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1. 180 i i 180 ele pi evel Hm pressure i CT TN TITI Hi E EE E DE ITA NAAA 111 pitt Pale Cx e DH ERN He g LENS LENS e IR a AR A SH ETUI ll SENS Ny A GENS N a SIR as GCC e ET i e ol NTR LEY ALAN z BONNE EF BNR 8 UNRATE CASA TTP de 3 N N WI PPP HE Ezani H SST REA NR s PE dt EI Hi 12 LEY 40 120 S 40 120 VX 4 20 50 100 200 500 ik 2k 5k 10k 20k 1 2 5 10 20 50 100 200 5001k 2k 5k 10k 20k SEW QOS NS A oe Frequency Hz Frequency Hz S ES eus F RS15 crossover 80H F Omni Mod ma FC Card es i Specifications RS15 PRODUCT FEATURES Components 2 x 15 88cm long excursion neodymium 842 drivers Height x Width x Depth 454 x 564 x 1074mm 17 9 x 22 2 x 42 3 without accessories shape Rectangular Weight Net Weight without accessories 52Kg 115lbs Connectors 2 Xx NL4MP SPEAKON 4 pole In amp Through Construction Baltic birch ply finish with structured black coating Dark grey carpet finish also available RS15 WITH NX242 ES4 TDCONTROLLER OR NXAMP SYSTEM SPECIFICATION Omni Directional Frequency Response 3db a 35Hz 100Hz 35Hz 100 Hz Usable Range 6db a 35Hz 250Hz S5Hz 150Hz sensitivity 1W 1m b 105dB SPL Nominal 103dB SPL Nominal Peak SPL 1m fb 136 139dB Peak 133 1360B Peak 2x700W to 2 x 1200 80 2x700W to 2 x 1200W 8Q Dispersion Omni amp Directional pattern over the entire useable bandwidth depending on the NX242 or NXAMP T
2. Omnidirectional Mode implementation should be favoured in configurations where M sufficient depth is not available for directional implementation proscenium front stage etc M strong rear radiation is not critical Although wide in both cases coverage is slightly narrower along RS15 s width than height see drawings below Horizontal coverage in omni mode 100 hz RS15 arrays Design procedure should be in agreement with what has been described in the preceding section See following section on Steered Arrays Directional Mode single RS15 Single RS15 have an asymmetrical pattern in the horizontal plane ie speakers on the side which is tilted 30 off axis towards speakers direction vertical pattern ie speakers facing up or down is symmetrical IMPORTANT So that directional behaviour and acoustic load are not altered no reflecting surface should be at less than 50cm 20 from the RS15 side walls and drivers In case of stereo configurations NEXO recommends that speaker side is set outwards to minimize interference region in stereo designs ie RS15s LEFT should be installed Left and RS15s RIGHT should be installed Right Horizontal coverage in directional mode 100 hz Mode omnidirectionnel RS15 seul La mise en ceuvre du mode omnidirectionnel devrait tre privil gi e dans les configurations ou M ny a pas de profondeur suffisante pour la mise en uvre directionnelle proscenium avant s
3. a une inclinaison de 15 RS15 Parts and Accessories 5 Parts and Accessories RS15 Applications 5 Applications ELECTRONIC CONTROLLERS GE0512TD Analogue TDController NX242ES4 GeoD Passive mode Crossover 80Hz Digital TDController with NXtension Card NXAMP4x1 Power Digital TDController 4x1 300W 22 NXAMP4x4 Power Digital TDController 4x4000W 2Q RS15 BUMPER Main RS15 Bumper RS15 FPLATES Rigging plate with handles pair Flown 12xRS15 in Directional Alternate Mode RS15 HANDLES Handles pair RS15 WHEELS 2 Wheels on wood skids pair RS15 DOLLY R515 Dolly 3 R515 max Omni directional Mode 2xRS15 with 2xGEO 51230 BLGEOS NY Directional Mode 4xRS15 alternate with GEO S12 Line array Quick Release Pin for Geo S8 GeoS12 RS15 J L RS15 Polars 5 Polars RS15 Polars Omni Mode 2xR515 front Directional Mode 2xRS15 face to face 50cm 20 LN GEN LIM MAN SEW A ARN NIK nee MEAN I N b70 gt 90 Byer 70 ic 90 LRU KR ESA GER Sl 5 SEA Directional mode Omni directional mode F 1 1 LSS A Le z 90 No ay 7 j gt RL 7 SO Pi 12 SEY 12 SEY 30 NS 30 TR 60 ENS 00 60 TEEN 00 va all ie Ne 40
4. au manuel d utilisation avant toute mise en uvre COMMANDE ET TRANSPORT Emballage Les RS15 sont emball s individuellement Options de commande RS15 C finition moquette grise ou RS15 P finition noire grain e As part of a policy of continual improvement NEXO reserves the right to change specifications without notice a Response curves and data anechoic far field above 400 Hz half space anechoic below 400 Hz Usable range data frequency response capability with TD crossover slopes removed fo Sensitivity amp peak SPL will depend on spectral distribution Measured with band limited pink noise Refers to the specified 3 dB range Data are for speaker processor recommended amplifier combinations c Directivity curves and data 1 3 octave smoothed frequency response normalized to on axis response Data obtained by computer processing of off axis response curves d Please refer to the user manual 18
5. celles ci sont dues aux carts de distance s parant les c t s gauche et droite l auditeur alors les niveaux de pression induits par les deux c t s sont comparables Toujours maximum au centre o les distances aux c t s gauche et droite sont gales le niveau de pression peut s abaisser consid rablement aux endroits o la diff rence de marche est gale la moiti de la longueur d onde de la fr quence en question Cet effet est bien connu des ing nieurs du son les anglophones y r f rent en parlant de Power Alley effect l all e de puissance 50 Hz Gradient Subwoofer nenefit Gradient subwoofers can provide up to 15 dB front to rear average attenuation Please refer to Ray Sub technical note for in detail explanation on gradient subwoofers Low frequency level on stage is therefore significantly reduced on stage and in the neighbouring environment in open air venues Because of their directional pattern Gradient subwoofer are also less sensitive to room eigen modes Les avantages des enceintes de sub grave a gradient de pression Les enceintes de sub grave a gradient de pression peuvent offrir une att nuation arriere moyenne de 15 dB cf la note technique du Ray Sub pour une explication d taill e sur les enceintes gradient de pression Le niveau des basses fr quences est par cons quent sensiblement r duit sur sc ne et au voisinage des sc nes en plein air En rai
6. mode alternate back to back and face to face 50cm 20 between grids All of these configurations have symmetrical patterns with a smooth 15dB attenuation at the rear over the entire RS15 bandwidth but significantly different horizontal coverage E back to back configuration has a 3dB coverage which decreases from 120 at 31 5 Hz to 60 at 100Hz M alternate configuration has a constant 3dB coverage of 120 from 31 5Hz to 100Hz M face to face configuration has a 3 dB coverage which increases from 120 at 31 5 Hz to 180 at 100 Hz Detailed coverage information on these configurations is available in section 9 3 2 of this manual Back to back configuration at 100 hz Face to face configuration at 100 hz Alternate configuration Face to face configuration Paire de RS15 ll existe trois moyens d utiliser des paires de RST5 en mode directionnel altern dos a dos et face a face 50 cm entre les grilles Toutes ces configurations ont des directivit s sym triques avec une attenuation arri re de 15 dB sur toute la bande passante du R515 mais avec une couverture horizontale significativement diff rente M la configuration dos a dos a une couverture de 3 dB qui diminue passant de 120 a31 5Hza60 100 Hz M la configuration altern e a une couverture constante de 3 dB de 120 de 31 5 Hza 100 Hz M la configurat
7. presents an unchallenged versatility for installations and touring requirements DSP Processing amp Control Digital processing for the RS15 is provided either by NEXO s NX242 or NXAMP Powered TDcontrollers The processing will permit the RS15 to display precise directional pattern controls through DSP processed correlations of acoustic distances between transducer and vent sources To obtain a directional mode two channels of a NX242 or NXAMP TDcontroller will be required Analogue Processing Analogue processing is provided by the S12 TDcontroller The controller will yield a traditional omni directional cone forward LF and VLF pattern and performance Omni directional Q Le RS15 est la premi re offre de la technologie RAY SUB de NEXO Compos d un transducteur 15 pouces avec une r ponse en fr quence de 35 Hz 200 Hz en mode omni ou de 35 Hz 150 Hz en mode directionnel et une sensibilit de 105 dB SPL le RS 15 assure une souplesse in gal e pour les installations et pour les besoins des tourn es Traitement et Contr le DSP Le traitement num rique du RS15 est assur par les NX242 ou les TDcontrollers amplifies NXAMP de NEXO II permettra au RS15 d afficher des contr les pr cis de mod les directionnels gr ce aux corr lations trait es par DSP des distances acoustiques entre les sources transducteur et vents Le mode directionnel impliquera deux canaux de TDcontroller NX242 ou NXAMP Traitement Analogique L
8. 00 Watts 80hms Watts a 2 x 1200 Watts 8ohms Dispersion Mode omni amp directionnel sur toute la bande passante utilisable selon configuration TDcontroller NX242 ou NXAMP la configuration directionnelle implique l utilisation de deux canaux du NX242ES4 ou du NXAMP Index de directivit c 1 5 lt 0 lt 2 1 dB lt DI lt 3dB Q 4 3 D5 3p Fr quence de coupure d pendant De 80Hz 200Hz De 80Hz 125Hz du preset TDcontroller NX242 ou NXAMP Imp dance nominale 2 X 8ohms 2 X 8ohms Amplification recommand e 1 canal d amplification de 1400 2 canaux d amplification de 700 a 1200 2400 Watts sous 4 ohms est n cessaire Watts sous 8 ohm par canal sont n cessaires pour le mode omnidirectionnel pour le fonctionnement directionnel UTILISATION DU SYST ME Contr leur lectronique Les presets du TDcontroller analogique GeoS12 du TDcontroller num rique NX242ES4 et du NXAMP Powered TDcontroller sont pr cis ment adapt s au RS15 directionnel amp omni Ils comportent des syst mes de protection sophistiqu s L utilisation du RS15 sans un TDcontroller NEXO correctement cable donne un son de qualit m diocre et peut endommager des composants C bles H P 1 1 Droite ou arri re 2 2 Gauche ou avant Le RS15 doit utiliser un c blage s par pour la connexion du syst me principal Accessoires Bumper Plaques d accrochages Poign es Dolly Roulettes Ball locks Syst me d accrochage d Pri re de se r f rer
9. Dcontrollers setup two channels of the NX242ES4 or NXAMP are required to process directional setups Directivity Index c 1 5 lt 0 lt 2 1 70B lt DI lt 3dB 0 4 3 DIS5 30B Crossover Frequency NX242 or From 80Hz to 200Hz From 80Hz to 125Hz NXAMP TDcontrollers preset dependent Nominal Impedance 2X00 2X 8O Recommended Amplifiers 1 amplifier channel is required for omni 2 amplifier channels are required for mode operation rated at 1400 directional mode operation each rated at to 2400 Watts into 40 700 to 1200 Watts into 8Q per channel SYSTEM OPERATION Electronic Controller GEOS12 Analogue TDController NX242ES4 Digital TDController amp NXAMP Powered Digital TDController presets are precisely matched to RS15 and include sophisticated protection systems Using RS15 without a properly connected NEXO TDController will result in poor sound quality and can damage components speaker Cables 1 1 Right or Rear 2 2 Left or Front RS15 must use separate cables to the main system Accessories Bumper Flying Plates Handles Dolly Wheels Push Pins Rigging System dl Please refer to the user manual before any operation SHIPPING amp ORDERING Packaging RS15s are packaged individually Order as RS15 C finished in grey carpeting or RS15 P finished in black structured coating As part of a policy of continual improvement NEXO reserves the right to change specifications without notice a Response curves and data anechoic f
10. a PEUR a CLELITE RET CL ae a F a a p 1144 ELI z a 11490051 A AA RAIN Li ATA E TEHE wee IATA Laeger io LET Le LER ECCLES eS M Low Profile High Output Modular Scalable Bass M Configurable directivity pattern M Cardiod Pattern Reduces Rear Levels by 15 18db Minimizing Rear Side Wall Reflections M Aerodynamic Profiled Vents with 20db Noise Reduction and improved Linearity at high SPL E Applies across entire NEXO Product Line and Deploys in Nearly any Sub hire Rental NEXO S A Parc d Activit du Pr de la Dame Jeanne B P 5 60128 PLAILLY Tel 33 0 3 44 99 00 70 Fax 33 0 3 44 99 00 30 e mail info nexo fr Www nexo fr LIMITED WARRANTY M Faible hauteur sortie lev e basse volutive modulaire M Mod le de directivit configurable Mod le cardioide qui r duit les niveaux arri re de 15 18 dB en minimisant les r flexions sur les murs arriere lat raux M Profils a rodynamiques des vents avec r duction des bruits lin arit a SPL lev e M S applique a toute la gamme de produits NEXO et se d ploie dans pratiquement tous les mat riels de sous location NEXO LatAM NEXO Asia Tel 1 305 677 9322 GPO Box 806 Fax 1 360 234 7870 Hong Kong e mail info nexo fr SAR China Tel 852 9096 3472 Fax 852 2104 3214 e mail info nexo fr NEXO loudspeakers and electronics are covered against defects in workmanship or materials for a period of two 2 years from the original d
11. an then be adjusted geometrically by curving the array horizontally so that it matches the audience area which creates an asymmetrical front stage to rear stage pattern with a hot point on stage or electronically by implementing a delay that increase from the centre to the sides which creates a symmetrical pattern front to rear In both cases omnidirectional subwoofers should be avoided so low frequency that level on stage does not exceed level in the audience Curved subwoofer array across stage Main drawback of monophonic designs as the ones described above is inconsistent phase relationship between subwoofer arrays and main systems over the audience area lack of impact in the 80Hz 125Hz bandwidth Centre flown directional subwoofer Avec un grand nombre d enceintes celles ci peuvent tre install es en ligne sur toute la largeur de la scene a condition que la distance entre les unites ne depasse pas la moiti de la longueur d onde de la fr quence sup rieure passer 1 7 m 100 Hz La couverture de l ensemble peut alors tre ajust e g om triquement en courbant la ligne horizontalement de fa on l adapter l espace du public ce qui cr e une figure asym trique de l avant scene vers l arri re sc ne avec une focalisation sur scene ou lectroniquement en appliquant un retard qui augmente du centre vers les c t s ce qui cr e une figure sym trique de l avant vers l arri re Dans les deux cas il va
12. ar field above 400 Hz half space anechoic below 400 Hz Usable range data frequency response capability with TD crossover slopes removed b Sensitivity amp peak SPL will depend on spectral distribution Measured with band limited pink noise Refers to the specified 3 dB range Data are for speaker processor recommended amplifier combinations c Directivity curves and data 1 3 octave smoothed frequency response normalized to on axis response Data obtained by computer processing of off axis response curves d Please refer to the user manual 17 71 454 mm 22 2 564 mm INDO 42 28 1074 mm 19 specifications SPECIFICATIONS DU PRODUIT RS15 Composants 2 X 15 38cm n odymes longue excursion 8 ohms Hauteur x Largeur x Profondeur 454 x 564 x 1074 mm 1 9 x 22 2 x 42 3 sans accessoires Forme Rectangulaire Poids Poids net sans accessoires 52kg 1 151b Connecteurs 2 x NLAMP SPEAKON 4 points Entr e amp Lien Construction Multiplis bouleau baltique finition noire grain e Finition moquette gris fonc galement disponible SP CIFICATIONS DU SYST ME RS15 AVEC LE TDCONTROLLER NX242 ES4 OU NXAMP Omni Directionnel R ponse en fr quence Y 3 dB a 35Hz 200Hz 35Hz 100Hz Bande utile 6 dB a S5Hz 250HZ 35Hz 150Hz Sensibilit 1 W 1 m b 105dB SPL Nominal 103dB SPL Nominal Niveau cr te SPL 1 m b 136 1390B cr te 2 x 700 133 136dB cr te 2 x 700 Watts 2 x 12
13. ate of purchase At the option of NEXO the defective item will be repaired replaced with no charge for materials labour The item is to be adequately packaged and dispatched pre paid to a NEXO authorised distributor service centre Unauthorised repair shall void the warranty The NEXO warranty does not cover cosmetics or finish and does not apply to any items which in NEXO s opinion have failed due to used abuse accidents modifications or any type of misuse All images and text herein are the property of NEXO SA and deemed accurate although specifications are subject to change without notice SubBass MY TRI i ATA T tn daria Ae LA AR TTT TTT AA A ATTE LEA ir ri A d A LE AU UE EE FN Li tee ie AT 1 n Je eves EEI CN A LUN eae EN LEN ia a a FA EFI Dorr i i AA FRAN MA a J i EEFI Oe re eer CANARIA TL non recta d hed baa it IO pCa bd waa Tk PASA if re A A Trier EFTE EEE re Tir LECEEREER FETI A A aa n Aiea rire 7 SOI err TEETE ARAN 1 7 TE eT AE FCFA ia ir pt re pi hea fs K Fi rere PT i ee T nn vei i a ri ia PE a E MEL cm FFE O Fi PERENNI ie nF FA FAN HO PRET aux DA Pia a es ha A een f ail Technology Directional The RS15 is the first offering of NEXO s RAY SUB Technology Comprised of a 15 inch transducer with a frequency response of 35Hz 200Hz in omni or 35Hz 150Hz in directional mode and a sensitivity of 105db SPL the RS 15
14. below drawings Although pressure level will still drop in the centre vicinity overall level in the audience area is comparable to what occurs at the centre Curved Sub Array Left implementation minimizing right coverage Advantage of stereo design as oppose to mono design is much improved phase relationship between subwoofer arrays and main systems since distance between them is greatly reduced However it is essential to keep in mind that stereo subwoofer array design always leads to strong interferences in the centre alley vicinity a couple of steps left and right of mixing position A successful design requires minimizing the audience area over which these interferences occur and therefore lots of on site experimentation Implantation Stereophonique Si la mise en uvre stereophonique doit tre maintenue alors les zones de couverture des systemes gauche et droite doivent tre ind pendantes afin de minimiser la zone de recouvrement Pour un petit nombre d enceintes 1 a 2 par c t il est possible de minimiser le recouvrement avec des enceintes de sub grave directionnelles en les tournant vers l ext rieur de 30 45 la rotation d une enceinte omnidirectionnelle n induisant videmment aucune difference pour la zone de couverture Pour une grande quantit d enceintes les ensembles d enceintes de sub grave gauche et droite doivent tre concus de facon a ce que le niveau chute le plus possible au centre et so
15. cene etc E le rayonnement arri re n est pas critique Bien que large dans les deux plans la couverture est l g rement plus troite dans la largeur du RS15 que dans sa longueur cf les illustrations ci dessous Vertical coverage in omni mode 100 hz Colonnes de RS15 La proc dure d implantation doit tre conforme a ce gui a t d crit dans la section precedente Voir la section qui suit sur les colonnes orient es Mode directionnel RS15 seul Un RS15 seul pr sente une couverture asym trique dans le plan horizontal haut parleurs de c t inclin e de 30 par rapport l axe liant les haut parleurs la couverture dans le plan vertical haut parleurs vers le haut ou vers le bas est sym trique IMPORTANT Pour ne pas alt rer le comportement directionnel et la charge acoustique du RS15 Il ne doit pas y avoir de surface r fl chissante moins de 50 cm des parois lat rales et des haut parleurs du RS15 Dans le cas d implantation st r ophonique NEXO recommande que les haut parleurs soient orient s vers l ext rieur afin de minimiser les zones d interf rence c est dire que le RS15 gauche devrait tre install e a gauche et le RS15 droit devrait tre install e droite Vertical coverage in directional mode 100 hz Ray Subs Implementation Dope Back to back configuration RS15s pair There are three ways of using pairs of RS15s in directional
16. e traitement analogique est assur par le TDcontroller S12 qui produira une directivit classique omnidirectionnelle vers le c ne dans les basses et tr s basses fr quences General Guidelines for Subwoofer Design Guidelines for Subwoofer Design Low Frequency Issues Even low frequency coverage is amongst the toughest issues in sound system design Common issues that are faced in design are as follow E Low frequency radiation is hard to control efficiently because of wavelength becoming large 10m 30ft at 34 Hz in relation to sources and most of available subwoofers are omnidirectional this results in important low frequency feedback on stage environmental problems in outdoor venues and increased reverberation time in indoor venues M La difficult du contr le du rayonnement en basse fr quence est li e la taille importante des longueurs d onde associ es 10 m 34 Hz par rapport la taille des sources De ce fait la plupart des enceintes de sub graves sont omnidirectionnelles et induisent un fort niveau dans les microphones sur sc ne des probl mes de voisinage en plein air et un niveau de r verb ration important en int rieur REFLECTING REFLECTING WALL WALL L m gt f1 C 2L ce a Z n ow Na a DISTANCE J gt SOUND PRESSURE DISTANCE gt E in closed venues room eigen modes nulls and max are dominant over source loca
17. ion face a face a une couverture de 3 dB qui augmente de 120 31 5 Hz 180 100 Hz Des informations d taill es sur la couverture de ces configurations sont disponibles dans le manuel utilisateur du RS15 Alternate configuration at 100 hz MEE en oeuvre des Ray Subs RS15s arrays Flying RS15s columns can significantly improve low frequency coverage in the vertical plane and therefore over audience depth provided height is sufficient A 12 RS15 cluster flown at 10m 30ft will provide a 3dB pressure level deviation at 100Hz over an audience area 75m 200ft deep while maintaining 15 to 20dB attenuation on stage see figure below Colonnes de RS15 Les colonnes de RS15 accroch es peuvent am liorer significativement la couverture des basses frequences dans le plan vertical et par consequent sur la profondeur du public a condition que la hauteur soit suffisante Un cluster de 12 RS15 suspendu a 10 m induit un niveau de pression contenu dans 3 dB a 100 Hz sur une profondeur de public de 75m tout en maintenant une attenuation de 15 20 dB sur sc ne cf la figure ci dessous 12 RS15 cluster over 75m 200ft steered 15 down Omni mode steered Ro15s arrays Coverage adjustments can be efficiently implemented through the steering technique which consists in implementing delays in cabinets to tilt coverage up or down Steering techniques should not be applied to clus
18. it maintenu en direction de l ext rieur En consequence l axe principal de couverture doit tre orient vers l ext rieur au moyen de retards ou en jouant sur la courbure comme sur la figure ci dessous Ces ensembles d enceintes doivent tre exp riment s en utilisant un c t seulement pour verifier si la condition ci dessus est remplie puis tre additionn s a gauche et droite pour valuer les interferences cf les illustrations ci dessous Bien que le niveau de pression chute toujours a proximit du centre le niveau global dans le public est a l image du niveau obtenu au centre Steered Sub Array Left and right sum L avantage d une implantation st r ophonique en opposition une implantation monophonique tient une relation de phase nettement am lior e entre syst mes d enceintes de sub grave et la diffusion principale les carts de distances tant consid rablement r duits Il convient cependant de garder l esprit que l implantation st r ophonique d enceintes de sub grave induit toujours de fortes interferences proximit de l all e centrale quelques metres gauche et droite de la position de mixage Pour r ussir une implantation il faut r duire au maximum l espace du public o ces interf rences se produisent et par cons quent faire beaucoup d exp rimentation sur place METE en oeuvre des Ray Subs Omnidirectional Mode single RS15
19. son de leur caract ristiques directionnelles ces enceintes sont galement moins sensibles aux modes propres des salles Directives G n rales pour L implementation des Subwoofers Monophonic Design Left and Right subwoofer arrays can be merged into a monophonic system So that interferences no longer exist When using few cabinets this can be done by installing these cabinets at the centre front stage If cabinets are set on the ground in front of the stage level discrepancy from first to last rows will be important Flying cabinets above centre stage will reduce first to last rows discrepancies significantly Implantation monophonique Les enceintes de sub graves peuvent tre regroupees en un systeme monophonique de sorte qu il n existe plus d interferences Avec un petit nombre d enceintes ceci peut tre fait en installant ces enceintes l avant de la sc ne au centre Si les enceintes sont pos es sur le sol l avant de la sc ne les carts de niveaux entre les premiers et les derniers rangs seront importants Les enceintes accroch es au dessus du centre de la sc ne r duisent sensiblement ces carts de niveaux Centre stacked directional subwoofer When using a larger amount of cabinets these can then be installed all across the stage provided distance between units does not exceed half the wavelength of the upper frequency limit 1 7m 5 6ft at 100 Hz Array coverage c
20. ters of less than 4 RS15 coverage control through steering technique increases with cluster height Steering can be applied in Omnidirectional Mode as well as in Directional Mode However because the steered beam has a cone shape steering in Omnidirectional Mode will result in significant level behind the system Below figures show coverage control over distance in both modes with a steering delay sequence corresponding to a 15 tilt down 12 Rs15 alternate cluster over 75m 200ft 12 RS15 cluster over 75m 200ft steered 15 down Directionali mode Les colonnes de RS15 orientees Les r glages de la couverture peuvent tre realises efficacement grace a la technique du steering qui consiste mettre en uvre des retards dans les enceintes pour incliner la couverture globale vers le haut ou le bas Les techniques de steering ne devraient pas tre appliqu es aux clusters de moins de 4 RS15 le contr le de la couverture par la technique du steering augmente avec la hauteur du cluster Le steering peut s appliquer tant en mode omnidirectionnel qu en mode directionnel Toutefois le lobe de directivit tant de forme conique le steering en mode omnidirectionnel entrainera un niveau sonore important derri re le syst me Les figures ci dessous montrent les contr les de couverture obtenus en mode omnidirectionnel et en mode directionnel avec une s quence de retard de steering correspondant
21. tion because these modes depend on accurate characterization of boundary surfaces walls ceiling floor audience coverage is very hard to predict To overcome these difficulties some common sense rules can help E Dans les volumes clos les modes propres conditionnent la r partition de l nergie en basse fr quence dans la salle comme la distribution de ces modes d pend d une caract risation pr cise des surfaces murs plafond sol la couverture r sultante est tres difficile a pr voir Probl mes li s aux basses fr quences L obtention d une couverture homog ne des basses fr quences compte parmi les probl mes les plus difficiles r gler dans la conception des syst mes de sonorisation Les difficult s les plus courantes rencontr es sont les suivantes M Stereophonic implementation of subwoofers introduces very strong interference patterns these are related to Left and Right path length difference to listener location while pressure levels are comparable for Left and Right arrays while always maximum at the center where distance to Left and Right arrays are equal pressure level can severely drop at locations where path length equals half the wavelength of frequency of interest This effect is well known from audio engineers and often referred to as Power Alley E implantation d enceintes de sub grave en st reophonie c est dire de part et d autre de la sc ne entra ne des interf rences
22. ut mieux viter les enceintes omnidirectionnelles afin que le niveau des basses fr quences sur sc ne ne d passe pas le niveau dans le public otraight delayed subwoofer array across stage Le principal inconv nient des implantations monophoniques telles que celles d crites ci dessus est l incoh rence de la relation de phase entre les lignes d enceintes de sub grave et la diffusion principale manque d impact dans la largeur de bande 80 Hz 125 HZ Ray Subs Implementation subs Implementation otereo Design If stereophonic implementation has to be maintained then Left and Right array coverage patterns have to be as independent as possible e coverage overlap from Left to Right has to be minimized When using few cabinets minimizing overlap can only be achieved with directional devices by rotating the subwoofers 30 to 45 outwards rotating an omnidirectional subwoofer makes no difference in the coverage pattern When using a larger amount of cabinets Left and Right subwoofers arrays must be designed so that level drops as much as possible inwards and is maintained as going outwards Therefore main axis efficiency must be orientated outwards through use of delays or curving the array outward as in below figure Such arrays must be experimented playing one side only to check if above condition is fulfilled and then summed left and right for interference evaluation see
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