to Open Manual File - American Musical Supply
Contents
1. LOOPTHRU OUTPUT Mi AL ILL INPUTS o O FEEDBACK ABV SUPPRESSION LINE INPUT IX OUT LINE INPUT LINE FJ STAGESOURCE LEVEL REFERENCE P A O PLAYBACK O FLOORMONITOR O SPEAKER MODE KEYBOARDS O ACOUSTIC GUITAR O ELECTRIC GUITAR O 5 ERANTO MN SR MOIST Re AS 99410 NOT 0 87 SCE PARTS WE sae o QUALI ser mas TS DEV OS HE 15 FAS RT 5 SUBIT To TEFLON ORONO DEN Y or caus anru TANG 2 Tes 300 MUST AC a IRC NHA ON EEE TH a ouse oC HS CUSS Lr OME TH AM 0 GPE AERO DELA CASSER EST CONFORME LA NOME Mui E al E CAUTION For CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE ONLY WITH SAME TYPE FUSE ATTENTION unusek un rusu RECHANGE DE MEME TYPE ET CALIBRE 250V FUSE INTELLIGENT SPEAKER NETWORKING SYSTEM IN L6 LINK OUT THRU WARNING AYIS ae AM A WARNING Suspension of this loudspeaker should only be done by qualified persans following safe rigging practices See product owner s manual for additional information SERIAL NUMBER SAFETY LABEL DESIGNED IN U S A MADE IN CHINA POWER REQUIREMENTS 100 240V 50 60Hz N 250W POWER www americanmusical com L2t L2m Back PANEL 10 Line Input Connect the line level output of you2. proprietary digital link between various L6 LINK compatible products enabling easy reliable one cable connectivity In the case of L2t L2m L6 LINK connected speakers can be daisy chained allowing all products to sync and communicate uniquely with each other When two or more L2t or L2m speakers are connected via L6 LINK the 7 segment display indicates whether each speaker is left L right r or L R mono b When used with a StageScape mixer the 7 segment display identifies each speaker with a number 18 Power Switch Turns the speaker on and off Speaker Mode Description Reference P A This is the recommended mode for live sound reinforcement with a flat frequency response a 2 2 kHz crossover frequency and maximum low frequency extension Playback Optimized for prerecorded music similar to P A mode with an emphasis at extreme low and high frequencies Floor Monitor Similar to P A mode with a slight reduction in low frequency content to counteract coupling when placing the speaker on the floor If the speaker is powered on while in a horizontal position Floor Monitor speaker mode will be selected automatically The user can then change to a different mode if desired Keyboards Flat frequency response with a 3 5 kHz crossover frequency provides a warmer response that s better for instruments and adds more relative energy from the cone Acoustic Guitar 3 5 kHz crossover frequency with a tailored
3. cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is dam aged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids such as vases shall be placed on the apparatus WARNING To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture The appliance coupler is used as the disconnect device the disconnect device shall remain readily operable Connect only to AC power outlets rated 100 120V 220 240V 50 60Hz depending on the voltage range of the included power supply Prolonged listening at high volume levels may cause irreparable hearing loss and or damage Always be sure to practice safe listening Service is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged e liquid has been spilled or objects have fallen into the apparatus the unit has been exposed to rain or moisture the unit is dropped or the enclosure is damaged the unit does not operat
4. low frequency response to minimize boominess Electric Guitar The overall frequency response emulates the sound of a 212 combo amp The 10 speaker plays full range with the horn adding only the smallest amount of sparkle www americanmusical com 66 66 gt 1 e 2005464 lt 35 sub with one L2t L3ssubwithoneL2tspeaker L3s sub with two L2t speakers k t fl l t speaker on stage on floor or low stage Use two short speaker poles not included Use one short speaker pole Use one long speaker pole not never use any pole longer than 27 1 2 not included included never use any pole 700 mm in this configuration angle the longer than 24 3 4 626 mm in L2t speakers in the direction of the arrows this configuration routed into the L3s s side panel www americanmusical com Asout L6 LINKTY L6 LINK is a proprietary digital networking protocol developed by Line 6 to enable easy reliable one cable connectivity between various Line 6 products Up to nine StageSource speakers L2t L2m L3t and L3m and nine L3s subwoofers can be connected via L6 LINK and channel assignment is automatic with the first speaker in the chain master providing the digital audio channels distributed to all ot
5. of standard XLR cables may yield inconsistent results because of the varying quality of commercially available XLR cables Cables longer than 50 feet are not recommended for L6 LINK Number of L3s or Vertical Default Audio Channel Assignment L2t L2m speakers spkrI Spkr2 Spkr3 Spkr4 Spkr 5 Spkr 6 Spkr 7 Spkr 8 Spkr 9_ 1 L R 2 L R 5 IL L R R 4 L L R R 5 IL JE L R R R 6 L 12 L R R R i JE Ib IL L R R R R 8 L L L L R R R R 9 IL IL IL iL L R R R R R www americanmusical com SUSPENDING THE L2t L2m The L2t and L2m provide four threaded M10 attachment points for suspension and one threaded M10 attachment point for pull back and aiming the speaker These are designed to allow for suspending the loudspeaker only by a qualified professional familiar with safe rigging practices Improper installation may result in damage to the speaker or support structure or injury or death WARNING If you are unfamiliar with suspending loudspeakers con sult an authorized qualified professional prior to installation WARNING Before rigging or suspending any loudspeaker product in spect all rigging hardware cabinets attachment points transducers and associated peripherals Any absent warped or non load rated equipment could seriously compromise the strength of the installation and should be immediately corrected WARNING Always follow all municipal building codes as well as any
6. 6 LINK OUT THRU L6 LINK L6 LINK IN L6 LINK OUT THRU L6 LINK OUT THRU 4 8 a L6 LINK IN www americanmusical com STAGESCAPE M20d LARGE P In the illustration below four L3s subs labeled SUB 1 4 four L3t L3m speakers and three L2t L2m speakers independently numbered 1 7 are daisy chained from an M20d mixer The subs and upright speakers automatically configure themselves to be a powerful stereo mains system L2t L2m speakers on their side numbers 3 4 and 5 automatically configure themselves as stage monitors and play monitor feed A B and C respectively You can also reassign any speaker from the M20d touchscreen L LINK 6 LINK OUT THRU 2 IN L6 LINK L6 LINK OUT THRU 2 IN FI L6 LINK L6 LINK OUT THRU OUT THRU L6 LINK OUT THRU SINK e L6 LINK L6 LINI 1 nanana enan os e aotaooiaeetot gE 666666 666666 E L6 LINK L6 LINK IN OUTITHRU L6 LINK A L LINK IN la T OUT THRU www americanmusical com
7. basas CA 91302 1921 USA The POD Clifton House Butler s Leap Rugby Warwickshire United Kingdom CV 21 3RQ SERIAL NO www americanmusical com You should read these Important Safety Instructions Keep these instructions in a safe place Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth Do not block any ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat This apparatus shall be connected to a MAINS socket outlet with a protective earthing connection Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a
8. e normally or changes in performance in a significant way e The L2t and L2m provide attachment points for suspending the speaker The rear panel suspension point is only for adjusting the projection angle Consult an authorized licensed engineer prior to suspending any speaker overhead Improper installation may result in damage injury or death Always follow all municipal building codes as well as any local state and federal safety guidelines regarding the installation and operation of loudspeakers and associated peripherals www americanmusical com STAGESOURCE L2t L2M SPEAKER For the solo performer or duo the StageSource L2t is a simple powerful and compact integrated live sound solution Used as a standalone PA system performers can benefit from a feature set designed to cover all their needs including a built in mixer with two mic instrument inputs full three band EQ with sweepable mid Smart Effects modulation and reverb Line 6 acoustic guitar modeling which improves the output signal of an acoustic guitar outfitted with piezo pickups and 12 band feedback suppression technology For larger bands live sound events or houses of worship StageSource L2t can be configured into full front of house and monitor systems Connected via L6 LINK the proprietary Line 6 networking protocol StageSource L2t speakers automatically detect each other and adjust their settings accordingly Used in a system with StageSource L3s sub
9. e set of controls adjust both signals simultaneously Placing this switch in Stereo Link mode disables Channel 1 s controls and allows Channel 2 s controls to affect both inputs When using a single 1 21 all stereo signals are summed to mono before being output to the speaker If a second L2t is connected via L6 LINK stereo signals will be split automatically between the two speakers Note that the Acoustic Modeling circuit applies to Channel 1 only so it is disabled in Stereo Link mode EQ Each channel has its own three band EQ adjustable from 12 dB to 12 dB unity is O dB The Low band is fixed at 80 Hz the Mid band is sweepable from 100 Hz to 8 kHz center position is at 800 Hz with a fixed bandwidth of 0 7 octaves and the high band is fixed at 12 kHz Mod Determines the amount of built in modulation effect applied to the channel The modulation effect is similar to vocal doubling but works equally well on acoustic guitar or keyboards If a second L2t or L2m is connected via L6 LINK modulation will automatically be heard in stereo Verb Determines the amount of built in hall reverb applied to the channel The reverb is taken from the StageScape M20d digital mixer and is optimized for live sound reinforcement If a second L2t or L2m is connected via L6 LINK reverb will automatically be heard in stereo Feedback Suppression Feedback suppression works by continuously analyzing the audio signal identifying frequencies that ha
10. g www americanmusical com L2t L2m CALLoUTs LED The front panel LED glows white when the speaker is powered flashes red when the limiter circuit is active and glows blue when receiving communication from StageScape M20d Logo The Line 6 logo badge can be rotated 90 Gently pull outward rotate to match the desired orientation and snap back into place Handle This robust carrying handle doubles as a stand allowing the L2t L2m to be angled upwards at 30 see illustration below left Endcaps The heavy duty endcaps double as carrying handles Pole Mount and Accelerometer The pole mount accommodates standard 35 mm diameter speaker poles If any backline mode is chosen Keyboard Acoustic Guitar Electric Guitar the L2t L2m then checks its orientation via the accelerometer and looks to see if it is on a pole via the pole sensor If the speaker is vertical and not on a pole the L2t L2m activates virtual tilt back which optimizes the speaker tuning to achieve an upward tilt to its main axis This helps to aim the sound upward towards the performer s ears when the speaker is placed on the ground If the speaker is on a pole virtual tilt back is not activated It is assumed that the speaker is elevated and is being aimed in the desired direction Suspension Points The L2t L2m has M10 threaded attachment points for suspending the speaker Two suspension points on the top two suspension points on the bottom and one pul
11. her speakers in the network All L3s and vertically oriented StageSource speakers L3t m and L2t m follow channel assignment shown in the table below For example connecting two upright L2t or L2m speakers together automatically configures them as left and right Connecting three upright L2t L2m speakers together configures them as left mono center left right and right Placing any L2t L2m in the L6 LINK network on its side assumes it will be used as a floor monitor configures it as left right and the remaining speakers follow the behavior in the table below Each speaker s rear panel L6 LINK display will indicate the current assignment Left L right r or L R b for both When connecting one or more L3s subs with StageSource speakers crossover points are selected automatically When used in conjunction with a StageScape M20d mixer channel assignments behave as above except any StageSource L3t m and L2t m speakers laid on their side are by default fed by monitor feed A B C and D respectively Furthermore any speaker on the network can have its channel assignment changed manually from the StageScape M20d touch screen interface In this case each speaker s rear panel L6 LINK display will indicate its sequential number in the network All speakers are numbered independently We strongly recommend the use of 110 ohm AES EBU digital cables for use with Line 6 LINK connections for StageScape and StageSource The use
12. i channel digital audio networking for multi speaker setups e Multi channel mixer including 3 band EQ with sweepable mids L2t only e Built in modulation effects and reverb L2t only e 12 band feedback suppression Acoustic guitar modeling for incredible live acoustic guitar tone L2t only e When laid on its side can be positioned so the speakers fire at an upward angle of 30 60 or 90 e Dual braced tour grade plywood enclosure Full screen backed steel grille e Retractable handle for easy portability e Four M10 suspension points and one M10 pullback point Optional Accessories e L2t m speaker bag 98 037 0002 e Short pole for mounting on an L3s sub 98 037 0003 e Long pole for mounting on an 1 35 sub 98 037 0004 Eyebolt suspension kit 98 037 0005 www americanmusical com StageSource L2t L2m o o o o o o o D o ee ere ls Height 23 3 4 603 mm Width 12 1 4 312 mm Depth 12 1 4 312 mm Weight 39 1 lbs 17 7 k
13. illustration the three L2 floor monitors exist on a separate L6 LINK network and as they re turned on their sides will automatically sum the left and right channels of any signals received b for both L6 LINK OUT THRU l i L6 LINK L6 LINK OUT THRU 4 L6 LINK OUT THRU L6 LINK L6 LINK IN OUTITHRU LINE L6 LINK INPUT LEFT INPUT a man H M MONITOR OUT OUT OUT tt LEFT qt RIGHT L6 LINK IN L6 LINK IN L6 LINK IN STAGESCAPE M20d SmALL P Connect the L6 LINK out from a StageScape M20d mixer to the rear panel L6 LINK In on any speaker in the network Any L2t L2m speakers and L3s subs on an L6 LINK network are numbered independently In this illustration the two L3s subs labeled SUB 1 and 2 will by default play left and right respectively The two upright L2t L2m speakers numbered 1 and 3 will by default play left and right respectively L2t L2m number 2 because it s laid on its side will automatically play discrete monitor feed A Any speaker on the network can have its channel assignment changed from the M20d s touch screen interface nanana eann g 8 8 8 5523 555 www americanmusical com L6 LINK IN L
14. l back point on the rear panel located behind the lower kickstand Kickstands Two back panel kickstands flip out allowing the L2t L2m to be angled upwards at 60 see illustration below right Side Panel L2t only The side panel contains the musician centric inputs and controls you ll use most often Rear Panel The rear panel contains the P A centric inputs outputs and controls As floor monitor with handle as stand As floor monitor with kick stands 30 upward angle 60 upward angle 60 30 www americanmusical com StageSource L2t www americanmusical com L2t Sine PANEL 2 3 4 5 6 7 8 9 Input Jack Connect microphones or line level equipment to the combi XLR or 1 4 inch inputs The 1 4 inch input can accept unbalanced Tip Sleeve or balanced Tip Ring Sleeve cables When connecting an acoustic guitar use Channel 1 Pad Switch If the input source is particularly loud enable the 20 dB pad switch Channel Gain Controls the input level for each channel The LED above each knob lights green when a signal is present and may flash red if the input is clipped Stereo Link Switch When the Stereo Link switch is set to Dual Mono each of the two channels retains its own settings When connecting a stereo source to the two inputs it can be convenient to have a singl
15. local state and federal safety guidelines regarding the installation and operation of loudspeakers and associated peripherals Always use two attachment points on either the top or bottom of the L2t L2m The rear panel pull back attachment point is only for aiming the speaker downwards it is not to be used as a load bearing suspension point Furthermore suspension points are for hanging the speaker only do not suspend additional speakers or other items from suspension points For permanent installations use only the Line 6 eyebolt kit part no 98 037 0005 TOP S REAR PANEL 2 TTT Suspension Points se Qs all A Qa 09 o P z BOTTOM Pull back Attachment www americanmusical com Traditional Applications gt es AUX INPUT UR INPUT CHANNEL FT B gt INPUT CHANNEL 2 SoLo ARTIST L2t can provide portable amplification for singer songwriters complete with EQ reverb and modulation for each channel Connect your acoustic guitar to the side panel Channel 1 which features Acoustic Modeling Connect your microphone to the
16. nected via L6 LINK connect both the Main Left and Main Right outputs of the mixer to one L3s s Left and Right inputs Connect the L3s s L6 LINK Out Thru to an L2t or L2m you wish to designate as left Continue daisy chaining speakers via L6 LINK L3 subs and L2 speakers will automatically configure themselves as left right or mono left right according to the table on page 12 In the illustration to the right the first sub and first speaker are designated left As there are only two subs and two speakers the other L2t L2m and L3s are automatically designated right The floor monitor is connected via traditional means from the mixer s monitor output www americanmusical com MONITOR OUT EO GAMPER Ll L6 LINK L6 LINK OUT IN THRU L6 LINK L6 LINK 7 IN www americanmusical com LARGE PA wITH 5 85 AND L2m Monitors When using a traditional mixer with one or more L3 L2 speakers and one or more L3s subs connected via L6 LINK connect both the Main Left and Main Right outputs of the mixer to one L2 or L3s s Left and Right inputs Continue daisy chaining speakers via L6 LINK Any L3 subs and speakers will automatically configure themselves as left right or mono left right according to the table on page 12 In this
17. r mixer to the combi XLR or 1 4 inch Line input The 1 4 inch input can accept unbalanced Tip Sleeve or balanced Tip Ring Sleeve cables The Signal LED lights green when a signal is present and may flash red if the input is clipped 11 L amp R Aux Inputs These L amp R stereo RCA jacks are for connecting the audio output of a DJ mixer MP3 player or CD DVD player When using a single L2t L2m speaker the left and right inputs are summed to mono If a second L2t or L2m is connected via L6 LINK the left and right Aux Inputs will be automatically split between the two speakers 12 Feedback Suppression Turns on the 12 band feedback suppression circuit for the Mixer Input channel Press the On button to enable or disable Feedback Suppression press and hold the On button to select aggressive red medium amber or mild green Feedback Suppression 13 Loop Thru Output This output duplicates the signal received at the Line input jack 14 Mix Out Output This output sends a mix of all three channels Channel 1 Channel 2 and back panel inputs 15 Master Level Sets the overall output level The Limit LED lights if the Master Limiter kicks in 16 Speaker Mode L2t L2m can be optimized for various applications Press the Speaker Mode button to cycle between Reference P A Playback Floor Monitor Keyboards Acoustic Guitar or Electric Guitar See the table below for more information 17 L6 LINKTY This connection provides a powerful
18. side panel Channel 2 Connect a portable media player CD player or DJ mixer to the rear panel Aux L R inputs for backing accompaniment or intermission music www americanmusical com Applications with L6 LINK AUX INPUT L R L6 LINK INPUT IN CHANNEL I cimo i a m a 4 SMALL CLuB DUET INPUT INPUT CHANNEL 2 1 CHANNEL 2 L6 LINK provides an easy way for two artists each with an L2t to blend their signals together without the need for an external mixer Connect the guitars to each speaker s Channel 1 which features Acoustic Modeling Connect the microphones to Channel 2 When two L2t speakers are connected together as an L6 LINK loop L6 LINK In of each speaker connected to the L6 LINK Out of the other this stereo system can take advantage of both side mixer panels combined All of the left and mono signals from both speakers inputs will play from the speaker labeled L and all of the right and mono signals will play from the speaker labeled r In this configuration example two guitars and two microphones and even two MP3 players could be used simultaneously If the second speaker s input panel is not required an L2m can be used in its place SMALL P wITH SUBS When using a traditional mixer with one or more L2t L2m speakers and one or more L3s subs con
19. ve the characteristics of feedback steady frequencies with few overtones rising in amplitude and then applying a narrow notch filter to remove the offending frequency Up to 12 independent feedback frequencies can be removed with the L2t L2m s Feedback Suppression Press the On button to enable or disable Feedback Suppression Each time the Feedback Suppression is turned off all filters are reset When Feedback Suppression is turned back on analysis begins again and if feedback is detected again the filters are turned back on The feedback analyzer can be set to one of three modes depending on how aggressively the analysis will seek out potential feedback frequencies Press and hold the On button to select between aggressive red medium amber or mild green Acoustic Modeling Most acoustic guitars utilize a piezo pickup that captures string vibrations but typically does not convey the guitars body resonance as well as a microphone in front of a guitar would The Acoustic Modeling feature of the L2t is based on Line 6 s Variax Acoustic technology in which a physical model of an acoustic guitar s natural body resonance is applied to the piezo signal to simulate the sound of a mic ed acoustic guitar in the studio The Acoustic Modeling feature is available for Channel 1 Press the On button to enable or disable Acoustic Modeling turn the Body knob to set the amount of body resonance StageSource L2t L2m www americanmusical com
20. woofers crossovers and levels are automatically set for best performance The L2t features six innovative Smart Speaker modes each of which optimizes the speaker s output for a variety of performance scenarios including front of house PA loudspeaker floor monitor and speaker for keyboards acoustic guitars or with Line 6 POD multi effect processors as a high performance electric guitar backline Smart Speaker modes can be set manually or with the built in orientation sensors that can detect whether the speaker has been pole mounted or tilted for use as a monitor and adjust the mode accordingly When connected via L6 LINK StageSource speakers and the StageScape M20d digital mixer are capable of unparalleled power and flexibility Together they explode the typical mixer speaker paradigm to introduce a smarter live sound experience in which the live rig is a complete intel ligent ecosystem rather than merely a linear combination of components The StageSource L2m has been specifically designed to meet the needs of anyone who requires a powerful and flexible PA solution Its feature set is identical to the L2t with the exception of the multi channel mixer panel Features e High performance 2 way bi amped 800 Watt performance Smart Speaker Modes for great live sound in any live sound situation e On board Accelerometer and Pole mount sensors e Virtual Tilt back projects speaker s output upwards in backline mode e L6LINK mult
21. www americanmusical com Bie StageSource L2t L2m Pilot s Guide Guide de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto FSR EAS 40 00 0338 Pilot s Handbook available www line com manuals Rev F www americanmusical com Important Safety Instructions CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING T0 REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT REMOVE SCREWS NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL WARNING T0 REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THE APPLIANCE TO RAIN OR MOISTURE CAUTION This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of FCC Rules Operation is subject to the following two conditions 1 This device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesired operation The lightning symbol within a triangle means electrical caution It in The exclamation point within a triangle means caution Please read the dicates the presence of information about operating voltage and potential information next to all caution signs risks of electrical shock Please Note Line 6 is a trademark of Line 6 Inc registered in the US and other countries StageSource is a trademark of Line 6 Inc All rights reserved C Line 6 Inc 26580 Agoura Road Cala
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