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KOMA Elektronik BD101 Analog Gate / Delay USER MANUAL
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1. CYCLE IN by plugging an externally processed sound into this jack you break the internal CYCLE circuit thus being able to change the feedback sound in any way you desire CYCLE IN CV input to control the amount of internally or externally processed signal being fed back into the circuit SPEED CV input to control the speed of the gate AMOUNT CV input to control the amount of gate being applied to the plugged in signal EXT GATE CV input that allows you to control the gate by external gate and or CV signals DLY TIME CV input to set the delay time SENSOR CV output of the on board motion sensor for usage with CV inputs on the pedal other KOMA Elektronik pedals or other voltage controlled devices All patch bay inputs and outputs are mono IA phone jacks BACKPANEL DC POWER INPUT accepts standard 9 volt power adapters center pin negative 500mA min KOMA Elektronik power adapter included CV TRIMMERS The sensitivity of the CV inputs and outputs as well as the sensitivity of the motion sensor can be adjusted with attenuators which are mounted on the back of the pedal WARRANTY KOMA Elektronik warrants its products to be free of defects in materials workmanship and conforming to specifications at the time of shipment for a period of two years from the date of purchase During the warranty period any defective products will be repaired or replaced at KOMA Elektronik s
2. HIGH yl GATE EFFECT MID 0 100 SPEED ON OFF DRY INPUT GAIN DELAY BLEND Karplus 1 Ae GAIE Leg TIME me PEAY ME GATE SHAPE GATE RANGE Aw sx e e w HH PL GATE EFFECT MID 0 Q0 SPEED ON OFF DRY WET INPUT GAIN DELAY BLEND TECHNICAL SPECIFICATIONS GENERAL Casing Powder coated aluminum casing silk screened text and wooden side panels Dimensions 23 cm x I5cmx5cm LxWxH 9 x 6 x 2 LxW x H Net Weight 850 gr 1 8 lb Shipping Weight kg 3 0 lb including power adapter and instruction manual Power requirements 9V DC power adapter 500mA min center polarity negative only use the KOMA adapter shipped with the pedal FEATURES INPUT GAIN Slide control which allows the user to set the input gain of the plugged in instrument or line audio signal O to 20dB variable gain DELAY BLEND slide control to set the amount of processed delay signal within your overall sound from completely dry to completely wet GATE SPEED rotary control to adjust the speed of the gate GATE AMOUNT rotary control which adjusts the amount of the gate signal applied to the audio input signal going from not influenced at all to amplitude modulated to completely gated CYCLE rotary control to adjust the amount of processed signal fed back into the signal chain Going from no signal being fed back to usual feedback sounds creating overtones and or karplus effects to
3. going completely nuts with feedback DELAY TIME rotary control to set the delay time Please note that the delay chip used in this circuit was never meant to go anywhere near the settings between 6 10 where serious bit crushing like effects and other odd sounds start to appear GATE SHAPE 3 pole toggle switch to switch between the 3 different shapes of the gate ramp pulse and sawtooth GATE RANGE 3 pole toggle switch to switch between high mid or low speed range for the gate GATE SPEED LED indicates the speed and shape of the gate clock EFFECT ON LED indicates if the effect is switched on or bypass FOOTSWITCH Heavy duty Alpha foot switch Turning the effect on or off 2 IR EMITTERS IR RECEIVER calculates the distance between an object and the pedal and generates a CV signal according to the measured distance The CV output of this sensor appears as a CV output on the patch bay from where you can route it to the CV input of your desired to be modulated feature PATCH BAY INS AND OUTS AUDIO IN plug your sound source here AUDIO OUT listen to what you created here CYCLE OUT you can grab your processed signal here before it is being fed back into the circuit here By sending this signal into external effect units e g filters or EQs you can change the sound being fed back into the pedal through plugging your externally processed sound into CYCLE IN
4. input will result in an according amplitude modulation of your incoming signal DLY TIME CV input The DLY TIME CV input controls the delay time of the delay circuit in the BDIOI VWhen you insert a control voltage into this input the TIME knob determines the offset voltage see Control Voltage Theory section SENSOR CV output This is the CV output of the infrared motion sensor The closer you move something towards the sensor the higher the CV raises You can set the sensitivity of the sensor with a small trimmer on the background called Sensor The sensor output is 0 9V TJ Q2 gt o PO E O O Ge U T rr Ves fe AMOUNT fe TE 10 DLY TIME O SENSOR Basic SETTINGS AND EXAMPLES Chop your sound apart SPEED CAE AMOUNT nme PEAY cycle e e he 6 4 6 4 6 Q f O O O Qe 10 js 10 in max D 10 GATE SHAPE GATE RANGE AO e e w Hor L GATE EFFECT MID 0 100 SPEED ON OFF DRY WET NPUT GAIN DELAY BLEND Completely ripped apart 0 0 SPEED GATE MOUNT TIME DELAY CYCLE e e le 6 4e 6 4 6 Q f O O f O Us 1 Qe 10 in max Qe 10 min GATE SHAPE GATE RANGE Aw s e o Low HIGH PL GATE EFFECT MID 0 100 SPEED ON OFF DRY PUT GAIN DELAY BLEND Fast gate short delay EL GAIE ic DELAY sy SPEED IME EXE O O 6 Qo Dk e10 Us 10 max GATE SHAPE GATE RANGE Aw s e o Wi 9
5. DO v Y Y A SPEED AMOUNT EXT GATE DLYTIME SENSOR The patch bay consists of ten 4 jack sockets which you can use for receiving and sending various audio or control voltage signals Blank arrows mark CV inputs outputs black arrows mark audio inputs outputs If the arrow is pointing towards the jack socket it shows you that this is an output if the arrow is pointing away from the jack socket it is an input All the CV inputs in the KOMA Elektronik pedals accept bi polar control voltages Since the pedal runs on 9V every time you plug in a control voltage to one of the CV accepting inputs the respective knob e g SPEED knob or SPEED IN CV input determines the offset voltage of your CV input signal Let s start from right to left in the upper row AUDIO IN audio input This is the main audio input of the BDIOI The sound source plugged in here will go trough the whole effect section JO gt TE CYCLE IN audio input The sound source plugged in here will arrive at the feedback insert point of the BDIOI delay section You will mostly use this insert point together with the CYCLE OUT to change the behavior sound of your feedback cycle This is a switching jack which means that you break up the internal feedback circuit by plugging a sound source into this jack CYCLE IN CV input This CV input accepts control voltages from 0 9V affecting the amount of feedback in the delay section When you insert a contro
6. FECT ON OFF indicator will turn on green which means the effect is now active Play Now go nuts lf necessary adjust the INPUT GAIN slider control to match the levels of the processed signal and the bypassed signal The most predictable results will come from playing single note riffs or melodies This is especially true when the DELAY BLEND slider control is set to WET You can use the Motion Controller to adjust the DELAY TIME GATE SPEED GATE AMOUNT and CYCLE Be sure to read through the Control Voltage Theory section to understand all CV features and their usage FEATURES az E D Em SPEED GAIE AMOUNT TIME DELAY CYCLE Ae di 4o di 2 e 8 2 e 8 10 0 e10 min Max GATE SHAPE GATE RANGE Nen o ow Mig vic Lad GATE EFFECT MID 0 100 SPEED ON OFF _ DRY WET A e ES INPUT CAI Fig 1 Front panel Features Input Gain The INPUT GAIN slider of the BDIOI provides you with and adjustable gain for boosting low level input signals By sliding from left to right you can boost your signal from zero gain to 100 gain 0 to 20dB Analog Gate Amplitude Modulation When the audio signal plugged into the AUDIO INPUT jack goes to into the BDIOI it firstly arrives at the analog gate amplitude modulation section where you can choose in which way you want to prepare your signal The SPEED knob sets the speed of the LFO low frequency oscillator that controls the amplitude modulation If turned fully counter clockwise
7. LE KOMA ELEKTRONIK Beie KOMA ELEKTRONIK BD 101 ANALOG GATE DELAY ell Wl G AUDIO ni SPEED AMOUNT EXT GATE DLY TIME SENSOR M q SS re SPEED tp GATE Aw AMOUNT TIME me DELAY cy CYCLE d e oo e GATE SHAPE es 00 Wi BR p GATE EFFECT SPEED ON OFF DRY Y GATE RANGE 0 A INPUT GAIN KOMA Elektronik BDI0 Analog Gate Delay USER MANUAL version 2 Table of Contents INTO CIO ad 3 Genting Start WEE 4 FS AUS ee ceca etd ad cee aie eee a cerca O 5 CONTO VOTA Nacht 7 ene CT 9 Basic Settings and Exvamples enne nnne nnne nnns nne nn nna nnn 11 PEECHAIGAIES DEGCIN CATON RE EE 13 ES e EE 15 ele E 15 2013 KOMA Elektronik All rights reserved INTRODUCTION Dear new KOMA User Thanks a lot for purchasing your new analogue monster the KOMA BDIOI Analog delays have been a specialty in musicians effect artillery for a very long time Being loved for their organic physical sounds these circuits deserve special attention he way analog delays work is very similar to the old fashioned way of extinguishing a fire by means of a bucket bridge transferring water from the water source to the fire therefor called bucket bridge delays BBD In these BBD effects the sound is literally poured from one transistor into the next one This process is clocked by a special bi phase clock causing the first transist
8. ector Christian Zollner Sitz der Gesellschaft Registered Office Berlin Germany Registergericht Court of Registration Amtgericht Berlin Charlottenburg Registernummer Registration Number HRB 145453 Umsatzsteuer ID VAT ID Number DE285522050 KOMA Elektronik UG haftungsbeschrankt is a subsidiary company of KOMA Elektronik B V
9. f control voltage CV is not hard to understand Instead of turning a knob on your pedal you simply connect a voltage the control voltage to the corresponding CV input that does the job for you So for example if you want to have quickly varying GATE AMOUNT you don t have to turn that knob all the time back and forth fast until your fingers fall off but simply connect an alternating CV to the AMOUNT CV input You can take control signals from any source for controlling the inputs of the BDIOI All of the CV inputs theoretically accept control voltages from 100V to 100V though a range from 5V 12V 15V to 5V 12V 15V is more common and usable Since the BDIOI is running on a 9V power supply you might wonder how you can use a signal as large as 15V to 15V The answer is simple We provide you with a trimmer for each CV input on the backside of the panel SENSOR SPEED DLYTIME AMOUNT CYCLE Y v 9v 9 E CVOUT ON ON CVIN CV IN 9V DC INPUT i So whenever you notice a significant distortion or clipping in your control signal waveform or strange CV behavior simply turn the trim pot counter clockwise towards the word CN until you hear your desired result By turning it counter clockwise you attenuate the incoming CV signal Fully counter clockwise means that the incoming CV signal is completely gone whereas fully clockwise means that the incoming CV signal is arriving to the circuit unattenuated In additio
10. ise All the best from Berlin The KOMA Elektronik Team 2 3 4 gt 6 GETTING STARTED Unpack your machine The package comes with the BDIOI pedal a 9VDC 500mA tip negative power supply a small bag with a jumper and this manual Save the box and packing material in case you ever need to ship your pedal Make sure that the power supply is rated for the line voltage of your country 120 VAC for the USA 220 VAC for Europe and most other countries Connect it Be sure your amp is turned off then connect your instrument to the BDIOI by using the AUDIO INPUT on the upper right of the patch bay Connect the AUDIO OUT on the upper left of the patch bay to your amp To connect the Motion Controller the built in expression function plug in a 4 inch jack cable from SENSOR to DLY TIME CV on the patch bay Set up the BDIOI Amp Set all the controls of the BDIOI as in Fig see next page Power up Bypass Connect the BDIOI power supply to the BDIOI DC input on the backside of the pedal The GATE SPEED indicator will light up periodically When you press the bypass switch the EFFECT ON OFF led will light up this means the effect is turned ON Please wait with playing for 5 seconds so the unit can warm itself up Set levels Turn on your amplifier Make sure the EFFECT ON OFF indicator is OFF Play your instrument and adjust the volume of the amplifier so it is at a comfortable level Press the Bypass switch and the EF
11. l voltage into this input the CYCLE knob determines the offset voltage see Control Voltage Theory section O0 BO lt O O CYCLE OUT audio output This output provides you with the audio signal after the delay section before the DELAY BLEND slider If you send this output to an external effect like an EQ Filter another delay unit etc and plug the processed signal back into the CYCLE IN audio input you can control the sound of the feedback The volume of this signal is determined by the setting of the CYCLE knob AUDIO OUT audio output The main audio output of the BDIOI plug your amplifier here enjoy Left to right lower patch bay row SPEED CV input The SPEED CV input controls the speed of the amplitude modulation gate LFO therefor plugging a CV signal into this jack will change the speed of the LFO When you insert a control voltage into this input the SPEED knob determines the offset voltage see Control Voltage Theory section pp 7 AMOUNT CV input The AMOUNT CV input controls the amount of amplitude modulation gate applied to your incoming audio signal When you insert a control voltage into this input the AMOUNT knob determines the offset voltage see Control Voltage Theory section EXT GATE CV input The EXT GATE CV input goes directly to the VCA controlling the amount of the amplitude modulation gate bypassing the SPEED and AMOUNT knobs and CVs which means that any appropriate signal applied to this
12. many different ways Technically speaking it emits a CV signal control voltage which can be patched up with any CV receptive socket on the KOMA pedals and f i on your modular system By moving your hand over the sensor you can control the parameters of the CV input you patched it up to With the trimmer on the back of the pedal it says SENSOR you can change the sensitivity of the motion controller For more information about Control Voltage check out the section Control Voltage Theory of this manual Internal Low Pass Filter Inside the pedal there is an option to activate a low pass filter after the delay section to make the delay more suitable for low impedance instruments e guitars etc lf you unscrew the four screws on the bottom of the BDIOI you will see two green printed circuit boards PCBs On the PCB that contains the potentiometers and sliders on the left you will find a text saying Lowpass Filter with a line pointing towards two pins If you put the jumper that shipped with the BDIOI onto those two pins you activated the lowpass filter Decide for yourself if the effect is more suitable for you like this a KOMA ELEKTRONIK Hi BD 101 ANALOG GATE DELAY A Y v v e AUDIO p C CYCLE CYCLE v Y Y Y A SPEED AMOUNT EXT GATE DLYTIME SENSOR KOMA ELEKTRONIK VACTROL SVF 201 CUTOFF RESONANCE gt LL ME CUTOFF RESONANCE SELECT b f v v v CoNTROL VoLTAGE THEORY The concept o
13. n to that you can set an offset voltage to your control voltage to adjust the CV signal to your needs The offset voltage is set by the corresponding knob on the front panel There s also a distinction between bipolar and unipolar signal This is best explained with a few pictures see next page Bipolar CV Signals V 9V Bias Voltage set by knob GND OV GND OV VM Original CV Signal CV Signal inside the BD101 So what happens The incoming CV signal is shifted around the voltage that you select with the corresponding knob Example if you insert a 5V to 5V sine wave into the CYCLE CV jack you will get the following results while turning the CYCLE knob Bipolar CV Signals 9 TOV Bias Voltage set by knob ie erer Bias Voltage e set by knob GND OV GND 0V CV Signal inside the BD101 CV Signal inside the BD101 Low Bias Voltage High Bias Voltage A similar thing happens to unipolar CV signals Their point of origin 0V is shifted by the amount set with the corresponding knob In other words You add the voltage of your knob to the voltage of you incoming unipolar CV signal Unipolar CV Signals V 49V Bias Voltage ee ee a set by knob GND OV GND 0V Original CV Signal CV Signal inside the BD101 Now you know more about CV let s see what the patch bay of the BDIOI can offer PATCHBAY Bes KOMA ELEKTRONIK BD 101 ANALOG GATE DELAY AU D CYCLE CYCLE CYCLE AUDIO J
14. o bit crushing effect is a side effect of clocking the BBD chips slower than it is actually intended to be see introductory notes about analog delay chips on page 3 Also be aware of the fact that the clock of the BBD chip used in the BDIOI will appear as a function of your input signal sitting on top of your waves We don t consider this as a bug or malfunction but think that whoever is brave enough to turn the TIME knob further than lOOms will either not care about this side effect or love its sound as we do at KOMA Elektronik The second control in the delay section is the knob labeled CYCLE which controls the amount of delayed and amplitude modulated signal flowing back into the delay circuit therefor representing the amount of feedback in the delay circuit Delay Blend The last feature influencing your sound in the signal processing chain is the DELAY BLEND slider You can choose how much of the delay signal is applied to your amplitude modulated input signal The slider is an equal power panning slider which means that you go from completely dry no delay signal at all to completely wet only delayed signal with no gain loss over the whole range of the slider Sensor One of the features on your BDIOI you won t find in any other pedal is the possibility to control the features of the pedals with the on board motion controller Since its working with infra red LEDs we call it the SENSOR The motion controller can be used in
15. option on a return to factory basis This warranty covers defects that KOMA Elektronik determines are no fault of the user Returning Your Product You must obtain prior approval in the form of an RMA Return Material Authorization number from KOMA Elektronik before returning any product Email us at support koma elektronik com to request the RMA number All products must be packed carefully and shipped with the KOMA Elektronik supplied power adapter Sorry the warranty will not be honored if the product is not properly packed Once you have received the RMA write it on the box together with the word WARENRUCKSENDUNG and carefully pack your product ship the product to KOMA Elektronik with transportation and insurance charges paid and include your return shipping address What will we do Once received we will examine the product for any obvious signs of user abuse or damage as a result of transport H the product has been abused damaged in transit or is out of warranty we will contact you with an estimate of the repair cost Warranty work will be performed and KOMA Elektronik will ship and insure your product to your European USA address free of charge How to initiate your warranty Please initiate your warranty online by sending an email to support koma elektronik com IMPRINT KOMA Elektronik UG haftungsbeschrankt Mahlower Strasse 24 12049 Berlin Neukolln Germany Vertretungsberechtigte Geschaftsfuhrer Managing Dir
16. or to pass the signal to the second one exactly at the moment the second transistor just finished doing that to the third transistor and so on Now imagine this procedure 2048 times in a row and you have successfully delayed your signal by simple analog means Amplitude modulation and gating as its most extreme form on the other hand are maybe one of the oldest tools in the musicians repertoire to express dynamics and tension in music with the tremolo of a violin possibly being the most classic example Now the KOMA Elektronik BDIOI brings these great tools together and takes it one step further The bi phase clock of the BBD circuit on the BDIOI can go into ranges never intended by the inventors of these chips allowing you to go from super short delay pulses with chorus and flanger like sounds to enormously cut up sound scapes If you clock the BBD transistors in such a slow speed that the first transistor actually misses a part of the incoming sound in one clock phase you are able to rip the incoming signal completely apart At times it might even sound like digital bit crushing Because the gating amplitude modulation circuit is placed before the analog delay it allows you to cut away portions of your sound before the signal reaches the delay That gives you the possibility to put focus on certain parts of your sound e g a certain snare drum sound in your drum loop OK these were the basics now get your pedal go to the next page and make some no
17. the speed is slowest if turned fully clockwise you select the highest speed Together with the RANGE switch you can choose between three different speed ranges With the gate SHAPE switch you can set the shape of the amplitude modulation gate selecting either ramp square or sawtooth shape The amplitude modulation gate will follow the selected envelope After having selected a speed range with a respective clock speed and a gate shape you can choose the impact of the gate amplitude modulation section on your sound by turning the AMOUNT knob When turned fully counter clockwise your input signal isn t affected at all by the LFO The more you turn the knob in clockwise direction the more the LFO affects your signal going from a slight tremolo to severe amplitude modulation to completely gating your signal Analog Delay Section After passing through the amplitude modulation gate section your signal flows into the analog delay BBD section of the pedal You have two main controls to influence the processing of your sound here First you can select the delay time with the TIME knob Turning it fully counter clockwise will give you a super short delay of Ims Turning it more clockwise will give you longer delay times At around 00ms you will notice slight degradation of the overall sound comparable to digital bit crushing effects The further you turn the knob clockwise the harsher noisier and more hear able this effect will become This pseud
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