LOREO 3D Lens in a Cap 9005 APS
Contents
1. when f 22 is chosen This al results Loreo 3D lenses in the 9005 lenses lows the user to judge depth right hands can take beautiful of field and has no adverse 3D photographs Maximize the For APS C format there are effect on the final picture potential of your Loreo 3D lens very few tele converters with by using a monopod and a a sufficient inner diameter to This depth of field scale gives high quality modern DSLR avoid vignetting Photos taken an estimated distance range in with tele converters on APS C which all objects will be sharp 9 Make sure the lens is aligned format 9005 lenses will most for a given aperture N f 11 f 16 f 22 ee oe D Distance A Aperture If the lens is set to f 11 and focused at 5m depth of field with the camera on the hori zontal This can affect the ver tical alignment of the 3D image pair 10 The two 58 mm threads on the front can be used for mounting lightweight filters lens hoods wide angle lenses and tele lenses Attachments should be selected and used with care so likely need to be cropped after wards Since the wide stereo base of the 9005 is suitable for 3D photography at mid distance 5m or more away users can multiply the tele effect simply by cropping the image pair Tele converters can make it more convenient but are not essential 12 For 3D photographers bal ance between left and and right frame sizes is very im portant With Loreo 3D lenses the2. better if the lens were pictures should show fore further back and the young lady ground objects as well as the and the cool cat were away from background scene When pho the edges of both picture frames tographing a person include objects in front and an inter Most people compose an image esting view behind in a single frame of the image pair When doing this take note 21 Compose the picture with the of what is happening on the subject material away from the other side to make sure the sub edges This will improve cor ject is not cropped at the edge respondence between the two images 22 Printing The 3D Lens in a Cap 9005 takes two side by side pictures in each frame The 3D effect is viewable immediately after processing 3R and 4R prints work best Make normal prints Do not make half frame photographs 23 Viewing Put a 3D picture in 24 Sharing One of the great 25 For best clarity when viewing the Deluxe 3D Viewer bottom joys of 3D photography is in 3D pictures avoid bright lights left and hold the eyepiece 6 sharing images with friends reflecting on the viewing lens inches from your eyes It may and family Foldable mailable surface Natural light falling on take a few seconds for your viewers such as the Lite 3D the stereo print and not on the eyes to adjust to the 3D image Viewer print viewing and Pixi viewing lens will always give 3D Viewer screen viewing the best stereo effect are ideal
3. 1 Line up the index mark on the back of the 3D Lens in a Cap 9005 with the index mark on the camera body and attach it to the camera LOREO 3D Lens in a Cap 9005 APS C format Model 9005A Operating instructions please refer to your camera instruction manual for changing your lens 2 This lens is for use with sub frame Single Lens Reflex SLR cameras with the image sensor format stated on the box Mostly these will be digital cameras If used with a full frame camera the surplus i image area will have to be perture ODUM Scale cropped off Aperture 11 gt 3 This is a manual lens There are no electronics Turn off auto focusing before using the A lens Aperture priority auto aer exposure should work If not turn that off as well D meeen co 5 2 2 15M Focusing Scale 58 mm Filter Threads Specifications Model LA9005A Lens Type 3D parallel view all manual no electronics Focusing range 1 5m to infinity Usage First select aperture using the aperture slider Three click stop apertures f11 f16 f22 are provided Set focus from 1 5 m 5 ft to infinity Accessory lens 58 mm filter thread Maximum outer diameter 86 mm 4 i Ideal minimum rear lens diameter 44 mm Suitable for wide angle and tele converters 52 mm accessories can be used with a stepping ring Lens system dual 40 mm f11 22 2 elements plastic polymer composite Special Features Focus co
4. F mount do not have a separate feature to disable the shutter lock The camera has to be put into manual focus mode MF Note The A850 and A900 are full frame DSLR cameras Sony NEX 3 5 7 are compatible with all Loreo lenses using an E mount adapter For example a Sony E mount to EOS adapter can be used to attach an EOS mount 3D Lens in a Cap 9005A to an NEX Third party mounts may have slight rotational mis alignment Release w o lens must be enabled for the camera to work without a Sony Minolta AF lens This is similar to disabling the shutter lock feature on Alpha series DSLRs Aperture priority auto exposure works Manual exposure works with live view Loreo Asia Ltd Rm 7 7 fl New City Centre 2 Lei Yue Mun Road Kwun Tong Kowloon Hong Kong Tel 852 27909085 Fax 852 28685937 E mail info loreo com URL www loreo com
5. ell Lightweight ac cessories are strongly recommended For example wide angle converters can range from 160g to 250g apiece Users should take care not to drop the lens or bump it against anything while it is attached to the camera The shock load can cause damage to the SLR camera body and to the lens mount of the 3D lens The 3D Lens in a Cap 9005 should be detached from the camera when not in use Digital SLR Compatibility as of April 2012 i Canon EOS D30 D60 10D 60D 300D 600D 1000D 1100D 7D EOS mount Most Canon SLR cameras work with the Loreo 3D lenses in auto metering mode but exposure bias should be set to 1 5 or 2 The 300D has flash exposure bias disabled but it is known that people have found ways to re enable it Nikon D1 D1X D1H D2H D2X D100 D200 D300 D2H D40 D90 D3000 D7000 Nikon mount Nikon digital SLRs work with Loreo 3D lenses in manual mode In most Nikon digital SLRs over exposure is shown on the LCD screen after a picture has been taken This function can be used in place of auto metering Pentax ist D ist DS DS2 DL DL2 K x K2000 K 7 K m are compatible The K100D K110D and K200D cannot be fitted with a 9005 due to the large flash housing The K10D and K20D are a tight fit Most Pentax SLR cameras work with Loreo Lens in a Cap products in auto metering mode Fuji Finepix S1 Pro S2 Pro S3 Pro S5 Pro Nikon mount Fuji digital SLRs work with the Nikon
6. for this purpose Loreo Lite 3D Viewer Loreo Pixi 3D Viewer Parallax Compensation The 3D Lens in a Cap 9005 has a focus coupled Paral lax Compensation system When the lens is focused on a subject at a given distance the point of convergence is automatically adjusted within the unit itself to suit the object distance This works from 1 5m to infinity The adjustment of the relative positions of the im age pair can be viewed in the viewfinder or with Live View in modern digital SLR cameras Once a user learns how to use the lens focusing can be done by parallax compensa tion alone When the subject appears in the same relative position in both the left and right image in the viewfinder it will automatically be in focus Care and Troubleshooting 1 Slight rain or salt water splashes on the lens body should be harmless Wipe with a clean cloth A soiled lens may be gently cleaned with lens tissue moistened with lens cleaning fluid Never put liquid lens cleaner directly onto any lens Do not wipe with dry tis sue as it may scratch the lens surface Nikon digital SLR cameras may need to be switched to manual mode before they will function with a non Nikon lens Minolta and Sony SLR cameras need to have the shutter lock disabled Some Sony models have to function in manual mode The 3D Lens in a Cap 9005 is a lens with an unconventional shape With two lens converters attached it will be front heavy as w
7. mount Loreo 3D lenses in manual mode Minolta Maxxum 5D 7D Minolta AF mount require shutter lock to be disabled Minolta digital SLRs work with Loreo 3D lenses in automatic metering The distance from the New Year Tiger s snout to the edge of each frame is the same The lens is now focused on the New Year Tiger at 2 2m Note the discrepancy in the distance from the grey tree trunk in the background to the edge of each frame Note the distance from the New Year Tiger s snout to the center line The discrepancy between the two images in the pair indicates that the lens is not focused on the New Year Tiger The distance from the grey tree trunk in the background to the edge of each frame is the same The lens is now focused at infinity mode When set to P the exposure compensation needs to be set to 1 5 stops When set to A aperture control exposure compensation does not need to change The anti shake feature improves lighting conditions by 1 2 stops The Sony Alpha Lens mount is compat ible with Minolta AF lenses The Sony Alpha DSLR A100 and A700 Sony Minolta AF mount require the shutter lock to be disabled Loreo subframe 3D Lenses are known to work with these cameras The Alpha A100 and A700 work with Loreo lenses in automatic mode The anti shake feature improves lighting conditions by 1 2 stops The A200 A230 A300 A330 A350 A500 A550 A850 A900 Sony Mi nolta A
8. perceived position of the center line can sometimes be misleading With an SLR camera the pres ence of mirrors prevents the partition between the image pair being extended all the way to the film plane As a result the center line can never be clearly defined There will always be some overlap Even with mirrorless DSLR cameras in which the partition can be set much closer to the film plane there is still a gap For this reason the 9005 3D lens has been set up to pro duce images with an overlap as opposed to a thick dark band down the middle The fol lowing two images were taken with the same 3D Lens ina Cap 9005 on the same DSLR camera 14 3D images taken with this lens are best viewed with Loreo 3D print and screen viewers Some people can freeview 3D images The image pairs have a high degree of cor respondence so feel free to experiment with viewing meth ods which require symmetry anaglyphs 15 Image pairs are not pitch adjusted for cropping as in film printing days Some may find fusing 4R prints on a Deluxe 3D Viewer difficult If so use 3R prints Viewing with the Lite and Pixi Viewers should not be a problem 16 Different people have differ ent eyesight so you may have to move the viewer closer or further away from your eyes for the stereo effect to appear 13 In the first image above the right hand frame seems to en croach upon the center line In the second image the two
9. sides appear to be well balanced Sub ject matter and lighting make all the difference 17 Tips for taking dramatic 3D pictures As in conventional photography the subject will usually be placed in the center of the picture composition and exposure is best if the light source is behind the photogra pher 18 When taking pictures you can point your camera slightly up or down but always keep it horizontal Never hold your camera vertical since you would not be able to view the pictures in 3D 19 Avoid the subject being too close to the lens lt 1 5 m This leads to discomfort in viewing Avoid there being too much empty space between foreground and background if closeup shots are taken of a subject at 1 5m the back ground should not be more than 3 meters away Internal reflection will occa sionally cause flare which is visible in the viewfinder Some times a ghost image will ap pear This can be avoided by shifting the angle of the lens or shielding the side to avoid light shining directly in Hoods can also be added using the filter mounts in the front Ghost image The subject in this picture is the parrot It is too close to the lens so parallax compensation no longer works Note how the par rot does not appear in the same relative position in each frame 20 A3D camera or lens records both the shape of things and The first picture on the right the depth of the scene 3D would look
10. upled Parallax Compensation Parallax A feedback focus aid Stereo Base pitch 90mm Sensor Format 22 24 x 14 5 16 mm APS C subframe digital SLR sensor equivalent to 1 5 1 6x crop Diaphragm Twin Blade f11 f16 f22 with click stops Focus adjustment Continuous focusing slider Function Gives an APS C format digital SLR camera 3D capabilities using normal processing Retains many of the features of an SLR cam era such as through the lens viewing auto exposure TTL flash Digital SLR body mounts Pentax K Canon EOS Nikon N Minolta AF Sony Alpha Samsung GX Pentax K Fuji Finepix S series Pro N The 3D Lens in a Cap 9005 works with TTL flash Aperture Priority AV or Program P mode exposure on many cam eras For manual control use a Please also check the DSLR compatibility section will be 2 8m to infinity which is the optimal pan focus con figuration for 9005 style 3D photography 11 as not to damage the thread Converter lenses should be matched at purchase In selecting accessories for the light meter or exposure chart 8 Depth of field is very useful lens make sure that the maxi for stereo photography High mum outer diameter does not The 3D Lens in a Cap 9005 image sensor sensitivity com exceed 85 mm The minimum has no auto diaphragm so pensates for small aperture inner diameter should not be the viewfinder image darkens ISO 200 400 will give excellent less than 44mm for 4 3 format
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