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1. W When in the springtime of the year When the trees are crowned with leaves L When the ash and oak and the birch and yew Are dressed in ribbons fair t Ey W hen owls call the breathless moon In the blue veil of the night gl E T he shadows of the trees appear Amidst the lantern light Weve been rambling all the night And some time of this day Now returning back again We bring a garland gay Who will go down to those shady groves And summon the shadows there And tie a ribbon on those sheltering arms In the springtime of the year The songs of birds seem to fill the wood T hat when the fiddler plays All their voices can be heard Long past their woodland days ______ And so they linked their hands and danced Round in circles and in rows WE i 4 Sa And so the journey of the night descends W hen all the shades are gone wU Beneath these jasmine flowers Amidst these cypress trees give you now my books And all their mysteries i A garland gay we bring you here And at your door we stand b 4 It is a sprout well budded out The work of O ur Lord s hand 1 Did the candle John T he daylight has almost gone T he birds have sung their last T he bells call all to mass Sit here by my side For the night is very long T heres something must tell Before pass along i joined the brotherhood M y books were all to me scribed the words of God And much of2. ORCD107R fA GOOD TRAVELLER HAS DO FIXED PLADS ADD IS DOT IDTEDT OD a i ARRIUIDG 7 Lao TZd 570 490 BC 4 t IDTRODUCTIOD O ver a number of years spent ruminating on the distinctive characteristics of the C elts began to wonder if their legendarily nomadic ways arose from an inner need a restlessness that had its roots in an insatiable curiosity suspect it was my growing awareness of my own wanderlust that made me aware of the connection felt to the Celtic lineage And the more learned of pan C eltic culture and its unexpected turns and twists the more was drawn to learn about the Celts contemporaries which in turn set me off on tangents which might have little or no connection to the Celts themselves In casting your inspirational net as an artist you become familiar with the humility that comes with watching your best laid plans veer sideways and recordings becoming something other than what you expected T he journey not the destination becomes a source of wonder In the end wonder if one of the most important steps on our journey is the one in which we throw away the map and remember that we are all extensions of our collective history T hese songs have been assembled like a mosaic T hey are also the souvenirs that come of sifting through shards of history and scraping away layers to reveal the fragile past as saw in Italy at an archaeological site at Chianciano Ter
3. s book H ow T he Irish Saved Civilization with its lively account of Irish monksin the so called D ark Ages M onasteries were often founded i in harsh remote outposts like the Skdlig Idands off Irdand s west coast x SEPTEMBER 20 1995 ITALY T hey change their sky but not their soul who cross the ocean set out for amp i Bobbio in Emilia Romagna which Cahill says was the firs Irish monastery to be established in Italy when renegade Irish monks were banished to the continent H ow strange it was to view these very early Irish times in the museum at Bobbio and see the name of Saint Columbanus 13 SEPTEMBRE 1995 TOSCANE Je lis le livre de T homas Cahill H ow the Irish Saved Civilization qui comporte un r cit color sur les moines irlandais du M oyen Age p riode i di sant sombre F D es abbayes amp aient souvent fond es dans des coins o le climat tait fort rude notamment dans les les Skalig au large de la c te ouest de l Irlande 20 SEPTEMBRE 1995 ITALIE Ils changent leur firmament pas leur a ame qui travers oc an Je suis partie pour Bobbio en EmilieRomagne Cahill la d signe comme tant la premi re abbaye irlandaise tre fond e en Italie une poque o les moines apostats irlandais taient bannisau continent C et range de pouvoir contempler l histoire ancienne de l Irlande au muse de Bobbio en Italie m me d y voir le nom de Saint Columbanus
4. resant de travailler sur un ta projet aux studios Real World my awareness of just how important Venice was as a crosroads 0 TD tu dansun cadre qui d gage justement l ambiance des paysages ruraux de l Angleterre du XVIII me i de between cultures Threads of history reverberate around me including k _ gu vogue s bien le conte la fois dramatique amp tragique de N oyes the sory of M arco Polo the thirteenth century merchant adventurer who claimed to have travelled all the way to China M ARCH 1997 REAL WoRLD Stupios At the beginning and middleofthispiee 08 The wind was a torrent of darkness among the gusty trees The moon was a ghostly galleon tossed upon have interwoven an authentic Sufi melody that first heard performed A el U _ the cloudy seas T he road was a ribbon of moonlight over the purple moor And the highwayman came by a group called Ensemble Oni Wytars J riding Riding riding T he highwayman came riding up to the old inn door 3 NOVEMBRE 1991 VENISE M on premier voyage Venise sav re captivant J S r He d a French cocked hat on his forehead a bunch of lace at his chin A coat of claret velvet and non seulanent a cause de l extraordinaire exposition d objets d art cates que je viens rani breeches of brown doe skin T hey fitted with never a wrinkle his boots were up to the thigh And he tout juste de voir mais ausi parce qu en me promenant dans la ville je r alise que E
5. 3 4 6 8 mixed by Stuart Bruce Assisted by Jacquie Turner Justin Griffith M arco M igliara Recorded at Real World Studios Wiltshire Additional mixing at Air Studios London M astered by Bob Ludwig at Gateway M astering Studios Inc Portland ME Digitally remastered by Jeff Wolpert and Brian H ughes at Phase O ne Studios Toronto Original design M argo Chase D esign Additional design Creative Feats Inc Photography Ann Cutting French translation Claude Fortin All songs written and or arranged by Loreena M cK ennitt All songs are copyright throughout the world by Quinlan Road Music Ltd SOCAN BM1 In Canada the United States Australia and N ew Zealand all rights are administered by Quinlan Road M usic Ltd t y F pr M Gstctans Throughout the rest of the world all rights are administered by BM G Music Publishing International LOREENA McKENNITT Vocals Tracks 1 2 3 4 5 7 8 Piano Track 8 Keyboards Tracks 1 2 3 4 5 6 7 8 Harp Track 6 Kanoun Track 1 Accordion Tracks 4 5 ANNE BOURNE Cell Track 6 AIDAN BRENNAN Acoustic Guitar Track 3 M andola Tracks 4 7 MARTIN BROWN Acoustic Guitar Track 5 2 Mandolin Track 5 M andola Track 5 STUART BRUCE Assembled D rone Track 1 Vocal D rone Track 4 PAUL CLARVIS Snare Drum Track 5 NIGEL EATON Hurdy Gurdy Tracks 2 4 STEAFAN HANNIGAN Bodhran Track 5 NICK HAYLEY Serangi Track 7 Rebec Track 7 Lira da Braccio Track 7 BRIAN HUG
6. on peut explorer la ville en toute tranquillit Je descends les troites rues int rieures et les bords du canal qui baignent dans la brume Ce mdange d images et de sons n et pas de ce monde Je travers l ancien quartier juif dela ville Ces mursjettent un ombre sur l Histoire de Venise JUILLET 1995 STRATFORD Je viens tout juste delire dans le livre Venice de Jan M orris un r it pasionant sur cette ville L auteur d crit de facon fort savoureusement d taill e la visite du jeune roi de France Henri III Venis en 1574 son arriv il fut bloui par l extraordinare spectacle qui fut pr par en son honneur des p niches d cor es d arcs triomphals des radeaux transportant des souffleurs de verre qui soufflaient de die petites figures en verre au moment o ils passaient devant le roi des tableaux paints par les grands ma tres de l poque Ta a qji lt waqa F Fr r wanpas Lun D eS Vn j U MOCNE LYRIC LOREENA I CREMHITT 750 my Ostegan oO TERTC LOREENA Tc ED DUE PT DECEMBER 17 1995 TRANS SIBERIAN RAILWAY It is now D ay 5 on thistrain journey across wintry Siberia Travdling alone it is range not to be able to have a conversation with anyone but one learns how much can be conveyed through actions body language a look in the eye DECEMBER 18 1995 TRANS SIBERIAN RAILWAY D ant s T he Divine Comedy keeps running through my mind as gaze out at the lan
7. people the Abkhazians Quand vous aurez go t aux secrets vous voudrez les p n trer SEPTEMBRE 1995 T OSCAN E J tudielelivre deWilliam Eamon Science And T he Secrets Of Nature qui traite de l histoire de la science et de comment peu peu les myst res dela nature ont pu tre expliqu s a travers les ages est galement question de la manipulation et dela diffuson de l information qui ni taient 3 U le d initi or lit d bla avec qui nous partageons la condition humaine Comment l O ccident et il devenu un ta lieu detranstion profitaiet a un petit cercle d initi s Je suis frapp par l actualit de ces problemes NU N os vies sont elles vraiment cales qu ils simaginent ry F VRIER 1996 STRATFORD Je viens de lire l autobiographie de M urat Yagan Come From Behind Kaf M ountain qui parle de sn initiation la voie du soufisme par l entra nement hippique Pour son peuple les When the dark wood fell before me Cast your eyes on the ocean Cas your soul a Abkhazes comme pour les Cates les chevaux jouent un r le tr s important d un point de vue cultural And all the paths were overgrown to the sea When the dark night sems endless _ When the priests of pride say there is no other Please remember me La Ride on Through the night Ride on Ride on Through the night Rid way tilled the Sorrows of stone x g g ide on RIGE on nrougn the nig tae on Though we share this humble
8. sincerest thanks to all those listed for bringing their talents to bear on this project Special thanks to my colleagues at O uinlan Road Stratford and U K Rosie Bailey lan Blackaby Jane Boyce Bill Bruce Marge Bruce Alex Bryant Tim Fowkes Alan M cGowan Xaine M cGowan D ani N oble K aren Shook T hank you also to D ave Tollington Candy H iggins Peter Standish Arlene Grzeszak to O wen Leech N atasha W hite and the staff at Real World Studios to Terry Stone to Larry Fisher to Dorcas Till and Festival Travel to Jeff Wolpert John W hynot Scott M atthews Paul Benedict and Peter W illiams to Graham H enderson to C anadian Airlines Finally thank you to my mother who set me out on this path unbeknownst to us both And as always should add that these projects rely upon the involvement and bountiful efforts of many who have not been named here M y sincerest thanks to all of them as well A bibliography of the texts used in researching this recording is available from Q uinlan Road upon request Lao Tzu translation copyright 1988 by Stephen Mitchell Reprinted with permission from Tao Te Ching A New English Version by Stephen Mitchell H arperCollins 1988 PRODUCED BY LOREENA MCKENNDITT 7 Assistants to the producer Brian Hughes and Donald Quan Engineered by Stuart Bruce and 2 Kevin Killen Tracks 2 8 recorded by Stuart Bruce Track 1 recorded by Kevin Killen Tracks 1 2 5 7 2 mixed by Kevin Killen Tracks
9. Cold on the stroke of midnight The tip of one finger touched it T he trigger at least was hers T lot tlot H ad they heard it The horse hoofs were ringing clear T lot tlot in the distance Were they deaf that they did not hear Down the ribbon of moonlight over the brow of the hill T he highwayman came riding Riding riding T he red coats looked to their priming She stood up straight and still T lot in the frosty silence T lot in the echoing night N earer he came and nearer H er face was like a light H er eyes grew wide for a moment She drew one last deep breath Then her finger moved in the moonlight H er musket shattered the moonlight Shattered her breast in the moonlight and warned him with her death H e turned he spurred to the West he did not know she stood Bowed with her head o er the musket drenched with her own red blood Not till the dawn he heard it his face grew grey to hear H ow Bess the landlord s daughter The landlord s black eyed daughter H ad watched for her love in the moonlight and died in the darkness there Back he spurred like a madman shrieking a curse to the sky With the white road smoking behind him and his rapier brandished high Blood red were the spurs the golden noon wine red was his k ti db a velvet coat e W hen they shot him down on the highway D own like a dog on the highway ct 2 And he lay in his blood on the highway
10. HES Oud Tracks 2 4 7 Electric Guitar Tracks 1 5 Acoustic Guitar Tracks 4 5 7 mj Bouzouki Tracks 4 5 7 Guitar Synthesizer Track 4 Classical Guitar Track 6 Vocal Drone Track 4 s ROBIN JEFFERY Victorian Guitar Track 6 MARTIN JENKINS M andocello Tracks 3 4 5 7 MANU KATCHE Drums Tracks 1 2 4 7 e CAROLINE LAVELLE Cello Tracks 2 5 8 RICK LAZAR Percussion Tracks 1 2 4 5 7 JOANNA LEVINE Viola da Gamba Tracks 3 6 e HUGH MARSH Violin Tracks 2 3 4 5 6 7 8 OSAMA Violin Track 4 e STEVE PIGOTT Additional Keyboards Tracks 3 8 e DONALD click the Enhanced icon Follow the onscreen instructions Iecteur de c d rom de votre ordinateur et double cliquez QUAN Tabla Tracks 2 4 7 Timba Track 1 Esraj Track 1 Viola Tracks 2 4 5 6 8 Additional K eyboards ts The enhanced dements on this CD are l ic ne Enhanced Suivez les directives telles qu elles Tracks 3 4 Vocal Drone Track 4 HOSSAM RAM ZY Percussion Tracks 2 4 5 7 DAVID RHODES EM provided to the user without warranties expressed or Der Electric Guitar Track 2 DANNY THOMPSON Acoustic Bass Tracks 2 3 4 5 7 8 BOB WHITE Tin is implied of any kind N either Quinlan Road Limited nor its Avis de non responsabilit les donn es de l dition revue et amp 1997 2006 Quinlan Road Limited All rights reserved U nauthorized reproduction copying and rental of this recording or artwork is prohibited by law and subject to criminal prosecutio
11. OREEDA Dc Ren We A D P OCTOBER 1995 ATHENS KS Pa VE Za On a trip to the Greek capital i interviews with local journalists certain a d themes arise again and again peoples spiritual needs and the time and space needed to nurture that proces One writer mentions a monastery at M ount Athos a place of reflection but alas for men only JuLy 6 1996 ISTANBUL One of the organisers of the anbul Jazz Festival reminds me that a certain section of the city can be traced back to C atic roots In tracing the mosaic of history am eager to learn of the influences that come from this place OCTOBRE 1995 ATHENES Au cours d un voyage dans la capitale grecque je r alise que les m mes th mes reviennent lors d interviews avec la prese r gionale la vie piritudle l epace et le temps n cessaires pour m diter les questions qui en manent Un journaliste fait r f rence un monast re sur le mont Athos un lieu de recuallenent hgas r serv aux hommes 6 JUILLET 1996 ISTANBUL Un des organisateurs du festival de jazz d Istanbul me fait remarquer qu il existe tout un secteur dela ville o on peut remonter jusqu des sources cates En retracant la mosa que de l Histoire je m applique apprendre qudles influences proviennent d ici fre find that during the course of n s ri MUSIC ADD LYRIC LOREENA MCKENNITT MC i F JANUARY 1 1985 STRATFORD z f have just read an accou
12. T Venise amp ait jadis un v ritable carrefour de cultures Le fil de l Histoire se d roule WA O ver the cobbles he clattered and clashed in the dark inn yard And he tapped with his whip on the devant moi jusqu a l histoire de M arco Polo le marchand aventurier du tr zi me IMMO shutters but all was locked and barred H e whistled a tune to the window and who should be waiting sede qui affirme avoir voyage jusqu en Chine due S there But the landlord s black eyed daughter Bess the landlord s daughter MARS 1997 STUDIOSREAL WORLD J ai indus au d but au milieu de cette pi ce MMS PE ag Plaiting a dark red love knot into her long black hair un air sufi authentique que j ai entendu pour la premi re fois jou Qne kiss my bonny sweetheart I m after a prize tonight But shall be back with the yellow gold before par l Ensemble Oni Wytars the morning light Yet if they press me sharply and harry me through the day Then look for me by the ad moonlight Watch for me by the moonlight l II come to thee by the moonlight resets though hell should bar the way th He rose upright in the stirrups he scarce could reach her hand But she loosened her hair i the casement j a H is face burnt like a brand As the black cascade of perfume came tumbling over his breast P me ge And he kissed its waves in the moonlight Oh sweet black waves in the moonlight 2 Then he tugged at his rein in the moonlight
13. allemet Finalement je me demandes une des escales les plus importantes de notre voyage n et pas cale o nous jetons notre plan par dessus bord de nous rappde que nous sommes tous le prolongement de l Histoire de l humanit Tale une mosa que chaque chanson et comme une collection de petites pi ces assembl es une une Chaque chanson es ausi une collection de souvenirs l es ntid de ce qui reste quand les fragments de l Histoire sont pass s au tamis et que des fouilles sont entreprises pour d couvrir le pass couche par couche jusqu ce qu il se r le nous dans toute sa fragilit Aing Chianciano Terme en Italie us les horizons romains d un ste arch ologique gisent des horizons trusgues encore plus anciens I1 en et de m me du lieu de s pulture d un mys ieux chef cate a Orvieto J esp re que cet enregistrement excitera sur votre curiost comme peuvent le faire les mailleurs livres de r cit de voyage Voyage au coeur de l imagination ou voyage sur cette terre l important et de ne jamais oublier que nos souvenirs les plus chers sont ceux qui nous rappdlent les v ritables richesses de notre vie nos parents et amis nos efforts pour fa onner notre vie comme un artiste cr e une oeuvre d art et les efforts que nous prodiguons concilier d une part la n cessit de satisfaire nos besoins sur le plan material avec d autre part l importance d entretenir les liens qui nous unis nt E JAE i Dose L
14. and galloped away to the West i rode with a jewelled twinkle His pistol butts a twinkle His rapier hilt a twinkle under the jewelled sky Ses fe did not come at the dawning he did not come at noon And out o the tawny sunset beforethe eo FA rise o the moon When the road was a gypsy s ribbon looping the purple moor A red coat troop z came marching M arching marching King George s men came marching up to the old inn door u They said no word to the landlord they drank his ale instead But they gagged his daughter and bound her to the foot of her narrow bed Two of them knelt at the casement with muskets at their Side There was death at every window And hell at one dark window For Bess could see through za the casement the road that he would ride A hey had tied her up to attention with many a sniggering jest They had bound a musket beside her With the barrel beneath her breast N ow keep good watch and they kissed her She heard the dead man say Look for me by the moonlight Watch for me by the moonlight I ll come to thee by the i moonlight though hell should bar the way She twisted her hands behind her but all the knots held good She writhed her hands till her fingers were wet with sweat or blood T hey stretched and strained in the darkness and the hours crawled by like years Till now on the stroke of midnight
15. dscape passing before me thinking of the people who inhabit it and how they share this human condition H ow has the West come to this place of transition Are our lives really what they imagine 17 D CEMBRE 1995 LA VOIE DE CHEMIN DE FER TRANSSIB RIENNE C est le cinqui me jour de ce voyage en train travers la Sib rie hivernale Quand on voyage seule il et curieux de ne pouvoir parler personne mais tant de choses peuvent Sexprime par le langage du corps les gestes et l expression des yeux h 18 D CEMBRE 1995 LA VOIE DE CHEMIN DE FER TRANSSIBERIENNE Je contemple le paysage qui d file devant moi et je ne peux m emp cher de pns La Divine Com die de Dante amp aux gens qui habitent id Once you have tasted the secrets you will have a strong desire to understand them _ SEPTEMBER 1995 Tuscany have bem studying William Eamon s book Science And T he Secrets Of Nature whose look at the history of science touches on how the mysteries of nature gradually became explainable T he book examines how knowledge was manipulated and withhdd for the personal advantage of a few and am struck by the smilarities of the dilemmas facing our present age FEBRUARY 1996 STRATFORD have jug finished reading M urat Yagans autobiography I Come From Behind Kaf Mountain which touches on hisinitiation to the Sufi path via equestrian training Asin the Celtic culture horses figure prominently amongst his
16. es qui vouaient un culte aux arbres et qui habitaient les grandes r gions foresti res de l Europe d antan La momerie d signe habituellement une procession de com diens ambulants v tus de masques parfois faits de paille et d habits ornement s de rubans amp de pi ces d offe IIs d filent devant les chaumi res des environs en chantant des chansons amp en portant des rameaux feuillus Surtout asoci au printemps et la fertilit la momerie pos de tout un a capdla rich with references to springtime and St George f at amp lot de personnages a Maustc anv LYRIC LOREENA MCKENNITT 6 07 comme le bouffon qui revient sous une forme ou a une autre dansla danseM orris un type de dans folklorique anglais dans le th tre d ombres dela Turquie et dela Gr ce ou m me encore dans les courtes pi ces de th tre 7 ih all goriques du M oyen Age Mu 1ER MAI 1997 PADSTOW CORNOUAILLES Comme cet souvent le cas lors d v nements consacr s par la tradition a Padstow les festivit s de la F te du travail d marrent la valle au soir n et pas tonnant qu une tele f te sit 1 4 dobre dans l une des premi res enclaves cates d Angleterre La valle du Premier M ai on commence la f te en chantant a cappdla un air ritud qui comporte de nombreuses r f rences au printemps amp Saint Georges SEPTEMBER 13 1995 Tuscany have been reading T homas Cahill
17. history gt b M any a year was Perched out upon the sea T he waves would wash my tears The wind my memory A the ocean breathe Exhale upon the shore knew the tempest s blood Its wrath would endure And so the years went by Within my rocky cell With only a mouse or bird My friend loved them well U And so it came to pass I d come here to Romani And many a year it took Till arrived here with thee on dusty roads walked And over mountains high Through rivers running deep Beneath the endless sky M DGSIC Loreena MCKENNDITT LYRIC ALFRED MOVES ABRIDGED BY LOREENA DCKEEDDITT 10 19 N OVEMBER 3 1991 VENICE il Mi 1 X l i a JULY 1993 STRATFORD Some friends have offered the suggestion that set Alfred N oye poem The This first trip to Venice has been LEE ee i le s w Ts an a ge w a a i mE F NGC r a e hayk Highwayman to musc T his dramatic tragic narrative rich with the imagery of 18th century rural England fascinating not only because of the A Tee SRE could be fun to work on at Real World where the surrounding landscape seems to exude that very atmosphere extraordinary exhibition of Celtic artefacts have jug IE juliet 1993 STRATFORD Des amis me sugg rent de compose une chanson a partir du po me d Alfred sen but because walking through the city itself has ha ghtened SAT US u Noys The Highwayman Ce serait ctes int
18. me where ancient Roman layers reveal even more ancient Etruscan layers or at the burial site of a mysterious Celtic chieftain in Orvieto My hope was that this recording might fuel curiosity in the same way as do the best books of travel stories From all journeys be they imaginative or geographic the most important souvenirs to be collected are the reminders that people s lives are fortified by family and friends by our ability to create our lives like creating a piece of art and by our efforts to reconcile our material needs with the importance of our connections to each other Apres de nombreuses ann es de r flexion sur ce qui caract rise les Cates je me suis demand e s leur nomadisne l gendaire n tait pas l expression d une pulson une sorte d agitation interne qui proc de d une curiost insatiable Je crois bien que cet depuis que j ai pris conscience et de mon irr sistible envie de voyager que j ai le sentiment d appartenir la descendance cate Plus j en apprends sur la culture pancatique plus je cherche en savoir davantage sur d autres peuples du temps des Cates ce qui son tour me jette sur des pistes qui ont peu ou pas de lien avec les Cates en tant que tas L artiste en qu te d inpiration tend son file et devient plus humble lorsqu il voit ses projets prendre une autre tournure et ses enregistrements reproduire une musque diff rente de cdle qu il imaginait Le voyage et non la destination et source d mer v
19. ments for Tracks 3 6 7 Additional String Arrangements BRIAN 7 ma An 11 MODE D EMPLOI DE L DITION REVUE ET dommage direct ou indirect r sultant de GASCOIGNE and DOUG RILEY Dantes Prayer includes an excerpt of Alleluia Behold Thess re _ ali AUGMENT E DU CD Mo ou de difficult s d utilisation des donn es grav es Bridegroom from the album Russian Easter performed by the St Petersburg Chamber Choir and conducted Ma zh Syst me d exploitation WIN D OW S ins rez le CD dans le by Nikolai Korniev courtesy of Philips Classics Productions M artin Jenkins appears courtesy of Osmosys lecteur de c d rom de votre ordinateur qui devrait automa econ The Highwayman by Alfred N oyes used courtesy of John M urray Publishers Ltd re QR GA dE ER enhanced D nous v gt ul a r Enr
20. n Tous droits r serv s Sauf autorisation la reproduction la duplication la location de ce disque et de sa pochette sont interdites sous peine de poursuites judiciaires Quinlan Road P O Box 933 Stratford Ontario Canada N5A 7M 3 M ade in E U Fabriqu en E U www quinlanroad com ENHANCED CD INSTRUCTIONS tiquement t l charger les donn es grav es sur le CD Si l ordi nateur ne t l charge pas de lui m me ces donn es il vous WINDOWS Insert the CD into the CD ROM drive and P 4 the CD should autoload If the CD does not autoload run ap ma dlemeni s SE start exe la source du programme de ce C D RO M et start exe from the root of this CD ROM Follow the suivre les directives telles qu elles apparaissent l cran onscreen instructions MAC Insert theCD intothe CD ROM drive Double Syst me d exploitation MACINTOSH ins rez le CD dans le RE distributors shall be liable for any actual or consequential augment e de ce CD sont fournies l utilisateur sans garantie i Whistle Track 3 Shawm Track 4 STRING QUARTET JONATHAN REES 1st Violin Tracks 3 7 IAIN ei ai damage arising from the use of A ee l ne expresse ou implicite Ni O uinlan Road Lt e ni ses KING 2nd Violin Tracks 3 7 ANDY BROWN Viola Tracks 3 7 CHRIS VAN KAM PEN Cdlo Tracks Sevres enhanced elements contained on this CD distributeurs ne peuvent tre tenus responsables de tout 3 7 CAROLINE DALE String Arrange
21. nt of a T mumming troupe which boarded a Polish hip stranded in the harbour in St John s Newfoundland on N ew Year sEve to entertain the sailors According to James Frazer in his book T he Golden Bough mumming has its roots in the tree worshipping of the peoples who inhabited great regions of a foreted Europe now long gone 4 M umming usually involves a group of performers dressing up in maxs sometimes of traw and clothes bedecked with ribbons or rags and setting out ona M procesion to naghbouring homes singing songs and carrying branches of greenery Its M primarily associated with springtime and fertility and it has a cast of tock characters likethe Fool which recursin some form or another from M orris dancing to the shadow puppet plays of Turkey and Greece and even the morality plays of the M iddle Ages May 1 1997 PADSTow CoRNWALL Aswith many time honoured events Padstow s M ay Day festivities begin the night before It s not surprising to find a celebration like thisin one of the most historically Celtic corners of England it begins with a ritual carol sung TER JANVIER 1985 STRATFORD Jevienstout juste delirel hitoired unetroupede 4 momerie qui S ait embarqu e sur un navire polonais la valle du jour de l an pour divertir les matdots Ce navire s tait chou au port de St John s Terre N euve D apr s James Frazer et son livre T he Golden Bough la momerie es issue des peupl
22. path alone a T here are visions there are memories T here are echoes of thundering hooves did not believe because could not see H ow fragile is the heart There are fires there is laughter There s the sound of a thousand doves ey Dei cae fo me E e O KOE fly a In the velvet of the darkness By the silhouette of silent trees ee me your love in the light of the stars They are watching they are waiting T hey are witnessing lifes mysteries 1 EE 5 NE cast your eyes on the ocean Cast your soul nt this mua alate C ascading stars on the SERIE hills ae are dancing as far as is han er cts the sea When the dark night seams endless Take these crumbled hopes etched with tears Riding o er the land you can feel its gentle hand Leading on to its destiny cs vil e ah Please remember me Well rise above these earthly cares i 3 Cast your eyes on the ocean Cast your soul Take me with you on this journey Where the boundaries of time are now tossed DI S Then the mountain rose before me E oa By the deep well of desire to the sa When the dark night seems endles In cathedrals of the forest In the words of the tongues now lost Take me dancing take me singing I ll ride on till the moon meets the sea Beyond the ice and the fire eee lt RER PC Find the answers ask the guestions Find the roots of an ancient tree Y S Ke k 2 _ From the fountain of forgiveness Please remember me Please remember me My
23. with the bunch of lace at his throat Still of a winter s night they say when the wind isin the trees When the moon is a ghostly galeon tossed upon the cloudy seas When the road is a ribbon of moonlight over the purple moor A highwayman comes riding Riding riding A highwayman comes riding up to the old inn eae Loe Pag SSS MOCKED FT ee b T N OVEMBER 3 1991 VENICE uu L FAT For a thousand years the most TAK s ie serene and mos glittering city ofthe Ww Wa Adriatic Thisis a wonderfully quiet time of the year to explore the city walked down the narrow inner greets and canal edges damp with mist an unworldly blend of gght and sound passed through the citys ancient Jewish quarter whose walls hint at a darker sde to Venic s past NA F MR 1995 STRATFORD have just come acros an amazing account of Venice in Jan M orris book of the ame name She describes in delicious detail the occason of the young Henry III of Franc s vist to the city in 1574 Upon hisarrival he was dazzled by an extraordinary pageant arranged in his honour barges decorated with 4 triumphal arches rafts peopled by glass blowers who created figurines as they floated past paintings commissoned from masters of the eva i Fe N 3 NOVEMBRE 1991 VENISE La ville la plus sereine ef et la plus chatoyante de la mer Adriatique pendant mille ans cetemps d de l ann e
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