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the complete 2014 rentals catalogue

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1. works with our 70 200mm zoom lens 75 PER DAY This lens covers full frame sensors and is parfocal with a built in zoom motor That means on a camera like the FS7 you can use the zoom rocker for gradual zooms and it will keep focus throughout the range It has Steadyshot and the iris can either be smooth or have click stops Comes with a monopod collar and lens hood 16 PRESTON CINEMA SYSTEMS MICROFORCE V F2 Our kit includes a Heden zoom motor with 19mm mount shimmed for 15mm rods Ourkit also comes with a T cable to let it draw power from the 12 pin lens connector on an HD camera or from an included multi out power box Two pan arm mounts with different internal diameters are included ZOOM CONTROLLER PACKAGE 100 ARRI FOLLOW FOCUS FF 5HD Our kit includes right and left focus knobs with marking plates a crank and knob extension to get you out past the matte box It also includes a 12 whip amp puck and a 33 whip with hand unit The follow focus body and 15mm rod adaptor has been designed to clip on whether in Studio or Lightweight configuration Gears are swappable to either side of the arm FOLLOW FOCUS PACKAGE 75 BARTECH BFD WIRELESS FOLLOW FOCUS Our kit comes with focus motor cables Transmitter and Receiver It uses 8 selectable frequencies in the 900MHz range Easily calibrated the system uses 10 bit resolution for 1024 unique steps The transmitter is powered by a single 9 Volt battery
2. IDX CAM WAVE HIGH DEFINITION TRANSCEIVER This is a great addition for multi camera mobiles or video village on movie sets This device accepts SD SDI and more importantly HD SDI and transmits it with synced audio up to 150 feet There is no compression involved and therefore no delay Directors can see and cut to the camera in real time Shooting a movie with a HD camera on a Steadicame No problem The lightweight transmitter mounts between the camera and battery and takes the HD SDI feed using a short cable It auto senses the shooting format including 23 98psF for movies and transmits it digitally on one of 4 encrypted channels The receiver is plugged into a High Definition monitor and the Director can watch events unfold and check focus in full 1920x1080 High Definition Pristine quality with no cables TRANSMITTER RECEIVER PACKAGE 150 a N U 4 gt N sz lt 20 M IDCAN OG So 29 m 2401 Shoots are rarely ever just a camera amp lens MidCan recognizes this and rewards the adding of additional gear If you rent a camera and lens combination MidCan will apply a 10 discount to not only that combination but also all the lighting and audio gear you add as well Some exceptions apply See a listing of our B4 lenses on the next page SONY PDW 800 XDCAM HD The new Betacam of the HD world this camera records 4 2 2 full raster High Definition to optical discs The dis
3. Ideal for sports mobiles or for when they put the podium camera at the back of the room this lens has a reach of 950mm with extender Unlike most high magnification lenses you don t need a studio camera to use this unit ENG cameras can be mounted directly behind the lens on its built in Sled and we include a VCT 14 quick release plate for easy connection of B4 mount cameras The entire lens can be powered and controlled off the 12pin connector of an ENG camera just as if it was a hand held lens It can even run off the camera s battery It is 9 5mm at the wide end and a huge end element gathers lots of light for an F stop of 1 7 wide open Studio zoom and focus controls are supplied One of the most popular cameras that we pair with the lens is our Sony PDW 700 and we include a parane CCU Sony s RM B170 with it to enable local iris control for the lens The lens weighs close to 50 pounds without the camera i and requires a very UB substantial tripod NG mcpower Bf TR head for support and E control We include pry the Vinten Vector 70 This head maintains counterbalance through plus or minus 60 degrees of tilt and can hold a maximum of 154 pounds of camera and lens MidCan has designed custom hard cases for the lens the head and all their accessories FUJINON 50x HD BOX LENS 750 VINTEN VECTOR 70 HEAD 185 TALL or SHORT MITCHELL TRIPOD 50 Package as shown here with SONY PDW 700 CAMERA CCU LCD MONITOR
4. 2 4 GHz band with frequency hopping to avoid interference Comes with 16 rechargeable batteries and a cable to remotely locate one of its antennas 30 away from the base station WIRELESS INTERCOM PACKAGE 350 CLEARGOM WIRED INTERCOM SYSTEM One base station and 11 belt packs The kit comes with 5 double cup headsets and 2 single cup headsets with the option to add more as needed WIRED INTERCOM PACKAGE 225 COMTEK MONITORING SYSTEM These are traditionally used so Director Producers can monitor what s being recorded on set without fear of feedback We have 2 transmitters and 10 beltpack receivers They can be tuned to multiple frequencies and we also have a couple of professional earpieces for use as talent IFBs We include an iPod style headset with each receiver TRANSMITTERS 20 RECEIVERS 15 EFP KIT 1xT 3xR headphones and cables 60 JKAUDIO TELEPHONE INTERFACE Handy for double enders it can mix up to 4 inputs and has 4 headphone IFB outputs with independent volume controls You can connect to regular phone lines use the handset cord from an office phone plug a cell phone in using its headphone jack or for the ultimate in flexibility connect to a cell phone over Bluetooth The kit includes multiple Earpieces for left or right ears TELEPHONE HIT KIT 100 AUDIO IMPLEMENTS GELL PHONE EARPIECES Specifically designed for the multi plug on iPhones these allow a single reporter to have a hidden a
5. coming from the film g Our RED ONE MX digital camera body with SSD module 4x5 65 filters ND 3 6 9 Pola IR filter Studio Dovetail Bridgeplate with Rods Custom top handle with 2x15mm short rods Power Box with Voltage Readout Panasonic 17 LCD monitor amp stand HDSDI input SS Sachtler 30 Tripod amp Head 150mm Bowl HiHat a bi ies a TS y o Pa ees Vmount battery plate hot swap adaptor 4 x V Lock batteries RED Battery charger with AC power cable Switronix dual battery charger amp 4 pin cable Anton Bauer D Tap multiplier S300 DAY CAMERA BODY 3x64GB CARDS amp 4xVLOCK BATTERIES ALL OF THE GEAR LISTED IN THIS PACKAGE CAN BE HAD FOR 900 DAyY z 10 SONY PMW F 3 This camera is equipped with a Super 35mm sized 1920x1080 CMOS sensor that is rated at 800 ISO Sony packages the camera with a 18 252mm zoom lens that mounts directly to the camera and uses the zoom toggle on the body of the F3 At f3 9 to f6 8 it s not the fastest lens but if you have enough light you ll never find a more compact cinema style zoom with that 14x range The included S Log option works well to manage dynamic range especially with external 10bit g recorders like the Atomos below The camera has a top cheese plate and bracket for accessories and the Shape shoulder mount has the facility to attach 15mm rods if necessary The camera rec
6. have set it up primarily for news and sports shoots and consequently it comes with a built in wireless microphone system with both a lav pack and a plug on stick mic transmitter We also send it out with a P2 card reader for offloading your footage Light flexible high quality data centric work flow what more could anyone want BODY ONLY 400 4 7x11 LENS 300 7 6x22 LENS 250 7 7x17 LENS 175 21 MIDCAN SONY POW F355 XDCAM HD This is the middle ground between the PDW700 and the EX3 It has the same High Definition formats and frame rates as the EX3 including 24P but records them on an optical disc just like the PDW700 A full size shoulder mounted camera it s built to withstand the rigors of ENG It has a high resolution B amp W viewfinder as well as a fold out colour screen With a dual layer 50 gigabyte disc it can record an outstanding 150 minutes of High Definition content It comes with a Fujinon 5 5 94 ens CAMERA 8 LENS 425 PANASONIC HDX900 This camera is similar to the Varicam but has a different form factor and records DVCPRO HD to smaller cassettes While it can t do variable frame rates it can do 50i 60i 24P at 1080 in addition to 24P 30P and 60P at 720 A world cam it has found a lot of work in series production It comes with a Chrosziel toe plate for 15mm rods and an aftermarket aluminum carry handle BODY ONLY 400 4 7x11 LENS 300 6 3x16 LENS 200 7 7x17 LENS 175 PANASONIC HDCZ7F VA
7. 799 7651 full up multi camera mobiles Fred has the knowledge and experience 509 Century Street to meet all your production needs And he s backed up by the rest of Winnipeg MB MidCan s skilled staff It s not just about the big pieces either MidCan R3HOL8 is the dealer for many of the accessories you ll need to complete your purchase From camera lenses to tripods give Fred a call fredQmidcan com tede FUJINON Q NewTek GoPro FL O Li GH TU Be a HERO EG kai Canon S Cz VECT Prompter People QJ AZDEN antamauer One World One Smart Choice p As a full service facility its incumbent upon us to UJ i LM offer our clients everything they need at every step of the production chain That s why MidCan is also WANT Manitoba s only Fujifilm dealer for professional media We carry their complete line MORE of products from miniDV tapes to XDCAM optical discs Whether you need one item or hundreds we have stock on hand Prices start on page 64 of this catalogue WHEN YOU M IDCAN As a full service provider MidCan can see your project through from the planning stage to post production We can provide professional experienced camerapeople and crew for any size project We can even supply transportation Call us with your requirements and we can customize an equipment package and provide the manpower to meet your needs MIDCAN All equipment is quoted per day Discounts apply for l
8. 8 TRIPOD 1350 23 Shoots are rarely ever just a camera G lens MidCan recognizes this and rewards the adding of additional gear If you rent a camera and lens combination MidCan will apply a 10 discount to not only that combination but also all the lighting and audio gear you add as well Some exceptions apply SONY PMW200 This camera is essentially the updated version of the EX1 below It has all the same attributes same lens same chips and the same batteries The major change is its recording system It can record in the 50mbps 4 2 2 colour space that is generally the minimum Standard required by broadcast networks This is essentially the same format used by its big brothers the PDW700 amp 800 so if you re using them and need a B Cam this is your small camera yn option CAMERA 2 x 32GB Cards 225 SONY EX3 Like its little brother the EX1 below but with 3 important distinctions it has a removable lens is genlock able and the fold out screen from the EX1 has been changed into an eyepiece We can supply an adaptor to allow the use of any of our 2 3 HD lenses manual zoom only The factory lens has manual focus iris and zoom controls Both the EX1 and EX3 come with a USB card reader to transfer footage from the cards to a computer for post Our EX3 comes with an adaptor to allow the use of full size V Lock batteries 2 included w charger which also helps balance the camera For an extra fee we hav
9. A ATA km M d a TERADEK CUBE WIFI SYSTEM We have the Cube 120 HD SDI Transmitter and the corresponding Cube 320 HD SDI Receiver Both units are the size of a deck of cards and are easily mountable using 1 4 20 screws or hotshoes They come with wall plug power supplies or can be powered by the camera These device are essentially mini computers that accept a HD SDI signal and encode it as a MPEG 4 stream of data Once its computer data its uses are almost limitless In its most basic form the Transmitter can send the signal wirelessly over Wifi to the Receiver where it is decoded and output mtg as HD SDI again But that same WiFi signal can also be accessed by computers This means that you can monitor your picture using laptops or iPads The signal can also be replicated and sent out over your local network Alternatively you can take the signal and by partnering with a streaming services company such as Ustream send it to hundreds of people over the internet Teradek has also worked closely with the RED camera company They ve devised a system where the picture is streamed to a laptop and every time the RED camera starts and stops recording a new video file is created on the laptop Then other computers on the network can play back those files whenever they want This is great for Video Village applications allowing instant playback and also provides instant dailies with Timecode TRANSCEIVER PACKAGE 150
10. HDMI outputs for High Definition monitoring The camera itself is well balanced and at around 2 5kg reasonably light weight CAMERA 2 x 64GB cards 225 PANASONIC AC 160 A great wedding camera that can be left in full auto or used with manual controls We outfitted ours with two 64GB SD cards that allow an incredible 13 hours of AVCHD recording It uses 73 CMOS chips for great low light performance and that size of imager allows it to have a 22x zoom lens with optical image stabilization Dual XLR inputs mean pro audio sources plug straight in We send ours out with 3 batteries and the charger can also act as a power supply We also include a USB3 card reader for offloading the footage onto your computer faster than real time For another 25 we Il include remote zoom focus and iris controls to let you turn it into a studio camera and take advantage of that 22x lens CAMERA 2 x 64GB cards 125 STUDIO CONTROLS 25 SONY Z7U This camera has a detachable lens a high resolution viewscreen and is nicely weighted in your hand Very good in low light it uses 1 3 CMOS chips and is capable of 24P and 30P While many users prefer memory cards other users like being able to pop an hour long High Definition tape out of the camera for editing at a later date These two Sony HDV camera cater to that workflow CAMERA 100 SONY VIU This handheld camera records HDV to hour long miniDV tapes Smaller CMOS chips give it
11. It has 4 stages 2 of which are geared for graduated filters There is a short whip to adjust the height of the stage The bellows has a receptacle for a 138mm round filter Our package includes external light masks of various sizes The French Flag and Wings have thumbwheels for fine adjustment of the cut It comes in a padded Pelican case with a collection of 6x6 filters MATTE BOX 175 FILTERS 25 each CHROSZIEL 4X5 65 SWING AWAY MATTE Box Similar to the above O Connor in most respects 2 stages with a 138mm rear bellows The main difference is that this has no facility for clip on mounting It comes with a swing away mount for 15mm hand held rods making its use with primes much easier It also has side flags for ultimate flare control We have 114mm 110mm 100mm 95mm and 80mm bellows all with a cavity fora rotatable 138mm polarizing filter CHROSZIEL SWING AWAY 65 BRIGHT TANGERINE 143 MM BLACK HOLE wet Using DSLR lenses is economical But their odd sizing and the fact that many of them physically grow when zoomed means using them with a matte box is problematic This bellows has a very flexible rubber opening to accommodate any lens from 58mm up It works with our Chrosziel Swing Away as it must obviously be rod mounted It has a cavity for a rotatable 138mm Pola FLEXIBLE BELLOWS 15 free with Chrosziel O CONNOR 0 B0X 4xX5 65 MATTE Box Everybody knows O Connor makes outstanding fluid heads and now they re
12. LENS 350 11 MIDCAN Many times we talk about how good a camera might be in low light but they all pale in comparison to this baby It starts with a full frame still camera sensor of only 12 megapixels so each pixel has lots of surface area to gather light Then the latest processing engine removes noise allowing a crazy 409 600 ISO Of course you wouldn t use that but if you want to shoot the Northern Lights in real time the noise free lower ISO s will let you The built in S Log setting at 50mbps helps to capture its 15 stops of dynamic range It can record full HD at up to 60fps and it will do 720P at 120fps It can even send a 4K signal out its MicroHDMI port if you have an external recorder It s very light and small has a tilting back monitor and a nice OLED electronic viewfinder Its mirror less design means lens flexibility and indeed it uses all of our full frame Canon lenses with the included Metabones IV adaptor We package ours with two 64GB memory cards and 4 batteries with charger Talk to us about cages and audio input options CAMERA PACKAGE WITHOUT LENS 150 CANON SD MKII DIGITAL SLR This is a high quality Single Lens Reflex still camera that can also record 1080P High Definition video It s very large sensor gathers lots of light and limits depth of field The camera can record at the 23 976 frame rate Ours comes with four 16 GB UDMA 6 cards four batteries and an AC power supply W
13. RAY 25GB Single Layer White Printable Pack of 5 40 60 BLU RAY 50GB Dual Layer White Printable Pack of 5 131 95 While we still have CD Media available for duplicating and MidCan s internal use we no longer offer blank CD Media to our clients or the general public 66
14. a laptop it can even record all 16 of its inputs as separate audio tracks and it has the outputs and subgroups to send out many different variations of your mix Our CAD microphones come with interchangeable capsules so you can tailor PRESONUS 16 4 2 MIXER RECORDER 75 them to match your audio conditions We can also supply multiple wireless systems with tiny lapel mics or a flesh coloured headset mic that loops around the ear of your presenter and is barely visible Need to do a press conference Our folding podium literally sets up in 10 seconds and we have a press box to provide clean audio to all the news outlets In addition to the gear we can provide trained operators to set everything up and run it for your event Call us mm me mma wma ma c ias As FOLDING PODIUM 50 CAD MICROPHONES 10 PRESS BOX 25 PUBLIC ADDRESS SYSTEM OCO This is a 300 watt Behringer system and is perfect for I medium gatherings Each speaker has an 8 woofer and mounting holes in the bottom for optional stands The units small onboard i mixer can accept two microphones and supply salsa them with phantom power and has 2 more a stereo inputs for a total of 6 channels Each Speaker can be placed 50 away from the base unit and we supply a cord to let you plug in an iPod The 2 speakers and mixer clamshell together into one integrated unit for ease of carrying All together the unit weighs about 50 pounds PA SYSTEM S
15. a small form factor and a 20x optical zoom It does 1080i and can record 24P with pull down to tape It can also switch to become a standard definition DV DVCAM unit where its native 16x9 chips make for a nice anamorphic picture Both of the Sony cameras also have XLR inputs CAMERA 75 25 GOPRO HERO POINT OF VIEW CAMERAS Ever watch those Youtube videos of some crazy person flying down the side of a mountain Odds are what you re watching was shot with one of these cameras GoPro has managed to cram a B rugged camera and solid state recorder into a very HERO4G small space and their latest iteration can even record 4K video The cameras are capable of operation over WiFi meaning footage can be streamed to the web or the cameras can be monitored and controlled on your iPhone iPad Filmmakers love that the GoPros now shoot 24P and sports fanatics love that most can now do full HD at high frame rates for slow motion For most resolutions you can select your frame rate and angle of view all the way out to 170 The lens has a fixed focus for anything from 2 feet to infinity The cameras come with a clear waterproof housing that protect it down to 60 meters below the surface and they have flat glass for less distortion under water We have the Hero4 Black as well as the Hero3 Silver models All our rental units come with two batteries a sizable memory card and a charger that can work either from a wall plug or a car cigar
16. be useful The CamTram 2500 has been designed from the Start to use common items that you can find in any hardware store for its slide surface Probably its best found solution is an extension ladder which you can find practically anywhere in the world Other solutions can be built from aluminum pipe speed rail or even 2x4 lumber We ve also have a custom designed solution that can be shipped with you the p Track In The Box Like the CamTram the Track In The Box ships in a Pelican case that is under 70 pounds and can be assembled into either a 3 6 or 9 foot track Our CamTram kit includes Mitchell 150mm amp 100mm bowl mounts that have height adjustability by using different sized risers Set up is very intuitive and the unit can adjust its width from 6 to 24 inches to fit your track The unit has two wheels at each corner and each set uses a rocker mechanism to smooth out small imperfections on the slide surface Each wheel s tread is made up of three rubber O rings This ensures smoothness and quiet operation and by removing the middle O ring you can tailor the rig for running on pipe Like training wheels on a bike the adjustable guide wheels limit excursions while still letting it slide easy We include a 10 aluminum ladder for when its taken out locally but given its flexibility and access to the Track In The Box we expect it to see a lot of use on the road CAMTRAM 2500 SYSTEM 125 TRACK IN THE BOX
17. bihan lights as an LED based Diva with no bulbs to change Ever They are 14 x 24 inches and present an even diffused light from their flat surface Since they re solid state they come with a digital control panel on the back that s let you dial in their dimming and colour balance levels precisely and save common presets Want to dim it down to 23 i r p wo and match the room fluorescents at 4350 K You ie ya Wi N can do it in seconds They come with a gel frame as well as a 90 grid to limit spill which pop into spring loaded clips in the corner of the fixture Ours come with wireless and 5pin DMX capability if you need to hook them up to a lighting board KINOFLO CELEB 201 150 T ZU Bo i w 50 MIDCAN 30 JEM BAL WN A Chinese lantern designed for use with our Joker lights on the previous page It provides nice soft light in all directions making it ideal for certain scenarios makes lighting a round table discussion easy Ours comes with a velcro skirt to limit the spread to 180 JEM BALL 100 2 FOOT KINO FLO BANKS we We now have the fluorescent banks that lighting people around the world love Similar to Diva s but these have remote ballasts with head cables allowing one to mount the actual fixture flat in hard to reach places Ours are all 2 feet long but come in 2 and 4 bank versions All come with daylight and tungsten tubes and mounting hardware and co
18. channel of your choosing letting you become your own TV station Almost every flat screen TV made has a built in HD tuner This unit lets you take advantage of that tuner for easy distribution Our unit comes with several hundred feet of cable splitters and numerous adaptors 200 day BLACKMAGIC ATEM FIBER OPTIC SYSTEM HD SDI signals can be sent a maximum of 300 over BNC cable and HDMI signals are even more limited The best way to deal with these issues is to convert the electrical signals to light and send them over fiber optic cables MidCan has devices that do just that The BlackMagic ATEM can accept either HD SDI or HDMI send it over fiber and then use an identical ATEM unit to change the light signal back to HD SDI or HDMI These units are duplex devices which means they can transport another HD signal the other direction at the same time The ATEMs are actually converters as well meaning you can input HDMI and take HD SDI out of the other end They are powered by a 12V AC adaptor and have a built in battery for back up We package our ATEMs with ST LC duplex adaptor cables power supplies and a selection of BNC and HDMI jumpers While they can theoretically go for 30 Kilometers we offer a more realistic 750 of LC duplex tactical fiber on a heavy duty reel DUAL ATEM TRANSCEIVER PACKAGE with 750 TACTICAL FIBER REEL 100 MULTIDYNE SILVERBULLET FIBER SYSTEM These tiny converters accept any bit rate of SDI signa
19. slow motion capabilities It is great in low light with a base ISO of 2000 and can use S Log to compress its 14 stop dynamic range Just like its big brother the F55 it records in the XAVC format which is well recognized in the non linear editing world With the XDCA FS7 accessory you can also record Apple ProRes HD onboard simplifying editing We include either a Metabones Speedbooster or a Wooden Camera PL Adapter The Speedbooster adapts Canon DSLR lenses and its unigue design allows lenses designed for full frame sensors to hold onto their focal length on this camera s crop sensor As a side benefit it boosts the light gathering ability of the lenses by one stop and retains electronic iris control The camera comes with an extendable control arm for comfortable handheld work and we upgraded it to a SHAPE brand unit that rotates into position using a convenient spring loaded button The arm s grip allows you to zoom with certain lenses record adjust your iris and change menu items An adjustable high resolution viewfinder is included which can flip up for use as a small screen The camera has two XLR audio inputs HD SDI and HDMI outputs and built in ND filters The shoulder bridge plate means all day comfort and it locks easily into standard tripod quick release plates We have Sony s XDCA FS7 accessory which clips onto the back of the camera and allows V Mount battery power adds timecode in out capabilities has a RAW output ext
20. such as the Canon C300 the Sony FS7 and various DSLRs It comes with a leather vest and it s two spring arms provide up to 30 inches of lifting range It can work in both standard and low modes and has an aluminum center post We supply it with up to 2 V lock batteries for power and ballast purposes All adjustments are tool free and the entire unit packs up into the included cloth carry cube including the small C stand and bracket to hold the unit The onboard LCD screen accepts a Composite signal Talk to us about your camera model and what monitor and accessories you might need to complete the package You ll be doing Aaron Sorkin inspired walking and talking shots in no time STEADICAM FLYER 24 225 EZ RIG This Swedish invention takes most of the weight of a shoulder mounted camera off the shoulder and back and transfers it to the hips and torso The operator still has the majority of their range of movement and the unit can help with hip level shots as well The load bearing cable attaches detaches to the camera handle with a quick release mechanism Our unit comes with two weight cartridges good for a maximum of either 26 pounds typical ENG camera or 44 pounds loaded cinema camera We can change the cartridge for you in about an hour EZ RIG 150 28 MOVING THE CAMERA CAMTRAM 2500 SLIDER Sliders and dollies fight a constant battle between being small enough for transport while being big enough to
21. tripod and do some run and gun shooting Both cameras come with shoulder mounts modular construction for convenient weight distribution and most importantly adjustable eyepieces which allow the practical hand held ergonomics that are missing from so many of their competitors SONY F5 CAMERA BODY w Two 128GB SxS Pro Cards 450 R5 RAW RECORDER MODULE w One 512GB AXS Cards 250 ADDITIONAL 512GB CARD 125 OPTITEK CANON PROLOCK MARK Il This adapter allows one to use Canon EF mount lenses with the F5 F55 and replaces the PL mount The camera s Super 35mm sensor is fully covered and since it draws power directly from the camera mount electronic iris control amp image stabilization are retained Integration with the camera s electronics allows iris data and focus distance to be displayed in the viewfinder This is an outstanding device that opens these cameras up to a much wider world of inexpensive lens options see page 16 for our EF lens selection OPTITEK LENS ADAPTER 50 MIDCAN SONY PXW FS 7 Sony s latest camera is an interesting amalgamation of a DSLR a 16mm film camera and their own F55 It has a Super 35mm sized sensor and uses the E mount from Sony s DSLR line which allows a multitude of lens options The camera records 4K on board in 10bit 4 2 2 colour at up to 60 frames per second Let s repeat that 4K 10bit 60P It can also shoot HD in 10bit 4 2 2 at up to 180 frames per second for incredible onboard
22. 2 pounds Simple Unique Flexible Versatile DC SLIDER JIB SYSTEM 175 30 CAM RAIL SYSTEM An interesting alternative to a traditional dolly this mounts an 150mm bowl head onto an aluminum monorail system An operator can slide the camera with them as they walk or a battery powered motor can propel it at a constant velocity Uneven ground Support tripods with ball leveling heads mean it s not a problem Got a commercial where you need to move from outside through a window and into a kitchen Not a problem We have straight track in various lengths up to 30 feet Big or small it s the same price for as many pieces as you need to accomplish your vision CAM RAIL SYSTEM 200 includes 150mm Sachtler head 31 LOSMANDY DOORWAY DOLLY Solid steel and sturdy this doorway dolly s push pull handle operates steering racks at both ends that can be independently locked It has solid rubber wheels for smooth floor use which can then be changed to roller skate wheels for track work It has interchangeable mounts Mitchell or 100 150mm bowl A center column can have its height varied using steel inserts or the whole column can be unbolted and removed Most adjustments can be made without tools including sliding on 2 wings for more operator standing room The swiveling low riser seat can be dropped into any hole around the perimeter 4 pieces of curved track and 2 pieces of straight track are included DOLLY TRACK amp ACCESSOR
23. 50 and 51 M I D C AN PRICING STRUCTURE VALUED CUSTOMER You will never pay more than the prices quoted in this catalogue but depending on your project and your needs you may pay less Bulk discounts loyalty discounts and project specific discounts may apply Please call for quotes including pre production and post production management Our wide range of services mean that we have a solution to fit any budget and we d be happy to discuss those options with you to ensure we meet your needs both budgetary and technical Rental Policies 6 Digital Cinema Cameras and Lenses DSLRs and Lenses 7 16 Matte Boxes Timecode Devices Transmitters amp Cinema Accessories 17 20 High Definition Cameras Lenses amp Action Cameras 21 26 Tripods Dollies amp Jibs 2 34 Video Switchers Signal Conversion Devices amp Fiber Optics 30 3 Tape Decks Media Recorders amp Monitor Recorders 30 39 Monitors a Projectors 40 43 Mixers Wireless Microphones Live Sound amp Recording 44 46 Lighting amp Grip 49 55 Generators amp Power Solutions 56 Intercoms IFB amp Communications 3 Teleprompters 568 Transportation amp Shelters 59 Studios Facilities amp FRANK Digital 60 62 Mobile Production 63 Blank Media Losts 64 66 MIDCAN ABOUT US 509 CENTURY www midcan com MID MidCanada Production Services Inc TELEVISION FILM AUDIO RECORDING CD DVD WEB DESIGN DUPLICATION SE
24. 65 with stands 75 48 For those larger jobs Midcan s Lighting Truck can be rented fully outfitted for 1200 day Please contact us for a MidCan approved Operator Driver and to discuss A La Carte deals LIGHTS 1 x ArriSun 1200W HMI Par w Electronic Ballast 2 x Strand 1200W HMI Par w Magnetic Ballasts 1 x K5600 Joker 400W w Par amp Chimera plus 30 Jem Ball w Skirt 2 x Arri 1000W Fresnels 1 x Arri 4 Light Kit 1000W Open Face w Chimera 1 x 650W Fresnel 2 x 300W Fresnels 1 x KinoFlo 4 Wall O Lite 3200 amp 5600 bulbs 2 x KinoFlo DIVA 400W 3200 8 5600 bulbs 1 x Litepanels 1x1 Flood 5600 LED Panel STANDS 10 x 750 Triple Riser Stands 2 x 750 Preemie Stands 5 x 2K Stands 2 x 2K Low Boy Stands 8 x 40 Century Stands w 212 Grip Head amp Arm 2 x 20 Century Stands w 2 2 Grip Head amp Arm 1 x C Stand Cart BAGS amp BOXES 20 Sand Bags w Cart 2 x Apple Box Sets Full 1 2 4 Pancake FLAGS amp OVERHEADS 1 x Standard Flag Kit Solid DN SN Silk 1 x Brute Flag Kit Solid DN SN Silk 1 x 4x4 Flag Kit Solid DN SN Silk 4 x 4x4 Alum Frame 2 x 4x4 Hard Bounce Reflector 2 x 4x4 Floppy Flag 1 x 6x6 Kit Frame Solid DN SN Silk 1 x 8x8 Kit 2 x Frames Solid DN SN Silk Lame Microsoft 155 Griff 14 Silk 14 Grid Silver Matthflector GRIPOLOGY amp OTHER 25 x Pony Clamps 4 x Scissor Clamps 2 x 750 Base Plates 2 x 2K Base Plates 2 x 2K Hangers 2 x 2K P
25. 75 NU LEJ RR STUDIO EQUIPMENT Technology That Complements Your Imagination MATTHEWS STUDIO EQUIPMENT DC SLIDER MSE s new slider is built around a 6 long extruded aluminum beam While your camera slides along the top of the beam a belt connected counterweight moves exactly opposite your camera on the bottom of the beam This means that the center of gravity is always directly over the support tripod So unlike competing devices with our slider you don t need outrigger supports at the ends of the beam A central pivot means you can do vertical and diagonal moves just as easily and the counterweight means the camera slides with fingertip pressure and stays put when you take your hand off it Since everything is belt driven a hand crank lets you control the slide motion and opens up some interesting motion control possibilities in the future Attachable end feet let you pull the slider off the tripod and use it near the ground Additionally by using one of the end feet and repositioning two handles it s possible to configure the rig as a completely vertical tower But the slider part is only half the story Since we already have a pivot point and a counterweight converting the unit into a small jib is relatively easy by attaching a control arm with two locking screws The camera head can be adjusted to allow for a non linear tilt throughout its range emulating a powered head for simple boom moves The unit can handle a camera up to 2
26. EF 24 105mm f 4 L IS USM Great zoom with a nice range especially on a full frame 5 SO camera Its image stabilized Minimal focus breathing Per Day 2nd very little flare Comes with a UV filter Canon EF 50mm f 1 4 USM Not Canon s fastest prime but fast enough to give your 2 5 focus puller headaches This is a great interview lens when you want to crush that background and is nice and PER Gav lightweight Canon EF 24 70mm f 2 8L II USM The extra stop and latest generation stabilization of this 7 D 24 70mm zoom adds significant flexibility in low light PER Day Situations over our 24 105mm Great for when you need juuuuust a bit more light gathering ability Tokina 11 16mm f 2 8 AT X Similar to our 8 15mm above but faster with less fisheye 7 D effect This lens is about as wide as you can get without Per Day Vignetting but it is designed only for crop sensor cameras so it can not be used with the 5D Mark Il Canon EF 100mm f 2 8L Macro IS USM The key word in that title is Macro This lens has 1 1 wet 75 magnification and can focus down to 12 inches making it PER Day ideal for miniatures and other very small things It s also a nice prime lens for portraiture Canon Extender EF 2X III yo Built rugged for being out in the elements of nature 2 5 photography this doubles the focal length of Canon PER Day Prime lenses over 135mm with some light loss It also
27. ES Our newest primes come in 20mm 25mm 35mm 50mm 85mm and 135mm focal lengths These are metal bodied lenses that are all T2 0 wide open with very smooth mechanical movements and 240 of focus rotation Five of them are the same physical length the 135mm is a bit longer but they have all been engineered with common hard points for their focus and iris gears making lens swaps much easier for operators They have a front diameter of 114mm a common size for matte boxes and the same as the two above zooms and contain 9 blade irises 6 LENS KIT 600 INDIVIDUAL LENSES 125 13 RED 1 7 50MM T2 9 ZOOM This is a great all around lens and the kit lens we send out with our base RED camera package We recently had its housing modified to the latest specs giving it a 114mm outer diameter It has a nice working zoom range and is relatively short and light 175 degrees of focus rotation makes it easy for your lst to track subtle movements from your talent 17 50mm ZOOM 175 RED 300MmM T2 9 PRIME At 5 67 pounds he s a monster but a cost effective monster It has a MOD of 7 36 feet and can iris down to T34 6 Ours comes with a specially designed Chrosziel support ring that fastens to a 15mm light weight rod bracket ag ait SONY 11 16MM T3 0 ZOOM Many people have looked at the Tokina 11 16mm lens for still cameras page 17 of this catalogue and said Man wish they made that in PL mount Some aftermar
28. EZIN IN SERIAL GUT PANASONIC PT FW300U LOD PROJECTOR A nice projector that has a lot of the same capabilities as its big brother above but at less than half the price This Jig wyj unit scales back the light output to a still very respectable 3500 lumens and has a native resolution of 1280x800 This projector has its lens behind a 3 protective glass panel The lens itself is on a gimbal which allows the beam to be positioned manually It has a 2x zoom lens and the zoom and focus are easily and quickly adjusted directly on the lens It has the ability to display two sources at the same time so you can have a computer image on the left and a video image on the right We include a remote and adapter cables for HDMI and mini Displayport as well as VGA and DVI Cables LCD PROJECTOR 200 42 VIDEO PROJECTORS amp SCREEN MIDCAN Video projectors are by their very nature high power lights And as with all high power lights they generate a substantial amount of heat You should never touch the glass element of the lens at any time but especially not while the projector is running and hot Always ensure the projector remains plugged in when you re done so the built in fans can cool the unit prior to storage in its case SONY VPL PX21 LCD PROJECTOR This is our least expensive projector It s does not have any of the newer digital connection standards but it does alright with VGA Component and Composite inputs
29. IES 150 32 MICRODOLLY HOLLYWOOD HOLLYWOOD MICRODOLLY SYSTEM Our CamRail and Losmandy dollies are great systems but they re designed for big shoots The Microdolly is for when you just need a little move to sell a shot but don t have the time transportation or manpower for our larger units The dolly can be set up in less than two minutes and uses your existing tripod It comes with 13 feet of track which is spring loaded and snaps together as it is unfolded It can carry a camera weighing up to 100 pounds 45 kg There s not much point in having a portable dolly if it is damaged when it comes out of the baggage hold so our unit comes in a hard shipping case and the whole package weighs around 27 pounds 12 kg We also include some leveling wedges tripod tiedowns and foam track pads for slightly rough Surfaces MICRODOLLY SYSTEM 120 33 LOSMANDY PORTAJIB Constructed out of steel and machined aluminum in its standard configuration our Portajib can boom a total of 72 and hold up to 100 pounds of camera and fluid head Our kit includes the 36 extension which increases the total possible boom distance to 131 but lowers the load capacity to 45 pounds We also have the vector balancing bar which re adjusts the center of gravity to allow smoother endings to moves A sliding rear weight makes fine tuning the balance point a cinch Also included is an arm for mounting LCD monitors near the fulcrum Porta
30. IXER amp SNAKE 70 SOUND DEVICES 302 The little Brother to the 442 it has 3 inputs and 2 outputs no snake connector It uses 3 AA s and LED meters Small but flexible it can be customized by using its menu system MIXER 50 PSC M4MkKII A 4 input 2 out mixer XLR or snake with LCD meters Designed to be powered by an NP1 battery ours comes with an adaptor tray that holds 8 AA s Channels 3 and 4 can be ganged together MIXER amp SNAKE 60 PSG M4A A 4 input 2 output mixer powered by 8 AA batteries It can do T and 48V and uses analogue VU meters Avery quiet mixer MIXER 50 SHURE FP33 amp FP32 3 input 2 output mixers They re powered by 2x9 Volt batteries and use analogue VU meters MIXER 40 SOUND DEVICES MM1 A single channel mixer that provides phantom power to a Boom Mic lets the operator hear the Boom and sends the audio to a Recorder Camera as Line level Comes with a belt clip and takes 2 AA batteries MIXER 30 45 All of our Lectrosonic units come as a package This includes Soft Bag Receiver Transmitter Antennas a Lapel Microphone kit a Hard Wire Adaptor a Mic Level input cable a Line Level input cable a short XLR cable Batteries are not included but can be purchased separately LECTROSONICS 411A amp 190 The 411 s are our workhorse wireless that goes out with most packages These are diversity receivers with the ability to scan their radio spectrum to find a
31. It has two different zoom lenses and if you know beforehand whether your needs will call for a wider or more telephoto bias we can switch it out for you It has 1800 lumens of brightness with a 4x3 aspect ratio and a native resolution of 1024x768 We equip it with cords matching the 3 connection a Standards and it comes with a hard case LCD PROJECTOR 100 ELUNEVISION AIR LIFT FLOOR STANDING SCREEN Remember back in high school science class when they would have that 6 square screen that always flopped around on that light stand looking contraption Those days are gone This what a modern portable zza projection screen looks like It comes in a tube that you lay on the floor 2 feet swivel out perpendicular to the tube for stability You then open the tube like a lunch box and unroll the screen like a venetian blind in reverse There are gas shock assisted arms in the back of the screen that make it easy to unfurl and they hold it in place once the screen is up Ours isa 16x9 aspect ratio and is just under 6 feet wide Once unrolled the top of the screen is close to 7 feet in the air from the floor PROJECTION SCREEN 50 43 MIDCAN SOUND DEVICES 633 wont Hardly bigger than a typical field mixer this little beauty can record a total of 10 channels of broadcast WAV audio to solid state memory cards 6 inputs and 4 mixdowns It has a CF card and an SD card and recordings can either be mirro
32. K CHEVROLET LIGHTING TRUCK When a light kit won t cut it bring in the big guns This truck is one stop shopping for those larger shoots Loaded with HMI s fresnels and grip gear See a complete listing of gear on page 49 1200 per DAY SHELTER GANOPIES We have 2 lightweight shelters that erect quickly and offer moderate protection from light rain or act as a Shady place for reporter stand ups or video villages Both are white height adjustable and 10 feet square 35 per DAY 59 MIDCAN 39 x 23 Studio with Seamless Cyclorama MidCan has a 39 x 23 studio One end is dedicated to a seamless white cyclorama with rounded corners to eliminate shadows A permanent 8 x 10 Chromakey Green wall is built in With notice the cyc can be painted Green for an additional charge Black and navy curtains on tracks encircle the space for use either as a backdrop or for sound deadening purposes Double doors and walls eliminate noise as does the insulated ceiling and specially designed HVAC system A garage door borders the back lane and our rental department lending easy access to gear and making load in a snap Washrooms and a makeup area lit by natural light are close at hand The lighting grid is 14 6 off the floor and 3 phase power is available 250 for HALF DAY 4 hours 500 per DAY Prices are for studio space only and don t include greenrooms and extras Power but not lighting is inclu
33. MIDC MID CANADA PRODUCTION SERVICES IN 2015 CATALOGU SEE WHAT S NEW N PAGE TWO HEY MIDCAN WHAT S NEW VVe are always buying new gear to add to our collection and we try to keep this catalogue as up to date as possible Throughout this catalogue recently added gear will have a NEW symbol beside it But in an effort to simplify your browsing we will also gather references to the latest and greatest in one place on this page We have two new matching cameras the Sony FS7 This beauty records 4K onboard and can also shoot HD at up to 180 frames per second It s quite small and has a multitude of lens options Check out the new hotness on Page 9 We have new PL lenses available for both ends of the spectrum A 300mm prime brings those far things close and a 11 16mm zoom makes close things seem far Page 14 We have a number of new Canon EF lenses a 100mm Macro lens for close up work a Tokina 11 16mm zoom for wide work on crop sensor cameras and a inline lens doubler for long primes and our 70 200mm zoom Page 15 We re starting to build up our selection of Sony E Mount lenses Page 16 ABlack Hole Seriously Would Ilie Page 18 Our HPX600 is our newest P2 based ENG camera Light 10bit built in wireless Page 21 We have a new zoom lens for our 2 3 B4 mount cameras The Canon 7 6x22 goes further than a standard lens on the far end All of our B4 mount EFP lenses are on Page 22 W
34. NSE ES DVLPRO HD 23E 11 541 05 535 40 531 14 DVLPRO HD 33E 16 521 14 518 20 516 04 DVCPRO HD 64E 3eL 541 47 535 80 531 46 MINI DV FUJIFILM SINGLE SIN ae ey Mini DV 60 3 46 3 00 2 63 BETACAM SP FUJIFILM IROLE M3215P BETACAM 30 13 01 11 21 9 87 M3215P BETACAM 60L 26 32 22 69 19 97 M3215P BETACAM 90L 35 66 30 74 27 05 M IDCAN gt HDCAM SR SONY m 4 x BCT 33 SR 60 95 BCT 40 SR 83 95 BCT 64 SRL 141 45 BCT 94 SRL 247 25 BCT 124 SRL 353 05 DIGITAL Box Lots BETACAM FUJIFILM SINGLE ELT CNG cee D321 DBC TAPE D6 18 75 17 19 14 22 D321 DBC TAPE D12 19 94 17 19 15 13 D321 DBC TAPE D32 23 93 20 63 18 15 D321 DBC TAPE D40 26 32 22 69 19 97 D321 DBC TAPE D64L 37 25 32 11 28 26 D321 DBC TAPE D94L 62 21 53 63 47 19 D321 DBC TAPE D124L 76 56 66 00 58 08 DV DVCAM FUJIFILM SINGLE zk ZB OF TEN DV DVCAM 33 22 Mini 512 38 510 68 59 39 DV DVCAM 48 32 Mini 513 08 511 28 59 90 65 MIDCAN XDCAM E OPTICAL FUJIFILM SINGLE orf FIVE By XDCAM OPTICAL SINGLE LAYER 23GB 526 10 520 50 519 10 XDCAM OPTICAL DUAL LAYER 50GB 50 75 43 75 38 50 LTO ARNE SINGLE a tia TWA ULTRIUM 4 800 1600 GB DATA CARTRIDGE 535 10 530 26 526 63 ULTRIUM 5 1 5 3 0 TB DATA CARTRIDGE 544 27 538 16 533 58 ae FUJIFILM SINGLE Box OF LOTS OF PACK 4 PACKS 50 PACKS DVD R White or Silver Printable Pack of 50 521 75 18 75 16 50 DVD R Dual Layer Branded Pack of 15 21 32 18 38 16 17 BLU
35. RICAM This camera records to the large DVCPRO HD tapes in 33 minute loads As the name implies it can record at variable frame rates from 4 to 60 progressive frames per second making it ideal for slow motion and effects shots MidCan can provide a paintbox to help dial in the multitude of colour and gamma settings and our camera comes with an aftermarket aluminum handle BODY ONLY 400 4 7x11 LENS 300 6 3x16 LENS 200 7 7x17 LENS 175 All EFP lenses have a ex Extender FUJI 7 6X1 7 175 FUJI 4 5x13 300 CANON 4 7xX11 CANON 7 7X 1 7 300 175 pew FUJI 6 3x16 CANON 7 6X2 2 200 250 22 CANON GINE STYLE LENSES FOR B4 MOUNT CAMERAS Even in this world of large sensor cameras there are circumstances where it still makes sense to use 3 EFP cameras for film or documentary production When these scenarios arise DOP s don t want to abandon the film workflow they re used to Both of these lenses allow their focus puller 270 of travel for fine control and have 0 8 gearing for use with regular cinema accessories The HJ21x7 5 II KLL SC is a 21x lens that goes from 7 5 to 158mm and comes with a rod mount to help support its weight The HJ11x4 7B III KLL SC is a wide angle lens with 11x zoom range to 52mm Both lenses have T stop of 2 1 and ship in aluminum hard cases 21x TELEPHOTO LENS 300 11x WIDE ANGLE LENS 300 FUJINON XASUxX9 5BE SM HIGH DEFINITION BOX LENS AND VINTEN VECTOR 70 TRIPOD HEAD
36. RVICES ANIMAL Ai wy den zz as r AS 8 E F ot Started by Wayne Sheldon in 1977 MidCanada Production Services Inc grew over the years to become one of the largest independent production facilities for film and television in Manitoba At the start of 2013 we split into two separate entities MidCan continues as the place for gear rentals in Manitoba while our production arm joined with the commercial production division of Frantic Films to form a new company FRANK digital Both companies are under the same roof However this catalogue represents only the gear rental portion of the equation More information about post production and editing facilities can be found at www frankdigital ca 509 CENTURY STREET WINNIPEG MANITOBA CANADA WEEKDAYS 8AM ZPM R3H OLS CLOSED WEEKENDS 204 772 0368 1 800 772 0368 za gra r h MasterCard INFO MIDCAN COM 204 772 0360 VISA Z 3 For 35 years now you ve trusted MidCan for all your independent production and equipment rental needs but did you know that we offer the same outstanding service when it comes to purchasing gear In 2010 MidCan became your Panasonic Professional dealer for Fred Mislawchuk Saskatchewan Manitoba and Northwest Ontario Thirty year industry veteran Fred Mislawchuk is your contact for W 204 772 0368 Panasonic s full line up of great products From solid state recorders to C 204
37. T 4 ARRI tungsten lights in a heavy duty ARRI hard case There is a 750 watt open face ARRIlight Plus with integral speedring for the included Chimera a 650w fresnel and 2x300w fresnels 4 extension cords 4 stands plus spare bulbs and clothespins round out the package ARRI 4 KIT 125 ARRI 1K KIT 2x1000 watt ARRI fresnels barndoors spare bulbs and extension cords all rolled into a Pelican case with pull handle and wheels Two heavy duty 1k stands are included but must be carried outside the case KIT PRICE 90 LITEPANELS FLOOD amp SPOT KIT This kit consists of 2 LED MiniPlus bricks one configured 3 as Spot and one as Flood They are daylight balanced but 7 come with insertable gels for shaping and colouring the light They come with a rechargeable battery that clips on X Pm D DS 3 BR the back and various powering cords gt oon AL KITPRICE 95 DEDOLIGHT LZY gt 24v KITS These lights are perfect for detail work We have a 4 light kit with 100w 12v light heads This includes their dimmable power supply 4 stands and 4 x 12v cords Optionally available are 2 projector lenses which let you use film slides as backdrops and can focus the beam even tighter We also have a 2 light kit with 150w 24v light heads These have built in ballasts and have a bit more kick than the 12v units 4x12 VOLTKIT 125 2x24 VOLTKIT 85 LOWEL 3 KIT Similar to our house kit but with one l
38. TriCaster can do it and do it better and TriCaster more efficiently TRICASTER UNIT CONTROL SURFACE 8 TWO 24 LCD PANELS 500 Qualified Operator Required Need bigger Explore our partnership with Les Productions Rivard s Mobile on page 63 PANASONIC AV HS400A HIGH DEFINITION SWITCHER Nothing looks better at your conference than a 20 foot screen showing High Definition images and this is the switcher that can handle them It has 6 HD SD SDI inputs with built in 10 bit frame syncs so you can use non genlockable sources It s also capable of importing still images off PELE of an SD card to use as backgrounds It has 2 DVI VGA inputs for using goncencuen EE computers as a source And 2 of of its inputs have up convertors for a A A M integrating Standard Definition SDI cameras into a High Def show Its built in MultiViewer shows Program Preview and all input feeds on one monitor simplifying set up and conserving space HD SD SDI SWITCHER 200 Package with 42 Plasma amp HD SDI to HDMI Convertor 300 BLACKMAGIC 1 M E PRODUCTION STUDIO 4K SWITCHERYCH A ton of options in a 1 rack unit package It accepts up to 10 HD SDI inputs and the 10th can instead be an HDMI input It has HD SDI or HDMI main outs as well as multi outs to see your sources It has audio in and outs for its onboard mixer You can do straight cuts using the buttons on its front or more advanced features can be controlled by a co
39. al to your laptop over a USB cable where BlackMagic s Media Express software records it to your hard drive for use on Youtube or wherever you would like BlackMagic Design HDMI to HD SDI and HD SDI to HDMI Converters These boxes allow you convert to from the consumer standard of 2 HD to from the professional standard for HD Good for plugging PER DAY professional cameras into consumer plasma TVs or allowing longer cable runs from consumer HD devices Matrox MicroQuad Allows one to display four separate 3G HD SDI signals on a single 4 O HDMI monitor or make any of the four full screen with VU meters mu Go Also takes the four V4 signals from a 4K camera and integrates them without seams for viewing on an inexpensive HD monitor Sonnet SxS Thunderbolt Card Reader Lets you ingest your SxS footage using the super high speed Thunderbolt connection on Macbooks and the new Powermac Reguires a driver download and comes with the Thunderbolt cable From Skype to Youtube so much of the video we watch is now viewed on a computer However when you want to interface that computer into the video world it can be difficult This device accepts a VGA or DVI signal from your computer adjusts its resolution and frame rate and converts it to either HD SDI or HDMI 36 ZVPRO 280 HIGH DEFINITION MODULATOR This incredible device accepts VGA or High Definition Component signals and modulates them onto a HDTV
40. and the close placement of the mic to their mouth helps minimize feedback through a PA system COMPLETE PACKAGE 35 46 All our boom microphones are all the same price and come with full zeppelins fur for wind protection They also come with an Ambient carbon fiber pole The poles are either 4 or 5 stage and all collapsed poles will fit in a Pelican 1650 case for shipping By request we also have a 16 carbon fiber Panamic boom pole All Mics except the ME66 require phantom power You can pick the Mic whose characteristics match your needs We have the following Sennheiser 416 Sennheiser MKH60 Sennheiser ME66 Neuman KMR 81 and Shoeps CMC6 U MIC POLE amp RYCOTE 65 Tall Microphone Stands with Extension Arm 5 Kit of 10 Tall Stands and Carrying Tube no mic clips 45 Short Microphone Stands with Extension Arm 5 150 to 250 XLR Cable Reels 25 Sony 7506 Headphones 15 Tram TR 50 Hard Wire Lavalier Microphone 15 Sennheiser ME66 Shotgun Microphone 15 Shure VP64 Hand Microphone 10 25 XLR Cable 5 50 XLR Cable 10 47 MidCan has some modest live sound capabilities While nobody would call us when Pink Floyd comes to town we CAN handle your symposium small meeting or press conference Our PreSonus digital mixer is AA Sje amas jessas ak feature packed It has the inputs compressors gates and digital effects necessary to eliminate feedback and give great sound Together with
41. and the receiver can be rod mounted or attached to the side of the camera WIRELESS FF PACKAGE 125 MIDCAN AMBIENT AGL202CT amp ACC501 GLOCKITS The 202CT is commonly referred to as a Clockit box It captures TC from your master source and then transfers that matched TC and trilevel sync to another device usually a camera This allows your camera to roam with no umbilical but still stay in sync The ACC501 is a much more involved device It can act as a master unit for the other Clockits interface with computer systems over USB get accurate time from GPS signals and more It has a built in LCD and runs off 4 AA batteries CLOCKIT 50 ACC501 100 AMBIENT 301 amp DENECKE TS 3 TIME CODE SLATES Both brands come with adaptor cables to get a signal in have large red LED displays and both run off AA batteries The Ambient units come with transmitters and are capable of wireless operation AMBIENT 65 DENECKE 65 2 DAY WEEK a MIDCAN Some of our smaller hand held cameras have Matte Boxes specific to that camera only and are listed with that camera Due to their delicate nature filters will only be rented with our Matte Boxes and not individually Filters are inspected in your presence and must be returned in the same condition ARRI MB 14 6 6X6 6 PRODUCTION MATTE Box The big dog this is a standard on film sets around the world Ours mounts on 15mm Studio rods and swings open 90 for lens access
42. apply 3D LUTs to their signals for more realistic monitoring It comes fully accessorized with batteries an offloading device and a breakout cable to take pro audio in separately We also packaged it with a protective cage from SHAPE that has clamps for securing HDMI cables and multiple mounting points SHOGUN WITH BATTERIES amp TWO 960GB SSDs 150 SHOGUN ATOMOS SAMURAI BLADE SAMURAI a Siku This is a solid state device that offers you the ability to record a 10bit HD SDI signal with Apple s ProRes codec We equip it with a 480GB solid state drive and that holds about 5 hours of footage depending on frame rate and other variables In addition to the recorder the Blade is also an excellent onboard monitor It uses a 1280x720 IPS touchscreen panel which offers high resolution for focusing great off axis viewing amp onscreen controls It also has onscreen histogram waveform and vectorscope displays We include a USB attachment for offloading your footage 2 batteries and charger as well as a sunshade and mounting options SAMURAI BLADE amp BATTERIES 100 1080159 94 ProRes HQ Play Mon 02 48 00 07 00 46 024 7 39 MIDCA SONY 17 HIGH DEFINITION ZK OLED MONITOR Model PVM A170 this is Sony s third generation OLED panel and our current top of the line field monitor Rather than the constant on backlit technology of all LCD panels organic light emitting diode screens only light up
43. ave either an Anton Bauer or V mount plate for battery powering The monitor comes in a Pelican case that includes a heavy duty Noga Arm tilting Stand mount 4 pin cord to power it from a camera s D tap and BNC cable s We also have an optional periscope sunshade MONITOR KIT 75 SMALL HD 7 HIGH DEFINITION LCD MONITOR This is model DP7 It accepts HD SDI or HDMI inputs and has a number of on screen overlays to help with focus and exposure It comes with a clip on sunshade and can be powered externally or by the onboard battery mount Give us a call about mounting and powering options MONITOR KIT 85 TV LOGIC 5 HIGH DEFINITION LCD MONITOR Probably our most flexible monitor this little beauty is great for the DSLR crowd Model VFM 056W has a native resolution of 1280x800 and includes both HDMI and HD SDI inputs It can superimpose frame guides and displays timecode and audio meters on screen It s also super light weight Ours has a number of accessories Sunshade Noga arm mini HDMI and BNC cables a hotshoe mount and can be powered from battery D tap or wall plug Use it with our HDMI to HD SDI convertor and a Panasonic 17 from above and you have a nice shooter client set up for DSLR cameras MONITOR KIT 85 MARSHALL 7 LCD MONITOR The V 70P HDMI has Component Composite and HDMI inputs The HDMI connector lets it work with many of the handheld HD cameras and DSLR s It comes with a swiveling hotsh
44. by stands 5 Heavy duty 5 8 extension arms S10 2K Junior combi stands 1 hole 58 stud 10 Mafer clamps 5 Collapsible floor stand 5 Magic Arm 15 GB Light Control 3 x 3 frame with diffusion 15 4 x 4 frame with diffusion 15 6 x 6 frame with stud and inserts black silk nets 25 8 x 8 frame with Quick Reverse Ears and inserts black silk nets 40 Chimera collapsible 3 x 3 frame with silk silver gold inserts 15 5 way Flex Fill silk silver gold white amp black 15 4x 4 hard reflector kit 50 2 x 2 hard reflector kit 30 Small Flag Kit 25 Large Flag Kit 35 Complete Flag Kit 45 Road Rags kit 30 Individual flags 5 54 MIDCAN Backdrops Greenscreens em 5 x 7 Collapsible Greenscreen 35 10 x 16 muslin Greenscreen with support stands 100 20 x 20 Greenscreen with pipe frame 200 Large cloth backdrops various designs 10 5 x 7 Collapsible Reversible Backdrop White Black 25 Power Distribution 50 remote Breaker Panel for generator 8 outlets 75 100 U ground AC cord 8 50 U ground AC cord 5 25 U ground AC cord 3 10 Outlet U ground power bar 5 Cube tap 2 1 8K Dimmer 15 Special Effects Rosco 1900 Fog Machine 50 1 Litre Bottle of Fluid 20 fesse 1900 55 OUT120V SY Cam er dad J monitor HONDA EMTZ7OOOIS GENERATOR Compact an
45. clear channel and then tune to that hole to avoid interference Most come with a Sanken COS 11 lavalier mics or the Tram TR50 We have multiple transmitters including the digital SMQV and the water resistant MM400c The 190 s are non diversity 411 PACKAGE 70 190 PACKAGE 40 SONY UWP D11 We Our new standard for wedding and DSLR folks These are diversity units and autoscan their tuning block for interference The receiver sets itself to a clear frequency and the transmitter can then be set by infrared communication They can accept mic or line level Many DSLRs do not have an earphone jack smaking monitoring for quality impossible These units have a built in earphone output to restore some confidence that you re at least getting good audio to the camera They come with an XLR output cord or a 1 8 cord for the DSLR crowd as well as an XLR input cord COMPLETE PACKAGE 40 SENNHEISER EW100 These are provided as a less expensive alternative to the Lectros and Sony and are mainly used by wedding videographers They are tunable have a line level input cable and a PSC lavalier Mic COMPLETE PACKAGE 35 SAMSON AIRLINE MICRO EARSET SYSTEM The transmitter is worn around your ear with a small mic leading down to your mouth The transmitter and receiver both contain rechargeable batteries and are incredibly tiny These are great little units for a person roaming ona Stage It allows them to have their hands free
46. cs allow the best of both worlds random access and file based ingest to your NLE all while retaining an inexpensive archive copy you can put on a shelf Sony s latest generation CCD s mean great images and great low light performance And since they re 22 chips they allow access to our full selection of HD lenses Capable of a variety of frame rates including 23 98 this unit also has the ability to under crank and allows up to 2x over cranking The speed effects can be played back in the field so the operator can make changes on the scene The 800 can also record in some of Sony s Standard Definition legacy formats N g w BODY ONLY 500 4 7x11 LENS 300 7 6x22 LENS 250 SONY HDCA 702 ASI ADAPTER 75 7 7x17 LENS 175 SONY PDW 700 XDCAM HD This camera is almost exactly the same as its big brother above however it does not have the under over cranking abilities of the PDW 800 or the image invert capability Our units have been factory upgraded to allow for 23 98 operation wit BODY ONLY 400 4 7x11 LENS 300 7 x22 LENS 2500 7 7x17 LENS 175 SONY HDCA 702 ASI ADAPTER 75 PANASONIC AJ HPX600 we Meet our newest ENG style High Definition camera It shoots 10bit AVClntra to two included 64GB P2 cards or it can also shoot the legacy DVCPRO HD format Panasonic cameras have always rendered colours nicely and that tradition carries on with this camera Reports from the field have camerapeople enthused about how light it is We
47. d easy to move with its wheels and folding handles this is our most powerful generator It provides 6500 watts of clean inverter power and is one of the only small generators that can provide 240V output It has 2x20 amp normal wall plugs as well as a 3 prong 30 Amp twist lock connector It has electric start and has information displays for wattage engine speed and hours of operation It runs at a maximum of 69dBA but most of the time it will be even quieter since it automatically throttles down under less than full loads When the power went out in Winnipeg we used it to power an entire edit suite to ensure a client made their deadline That s performance 6500 WATT GENERATOR 195 HONDA EUZOOOI Small but potent this little 4 stroke weighs 46 pounds dry It s an aircooled pull start that can run for hours on one gallon of gas The Eco Throttle sets its RPM automatically based on load Very quiet it can provide 1600 watts of power Honda s inverter technology provides clean power so you can run a computer if need be It absorbs start up Surges and can fire our 400 watt Joker HMI light with no problem 1600 WATT GENERATOR 95 HON DA GENERATORS 56 MIDCAN ERCOM SYSTEM HME DX200 WIRELESS INTERCOM SYSTEM Got a multi camera presentation shoot This makes it easy One AC powered base station and 8 battery powered headsets for easy 2 way communication It uses encrypted digital signals in the
48. ded There is fluorescent grid lighting in place for the cyclorama which can be rented for 100 per day 60 u S 4 MIDCAN FRANK FRANK FRANK FRANK MID CANADA PRODUCTION SERVICES INC MidCan is not just about gear rentals Our sister company FRANK Digital has some of the finest Post Production facilities in all of Canada and it s all under the same roof Formed at the start of 2013 through a merger with MidCan s former production arm and the commercial division of Frantic Films FRANK Digital has the toys facilities and most importantly people to take your raw footage across the finish line www frankdigital ca FRANK FRANK FRANK FRANK PRODUCTION INTERACTIVE DIGITAL CA MOBILE PRODUCTION MidCan has many of the items necessary to switch a multicamera show including our Newtek Tricaster on page 35 However if you need a more complex setup we have partnered with Les Productions Rivard to offer their full up Mobile to our clients It has fiber optic camera runs up to 10 channels of HD hard disc recording surround sound capabilities and the whole trailer can run off of one 50 amp circuit including HVAC Give us or Mr Alain Dondo a call at 204 233 0694 to discuss its features and capabilities FUJIFILM HDCAM TAPE FUJIFILM DANA HDCAM 94L 595 29 HDCAM 124L 5121 46 DVCPRO FUJIFILM SINGLE OF TEN 5 BER DVCPRO 66M 517 76 515 30 513 48 DVCPRO 126L 538 69 533 40 529 35 DVCPRO HD FUJIFILM SINGLE JG
49. e and 100mm ENG style Comes with a midlevel spreader TRIPOD amp SPREADER 50 SACHTLER amp MILLER 100MM TRIPODS These are all 100mm bowl fluid heads with variable counter balance Suitable for ENG EFP use These are the tripods that we send out as part of a standard package They are a mix of aluminum and carbon fiber legs with ground and mid level spreaders All have Sony style quick release plates and wheels see right can be attached for smooth surface moves 100mm TRIPODS 50 U TRIPOD DOLLY WHEELS 50 HIGH HATS amp LOW HATS We have a selection attached to plywood bases for ground work or strap mounting 150mm MITCHELL 25 150mm BOWL 25 100mm BOWL 15 27 MANFROTTO 501 TRIPODS These are the standard sticks we send out with all the smaller hand held cameras All have aluminum legs with ground level spreaders They use a sliding plate that attaches to the camera with a 1 4 screw and the plates have a retractable stud to stop camera twist MANFROTTO TRIPODS 25 STEADICAM MERLIN A nice hand held unit for smaller cameras Good for a light DSLR or home video cameras It comes with an instructional DVD There is a camera mounting plate with weight holes distributed across its surface as well as screw on counterbalance weights Good for short duration shots that need to be smooooth STEADICAM MERLIN 75 STEADICAM FLYER 24 The flyer was designed for the new smaller sized cinema cameras
50. e have new ENG EFP tripod the Sachtler 25 It has a 150mm bowl and a mid level spreader Page 27 Need to interface computers into your video world We now have two scan converters that take DVI VGA in and then output HD SDI or HDMI So awesome Page 36 Our Atomos Shogun is a monitor and a 4K recorder But it doesn t julienne fries Page 39 Its wholesale change on our audio recorder page First up is the Sound Devices 633 audio recorder mixer When you need pro level field audio this is the recorder for you Up to 10 channels with timecode and an all day power system for the recorder and the inevitable wireless microphone systems you ll be recording We also have acquired a couple of its older brother the 788 for when you need higher track counts If you don t need higher track counts May we present the Zoom H6n audio recorder Just like the Zoom H4n except the dials all go to eleven Page 44 New Sony wireless lapel mics Digital diversity a headphone out and quite small We bought them primarily for the wedding and DSLR folks Page 46 We have quite a few lighting additions Our current favourite is the KinoFlo Celeb light It makes dimming and changing your colour temperature super easy and fast We also now have a Joker 200 HMI light in addition to our Joker 400 A nice option for both of them is a JEM Ball lantern for diffused lighting We also now have two and four bank fluorescents with remote ballasts Pages
51. e include a Zacuto Z Finder with 2 5x magnification CAMERA PACKAGE WITHOUT LENS 150 Our selection of Canon amp Sony DSLR lenses can be found on pages 15 and 16 12 PL MOUNT CINEMA LENSES M IDCAN ANN FUJINON 19 90MM T2 9 CABRIO wr Fuji s latest Cinema lens is a PL mount unit that bridges the film and video worlds It features a servo drive unit making it suitable for use as a EFP style lens for the video folks or the motor handle can be detached creating a standard PL lens with 0 8 gearing for film operators With a weight of only 6 Ibs including the servo motors Fujinon claims this lens has the longest focal range available 4 7x in a light weight zoom The barrel markings are luminous for dark shooting conditions it has focus rotation of 200 degrees and a 9 blade Iris for nice looking bokeh 19 90mm ZOOM 625 ANT FUJINON 85 300MM T2 9 CABRIO Wwe This is the latest in Fujinon s Cabrio line and it shares a lot of the same genes with its little brother above Gear hard points are identical as is its 114mm outer diameter for matte boxes It is 4K capable and its circle of confusion can cover the new larger sensor imagers Given its range it s surprising that it is only 0 3kg heavier than the 19 90mm This new telephoto is a T2 9 from the wide end out to 218mm and then it ramps down a smidgen to T4 0 at 300mm We include a lens support for 60mm rods 85 300mm ZOOM 625 SONY TZ U PRIME LENS
52. e wide angle lenses matte boxes and zoom controllers available that are specific to this camera CAMERA 2 x 16 gig cards 1 x 8 gig cards 200 SONY EX1 Sony s answer to P2 this handheld camera records to solid state memory cards Close to an hour of full raster HD will fit on each 16 gigabyte card the camera holds 2 at a time It has a non detachable lens but has manual focus iris and zoom controls It uses 1 2 chips and records in many frame rates including 24P For an extra fee we have wide angle lenses and zoom controllers available that are specific to this camera We also have a waterproof bag that allows the camera to be Ry c taken to a maximum of 10 Meters below the surface ro Mana Fa 42 CAMERA 2 x 16 gig cards 1 x 8 gig cards 150 EWA MARINE UNDERWATER BAG 75 24 MIDCAN PANASONIC HPX250 Three major selling points for this camera are its 10bit AVCintra P2 memory card based recording system connectors for genlock and time code and the 22x zoom ratio of its built in lens That lens also has optical image stabilization and rings for focus zoom amp iris ND filters are built into the camera as are waveform and vectorscope monitors The camera uses 3 full HD CMOS sensors that are great in low light Its memory card recording system enables many unique options including variable frame rates time lapse single frame animation and pre record so you don t miss crucial moments It has both HD SDI and
53. ean Well on our Fujinon Cabrio lenses the built in zoom handle motor works with no outside connections or wires to get in the way If you decide to use Canon s DSLR lenses it means image stabilization and electronic iris controls work We ve equipped our F55 with Vocus brand top and side cheeseplates as well as their shoulder mount and tripod quick release plate All of these features add up to a film camera with unprecedented capabilities for shoulder use Tightly integrated modular construction allows you to easily add or subtract features based on your needs For example it comes with on board 10 bit recording to SxS cards and that includes not only HD but onboard recording of 4K images too in an easily editable non RAW format However by adding Sony s RAW module one can record in 16 bit 4K for unmatched image quality at up to 60 frames per second And since High Definition is one quarter the resolution of 4K all of that bandwidth can be used for high frame rates when shooting HD Think about it unmatched range for colour timing at 240 frames per second Super SONY F55 CAMERA BODY w Two 128GB and One 64GB SxS Pro Cards 750 R5 RAW RECORDER MODULE w One 512GB AXS Cards 250 ADDITIONAL 512GB CARD 125 1 POZA MIDCAN DIGITAL Se Bat maz GK FILE 106 00 00 00 32 ma kare car sensitivity 5 Log2 mu 1801250 SONY PMW F5 We bought our F5 to have a camera which closely matches its big brother t
54. ess 250 This is a 500w Tota with Chimera a 500w Omni and a 250w Pro light 3 stands 3 extension cords spare bulbs and clothespins round out a flexible and inexpensive little kit KIT PRICE 65 52 MIDCAN LOWEL 2 KIT Can you say two 2x250w Lowel Pro lights 2 light weight stands 2 umbrellas 2 extension cords 2 spare bulbs and more than 2 clothespins make up a small but still potent little kit KIT PRICE 50 RED HEAD KIT 3 x 1000w open face lights with barndoors 3 extension cords and 3 stands in a hard case Do you have lots of circuits and need a ton of illumination This is the kit for you KIT PRICE 80 2 X 2 AND 4 X 4 REFLECTOR BOARDS Why fight the sun use it These are plywood hard boards set in a yoke with a central 5 8 mount They come in sets of 2 enclosed in aplywood case No lightweights these reguire heavy duty stands and sandbags to secure them which are included 2x2 KIT 30 4x4 KIT 50 FLEX FILLS Coming in a variety of sizes most of ours are capable of a quick change into 5 different modes silk golden silver white and black FLEX FILLS 15 CALIFORNIA SUNBOUNCE A u m 4 x 6 silver white bounce that is in a rigid frame Still light enough to hand hold but much easier to mount in a C Stand SUNBOUNCE 30 53 MIDCAN Grip Gear 40 Century stand amp grip arm 8 Heavy duty double and triple riser 58 750 baby stands 8 Light weight double riser 750 ba
55. ette lighter The camera comes with a mount of your choosing and additional mounts are an la carte option CAMERA UNDERWATER HOUSING 2 BATTERIES MEMORY CARD amp READER CHARGER 1 MOUNT Hero4 Black 75 Hero3 Silver 50 Additional Mounts 5 each 2 Day Week On All GoPros 26 MIDCAN O CONNOR 2575 FLUID HEAD This head is capable of full range travel for cameras up to 87 pounds Its counterbalance is set by a hand crank with a numerical readout for repeatability Stepless drag means super smooth moves Ours is the 150mm Mitchell mount and comes with a Wedge Plate 120mm Euro plate dovetail Plate pan arms and a detachable mount for an assistant s front box For HD cameras we include a Chrosziel quick release plate that incorporates 15mm studio rods Everything comes in a padded heavy duty aluminum shipping case For Mitchell based support we have the industry standard Ronford Baker tripod as well as Cartoni baby legs FLUID HEAD PACKAGE 185 RONFORD BAKER HEAVY DUTY TRIPOD 50 CARTONI T625 S BABY LEGS 50 SACHTLER 30 150MM TRIPOD Our heavy duty Sachtler that can be used for Cine shoots as well as high end EFP The 150mm bowl head comes with a standard Sony style quick release or the more substantial Chrosziel quick release with 2 points of positive lock SACHTLER 30 150 SACHTLER 25 150MM TRIPOD Still 150mm bowl but not quite as stout as the 30 above A nice compromise between full size Cine styl
56. he F55 but it s not just a B Cam its an incredible camera in its own right It has virtually no noise even though it has a base ISO of 2000 Of course you can lower the ISO to open up your lens and take advantage of the Super 35mm sized sensor s limited depth of aspon 5 Meas es sys a on lensa zt 11 l a ASEE 4 field Built in ND filters make IDA Ss i level control much easier than gi i He relying on matte box filters BPR II he That high base ISO also helps with high frame rate shooting since it can do up to 180FPS in camera Recently upgraded it can now record 4K onboard in the XAVC codec in addition to HD and 2K images This is a 10bit codec with low compression and great quality with 4 times the colour bit depth of most cameras which use 8bit codecs And if you reguire the ultimate guality just as with the F55 you can clip our R5 recorder on the back to record 4K images in 16bit RAW You can use Sony s legacy SR and MPEG2 codecs That s just one example of the flexibility that is the hallmark of both the F5 and F55 Have 16mm PL mount lenses Use them without adaptors by electronically cropping the center portion of the sensor while maintaining 2K resolution Have Canon EOS lenses Use them with our Optitek adapter below which is included with the body Want to record audio without degradation Both cameras can accept 4 channels of digital AES audio or 2 analogue channels Need to get off the
57. ipe Clamps 2 x 750 2K Adaptors 10 x Cardellini Clamps 10 x Mafer Clamps 4 x 4 2 Grip Head Lollies 4 x 2 2 Grip Head Pucks 10 x Safety Chains 2 x Lighting Carts Select Black Wrap amp Gels 49 MIDCAN LIGHTING ees MidCan s lighting packages are designed for interviews corporate videos advertising commercial and general EFP production and run the gamut of available technologies HMI Tungsten Fluorescent and LED fixtures We also have Reflectors FlexFills Cloth Backgrounds Chromakey Backdrops Stands Clamps Apple Boxes 8 x 8 Blacks Sand Bags Foam Core Scrims Frames Flags Give us a call ARRISUN 12 PLUS A 1200 watt HMI Par light Ours has a quiet electronic ballast which is dimmable and flicker free Also included barn doors scrim bag a 25 ballast cable and 5 lenses in their own case Optionally available is a large Chimera softbox and speedring 1200 HMI 225 CHIMERA 75 K5S600 JOKER BUG 400 200 400 amp 200 watt HMI Par lights Great for when you need lots of daylight balanced lumens with relatively small power draw They come in a compact hard case with AC ballast dual Anton Bauer battery mount DC ballast 25 ballast cable focusing lenses and barndoors They also include a small Chimera softbox and matching speedring and can be used with our JEM Ball on the next page 400 HMI 150 200HMI 125 4 KINOFLO CELEB 201 LED SOFT LIGHT wor o Think of these great new
58. ith all high power lights they generate a substantial amount of heat You should never touch the glass element of the lens at any time but especially not while the projector is running and hot Always ensure the projector remains plugged in when you re done so the built in fans can cool the unit prior to storage in its case PANASONIC PT DZ6710 DLP PROJECTOR This is our top of the line unit and it has some impressive Stats Many projectors accept an HD input but aren t physically capable of displaying the full resolution contained within that signal This unit has a native resolution of 1920x1200 which means it works great with computers but just as importantly can display every pixel in a High Definition signal It has a dual lamp system and when both are engaged it can output a 6000 lumen beam of light perfect for filling brighter rooms Its reliability is enhanced by an auto cleaning filter system as well as a liquid cooling system imbedded in its chip Its menu system comes with plenty of options for fine tuning the picture and everything can be controlled through the included remote Input connections are shown and we include adapter cables for HDMI and mini Displayport as well as VGA and DVI Cables This model has the HD SDI input that is so important when using professional video gear You can pick from either a fixed wide angle lens when space is tight or a zoom lens DLP PROJECTOR 400 REMOTE REMOT
59. jib s lightweight tripod is perfectly matched to the jib and required and comes with its own carrying tube The boom end has a 100mm bowl and Midcan can supply a 100mm tripod and head for a packaged price of 50 day The complete jib packs up into a hard sided aluminum and fiberglass case with custom foam inserts PORTAJIB SYSTEM 175 100mm TRIPOD amp HEAD 50 34 MIDCAN VIDEO SWITCHERS amp CONVERTERS PA ew NEWTEK TRIGASTER 855 HD PRODUCTION SYSTEM We call it a system because it really is a full fledged control room in a box Where to start It s an 8 input HD Switcher with 3D effects It has 5 simultaneous playback decks that can auto play as soon as you take them as well as multiple still stores It can record your Program out as well as iso record your inputs as Quicktime files for later editing It can accept computer sources Mac or PC over a LAN network making Powerpoint and photo slideshows easy It has a Character Generator with professional templates built in and has multiple keyers An integral router can send the audio from its playback sources to external boards and then accept it JANE CYT nj back in for program recordings Did we EF gt mention that it acts as a real time RE PSW Te streaming server to send your production 82 SRA 2 a lt a badam live to the internet Whatever your live iia eo ea NA UN needs it s likely AAAA ZEE a the
60. ket modders have tackled that demand so it s interesting that a big company like Sony has done the same thing One of the differences with Sony is that they have incorporated the Cooke lens data interface in their design so your lens setting data is recorded by compatible cameras Wide reasonably fast and 0 8 cine gearing Nice 11 16 mm ZOOM 225 wont WOODEN CAMERA UNIVERSAL LENS SUPPORT Fits 15mm lightweight rods adaptable to any configuration and the support bracket has rollers to use with lenses that might still need to rotate LENS SUPPORT 25 14 DSLR LENSES amp ACCESSORIES M IDCAN CANON EF MOUNT LENSES Canon EF 8 15mm f 4 L Fisheye USM Say hello to the world s widest zoom lens It is so CRAZY 7 5 wide on a full frame camera the image is actually Per Day Circular On a crop sensor it still does 180 corner to corner coverage Music video DOP s your lens has arrived Canon EF 70 200mm f 2 8 L IS II USM YA Canon s next generation zoom its super sharp Built 7 D solid out of metal weather sealed image stabilized and it PER Day doesn t lengthen when you zoom Comes with detachable monopod foot and UV filter Canon EF 16 35mm f 2 8 L II USM When you need wide and fast this is the lens for you It s 7 E5 internal focus and zoom so its nice for use with a mattebox 86mm outer diameter and it holds its 2 8 aperture throughout the zoom range PER DAY Canon
61. l and convert it to ST fiber We include power supplies and several short ST jumpers SILVERBULLET TRANSCEIVER PACKAGE with 500 TACTICAL FIBER REEL 75 37 M IDCAN PANASONIC HPM 100 AVCINTRA DVCPRO HD A P2 viewer editor capable of 10 bit recordings It has HD SDI input outputs and shows up to six cards on its high quality 9 screen Versatile HPM100 150 64GB P2 Card 50 SONY HVR DSR 1500 HDVvV DVCAM DV The HVR1500 can digitize all sizes of HDV DVCAM miniDV tapes It has a built in 16x9 screen and has an HD SDI output a rarity for HDV It does real time downconversion of HDV to Standard Definition both over the 4 pin Firewire and through the composite amp S video connections The DSR1500 is much the same except it is Standard Definition only HVR1500 150 DSR1500 125 SONY JS DIGITAL BETACAM BETASP SX IMX A playback only deck that can handle every Betacam standard out there It can take large or small cassettes and has a SD SDI output in addition to composite amp S video J3 225 SONY EX30 XDCAM EX This is a small High Definition deck that records to two SxS memory cards in the XDCAM EX format That works out to 57 minutes of HD per 16gig card It has HD SDI in amp out It also has the ability to record 24P material which makes it useful on movie sets in video village EX30 120 16GB SxS Card 25 AJA KI PRO APPLE PRORES A perfect fit for our presentation clients this little box real
62. ly does it all It has the following simultaneous inputs and outputs HD SDI HDMI Component SD SDI composite out only RCA and XLR And it can take any combination you want and record it to the removable hard disc as ProRes Quicktime files Comes with 250GB and 500GB hard drives KiPro 150 ATOMOS NINJA STAR APPLE PRORES This device takes an uncompressed HD signal over micro HDMI and records it as ProRes or DNx on CFast cards We bought it for remote m c controlled helicopters where every gram is precious It weighs a remarkable 230 grams with a battery and memory card Ninja Star 75 ato ATOMOS gt T A w jat 38 MIDCAN ATOMOS SHOGUN wet Where to start This baby does it all Like it s little brother below it is a high quality colour calibrated monitor with better than HD resolution 1920x1200 It accepts and passes through either 12G SDI or HDMI signals It has pretty much every monitor option you could ask for and they re all accessed through it s 7 touch screen false colour peaking scopes zebra striping etc But it is also a solid state recorder It accepts anything from standard definition all the way up to 4K and records it in a variety of Apple Pro Res or Avid DNx codecs to two included 960GB solid state hard drives This enables some awesome workflows with cameras such as our Sony A7s For modern cameras that produce flat LOG video the Shogun can
63. me two fixtures to a Case DUAL 4 BANK KIT 195 DUAL 2 BANK KIT 150 KINO FLO DIVA LITE A Midcan favourite These are soft lights are made up of 4 two foot long fluorescent tubes Fluorescents have a number of advantages they re dimmable have low power draw give soft light emit little heat and can be bulbed for daylight or studio colour balance Our kits come with travel case sturdy turtle base Century stand 25 extension cord offset arm adjusts center of balance louvre cloth diffusion spare bulbs and alternate white balance bulbs Best price around DIVA 400 KIT 100 FLOLIGHT MICROBEAM 1024 LED panels are fast becoming a lighting cameraman s secret weapon These are 5600 K spot panels They have the other advantages of LED based lights no heat solid state durability and low power consumption In fact power usage is so low that it can be run off a camera battery with the included adapter MICROBEAM 1024 KIT 100 LOWEL HOUSE KIT A MidCan creation these kits generally go out as part of a package They come in a Pelican case and are under 50 pounds for airline travel Start with 2x500 watt Omni lights One of the Omnis has a speed ring for the included Chimera light bank Also included are 2x250 watt Pro lights 4 extension cords 4 lightweight stands plus spare bulbs and clothespins Great kits for a 3 point interview with a background slash LOWEL 4 KIT 80 51 MIDCAN ARRI 4 KI
64. mplified earpiece to monitor off air or a remote producer They have a permanent temporary switch for the mic and are powered by a 9 volt battery CELL PHONE EARPIECE 35 57 Some on air talent have the gift of gab and can improvise for hours on end Others mmmmm not so much Memorizing a script longer than 10 seconds and delivering it with feeling on camera can be very stressful A Teleprompter can be a real advantage on shoots with lots of speaking parts whether your host is an amateur or not Not only will their read sound better but it will also allow you to make more efficient use of your production day AUTOSCRIPT TELEPROMPTER Our prompter is built around a 15 colour LCD that can MIDCAN accept VGA or composite signals It s easily configurable and includes balancing weights for smaller cameras It comes with a laptop which can import Microsoft Word or MIDCAN plain text documents We can supply an operator or the Teleprompt prompting software is easily learned by anyone with a modicum of computer skills The unit includes a beefy tripod TELEPROMPTER amp LAPTOP amp TRIPOD 250 OPERATOR 300 MIDCAN MIDCAN gt autoscript BODELIN PROPROMPTER This innovative prompter uses an Apple iPad as its screen When you think about it iPads have all the qualities necessary to make an excellent prompter thin lightweight a 10 hour battery and able to accept scripts via E mail This
65. mputer over ethernet z GUGM EG s z A gt gt lt t D 5 s b ATEM M E Production Studio 4K 1 M E SWITCHER 125 TOSHIBA LAPTOP 50 35 UUWSERALCOWEREGNDEIEESTH _M D CAN We have a number of Magic Boxes that convert from one format to another change frame rates clone signals and generally allow you to patch that crucial piece of gear you have into your workflow Check the manufacturer websites for full info as these descriptions only scratch the surface Decimator Design MD DUCC Cross Converter It can clone or change the frame rate of an HD SDI signal 40 downconvert it to either three composite or one component out PER DAY change it to HDMI with either YUV or RGB colour space de inbed its audio to either analogue or AES digital PC Mac or local control a za 0 a AJA HD 10DA Re Clocking Distribution Amplifier Takes one 1 5Gb HD SDI signal and clones it six ways Featuring six separately buffered HD SDI outputs the HD1ODA provides automatic input cable re clocking and equalization to 125 meters A Either device takes the output from many popular video production programs and converts that data to either an HD SDI or HDMI signal for monitoring Both devices get signal power over a Thunderbolt cable included and are designed for use with Macbook Pro laptops B Captures HDMI HD SDI YUV or Composite converts it to h 264 in real time and sends that encoded sign
66. oe mount and short and long HDMI cables It is powered by Sony 970 camcorder batteries it ships with 2 and includes a battery charger amp power supply MONITOR KIT 55 MARSHALL 7 LCD MONITOR The V R70P SD can display SD SDI composite and S Video It has a built in V Lock battery mount and we ship it with an Anton Bauer adaptor It can optionally come with a small power supply for wall current The monitor comes in a Pelican case that includes a heavy duty Noga Arm tilting stand mount 4 pin cord to power it from a camera s D tap and BNC cables This is the monitor we send out as part of our Standard Definition packages MONITOR KIT 40 MidCan has a number of Plasma displays for your trade show presentation or digital signage needs All are capable of displaying HD signals For a small fee we can deliver them and set them up at your event and provide content playback if necessary PANASONIC 50 Table base monitor with built in HD tuner and speakers It has HDMI Component and Composite inputs 125 day PANASONIC 65 Make an impression with a huge display This monitor is mounted on a height adjustable rolling stand The stand has a moveable shelf to hold a Blu Ray player or other content delivery device and in frame holes to minimize visible cords It has a built in HD tuner and speakers and HDMI Component and Composite inputs 250 day 41 Video projectors are by their very nature high power lights And as w
67. onger term rentals You pay 8 days for a month 4 days for a 7 day week and 3 days for a 5 day rental Half days are considered 4 hours from the time the equipment leaves MidCan until it returns and are billed at 2 3rds the rate of a full day Blank tape stock mileage parking consumables couriers and shipping are extra All prices are in Canadian dollars and subject to applicable taxes Proof of production insurance and or a deposit must be placed on all rental equipment A 500 hold is required on prosumer equipment and a 2000 hold is required on professional equipment Deposits are to be placed on a valid credit card Once equipment is returned it will be checked for damage and the deposit minus any damage will be refunded within 2 hours Cash deposits will not be accepted Equipment rented will be available for pick up between 1700 and 1900 the previous day if possible Equipment rented must be returned during morning drop off hours the day following the rental otherwise you will be billed for another day Morning drop off hours are between 0800 a 0900 on weekdays We are closed Saturday and Sunday Weekend rentals are billed at a 1 day charge Equipment must be returned between 0600 a 0900 Monday morning We do not accept returns on blank media Wireless microphones do not include batteries When using cameras or audio recorders that record to memory cards for an additional charge arrangements can be made with our sister com
68. ords onto two 32GB SxS cards good for close to 4 hours of recording and an easy established workflow It has has a rear viewfinder and a high resolution side viewscreen It also has built in Neutral Density filters as well as professional inputs for audio and timecode We also have three of Sony s own brand of PL mount prime lenses They are a 35mm a 50mm and a 85mm all at f2 0 and we include the PL adapter CAMERA WITH 14X ZOOM LENS 275 3 PRIMES PACKAGE 150 CANON EOS C300 After the success of their DSLR s Canon decided to design a High Definition camera from scratch and it s a beauty It s 4K sensor is intelligently down sampled to make HD and since it doesn t need to have still camera resolution each of it s pixels are much larger making it great in low light Ours comes with the EOS mount so all of the Canon system lenses fit It has a high resolution viewfinder and LCD screen The screen as well as the 2 XLR professional audio inputs are detachable It records to a 50mbps 4 2 2 codec that is already accepted by most broadcasters It has built in Neutral Density filters and HD SDI amp HDMI outputs for monitoring Our unit comes with 4 batteries 2 x 32GB compact 160 minutes of recording and a CF card reader We ve also recently added a device that lets you remove the handgrip from the side of the camera and relocate it and its associated iris control amp electronics to the rods Nice CAMERA PACKAGE WITHOUT
69. pany FRANK digital to offload your footage Otherwise the Renter is responsible for ensuring the proper off loading backing up and archiving of the media recorded to the cards This process must happen within the rental period before the camera or audio recorder are returned Unless other arrangements are made at the time of rental the cards will be erased and re formatted upon the return of the device Please read the rental agreement on the back of your eguipment list before signing CAME TONIE X 00 00 00 00 008 32 mie ma Sensitivity 5 1092 peer BER a ge TZ pi AU TC 9 CINEALTA CD LL m on 1748 Prestak y RE od m4 ra rs 0102 01 12 nw ab me ZB u HTH 0128 TD1 irl im eenaa ig 3 4 y SONY PMW F55 We have an incredible new addition to our cinema camera fleet Sony s F55 Here s a quick rundown it has a 4K Super 35mm sized sensor with a base ISO of 1250 It has a global shutter which eliminates the jello cam artifacts typical of most CMOS chips It has built in Neutral Density filters Its electronic viewfinder is the best we ve seen and uses organic light emitting diode OLED technology The body is very small light and power efficient NE Z Its unique design means almost any lens ever made can mate to it and we supply it with a PL mount or an adaptor to use Canon EF lenses Both mounts pass through industry standard power and data connections What does that m
70. ra power connecters and has circuitry to enable ProRes HD recording but not ProRes 4K Build it up or keep it small your choice SONY FS7 CAMERA WITH 2 x 64GB CARDS 350 EXTRA 128GB XQD CARD 50 XDCA FS7 WITH CAMERA and 2 batteries 75 XDCA FS7 ONLY 100 batteries separate 9 MIDCAN DIGITAL CINEMA 36 gt Pa 2 11 RED ONE MX PACKAGE The RED camera s combination of resolution quality 35mm depth of field and accessible workflow helped usher in a new age of digital filmmaking Our camera has the MX sensor which is rated at 800 ISO Its low noise and 12 bit RAW workflow allow colourists incredible flexibility in Post Frame rates of up to 120 FPS make it the perfect camera for slow motion effects Cinema accessories and 35mm depth of field mean it s immediately familiar to DOP s and assistants world Its 4K sensor has four times the resolution of HD which helps to future proof your project against a rapidly changing media landscape RED has a range of 3rd party accessories that let operators get the most out of the camera from hand held rigs to wireless High Definition monitoring Join the REDvolution Call us to enquire about a camera lens accessory combination RED 7 LCD amp Bomb Viewfinder 3 REDMAG 64GB Solid State Hard Drives RED 17 50mm Zoom Lens Mini XLR to regular XLR cable Element Technica video break out box ARRI Follow Focus 5 O Connor O Box Matte Box
71. red or different tracks can be recorded to different cards It has a built in Ambient brand timecode generator The 633 also has AES EBU digital inputs and outputs so you can avoid the noise and other problems of the analogue domain Each channel has a pre fade listen switch and Sound Device s famous pop up dials mean pan and trim are easily adjusted Its LCD screen is daylight viewable and can display graphic representations of all operating parameters including meters routing timecode card space battery levels and of course the menu system We include two 64GB high speed CF cards which extend record times and enable monoWAV as well as polyWAV file recording Our package includes a K Tek Stingray bag which holds an included power distribution system Using supplied rechargeable Lithium lon batteries and a BDS system you can power the recorder and up to 4 wireless receivers not included which saves quite a bit of money on 9 volts The package includes SOUND DEVICES 633 PACKAGE 125 Petrol PS617 Bag 2 x 64GB High Speed CF Cards USB3 Card Reader 4 NPT Batteries amp Charger e Power Distro Unit e Timecode Input Cable _ Power Cables for Lectrosonic 411 Receivers SOUND DEVICES 788 del If you need to record higher track counts than the 633 is capable of we also have its older brother the 788 which can record up to 12 tracks from eight inputs It records to compact flash media This is a very new addition to o
72. tapping their engineering resources to manufacture a line of film accessories including their first Matte Box system This has two 4x5 65 stages with the second stage able to rotate 360 degrees A third round filter will fit in the included 138mm bellows attachment It comes with a top flag and mounts for either hand held or studio 15mm rods O CONNOR O BOX 75 18 ARRI MMB 1 amp MMB 2 MATTE BOXES These come with two 4 x 5 65 trays and a variety of sizing rings and mounting options including rod and clip on Give us a call for specifics ARRI MMB 65 CHROSZIEL CLIP ON MATTE BOXES We have a 110mm and a 130mm both with 2 stages of 4x5 65 filter trays Both come with eyebrows but wings are optional The 110 has rings for 105mm 98mm and 95mm lenses The 130 has a 95mm and 98mm ring Both are used primarily with our High Definition lens selection 110mm CLIP ON 65 130mm CLIP ON 65 PETROFF CLIP ON MATTE BOXES We have two regular 4x5 one wide 4x5 and one 4x4 The number of stages on all the Petroff units is easily configurable from none up to three We have sizing rings for pretty much our entire lens selection including 105mm 98mm 95mm 86mm and 85mm All Petroff units come with eyebrows only MATTE BOX 50 4x5 65 AND 4x4 FILTERS We have a selection of ND s Grads Colour Effect and Diffusion filters in various sizes Please call for details FILTERS 15 pw m man a mo my h 4 j
73. the individual pixels they need leading to the industry s first true black levels That along with its 10bit panel makes for rich colours wide viewing angles and dynamic range never seen in the field or studio before It accepts 2K signals on either of its two HD SDI inputs and also accepts HDMI and composite signals Directors can switch between two cameras or display them side by side The A170 can display Waveform and Vectorscope monitors with zoom as well as audio levels and even lens data with an appropriate cinema camera Light and thin ours comes with a rear mount for a light stand which also allows the monitor s table legs to stay attached We ship it in a compact rolling Pelican case with an AC cord and a 50 BNC cable MONITOR KIT 150 PANASONIC 17 HIGH DEFINITION LCD MONITOR This is model BT LH1700W and is a native widescreen display It can display HD SDI SDI component composite and S Video It has a built in Waveform Scope and various safety markers which can be superimposed onscreen It ships in a padded Pelican 1650 case and includes a wall plug 50 BNC cable 2 piece detachable sunshade 5 8 mounting yoke and light stand MONITOR KIT 100 PANASONIC 8 HIGH DEFINITION LGD MONITOR This is model BT LH900P and is a 4x3 display It can display HD SDI SDI component composite and S Video When displaying widescreen images its built in waveform scope rides under the picture for a clear view Our units h
74. unit mounts to professional cameras using standard 15mm rods just like a matte box It can also be utilized with smaller cameras using aahand grip Need to walk and talk Need to be on a jib No problem The iPad is controlled wirelessly using an included Bluetooth keyboard It can take lenses with diameters as large as 150mm and does not vignette with wide angle lenses Everything you need packs up into a custom watertight case so you can take it on the road Simple HANDHELD TELEPROMPTER 150 OPERATOR 300 58 MIDCAN MidCan can provide transportation for your crew and gear at very reasonable prices All vehicles are washed before pick up and come with a full tank of gas Renters are responsible for returning it in the same condition MidCan allows an initial 150 free Kilometers per day or 750 Kilometers per week Mileage over the daily or weekly limit costs 0 40 per Kilometer DODGE CARAVAN STOW amp GO This 7 passenger van is great for small EFP shoots Client cameraperson and audio person It has Air Conditioning and Cruise Control and Stow amp Go seating to easily switch between gear and passenger space 75 150km per DAY 350 750km per WEEK FORD LAMBULANCE Can be eguipped with electronic gear to act as a DIT workspace or can haul gear as a shoot vehicle It is completely wired and can power equipment off of batteries or you can plug in shore power 125 150km per DAY 550 750km per WEE
75. ur recorder fleet give us a call for pricing storage and power options ES ZOOM Hen wr we This unit can record up to six channels of 24 Bit 96kHz audio to the supplied 32GB SDXC memory card Two of those channels can come from its built in X Y stereo mics or those mics can be swap out with the included omni directional mic capsule There are four 4 XLR jacks on the sides of the unit and the unit can supply 48V phantom power It has a high guality colour screen for setting levels and viewing menu items and it runs off of 4 AA batteries or the BI 5 supplied USB power supply e E i ZOOM AUDIO RECORDER 40 i 44 4 4 cll y pzy a 1 PY a 3 p poj my m ee Oe ee 40 ALLE HHH Da Fe 5 A 42077 4 NETU LILLE All mixers come with a carry bag amp strap Most include a pouch for wireless receivers Batteries are not included but can be purchased separately Please see page 46 for packages SOUND DEVICES 442 This is pretty much the de facto standard in field mixers today It has 4 XLR inputs and can output 2 channels over either it s multipin snake or XLR outs It can supply 48v or T phantom power and uses 4 AA batteries It employs dimmable LED meters that are readable in direct sunlight It has comprehensive limiters in amp out direct outs and 84dB of gain A menu system lets you customize many settings It uses sealed faders and pop up knobs M

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