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USER MANUAL - D&R Broadcast Mixing Consoles

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13. ORION USER MANUAL Page 1 Orion X Owners Manual Introduction and Product Overview 1 0 The Chassis system description 1 0 The Orion chassis system 2 0 Master section description 2 1 Solo section 2 2 CRM section 2 3 Oscillator section 2 4 Communications section 2 5 Auxiliary send masters 2 6 Studio section Phones section 2 7 Master inputs outputs 2 8 Master meters Channel meters Phase meter 3 0 5 in line module description 3 1 Input section 3 2 Equalizer section 3 3 Auxiliary send section 3 4 Monitor section 3 5 Floating Subgroup section 3 6 Channel assign Fader section 3 7 Automation For inputs outputs see 4 7 4 0 Standard in line module description 4 1 Input section 4 2 Equalizer section 4 3 Auxiliary send section 4 4 Floating Subgroup System 4 5 Monitor section 4 6 Channel assign Fader section Inputs outputs 5 0 Dual Stereo Aux Return module description 5 1 Input section 5 2 Equalizer section 5 3 Aux send section 5 4 Floating Subgroup System 5 5 Channel assign Fader section 5 6 Inputs outputs Page 2 6 0 Optional Patchbay description 6 1 Patchbay points 7 0 Instructions for operation 7 1 The Tracking session 7 2 The Playback session 7 3 The Overdub session 7 4 The Remix session 7 5 The MIDI or Virtual Session 8 0 Installation electrical 8 1 Local Electrical Voltage 8 2 Electrical Wiring 9 0 Installation audio 9 1 I
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15. down position the channel signal mic line is rerouted to the monitor section light colored and the tape return input is rerouted to the channel path Page 19 The TAPE switch allows you to choose from where the monitor gets its signal In the up position source the channel fader feeds the monitor through summing amps 1 8 For channel selections above 8 the channel fader will feed the monitor directly In the down position tape the tape return monitor in feeds the monitor signal path 4 2 Equalizer Section This four band semi parametric equaliser is unique in its design There are four bands the high and low are sweepable frequency with shelving characteristics with a boost or cut of 16 dB The two mid bands are sweepable with a boost or cut of 16 dB and are bell curve characteristics The HMF High Mid Frequency and LMF Low Mid Frequency can be switched into the monitor path The 100 Hz Highpass filter is a fixed 9 dB per octave Butterworth model which reduces low frequency noise effectively and musically It can be switched on or off in the channel path The HF high frequency section is a varible frequency shelving type sweepable from 4 000 Hz to 20 000 Hz with a maximum boost or cut of 16 dB The LF low frequency section is a varible frequency shelving type sweepable from 20 Hz to 500 Hz with a maximum boost or cut of 16 dB The HMF High Mid Freq section has level and frequency controls with varible
16. 0000 0000 11 0000 OP gt HM OW e 1 100 Unit st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st Date 30 08 99 17 58 D amp R Electronica Weesp BV BILL OF MATERIAL SERVICE MANUAL 60883215 Orion LCR in line channel Page 2 Comp 100 Articlecode 10600414 Shunt 2 mini jumper 10 0000 10250332 Transistor BC 337 25 tape npn 3 0000 st 10351765 Weerstand 1MO 1 8W 5 1 0000 st 10351729 Weerstand 1KO 1 8W 5 1 0000 st 10350827 Weerstand 1k10 1 1 4W 1 0000 st 10350732 Weerstand 1 8 5 1 4W 4 0000 st 10351737 Weerstand 4k7 1 8W 5 3 0000 st 10350739 Weerstand 6k8 5 1 4W 4 0000 st 10351741 Weerstand 10k 1 8W 5 33 0000 st 10350848 Weerstand 10k0 1 1 4W 1 0000 st 10351743 Weerstand 15k 1 8W 5 12 0000 st 10350856 Weerstand 20k0 1 1 4W 2 0000 st 10351745 Weerstand 22k 1 8W 5 10 0000 st 10350862 Weerstand 33k2 1 1 4W 3 0000 st 10350714 Weerstand 56E 5 1 4W 1 0000 st 1
17. All of these wires must be removed before withdrawing a module from the console Each module has computer grade connectors for ease of the disconnect Turn off the power supply If servicing the LEDbar meter remove the backplates behind the LEDbar section which hold the input output connectors It is often easier to also remove the backplates positioned left and right of the module under test Unplug the ribbon cable from the ledbar and remove the upper and lower screws from the meter front panel and you are ready to remove the meter If servicing the module remove the metal strip underneath the LEDbar front which holds the plexiglas in place and conceals the screws retaining the module It is now possible to remove the two module retaining screws and carefully lift the module until all flat cable connectors on the bottom of the module PCB can be unplugged At this point extender cables if ordered can be connected The master sections can be removed from the frame in the same way Because of the many flat cables on the bottom of the master section it is wise to remove all retaining screws from all master sections and remove the blank module on the right side of the master section This will allow all the master modules to be moved slightly without unplugging all the flat cables A qualified service technician will be able to service the modules in this way Note Turn the power supply off each time you pull or replace a module 11 3
18. The Monitor Equalizer section is a shelving type with the same extended range as in the channel path Sweepable from 10Hz to 500Hz and 4kHz to 22kHz in two bands this Ext Hi Def equalizer has an ultra transparent quality to its sound The two mid bands of the channel equalizer can be switched into the monitor equalizer making it full four bands ad e An EQ in out switch allows for easy comparisons PAN The monitor section can be assigned to the 16 me na A busses for maximum tracking flexibility If channels are assigned to the 16 busses and you vure le press the monitor SUBS switch the monitor e L R bussing will take priority over the channel bussing el Pi The 1 switch allows the monitor panpot to be sf m assigned to the stereo mix buss The monitor 8 15 16 PANpot pans between the left and right stereo _ mix busses o The GROUP GRP switch inserts the monitor fader into the group output buss in the associated m T channel and allows the control of a output using _ WW the monitor fader as a sub group control se DYN Q Page 15 The Tape switch selects the monitor to listen pre or post multitrack The LED bargraph meter normally follows the tape switch but can be switched MTR to follow the input signal post channel balanced insert The MIX switch swaps the mic line into the monitor and tape into the cha
19. frequency ranges from 600 Hz to 15 000 Hz and has a maximum boost or cut of 16 dB The bandwidth has a Q factor of 1 5 The LMF Low Mid Freg section has level and frequency controls with varible frequency ranges from 40 Hz to 900 Hz and has a maximum boost or cut of 16 dB The bandwidth has a Q factor of 1 5 Page 20 The HMF and LMF bands can be switched in or out of the channel and or monitor circuit paths by pressing the MF to MON switch If the equalizer is only partly inserted in a signal path the equlizer EQ switch has priority over the monitor switch All level controls are center detented making neutral positions easy to establish All frequency ranges have been carefully selected following extensive examination of all types of music and noise Test comparisons of other equalizers helped the D amp R design team to create an equalizer that sounds very musical but at the same time raising the standard in specs and sound quality Noise and distortion are kept to an absolute minimum 4 3 Auxilliary Send Section The Orion has eight auxilliary send busses While in the tracking session some aux sends are used for feeding the headphones and some are used for effects sends During the mix session all aux sends are used for effects sends Auxilliary sends 1 amp 2 are on dual concentric controls The top control is the send control for aux 1 and the bottom control is the send for aux 2 These Aux busses are normally used for
20. or Clark cable 708 Both Commons amp Shields Connected to sleeve e Shields lifted at 25D and all shields connected at 1 4 RTS CHANNEL PATCH SCHCCHGENRGENGENECHGCHECK 1 line A line B channel send channel return monitor monitor send monitor return group MULTITRACK EE EER ER EER EER CCHGCHGCHGCHGCHGCHGCHGCM INPUT 1 5 9 INPUT 2 6 10 INPUT 3 7 11 INPUT 4 8 12 OUTPUT 1 5 9 OUTPUT 2 6 10 7 OUTPUT 3 7 11 8 OUTPUT 4 8 12 MAIN OUTPUTS 8 7 4 3 2 6 5 ER EER EER ER EE EER EER EN GCHGCHGCHGCHGCHGCHGCHGCMH ES Wow H uw Ho dH gua DEN MASTER SEND master return master send master return left 4 dB right 4 dB left 10 dB right 10 dB TIE LINE 8 7 5 5 4 3 2 1 GCHGCHGCHGCHGCHGCHGCHGCH lines 1 9 17 tie lines 2 10 18 lines 3 11 19 lines 4 12 20 tie lines 5 13 21 tie lines 6 14 22 tie lines 7 15 23 lines 8 16 24 n uw 00 J O O OU t J O O gt MACHINE INPUTS GENGENSCHECHGENGENGENGEN 1 22 track A left 2 2 track A right 3 2 track B left 4 2 track B right 5 2 track left 6 22 track C right 7 2 track D left 8 2 track right MACHINE OUTPUT s 7 6 5 4 3 2 1 ER EER EER mi EER PER CCHGCHZ2C ZCHOCCHCCHGCHCCH 1 2 track A left 2 22 track A right 3 2 track B left 4 2 tra
21. 4 Floating Subgroup System The stereo return can be bussed to any pair of outputs on in line modules which allows for routing to any multitrack inputs Also fitted on each stereo return section is a stereo balance control not a pan pot solo switch with indicator mute switch with indicator and 60mm stereo fader The lower section 15 identical to the upper section Page 26 5 6 Dual Stereo Aux Return Module Inputs Input connectors The Dual Stereo Return modules are not wired to the patchbay inside the console because some owners would rather have their reverbs go to dedicated inputs in order to free up patch points for more signal processing If you would prefer having the Dual Stereo Returns in the patchbay we would suggest wiring them to the last rows in the far right column of the tie lines A permanent magic marker can color the blue jacks black all inputs If you need assiatance call your D amp R Representitive The balanced inputs are on 1 4 stereo jacks Tip hot Ring cold Sleeve shield There are four input jack sockets on the back panel of each Dual Stereo Return module Page 27 Orion s Patchbay 6 0 Optional Patchbay description The patchbay is designed around Bantam type tiny telephone jack sockets This optional patchbay is completely modular and can be expanded as your budget allows or ordered complete All master inputs outputs and 120 tie lines for signal processing are standard when
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23. 6 0000 2 0000 4 0000 4 0000 12 0000 2 0000 2 0000 2 0000 0 5000 45 0000 2 0000 4 0000 2 0000 2 0000 6 0000 1 10C Unit st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st cm st st st st st Date Articlecode 10450152 10300088 10100305 10600436 10700684 10450251 10450197 10450253 10450196 10450082 10450101 10450100 10450103 10500683 10250386 10250387 20850205 20850217 10700786 10700787 10700681 30 08 99 17 40 BILL OF MATERIAL D amp R Electronica Weesp BV Deksel SiFam 11mm red 7 bulk Fader ALPS st10k RS60N12 horDC Front Orion 6 dual return Jack moer Kartelring M 10 buitenvertan Knop Druktoets 3 3 black squar Knop Druktoets 3 3 grey rectan Knop Druktoets 3 3 grey square Knop Druktoets 3 3 red rectang Knop Fader SiFam white 1 2x8 Knop SiFam grey Alps boti5mm Knop SiFam grey spli toplimm Knop SiFam grey splined 11mm Krimpkous 3 2 gt 1 6 zwart Led 3mm green 51 03 210 020 Led 3mm red SLR 03A510 020 Print bestukt Orion 6 return Print bestukt Orion 60 return Taptite M3x5 verzkop pozidr zw Taptite M3x6 bolkoppozidr zwrt Tywrap kort 94 mm blank SERVICE MANUAL 60883212 Orion effect stereo kanaal Page Comp 2 100 st st st st st st st st st st st st cm st st st st s
24. 6 dB on the meter using the oscillator If U K reading ledbars are ordered they will have attack and release times of 300msec and a 4 dBu level on the output connectors will give a 0 dB reading on the meter Channel metering Each in line channel is fitted with peak reading eleven segment LEDbar meters mounted in the meter bridge The attack and release times conform to world standards The attack is 10msec for a 20 dB range and the release is 1 5msec NOTE Peak reading meters give a reading 6 dB below the actual level when using a sine wave For example 4 dBu at the output connectors would give a reading of 6 dB on the meter using the oscillator Phase Meter Fitted in the meterbridge is a phase corelation meter This meter is used for checking for phase cancellations in the stereo mix or when miking anything in stereo It is normal for your meter to display up to 90 degrees when monitoring in stereo Page 13 The LCRS Module Orion 3 0 The LCRS Module description The Orion LCRS module is a basic input output design in line whereby all signal flow takes place from the microphone to the multitrack Each LCRS module is shipped with an 11 segment LED bargraph meter The following sections explain the many functions and features of this module 3 1 Input section The input section controls all incoming signals such as microphones keyboards or any line level device Fitted at the top of the module is a 48V phan
25. De Rit Asi Taa ate C3 solo logic 7 5 6 22032 8 solo left AN 83 S4 BBM d 5 LEET j AUXI PFL RES RSL RS2 15K 10K iok LEK ro SW2A T 4 4 n SEH Basa swap Swak 15K AUX E t MIX 1 2 5 4 ASK auxz H i it swap 4 23 5 AUXS NSB solo right RIGHT aux 2 Vsl T giu LO 3K9 47kb conc Vs 1 solo logic TSO Js p Hs ol P HIERIN MIRA MLXSSTS 64P solo left SAAN TL o 118 1 SOKA CONC Al 5 6 LEFT EISES d 15K PFL R104 Rico R101 Ne 5 5 15k 10K EIER i J FR Wiede swioke SWi1B2 AUX6 3 47kb conc TZ P12A R98 1 2 3 4 eas 5 5 H H 1 1 L i2 im n ISK AUXE PH 128 Shiite 1 4 8 3 4 kb canc 2 4 soie right 35 R105 R102 M 15k 10K R103 ri RIGHT LOK C3 AUX 2 ISK RYS SOKA CONC 1 Piin RII FX RETURN MODULE ORION 6 x C FILE ORI ONE COPYRIGHT DER All rights reserved DER Electronica b v _ This document may not be reproduced Size Document Number in anu form witho
26. Patchbay servicing The patchbay is fully modular and can be serviced after first removing the mounting screws then lift up on the armrest end of the patchbay A one foot stick can be used to prop up the patchbay while servicing it Remove the cables attached to the card that needs servicing The card can be removed after unscrewing two screws and then push the patchpanel card downwards The card will still be connected to the star ground system which will need to be unconnected before the card can be removed from the console Page 41 Inputs Outputs Equalization Overall Crosstalk SPECIFICATIONS Mic input balanced RF suppressed 2 kOhm C M R R at 50 Hz 70 dB Sensitivity 80 dBu max for 4 dBu output Noise mic 129 5 dBu A weighted 150 Ohms Line inputs balanced 10kOhms 20dB to 20dB Tape inputs 4 dBu balanced 4 unbalanced Mon chan Inserts 10kOhm 47 Ohrn unbalanced OdBu Stereo machines 4 dBu balanced 10dBv unbalanced Main outputs 4dBu balanced 10 OdBv unbalanced Tape outputs 4dBu 104 balanced All other outputs 4dBu balanced Noise master fader down dBr A weighted Noise 32 channels routed 87 dBr A weighted Noise 64 channels routed 84dBr A weighted High pass filter 3dB at 100Hz 1688 from 4kHz to 20kHz 22kHz shelving L F 16dB from 20Hz 10Hz to 500Hz shelving H M F 16dB from 600Hz to 15kHz bell Q fac
27. R5 0 417 85 0 608 85 0 22n R5 0 471 R5 0 68n R5 0 82n R5 0 100n R5 0 radiaal R5 0 radiaal R5 0 radiaal R5 0 radiaal R5 0 radiaal R5 0 radiaal R5 0 radiaal R5 0 N channel switch P channel switch 2 54 lock recht 2 54 lock recht 2 54 lock recht 2 54 recht 2 54 lock recht 3 96 Right Angle405 2 54 recht no box 2 54 haaks 2 54 haaks 2 54 haaks snand 92 SGS volt reg Ic NE 5532 AP TI Ic SSM 2017 Ic voet 8 pins Ic voet 8 pins Ic voet 14 pins dual opamp P audio pre amp Ic THAT 2180 LBE VCA Ic TL 072 CP TI TL 074 CN TI dual opamp quad opamp vork contact SIL 2 54mm vork contact Instelpot 25 turn 100k H T93YB Instelpot 25 turn 20k H T93YB Potm 16 10KB 10KB 10KM 10KN cc Potm 16 1x 20kB 1x 10kRD gain Potm 16 2x Potm 16 2x 10 50 en lin con Potm 97 100kCx2 10kB CC Potm 97 10 2 CC 10 Print Orion LCR c inline auto Print RK16 gt Rk97 Schakelaar Alps Schakelaar Alps Schakelaar Alps 2p mini MOMENT 2pole mini NS 4pole mini NS Page Comp 6 0000 1 0000 5 0000 8 0000 2 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000
28. ans er 2137 211 24 se aues spuas xng L 590 3 TSv0 r1 TStO FA 5 0 7 or TSeo 0 TSvoO nra 5 7 TE 1593 S3NI 311 jo aa 7 Jaguar a HE fei vinde y Did dRAMN uaun o NOTIHUH NOLIHLI NOIHO 9 MOHUH2lUd 431598 31371 AUS 2300442213 48A 0 ot y n L ET or 4 E Et be y HL i 9n 2 11 TEI GH ll 6 TEE Lie 7 011111 gr pe 2 lot 1 1 TStO r1 BHT 1 se LL 31504 3T 1 ST 1 590 1 ONS 38 41 1111 Er H33dSZQ 8ns 9 6c 134 NGB 1 22 BILSON dt 660 S NNOO 4 T 2 vo ons 4614 ibt OT ipei 13341 NNOD Hd T NNO2 dt db L Les NO 1594 Taf 902 8255 7 f quo 1141 140 104 43159 ASAP q 2140432213 5 L er a diz L 1590 71 TSvO 01 L aiz N 5 0 1 L 2412 5 4 gt L pr 812 J L vereen 1 812 805 m im h ED her C 9 NE sels leleh 5 1593 T NNO2 Tar dOZ B4S
29. at the sticker on the back of the rack mount power supply This sould be 110V for use in areas with an AC supply between 100V and 120V and 220V for use in areas with an AC supply between 220V and 240V The main fuse is a 6 3 amp fuse with a 125 volt rating 10 amp fuse in America with a 250 volt rating After replacing a blown fuse with the correct size and rating turn the power supply on and check the three LED indicators If you are still missing one or more of the power rails turn off the power supply and call the D amp R Technical Support Department NOTE DO NOT REPLACE THE FUSE WITH ANY OTHER TYPE AS THIS CAN BECOME A SAFETY HAZARD AND WILL VOID YOUR WARANTY 8 2 Electrical Wiring To take full advantage of the excellent signal to noise ratio of the Orion it is necessary to read this part of the manual carefully Hum radio frequency interferance buzzes and instability are often caused by improper wiring and poor grounding All equipment using three wire ac connectors should have a ground lift adaptor on each cable before plugging into the ac outlet In most cases the incoming electrical ground is inadequate and a dedicated ground system should be installed for the audio equipment Your local electric power company will provide you with all local electrical codes and safety regulations There are some ground rules to follow All signals in a recording studio are referenced to ground This ground must be clean and free of noise A ce
30. entire group signal is to be processed To do this it is necessary to activate the GRP switch in the summing channel to use the monitor insert Headphone Que During recording it is essential that the talent hear an independent mix of what the engineer and producer are hearing Headphone mixes are usually derived from pre fader auxilliaries In the Orion aux 1 amp 2 are ideal for this purpose The best way to build a mix for the headphones is to have the monitor section of the in line module feed aux busses 1 amp 2 When there is limited time to set up a headphone mix give the talent the CRM mix in the Phones section of the master modules and build up an independant headphone mix on aux 1 amp 2 when time allows Effect Sends All unused aux sends can be used to send signals to signal processors such as the D amp R Qverb 16 bit digital reverb effects processors and digital delays The aux sends are usually post fader in order that the right balance between untreated and treated signals is maintained however it is possible to switch to pre fader Effects Returns In the modern recording or MIDI studios of today there is a demand for many effect returns and inputs for MIDI related gear For that reason D amp R has designed the Orion with stereo effects return modules See section 5 0 of this manual for a complete description of this module Any unused channel or monitor input can also be used for returning effects Every channe
31. mt SA Em Wire numbers from n Mogami W 2932 or Clark M 708 eight pair cable 6 5 2 1 IL KT v Male XLR Connector Shields Connected at 25D Shields Lifted at Male XLR 25 Female XLR Connector Shields Lifted at 25D Shields Connected at Female XLR Note One cable harness as above is needed for each 4 Tracks Orion Aux Outputs 1 8 MASTER SECTION Aux 8 Aux 7 Aux 4 Aux 3 2 Wire numbers are from Mogami W 2932 or Clark 708 eight pair Cable 9 O All shields are connected at 1 4 RTS sleeve only Note This harness is connected between the Master aux outputs and aux outputs on patchbay back panel 5 4 Aux 6 Aux 5 Aux 2 Orion Stereo Return Inputs Return B Return B module 2 module 1 Right Left Right Left JL 4 4 1 1 1 4 Wire numbers are from Mogami W 2932 or Clark 708 eight pair Cable i Right Left Right O Left Return A Return A module 2 module 1 All shields are connected at 1 4 RTS sleeve only Note This harness is connected between 2 stereo return modules inputs and dedicated tie lines on patchbay back panel Orion 25D to Channel Connectors Both Commons amp Shields Connected to sleeve Channel return Group out Hod ME 220 Monitor input Line input Monitor return 2 gt Monitor H send Wire numbers are from Mogami W 2932 8 pair
32. noise free It is important to understand the term balanced Balanced does not mean the input or output is professional the single factor that normally determines whether something is professional is the level of the input or the output 4 dBu is considered professional 10 4 is considered to be semi professional Because many semi professional tape machines are built to professional specifications D amp R builds into the Orion console the ability to interface with both levels Note When checking your new Orion console for noise you will notice that the console is extremely quiet without any external equipment hooked up D amp R is not responcible for the noise you will experience when interfacing other equipment Since you are use to other consoles when first encountering a D amp R the lack of noise from your Orion makes you more aware of noise from other equipment as you hook it up D amp R recomends using the highest quality external equipment with the Orion Because high quality sound must be monitored with speakers and amps with extreme specs D amp R suggests using Pacific Innovative Amps to drive your speakers Ask your D amp R representative for more information Page 37 10 0 Connecting the Orion 10 1 Master module 1 CRM amp Solo Master insert left Two track A B amp C 10 dBv left output 4 dB left balanced output CRM 1 amp 2 Tip return Ring send Sleeve ground Tip hot Ring cold S
33. pozidr zw 1 0000 st Date 10350517 10400209 10400211 10400216 10401241 10401246 10401268 10401258 10401245 10400287 10400292 10250338 10250017 10600510 10600511 10600456 10600141 10250307 10250304 10250305 10600394 10600395 10600432 10300371 10300373 10300375 10200305 10200317 10550400 10550395 10550401 10250333 10350701 10350765 10350736 10350704 10350737 10350739 10350776 10350741 10351741 10350743 10351743 10350745 10351745 10350747 10350883 10350749 10350753 10350758 10350763 10250362 10100325 10650448 10600470 10600173 10450153 10450182 10450195 30 08 99 17 40 D amp Electronica Weesp BV B ILL SERVI MATERIAL CE MANUAL Page Comp 60883212 Orion effect stereo kanaal Weerstand OE 5 1 4W Condensator ker 4 7 2 5 Condensator ker 6 8 82 5 Condensator ker 18 R2 5 Condensator ker 100nF 50V R5 Condensator poly 110 R5 0 Condensator poly 1uF R5 0 Condensator poly 4711 R5 0 Condensator poly 680p R5 0 Elco 47uF 25V radiaal R5 0 Elco 100uF 25V radiaal R5 0 Fet J112 N channel switch Fet J175 P channel switch Header 2p 2 54 lock recht Header Header 20p 2 54 haaks Header 64p 2 54 haaks Ic NE 5532 Ic TL 072 Ie TL 074 Ic voet AP TI CP TI CN TI dual dual quad 3p 2 54 loc
34. sf os ez oz er oza era gta 270 vir 91 i EEN STEHT 3657 2502 acit 228 828 eu iom av 7 5 gt N s NI Nano BAZ L acorezesa ERD 1 E M Sr pesar 24z az waren ssena oi E 55 dar ze de as Ho 14835NI 4074 Ma di v viz EK BAT BET ENT Sba 2 NNO fe Se 3554 2641 Keng 7 9 oJ a JO VOTER Tuo84 U8j17JO BUL EMOULIN Kum ut aun tusunsod ext Peonposdas sou Auer Lema serus Pensenes LMOIMAdO TE 3 120 HALIN 3SHHd NO IO 40 43 Te AO C or ol rr ol saroor I ora 402 8 55 P Teno es ve ER 0385031 T AG arsxne 2385031 v sanaine oi 93559371 wrexny 260 3 495937 z txne sta 2345931 NALAAT BET ONT MM5S017 MOOT an ane 23 e t dr 1 lt DI 223 E NNOD eren
35. st 10350757 Weerstand 220K 5 1 4W 10 0000 st 10350813 Weerstand 261E 15 1 4 2 0000 st 10350759 Weerstand 330k 5 1 4W 7 0000 st 10350816 Weerstand 332E 1 1 4W 2 0000 st 10350724 Weerstand 390E 5 1 4W 1 0000 st 10350818 Weerstand 392E 1 1 4W 2 0000 st 10350820 Weerstand 412E 1 1 4W 2 0000 st 10350819 Weerstand 432E 1 1 4W 2 0000 st 10350821 Weerstand 487E 15 1 4W 2 0000 st 10350817 Weerstand 511 1 1 4W 2 0000 st 10350822 Weerstand 536E 1 1 4W 2 0000 st 10350823 Weerstand 619E 1 1 4W 2 0000 st 10350864 Weerstand 649E 1 1 4W 2 0000 st 10350727 Weerstand 680E 5 1 4W 2 0000 st 10350763 Weerstand 680k 5 1 4W 8 0000 st 10350824 Weerstand 681E 1 1 4W 2 0000 st 10350825 Weerstand 768E 1 1 4W 2 0000 st 10350826 Weerstand 866E 1 1 4W 2 0000 st 10350828 Weerstand 976E 1 1 4W 2 0000 st 10250340 Zenerdiode 2V4 400mW 10 0000 st 10250350 Zenerdiode 18VO 400mW 9 0000 st 10100321 Achterplaat Orion 22 b master 1 0000 st 10650448 Bandkabel 20p R 1 27 115 0000 cm 10650159 Bandkabel 34p R 1 27 135 0000 cm 10700288 Bout M 3 x 12 verzonken zwart 2 0000 st 10600470 Conn 20p fem bandkabel 8 0000 st 10600132 Conn 34p fem bandkabel 4 0000 st 10600525 Conn Speakon 4p chassis 1 0000 st 10600160 Conn 2p wired 1 black 2 green 2 0000 st 10600171 Conn 3p wrd 1 blck grn red 2 0000 st 10600173 Conn 3p wrd 2U084 018 0387 5 0000 st 10600174 Conn 4p wired 402 04 2 20cm 2 0000 st 10600169 Con
36. stereo headphone sends in the tracking session Aux 3 amp 4 are also on dual concentric controls The top control is Aux 3 and the bottom control is Aux 4 Aux sends 1 4 can be fed from either the channel path or MONitor path and are PRE post switchable Auxilliary 5 6 are switchable to Aux 7 8 busses 4 4 Floating Subgroup System The Floating Subgroup System is one of D amp Rs most unique features Although the Orion has 8 conventional busses the FSS allows the user to buss any input or amount of inputs to those tracks above 8 without having to use the patchbay As an example if you have a 32 track tape machine and want to buss some inputs in stereo to tracks 31 amp 32 you would assign and pan between busses 1 2 or 3 4 on all desired inputs and go to modules 31 amp 32 and press FROM SUB 1 2 or 3 4 on each from sub section Page 21 Now a stereo mix of all assigned channels will feed tracks 31 amp 32 The Floating Subgroup System can be used for 48 and 64 tracks as well The Orion series bussing is only limited by the amount of input output channels in any given frame The FSS is one of the most misunderstood features however once understood it can be the most used and appreciated feature in the Orion 4 5 Monitor Section The monitor section is the second signal path in the Orion in line channel It has its own volume control panpot and mute amp solo switches as well as a Group switch and fader rever
37. supply to the console All faders monitors and effect returns must be in the down or off position In order to ensure the best signal to noise ratio for your system the next steps should be performed in the order they are printed a Connect the CRM outputs located on the master module backplate to the inputs of your control room speaker power amps Now turn on the console power supply and then turn the power amp on and check for any hum buzz or interference Slowly turn the CRM control clockwise until it is wide open while listening for excessive noise You should only hear a faint hiss If everything is O K continue If any hum or excess noise is present stop and try different ground and shielding arrangements until the system is clean After checking the main power amp and speakers check CRM 2 b Before making any other connections move each monitor fader to the 0 dB position with the tape switch depressed on each monitor section Connect the multitrack outputs to the tape return connectors on the backplate of each in line module or via the 25 pole sub D connector if the optional patchbay is installed then connect each connector on the tape output of your multitrack Check for hum or noise after each track has been hooked up Hiss will normally increase slightly with each track Connect the tape send output jacks to the inputs of the multitrack Carefully listen for excessive noise or hum If after hooking up an input or outpu
38. you order the patchbay The entire patchbay is balanced and internally starground wired 6 1 Patchbay points Channel patch points from left to right are Line input channel insert send amp return monitor input monitor insert send amp return group output Each four rows of channel patch points are followed by four channels of multitrack inputs and outputs The tape inputs and outputs are normalled to group outputs and monitor inputs inside the patchbay The Master Section has six rows of Bantam type jacks First Row Left master insert send amp return right master insert send amp return 4 outputs left amp right 10 outputs left amp right Second Row Tape or mastering machines A B amp C inputs left amp right Third Row Tape or mastering machines A B amp C outputs left amp right Fourth Row Tape DAT CD or two track machine playback inputs to CRM Fifth Row Aux send outputs 1 thru 8 You can normal these jacks to the inputs of selected signal processing Sixth Row Two sets of four mults parrallels used for patching the output of one device to the inputs of other devices Tie Lines The tie lines 120 in total are in rows of eight The tie lines are for any signal processing equipment For ease of use all outputs are on blue sockets and all inputs are on black sockets The drawing shows the first 40 of 120 tie lines Interfacing with external machines effects or power amplifiers can b
39. 0 10401253 Condensator poly 10n R5 0 10401260 Condensator poly 68n R5 0 10401242 Condensator poly 82n R5 0 10400267 Condensator poly 680n 7 5 10600114 Conn 5p DIN fem chassis 10600447 Connector chass 809 D 8P8C 10250342 Diode 1N4148 signaal 10400279 Elco 1uF 63V radiaal R5 0 10400284 Elco 10uF 50V radiaal R5 0 10400287 Elco 47uF 25V radiaal R5 0 10400292 Elco 100uF 25V radiaal R5 0 10400280 Elco 2 2uF 50V radiaal R5 0 10400290 Elco 220uF 25V radiaal R5 0 10250338 Fet J112 N channel switch 10250017 Fet J175 P channel switch 10600510 Header 2 2 54 lock recht 10600505 Header 2 2 54 straight 10600511 Header 3p 2 54 lock recht 10600474 Header 3 3 96 recht 10600512 Header 4p 2 54 lock recht 10600478 Header 4p 2 54 recht 10600438 Header 16 2 54 recht no box 10600456 Header 20p 2 54 haaks 10600140 Header 34p 2 54 haaks 10600142 Header 34p 2 54 straight 10600141 Header 64 2 54 haaks 10250005 Ic 4093B snand 10250317 Ic 78L05 TO92 SGS volt reg 10250325 78112 TO92 SGS volt reg 10250179 Ic DRV 134PA SSM2142 10250316 Ic 1 339 comparator 10250307 NE 5532 AP TI dual opamp 10250303 Ic TL 071 CN TI single opamp 10250304 Ic TL 072 CP TI dual opamp 10250305 Ic TL 074 CN TI quad opamp 10600394 Ic voet 8 pins vork contact 10600395 Ic voet 14 pins vork contact 10300166 Instelpot 15 turn 20k T18 10300200 Inst
40. 00 10350847 Weerstand 182E 1 1 4W 1 0000 10350812 Weerstand 205E 1 1 4W 1 0000 10350886 Weerstand 243E 1 1 4W 1 0000 10350758 Weerstand 270k 5 1 4W 1 0000 10350892 Weerstand 340E 1 1 4W 1 0000 10350821 Weerstand 487E 1 1 4W 1 0000 10350824 Weerstand 681E 1 1 4W 1 0000 10350828 Weerstand 976 1 1 4W 1 0000 10250340 Zenerdiode 2V4 400mW 1 0000 10650159 Bandkabel 34 R 1 27 30 0000 10600132 Conn 34p fem bandkabel 2 0000 10700975 Dubbelzijdig plakband 12mm dun 9 0000 10100310 Front Orion 11 B ledbar 11sgm 1 0000 10600436 Jack moer 5 0000 10250391 Led 5x2mm green SLB 0272P0 030 8 0000 10250392 Led 5x2mm red SLB 0275PO 030 3 0000 10700690 Platstaf 25 x 10 x 10mm 2 0000 10700611 Popnagel 3 0 x 6 5 blank 3 0000 20850210 Print bestukt Orion 10 1bllsg 1 0000 10700787 Taptite M3x6 bolkoppozidr zwrt 4 0000 Date 30 08 99 18 01 B D amp R Electronica Weesp BV 60883250 Orion master kompleet ILL OF MATERIAL SERVICE MANUAL 10350517 Weerstand OE 5 1 4W 10400209 Condensator ker 4 7 R2 5 10400213 Condensator ker 10p R2 5 10400216 Condensator ker 18p R2 5 10400218 Condensator ker 27p R2 5 10400221 Condensator ker 47 R2 5 10400223 Condensator ker 68p R2 5 10400225 Condensator ker 100p R2 5 10400230 Condensator ker 270p R2 5 10401241 Condensator ker 100nF 50V R5 T 10401246 Condensator poly 110 R5 0 10401268 Condensator poly 1uF R5 0 10401250 Condensator poly 417 R5
41. 0351753 Weerstand 100k 1 8W 5 27 0000 st 10351761 Weerstand 470k 1 8W 5 1 0000 st 10250351 Zenerdiode 5V6 400mW 4 0000 st 10250350 Zenerdiode 18 0 400mW 2 0000 st 10600173 Conn wrd 20084 018 0387 2 0000 st 10450153 Deksel SiFam 11mm black 5bulk 2 0000 st 10450182 Deksel SiFam 11mm blue bulk 3 0000 st 10450195 Deksel SiFam 11mm gray bulk 5 0000 st 10450194 Deksel SiFam 11mm green bulk 1 0000 st 10450152 Deksel SiFam 11mm red 7 bulk 2 0000 st 10300089 Fader JP 100mm mono 10KA 1 0000 st 10300091 Fader JP 51MM ST SV5102S20AU 1 0000 st 10100309 Front Orion LCR a in line 1 0000 st 10500005 Isolatiekous 5 0mm rond grys 30 0000 cm 10700684 Kartelring M 10 buitenvertan 10 0000 st 10450209 Knop Druktoets 2 8 black squar 11 0000 st 10450211 Knop Druktoets 2 8 grey rectan 2 0000 st 10450208 Knop Druktoets 2 8 grey square 15 0000 st 10450212 Knop Druktoets 2 8 red rectan 2 0000 st 10450210 Knop Druktoets 2 8 red square 3 0000 st 10450082 Knop Fader SiFam white 1 2x8 2 0000 st 10450101 Knop SiFam grey Alps boti5mm 10 0000 st 10450100 Knop SiFam grey spli toplimm 10 0000 st 10450103 Knop SiFam grey splined 11mm 3 0000 st 10250386 Led 3mm green SLR 03A210 020 8 0000 st 10250387 Led 3mm red SLR 03A510 020 7 0000 st 10700690 Platstaf 25 x 10 x 10mm 1 0000 st 10700611 Popnagel 3 0 x 6 5 blank 2 0000 st 20851236 Print bestukt Orion LCR inline 1 0000 st 10700786 Taptite M3x5 verzkop pozidr zw 4 0000 st 10700790 Taptite M3x6 verzkop
42. 1 4W 13 0000 st 10350753 Weerstand 100K 5 1 4W 17 0000 st 10350727 Weerstand 680E 5 1 4W 1 0000 st 10350763 Weerstand 680k 5 1 4W 2 0000 st 10250362 Zenerdiode 4V7 400mW 2 0000 st 10250351 Zenerdiode 5V6 400mW 4 0000 st 10700615 Bout M 3 x 4 zwart 2 0000 st 10600171 Conn wrd 1 blck grn red 1 0000 st 10450153 Deksel SiFam 11mm black 5bulk 2 0000 st 10450182 Deksel SiFam 11mm blue bulk 3 0000 st 10450195 Deksel SiFam 11mm gray bulk 4 0000 st 10450194 Deksel SiFam 11mm green bulk 1 0000 st 10450152 Deksel SiFam 11mm red 7 bulk 1 0000 st 10300089 Fader JP 100mm mono 10KA 1 0000 st 10100300 Front Orion 1 iniine chan 1 0000 st 10500005 Isolatiekous 5 0mm rond grys 15 0000 10700684 Kartelring M 10 buitenvertan 7 0000 st 10450251 Knop Druktoets 3 3 black squar 6 0000 st 10450197 Knop Druktoets 3 3 grey rectan 2 0000 st 10450253 Knop Druktoets 3 3 grey square 10 0000 st 10450196 Knop Druktoets 3 3 red rectang 2 0000 st 10450252 Knop Druktoets 3 3 red square 4 0000 st 10450082 Knop Fader SiFam white 1 2x8 1 0000 st 10450101 Knop SiFam grey Alps bot15mm 7 0000 st 10450100 Knop SiFam grey spli topllmm 7 0000 st 10450103 Knop SiFam grey splined 1lmm 4 0000 st 10250386 Led 3mm green SLR 03A210 020 4 0000 st 10250387 Led 3mm red SLR 03A510 020 3 0000 st 20850200 Print bestukt Orion 1 1 0000 st Date 30 08 99 17 58 B D amp R Electronica Weesp BV 10400209 10400211 10400213 10400216 10
43. 2 OF OF 27 2TB DI 210 2TC O7 MA 10dB 4987 Q POWER CA 1088 4 CRM 1 C O CRM 2 OUT O C IN 0 0 RIGHT LEFT la pg EO ES e e S e REMOTE MIDI THRU MID IN 4984 498 o POWER GND O SHIELD C r CRM 1 C O CRM 2 Q EI 6 6 EI EI L4 L4 EI EI 2 2 EI 0 Lo EI EI 2372 2372 EI EI L4 L4 EI EI EI 6 237 6 EI EI EI 10 223 10 EI EI 23 14 22 14 2 18 23718 EI EI 21 23 22 23 EI EI EI 30 30 EI EI LI on EI on O 6 N 180 N 3 N N 15 N 2 1 H 35 49 1 5 N N 90 N e N A 10 N 2 1 15 N 45 19 20 N A on N o A O Q 0 2 8 The Master Channel amp Phase Meters Master Metering The Orion master is fitted with peak reading high resolution LEDbar meters with attack and release times which conform to world standards The attack is 1Omsec for a 20 dB range and the release is 1 5msec NOTE Peak reading meters give a reading 6 dB below the actual level when using a sine wave For example 4 dBu at the output connectors would give a reading of
44. 3 0000 2 0000 3 0000 1 0000 1 0000 2 0000 3 0000 4 0000 1 0000 18 0000 2 0000 4 0000 5 0000 4 0000 2 0000 2 0000 7 0000 1 0000 2 0000 1 0000 1 0000 3 0000 1 0000 1 100 Unit st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st Date 30 08 99 17 40 BILL OF MATERIAL Page 2 D amp R Electronica Weesp BV SERVICE MANUAL Comp 100 60883210 Orion inline kanaal Articlecode 10350736 Weerstand 3k9 5 1 4W 8 0000 10350737 Weerstand 4k7 5 1 4W 12 0000 st 10350846 Weerstand 6 81 1 1 4W 2 0000 st 10350739 Weerstand 6k8 5 1 4W 2 0000 st 10350740 Weerstand 8k2 5 1 4W 2 0000 st 10350705 Weerstand 10E 5 1 4W 4 0000 st 10350776 Weerstand 10M0 5 1 4W 5 0000 st 10350741 Weerstand 10k 5 1 4W 17 0000 st 10351741 Weerstand 10k 1 8W 5 2 0000 st 10350742 Weerstand 12 5 1 4W 3 0000 st 10350743 Weerstand 15k 5 1 4W 12 0000 st 10350744 Weerstand 18 5 1 4W 1 0000 st 10350745 Weerstand 22k 5 1 4W 6 0000 st 10350711 Weerstand 33E 5 1 4W 1 0000 st 10350747 Weerstand 33k 5 1 4 2 0000 st 10350713 Weerstand 47E 5 1 4W 7 0000 st 10350749 Weerstand 47k 5
45. 400221 10400229 10400236 10401241 10401247 10401268 10401250 10401251 10400277 10401258 10401260 10401242 10401261 10400279 10400284 10400292 10400302 10400280 10400290 10400303 10250338 10250017 10600510 10600511 10600512 10600478 10600513 10600449 10600438 10600456 10600140 10600141 10250005 10250317 10250307 10250184 10250032 10250304 10250305 10600394 10600402 10600395 10300203 10300200 10300390 10300374 10300371 10300373 10300401 10300402 10200304 10201365 10550205 10550414 10550415 Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Condensator Elco 1uF Elco 10uF Elco 100uF Elco 100uF Elco 2 2uF Elco 220uF Elco 1000uF Fet J112 Fet J175 Header 2 Header 3 Header 4p Header 4 Header 5 Header 6p Header 16p Header 20p Header 34p Header 64p Ic 4093B Ic 78L05 TO ILL ker ker ker ker ker ker ker OF MATERIAL SERVICE MANUAL 60883215 Orion LCR in line channel 4 7 R2 5 R2 5 10 82 5 18 82 5 47 82 5 220 82 5 1000 R2 5 ker 100nF 50V R5 T poly poly poly poly poly poly poly poly poly 63V 50V 25V 63V 50V 25V 10V OROS OOS M 115 R5 0 luF
46. 7 51 n 151 X9 57 MY viva 3 3 1331 143 3 0 85 291 uot 627 12 92 DO nv 1000 sz oo 010 2 T T 438A lan I GLA 7 1111 Ww dr9 RLESKIN ass NOMS INO 3v1S1Y1d3Y 1S1 Id r 9r 54 TLEMI TT 2 op EN Cat 54 ZNI SOND INI HOND m 2100 2 BEE sall 809 157 a 171 1 gern 09 22 9 00 v b ota 5 Qiu in zum i Haal Post INI LONS E 199 TONS lt EA CH ez 00 uno HNI 999 197 7 Be 77 809 297 Z 91 1431 198 zum 148 oS ER 1 0108 7 SEA ER ZNI 8 0108 c 0 5 lt gt CZ 809 287 7 809 157 val 3 B 1 ta Pot GTM td uem doi 995 ou 1 vos mi INI 19 ZN FOND 13 SCH 79 ER 1 ZANG 24 7 aag a Sl EXE 393 z n 7 809 15 HI S N2 C EY TALENT m INI OND d 90 808 088 LAO 77 809 157 9 cr om BZN 7 2 809 25 ved y gas tsr 771 _ 809 286 Ie z ak ase 52 00 GEWAN g3 210 Dei LSP elos nro 412 22 gon 25 HAM ZST 3001 0108 7 1 0108 7 gt zum 39 0105 Vad Go 25 0105 neo 99 d D
47. D D xx ABE gt The channel SOLO switch allows for both PFL and Solo in Place listening and has an LED indicator The channel MUTE switch fitted below the solo switch is an automated MUTE MidiFade D amp R s midi seguencer controlled automation and Power VCA D amp R s SMPTE based automation will control this mute The MUTE switch has an LED indicator The channel can be assigned to the left right stereo mix busses by pressing the L switch mB Assignment to the 16 busses is performed by pressing any or all of the 1 through 8 buss switches The BNC switch bounces between busses 1 through 8 and 9 through 16 The Floating Subgroup System is routed through the first four busses When you press the ISO switch on this module the internal high quality VCA can be individually switched out of the signal path for audio purists The SEL switch changes the automation modes from ISO VCA in but not controlled by the computer Read mode Write mode and Update mode relative i An external sequencer can control the internal automation hardware if the optional D amp R PowerFade automation hardware and software is not purchased This module can accept a dynamics option which will be introduced later The DYNamics option will require some hardware and software Planned for release in late 95 the DYNamics option will have compressors limiters and gates available 3 7 Automati
48. D amp R s VCA fader amp mute automation PowerFade D amp R s moving fader automation V Desk Uptown Tetra or any other after market automation system Any of the above automation systems can be built in at the factory or installed later If you choose to add automation later it is always best to talk to your D amp R representative first Page 24 4 7 LCRS In line Module connectors Input and Output connectors In addition to the optional patchbay every channel also has the following connectors at the back of the housing The in line module backplates are double width to accomadate two channels The balanced Group GRP output is a stereo 1 4 jack socket Tip hot Ring cold Sleeve shield The MONitor insert is on a stereo jack socket Tip return Ring send Sleeve shield The CHANnel insert is a 1 4 stereo jack socket Tip return Ring send Sleeve shield The balanced MONitor input is a stereo 1 4 jack socket Tip hot Ring cold Sleeve ground Note The default setting on the monitor inputs and group outputs are 4 dBu You can choose jumper settings of 10 dBV on the channel PCB boards using small needle nose pliers The balanced LINE input is on a 1 4 stereo jack socket Tip hot Ring cold Sleeve shield A balanced XLR connector is for the MICrophone input Pin 1 shield Pin 2 hot in phase Pin 3 cold out of phase Page 25 TRE DUAL STEREO MODULE 5 0 The Dual Stereo Aux
49. L 6 5 1 dl Both Commons and Shields connected to Sleeve an o 9 1 9 Insert Left Right Left 14 Main Outputs Note This harness is connected from the Master main outputs to the main outputs on the patchbay back panel Orion 25D from Stereo Machine Outputs Machine D Machine B Right Left Right Left Q A O O Q O O ung aan KE 8 4 H TT TT Right Left Right Left Machine C Machine A Female XLR Connector Connect all shields in female XLR connectors and all shields are lifted at 25D connectors Orion 250 to CRM Inputs 2 Track B Right Left 4 4 CL gt dl Wire numbers are from Mogami W 2932 or Clark 708 eight pair cable e E 9 9 id pl Right Left 2 Track C 2 Track A Shields Connected in 1 4 RTS and Lifted at 25 pin sub D connector Orion Tie Lines Effects Inputs and Outputs 5 TTT Shields Connected in Female XLR connectors on wires 3 4 7 amp 8 and lifted at 25D connector 3 2 2 q io di Shields Lifted in Male XLR Male XLR Connector connectors on wires 1 2 5 amp 6 and connected at 25D connector 5 Female XLR Connector Note One cable harness as above is needed for each pair of stereo signal processing devices 5 2 1 Wire numbers are from Mogami W 2932 or Clark 708 eight pair cable H C Ip CIP Orion 25D to Multitrack Inputs and Outputs 3
50. LOGIC SA BEM WSD n n CRPIB S AUX5 6 TO BNC SUBS PFL DHAN Me M n Sei LEET 50107 Tegen 12 63 MON Lu 451 LEFT HEEN n ds RIGHT sae Grae ROM LCR POT 074 TE 7 A gt DYN LED3RED 34 R48 1 Zomm SWIS A RIGHT D amp R Electronica B V SW aset mu T Ki 1 2 fax 02940 169 ORILCR B Re Design DE RIJK Fader Con NoAutoM 133 AutoM ok 2 12 AutoM 0 J VA IN NoAutoM ol 031 3P Fader Con AutoM C96 2v B n m T 9 Ki E S4 BBMt T Noi CJ PAN LFT aa TE PDST VEA FDR R400 R142 ie MS JO swart CR Et R149 ZE ries MEES SIB lt PAN RGHT 54 8 114 Eg 100k T LA eran 4 vea cont IL En Ries Ris 0 55 k OKT Lei FADER AD Ri MOON x 1 B 8 N tn ee 0 10 Riga 88 21 LEV OO Ed VCA CONT FADER AD VS1 R401 201 ST ve Cen C54 j c57 5 V cu Vs cn C116 n VS 83 VS ow Du AC ou AC Ou 95 ohoo
51. MO 515222 4 40 40 3114 spurog Luus D SIN sur TW H 8 7 XTW ETA RE indino due 17 Pessqunu aATa224 T teuueug H H agaaa Si Atuo gt ano46 uou JUL 946 8 1 Sang Tans WOJ 34501 148SUI ojos Ge HOLINOH NYH dut uow NduTBUFIE 2 STI tw jo 3245 2661 761 98 HEEG T 23 AB ANN NOH 431594 314TL 1 EZTUOJ125 3 aed 3714 HZI gm BET daa Lou DOUR TE 119 Rut 1 914 4095 STU Tuas gua 123735 848320 jyad otos Ch CT FARE Z T ROD MB TA d ELE FAS RAT 380 3381 ND 9 N M gaz 5432 ECKE I 1380 1no urwu
52. Return module This stereo return module is one of the most flexible stereo modules ever designed It actually has two stereo returns four inputs Although designed for effects returns this module can be used for stereo keyboards drum machines or any device needing two inputs on one fader The paragraphs below describe stereo return A in full Stereo return B is identical 51 Input section The input section has a stereo GAIN pot controlled by one knob The gain control is a dual pot used to adjust the gain of two line amps stereo input The adjustment range is from 20dB to 20 dB The backpanel jack sockets actively mixes the two inputs into a mono signal when only one input is used This is done when you need to feed the output of a mono device to both channels 5 2 Equalizer section The two band stereo equalizer was designed for the type of equalization needed for stereo returns The high frequency band is a shelving type at 12 000 Hz The low frequency band is a shelving type at 60 Hz Each band has a boost or cut of 16dB for both left right channels 5 3 Aux send section The Aux send section has dual concentric pots to feed Aux busses 1 amp 2 which is used for stereo effects returns to the stereo phone system as well as sends to other devices Aux sends 1 amp 2 are pre post switchable Aux send 3 5 and 4 6 send post summed mono signal to the master aux busses Aux 3 amp 4 can be switched to Aux busses 5 amp 6 5
53. SXKIH NOTIBHUH NOLIUL NOIMO D M3LSUW 171 A d 3 er LI OZ o Br m RE maa W34dSZd0 6NS fete lo EE 9402 8255 71 ET NNOO 1 edaeu o OH OH OH OH OH OH OH OH 1590 1 9 7 er TSPO PI 9r 15 0 7 Sr 590 17 Er 590 1 5 TE 1593 O2ra2t 0 N NOIINGW NOAIML NOIHO 2194 H315UM 21 71 2740 15213 OTE W34dS70 ans ol ait H NO89 a o Ae EM 8458 1 T NNOD 9 jeduew 1 NOM Won fiquo OH OH OH Dr OH OH OH OH 9 5 0 71 Di TSvO nr EIN 550 1 Sf TSPO FR br Er TS50 f71 TSvO 0 TE NOLSY4 aiz 7 g z OOS HEDSIDIY 9 3 21371 xl xb NOL sr o 593 31 vof T gt vof vor er i 520 D mixing consoles ORION Service Manual D amp R Electronica BV Rijnkade 15 B 1382 GS Weesp The Netherlands Tel 31 2940 18014 Fax 31 2940 16987 1324311661 E 48403520 aie T 9 WOYDYIJ 52018 531435 NOI
54. When aligning your tape machines to the peak meters on the console do not set the peak meters to 0 The meters should be set to 6 on the console meters If analog VU meters are used on the master section they would be set to 0 D STUDIO PHONES GROUPS TB REM 2 4 Communications section The communications section allows all communication functions from the control room to the STUDIO PHONES and GROUPS Each buss has its own assignment switch and is feed via the T B control and built in condenser mic The T B REM remote switch is for locking in the talkback allowing the engineer or producer to carry on a two way conversation with the studio from remote areas in the control room When depressing this push on push off switch you can communicate without holding down the talkback switch The talkback switch is momentary type which allows you to talk to the headPHONES STUDIO speakers and 8 GROUP outputs as well as the Floating Subgroup System The stereo phone jack sockets located above the aux master sections are for checking on stereo headphones the mix being sent to either output section Page 9 2 5 Auxiliary send masters The eight auxiliary master sections are identical in function Mounted in the first module are aux sections 1 3 5 amp 7 and mounted in the second module are aux sections 2 4 6 amp 8 Each Aux ma
55. ay of the separate monitor section The monitor section of the in line module allows you to have two usable inputs both with EQ both being able to send to the aux busses both with their own volume control panpots mutes and solos and able to be routed at the same time Multiple Modules Assigned to One or Two Tracks When more than one microphone or line signal has to be recorded on a single track or in stereo on two tracks a submix facility is required This can be done easily on the Orion by way of the the internal subgroup amplifiers located on every channel module or the four Floating Subgroups Simply route to one of the 8 subgroups by activating a channel routing switch on as many input modules as required Decide on which track you wish to record these signals and activate the related number The channel metering will show the subgroup level which can be changed overall by the monitor group fader Grp switch must be pressed In order to monitor these tracks on the modules the tape switch should be in the up position for monitoring pre tape console out and in the down position for monitoring post tape tape switch down If you wish to route several inputs to a track higher than 8 you would use the Floating Subgroup System see section 3 4 Page 30 Insert Channel Group For high dynamic range types of inputs a signal processor such as a compressor limiter can be inserted in the channel or even in the monitor insert if an
56. be in pre fade listen mode An LED indicator is also fitted next to the solo level control to show when a solo circuit is activated 2 2 CRM section The CRM control room monitor section contains the electronics for monitoring all signal paths in the Orion CRM Source switching From the top of this section there are the four CRM signal sources With all these switches in the up position the CRM will monitor the stereo main outputs which is the sum of all the monitor sections assigned on LCRS Left Right routing switches in the input output modules and all assigned stereo inputs from the dual stereo modules The Orion has three dedicated balanced 4 dBv or 10 dBu tape machine returns which can be wired to the outputs of stereo master machines cassette machines CD players or DAT recorders or to the Orion patchbay Utilizing any of these switches enables playback or post tape monitoring of a master mix Aux 1 2 7 8 if fitted with LCRS modules can be monitored in stereo to allow the building up of a stereo cue mix for the headphone system through the control room monitors Page 7 CRM level The CRM level controls the output level to the control room monitors amps The Orion has two CRM systems intended for use with large monitors and nearfield monitors which are switchable via the CRM 2 switch We advise that nearfield monitors be wired to the CRM 2 output since the communica tion takes place over this monitor while d
57. cated on the extreme left and right of the frame and two more are on the left and right of the master section The extreme left and right blanks cannot be used for input modules as they conceal mechanical construc tions however the blanks on either side of the master can be replaced with input modules A heavy duty rack mount power supply master modules and internal cable harness are included Note Due to the LCRS module and standard in line module being the in line design format we will refer to both as in line modules As always with D amp R you can pick and choose how many of any of the three modules you want and where you would like them in the frame The frame 30 will fit 32 input modules in line or dual stereo modules 4 master modules and 2 blank modules The standard configuration has from left to right 24 in line modules 4 master modules and 6 duel stereo return modules Custom configurations are available at no extra charge The frame 38 will fit 40 input modules in line or dual stereo modules 4 master modules and 2 blank modules The standard configuration has left to right 24 in line modules 4 master modules 8 in line modules and 6 dual stereo return modules Custom configurations are available no charge The 51 position frame will fit 40 input modules in line or dual stereo modules 4 master modules patchbay and 2 blank modules The standard configuration has from left to right 24 in line modules 4 mas
58. ck B right 5 2 track C left 6 2 track C right 7 2 track D left 8 2 track D right CRM INPUTS 8 7 6 5 4 5 2 1 EE EER ER ER GCHGCHGCHGCHGCHGCHGCHGCH 1 2 track A left 2 2 track A right 3 2 track B left 4 2 track B right 5 2 track left 6 22 track right 7 2 track D left 8 2 track right AUX OUTPUT 8 7 5 5 4 3 2 1 EER EER EER EER ER GCHGCHGCYSCHGCHGCNGCHGCH bh AND Wow UN I I a OND bk MOVE AVAHILVd NOIHO d ix OP EE SANN AIL oe ZE ST S3NI1 3IL oo v Z 4V SIN C gt 91 6 SANN 3IL Ce 9 1 S3NI1 3lL Cs 01 6 xnv Ce 8 1 xnv oC e 5104 gt 14410 3NIHOVA SINdNI 3NIHOVN Ce SLAdLNO O Ce 8 9 AOVALILINN pe 8 13NNYHO 2 VANNYHO pe 9 13NNVHO C TANNVHI FAL MOVALLINN TANNVHS 13NNYHO oa T3NNYHO tamme 81 21 MOVELILINN 95 13 pe Gt 13NNYH 2 pe 13NNVHO aa 1 TINNVHI Ce 21 6 XIVALLINN Je 21 TINNVHI Ce LL T3NNYHO o 0 TANNYHI Oe 6 13NNVHO Ce 2 12 AQVALILINN 13 C e Z T3NNVH2 22 TANNVHI L T3NNVHD 02 11 MOVALUAON OZ TVANNYH O 61 V3NNYHO oo 81 13NNYHO Je 21
59. d 11 1 1 4W 1 0000 st 10350742 Weerstand 12k 5 1 4W 2 0000 st 10350743 Weerstand 15 5 1 4W 36 0000 st 10350880 Weerstand 18 7 1 1 4W 6 0000 st 10350745 Weerstand 22k 5 1 4W 2 0000 st 10350858 Weerstand 22 1 1 1 4W 2 0000 st 10350746 Weerstand 27 5 1 4W 2 0000 st 10350861 Weerstand 28k7 1 1 4W 18 0000 st 10350747 Weerstand 33k 5 1 4W 1 0000 st 10350863 Weerstand 34k8 1 1 4W 27 0000 st 10350748 Weerstand 39k 5 1 4W 2 0000 st 10350713 Weerstand 47E 5 1 4W 38 0000 st 10350749 Weerstand 47k 5 1 4W 46 0000 st 10350751 Weerstand 68k 5 1 4W 1 0000 st 10350870 Weerstand 75 1 1 4W 10 0000 st 10350752 Weerstand 82k 5 1 4W 1 0000 st 10350809 Weerstand 88 7 1 1 4W 2 0000 st 10350810 Weerstand 100E 13 1 4W 10 0000 st 10350717 Weerstand 100E 5 1 4W 8 0000 st 10350753 Weerstand 100K 5 1 4W 49 0000 st 10350806 Weerstand 113E 1 1 4W 2 0000 st 10350854 Weerstand 115E 1 1 4W 2 0000 st Date 30 08 99 18 01 D amp R Electronica Weesp BV BILL OF MATERIAL Page 3 SERVICE MANUAL Comp 100 60883250 Orion master kompleet 10350805 Weerstand 133E 1 1 4W 2 0000 st 10350719 Weerstand 150E 5 1 4W 2 0000 st 10350755 Weerstand 150K 5 1 4W 2 0000 st 10350811 Weerstand 162E 1 1 4W 2 0000 st 10350720 Weerstand 180E 5 1 4W 1 0000 st 10350847 Weerstand 182E 1 1 4W 2 0000 st 10350812 Weerstand 205E 15 1 4W 2 0000 st 10350721 Weerstand 220E 5 1 4 2 0000
60. e circuit Phase is used to reverse the phase of any mic line input coming from a mike or signal that may be out of phase with other mics or signals A successful method of checking for out of phase signals is to depress the mono switch on the master section and listen closely to the mix If an unexpected sound is heard or if something appears to be missing from the mix depress the phase switch for those channels suspected to be in error If the sound improves then that channel was out of phase with the others When the GAIN control is accurately set it is possible to achieve the very best signal to noise ratio and maximum headroom required for high quality recordings This control is for adjusting the line and mic inputs with seperate elec tronics although only one knob adjusts the dual pot LINE switches the microphone input to line input on the channel The line has its own balanced input amp and is controlled by the active dual gain control MIX the record mix status switch selects the basic signal path in the module When in the record mode up position the mic line input signal is routed through the channel path with or without equalization and or aux sends and then to the long fader and channel panpot It can then be sent to the main Left Right bus and or be assigned to the multitrack busses With the mix switch in the up position the multitrack outputs are heard through the monitor section When in the mix mode
61. e performed via the connector panels on the backplates of the console or via the 25 pin sub D connectors on the patchbay connector panel Page 28 Using Your Orion 7 0 Instructions for operation The Orion is designed to be the perfect recording mixing console for multitrack post production and MIDI studios In order to get more familiar with the Orion we shall discuss the entire recording process and divide it into five basic situations Situation 1 through 4 are for the more conventional recording studios and situation 5 is for the MIDI studio 1 The session Recording from microphone or line input to the multitrack machine This could be from one or more channels at a time 2 The playback In this mode you would listen to what has been recorded on the multitrack machine 3 The overdub Overdubbing is listening to already recorded tracks and recording on empty tracks until all tracks are filled 4 The remix Playing of all recorded tracks together with signal processing equipment and all that is necessary to create the final mixdown 5 The MIDI or Virtual Session Programmed keyboards drum machines reverbs effects vocal and or instrument tracks from a multitrack machine and who knows what else all at the same time direct to your Dat Machine two track master machine Hard Disk editing system CD recorder or cassette deck 7 1 Situation 1 The Tracking Session Recording basic tracks This is the beginn
62. elow 1007 It is 12dB per octave 80 200 Butterworth type An EQ in out switch completes the channel 9 LF equalizer section af E po e Page 14 5 43 mel 88 pps zo MAS d ost Zon t ge c rege 5 5 d al JE 8 MIDS TO MON gt 227 M e 1 AN bh LLL es 83 5 BA D D d sl ED EN a S C BR 23 e ew P i m N 1 loos 2225 Ra HO E d Ch gd n a d Oat D L d mtr See 5 8 a il hd 3 3 Auxiliary send section Each LCRS module has 8 discrete aux sends Aux send 1 amp 2 are fed from either the channel path or the monitor path and switchable pre post fader Aux 3 amp 4 are always fed post fader from the channel path Aux 5 amp 6 are post fader fed from channel or monitor Aux 5 6 sends can be sent to the 16 busses to subs to extend the 8 aux sends to 24 aux send busses When pressing the Aux 5 amp 6 TO SUBS switch Aux 5 amp 6 sends will take priority over the monitor and channel bussing 3 4 Monitor section Aux 7 amp 8 are always in the monitor path with level and pan control and are pre post fader switchable
63. elpot 25 turn 20k T93YB 10300199 Instelpot 25 turn 2k fr T93XB 10600432 Jack chassis break 10300378 Potm 16 1 10 109 10300372 Potm 16 1x 20kB en lin 10300374 Potm 16 1x 20 1 10KRD gain 10300370 Potm 16 2x 10kA log 10300371 Potm 16 2x 10kB cn lin Page Comp 81 0000 3 0000 30 0000 12 0000 3 0000 2 0000 12 0000 2 0000 2 0000 73 0000 2 0000 11 0000 2 0000 7 0000 4 0000 8 0000 2 0000 3 0000 1 0000 28 0000 2 0000 6 0000 73 0000 27 0000 2 0000 2 0000 13 0000 11 0000 10 0000 4 0000 1 0000 1 0000 11 0000 16 0000 2 0000 12 0000 3 0000 2 0000 4 0000 4 0000 2 0000 3 0000 4 0000 15 0000 9 0000 1 0000 11 0000 8 0000 25 0000 24 0000 7 0000 1 0000 1 0000 22 0000 8 0000 1 0000 1 0000 3 0000 1 0000 1 100 Unit st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st st Date 30 08 99 18 01 D amp R Electronica Weesp BV BILL OF MATERIAL SERVICE MANUAL 60883250 Orion master kompleet Page 2 Comp 100 10201052 Print Midicon 1b 1 0000 st 10200301 Print Orion 2b mstr crm 1 0000 st 10200302 Print Orion 3b mstr comm 1 0000 st 10200303 Print Orion 4C 1 7 amp 2 8 2 0000 st 10200311 Print Orion 20C ldbr25sg i o 2 0000 st 10200306 Print Orion 300A pha
64. fax 02940 16987 Sheet 1 oo 1 1 sign D amp R Electronica B V Desig E v d Krans 1 E 6 3 22081 e 52 W2 A 52 IN OUT PATCH POST VCA F R POST MON VERN Cla Sy 7 A m Se yg 8 zi 8 elk elk 2 OP EIE ASe BEN GROUP 43 Cla E 10 6104 RAD Pasr um De 22 lt 2 TSUKBSTCN 10K A m SOKA SS R73 PB Sha PKBSTCN 10KA 920 9 da 1DIKCS OKBECON 1 100KCS 1OKECCON R24 a zi 9 P2 C 1UOKCS AOKBECDN AN x 2810 LCR SWITCH 100 5 YIKBCCON Pap 100 65 FROM SUBS D BEC
65. h 9 4 of this manual for usefull ideas and wiring techniques Page 39 10 5 Connecting the In Line LCRS Module Description Connector Connection Group output 1 4 TRS Tip hot tape send balanced Ring cold Sleeve shield Monitor INSert 1 4 TRS Tip return send amp return Ring send Sleeve ground Channel INSert Same as above MONitor input 1 4 TRS Tip hot tape return balanced Ring cold Sleeve shield LINE input 1 4 TRS Tip hot balanced Ring cold Sleeve shield Mic input balanced XLR Pin 1 shield Pin 2 hot Pin 3 comm 11 0 Troubleshooting and servicing 11 1 Troubleshooting It is essential to study the signal flow chart carefully Knowing and understanding the signal flow of your console will help to isolate problems By tracing the signal from input to output jacks you can locate and correct the problem If for any reason you are unable to isolate a problem contact the D amp R Technical Support Department for advice If the problem cannot be corrected over the phone D amp R will despatch a replacement module ground freight prepaid the same day Most problems can be found using logical thinking and simply replacing socketed integrated circuits 11 2 Removing a Module The Orion is a complex piece of equipment and some understanding of its internal layout is necessary before removing a module Page 40 An input module has wiring to the LEDbar master section and backplates
66. h Dh nh Cen 656 n d Em T T d 0 1 0 1 0 1 4 vs vs vs 5 ek lys Ri Zus ed Hed Rys Hell ue vers NE5532 71072 6591074 TL072 6585509 10072 WAY VS DU AV STIU AVS 253 12 06 u3 E C584 c C62 TLO72 NE5532 nom mom NE C107 cm cns cm Orion LCRS Rijnkade 15b The Neth nde Dat J 1995 hoe e etherianas ate 0 phone 02940 18014 fax 02940 16987 _ 5 2 ot 2 D amp R Electronica B V Design Aen Betten 1 ugjjeg ubiseg 9661 1493 yos sluois0 32115 07 00120 40110 1291023 A B 092100412913 L869L0 620 0 TLOSLY F6ZO SPUDIJGUIEN 941 denen 59 2891 46 apoxuliy 470 dt ur dt 195 vas 29 701 90 10 159208 3v d TSSA 924 ISSA ja T std 01 9 3 yu ard 158 08 059 vOS Lid 795 918 Sid Vix fid fid EWIX 218 ld inea Old 8 354 N 5 9 219 179 He 094 zv HY 820v 18d 20 858 BOV 990 558 220 99 Y30Y c6d 268 d 3W ZIV iSd 1209 0684 10v 20918 2 20 sav ES EE ES EEN MM 20 Z00 4 ONS 206101 100A Ni Q ONS 10gA 1n0o d 554 ZOJA NI Q OND 22601 100 100 0 IL 51 AT 5
67. icrofoon condens talkback 1 0000 st 10700610 Moer M 3 2 0000 st 10650490 Montagedraad 2 5 mm2 blauw 140 0000 cm 10650101 Montagedraad 2 5 mm2 geel 100 0000 cm 10650103 Montagedraad 2 5 mm2 grijs 80 0000 cm 10650100 Montagedraad 2 5 mm2 rood 70 0000 cm 10650104 Montagedraad 2 5 mm2 zwart 70 0000 10700690 Platstaf 25 x 10 10mm 9 0000 st 10700636 Platstaf 60 x 10 x 10mm 3 0000 st 10700611 Popnagel 3 0 x 6 5 blank 23 0000 st 10700606 Popnagel 3x7 zwart ano alu sta 8 0000 st 20851052 Print bestukt Midicon1 1 0000 st 20850201 Print bestukt Orion 2 crm 1 0000 st 20850202 Print bestukt Orion 3 comm 1 0000 st 20850203 Print bestukt Orion 4 aux1 7 2 0000 st 20850211 Print bestukt Orion 20 1b25sg 2 0000 st 20850214 Print bestukt Orion 30 phase 1 0000 st 20850215 Print bestukt Orion 40 auxout 1 0000 st 10550450 Schak Miyama RED OFF ON LEDred 1 0000 st 10700786 Taptite M3x5 verzkop pozidr zw 9 0000 st 10700787 Taptite M3x6 bolkoppozidr zwrt 30 0000 st 10700681 Tywrap kort 94 mm blank 6 0000 st 10600423 XLR chass mal 3p pl zw 5 4 0000 st Date 30 08 99 18 00 BILL OF MATERIAL Page 1 D amp R Electronica Weesp BV SERVICE MANUAL Comp 109 60883273 Orion frame 51 incl stands Articlecode 10650451 Bandkabel 64p R 1 27 900 0000 cm 10700290 Bout M 6 x 45 fretbout blank 12 0000 st 10600133 Conn 64p fem bandkabel 45 0000 st 10700975 Dubbelzijdig p
68. imming the main monitor MONO The Mono switch allows the user to listen for any out of phase signals or merely used for monitoring your mix in mono Faders Located in the bottom of the left two master modules not drawn are two 100mm mono faders which control the main stereo mix busses 2 3 Oscillator section A three frequency low distortion phase shift type oscillator is fitted The three frequencies are 100Hz 1kHz and 10kHz Each frequency has its own front panel alignment trimmer and overall level control to adjust the oscillator for precise alignment of the console and tape machines The level ranges from 35 dB to 20 dB with a detented mid position calibrated at 4 dBv The oscillator is routed to the stereo mix busses and switchable to the GROUPS NOTE The CRM will dim 20dB when the oscillator is active The meters on the Orion are peak reading meters and will read 6 dB when a sine wave with a 4 dB output level is sent to the meter Measuring the 4 dB output level of the channel or master with a AC voltmeter would produce a 1 22 volt reading The LED meter would actually be reading 6 dB on the scale When monitoring program material you will see higher levels on the peak reading meters A pair of analog VU meters are available as an option to fit alongside the master peak meters Page 8 OSCILLATOR 100Hz O od 1kHz O od 10kHz rae O 3 i20 O Note
69. inals and power supply connector are located on this backplate as well MIDI THRU MIDI IN O GND O SHIELD PNO321 Page 11 Right and left master insert in and out Right and left two track A playback Right and left two track B playback Right and left two track C playback Right and left 10dBv main outputs Right and left 4 dB balanced main outputs Power supply connector Control room 1 output Ground terminals and Control room 2 output Master module 3 amp 4 Aux masters 1 through 8 and Studio amp phones sections The connectors on this module backplate are the studio amp phones stereo outputs and the balanced Aux 1 through 8 master outputs The Phones jacksocket is a stereo 1 4 output which should be wired to the inputs of a stereo power amplifier intended to drive the headphones in the studio The Studio jacksocket is a stereo 1 4 output which should be wired to the inputs of a stereo power amplifier intended to drive the Studio playback speakers Phones output and Studio output Aux 8 output and Aux 7 output Aux 6 output and Aux 5 output Aux 4 output and Aux 3 output Aux 2 output and Aux 1 output Automation remote control MIDI in out and thru din sockets Aux sends 1 through 8 are used for sending signals within the console to eight different signal processors such as digital reverbs These outputs are balanced ground compensated Page 1
70. ing of a session All input channels are placed in the mike mode by leaving the line switch in the up position if the microphone input is to be used in this channel Phantom powering is applied if necessary The EQ switch should be in the up position unless you require EQ on that channel signal The signal flows through the fader and is available postfader to be routed by way of the assignment switches which can feed the input to your multitrack recorder The LED bargraph reads the outgoing signal Page 29 Microphone Line Gain The amount of gain reguired may depend on the type of microphone being used the sound pressure level and the distance between the sound source and microphone When the line switch is activated the same gain control varies the gain of the separate electronics for the balanced line input The phase switch affects the mike input only After plugging in a mike or line signal depress the channel solo switch above the channel fader you are setting set the solo status switch to pfl in the master section then turn the gain control of that channel clockwise until a 0 output level is reached on the master meters Now slide up the channel fader to 0 Now switch the solo out If the signal source gets louder or softer it may be necessary to re check this setting The volume will also fluctuate if you boost or cut the equaliser section Monitoring With the Orion series you are able to monitor your multitrack by w
71. k recht opamp opamp opamp 8 pins vork contact Ic voet 14 pins vork contact Jack chassis break Potm 16 2x 10kB Potm 16 2x Potm 16 2 100 Print Orion 6M Print Orion 60a Schakelaar Schakelaar Schakelaar Transistor Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Weerstand Zenerdiode Conn Alps Alps Alps BC 32 1EO 1MO 3k9 4E7 4k7 6k8 10MO 10k 10k 15k 15k 22k 22k 33K 44k2 47k 100K 270k 680k dual re dual re 2p ns 2 2p ns m 4p ns 4 7 25 5 5 5 5 5 5 1 4W 1 4W 1 4W 1 4W 1 4W 1 4W 5 1 4W 5 1 4W 1 8W 5 5 1 4W 1 8W 5 58 1 4W 1 8W 5 5 1 4W 1 1 4W 5 1 4W 5 1 4W 5 1 4W 5 1 4W 4V7 400mW Achterplaat Orion 26 D dualret Bandkabel 20p R 1 27 Conn 20p fem bandkabel cn lin con cn lin turn t i o x om oment om pnp 3p wrd 2U084 018 0387 Deksel SiFam 11mm black 5bulk Deksel SiFam 11mm blue bulk Deksel SiFam 11mm gray bulk 1 0000 8 0000 4 0000 8 0000 16 0000 2 0000 2 0000 4 0000 4 0000 20 0000 2 0000 4 0000 4 0000 2 0000 4 0000 2 0000 1 0000 2 0000 2 0000 2 0000 4 0000 2 0000 4 0000 2 0000 4 0000 6 0000 1 0000 1 0000 10 0000 2 0000 2 0000 4 0000 1 0000 2 0000 2 0000 3 0000 10 0000 8 0000 8 0000 24 0000 8 0000 20 0000 4 0000 7 0000
72. l can accept two returns with equalization and aux send capabilities Due to the phase uncertainties of stereo reverbs and such it is always best to keep anything in stereo in the stereo domain You will find that the dual stereo return module has the lowest cost per input ratio of any available modules in the Orion series Page 31 7 2 Situation 2 The Playback Multitrack playback The Orion gives you a convenient way of monitoring your multitrack recorder Put all the tape switches in their down position Now the tape outputs are feeding the monitor path and you can adjust the amount of signal you desire and pan it within the stereo image Most multitrack recorders today have input monitoring on their remote which will allow for monitoring tape until you press record and then it will monitor what you are sending to the track Auxilliary sends can be switched to get their signal from either tape or channel and equalization can be inserted in both signal paths whenever needed Independent control over processing is monitored by solo in either signal path 7 3 Situation 3 The Overdub Multitrack synchronizing Overdubbing is the process of building up a recording track by track while listening to previously recorded tracks The Orion has an in line monitor for each track of the recorder making it easy to overdub Connected to the monitor section of the in line module you push all tape switches down located above the equalizer and do all
73. lakband 12mm dun 396 0000 cm 10150023 Kast Orion 51B kompleet stands 1 0000 st 10700007 Magneetstrip 8 5mm X 3mm 396 0000 cm 10700603 Parker 2 9 x 9 zwart 5 0000 st 10100332 Plexigl ORION 5la 3x149x1887mm 1 0000 st 10100682 Schrijfstrook 2800x28x3mm 62st 189 5000 cm 10700700 Schroef spaanplaat 4 5 x 30 2 0000 st 10750043 Voorbalk Orion 51 1 0000 st 10750040 Zijkant Orion L R 1 0000 501 10700672 Bout M 6 x 16 inbus verz zwart 6 0000 st 10700612 Moer M 10 4 0000 st 10700626 Ring M 10 potmeter blank 4 0000 st
74. lanced 8 or 16 buss in line format recording and mixing console designed to take the central role in a recording mixing or post production facility The Orion is completely modular and can be configured to precisely suit your particular system requirements Due to the fact that all inputs and outputs can be connected using the individual module and master section connectors the Orion patchbay is entirely optional When the Orion patchbay is installed the Orion can be interfaced using 25 pin sub D multipin connectors If you have your own patchbay or perfer to wire your own individual input output connectors rear of meterbridge can be used for the interface If you ordered your Orion short loaded and without the patchbay you may install the patchbay at a later date To become completely familiar with your Orion and gain the maximum benefit from its use we recommend that you read this manual thoroughly It will provide important information about all aspects of the Orion including installation operation and servicing If we can be of any assistance to you don t hesitate to call Head Office Factory D amp R Electronica B V Rijnkade 15B 1382 GS Weesp The Netherlands Tel 31 2940 18014 Fax 31 2940 16987 Page 5 THE CHASSIS SYSTEM 1 0 The Orion Chassis System The Orion is available in three frame sizes 30 38 and 51 larger frames can be special ordered The basic frame has four blank modules two are lo
75. leeve shield Tip hot Ring n c Sleeve ground Tip hot Ring cold Sleeve shield Tip left Ring right Sleeve ground 10 2 Master module 2 Oscillator and Communications Master insert right Two track amp Right playback 10 dBv left output 4 dB left balanced output Power supply Tip return Ring send Sleeve ground Tip hot Ring cold Sleeve shield Tip hot Ring n c Sleeve ground Tip hot Ring cold Sleeve shield Pin 1 Ground Pin 2 18 vdc Pin 3 18 vdc Pin 4 48 vdc Pin 5 2 Ground Page 38 10 3 Master module 3 Aux 1 3 5 amp 7 and Studio Aux 1 output balanced Aux 3 output balanced Aux 5 output balanced Aux 7 output balanced Studio Output Tip hot Ring cold Sleeve shield Tip hot Ring cold Sleeve shield Tip hot Ring cold Sleeve shield Tip hot Ring cold Sleeve shield Tip left Ring right Sleeve ground 10 4 Master module 4 Aux 2 4 6 amp 8 and Phones Aux 2 output balanced Aux 4 output balanced Aux 6 output balanced Aux 8 output balanced Phones Output Tip hot Ring cold Sleeve shield Tip hot Ring cold Sleeve shield Tip hot Ring cold Sleeve shield Tip hot Ring cold Sleeve shield Tip left Ring right Sleeve ground This concludes the master section module connections Refer to section 8 0 throug
76. ls to avoid ground loops Now you can run a 12 stranded wire with jacket from each piece of equipment to the central star ground point All ground wires should be the same length with a tolerance of plus or minus 10 in order to have the same ground potential everywhere On the equipment ends of each ground wire you should solder a round hole screw terminal Remove a chassis screw from each piece of equipment and file the paint in that area so it will make good contact when you connect the terminal Next connect the ground wire termanal to each piece of equipment and connect each wire at the other ends to the central star ground point 9 0 Installation audio 9 1 Interface CRM Levels The Orion in its standard configuration can interface with all available equipment As a service of D amp R free installation consultation is available Contact your supplier for details Attention concerning the CRM output must be noted This output delivers a nominal 4 dBu level which is sometimes too high for power amps rated at 300mV sensitivity for full output In some instances an input attenuator at the power amp s input is required to reduce this 4 dBu level by up to 12 dB Contact the D amp R Technical Support Department for details NOTE This allignment is imperative in order to avoid damage to the speakers or in some cases damage to the ears of the listener Page 35 9 2 The Initial Hook Up First connect the rack mounted power
77. n 4p wrd 2U084 017 0387 2 0000 st 10600482 Connector instrumentklem zwart 3 0000 st 10450195 Deksel SiFam 11mm gray bulk 14 0000 st 10700975 Dubbelzijdig plakband 12mm dun 15 0000 cm 10300089 Fader JP 100mm mono 10 2 0000 st 10100315 Front Orion master b 4 mod 1 0000 st 10100311 Front Orion 12 ledbar 25sgm 2 0000 st 10100312 Front Orion 14 phasemeter 1 0000 st 10500004 Isolatiekous 4 0mm rond grys 48 0000 cm 10600012 Kabelschoen rondstift blauw 5 0000 st 10600013 Kabelschoen stifthouder blauw 7 0000 st 10700625 Kartelring M 3 buitenvertan 2 0000 st 10700422 Kartelring M 4 buitenvertan 3 0000 st 10450198 Knop Druktoets 3 3 black recta 1 0000 st 10450251 Knop Druktoets 3 3 black squar 8 0000 st 10450197 Knop Druktoets 3 3 grey rectan 2 0000 st 10450253 Knop Druktoets 3 3 grey square 11 0000 st 10450196 Knop Druktoets 3 3 red rectang 8 0000 st 10450252 Knop Druktoets 3 3 red square 1 0000 st Date 30 08 99 18 01 D amp R Electronica Weesp BV BILL OF MATERIAL Page 4 SERVICE MANUAL Comp 100 60883250 Orion master kompleet Articlecode 10450105 Knop Fader SIF GREY black1 2x8 2 0000 10450103 Knop SiFam grey splined 11mm 14 0000 st 10500683 Krimpkous 3 2 gt 1 6 zwart 20 0000 cm 10500682 Krimpkous 6 4 gt 3 2 zwart 6 0000 cm 10250387 Led 3mm red SLR 03A510 020 14 0000 st 10250391 Led 5x2mm green SLB 0272PO 030 44 0000 st 10250392 Led 5x2mm red SLB 0275PO 030 17 0000 st 10970912 M
78. nal level 26 dB maximum The mute switch is used to mute the output of the studio or phones module The studio output section can be used for feeding a completely separate mix to a second set of studio headphones 2 7 Master Inputs Outputs The Orion has two methods of interfacing with external equipment B CO 1 such as two track master machines signal processors headphone amps and power amps Interfacing is possible using the connectors LO LO On On on the master back panels through 25 pole sub D male connectors R O 7 if utilizing the optional patchbay or a mixture of both Listed ik DO d below are all inputs and outputs for the four master modules The s S 51 next four drawings and paragraphs describe and explain the B 22 backplate and all connectors 448 4985 E C Master module 1 amp 2 CRM amp SOLO and OSCILLATOR amp 6 COMM This double backpanel houses from top to bottom the 3 right and left master insert sends amp returns two track A B amp er C 3 right and left playback inputs from two track machines 10 4 6 6 right and left outputs and 4 dB balanced right and left outputs rus GO fitted on male XLRs Also fitted on male XLRs are CRM 1 amp 2 pape outputs The ground term
79. nd internal structure yields the Orion s extremely quiet and distortion free sound therefore a direct button to bypass the amps is not necessary Every channel is individually assigned to the multitrack input which allows for tracking to be simple and consistant The SOLO switch has two modes pre fade listen or destructive stereo solo in place system Master status switching located in the master section selects the solo in place PFL mode for the entire console Activating the solo switch in the pfl mode will send the prefader signal of the channel section to the CRM speakers in mono In the solo in place mode the post channel panpot signal is heard where panned and in stereo and all other channels are muted within the stereo mix buss A solo indicator LED is fitted next to the solo switch The solo LED has two functions when in the solo mode it is a solo indicator and when that channel is not soloed the LED is a post EO peak indicator for the channel input Page 23 The MUTE system is designed around a special soft muting integrated circuit completely click free A mute indicator LED is fitted next to the mute switch NOTE Always make sure that unused channel sections are muted as the unterminated inputs will degrade the excellent low noise performance of the mixing amps Fader section The Orion has a high quality 100mm fader Alps or P amp G faders are optional You can order either the PowerVCA Automation
80. needed or can be used as a normal panpot when the LCR switch is not activated When active the center output of the panpot will feed the Aux 4 buss directly creating a third channel needed for the center of Surround mixing In this condition the aux 4 send pot on this channel is not active The surround sound can be fed from aux three if a four channel surround mix is required If a six channel surround mix is required aux 5 could be used as left surround and aux 6 for right surround or the stereo aux 7 8 could be used for the left amp right surround sounds If six channel surround is required aux 3 would be the sub woofer send Page 16 8 Do H 9 h a D 2 cz Ae p B DN D D H Ss SS 58 Bye d a 9 zo 3 25 53 H D oe E 200 He gt 83 xo 24 A m GAIN z os t en 5 8 5 ass bb D D H M RE ri 1 a zen Rd 5 ri 0 E 8 85 ue lt 2 D a s g d Brats m 5 sd gt EZE A bp WS HEET G AF D D d s M SE 3 De 9 23 2 D L PI E NT EEE E
81. nnel from tracking to mixdown mode on individual modules The Phase switch reverses the phase for both mic and line inputs 3 5 Floating Subgroup System Located in the lower part of the monitor section the Floating Subgroup System is one of D amp R s most unique features Although the Orion LCRS has 16 conventional busses the FSS allows the user to buss any input or any amount of inputs to those tracks above 16 without having to use the patchbay As an example if you have a 32 track tape machine and want to buss some inputs in stereo to tracks 31 amp 32 you would assign and pan between busses 1 2 or 3 amp 4 on all desired inputs and then go to modules 31 amp 32 and press FROM SUBS 1 amp 2 or 3 amp 4 on both from sub sections Now a stereo mix of all assigned channels will feed tracks 31 amp 32 through the outputs of modules 31 amp 32 At the same time the input sections eq sections and channel assign sections of modules 31 amp 32 can be used for other inputs The Monitor section has two SOLO modes available PFL or Solo in Place The SOLO switch has an LED as an indicator Fitted below the solo switch is an automated MUTE switch MidiFade D amp R s midi sequencer controlled automation and Power VCA D amp R s SMPTE based automation will control this mute The MUTE switch has an LED indicator 3 6 Channel assign fader section The LCR panpot allows for easy surround sound mixes when
82. non naB zs 1 15 lt 2 VERS 3901 0105 TIF oi 88 5 1 0105 1310 7 8 0105 BES 29 A 134 77 neg zs Ter 5 9101 8 Date 30 08 99 17 40 D amp R Electronica Weesp BV 10350517 10650159 10400213 10400215 10400216 10400217 10400221 10400230 10400232 10400240 10401241 10401246 10401247 10401268 10401250 10401251 10400277 10401258 10401260 10250342 10400279 10400287 10400292 10400302 10400280 10400303 10250338 10250017 10600510 10600512 10600478 10600513 10600140 10600141 10250307 10250184 10250305 10600394 10600395 10300378 10300374 10300371 10300373 10300401 10200300 10550400 10550395 10550401 10600414 10250333 10250328 10350765 10350729 10350730 10350731 10350732 10350835 10350733 10350734 Weerstand OE 5 1 4 Bandkabel 34p R 1 27 Condensator ker 10 R2 5 Condensator ker 15p R2 5 Condensator ker 18p R2 5 Condensator ker 22 R2 5 Condensator ker 47 R2 5 Condensator ker 270p R2 5 Condensator ker 470 R2 5 Condensator ker 22n R5 0 Condensator ker 100nF 50V R5 T Condensator poly 100 R5 0 Condensator poly 1n5 R5 0 Condensator poly 1uF R5 0 Condensator poly 4n7 R5 0 Condensator poly 6n8 R5 0 Condensator poly 22n R5 0 Condensator poly 47n R5 0 Condensat
83. nterface with Power Amps 9 2 The Initial Hook up 9 3 Shields amp Grounds of Equipment 10 0 Master Section Connectors 10 1 Connecting the Master Module 1 10 2 Connecting the Master Module 2 10 3 Connecting the Master Module 3 10 4 Connecting the Master Module 4 10 5 Connecting the In line LCRS Module 11 0 Troubleshooting and servicing 11 1 Troubleshooting 11 2 Removing a module 11 3 Patchbay servicing 12 0 Specifications Page 3 Letter from the Prez D ear Orion owner Thank you for selecting the D amp R Orion series The Orion was created using the latest in computer aided design and assembling technology and incorporates the most advanced circuit components available which results in the Orion being another D amp R product unsurpassed in the electronics industry We value your suggestions and would appreciate you taking the time to complete and return the questionnaire included at the front of this manual once you become familiar with your Orion We listen and learn from your comments and you can be assured that our research and development department will take your comments very serious Built to the highest standards we are confident that the Orion will help produce state of the art recordings for many years and wish you much success With kind regards D de Rijk President D amp R Electronica b v RAISING 1 THE STANDARD Page 4 Orion Recording Console The D amp R Orion series is a ba
84. ntral place central to all equipment should be selected as the central star ground point and all grounds should terminate at this point This point can be a solid metal plate with at least 50 places to hookup all incoming grounds This is commonly referred to as a star ground system In some instances electrical contractors will daisy chain ground connections in the ac distribution system This is not suitable for a studio Ideally run a separate ground wire from each piece of equipment to the central star ground point The central star ground point should be connected to a pair of eight foot ground rods using larger 10 wire than your equipment ground wires Separate and identify clean and dirty AC outlets Page 34 Use clean outlets for audio eguipment and the dirty ones for lighting air conditioning cola machines etc Do not intermix these two types of outlets AC interferance can be greatly reduced by using an isolation transformer or some type of balanced ac power device to power outlets Ground this transformer directly to the central star point After all equipment is connected to the ac power check with a ohm meter or continuity tester to be sure of no possible chance of ground loops All equipment should be physically located as far as possible from the main breaker panel and should be totally isolated from the equipment rack and other equipment so ground loops are avoided Equipment can be mounted in wood rack rai
85. on The Orion LCRS module comes standard with part of the hardware for MidiFade a MIDI based VCA fader automation or D amp R s PowerVCA SMPTE based automation system Channel faders channel mutes and monitor mutes are automated in either system with the addition of the optional Page 17 LCRS Module continued Automation CPU with remote and one 8 channel Multiplex card for every eight LCRS modules to be automated If you start with D amp R MidiFade D amp R PowerVCA software and hardware can easily be installed into your 486 66 IBM or clone personal computer After market automation systems can be installed at D amp R or in your studio by a certified technician Note As with all console manufacturers and after market automation systems it is best to have the automation installed by the console manufacturer or automation factory trained technicians Page 18 THE IN LINE MODULE 4 0 The In line module description The Orion in line module is a basic input output design whereby all signal flow takes place from the microphone to the multitrack Each in line channel is shipped with an 11 segment LED bargraph meter The following sections explain the many functions and features of the in line channel 4 1 Input section The input section controls all incoming signals from microphone and line inputs A 48V phantom power switch for condenser microphones or direct boxes can be silently switched in or out of th
86. or poly 68n R5 0 Diode 1N4148 signaal Elco luF 63V radiaal R5 0 Elco 47uF 25V radiaal R5 0 Elco 100uF 25V radiaal R5 0 Elco 100uF 63V radiaal R5 0 Elco 2 2uF 50V radiaal R5 0 Elco 1000uF 10V radiaal R5 0 Fet J112 N channel switch Fet J175 P channel switch Header 2 2 54 lock recht Header 4p 2 54 lock recht Header 4p 2 54 recht Header 5p 2 54 lock recht Header 34p 2 54 haaks Header 64p 2 54 haaks Ic NE 5532 AP TI dual opamp Ic SSM 2017 P audio pre amp Ic TL 074 CN TI quad opamp Ic voet 8 pins vork contact Ic voet 14 pins vork contact Potm 16 1x 10kA log Potm 16 1x 20kB 1x 10kRD gain Potm 16 2x 10kB cn lin Potm 16 2x con Potm 97 100kCx2 10kB CC Print Orion 1 0 inline channel Schakelaar Alps 2p ns 2 x om Schakelaar Alps 2p ns moment Schakelaar Alps 4p ns 4 x om Shunt 2p mini jumper Transistor BC 327 25 pnp Transistor BC 546B npn Weerstand 1MO 5 1 4W Weerstand 1KO 5 1 4W Weerstand 1 2 5 1 4W Weerstand 1k5 5 1 4W Weerstand 1k8 5 1 4W Weerstand 2k00 15 1 4W Weerstand 2k2 5 1 4W Weerstand 2 7 5 1 4W BILL OF MATERIAL SERVICE MANUAL 60883210 Orion inline kanaal Page Comp 13 0000 20 0000 6 0000 1 0000 3 0000 3 0000 1 0000 2 0000 1 0000 2 0000 12 0000 4 0000 1 0000 2 0000 1 0000 2 0000 3 0000 2 0000 1 0000 1 0000 2 0000 12 0000 11 0000 3 0000 2 0000 1 0000 2 0000 3 0000 2 0000 1 0000 8 0000 1 0000 2 0000 1 0000 1 0000 1 0000
87. se switch In record mode the mix switch in the up position the monitor section is fed by either the tape return or group output tape return or tape send In mix mode mix switch depressed the monitor section is fed by the mic line input and the tape return now moves to the channel and is controlled by the long fader Two mid bands of the equalizer can be inserted into the monitor section This feature makes a fully functioning input usable in the mix mode for signals other than the channel signal Channel and monitor paths can have either tape return or mic line inputs with a two band equalizer on each at the same time The GRP group switch inserts the monitor pot into the output summing amps of that particular channel All relevant functions of the monitor section are also inserted The stereo solo in place or pfl pre fade listen solo system and mute can be used on this group fader as well as auxilliary sends and equalizer but control of the monitor signal path is obviously lost however is still monitored The mix channel status switch has no infuluence on the group switch The monitor pot and channel fader can be reversed REV when use of the fader for monitoring during recording is preferable All functions such as assigned Aux sends solo and mute functions stay in their normal signal path Only the fader and monitor pot are electronically reversed The SOLO switch has two modes pre fade listen or destructi
88. sesubPCB 1 0000 st 10200314 Print Orion 30a phase meter 1 0000 st 10200315 Print Orion 40a mstr aux out 1 0000 st 10550400 Schakelaar Alps 2p ns 2 x om 25 0000 st 10550395 Schakelaar Alps 2p ns moment 8 0000 st 10550401 Schakelaar Alps 4 4 om 6 0000 st 10600414 Shunt 2p mini jumper 12 0000 st 10250335 Transistor 258737 PNP 4 0000 st 10250333 Transistor BC 327 25 pnp 9 0000 st 10250332 Transistor BC 337 25 tape npn 8 0000 st 10250328 Transistor BC 546B npn 1 0000 st 10350517 Weerstand OE 55 1 4 6 0000 st 10350765 Weerstand IMO 5 1 4W 6 0000 st 10350729 Weerstand IKO 5 1 4W 8 0000 st 10350827 Weerstand 1 10 1 1 4W 2 0000 st 10350830 Weerstand 1k21 1 1 4W 2 0000 st 10350832 Weerstand 1 37 15 1 4W 2 0000 st 10350731 Weerstand 1k5 5 1 4W 2 0000 st 10350833 Weerstand 1 50 1 1 4W 4 0000 st 10350732 Weerstand 1k8 5 1 4W 7 0000 st 10350835 Weerstand 2k00 1 1 4W 2 0000 st 10350733 Weerstand 2k2 5 1 4W 2 0000 st 10350842 Weerstand 3k01 1 1 4W 2 0000 st 10350736 Weerstand 3k9 5 1 4W 28 0000 st 10350704 Weerstand 4E7 5 1 4W 18 0000 st 10350737 Weerstand 4k7 5 1 4W 7 0000 st 10350739 Weerstand 6k8 5 1 4W 2 0000 st 10350740 Weerstand 8k2 5 1 4W 2 0000 st 10350705 Weerstand 10E 5 1 4W 6 0000 st 10350776 Weerstand 10M0 5 1 4W 24 0000 st 10350741 Weerstand 10k 5 1 4W 101 0000 st 10351741 Weerstand 10k 1 8W 5 4 0000 st 10350850 Weerstan
89. ster pot controls the sum of all channel or monitor aux send busses The solo switch sends the post fader aux buss signal to the control room monitors The associated LED lights indicating the activated solo switch When using any aux send buss turn the aux master full clockwise for the correct amount of output If the input level of your effects device seems to be low make sure the input gain on any module you are sending from is adjusted correctly In order to adjust this control refer to section 4 1 of this mauual 2 6 STUDIO and PHONES section The STUDIO section and PHONES section performs in a similar way to the CRM module however the signals are sent to the studio or phones amp from the CRM or Aux 1 amp 2 If you press only the Aux 1 switch you will hear only the Aux 1 buss in mono through the studio speakers or the headphones and if you press only the Aux 2 switch you will hear only the Aux 2 buss in mono through the studio speakers or headphones however if you press both Aux 1 and Aux 2 switches you will hear Aux 1 in the left studio speaker or headphone and Aux 2 in the right studio speaker or headphone When pressing both switches you can have a stereo mix playing through the studio speakers or stereo headphones Page 10 Also fitted in this section is a mute switch and level control with level ranges up to a balanced 4 dB nomi
90. t excessive noise or hum is detected stop and take corrective action before proceeding Do not hook up all 16 24 32 or 48 tracks and then listen You may need to rewire the entire cable harness to make the system clean Connect stereo tape recorders inputs and outputs stereo headphone amp and all signal processors NOTE MAKE SURE THAT YOU CHECK FOR HUM OR NOISE AS EACH INPUT OR OUTPUT IS CONNECTED Page 36 9 3 Shields amp Grounds of Eguipment The shield of any audio cable connection should be connected at one end only If not ground loops and high freguency cross talk could result Connect the shield as a general rule to the signal source output of anything In high RF areas it is wise to connect the other end of the shield through a 0 01 microFarad capacitor This will ground the RF but will not affect audio frequencies When connecting balanced microphones use two conductor shielded audio cable and connect both conductors and the shield at both ends When connecting line level cables use two conductor shielded cable and follow the instructions in the paragraph above Remember the shield is not considered to be ground and it should only be connected at the output of any device There are only a couple of exceptions to this rule one is patch cords and the other is microphone cables We realize that the correct interfacing of different equipment is difficult but once properly installed the system will be clean and
91. t st st Date 30 08 99 17 40 BILL OF MATERIAL Page 1 D amp Electronica Weesp BV SERVICE MANUAL Comp 100 60883230 Orion Ledbar 11 segm 10400213 Condensator ker 10p R2 5 2 0000 10401241 Condensator ker 100nF 50V R5 T 7 0000 10250342 Diode 1N4148 signaal 4 0000 10400287 Elco 47uF 25V radiaal R5 0 2 0000 10400292 Elco 100uF 25V radiaal R5 0 2 0000 10400280 Elco 2 2uF 50V radiaal R5 0 1 0000 10600511 Header 3p 2 54 lock recht 1 0000 10600478 Header 4 2 54 recht 1 0000 10600142 Header 34p 2 54 straight 1 0000 10250325 Ic 78112 TO92 SGS volt reg 1 0000 10250316 Ic LM 339 comparator 3 0000 10250304 TL 072 CP TI dual opamp 1 0000 10600394 Ic voet 8 pins vork contact 1 0000 10600395 Ic voet 14 pins vork contact 3 0000 10300166 Instelpot 15 turn 20k T18 1 0000 10600432 Jack chassis break 5 0000 10200310 Print Orion 10e 14 1154 41 0 1 0000 10600414 Shunt 2 mini jumper 1 0000 10250333 Transistor 327 25 PNP 1 0000 10350517 Weerstand OE 5 1 4W 8 0000 10350832 Weerstand 1k37 1 1 4W 1 0000 10350705 Weerstand 10E 5 1 4W 2 0000 10350741 Weerstand 10 5 1 4W 1 0000 10350713 Weerstand 47E 5 1 4 4 0000 10350749 Weerstand 47k 5 1 4W 1 0000 10350809 Weerstand 88E7 1 1 4W 1 0000 10350717 Weerstand 100E 5 1 4W 2 0000 10350753 Weerstand 100 5 1 4W 4 0000 10350854 Weerstand 115E 1 1 4W 1 0000 10350756 Weerstand 180K 5 1 4W 1 00
92. ter modules 8 in line modules 6 dual stereo return modules and patchbay Custom configurations are available at no extra charge The 51 position frame can accept up to 54 input modules if the patchbay is not utilized Both the master section and patchbay can be installed wherever most suitable but the request must be made at the time of ordering If your requirements are for your patchbay to be remotely mounted ask D amp R for a custom quote The Orion is available with or without the pedestal base and stabilizing beam If ordered with console the pedestal is not assembled for shipping Assembly takes approximately twenty minutes Page 6 CHAN TO PFL S O CRM AUX1 2 e CRMI D dek D e o 10 MONO CRM2 THE MASTER MODULES 2 0 Master section description The Orion has four master modules mounted in a single front panel All inputs and outputs are located on the back of the meter bridge The paragraphs below give a description of each module section 2 1 Solo section The Solo section has a master volume control with a center detent for nominal levels and CHANnel to PFL pre fade listen switch with an LED indicator mounted When this switch is in the up position all solo switches on the input modules are in the stereo in place mode when activated With this switch in the down position any solo depressed would
93. the right to change specifications without prior notice As with all D amp R products the Orion exceeds most of the printed specifications Factory Head office D amp R Electronica b v Phone 31 2940 18014 Rijnkade 15B Fax 31 2940 16987 1382 GS WEESP Email info d r nl The Netherlands Web d r nl Page 43 DECLARATION OF CONFORMITY Manufacturers Name D amp R Electronica Weesp b v Manufacturers Address Rijnkade 15B 1382 GS Weesp The Netherlands declares that product ORION ORION X conforms to the following product specifications EMC EN 55022 1987 CISPR 22 1993 class B EN 500082 1 1992 Supplementary Information The products herewith complies with the requirements of the EMC Directive 89 336 EEC 1989 as amended by the CE Marking Directive 93 68 EEC 1993 D amp R Electronica Weesp b v Rijnkade 15 B 1382 GS WEESP The Netherlands President of Engineering Page 44 Page 45 Di PATCHBAY MULTIPIN WIRING ORION Orion 250 to Stereo Machine Inputs PDD H 1 25 Wire numbers are from Mogami W 2932 or Clark 708 eight pair cable lI eS XLR Connector Shields Lifted in Male XLR connectors and connected at 25D connector TT ET Orion Main Outputs MASTER SECTION 10 Main Outputs Right Left Insert Right 9 Both Commons and Shields connected to sleeve gt 2 lt i CET e
94. the same way as during recording Aux sends 1 4 can get their signal from the monitor section or channel path with pre post switching Aux sends 5 thru 8 get their signal from the channel section in the post fader position 7 5 Situation 5 MIDI or The Virtual Session Virtual Tracks The MIDI Set Up In most MIDI studios there will be an eight track rather than a sixteen or twenty four track tape machine In the MIDI studio the majority of music production is programmed on a sequencer using MIDI keyboards sound modules drum machines or other MIDI related equipment Therefore you will only require tape tracks for vocals and those instruments not adequately reproduced on today s keyboards If there is a multitrack recorder in the MIDI studio one of the tracks would be used to record time code SMPTE or MIDI code This will allow your sequencer to keep keyboards drum machines and other MIDI equipment synchronized The Orion was designed with the multi track and MIDI studio in mind In today s medium to large MIDI studio there is a need for as many as 100 inputs to be used for everything from tape tracks to keyboards and drum machines For this reason the Orion when fitted with both in line modules and stereo return modules can net over 100 inputs in the virtual track session or mix down Page 33 8 0 Installation Electrical 8 1 Local Electrical Voltage Before connecting the Orion check the AC supply voltage setting by looking
95. tom power switch for powering condenser microphones or active direct boxes The GAIN control is actually knob which turns two pots adjusting two sets of electronics If the MIC LINE switch is in MM um the up position the GAIN control will adjust the microphone M GAIN input and if the MIC LINE switch is in the down position the PN GAIN control will adjust the line input level In order to make it ren more accessible the PHASE switch is located next to the monitor fader It is used for reversing the polarity phase of the microphone and line input 3 2 Equalizer section Just below the input section is the four band fully sweepable Extended Range Hi Def high definition equalizer The HF high frequency band has a boost or cut of 16 dB and is sweepable from 4kHz to 22kHz and is a shelving type The high mid freq band sweeps from 600Hz to 15kHz MIDS TO MONitor switch allows the two sweepable mids to be moved to the monitor egualizer creating a full four band 0 sweepable equalizer in the monitor path The LMF low mid 9 frequency band sweeps from 40Hz to IKHz Both mid freq bands are peak dip types with a boost or cut of 16dB The LF ns 15k low frequency band starts at 10Hz and sweeps out to 500Hz It is a shelving type with a boost or cut of 16dB A high pass filter switch is fitted just below the egualizer to allow the user to cut the low frequencies b
96. tor 1 5 L M F 16dB from 40 Hz to 900Hz bell factor 1 5 HME and L M F switchable between channel and monitor with bell curves High pass in channel path only Nominal internal operating level OdBu 0 775 V Frequency response any input to any output anywhere in the console 20Hz 20kHz 0 5dB 10Hz 100kHz 3dB Total harmonic distortion Mic in Grp out 1 kHz 0 015 10kHz 0 025 Maximum output 26dBu into 600 Ohm balanced Maximum headroom not less than 22dB Mic to line lt 105 dB at 1 kHz Channei mute lt 110 dB at 1kHz Pan pot isolation lt 75dB at 1 7 Channel routing lt 9OdB at 1KHz Channel fader lt 95dB at 1 kHz Aux send kill 9OdB at 1 kHz Standard Configuations Frarne 38 32 in lines and 12 stereo returns Frame 51 32 in lines and 12 stereo returns with patchbay Note Patchbay 32 width equivalent to 13 module positions Page 42 Weight Dimensions Options D amp R reserves 30 frame 60kg 132 Lbs 38 frame 90kg 198 Lbs 51 frame with patchbay 100kg 220 Ibs Height 966mm 38 03 Depth 929 68mm 36 60 Width Orion 30 chassis 1282 mm 50 47 Orion 38 chassis 1561 mm 61 46 Orion 51 chassis 1995 mm 78 54 Conductive plaslic faders Analog VU Meters master Pedastal base MidiFade Automation PowerMute Automation PowerVCA Automation PowerFade Moving Fader Automation After market automation V Desk Uptown Tetra
97. ut the written permission of DER c Date Mau 25 1995 Sheet 1 of 1 GET gr 01816 iusun2od srr JINAH i34 5123443 ag 30 ur eq 104 juaun2oP Pans BIOTA 119 1 18 00 BUIT 30 ATA e2rtuO412803 an 824 ANO IHO 1 3714 Y 30 3 WOON NAMLIH 9S mz sey iav dat et ant oO ha 9 0 TSA an sA 0 L ore 27001 324 T eT sz oot 427170 ETD enen Dae are ar 0150 Mg _ iie Dr ana i 99 21 NYZESSAN 188 422 15 8922 ort H BA seu T Sas waar N2 1S 600T DER ans 964 gy GE LD FE 68 I o dar Mor 4 or azta Der G gt t umet 15 01 555 TTMS OT MS 088 AS 15 9 001 AST AST Kaf
98. ve stereo solo in place system Master status switching located in the master section selects the status of solo in place or mode for the entire console When activating any solo switch in the pfl mode it will send the prefader signal of the monitor section to the CRM speakers in mono In the solo in place mode the post monitor panpot signal is heard where panned in stereo and all other channels are muted within the stereo mix buss A solo indicator LED is fitted next to the solo switch Page 22 The MUTE system is designed around a special soft muting integrated circuit completely click free A mute indicator LED is fitted next to the mute switch NOTE Always make sure that unused monitor sections are muted as the unterminated inputs will degrade the excellent low noise performance of the mixing amps 4 6 Channel assign Fader section The Channel assign section allows the user to assign to any of the 8 busses as well as the Floating Subgroup System The routing switches buss to the 8 multitrack output busses using four pushbuttons With each switch routing to a pair of summing amps you have the choice of assigning to the odd or even amp using the channel panpot The MIX switch assign section assigns the channel panpot to the stereo mix buss while the channel pan control pans the signal between the main stereo mix L R busses and or the odd and even multitrack summing busses if assigned The summing amp a
99. your sync switching from the tape machine or remote The headphone mix is on the aux send 1 amp 2 busses Aux 1 amp 2 should get their signal from the monitor section It is best to activate aux 1 2 or 7 8 PRE fader switches anytime you re using Aux 1 amp 2 or 7 amp 8 for a headphone mix depending on whether you have standard or LCRS modules 7 4 Situation 4 The Remix Multitrack mixing Remix is the process of combining all recorded tracks with keyboards and drum machines for MIDI signal processing and sending the mix to a two track reel to reel master machine Hard Disk editing system CD recorder DAT machine or cassette recorder On the in line module you must push the upper mix switch down This routes the tape return to the channel input and routes the mike line inputs to the monitor section of the module At this point you can use either a mic or line input in the monitor section which will feed the stereo mix buss This will give you two inputs per module in the final mix You can activate the MF to MON switch and have the HMF and LMF sections of the equalizer on the monitor section while the HF and LF bands remain on the channel Page 32 You must activate the EQ switch if you desire EQ on the channel or monitor The incoming signals can be routed to the stereo mix buss via the switch in the channel assign section The monitor section normally feeds the stereo mix buss Sub groups can be made up as required in

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