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1. LES R VES nous transportent au pays de l imaginaire mais ils sont aussi un rite de passage du conscient vers l inconscient du r el vers l irr el et de l extraordinaire vers l immate riel rite dont le but premier est d arriver l union L ventail de r ves que propose cet album s tend du contemporain l historique comme le r cit de Jeannie et son amant qui rappelle l histoire de Rom o et Juliette dans la chanson Annachie Gordon en genre et en nombre car le r ve s accorde au singulier quand une gamine de Dublin r ve d un foyer o il ferait bon vivre alors qu il se conjugue au pluriel dans le r ve collectif de tous ceux qui r vent de libert dans la chanson Breaking The Silence sans oublier notre m re la terre qui r ve de la fin de la tyrannie humaine dans la chanson Ancient Pines Aussi dans la chanson Huron Beltane Fire Dance j ai voulu voquer l importance qu accordent aux r ves les premi res nations nord am ricaines et les anciens Celtes Le motif qui se r p te sans cesse dans ces r ves est un appel l amour la libert et l union Car de toutes les formes que prennent nos r ves celles ci se2. He turned his face toward his home That home he did never see And you shall have the story As it was told to me When a form upon him sprang With a dagger gleaming bright It pierced his heart and his dying screams Disturbed the silent night This maid had nearly reached her home When she was startled by a cry And she turned to look around her And her love was standing by His hand was pointing to the stars And his eyes glazed at the light And with a smiling countenance He vanished from her sight She quickly turned and home she ran Not a word of this was said For well she know at seeing his form That her faithful love was dead And from that day she pined away Not asmile seen on her face And with outstretched arms she went to meet him In a brighter place L M vocals keyboards harp Brian Hughes guitar electric bass synthetic textures David Woodhead mandolin George Koller bass Oliver Schroer violin Patrick Hutchinson uillean pipes Ratesh Dasj tables Al Cross percussion Co produced by L M and Brian Hughes Mixed by Jeff Wolpert at Inception Sound Toronto DICKENS DUBLIN THE PALACE 4 40 Music and lyric Loreena McKennitt walk the streets of Dublin Its 1842 Its snowing on this Christmas Eve Think I ll beg another bob or two I ll huddle in this doorway here Till someone comes along If the lamplighter comes real soon Maybe I ll go home with him Maybe I can find a place can ca
3. high You must marry Lord Sultan and leave Annachie With Annachie Gordon beg for my bread And before marry Sultan his gold to my head With gold to my head and straight down to my knee And I ll die if dont get my love Annachie And you who are my parents to church you may me bring But unto Lord Sultan I ll never bear a son To a son or a daughter I ll never bow my knee And I ll die if don t get my love Annachie Jeannie was married and from church was brought home When she and her maidens so merry should have been When she and her maidens so merry should have been She goes into her chamber and cries all alone Come to bed my Jeannie my honey and my sweet To stile you my mistress it would be so sweet Be it mistress or Jeannie its all the same to me But in your bed Lord Sultan never will lie And down came her father and he s spoken with renown Saying you who are her maidens Go loosen up her gowns And she fell down to the floor And straight down to his knee saying Father look l m dying for my love Annachie The day that Jeannie married was the day that Jeannie died And the day that young Annachie came home on the tide Saying oh its been so long you ve been so long on the sands So long on the sands so long on the flood They have married your Jeannie and now she lies dead You who are her maidens come take me by the hand And lead me to the chamber where my love she lies in And he kissed her cold till his heart i
4. instructions MAC Insert the CD into the CD ROM drive Double click he Enhanced icon Follow the onscreen instructions No Warranties The enhanced elements on this CD are provided to the user without warranties expressed or implied of any kind Neither Quinlan Road Limited nor its distributors shall be liable for any actual or consequen ial damage arising from the use of or the inability to use he enhanced elements contained on this CD MODE D EMPLOI DE LEDITION REVUE ET AUGMENTEE DU CD Syst me d exploitation WINDOWS ins rez le CD dans le ecteur de c d rom de votre ordinateur qui devrait automatiquement t l charger les donn es grav es sur le CD Si l ordinateur ne t l charge pas de lui m me ces donn es il vous faudra proc der manuellement en ex cutant la commande start exe la source du programme de ce CD ROM et suivre les directives telles qu elles apparaissent a l cran Syst me d exploitation MACINTOSH ins rez le CD dans le lecteur de c d rom de votre ordinateur et double cliquez l ic ne Enhanced Suivez les directives telles qu elles apparaissent l cran Avis de non responsabilit les donn es de l dition revue et augment e de ce CD sont fournies l utilisateur sans garantie aucune expresse ou implicite Ni Quinlan Road Lt e ni ses distributeurs ne peuvent tre tenus respons ables de tout dommage direct ou indirect r sultant de l utilisation ou de difficult s d
5. the Herder And be quiet for a space The moon cradle s rocking and rocking Where a cloud and a cloud go by Silently rocking and rocking The moon cradle out in the sky The snipe they are crying and crying Liadine liadine liadine Where no tracks on the bog they are flying A lonely dream will be mine L M vocals harp synthetic textures ukelin Crickets Jimmy behind the fridge Mixed by John Whynot at Metal Works Toronto HURON BELTANE FIRE DANCE 4 20 Music Loreena M cK ennitt L M vocals harp bodhran Brian Hughes guitar David Woodhead mandolin George Koller bass Rick Lazar udu drum and congas Shelly Berger pzud Oliver Schroer fiddle ANNACHIE GORDON 8 22 Music and lyric Traditional arranged by Loreena McKennitt Harking is bonny and there lives my love My heart lies on him and cannot remove It cannot remove for all that have done And never will forget my love Annachie For Annachie Gordon hes bonny and hes bright He d entice any woman that e er he saw He d entice any woman and so he has done me And never will forget my love Annachie Down came her father and hes standing at the door Saying Jeannie you are trying the tricks of a whore You care nothing for a man who cares so much for thee You must marry Lord Sultan and leave Annachie For Annachie Gordon is barely but a man Although he may be pretty but where are his lands The Sultan s lands are broad and his towers they run
6. utilisation des donn es grav es sur ce CD QR acD
7. LOREENA MCKENNEIFT BEYOND the transportation into fantasy dreams have served as a vehicle through which we have integrated our conscious and subconscious the real and the surreal the powerful and the intangible The dreams found in this recording span a wide range from the contemporary to the historical as in the Romeo and Juliet story of Jeannie and her lover in Annachie Gordon the singular as in the little Dublin street girl who dreams of having a home to the plural in those who dream of freedom as reflected in Breaking The Silence or the earth s yearning for release from the oppression of the human hand in Ancient Pines In the Huron Beltane Fire Dance have tried to recall the reverence for dreams of the North American first peoples and the early Celts If there is a recurrent thread that runs through these dreams it is one of yearning toward love liberty and integration Of all the variations of dreams we may have these surely are our parallel dreams L M QRCD103R
8. ght and saw the beautiful star up in the sky and when they were going they all meeted together and they had to pass King Herod s not that we much care for him and they went in and he said Where ye goin with yer best stitches on ye And they said Did ye not hear the news and say he says What news he says This day the Saviour is born and he said to them When you find him come back and tell me cause want to go and adore him too and he was only coddin them He wanted to kill him and when they were going they stopped and they said Surely not this old stable that our King is born in We was expecting a palace There was these shepherds and shepherds are fellas that mind the foals and cows and sheeps and little lambs and all and um they hears this beautiful music up in the sky and they were wondering what was so fun An angel disappated them and he said was wonderin what so fun and he said Yeh and he said The Saviour is born If yous want to go see him follow that star up in the sky and it was a beautiful star BREAKING THE SILENCE 6 23 Music and lyric Loreena McKennitt A tribute to Amnesty International hear some distant drumbeat A heartbeat pulsing low Is it coming from within A heartbeat don t know A troubled heart knows no peace A dark and poisoned pool Of liberty now lost A pawn an oppressors tool Oh my heart be strong And guide when eyes grow dim When ears g
9. l design by Heidi Holdsworth of Creative Feats Inc Very special thanks to the many who shared this dream and in particular to Brian H John W Jeff Wolpert my mother Larry Mayson and family Richard Flohil Clark Miller Elisabeth Feryn Scott McKowen Walter Scheuer Roxanne Standefer the staff at Grant Avenue Studios Metal Works Inception Sound Mary and the staff at Dyna Pak Kathy at McClear All songs written and or arranged by Loreena McKennitt All songs are copyright throughout the world by Quinlan Road Music Ltd SOCAN BMI In Canada the United States Australia and New Zealand all rights are administered by Quinlan Road Music Ltd Throughout the rest of the world all rights are adminis tered by BMG Music Publishing International amp 1989 2006 Quinlan Road Limited All rights reserved Unauthorized reproduction copying and rental of this recording or artwork is prohibited by law and subject to criminal prosecution Tous droits r serv s Sauf autorisation la reproduction la duplica tion la location de ce disque et de sa pochette sont interdites sous peine de poursuites judiciaires Quinlan Road RO Box 933 Stratford Ontario Canada N5A 7M3 Made in E U Fabriqu en E U www quinlanroad com ENHANCED CD INSTRUCTIONS WINDOWS Insert the CD into the CD ROM drive and he CD should autoload If the CD does not autoload run start exe from the root of this CD ROM Follow the onscreen
10. ll my home Maybe I can find a home I can call my own The horses on the cobbled stones pass by Think I ll get one one fine day And ride into the countryside And very far away But now as the daylight disappears best find a place to sleep Think I ll slip into the bell tower In the church just down the street Maybe I can find a place can call my home Maybe I can find a home I can call my own Maybe on the way I ll find the dog saw the other night And tuck him underneath my jacket So we ll stay warm through the night And as we lie in the bell tower high And dream of days to come The bells o erhead will call the hour The day we will find a home L M vocals harp keyboards George Koller cello bass Brian Hughes guitar David Woodhead accordion Oliver Schroer violin Mixed by Jeff Wolpert at Inception Sound Toronto DICKENS DUBLIN TRANSCRIPT oyful mystery the birth of our Lord This night our Lady and St Joseph was going up to get registered and um they were going down the road and they met this man and he said have you any room and he said No but there s an old stable over there that owned If yous want to go into it and they went over and he Lord came down from heaven at twelve o clock and loads of beautiful angels was with them and when they were walkin hese three wise kings um they were all from different countries And they always looked up at the sky and they looked up this ni
11. raient vraisemblablement des formes de r ves parall les L M SAMAIN NIGHT 4 27 Music and lyric Loreena McKennitt When the moon on a cloud cast night Hung above the tree tops height You sang me of some distant past That made my heart beat strong and fast Now know I m home at last You offered me an eagles wing That to the sun might soar and sing And if heard the owl cry Into the forest would fly And in its darkness find you by And so our loves not a simple thing Nor our truths unwavering But like the moons pull on the tide Our fingers touch our hearts collide l Il be a moonsbreath by your side L M vocals harp keyboards Brian Hughes guitar Oliver Schroer violin George Koller cello Co produced by LM and Brian Hughes Mixed by Jeff Wolpert at Inception Sound Toronto MOON CRADLE 4 29 Music Loreena M cK ennitt Lyric Padraic Collum arranged by Loreena McKennitt The moon cradles rocking and rocking Where a cloud and a cloud go by Silently rocking and rocking The moon cradle out in the sky Then comes the lad with the hazel And the folding star s in the rack Nights a good herd to the cattle He sings She brings all things back But the bond woman down by the boorie Sings with a heart grown wild How a hundred rivers are flowing Between herself and her child The geese even they trudge homeward That have their wings and the waste Let your thoughts be on Night
12. row deaf with empty words When know theres life within A gunfire shatters silence Where birds once sweetly sang A mother cradles a child now dead Now death where life began From the troubled heart of South Africa Nicaraguas festering sore The turmoil on the streets of china Death crying out for more CHORUS A change is slow in coming My eyes can scarcely see The rays of hope come streaming Through the smoke of apathy But oh my heart be strong And guide when eyes grow dim When ears grow deaf with empty words When know theres life within May the spirit never die Though a troubled heart feels pain When this long winter is over It will blossom once again L M keyboards ukelin whistle Brian Hughes guitars Shelly Berger bass pzud George Koller tamboura Rick Lazar udu drum congas Co produced by L M and Brian Hughes Mixed by John Whynot at Metal Works Toronto ANCIENT PINES 3 35 Music Loreena McKennitt From the NFB film GODDESS REMEM BERED L M vocals synthetic textures George Koller cello Mixed by John Whynot at Metal Works Toronto Produced by Loreena McKennitt Recorded at Grant Avenue Studios Hamilton and the Quinlan Farmhouse Stratford by John Whynot and One Eyed Jack the cat Digitally remastered by Jeff Wolpert and Brian Hughes at Phase One Studios Toronto Digital editing and sequencing by George Seara Cover photo by Elisabeth Feryn Design by Scott McKowen Additiona
13. t turned to stone And he died in the chamber where his love she lies in L M vocals harp keyboards Mixed by John Whynot at Metal Works Toronto STANDING STONES 6 56 Music Loreena McKennitt Lyric Traditional arranged by Loreena McKennitt In one of these lonely Orkney Isles There dwelled a maiden fair Her cheeks were red her eyes were blue She had yellow curling hair Which caught the eye and then the heart Of one who could never be A lover of so true a maid Or fair a form as she Across the lake in Sandwick Dwelled a youth she held most true And ever since her infancy He had watched those eyes so blue The land runs out into the sea tS a narrow neck of land Where weird and grim the Standing Stones n acircle there they stand One bonny moonlit Christmas Eve They met at that sad place With her heart in glee and the beams of love Were shining on her face When her lover came and he grasped her hand And what loving words they said They talked of futures happy days As through the stones they strayed They walked toward the lovers stone And through it passed their hands They plighted there a constant troth Sealed by loves steadfast bands He kissed his maid and then he watched her That lonely bridge go o er For little little did he think He wouldnt see his darling more CHORUS Standing stones of the Orkney Isles Gazing out to sea Standing stones of the Orkney Isles Bring my love to me
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