Computer 1949 Universitatea din Cambridge folosind efectiv primul sistem de operare e apar primele studiouri de computer music in 1957 la Bell Laboratories din Murray Hill New Jersey iar in 1958 la Illinois University unde este elaborata prima compozitie muzicala pe computer Illiac Suite for string quartet 1956 de Lejaren HILLER si Leonard ISAACSON apar primele programe din seria MUSIC realizate de Max MATTHEWS la Bell Labs f in Romania CIFA Calculatorul Institutului de Fizica Atomica 1957 MECIPT Institutul Politehnic din Timisoara si DACICC 1 Institutul de Calcul din Cluj 2 Calculatoarele electronice din generatia a II a 1959 1963 bazate pe tranzistori in locul tuburilor electronice si pe limbajele de nivel inalt COBOL si FORTRAN au fost realizate de companiile americane Honeywell IBM Burroughs si Univac in 1962 US Air Force realizeaza prima retea decentralizata prin fragmentarea informatiilor trimise ce sunt reasamblate in ordine la receptor in 1959 sunt inf ntate The Columbia Princeton Electronic Music Center dotat cu un RCA Mark II Synthsizer si coordonat de Vladimir USSACHEVSKY Otto LUENING si Milton BABITT si The San FranciscoTape Music Center fondat de Morton SUBOTNICK Ramon SENDER Pauli
157. onsecventa modelul american ilustrand adevarata avangarda si in acest domeniu marele matematician american Benoit MANDELBROT cercetator la IBM s Watson Research Center si profesor la Yale University elaboreaza providentiala Teorie a Fractalilor expusa pentru prima data in Les objets fractals forme hasard et dimension 1975 cu deosebit de fecunde aplicatii si in domeniul muzicii unde se remarca aparitia ulterioara a unor numeroase programe de compozitie fractala algoritmica generativa implementate pe toate sistemele de operare in perioada 1972 1979 Working Group din S U A coordonat de Vinton Cerf sintetizeaza fundamentele protocoalelor TCP Transmission Control Protocol si IP Internet Protocol referitoarele la transferurile de fisiere intre grupurile de dialog newsgroups si la posta electronica din 1983 ARPANET ul la care s au conectat institutiile guvernamentale universitatile bibliotecile si muzeele americane ramane o retea exclusiv civila Pentagonul utilizand propria retea MILNET in perioada 1987 1993 INTERNET ul coordonat de MICHIGAN UNIVERSITY de IBM si de MCI se extinde catre Europa si apoi in intreaga lume prin aparitia WORLD WIDE WEB www ca sistem unanim recunoscut de navigare cu ajutorul unor programe speciale MOSAIC NETSCAPE INTERNET EXPLORER tot in S U A se dezvolta principalele sisteme de operare pentru supercalculatoare UNIX cu extensiile Berkeley 1986 si cu programul derivat L
158. p Point Pre roll Playback Open Save As Copy onto Clipboard Convert to New Treat as Cutlist Delete Cut Regions ASF Markers Commands Save As Import Add Command ACID Looping Tools Halve Selection Double Selection Shift Selection Left Shift Selection Right Rotate Audio Edit ACID Properties Edit Sample Edit Frame Rate Edit Tempo Center Cursor Drop Marker Create Region Create Sample Loop Mark In Mark Out Toggle Selection Undo Redo History Clear Clear All Rebuild Peak Data Process Audio Trim Crop Channel Concertor Convert to 8 Bit DC Offset EQ Graphic Paragraphic Parametric Fade Graphic In Out Insert Silence Invert Flip Mute Normalize Pan Expand Resample Reverse Smooth Enhance Time Compress Expand Volume Effects Amplitude Modulation Chorus Delay Echo Multi Tap Simple Distorsion Dynamics Graphic Multi Band Envelope Flage Wah Wah Gapper Snipper Noise Gate Pitch Bend Shift Reverb Vibrato Tools Auto Region Batch Converter Crossfade Loop Extract Regions Find Preset Manager Run Batch Script Sampler Spectrum Analysis Statistics Synthesis DTMF MF Tones FM Simple DirectX Audio Plug In Chainer CW SF etc Options Status Format Samples Time Seconds Time amp Frames Absolute Frames Measures amp Beats SMPTE Non Drop Drop EBU Film Sync Annotations Marker Names Lines Region Names Lines Loop Region Lines Play Meters Reset
159. plets Delete Make a selected note sharp or select the Sharp Tool S or plus Make a selected note flat or select the Flat Tool F or minus Make a selected note natural or select the Natural Tool Shift 8 or N or asterisk Add double flat to selected note V e Add double sharp to selected note X Lower selected note by half step or select the Half Step Down Tool Shift F or Enter minus With selection down arrow Raise selected note by half step or select the Half Step Up Tool Shift S or Enter plus With selection up arrow Change selected note to a rest or toggle between Note and Rest Tools Add an augmentation dot to the selected note or select the Dot Tool period Tie selected note to the next note or select the Tie Tool T or equals or Enter Tie selected note to the previous note or select the Tie Tool Shift T e Toggle grace note state of selected note or select the Grace Note Tool G or backslash Toggle tuplet state create new one or erase existing tuplet of selected note or select the Tuplet Tool 9 e Access Simple Entry Tuplet Definition dialog box for duplet septuplets or other tuplets With the Tuplet Tool shift click the staff Show Hide a courtesy accidental on selected note A e Break Join Beam on selected note B e Restore default beaming Shift B e Show Hide selected note or rest H e Flip stem on selected note L e Restore stem direction to floating status on selected note Shift
160. pline Ispline Multidimensional scaling MDS tutorial Create letter R example INDSCAL Carrol Wish example Configuration Draw splines and MDS class relations Neural nets FFNet tutorial Create Freedforward Net Pattern with zeroes empty Categories iris example Read Read from file Open long sound file Read two Sounds from stereo file Read from special sound file raw Alaw file 16 bit Little Endian file 16 bit Big Endian file Read Mattrix from raw text file Read Strings from raw text file Read TableOfReal from headerless spreadsheet file Read Table from table file Read from special tier file Text Tier from Xwaves Interval Tier from Xwaves Write Help Object window Intro FAQ What s new Types of objects Editors Acknowledgments Formulas tutorial Scripting tutorial Programming Go to manual page Search Praat manual About Praat 2 PRAAT picture ee scor 33 File Read from praat picture file Write to praat picture file Write to Windows metafile Copy to clipboard PostScript setting Write to EPS file Write to fontless EPS file Print A Edit Undo Erase all Margins Draw inner box Text left right top bottom Marks left every right every bottom every top every One mark left right bottom top Marks left right bottom top Logarithmic marks left right bottom top One logarithmic mark left right bottom top Axes World Text Text special Draw line arrow two
161. rama Bilaval That Murchhana Suddhamadhya 20 2 4 3 2 4 3 4 Murchhana Margavi 3 4 2 4 3 2 4 Murchhana Hrishyaka 4 3 4 2 4 3 2 Murchhana Sauviri Kalyan That 2 4 3 4 2 43 Murchhana Harinasva Bhairavi That 4 3 243424 Murchhana Kalopanata 3 2 4 3 2 44 Gandhaara Grama Sarngadeva der ma grama 4 2 4 3 2 4 3 Gandhaara Grama Narada der ma grama Murchhana Pauravi 4 2 3 4 2 4 3 Gandhaara Grama Damodara Raga Darbari Darbari Kanada 2 4 4 3 2 4 3 Gandhaara Grama Popley Murchhana Matsarikrita 4 2 3 4 2 3 4 Asavari That 3 4 2 4 3 4 2 Raga Jogiya 2 344234 Raga Kanakangi 4 234423 Raga Kharaharapriya Bhimpalasi 3 2 4 3 3 3 4 Gandhaara Grama Sarngadeva der sa grama 4 2 4 3 3 3 3 Gandhaara Grama Narada der sa grama 2 4 3 3 3 4 3 Gandhaara Grama Somanatha 1 6213162 Raga Ramkali 1 6241242 Raga Saurashtra 4 3231351 Raga Yaman Kalyan 4 3231441 Raga Bihag 2 5231342 Raga Bhatiyar 4 2 3442 21 Raga Mian Ki Malhar 3 2442124 Raga Mukhari 4 3231432 Raga Gaud Sarang 4 3243231 Raga Khamaj 4 2342223 Raga Anandabhairavi 4 322234 2 Raga Suddha Kalyan 4 22144221 Raga Ramdasi Malhar 4 32313231 Raga Chayanat 3 21123132112 Old Indian gamut 2 22122222212 Modern Indian gamut Modes for default scales Imd Alternate notes 1 n 1 27 27 tone equal modes 112111121111211 15 Tone MOS 1 n 1 31 31 tone equal modes 10 10 10 1 Genus quartum 5 8 5 13 Genus primum 13 6 6 6 Genus decimum 6 6 7 6 6 Quasi equal Pentatonic 5 7 6 7 5 1 Genus quintum 6 66166 Genus octavum 8 28 37
162. rcumstante este ilustrata prin capacitatea improvizatorica a interpretului aceasta calitate fiind determinata de o serie de factori strict individualizati cunostintele muzicale creativitatea stilul personal comunicativitatea posibilitatile tehnice instrumentale conexiunea cu ceilalti interpreti ca element definitoriu al performantei camerale in conjunctie cu feed back ul acustic incluzand caracteristicile mediului ambiant si cu modul de reactie a publicului In acest context o situatie des intalnita in muzica contemporana este reprezentata prin asa numita improvizatie controlata aspect analizat si la IRCAM Paris http smc04 ircam fr ProgWorkshop html ce implica un amplu proces analitic generativ desfasurat in mai multe faze ascultarea fondului sonor segmentarea extragerea pattern urilor automatizarea compozitiei modulare adaptarea la conditiile specifice ale elementului interfata si ale programelor audi midi rulate pe computer conform studiului Composing amp Performing Interactive Music de Bruce PENNYCOOK DMA Dept of Composition School of Music Dept of Radio Television Film College of Communication University of Texas at Austin McGill University at Montreal http www music mcgill ca ko 610 BPSeminarSlides sld001 htm Gratie programelor de analiza si sinteza digitala ce pot reduce fenomenologic orice domeniu la ordinea arhetipala a numerelor in sistem binar recompunandu l apoi
163. ready selected remove the group from the selection Shift click a group handle Edit a full or abbreviated group name using the Edit Text window Ctrl click a group handle or right click the handle and select Edit Full Group Name or Edit Abbreviated Group Name from the contextual menu Position a group name using the Position Full Group Name or Position Abbreviated Group Name dialog box Ctrl shift click a group handle or right click the handle and select Position Full Group Name or Position Abbreviated Group Name from the contextual menu Revert the position of the group names to their default position Press backspace for selected groups Remove the selected group definitions Press delete for selected groups or right click the handle and select Delete Group from the contextual menu Adjust the position of a group name Drag a group handle Select a staff name or names Click a staff name handle or drag enclose staff name handles Add the staff name to the selection If a staff name is already selected remove the staff name from the selection Shift click a full or abbreviated staff name handle Edit a full or abbreviated staff name using the Edit Text window Ctrl click a full or abbreviated staff name handle or right click the handle and select Edit Full Staff Name or Edit Abbreviated Staff Name from the contextual menu Position the selected staff name using the Position Full Staff Name or Position Abbreviated Staff Name dialog box
164. ress 1 on your computer ee scor keyboard Drag Implode Music for multiple staves displays the Implode Music dialog box Press I while dragging selected measures to their destination Drag Explode Music for multiple staves displays the Explode Music dialog box Select the measures you want to affect then press 2 on your computer keyboard Explode Music displays the Explode Music dialog box Press E while dragging selected measures to their destination Respace notes lyrics and accidentals Apply Beat Spacing command using the settings in Document Options Music Spacing Select the measures you want to affect then press 3 on your computer keyboard Respace notes lyrics and accidentals Apply Note Spacing command using the settings in Document Options Music Spacing Select the measures you want to affect then press 4 on your computer keyboard Show elapsed time based on current tempo displays the Elapsed Time dialog box Select the measures you want to affect then press 5 on your computer keyboard Transpose programmable Select the measures you want to affect then press any number between 6 and 9 on your computer keyboard Select or deselect the SmartFind Source Region Control F Display the Apply SmartFind and Paint dialog box Control Shift F Measure Tool Display the Add Measures dialog box Ctrl click the Measure Tool or right click the Measure Tool and select Add Measures from the context menu Add single blank measure
165. rk Mnemes Palermo Principal works Postludium per Org 1975 Sorcova per Coro Misto a capella 1995 Quartetto per Archi I Anamorphose 1976 Constellations for Orchestra 1977 Symphony I Shadows 1980 Cantata Sources 1977 Carols per Trombone e Percussione 1978 Cantata Gloria Heroum Holocausti 1978 Opera Miss Christina libretto by Mircea ELIADE 1981 Canto di Speranza per FI Vn Vn Vic e Pf 1981 Onirophonie per Fl Vn e Pf 1982 Chanson d Antan per Vn e Pf 1983 Aprite le porte di questo castel per Coro Maschile 1984 Carnyx per Clarinetto 1984 Tango for Yvar per Pf 1984 Quartetto per Archi II Vallons de l Oubli 1984 Symphony II Via Lucis 1985 6 Melodies Irlandaises d Amerique per 2 Ob C i e 2 Fg 1985 Horn Call Rag per Corno e Pf 1986 Czarna Rosa per Mezzo Soprano e Pf 1986 7 Canti Rumeni di Natale per 4 Tbe 4 Tni ed Org 1986 Symphony III American Symphony I 1986 Symphony IV American Symphony II 1987 Symphony V Pro Patria 1987 AVE MARIA per Soprano ed Organo 1987 Isola di Euthanasios per Pianoforte 1988 Symphony VI Time Archways 1988 Cantata Remember 1988 Transgressio per FI Ob e Fg 1989 Battuta per Percussione 1989 Missa da Requiem 1990 Missa Actio Gratiarum Oecumenica per Coro Misto 1991 NATALIS DOMINI per Coro Misto 1992 Isihia per Vic 1992 Epiphania per Cello e Pi
166. rmail imc cleveland 2004 January 002348 html netzspannung org archiventry xsp tab personen amp name netzkollektor 42204 amp letter t amp lang en netzspannung org version1 cast01 classic index9 html Ein Alter Freund mit neuem Gameplay www domfree de ziba features htm www2 arnes si uljff4 reprezentacija htm www2 arnes si uljff4 septemal gledanjeupodabljanje htm www kulturkontakt or at KulturKontakt aspx target 119110 www minotaurusverlag de deu autoren aut nicolai htm www big or jp dj roshi garage link cgi www big or jp dj roshi garage link cgi task num www kulturrad no FILE Evaluering 20av 20nettverk 20for 20elektronisk 20kunst pdf www glu sg si saso skatle htm archives lists indymedia org imc cincinnati 2004 January 000008 html www anoca org http org interactive_art html Interactiv Music www interactive music be www noodleheaven net www arobance com dimc html www arobance com atelier html www kisinis ch arobance edito html rd grame fr carat inclassables html www kyushu id ac jp snlab j DVD collection shtml wwwl1 keyboards de magazine gv1998 htm www diskob com etc events sarajevo sarajevo html www design kyushu u ac jp snlab j DVD collection shtml www comasweden se konserter kons info e asp linkID 3 amp linksubID 1 amp page sasong amp id 96 www fitnessmusic pl modules php name News amp file print amp sid 4 hsfkf ld infoseek co jp soft htm bodylife com pl index php id 139 members chello at edgar renate peer att
167. rnate Pentachordal Major 2 3 2 2 2 2 3 2 2 2 Dynamic Symmetrical Major 2 2 2 3 2 2 2 2 2 3 Standard Pentachordal Minor 2 2 2 3 2 2 2 2 3 2 Static Symmetrical Minor 2 2 2 2 3 2 2 2 3 2 Alternate Pentachordal Minor 2 2 2 2 3 2 2 2 2 3 Dynamic Symmetrical Minor 3 11313131131 Twelve tone Chromatic 1 3 comma positive 1 1 256 243 16 15 10 9 9 8 32 27 6 5 5 4 81 64 4 3 27 20 45 32 729 512 3 2 128 81 8 5 5 3 27 16 16 9 9 5 15 8 243 128 2 Indian shruti 22 tone scale 27418 Raga Saveri 1 66 36 Raga Vibhas marva 4 36 7 2 Raga Hamsadhvani 3 4 6 3 6 Raga Deskar 6 3 6 3 4 Raga Malkauns 3 643 6 Raga Suddha Malhar 4 3 64 5 Raga Bhupali 4 544 5 Raga Durga 1 46 37 1 Raga Gurjari Todi 7 24522 Raga Tilang 2 5 6252 Raga Bauli 6 34252 Raga Takka 4 32436 Raga Kambhoji 1 4 71171 Todi That 1 624171 Bhairav That 2 461171 Raga Multani 1 471162 Raga Varali 1 444171 Raga Rampurmat Pilu 1 622371 Raga Lalita 1l 444153 Raga Asavari 1 444144 Raga Bilashkhani Todi 4 1 44144 Raga Jaunpuri 4 441441 Raga Yaman 2 551252 Purvi That Raga Shri 2 55 1342 Raga Puriya Kalyan 4 3 2 4 4 14 Khamaj That 2 5 4243 2 Raga Marva 4 3 244 3 2 Shadja Grama Murchhana ee scor 37 Uttaramandra Shuddha Swara Saptaka 20 2 4 3 2 4 4 3 Murchhana Rajani 17 3243244 Murchhana Uttarayata 4 3 2 4 3 2 4 Murchhana Suddhasadja Raga Harikambhoji Palaiyazh 4 4 3 2 4 3 2 Murchhana Asvakranta 3 2 4 4 3 2 4 Murchhana Abhirudgata Kafi That Raga Bageshri 4 3 2 4 3 4 2 Madhyama G
168. rt Score Settings Page Setup Score Window Title Enlarge or Reduce Score Margin Setting Print Export to ESP Exit Edit Undo Guess Durations Cut Copy Paste Clear Select All Nudge Left Right Up Down Notes Attributes Notes Beams Rests Voice Set to Voice 1 8 Accidents to Enharmonics Sharps Flats Stems Up Down Normalize Marks Add Remove Tie Notes Slur Notes Beam Notes Beam Group Beam on Beat Sub Group Flatten Beams Change Pitch Duration Velocity Make Chord Tab Grace Cue Revert to Raw Guess Durations Measures Add Delete Measure Tempo Time Key Signature Barline Types Endings Coda Phrases Measure Numbers Compressed Rests Align Swing Playback Align Spacing Score Text Elements Add Delete Page Add Delete Staff Split this Staff Tablature Staff Percussion Staff Conect Center Staves Center Systems Measure per System Systems per Page View Show Hide Score Colors Guitar Frets Show Hide Staves Refresh Score Linear View Hide Floating Windows Windows Palette Notes Clefs Graphics Tools Dynamics Marks 1 Marls 2 Symbols ee scor 25 Guitar Expressions Color Keyboard Tempo Toolbar Staff Sheet Tile Cascade Arrange Icons Close All Setup MIDI Setup Record Setup Transcription Setup Spacing Defaults Click Setup Toolbar Setup Click On Follow Playback Auto Guess Beam Auto Space Save Preferences A Help Topics Curren
169. rul a inventat un aparat special denumit Polytimer si brevetat inca din 1970 in Romania USA si Franta Computerul permite amplificarea acestor interesante experimente sonore ce au reprezentat in primul rand o aplicare a teoriei einsteiniene a relativitatii miscarea relativa a obiectelor si observatorului dar si o confirmare a teoriei bergsoniene referitoare la perceptia subiectiva a timpului in functie de varsta si stare emotionala asa cum remarca si eminentul muzicolog roman Prof univ Dr Victor GIULEANU Tratat de Teoria Muzicii Bucuresti Editura Muzicala 1986 pag 745 752 Astfel modulii temporali pot fi realizati si multiplicati cu programul MOZART ulterior ei fiind difuzati prin computere paralele corespunzatoare muzicilor paralele ce se ee scor 39 suprapun In prealabil se analizeaza evolutia temporala a fiecarei muzici si se elaboreaza cate o partitura a beeps urilor cu variatiile de tempouri specifice fiecarei muzici Aceste partituri de beeps uri configurate exclusiv pe timbre percutante de pilda 2 Wood Block uri cel grav pentru timpii principali iar cel acut pentru timpii secundari sunt difuzate prin casti interpretilor ce isi adapteaza executia tempourilor respective Computerele paralele sunt eventual subordonate unui server avand functia de a controla la nivelul hiperpulsatiei ca factor comun al politempiei evolutia intregului proces ce poate fi amplificat
170. s Music Playback MIDI echo MIDI port Help Mozart help topics Search for help Lesing help Command list Editing commands Getting started Tip of day Optaining support About Mozart II SPECIALE File New Open Close Save Save as Import Open clipboard Play in new piece Re import played in piece Import MIDI Export Save MIDI Save MIDI as Save Template Duplicate Print Print preview Print setup Play Play amp track Play Play amp track forword Play forword Send Exit Edit Undo Redo Cut Copy Paste Copy image Copy print image Insert bars Delate bars Cut bars Insert beat Delate beat Select all staves Select whole piece Go to bar View Music font Zoom in Zoom out Tool bars Keyboard shorcuts Visible music items Colour scheme Global preferences MIDI options Swing MIDI in connection MIDI out connection Tune properties Refresh Item Note Enter note Enter rest Sharpen Flatten Accidental Enharmonic Enharmonic default Dot Double dot Octave up Octave down Pitch Convert to note Convert to rest Partition Merge notes Split note Split note Split note Multiplet Triplet Soublet Remove multiplet Tails Joint Invert Default direction Flip note head Accents Accent Attack Staccato Tenuto Open Closed Pause Accent below Attack below Staccato stem Tenuto stem Pause below Ornaments Trill Mordent Inverted Mordent Turn Inverted Turn Appog
171. s Tool Align Left Ctrl Shift left square bracket Center Horizontally Ctrl Shift apostrophe Align Right Ctrl Shift right square bracket Align Top Ctrl minus Center Vertically Ctrl Shift equals Align Bottom Ctrl Shift minus Place a graphic in the Shape Designer Click in the Shape Designer display area the Place Graphics dialog box appears Select a graphic or graphics Click a graphic or drag enclose graphics shift click a graphic Display the Graphic Attributes dialog box Ctrl Shift T or double click a graphic Place a graphic in the score Double click in the score the Place Graphics dialog box appears Select a region containing the musical example to Export Double click and drag to enclose a region in Page View Delete the selected graphics Press delete for one or more selected graphics Adjust the graphic s position in the score Drag a selected graphic Resize the graphic horizontally or vertically Drag a graphic s bounding handle Hand Grabber Tool Temporarily switch to Hand Grabber Tool Press the right button HyperScribe Tool Indicate where to begin transcription Click a measure End HyperScribe in the middle of measure Ctrl click anywhere on the score Transription Tool Display the Transcription window Click a measure or ctrl click a measure if you had Transcribe in Measures selected while transcribing Transcribe a measure at a time Click a measure with Transcribe in Measures selected
172. s simulated with the following non linear equation for more information see Fractals Chaos Power Laws X n 1 X n b sqr1 b 2 r where p is a real number between 0 1 and r is any random value The user has to specify only the p parameter Instead of using a truly random value for r the program uses the Logistic Map algorithm with a u value of 4 which generates random but deterministic values This is necessary so that your melodies are the same for the same set of parameters otherwise you would never know what will come next As with the Logistic Map the Start Counter is used as an iteration control Try using values of that are not to much to the extremes 0 and 1 for the music gets brownish Best values are between 4 and 9 Henon The Henon attractor is a two dimensional chaotic map defined by the following equations X n 1 1 Y n a X n 2 Y n 1 b X n This attractor is named after its discoverer Michel Henon an astronomer at the Nice Observatory in France Although it is composed entirely of lines orbits on this fractal do not flow continuously but jump from one location to another in the attractor This is a chaotic attractor all seed values that converge do so in different ways Single points that are initially separated even by the most minuscule gap eventually diverge The Henon attractor also has an infinite amount of structure Successive magnifications prove an ever increasing degree of detail An
173. s the first four files those with the DOC extension DIR Is the equivalent to DIR and matches ALL files Use with care e g DEL deletes ALL files in the current directory regardless of extension DIR DOC Matches A DOC and B DOC DIR Matches A DOC B DOC A TXT and B TXT DIR A DOC Matches A DOC and AA DOC DIR A DOC Matches A DOC AA DOC and AAA DOC Formatting a Diskette It may be an advantage from this point if you have access to a computer You use the FORMAT command to format a diskette Formatting a diskette you have previously used erases any data on the diskette so only reformat a diskette if you are very sure you don t need any of the data on it 1 Type FORMAT A ENTER Note To put the MS DOS operating system files onto the diskette you are formatting add the S switch to the command FORMAT A S ENTER Putting the operating system on the diskette enables you to BOOT UP the computer from the diskette This disk is now known as a SYSTEM DISK 2 When this prompt appears on the screen Insert new diskette for drive A and strike ENTER when ready insert the diskette you want to format into drive A Press the Carriage Return or ENTER key 3 When formatting is complete and this prompt appears Format another Y N Type Y for yes to format another diskette N for no to exit from the FORMAT command Copying a Diskette You use the DISKCOPY command to make a copy of a diskette
174. stic Theories of Climatic Change Quaternary Research 6 Mandelbrot Benoit Los objectos fractales forma azar y dimension 2 a edici on Tusquets 1988 Martin Miguel Angel Moran Manuel Reyes Miguel Iniciacion al caos sistemas dinamicos Sintesis Madrid 1995 McCauley J L 1993 Chaos Dynamics and Fractals New York Cambridge University Press Mucherino Nicholas Recursion a paradigm for future music http www ks rus uni stuttgart de people schulz fmusic recursion html Nelson Gary Lee Wind sand and sea voyages an application of granular synthesis and chaos to musical composition http www timara oberlin edu people gnelson papers Gola gola htm Nelson Gary Lee Real time transformation of musical material with fractal algorithms http www timara oberlin edu people gnelson papers fractal GNfract htm Peak D 1994 Chaos Under Control New York Freeman amp Co Peitgen H O and D Saupe eds 1988 The Science of Fractal Images Berlin Springer Ranada Antonio Dinamica clasica Alianza Editorial 1990 Perez Ortiz Juan Antonio Musica Fractal El Sonido Del Caos Departamento de Languajes y Sistemas Informaticos Universidad de Alicante Mai 2000 Email japerez dlsi ua es ee scor 63 Salomon Larry The fractal nature of music http community cc pima edu users larry fracmus htm Schillinger Joseph The Schillinger system of musical composition Da Capo Nueva York 1978 Schroeder M
175. support ttp co uk WHITE Ron and WHITE Michael MP 3 Underground Edit BIC ALL Bucuresti 2002 WISHART T 1994 Audible Design Orpheus and the Pantomime Ltd York Estetica Informatie Programare Editura Stiintifica Bucuresti 1972 Revista LINUX MAGAZIN Nr 4 Decembrie 2003 pag 21 35 www linux magazin ro www ractalmusiclab com defaultasp Quasi Fractal Composer by Paul WHALLEY Music In The Numbers by Lars KINDERMANN pDictionar de Informatica Editura Stiintifica si Enciclopedica Bucuresti 1981 APPENDIX PRINCIPALELE COMENZI IN SISTEMUL DE OPERARE MS DOS apud http www butterwick0 freeserve co uk tutor Answers 2 html Internal commands Internal commands are built into the operating system as part of a file called COMMAND COM They are loaded into memory whenever you switch on your computer When you type an internal command MS DOS performs it immediately The MS DOS internal commands are listed below The synonyms of some command names which you can use in place of their official names are shown in brackets BREAK DEL ERASE PATH SHIFT CALL DIR PAUSE TIME CHCP ECHO PROMPT TYPE CHDIR CD EXIT REM VER CLS FOR REN RENAME VERIFY COPY GOTO RMDIR RD VOL CTTY IF SET DATE MKDIR MD External Commands Files with extension COM or EXE are external commands Because these commands are files they are not built into the opera
176. t 0 then z n 1 real z n 2 imag z n 2 1 i Q real z n imag z n else z n 1 real z n 2 imag z n 2 1 real c real z n i 2 real z n imag z n imag c real z n Parameters are pertubations of z 0 bifurcation Pictoral representation of a population growth model Let P new population p oldpopulation r growth rate The model is P p r p 1 p Two parameters Filter Cycles and Seed Population ee scor 48 bif sinpi Bifurcation variation model is P p r sin PI p Two parameters Filter Cycles and Seed Population bif sinpi Bifurcation variation model is P r sin PI p Two parameters Filter Cycles and Seed Population biflambda Bifurcation variation model is P r p 1 p P Two parameters Filter Cycles and Seed Population bifstewart Bifurcation variation model is P r p p 1 Two parameters Filter Cycles and Seed Population circle Circle pattern by John Connett x iy pixel Z a x42 y 2 c integer part of z color c modulo number of colors cmplxmarksjul A generalization of the marksjulia fractal z 0 pixel z n 1 c exp z n c Four parameters real and imaginary parts of c and exp cmplxmarksmand A generalization of the marksmandel fractal z 0 c pixel z n 1 c exp z n c Four parameters real and imaginary parts of perturbation of z 0 and exp complexnewton complexbasin Newton fractal types ext
177. t to Track End to Selection Start to Selection End Snap To On Off View Zoom In Zoom Normal Zoom Out Fit in Window Fit Vertically Zoom to Selection Set Selection Format min sec sec ho min sec film PAL NTSC cdda samples etc History Plot Spectrum Float Control Toolbar Float Edit Toolbar Float Mixer Toolbar Project Import Audio Import Labels Import MIDI NB doar vizualizat Import Raw Data Edit ID3 Tags Quick Mix New Audio Track New Stereo Track New Label Track New Time Track Remove Tracks Align Tracks with Zero with Cursor with Selection Together Align and move ee scor 27 cursor with Zero with Cursor with Selection Add Label Ari Selection Generate Silence Tone White Noise Effect Amplify BassBoost Change Pitch Change Speed Change Tempo Compress Echo Equalization Fade In Fade Out FFT Filter Invert Noise Removal Normalize Nyquest Prompt Phaser Repeat Reverse Wahwah Analyse Help About Audacity Online Help NB Acest performant program este utilizat si in experimentele efectuate la CCRMA Stanford University Functiile programului PRO TOOLS Free version 5 0 1 471 1991 2000 digidesign A divios of Avid http www digidesign com File New Session Open Session Close Session Save Session Save Session As Save Session Copy In Revert to Saved Bounce to Disk New Track Rename Selected Tracks Group Selecte
178. t MIDI Finale Sibelius NoteWorthy Composer Lime Encore etc Functiile de baza Chose a View la lansarea programului cu optiunile Tune Smithying Play Fractal Tunes Scales Work etc File New Open Save Save As etc Out Midi default Play Control etc In Options etc Voices configurarea timbrelor MIDI Parts Pitch Bs Play Stop Pause Continue Record Arpeggio amp Scale Playback etc View Tune Smithying Play Fractal Tunes Scales Work etc Help Help About etc Cele mai importante arhetipuri modale incluse in program 1 n 1 7 7 tone modes 1 1 2 1 2 Thai mode 1 1 2121 Thai mode 2 2 1121 Thai mode 6 Modes for default scales Imd Alternate notes 1 122 cents 271 cents 571 cents 677 cents 785 cents 947 cents Typical 7 note Pelog scale 2 1 1 2 3 Slendro Alit 1 122 2 Jegog l 3111 Dangsoe 1 1131 Manyura 1 1212 Patet Lima Patet Nem Jawar Selisir 1 1 2 1 1 2 Patet Barang 1 2112 Patet Lima Nem with Pelog 1 112 1 2 Patet Barang with Pelog Manangis Slendro Gede Pergenter 2 2 11 2 1 2 Liwung Pergenter 1 Pengenter Alit 3 1 1 2 12 Tembung 4 1 1212 Nyorog Sunaren 5 11 2 1 2 Nyorog handap Baro 2 1121 Pelog 12121 Bem Pengenter 2 1 211 Miring Slendro 2 4 212 1 1 Slendro 1 1 21211 Slendro 3 3 2121 1 Slendro 411111 11 Lebeng Modes for default scales Imd Alternate notes 1 n 1 12 12 tone modes 10 2 Warao ditonic South America 5 7 Ho
179. t Topic Help on Help Link to Web Site About Encore Prezentarea generala a programului SCORE Computer Music Typography System Written by Leland SMITH Programers Leland SMITH Perry DEVINE 1977 1992 by Leland SMITH 0 1986 1992 by Passport Designs Inc 1995 2004 by San Antonio Press PO Boc 60247 Palo Alto CA 94306 USA www scoremus com http ace acadiau ca score Ics ccrma stanford edu Complex de programe SCORE Version 4 01 Midiscor SCORE to MIDI MIDISCORWRITE MIDI to SCORE FINALSCORE Finale to SCORE realizate la Center for Computer Research in Music and Acoustics CCRMA Department of Music Stanford University USA de Prof Leland SMITH toate operand pe MS DOS drive floppy cf Appendix 1 si avand urmatoarele coordonate 1100 items 11000 parameters 29000 graphic vectors b PROGRAME WAV DE EDITARE MUZICALA Functiile programului SOUND FORGE 4 5 http www sonicfoundry com GENERALE File New Open All Types Work space open Exit Edit Paste to New View Full Screen Toolbars Clipboard Contents Play Region List Playlist Cutlist Keyboard Mixer Time Display Video Preview Play Meters Undo Redo History Special Record Tools Batch Convertor Preset Manager Options MIDI Input Sync Trigger MIDI Output Sync MIDI Triggers Preferences Window New Window Help Contents Search for Help Keybo
180. te backslash or B e Restore default beaming Shift B e Flatten a beam forward slash or M Show hide any accidental asterisk e Show hide a courtesy accidental A Restore courtesy accidental to optional status ctrl asterisk Return a rest to its default position asterisk Exit measure and redraw re enter measure 0 zero Flip a note to its enharmonic equivalent 9 Flip enharmonic throughout measure ctrl 9 cursor on first note in measure Add a dot period Add a note to a chord enter Change a rest to a note enter Specify a pitch high C B without MIDI Q W E R T Y U with Caps Lock Specify a pitch middle C B without MIDI A S D F G H J with Caps Lock Specify a pitch low C B without MIDI Z X C V B N M with Caps Lock Raise all pitch keys an octave comma with Caps Lock Lower all pitch keys an octave I letter I with Caps Lock Restore all pitch keys to normal register K with Caps Lock Special Tools Tool Display handles in the measure Click the Special Tool you want to use and click on the measure Select a handle or handles Click shift click or drag enclose or ee scor 20 ctrl A Reset the note to its original state Press delete or backspace Move selected items very slightly Use the arrow keys Flip a selected tie Ctrl F Restore tie direction to automatic Ctrl shift F Staff Tool Display the Staff Menu and handles Click the Staff Tool Select a staff or stav
181. tesl 1 n 1 17 17 tone equal modes 3 3 4 3 4 Seventeen tone Major Pentatonic 4 3 3 4 3 Seventeen tone Minor Pentatonic 3 4 3 4 3 Seventeen tone Suspended Pentatonic 3 133151 Seventeen tone Harmonic Minor 3 3 131 51 Seventeen tone Harmonic Major 3 3 1 3 3 3 1 Seventeen tone Major 3 133 13 3 Seventeen tone Natural Minor 3 133331 Seventeen tone Melodic Minor 2 11212121121 Twelve tone Chromatic 2 11 comma positive Modes for default scales Imd Alternate notes Arabic 17 tone pythagorean Arabic 17 tone Pythagorean Arp 3 3 13 313 Safi al Din s maqam Ussaq 3 133133 Safi al Din s maqam Nawa 1 331333 Safi al Din s maqam Abu Salik 3 223223 Safi al Din s maqam Rast 3 222323 Safi al Din s maqam Zangulah 2 322233 Safi al Din s maqam Rahawi 2 2 3 2 2 3 3 Safi al Din s maqam Husaini 2 2 3 2 3 2 3 Safi al Din s maqam Higazi 2 3223221 Safi al Din s maqam Iraq 3 2 2 3 2 2 2 1 Safi al Din s maqam Isfahan 2 232213 2 Safi al Din s maqam Zirafkand 2 3 2 2 1 3 2 2 Safi al Din s maqam Buzurk 1 2 121121213 Ishaq al Mausili s mode 1 21111121 11112 al Kindi s mode Modes for default scales Imd Alternate notes 1 n 1 19 19 tone modes 5 4 5 5 Four out of 19 3 35 3 5 Nineteen tone Major Pentatonicl5 3 3 5 3 Nineteen tone Minor Pentatonic 3 5 3 5 3 Nineteen tone Suspended Pentatonic 4 4 4 4 3 Five out of 19 44 344 Quasi equal Pentatonic 3 33334 Yasser s Hexad 5 151151 Oljare Augmented 4 141 414 Oljare Diminished 1 2 5 12 5 3 Ratio 1 2 Chromatic Mixolydian
182. ti de realizare a efectului morphing in arta sunetelor prin substitutie sau replacement morph adica prin inlocuirea treptata a fiecarui sunet din prima imagine cu un sunet din imaginea a doua si prin interpolare sau interpolation morph adica prin compararea definirea valorilor specifice celor doua imagini si prin intercalarea unei imagini intermediare ce este bazata pe elementele comune ale imaginilor principale Toate aceste aspecte expuse in Capitolul 5 6 Morphing din recentul tratat Music and Computers an interactive web text 2003 http eamusic darmouth edu book reprezinta de fapt o confirmare formulata in baza cercetarilor efectuate cu mijloace tehnice de ultima ora a teoriei anamorfozei sonore definite si aplicate intuitiv de mine incepand din anul 1976 m Sinteza granulara Granular Synthesis se refera la procedee specifice de generare a norilor de sunete sound clouds ca elemente de natura stochastica introduse in limbajul muzical contemporan inca din 1971 de catre marele compozitor grec Iannis XENAKIS nascut in Romania si stabilit in Franta Aceste complexe imagini sonore globale sunt alcatuite din multimi sau regiuni schimbatoare de energie sonora shifting regions of sound energy cuprinzand mii de sunete de obicei sinusoidale ce pot fi insa si sampled sounds extrem de scurte cu durate mai mici de 10
183. time Flexi time Options Arrange Edit Arrange Styles Transpose Transposing Score Add Interval 2 9 Above Below Unison Add Interval A B C D E F G Shift Cross Staff Notes Move Up Down a Staff Respell Accidental Reset Beam Groups Stems and Beam Angles Layout Document Setup Break System Page Break Split System Multirest Format Make Into System Page Lock Unlock Format Align in a Row in a Column Staves Hide Show Empty Staves Reset Portion Design Note Spacing Space Above Staff Space ee scor 23 Below Staff House Style Engraving Rules Note Spacing Rule System Object Positions Default Positions Timecode Edit Lines Noteheads Staff _Types Symbols Text Styles Use Multirests Show in Part Import Export House Style Window New Window Title Horizontaly Verticaly Cascade Mixer Navigator Properties Keypade separate Help Sibelius Help Tip of the Day Help Center Sibelius com Sibelius com Education Area SibeliusMusic com Internet Publishing Sibelius Magazine PhotoScore Professional Sibelius Teaching Tools About Sibelius Comenzile operative ce apar suprapuse partiturii in lucru General Text Lines Bars Staves Notes Keypad Comenzi rapide uzuale A B C D E F G LA SUDO RE MI FA SOL 1 6 pe keypad TREZECIDOIME NOTA INTREAGA 7 9 pe keypad BECAR DIEZ BEMOL Ctrl 3 TRIOLET Ctrl 2 9 ALTE DIVIZIUNI EXCEPTIONALE P P
184. timii trei creatori activand in cadrul University of Illinois Experimental Music Studios precum si prin experimentele facute la G M E B Bourges cu Gmebaphone ul si cu Acousmonium ul utilizat de Francois BAYLE In prezent echipa de acusticieni a IRCAM Paris www ircam fr coordonata de Olivier WARUSFEL are ca domeniu de cercetare controlul propagarii sunetului in spatiu considerat in dimensiunea sa arhitectonica sau mediatizat prin mijloace electro acustice Aceste investigatii ce au ca finalitate sintetizarea unor modele de integrare a spatializarii sonore ca parametru constitutiv al unor noi creatii componistice sunt ordonate in dimensiunile fundamentale de natura obiectiva si perceptiva prin urmatoarele proiecte caracterizarea obiectiva a fenomenelor acustice modelarea fizica physivcal modeling gt si perceptiva a acestora simularea lor pe computer prin crearea unor interfete de comanda a aplicatiilor acustice virtuale cu ajutorul Spatializatorului digital ce opereaza in sistem lt MacIntosh gt cu un ansamble de algoritmi bazati pe modele geometrice oferind diferite ipoteze de propagare si reflexie sonora difractia absorbtia in incidenta razanta reflexia speculara sau ideal difuza Aceste experimente au dus si la elaborarea unei noi metode de determinare exacta a dimensiunii reverberatiei in salile de concert Spatializatorul este compus din module logice de prelucrare a semnalului si de comanda
185. ting system these are the commands that alter between versions of MS DOS The MS DOS external commands may contain SOME or all of the following APPEND EDLIN KEYB RESTORE ASSIGN EXE2BIN KEYBXX SETVER ATTRIB FASTOPEN LABEL SHARE BACKUP FC MODE SORT CHKDSK FDISK MORE SUBST COMMAND FIND NLSFUNC SYS COMP FORMAT PRINT TREE DELTREE GRAFTABL RECOVER XCOPY DISKCOMP GRAPHICS REPLACE DISKCOPY JOIN When you type an external command MS DOS looks for the command in the current directory If it is not there you must guide MS DOS to the relevant directory with the PATH command Adding Parameters to a command A parameter is a letter typed after a command that tells the command to carry out an extra task For instance a command that you will find later in this section is the COPY command This command copies files from one disk to another The command with a parameter might look like this COPY A MEMO TXT C v This part Tells MS DOS to COPY Make a copy A MEMO TXT of the file MEMO TXT on drive A CN and put it on drive C Iv and at the same time verify that the file is recorded correctly on C Most parameters are optional however you will discover over time ones that you use frequently Everyday MS DOS Activities This section provides a brief introduction to the MS DOS activities that you are likely to perform most often Activity Command needed Formatting a diskette
186. titut International de Musique Electroacoustique de Bourges IMEB cu o prodigioasa activitate in difuzarea muzicii electronice festivaluri concursuri concerte cursuri de specializare editare de discuri etc in Romania au aparut calculatoare foarte performante precum FELIX C 256 1971 realizat dupa licenta franceza IRIS 50 la Fabrica de Calculatoare Electronice Felix din Bucuresti CORAL 4011 minicalculator dupa licenta americana DEC realizat de F C E Felix Bucuresti si INDEPENDENT I 100 minicalculator proiectat integral la Institutul de Tehnica de Calcul din Bucuresti si realizat de F C E Felix Bucuresti in domeniul interferentelor informaticii cu arta se remarca contributiile extrem de pretioase datorate matematicienilor romani Grigore C MOISIL si Solomon MARCUS ce au colaborat in aceasta directie si cu importanti compozitori precum Anatol VIERU si Aurel STROE 4 Calculatoarele electronice din generatia a IV a 1971 prezent bazate pe microprocesoare procesoare integrate intr un circuit integrat CIP inventat in 1971 de americanul Marcian Ted Hoff si realizat de firma INTEL se numesc microcalculatoare utilizand memoriile cu bule magnetice discurile optice programe de tip ADA si programe orientate pe obiecte in 1971 la Bell Labs se experimenteaza sinteza digitala a vocii umane printr o tehnica originala aplicata pentru prima data in compozitia Speech Songs de Charles Dodge in 1972 compozitorul Jon APP
187. to Folder of Files Convert Folder of Acorn Sibelius Files Folder of Files to Graphics Folder of Finale Files Folder of MIDI Files Print Folder of Scores Composing Tools Double Notes Values Finf Motif Find Range Halve Notes Values Invert Pitch Mapping Retrograde Notation Add Brass Fingering Cautionary Accidrentals Chord Symbols Ficta Above Note Note Names String Fingering Tonic Sol Fa Make Layout Uniform Pitches Constant Number Beats Remove Dangling Ties Rests Respell Flats as Sharps Sharps as Flats Split Dotted Quarter Rests Playback Copy Dinamics Cresc Dim Playback Quarter tone Playback Proof reading Check Clefs for Parallel 5ths 8ves Harp Pedaling Pizzicatos Repeat Barlines Proof read Edit Plug ins Show Plug in Trace Window Preferences General Keyboard Shorcuts Word Menus Register Transfer Register Sibelius Transfer SavingOut In Exit Edit Undo Redo Undo Redo History Cut Copy Paste Repeat Delete Flip Voice 1 4 All Swap 1 2 1 3 1 4 2 3 2 4 3 4 Hide or Show Hide Show Show in Score in Parts Select All More System Passage None Filter Advanced Filter Chord Symbols Dynamics Expression Tool Guitar Frames Hairpins Lyrics Notes and Chords Slurs Tuplets Voice 1 4 Voice 1 4 Only Top 2Nd 3rd Bottom Note Top Note 2 nd Note 3rd Note bottom Note or Single Notes Player 1 2 for Delation Find Find Next Go to Bar Page View Attachment Breacks and Locks Hidde
188. to the score Double click the Measure Tool or right click the Measure Tool and select Add One Measure from the context menu Display the Measure Attributes dialog box Double click the top barline handle or measure or right click the handle or upper handle and select Edit Measure Attributes from the contextual menu Make the Measure wider or narrower Drag the top barline handle right or left Display a beat chart Click the second barline or middle if there are three handle or rightclick the handle and select Edit Beat Chart from the contextual menu Display a split point bar Click the third bottom barline handle or right click the handle and select Edit Split Points from the contextual menu Move a beat horizontally in all staves Drag one of the lower handles in the beat chart Move a beat and all subsequent beats horizontally in all staves Shift drag one of the lower handles in the beat chart Add another pair of beat positioning handles Double click between two upper handles of a beat chart Display the Beat Chart Element dialog box Double click an upper handle in the beat chart Delete a beat chart pair from the beat chart Click on an upper handle to select it and press delete Change a barline Right click the handle and select the desired barline type Normal Double Final Solid Dashed Invisible Tick from the contextual menu Display a handle on every measure number Click the Measure Tool Reset measure number positioning Press ba
189. trumentation Music theory Style Contemporary Serban Nichifor on free scores com ee scor http www free scores com Download PDF Sheet Music serbannichifor htm m Contact the artist m Write feedback comments m Share your MP3 recording m Web page and online audio access with QR Code First added the 2008 11 28 Last update 2008 11 28 11 16 55 free scores com 2100 NG a alo gami ganw Baa ACES 10 Dt 2 a go sala IT 08 E a Pay HOI am of gt ME Serban NICHIFOR INTRODUCERE IN COMPUTER MUSIC INTRODUCTION TO COMPUTER MUSIC mmm mi pene x prop prez i gt Thank you so much for sending me your updated Introduction to Computer Music It is a great achievement and will be of much use to your students and people working in the field Congratulations BARRY SCHRADER Professor CALARTS California Arts School of Music Dear Serban Thank you very much for sending your book I appreciate it very much BEN BIERMAN Professor Center for Computer Music at Brooklyn College ee scor INTRODUCERE IN COMPUTER MUSIC Compendium Conf univ Dr Serban NICHIFOR Facultatea de Interpretare Muzicala Universitatea Nationala de Muzica din Bucuresti serbannichifor yahoo com serbannichifor gmail com http romania on line net whoswho NichiforSerban htm Copyright O UCMR ADA SABAM 2005 CUPRINS INTRODUCERE Cap A EVOLUTIA MIJLOACELOR DE PRELUCRARE A I
190. uchla programul MUSIC 360 creat de Barry VERCOE la Princeton Studio va determina si aparitia unor noi si importante compozitii Synthesism de Barry VERCOE 1969 si Earth s Magnetic Field de Charles DODGE 1970 lucrare bazata pe diagrama Bartels ce ilustreaza schimbarile activitatii magnetice a Pamantului in aceasta perioada apar si sintetizatoarele analogice concepute de Paolo Ketoff Syn Ket utilizat de John EATON si Robert A MOOG introdus de Walter Wendy CARLOS in muzica populara sistemele acestora fiind ulterior comercializate pe scara larga de firmele ARP Korg Unicord Oberheim Roland si EML in 1969 UCLA organizeaza reteaua ARPANET precursoarea INTERNET ului la care se conecteaza principalele universitati americane este infiintat in cadrul Stanford University renumitul Center for Computer Research in Music and Acoustics sub coordonarea lui John CHOWNING compozitor si inovator in domeniile modulatiei de frecventa si spatializarii in cadrul cercetarilor efectuate la acest prestigios centru compozitorul Prof Emeritus Leland SMITH creeaza SCORE primul program de redactare a partiturilor muzicale ce este utilizat si astazi la cele mai importante edituri din lume in Franta se infiinteaza in anul 1970 sub coordonarea compozitorilor Fran oise BARRIERE si Christian CLOZIER celebrul Groupe de Musique Experimentale de Bourges GMEB devenit ee scor mai tarziu Ins
191. ul A Messick support artsong org http www artsong org Digital Expressions W6400 Firelane 8 Menasha WI 54952 USA AudioMulch 1997 2005 Ross Bencina 9 Wonga Rd Ringwood 3134 Victoria Australia http www audiomulch com rossb audiomulch com AutoGam Thierry Bachmann autogam free fr http autogam free fr Automated Composing System by Tetsuji Katsuda http www fin ne jp yokubota index shtml Bio2Midi I is copyright 1998 2004 John Dunn amp Alogrithmic Arts All Rights Reserved Algorithmic Arts web site http algoart com CAMUS Cellular Automata MUSic generator By Eduardo Reck Miranda http website lineone net Chaos von Eschenbach Written by Mag mailto mag cup com Copyright Mag 1999 http www cisnet or jp home magari CyberMozart For Macintosh Computers http www xs4all nl yavelow CyberMoz html DiceGame http www asahi net or jp HB9T K TD music mus1te html s Katsuda Tetsuji Expression Tone Generator www voicesync org Fractal Music Generator FMusic Copyright 1997 2000 David H Singer Wesite Design Copyright 1999 2000 Phil Jackson Page Created July 9 2000 Last Updated July 9 2000 http www fractal vibes com fm Fractal Tune Smithy 2 21 Copyright O Robert Walker 2000 support tunesmithy co uk FractMus gusdiaz ibm net gusdiaz attglobal net FractMus 2000 Webpage at http www geocities com SiliconValley Haven 4386 Gingerbread v2 0
192. use Stanga tinut apasat Programul vizualizeaza toate configuratiile spatio temporale specifice iar versiunile inserate pot fi audiate separat prin comanda Solo X Prin aceasta metoda pot fi analizati toti parametrii sonori iar imaginea grafica a operatiei ce este edificatoare inclusiv in realizarea unor studii teoretice poate fi conservata prin comenzile Save As ACID Project File acd sau ACID Project File With Embedded Media acd zip 3 Politempia structurala A Elaborata de dirijorul compozitorul si matematicianul roman Mihai BREDICEANU teoria timpului polimodular apud Mihai BREDICEANU Timpul polimodular si artele vizuale Bucuresti Ed Stiintifica si Enciclopedica 1982 si Music and Polymodular Time Structural Polytempi Music Lecture given at New York University January 5 1985 curs universitar analizeaza fenomenul politempiei reliefat de pilda in lucrarile lui Mahler si Ives si descrie evolutia unui numar finit de evenimente sonore desfasurate simultan in ceasuri masuri de timp diferite sau cu alte cuvinte proiectarea simultana a mai multor SISTEME DE PULSATII REALE SPR reductibile fenomenologic la un SISTEM REFERENTIAL DE TIMP SRT Fiecare SPR are proprii MODULI TEMPORALI M ce se reflecta la nivelul SPR in tempouri specifice induse interpretilor sau grupurilor de interpreti prin semnale vizuale sau sonore beeps ultimele fiind receptionate prin casti In acest sens auto
193. values long Initial value of X Multiplier and Max number of digits in the dialog box must be positive whole numbers greater than 1 Max number of digits is 10 This simple procedure yields great complexity The generated sequences seem to be almost random but if you listen to them you ll notice hidden patterns I believe that aural inspection of these algorithms reveals information that would otherwise go unnoticed Wolfram one dimensional Cellular Automata The mathematician Stephen Wolfram created a one dimensional variation of von Neumann s cellular automata which develops on a one dimensional universe a line In this type of CA each cell is sorrounded by only two other cells its two immediate neighbors on either side Each succeeding generation is represented by a line underneath the preceding one A cell in generation 2 determines its state dead or alive by looking at the state of the cell directly above it that is in generation 1 and at that cell s two neighbors There are only eight possible combinations of the states of those 3 cells ranging from AAA all alive to DDD all dead Since there are only eight possible states for the ancestors of any given cell and these states may result in one of two states for the new cell dead or alive there are 256 2 to the 8th power possible rulesets for this type of cellular automata Wolfram classified all 256 rules in four different classes lt Class Iare rules that generate borin
194. visiv co uk Image Display Image Open TIFF BMP Zoom 25 50 100 Edit Rotate Left Right By 180 Invert Delete Zone Read Batch process Exit Music Save Save As Open MIDI Save Save As NIFF Save Save As Options MIDI Options Save window positions Help Content About SharpEye NB Acest interesant program transforma imaginile partiturilor editate dar nu si manuscrisele scanate in prealabil in formatele BMP si TIFF in fisiere audio MIDI si NIFF Notation Interchange File Format TEXT SCRIS IN SUNET VOCE Functiile programului River Past Talkative Version 1 5 1 31216 2003 River Past Corporation www riverpast com File New Open Text File txt Rich Text Format rtf Save As Text File txt Rich Text Format rtf Open Settings River Past Talkative Settings 8sts Save Settings River Past Talkative Settings 8sts Exit Edit Undo Redo Cut Copy Paste Clear Select All Speech Start Pause Stop Record WAV PM3 WMA AVI Stereo Mono Resolution 8 16 bits Sample Rates 8 48 khy Bitrqte 352 8 kb sec Download Latest DirectX Windows Media Format runtime Text to Speech Engine SAPI 5 1 Try Audio Capture CD Ripper Converter Screen Recorder Video Cleqner Video Perspective Web Slides Help Contents Buy Now Register Go to River Post Website About River Past Talkative NB A
195. w When you choose Special Part Extraction from the Edit Menu Finale removes the checkmark by the command and displays the full score using the new positioning in Scroll View Drag a staff or a staff handle in Scroll View when Special Part Extraction is selected in the Edit Menu Adjust the staff s position in every staff system in Page View and the position of the staff in Scroll View When the top staff is adjusted Finale adjusts the distance between staves as well as staff systems Drag a staff or a staff handle in Page View when Special Part Extraction is not selected in the Edit Menu Note If two handles appear on a staff drag the top handle Adjust the staff s position in every staff system in Page View leave the position of the staff unchanged in Scroll View Finale adjusts the distance between staves as well as staff systems Drag a staff or a staff handle in Page View when Special Part Extraction is selected in the Edit Menu Note If two handles appear on a staff drag the top handle Adjust the staff s position only in the current staff system drag the top handle to adjust the position of the staff in all staff systems in Page View Drag the staff s lower handle in Page View Note If a staff system has been optimized using the Page Layout Tool two handles will appear on each staff in the optimized staff system Select a group or groups Click a group handle or drag enclose group handles Add the group to the selection If a group is al
196. ww cerlsoundgroup org b Programe audio de fonotecare Music Editors AudioEdit Deluxed Digitonix Element DubIt FruityLoops Midi Quartet Midi Works Mobius Music Publisher 32 MUSS a ea Studia Song Writer TablEdit Tablature SCOI Editor XG Gold Blaze Media Pro ezMP3edit MP3 Audio Mixer MP3 File Editor Advanced MP3 Cutter AAA Wave Ace of WAV 2 6 Acoustic Labs Mixer 2 5 Adobe Audition All Editor 2 2 Anvil Studio 2003 Audio Edit 3 4 AudioEdit Deluxe AVI Splitter AVS Audio Utilities Blaze Audio RipEditBurn Blaze Media Pro BlazeAudio Wave Creator BPS Audio Converter Pro Cakewalk Claudio Complete luxury audio recorder with MP3 Cool Edit 2000 1 1 Cool Edit Pro 2 0 DART XP Digidesign GoldWave MagicScore n Track Studio Wave Splitter Midi Tracker Sound Forge Native Instruments Propellerhead Steinberg etc cf http www freefunfiles com Site urile principalelor programe Sound Forge www sonicfoundry com Pro Tools www digidesign com Audacity http audacity sourceforge net MusicMatch Jukebox http www musicmatch com Real www real com Cakewalk www cakewalk com Voyetra Digital Orchestrator Pro www voyetra com Adobe Audition www adobe com Magix www magix com Alte site uri cu programe muzicale www rocketdownload com www zdnet com www hitsquad com www sonicspot com www asp shareware
197. x y si 680 Hz sinus x y In programul Sound Forge AM se realizeaza prin functia Effects Amplitude Modulation apud SCHRADER Barry Introduction To Electro Acoustic Music Published by Pretince Hall Inc Englewood Cliffs N J p 88 90 STRANGE Allen Electronic Music Systems Techniques and Controls WM C Brown Company Publishers 1972 ISBN 0 697 03612 X p 9 11 k Modulatia de Frecventa Frequncy Modulation FM este de asemenea un proces de prelucrare timbrala dar analog unui efect de vibrato implicand varieri periodice ale inaltimii sonore ce consta in modificarea frecventei semnalului sonor initial numit carrier signal printr un semnal de modulatie numit modulating signal inducand prin coordonatele sale de amplitudine frecventa si forma waveshape nivelul viteza si respectiv configuratia pattern modulatiei de frecventa frecventa sunetului initial va deveni frecventa medie a sunetului modulat Procesul FM este asemanator cu procesul AM primul actionand insa in planul frecventei sonore adica al inaltimii iar cel de al doilea in planul amplitudinii sonore adica al volumului Ca si in AM o modulatie de frecventa cu un sunet de modulatie de peste 20 Hz va produce doua noi frecvente sidebands reprezentand suma x y si diferenta x y dintre sunetul original si cel de modulatie ce se suprapun peste sunetul original In plus in
198. y Items to Clip dialog box Press shift when choosing Cut Cut create Clip file and specify items Press ctrl shift when choosing Cut Copy Ctrl C Copy create Clip file Press ctrl when choosing Copy Copy display Items to Clip dialog box Press shift when choosing Copy Copy create Clip file and specifyitems Press ctrl shift when choosing Copy Insert insert from a Clip file Press ctrl when choosing Insert Replace Entries Ctrl V Replace Entries paste from a Clip file Press ctrl when choosing Replace Entries Select All Ctrl A Update Layout Ctrl U Update Layout and remove measure groupings Press shift when choosing Update Layout View Menu Page View Ctrl E Scroll View Ctrl E Home Position Home key End Position End key Redraw Screen Ctrl D View at 400 Ctrl 4 View At 200 Ctrl 2 View At 100 Ctrl 1 View At 75 Ctrl 7 View At 50 Ctrl 5 View At X Ctrl 0 View At Last Size Double right click on the score Define a Staff Set Press Ctrl when choosing Staff Set in Scroll View only Change layers Alt Shift layer number 1 4 General Keyboard Shortcuts OK all open dialog boxes Ctrl click the OK button Cancel all open dialog boxes Ctrl click the Cancel button Redraw Interrupt Esc Apply a Metatool Press a number or letter and click the score Program a Metatool Press shift number or shift letter Program a keyboard equivalent for a tool Press shift Function key F2 F12 Switch to a tool you ve programmed
199. y Means of Frequency Modulation in Journal of the Audio Engineering Society vol 21 no 7 1973 STRANGE Allen Electronic Music Systems Techniques and Controls WM C Brown Company Publishers 1972 ISBN 0 697 03612 X p 12 20 BURK Phil POLANSKY Larry REPETTO Douglas ROBERTS Mary ROCKMORE Dan Music and Computers an interactive web text http eamusic dartmouth edu book MA TCpages tableofcontents html 1 Morphing preluat din artele vizuale domeniu in care anamorfoza reprezinta o tehnica descoperita inca din antichitate acest procedeu de transformare a unei imagini in alta aparent total diferita de prima a fost aplicat pentru prima data in arta sunetelor in 1976 in Cvartetul meu de Coarde Anamorphose 1977 by Edition Modern M nchen Germany ce a fost distins cu Premiul I la Concursul International de Compozitie GAUDEAMUS din Olanda 1977 Ulterior in studiul Anamorfoza Sonora publicat in revista Muzica Bucuresti Nr 6 Iunie 1985 p 18 21 pe care lam prezentat de asemenea in conferintele sustinute la Cursurile Internationale de Muzica Noua de la Darmstadt Germania 1980 precum si la Michigan University USA 1982 am aratat ca doua sau mai multe structuri muzicale aparent disjuncte pot coexista functional fara a constitui un colaj daca raspund conditiei de a avea cel putin un element constitutiv comun Astfel intre multimile sonore A A si B avand
200. y cross section made through an arm of the Henon attractor forms a Cantor middle thirds set Two parameters initial values of a and b Range of both variables is 1 2 Classical attractor parameters are X 0 1 4 Y 0 0 3 Hopalong This two dimensional chaotic map proposed by Barry Martin is defined by the following equations X n 1 Y n sign X n sqrt Isin a X n cos a l Y n 1 a X n One parameter value of the angle a in radians Range of a is from 2pi to 2pi Martin This two dimensional chaotic map was proposed by Barry Martin see also Hopalong It is defined by the ee scor 56 following eguations X n 1 Y n sin X n Y n 1 a X n One parameter value of the angle a in radians Range of a is from 2pi to 2pi Gingerbread man This two dimensional chaotic map although very easy to generate is still very poorly understood It was proposed by R Devaney in 1988 It is defined by the following equations X n 1 1 Y n IX n l Y n 1 X n Two parameters initial values of X and Y Valid range for both variables is 20 20 For more information on this fractal refer to The Science of Fractal Images Lorenz This algorithm uses a chaotic equation proposed by Lorenz in 1976 as part of his research in climatology The equation is defined as follows X n 1 a 3X n 4X n 43 One parameter value of a Valid range is 0 1 Range with best results is 0 65 1 Random This algorithm uses a pseudo rand

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