JOHANNUS
Contents
1. e Volume Tune en Transposer adjustments see under the description of the thumb pistons Volume Tune and Transposer e MIDI tabs 1 thru 8 Thumb pistons to store a personal registration into the capture memory by giving these registrations a number 1 thru 8 within a memory level bank These thumb pistons you need again to call these stored registrations from the capture memory See under Using free combinations and Thumb pistons with which you e Choose a Memory level bank 1 thru 8 See under Using free combinations capture system e Choose a step to be programmed in the General Crescendo See under using the General Crescendo e Adjust the volume tune en transposer see under the description of the thumb pistons Volume Tune and Transposer e Choose an expander module patch voice number and a channel number see under Programmable MIDI When you keep on pushing the or the piston these will automatically count down or up GC z General Crescendo Piston to switch the General Crescendo function on or off See under Using the General crescendo PGM Program General crescendo and MIDI tabs Piston that enables you e To change the stop combinations of the General Crescendo See under Using the General crescendo e To program a MIDI tab See under Programmable MIDI PP thru T The fixed combinations presets are registrations preset according to musical standards starting wi2. min plus Thumb pistons GC General Crescendo Thumb piston 37 38 39 40 41 42 PGM Program Gen cresc and MIDI 43 Thumb pistons VOL Volume TRANS Transposer TUNE Tuning Thumb piston 0 Cancel undo 44 User s Manual SMOR FASEN MOS Rembrandt 200 300 2000 and 3000 AGO 7 Accessories The following accessories are standard Couplers Tremulants Tremolo Chorus Intonation 2 MIDI stops Couplers All couplers are full unison couplers This means all depressed keys are coupled Choir Great only for Rembrandt 300 AGO 3000 AGO This coupler couples the Choir to the Great When playing keys on the Great the corresponding keys on the Choir will be played as well This way you can add all stops of the Choir to the Great Swell Great This coupler couples the Swell to the Great When playing keys on the Great the corresponding keys on the Swell will be played as well This way you can add all stops of the Swell to the Great Swell Choir only for Rembrandt 300 AGO 3000 AGO This coupler couples the Swell to the Choir When playing keys on the Choir the corresponding keys on the Swell will be played as well This way you can add all stops of the Swell to the Choir Choir Pedal only for Rembrandt 300 AGO 3000 AGO This coupler couples the Choir to the Pedal When playing keys on the Pedal the corresponding keys on the Choir will be played as
3. Roll top cover Music rack Special voices Swell Accessories Roll top cover lock Great keyboard Swell keyboard Special voices Great Key switch Memory Lock Display Great stops Power switch Toe stud Tutti Toe studs couplers General crescendo pedal Expression pedal Swell Expression pedal Great Pedal o JOHANNUS ce 00000000 0000000 0000000 000 00000 O E 0000 QOO 0000000 00000000 COO G QG GO S900 o 2569 7 28 229 50 651 052 5 3 54 55 56 S7 S83 S89 HE B 20 Pedalboard 22 23 External connections 25 26 27 28 29 30 31 og Toe Studs capture Acoustical control program Acoustical control volume Thumb piston SET Serial numberplate Thumb pistons 1 8 Pedal division Thumb pistons e 1 8 Generals Thumb pistons 1 8 Great division Thumb pistons 1 8 Swell division Thumb pistons WM Werckmeister III MT Meantone 32 33 34 35 36 37 38 39 Thumb pistons MB Manual Bas CF Cantus Firmus Thumb pistons FA Fix Accessories Thumb pistons Presets Thumb pistons min 4 plus Thumb piston GC General Crescendo Thumb piston PGM Program Gen cresc and MIDI Thumb pistons VOL Volume TRANS Transposer TUNE Tuning Thumb piston 0 Cancel undo
4. Special voices Swell Accessories Roll top cover lock Great keyboard Swell keyboard Special voices Great Key switch Memory Lock Display Great stops Power switch Toe stud Tutti Toe studs couplers General crescendo pedal Expression pedal Swell Expression pedal Great Pedal 28 29 30 31 20 Toe Studs capture Pedalboard Acoustical control program Acoustical control volume External connections Thumb piston SET Serial numberplate Thumb pistons 1 8 Pedal division Thumb pistons 1 8 Generals Thumb pistons 1 8 Great division Thumb pistons 1 8 Swell division Thumb pistons WM Werckmeister III MT Meantone 32 33 34 35 36 37 38 39 Thumb pistons MB Manual Bas CF Cantus Firmus Thumb pistons FA Fix Accessories Thumb pistons Presets Thumb pistons min 4 plus Thumb piston GC General Crescendo Thumb piston PGM Program Gen cresc and MIDI Thumb pistons VOL Volume TRANS Transposer TUNE Tuning Thumb piston 0 Cancel undo User s Manual MOM FAMNEN MOS Rembrandt 200 300 2000 and 3000 AGO 4 Rembrandt 300 AGO 1 2 3 415 6 OHANNUS OpoooOoO00 00000000 8 J 9 J 10 11 12 13 14 00000000 00000000 00000000 OOO 00000000 OOOO JOOJOO O 0 00 RON EE E gu gl D HQ E 29
5. 2 Choose the memory bank with the and the pistons e g M2 The memory bank shows up in the display Mem 2 Vol 12 Tune 440 Trans 0 Crescendo Off 3 Then choose the memory number push e g piston 3 of the swell division In the registration you recalled you may add or remove stops by hand User s Manual RCM awAM MOMS EEE Rembrandt 200 300 2000 and 3000 AGO 24 Using the general crescendo With the general crescendo you can add stops in 20 steps from very soft pianissimo till Full organ Tutti The 20 steps are preset according to musical standards The general crescendo always has priority above the manual registration fixed combination or free combination Also the stops switched on by the general crescendo cannot be canceled with the 0 pistons Within a stop combinations of the general crescendo it is possible to add extra stops Reeds which have been switched on by the general crescendo can be switched off by the RO Reeds off switch When desired you may change the standard stop combination setting of each general crescendo step except the 0 and store in the general crescendo memory It is always possible to restore the stop combinations as initially stored by the designer of the organ into the general crescendo memory However this can only be done with all 20 steps at once This will erase all personal combinations too The memory of the general crescendo is protected so that it cannot be erased whe
6. keep on pushing and push the SET then As long as you push the SET piston a P will show up in the display to indicate that the personal registration is programmed into the general crescendo memory Mem P6 Vol 12 Tune 440 Trans 0 Crescendo 0 Release the SET piston before releasing the O piston Close the general crescendo memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessible anymore Push the PGM piston again to switch it off The general crescendo can be used as normal again User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 27 Midi applications What is MIDI MIDI is the abbreviation of Musical Instruments Digital Interface With MIDI different musical instruments can be connected with each other or with a computer For example it is possible to play on your organ and at the same time on a synthesizer or an expander module The MIDI standard is partly based on hardware Next to that it is a worldwide agreement about the way music and sound are being interpreted and communicated between devices that have MIDI capability The MIDI codes sent by a Johannus organ tells e g which key is played Midi exists of the following parts e MIDI connections MIDI IN MIDI MOD MIDI SEQ MIDI stops A device e g synthesizer that you want to connect through
7. Push in the cover lock Warning You can lock the organ without using of the key However the key is necessary to open the organ Therefore always take care that the key is not left withing the console before depressing the lock The pedalboard Typically AGO American Guild of Organists organs have a 32 note AGO pedalboard The pedalboard is removable At the front of each pedal key is a magnet This magnet normally sits in close proximity to a reed switch which is invisibly mounted behind the black painted front panel at the bottom of the console When you depress a pedal key the reed switch is activated by the magnet at the end of the key Your new organ has lighting above the pedalboard which is switched on and off automatically with the organ The following points are important for installing the pedal board 1 Make sure that the surface under the console in combination with the pedalboard is flat 2 Forthe best alignment of the pedal board it may be necessary to adjust the console height slightly while positioning the pedalboard 3 Shift the pedalboard against the black painted front panel as close as possible The organ bench Your organ is provided with a bench that contains a music shelf If you wish you can order an adjustable height bench User s Manual MOM MANN MOS Rembrandt 200 300 2000 and 3000 AGO 2 Set up Connecting the organ pay close attention to the following points when you connect the org
8. T3c2 0 gt 2 gt 5329555009 20 OS 98 Z 02 SES USR Sm 09 0 RDO 999 0 2 o9ooSoo3StEctttrc 5o9g u 8goc8 ocotctokxs 3S85000ccoocg9 Zoo99ooo2oS90cdgogoQ2S o olooormoco omoo52OxiOZzizouLrooo GREAT eeooooeoceeoeooo Ooeeeeoeooooooo 0e0000000000000 o00e00000E00000O OOeooeoeooooooo Oeeoooeeeoceoooce eececoccccoc ccoo000 0000000000000 o0000000008000000 Oeeoceeoeooooooo OOoeoeeooooooooo OOeocoeooooooooo 000006000000000 Lo cO 00 00 00 CO t Y 29 QN zz CO 00 00 cmt S v o 2 uet e Es a oe g gt G S209 aa ae Eee agsS gsorzO og95 g2g0so s ygssor cotot GK 0 C2 C occ2ttS8Soootzt5x Q cosSs5gooQosz5olXo 2o Oa criLOOOOroozor CHOIR 0000600060600 0000060000000 0000000000000 0000000600000 0000060000000 0000060000000 0000060000000 0000066860000 0000660600000 0000660000000 0000060000000 0000000000000 0000000000000 00 00 00 C0 LLO gt 00 00 Z g E E 8 E ge Bess 2 E 8c QoO99o5ovo OF5OESD oO9 ct2twgoAn605r Z Eu osggEz CINNE SIERS OGM OQ 0 CO a dmuuoczioozaxu ACCESSORIES Choir Great Swell Great Swell Choir Choir Pedal Great Pedal Swell Pedal eeeeeccooo 0000000000 0000000000 eooeooooeo 0000000000 ee000080000 ese00000000 ee00000000 ee000080000 eeeeoceoooo Oeoeoooooo 0000000000 Tremulant Swell Tremulant Great Chorus Tremulant Choir Rembrandt 200 300 2000 and 3000 AGO 47 J
9. Twelfth Super Octave Cornet IV IV Mixture g Trumpet ACCESSORIES Swell Great Great Pedal Swell Pedal Tremulant Great Tremulant Swell Chorus Rembrandt 200 300 2000 and 3000 AGO JOHANNUS User s Manual 41 Personal registrations Rembrandt 200 AGO PEDAL 32 Contra Violin Diapason 16 16 Subbass Octave g g Gedackt 4 16 Choralbass Contra Trumpet Trumpet g SWELL g Open Diapason Stopped Flute g g Viola di Gamba Vox Celeste Octave g 4 4 2 8 Koppelflute Flute Twelfth Waldflute Tierce 2 13s Scharff Oboe g GREAT 16 Bourdon Principal g g Rohrflute Octave 4 4 2 8 Open Flute Twelfth Super Octave Cornet IV IV Mixture g Trumpet ACCESSORIES Swell Great Great Pedal Swell Pedal Tremulant Great Tremulant Swell Chorus Rembrandt 200 300 2000 and 3000 AGO JOHANNUS User s Manual 42 Registration examples Rembrandt 300 AGO unueld onuewoy couL Loup IIag uo OJOS yeso uo ojos Jl jul dd ddd PEDAL 32 Contra Violin Diapason 16 16 Subbass Octave g g Gedackt 4 16 Choralbass Contra Trumpet Trumpet g SWELL g Open Diapason Stopped Flute g g Viola di Gamba Vox Celeste Octave g 4 4 2 8 Koppelflute Flute Twelfth Waldflute Nasard 2 1s 16 Fagotto
10. User s Manual MOM FUEN MOS Rembrandt 200 300 2000 and 3000 AGO 6 Rembrandt 3000 AGO 1 2 3 Q8 D D 4 O E o NUS 00000000 Opoooo0oo00 00000000 0O0000000 00000000 2960696363 H ug u EI EI Pedal stops Swell stops Roll top cover Special voices Swell Choir keyboard Great keyboard Swell keyboard Accessories Roll top cover lock Special voices Great Music rack Special voices Choir Key switch Memory Lock Display Great stops Choir stops Power switch Toe stud Tutti Toe studs couplers General crescendo pedal gl 32 33 34 35 og Expression pedal Swell Expression pedal Great Pedal Expression pedal Choir Pedalboard Toe studs capture Acoustical control program Acoustical control volume External connections Thumb piston SET Serial number plate Thumb pistons 1 8 Generals Thumb pistons 1 8 Pedal division Thumb pistons e 1 8 Swell division Thumb pistons 1 8 Choir division Thumb pistons 1 8 Great division 00000000 COO OOo 0000 o 34 55 56 5 7 38 559 04 0 4 1 4 2 4 44 36 Thumb pistons WM Werckmeister III MT Meantone Thumb pistons MB Manual Bas CF Cantus Firmus Thumb piston FA Fix Accessories Thumb pistons Presets Thumb pistons
11. stop combination into the memory and recall them when needed This of course is especially helpful when many different registrations occur in a piece of Music It makes the help of assistants redundant The memory of the free combinations is protected so that it cannot be erased when you switch off the organ or when you unplug the organ from the main power The capture system exists of the following e Key switch MEMORY LOCK Thumb pistons and Display Thumb piston SET Thumb pistons 1 thru 8 With the capture system you can program 64 personal registrations per division divisionals as well as for the entire organ generals These registrations can be recalled at any time The generals as well as the divisionals have eight memory banks to be chosen with the pistons and Every memory bank can store 8 combinations accessible by the pistons 1 thru 8 On every setter location you may store a personal registration Only the accessories Chorus and Intonation 2 cannot be stored in the capture system How to set free combinations A free combination for e g the Great division is programmed as follows 1 First check if the pistons GC and PGM are not switched on This to avoid modifying a stop combination of the General Crescendo 2 Make the memory accessible by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed 3 Choose the registration for the Great division yo
12. temperament The temperament is the way the different notes within an octave are tuned This has been changed through the ages depending on taste different instruments and new instruments On this JOHANNUS organ you may choose from 3 different temperaments e Equal temperament e Werckmeister Ill temperament e Meantone temperament Equal temperament Today the most widely used and accepted temperament is the equal temperament This is a tuning where all 12 quints have been under tuned and all tierces have been overtuned to keep the octave pure Equal temperament is standard on the Johannus organ In addition you have a choice out of a Romantic voicing and a Baroque voicing On an instrument with Equal temperament you may play in any key Werckmeister Ill temperament Andreas Werckmeister introduced his tuning approximately in 1691 in Germany Within this temperament the often used tierces are more or less pure tuned Every key has his own specific character This effect has been used extensively in the baroque age and even after that Johann Mattheson writes in 1713 that e g f flat is used to express a resigned deep and desperate agony According to him C major is impertinent but not unsuitable to also express feelings of joy This temperament is recommended with intonation 2 Meantone temperament In Meantone the often used tierces are tuned pure E g c e d f etc Because the tierces in chords with quints and tierces are determi
13. to this level in the general crescendo will light up Choose the personal registration for the level in this case level 5 of the general crescendo you want to store in the general crescendo memory Push the SET piston As long as you push the SET piston a P will show up in the display to indicate that the personal registration is programmed into the general crescendo memory Mem P6 Vol 12 Tune 440 Trans 0 Crescendo 5 Close the general crescendo memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessible anymore Push the PGM piston again to switch it off The general crescendo can be used as normal again User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 26 Recalling the factory settings of general crescendo The factory setting of stop combinations in the general crescendo can be restored as follows 1 Make the memory accessible by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed Push the pistons GC and PGM The display will show a 0 level 0 meaning all stops of the general crescendo off Mem 1 Vol 12 Tune 440 Trans 0 Crescendo 0 Also all stops will switch off Changing the general crescendo pedal will have no effect anymore Push one of the O pistons
14. 69 806263 34 055 456 05 7 58 59 40 4 044 27 4 5 4 D 9 Pedal stops 21 Expression pedal Swell 36 Thumb pistons Swell stops 22 Expression pedal Great Pedal WM Werckmeister 111 Roll top cover 23 Expression pedal Choir MT Meantone Special voices Swell 24 Pedalboard 37 Thumb pistons Choir keyboard 25 Toe studs capture MB Manual Bas Great keyboard 26 Acoustical control program CF Cantus Firmus Swell keyboard 27 Acoustical control volume 38 Thumb piston Accessories 28 External connections FA Fix Accessories Roll top cover lock 29 Thumb piston 39 Thumb pistons Special voices Great SET Presets Music rack 30 Serial number plate 40 Thumb pistons Special voices Choir 31 Thumb pistons min Key switch Memory Lock 1 8 Generals plus Display 32 Thumb pistons 41 Thumb pistons Great stops 1 8 Pedal division GC General Crescendo Choir stops 33 Thumb pistons 42 Thumb piston Power switch 1 8 Swell division PGM Program Gen cresc and MIDI Toe stud Tutti 34 Thumb pistons 43 Thumb pistons Toe studs couplers e 1 8 Choir division VOL Volume General crescendo pedal 35 Thumb pistons TRANS Transposer 1 8 Great division TUNE Tuning Thumb piston 0 Cancel undo 44 User s Manual MOM FASEN MOS Rembrandt 200 300 2000 and 3000 AGO 5 O o JOO EG M Rembrandt 2000 AGO 1 2 Pedal stops Swell stops
15. ANNUS Organ Date July 1998 REMBRANDT 200 AGO MIDI Implementation Chart Version 1 00 Basic Default Channel Changes Default Mode Messages Altered Note Number True voice Velocity Note ON 9nH v 1 127 Note OFF 9nH v 0 8nH v After Keys Touch Channels General volume Control i Expression pedals Change 100 101 6 Pitch 100 101 6 Transposer Stops Pedal Stops Swell Program Stops Great Change _ True S Accessories Sp Stops Sw Sp Stops Gr Song Pos Common Song Sel Tune lt lt System Clock Real Time Commands Reset All Controller Local On OFF 7 rr Ml LU Aux All Notes OFF Active Sense Reset 1 By means of the programmable MIDI stops Except 19 40 51 63 and 74 79 Mode 1 OMNY ON POLY Mode 2 OMNY ON MONO Y YES Mode 3 OMNY OFF POLY Mode 4 OMNY OFF MONO N NO User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 37 JOHANNUS Organ Date July 1998 REMBRANDT 300 AGO MIDI Implementation Chart Version 1 00 Basic Default 1 2 3 4 12 Channel Changes 1 16 Default Messages Altered Note Number True voice After Keys Touch Channels Pitch Bend General volume Control 11 Expression pedals Change 100 101 6 Pitch 100 101 6 Transposer Stops Pedal Stops Swell Stops Choir Program Stops Great Change True S Accessories Sp Stops Sw Sp Stops Gr Sp Stops Ch Song Pos Common Song Sel Tune lt lt System Clock Real Time Com
16. AON FUEN ECES Rembrandt 200 300 2000 and 3000 AGO 12 Expression pedals The volume of each keyboard is adjustable with Expression pedal Choir only for Rembrandt 300 3000 With the left expression pedal you adjust the volume of the choir Expression pedal Great Pedal With the left for Rembrandt 300 3000 the middle expression pedal you adjust the Great and Pedal Volume at the same time Expression pedal Swell With the right expression pedal you adjust the volume of the Swell The expression pedals work independently from the adjusted General Volume For adjusting General Volume see Thumb pistons Volume Thumb pistons Thumb pistons are switches that after being switched on or off remain in the same position For that every thumb piston has a light build in that lights on as soon as it is switched on WM Werckmeister By pushing this piston you choose for the Werckmeister Ill temperament See under chapter Choice of temperament As soon as you switch on this temperament the Meantone temperament will be switched off automatically in case it was on By pushing the WM thumb piston again its function will be switched off again MT Meantone By pushing this piston you choose for the Meantone temperament See under chapter Choice of temperament As soon as you switch on this temperament the Werckmeister Ill temperament will be switched off automatically in case it was on By pushing the MT thumb piston again its func
17. DI Implementation Chart Version 1 00 Basic Default 1 2 3 4 12 Channel Changes 1 16 Default Messages Altered Note Number True voice After Keys Touch Channels Pitch Bend General volume Control 11 Expression pedals Change 100 101 6 Pitch 100 101 6 Transposer Stops Pedal Stops Swell Program Stops Choir Change True S E Stops Great Accessories Sp Stops Sw Sp Stops Gr Sp Stops Ch Song Pos Common Song Sel Tune lt lt System Clock Real Time Commands Reset All Controller Local On OFF 7 rn B I Aux All Notes OFF Active Sense Reset 1 By means of the programmable MIDI stops Except 13 14 45 48 and 79 88 Mode 1 OMNY ON POLY Mode 2 OMNY ON MONO Y YES Mode 3 OMNY OFF POLY Mode 4 OMNY OFF MONO N NO User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 40 Registration examples Registration examples Rembrandt 200 AGO unueld onuewoy couL OWL leMg UO OJOS 16946 uo ojos y Ju dd ddd PEDAL 32 Contra Violin Diapason 16 16 Subbass Octave g g Gedackt 4 16 Choralbass Contra Trumpet Trumpet g SWELL g Open Diapason Stopped Flute g g Viola di Gamba Vox Celeste Octave g 4 4 28 Koppelflute Flute Twelfth Waldflute Tierce 2 19 8 Scharff Oboe g GREAT 16 Bourdon Principal g g Rohrflute Octave 4 4 2 8 Open Flute
18. Intonation 2 Intonation determines the sound of the organ In pipe organ building the voicing is a very important part of the building process Every stop will be adjusted note by note to the room where the organ is installed Standard your organ has two intonations a romantic and a baroque intonation In general a romantic organ is wider and sounds symphonic while a baroque organ is brighter and more tightly tuned Also see under Choice of temperament MIDI tabs The programmable MIDI tabs are a special group of accessories See under MIDI applications and Programmable MIDI Display An LCD display is located on the right side above the keyboards On the display different settings are shown like e Selected capture memory level Memory 1 8 See Using the capture system Mem 1 Vol 12 Tune 440 Trans 0 Crescendo Off e Volume setting Volume 1 25 See Thumb pistons setting the volume Mem eo 8 eZ Tune 440 Trans 0 Crescendo Off e Pitch adjustment 426Hz 454Hz See Thumb pistons setting pitch Mem 1 Vol 12 Tune 440 Trans 0 Crescendo Off User s Manual RCM awAM MOMS EEE Rembrandt 200 300 2000 and 3000 AGO 9 e Transposer position Transposer 3 Thru 3 half steps See Thumb pistons Transposer Mem 1 Vol 12 Tune 440 Trans 0 Crescendo Off e General crescendo setting Typically the general crescendo is not switched on and the status display will s
19. Ipes ebestreReheR heReheRBRReRehrashenshaRshensheseshrnsbsks 11 allo Md 11 Special VOICES 2 rre A t e a LS Du a Rn a o Du a S ta UN du Rata Na ut 12 Overview of stops per type hr 12 EXpressior pedals seus rc ds Nok e e ee de de dd ee ee S 13 Expression pedal Choir only for Rembrandt 300 3000 13 Expression pedal Great Pedal 00 00 c eects 13 Expression pedal Swell o oooooccoccoooooo eee 13 Thumb PISTONS ies emere io a fi e ie KTR jo or itn CT o KTR a petty o tte IRR pes 13 WM Werckmeister 0 000 cette ee 13 M Meanione ot med ure ure uLet ue wed ue wed uod sot i 13 MB Manual BaSs nai d E R R L RH A rr 13 GE Ganhtus FIFTillsisss era daa ita 13 FA Fix Accessories Freeze accessories oooocoooooccccoo o 14 SEI ata La 14 O e entia EA TT 14 Te TTT 14 GC General Crescendo res 14 PGM Program General crescendo and MIDI tabS 14 PP Tasse cU LU MU t 14 uu M LUN AMAN NUM M AR NUN UN NU 15 RO Reeds Offic ses s a sem Sac e Sa us ace a ce See a is 15 VOL 2 Voltiri un nte th Mf Mf Mf Mf Mf Mf MP eda 15 M cp 16 TRANS TIranspoSer esecepessbesspeSBPR DEREERB DEREERB DMOHRSEGE 18 S S All swells to swell EAE YES PE ie Oe ee Ph 19 User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO ACOUSTICS Ee EEE EEE EEE EEE 19 ACOUSTIC volume R K S G S E OST RL TKT ST RTVE E M RE RE K eases 19 ACOUSTIC programmi RR
20. MIDI Connection cables The MIDI stops have a number The MIDI number for Great on the Rembrandt 200 2000 is number 1 and with Rembrandt 300 3000 the MIDI Great is number 2 This number indicates the MIDI channel used to transfer key information through MIDI SEQ when playing the Great MIDI has at least 16 channels to transfer Data The MIDI stops determine from which keyboard s you send key information to other device s How and what to connect Imagine you want to connect 3 expander modules to your organ One you want to play from the Great the other from the Swell and the third one from the Pedal The following has to be done 1 Connect the expander modules with the MIDI cables DIN 2 Switch on MIDI stop Great 1 The expander module must be configured so that it can only receive data through the channel programmed to MIDI stop Great 1 see under Programmable MIDI 3 Switch on MIDI stop Swell 2 Set the second expander module for the channel programmed to MIDI stop Swell 2 4 Switch on the MIDI stop Pedal 3 Set the third expander module for the channel programmed to MIDI stop Pedal 3 User s Manual MOM FASEN MOS Rembrandt 200 300 2000 and 3000 AGO 28 Programmable MIDI Programmable MIDI allows you to access an expander module voice patch 1 128 through one of the channels 1 16 by switching on a MIDI stop MIDI Great 1 MIDI Swell 2 MIDI Pedal 3 etc E g when the MIDI stop MIDI Great 1 is programm
21. OHANNUS User s Manual Personal registrations Rembrandt 3000 AGO PEDAL 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 00000000000000000 Xo c0 00 00 OO xt SE CO NEN ZW 000 SF a e a r N ae x O o S 9 o hj o amp 929g c 3 E alto E o9og2 ars LS c c 40 ADE oto 590 o c 2902c S22r 3 E D 2 5 o 3235275825 ISC AGR AZ PERS Ss od0 0 5 02562 p9cggOsa3ogoosSggogoS9 9R 22 8D005EC5S5 309 S G coros 2 82090 9 262 2020500208005 73025 NANIOGOLMOFO MMON gt gt OXYLOSEZNLOOO GREAT 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 000000000000000 o 50 CO 00 00 CO St S 20 QN zz CO 00 00 yx gt gt c vo o 2 Ra e Esp Q oe 28 2 G S299 a 2 Eee ags gsorzO og95 2208529 202822 cotot ut QG 22 E occgtt9oo otzt5x Qcos25gooz5oiXoco Oa LLODOO NO0OF gt CHOIR OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOO
22. OOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO OOOOOOOOOOOOO 00 60 00 00 EC NL gt 00 00 a g E E 3 E ge Bess 2 E er QOO99o0o5o0 o 3Sotrg o9 C 2tgoAn605t 7 Z2 Sida S osogagEz CINNE SIS ZORSA GGO Q 0 G 0 a muiuodczioozazxu ACCESSORIES Choir Great Swell Great Swell Choir Choir Pedal Great Pedal 000000000 0000000000 0000000000 0000000000 0000000000 0000000000 0000000000 0000000000 0000000000 0000000000 0000000000 0000000000 0000000000 Swell Pedal Tremulant Choir Tremulant Great Tremulant Swell Chorus Rembrandt 200 300 2000 and 3000 AGO JOHANNUS User s Manual 48
23. Oboe g GREAT 16 Bourdon g Principal g Rohrflute Octave 4 4 2 8 Open Flute Twelfth Super Octave Cornet IV Mixture g Trumpet CHOIR g Hohlflute 4 2 Rohrflute Nasard Flute 2 19 8 Tierce Sifflet Mixture Vox Humama ACCESSORIES Choir Great Swell Great Swell Choir Choir Pedal Great Pedal Swell Pedal Tremulant Choir Tremulant Great Tremulant Swell Chorus Rembrandt 200 300 2000 and 3000 AGO JOHANNUS User s Manual 43 Personal registrations Rembrandt 300 AGO PEDAL 32 Contra Violin Diapason 16 16 Subbass Octave g g Gedackt 4 16 Choralbass Contra Trumpet Trumpet g SWELL g Open Diapason Stopped Flute g g Viola di Gamba Vox Celeste Octave g 4 4 2 Koppelflute Flute Twelfth Waldflute Nasard 2 1s 16 Fagotto Oboe g GREAT 16 Bourdon g Principal g Rohrflute Octave 4 4 2 8 Open Flute Twelfth Super Octave Cornet IV Mixture g Trumpet CHOIR g Hohlflute 4 2 3 Rohrflute Nasard Flute 2 19 8 Tierce Sifflet Mixture Vox Humama ACCESSORIES Choir Great Swell Great Swell Choir Choir Pedal Great Pedal Swell Pedal Tremulant Choir Tremulant Great Tremulant Swell Chorus Rembrandt 200 300 2000 and 3000 AGO JOHANNUS User s Manual 44 Registratio
24. RR RR RRR ee ee 19 OS SUS M EM UM MMC MOM NOM MM M 19 ExternallCONMECIONS saiosctocciacniota acota acota ainda a iota a ina oa dota oa into era loto oa doo ado do 20 MIDEINUS arras cuni a e e e M 20 MIDEMOD 16106604 45 8 add 4A dS And Sad SAnd AAAS AAAS AAAS AAAL 20 MIDI SEQ ix Rach O 20 ADDCIN tio pa AAA AAA AAA ARA nd ata AAA AA mq 20 AUX OUT zs l e e Ge Gl E o R e l eet pe koran 20 EXT REV ASA ASA ASA ASE ESE EE DN NA NAA A AE 21 PHONES Eaa EEE TETE ETT Ta 21 Choice of temperament e e x x e e x x x K e eee 22 Equal temperament ehh 22 Werckmeister lll temperament rr 22 Meantone temperament o hn 22 Using free combinations Capture system oooooooconcn nunnan 23 What are free combinations o oo n 23 How to set free combinations o oooccooocoo eh 23 Recalling free combinations lisse nh 24 Using the general crescendo ooooccccocn hm n nh 25 Programming the general crescendo iilii 26 Recalling the factory settings of general crescendo ooo 27 Midrapplicatioris veil LeL EL INL LL VAL LA LL LL ML EL LA 28 Whatis MIDI AS 28 How and what to connect 0 0 es 28 Programmable MIDI mullo ae ee ea ee ee 29 Program MIDI manually 0 000 29 Program MIDI into capture system lisse 30 External Loudspeaker system o oooococcoco ee nh n nnn 33 clnt arulcmP c 34 Guarantee rc 34 Appendices A A AA A aod iod eee a 35 Technical specifi
25. S Rembrandt 200 300 2000 and 3000 AGO 29 12 Push SET when you selected the right channel e g channel 6 The selected channel has been assigned now to the MIDI stop The display now will show the existing module voice too Midi Program Swel Voice 1 Channel 6 Choose by pushing one or more times on the or the piston the module voice you want to assign to the MIDI stop The module voice e g 40 will show up in the display Midi Program Swel Voice 40 Channel 6 Push SET when you selected the right module voice e g patch 40 To indicate that the selected channel and module voice are being programmed a P will show up in the display as long as you push SET Midi Program P Swell Voice 40 Channel 6 The MIDI stop MIDI Swell 2 now has been programmed with channel 6 module voice 40 This means that switching on MIDI Swell 2 while playing the swell key data will be transferred over channel 6 to the module and that module voice 40 will be switched on Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessable anymore Switch off the PGM by pushing it again Program MIDI into capture system In fact this means storing a module voice into the capture system of the organ possibly in combination with some other normal organ voices A MIDI s
26. SET piston Choose the module voice patch for MIDI Pedal 3 by using the and pistons Push the SET piston The setting for MIDI Pedal 3 is programmed now Switch off PGM User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 32 External Loudspeaker system The organ can be extended with an external loudspeaker system for example a pipe facade with several speaker boxes behind it At the back side or kept internally are 2 connectors octal sockets With a special cable you connect the loudspeaker system to the instrument Depending on the choosen amplifier configuration there can be a 3 position switch on the instrument too The 8 pins of the octal sockets are connected as follows LS1 1 Ground ch 1 Rembrandt LS1 2 Signal ch 1 200 300 2000 3000 LS1 3 Ground ch 2 Rembrandt LS1 4 Signal ch 2 1200 300 2000 3000 LS1 5 Ground ch 3 Rembrandt LS1 6 Signal ch 3 200 300 2000 3000 LS1 7 Ground ch 4 Rembrandt LS1 8 Signal ch 4 200 300 2000 3000 LS2 1 Ground ch 5 Rembrandt LS2 2 Signal ch 5 1200 300 2000 3000 LS2 3 Ground ch 6 Rembrandt LS2 4 Signal ch 6 12000 3000 LS2 5 Ground ch 7 Rembrandt LS2 6 Signal ch 7 2000 3000 LS2 7 Ground ch 8 Rembrandt LS2 8 Signal ch 8 12000 User s Manual MOM MN NUN MEM Rembrandt 200 300 2000 and 3000 AGO 33 Maintenance The console consists
27. User s Manual JOHANNUS Rembrandt 200 300 2000 and 3000 AGO Document information Document Code REMBV102AG wpd Document Title User s Manual JOHANNUS Rembrandt 200 300 2000 and 3000 AGO Issue date november 1998 Serial number OOOO Copyright 1998 JOHANNUS Orgelbouw b v The Netherlands All rights reserved No part of this publication may be reproduced and or published by print microfilm audiotape electronically mechanically or any other means or stored in an information retrieval system without prior written permission from JOHANNUS Orgelbouw The information in this document is subject to change without notice and should not be considered a commitment by Johannus Orgelbouw b v No responsibility is assumed for any error which may be appear in this document User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO Introduction Congratulations on your decision to purchase a new JOHANNUS organ You are now the owner of an instrument with a well chosen and balanced selection of stops This organ gives you the opportunity to perform the full repertoire of classical and liturgical organ music This User s Manual contains a lot of useful information First we present an overview of the organ and then we present tips on use Finally we investigate all of your new organ s technical possibilities including how to choose another temperament using free combinations using the general crescendo MIDI applications and so o
28. an 1 Check the Main voltage before you connect the organ This voltage must be the voltage as printed on the serial numberplate located on the left side under the keyboards 2 Connect the organ to a grounded outlet When this is not possible there is a chance some functions will not always work properly Switching on the organ Switch on the organ by depressing the Main power switch located on the right side of the keyboards The red pilot lamp will light up as soon as the organ is switched on It takes a few seconds before all controls are working The computer circuits need this time to initialize The display of the organ located on the right side above the keyboards will show the following text Mem 1 Vol ma Tune 440 Trans 0 Crescendo Off Depending on the programmed settings the gray areas may have a different value Also the 0 thumb pistons will light up User s Manual WMNs FAMENNE Rembrandt 200 300 2000 and 3000 AGO 3 The console in detail Overview of the controls by type The number and the location of the controls are different by type The following pages show the controls by type of the different Rembrandt models Rembrandt 200 AGO 1 2 3 JOHANNUS 00000000 0000000 00000000 OOO 00000000 00000000 0Q000Q0 0000 O 250667 28 29 SO SIS 283 G4 55 156 5 7 58 59 BH a E B Sua O o JOO EG M Pedal stops Swell stops Roll top cover Music rack
29. cations rr 35 Technical specifications Cabinet llle 36 MIDI Implementation charts n 37 REMBRANDT 200 AGG RR E RR RRR RRR RRR RRR R RRR T REE ES 37 REMBRANDT 300 AGO cence ese ee ee ee eee ees ee te ee eee oe CES 38 REMBRANDT 2000 AGO 0 00 cece eens 39 REMBRANDT 3000 AGO 0 00 c cee Te 40 Registration examples 000 cc eee ee 41 Registration examples Rembrandt 200 AGO lille 41 Personal registrations Rembrandt 200 AGO cee ee 42 Registration examples Rembrandt 300 AGO 0 cece eee eee 43 Personal registrations Rembrandt 300 AGO 0 cece eee ee 44 Registration examples Rembrandt 2000 AGO 0c cece eee eee 45 Personal registrations Rembrandt 2000 AGO cee ee 46 Registration examples Rembrandt 3000 AGO 0 cece eee eee 47 Personal registrations Rembrandt 3000 AGO cece eee 48 User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO An overview The organ cabinetry The organ cabinet consists of the console shell music rack pedalboard and bench Our standard organ cabinet is designed in dark or light oak with solid wood panels Your organ may be custom ordered in another finish color or wood The console Typically the console consists of two or three manuals and several accessories The keyboards have a church organ touch and are normally designed with synthetic key surfaces You may cust
30. ed to expander module voice patch number 7 channel 15 and MIDI stop Great 1 is switched on the key data will be transferred through channel 15 and expander module voice patch 7 can be heard when playing The memory is protected so that it can not be erased when you switch off the organ or when you unplug the organ from the main power Program MIDI manually Items to programming the MIDI stops are gt Key switch MEMORY LOCK Thumb pistons and Display Piston SET Piston PGM MIDI stops MIDI stop can be programmed as follows First push one of the 0 pistons or one of the preset pistons This to be sure that you don t change a MIDI stop that was already programmed in the capture Also check if the GC is not switched on This to be sure that you don t change a general cresendo level Make the memory accessable by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed Push the PGM piston The display will show the following text Midi Program Voice Channel Switch on the MIDI stop you want to program e g Swell 2 The display will show which MIDI stop is switched on and the current channel Midi Program Swel Voice Channel 2 Choose by pushing one or more times on the or the piston the channel you want to assign to the MIDI stop The channel 1 thru 16 will show up in the display User s Manual MOM MN MO
31. fferent settings per MIDI stop 1x manual setting 64 general settings and 64 separate settings The entire organ can handle 4 x 129 516 different settings When programming more than one MIDI stop with or without a combination with normal organ voices in one free combination you should start with the lowest numbered MIDI stop Program e g MIDI Great 1 MIDI Swell 2 and MIDI Pedal 3 in one free combinaiton as follows 1 2 10 11 12 13 14 15 16 17 18 Switch on the three MIDI switches upon wish including other organ stops First store this registration into the free combination of your choice see under Using free combinations Push the PGM piston Choose the channel for MIDI Great 1 the MIDI with the lowest number by using the and pistons Push the SET piston Choose the module voice patch for MIDI Great 1 by using the and pistons Push the SET piston The setting for MIDI Great 1 is programmed now Switch off the MIDI Great 1 stop Choose the channel for MIDI Swell 2 now the MIDI with the lowest number by using the and pistons Push the SET piston Choose the module voice patch for MIDI Swell 2 by using the and pistons Push the SET piston The setting for MIDI Swell 2 is programmed now Switch off the MIDI Swell 2 stop Choose the channel for MIDI Pedal 3 now the MIDI with the lowest number by using the and pistons Push the
32. from the switch The light in the SET piston will go off to indicate that the memory is not accessible anymore The volume setting has been stored in the memory Every time the organ will be switched on from now on the in the memory programmed volume setting will be chosen automatically TUNE The standard pitch for musical instruments is A 440Hz You can change the pitch with the TUNE piston in combination with the and pistons in steps of 1 Hz From 426 Hz a quarter step lower than the std pitch until 454 Hz a quarter step higher than the std pitch An adjusted pitch can be programmed into the memory When the organ is switched on this programmed pitch will be chosen automatically If desired you can always change the programmed volume setting again The memory of the pitch adjustment is protected so that it cannot be erased when you switch off the organ or when you unplug the organ from the main power User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 16 The adjusted pitch you can read in the display Mem 1 Vol 12 Tune 440 Trans 0 Crescendo Off The pitch can be adjusted in the following way 1 Push piston TUNE As long as the light in the thumb piston lights up you can adjust the pitch 2 Adjust the desired pitch by pushing the or the piston one or more times 3 After some seconds the lights of the piston TUNE as well as the and the piston will be switched off automatically The pitch setting
33. has not been stored and will be erased when you switch off the organ You may program a pitch setting as follows 1 Make the memory accessible by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed 2 Push the TUNE Piston As long as the light of the TUNE piston remains lighting up you can change the volume setting 3 Adjust the desired pitch by pushing the or piston as many times as necessary to reach the desired pitch 4 Push the SET piston when the right pitch level has been reached As long as you push the SET piston a P will show up in the display to indicate that the chosen pitch setting is being programmed Mem P6 Vol 12 Tune 440 Trans 0 Crescendo Off The programming into the memory can be done only if the piston TUNE lights up After some seconds the lights of the TUNE as well as the and pistons will switch off automatically 5 Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessible anymore The volume setting has been stored in the memory Every time the organ will be switched on from now on the in the memory programmed volume setting will be chosen automatically User s Manual MOM MANN MOS Rembrandt 200 300 2000 and 3000 AGO 17 TRANS Transposer With the TRANS Thumb pisto
34. he MIDI SEQ output to send data to the computer In fact a data dump too AUX IN This input can be used to amplify the sound of an external device through the speakers of the organ E g It is possible to play the sound of an expander module that is controlled by the organ s MIDI MOD through the organ s speakers The volume of the device that is connected to the AUX IN cannot be adjusted by the expression pedals or the VOLUME control Except external devices that are controlled by one of the organ s MIDI outputs AUX OUT This output is meant to connect an external stereo amplifier User s Manual MOM FASEN MOST Rembrandt 200 300 2000 and 3000 AGO 20 EXT REV The connection EXTERN REVERB is specifically for the JOHANNUS external surround acoustics device This system that works with 4 independent loudspeaker boxes in the room creates a realistic acoustical impression of a concert hall church or cathedral It is not recommended to use this output for other purposes PHONES This is the connection for a stereo headphone and suited for up to 2000 ohm Using a low impedance headphone e g 80hm may give a too loud volume This can be regulated with the control VOLUME When using a headphone the organ loudspeakers will be automatically switched off All loudspeaker channels will be divided stereophonically through the two headphone channels User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 21 Choice of
35. how the text Off See Using the general Crescendo Mem 1 Vol 12 Tune 440 Trans 0 Crescendo Off When the general crescendo is switched on the display will show to which level the general crescendo pedal is depressed level 1 20 See Using the General Crescendo Mem Ts Wool 12 Tune 440 Trans 0 Crescendo 5 e MIDI tab settings When the PGM piston is switched on the display will show the required data for programming the MIDI tabs The GC piston should not be switched on See Programmable MIDI Midi Program Voice Channel Key switch MEMORY LOCK To save your registrations modified general crescendo levels volume tuning transposer and MIDI settings into the organ memory this switch must be switched on As soon as the key switch of the memory is switched on the SET button will light up See Using free combinations Using the general crescendo Programmable MIDI and the description of the thumb pistons Volume Tune and Transposer User s Manual MOM FASEN NUN MEM Rembrandt 200 300 2000 and 3000 AGO 10 Stops The organ is equipped with two kinds of stops The speaking voices are on lighted drawknobs while the accessories and all special voices are on tabs Both kinds of stops are switches that will come back in their middle position after being switched on or off In every drawknob or tab a light will light up when that stop is switched on These stop lights also work with the use of
36. ing up you can change the volume setting 3 Adjust the desired transposer setting by pushing the or piston as many times as necessary to reach the desired pitch 4 Push the SET piston when the right pitch level has been reached As long as you push the SET piston a P will show up in the display to indicate that the chosen pitch setting is being programmed Mem P6 Vol 12 Tune 440 Trans 2 Crescendo Off The programming into the memory can be done only if the piston TRANS lights up After some seconds the lights of the TRANS as well as the and pistons will switch off automatically User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 18 5 Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessible anymore The transposer setting has been stored in the memory Every time the organ will be switched on from now on the in the memory programmed transposer setting will be chosen automatically S S All swells to swell The S S piston may be a custom ordered piston for the Rembrandt 300 3000 AGO Pushing this piston will couple all expression pedals to the swell division expression pedal This enables you to adjust the volume of the entire organ with only one expression pedal Acoustics The build in digital acoustics provide a spacial reverberation
37. ixed combinations Presets PP P MF F FF T e e e Capture system Generals Divisionals e e e e General Crescendo 20 steps programmalbe 3 position switch for external loudpseakers option option option option Toe studs 12 15 12 15 Pedal 32 note AGO C g Acessories Couplers Tremulants Chorus MB Manual Bass CF Cantus Firmus FA Fix Accessories RO Reeds off 0 Cancel e e e e S S All swells to swell option option option option eeeeekomD 6 EE EE EE E O Temperaments Equal Werckmeister III Meantone External connections MIDI In Mod Seq Headphone Stereo up to 2kU External Reverb 470U 300mV Aux IntkU 70mV stereo Aux Out 470U 300mv stereo Loudspeaker Outputs 8U User s Manual MOM FAMNEN MOS Rembrandt 200 300 2000 and 3000 AGO 35 Technical specifications Cabinet Rembrandt Rembrandt Rembrandt Rembrandt 200 AGO 300 AGO 2000 AGO 3000 AGO Furniture Dark Oak or Light Oak e e e e Other colors or kinds of wood option option option option Solid wooden panels Wooden roll cover Wooden expression pedals Pedal lights Bench with storage space Bench with lid option option option option Bench with adjustable height option option option option Dimensions Height without musicrack Height with musicrack Width Depth without pedalboard Depth with 32 note AGO pedal User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 36 MIDI Implementation charts JOH
38. lute Flute Twelfth Octave 2 o 19 8 1s Waldflute Tierce Nasard Octave 16 Scharff Fagotto g Cornopean Oboe g 4 Clarion GREAT 16 Bourdon Principal g g Rohrflute g Flute Celeste Quintadena Gamba Octave g g 4 4 24 Open Flute Twelfth Octave 2 o IV VII Blockflute Cornet Mixture 16 Contra Trumpet Trumpet g g Vox Humana ACCESSORIES Swell Great Great Pedal Swell Pedal Tremulant Great Tremulant Swell Chorus Rembrandt 200 300 2000 and 3000 AGO JOHANNUS User s Manual 46 unueld onuewoy g OWL L OWL IIag UO OJOS 16946 uo ojos Jl Ju dd ddd Registration examples Rembrandt 3000 AGO PEDAL oOeeoeoeeoooo OOeooeoooooo 000006000000 00600000000 00600000000 Ooeoeeoooooo 000000000000 0006000000 O Oeeoeeeooooo Ooeoeeoooooo 006006000000 006000000000 006000000000 Oeoooeooeooeeoooo OOoeeeoeoooooooooo 00060000000000000 OOeoooeooooeooooo Ooeoooeeoeeoooooo Oeeeeeeecocoooooooo 00000000000000000 00000000000000000 eeeeoceeeoceooooooo Oeeeooeoooooooooo OOoeeeocooooooooooo OOOee 000000000000 00060000000000000 Xo c0 00 00 CO st S CO QN QN o z CO 000 a e QN e O o NES Soma S o Z o2 c o as S262 of lt o9og RC o 0 yO Soo 0 9 5 o b 202c gzaesrg 450950 zs 5 o9 o Cogs LOS o Dorop azo vga c SoS929g99go5go
39. ly the organ sees the Flute 8 Flute 4 Flute 2 and the Principal 8 as the previous registration and the organist the combination Flute 8 Flute 4 and Flute 2 as the last one When pushing a 0 piston longer all stops will be switched off at once Exceptions are the couplers and tremulants when the FA piston is switched on and the stops Chorus and Intonation 2 RO Reeds Off Located to the far right of the presets is the RO Reeds Off thumb piston By pushing this piston all reeds will be switched off at once As long as the RO piston is switched on no reeds can be switched on By pushing the RO piston again this function will be switched off VOL Volume Independent from the position of the expression pedals you may adjust the total volume of the organ with the piston VOL in combination with the and pistons The adjusted volume you can store in the memory When you switch on the organ the in the memory preprogramed volume setting will automatically be chosen If desired you can always change the programmed volume setting again The memory of the volume adjustment is protected so that it cannot be erased when you switch off the organ or when you unplug the organ from the main power The volume can be adjusted between 1 and 25 The choice of volume can be seen in the display Mem 1 MOREM Tune 440 Trans 0 Crescendo Off User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 15 The volume can be adju
40. mands Reset All Controller Local On OFF 7 rn B MIN Aux All Notes OFF Active Sense Reset 1 By means of the programmable MIDI stops Except 19 31 40 51 63 79 87 and 90 Mode 1 OMNY ON POLY Mode 2 OMNY ON MONO Y YES Mode 3 OMNY OFF POLY Mode 4 OMNY OFF MONO N NO User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 38 JOHANNUS Organ Date July 1998 REMBRANDT 2000 AGO MIDI Implementation Chart Version 1 00 Basic Default 1 2 3 4 12 1 2 3 4 12 Channel Changes 1 16 N Aa NON tow A Default NES 3 Messages Altered Note 36 96 36 96 Number True voice pr ho nS 36 96 Velocity Note ON 9nH v 1 127 Note OFF 9nH v 0 8nH v irrelevant After Keys Touch Channels Pitch Bend General volume Control 11 Expression pedals Change 100 101 6 Pitch 100 101 6 Transposer Stops Pedal Program S Stops Swell Change True 2 Stops Great Accessories Sp Stops Sw Sp Stops Gr Song Pos Common Song Sel Tune lt lt 4 System Clock Real Time Commands Reset All Controller Local On OFF 7 rl U ZZX lt ZZ Aux All Notes OFF Active Sense Reset 1 By means of the programmable MIDI stops Except 13 14 32 47 and 74 87 Mode 1 OMNY ON POLY Mode 2 OMNY ON MONO Y YES Mode 3 OMNY OFF POLY Mode 4 OMNY OFF MONO N NO User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 39 JOHANNUS Organ Date July 1998 REMBRANDT 3000 AGO MI
41. mple Hohlflute Gedeckt Bourdon Subbass Nazard Waldflute Gemshorn and Rohrflute Reeds In a reed pipe the wind is blown into the pipe bringing a reed into resonance This resonance is amplified and colored by a tube resonator Reeds with a conical resonator are Bombarde Trumpet Schalmey etc The group of cylindrical resonators are Fagotto Cromorne Krummhorn etc The following reeds have a short resonator Regal Vox Humana Ranket User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 11 Special voices Except the characteristic pipe organ voices each division also has two special voices Although these special voices are no standard pipe organ voices nevertheless they can be seen as an enrichment of your organ On the Rembrandt 200 2000 AGO the Strings and the Tibia organ are added to the Swell division while the Chimes and the Harpsichord can be found on the Great division On the Rembrandt 300 3000 AGO the Strings and the Choir are added to the Swell division the Chimes and the Tibia organ to the Great division and the Harpsichord and Harp are added to the Choir division Overview of stops per type You will find an overview of stops per organ in the appendix under examples of registrations Next to the stopnames you normally find the length e g 8 This means that the body of this pipe for the lowest C key is 8 Appr 240 cm A stop with 16 sounds one octave lower User s Manual W
42. n In the appendices you will find options technical information MIDI implementation charts and registration examples User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO Table of Contents AN OVGIVICW iia ne ARA RRR RRR ERED AAA ARA RARA RARA RARA 1 EME SO FARR CADING TY tit ote sone Sorte ans te ene See Soe ec SE Se SES See ee T 1 FRE Tanso ni te tds coded ded ded ded ons dicant 1 Tie musico TAC aaa 1 ThesrolltopCOVOl oot anos 1 The pedalboardo st scteet pex al E ILES 2 NS Org am Deneme Dd dE CE EET E TED 2 SIR RR 3 Gonnecting the 0rgan is irse eren erm rr e ey HR eae ERR E E Er ERR E P EY i ies 3 Switching on th amp Otgall ees rbi RE RFRERESPERERERESDRERERFSPDRERRREFPREREREFRLE RS 3 The consolein detail RARE taa 4 Overview of the controls by NDS en 4 Rembrandt 200 AGO nta I etit teu t a A AEE a TET e AE 4 Rembrandt 300 AGO air 5 Rembrandt 2000 AGO eh 6 Rembrandt 3000 AO ato 7 ACCOSSOLIGS cn a a a da a da d a da a uo 8 OU tell 8 TTOMUIANES K K KO K KE K KE K adorada KE K KE KT KEO K KE K KE K KE K KE K Kr aes 8 Tremolo a E H G E H M E tind tin E Ain NEH E EO E O E REIR 9 NOUS A iU UU UU D D arate arate ata 9 ION ao 2 bc o a Mee MM AR 9 MIDIEabSE eiii 9 DiSplay amp c sce m ut P Mu P M P M A M EI 9 Iey sSwiteli ccc a cse E CARAS ER A coc ARORA SAR AAR CAR ARS dei et d 10 MEMORY Bea qi rr a Dears Ma as Mea Dea Beale 10 LOPS fs ei eh rta II BG PW PG IM REGE Rpg la 11 Ll e p
43. n examples Rembrandt 2000 AGO unueld onuewoy couL Loup IIag uo OJOS yeso uo ojos Jl Ju dd ddd PEDAL 32 Echo Bourdon Diapason 16 16 16 Subbass Lieblich Gedackt Octave g g Gedackt 4 IV 32 16e Choralbass Rauschpfeife Bombarde Contra Trumpet Trumpet Clarion g 4 SWELL g Open Diapason Stopped Flute g g Viola di Gamba Vox Celeste Octave g 4 4 2 8 Koppelflute Flute Twelfth Octave 2 o 19 8 1s Waldflute Tierce Nasard Octave 16 Scharff Fagotto g Cornopean Oboe g 4 Clarion GREAT 16 Bourdon Principal g g Rohrflute g Flute Celeste Quintadena Gamba Octave g g 4 4 2 8 Open Flute Twelfth Octave o o IV VII Blockflute Cornet Mixture 16 Contra Trumpet Trumpet g Vox Humana ACCESSORIES Swell Great Great Pedal Swell Pedal Tremulant Great Tremulant Swell Chorus Rembrandt 200 300 2000 and 3000 AGO JOHANNUS User s Manual 45 Personal registrations Rembrandt 2000 AGO PEDAL 32 Echo Bourdon Diapason 16 16 16 Subbass Lieblich Gedackt Octave g g Gedackt 4 IV 32 16 Choralbass Rauschpfeife Bombarde Contra Trumpet Trumpet Clarion 4 SWELL g Open Diapason Stopped Flute g g Viola di Gamba Vox Celeste Octave g 4 4 2 Koppelf
44. n in combination with the and the piston it is possible to transpose the organ This means the organ can be tuned some steps higher or lower The adjusted setting can be stored in the memory When the organ is switched on this programmed TRANS will be chosen automatically If desired you can always change the programmed transposer setting again The memory of the transposer adjustment is protected so that it cannot be erased when you switch off the organ or when you unplug the organ from the main power You are able to transpose the organ 3 half steps lower and 3 half steps higher The adjusted transposer setting you can read in the display Mem 1 Vol 12 Tune 440 Trai Ss gt 2 Crescendo Off The transposer can be adjusted as follows 1 Push thumb piston TRANS As long as the light in the thumb piston lights up you can adjust the pitch 2 Adjust the desired transposer position by pushing the or the piston one or more times 3 After some seconds the lights of the piston TRANS as well as the and the piston will be switched off automatically The transposer setting has not been stored and will be erased when you switch off the organ You may program a transposer setting as follows 1 Make the memory accessible by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed 2 Push the TRANS piston As long as the light of the TRANS piston remains light
45. n you switch off the organ or when you unplug the organ from the main power The general crescendo exists of the following Pistons GC and PGM Display General crescendo pedal Key switch MEMORY LOCK Thumb piston and Thumb piston SET When the general crescendo is not switched on the display will show the text Off Mem 1 Vol 12 Tune 440 Trans 0 CrESCENAOS Or To use the general crescendo the piston GC must be pushed The display now shows until which step the general crescendo has been switched on Mem 1 Vol 12 Tune 440 Trans 0 Crescend os 12 User s Manual MOM FAMEN MOS Rembrandt 200 300 2000 and 3000 AGO 25 Programming the general crescendo A stop combination in the general crescendo can be changed as follows 1 Make the memory accessible by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed Push the pistons GC and PGM The display will show a 0 level 0 meaning all stops of the general crescendo off Mem 1 Vol 12 Tune 440 Trans 0 Crescendo 0 Also all stops will switch off Changing the general crescendo pedal will have no effect anymore Choose the level of the general crescendo you want to change by pushing one or more times on the or the piston until the display shows the level you want to change E g level 5 Mem 1 V 0 12 Tune 440 Trans 0 Crescendo 5 The stops that belong
46. ning the purity of a chord we experience these pure chords as very restful Playing a chromatic scale it appears there are clear differences between the half steps It is impossible to play pure sounding chords on the a f g and b in a Meantone temperament This Meantone temperament was in use until appr 1650 Music from this period of time is based on this temperament using it to a maximum and avoiding the impossibilities Because all the half steps are different the chromatical parts of music sound violent This possibility has often been used to create special feelings among the listeners The more false the chords the deeper the emotion From the period of time of appr 1550 1650 there are many examples where also the less pure chords have been used for expressive purposes Composers that lived and worked then were e g Michael Praetorius 1571 1621 and Jan Pieterszoon Sweelinck 1562 1621 In fact this music needs a Meantone temperament to give it an extra dimension In our modern equal temperament this music sounds accentless and the true dimension gets lost This Meantone temperament sounds best with the intonation 2 switched on Using free combinations Capture system User s Manual MOM FASEN MOS Rembrandt 200 300 2000 and 3000 AGO 22 What are free combinations Free combinations are a special kind of presets The combinations of stops in presets are fixed With free combinations you are able to store your choice of
47. of the organ sound ACOUSTIC volume With this control the volume of the reverberations can be adjusted To completely switch off the reverberations you turn the control to the left ACOUSTIC program With the position switch you may choose from 3 different acoustical environments Toe Studs The organ have the following Toe Pistons Studs COUPLER pistons With these toe studs you can control couplers When a coupler is switched off you can switch it on with the toe studs Reverse is possible too TUTTI piston This toe stud has the same function as the T thumb piston of the fixed combinations CAPTURE pistons These toe studs have the same function as the memory pistons 1 thru 8 User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 19 External Connections o in z gt o o 8 5628 625 EX EN TOT e O O O Sa Sa Sa E SS SS os D Q amp Q S BS O O O MIDI MIDI MIDI AUX AUX EXT PHONES IN MOD SEQ IN OUT REV The following external connections are located left under the console MIDI IN To receive MIDI codes from other instruments MIDI MOD Programmable MIDI output This MIDI output is programmable for optimal use of e g an Sound expander module MIDI SEQ Non programmable MIDI output This MIDI output is sending a constant data output with all for e g a sequencer required information data dump When using our personal voicing software INTONAT you should use t
48. of wooden veneer and solid wooden parts To clean the cabinet use a normal duster or a light wet cloth or chamois and polish with a dry cloth We do not recommend furniture or teak oil because it may be harmful for the lacquer Direct sunlight may change the color of the cabinet especially light oak consoles The keys can be treated the same than the woodwork Little scratches that may originate from playing can be removed with car polish NEVER try to remove spots with agressive liquors like thinner aceton etc These will irrevocably damage the instrument Guarantee With the purchase of your JOHANNUS organ you received a limited warrantee card Please read the conditions carefully and send the bottom part to JOHANNUS orgelbouw b v in Ede as soon as possible Again we want to emphasize that modifications on the organ or incompetent handling will end the warrantee User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 34 Appendices Technical specifications Rembrandt Rembrandt Rembrandt Rembrandt 200 AGO 300 AGO 2000 AGO 3000 AGO Voices Romantic Baroque Keyboards churchorgan touch 5 octaves C c synthetic 2 3 2 3 5 octaves C c wood option option option option Channels 100 Watt max 8U each 5 5 7 8 Acoustics Ajustable volume e e e Programs length 3 3 3 3 Transposer 3 half steps programmable e e e e e e Pitch 426 454Hz 1 4 tone programmalbe e F
49. om order wooden keys For more information read The console in detail The music rack The music rack is typically not yet installed at the time of delivery If this is the case when your new organ is a Rembrandt 200 or 300 simply insert the music rack into the groove provided on the top panel of the organ cabinet On the Rembrandt 2000 and 3000 there are two supports left and right Insert the music rack with the two wooden pins into the grooves provided The music rack rests against the front of the roll top cover To close the roll top cover the music rack has to be turned downwards until it rests on the side blocks of the keyboards After that the roll top cover may be closed The roll top cover The wooden roll top cover is provided with a lock and key The lock is placed behind the music rack on the top of the organ Open the organ in the following way 1 Put the key in the lock 2 Rotate the key a quarter turn the lock moves upwards 3 Push the roll top upwards 4 n case of the Rembrandt 2000 or 3000 turn up the music rack until it rests against the front of the roll top cover User s Manual WAON FASEN ECESE Rembrandt 200 300 2000 and 3000 AGO 1 Lock the organ in the following way 1 Make certain that you have the key handy see warning 2 In case of the Rembrandt 2000 or 3000 turn down the music rack until it rests on the side blocks of the keyboard 3 Pull at the roll top toward you 4
50. presets free combinations and general crescendo On a pipe organ you switch a rank of pipes on or off with the stops By varying the combinations of stops the organist can create dynamic and colorful changes This means that some knowledge of the traditional pipe organ is necessary to make good stop combinations You should know a little bit about the different sounds of the different organ stops That is why we give a brief explanation about these different kinds of organ stops In the appendices you ll find extensive examples of Organ pipes can be divided in two main groups e Flues e Reeds Flue pipes The principle of the tone generation with flue pipes is the same than with a record Flue pipes occur in two versions open or half stopped An example of a half stopped pipe is the Rohrflute On the canister stopper a small open tube has been soldered An example of an open flue pipe is the Principal Normally the pipes of this stop are located in the facade of a pipe organ Flues can be subdivided in the following categories Principals Principals are the Diapason Octave Twelfth Fifteenth Mixture Scharff Cymbel Rauschpfeife and Sesquialter The last 5 stops sound with more than one pipe of different pitch together per note So called multi rank stops Strings These are the narrow scaled open flue pipes like Viola di gambe Vox Celeste and Salicet Flues Flute stops open as well as stopped are made of metal or wood For exa
51. sted as follows 1 Push the VOL Piston As long as the light of the VOL piston remains lighting up you can change the volume setting 2 Adjust the desired volume by pushing the or piston as may times as necessary to reach the desired volume 3 After some seconds the lights of the VOL As well as the and pistons will switch off automatically 4 This volume setting has not been programmed and you will loose it as soon as you switch off the organ A volume setting can be programmed as follows 1 Make the memory accessible by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed 2 Push the VOL Piston As long as the light of the VOL piston remains lighting up you can change the volume setting 3 Adjust the desired volume by pushing the or piston as many times as necessary to reach the desired volume 4 Push the SET piston when the right volume level has been reached As long as you push the SET piston a P will show up in the display to indicate that the chosen volume setting is being programmed Mem P6 Vol 12 Tune 440 Trans 0 Crescendo Off The programming into the memory can be done only if the piston VOL lights up After some seconds the lights of the VOL as well as the and pistons will switch off automatically 5 Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key
52. th PP Pianissimo very soft thru T Tutti full organ The Tutti piston has two functions When you play a stop combination chosen by yourself or from the presets PP thru FF the T piston calls the full organ the normal function of this piston However when you push the T once more you will recall the previous registration The presets have been fixed in the factory and cannot be changed by the user When you push one of the preset pistons the factory programmed stops will light up accordingly It is always possible to switch stops on or off by hand User s Manual MOM FAMEN MOS Rembrandt 200 300 2000 and 3000 AGO 14 0 The 0 piston cancel undo can be found at the far right under the lowest keyboard The 0 piston on the organ is duplicated The 0 piston is also located to the right of the T piston The pistons have two functions It may happen that you switch on a preset or add a stop by hand by mistake By pushing one of the 0 pistons short you will undo the latest change Example You play the registration of Flute 8 Flute 4 and Flute 2 After some time you add the Principal 8 and Pricipal 4 There is always a very short time between switching on the Principal 8 and the Principal 4 By pushing a 0 piston briefly only the Principal 4 will be switched off undo the latest change Not the Principal 8 as well as the Principal 4 will be switched off according to the organist this would be his last change Actual
53. the right channel e g channel 7 The selected channel has been assigned now to the MIDI stop The display now will show the existing module voice too Midi Program Swel Voice 1 Channel Choose by pushing one or more times on the or the piston the module voice you want to assign to the MIDI stop The module voice e g 41 will show up in the display Midi Program Swel Voice 4 1 Channel Push SET when you selected the right module voice e g patch 41 To indicate that the selected channel and module voice are being programmed a P will show up in the display as long as you push SET Midi Program P Swell Voice 41 Channel The MIDI stop MIDI Swell 2 now has been programmed with channel 7 module voice 41 This means that recalling the concerning free combination the key data from the Swell is transmitted through channel 7 to the external module while module voice patch 41 is switched on Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessable anymore Switch off the PGM by pushing it again User s Manual WAON FUEN ECES Rembrandt 200 300 2000 and 3000 AGO 31 Using the capture system you can assign one MIDI stop to serveral channels module voice patches E g a Rembrandt 300 with expanded capture system may have 129 di
54. tion will be switched off again MB Manual Bass By pushing this piston the pedal board will be coupled to the Great keyboard automatically When you play a chord on the Great the lowest key of this chord will be coupled from the Pedal to the Great By pushing the MB thumb piston again its function will be switched off again CF Cantus Firmus By pushing this piston the Swell will be coupled to the Great keyboard When you play a chord on the Great the highest key of this chord will be coupled from the Swell to the Great This way the effect of an automatic solo can be achieved In case you use the Swell to Great coupler already in use the CF function has no effect By pushing the CF thumb piston again its function will be switched off again User s Manual MOM FUEN MOS Rembrandt 200 300 2000 and 3000 AGO 13 FA Fix Accessories Freeze accessories When you use the couplers and tremulants in the fixed combinations presets or in the free combinations capture system or using the thumb piston 0 cancel these will change too You can avoid this by using the FA thumb piston As long as this piston is switched on you can only switch the couplers and tremulants on or off by hand By pushing the FA piston again its function will be switched off again SET A thumb piston to program e Free combinations see under Using free combinations e Stop combinations of the General Crescendo see under Using the General Crescendo
55. top can be programmed in the memory as follows 1 Check if the GC is not switched on This to be sure that you don t change a general cresendo level Make the memory accessable by turning the MEMORY LOCK a quarter turn to the right The SET piston will light up to indicate the memory can be accessed Switch on the MIDI stop that has to be programmed E g MIDI Swell 2 together when desired with other stops that you want to store into the capture system User s Manual MOM MANN MOS Rembrandt 200 300 2000 and 3000 AGO 30 First store this registration in the chosen free combination see under Using free combinations This can be a free combination from the generals as from the divisionals Note 1 If you don t store the chosen module registration in the capture memory first the programmed manual registration of this MIDI stop will be changed unintentionally 2 Concerning the divisionals separates you can only program MIDI stops into the accompanying divisions For example you can only program MIDI Swell 2 into the Swell divisionals and not into e g Great divisionals Push the PGM piston The display will show which MIDI stop you switched on including the channel Midi Program Swel Voice Channel Choose by pushing one or more times on the or the piston the channel you want to assign to the MIDI stop The channel 1 thru 16 will show up in the display Push SET when you selected
56. u want to store in the capture system 4 Choose a memory bank e g memory bank M6 by pushing one or more times on the or the piston until the display shows the correct memory bank in this example M6 Mem 6 Vol 12 Tune 440 Trans 0 Crescendo Off 5 Push SET keep on pushing and choose the memory number e g piston number 3 of the great division On the display you will see the letter P to indicate that the registration is programmed in the capture Mem P6 Vol 12 Tune 440 Trans 0 Crescendo Off 6 First release the piston for the memory number in this example number 3 and then the SET piston After releasing the SET piston the letter P will disappear in the display User s Manual MOM MN MOS Rembrandt 200 300 2000 and 3000 AGO 23 7 Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessible anymore 8 Write the programmed combination e g M6 3GR in your music paper where you want to use it The personal registration now has been stored in memory bank 6 in number 3 of the great division Recalling free combinations To recalling the personal registrations it is not necessary to make the capture system accessible with the key switch MEMORY LOCK Recalling goes as follows 1 Determine the setter combination you want to recall e g M2 3SW
57. well This way you can add all stops of the Choir to the Pedal Great Pedal This coupler couples the Great to the Pedal When playing keys on the Pedal the corresponding keys on the Great will be played as well This way you can add all stops of the Great to the Pedal Swell Pedal This coupler couples the Swell to the Pedal When playing keys on the Pedal the corresponding keys on the Swell will be played as well This way you can add all stops of the Swell to the Pedal Tremulants The Tremulants are meant to vibrate the sound of the organ especially with slow or soft music Every division has its own independent tremulant When you use couplers and or the CF piston the Tremulants will be coupled to the corresponding keyboards User s Manual MOM FUEN MOS Rembrandt 200 300 2000 and 3000 AGO 8 Tremolo The Tibia Organ stop has it s own independent tremolo This special stop belongs to the swell division Rembrandt 200 2000 AGO or to the great division Rembrandt 300 3000 AGO When you use couplers and or the CF piston on the Rembrandt 200 2000 AGO the Tibia Organ Tremolo will be coupled to the corresponding keyboards Chorus To avoid the organ sounding too sterile the instrument is designed with various stops tuned differently in relation to each other These small differences give the organ a broader more lively character Switching on this stop will intensify the difference in tuning between the various voices
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