DVDユーザーズガイド
Contents
1. TFS2. 4 1
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10. REO 6 SOAK EY ROY 1
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15. Rome 241 Romei 4 1 5 1ch Original x Plz Vx 12 D mix C 3dB S 3dB sk Pla vx ral 3 D mix C 6dB S 0dB x Plavx EI 4 Stereo Original XPlayx 99 PU Ree aI IAs 3dB 6dB 0dB 2ch enter
16. KIZ 3 2 BAS 50ms D onvepomeq oue ITS PRA Spec WW eer EEK Oe INA5 3 1m 38 2 5m BCH 7K K
17. AES 2001 21 3 AES 2006 AES
18. 6 CHD 10 1818 12 8
19. 2 Bt I Pini presso una catacomba Z l Pines near a catacomb
20. A rh 4 J S KUNDI eese EA 99 VUVZMIRBBEGAS IEGSUCBHONv m3 A40 8sdJicsrc HERERO ID BITCH Hi 5 DVD LFE 5 Heidenreslein D257 Op 3 3 1815 Franz Peter Schubert 1797 1 31
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22. IITU ITU 60 25 2
23. GO The Marriage of Figaro Toccata and fugue in D Minor for organ 17 Ta 1 Heidenroslein D257 Op 3 3
24. 8 NHK TEM 1990 200 1991 1997 25 AA B
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26. INA5 7 Track 4 25 30 Asahi 1
27. LEE LFE 30 3 T pini del Gianicolo XlPines of the Janiculum
28. 30 ea Geen cubis Geen 60 v AM quami des inn a mms ci INAS n RQ
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30. 56 ALCAD ND HMH Aas 2 8 16 32feet LFE BY LFE LFE 3
31. 4 TI pini della Via Appia Pines of the Appian Way Lp SEELI FAZ yZ RAZM JR EHA J Wm A E Fah zi am L I x PC NL PN ra M SU Aum PEL t Au y F I FT d TT art i o e Li i E ii ik 1 bi y T aM i ja cal m mn Ne A b I ziv MUD ARE S o ri NE 31
32. Michel Williams 8 LCR 8 Michel Williams The Quick Reference Guide to Multichannel Microphone Arrays Using Cardioid Microphones AES110th Preprint5336 1 3 Critical Distance h 340cm d 140cm L amp R
33. 6 Far Orn Te MUROS ELI TUIS UE 2
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35. 380 Asahi 80 Asahi Md dade ibi dh NR EM AM MO NE ME dk 1 3m 1 6m Os NERO e 1 AR QI C CI EIS Eee LOT ET MCN JO cung pP SUE E additis SR quo dida
36. 2006 9 EKAR 1 DVD AES AUDIO G Disc 1 DVD INDEX DOAES Japan 2006 2007 Comparison of Microphone Arrangements 1 Comparison of Surround Microphone Arrays Chapter Chapte
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39. LEE ear OM Ae Gg OO 6 Track 16 40 INA5 gt Kl Bt m 1 INA5 TNA5 360
40. 55 CD CD
41. 2 Pita CW UNC 0 DAW
42. RE ME E AB 3 3 1 4m C R 8 5C 54 L C C R
43. 1 4 i Pinesof Rome 138 ii Pines of Rome 1 EE iii Pines of Rome 1 iv Pines of Rome 4 v PinesofRome 4 vi Pines of Rome 4 5
44. Barron M Marshall 7Z ESL Gunther Theile 4 4 a Nb b RD k Critical Distance amp 6 Gunther Theiler Multichannel natural Recording based on Psychoacoustic Principles 108th AES Preprint 5156 7 Barron M Marshall Spacial Impression due to early lateral reflections in concert halls J soundVibr 77 pp211 232 49 1 2
45. 5 1ch 6 1ch 7 1ch ITU 45 Sidi Wa Wa onde aq pablo ecd EOS Ada Mcd Aa a EE
46. 5 19 32 9 6 AES 1 HSQ N 1 HSQM ii IRT iv OSQ M v OSQ F vi Asahi 9 3 Pines of Rome 1
47. 8 96 1 9 58 Fukada 2 12 37 Fukada 3 9 58 KEE DT OSQ M 4 12 37 Az DT OSQ M 5 16 40 Fukada 6
48. R 6dB OdB NM 3dB Pi 93 TV 6dB 9dB oo 4
49. 2 20 CD 2007 4 60 Osaka Philharmonic Orchestra Osaka Philharmonic Orchestra was founded by ASAHINA Takashi as Kansai Symphony Orchestra in 1947 In 1950 it has become an incorporated body and 1n 1960 its name has changed to the current one ASAHINA Takashi had conducted Osaka Philharmonic Orchestra for 55 years since its establishment until 2001 and it had been recognized as a unique and fascinating orchestra In April 2003 OUE Eiji was inaugurated as a music director The orchestra has also contracted with various famous conductors such as TOYAMA Shinji TOYAMA Yuzo WAKASUGI Hiroshi AKIYAMA Kazuyoshi TEZUKA Yukinori and OTOMO Naoto The subscription concert series is held at The Symphony Hall twice each time in total 20 a year The orchestra is also
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53. 6 ARIB Disc 3 wave DAW DVD Video dts 0 2dB Return to TOP MENU
54. 10cm ER AA RAAEN CLOT ATAA e EIGA E ER KN 10 Track 4 25 30 OSQ F dq C9 8 3 70cm 1m
55. OSQ F PET OBS Ae UDIN Mae Oe CLR 3 D DEEST 2 8
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57. Gam ho TELS 9 Charge 4 Es C 4 5 2 gt 6 1 Charge 6 8
58. 5 2 2 7 AES V i DT HSQ N 1 DT HSQ M i DT IRT iv DT OSQ M v DT OSQ F vi DT Asahi 18 vi DT OSQ M Rear only 2 3 Pines of Rome 1
59. L R 4 4 1 SA Rome HA 14 enter oo IU TAE Return to TOP MENU 9 4 9
60. do nsi esc b Sus DVD AES AES Audio Engineering Society y 1948 12 000 AES 1952 1985 2006 1940 FuntaSound DVD
61. 2 Disc 1 HE 180 8 No 6105
62. WA CN Ri E KWAA RISE FIE 30 bus quM ME A MN E MEE E d 2 A B 5ms 2m LR AB 5ms 2 2m
63. 3 0m Eo Mae eae Oe 7 ATI dp pee Diet ie Cr Vee Ara ee OWN CIS 7 Ct 1 1 i ASW Apparent Source Width LEV Listener E
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65. LEE 65 13 Track 1 50 DT Asahi 1 DT COWES OO Chey Cees MT Asahi LFE Tes 2
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68. Pines of Rome 4 3 Wellington s Victory Battle scene 2 4 The Marriage of Figaro 5 Heidenr slein D257 Op 3 3 2 4
69. 33 1 X 658 2c HIND BOS CR 5 2 91 Wellingtons Sieg oder Die Schlacht bei Vittoria Op 91 X Wellington s Victory Ludwig van Beethoven 1770 1813 6 21
70. 61 RNN idc dad etian EE E LEED OO nY BEDOT YY 74 H NO HY OF ELEC eee 210mm 300mm 3 FT L RA 4m C E L R 2 2 6m 3 8m 4 Asahi DPA4006
71. LFE Asahi Asahi 2 12 Track 9 10 5C HSQ N 5 2m 5C HSQ N 5
72. b 5ch LEV LS RS 1 The influence of late arriving energy on spatial impression John S Bradley and Gilbert A Solodre J Acoust Soc Am Vo 97 No4 1995 2 Gilbert A Solodre Investigation of Listener Envelopment in Multichannel Surround System 113th AES Preprint 5676 3 Takeo Yamamoto FDI 2003 5 ie 4 5 Dc Critical Distance Wa 48
73. Disc 2 LFE LFE Pines of Rome 3 16 5 Pines of Rome 4 Wellington s Victory English Side BRE PPM C1 SU ARICHT OMAR TBA LET xc Ae CI RRB BIRT FEORMEODA VOPIC RU YYFZE
74. WA N Fukada Tree 5 5 5 5 5 8 7 AES Preprint 4540 1997 New York 3 Decca Tree 3 20cm L R
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76. CIAL PLR
77. 20 DAW Disc 1 IS YT AC Oa Yea
78. EQ EQ LCR LR LCR C C R R 2 2 sl AOC WDD VIVES
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80. AE 3 ER 5 Track 16 40 Fukada X 2 WA cOXRONI RM RM 58 4
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82. 95 Disc2 Samples for Reproduction Systems DVD DVD Audio DVD Audio 96kHz 24bit PCM MLP LFE DVD Audio DVD Audio Dolby dts LFE 10dB LFE 0dB LFE 10dB
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84. 14 Track 1 50 OM8 77 L R 2 OM8 OSQ M 2 5 66 4 Rabe E 1 i i OZ SL BULL r NZL LLL AA JOU a E W Se ee felon x ei Ee amp 9 WA EA co bs 3i EA a wauadese seve ET 61 8 678 ZANA LI eleri TE 213 4 516 101 016 8 7 Iq R i LM AA A ialo noni Se L
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86. Grid Diffuse field Grid MNO Asahi 5m 7 4m Asahi cm Asahi 1 1
87. Pe Wellington s Victory French Side 2 WA EFI CTT VA BITES SUAE 2 8 Wellington s Victory Battle scene 2 Q Wellington s Victory 2
88. 8 Track 8 4 25 OM8 2 OM8 OSQ M 2 5 MY 63 9 Track 4 25 Fukada 2
89. AC d Pines of Rome 4 3 Wellington s Victory Battle scene 2 4 The Marriage of Figaro 5Heidenr slein D257 Op 3 3 3 3 1 6 6
90. 2 2 RRO 3 8 2 1 2 2 2 3 4 7 8 2 Ure BBR 3 K 492 Le Nozze di Figaro The Marriage of Figaro Wolfgang Amadeus Mozart
91. CC a Critical Distance b 8m c 4 Fukada A Tsujimoto K Akita S Microphone Techniques for ambient sound on a music recording 103rd AES Preprint 4540 5 Sawaguti M Fukada A Multichannel sound mixing practice for broadcasting IBC1999 1 kt IRT Gunther Theile 16
92. 46 3 Track 22 35 Fukada MLP Fukada Tree 1 EIU Se Critical Distance RIDE EA KE LR OMRON AI EBORE o E EL Z
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94. Wa ER d PR EW 2 OO ADDO Os Dis 45 Imagery layout of the m is of an orchestra Percussion hesta sounds 4 Reflection Reflection
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96. 62 2 LFE 2 1stVn 4 2ndVn 3 VC 2 Vla 2 hs CB 1774 Fs Ae AZ 92 L R L R C
97. 94 6 DVD FFT LEE 50Hz X 20dBFSrms 1KHz 1002 0Hz 50Hz 49 8Hz L R C LFE Ls Rs L amp R LRC amp LFE ALL 6 C RE SLOW 79dB C ARIB 7 8
98. La WB 2 BA 2 emm 31 I Br SD Hi Ema rac T El Mp qe A fa aC Ex En LM DS v HELDEEZERNM T EL S FI x Garena Er Pe _ Wee en lj TaT An DR ui m imi mii in inb m E EI z DI E r B a em EN EN p aaj g E cur iT IB ETE WAKI f Br MEN ng 1 ul EE E m dun E LL mn ALIS rem HH 4 M in cam aU L E ill ud gas e
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101. 49 8Hz 16884 1002 0Hz 8192 zs x E 2 LFE 80Hz 18dB oct 50Hz 0 2dB 3 20dBFSrms 18dBFSrms 3dB 3dB 79dBC 82dBC 3 4 60
102. 64 5 11 Track 9 10 DT Asahi 1 30 DT LEFE
103. 1 11 111 1V V V1 vil vili 1 3 Fukada Tree INA5 Omni8 Decca Tree Omni Square Mid 3Omni Omni Square Mid oCardioids Omni Square Mid Double MS Holophone H2 Pro Pines of Rome 1 Pines of Rome 2 Pines of Rome 2
104. 24bit ARIB TEST SIGNAL 20dBFS_48K24bit C wav ARIB TEST SIGNAL 20dBFS 48K24bit L wav ARIB TEST SIGNAL 20dBFS 48K24bit Lf wav ARIB TEST SIGNAL 20dBFS 48K24bit Ls wav ARIB TEST SIGNAL 20dBFS 48K24bit R wav ARIB TEST SIGNAL 20dBFS 48K24bit Rs wav C Channel wave file L Channel wave file LFE Channel wave file Ls Channel wave file R Channel wave file Rs Channel wave file SOM PINKNOISE FILE FOLDER 4 48Khz 24bit CR CE pink24bit48k 18d BFSrms WAV 18dBFSrms pink24bit48k 20d BFSrms WAV 20dBFSrms pink24bit48k 21d BFSrms WAV 21dBFSrms pink24bit48k 283d BF8rms WAV 23dBFSrms 2 WAVE
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106. Return to TOP MENU 5 2 4 1 i Pines of Rome 1 5 1ch ii Pines of Rome IRE 83dB 3dB ii PinesofRome 1 6B OdB iv Pines of Rome 1 2ch v Pines of Rome 4 5 1ch vi Pines of Rome 4 3dB 3dB vii Pines of Rome 4 6B OdB vili Pines of Rome 4 2ch 3dB
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109. 300Hz 1 1 DPA 4006 1NA5 DPA 4011 10 dB 4011TL 300z 10 On axis dB 0 A006 Diffuse O0 20 50 100 200Hz 500 1 2 5 10 20 40D DPA 4011TL 4006 4011 1m 4011 300Hz 300Hz 2 INAS
110. 16 400 AX INA5 7 4 25 30 Asahi 8 4 25 OM8 9 4 25 Fukada 10 4 25 30 0SQ F 11 9 10 DT Asahi 19 9 10 5C HSQ N 13 1 50 DT Asahi 14 1 50 OMS B gc Disc 3 Documents and Surround Test Signal Audio files 3 CD ROM CD DVD SOFT FACIL DD 0 Ue ey era m AES D
111. 20dBFSrms 18dBFSrms 1kHz 20dBFS VU 20dBFS BS 8VU 28dBFS 8dB 20dBERSrms OVU 0VU WAA 3dB 79dBC 82dBC 7
112. L R C LFE LS RS 6 1 20dBFS 18dBFS ARIB 5 1ch Hig 6 1 SKIREOD DAW VTR Time base 1 00 00 1 00 30 1 01 00 1 01 30 1 02 00 1 02 30 1 03 00 1 03 30 1 04 00 1 04 30 1 05 00 OSC 1kHz OSC 50Hz P Pink Noise Full Range ARIB TEST SIGNAL PATTERN Fig6 1 ARIB 5 1ch 1 50Hz 1kHz FFT 49 8Hz 1002 0Hz FFT
113. LFE LFE LFEF vr UR JE aw CIT i CN Oe eS CO dB 59 gt LFE OR 6 LC 9 d 976 55 Din EE CHADS I Ve OS gt
114. 20dBFSrms 18dBFSrms 23dBFSrms 21dBFSrms VU xi7T7uZ2xuA02 2 MEd CHE SRBC LSA 2f zc SEZMIB UC 0VU fi amp X 1VU 2VU VU 1dB 20dBFSrms 20dBFS 3dB
115. AES Surround Study Group 80 DOAES Japan 2006 2007
116. 2 ITU R TU BS775 1 LL C R 3 43 LS RS 2 1 3 LC R 3 2
117. 80 C LR 24 cm 50 2 Ho
118. 23dBFSrms 20dBFS 18dBFSrms 18dBFS 3dB 21dBFSrms 18dBFS 20dBFS OVU 4dBu 1E 1 228Vrms 1 736Vpp gt A D 20dBFS Ox0OCCD 74 OxXOCCD 20dBFS 23dBFSrms gt D A 0OVU 1 228Vrms 1 736Vpp 20dBFSrms 8dB 23dBFSrms 20dBFS 18dBFS
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120. Surround Sound Reference Disc Surround Study Group of AES Japan Section DOAES Japan 2006 2007 Surround Study Group of AES Japan Section 5 DVD INDEX 2 2 2 sssesnereerrrrrrrrrerrrteretreerrt rere 7 DISC 1 COMPARISON OF MICROPHONE ARRANGEMENTS eee eee e eere este esee un d DISC2 SAMPLES FOR REPRODUCTION SYSTEMS cccccccceccccccccccccccccucecsescecececccnceeceeeueuees LE 911 13 81 11 hl nDBnn QM 15 DISC 1 COMPARISON OF MICROPHONE ARRANGEMENTS ccce 15 1 TTYTITITI 15 18 3 TALA WA OL dc Cc 19 4 oo 20 5 LEVA NO E dA I DR m fa 92 6 Ux QR Mr c c 24 Do QN c E 2299 8 TLC NIA TSI C H 25 DISC 2 SAMPLES FOR REPRODUCTION SYSTEMS Rees 26 TURA RE MEN SR 27 DISC 3 DOCUMENTS A
121. PDF ARIB 5 1ch CD ROM D 18dBFS TEST FILE FOLDER 20dBFS TEST FILE FOLDER 3 PINKNOISE FILE FOLDER wave DAW 6 28 S2 1 Pini di Roma Pines of Rome Ottorino Respighi 1924 12
122. XIX Bs EE 14 A n 9 AES Surround Study Groupof AES J apan Section WV 1 POAES Japan 2006 2007 DVD Disc 8 CD ROM Disc 1 DVD Video y Disc 2DVD Audio 3 Disc1 Comparison of Microphone Arrangements i Sunound MicrophoneJAtmays 2 ombinationiMicrophone Atrays mee 3 AmbienceiMicrophone
123. contributing to the culture promotions not only in Osaka but in various areas 1n Japan Concert tours to Europe North America Korea and Taiwan have been held several times gaining high reputation at each country Recordings have been done quite actively and this orchestra has released the most records and CDs in Japan It was the 60th Anniversary for the orchestra 1n April 2007 June 2007 13 Shigeo Genda Conductor 1985 86 AT Cie 09 87 90 91 92 4
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126. 9dBC 3dB UF Is 23dBFSrms 21dBFSrms 4 12 NHK 0 1dB 60 18dBFSrms 18 0075dBFSrms 18 01dBFSrms 20dBFSrms 20 0071dBFSrms 20 01dBFSrms 21dBFSrms 21 0072dBFSrms 21 01dBFSrms 23dBFSrms 23 0079dBFSrms 23 01dBFSrms Cape WO 75 20dBESrms FFT 8192 60 100Hz 3dB oct Linear View Hold EE d
127. ACK UNES 66 E QE cc ene er ere 67 E P vam rr 69 a ap De jj res E honus UN IMMER MAI DM aces nary EUR UD v0 EN qc 5d DA rc pean 13 74 qs Surround Microphone Arrays Name List Japanese Name English Name Abbreviation racs omi OMS HSQM 1 MS 4ch
128. Arrays 4 Time Alignment ELS oMa SEARIBITestiSignall 20dBFS Making Moyie oSm eredit 1 1 1 8 8 15 AES8 12 0 NA Arie esee se uou erue ce wg L2 8 AES
129. B 76 17 Hz 36 24 dB 2 2351 Hz D 3 45 Lines iv FFT Size 8192 iv Hanning v Reference 0 dBFS Copy to Clipboard Fig6 2 CD ROM 76 Performer Osaka Philharmonic Orchestra Conduct Shigeo Genda Organ Seiko Katagiri Tenor Hiroyuki Yoshida Piano Toshiko Urabe Broadcaster Mainichi Broadcasting Systems Inc Asahi Broadcasting Corporation Kansai Telecasting Corporation Yomiuri Telecasting Corporation Japan Broadcasting Corporation Osaka Station Television Osaka Inc Kyoto Broadcasting System Company Limited Sun Television Co FM OSAKA Co Ltd FM602 Co Ltd Sound Ace Production Inc TV COOP INC SOUND EFFECT Co Ltd TOTSU AV CENTER CO Ltd 7 Member of AES Japan Surround Study Group Hideo Irimajiri Mick M Sawaguchi Toru Kamekawa Satoshi Inoue Hideaki Nishida Koichi Ono Masayuki Mimura Mainichi Broadcasting Systems Inc Pioneer Corporation Department of Musical Creativity and the Environment Faculty of Music Tokyo National University of Fine Arts and Music Tokyo Japan TV Ashahi Productions Asahi Broadcasting Corporation Kansai Telecasting Corporation Yomiuri Telecasting Corporation Co operation with this project in the relevant research Akira Fukada Kimio Hamasaki Akira Omoto Atsushi Marui Japan Broadcasting Corporation Content Product
130. Conduct Shigeo Genda 1 The pine trees of the villa Borghese 2 The pine trees near a Catacomb Pines of Rome for symphonic poem Ottorino Respighi 12 37 Mixed by H Irimajiri Decca Tree amp Omni Square Mid Osaka Philharmonic Orchestra Conduct Shigeo Genda 3 The pine trees of the Janiculum 4 The pine trees of the Appian Way Wellington s Victory Op 91 Ludwig van Beethoven 16 40 Mixed by A Fukada Fukada Tree Osaka Philharmonic Orchestra Conduct Shigeo Genda 1 Battle 2 Victory Symphony Wellington s Victory Op 91 Ludwig van Beethoven 16 40 Mixed by H Irimajiri INA5 Osaka Philharmonic Orchestra Conduct Shigeo Genda 1 Battle 2 Victory Symphony 11 Track 7 Track 8 Track 9 Track 10 Track 11 Track 12 Track 13 Track 14 The marriage of Figaro Overture Mixed by H Nishida Osaka Philharmonic Orchestra The marriage of Figaro Overture Mixed by T Kamekawa Osaka Philharmonic Orchestra The marriage of Figaro Overture Mixed by A Fukada Osaka Philharmonic Orchestra The marriage of Figaro Overture Mixed by H Irimajiri Osaka Philharmonic Orchestra Toccata and fugue in D Minor Mixed by H Nishida Organ Seiko Katagiri Toccata and fugue in D Minor Mixed by T Kamekawa Organ Seiko Katagiri Heidenr slein D257 Op 3 3 Mixed by H Nishida Tenor Hiroyuki Yoshida Heidenr slein D257 Op 3 3 Mixed by T Kamekawa Tenor Hiroyuk
131. ELL R L RR 59 2
132. IRONA 3 1 T pini di Villa Borghese Z lPines of the Villa Borghese BA RIS 2
133. ND SURROUND TEST SIGNAL AUDIO FILES 98 2 d 00 AJ XME sseeeseeseeseseeemmHeReeemmmn 29 1 ABER lnr pk L Lene 29 2 Z Hh ozy hU OPA 34 3 RATZ nomm che doi A NE 88 4 ld 39 5 40 3 UL PM S C o Um 41 1 SA eese 41 2 MM 43 4 85 6 3 RAOKOD 3 spe 4 TRACKQ pp TRE 53 D TRACKS SS SV ae Duet eG 58 6 TRACKO A ai 59 7 TRACK ia Ha ABAKA ABANA 61 8 TRACK Nk 63 9 TRACK 64 10 TRACK kk 64 ld TRACK 2NW2N RWS ea IO 65 1 2 RANOK 2892S PME RT 65 13 TRACKS PA i EET 66 14 TR
134. S etd RA 2930 93 Qaae Ss i EDO uro 15678 fI Ag OSQ d 136 d L 15 DIE os Seay See TEELS ss sesseschses T aoe rcu 3 ws wee es ay inning epe 86 1 CD ROM ARIB 4 CD ROM J 18dBFS TEST FILE FOLDER 18dBFES 48kHz 24bit ARIB TEST SIGNAL 18dBFS 48K24bit C wav ARIB TEST SIGNAL 18dBFS 48K24bit L wav ARIB TEST SIGNAL 18dBFS 48K24bit Lf wav ARIB TEST SIGNAL 18dBFS 48K24bit Ls wav ARIB TEST SIGNAL 18dBFS 48K24bit R wav ARIB TEST SIGNAL 18dBFS 48K24bit Rs wav 2 20dBFS TEST FILE FOLDER C Channel wave file L Channel wave file LFE Channel wave file Ls Channel wave file R Channel wave file Rs Channel wave file 20dBES 48kHz
135. The pine trees of the villa Borghese Chapter 2 From Pines of Rome The pine trees of the Appian Way Chapter 3 From Wellington s Victory Battle on 1 Chapter 4 From Overture from The Marriage of Figaro Chapter 5 From Heidenr slein Anglel DT HSQ N Angle2 DT HSQ M Angle3 DT IRT Angle4 DT OSQ M Angled DT OSQ F Angle6 DT Asahi 4 Comparison of Using Time Aligned Microphones 1 2 3 4 5 6 From Pines of Rome 1 Without Time alignment From Pines of Rome 1 Using Time alignment with Spot microphones only From Pines of Rome 1 Using Time alignment with all microphones From Pines of Rome 4 Without Time alignment From Pines of Rome 4 Using Time alignment with Spot microphones only From Pines of Rome 4 Using Time alignment with all microphones 5 Comparison of Mix for 2ch and Down mixed Version 1 2 3 4 5 6 7 8 From Pines of Rome 1 Original 5 1ch Surround Mixing From Pines of Rome 1 Down mixing by Center 3dB Rear 3dB From Pines of Rome 1 Down mixing by Center 6dB Rear OdB From Pines of Rome 1 Original 2ch Stereo Mixing From Pines of Rome 4 Original 5 1ch Surround Mixing From Pines of Rome 4 Down mixing by Center 3dB Rear 3dB From Pines of Rome 4 Down mixing by Center 6dB Rear OdB From Pines of Rome 4 Original 2ch Stereo Mixing 6 Surround Sound Test Signals from ARIB Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapt
136. er 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 7 Making Movie 8 Title Credit 1kHz 1kHz 1kHz o0Hz 1kHz 1kHz 1kHz 20dBFS 20dBFS 20dBFS 20dBFS 20dBFS 20dBFS 20dBFS L R C LFE Ls Rs L R 1kHz 1kHz 50Hz Pink Noise Pink Noise Pink Noise Pink Noise Pink Noise Pink Noise Pink Noise Pink Noise Pink Noise 20dBFS 20d BFS 20d BFS 20dBFSrms 20dBFSrms 20dBFSrms 20dBFSrms 20dBFSrms 20dBFSrms 20dBFSrms 20dBFSrms 20dBFSrms L R C L R C Ls Rs amp L R C LFE Ls Rs 20dBFS 20dBFS LFE LFE amp 50Hz 50Hz L R C LFE Ls Rs L R L R C LFE L R C LFE Ls Rs 10 Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Disc 2 Samples for Reproduction Systems Pines of Rome for symphonic poem Ottorino Respighi 9 58 Mixed by A Fukada Fukada Tree Osaka Philharmonic Orchestra Conduct Shigeo Genda 1 The pine trees of the villa Borghese 2 The pine trees near a Catacomb Pines of Rome for symphonic poem Ottorino Respighi 12 37 Mixed by A Fukada Fukada Tree Osaka Philharmonic Orchestra Conduct Shigeo Genda 3 The pine trees of the Janiculum 4 The pine trees of the Appian Way Pines of Rome for symphonic poem Ottorino Respighi 9 58 Mixed by H Irimajiri Decca Tree amp Omni Square Mid Osaka Philharmonic Orchestra
137. i Yoshida Wolfgang Amadeus Mozart 4 25 3Omni amp Asahi Method Conduct Shigeo Genda Wolfgang Amadeus Mozart 4 25 Omni8 Conduct Shigeo Genda Wolfgang Amadeus Mozart 4 25 Fukada Tree Conduct Shigeo Genda Wolfgang Amadeus Mozart 4 25 3Omni amp Omni Square Far Conduct Shigeo Genda Johann Sebastian Bach 9 10 Decca Tree amp Asahi Method Johann Sebastian Bach 9 10 5Cardioid amp Hamasaki Square Near Franz Peter Schubert 1 50 Decca Tree amp Asahi Method Piano Toshiko Urabe Franz Peter Schubert 1 50 Omni8 Piano Toshiko Urabe The track of Pines of Rome was divided into two by a limit of the MLP file capacity Please approve it 12 4 M Osaka Philharmonic Orchestra 1947 50 60 2001 55 2008 4
138. ion Engineering Center Broadcast Engineering Department Japan Broadcasting Corporation Science amp Technical Research Laboratories Faculty of Design Kyushu University Department of Musical Creativity and the Environment Faculty of Music Tokyo National University of Fine Arts and Music Tokyo Japan Subsidizer Hoso Bunka Foundation Inc Panasonic AVC Networks Company High Quality AV Development Center DVD Audio PROMOTION Conference Pioneer Corporation Dolby Laboratories Inc Japan Branch TC Electronic A S Japan Branch Co operation The Symphony Hall Faculty of Design Kyushu University Heavy moon inc Miki Musical Instruments Co Ltd Digidesign dts Japan Inc Mixer s Lab Co Ltd Osaka Philharmonic Society ARIB 718 Co operation with DVD authoring Pioneer Corporation Press amp Photograph Stereo Sound Publishing Inc Ongen Publishing co ltd Eizo Shimbun Inc Demonstration Mixing Akira Fukada Hideo Irimajiri Hideaki Nishida Toru Kamekawa Direct amp Edit Hideo Irimajiri DVD Authoring Director Shunichi Ichikawa Jun Shibata DVD Graphics Design Ritsuko Tsuchikura Hideaki Nishida Author Hideo Irimajiri Akira Fukada Hideaki Nishida Toru Kamekawa Masatoshi Maruya Translation Takashi Kato AES member 719 2007 12 26
139. nvelopment John S Bradlley I1 ASW 80ms early lateral reflection LEV 80ms late lateral energy LEV late lateral energy ASW 1ateral energy early lateral reflection late lateral energy Gilbert A Solodre 9 ITU R LEV RDD LEV 1ch 3ch 3ch 5ch Dr Yamamoto 8 a LCR 3ch LEV LEV LR LR
140. r Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Angle1 Angle2 Angle3 Angle4 Angled Angle6 Angle7 Angle8 1 From Pines of Rome The pine trees of the villa Borghese 2 From Pines of Rome Pine trees near a Catacomb 1 3 From Pines of Rome Pine trees near a Catacomb 2 4 From Pines of Rome The pine trees of the Janiculum 5 From Pines of Rome The pines trees of the Appian Way 6 From Wellington s Victory English Side on 1 7 From Wellington s Victory French Side on 1 8 From Wellington s Victory Battle on 1 9 From Wellington s Victory Victory Symphony on 2 10 From Overture from The Marriage of Figaro 11 From Toccata and fugue in D Minor 12 From Heidenr slein Fukada INA5 OMS DT OSQ M 30 0SQ M 5C OSQ M DMS HOLO 2 Comparison of frontal ambience combination microphone arrays Ambience Arrays combination with Decca Tree Chapter 1 From Pines of Rome The pine trees of the villa Borghese Chapter 2 From Pines of Rome The pine trees of the Appian Way Chapter 3 From Wellington s Victory Battle on 1 Chapter 4 From Overture from The Marriage of Figaro Chapter 5 From Heidenr slein Angle1 DT HSQ N Angle2 DT HSQ M Angle3 DT IRT Angle4 DT OSQ M Angled DT OSQ F Angle6 DT Asahi Angle7 DT OSQ M Rear only 3 Comparison of ambience microphone arrays Chapter 1 From Pines of Rome
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