User's Manual
Contents
1. tse H o l 5 E 922 m 2 YLIN 1 9 NY Pb Ad T S35 9 H S vo d ORY S 1381 dad oy AY T LXV OL X33 XNV XNV OAYSLS dn 5 SANOHd 8 AS NOOY TOXLNOO 109110 10 1 02 c 1 4 5 1 4 5 7 S3NOHd 1 SANOHd ee 4 E Haw 70 98 Y SN Axr D WOO 1410 OL MLZ 4 dE 1431 zxnv oM gt B 1n03dvi 2 150 HOM WOVYLZ z sem TTT D 5 z XIN OL 08 42 NH PP AU CEG T onon OT2. cous bandas RA ee RR Eu 20 1 INTRODUCTION Your S 8 is a 8 channel mixer and it is one of the most popular compact mixing consoles in the world In fact it has been sold already in tents of thousands of units worldwide Despite its compact dimensions great performances and sound quality are insured thanks to the specification of the components used and the building quality Your S 8 is packed with features that can not be found in other consoles of its size 5 Mono these are provided with Ultra Low Noise microphone preamplifiers and Phantom Power at 48 Volt and 2 stereo input channels are provid ed and each of them is provided with a 3 bands graphic equaliser for bass middle and treble controls as well as 2 Auxiliary Bus There is even a stereo input available to be assigned directly to the main MIX or to the other outputs Control Room and Headphone So in total you have 14 inputs on you S 8 Your S 8 is very easy to operate but we advise you to go through each Section of this Manual carefully In this way you will get the best out of your S 8 2 FEATURES Your S 8 is provided with 4 mono Line Mic input 1 stereo Line Mic input and an additional stereo Line input to be used with keyboards Midi Instruments etc We have even included a 2 track input output for recording and playback Ultra low noise microphone preamplifiers 3 bands eq on all input ch
3. 9 4 5 The annei 9 AiG 10 AT PAN EE 10 AS PEAK a iE E eaa dae 10 4 9 10 2 410 INSER MM M II 10 4 71 MASTER SECTION ce m 11 MAIN MIX LEVEL LED METER 2 TRACK signal path AUX RETURN PHONES CONTROL ROOM PHANTOM POWER 2 TRACK IN OUT STEREO AUX RETURN AUX SEND 1 AND 2 PHONES 4 12 REAR PANEL teet adit tee talents ha ete Mls 13 POWER PHANTOM AC INLET WITH FUSE HOLDER MAIN MIX OUTPUT CONTROL ROOM OUTPUT 5 INSTALLATION AND CONNECTION 2 ccceeceeeeeeeeeeeeeeeeeeecaeeeecaeeecaeeeseaeeeceaeeeseaeeescaeeeseaeeeseeesseeeesseeeseneeseseeees 14 6 FOR THE EXPERTS WHO WANT TO KNOW 2 024 4 4 44 44 0000660006 17 1 E ERE ER Qu CBE Run e 18 8 TECHNICAL 0100 6660006061 6 6 e aT aa aiaa adaa inttr iaoa 19 9 WARRANT 22
4. Abnormal service or repairing by anyone other than the qualified personnel or technician And in such cases all the expenses will be charged to the buyer 3 5 In no event shall ALTO be liable for any incidental or consequential damages Some states do not allow the exclu sion or limitation of incidental or consequential damages so the above exclusion or limitation may not apply to you 3 6 This warranty gives you the specific rights and these rights are compatible with the state laws you may also have other statutory rights that may vary from state to state SEKAKU ELECTRON IND CO LTD NO 1 LANE 17 SEC 2 HAN SHI WEST ROAD TAICHUNG 401 TAIWAN http www altoproaudio com 1 886 4 22313737 email alto altoproaudio com 886 4 22346757 All rights reserved to ALTO All features and content might be changed without prior notice Any photocopy translation or reproduction of part of this manual without written permission is forbidden Copyright 2003 Sekaku Electron
5. Do not Remove any Cover There are maybe some areas with high voltages inside to reduce the risk of electric shock do not remove any cover if the power supply is connected The cover should be removed by qualified personnel only No user serviceable parts inside Fuse To prevent a fire make sure to use fuses with specified stan dard current voltage type Do not use a different fuse or short circuit the fuse holder Before replacing the fuse turn OFF the apparatus and dis connect the power source Protective Grounding Make sure to connect the protective grounding to prevent any electric shock before turning ON the apparatus Never cut off the internal or external protective grounding wire or disconnect the wiring of protective grounding terminal Operating Conditions This apparatus shall not be exposed to dripping or spl ashing and that no objects filled with liquids such as vases shall be placed on this apparatus To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture Do not use this apparatus near water Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amp lifiers that produce heat Do not block any ventilation openings No naked flame sources such as lighted candles should be placed on the apparatus IMPORTANT SAFETY INSTRUCTIONS Read these i
6. User s Manual 5 8 8 CHANNEL MIXING CONSOLE a LTO www altoproaudio com Version 2 0 Dec 2002 English SAFETY RELATED SYMBOLS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The symbol is used to indicate that some hazard ous live terminals are involved within this apparatus even under the normal operating conditions The symbol is used in the service documentation to indicate that a specific component shall be only replaced by the component specified in that docu mentation for safety reasons Alternating current voltage Protective grounding terminal 7 h Hazardous live terminal ON Denotes the apparatus is turned on OFF Denotes the apparatus is turned off because it uses the single pole switch be sure to unplug the AC power to prevent any electric shock before you proceed with your service WARNING Describes precautions that should be observed to prevent the danger of injury or death to the user CAUTION Describes precautions that should be observed to prevent danger of the apparatus WARNING e Power Supply Ensures the source voltage matches the voltage of the power supply before turning ON the apparatus Unplug this apparatus during lightning storms or when unused for long periods of time External Connection The external wiring connected to the output hazardous live terminals requires installation by an instructed person or the use of ready made leads or cords
7. electronically balanced discrete input configuration 10Hz to 55kHz 3dB 0 005 at 4dBu 1kHz OdB to 60dB 115dB electronically balanced 10Hz to 55kHz 3dB 0 005 at 4dBu 1kHz 15dBu to 45dBu unbalanced 10Hz to 55kHz 3dB 0 005 at 4dBu 1kHz 1 4kOhm 2 5kOhm 10kOhm or greater 1kOhm 1200hm 1588 12kHz 1288 2 5kHz 1588 80Hz 75Hz 18dB oct Fader 0 dB channels muted 100dBr ref 4dBu Fader OGB all input channels assigned and set to UNITY gain 90dBr ref 4dBu 22dBu balanced XLR 22dBu unbalanced 1 4 jacks OFF to 20dB 22dBu USA Canada 100 120V 60Hz Europe 210 240V 50Hz U K Australia 240V 50Hz 18W 100 120V T500mAL 210 240V T250mAL Standard IEC receptacle 245mm x 268mm x 24 73mm 9 64 x 10 54 x 0 94 2 87 2 4Kg 5 2916 3 5Kg 7 7216 9 WARRANTY 1 WARRANTY REGISTRATION CARD To obtain Warranty Service the buyer should first fill out and return the enclosed Warranty Registration Card within 10 days of the Purchase Date All the information presented in this Warranty Registration Card gives the manufacturer a better understanding of the sales status so as to purport a more effective and efficient after sales warranty service Please fill out all the information carefully and genuinely miswriting or absence of this card will void your warranty service 2 RETURN NOTICE 2 1 In case of return for any warranty ser
8. POST PRE BAL BAL 400 200 IGHT Q 1 8 X a 8 a 8 EA a y A o m 5 2 ge je go 0 15 LEVEL MAIN MIX LEVEL 8 a LEVEL 4 CONTROL ELEMENTS 4 1 mono MIC LINE channels These are Channel 1 through Channel 4 You can connect balanced low im pedance microphones to the XLR socket On the 1 4 phone jack you can MIC 1 connect either a microphone or a line level instrument You shall never connect an unbalanced microphone to the XLR socket if you do not want to damage both the Microphone and the Mixer 48 Volt phantom power It is available only to the XLR Mic sockets Never plug in a microphone when phantom power is already on Before turning phantom power on make sure that all faders are all the way down In this way you will protect your Stage Monitors and Main Loudspeakers BAL OR UNBAL LINE IN 1 TRIM 15dB 4548 LINE 4 2 INPUT LEVEL setting 08 6008 MIC This Control is provided with 2 different indication rings One is CO for the Microphone and the other for the Line levels When you use a microphone you shall read the OUTSIDE ring 0 60 dB 3 When you use a Line level instrument you shall read the INSIDE ring 15 45 dB For optimum operation you shall set this control in a way that the peak LED will blink also occasionally in order to avoid distortion on
9. equaliser for bass middle and treble controls as well as 2 Auxiliary Bus There is even a stereo input available to be assigned directly to the main MIX or to the other outputs Control Room and Headphone So in total you have 14 inputs on you S 8 Nothing else to add but we would like to thank all the people that made the ALTO S 8 8 Channel Mixing Console a reality available to our customers and thank our designers and all the ALTO staff people who make possible the realization of products containing our idea of music and sound and are ready to support you our customers in the best way conscious that you are our most important member Thank you very much ALTO AUDIO TEAM TABLE OF CONTENTS INTRODUC TION 4 2 M 5 3 trud n a 6 rr m 7 44 18 ra de 8 4 2 INPUT LEVEL ET c c 8 4 3 WOW CUT PIETER c 8 AA
10. the input channel POWER 4 3 LOW CUT FILTER By pressing this button you will activate a 75 Hz low frequency filter with a slope of 18 dB per octave You can use this function to reduce hum and stage rumble when using microphones 4 4 STEREO INPUTS These are Channel 5 through 8 They are organised in stereo pair 5 amp 6 pair also features XLR Mic Input LINE IN 5 6 LINE IN 7 8 and they are provided with 1 4 TRS phone sockets LEFT MONO LEFT MONO If you connect only the left jack the input will operate in mono mode MIC MONO TRIM 4 5 The 3 BANDS EQUALISER A 3 band equaliser is provided for all input channels with a wide range of frequency adjustment EQ HI 12kHz 4 5 1 HI 6 This is the Treble control You can use it to get rid of high frequency noises or to boost the sound of cymbals or the high harmonics of ei the human voice The gain range goes from 15dB to 15dB with a center frequency of 12 kHz 80Hz a 4 5 2 This is the Midrange control It can affect most fundamental fre quencies of all musical instruments and human voice An attentive use of this control will give you and very wide panorama of sound effects The gain range goes from 12dB to 12dB and the center frequency is 2 5 kHz a 8 T 2 OX 0 8 a a 4 5 3 LOW This is the Bass control Boost male voice or kickdrum and bass
11. AK Led will blink with a level that is 6dB before actual clipping 2 m oO 8 a X z LEFT RIGHT 4 9 LEVEL 9 o This Control will adjust the overall level of this channel and set the amount of signal sent to the Main output 12 eo 15 LEVEL 4 10 INSERT Insert points are provided for the Mono Mic Channels When you insert a jack in the insert socket the signal will be taken out after the Input Gain Control Trim sent to an external processor such a com pressor limiter and returned into the channel strip immediately before the EQ section Of course the jacks used must be stereo Tip Send Ring Return CHANNEL INSERT PRE FADER PRE EQ TIP SEND RING RETURN 4 11 MASTER SECTION MAIN MIX LEVEL This Control set the amount of signal sent either to the Main Out socket or to the Tape Output LED METER This stereo 12 segments Led Meter will indicate the level of the overall output signal 2 TRACK signal path 7 If you push down the 2TK TO CONTROL ROOM button the 2 TRACK IN signal will be routed into the Control Room output and the level will mu be adjusted by the Control Room knob nearby e 7118 the Main MIX LEVEL knob RETURN PHONES ATE 20 If you push the 2TR TO MIX button the 2 TRACK e e L mm IN signal will be routed into the MAIN output EFX TO AUXI POWER E and will be adjusted by the MAIN MIX LEVEL knob 27K TO MX E E L cu
12. P r 5 O 10 07 0 AUX RETURN The Auxiliary Returns 2 are fact 2 add 2 H itional stereo Line inputs 2 2 2 15 AUX RETURN 1 is configured to be assigned 0 70 permanently to the Main Mix It operates in Mono Mode if you connect only the left jack OUTPUT LEVEL The EFX TO AUX1 button is used to swtich the signal from AUX RETURN 2 between MAIN MIX and AUX SEND 1 MAIN If a signal is routed to AUX RETURN 1 LEVEL signal is connected to AUX RETURN 2 the signal will be switched to AUX SEND 1 via depressing the EFX AUX1 then the signal will be controlled in level by AUX RETURN 2 Without doubt this feature will be very useful for you PHONES CONTROL ROOM This Control set the amount of signal sent to the Control Room and headphone PHANTOM This LED indicates when the Phantom Power is switched on POWER This LED indicates when the Power is on in your S 8 STEREO AUX RETURN AUX SEND 2 TRACK IN OUT LEFT MONO 1 RIGHT 1 00 9 e e LEFT RIGHT OUT 2 IN OUT Input Use the Tape input if you wish to listen to your Mix from a Taper Recorder or DAT You can assign the signal coming form the Taper Recorder either to a pair of studio monitor using the Control Room assignment on the front panel or you can also send the signal directly to the Main Mix Output These 1 4 TRS sockets will route t
13. annels pre and post Auxiliary bus and phantom power complete the picture 5 Input for Microphone and line provided with balanced 1 4 jack XLR Channel 5 features stereo Line input 1 additional input for Line level signal provided with balanced TRS 1 4 jacks The Microphone preamplifiers are Ultra Low Noise and are provided with 48 Volt Phantom Power 1 pre fader and 1 post fader Auxiliary bus e Main Output is balanced to provided optimum sound quality Control Room and headphone output are unbalanced type e Precise 3 bands graphic equaliser Bass Middle and treble on each input channel Single Led indicating signal Peaks on each input channel and Low cut filter on all MIC channels e 2 track input featuring RCA sockets assignable alternatively to each output group e 12 Segments Led Meter for optimum reading of the output signal Balanced Outputs both XLR and TRS 1 4 jack 3 READY TO START 3 1 Please check the AC Voltage available in your Country before connecting your S 8 to the AC socket 3 2 Be sure that the main power switch is turned off before connecting the Mixer to the AC socket Also you should make sure that all Input and Output Controls are turned down This will avoid damages to your speakers and avoid excessive noise 3 3 Before turning on the S 8 you shall connect it to a power amplifier and turn on the mixer BEFORE the power amp lifier Once you have finished your working session
14. guitar Your system will sound much bigger than what it is The gain range goes from 15dB to 15dB and the center frequency is 80 Hz RIGHT PEAK 8 m 4 6 AUX SENDS 9 These two controls will send the audio signal out to Auxiliary busses AUX 1 is configured as PRE FADER It means that the signal is sent out before reaching the main Fader This will be used for stage monitors AUX 2 is configured as POST FADER therefore the audio signal will be affected by the Main Channel Fader This will be used for effects and sound processors However Aux 2 can also be configure as Pre Fader through any internal modification Please see MODIFICATIONS later on in this Manual H 12kHz en a 5 MID 2 5kHz 4 7 PAN 12 0 12 This is the PANORAMA control balance control You adjust T the stereo image of the signal via this Control Keep this control in 80Hz a a a center position and your signal will be positioned in the middle of stage Turn this control fully counterclockwise and the signal will be present only on the left speaker and vice versa Of course a wide number of intermediate positions is available e X v 2 4 8 POST Inside your S 8 the audio signal is monitored in several different stages and then sent to the PEAK Led When this Led blinks it warns you that you are reaching signal saturation and possible distortion The PE
15. he main mix into a tape recorder STEREO AUX RETURN Use these stereo 1 4 phone socket to return the sound of an effect unit or sound processor to the Main Mix Alternatively you can use them as an extra auxiliary input AUX SEND 1 AND 2 This 1 4 phone socket is used to send out the signal from the AUX Bus to external devices such as effects and sound processors PHONES This socket will send out the signal mix to a pair of headphones PHONES 4 12 REAR PANEL DESCRIPTION POWER PHANTOM CAUTION ON 4 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN e REPLACE WITH THE SAME TYPE FUSE AND RATING AVIS RISQUE DE CHOC ELECTRIQUE ne pas oUVRIR OFF MAIN MIX OUTPUT CONTROL BAL UNBAL ROOM OUTPUT 210 240V 50Hz i Fuse T250mAL RIGHT RIGHT USA Canada UK Aust 100 120V 60Hz 240V 50Hz 2 6 Fuse T500mAL Fuse T250mAL POWER This switch is used to turn the Main Power ON and OFF PHANTOM This switch will apply 48 Volt Phantom Power only to the 5 XLR microphone inputs Never connect microphones when the Phantom Power is on already AC INLET WITH FUSE HOLDER Use it to connect your S 8 to the Main AC with the supplied AC cord Please check the Voltage available in your Country and how the Voltage for your S 8 is configured before attempting to connect your S 8 to the Main AC MAIN MIX OUTPUT Th
16. in or moisture does not operate normally or has been dropped 1 PREFACE Dear Customer Thanks for choosing ALTO S 8 8 Channel Mixing Console and thanks for choosing one of the results of ALTO AUDIO TEAM s work and researches For our ALTO AUDIO TEAM music and sound more than a job are first of all passion and let us say our obsession We have been designing professional audio products for a long time in cooperation with some of the major brands in the world in the audio field The ALTO line presents unparalleled analogue and digital products made by Musicians for Musicians in our R amp D centers in Italy Netherlands United Kingdom and a large range of state of the art algorithms which have been developed by our Software Team for the last 7 years Because we are convinced you are the most important member of ALTO AUDIO TEAM and the one confirming the quality of our job we like to share with you our work and our dreams paying attention to your suggestions and your comments Following this idea we create our products and we will create the new ones From our side we guarantee you and we will guarantee you also in future the best quality the best fruits of our continuous researches and the best prices Our ALTO S 8 8 Channel Mixing Console has 5 Mono these are provided with Ultra Low Noise microphone pre amplifiers and Phantom Power at 48 Volt and 2 stereo input channels and each of them is provided with a 3 bands graphic
17. is stereo output is supplied both with XLR and 1 4 jack socket and it is controlled by the Main Mix Level on the front panel It will send the audio signal to an amplifier The output level can be varied from 2 to 15dB CONTROL ROOM OUTPUT These 1 4 phone sockets will be used to send the signal to Studio Monitor speakers or to a second set of PA 5 INSTALLATION AND CONNECTION Ok you have got to this point you are now in the position to successfully operate your S 8 However we advise you to read carefully the following section to be the real Master of your own Mix Not paying attention enough to the Input signal level to the routing of the signal and the assignment of the signal will result in unwanted distortion a corrupted signal or no sound at all So you should follow this procedure for every single channel Turn down all Input and Output Gain Controls Connect phantom powered microphones before switching on the 48Volt Phantom Power switch If you have a power amplifier connected to your S 8 set the Level of the amplifier at no more than 70 Now set the CONTROL ROOM PHONES level at no more than 50 this way you will be able to hear later what you are doing connecting a pair of headphones or a pair of powered studio monitor speakers Position MID and LOW eq controls on middle position Position panoramic PAN control on center position e With a headphone or studio monitor speakers connected app
18. ly a Line Level input signal so that the PEAK Led does not light up At this point increase the input gain so that the PEAK led will blink occasionally In this way you will maintain good headroom and ideal dynamic range Now connect a microphone and ask the singer to sing loud into the microphone Turn slowly the Gain Control clockwise and have the PEAK Led blink only occasionally Now repeat the same sequence for all input channels The Main Led Meter could move up into the red section In this case you can adjust the overall output level through the MAIN MIX control 5 1 SOME FINAL TIPS WIRING CONFIGURATION You can connect unbalanced equipment to balanced inputs and outputs Simply follow these schematics Ring Right Signal Tip Sleeve Ring Strain Clamp Tip Left Signal Sleeve Ground Screen Use for Headphone Stereo Return 1 4 Stereo TRS Jack Plug Sleeve Strain Clamp Tip Signal Sleeve Ground Screen Use for Mono Line In Mono 1 4 Jack Plugs 1 4 Mono TS Jack Plug Ring Return Signal Tip Sleeve Ring Strain Clamp Tip Send Signal Sleeve Ground Screen Use for Pre Gain Channel Inserts 1 4 Stereo TRS Jack Plug 2 Hot 1 Ground Screen 2 Hot 1 Ground Screen 3 Cold 3 Cold Use for Balanced Mic Inputs Use for Main output For unbalanced use connect pin 1 to 3 For unbalanced use leave pi
19. n 3 unconnected 3 pin XLR Male Plug 3 pin XLR Line Socket seen from soldering side seen from soldering side Ring Return Signal Connected together To Channel Insert Sleeve Ground Screen Tip Signal To Tape or FX Input Sleeve Ground Screen Tapped Connection Direct Output Lead Enables the Insert to be used as a Direct Output while maintaining the channel signal flow To Processor Input Sleeve Ground Screen Tip Send Signal Tip To Channel Insert Sleeve Ring Ring Return Signal To Processor Output Y Stereo lead for insert Connection To be used when the processor does not employ a single jack connection for the In Out Connections 6 FOR THE EXPERTS WHO WANT KNOW MORE As we have told you previously in this Manual the Aux Send 2 Control both on Mono and on stereo channels is factory wired as POST FADER If you have some skill in electronic components soldering you can modify this setting and have all your AUX sends configured as PRE FADE Aux Aux PRE EB PRE 4 Solder the PRE route Disconnect POST the POST route POST Before After 9 x Modification on mono and stereo channels 7 SYSTEM BLOCK DIAGRAMS
20. nstructions e Follow all instructions Keep these instructions Heed all warnings e Only use attachments accessories specified by the manu facturer Power Cord and Plug Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at the plug convenience receptacles and the point where they exit from the apparatus Cleaning When the apparatus needs a cleaning you can blow off dust from the apparatus with a blower or clean with a rag etc Don t use solvents such as benzol alcohol or other fluids with very strong volatility and flammability for cleaning the apparatus body Clean only with a dry cloth Servicing Refer all servicing to qualified personnel To reduce the risk of electric shock do not perform any servicing other than that contained in the operating instructions unless you are qualified to do so Servicing is required when the apparatus has been dam aged in any way such as the power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to ra
21. s T sss H y 5 Eso 4 3 EX 078 4 arc DL sz 08 1 EET inox gt 02 8 9 STANNVHO LNdNI 15 H o ol DESNI aPSt 9PS L WL NI INIT z J 555 SP09 0 NIVO OIIA P gt Ep mw 2 677 Ter OF 0 m 10 95 A eee 1 zxnv i Tm LNO NIVIN XI NIV VXW b SSYd IH LS zanasxnv xn i o a P senn ot 4 T 1n2 01 DC ws 08 i ___ MeT Am oo gt gt d id bir WOINvHd quas xnv SZER 9 1 STINNVHO LNdNI ONON a 8 TECHNICAL SPECIFICATION Mono input channels Microphone input Frequency response Distortion THD amp N Gain range SNR Signal to Noise Ratio Line input Frequency response Distortion THD amp N Sensitivity range Stereo input channels Line input Frequency response Distortion THD amp N Impedances Microphone input Channel Insert return All other inputs Tape out All other output Equalization Hi shelving Mid bell Low shelving Low Cut filter Main Mix Section Noise Bus noise Max output AUX Return gain range AUX Sends max out Power supply Main voltage Power Consumption Fuse Main connection Physical Dimension WXDXH Net weight Shipping weight
22. vice please make sure that the product is well packed in its original shipping carton and it can protect your unit from any other extra damage 2 2 Please provide a copy of your sales receipt or other proof of purchase with the returned machine and give detail information about your return address and contact telephone number 2 3 A brief description of the defect will be appreciated 2 4 Please prepay all the costs involved in the return shipping handling and insurance 3 TERMS AND CONDITIONS 3 1 ALTO warrants that this product will be free from any defects in materials and or workmanship for a period of 1 year from the purchase date if you have completed the Warranty Registration Card in time 3 2 The warranty service is only available to the original consumer who purchased this product directly from the retail dealer and it can not be transferred 3 3 During the warranty service ALTO may repair or replace this product at its own option at no charge to you for parts or for labor in accordance with the right side of this limited warranty 3 4 This warranty does not apply to the damages to this product that occurred as the following conditions Instead of operating in accordance with the user s manual thoroughly any abuse or misuse of this product Normal tear and wear The product has been altered or modified any way Damage which may have been caused either directly or indirectly by another product force etc
23. you shall turn the mixer off AFTER the power amplifier 3 4 Before disconnecting the S 8 always turn off the Power switch 3 5 Do not use coke beer or solvents to clean your S 8 A dry and clean cloth will be OK 4 CONTROL ELEMENTS STEREO AUX RETURN AUX SEND 2 TRACK IN OUT MIC 1 MIC 2 MIC 3 MIC 4 LEFT MONO RIGHT i L Acc 5 8 8 CHANNEL MIXING CONSOLE LEFT RIGHT i R TAPEIN TAPE OUT NEAL AL e jr LINE IN 5 6 LINE IN 7 8 LINE IN1 LINE IN 2 LINE IN 3 LINE IN 4 TRIM TRIM TRIM TRIM 1008 4048 LINE 048 6048 LOW CUT LOW CUT LOW CUT 75Hz 75Hz 75Hz 18dB Oct 18dB Oct 18dB Oct LEFT MONO LEFT MONO MIC MONO TRIM 10dB 4048 LINE 10dB 4048 LINE 048 6048 MIC 048 6048 10dB 40dB LINE 048 6048 MIC RIGHT RIGHT PHONES gt gt 12kHz 12kHz 15 AUX 15 8 OA 15 o 115 45 o 115 15 o 75 RETURN PHONES Reon MID MID MID 2 5kHz 2 5kHz 2 5kHz 2 5kHz 2 5kHz 2 5kHz e 42 g 12 42 0 42 42 0 02 42 g 2 42 0 62 12 0 42 EFX AUXI mE ZIKTO CONTROL ROOM LOW LOW LOW LOW LOW LOW C 2 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz ZTKTO MX PHANTOM 480 15 45 480 5 480 480 480 85 10 AUX 1 AUX o gt 2 8X e gt gt d Q 2 gt 2 aS T gt 2 8X 0000000000 POST PRE
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