Course Content
Contents
1. 264 Compressor e Audio only Using Share Apple TV Blu ray DVD iPhone iPod Mobile Me YouTube Apple Pro Res 422 Apple Pro Res with Alpha QuickTime H 264 and Other Batch Exporting Clips and Sequences Changing User Preferences Send To Send a sequence from Final Cut Pro to Color Sending Final Cut Pro Clips and Sequences to Motion Sending Individual audio clips from Final Cut Pro to Soundtrack Pro Send a sequence from Final Cut Pro to Compressor Tool t ih ah a p e sl olsisligigiais siz Tool name Selection Selection on Point Selection on Line Segment Edit Selection Group Selection Range Selection Select Track Forward Select Track Backward Select Track Select All Tracks Forward Select All Tracks Backward Roll Ripple Slip Slide Speed Razor Blade Razor Blade All Hand Zoom In Zoom Out Scrub To select tool A G G G G G 4 T T T T4 T T T T 4 T T T4 T T T R R S S S S sS B B Z Z H H key Select Additional Gear Down Gear Down Select Additional Select Additional Select Additional Select Additional Gear Down Gear Down Gear Down Zoom In Hand Tool Hand Tool Selection Tool e eee ejeje Vials Crop Distort Pen Pen on Point Pen on Line Segment Delete Point Delete on Point Delete on Line Segment Smooth Point P P P P P P P2. P P Opposite Sides Perspective Smooth On Off Gear Down Gear Down Gear Down Gear Down
3. the Timeline Assign v1 Source control to a destination video track Assign al Source control to a destination audio track Assign a2 Source control to a destination audio track Change Source and Destination control connections Using Auto select Tool Using lock Linking and Editing Video and Audio in Sync Linked Sync Relationships Between Video and Audio Clips Linking Video and Audio Clip Items Selecting Individual Clip Items While They Are Linked Moving a Clip into Sync Slipping a Clip Item into Sync Using Synchronization Synchronize video and audio clips in timeline using moving clips by lt gt Synchronize video and audio clips using In or Out points to create Merged Clips Performing Ripple Roll Slip and Slide Edits Ripple Roll Slip and Slide tools Extending and Shortening Clips in the Timeline use an extend edit to change the duration of a clip in the Timeline Trimming Clips Edit Selection Tool Opening and Closing the Trim Edit Window Dynamic Trimming Matching Frames and Playhead Synchronization Working with Sequence Clips in the Viewer Opening a Sequence Clip in the Viewer Matching a Frame in the Canvas to Its Media File Frame Adding Transitions Video Transitions Audio Transitions Adding Transitions Between Clips Moving Copying and Deleting Transitions Copying and Pasting Transitions Changing the Duration of a Transition in the Timeline Changing the Alignment of a Transition in the Time
4. Final Cut Pro 7 Overview of the Final Cut Pro Interface Moving and Resizing Final Cut Pro Windows To resize multiple windows at the same time Using Window Layouts Understanding Projects Clips Bin and Sequences Organizing Your Projects Arrange Final Cut Pro windows and make room for Dock Media Management Process in Final Cut Pro Browser Basics Create a new project Save a project Save all open projects Open a project Close a project Open Final Cut Pro Make a window active View and use a shortcut menu Assign a color to a tab that represents a bin ora sequence Undo a change Redo a change Rename sequences and bins within Final Cut Pro Display Browser items as icons or ina list Organizing Footage in the Browser Using Bins to Organize Your Clips Creating New Bins Opening Bins in the Browse Opening Bins in a Separate Window or Tab Moving Items Between Bins Using Labels to Organize Your Clips Searching for Clips in the Browser and Finder Importing Media Files Import a file or folder Importing Video Audio Still Images and Graphics Files Viewer Basics Open a clip in the Viewer from the Browser Controls in the Top Part of the Viewer Controls in the Bottom part of the Viewer Tabs in the Viewer Zoom and View Pop Up Menus in the Viewer Playhead Sync Pop Up Menu Recent Clips and Generator Pop Up Menus Move the playhead to the beginning of your clip Move the playhead to the end of your clip Move t
5. he playhead backward one frame at a time Move the playhead forward one frame at a time Move the playhead one second at a time Using J K L Video and Audio Encoding Video Format Basics Standard definition SD high definition HD e Image dimensions e Frame rate e Compressor Setting Clip In and Out Points in the Viewer Set an In or Out point for a clip in the Viewer Set an In or Out point while playing a clip View your clip from its In point to its Out point Clearing In and Out Points Using Markers and Sub clips Create markers in a clip Create a sub clip Viewing Markers in the Viewer Viewing Markers in the Browser Deleting Markers in Clips To turn aclip s markers into sub clips Easy Setup Choosing Easy Setups Choose an Easy Setup based on format and frame rate Create a new sequence Timeline Basics Make the Timeline window active Open a sequence in the Timeline and Canvas Select a sequence in the Timeline Close a sequence in the Timeline Timeline editing controls Real Time Effects and the Render Status Bar Changing Timeline Display Options Change Timeline display options in the Sequence Settings window Clip Keyframes Scrub through a sequence in the Timeline Zoom in and out of the Timeline using the Zoom slider Zoom in and out of the Timeline using the Zoom control Zoom in and out of the Timeline using the Zoom tools Zoom in and out of the Timeline using menu commands or keyboard shortcu
6. ighten Travel Matte Alpha Travel Matte Luma Choosing a Background Black White Checkerboard 1 Checkerboard 2 Using Generator Clips Display the Title Safe indicators Creating Titles Text Outline Text Lower 3rd Scrolling Text Crawl Typewriter Using Photoshop file Nesting Sequences Opening More Than One Sequence at a Time Editing the Content of One Sequence into Another Without Nesting It Working with Master Templates Master Template Browser Master Templates bin in the Effects tab of the Browser Generator pop up menu in the Viewer Master Template s submenu within the Effects menu Log and Capture Audio Video Settings Window Log and Capture Window Log Clip Capture Clip Capture Now Capture Batch Using the Autosave Feature Finding Your Media Files After Capture Capture Scratch Render Files Audio Render Files Auto save Making Clips Offline Reconnecting Clips to Media Files Locate and Search Buttons Log and Transfer Setting Log and Transfer Import Preferences Controls in the Log and Transfer Window Working with AVCHD in Final Cut Pro Mounting P2 Cards Settings and Options in the Media Manager Window Choosing the Type of QuickTime Movie to Export Export Using QuickTime Conversion Export Files e A broadcast quality full resolution uncompressed QuickTime file e A still image e A numbered image sequence e A highly compressed QuickTime file for multimedia or web use H
7. line Working with Default and Favorite Transitions Changing the Default Transition Previewing and Rendering Transitions Insert with transition Overwrite with transition Using Roll tool with transition Rendering About Render Status Bars in the Timeline Selecting Clips for Rendering About Changing Render and Video Processing Settings Managing Your Render Files Locating Render Files Using Alpha Transitions Clip Alpha Matte Wipe Matte Nesting Sequences Opening More Than One Sequence at a Time Editing the Content of One Sequence into Another Without Nesting It Working with Multiclips Preparing Clips to Be Used as Multi clip Angles Creating Individual Multi clips Synchronizing Angles in a Multiclip Creating Multi clip Sequences Working with Multiclips Angles in the Viewer Editing in Multiclip Playback Mode Audio Editing in the Timeline Turn on audio waveform display in the Timeline Zoom in to and out of the Timeline using the zoom tools Configuring Audio Outputs About Audio Meters Controls in the Audio Mixer Making Stereo Pan Adjustments with the Audio Mixer Display clip overlays in the Timeline Display audio waveforms in the Timeline Adjust the audio level of a single clip Audio keyframes Add a keyframe to the audio level overlay of a clip in the Timeline Adjust keyframes in the Timeline Tools for Adjusting Keyframes Controls in the Voice Over Tool Using Audio Filters Displaying Filter Keyf
8. rames in the Timeline Modifying and Removing Filters Keyframe Controls in the Filters Tab of the Viewer Equalization Filters 3 Band Equalizer Band Pass Filter DC Notch High Pass Filter High Shelf Filter Low Pass Filter Low Shelf Filter Notch Filter Parametric Equalizer Gain Filter Compressor Limiter Filter Noise Reduction Filters Hum Remover Vocal De Esser Vocal DE Popper Changing Motion Parameters Creating Motion Effects in the Viewer Adjusting Parameters in the Motion Tab To put the Canvas into a wireframe mode W Image Image Wireframe Wireframe mode Using Wireframe Handles to Transform Scale Rotate Crop Distort Tools Opacity Drop Shadow Speed and Motion blur Smoothing Keyframes with Bezier Handles Smoothing Keyframes Creating Motion Paths Creating and Applying Motion Favorites About the Timeline Keyframe Graph Area Copying and Pasting Specific Clip Attributes Working with Graphics Clips of Different Sizes Using Paste Attributes Paste option from list into a clip Combining SD and HD Video Up converting SD Video Down converting HD Video Nesting Sequences Opening More Than One Sequence at a Time Editing the Content of One Sequence into Another Without Nesting It Changing Clip Speed Speed Basics Slow motion Speed is under 100 percent Fast motion Speed is over 100 percent Variable speed Speed changes over time Using the Change Speed Dialogs Making Speed Changes in
9. the Timeline Using speed tool Using the Speed Parameter in the Motion Tab Ripple sequence Frame blending Scale attetrebuteis Creating Freeze Frames from a Video Clip Changing the Duration of Still Images Using fit to fill Using Video Filters Applying a Filter to a Clip Viewing and Adjusting a Filter s Parameters in viewer Displaying Filters Bars in the Timeline Enabling and Rearranging Filters Copying and Pasting a Clip s Filters Using the Paste Attributes command to paste filters into a clip Color Correction Filters Broadcast Safe Color Corrector Color Corrector 3 way Measuring Video Levels with the Final Cut Pro Video Scopes Displaying Excess Luma and Chroma Levels in the Viewer and Canvas Frame Viewer Tab Choosing Display Options in the Frame Viewer Using the Color Corrector 3 Way Filter Using the Color Corrector 3 Way Filter Match Hue Controls Copy Filter Controls in the Color Corrector Filter Using Limit Effect Controls Control a Match Hue Correction Limit Effect Controls in the Color Corrector Filter Key Filters Primatte RT Luma key Matte Filters Eight Point Garbage Matte Four Point Garbage Matte Mask Shape Image Mask Video Filters De interlace Flicker Filter SmoothCam Compositing and Layering Introduction to Compositing and Layering Working with Composite Modes Normal Add Subtract Difference Multiply Screen Overlay Hard Light Soft Light Darken L
10. ts Performing an Overwrite Edit Dragging to the Edit Overlay in the Canvas Conforming Sequence Settings to Match a Clip s Settings Automatically conform sequence settings to the settings of the first clip added to the sequence Automatically conform edited or pasted clips whose image dimensions are smaller than the sequence dimensions Three Point Editing in the Viewer and in the Timeline or Canvas Eating Clip In and Out Points in the Viewer Setting Sequence In and Out Points in the Timeline or Canvas Specifying Destination Tracks Adding the Clip to the Timeline Dragging to the Edit Overlay in the Canvas Overwrite Insert Replace Fit to Fill Superimpose Insert with transition Overwrite with transition Using the Edit Buttons in the Canvas Using Keyboard Shortcuts Three Point Editing Examples e Clip In and Out points e Sequence In point e Clip In point e Sequence In and Out points e Clip In and Out points e Sequence Out point e Clip Out point e Sequence In and Out points Arranging Clips in the Timeline To turn snapping on or off Moving Items Within the Timeline using lt gt Copying Cutting and Pasting Clips in the Timeline Deleting with a Lift Edit Leaving a Gap Razor Blade Razor Blade All Using the Add Edit to Cut Clips Control V Changing the Duration of Clips in the Timeline Specifying Destination Tracks in the Timeline Assign a source clip item to a destination track in
Download Pdf Manuals
Related Search