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Quartet DynPEQ™

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1. Rat 1 32 1 The black line in the coarse view is the dynamics curve the mapping of input levels to output levels The effective gain is the ratio of the output level and the input level and this is the boost cut to apply to the respective parametric stage Dynamic Parametric Equalization Play some source material through the plugin and not only listen for the audio effect but watch the coarse display for visual feedback on how the dynamic process ing works Start with the coarse dynamics view where the compression curve is the black line The x axis represents input level and the coarse dynamics view fills in the black line with a solid color line to the point of the current input RMS level measurement From the far left to the current input level the path from the dynamics curve to the unity gain line is shaded with the band color The far right edge of this shaded area is the current boost cut applied to the input audio signal Change the tuning type selector to Off Note that there is also a shaded area in the coarse tuning view This shaded area extends away from the solid color frequency response line The distance from the solid line to the shaded edge along the y axis is the gain applied to the signal at a particular spectral frequency which in this case is equal to the boost cut level from the coarse dynamics view The y axis scaling for the two views is different which is why the distances do not match but
2. Within the peak limiter field to the left of the hit monitor is a meter that displays the limiter gain currently applied The meter will not register if limiting is not active The values it can display are 4dB to slightly less than OdB in increments of 1 dB Note that increasing limiter attenuation moves the meter downwards contrary to the motion of the coarse peak meter A B Registers The A and B registers store the band input processor and peak limiter parameters in a local area outside of the workstation host for quick comparisons The round unlabeled buttons to the right under the downward ar row store the operational parameters to the correspond ing register The store button will turn blue whenever the operational parameter set matches that in the register else it will be colorless The square buttons to the left under the upward arrow transfer the parameters in the labeled register to the operational parameters All Bands Bypass The all bands bypass button activates and disables all dynamic equalization for comparative evaluation DEQ In signifies that dynamic equalization is on DEQ Out signifies that it is off When a band is in solo mode this button enters a special mode with a Solo On label Clicking the button in this special mode will deactivate solo mode Effect Bypass The effect bypass button is equivalent to the bypass function for the host workstation This button is acti vated by a
3. the distance within the context of the scaling is the same Arrows indicate the boost cut levels in question Quartet DynPEQ Operation Manual Page 21 Now change the tuning type selector to Peak The To demonstrate the following example displays tune frequency response of the tuning parameters change so a high shelf in two bands to the same cutoff frequency the black line in the coarse tuning view changes The and slope The band on the right sets the boost cut for the first principle of dynamic parametric equalization is that tuning parameters to 9 dB while the band on the left sets the dynamics curve produces a boost cut value for its the dynamic curve to a constant offset of 9 dB and leaves parametric filter so the shape of the edge of the shaded the tuning boost cut at O dB The coarse tuning view area in the tuning view also changes to reflect the new shows that the left band has a 9 dB boost cut due to the parametric tuning More difficult to notice is that the in dynamics curve the shaded area put RMS level measurement decreases With the tuning off the input RMS level is measured broadband so all energy is accounted for With the band tuned to a para metric filter a matching filter is used on the input signal Fo 2560 0 Hz Fo 2560 0 Hz Sip 1 0 Sip 1 0 when calculating RMS level The use of this matching filter for calculating input level is the second principle of dynamic parametric equalization g 0 0 E g 9
4. which disables its respective functionality Shutting off the dynamics of a band turns it into a traditional parametric filter Upon finding an appropri ate parametric setting for a source you may notice that the setting does not sound as appropriate for pianissimo or fortissimo portions of the source In addition you may find that details within the parametric band are too emphasized punchy or under emphasized washed out This is where the dynamics portion of the band can be of assistance The dynamics control of the band will oper ate only within the parametric band that you have tuned Compression and or expansion can help bring out the details or dynamic consistency that is sought after Similarly shutting off the equalizer portion of a band turns it into a traditional dynamics processor You may have experienced the ear fatigue that is associated with compression pumping By reactivating the equalizer band you may find that dynamics applied only to the spectral bands in need is easier on the ears To use an analogy the signal processing capabilities of traditional parametric equalizers and dynamics proces sors project lines in different directions DynPEQ retains the two lines and projects a plane of signal processing possibilities going through the lines It creates an extra dimension of audio processing Try your EQ and dynam ics ear training drills with both EQ and dynamics active The internals of Quartet DynPEQ can be
5. 0 dE 12 Both Compression Ode Key to the concept of dynamic parametric equaliza tion is that the parameters labeled g in both the tuning and dynamics fine adjustments affect the same thing the boost cut The effective boost cut at any time is the tuning g parameter plus the current boost cut from the dynamics curve It is important to note that the maxi mum boost or cut that will be applied to one band is 24 dB The enforcement of this maximum will be reflected in the coarse dynamics view Quartet DynPEQ Operation Manual Page 22 while the right band has a 9 dB boost cut due to the tun ing the solid blue line Sip 1 0 Sip 1 0 g 0 0 ge 9 0 dB With both bands active the two band states overlay on the coarse tuning display Fe 2560 0 Hz Fe 2560 0 He Sip 1 0 Sip 1 0 0 0 de g 9 0 MR 2008 2010 Wholegrain Digital Systems LL Compression Note that the input RMS level reported by the two bands the solid color line in the dynamics coarse view 1s the same value This is because the input RMS filter for the two bands is equivalent The tuning of the input RMS filter is not dependent on the g parameter yjust the cen ter cutoff frequency and Q slope This is in contrast to the screen shot on page 5 where the input measurements for all active bands are different The in
6. 10 00 8 Miscellaneous This License represents the entire Agreement between the Licensee and Sonic Studio LLC If any provision of this License is held to be unenforceable that provision will be amended only to the extent necessary to make it enforceable The remaining provisions of this License will remain in full force The terms of this Agreement shall be construed under the laws of the State of California Table of Contents Introduction to DynPEQ Roadmap for This Manual Help Us Help You Parameter Window Layout and Contents Fine Adjustments Coarse Adjustments Band Bypass Solo Input Processor Peak Monitors Peak Limiter Limiter Reduction A B Registers All Bands Bypass Effect Bypass Display Adjustments Scroll View and Window Controls Operation of Parameter Window Controls Slider Text Type Selector Button Coarse Bead Band Note Band Well Section Expand The Toolchest Administrative Tools Band Toolchest New Drawer Delete Item Rename Item Moving Items within the Band Toolchest Moving a Band to the Parameter Window Moving a Band to the Band Toolchest Band Note Field and Parameter Load Save Moving All Bands to the Band Toolchest Moving All Bands to the Parameter Window Persistent Store of Band Toolchest Patch Store Patch Load and Patch Add Replace Patch Remove Patch Title Store Capacity Patch and Page Up Down Background Parameter Window RMS Calculation Background Color Signal Processi
7. Studio LLC may terminate the License if you fail to comply with the terms of this agreement You may terminate the License at any time for any reason Upon termination by either party you must promptly return to Sonic Studio LLC or destroy the software and all copies and extracts 6 Export Controls This Software may not be shipped transferred or re exported into any country prohibited by the United States Export Administration Act 7 Limitations of Liability POTENTIAL DIFFERENCES IN THE SYSTEMS THE SOFTWARE IS RUN ON MAKE IT IMPOSSIBLE TO ADEQUATELY PREDICT WITH CERTAINTY THE PERFORMANCE OF THE PRODUCT AS SUCH SONIC STUDIO LLC DOES NOT WARRANT THAT THIS PROD UCT WILL OPERATE ERROR FREE OR OPERATE WITHOUT INTER RUPTION THIS SOFTWARE IS PROVIDED AS IS TO THE MAXIMUM EXTENT PERMITTED BY APPLICABLE LAW IN NO EVENT SHALL SONIC STUDIO LLC OR ITS SUPPLIERS BE LIABLE FOR ANY SPECIAL INCIDENTAL INDIRECT OR CONSEQUENTIAL DAMAGES WHATSO EVER INCLUDING WITHOUT LIMITATION DAMAGES FOR LOSS OF BUSINESS PROFITS BUSINESS INTERRUPTION LOSS OF BUSINESS INFORMATION OR ANY OTHER PECUNIARY LOSS ARISING OUT OF THE USE OF OR INABILITY TO USE THE SOFTWARE PRODUCT EVEN IF SONIC STUDIO LLC HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES IN ANY CASE SONIC STUDIO LLC S ENTIRE LI ABILITY UNDER ANY PROVISION OF THIS EULA SHALL BE LIMITED TO THE GREATER OF THE AMOUNT ACTUALLY PAID BY YOU FOR THE SOFTWARE PORTION OF THE PRODUCT OR US
8. To this point this issue has not been resolved It is best practice to dismiss the about window using the red button in the upper left corner once the parameter window settings are made Parameter Window Level The parameter window competes with other windows in the workstation project for visibility If the work routine requires accessing the parameter window only on occasion it should be sufficient to leave the parameter window on the base level of the workstation which is the default for the initial instance of DynPEQ If on the other hand the routine requires accessing and referenc ing the parameter window often the parameter window level selector allows the option to raise the display level of the parameter window above the workstation win dows so that the parameter window will float above the workstation level If this floating window level obscures important elements of your project to the detriment of workflow the parameter window level selector can then be reset to return the parameter window to the worksta tion base level Operation Tips The maximum peak indicator can be used to record the highest level encountered with a source program and dynamic parametric equalizer settings To attain a setting that will adjust this peak to 0 dB or the highest setting without encountering a limiter hit one may wish to adjust the input level to accomplish this Adjusting the input level however cannot guarantee this unless
9. a low sample rate and a peak filter with a high center frequency There is no best way to make band adjustments but a good starting point is to apply a static equalizer band to spots in the spectrum that can use help Drag and drop a Generic band type from the band toolchest for this If the band adjustment is not all to satisfaction activate the dynamics for the band and experiment with compression and expansion The parameter window can take much real estate on a small screen The screen can be resized using the lower right drag element that is present on many Mac OS windows With both fine control views collapsed it is still possible to adjust all tuning parameters via the coarse beads both dragging and scroll wheel and the remaining exposed controls Note that there are no channel specific controls yet this is a multi channel plugin The RMS level calculation is designed to draw equally from all channels to make a single control signal and the DynPEQ filters apply the control signal equally to all input audio channels While this plugin can alter the level balance between areas of Quartet DynPEQ Operation Manual Page 25 the audio spectrum a single instance cannot alter the balance between channels If the workstation allows multiple mono instances of Quartet DynPEQ will operate independently on their assigned channels The DynPEQ filters are designed to dynamically modify the boost cut with a minimal amount
10. described as deliberate By this we mean the dynamics of this plugin are designed to avoid over reaction which can be audible whether applied to a single band or the entire spectrum So while Quartet DynPEQ can be set up to de ess and other functions of specialized dynamics processors you will likely find that the specialty processors are very good at their specialty By the same token we don t think you will find that the specialty processors sound as good as Quartet DynPEQ We at Wholegrain hope that you will find the plugin powerful yet transparent A toast to the pursuit of the golden tone Cheers from Wholegrain Digital Systems LLC Roadmap for This Manual The Parameter Window Layout section outlines regions in the layout of the parameter window and their functional categories The Operation of Parameter Window Controls sec tion describes the general categories of controls on the parameter window and how they can be manipulated with the mouse and keyboard The Toolchest and Drag and Drop section explains the operation of the toolchest a library where tuning settings for individual bands can be saved and retrieved along with project specific settings for the entire plugin The Signal Processing and Band Configuration Tuto rial section covers each specific band control and how it affects band tuning and signal processing The Interface to the Host Workstation section docu ments 1 the controls that the workstation
11. for that project Patch and Page Up Down At the far left of the patch store are buttons for ad justing the range of patches that are visible Five rows of patches make up a page in the patch store view The patch up button with a single up arrow will move the range one patch towards the top of the list in the direc tion of lower patch numbers Similarly the page up button with two up arrows will move the range up by five There are also patch down and page down buttons with one and two down arrows respectively that move the range in the opposite direction towards the bottom of the list Quartet DynPEQ Operation Manual Page 14 Background Parameter Window With the volume of runtime interactive graphics ele ments it contains the parameter window takes a consid erable amount of CPU resources when the elements are active In the interest of being a good computer citizen especially when there are multiple instances of DynPEQ active the interactive elements of the parameter window by default will be inactive when the window is not at the top of the screen The elements inactivated are the input RMS to frequency response mapping the shaded colors in the coarse parameter views the two peak meters and the limiter hit indicator The maximum peak compiler will still continue to operate while the window is inac tive and the maximum peak field will update once the parameter window regains its status as the main input destinati
12. shift click only and can be deactivated by a regular click The plugin will attempt to notify the host workstation that the bypass status has changed Whether the workstation reacts to the notification can vary Simi larly the state of the effect bypass button reflects the Quartet DynPEQ Operation Manual Page 6 workstation effect bypass state so the button state can be changed by bypassing the effect on a workstation win dow Display Adjustments The display adjustments to the right side of the screen affect the graphics in the coarse adjustments section The selector adjacent to the coarse tuning adjustments sets the corresponding maximum y axis range Similarly the selector adjacent to the coarse dynamics adjustments set its minimum y axis range The slider between the two rows adjust the background brightness of the coarse adjustments Scroll View and Window Controls The parameter window may have its size adjusted using either the diagonal drag device in the lower right corner or the green button in the window bar When the parameter window is less than full size scrollbars will appear that can move the window contents within the re duced view The yellow button in the window bar sends the parameter window to the data section of the system dock The red button in the window bar dismisses the parameter window In this case only the about window described below can restore the parameter window into view Quartet DynPE
13. the patch if there is a patch in that row If there is not an active patch in the row the load button will be blank and inactive The patch add replace button will replace the patch in the row if it contains an active patch after prompting for confirmation The add replace button will append a new patch to the store if its row does not contain an ac tive patch The extra add replace button at the bottom is for adding a new patch when all rows are occupied and should remain undisturbed Patch Remove To the right of the load and add replace buttons are small buttons for deleting a patch from the store After prompting for confirmation the corresponding patch will be removed from the list and the remaining patches reordered Patch Title To the left of the buttons are text fields for entering a patch title Click on a field to enter or edit a title and press tab or return when done for the title will not be of ficially recorded until the focus ring disappears from the field The patch titles are saved and restored with their respective patches in the workstation project file Store Capacity At the bottom of the window is a numeric field which shows the number of active patches in the store There is no hard limit to the number of patches that can be in the store only the limitations of system resources Recall that the store is saved with the project file though and one should keep only the patches that are deemed neces sary
14. 0 Hz The Q control disappears and is replaced by Slp which represents the transition slope Its value can be between 0 and 1 where 1 is the steepest transition slope Fc and g remain controllable by dragging the bead and the transition slope becomes the auxiliary parameter for the bead Now select the high shelf type abbreviated to HiSh in the selector Fc remains the cutoff frequency and g remains the boost cut level but the location of the boost cut level is now the Nyquist frequency The meaning and control of the Slp parameter is unchanged Now select Off for the tuning type The Slp pa rameter disappears and the Fc and g fields are grayed out which means their slider text controls are inactive The bead on the coarse adjustments can still be dragged around its field however Note two things about the coarse adjustments One the bead changes its shape to reflect the tuning type selected Two and most important the solid color line in the field represents the frequency response of the filter that the tuning parameters describe Quartet DynPEQ Operation Manual Page 17 Switch the tuning type back to Peak and adjust the value of Q downwards noting that the band of the filter widens as the parameter goes down Stop when the value of Q reaches zero and note that the frequency response becomes a flat line at the bo
15. Bands Generic Peak Generic Low Shelf Ds Generic High Shelf Generic Dynamics Quartet DynPEQ Operation Manual Page 13 ne All Bands to the Parameter Win ow A multiband item in the Band Toolchest functions the same as a single band item Drag and drop a multiband item from the Band Toolchest to any Band Well to load the multiband contents into the parameter window Note that the parameters for the input processor and peak lim iter will not change after the operation as the multiband item does not contain those parameters Persistent Store of Band Toolchest The band toolchest file is read when DynPEQ is in stantiated and it is written when the plugin is shut down The location of the band toolchest file is HOME Library Preferences com wholegrain ds dpegqbands plist where HOME represents the filesystem location of the home icon in a Finder window This file can be restored from a system backup should the file become missing or damaged If the file is missing such as on the first time DynPEQ is instantiated on your system the file will be initialized to a default set of bands which is shown in the toolchest picture above Quartet DynPEQ is designed so that multiple instances of the plugin should be able to safely share the band toolchest file However if there are multiple instances of workstation software running simultaneously on the same computer home there is the possibility that band toolchest change
16. C grants you the following rights 1 Evaluation Software Copies of this Software designated DEMO BETA or TRIAL in the file name or on the opening information screen may in some cases be provided by the Licensor for no payment or a payment which is a per cent of the normal licensing fee Such Software is intended to give you the oppor tunity to evaluate the Software and may incorporate time data size or other limits Evaluation Software may be transferred unmodified provided it is accompanied by this license all of the original Software s proprietary notices and any other documentation that originally accompanied the Evaluation Software SONIC STUDIO LLC DISCLAIMS ALL WARRANTIES EXPRESS OR IMPLIED OF THE EVALUATION SOFTWARE INCLUDING WITHOUT LIMITATION WARRANTIES OF MERCHANTABILITY AND OF FITNESS FOR A PARTIC ULAR PURPOSE THE EVALUATION SOFTWARE IS PROVIDED AS IS 2 Personal License If this Software is registered in the name of an individual person the following provisions shall apply to that individual and their Personal License a One license of the Software may be installed on a single computer or hard ware based authorization device b The Software may be installed on a network provided that a licensed copy of the Software has been acquired for each person permitted to access the Software through the network c A single copy of the Software may be made for archival or backup purposes p
17. Q Operation Manual Page 7 Operation of Parameter Window Controls Slider Text The slider text is the main parameter control for the fine adjustments input processor and output limiter It appears to be a regular text entry field and it can be used as such However when the field is clicked on it can function as a continuous controller When the left mouse button is clicked and held down the field inverts colors and the mouse cursor will disap pear The value in the field will increase in value as the mouse is moved up or as the scroll wheel is rolled up The value will decrease as the mouse is dragged down or as the scroll wheel is rolled down The value in the field will not go beyond its minimum or maximum The field will remain a continuous controller the slider state as long as the left mouse button is held down However if the mouse or scroll wheel does not move for five sec onds while the left mouse button is down the field will automatically exit the slider state The speed at which the dragging or scrolling updates the parameter can be slowed by pressing the command also known as apple key while updating To manually enter text into the field double click it with the left mouse button The text in the field can then be edited as one nor mally would Note that there is a blue halo around the field also known as a focus ring The field will be in edit mode as long as the focus ring is present Edit
18. The document contents Copyright 2008 2010 by Wholegrain Digital Systems LLC All rights reserved All features and specifications described within are subject to change Wholegrain Digital Systems LLC makes no warranty of any kind regarding the accuracy correctness or sufficiency of the information in this document However we will make every reasonable effort to keep the document accurate correct and suf ficient in response to your feedback DynPEQ Quartet DynPEQ and the binary spike device are trademarks of Wholegrain Digital Systems LLC soundBlade is a trademark of SonicStudio LLC Sonic Studio LLC Software End User License Agreement Please read this carefully This Agreement is a contract between you either an individual or single entity and Sonic Studio LLC Your installation and use of the accompanying software indicates your agreement to be bound by the terms and conditions of this Agreement The software products associated media printed materials and electronic docu mentation accompanying this license collectively Software is owned by Sonic Studio LLC This Software is not sold but may be used only by persons or enti ties that have been granted a License to use the program Licensee Such grant of License is conditional upon payment of applicable license fees and agreement to the License terms stated herein In consideration for your payment of the applicable license fees Sonic Studio LL
19. UpperMidPresence Os Warmer b My Custom Bands Generic Peak OP Generic Low Shelf Generic High Shelf Generic Dynamics Section Expand page 10 Background Window slow RMS Calculation New Drawer Band Toolchest Input Processor page 11 page 6 Thr 40 ge LY g 3 0 lds Rat 1 22 1 Expansion Atk 10 0 Rel Y DynPBQ demo Bypass A B Registers page 6 page 6 2008 2010 Wholegrain Digital Systems LLG Both H Com Both H Compression pression go 7 0 708 Rat 2 06 1 Atk 10 0 Rel 30 A 20kHz 30 ie p Outsut Peak Limiter A Gain 0 0 ap DEQ In AJ Mom RPE Gain S 0 0 Lan iSS Rel oms page 10 DC Cut 10 Hz BypasROut B e SH Limit 0 0 de sae Lim In S g Limin F M w dynam EQ only Piano Trio w cut Piano Trio Fine Controls page 6 3 Band Bypass Solo page 6 i Display Adjust ments page 7 Coarse Controls page 6 Peak Limiter page 6 Peak Monitors page 6 Patch Store page 14 Quartet DynPEQ Operation Manual Page 5 Fine Adjustments There are two rows of fine adjustment boxes The top row controls the tuning parameters and the bottom row controls the dynamics parameters The parameters in this section are primarily text fields that can also act as continuous controllers These fields are called slider texts in this manual and they will be described in the next se
20. ced where this compression line intersects the boost cut offset from the neutral gain line Adjust the compression ratio and note how the rota tion point acts as a pivot that the compression line passes through It is important to note that the compression ratio in this configuration cannot be 1 1 for then there is no way to determine the location of the compression thresh old Now adjust the g Thr parameter and note that the compression threshold which is a hollowed out bead when the rotation point is present moves along the seem ingly fixed compression line Note that if the value of g Thr becomes greater than g in this case the virtual threshold moves beyond the rotation point but the slope and intersection point of the compression line will not change The compression bead can still be manipulated by clicking on it Dragging the bead shows more about the function of the rotation point that it is indeed a fixed pivot point for the compression line In addition the ro tation point can be clicked and dragged to a new location When this happens the gain at threshold will hold at its value Quartet DynPEQ Operation Manual Page 20 Now reset the mode back to the more familiar Thr and set the dynamics type to Both which activates both the expansion and compression points Note that the dynamics curve obeys both beads and that the two points are connected by a straight line 40 dB g 7 0 dB
21. ction Coarse Adjustments There are two rows of coarse adjustment boxes below the fine adjustments The top row controls the tuning parameters and the bottom row controls the dynamics parameters This section allows for control of multiple band parameters and visual feedback on DynPEQ opera tion Band Bypass Solo The fine and coarse adjustments are arranged in four columns Each column is called a band Each band has a bypass button that can turn the band on and off in the plugin The button label In indicates the band is on and Out indicates the band is off Note that if the band is off either by the band bypass button or the processor bypass button the coarse adjustments for that band disappear Shift clicking on the band bypass button will isolate or solo the band by bypassing the other bands and activating the band shift clicked The button will turn red with a Solo label and the all bands bypass button turns red with a Solo On label Further clicks on band bypass buttons with the shift key down in solo mode will toggle bands in and out of the solo mix A regular click on any red solo button will terminate band solo Input Processor The input processor consists of two slider text pa rameters that are applied to the audio input prior to the dynamic parametric equalizer Gain is the gain applied to the input DC Blk Cut is the cutoff frequency of a 6dB octave DC block filter To dea
22. ctivate the DC block filter set the cutoff frequency to 0 Hz Peak Monitors There are two peak monitors that operate on the interpolated peak levels after dynamic equalization but prior to output gain and limiting The monitor to the left in blue colored text is a running maximum peak value which can be reset by clicking on the text The text of the running maximum peak will briefly turn red when a limit er hit occurs but this will not affect the running measure ment unless a new maximum has been established The monitor to the right is a coarse peak meter The values it can display are 10 dB to 2 dB in increments of 2 dB Peak Limiter The peak limiter employs the interpolated peak levels taken from the dynamic equalizer output Gain is the gain applied to the equalizer output prior to limiting Limit is the maximum interpolated level the output signal can attain The Hit monitor indicates whether the limiter has become active that is if the post gain level has exceeded the limit level The hit monitor is persis tent and will stay in the on state until it is clicked with the left mouse button As mentioned in the last para graph the running maximum peak text color is a non persistent indicator of limiter hits Rel is the release time applied to the limiter when it activates The Lim In button activates and disables limiter processing but does not affect the output gain Limiter Reduction
23. d control lable by left click hold scroll or shift left drag Note the button labelled Y This button selects the axis on which the threshold boost cut offset is applied When the button is set to Y the threshold is offset from the unity gain line at the value of Thr along the y axis The offset is shown in the figure above The offset will not be depicted as such on the live parameter window Quartet DynPEQ Operation Manual Page 19 Now left click the button which will give it the label X This button state indicates the threshold is offset from the unity gain line along the x axis The offset is shown in the figure below Compare the offsets between the x and y axis and adjust the g parameter to note how the button affects threshold movement Now reset the button to the Y setting and click on the button just above labelled Thr In the coarse display the compression threshold bead is replaced by what is called a rotation point hence the new label Rot on the button A new parameter becomes visible with the label g Thr This stands for gain at threshold How the compression curve is determined in this case is as follows The Rot and g parameters offset in the direction specified in the X Y button now control the location of the rotation point The compression ratio specifies the slope of a line that intersects the rotation point The compression threshold is pla
24. e coarse view shows that the dynam ics curve meets the expansion bead At the expansion only setting the slope above the expansion bead will be unity and will follow the unity gain line The Rat pa rameter is the expansion ratio and affects the slope of the dynamics curve below the expansion threshold which is the Thr parameter The expansion ratio is the auxiliary parameter of the expansion bead controllable by left click hold scroll or shift left drag The value of the expansion threshold applies to the input level or the x axis of the coarse view Adjusting the expansion threshold in the fine adjustments moves the bead along the unity gain line The g parameter is the boost cut at the expansion threshold so the effective output level at the expansion threshold is the threshold plus boost cut Adjusting the expansion boost cut alone moves the bead along the y axis Setting the dynamics type to Compress grays out the expansion fine adjustments and activates the compres sion adjustments Control of the dynamics curve passes from the expansion bead to the compression bead At the compression only setting the slope below the compres sion bead will be unity and will follow the unity gain line The Rat parameter is the compression ratio and affects the slope of the dynamics curve above the compression threshold the Thr parameter The compression ratio is the auxiliary parameter of the compression bea
25. en a patch register A B or patch store is loaded Band Well The control on the right side of the band column is a well that functions as either the source or destination of band transfers between the band toolchest via drag and drop Within the well is an image of a keyhole Section Expand The parameter window contains many elements and it is possible for the window as sized to be unable to display all elements of interest To this end some parts of the parameter window are cast in collapsable sections The upper left corner of a collapsable section contains a triangle for controlling the section state It functions in the same manner as a Button 40 B g 7 0 dB 0 0 ME Rat 1 32 1 20 20 d 40 40 60 60 60 40 20 Odb 60 40 20 Odb a f Click on it to toggle the section state Mode Thr Ja Y J Atk 10 0 Rel D a Atk 10 0 Rel 30 ms 20 20 dB 40 40 60 60 60 40 20 dB 60 40 20 Odb m p G DEQ in J A JC Mex Bypass Out B J Toolchest OM De Ess 0 De Hum Fuller OP HiFi low eee ee Rar korni Quartet DynPEQ Operation Manual Page 10 The Toolchest Administrative Tools Band Toolchest The left portion of the toolchest view is the band toolchest The band toolchest is a persistent store of use ful settings of individual bands This store is unique to DynPEQ plugins and is not part of any host workstation project T
26. eneric Peak Generic Low Shelf Generic High Shelf J De Hum Generic Dynamics Pr Fuller 2s HiFi low HiFi high 2 Sparkle Dr UpperMidPresence warmer JA fa Band Note Field and Parameter Load My Custom Bands Save Generic Peak A Generic Low Shelf The band note field is for giving titles or notes to 2 Generic High Shelf bands on the parameter window The field will change J Generic Dynamics when performing a drag and drop to the band well but it will be cleared via A B register load or patch load The note field contents will not be saved with a workstation patch or project only to the band toolchest as the band s title Quartet DynPEQ Operation Manual Page 12 Moving All Bands to the Band Toolchest By holding down the shift key during the drag and drop operation all bands in the parameter window will be transferred instead of one 3 HiFi low HiFi high O Sparkle h I UpperMidPresence Warmer b My Custom Bands Generic Peak Generic Low Shelf 2s Generic High Shelf Generic Dynamics 2 Sparkle Dr UpperMidPresence Warmer P My Custom Bands Generic Peak Generic Low Shelf Generic High Shelf Generic Dynamics Completing the drag and drop will prompt for a name to give this multiband item Type in the new name and end the entry with tab or return De Ess Ps De Hum Fuller 2 HiFi low HiFi high Smooth Compression Sparkle Dr UpperMidPresence Warmer My Custom
27. ent has negative slope this is why the compression bead should always be to the right and above the expansion bead Since the plugin has no guarantee of receiving parameters in a specific order or for that matter receiving a com plete set of parameters it is possible though rare that a compression or expansion point may be moved away from the location specified in the patch or toolchest band When this happens the course of action to take is simply to reload the band or patch About Window With most audio workstations the parameter window is separate and detached If this is the case the worksta tion action that brings up parameter displays for its pl ugins shows a second window for Quartet DynPEQ It is called the about window and while most of the window contains information about the plugin the window does contain two controls AOC QuartetDynPEQ Output 1 1 TM Quartet DynPEQ Version 1 2 Copyright 2008 2010 1 Wholegrain Digital Systems LLC All Rights Reserved CHE Parameter Window Level Floating above workstation Parameters Quartet DynPEQ Operation Manual Page 24 Parameters Button The button to the lower right displays the parameter window It can be used if the parameter window has been dismissed or is at the back of the window stack Note that for some workstations having the about window and parameter window displayed at the same time can slow the reaction time of both windows
28. entrate on the tuning aspects of a band set the dynamics type selector to off 000 With the dynamics off this band will operate as a normal parametric equalizer Using the fine or coarse tuning control bring the value of g away from zero and investigate the filter type options The peak selection is the presence parametric filter The value of Fc is the center frequency or the crest of the peak along the x axis of the coarse view The value of g is the boost or cut at the center frequency or the maximum displacement along the y axis of the coarse view The value of Q is the sharpness of the peak Higher Q values result in a sharper more abrupt peak Quartet Dyn PEQ Y Parametric Fine Controls Atk 10 0 Rel 20Hz 200Hz 30 a 20 0de Atk 10 0 Rel Version 1 2 Quartet Dyn PEQ 40 MR 20 0 E l l Atk 10 0 Rel 30 ms ZRH L2OkHz 30 S 3 40 Quartet DynPEQ Operation Manual Page 16 Dragging the bead in the coarse tuning control adjusts the cutoff frequency x axis and boost cut y axis The auxiliary parameter for the bead controllable by either left mouse hold scroll or shift left mouse drag is the Q of the peak Now select the low shelf type abbreviated to LoSh in the selector The value of Fc becomes the cutoff frequency or the corner point where the shelf transi tions between OdB and g the boost cut level at DC
29. er to the band toolchest quit the plugin which saves the toolbox file and send in the toolbox file HOME Library Preferences com wholegrain ds dpeqbands plist where HOME represents the filesystem location of the home icon in a Finder window If it is necessary to send in a sound file for DynPEQ input please keep its length to a minimum no more than 10 seconds or so Quartet DynPEQ Operation Manual Page 26 Appendix Legend of Mouse and Key board Operations Press and hold shift key Press and hold control key Press and hold alt option key Followed by Left mouse button click Right mouse button click Left mouse click hold and drag Left mouse click hold and scroll Left mouse double click Quartet DynPEQ Operation Manual Page 27
30. he Software you may make the total number of copies of the Software stated on the packing slip s invoice s electronic confirmation s or Certificate s of Authenticity Any copy must contain all of the original Software s proprietary notices The number of copies on the packing slip s invoice s electronic confirmation s or Certificate s of Authenticity is the total number of copies that may be made on each platform 4 Restrictions a This software contains trade secrets and as such may not be modified translated reverse engineered decompiled or disassembled You may not create derivative works based on the Software b You may not rent lease grant a security interest in or otherwise transfer rights to the Software c The Software is licensed not sold Title to and copyright in the software and in any copies you are permitted to make are owned by Sonic Studio LLC You may not without the express written consent of Sonic Studio LLC copy or repro duce any part of the Software except as specified above d The Software is specifically authorized for use on a single individual com puter and its associated hardware serial number or use with a hardware based authorization device One license transfer is permitted for each Software Serial Number held Additional authorizations require additional purchases 5 Terms Except as provided for evaluation software the License will continue until it is terminated Sonic
31. he bands are represented in the toolchest view as the heads of a skeleton key with a band note attached In addition the settings of all bands may reside in the band toolchest represented by three multi colored key heads Drawers are represented by solid triangles with names attached and they can hold both bands and other drawers New Drawer Left clicking the new drawer button creates a new drawer and prompts for a drawer name Note that the text edit focus ring will be around the name of the new drawer awaiting for the title to be typed in Delete Item A band or drawer in the band toolchest can be selected by left clicking on the row where the item is displayed If an item is selected left clicking the delete item button will prompt for confirmation to remove the item perma nently from the band toolchest Rename Item Double clicking on the name of an item in the band toolchest will allow the name to be edited If the new name matches the name of another item in the same drawer the editor will not exit until the name is changed Moving Items within the Band Toolchest Items in the band toolchest can be moved to another drawer by left clicking on the item while holding down the left mouse button dragging to the destination drawer and releasing the left button over the destination This operation is commonly called drag and drop If the drop destination drawer has an item with the same name a warning prompt will appear aski
32. is open this keystroke redirection may not seem to work at all If this happens one remedy is to close the toolchest but this behavior may happen again when the toolchest is reopened A more permanent remedy is to click a workstation window or the about window if it is open and then return to the parameter window We are working with workstation engineers in coming up with a comprehensive solution that does not involve the parameter window blinking and that supports the toolchest being open Reporting Problems Upon encountering an anomaly in the plugin operation or user interface it is best to document the events around the issue before sending in a report Most importantly determine whether the problem is repeatable by attempt ing to duplicate the sequence of workstation and plugin operations that lead to the issue If our service personnel are able to re create the problem in the lab the problem is much more likely to be resolved If the problem is with the processed sound from DynPEQ it is best to capture the parameter settings and include them with the report There are three way to do this One save the project with the DynPEQ parameters and send in the project file Two use the MacOS applica tion Applications Utilities Grab to obtain a screenshot of the parameter window the menu item to do this is Capture gt Window Three label the bands something like problem band 1 problem band 2 etc move the bands ov
33. location markers that can be moved in a two dimensional field There are two beads in the dynamics coarse adjustments but only one in the tuning coarse adjustments The beads are capable of con trolling most of the parameters in the fine adjustments A click of the right mouse button or a control click of the left mouse button displays the type selector menu for the category Choose the new type in the same manner as the type selector control OR a Click the bead and hold with the left mouse button to move the bead within the field To adjust the auxiliary parameter which does not per tain to the x y position of the bead either click and hold the left mouse button and move the scroll wheel or with the shift key pressed click and drag with the left mouse button down OR While adjusting the coarse bead the speed of the mouse and scroll reaction can be slowed by holding down the command also known as apple Key Lastly alt clicking the bead will restore the mouse and scroll parameters the bead controls to defaults gt Quartet DynPEQ Operation Manual Page 9 Band Note Just underneath the coarse controls is a row of admin istrative controls for each band The control on the left side of the band column is a text field where brief user notes for the band can be typed in This note is associat ed with the band when communicating with the toolchest To avoid confusion the band note is cleared wh
34. mode ends when the tab or return key is pressed or another text field is left clicked It is important to note that the edited parameter value will not be entered into the plugin and workstation until edit mode concludes on that slider text field so it is best to make a habit of hitting tab or return after entering a new field value Alt clicking the field will return the value to its default maf Lastly note that there is a small gray notch along the top of the slider text This notch indicates where the current value of the parameter lies in its valid range The notch being all the way to the left signifies the minimum value of the range and the extreme right indicates the maximum The notch itself is not an active control that can be clicked and manipulated Type Selector The operation of the type selector is straight forward Left clicking on the control presents a menu of choices of which the desired choice is selected by left clicking on it OR n Expand Compress Both Quartet DynPEQ Operation Manual Page 8 Button The operation of the button is also straight forward Left clicking on the control changes its state The button will have a different text label and graphic appear ance The band bypass solo and effect bypass buttons have a special mode that can be enabled by shift clicking on the button Coarse Bead The coarse adjustments are controlled by what are called beads They are
35. ng and Band Configuration Tutorial Band Operation Tuning COW WANANANAINNWNANDAADAADAADAAAA AA AN Ff Hf HF ee e e ee ee ee ON HN Mm mA mA HB DBD HS fH fH fH fH BP WN NN KH e e e e KS KS CO COC CO Band Operation Dynamics 18 Dynamic Parametric Equalization 21 Interaction with the Host Workstation 24 Storage in the Band Toolchest 24 Storage in the Patch Store 24 Caveat on Restoring Dynamics Parameters 24 About Window 24 Parameters Button 25 Parameter Window Level 25 Operation Tips 25 Operational Issues 26 Reporting Problems 26 Appendix Legend of Mouse and Keyboard Operations 27 Introduction to DynPEQ This manual describes the operation of Quartet Dyn PEQ both external and internal DynPEQ refers to dynamic parametric equalization What then is dynamic parametric equalization Audio professionals and enthusiasts alike are familiar with dynamics processors compressors expanders etc and parametric equalizers Dynamic parametric equaliza tion is an integrated combination of the two processors That is to say it is a dynamics processor a parametric equalizer and a dynamically controlled parametric equal izer rolled into one package Quartet DynPEQ offers four bands of dynamic para metric equalization bands Each band has controls normally associated with a parametric equalizer and a dynamics processor The parametric equalizer and dy namics processor portions of a band can be individually bypassed
36. ng for confirmation to replace the existing item in the drawer Agreeing to com plete the replace operation will permanently remove the existing item from the toolchest Moving a Band to the Parameter Window Bands in the toolchest can be moved to the parameter window by a drag and drop operation that originates at the toolchest band and ends at the desired band well one it ee ty De Ess Pr De Hum Jr Fuller s HiFi low Ds HiFi high os Sparkle Dr UpperMidPresence Warmer b My Custom Bands Generic Peak Generic Low Shelf Generic High Shelf Generic Dynamics De Ess Fe De Hum Fuller HiFi low sHIFi high Sparkle UpperMidPresence Warmer b My Custom Bands Generic Peak Generic Low Shelf P Generic High Shelf Ds Generic Dynamics Quartet DynPEQ Operation Manual Page 11 Moving a Band to the Band Toolchest Bands in the parameter window can be moved to the toolchest by a drag and drop operation that originates at the desired band well and ends at the desired toolchest location If the drop destination drawer has an item with the same name a warning prompt will appear asking for confirmation to replace the existing item in the drawer Replacing will permanently remove the existing item from the toolchest and complete the move deiner Ds HiFi high Sparkle UpperMidPresence New Low Curve k Warmer My Custom Bands G
37. of audible artifacts This means that making sudden and large changes to the other tuning parameters frequency Q or slope may lead to an audible tick sound This cannot be avoided Operational Issues The following issues have been mentioned in previous sections and they are repeated here for your information For some host workstations having both the about window and parameter window displayed at the same time can occasionally slow the reaction time of both windows To this point this issue has not been resolved When clicking on a parameter window control and noth ing seems to happen the click appears to be lost in the system and the course of action to take is clicking on the parameter window again and moving the mouse around which should clear the action of the previous click and re focus the window interface It is best practice to dis miss the about window using the red button in the upper left corner once the desired settings on the about window are made Workstation software connects to DynPEQ by sending individual parameter values and not parameter groups The processing of dynamics curve information within the plugin prevents the creation of a curve where a segment has negative slope this is why the compression bead should always be to the right and above the expansion bead Since the plugin has no guarantee of receiving pa rameters in a specific order or for that matter receiving a complete set of paramete
38. on If it is desired to have the interactive graphics elements continue to work when the window is in the background and the host computer is sufficiently fast set the back ground parameter window selector to Graphics active slow RMS Calculation The RMS calculation selector covers an issue of run time behavior that has a background effect on the audio performance of DynPEQ The issue it addresses is the input RMS level measurement for multiple channels and how it is carried out Multiple input channels are con verted into a single RMS measurement which appears on the coarse dynamics view The first option fast sums all input channels into one bundled input signal and then calculates the RMS level on the sum signal which takes less processor time to calculate The other option slow calculates the RMS level on all input chan nels and then sums the levels This option is slower but results in a level calculation that is not sensitive to phase differences between channels Background Color The background color slider as the name suggests can be used to adjust the parameter window background color for the purpose of control visibility and overall aesthetics Quartet DynPEQ Operation Manual Page 15 Signal Processing and Band Configuration Tutorial Finally the fun part Band Operation Tuning To begin the investigation of band operation bypass all bands in the plugin except one To conc
39. ost cut level The peak filter with zero Q is simply a broadband gain function The Off filter type is a special case of the peak filter where the applicable Q is zero and the appli cable boost cut is OdB Before moving on play some source material through DynPEQ and experiment with filter types connecting the filter frequency response with the way in which the source signal is modified Band Operation Dynamics Switch the tuning type back to Off and begin the investigation of dynamics operation Leave the dynam ics type at Off and note that the fine adjustments are grayed out for the compression and expansion categories There are two beads in the dynamics coarse field The bead for the expansion category points to the left and the compression bead points to the right The compression bead will always be to the right and above the expansion bead In the coarse field the x axis represents input level and the y axis represents output level There is a diago nal dashed line in the field which represents unity gain or input level and output level being equal Move the two beads away from unity gain and note the black line does not move along with them and stays at unity gain Quartet DynPEQ Operation Manual Page 18 The black line is the dynamics curve the mapping of output level to input level Now set the dynamics type to Expand At this setting the expansion fine adjustments become active and th
40. put RMS level is measured with the help of an attack release averaging filter The attack and release times for each band are specified with the Atk and Rel parameters of the dynamics fine adjustments Quartet DynPEQ Operation Manual Page 23 Interaction with the Host Workstation Storage in the Band Toolchest When a single band is saved or loaded via the band toolchest the following parameters are transacted When a single band is transferred into a band well the band bypass button will be set to In and that band will be active A multiband toolchest item contains the above parameters for all four bands along with their band by pass states when the item was last saved Storage in the Patch Store When a patch is saved to or loaded from the patch store the following parameters are transacted Output gain Limiter level Limiter release time All patches in the patch store including their titles will be saved and restored with the host workstation project In addition the following non patch parameters will be transacted with the project file This means that the A B registers peak monitors and limiter status will not be saved in the workstation project Caveat on Restoring Dynamics Param eters Workstation software interacts with DynPEQ by sending individual parameter values and not parameter groups The processing of dynamics curve information prevents the creation of a curve where a segm
41. rovided the copy contains all of the original Software s proprietary notices d If you have purchased licenses for multiple copies of the Software you may make the total number of copies of the Software stated on the packing slip s invoice s electronic confirmation s or Certificate s of Authenticity Any copy must contain all of the original Software s proprietary notices The number of copies on the packing slip s invoice s electronic confirmation s or Certificate s of Authenticity is the total number of copies that may be made on each platform 3 Commercial or Institutional License Versions of this software intended for use under the Personal License section must be registered in the name of an individual person for the sole use of that individual Software used by more than one individual shall be considered Commercial or Institutional The following provisions shall apply to Commercial or Institutional Licenses a One license of the Software may be installed on a single computer or hard ware based authorization device b The Software may be installed on a network provided that a licensed copy of the Software has been acquired for each person permitted to access the Software through the network c A single copy of the Software may be made for archival or backup purposes provided the copy contains all of the original Software s proprietary notices d If you have purchased a license for multiple copies of t
42. rs it is possible though rare that a compression or expansion point may be moved away from the location specified in the patch or toolchest band When this happens the course of action to take is reloading the band or patch Quartet DynPEQ is designed so that multiple instances of the plugin should be able to safely share the band toolchest file However if there are multiple instances of workstation software running simultaneously on the same computer home there is the possibility that band toolchest updates made on one workstation can be over written with updates from another workstation instance Please keep this in mind if your workstation host is a server to multiple users In this case each user should have a unique home directory in order to avoid this con flict The following issue is not mentioned in previous sec tions and it is recorded here as an issue that is known to us and is in the process of resolution Quartet DynPEQ s parameter window acts as an ad junct to the plugin as a plugin to the plugin in a manner of speaking The workstation software is not directly aware of its presence As such some of the workstation keystroke commands that will bypass other plugins may not bypass the parameter window So far the solution involves blinking the parameter window off the screen and back on While the parameter window is not visible the keystroke is redirected to the workstation However if the toolchest drawer
43. s made on one workstation can be overwritten with changes from another workstation instance Please keep this in mind if your workstation host is a server to multiple users In this case each user should have a unique home directory in order to avoid this conflict Patch Store The lower portion of the toolchest window is the patch store The patch store is for saving and recalling the operational parameters of the DynPEQ plugin The patch store is initialized to empty for newly instantiated plugins Parameter configurations or patches can be sequentially added to the store When the workstation project is saved with an active DynPEQ plugin all con figurations in the patch store are saved with the project file When that project is recalled Quartet DynPEQ will be started with the contents of the patch store at the last project save The store shows no more than five patches at a time but the view can be adjusted upwards and downwards to cover all of the store s patches Patch Load and Patch Add Replace Associated with each item shown in the patch store is a load button and an add replace button These buttons look very similar to their counterparts for the A B regis ters in the parameter window and their function is similar as well The square button loads a patch and the round clear button saves a patch and turns blue when the current DynPEQ parameters matches the patch The patch load button will show the sequential number of
44. software can retain and 2 an auxiliary window the about window that controls issues that affect CPU usage Lastly the Operation Tips and Reporting Problems sections reveal hints and shortcuts for running Quartet DynPEQ along with suggestions for making a good problem report Help Us Help You If you find errors or factual issues with this manual please do not hesitate to inform us If you feel that some thing should be mentioned in this manual and yet is not please point out what we missed We also welcome your suggestions as to the manual s organization and presenta tion Quartet DynPEQ Operation Manual Page 4 Parameter Window Layout and Contents In a PDF viewer click on boxes in the margin to jump to section a 00 w Parametric Fine Controls Quartet DynPEQ Quartet DynPEQ Version 1 2 Type Selector Foy 193 3 He Be 1280 0 ie Fe 1280 0 Hz Fo 8476 2 pe page 8 SR o s Q 03 Slp 0 0 45 0 0 dB g 3 0 de g 5 0 B p Dynamics Fine Controls Both eq ampression Slider Texts page 8 0 d vg 5 0 ge x Rat 1 1 ExpaXsion Thr 60 dE 40 ge Buttons g 7 Q dE 0 0 ME page 9 oo Rat 1 50 1 Atk 10 0 Rel 30 m 20Hz 12 i 6 amp Atk 10 0 Rel 30 ms 0 Coarse Beads page 9 Band Well page 10 Toolchest r De Ess De Hum Fuller OP HiFi low O HiFi high oO Sparkle Ps
45. there are no dynamics set in the plugin that is all of the dynamics curve lines are the same slope as the unity gain guide The way to accomplish this is to set the output gain instead For example if the indicator after the program reads 1 2 dB reducing the output gain by 1 2 dB should avoid a limiter hit when the program is played again as suming the other settings are not changed Note howev er the peak indicators will still indicate values over O dB as the peak measurement is made prior to output gain The DC block filter is for removing a DC component in the input signal A DC component can bias the RMS measurements if the band tuning type is low shelf peak with a Q value of zero or off While it is possible to set the DC block cutoff all the way down to 1 Hz this setting will make the DC block filter slow to respond to signifi cant DC bias and may pass low frequency bias drift It is best to set the DC block cutoff to as high a value as is comfortable The highest center or cutoff frequency allowable is 40 960 Hz However if the sample rate processed by the plugin is 48 kHz or 44 1 kHz the maximum frequency becomes 20 480 Hz The maximum frequency in the coarse tuning display is 40 960 Hz regardless of sample rate If the Nyquist frequency one half the sample rate is less than the maximum of the coarse display the fre quency response at the Nyquist frequency is plotted out from Nyquist rightwards This can look odd for

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