Home

User's Guide to Garritan Jazz & Big Band—Version 3

1. A I AILA ITA Empty oo 34 Big Band 4 Lite Note In Standalone mode you can create customized ensemble files Just load the instruments you want adjust their settings to your liking and use the Save As command from the File menu to save the aria preset User s Guide to Garritan Jazz amp Big Band Version 3 List of Instruments in Garritan Jazz amp Big Band SAXES amp WOODWIND INSTRUMENTS ARIA Instrument Description name CLARINETS Bass Clarinet The Bass Clarinet plays one octave lower than the conventional clarinet Bb Clarinet 1 Buffet R 13 wood clarinet 1st Player Bb Clarinet 2 Buffet clarinet 2nd Player Bb Clarinet 3 Buffet clarinet 3rd Player User s Guide to Garritan Jazz amp Big Band Version 3 Controls MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth GARRIT ij 1 i SAXES amp WOODWIND INSTRUMENTS ARIA Instrument Description Controls name FLUTES Alto Flute Armstrong Alto Flute circa 1970 MW Vel Tng Slr AutLeg AF KG Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Flute 1 C Flute made
2. The programming differences are e Tongue slur controlled by CC 68 rather than CC 64 This difference applies to all wood winds and brass instruments Please note that instruments which normally use standard sustain pedal e g Piano continue to use CC 64 for the sustain function e Pitchbend range extended to 12 semitones for all instruments e Keyswitches All notation version keyswitches consistently reside in the bottom octave of the MIDI spec between C 2 and B 2 for all instruments Putting It All Together for a Real Time Performance The basic system is to use your right hand to control the attack of each note use the Mod Wheel in the left hand to control dynamics and play the sustain pedal with your foot to connect the notes It couldn t be easier With the more advanced controls you can fine tune your performance This ap proach lets you play your articulations in real time in much the same manner as a player of the actual instrument does Using both hands and feet to perform the different tasks simultaneously requires some coordination The key is to start simple and to realize that you do not have to do it perfectly the first time The best way to learn is to practice playing just the notes with one hand Learn the fingerings for the notes and apply the accents where appropriate Once you are acquainted with the notes and the accentuation scheme gradually add the other controllers For example play a melody with t
3. Tune Control will allow you to make tuning ad justments to each instrument Tuning controls are adjusted by a 10 click and drag horizontal movements to the right make the 11 12 pitch sharp Tuning range is 100 cents 13 English Hez 5 Output Assignment Here you can assign outputs Endlish Horn Falc The default is channel 1 and 2 stereo 6 Sends The Send Knob controls the amount of signal sent to the Ambience reverb for each corresponding channel 7 Pan Control This slider controls the left to right bal ance of the audio of the corresponding channel Also see Stereo Stage control information Note You can CTRL click Command Click on OSX a knob to put it back to its default position User s Guide to Garritan Jazz amp Big Band Version 3 8 Keyboard The bottom of the window features a virtual onscreen keyboard that indicates the range of notes that can be played on that instrument When a channel with an instrument assigned to it is selected a section of the keyboard will be highlighted Keys that are being played will be shown in real time R e a A A a AA Note Most brass instruments contain programming for the creation of shakes This pro g g gramming results in the display of extra white notes at the top of the instrument range that appear to be silent ARIA displays all available notes even ones that are active only under certain conditions such as sha
4. Version 3 Appendix C Percussion Maps PERCUSSION MAPS MIDI Note Name 66 67 68 69 70 71 l2 73 74 75 76 V7 78 79 80 81 82 83 84 85 86 87 88 89 90 91 I 93 94 95 96 Note F G G A A B C C D D E F F G G A A B C C D D F G A Drums Pandeiro Slap Quinto Open Quinto Muff Quinto Slap Super Tumba Low Super Tumba Open Super Tumba Muff Super Tumba Slap Surdu Open Surdu Muff The Box Low The Box Mid The Box High Timbales Low Timbales High Timbales Edge Tumba Low Tumba Open Tumba Muff Tumba Slap Udu Long Udu Short User s Guide to Garritan Jazz amp Big Band Version 3 Gourds Blocks Bells Misc Agogo Bell Low Mute Agogo Bell High Open Agogo Bell High Mute Bongo Bell Low Open Bongo Bell Low Mute Bongo Bell High Open Bongo Bell High Mute Cha Cha Bell Open Cha Cha Bell Mute Timbale Bell Open Timbale Bell Mute Castanets Hand Claps Finger Snaps Jawbone Rainstick 1 Rainstick 2 Tambourine Short Tambourine Long Tambourine Hit Triangle 1 Open Triangle 1 Mute Triangle 2 Open Triangle 2 Mute Whistle 1 Short Whistle 1 Long Whistle 2 Short Whistle 2 Long Whistle 3 Short Whistle 3 Medium Whistle 3 Long Exploring Jazz Arranging Using the Garritan Jazz amp Big Band Library With Garritan Jazz amp Big Band you now have a fine jazz band and big band at your fingertips To get the best out of the library it is important
5. Cymbal Scrape 1 Cymbal Scrape 2 Cymbal Scrape 3 Cymbal Scrape 4 Cymbal Scrape 5 Garbage Can Lid stick Garbage Can Lid mallet Garbage Can Lid hard mallet Garbage Can Lid rubber mallet Garbage Can Lid car keys Garbage Can Lid hand Radial Saw Blade Chrome Saw Blade User s Guide to Garritan Jazz amp Big Band Version 3 PERCUSSION MAPS MIDI Note Drums Gourds Blocks Bells Misc Note Name 36 C Bata Low Open Cabasa Short 37 C Bata Low Muff Cabasa Long 38 D Bata Low Slap Cabasa Snap 39 D Bata Mid Open Guira Short 1 40 Bata Mid Muff Guira Short 2 41 F Bata Mid Slap Guira Long 42 F Bata High Open Guiro 1 Short 1 43 G Bata High Muff Guiro 1 Short 2 44 G Bata High Slap Guiro 1 Long 45 A Bongo Low Open Guiro 2 Short 1 46 A Bongo Low Muff Guiro 2 Short 2 47 B Bongo Low Slap Guiro 2 Long 48 C Bongo High Open Maraccas 1 Short 49 C Bongo High Muff Maraccas 1 Long 50 D Bongo High Slap Maraccas 2 Short 51 D Cajon Low Maraccas 2 Long 52 Cajon Slap Shaker Short 1 53 F Cajon Stick Hit Shaker Short 2 54 F Conga Low Shaker Short 3 55 G Conga Open Shaker Medium 56 G Conga Muff Shaker Long 57 A Conga Slap Shekere Low 58 A Cuica Low Shekere High 59 B Cuica Mid Shekere Short 1 60 C Cuica High Shekere Short 2 61 C Djembe Open Clave 62 D Djembe Muff Jam Block Low 63 D Djembe Slap Jam Block High 64 E Pandeiro Open Wood Block 65 F Pandeiro Muff Agogo Bell Low Open User s Guide to Garritan Jazz amp Big Band
6. GARRITAN User s Guide to GARRITAN JAZZ amp BIG BAND Version 3 Including the ARIA Player Copyright 2010 by Garritan Corp All rights reserved This guide written by Gary Garritan Chuck Israels Gary Lindsay and Tom Hopkins Produced by Director of Programming ARIA Engine Development Additional Programming Gary Garritan amp Tom Hopkins Tom Hopkins Plogue Art et Technologie Inc Eric Patenaude Jeff Hurchalla Document Editing The Extraordinary Team of Beta Testers MIDI Programming Markleford Friedman Art Direction James Mireau Project Management Max Deland Software Development Jeff Hurchalla Manual Layout Adina Cucicov Sound Editing Jeannot Welter Garritan Jazz amp Big Band is a trademark of Garritan Corp Use of the Garritan Jazz amp Big Band library and the contents herein are subject to the terms and conditions of the license agreement distributed with the library You should carefully read the license agreement before using this product The sounds presented in Garritan Jazz amp Big Band are protected by copyright and cannot be distributed whether modified or unmodified The Guide to Garritan Jazz amp Big Band and instrument lists contained herein are also cov ered by copyright ARIA is a trademark of Garritan and Plogue Art et Technologie Inc FINALE is a trademark of MakeMusic Sibelius is a trademark of Sibelius LTD Steinway is a trademark of Steinway amp Sons
7. Tremolo Tremolo level Tremolo speed Breath sounds Shakes Brush stirs Plunger mute Filter gain level Filter center frequency Bellows noise Player Instrument Note Plr instruments are lighter versions and do not share samples with each other However to avoid phasing issues they should not be used with the solo instruments from which they are derived e g don t use Flute 1 Plr1 Plr2 or Plr3 with the Flute Solo instruments For detailed information about the controllers please refer to the chapter entitled Playing Jazz amp User s Guide to Garritan Jazz amp Big Band Version 3 Ensembles Files The JABB ARIA installation includes a folder directory called Ensembles that contains a collection of useful pre configured instrumental combinations for your convenience Various setups of sections and instrument groupings are listed in the table below Loading an Ensemble can give you a quick head start to setting up a group of instruments Each file loads a selection of instruments along with pan level and other settings The Ensembles folder can be found in the folder where JABB was installed The default location is Garritan Jazz and Big Band 3 Ensembles ENSEMBLES Ensemble name Instruments Included 01 Big Band Rhythm Section Steinway Jazz Piano Electric Guitar KS Upright Bass 2 KS GM Classic Jazz Drum Kit 02 Big Band Rhythm Section Steinway Jazz Piano Lite Electric Guitar KS Lite Up
8. Version 3 End User License Agreement Please read the terms of the following software licensing agreement before using this software By installing and loading these products on your computer you acknowledge that you have read this license agreement under stand the agreement and agree to its terms and conditions If you do not agree to these terms and conditions do not install or use the sounds contained herein This is the complete agreement between you and Garritan Corporation that supersedes any other representations or prior agreements whether oral or in writing An important thing to understand is that YOU ARE OBTAINING A LICENSE FOR YOUR USE ONLY THE SOUNDS DO NOT BELONG TO YOU The implications are described below The sounds samples and programming in the Garritan Jazz amp Big Band remain the sole property of Garritan Corp and are licensed not sold to you There are no refunds once the product is purchased What You Can Do You can use these sounds in recordings music productions public performances and other reasonable musical purposes within musical compositions You can use these sounds in your own musi cal compositions as much as you like without any need to pay Garritan Corporation or obtain further permis sion If you do use these sounds we ask that in any written materials or credits accompanying your music that utilizes material from the Garritan Jazz amp Big Band CD booklet film credits etc that you
9. s Guide to Garritan Jazz amp Big Band Version 3 Controls MW Vel Tng Slr AutoLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Leth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Leth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth GARRITA P ARIA Instrument name Mezzo Soprano Sax Sopranino Soprano Sax 1 Soprano Sax 2 Subcontrabass Sax Tenor Sax 1 Tenor Sax 2 Tenor Sax 3 Tenor Sax 4 HARMONICA Harmonica SAXES amp WOODWIND INSTRUMENTS Description F Mezzo soprano saxophone made by Conn Eb Sopranino saxophone made by Orsi Smallest in
10. the first note of the articula tion you want to play not at the same time e If you transpose your score you must be sure not to transpose the KS notes Any transposition to these notes will change or eliminate their function e Although it may be tempting to use your mouse to trigger one of the displayed keyswitches in the ARIA Player it is seldom recommended The Player s graphic representations of keys wheels and knobs are primarily there for auditioning sounds 5 Additional Controls In addition to the four basic controls there are many other ways you can fine tune your Jazz amp Big Band performances da Pitch Bend Wheel This control can be used to bend the pitch of a note at its start or while it is sustaining It is especially useful for trombone and guitar For wind instruments the pitchbend range is limited to 2 semitones to give the user subtle control over scoops bends and other important effects while avoiding such artifacts as formant displacement Note that the Nota tion folder instruments have a consistent pitchbend range of 12 semitones for compatibility with various notation software Pitch Bend Defeat CC 19 can be used to turn off pitch bend so that bend data can be applied to only one of two overlapping notes if desired User s Guide to Garritan Jazz amp Big Band Version 3 j J Automatic Variability Controls CC 22 amp CC 23 These controls automatically c
11. www gatritan com website The JABB ARIA installation includes a folder directory called Ensembles that contains a collection of useful pre configured instrumental combinations for the convenience of the user Loading an En semble can give you a head start to setting up a jazz ensemble or a big band Each file loads a selection of instruments e g Big Band along with pan level and other settings User s Guide to Garritan Jazz amp Big Band Version 3 Directory of Instruments in Garritan Jazz amp Big Band The following directory gives the name and a brief description of the Garritan Jazz amp Big Band in strument sounds There is also a chart of the available controllers for each instrument CONTROLLERS MW SusLeg AutoLeg Sus sus SusDp Vel Vel vol VAR 1 VAR 2 TNG SLR FLTR GRL Length KS Vib AG At Port TQ TRM TL TS BRTH SK BRSH PLGR FL FF Bl Plr Big Band Instruments Mod Wheel Expression Control Sustain Pedal legato control Auto Legato control Sustain Pedal for normal sustain control Sustain Pedal with damping control Note Velocity for Accents and Attack Note Velocity for Volume control Automatic variability of intonation Automatic variability of timbre Sustain Pedal tongue slur control Flutter tongue Growl Sample release time Keyswitching Vibrato control Aggressiveness of tone Attack envelope speed Portamento control Tone Quality adjustment
12. AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk User s Guide to Garritan Jazz amp Big Band Version 3 THE RHYTHM SECTION INSTRUMENTS ARIA Instrument Description Controls name GUITARS Acoustic Guitar KS Oribe nylon 10 string guitar 1971 range extends Vel vol Port Lgth VAR down to the A below the traditional E Addi 1 VAR 2 tional open strings are included e Cl Plucked e C 1 Open Strings e DI Harmonics Electric Guitar KS Gibson ES 175 Handcrafted Electric Guitar This Vel vol Port Lgth VAR model is regarded as one of the most popular guitars 1 VAR 2 of the jazz world e Cl Plucked e C 1 Open Strings e DI Harmonics Electric Guitar A mellower Electric Guitar for a classic jazz sound Vel vol Port Lgth VAR Mellow KS e Cl Plucked 1 VAR 2 e C 1 Open Strings e DI Harmonics Banjo A standard banjo for Dixieland and smaller jazz Vel vol Port Lgth VAR groups 1 VAR 2 User s Guide to Garritan Jazz amp Big Band Version 3 GARRIT P ARIA Instrument name KEYBOARD amp VIBRAPHONE INSTRUMENTS Accordion Steinway Jazz Piano Vintage Flectric Piano Vibraphone Hard Mallet Vibraphone Soft Mallet Vibraphone KS Organ 1 Organ 2 Organ 3 Organ 4 Organ 5 Organ 6 Organ 7 THE RHYTHM SECTION INSTRUMENTS Description Petosa jazz accordion right hand keyboard plus one octave of bass keys Stei
13. Electric Guitar KS Lite Fretless Bass 1 KS Lite GM Fusion Drum Kit Lite Alto Sax 1 KS Comb Alto Sax 2 KS Comb Tenor Sax 1 KS Comb Tenor Sax 2 KS Comb Bari Sax 1 KS Comb Trombone 1 KS Trombone 2 KS Bass Trombone KS Trumpet 1 KS Comb Trumpet 2 KS Comb Trumpet 3 KS Comb Trumpet 4 KS Comb Vintage Electric Piano Electric Guitar KS Fretless Bass 1 KS GM Classic Jazz Drum Kit Alto Sax 1 Lite Alto Sax 2 Lite Tenor Sax 1 Lite Tenor Sax 2 Lite Bari Sax 1 Lite Trombone 1 KS Lite Trombone 2 KS Lite Bass Trombone KS Lite Trumpet 1 KS Lite Trumpet 2 KS Lite Trumpet 3 KS Lite Trumpet 4 KS Lite Vintage Electric Piano Lite Electric Guitar KS Lite Fretless Bass KS Lite GM Classic Jazz Drum Kit Lite Alto Sax 1 KS Comb Alto Sax 2 KS Comb Tenor Sax 1 KS Comb Tenor Sax 2 KS Comb Bari Sax 1 KS Comb Trombone 1 KS Trombone 2 KS Bass Trombone KS Trumpet 1 KS Comb Trumpet 2 KS Comb Trumpet 3 KS Comb Trumpet 4 KS Comb Steinway Jazz Piano Electric Guitar KS Upright Bass 2 KS GM Classic Jazz Drum Kit Same as above with Lite instruments User s Guide to Garritan Jazz amp Big Band Version 3 GARRITAN Loading Ensemble Files There are several ways to load Ensemble files e Load from the Ensemble Manager in the upper left box of the ARIA interface e Drag and Drop or Load from the File menu File Load The Ensemble Manager slot is an easy way to load ensembles When you click on the slot in the Ensemble Manager i
14. PBd Port Leth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth GARRITA P ARIA Instrument name Tenor Sax 4 KS Comb Bass Trombone KS Comb Trumpet 1 KS Comb Trumpet 2 KS Comb Trumpet 3 KS Comb Trumpet 4 KS Comb Description Bb Tenor saxophone made by Selmer a mellower sound e C2 Tenor Sax 4 e D2 Flute e E2 Clarinet e F2 Soprano Sax Bass Trombone tuba e C2 Open e D2 Straight mute E2 Cup mute e F2 Harmon mute e G2 Bucket mute e A2 Tuba Trumpet 1 flugelhorn C2 Open D2 Straight mute E2 Cup mute F2 Harmon mute G2 Bucket mute A2 Flugelhorn Trumpet 2 flugelhorn C2 Open D2 Straight mute E2 Cup mute F2 Harmon mute G2 Bucket mute A2 Flugelhorn Trumpet 3 flugelhorn C2 Open e D2 Straight mute E2 Cup mute e F2 Harmon mute G2 Bucket mute A2 Flugelhorn Trumpet 4 flugelhorn C2 Open D2 Straight mute E2 Cup mute F2 Harmon mute G2 Bucket mute A2 Flugelhorn User s Guide to Garritan Jazz amp Big Band Version 3 KEYSWITCH KS COMBINATION INSTRUMENTS Controls MW Vel Tng Slr AutLeg AF
15. Trombone 4 Trombone 4 Open no mute Trombone 4 Straight Mute Trombone 4 Cup Mute Trombone 4 Harmon Mute Trombone 4 Bucket Mute Trombone 4 KS Trombone 5 Trombone 5 Open no mute Trombone 5 Straight Mute Trombone 5 Cup Mute THE BRASS INSTRUMENTS Description Mellower tone and more extended range Good for solo work Trombone 4 played with the Straight mute Trombone 4 played with the Cup mute Trombone 4 played with the Harmon mute Trombone 4 played with the Bucket mute Keyswitched combination of open and all mutes e Cl Trombone 4 Open no mute e D1 Straight Mute El Cup Mute e Fl Harmon Mute G1 Bucket Mute Trombone 5 made by Edwards 500 bore Trombone 5 played with the Straight mute Trombone 5 played with the Cup mute User s Guide to Garritan Jazz amp Big Band Version 3 Controls MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Birth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR
16. and any other trademarks of third party programs are trademarks of their respective owners No part of this publication may be copied reproduced or otherwise transmitted or recorded for any purpose without prior written permission by Garritan Corporation The information contained herein may change without notice and does not represent a commitment on the part of Garritan Corporation Garritan Jazz amp Band Garritan Corporation PO Box 400 Orcas WA 98280 USA e mail info garritan com Visit us on the World Wide Web at www garritan com A User s Guide to GARRITAN JAZZ amp BIG BAND Version 3 Including the ARIA Player GARRITAN Table of Contents Welcome to Garritan Jazz amp Big Band 6 Garritan Jazz amp Big Band At a Glance 7 End User License Agreement oeeie ai en ree ene vee eer 9 What This Package Includes 10 How to Use This Manual 10 Further Documentation and Resources 11 Specifications amp Computer System Requirements eset ntnsnsnvnsnstnnnnnnnennenenene 11 Regarding Sound Cards amp Midi Interfaces 13 Regarding Speakers Amplification and Headphones 14 Regarding 64 bit Computing 14 INSTALLA MO N cect cc een tanec ES cane aac appears arenes necanese cau rane dna aan eee tenn meses 15 Installing Garritan Jazz amp Big Band 16 Mac Setup For Windows Setup see next Section 16 WY HM StS LE heroes tesserae EEEE 20 1 The Garritan Jazz amp Big Band Setup Wizard 21
17. the open hi hat will stop sounding as soon as the foot closed sample begins There are three General MIDI kits One for Classic Jazz a brush kit and one for Fusion The layout follows the General MIDI specifications with one exception The snare drum on MIDI note 40 is an acoustic not an electric snare The two General MIDI kits have identical percussion samples Only the bass drum snare toms and hi hat differ Note See appendix for detailed mapping information The Primary Controller for All the Drums is Other controllers CC 22 VARI Random variations in intonation CC 23 VAR2 Random variations in timbre Note AO Used to choke cymbals Level Knobs Volume control of the various parts of the kit kick snare toms hihat cymbals and percussion when present User s Guide to Garritan Jazz amp Big Band Version 3 The Brush Drum Kit This is a special case We think you will find the brush drum kit one of the most enjoyable instruments in the Jazz amp Big Band library It has some very intuitive and flexible features Most of the previous attempts to sample brush drum kits have relied on recording the characteristic snare drum stirs at a variety of different tempi and left it up to the user to choose the particular recorded performance that most closely matched the desired tempo Constructing a brush drum part was more like assembling an elaborate puzzle than playing music The brush drum
18. 2 TQ Bith Sk KS MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brthe Sk MW Vel Tng Slr AutLeg AF KG Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk GARRIT P ARIA Instrument name Trombone 5 Harmon Mute Trombone 5 Bucket Mute Trombone 5 KS Trombone Plunger Trombone Plunger Mute Trombone Plunger Str Mute TUBA Tuba THE BRASS INSTRUMENTS Description Trombone 5 played with the Harmon mute Trombone 5 played with the Bucket mute Keyswitched combination of open and all mutes C1 Trombone 5 Open no mute D1 Straight Mute E1 Cup Mute F1 Harmon Mute G1 Bucket Mute Features playable open closed plunger Features two mutes a playable open closed plunger over a straight mute BBb Tuba Controls MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Plgr MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg
19. 2 The ARIA Engine Installer 24 3 The ARIA Player Installer 24 4 The Garritan Jazz amp Big Band Library Installer 25 PEA TT ON casas E EA EE EEEE ERSA OE EAA EE EEE E E AA OAE EE SEE thy Activating Garritan Jazz amp Big Band 30 Log onto the Garritan Registration Site 31 Product Registration Enter Your Serial Number 22 The Activation K eycard eta hte accu tnt dectanetete 33 Final Step Activating Garritan Jazz amp Big Band urssccesenenii opiniones 34 Updating to Latest Version spect oana E EEE E ERDE EEA 36 HOW TO USE GARRITAN JAZZ amp BIG BAND 37 How to Use Garritan Jazz X Big 0117 lt ee cn ore nee ene ene i 38 Playing the Garritan Jazz amp Big Band as a Standalone Application Live Play 0000 38 Launching the Garritan Jazz amp Big Band in Standalone Mode 38 Basic Setup Information for Standalone Mode 38 File Menu for Loading and Saving Presets in the Standalone 40 Tools Menu Standalone Mode ONLY c 40 MIDI File Player and Audio Recorder Standalone Version Only 42 Using Garritan Jazz amp Big Band as an Instrument Plug In 43 Basic Setup Information for Using the Garritan Jazz amp Big Band as a Plug In Instrument 44 Using Garritan Jazz amp Big Band in a Specific Music Program or Sequencer senses 44 Saving Jazz amp Big Band Parameters in a Music Program or Sequencer 45 BFS os 40 ers 0 018101 8 a E E nn eT eee re ee 46 Using Garritan Jazz amp Big Band with a Notati
20. 3 ARIA Instrument name FLUGELHORNS Flugelhorn 1 Flugelhorn 2 Flugelhorn 3 Flugelhorn 4 Flugelhorn 5 THE BRASS INSTRUMENTS Description Flugelhorn in Bb made by Getzen Eterna principal instrument Flugelhorn in Bb derived instrument Flugelhorn in Bb derived instrument Flugelhorn in Bb derived instrument Flugelhorn in Bb derived instrument User s Guide to Garritan Jazz amp Big Band Version 3 Controls MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk GARRIT P THE BRASS INSTRUMENTS ARIA Instrument Description name TRUMPETS Trumpet 1 Trumpet 1 Open no mute Trumpet 1 Straight Mute Trumpet 1 Cup Mute Trumpet 1 Harmon Mute Trumpet 1 Bucket Mute Trumpet 1 KS Trumpet 2 Trumpet 2 Open no mute Trumpet in Bb with extreme range extension to the triple high C concert Bb for the open horn made by King Golden Flair Trumpet 1 played with the Straight mute Trumpet 1 played with th
21. 3 A w amd et Updates Ke Tg Register your product here A thank you mote from Garritan Thank yor Hm bo meq a esceral ck here for more infomation com hor fo ectneete your prods Where to Find Your Serial Number Online Purchases and Updates If you purchased a product or update online your serial number will be emailed to you immediately after purchase Thank you for shopping at http www garritan biz Please save this email for further reference it contains the serial numbers of the products you have just bought Jazz amp Big Band 3 40000 1111 1 22222 33333 44444 User s Guide to Garritan Jazz amp Big Band Version 3 Note If you have not received your serial number via email please check your spam folder Physical Boxed Products If you purchased a physical boxed product the Serial Number will be affixed in the DVD case just above the DVD disc The Activation Keycard Once the serial number is entered and you click Register an Activation Keycard will be generated in your name You can now download the Activation Keycard for this Garritan product The Activa tion Keycard is an image resembling a typical credit card This image contains your registration and profile details encoded within the Keycard image It will look like this GARRITA Jazz and Big Bana 3 John Doe JohnDoe mydomain com New Media Productions Toronto ON CANADA Your registration information i
22. Before you begin installation make sure you have read the End User Licensing Agreement in the pages that follow By installing the software you are indicating you agree to the terms of the license How to Use This Manual The goal of this manual is to help you learn how to use Garritan Jazz amp Big Band Although many dislike reading manuals if you wish to get the most out of this new library it is absolutely essential to read this manual Doing so will help you understand how to use this software library The operation of many of the essential features is not obvious in casual use and we realize many users are not music technologists We ll do our best to make this easy for you in this manual and to provide informa tion about the various instruments playing techniques and modes of control And of course by no means can playing jazz or performance technique be taught from this or any other manual ae You can refer to this manual whenever you wish This manual is provided in digital form as an Adobe Acrobat document file also known as a PDF which can be viewed on a ue able free from www adobe com A digital manual is eco friendly and can be easily updated If you have computer monitor or printed If you do not have the Adobe Acrobat Reader it is avail a need to have a paper copy you can print this document A printed copy can be a handy reference The easiest way of obtaining the information you seek is to use the Bookmarks p
23. Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk Bass Trombone Bass Trombone played with the Harmon mute MW Vel Tng Slr AutLeg Harmon Mute AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk Bass T Trombone Bass Trombone played with the Bucket mute MW Vel Tng Slr AutLeg Bucket Mute AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk Bass Trombone Keyswitched combination of open and all mutes MW Vel Tng Slr AutLeg KS e C0 Bass Trombone Open no mute AF KC Vib Fltr Grl PBd e DO Straight Mute Port Lgth VAR 1 VAR 2 e EO Cup Mute TQ Brth Sk KS e FO Harmon Mute e GO Bucket Mute Trombone 1 Trombone 1 Open Trombone made by Holton MW Vel Tng Slr AutLeg no mute AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk User s Guide to Garritan Jazz amp Big Band Version 3 ARIA Instrument name Trombone 1 Straight Mute Trombone 1 Cup Mute Trombone 1 Harmon Mute Trombone 1 Bucket Mute Trombone 1 KS Trombone 2 Trombone 2 Open no mute Trombone 2 Straight Mute Trombone 2 Cup Mute Trombone 2 Harmon Mute THE BRASS INSTRUMENTS Description Trombone 1 played with the Straight mute Trombone 1 played with the Cup mute Trombone 1 played with the Harmon mute Trombone 1 played with the Bucket mute Keyswitched combination of open and all mutes C1 Trombone 1 Open no mute D1 Straight Mute
24. Jazz amp Big Band is installed you will need to activate it You will notice that when launching Garritan Jazz amp Big Band for the first time the following pop up message appears Your Jazz amp Big Band is not activated Do you want to start online activation now GARRITAN A RMA PITRE R 01 Big Band Rhythm Section Steinway Jazz Piano empty empty empty empty empty empty amey empty empty empty pmeiy empty empty empty empty onal Orchestra 4 Your copy of Garritan Jazz amp Big Band 3 is not activated Do you want to download your Activation Keycard now Yes No KEYSWITCHES Click Yes if this computer has an internet connection and you wish to start the easy activation process At any time you can open your browser and go to www garritan biz to access our registra tion server You will be presented with the Log In screen If this computer does not have an internet connection you can register your Garritan product with any online computer and simply copy the Activation Keycard to a removable USB drive or any other method to transfer the Keycard to this computer If you ordered or updated online you will have already created an account You simply need to Log In and activate with the user name and password you used when you made your purchase If you ordered a physical boxed product you will need to create a new account User s Guide to Garritan Jazz amp Big Band Version 3 Log on to th
25. KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth KEYSWITCH KS COMBINATION INSTRUMENTS ARIA Instrument Description Controls name Trumpet 5 KS Trumpet 5 flugelhorn MW Vel Tng Slr Comb e C2 Open AutLeg AF KC e D2 Straight mute Vib Fltr Grl PBd E2 Cup mute Port Lgth VAR 1 e F2 Harmon mute VAR 2 TQ Brth e G2 Bucket mute e A2 Flugelhorn Keyboards KS All keyboards At Vel vol except Comb e C2 Steinway Piano organ MW vol e D2 Vintage Electric Piano for organ only Sus e E2 Organ sus TQ Trem for e F2 Accordion VEP and organ Guitars KS Comb All guitars Vel vol Port Lgth e Cl Acoustic Guitar Vib VAR 1 VAR 2 e DI Electric Guitar e El Electric Guitar mellow Fl Banjo Basses KS Comb All basses Vel vol Port Lgth e CO Fretless 1 Vib VAR 1 VAR 2 e C 0 Fretless 2 e DO Fretted 1 e D 0 Fretted 2 e EO Slap 1 e FOeskp2 e F 0 Upright 1 e G0 Upright 2 Note 1 Guit
26. Our aims are to give musicians the tools to play jazz and big band music to provide information about jazz and big band music to as many people as possible and to promote and encourage jazz and big band music everywhere Garritan Jazz amp Big Band is the first library of its kind No sampled library of Jazz and Big Band had existed prior to Garritan Jazz amp Big Band We wanted to do something special and produce a new kind of library Jazz instruments are very expressive individualistic and the most difficult to ac curately sample New computing and sampling technology now makes this possible I would like to take this opportunity to thank all of the individuals who contributed to this project and made it possible to provide these sounds and tools for musicians I would particularly like to thank Tom Hopkins who has recorded performed and programmed much of this library Tom brings over thirty five years of professional jazz experience and this product certainly demonstrates Tom s mastery and musicality Garritan Jazz and Big Band is a dynamic library that will evolve and grow Please check our website at www garritan com for the latest up to date information downloads updates FAQs troubleshoot ing helpful hints and tutorials It is my hope that this Jazz and Big Band collection will enable you to make great music that enriches your life Jml onin _ User s Guide to Garritan Jazz amp Big Band Version 3 Garrita
27. PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk GARRITA P ARIA Instrument name Trumpet 3 Bucket Mute Trumpet 3 KS Trumpet 4 Trumpet 4 Open no mute Trumpet 4 Straight Mute Trumpet 4 Cup Mute Trumpet 4 Harmon Mute Trumpet 4 Bucket Mute Trumpet 4 KS THE BRASS INSTRUMENTS Description Trumpet 3 played with the Bucket mute Keyswitched combination of open and all mutes e C2 Trumpet 3 Open no mute D2 Straight Mute E2 Cup Mute F2 Harmon Mute G2 Bucket Mute Trumpet in Bb with range extension to the double high D concert C made by King Golden Flair Trumpet 4 played with the Straight mute Trumpet 4 played with the Cup mute Trumpet 4 played with the Harmon mute Trumpet 4 played with the Bucket mute Keyswitched combination of open and all mutes e C2 Trumpet 4 Open no mute D2 Straight Mute E2 Cup Mute F2 Harmon Mute G2 Bucket Mute Controls MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Por
28. The Aria Player enables you to load Gar ritan Jazz amp Big Band instrument sounds control various parameters for playback and do a number of other things Ihe software engine was custom designed and programmed by Plogue Art et Tech nologie Inc The Aria Player has various view screens or windows that are accessed by the four view tabs to the right Those screens consist of the Mixer window the Controls window the Effects window and the Settings window The Basic Interface and the View Screens Ensemive T ADT j j 3 01 Big Band Rhythm Section 12 C J A RI TA N AR m n PUWVER 1 empty 2 3 5 empty 5 empty j empty ja ppu a 5 empty T empty 7 empty ae empty da empty E TE empty empty TE empty TE empty We empty 11 MIXER CONTROLS EFFECTS SETTINGS User s Guide to Garritan Jazz amp Big Band Version 3 The Mixer Window 1 Slot 1 16 You can have up to sixteen instruments loaded in each instance of the ARIA Player 2 Load Instrument Click here to load an instrument in the corresponding channel Clicking the instrument slots brings up a dialog box to load the instrument s of your choosing The instruments will be grouped in a simple hierarchical menu by Garritan Library usually by family 01 Big Band Rhythm Section GARRITAN A RIB A PLAYER Steinwavw la77 Diann empty empty empty empty import empty empty empty reload empty empty empty GPO b World Instrum
29. a bow being drawn across the strings in a stringed instrument You will discover that using the Mod Wheel control adds a new dimension of feeling and expression to your performances making them all the more believable Try experimenting with the Mod Wheel to develop control over the dynamics As you play a melody attempt a gradual crescendo or decre scendo instead of going suddenly from soft to loud or loud to soft User s Guide to Garritan Jazz amp Big Band Version 3 Pa i j Trove Mod Wh N og Whee ce Trove brighter As shown above the Modulation Wheel allows you to simulate a surging crescendo diminuendo Exercise Play a melody with your right hand only and notice how there is little variation at all It doesn t sing as it should Now imagine how you would sing the tune Where is the peak of the phrase Where would you make a crescendo and a diminuendo Now as you play the melody attempt those crescendos or decre scendos with the Mod Wheel Listen to the effect as you make gradual changes adjusting the dynamics to suit your musical sensibilities IMPORTANT Even though instruments in ARIA load with a default value it is best to always record Mod Wheel data at the beginning of every MIDI sequence track in order to start with the correct initial volume NOTE In addition to the Mod Wheel CC 1 JABB instruments will also respond to breath con trol CC 2 and MIDI expression CC 11 to control the fu
30. and 32 bit plug ins please only use the version of the plug in that is native to your host e g x64 bit version of Sonar use the ARIA Player VST_x64 dll Mac OSX has standard folders for both VST and AudioUnits plug ins and do not require this extra step An additional copy of the VST plug in is available in the main Garritan Jazz amp Big Band applica tions folder in the VST subfolder Please don t use this folder as your main vstplugins folder Please note that a saved sequence in one music application may not be usable in other music ap plications as each application generally has its own proprietary format User s Guide to Garritan Jazz amp Big Band Version 3 VST Expression Support Garritan Jazz amp Big Band supports VST Expression a new system that dramatically simplifies han dling of articulations and expressions with sample libraries within Steinberg s Cubase The new tech nology makes recording and editing articulation commands much easier with all articulation data displayed separately in both track inspector and editor windows More information about VST Ex pression can be found at the Steinberg website Using Garritan Jazz amp Big Band with a Notation Program Notation is a fundamental part of music creation Notation programs allow you to easily create and print sheet music with your computer Until recently it was not possible to play realistic sounds from notation programs but Garrit
31. at the bottom of the standalone window These features enable you to load and play a standard MIDI file and render an audio file from it The MIDI controls are located on the left hand side and the audio controls on the right To load and play a MIDI file 1 Click on the Load button 2 Choose the file you wish to load 3 Click on the Play button The MIDI file will play back using the presently loaded instrument and any other features e g Am bience reverb activated in the player The progress bar will move to the right as the file is played To start the file from the beginning click on the Go to beginning button The file can be stopped at any time by clicking on the Stop button Notes from the MIDI channels in the loaded file will be routed to the appropriate input channels in ARIA To record your playback to an audio file e Click on the Name File button e Name the file and specify its desired location e Click on the Record button e Start playback by clicking on the MIDI Play button e When playback finishes click on the MIDI Stop button e Click on the Audio Stop button The audio file will be located on your drive in the location you specified Note There is also an offline rendering feature explained previously that is located in the Tools menu of the standalone version Using the Audio Recorder as explained above the MIDI file being recorded will be heard
32. by Muramatsu 1st Player MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Flute 2 C Flute 2nd Player MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Flute 3 C Flute 3rd Player MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Piccolo Yamaha ebony piccolo circa 1970 MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth User s Guide to Garritan Jazz amp Big Band Version 3 SAXES amp WOODWIND INSTRUMENTS ARIA Instrument Description name SAXOPHONES Alto Sax 1 Alto Sax 2 Alto Sax 3 Bari Sax 1 Bari Sax 2 Bass Sax 1 Bass Sax 2 C Melody Sax 1 C Melody Sax 2 Contrabass Sax 1 Contrabass Sax 2 Eb Alto saxophone made by Buffet Eb Alto saxophone made by Selmer Balanced Action Eb Alto saxophone made by Selmer Mark VI Baritone saxophone made by Bundy Baritone saxophone made by Bundy uses dif ferent microphones than Bari Sax 1 BBb Bass Saxophone made by Selmer BBb Bass Saxophone made by Selmer uses dif ferent microphones than Bass Sax 1 C Melody saxophone made by Buescher C Melody saxophone made by Buescher uses different microphones than C Melody Sax 1 EEb Contrabass Saxophone made by Orsi EEb Contrabass Saxophone made by Orsi dif ferent microphones than Contrabass Sax 1 User
33. com plex algorithms of the ARIA Player work best on modern computers We think that s a small price to pay for the results you will get Please also observe the system requirements of your host application notation program and or sequencing program if applicable See the Garritan forum or website if you are looking for recommendations or more information User s Guide to Garritan Jazz amp Big Band Version 3 Computer System Requirementsts Computer Operating System Windows Microsoft Windows XP PC SP2 or SP3 recommended Microsoft Windows Vista 32 Microsoft Windows Vista 64 Mac OS X 10 4 minimum universal binary minimum Mac Mac Universal Hardware 2 8 Ghz CPU Pentium 4 or better 2 0 Ghz Core 2 Duo or better recommended 1 GB Minimum 2 GB RAM recommended to play the entire orchestra There is a direct correlation between the number of instruments that can be loaded and the amount of available RAM 3 5 GB of free hard drive space Hard drive speed of at least 7200 RPM preferred Internet connection for download version DVD ROM drive required for boxed version installation Monitor with 1 024x768 resolution or better A sound card compatible with ASIO DirectSound or MME Keyboard A MIDI interface may be required if you are using a MIDI keyboard Some keyboards use USB The Mod Wheel on the keyboard controls volume so make sure to move it up to an audible level If you do not have a Mod Whee
34. designed to be mounted on your timbales Hand tuned from Middle C to the Ath an octave above A pair of hollow pieces of wood usually held be tween the thumb and fingers that produce a click ing sound The clapping together of the hands and the snap ping of fingers The jawbone of an animal used as a percussion instrument that when struck the teeth rattle A percussion instrument consisting of a hollow tube filled with small pebbles that make the sound similar to falling rain An instrument consisting of a small drumhead with metal discs in the rim usually played by shaking and striking with the hand User s Guide to Garritan Jazz amp Big Band Version 3 Controls Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 GARRIT THE RHYTHM SECTION INSTRUMENTS ARIA Instrument Description Controls name Triangles Percussion instruments consisting of a piece of Vel vol VAR 1 VAR 2 metal in the shape of a triangle open at one angle Whistles Small wind instruments for making whistling Vel vol VAR 1 VAR 2 sounds User s Guide to Garritan Jazz amp Big Band Version 3 ARIA Instrum
35. double click the Installer Icon e You will then be asked to fill out your name and to read and accept the End User License Agree ment before proceeding with the installation QOO w Install Garritan Jazz and Big Band 3 Software License Agreement F English E Introduction eae m B vitense End User Software License Agreement 0 Destination i N Part 1 Garritan Jazz and Big Band 3 N Please read the terms of the following software licensing agreement tio before using this sample collection By installing and loading these products on your computer you acknowledge that you have read this license agreement understand the agreement and agree to its terms and conditions If you do not agree to these terms and conditions do not install or use the sounds contained herein This ts the complete agreement between you and Garritan Corporation that supersedes any other representations or prior agreements whether oral or in writing rm An important thing to understand ts that YOU ARE OBTAINING A 7 Print ro SAVER Go Back C Continue g e The setup lets you select which plug in formats you require These plug in formats allow Gar ritan Jazz amp Big Band in addition to standalone use to run as a virtual instrument plug in that seamlessly integrates into your favorite music software program or sequencer assuming that it accepts such instrument plug ins
36. during the recording process User s Guide to Garritan Jazz amp Big Band Version 3 Using Garritan Jazz amp Big Band as an Instrument Plug In When used as a plug in Garritan Jazz amp Big Band is not a standalone program but rather a virtual instrument module that is seamlessly integrated into your favorite music software program or se quencer assuming that it accepts such instrument plug ins They are called plug ins because these are modular software applications that run inside a host music application typically a sequencer or notation program There are various uses as a plug in e MIDI recording and sequencing of Garritan Jazz amp Big Band e Audio mixing of Garritan Jazz amp Big Band with other instrument tracks within a single program e Easy automation of Garritan Jazz amp Big Band parameters in the music software program e Effect processing of Garritan Jazz amp Big Band sounds using effect plug ins in a music software program e Saving and recalling of all plug in settings when the music software program or sequencer file is reloaded e Integration with other instruments into a virtual studio MIDI sequencing is akin to the old self playing pianos As the player pianos used mechanical tech niques to reproduce performance by associating key presses and durations with holes in paper MIDI sequencers use electronic data to record and reproduce performances When you play a note on a MIDI key
37. folder which the host application uses to locate all available instruments more information below Although it is not within the scope of this manual to delve into how plug ins work for the various music applications there will be tutorials on how to use the Garritan Jazz amp Big Band with the vari ous music software programs Please refer to the Support WIKI pages on the Garritan website at www gatritan info Saving Jazz amp Big Band Parameters in a Music Program or Sequencer While using Garritan Jazz amp Big Band with a host music application when you save a sequence or a project with the host program all of Garritan Jazz amp Big Band s parameters will be automatically saved as well You do not need to do anything in the Aria Player interface for this to happen When you re load your host music project the Garritan Jazz amp Big Band settings will revert to the state in which they were when you saved your project file Important Technical Notes Windows VST applications only To use Garritan Jazz amp Big Band with more than one VST appli cation you need to manually copy the ARIA Player VST_x86 dll installed into the chosen folder dur ing installation of the library to the appropriate VS T compatible host application s VST folder Please refer to your particular applications users guide and the Garritan support site for more information Regarding 64 bit hosts Some hosts have one common VST folder for both x64
38. for a well rounded musician to possess a basic knowledge of jazz arranging We are pleased to make available an interactive course based upon Chuck Israels new book Exploring Jazz Arranging Chuck Israels has worked with Billie Holiday Benny Goodman Coleman Hawkins Stan Getz Herbie Hancock John Coltrane and was the bassist with the Bill Evans Trio In this Interactive Edition interactive score excerpts are provided which allow the learner to simultane ously listen and visually follow One of the most effective ways to learn arranging is by listening and si multaneously seeing it on the score Live playback of the score examples imparts an added dimension conveying concepts far more clearly and immediately than simply viewing what s on a printed page In the Interactive Exploring Jazz Arranging DVD that accompanies the book we have provided exactly that facility score excerpts which allow the learner to simultaneously listen and visually fol low There are some 130 animated scores provided in the DVD The ability to hear various jazz realizations of the different examples from Chuck Israels jazz works on demand is invaluable and text alone cannot provide this level of instruction Exploring Jazz Arranging Using the Garritan Jazz Big Band Library Chuck Israels User s Guide to Garritan Jazz amp Big Band Version 3 Downloadable Sounds and Other Garritan Libraries Get More Sounds Instantly and
39. for release effect volume level The practical application of these controllers is explained in detail in a tutorial available at the Garritan web site This feature has always been a very flexible but difficult and involved one to use so we have taken steps in the new JABB ARIA to make the creation of shakes much easier for the user Auto Shakes Auto shakes use a mid value of the Auto Legato controller CC 102 With this feature the only additional controllers you need are CC 102 value 49 95 auto shakes layer on off switch release effect switched for falloff doit kiss release effect level when needed at the end of a shake Once this switch is activated all additional shakes controller calculations except release effects are generated automatically and the shakes can be played in real time using the trill technique for auto User s Guide to Garritan Jazz amp Big Band Version 3 legato Just hold the first note of the shake while repeatedly playing and releasing the upper note of the intended interval of the shake Shake behavior will automatically be appropriate for the chosen range and intervals In sequencing just place the mid value CC 102 data prior to the notes you wish to shake place the notes of the shake in your track and overlap them slightly Don t forget to return the switch to the off position after the last note of the shake by placing appropriate data in the track CC 102 value 0 As
40. have fretboards that extend a 4 above that G but that range becomes a little thin sounding because of the short length of the vibrating string When writing for the guitar in unison with other instruments it is often good to keep the guitar range within the staff For instance having the guitar part in a written unison with a piano line puts the sounding guitar an octave below the piano but the effect is that the sounds blend well sometimes better than writing the guitar an octave higher resulting in a real unison Basses go from a written low E below the bass clef staff to G above the staff for normal bass lines sounding an octave lower with another octave available for solo passages When it is necessary to have bass notes sound in sustained passages with wind instruments the results are better when those notes appear in the lower winds Overdoing the volume of the string bass or using an electric bass to balance the harmony in the winds may overpower the ear s ability to hear the mixtures of notes and harmonies in the middle and upper parts of the music s range To my way of hearing things this is the biggest and most common error in the use of the many technological advances that allow musical instruments to play louder The electric bass guitar or amplified string bass is a fine choice for music largely devoid of dynamic and textural nuance and there is some fine music in that category but may not be appropriate for even th
41. headed drum usually grouped in sets of varying sizes A Brazilian friction drum Sound is produced by rubbing a small stick on the drum s inside mem brane A goat skin covered drum shaped like a large goblet and played with bare hands A small hand held Brazilian instrument consisting of a round wooden frame with six pairs of metal discs fit along the sides A smaller conga drum primarily used for soloing The largest of the conga drums Large cylindrical drums with two heads typically played with a large mallet while the free hand mufHes the drum A custom instrument consisting of a wooden box struck in various ways A set of two open bottomed metal drums mounted side by side on a metal stand and played with wooden sticks A large conga drum with a rich low tone often used in Cuban music A percussion instrument made of clay that possesses distinct tonal qualities which range from subtle bass tones to tabla like tones An instrument consisting of loops of steel ball chains wrapped around a wide cylinder that pro duces rhythmic scraping sounds An instrument made out of metal that is cylindrical in shape with many small round indentations A Latin percussion instrument made of a hollow gourd with a grooved or serrated surface played by scraping with a stick A Latin percussion instrument consisting of a hol low gourd rattle containing pebbles or beans and often played in pairs User s Guide to Garri
42. include the fol lowing courtesy credits Instrument samples used in this recording are from the Garritan Jazz amp Big Band or a similar credit where practicable You are allowed a maximum of four 4 installations per purchase What You Cannot Do The enclosed sounds cannot be re used in any commercial sample library or competi tive product You are absolutely forbidden to duplicate copy distribute transfer upload download trade or loan this software or any of the contents in any way to anyone You cannot redistribute this product in whole or in part through an archive collection through the Internet or a binaries group newsgroups or any type of removable media or through a network You cannot resell the product without written permission and pay ment of an additional fee The sounds and samples contained within this software cannot be edited modified digitally altered re synthesized or manipulated without direct written consent from Garritan Corporation Disclaimers and Conditions A right to use the Garritan Jazz amp Big Band is granted to the original end user only and this license is not transferable unless there is written consent from Garritan Corporation and pay ment of an additional fee The sounds of the Garritan Jazz amp Big Band will only work with the bundled Gar ritan ARIA Player and will not work with any other sampler Licensor will not be responsible if the content of this disc does not fit the particular p
43. is Jazz Ask one hundred people What is jazz and you will probably get one hundred different answers Part of the reason is because jazz is not predictable like classical music where players must play what is on the printed page without much artistic license Jazz is a living art form always changing and evolving and never the same The essence of jazz is improvisation In most jazz performances players interpret and communicate music in their own unique way and express their own individual voices The players typically play solos they make up on the spot This makes jazz a very expressive musical form capable of musically communicating the thoughts and feelings of the players Whether it is sorrow or joy no music so eloquently gives voice to an individual Jazz music is player oriented where basic guidelines are established and the players are free to indi vidually or collectively improvise Usually the same piece cannot be played again in the exact same manner as it can in classical music Jazz can take a familiar tune and make it fresh each time it is played Never play a thing the same way twice remarked Louis Armstrong Although improvisational in nature jazz requires considerable skill The simplicity will fool you It is in the act of spontaneous creation where we truly find Jazz and the listener plays an important role and experiences what is being expressed There is a per sonal connection with the musician
44. of ARIA through another reverb plugin edit these presets or experiment with the various settings to customize the acoustical environment as needed There are a number of main knobs in the Ambience control panel The most important parameters are reverb time the time for the reverb to fade away size the size of the room and the pre delay time Below is a description of the relevant controls in Ambience DECAY DIFFUSION SIZE PREDELAY WIDTH QUALITY VARIATION LEVEL User s Guide to Garritan Jazz amp Big Band Version 3 Note To control the amount of reverb for each instrument use the Sends in the Mixer window e DECAY This controls the time it takes for the reverb reflections to fade away into silence e DIFFUSION Diffusion is the reflecting surface s ability to spread the reverb out This con trol has a subtle effect on the sound and is especially noticeable with small room sizes e SIZE tThis controls the size of the room Note that long reverb time and small room sizes do not mix well For natural sounds a large room size such as a concert hall should be accompa nied by a long reverb time and vice versa e PREDELAY This controls the amount of time between the direct sound and the first of the reverb reflections It is pre delay that defines our perception of the size of the room e WIDTH This controls the stereo spread from mono 0 all the way to a wide stereo 100 It is recommen
45. software or are available separately from third party developers Drums The drums are recorded in place in true stereo using an ORTF microphone arrangement for all instruments except the bass drum There are three distinctly different drum kits included with specific purposes for each There is the Classic Jazz kit which uses vintage single layer heads for the sound that is so closely associated with the great tradition of jazz drummers there is a Fusion kit that uses double layer heads for the tighter drier sound that has become popular in the last few decades and there is a unique Brush drum kit played with wire brushes that will give you the ability to do ballads and other brush grooves that were extremely difficult to accomplish with previous libraries There are complete kits for convenient sketching and separate bass drum snare toms hi hat and cymbals for more detailed mixing treatment User s Guide to Garritan Jazz amp Big Band Version 3 Note The same Cymbal files are duplicated in each of the drum folders for user convenience The cymbal files contain a wide variety of cymbal choices for many possible uses Note The hi hat is divided into closed half open open and foot closed samples All of these are assigned to an exclusive group so that any sample in the group will be cut off by another sample in the group For example if you hit the open hi hat and then quickly hit the foot closed hi hat
46. that is unlike other forms of music Jazz invites the listener into a relationship with the players The inspired motif at a particular instant may be in response to audience involvement as the player communicates So again what is jazz Someone once asked this question to legendary great jazz musician Fats Waller His response was If you hafta ask you aint never gonna know User s Guide to Garritan Jazz amp Big Band Version 3 The Growth of Jazz by Chuck Israels In the late nineteenth century in the United States the popularity of brass and concert bands such as those of John Philip Sousa made trumpets trombones flutes clarinets saxophones and drums familiar and easily accessible to young American musicians Before long players of these instruments especially those who lacked the traditional European style schooling in technique began to exhibit some of the nuances and inflections of American spoken language in the way they expressed them selves through musical sounds In the evolution of classical music a general consensus had developed about how instrumentalists were to be trained to adjust and modify their playing in order to create a homogeneous ensemble blend and an instrumental version of the operatic vocal line The situation in the shorter history of jazz was somewhat different Individual nuances of timbre attack and pitch inflection became valu able commodities to the jazz musician and
47. the character of the midrange tone control CC 28 High frequency EQ a high frequency tone control User s Guide to Garritan Jazz amp Big Band Version 3 Additional controllers for the upright acoustic basses Keyswitches for open strings only open strings sound Special mapping Finger slide noises can be inserted using notes beyond the upper C5 E5 range of the instrument Additional controllers for the arco upright bass Da Awomatellyalesmating up and dowa bows To e e O Additional controller for the electric and slap basses standard plucks electric basses only ee Te harmonics electric basses only Special mapping C5 E5 finger slide noises Keyboards Keyboard choices include a Steinway Model B piano a vintage electric piano jazz accordion and a selection of organs The Steinway Jazz Piano is included in two versions A full version and a lite version for those who need to conserve memory Both pianos have a brightness control to adjust the high frequency content of the instrument for adapting to different mixing situations The pianos use the following controllers Release Length Pitchbend Ranges set to 0 by default User s Guide to Garritan Jazz amp Big Band Version 3 The Vintage Electric Piano is one of the most popular suitcase style instruments The tremolo effect modulates between stereo speakers in the support base of the keyboard It uses the following
48. the development of a personal sound was taken as a sign of musical maturity For example the saxophone developed in the nineteenth century as a reed instrument capable of competing in loudness with brass instruments and which has a more or less uniform sound in Clas sical music evolved over the twentieth century into a jazz instrument most remarkable for its ability to accommodate a variety of personal expressive styles There is not so much a jazz saxophone sound as there are Coleman Hawkins sounds Lester Young sounds Johnny Hodges sounds Charlie Parker sounds Harry Carney sounds and Gerry Mulligan sounds The situation is not all that different for brass instruments Louis Armstrong changed the sound of the trumpet for everyone even classical trumpet players but Miles Davis and Clark Terry are instantly recognizable too not to mention all the sounds that Ellington s players contributed with special mutes and plungers And whose sound represents the jazz trombone Jack Teagarden s Al Grey s Bill Harris or J J Johnson s Similar situations exist among the rhythm instruments where creative bass players drummers and guitarists developed personal approaches to their instruments Bassists Jimmy Blanton and Ray Brown invented ways of playing pizzicato sounds that had a remarkably extended decay while still maintain ing a nearly superhuman power of rhythmic precision and strength of attack Over time this kind of instru
49. the other Important note Portamento is only active in legato mode This means that it requires a sustain pedal down command to be in effect cc64 value 127 or auto legato engaged and notes overlapping Length Control CC 21 The default length is the natural release decay length of the sample Nn As you adjust MIDI controller CC 21 the length of the release decay of the sample can be varied over a useful range This can be used along with MIDI note length data and velocity strength to give a wider variety of articulation types ranging from very short and light to accented and forceful It can also give control of note releases in legato situations by lengthening releases for smoother overlaps With wind instruments very short staccato notes can help create the illusion of double and triple tonguing Vibrato Control Wind and brass instruments have vibrato control There are two vibrato VIB T controllers Aftertouch controls vibrato intensity and MIDI controller CC 17 controls the vibrato speed Because both components of the vibrato are independent vibrato can be added to an instrument with natural variations in entrance timing speed variations and intensity User s Guide to Garritan Jazz amp Big Band Version 3 e Hidden Aftertouch Channel Pressure Vibrato Intensity Many keyboards send Aftertouch data when finger pressure on a key is varied while the key is held Aftertouch data is used to adjust t
50. to James Mireau for graphic design and James Mireau for the cover art Thanks to Jeff Hurchalla David Viens Sebastien Beaulieu and Vincent Trussart at Plogue for the development of Garritan Studio And thanks to Darcy James Argue Jeff Beal and David Maddux And hats off to the League of Extraordinary Beta testers I wish to thank Prof Jim Williams Dan Kury Bill DeWitt Jack Cannon Robert Davis David Sosnowski Pat Azzarello Jim Ortner Rick Schneblin Randy Bowser Jeremy amp Julian Soule Mike Moscariello Kevin Gates Danny Williams Peter O Regan and Francesco Marchetti And thanks again to James Mireau for the fantastic GUI work for ARIA and graphics Many thanks to Steinway amp Sons User s Guide to Garritan Jazz amp Big Band Version 3 CC il 10 11 p 13 15 16 L7 18 DESCRIPTION Modulation Breath MIDI Volume MIDI Pan Expression Air flow noise Fundamental basses Key click valve noise Note release effects Plunger mute control Vibrato Speed Control Flutter tongue growl Appendix A Quick MIDI Controller Reference Guide USE Controls the volume timbre of Expressive instruments Alternate controller for volume timbre of Expressive instru ments Turned on by default Volume controller cc7 used for static volume changes in contrast to modulation control ccl which is used for dynamic volume tim bre changes Turned on by de
51. to be loaded automatically each time the Aria player is launched in standalone mode Tools Menu Standalone Mode ONLY ae The Tools menu includes sedated e Preferences as described in the basic setup information above Render offline e Render offline MIDI files can be quickly rendered to audio using this feature To use the Render Offline feature 1 Click on the Load button 2 Select the desired MIDI file 3 Click on the Name Audio Fle button 4 Name the audio file and specify its location User s Guide to Garritan Jazz amp Big Band Version 3 Render offine x MIDI file fio selection E Audio file No selection avs Load MIDI file Name audio file Render Once the files are in place there is just one more step Render Offine O MIDI file Reverie Audio file Reverie al Render button Click on the Render button The audio file will be rendered to the specified location Note An alternate way to record audio from Aria is outlined below for users who would prefer to hear MIDI playback during the recording process User s Guide to Garritan Jazz amp Big Band Version 3 MIDI File Player and Audio Recorder Standalone Version Only D lalki ge _ Presario ot omal AARON AAR Play stop Load Goto Progress Record stop Name file beginning bar The standalone version of the player contains a MIDI File Player and Audio Recorder They are lo cated
52. uncanny accuracy and ease All of the data can be recorded to your sequencer tracks so you will be able to edit the stirs with as much attention to detail as you wish Because the stirs reside in the tracks as note and Aftertouch data many things can be modified includ ing the tempo at any time If you decide that you want your piece of music to be 150BPM rather than 130BPM just change the sequencer tempo data and the stirs will follow the tempo change It User s Guide to Garritan Jazz amp Big Band Version 3 will even follow continuous changes in tempo if you like There are virtually no tempo limits except those that would apply to a real player if you push the tempo faster than a real player could manage the results will likely sound rather odd If you don t have a keyboard with Aftertouch support the Aftertouch data can be assigned to a hardware fader or knob It could also be drawn directly into your snare drum track using the tools in your sequencer Percussion A wide variety of percussion instruments are available in the library Most use three separate types of hits open muff and slap so you can build rhythmic patterns with the instrument s characteris tic sounds Percussion instruments are mapped so that instruments within specified families can be combined without overlap conflicts using just two MIDI channels All instruments in the Drum and Gourd categories can be combined on the same MIDI channel All
53. 2 Brush Toms Sgl layr hd Bass Drum Sticks Classic Jazz Drum Kit 03 Classic Jz Drum Kit 14inHiHat2 15inHiHat Cymbals Sgl layr hd Bass Drum Sgl layr hd Piccolo Snare THE RHYTHM SECTION INSTRUMENTS Description Wire brushes snare 1 combines bass drum snare toms hi hats and cymbals into a single instrument Wire brushes snare 2 combines bass drum snare toms hi hats and cymbals into a single instrument Wire brush hits on the various cymbals in the brush kit Wire brush hits on 15 high hat hits A Zildjian on top and Paiste on bottom Wire brush stirs and hits on a Yamaha 4x14 maple snare drum Wire brush stirs and hits on a Gretsch 5x14 maple snare drum Wire brush hits on Gretsch tom toms 16 x 16 floor tom 9 x 13 rack tom 8 x 12 rack tom Remo coated heads Bass drum hits from the classic kit 20 x 14 Gretsch with various heads Single layer heads for snare toms and kick Does not use General MIDI mapping on all notes 14 high hat hits 15 high hat hits A Zildjian on top and Paiste on bottom Selection of ride crash splash cymbals and some unusual additions like garbage can lids and saw blades See Appendix B Bass drum hits from the classic kit 20 x 14 Gretsch with various heads Smaller higher pitched snare hits Controls Vel vol Brsh VAR 1 VAR 2 Vel vol Brsh VAR 1 VAR 2 Vel vol VAR 1 VAR 2
54. 2 CC23 freq gain une at at e CONTROLS ra laik i i i f m a gt EFFECTS 4000 Hz Uo Uo 0 0 FitLy CC26 FiltFo CC27 VibSpd CC17 ModWhifCC1 SETTINGS a sik 7 si AUTO LEGATO STEREO STAGE 0 0 T1 71 on off onjoff depih Ccss Noh eis zal AirNs CC12 ValvNs CC13 Fluttr CC18 RelLew CC29 N 0 0 O56 47 N MOD KEYSWITOHES d lal ba bahul l All virtual knobs in the Controls Window can be adjusted by holding down the left button of your mouse and moving it up or down rather than in a circle Release the button to set the level You can CTRL click Command Click on OSX a knob to put it back to its default position The numerical text below the knob will give a measurement reading Equalizer Controls The EQ section is a three band equal on oft EQUALIZER izer with each band having a separate Hele gain knob The Low controls the filter s gain for the bottom of the spectrum the 1000 Hz 0 de 0 de cc e gt gt e e Mid for the midrange frequencies and the High controls the top end of the frequency spectrum Adjust by placing your cursor over the desired knob left click hold and move the mouse forward or backward Release the mouse button at the desired number User s Guide to Garritan Jazz amp Big Band Version 3 Auto Legato Controls including auto trills Auto Legato is a convenient way to create smooth legato note trans
55. ENTS Description Trombone 2 played with the Bucket mute Keyswitched combination of open and all mutes e Cl Trombone 2 Open no mute D1 Straight Mute E1 Cup Mute F1 Harmon Mute G1 Bucket Mute Trombone made by Holton Trombone 3 played with the Straight mute Trombone 3 played with the Cup mute Trombone 3 played with the Harmon mute Trombone 3 played with the Bucket mute Keyswitched combination of open and all mutes e Cl Trombone 3 Open no mute D1 Straight Mute El Cup Mute F1 Harmon Mute G1 Bucket Mute Controls MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS User s Guide to Garritan Jazz amp Big Band Version 3 ARIA Instrument name
56. Easily Please be sure to check out the Authorized Steinway Virtual Concert Grand Personal Orchestra the Concert amp Marching Band library World Instruments and other new soundware products It is now possible to download sounds quickly and easily to expand your palette of sounds Simply go to the Settings tab in the ARIA Player and click on the Get More Sounds button You ll be taken to the Garritan Download Shop where you will be able to download additional sounds or order complete libraries For information on all the Garritan libraries and upcoming new products visit our website at www garritan com Orchestra User s Guide to Garritan Jazz amp Big Band Version 3
57. El Cup Mute F1 Harmon Mute G1 Bucket Mute Trombone made by Holton Trombone 2 played with the Straight mute Trombone 2 played with the Cup mute Trombone 2 played with the Harmon mute User s Guide to Garritan Jazz amp Big Band Version 3 Controls MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Births Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk GARRITA P ARIA Instrument name Trombone 2 Bucket Mute Trombone 2 KS Trombone 3 Trombone 3 Open no mute Trombone 3 Straight Mute Trombone 3 Cup Mute Trombone 3 Harmon Mute Trombone 3 Bucket Mute Trombone 3 KS THE BRASS INSTRUM
58. Guide to Garritan Jazz amp Big Band Version 3 e Dyn Max Determines the threshold for RAM usage by the software The default is 256 MB and the other choices are 128 and 512 e Pre Caching Determines how many samples of an instrument the software will process be fore playing them A higher setting will result in longer initial load times though you should increase this setting if you are using a slower computer The default is 32 Kb e Quality Determines audio quality of the playback and recording The default is Normal Hermite e Tuning System Determines the tuning system of the instrument in the software There are different tunings for regions throughout the world but to start we recommend the default International 440 Other choic es are shown on the right e Inst Poly Determines the amount of polyphony multiple notes sound ing simultaneously each instrument can play A higher setting will al English pitchpipe 380 1720 Handel Fork 409 1780 Baroque 415 Handel Fork 422 5 1740 Dresden opera 423 2 1615 French Law 435 1659 British Phil 439 1896 International 440 European 442 Germany China 445 La Scala in Milan 451 18th low for greater polyphony but wil also increase CPU usage The default is 32 Get More Sounds Button Clicking this button will bring you to a webpage where you will be able to download more instruments and sounds Get Help Button GET
59. MORE SOUNDS Clicking this button will bring you to a Garritan Support web page where you will be able to obtain help Scala Import Button The import button provides a variety of other tunings that can be im ported and used with Jazz amp Big Band This is not a feature that would normally be used in a jazz context but certain unusual and or experi mental musical applications will benefit from its availability The scala file import feature enables the use of thousands of other tunings if desired User s Guide to Garritan Jazz amp Big Band Version 3 Scala center i 01 egual scl GARRITA The following menu appears when the Import button is clicked Please select Scala file Look in Scales er c FE e 01 equal scl broadwood_best scl My Recent carlos_alpha24 scl Documents E carlos_circular scl fifth_comma_meantone scl just_intonation scl kellner_bach scl kirnbergerIII scl lehman bach scl pythagorean scl quarter_comma_meantone scl rameau scl sixth_comma_meantone scl temperament_ordinaire_II scl werckmeisterIII scl young_1799 scl My Network Places File name x Files of type SCL File scl x Cancel The Scala Center box allows you to select the base note or center of your scale User s Guide to Garritan Jazz amp Big Band Version 3 ABOUT JAZZ and the Instruments in Garritan Jazz amp Big Band GARRITA What
60. Please refer to the chapter Using Garritan Jazz amp Big Band as an Instrument Plug In for further information The choices are Audio Units RTAS and VST a OO Install Garritan Jazz and Big Band 3 Custom Install on Macintosh HD Package Name Location Introduction gt M Garritan ARIA Player N gt M Garritan Jazz and B B Applications License l Destination Select Installation Type Space Required 16 9 MB Remaining 101 GB y GoBack Continue User s Guide to Garritan Jazz amp Big Band Version 3 GARRITA e You can select which folder into which the Garritan Jazz amp Big Band application and support files should be installed For most instances use the default If you prefer to install Garritan Jazz amp Big Band in a location other than the default click on Change Install Location ANA Install Garritan Jazz and Big Band 3 Standard Install on Macintosh HD Introduction License N This will take 16 9 MB of space on your computer Destination Select Click Install to perform a standard installation of PTAS Installation Type this software on the volume Macintosh HD Change Install Location 7 i Go Back 9 Install e Setup is now ready to begin installing Garritan Jazz amp Big Band Click on Install to begin the installation process Installing library file
61. Vel vol VAR 1 VAR 2 Vel vol Brsh VAR 1 VAR 2 Vel vol Brsh VAR 1 VAR Z Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 User s Guide to Garritan Jazz amp Big Band Version 3 ARIA Instrument name Sgl layr hd Snare Sgl layr hd Toms Fusion Drum Kit 04 Fusion Drum Kit 14inHiHatl Cymbals Cymbals Lite Dbl layr hd Bass Drum Dbl layr hd Piccolo Snare Dbl layr hd Snare Dbl layr hd Toms THE RHYTHM SECTION INSTRUMENTS Description Hits on the classic jazz kit snare drum Ludwig 5 x 14 snare with Remo Renaissance Diplomat head Hits on the classic kit toms 16 x 16 Gretsch floor tom 9 x 13 Gretsch rack tom 8 x 12 Gretsch rack tom Remo coated heads Double Layer heads for snare toms and kick Does not use General MIDI mapping on all notes 14 high hat hits A Zildjian Newbeats Selection of ride crash splash cymbals and some unusual additions like garbage can lids and saw blades See Appendix B Contains primary cymbal choices Bass drum hits from the 14 x 22 Gretsch with vari ous heads and pillow muffles Smaller higher pitched snare hits Hits on the Ludwig 5 x 14 snare with Remo pin stripe head Hits on Gretsch fusion kit toms 16 x 16 floor tom 9 x 13 rack tom 8 x 12 ra
62. a 1972 e CO Plucked e D0 Harmonics Fender Fretted electric bass with flat wound strings e C0 Plucked e DO Harmonics G amp L 2000 Fretted jazz electric bass e CO Plucked e DO Harmonics Upright acoustic bass standard walking plucks made by Hammond Ashley e C0 Plucked e C 0 Open Strings Chuck Israels French Mirecourt upright acoustic bass circa 1880s standard walking plucks e C0 Plucked e C 0 Open Strings Chuck Israels upright acoustic bass played in arco style with a bow e CO Sustain e DO Auto Alternate e G0 Tremolo A slap bass provides a strong percussive sound when the string is plucked and slaps back onto the finger board of the instrument A different slap bass variation User s Guide to Garritan Jazz amp Big Band Version 3 Controls Vel vol Port Lgth Vib VAR 1 VAR 2 Vel vol Port Lgth Vib VAR 1 VAR 2 Vel vol Port Lgth Vib VAR 1 VAR 2 Vel vol Port Lgth Vib VAR 1 VAR 2 Vel vol Port Lgth Vib VAR 1 VAR 2 Vel vol Port Lgth VAR 1 VAR 2 Vel vol Port Lgth Vib VAR 1 VAR 2 Vel vol Port Lgth Vib VAR 1 VAR 2 Vel vol Port Lgth Vib VAR 1 VAR 2 GARRITA P ARIA Instrument name PERCUSSION INSTRUMENTS Brushes 01 Brush Drum Kit 02 Brush Drum Kit Brush Cymbals Brush HiHat Brush Snare Drum 1 Brush Snare Drum
63. a host music program then there may be other ad ditional resource requirements Please also observe the system requirements of your host application notation program and or sequencing program if applicable The demands of various other processing software including the sequencer audio and effects processors other plug ins and so on can affect functionality Regarding Sound Cards amp MIDI Interfaces The quality of the audio interface will have a significant effect on the quality of the sound you will hear from Garritan Jazz amp Big Band It will also have a substantial effect on performance both la tency and polyphony Therefore a good sound card is one of the most important components in optimizing the sound and performance of Garritan Jazz amp Big Band In theory any audio or sound interface which the manufacturer supports for your operating system and computer and which has good drivers should work However you are unlikely to get the best sonic results from a sound card designed for computer games or system sounds Most computers come with a consumer grade sound card and we recommend that you get a good quality sound interface beyond that which is built into your computer Older SoundBlaster sound cards which do not support multiple sample rates and gamer oriented or home system sound cards may be prob lematic It is not possible for us to test all built in or third party sound cards and some interfaces do have pro
64. a result a technique that used to take a considerable amount of time can now be accomplished in just a few seconds Note As a convenience when Auto Shakes are switched on the release effects will automatically be reset to off cc15 value 0 with the occurrence of each new note This means that you only need to put in cc15 data to turn on the desired release effect for a particular note You do not need to place another piece of data to turn the release effect off in advance of the following note Plunger Mute CC 16 There are two instruments in the library one trumpet and one trombone that use filtering to simulate plunger mute effects MIDI controller CC 16 con trols the open close action of the mute Additional Features in Just the Trumpets Release Effects CC 15 Trumpets in a jazz context often release notes in unusual ways The three most common are fallofts doits and kisses In Jazz amp Big Band these effects can be chosen with CC 15 They are switched as follows The Falloffs and Doits apply to a 2 octave area of the trumpet range The Kisses apply to only the high concert Bb and above Notes that lie outside the specified range will give no effects This is not a malfunction See the chart for range information User s Guide to Garritan Jazz amp Big Band Version 3 Note The above features apply to the trumpets but similar effects can apply to the tromb
65. a standalone application as a plug in within a sequencer or with a supported notation program Playing the Garritan Jazz amp Big Band as a Standalone Application Live Play Garritan Jazz amp Big Band can be launched by itself and played live via the MIDI keyboard or other MIDI controller The standalone version of the Garritan Jazz amp Big Band effectively makes your computer audio hardware and MIDI keyboard into a virtual jazz or big band that can be played in dependently of other programs This mode is ideal for practicing solo instruments silent play and live playing The limitation is that you can usually play only one instrument at a time Unlike using it as a plug in within a sequencer your recording ability is limited and you cannot edit your performance though you can use various audio software programs for this Launching the Garritan Jazz amp Big Band in Standalone Mode First make sure that you have followed the instructions in the installation section of this manual Be certain that your audio sound interface and MIDI hardware interfaces are properly connected to the computer your speakers or headphones are connected and everything is powered up To launch Garritan Jazz amp Big Band as a standalone application click on the Garritan ARIA logo on your desktop or go to the Program Files or Applications folder and launch Garritan ARIA Player Basic Setup Information for Standalone Mode To use the standal
66. an has pioneered the use of notation software programs with samples There are two ways to use Garritan Jazz amp Big Band with notation programs One is to use it directly from within a notation program that is capable of hosting plug in instruments The other is to use the Aria Player in Standalone mode and route the MIDI output from the notation application to the player Recent advances in notation technology will allow you to play Jazz amp Big Band sounds directly from within certain notation programs Note Some notation programs may not support software instrument plug ins and some older versions may also lack plug in support Please check your notation program to make sure it supports VST or Audio Units software instrument plug ins There are many resources concerning the specifics of how to use Garritan Jazz amp Big Band with various notation programs on the www garritan info website including tutorials notation files tips techniques plug ins special programming troubleshooting advice and informative links User s Guide to Garritan Jazz amp Big Band Version 3 HOW THE ARIA PLAYER WORKS GARRITAN a How the Garritan Aria Player Works The Aria Player is a custom made player developed specifically for Garritan libraries such as Jazz amp Big Band It constitutes the best sounding and most powerful sample engine available built from the ground up for high performance and exceptional quality
67. ane along the left side of this PDF document By opening the Bookmarks pane you can go to the various topics from the section names With a PDF document you can also zoom in to make the page larger to see more details or zoom out to see multiple pages at once User s Guide to Garritan Jazz amp Big Band Version 3 Further Documentation and Resources For the latest information including updated documentation visit our support pages at www garri tan com There you can find updated information provided after the manual was written corrections or additions to this manual FAQ pages answering common questions suggestions from the users of Garritan software and news about upcoming Garritan releases You can also visit the Garritan Fo rums for up to date information The address is www garritan com forums Please send any reports of errors in this manual or suggestions for improvement to info garritan com Specifications amp Computer System Requirements The following table lists the computer and hardware requirements for using the Garritan Jazz amp Big Band You can use the Garritan Jazz amp Big Band on most any modern personal computer that meets the specifications listed below The specifications provide the minimum standards For optimal func tioning it is recommended you have a powerful enough computer with a fast processor Core 2 Duo or more recommended a fast hard drive and a large amount of RAM The powerful and
68. ars and basses contain only the basic pluck sounds as a necessary concession to possible pro gramming conflicts between instruments within the combination These combinations are primarily intended as a convenience for use with programs like Band In A Box that only allow loading one instance of ARIA Note 2 Not all controllers displayed on the controls page of combination instruments apply to every instrument in the combination e g Keyboards KS Comb has knobs for tremolo that do not apply to the piano or accordion User s Guide to Garritan Jazz amp Big Band Version 3 GARRITA The Garritan Community Learn Share Music amp Stay up to date I invite you to join the Garritan Community Owning Garritan Jazz amp Big Band gives you much more than a product One of the most valu able benefits is membership in the Garritan community of musicians The Garritan Forum is where Garritan users from around the world come to discuss everything re lated to soundware and music It s the perfect way to find the latest news and announcements ask questions and share your music made with the Garritan Jazz amp Big Band If you want to browse share your music share your thoughts about the sounds impart knowledge listen to demos learn and interact with other users this is the place You can also communicate privately with other musicians respond to polls participate in real time chats read how to tutorials and get sup
69. available in which case you may choose the one that you would like Jazz amp Big Band to output through Sample Rate Depending on the sound card and driver you are using various sample rates are available Set the desired sample rate here Choose 44100Hz if available for best results Buffer Size Ihe buffer size setting will determine the delay between pressing a key on your MIDI keyboard and hearing the sound aka latency The default buffer size of 512 samples typically works well but smaller buffer sizes will give a faster response lower latency and high er buffer sizes will give better audio performance more polyphony and higher fidelity Most modern computers and audio interfaces can handle a buffer size of 512 samples without a sig nificant reduction in polyphony If the sound is breaking up or crackling when a note sounds first check that the audio connections and the wiring are good then try a larger audio buffer size setting Please note that there is typically a trade off between higher buffer sizes polyphony and sound fidelity and lower buffer sizes faster response or lower latency Also note that the sound card buffer size settings determine latency rather than Garritan Aria Player itself User s Guide to Garritan Jazz amp Big Band Version 3 Once you have your Audio and MIDI set up and have loaded one of the instrument patches you can begin playing Jazz amp Big Band Press use your mouse t
70. be asked later where you want the samples to be installed For most instances use the default Unless you have a more sophisticated setup the default location is recommended To continue click Next ie Setup Garritan Jazz and Big Band 3 Select Destination Location Where should Garritan Jazz and Big Band 3 be installed CJ Setup will install Garritan Jazz and Big Band 3 into the following folder To continue click Next If you would like to select a different folder click Browse c Program Files Garritan 4RlA Playe Browse At least 0 0 MB of free disk space is required The setup lets you select which plug in formats you require These plug in formats allow Gar ritan Jazz amp Big Band in addition to standalone use to run as a virtual instrument plug in that seamlessly integrates into your favorite music software program or sequencer assuming that it accepts such instrument plug ins Please refer to the chapter Using Jazz amp Big Band as an Instrument Plug In for further information e The choices are VST amp RTAS ie Setup Garritan Jazz and Big Band 3 Select Components Which components should be installed Select the components you want to install clear the components you do not want to install Click Next when you are ready to continue E Garritan ARIA Player 3 9 MB Garritan ARIA Player Standalone 1 7 MB Garritan ARIA Player YST plug in C Garritan ARIA Player ATAS plug
71. blems on some platforms so please see the specifications page on the Garritan website if you are considering buying a new sound card to run Garritan Jazz amp Big Band Technical Info A low latency audio interface with ASIO 2 0 Windows or WDM WaveRT or Core Audio Mac drivers is required for Jazz amp Big Band to work as a stand alone program These drivers are normally installed with the audio interface or the most recent versions can be acquired from the manufacturer s website Contact the manufacturer of your interface for more information The drivers should be set to 24 bit buffer size 256 samples optimal or 512 more latency but less CPU load and 44100Hz Sampling Rate User s Guide to Garritan Jazz amp Big Band Version 3 Please note When Garritan Jazz amp Big Band is running as a plug in it uses the audio driver selected by the host s setup If the host typically your sequencer or notation program is set up properly and works well then the Jazz amp Big Band plug in should pass through the same audio and MIDI setup For this in formation please refer to your sequencer s notation program s or hosts manual y q g Similarly any MIDI interface the manufacturer supports for your system should work with Garritan Jazz amp Big Band Regarding Speakers Amplification and Headphones Amplifiers and speakers or headphones are needed to listen to the audio output that Garritan Jazz amp Big Band p
72. board you are instructing the MIDI keyboard to play a note for a period of time as well as how soft or loud that note will sound The MIDI Sequencer will record and play back this data A major advantage to using a sequencer is that all settings are saved together with the song files and are totally retained and recalled upon reload A great thing about plug ins is that they work with a large variety of compatible music programs For example Garritan Jazz amp Big Band can be used as a VST plug in in many VST music programs sequencers supported notation programs and hosts Jazz amp Big Band can also be used as an Audio Units plug in or as an RTAS plug in Here is a chart describing these three major plug in standards User s Guide to Garritan Jazz amp Big Band Version 3 GARR Plug in Standard VST The VST plug in stands for Virtual Studio Technol X X ogy and was developed by Steinberg the makers of Description Windows Mac the Cubase family of audio programs It is also used by Cakewalk Sonar Mackie Tracktion Magix Sam plitude Nuendo FL Studio and other sequencers Audio Units The Audio Units AU plug in standard was devel X Ow oped by Apple Inc for Core Audio under Mac OS Audio Units X Audio Units is the preferred plug in format on for Man OSX Mac OSX and is used by Apple GarageBand amp Log ic and MOTU Digital Performer RTAS plug ins Real Time Audio Suite are designe
73. ck tom Remo Pinstripe heads GM Drum Kits General Midi GM Classic Jazz Drum Kit GM Brush Drum Kit GM Fusion Drum Kit Percussion 01 Drums Bata Bongos Cajones General MIDI layout using Classic Jazz Kit sounds in the first octave and a half General MIDI layout using the Brush Drum Kit General MIDI layout using Fusion Drum Kit sounds in the first octave and a half Bata drums are double headed drums from Cuba A set of two small connected drums typically held between the knees and played with the fingers Cajones are a wooden hollow box like instrument used in Andean Cuban and Flamenco music User s Guide to Garritan Jazz amp Big Band Version 3 Controls Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 GARRITA P gt j li ARIA Instrument name Conga Cuica Djembe Pandeiro Quinto Super Tumba Surdu The Box Timbales Tumba Udu 02 Gourds Cabasa Guira Guiro Maracas THE RHYTHM SECTION INSTRUMENTS Description The most important hand drum in Latin music A tall narrow single
74. controllers Ranges set to 0 by default Tremolo level Tremolo speed Organs The organ is sometimes used as a substitute for or in addition to the piano We have included a va riety of organ sounds that can be used individually or stacked two or more responding to the same MIDI data simultaneously These also have tremolo controls The organs use the same controllers as the electric piano above but differ by using the Mod Wheel instead of velocity to control the volume Vibraphones Vibraphones are available in both hard and soft mallet choices Both use the following controllers Guitars and Banjo There are both acoustic and electric guitars The acoustic guitar is a 10 string model that is re corded in stereo The electric guitar and banjo are recorded monaurally Both guitars and the banjo have been programmed with the future implementation of scripting in mind to create realistic strumming and other techniques Controllers for guitars and banjo are as follows User s Guide to Garritan Jazz amp Big Band Version 3 Sustain Pedal CC 64 Standard Sustain lias Finger noise intensity standard plucks guitars only harmonics guitars only Special mapping C7 D 8 slides taps slaps Tip The guitars especially the electric guitar can be used with amp tube distortion and other audio plugins to greatly modify the basic sound of the instrument These plugins are often included with se quencing
75. d vibraphone only Brightness Kick drum level Length Snare Drum Level Variability 1 VAR 1 Tremolo Level vibraphone and vintage E Piano Variability 2 VAR 2 Tremolo Speed vibraphone and vintage E Piano High Frequency EQ vibraphone Tom Tom level Hi hat level Filter level Mid EQ Cymbal level USE Turned off by default Switches to a layer that does not respond to pitchbend Allows the user to apply pitchbend to selected overlapping notes only Adds portamento to notes depending on interval and con troller data added Continually adjustable attack speed controller Adjustable from hard to bowed attacks Defaults to hard attacks High frequency control Volume Controls the length release time of the sample Volume Sets random variations in tun ing from note to note Variable tremolo intensity Sets random variations in instru ment timbre from note to note Variable tremolo speed Controls brightness Volume Volume Intensity of EQ Intensity of mid EQ Volume User s Guide to Garritan Jazz amp Big Band Version 3 INSTRUMENTS AFFECTED All expressive sustaining instruments All Expressive sustained instru ments Used during legato slurred passages which require portamento Adjustable attack speed controller on the vibraphone KS patch Piano Drum kits Controls the length release time of most instruments in JABB Dru
76. d X X to work in the Digidesign Pro Tools environment Pro Tools hardware and software are used extensively in the pro audio and post production communities Basic Setup Information for Using Garritan Jazz amp Big Band as a Plug In Instrument To use Garritan Jazz amp Big Band as a plug in instrument you simply launch your host music appli cation or sequencer first and then launch Garritan Jazz amp Big Band from within it Make sure that your sequencing host program is properly installed and configured and that it is producing sound properly Used as a plug in Jazz amp Big Band s audio and MIDI data are managed by the host music software application Using Garritan Jazz amp Big Band in a Specific Music Program or Sequencer Garritan Jazz amp Big Band works as a plug in instrument within many popular music software pro grams Each music software application has its own approach to handling plug in instruments They each have a different method of installation as well as differing means of loading and accessing plug a l b s 5 ins It is important to make sure that you refer to the instructions in your music software application s manual regarding the loading and operation of plug in instruments User s Guide to Garritan Jazz amp Big Band Version 3 Typically when using VSTs the dll files dynamic link libraries associated with software instruments will all be kept in one VST
77. d by KS next to their name All patches initially load using the first keyswitch as the default no mute open and any keyswitch remains active until another keyswitch message is received Here is an example of a typical Keyswitch layout for a trumpet KS instrument Harmon Mute KEYSWITCHES G Bucket mute Example If you press the F ke F Harmon mute the at cbc will bi OF Es Cup mute to Harmon mute D Straight mute C Open no mute Harmon mute key switch In the ARIA player the keyswitches are displayed below the instrument s range using the color pink The selected keyswitch is displayed in yellow and the represented patch is identified in the window to the left of the keyswitches User s Guide to Garritan Jazz amp Big Band Version 3 Although it may be tempting to use your mouse to trigger one of the displayed Keyswitches in the ARIA player it is seldom recommended The player s graphic representations of keys wheels and knobs are primarily there for convenient testing Be advised that if you use the mouse to trigger a key switch you want to record to a sequencer track or notation staff the mouse action will not be recorded When recording a track or entering notation use your external MIDI keyboard to record the key switch note or manually enter the key switch note into your tracks Keyswitch Tips e Always put the keyswitching note for the particular instrument before
78. ded this be set close to 100 e QUALITY This knob allows you to trade off reverb quality for CPU usage High quality equates to high CPU usage You can make fun effects if you set it very low try it If there is too much CPU demand on your machine try turning down the quality e VARIATION This control creates a new variant of the same room e LEVEL This controls the amount of the processed reverberant sound Tip Try using different Ambience levels for different instrument groups assigning one level to the saxo phones and a different level for the trumpets and trombones Often instruments toward the back of the stage may need more reverberation than instruments towards the front of the stage Use the effects Send in the Mixer window to control the levels Be judicious and try to avoid drowning the band in too much reverb or muddying the sound with delay trails Remember in some smaller spaces such as a jazz club instruments can be fairly intimate Ambient effects should blend as part of the sound without being per ceived as something that was added Careful and proper use of panning and equalization will also help to keep the various sections from interfering with one another The effort to make your virtual performance spaces sound just right will prove invaluable User s Guide to Garritan Jazz amp Big Band Version 3 GARRITAN Note It is important to bypass the on board reverb of the ARIA Player whe
79. e Trombone 2 KS Lite Trombone 3 KS Lite Trombone 4 KS Lite Trombone 5 KS Lite Bass Trombone KS Lite Trumpet 1 KS Comb Trumpet 2 KS Comb Trumpet 3 KS Comb Trumpet 4 KS Comb Trumpet 5 KS Comb Trumpet 1 KS Lite Trumpet 2 KS Lite Trumpet 3 KS Lite Trumpet 4 KS Lite Trumpet 5 KS Lite User s Guide to Garritan Jazz amp Big Band Version 3 Ensembles Files continued ENSEMBLES 17 Trumpet and Trombone Sections 18 Trumpet and Trombone Sections Lite 19 Vibraphone Quartet 20 Vibraphone Quartet Lite 21 Accordion Trio 22 Accordion Trio Lite 23 Rhythm amp Blues Band 24 Rhythm amp Blues Band Lite 25 Funk Rhythm Section 26 Funk Rhythm Section Lite 27 Big Band 1 28 Big Band 1 Lite 29 Big Band 2 30 Big Band 2 Lite 31 Big Band 3 32 Big Band 3 Lite 33 Big Band 4 34 Big Band 4 Lite Trumpet 1 KS Comb Trumpet 2 KS Comb Trumpet 3 KS Comb Trumpet 4 KS Comb Trumpet 5 KS Comb Trombone 1 KS Trombone 2 KS Trombone 3 KS Trombone 4 KS Trombone 5 KS Bass Trombone KS Trumpet 1 KS Lite Trumpet 2 KS Lite Trumpet 3 KS Lite Trumpet 4 KS Lite Trumpet 5 KS Lite Trom bone 1 KS Lite Trombone 2 KS Lite Trombone 3 KS Lite Trombone 4 KS Lite Trombone 5 KS Lite Bass Trombone KS Lite Vibraphone KS Electric Guitar Mellow KS Upright Bass 1 KS GM Classic Jazz Drum Kit Vibraphone KS Lite Electric Guitar Mellow KS Lite Upright Bass 1 KS Lite GM Classic Jazz Drum Kit Lite Accord
80. e Cup mute Trumpet 1 played with the Harmon mute Trumpet 1 played with the Bucket mute Keyswitched combination of open and all mutes e C2 Trumpet 1 Open no mute e D2 Straight Mute e E2 Cup Mute e F2 Harmon Mute e G2 Bucket Mute Trumpet in Bb with range extension to the double high D concert C made by Calicchio Controls MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk User s Guide to Garritan Jazz amp Big Band Version 3 ARIA Instrument name Trumpet 2 Straight Mute Trumpet 2 Cup Mute Trumpet 2 Harmon Mute Trumpet 2 Bucket Mute Trumpet 2 KS Trumpet 3 Trumpet 3 Open no mute Trumpet 3 Straight Mute Trumpet 3 Cup Mute Trumpet 3 Harmon Mute THE BRASS INSTRUMENTS Description Trumpet 2 play
81. e Garritan Registration Site Log on to www garritan biz and enter the same username and password that you used when you made your purchase especially Download customers r ae GARRITA DD F SOFTWARE REGISTRATION donnie Support Geriten Hone Drast D ern E Don Memm Op FroOLULCL he L ow GARRITAN Log in Creste scoount Reminders Fonotten your passwerd No problem just check the password reset page e Creating an Account If you have purchased a boxed product or have not created an account previously you need to create an account You will need to choose a user name and password and enter your email address z SENM T GARRITAN SHOP NA SOFTWARE REGISTRATION oy Support Gamtan Home GARRITAN Password Password again to catch typos You will then have an opportunity to enter your Profile Details Once you do this you can amend your details at any time User s Guide to Garritan Jazz amp Big Band Version 3 S GARRITAN Privacy Policy All personal information will be kept strictly confidential Your information will not be shared with or divulged to any third parties Product Registration Enter Your Serial Number You will be asked to enter your serial number in order to register your product GARRITAN lt r SHOP SOFTWARE REGISTRATLON Product Registraton GA RRITAM Easy activation steps fin ss marri Ear Easy Activation dai fl
82. e loudest music that Basie or Ellington ever played It is helpful to remember that all instruments have the effect of sounding low at the bottom of their ranges and high at the top of their ranges so that middle C on the flute sounds deep and low while the same note on the baritone saxophone or trombone sounds quite high It sounds very high on the bass This is only a quick overview of what s available to the user of this sample library There are many fine arranging and orchestration books available where one can find information about the traditions of writing for jazz instruments range charts for these and other instruments and examples of classic scores A good source of arranging knowledge is the collection of Ellington scores published by Jazz Lincoln Center Chuck Israels Bellingham WA User s Guide to Garritan Jazz amp Big Band Version 3 Jazz Arranging Techniques by Gary Lindsay The road from orchestrator to jazz arranger may be navigated more easily if you have the right tools The most fundamental tool jazz concept is developed through listening to jazz arrangers and com posers and defining the roles of members of a jazz ensemble The roles of horn players a generic term referring to trumpet trombone and saxophone players in a jazz arrangement fall within three catego ries melody or improvised lines counter melody and accompanying rhythmic or sustain pads The jazz band rhythm secti
83. e musical results as you play This chapter introduces you to the performance controllers that offer you a wide range of possibilities for musical expression Basic Controls Wind Instruments Faris i Garritan Instruments 3 Note Velocity Controls attacks and Key Switching accentuation ae Change articulations in Sustain Pedal Modulation Wheel real time For smooth playing Controls volume and expression The Real time Control System for Brass Saxes amp Other Wind Instruments With a MIDI keyboard it is possible to start making music within minutes of installing JABB The four basic controls are shown above Play the keyboard with your right hand The sharpness of an instrument s attack is controlled by how hard you strike the key With your left hand use the modu lation wheel to control dynamics and special keyswitch notes that will alter the playing style of the samples like turning brass mutes on and off The sustain pedal connects the notes allowing you to make slurs and legato transitions User s Guide to Garritan Jazz amp Big Band Version 3 In addition to these four basic controls JABB features other controls for greater control over your instruments all of which are user adjustable Automatic Variability imparts subtle changes in tuning and timbre Portamento controls let you continuously glide between notes like string or trombone players With this controller based approach you play your ar
84. ed with the Straight mute Trumpet 2 played with the Cup mute Trumpet 2 played with the Harmon mute Trumpet 2 played with the Bucket mute Keyswitched combination of open and all mutes C2 Irumpet 2 Open no mute D2 Straight Mute E2 Cup Mute F2 Harmon Mute G2 Bucket Mute Trumpet in Bb with range extension to the double high D concert C made by Bach Trumpet 3 played with the Straight mute Trumpet 3 played with the Cup mute Trumpet 3 played with the Harmon mute User s Guide to Garritan Jazz amp Big Band Version 3 Controls MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl
85. empty empty DIFFUSION SIZE PREDELAY EFFECTS 3 E 3 i k WIDTH QUALITY VARIATION LEVEL AANA hath User s Guide to Garritan Jazz amp Big Band Version 3 GARRITAN Much the same way as the acoustical space adds a great deal to the music reverb can impart that certain three dimensional ambient sound to an instrument or group of instruments Reverb can also help to smooth out the sounds of the instruments and cause them to blend together in the mix by giving them a sense of space and effectively smoothing the sonic edges Jazz amp Big Band integrates the Ambience Reverb a great sounding reverb that rivals the quality of the best commercial reverbs Just as Jazz amp Big Band is a virtual instrument designed to simulate musical instruments Ambience allows you to simulate the reverberation of a concert hall and many other spaces You can create virtual concert halls ballrooms recital halls parlors auditoriums cathedrals and other spaces Ambience is turned on by default and to deactivate it you must click the PRESET ON OFF button It is often not desirable to use Ambience reverb if you are es Ballroom 1 Ballroom 2 Cathedral Concert Hall 1 Concert Hall 2 Jazz Club 1 Ambience has a number of performance space presets to choose from These Jazz Club 2 Parlor presets have been custom made for Garritan Jazz amp Big Band You can also ld ake Recital Hall 1 Recital Hall 2 sending the output
86. ends on a repeated series of chords to set a controlling background texture against which a varied foreground can be successfully designed That foreground may consist of an improvisation played by an indi vidual instrumentalist a singer or a combination of instruments in a written passage The rhythm section instruments have a wonderful effect on the music but it s also useful to leave them out in some passages for contrast and for the dramatic propulsive effect of their re entry The history of the organization of these instrumental sounds into efficacious combinations is full of change and development from early New Orleans style polyphonic ensembles to the modern wind ensemble sounds of Gil Evans music There is a world of idiomatic history just in the study of rhythm section combinations and balances and another encyclopedias worth of tradition in the way Fletcher Henderson Count Basie Duke Ellington and Billy Strayhorn organized the reed and brass sections The history of jazz instruments is full of unique and personal ways of making individual instrumental sounds and equally unique and creative ways of combining them There is a rich palette of sounds User s Guide to Garritan Jazz amp Big Band Version 3 available to those jazz composers arrangers lucky enough to have access to good musicians to perform their work For those for whom this access is unavailable there are sample sounds to use as audio sketc
87. ent name KEYSWITCH KS COMBINATIONS Alto Sax 1 KS Comb Alto Sax 2 KS Comb Bari Sax 1 KS Comb Bari Sax 2 KS Comb Tenor Sax 1 KS Comb Tenor Sax 2 KS Comb Tenor Sax 3 KS Comb Description Eb Alto saxophone made by Buffet e C2 Alto Sax 1 e D2 Flute e E2 Clarinet e F2 Soprano Sax Eb Alto saxophone made by Selmer Balanced Action e C2 Alto Sax 2 e D2 Flute e E2 Clarinet e F2 Soprano Sax Baritone saxophone made by Bundy e C2 Bari Sax 1 e D2 Alto Flute e E2 Bass Clarinet Baritone saxophone different microphones than Bari Sax 1 e C2 Bari Sax 2 e 2 Alto Flute e 2 Bass Clarinet Bb Tenor saxophone made by Selmer Mark VI e C2 Tenor Sax 1 e D2 Flute e E2 Clarinet e F2 Soprano Sax Bb Tenor saxophone made by Selmer e C2 Tenor Sax 2 e D2 Flute e E2 Clarinet e F2 Soprano Sax Bb Tenor saxophone made by Yamaha e C2 Tenor Sax 3 e D2 Flute e E2 Clarinet e F2 Soprano Sax User s Guide to Garritan Jazz amp Big Band Version 3 KEYSWITCH KS COMBINATION INSTRUMENTS Controls MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl
88. ents gt empty empty empty tandard gt 01 Saxes and Woodwinds Clarinets Notation gt 02 Trumpets 03 Trombones 04 Tuba 05 Guitars 06 Keyboards and Vibes AN AN PA AN 07 Basses ma ma Mma mM 08 Drums and Percussion 09 Lite j Flutes Sax Doubles KS Saxophones Alto Sax 1 Harmonica Alto Sax 2 Alto Sax 3 Bari Sax 1 Bari Sax 2 Bass Sax 1 Bass Sax 2 C Melody Sax 1 C Melody Sax 2 Contrabass Sax Mezzo Soprano Sax Sopranino wan Se Eo Soprano Sax 1 Soprano Sax 2 SubContrabass Sax Tenor Sax 1 Tenor Sax 2 Tenor Sax 3 Tenor Sax 4 KEYSWITCHES Choosing Empty will remove an assigned instrument from a channel Choosing Import will al low you to load an sfz file a patch to use as an instrument sound Choosing Reload will restore the default parameter settings for that instrument There are two left right arrow keys at the right of each Alto Flute Pre instrument slot You can use those arrows as a quick way BQ to load preceding or following instruments empty User s Guide to Garritan Jazz amp Big Band Version 3 3 MIDI Channel Assignment Click the number to the right 01 Big Band Rhythm Section of the Instrument field to select the channel for the instrument empty you have loaded If an instrument is assigned to that channel empty you should see its pitch range represented on the virtual key empty board at the bottom of the window empty 4 Tune The
89. es Sounds of JABB C Doc ktop Gamtan_Jazz_and_Big_Band_3_Betal SamplesD ata Basses 51GLID S data Cancel e You will see a final screen indicating that the installation is complete ist Setup Garritan Jazz and Big Band 3 Completing the Garritan Jazz and Big Band 3 Setup Wizard Setup has finished installing Garritan Jazz and Big Band 3 on pour computer The application may be launched by selecting the installed icons Click Finish to exit Setup Garritan Jazz amp Big Band should now be installed You can verify this by launching Jazz amp Big Band Once installation is complete and verified you will need to activate your current copy of Garritan Jazz amp Big Band This procedure is described in the next chapter When you are finished with the installation remove the disc s from your drive and store them in a safe place if you have the DVD version If you purchased the Download version be sure to make User s Guide to Garritan Jazz amp Big Band Version 3 a backup copy of the original file you downloaded If anything happens to your computer you can reinstall Garritan Jazz amp Big Band from the discs or the backup file IMPORTANT Please do not cancel setup after installation begins otherwise a partial broken installation may result User s Guide to Garritan Jazz amp Big Band Version 3 ACTIVATION GARRITAN Activating Garritan Jazz amp Big Band After Garritan
90. es for creative expression in a variety of styles Although there is no set form of jazz there are many subcategories within the various styles Below are some of the most common styles of jazz and some of artists who helped develop them This is not a comprehen sive list it just scratches the surface e Dixieland Louis Armstrong Original Dixieland Jazz Band Jelly Roll Morton Earl Hines Sidney Bechet Johnny Dodds Bix Beiderbecke Kid Ory e Big Band Swing Count Basie Nat King Cole Benny Goodman Billie Holiday Duke Ellington e Bebop Charlie Parker Dizzy Gillespie Thelonious Monk e Cool jazz Miles Davis Dave Brubeck e Free jazz Ornette Coleman Cecil Taylor John Coltrane Ascension album e Jazz Rock Fusion jazz Miles Davis John McLaughlin Herbie Hancock e Modern Jazz contemporary and avant jazz Wynton Marsalis Pat Metheny Joe Lovano Joshua Redman and Don Byron e Latin Jazz Afro Cuban and Brazilian Jesus Alemany Mario Bauza Eddie Palmieri The World of Sampling and Virtual Instruments Garritan Jazz amp Big Band is a complete collection of actual high quality recordings or samples of nearly every note of each musical instrument commonly used in a jazz and big band context When Garritan Jazz amp Big Band is loaded and you play a note on your keyboard what you hear sounds remarkably like the real thing because it is an actual recording of an instrument Developed in the early eighties sampling
91. ethod to use and can give good results when used as designed It has some limitations though These limitations are related to the way it handles polyphony which is especially important in the Lite instruments Its detection of overlapping notes where it automati cally stops the first of the overlapping notes in favor of the second means that it functions in what is commonly known as mono mode This gives automatic transition control and the ability to do easy trills but it can only play one note at a time It works well with any single line parts All Standard instruments are by default in mono mode and can only play one note at a time under any circumstances just like a real instrument using standard performance techniques So with these instruments it becomes a choice of convenience and one based on the relative smoothness of the note transitions when comparing the two methods The CC 64 method of manual legato is more flex ible and usually provides a bit smoother transitions but requires more work on the part of the user With the manual approach it is up to the user to place the CC 64 switch data in the MIDI tracks as needed In the Lite instruments which are polyphonic the sustain pedal method requires the user to pre cisely determine note overlaps since the amount of note overlap won t be automatically determined the way it is with Auto Legato This gives the user greater flexibility in adjusting the sound
92. eyswitching Changing Articulations and Techniques In Real Time 81 De AGING EDE e esa ete ae eo ee 82 Advanged Specie Instrument Ont Si caren aansorconenamyemmataioinnianiemnanatneieen ate eames 86 PPE CHAS Controls for Brass Instruc Sesuunan i EE 86 Additional Features in Just the Trumpets 87 Specie Controls for the Riythii SCL sieniniai iiei iiaa 88 Notation Version of Jazz amp Big Band 96 Putting It All Together for a Real Time Performance 96 Building Ensembles from Individual Instruments oF Directory of Instruments in Garritan Jazz amp Big Band 98 Ensemble Files cag caer tet etter ne seers ee ees senate et ee eee 99 Loading Ensemble Files 100 List of Instruments in Garritan Jazz amp Big Band 101 The Garritan COMMunN tY peters ane dcp tytn adeeb ctepectencedc dates eamear tte nettencs 126 1a 0101 248 os cl ena eee a en en eer ere 127 Acknowledgements 128 Appendix A Quick Midi Controller Reference Guide 130 Appendix B Drum Maps 133 Appendix C Percussion MAPS 135 Exploring Jazz PAIN yas caates casts ncn ceo pitiless shun esiestann tained loy Downloadable Sounds and Other Garritan Libraries 138 User s Guide to Garritan Jazz amp Big Band Version 3 Welcome to Garritan Jazz amp Big Band Nothing quite captures the experience of listening to jazz There is something unique and alive about the interaction of the players the spontaneous improvisation and the varied styles
93. fault Most instruments in JABB have suggested start positions for panning Alternate controller for volume timbre of Expressive instru ments Turned off by default Can be used to add breathiness to the sound of an instrument Strength of fundamental in tone Can be used to add mechani cal noises synchronized to note changes Turned off by default Uses value splits to switch between falloffs doits and kisses At closed setting by default Used along with Aftertouch vibrato intensity to control the application of vibrato Roughens tone quality INSTRUMENTS AFFECTED All Expressive sustained instru ments Does not affect most percussion instruments All Expressive sustained instru ments Does not affect most percussion instruments All if chosen All if chosen All Expressive sustained instru ments Does not affect most percussive instruments Air flow noise is included with all woodwind and brass instruments Also bellows noise in accordion All basses Supplies key click noises in the woodwinds valve noises in the trumpets tuba and finger noise in basses All trumpets Two trumpets and two trombones Woodwinds brass bass and guitar Wind instruments User s Guide to Garritan Jazz amp Big Band Version 3 CC 13 20 21 Z2 23 24 20 26 DESCRIPTION Pitchbend disable Portamento Attack Spee
94. hat Half Open Hi hat 45 A Low Tom Mid Tom Mid Tom 46 A Open Hi Hat Open Hi hat Open Hi hat 47 B Low mid Tom Hi Hat Crash 48 amp High mid Tom High Tom High Tom 49 C Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 50 D High Tom Ride Cymbal 1 Ride Cymbal 1 51 D Ride Cymbal 1 Ride Cymbal 2 Ride Cymbal 2 52 E Chinese Cymbal Crash Cymbal 2 Sizzle Cymbal 53 F Ride Bell Ride Bell 1 Garbage Can Lid wire brush 54 F Tambourine Ride Bell 2 Garbage Can Lid brush handle 55 G Splash Cymbal Ride Cymbal 3 Garbage Can Lid blastick 56 G Cowbell Crash Cymbal 3 a7 A Crash Cymbal 2 Sizzle Cymbal 1 58 A Vibraslap Stagg Crash Cymbal 4 User s Guide to Garritan Jazz amp Big Band Version 3 DRUM MAPS MIDI Note Note Name 39 B 60 C 61 C 62 D 63 D 64 65 F 66 F 67 G 68 G 69 A 70 A 74 B 72 C T9 C 74 D E D 76 77 F 78 F 79 G 80 G 81 A General MIDI Drum Kits Ride Cymbal 2 High Bongo Low Bongo Mute High Bongo Open High Bongo Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short Whistle Long Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Classic Jazz Brush Drum Kit Fusion Drum Kits Cracked Ride Cymbal 3 China Cymbal Splash Cymbal Ride Cymbal 4 Crash Cymbal 5 Sizzle Cymbal 2 wood tip Sizzle Cymbal 2 nylon tip Sizzle Cymbal 2 mallet Sizzle Cymbal 2 finger Sizzle Cymbal 2 wood tip BS
95. he png file contains your sensitive encrypted personal information Carefully protect this file DO NOT GIVE THIS FILE TO ANYONE OR DISTRIBUTE IT IN ANY WAY OR YOUR PER SONAL INFORMATION WILL BE COMPROMISED IF THE FILE BECOMES PUBLIC THE CARD NUMBER WILL BE BLACKLISTED AND THE CARD REVOKED WE ARE NOT RESPONSIBLE IF YOU GIVE YOUR PERSONAL DETAILS TO A THIRD PARTY IF THE CARD IS STOLEN CONTACT US IMMEDIATELY Without a valid card you will also not be able to obtain critical updates to the program Important Note You are allowed a maximum of four 4 installations If you have special circumstances or require ad ditional licensing please contact us Updating to Latest Version Be sure to check the Garritan website for any possible updates that have occurred since the time your software was manufactured Software is frequently updated and a more recent version may be available After the library has been installed it needs to be activated You are given a 30 day grace period for each library before activation is required but it is recommended that you activate as soon as possible User s Guide to Garritan Jazz amp Big Band Version 3 SLOVA KOR ER GARRITAN JAZZ amp BIG BAND How to Use Garritan Jazz amp Big Band Once installed and authorized it s time to get started with the Garritan Jazz amp Big Band There are three ways to use the Garritan Jazz amp Big Band you can play it live as
96. he right hand After a few practice runs try riding the Mod Wheel for expression too Then add the sustain pedal for legato phrasing Soon you ll develop coordination and by combining the different controls in real time youll have an unlimited amount of expressive capabilities Once you get the hang of it you can play almost anything that comes to your musical imagination Create ensembles of your choosing with individual instruments By using the real time performance controls to play each instrument expres sively the final result can be extraordinary User s Guide to Garritan Jazz amp Big Band Version 3 Building Ensembles from Individual Instruments With Garritan Jazz amp Big Band you can build instrumental sections one instrument at a time ex actly the way you want This is a unique and intuitive approach to jazz arrangement using samples When you create a section from separate instruments performed individually with variations in timing and expression you can achieve a very realistic performance You can assign instruments of a section to different MIDI channels so that you can have individual parts for each player Or you can assign multiple instruments all to a single MIDI channel to create automatic ensemble unisons When you start building sections from separate instruments with all the instruments playing indi vidually it will sound incredibly realistic To learn more see the Ensemble Building tutorials on the
97. he vibrato intensity of a NonVib instrument This controller data can also be drawn into MIDI tracks manually e Vibrato Speed Controller CC 17 This controller when used in conjunction with After touch will vary the vibrato speed CC 17 can be assigned to an available slider or knob on a hardware keyboard to give real time control This controller data can also be drawn into MIDI tracks manually It is important to be aware that the vibrato features do not apply to any instruments with naturally recorded vibrato in the samples such as stringed instruments Instruments that have vibrato control will display a knob labeled VibSpd CC 17 in the Instrument Controls on the Controls tab of the interface Note M Audio and some other keyboards often use CC 131 as a substitute for Aftertouch when the key board model doesn t have Aftertouch sensitivity built in A programmable slider on the keyboard can be assigned to CC 131 and the keyboard will output Aftertouch data a Air Flow Noise CC 12 MIDI controller CC 12 controls the sound of the air column moving through the instrument This can be used for many things from creating a breathy sound adding a little subtle grit to the tone This sound is tied to the amplitude portion of the Vi brato control so that the air flow will pulsate in synchronization with the speed of the Vibrato The default setting is off Key Click Valve Noise CC 13 MIDI c
98. hes to check basic timbres and balances as they experiment and create new music The Gar ritan Jazz amp Big Band library is intended to serve this purpose Getting started using the sounds in the Garritan Jazz amp Big Band will be intuitive enough for jazz arrangers who have had experience with live musicians For those whose experience is more limited here is some basic Jazz arranging information All the saxophones have the same written range from B flat below middle C to E 2 1 2 octaves above This transposing trick allows a saxophone player to switch instruments without the necessity of learning new fingering and it makes an understanding of the range and registers clear simply by observing the position of the notes on the staff system It is helpful to understand that the saxophone was invented for volume and it is not an easy instrument to play softly The lowest two or three notes on the soprano alto and tenor tend towards a rough and honking quality that is not easy to control while the baritone is a little easier in this respect The high range of the baritone somewhat underused in the standard repertoire can have a stentorian singing quality that makes an effective solo voice and incidentally blends well with the French Horn When combining saxophones in unison with brass instruments the most effective combinations occur when the timbres are recognizably different Combining a baritone Sax with a Trombone is more interes
99. his will install ARIA Engine 1 0 7 6 on your computer It is recommended that you close all other applications before continuing Click Next to continue or Cancel to exit Setup Follow the prompts in the ARIA Engine Setup Wizard the Next button for the Information dialog License and Installation After completion you will see a screen Completing the ARIA Engine Setup Wizard Click Finish to exit the ARIA Engine Setup and continue installation Note If you have Garritan Personal Orchestra 4 ARIA is already installed and this step will automatically update ARIA if it is a later version 3 The ARIA Player Installer e After completing the ARIA Engine Installer you will be automatically prompted to install the ARIA Player User s Guide to Garritan Jazz amp Big Band Version 3 ie Setup Garritan ARIA Player Welcome to the Garritan ARIA Player Setup Wizard This will install Garritan ARIA Player v1 0 on your computer It is recommended that you close all other applications before continuing Click Next to continue or Cancel to exit Setup Follow the prompts and select where you want the program plug in component e g Aria Play er VST shortcuts and icons installed Setup will then be ready to begin installing the Garritan ARIA Player Click Install After completion you will see a screen Completing the ARIA Player Setup Wizard Click Finish to exit the ARIA Player Setup a
100. ide to Garritan Jazz amp Big Band Version 3 Acknowledgements Producing Garritan Jazz amp Big Band would not have been possible without the combined help talent and support of many extraordinary people I am grateful to those who have contributed and would like to thank them all This Jazz and Big Band library has been the vision of Tom Hopkins Tom has played in jazz bands for over 35 years and this library has been one of his personal goals Tom played brass for this library recorded many of the instrumentalists and programmed all of the instruments Tom has transformed these samples into playable expressive instruments I am extremely grateful for the musicians who have played for this collection Thanks for enduring the relentless scales sore fingers numb lips and meticulous playing to produce these samples Thanks to the players Chuck Israels upright bass Rich Cooper trumpet Jim Coile saxes and flutes David Link saxophones Jay Easton saxophones Tracy Knoop clarinet Curt Berg trombone John Leys bass trombone Tom Hopkins trumpet flugelhorn trombone Ted Enderle upright and electric basses Denny Gore electric piano Alan Hashimoto drums Tom Bergersen percus sion Karl Olson vibes Bruce Hamilton additional percussion Karl Garrett acoustic guitar Ged Brockie electric guitar John Bonica accordion and the other musicians who played in this collection The custom made ARIA sa
101. in Garritan Jazz And Big Band 3 Current selection requires at least 12 1 MB of disk space User s Guide to Garritan Jazz amp Big Band Version 3 Setup is now ready to begin installing Garritan Jazz amp Big Band Click on Install to begin the installation process Installing library files is very resource intensive and it may take some time to install all the samples ie Setup Garritan Jazz and Big Band 3 Ready to Install Setup is now ready to begin installing Garritan Jazz and Big Band 3 on your computer Click Install to continue with the installation or click Back if you want to review or change any settings D estination location C Program Files Garritan Al Player Selected components Garritan ARIA Player Garritan ARIA Player Standalone Garritan ARIA Player YST plug in Garritan Jazz And Big Band 3 After a few moments a dialog box will notify you that the setup wizard has finished installing the Garritan Jazz amp Big Band Main Installer on your computer 5 Setup Garritan Jazz and Big Band 3 Installing Please wait while Setup installs Garritan Jazz and Big Band 3 on your computer Finishing installation User s Guide to Garritan Jazz amp Big Band Version 3 2 The ARIA Engine Installer e You will be automatically prompted to install the ARIA Engine Component ie Setup Garritan ARIA Player Welcome to the ARIA Engine Setup Wizard T
102. in even smoothly connected notes that follow the beat of the music Playing large leaps with too much separation is often avoided Bass players will either play written parts or construct bass lines from chord symbols ther play writt t truct bass lines fi hord symbol Drum Kit A drummer in a jazz band establishes and maintains the beat and tempo of the music A drummer also establishes the form of the music A B A or A A B A etc and provides the cues for the other players to follow The hi hat and ride cymbals are very important to the drummer in jazz with the hi hat often foot closed on beats 2 and 4 and the ride cymbal establishing a swing pattern User s Guide to Garritan Jazz amp Big Band Version 3 PLAYING GARRITAN JAZZ amp BIG BAND INSTRUMENTS Playing Garritan Jazz amp Big Band Instruments Garritan provides stellar tools to transform high quality instrument sounds into stunningly realistic performances The ARIA Player offers an easy intuitive and standardized control system to enable you to play and shape the instrumental sounds either in real time or through a sequencer or notation program The controls for one family of instruments generally carry over to other sections so that you feel at home with the entire soundset The system is streamlined so that you can make great music quickly With only a little practice you can perform several tasks simultaneously as a real musician does so you can hear th
103. instruments in the Blocks Bells and Misc categories can be combined into a second MIDI channel See the chart in the appendix for details Percussion instruments are loaded individually to give the user independent control over panning levels and other mixing decisions CYMBAL CHOKE FUNCTION All instruments that contain cymbals use the AO key MIDI note 33 just below the range of the instrument to damp or choke the sound of a sustaining cymbal When the AO key is depressed it abruptly halts any ringing of the cymbal Note Many of the percussion instruments use programming to introduce automatic random variations be tween hits Each hit will sound somewhat different even if the velocity value is the same GENERAL MIDI KITS Classic Jazz Fusion and Brush kits are supplied that follow General MIDI conventions although the Brush Kit departs from the standard so that the special brush stir features can be used The departure affects MIDI note Note C 1 Note C 1 is the brush stir sound The following chart describes the controllers in the Garritan Jazz amp Big Band library User s Guide to Garritan Jazz amp Big Band Version 3 ALL WINDS Primary Controls ExpressiveControls Tweaking Controls Aftertouch Vibrato Bend Key Click Valve semitones Noise Growl i CC 27 Tone quality Breath noises in top 2 octaves adjust sweet spot BRASS D Straight Mute F Harmon Mute Brass Shake
104. ion Acoustic Guitar KS Upright Bass 2 KS Accordion Lite Acoustic Guitar KS Lite Upright Bass 2 KS Lite Trumpet 1 Open Trombone 1 Open Tenor Sax 1 Bari Sax 1 Organ 7 Fretless Bass 2 KS GM Fusion Drum Kit Trumpet 1 Open Lite Trombone 1 Open Lite Tenor Sax 1 Lite Bari Sax 1 Lite Organ 7 Lite Fretless Bass 2 KS Lite GM Fusion Drum Kit Lite Vintage Electric Piano Organ 7 Electric Guitar KS Slap Bass 1 GM Fusion Drum Kit Vintage Electric Piano Lite Organ 7 Lite Electric Guitar KS Lite Slap Bass 1 Lite GM Fusion Drum Kit Lite Alto Sax 1 KS Comb Tenor Sax 1 KS Comb Bari Sax 1 KS Comb Trombone 1 KS Trombone 2 KS Trum pet 1 KS Comb Trumpet 2 KS Comb Trumpet 3 KS Comb Vintage Electric Piano Fretless Bass 1 KS GM Fusion Drum Kit Alto Sax 1 Lite Tenor Sax 1 Lite Bari Sax 1 Lite Trombone 1 KS Lite Trombone 2 KS Lite Trumpet 1 KS Lite Trumpet 2 KS Lite Trumpet 3 KS Lite Vintage Electric Piano Lite Fretless Bass 1 KS Lite GM Fusion Drum Kit Lite Alto Sax 1 Comb Tenor Sax 1 Comb Tenor Sax 2 Comb Bari Sax 1 Comb Trombone 1 KS Trombone 2 KS Bass Trombone KS Trumpet 1 KS Comb Trumpet 2 KS Comb Trumpet 3 KS Comb Vintage Electric Piano Electric Guitar KS Fretless Bass 1 KS GM Fusion Drum Kit Alto Sax 1 Lite Tenor Sax 1 Lite Tenor Sax 2 Lite Bari Sax 1 Lite Trombone 1 KS Lite Trombone 2 KS Lite Bass Trombone KS Lite Trumpet 1 KS Lite Trumpet 2 KS Lite Trumpet 3 KS Lite Vintage Electric Piano Lite
105. ion 3 Effects Window The Effects tab brings up the control settings for Ambience reverb Ambience can be used by adjust ing the send knobs to apply flexible room reverb to the sound of the Jazz amp Big Band Instruments 01 Big Band Rhythm Section G A R R TA N Steinway Jazz Piano empty Electric Guitar KS empty Upright Bass 2 KS gt PF empty GM Classic Jazz Drum Kit empty PRESET Ballroom 1 Yibrata KEYS WITOHES The acoustic environment is integral to the overall sound of music How the instruments blend and project to the listener can be vital to the musical performance itself Ambience is very noticeable in live jazz and big band performances From intimate jazz clubs to dance halls and concert venues the reflection of the original sound source off of walls and surfaces has a dramatic effect on the quality of sound we perceive Reverberation describes the phenomenon that occurs whenever a sound is made in an ambient space Whenever a sound is produced in an enclosed space it radiates in all directions When these radi ated sounds hit a surface such as a wall or the ceiling the sound is either reflected or absorbed The first reflected sounds are usually stronger and become more and more diffuse as the sound bounces around the room Our ears and our brain recognize these signals and let us know about the type and size of space we are in A RMA PRT empty WY empty empty empty T empty empty
106. ith a sequencer choose the Standard version If you use Finale Si belius or other supported notation program select the Notation version Select both if you have both a sequencer and a supported notation program In case of doubt install both Standard and Notation it takes less than 100kb for each The only reason we make it optional is so that people who only need one type can opt to have only that one type show in the instrument selection tree The installer will allow you to select or deselect specific instruments during your installation Most will choose the default and install all the instruments Click Next to continue e You will then be prompted to Select your Samples Directory Select the location into which you wish to install Garritan Jazz amp Big Band The default location is recommended for most e You will be asked to select a Start Menu folder The default is recommended Click Next and you are ready to install the samples e The instrument sound files will then be copied to your hard drive You will see screens flash by with status bars for each of the instruments being loaded User s Guide to Garritan Jazz amp Big Band Version 3 ist Setup Garritan Jazz and Big Band 3 Installing Please wait while Setup installs Garritan Jazz and Big Band 3 on Your computer Extracting files CA Alnstruments 03 Trombones B ass TrombonesBass Tbone Harmon Mute stz COCO Copying fil
107. itions whenever note overlaps are present This feature automatically detects note cone overlaps and applies changes to the attack and decay characteristics of the note transitions There is one control button On Off button This activates disables Auto Legato The button lights when activated This switch can also be controlled using CC 102 This control also provides auto trills This is an extremely convenient way to create trills From a MIDI keyboard just hold the first note of the trill while pressing and lifting the second note of the trill and the two notes will alternate Please note that Auto Legato works monophonically and can cause loss of that instrument s ability to play chords polyphonically Auto Legato is mainly for use as an easier way to achieve legato You may get better results with manual techniques though they take more effort Stereo Stage Controls When Stereo Stage is turned off instruments can be panned from left to right in the usual way This positions instruments left to right by rel on off C103 ative left right volume intensity only When Stereo Stage is turned on it adds calculations that simulate the arrival times from the position of the instrumental sound source to a pair of virtual stereo microphones plus the first reflections from side walls rear walls and ceiling This can create a more three dimen sional image for positioning instruments on the stereo stage both left to
108. kes 9 Keyswitch Identification This section identifies the keyswitches being used Keyswitches are used to change between techniques and articulations without the need to load separate patches The Keyswitches are displayed below the instrument s range using the color pink The selected keyswitch is displayed in yellow and the represented patch is identified in the window to the left of the keyswitches Note In the Notation instruments all keyswitches are located in the very bottom octave below the display range of the virtual keyboard Clicking in the space where the keyswitch name is shown will open a menu of the available keyswitches You can choose a keyswitch from the menu 10 Volume Control Sliders amp Solo Mute Buttons This slider controls the relative volume level of the corresponding channel Above the volume control sliders are the solo and mute but tons 11 Window Selection Mixer Controls Effects Settings These four tabs al low you to select between the Mixer Controls Effects and the Settings windows 12 Load Ensembles Click here to load ensembles User s Guide to Garritan Jazz amp Big Band Version 3 GARRITAS Controls Window Ensembte G A R R ITA NJ 01 Big Band Rhythm Section Steinway Jazz Piano empty Flectric Guitar KS empty m Upright Bass 2 KS empty GM Classic Jazz Drum Kit i empty EQUALIZER INSTRUMENT CONTROLS MIXER as Porta CC20 Length CC21 Var1 CC22 War
109. kit in Jazz amp Big Band is completely different The snare drum stirs are actually playable at any tempo and you will find playing the stirs easy and intuitive not to mention fun This kit contains two snare drums with stirs and hits plus brush hits on toms hi hats and cymbals Snare Drum Brush Stirs Garritan Jazz amp Big Band has a unique ability to play stirs Note C 1 Initiates the continuous brush stir sound midi note 37 Strength of the first brush push T E Level Knobs Volume control of the various parts of the kit kick snare toms hi hat cym bals and percussion when present In Jazz amp Big Band stirs are best played from a keyboard that supports Aftertouch A stir begins as soon as the C 1 note is depressed and held The strength of the initial push of the brush stir is directly related to how hard the key is struck velocity The stir will continue as long as the key is held but one of the most important characteristics of the brush stir is the figure 8 pattern used between hands and the brush direction change that takes place during this pattern In Jazz amp Big Band the direc tion change can be made at any time by briefly pressing harder on the held MIDI note C 1 Press just long enough to simulate the direction change and then quickly reduce the pressure on the key without releasing it With a little practice and some careful listening to real brush work you will be able to simulate brush stirs with
110. l then have the ability to assign the controller within your notation program or sequencer or to an external controller High quality speakers and amplifier or high quality headphones Internet connection for download updates and online registration Mac Intel 2 8 Ghz CPU Pentium 4 or better 2 0 Ghz Core 2 Duo or better recommended 2 GB RAM recommended to play the entire orchestra There is a direct correlation between the number of instruments that can be loaded and the amount of available RAM 3 5 GB of free hard drive space Hard drive speed of at least 7200 RPM preferred Internet connection for download version DVD ROM drive required for boxed version installation Monitor with 1 024x768 resolution or better A sound card compatible with Core Audio A MIDI interface may be required if you are using a MIDI keyboard Some keyboards use USB The Mod Wheel on the keyboard controls volume so make sure to move it up to an audible level If you do not have a Mod Wheel then have the ability to assign the controller within your notation program or sequencer or to an external controller High quality speakers and amplifier or high quality headphones Internet connection for download updates and online registration User s Guide to Garritan Jazz amp Big Band Version 3 The stated requirements represent minimum guidelines for the Standalone Garritan Aria Player If you are using the Garritan Jazz amp Big Band within
111. l horns being played with normal techniques Limiting the polyphony to a single voice makes the creation of convincing solo parts much easier as it eliminates the possibility of accidental note overlaps In fact the tongue slur programming would not work properly without this If you need polyphonic performance from a single instrument choose the instruments in the Lite folder Lite wind instruments are all polyphonic User s Guide to Garritan Jazz amp Big Band Version 3 Advanced Specific Instrument Controls Specific Controls for Brass Instruments Kes Shakes JABB brass instruments have special shakes programming that can be switched on sth ai when needed It does not automatically create shakes but rather supplies a number of con trollers that can be used to effectively adjust various elements of the sound to help simulate slurred motion between natural harmonics The controllers used for this purpose are as follows CC 64 value 49 95 shakes layer on off switch release envelope speed continuous CC 28 attack envelope speed continuous Once the MIDI controller CC 64 switch is set to a value between 49 and 95 the other controllers give you sufficient control over the various aspects of the transitions between notes to create convincing shakes of any interval At the end of a shake the above controllers can be supplemented with CC 15 for release effects switched for falloff doit kiss and CC 29
112. lay notes louder by banging on the keyboard or the result may be a heavily accented note that you did not intend Rhythm instruments including the piano guitar plucked basses and drum kits do use note velocity for volume and volume related timbre changes The Mod Wheel has no effect on these instruments Note Instruments which do not sustain their sounds such as pianos and drums follow the General MIDI convention using note velocity for dynamic and sustain pedal for sustains User s Guide to Garritan Jazz amp Big Band Version 3 3 Sustain Pedal Legato for Sustain Instruments Sustain for Rhythm Instruments Legato Playing Smoothly and Evenly So far we have focused on aspects of performance that are controlled with your fingers but an im portant part of your performance comes from your foot Most keyboards include a sustain pedal Instruments that can play sustained notes winds saxes and brass use the sustain pedal to activate the legato playing techniques Legato literally means connected and directs the performer to play smoother transitions between notes instead of accenting each one Legato is achieved by holding the sustain pedal down for the desired group of notes Whenever you depress the sustain pedal the attack portion of the sample is removed to create much smoother tran sitions between notes Just like note velocity accents notes to make them sound detached the legato feature blends note
113. m kits Most wind and some percussion instruments Useful for repeated note passages to prevent the ma chine gur effect Vibraphone and vintage electric piano To be used with CC 23 Most wind and some percussion instruments Useful for repeated note passages to prevent the ma chine gur effect Vibraphone and vintage electric piano To be used with CC 22 Vibraphones Drum kits Drum kits Many wind instruments Vintage electric piano Drum kits CC PA 28 64 68 After touch Velocity Pitch Bend DESCRIPTION Filter Center Frequency Filtering organ Percussion level High Frequency Control Attack control Tongue slur and sustain standard folders Tongue Slur Notation folder only Vibrato Intensity Controller Brush stir direction change Velocity Pitch Bend USE Chooses the part of the audio spectrum modified by the Tone Control Volume Intensity of high frequencies Special attack control for the brass shake layer Controls tongue slur and stan dard Sustain Controls vibrato intensity Controls the direction change in brush pattern Defines the rhythmic character of the stir Controls note on velocity for all instruments in JABB Allows a note s pitch to be shifted in a controlled manner usually to a maximum of two semitones up or down INSTRUMENTS AFFECTED Many wind instruments Drum kits Many wind in
114. mances You can build your jazz en sembles and big bands one instrument at a time exactly as you wish It lets you create solos duos jazz trios quartets jazz ensembles or a full big band e Intuitive Controls The controls in Garritan Jazz amp Big Band are streamlined and standardized so you can quickly become familiar with the library Advanced functions such as tongue slur fall offs doits growls and shakes are easily accessible for realistic results with minimal effort User s Guide to Garritan Jazz amp Big Band Version 3 Notation Integration to Play from the Score You can create great sounding jazz and big band sounds directly from the score of major notation programs Check your notation program for integrated support for the Garritan Jazz amp Big Band library Universal Format Supports all popular formats Mac and PC as a standalone program or as a plug in VST RTAS and OSX AudioUnits and works with supported notation programs An entire big band can be loaded on a single PC or laptop Suited for Every Musician Professional composers can use this collection for quick big band charts and capturing creative ideas Hobbyists can use it for adding jazz instrumentation to their tracks Beginners or students can use it for scoring projects and studying jazz The instruments in this collection can also be used to supplement Garritan Personal Orchestra User s Guide to Garritan Jazz amp Big Band
115. mental sound became accepted as the default for jazz bass lines supplanting the tuba bass User s Guide to Garritan Jazz amp Big Band Version 3 saxophone and left hand of the piano player as the ideal embodiment of pulse and pitch for propelling the rhythm of this American music Charlie Christian was the first jazz guitarist to find acceptance and acclaim using an electromagnetic pickup and his playing remains a template for the electric guitar in jazz Others have continued to develop this technology so that the accepted sound of the electric guitar now embraces timbres as diverse as Wes Montgomery s and Jim Hall s The development of the standard jazz drum kit with each of the drummer s limbs available to con tribute to the pallet of percussion sounds and rhythmic textures was another factor in the history of the idiom Drummers like Jo Jones Kenny Clarke Max Roach Roy Haynes Buddy Rich Art Blakey Philly Joe Jones and Elvin Jones each left an indelible mark on the way we hear the possi bilities of the drum set establishing a variety of ways of using ride cymbals high hat cymbals snare drums tom toms pedal operated bass drums mallets sticks and wire brushes to create interesting and changing drum parts The inclusion of a rhythm section piano guitar bass and drums continuo part in most jazz en sembles is a part of the tradition that is particularly useful in a kind of music which often dep
116. mple engine for Garritan Jazz amp Big Band was developed by David Viens of Plogue Art et Technologie Inc David Viens and his team took up the task brilliantly and brought forth the super charged and technologically stunning Aria sample engine used for this project Thanks also to Sebastian Beaulieu Eric Patenaude and Pascal Maheux for assisting with the development of the engine And a special thanks to Max Deland for helping manage this project I wish to thank Magnus Jonsson for providing a special edition of Ambience reverb Thanks to Jeannot Welter for endless hours of tedious sample editing and looping Thanks to Jim Bredouw for the use of his Steinway B piano for sampling Many thanks to Chuck Israels for his inspiration and consulting throughout the project And special thanks to Gary Lindsay for his in sightful advice User s Guide to Garritan Jazz amp Big Band Version 3 Thanks to Mark Simon and David Burnett for hosting the Garritan Forums on Northern Sounds to exchange ideas and support one another I would also like to thank Stephen Croes Dean of Music Technology and Kurt Biederwolf Chair of the Music Synthesis Department at Berklee College of Music and Gary Lindsay Director of Studio Jazz Writing at the University of Miami who were very helpful in discussing many of the problems facing music students Such discussions led to the devel opment of this library as a creative solution for classroom work Thanks
117. n volves installing the Jazz amp Big Band instrument samples as well as the advanced ARIA instrument engine A setup program will guide you through the process step by step 3 Steps for Installing Garritan Jazz amp Big Band 3 e Step 1 ARIA Engine Installation e Step 2 ARIA Player Installation e Step 3 JABB Sound Library Installation Mac Setup For Windows Setup see next Section e First make sure your audio and MIDI hardware is set up and working with your computer Close any programs you are running For the Download version of Jazz amp Big Band the Mac Archive Utility will unpack this to your default downloads directory e Double click on MAC_ Garritan_Jazz_and_Big_Band_3 mpkg Accept the defaults on the installer For DVD versions of Jazz amp Big Band take the Installation disc out of its case put it into your DVD drive in the computer and close the drive tray e Double click on the DVD icon then on the installer a00 Install Garritan Jazz and Big Band 3 Welcome to the Garritan Jazz and Big Band 3 Installer Introduction 3 You will be guided through the steps necessary to install this software Vi Continue User s Guide to Garritan Jazz amp Big Band Version 3 e If the setup screen does not automatically appear Use the Apple Finder Mac to open the installation DVD For Download users Double click on MAC_ Garritan_Jazz_and_Big_ Band_3 mpkg then
118. n Jazz amp Big Band At a Glance Thank you for choosing Garritan Jazz amp Big Band The following list presents some of the outstand ing features of the Garritan Jazz and Big Band library e The First Jazz and Big Band Sample Library Garritan Jazz amp Big Band was the very first sample library devoted to Jazz amp Big Band It is unique in the industry Garritan Jazz amp Big Band is used in many jazz curriculums and is the recipient of major industry awards Blechronec Musician EDITORS CHOICE e A Comprehensive Jazz and Big Band collection Garritan Jazz amp Big Band puts at your fin gertips a complete sample library of Jazz and Big Band instruments along with the integrated ARIA sample player It provides all the major instruments you need for your jazz and big band arr angements e A High Quality Jazz Instrument collection The jazz and big band library contains over 60 instruments including sixteen different saxophones brass instruments with various mutes a Steinway piano guitars acoustic and electric basses electric piano organs drum kits and other instruments e No Sampler Required The entire Jazz amp Big Band library is integrated into the ARIA Player and works as a software musical instrument No need to purchase a separate sampler e Ensemble Making Garritan Jazz amp Big Band provides the instruments you need to build your own bands This ensemble making is a key to realistic perfor
119. n the upper left corner of the ARIA interface you will see a JABB drop down menu which will contail all of the Ensemble presets Alternatively you can open the Ensembles older directory to display the numbered collection of ensemble files Using the mouse button click and drag the file you wish to load The instruments and their configurations will load automatically GARRITAN we ee oe load reload Bari Sax 1 KS Comb Trumpet 1 KS Comb Steinway Jazz Piano save Trombone 1 KS Trumpet 2 KS Comb Electric Guflar KS chipsounds 01 Big Band Rhythm Section 02 Big Band Rhythm Section Lite 03 Fusion Quartet Trumpet 4 KS Comb GM Classic Jazz Drum Kit 04 Fusion Quartet Lite 05 Jazz Piano Trio 06 Jazz Piano Trio Lite 07 Jazz Quintet OS Jazz Quintet Lite 09 Jazz Sextet 7 A 10 Jazz Sextet Lte d 11 Sax Section 12 Sax Section Lite ais Mw he Dauis Bed Bw de 13 Trombone Section 14 Trombone Section Lite 15 Trumpet Section 16 Trumpet Section Lite 17 Trumpet and Trombone Sections 18 Trumpet and Trombone Sections Lite 19 Vibraphone Quartet 20 Vibraphone Quartet Lte 21 Accordion Trio 22 Accordion Trio Lite 23 Rhythm Blues Band 24 Rhythm Blues Band Lite 25 Funk Rhythm Section Alto sax 26 Funk Rhythm Section Lite KEYS WITCHES 27 Big Band 1 23 Big Band 1 Lite 29 Big Band 2 30 Big Band 2 Lite 31 Big Band 3 32 Big Band 3 Lite Trumpet 3 KS Comb Upright Bass 2 KS
120. n using Reverb or Convolution in your sequencer or host program Otherwise you will have two simultaneous reverbs and it will sound very muddy Settings Window The Settings tab brings up additional information about the ARIA Player This screen displays the version of the software and its copyright information as well as information about how the ARIA sample engine is performing The information in the two left hand columns indicates the software s current CPU and RAM usage disc efficiency and current MIDI events and settings You may adjust some of the settings in this window by clicking on the box to reveal a drop down menu Ensemble R WHA A MoD 01 Big Band Rhythm Section Steinway Jazz Fiano Electric Guitar KS Upright Bass 2 KS GM Classic Jazz Drum Kit SampleRate 44100 Bsize cur 512 BSizeimax S12 RAM DIRECT 0 81 MB RAM LOOP gt 0 00 MB hd SS gt 10 69 MB RAM STEMA 1 34 ME RAM TOTAL 12 84 MB DYN MAX 256 MB Disk 0 000 Disk Loss re leh Vibrato KEYS WITCHES GARRITAN A empty empty empty empty 32 Kh gt normal thermite Pre Caching fuality International 440 Inst Poly Mote Ons Weed EGE Weed LFO empty empty empty T empty MIXER ARIA Haver 1 0 CONTROLS EFFECTS GET MORE SOUNDS GET HELP i SETTINGS SCALA Pea D1 equal scl Scala center C5 PTE TEE a l F Se i 1 iF bea Les i q yes ace E i a Be Bcf User s
121. nction of expressive volume timbre Be careful to use only one at a time or the data between these controllers will cause interference It is not necessary for the user to take any steps to activate these extra controllers They are always active In typical General MIDI soundsets the Mod Wheel is used to add modulation or vibrato to the sound User s Guide to Garritan Jazz amp Big Band Version 3 2 Note Velocity Attack for Sustain Instruments Volume for Rhythm Instruments 2 Baa P ee Virtually all keyboards made today support a feature called Note Velocity that refers to how fast or hard you strike a given key The harder you press down a key the harder and sharper the attack The gentler you hit the key the softer the attack Applying proper accentuation brings clarity and emphasis to the notes being played It also shapes the rhythm and flow of a piece of music The degree of force you apply to the keys will vary depending on the instrument selected and the musical context With brass and woodwinds accents are made by forceful tonguing to emphasize the attack of certain notes Whenever you feel that a note should be accented do it by striking the key harder It is important to note that this control relates to attack strength and is for the most part indepen dent of volume All wind instruments in Garritan Jazz amp Big Band have volume controlled by the Mod Wheel So don t always try to p
122. nd continue installation 4 The Garritan Jazz amp Big Band Library Installer e After completing the ARIA Player Installer you will be automatically prompted to install the Garritan Jazz amp Big Band Library sound files This installs all the SFZ files banks and the actual instrument sample files ie Setup Garritan Jazz and Big Band 3 Welcome to the Garritan Jazz and Big Band 3 Setup Wizard This will install Garritan Jazz and Big Band 3 0 003 on your computer It is recommended that you close all other applications before continuing Click Next to continue or Cancel to exit Setup User s Guide to Garritan Jazz amp Big Band Version 3 GARRITA Follow the prompts in the Garritan Jazz amp Big Band Setup Wizard the Next button for the License Agreement Next for the desired folder destination location and Next for selection of Standard and or Notation options and the instruments you want to install 5 Setup Garritan Jazz and Big Band 3 Select Components Which components should be installed Select the components you want to install clear the components you do not want to install Click Next when you are ready to continue Full installation w Standard and Notation Standard O Notation Garritan Jazz and Big Band 3 Current selection requires at least 2 6676 MB of disk space Cre e tare Note If you use JABB for live play or w
123. necessarily at the same time there is an almost limitless number of ways to combine elements to create a unique arr angement Jazz Arranging Techniques is a comprehensive guide to the tools and techniques of jazz arranging Adopted by colleges and universities around the world this is the authoritative book for jazz arrang ing providing the theory and arranging techniques that can be used with the sounds of the Garritan User s Guide to Garritan Jazz amp Big Band Version 3 GARRITA Jazz amp Big Band Library This book provides examples of techniques used in small and large ensembles and further explains how to create voicings notate rhythm section parts articulate horn lines adjust the balance and blend etc with a sequential approach In addition to numerous scores illustrations and recordings the book also incorporates exercises and assignments Multiple recordings are provided on the accompanying CD for listening and score analysis Jazz theory and harmony principles of jazz voice leading voicing techniques rules governing music calligraphy chord symbol nomenclature and jazz notation and articulation are presented in a very systematic step driven approach For information about Jazz Arranging Techniques visit www lindsayjazz com Gary Lindsay Miami FL www lindsayjazz com User s Guide to Garritan Jazz amp Big Band Version 3 Kinds of Jazz Jazz provides many musical opportuniti
124. nstalls four components The Garritan Jazz amp Big Band Setup Wizard The ARIA Engine Installer The ARIA Player Installer The JABB Sound Library Installer SS YS The four component installations will be successive and it is recommended that you just select Next for each screen and use the defaults e First make sure your system meets or exceeds the system requirements See the previous section of this manual for the system requirements Also ensure that your audio and MIDI hardware is set up and working with your computer e Close any programs you are running e For the Download version of Jazz amp Big Band after download unzip by double clicking WIN_Garritan_ Jazz_and_Big_Band_3 exe Make sure you fully unzip the entire file Do not run the EXE file through Windows compressed folder or Winzip directly In the downloaded zip file you will see these items op Bp F MAC Garrit SamplasData MEE EE _Jazz_ and Big Band 3 exe Note If unzipping is unsuccessful with the Windows utility you may want to try Winzip or another free unzipping utility User s Guide to Garritan Jazz amp Big Band Version 3 1 The Garritan Jazz amp Big Band Setup Wizard e Run WIN_Garritan_ Jazz_and_Big_Band_3 exe from the location where you extracted the files For DVD versions of Jazz amp Big Band take the Installation disc out of the case place it into your DVD drive in the computer and close the drive
125. nway Model B Grand Piano chromatic with 2 dynamics Fender Rhodes circa 1970s suitcase model with stereo tremolo speakers in the base Yamaha Vibraphone played with custom made hard beaters Yamaha Vibraphone played with Jackson soft beat ers Vibraphone ksyswitched between hard and soft mallets e C2 Hard Mallets e D1 Soft Mallets A vintage drawbar organ A percussive organ A rock organ A rock organ A drawbar organ A percussive organ A stacked vintage drawbar percussive organ most useful for jazz applications Controls Vel vol Bl At Vel vol Sus sus TQ At Vel vol Sus sus Term T At Vel vol Sus sus Trm TO At Vel vol Sus sus Trm TQ At Vel vol Sus sus Trm TQ At MW vol Sus sus Trm TQ At MW vol Sus sus Trm TQ At MW vol Sus sus Irm TQ At MW vol Sus sus Irm TQ At MW vol Sus sus Trm TQ At MW vol Sus sus Trem TQ At MW vol Sus sus Trm TQ User s Guide to Garritan Jazz amp Big Band Version 3 ARIA Instrument name BASS INSTRUMENTS Fretless Bass 1 KS Fretless Bass 2 KS Jazz Fretted Bass 1 KS Jazz Fretted Bass 2 KS Upright Bass 1 KS Upright Bass 2 KS Upright Bass 2 Arco KS Slap Bass 1 Slap Bass 2 THE RHYTHM SECTION INSTRUMENTS Description G amp L L1000 fretless electric bass e CO Plucked e DO Harmonics Fretless electric bass circ
126. o click on a key on the on screen piano key board on the Garritan ARIA Player interface If you can hear the selected instrument try playing a key on your MIDI keyboard If the MIDI and Audio configurations are correct you should hear the corresponding instrument If not check the MIDI connections and wiring and the MIDI output channel of your MIDI keyboard Also check that the MIDI channel for the loaded instrument is specified correctly By clicking the number at the far right of each instrument slot in Aria you may choose any desired MIDI channel or OM for Omni in which case the instrument will respond to any commands sent on any MIDI channels If you are hearing the notes play then the basic configuration is complete and you are ready to use Garritan Jazz amp Big Band File Menu for Loading and Saving Presets in the Standalone Configuration presets for Jazz amp Big Band can be saved and loaded This gives File Tools the user the ability to customize instruments to suit personal preferences and toad save configurations for convenient future use The File menu choices are Save e Load any saved configuration preset files in Aria format can be loaded oe by clicking on this choice and selecting the desired file e Save any configuration can be saved by clicking on this choice typing a name for the custom preset and saving to a desired location e Save as default any settings can be saved as part of the default
127. of the note transitions but demands considerable attention to detail to get the best results Usually a combina tion of carefully chosen note overlaps CC 64 switching and CC 21 release decay data will allow the user to craft the smoothest legato note transitions for Lite instruments User s Guide to Garritan Jazz amp Big Band Version 3 Most users will probably find themselves using a combination of the two types of legato the choice dictated by convenience the requirements of the track and the specific instruments being used in the composition In the case of single line parts the user may wish to begin by using the convenient Auto Legato and only change the approach to CC 64 if Auto Legato is insufficient for the desired results The two techniques have slightly different sounds If polyphonic parts are needed from a single instrument then CC 64 using the Lite instruments is the correct choice 4 Keyswitching Changing Articulations and Techniques In Real Time y Change Articulations In Real Time Keyswitching is a feature that allows you to change articulations quickly while playing With a simple touch of a key located on the keyboard below the playable range of an instrument you can move between different playing styles without having to load multiple patches In Garritan Jazz amp Big Band keyswitching is used primarily to switch between mutes for trumpets and trombones These keyswitch instruments are denote
128. on piano bass guitar and drum set doesnt have a direct parallel in most orchestral music In addition the members of the rhythm section play dramatically differently according to the style of music e swing Latin or funk The role of the piano and or guitar is pre dominantly as accompanist providing a combination of sustained and rhythmic pads commonly re ferred to as comping Occasionally their function includes melody or countermelodies in the form of written music or improvised solos Depending on the style of the music the bass may provide an ostinato pattern a highly rhythmic syncopated pattern or a quarter note walking style swing any of which will contribute a harmonic rhythmic and even melodic walking bass element to the pro ceedings The drummer usually using all four limbs provides rhythmic pulse to the arrangement as defined by the musical style Listen with arranger s ears to identify the elements of melody counter melody rhythmic and sus tained pads and the role of each member of the rhythm section Observe how each element is being scored orchestrated An arrangement is not static it is moving along a timeline at a speed determined by the tempo of the arrangement constant or otherwise As with orchestral writing the elements of a jazz arrangement constantly change The melodic element may start in the piano move to saxophones and end in the brass With all the other elements shifting not
129. on Program 46 HOW THEARIAPLAYER WORD eee eee eee ne Ta 47 How the Garritan Aria Player Works 48 The Basic Interface and the View Screens eeenosesecekiienen a ia a eE EE S 48 User s Guide to Garritan Jazz amp Big Band Version 3 The Mixer Window EEEn 49 ROLES VL cnet E mtoueds omtv pease E T E 32 EEA E EE A EA A 55 Settings Window 58 ABOUT JAZZ AND THE INSTRUMENTS IN GARRITAN JAZZ amp BIG BAND 61 NNT TVA TS Er 62 The Growth of Jazz by Chuck Israels 63 Jez Arranging Techrigues Dy Gary V0 6 Cv beat tee ane eee fo E REA 67 Kinds oft Jiena pace ec eee cee eee 69 Ihe World of Sampling and Virtual Instruments 69 About the lisemicienrs m Garritan Jazz amp Big Band ecrsessresnr a E E 70 The Saxophone and Woodwind JostrUmentScsscsnssssuissisc SS 70 The Bras TSA ee sae nese eee sn pease eet eer ep eer 71 The Rhythm ST 73 PLAYING GARRITAN JAZZ amp BIG BAND INSTRUMENTS 74 Playing Garritan Jazz amp Big Band Instruments casa coerce een ee eee eee as 75 Basic Controls Wind Instruments n 75 The Real time Control System for Brass Saxes amp Other Wind Instruments 75 1 Modulation Wheel Control Volume and Expression for Wind Instruments 76 2 Note Velocity Attack for Sustain Instruments Volume for Rhythm Instruments 78 3 Sustain Pedal Legato for Sustain Instruments Sustain for Rhythm Instruments 79 Choosing Between Auto Legato and Sustain Pedal Legato CC 64 000 nnn 80 4 K
130. one version you have to configure the Audio and MIDI settings in the Garritan Aria Player dialog box found in the Tools menu before you can play When used as a plug in the host sequencer or notation program has already set up its own audio and MIDI connections and Garritan Jazz amp Big Band plugs in to them However with standalone operation Garritan Jazz amp Big Band communicates directly with your audio and MIDI interface Setup for Mac and Windows computers is similar except where indicated Note that if you change your audio interface you will almost certainly need to readjust these settings User s Guide to Garritan Jazz amp Big Band Version 3 Call up the Preferences setup dialog from the Tools menu on the Garritan Aria standalone interface You ll see drop down menus for MIDI Device Audio Devices Stereo Pair Sample Rate and Buffer Size Stereo Pair 1 2 hed Sample Rate as 00 Hz X Buffer Size 512 x OK MIDI Device Menu All supported and installed MIDI interfaces are available in this drop down list Select the desired MIDI device from the list Audio Device Menu All supported and installed audio interfaces are available in this drop down list Select the desired audio device from the list Stereo Pair Here you can define which of the stereo outputs should be used It is normal to have one stereo pair available labeled 1 2 However many pro audio devices have multiple outputs
131. ones as well Since trombones usually accomplish falloff and doit like effects with the slide pitchbend is used for this purpose in Jazz and Big Band Trombones do not tend to use kisses on high notes so that feature has been omitted for trombones Note The order of brass instruments in JABB Trumpet 1 Trumpet 2 etc is of no particular signifi cance The instruments vary in tone and should be auditioned to determine the one most appropriate for a particular application As an example Each one of the trumpets could be used for the lead trum pet part within range considerations and each will sound somewhat different from the others Specific Controls for the Rhythm Section Basses The library contains two upright plucked acoustic basses one upright bowed acoustic bass two fret less electric jazz basses and two fretted electric Jazz basses It should be noted that Upright Bass 2 is contributed by the inimitable Chuck Israels Controllers for the basses include CC 17 Vibrato speed except Upright arco which has recorded vibrato CC 20 Portamento controls slides between notes CC 18 Attack speed affects the sharpness of the attack CC 21 Length controls the length of the decay of the notes CC 22 VAR 1 adds random variations in tuning from note to note CC 23 VAR 2 adds random variations in timbre from note to note CC 26 Midrange EQ a midrange tone control CC 27 Midrange center frequency adjusts
132. ontroller CC 13 controls the level of the noise produced by the key or valve mechanism of the wind instrument A little of this goes a long way Use it mostly for subtle enhancement of exposed solo work These types of noises are rarely heard in section work where they are masked by other things The default setting is off Flutter Tongue Growl sound CC 18 MIDI controller CC 18 controls the level of the flutter tongue or growl effect The default setting is off User s Guide to Garritan Jazz amp Big Band Version 3 Tone Quality control CC 26 amp CC 27 MIDI controller CC 26 controls the basic warmth of the tone quality It is set by default to a useful value but CC 27 allows the user to modify the center frequency of this EQ function if desired Be careful not to modify the center frequency while a note is being sustained or you may get unnatural sweep artifacts It is best set to a value for an entire track Breath noises All wind instruments have samples of the player taking a breath which can be inserted at phrase breaks in your tracks to add another touch of realism There are a vari ety of breath types mapped to the top two octaves of the keyboard They include quick catch breaths and more leisurely slow breaths to be applied in different situations Mono Mode in Horns All horns are programmed to be monophonic only instruments They only play one note at a time like rea
133. port and help from others There is a wealth of information among the tens of thousands of posts in the forum and a convenient search feature to find exactly what you are looking for The Garritan forum can be accessed at http www garritan com forum html There is a special subsection dealing with Jazz amp Big Band on the Garritan forums You do not have to register to browse posts but before you can post you will have to sign up Reg istration is fast simple and absolutely free so please join our community today In addition to the official Garritan Forum there are other independent Garritan Communities where you can find valuable information and interact with other users I urge you to contribute and be a part of the Gar ritan Community where you will find an indispensable resource for musicians VISIT THE GARRITAN FORUM www garritan com forum html User s Guide to Garritan Jazz amp Big Band Version 3 Getting Help The first place to look for a solution to any problem you may be experiencing is in this manual Please read the manual before contacting support Next check the readme files if any which contain im portant information and all last minute changes that did not make it into this guide Whenever you encounter problems you should also check if you have installed the latest updates The version number of your software is displayed in the Settings tab Updates are released regularly
134. r Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC REX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth GARRIT P THE BRASS INSTRUMENTS ARIA Instrument Description Controls name TROMBONES Bass Trombone Bass Trombone Conn Bass Trombone Range extends one octave MW Vel Tng Slr AutLeg Open no mute lower than a conventional trombone AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk Bass Trombone Bass Trombone played with the Straight mute MW Vel Tng Slr AutLeg Straight Mute AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk Bass Trombone Bass Trombone played with the Cup mute MW Vel Tng Slr AutLeg Cup Mute AF KC Vib Fltr
135. reate VAR tuning and timbre variability from note to note The VAR 1 knob controls intonation with random tuning variations adjustable from a few cents to an entire semitone Ihe VAR2 knob intro duces random variations in timbre quality by adjusting a filter on the instrument The combination of both controls provides a more human result in the quality of the sound The VAR 1 and VAR 2 con trols can also be adjusted or varied throughout a piece by using MIDI controllers CC 22 and CC 23 respectively See the chapter on ARIA Player Operation for additional information on this feature Portamento Control CC 20 This control is related to pitch bend above and will allow SLIDE you to slide from note to note This is particularly helpful with some instruments such as the trombone There is a knob that adjusts the portamento for instruments that use this function Additionally MIDI controller CC 20 can be assigned to an external MIDI fader or drawn as graph ic data in your sequencer of choice Portamento is off by default In general slides between smaller intervals require greater values than slides between larger intervals It is best to draw the data manu ally for any specific notes that require slides in your sequencer or to assign this feature to a separate hardware controller CC 20 for real time control You can also add varying amounts of portamento for smooth portamento effects play two notes in a row and one will glide into
136. right Bass 2 KS Lite GM Classic Lite 03 Fusion Quartet 04 Fusion Quartet Lite 05 Jazz Piano Trio 06 Jazz Piano Trio Lite 07 Jazz Quintet 08 Jazz Quartet Lite 09 Jazz Sextet Mazz Sextet lite 11 Sax Section 12 Sax Section Lite 13 Trombone Section 14 Trombone Section Lite 15 Trumpet Section 16 Irumpet Section Lite Jazz Drum Kit Lite Tenor Sax 1 KS Comb Vintage Electric Piano Fretless Bass 1 KS GM Fusion Drum Kit Tenor Sax 1 Lite Vintage Electric Piano Lite Fretless Bass 1 KS Lite GM Fusion Drum Kit Lite Steinway Jazz Piano Upright Bass 2 KS GM Classic Jazz Drum Kit Steinway Jazz Piano Lite Upright Bass 2 KS Lite GM Classic Jazz Drum Kit Lite Trumpet 5 KS Comb Tenor Sax 1 KS Comb Steinway Jazz Piano Upright Bass 2 KS GM Classic Jazz Drum Kit Trumpet 5 KS Lite Tenor Sax 1 Lite Steinway Jazz Piano Lite Upright Bass 2 KS Lite GM Classic Jazz Drum Kit Lite Trumpet 5 KS Comb Tenor Sax 1 KS Comb Trombone 4 KS Steinway Jazz Piano Upright Bass 2 KS GM Classic Jazz Drum Kit Trumpet 5 KS Lite Tenor Sax 1 Lite Trombone 4 KS Lite Steinway Jazz Piano Lite Upright Bass 2 KS Lite GM Classic Jazz Drum Kit Lite Alto Sax 1 KS Comb Alto Sax 2 KS Comb Tenor Sax 1 KS Comb Tenor Sax 2 KS Comb Bari Sax 1 KS Comb Alto Sax 1 Lite Alto Sax 2 Lite Tenor Sax 1 Lite Tenor Sax 2 Lite Bari Sax 1 Lite Trombone 1 KS Trombone 2 KS Trombone 3 KS Trombone 4 KS Trombone 5 KS Bass Trombone KS Trombone 1 KS Lit
137. right and front to back especially for monaural instruments e g solo instruments that lack recorded stereo information There are two controls visible on the Controls page of the interface for Stereo Stage 1 On Off button This activates disables Stereo Stage The button lights when activated This switch can be also be controlled using CC 103 2 Depth This sets the position of the instrument front to back on the stereo stage Small percent age numbers place instruments closer to the microphones larger percentages place instruments User s Guide to Garritan Jazz amp Big Band Version 3 GARRITAN farther back on the stage 100 being near the back wall of the stage The Depth parameter can also be controlled with CC 36 When Stereo Stage is activated the panning knobs in the mixer section of ARIA still control the left to right positioning Note As in real life instruments that are placed near the microphones will display greater separation from left to right than instruments that are positioned near the back wall of the stage Instrument Controls The control parameters available in this section will vary from instrument to instrument Some instru ments may have few controls and some may have many depending on the programming of each in strument hese controls usually correspond to CC MIDI controller numbers and load with default settings User s Guide to Garritan Jazz amp Big Band Vers
138. rinet Bass Clarinet Saxophones Middle C Sopranino Soprano Sax Mezzo Soprano Sax QS m C Melody Sax Tenor Sax Bari Sax Bass Sax contrabass Sax Subcontrabass Sax User s Guide to Garritan Jazz amp Big Band Version 3 The Brass Instruments The brass instruments commonly used in a jazz or big band include the trumpet and the trombone Sounds are produced by the vibration of the lips as air is blown past the lips into a funnel shaped mouthpiece connected to hollow metal tubing that terminates in a bell The length of the tubing is modified by valves that re route the air flow as part of the process to play different pitches The vibrating lips of the player have the same function as the reeds in the saxophones and clarinets The charts below show the typical ranges of the individual brass instruments as they correspond to a piano keyboard These ranges are not absolute and virtuoso players can often play beyond the typical upper range of the instrument Good brass players can also play pedal tones Pedal tones are notes that lie below the natural range of an instrument and take a great deal of control to produce Mutes are typically used over a more restricted range partly due to the difficulty in playing mutes in tune in the extreme low and high ranges Mutes are best applied to the middle register of the trombones and trumpets Jazz and Big Band limits the mutes to approximatel
139. roduces through the computer s audio or sound card s The quality of the audio amplifiers and speakers is extremely important there is little point in ex pending a great deal on high end computer systems and an audio interface but using inferior personal computer speakers Regarding 64 bit Computing Garritan Jazz amp Big Band is 64 bit compatible and takes full advantage of the new 64 bit operating systems processors and hardware that are now available The Garritan ARIA Player is also fully 32 bit compatible At the time of this writing 64 bit computing is entering the marketplace but 64 bit hosts audio and MIDI drivers have not fully penetrated the market To be true 64 bit the entire audio path must be 64 bit including sampler host operating system audio and MIDI hardware As more hosts operating systems and hardware become 64 bit enabled Garritan Jazz amp Big Band will work with those 64 bit platforms Please also consult the Garritan website for further information and updated recommendations User s Guide to Garritan Jazz amp Big Band Version 3 INSTALLATION Installing Garritan Jazz amp Big Band Installing Garritan Jazz amp Big Band is easy Before you begin make sure your system meets or exceeds the system requirements and that there is enough room on your hard drive to contain all the samples The full installation requires approximately three gigabytes of free hard disk space Installation i
140. s Plunger Mute Instruments Trumpet Release CC 15 CC 64 Values 49 95 CC 16 Plunger Open 0 32 Off Brass Shakes Close ne Falloffs High Range Only CC 28 Attack Speed Shakes Pitchbend 6 Semitones CC 20 Trombone Pitchbend 6 Semitones High Range Only CC 64 mid Auto shakes 96 127 Kisses High Bb values Option and above RHYTHM All Basses Arco Upright Bass Vintage Electric Piano Legato Arco bow Jazz Piano Cua CC 27 Midrange Center Frequency Aftertouch Vibrato Intensity Accordion CC 28 High Frequency EQ ETE Vibrato Speed CCH J Bellows CC 20 Bellows Vibraphone Eca mace Var 1 Intonation aaa CC 23 Var 2 Timber CC 21 Pluck o Standard Plucks CO KS Standard Plucks CCH22 DO KS Harmonics _ __ _ Harmonics C5 E5 Finger Slide Noise C7 D 8 Slides Taps Slaps CC 23 Slap Bass All Bass Drums C5 E5 Finger Slide Noise CC 20 Attack CC 12 Fundamental Strength Tanon Aco noa CC 22 Tremolo Level CC 28 pus CC 23 Tremolo Speed z Sus Pedal Open Strings CC 26 Midrange EQ Brush Kit Finger Slide Noise CC 28 Hi Frequency EQ Velocity First Push Strength Notation Version of Jazz amp Big Band The Jazz amp Big Band Library contains a separate Notation folder with instruments that are pro grammed with important differences which make them more compatible with the way most nota tion programs handle MIDI data
141. s encrypted into this virtual card Editing this image wall render it void After you have an account and have entered your Serial Number you will receive an email with your Activation Keycard The email will contain your keycard as an attachment png file and the message will say Dear Customer Attached you can find the product activation key for Jazz amp Big Band 3 Please save this email in a safe place or save the attached product key on your hard drive User s Guide to Garritan Jazz amp Big Band Version 3 GARRITAN afr 2 Your Activation Keycard is also available online at any time Go to Activation Keycards under the Registration amp Downloads tab and download the Activation Keycard for Garritan Jazz amp Big Band You can now save the Activation Keycard png image file to your hard drive keep it in a safe place For convenience we recommend that you initially save the png file to your desktop Final Step Activating Garritan Jazz amp Big Band Locate the Activation Keycard image where you saved it on your hard drive Open the Garritan Jazz amp Big Band software application If you saved the png file to your desktop or a folder of your choosing simply click and hold on the file drag the file icon or Activation Keycard image directly onto the JABB ARIA Player application and release Drag and Drop the PNG file from the desktop onto the Garritan Jazz amp Big Band ARIA Pla
142. s into an unbroken seamless musical phrase To get an idea of what the legato sus tain function does consider the following illustration This is what the waveform of a musical phrase looks like when played on a typical sampler Notice the Discontinuity ie Notice how disconnected the notes are Depressing the sustain pedal removes the attack portion of the sample and connects the notes for smoother sounding effect Using Mono Mode makes sure there are no overlaps The result is a phrase that sounds like a real legato phrase The notes are now smoothly connected In the case of brass and wind instruments notes are tongued when you have your foot off the Sustain g y y pedal Slurs between notes occur when you hold down the pedal For instruments actually possessing a sustain pedal pianos it functions as you would expect User s Guide to Garritan Jazz amp Big Band Version 3 GARRITAI hy Note Brass and winds can also be used with the Auto Legato feature as an alternative to using the sustain pedal This feature automatically detects note overlaps and applies changes to the attack and decay characteristics of the note transitions Auto legato is located in the Control tab of the ARIA Player Choosing Between Auto Legato and Sustain Pedal Legato CC 64 Since Garritan Jazz amp Big Band gives two choices for legato creation the question arises Which should I use Auto Legato is the most convenient m
143. s is very resource intensive and it may take some time to install all the samples Copying files Sounds of ARIA Player JABB_INST fUs azz and Big Band 3 SamplesData Winds 088 Hrmnca e5 data Cancel J e After a few moments a dialog box will notify you that the setup wizard has finished installing the Garritan Jazz amp Big Band on your computer User s Guide to Garritan Jazz amp Big Band Version 3 ao O Install Garritan Jazz and Big Band 3 Installation completed successfully Introduction License N Destination Select Installation Type N G Installation Install Succeeded Summary The software was successfully installed y Sas When sample installation is complete you will need to authorize your current copy of the Garritan Jazz amp Big Band This procedure is described in the next chapter When you are finished with installation remove the disc s from your drive and store them in a safe place if you have the DVD version If you purchased the Download version be sure to make a backup copy If anything happens to your computer you can reinstall the Garritan Jazz amp Big Band from the discs or the backup IMPORTANT Please do not cancel setup after installation begins otherwise a partial broken installation may result User s Guide to Garritan Jazz amp Big Band Version 3 Windows Setup The setup in Windows i
144. ses Falloffs amp DOitS Mutes Trombones Open Trombone mmm Middle C Mutes sm Bass Trombone ues Open Bass Trombone Middle C Tuba eens ODEN Tuba i Middle C User s Guide to Garritan Jazz amp Big Band Version 3 The Rhythm Section A good rhythm section is the backbone of a jazz band The rhythm section usually consists of bass drums piano and guitar They play different roles than the other instruments of a jazz band The rhythm section will maintain a steady rhythm or tempo establish the style and feel of the piece and define the harmonic framework of the music Piano and Guitar The piano and guitar typically function as percussive instruments in a jazz band and often provide rhythmic energy to the music In jazz bands one often hears the pianist or guitarist play short well placed punctuated chords Both will often comp behind a soloist or construct chords on the fly from charts or chord symbols The sustain pedal on the piano is used less frequently than in classical playing Unlike classical music the pedal is not often used except for special effects Acoustic Bass A bass player is necessary to provide the rhythmic and harmonic foundation for the band Jazz acoustic bass technique is very different from orchestral playing The bass often plays in a legato style especially in swing music where a bass line will walk
145. strument of the saxophone family recorded for this library Bb Straight Soprano saxophone made by Conn Bb Curved Soprano saxophone made by Conn Bb Subcontrabass saxophone also known as the Tubax custom made by Benedikt Ep pelsheim Bb Tenor saxophone made by Selmer Mark VI Bb Tenor saxophone made by Selmer Bb Tenor saxophone made by Yamaha Bb Tenor saxophone made by Selmer a mel lower sound A blues harmonica Controls MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Leth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Leth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Leth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Leth VAR 1 VAR 2 TQ Brth MW Vel Tng Slr AutLeg AF KC Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth User s Guide to Garritan Jazz amp Big Band Version
146. struments and vin tage electric piano Trumpets and trombones Tongue slur function for wind instruments Standard sustain for keyboards basses and Guitars All wind instruments All wind instruments Brush Snare Drums Controls the initial attack strength of all Expressive mod wheel con trolled instruments in JABB For all Percussive keyed percussion or non sustained patches this con trols volume timbre This controller is useful for instru ments like strings and trombone where note slides are common This controller is used to create scoops or drops at the beginning or end of a note or passage Can be used with trombone to simulate slide movements during sustained notes Can be used along with CC 19 to solve difficult porta mento situations User s Guide to Garritan Jazz amp Big Band Version 3 Appendix B Drum Maps DRUM MAPS MIDI Note General MIDI Classic Jazz Brush Drum Kit Note Name Drum Kits Fusion Drum Kits 34 A Side Stick 35 B Bass Drum 1 Bass Drum 1 Bass Drum 1 36 C Bass Drum 2 Bass Drum 2 Bass Drum 2 37 C Side Stick Rim Shot Snare Stir Aftertouch direction change 38 D Snare 1 Snare LH Snare LH 39 D Hand Clap Snare RH Snare RH 40 Snare 2 Foot Closed Hi Hat Foot Closed Hi Hat 41 F Low Floor Tom Low Floor Tom Low Tom 42 F Closed Hi Hat Closed Hi hat LH Closed Hi hat LH 43 G High Floor Tom Closed Hi hat RH Closed Hi hat RH 44 G Pedal Hi Hat Half Open Hi
147. t Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk MW Vel Tng Slr AutLeg AF KC RFX Vib Fltr Grl PBd Port Lgth VAR 1 VAR 2 TQ Brth Sk KS User s Guide to Garritan Jazz amp Big Band Version 3 ARIA Instrument name Trumpet 5 Trumpet 5 Open no mute Trumpet 5 Straight Mute Trumpet 5 Cup Mute Trumpet 5 Harmon Mute Trumpet 5 Bucket Mute Trumpet 5 KS Trumpet Plunger Trumpet Plunger Mute Trumpet Plunger Str Mute THE BRASS INSTRUMENTS Description Trumpet in Bb with range extension to the double high D concert C made by King Golden Flair Trumpet 5 played with the Straight mute Trumpet 5 played with the Cup mute Trumpet 5 played with the Harmon mute Trumpet 5 played with the Bucket mute Keyswitched combination of open and all mutes e C2 Trumpet 5 Open no mute e D2 Straight Mute E2 Cup Mute e F2 Harmon Mute e G2 Bucket Mute Uses less memory than main KS instrument Features playable open closed plunger Separate shake layer not present Features two mutes a playable open close plunger over a straight mute User s Guide to Garritan Jazz amp Big Band Version 3 Controls MW Vel Tng Slr AutLeg AF KC RFX Vib Flt
148. tan Jazz amp Big Band Version 3 Controls Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 Vel vol VAR 1 VAR 2 ARIA Instrument name Shakers Shekere 03 Blocks Clave Jam Block Woodblock 04 Bells Agogo Bells Bongo Bells Cha Cha Bells Timbale Bell 05 Misc Percussion Castanets Handclaps Fingersnaps Jawbone Rainstick Tambourine THE RHYTHM SECTION INSTRUMENTS Description Calabash gourds strung with beads used for percus sion A hand shaker consisting of a hollowed small gourd with shells or beads attached to it A percussion instrument consisting of a pair of short thick wooden dowels hit together to produce a high pitched sound A modern version of wood blocks made of plastic rather than wood A hollow block of wood struck with a stick to pro duce percussive sounds A multi chambered steel instrument that is beaten like a cow bell and frequently heard in samba and salsa music A large handheld bell also called a campana The small bell often mounted on the timbales Typically associated with Cha Cha and Salsa style music Oblong bells specially
149. technology has grown substantially Sampling is now every where Many movies prime time television shows and interactive games use sampling technology Now everyone can have a jazz and big band in their computer With Garritan Jazz amp Big Band the sample player is integrated with the sounds effectively turning a computer into a band of virtual instruments Tip Dont overlook the possibility of combining Jazz amp Big Band instruments with GPO or other orchestral li braries JABB instruments can expand your palette of sounds for many musical applications not just Jazz User s Guide to Garritan Jazz amp Big Band Version 3 About the Instruments in Garritan Jazz amp Big Band The Saxophone and Woodwind Instruments The Woodwind section consists of several varieties of instruments each with its own unique sound These instruments include varieties of flutes clarinets and saxophones There are 16 different saxophones in Garritan Jazz amp Big Band ranging from a diminutive sopranino saxophone to a large subcontrabass saxophone PITCH RANGES WOODWIND INSTRUMENTS IN JABB The chart below shows some of the typical ranges of the individual woodwind instruments as they correspond to a piano keyboard These ranges are not absolute and virtuoso players can often play beyond the typical upper range of the instrument Flutes and Clarinets Middle C Piccolo Flute Alto Flute Bb Cla
150. ticulations in real time in much the same manner as a real player does 1 Modulation Wheel Control Volume and Expression for Wind Instruments Shaping Dynamics amp Playing Expressively One thing that makes a jazz band sound great is dynamic contrast Every phrase and the notes them selves have unwritten dynamics and nuances that players interpret Without dynamics music lacks its depth of expression Dynamics and expression for the wind instruments in Garritan Jazz amp Big Band are achieved through the Mod Wheel Normally this controller is mounted on the left side of the keyboard and is played with the left hand The Mod Wheel simultaneously controls both Volume ppp to fff and Timbre brightness or tone for all wind instruments Especially with the brass instru ments louder levels produce a brighter sound Get to Know Your Mod Wheel for sustaining instruments like winds and brass instruments The Mod Wheel controls the dynamic ebb and flow of volume and timbre changes In the case of a sequencer make sure to record a nudge of the Mod Wheel at the beginning of every MIDI track so that JABB instruments will start with the correct volume upon playback Remember that in JABB the Mod Wheel is not a set and forget controller It is intended to be used as an expressive controller that is in nearly constant motion shaping the volume and timbre of a passage It is analogous to the air being blown through a wind instrument or
151. ting than using a tenor sax with it Trumpet and trombone ranges are roughly similar though separated by an octave The trumpet range starts on E below middle C written F and extends comfortably 2 1 2 octaves to a high B flat writ ten C above the staff This range is accessible to most student trumpet players Expert lead players can extend that range up to a 5 higher while high note specialists soar another octave or more above that The trombone has a similar range starting on E below the bass clef staff and reaching the high B flat a 7th above middle C Many trombone players are quite comfortable extending that range up wards by a 3 and lead players go even higher on occasion There are also useful pedal notes available below the usual bottom of the range Trombones without triggers cannot play notes between the low E and the pedal B flat a diminished 5 lower but the pedal notes can be effective especially in a three or four part unison B flat A and A flat are all available but the tradition is to make special use of the B flat Bass trombones with extra tubing brought into play with trigger valves can play all the chromatic notes down to the pedal notes and then extend the range down to an F below that User s Guide to Garritan Jazz amp Big Band Version 3 The most useful guitar range is written from E below the treble clef to G 3 octaves above middle C sounding an octave below the written range Most guitars
152. to fix known problems and to improve the software Select the Support button in the Settings window to link directly to the Garritan Support site You will be asked for information about your hardware and software environment to better assist you In your description you should include a description of the problem or steps to reproduce it the steps you have taken to try to remedy the problem the specs of your computer and a description of your software and hardware If you can t find a solution to your problem by any of the above methods please go to the support section of our website at www garritan com The best way to get the help you need is by giving us plenty of detailed information about the problem you are having We do ask you to read this guide thoroughly and exhaust the other avenues of support before contacting us Regarding Third Party Customer Service Please do not call Garritan for technical support regarding any other third party application or program Please contact the respective compa nies for support For the Latest Garritan Jazz amp Big Band is a dynamic library that is evolving and growing Please check the support area of our website at www garritan com for the latest up to date information troubleshooting FAQs helpful hints and tutorials Another resource is the support forum where you can discuss problems directly with other users and with experts from Garritan moderating the forum User s Gu
153. tray You should see a Welcome Screen fe Setup Garritan Jazz and Big Band 3 Welcome to the Garritan Jazz and Big Band 3 Setup Wizard This will install Garritan Jazz and Big Band 3 0 on your computer It is recommended that you close all other applications before continuing Click Next to continue or Cancel to exit Setup e If the setup screen does not automatically appear Use Windows Explorer to open the installation DVD or for Download users WIN_Garritan_ Jazz_and_Big_Band_3 exe Then start the Sample Manager by double clicking Install Jazz amp Big Band setup exe e You will next see an Information screen letting you know if you have other versions of ARIA installed or other Garritan libraries Click Next fe Setup Garritan Jazz and Big Band 3 Information Please read the following information before continuing When you are ready to continue with Setup click Next Jnstallation steps of Garritan Jazz and Big Band 3 1 ARIA Engine if not installed or if current version is older 2 Garritan ARIA Player Standalone YST plug in ATAS plug in 3 Garritan Jazz and Big Band 3 Library 3 1 Samples decompression of selected instruments User s Guide to Garritan Jazz amp Big Band Version 3 You will also be prompted for the folder into which the Garritan Jazz amp Big Band application and support files should be installed and where the shortcuts and icons should be placed You will
154. urpose of the Licensee Please make sure before installing this item that it meets your needs Information contained herein is subject to change without notice and does not represent a commitment on the part of Garritan Corporation The sounds are licensed as is without warranties of any kind Neither Garritan Corporation nor any agent or distributor can be held responsible for any direct or in direct or consequential loss arising from the use of this product in whatever form The Aria Engine is covered by the installer s End User License Agreement and is incorporated by reference The Garritan Jazz amp Big Band may not be returned for any reason other than manufacturing defects The terms of this license shall be con strued in accordance with the substantive laws of the United States of America and the State of Washington The user agrees to read the manual before seeking technical support and to make sure his or her system meets or exceeds the recommended requirements User s Guide to Garritan Jazz amp Big Band Version 3 What This Package Includes This Jazz amp Big Band library includes the following e Download file in compressed form or 1 DVD in the boxed version containing the complete Jazz amp Big Band software and the integrated ARIA Advanced Instrument Engine e A unique serial number so that you can register the product Don t lose this store it in a safe place e A PDF Manual and a Getting Started Guide
155. y a three octave range The trumpets have additional release effects that only apply to certain portions of the range of the instruments The characteristic release kisses only occur on the highest notes generally above the high C concert Bb Falloffs and Doits are restricted to a two octave range Falloffs are a release technique where the player allows the pitch to rapidly fall downward striking each note of the har monic series during the descent Doits are the reverse The player creates a rapidly ascending effect through the harmonic series often combined with a half valve technique to smooth the ascent Shakes involve quickly shaking a trumpet back and forth while sustaining the note This makes the tone go sharp and flat sounding similar to a lip trill Trombones typically use the slide for similar effects especially the falloffs but the result is usually a rapid and smooth change in pitch without the individual notes of the harmonic series being struck In Jazz amp Big Band these effects are handled with pitchbend data Tuba is only available in the Open horn no mutes It does not offer falloffs doits or kisses See the charts below for details on trumpet and trombone ranges for open muted and release effects User s Guide to Garritan Jazz amp Big Band Version 3 PITCH RANGES BRASS INSTRUMENTS IN JABB Trumpets Open Trumpet pane Middle C _ Kis
156. yer Drag and Drop PNG file from the Desktop onto the Garritan Jazz amp Big Band ARIA Application A RMA PRPPER Jazz_and_Big _Band_3 png Alternative Drag and Drop the Activation Keycard As an alternative you can also drag the pic ture from the web page onto the ARIA Player itself and it will register in most cases Please note that not all browsers will allow drag and drop actions from within the program This is another reason it is best to save the png file to your desktop and drag and drop it from there User s Guide to Garritan Jazz amp Big Band Version 3 Drag and Drop Card Image from the Registration Server onto the Garritan Jazz amp Big Band ARIA Application PLAYER EJ Garrtan Jazz amp Big Band 3 is now activated for John Doe John Doe JohnDoe mycdomain com New Media Productions Toronto ON CANADA You Are Now Registered and Activated The Activation will take place automatically and will bring up the following message Garritan Jazz amp Big Band is now activated for your name GARRITAN ae re 01 Big Band Rhythm Section Steinway Jazz Piano empty empty empty empty empty empty empty empty empty empty empty empty empty empty empty ma mGa pG mGa mE ma mGa pa NG Ma pa mga Garritan Jazz amp Big Band 3 is now activated for John Doe KEYSWITCHES User s Guide to Garritan Jazz amp Big Band Version 3 Extremely Important T

User's Guide to Garritan Jazz & Big Band—Version 3

Contents

Download Pdf Manuals

Related Search

Related Contents

User's Guide to Garritan Jazz &amp; Big Band&mdash;Version 3

Contents

Download Pdf Manuals

Related Search

Related Contents

User's Guide to Garritan Jazz & Big Band—Version 3