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OPERATORS MANUAL

1. 0003 14 A The SOLO switch sends the input channel signal to the PFL mono and AFL stereo busses If switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the channel solo will turn off As a default the solo system is auto cancelling so each new solo cancels the last This function is time dependant which allows several solos to be active as long as they are switched on at approximately the same time The SOLO ADD MODE switch on the MONITOR module defeats the auto cancelling and allows multiple channel monitoring In this mode input solos have priority over outputs and will temporarily override any active output solos The input solos also override any active VCA solos The FADER gives continuous adjustment of the input channel level from 10dB to off FADER POSITION CHECK When a scene s contents are being checked see automation operation the STATUS LEDs will indicate the fader position stored in the scene by continuously illuminating one or two LEDs as appropriate VIRTUAL FADER RECALL When in VIRTUAL FADER mode see automation operation the automation system will generate a virtual fader set to the level of the input fader at the time the snap shot was stored The level of the virtual fader is added to the level of the physical input fader In this mode the STATUS LEDs indica
2. detent shelving response to bell filters with a bel treble 1 5 octave bandwidth ok 8k The hi mid FREQ control gives continuous adjustment of the frequency range that the hi mid equalisers act on The hi mid HI Q control changes the bandwidth of the hi mid equalisers from 1 5 octave to 0 5 octave 4 from 400Hz to 8k 2E The INS switch connects the left and ___ right input insert return signals to the input channel The HI MID control gives continuous adjustment of left and right boost and cut from 15dB to 15dB with a OdB centre detent The insert PRE switch arranges the input channel signals to pass through the insert points before the equalisers when activated and after the insert points when not activated The EQ switch connects the left and right equalisers into the input channel signal paths The LO MID control gives continuous adjustment of left and right boost and cut from 15dB to 15dB with OdB centre detent The lo mid FREQ control gives continuous adjustment of the frequency range that the lo mid equalisers act on from 100Hz to The lo mid HI Q control changes the bandwidth of the lo mid equalisers from 1 5 octave to 0 5 octave 15 gt ia 15 lo mid 100 freq The bass BELL switch converts the bass bell equalisers from traditional MIDAS The BASS control gives continuous shelving response to bell filters with a 4 adj
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4. OPERATORS MANUAL Midas Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel 44 1562 741515 Fax 44 1562 745371 Email midas info uk telex com Website midasconsoles com MIDAS Heritage 3000 Operators Manual DOC02 H3000 Issue 1 4 July 2002 Due to a policy of continual product improvement specification and features may be subject to change without notice Tira IMPORTANT SAFETY INSTRUCTIONS WARNING REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR These symbols are internationally accepted symbols that warn of potential hazards with electrical products The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing instructions in the literature accompanying the appliance 1 Readthese instructions 2 Keep these instructions 3 Heedall warnings 4 Follow instructions 5 Donotuse this apparatus near water 6 Clean only with a dry cloth 7 Do not block any of the ventilation openings
5. Return Ring Cold Sleeve Ground Contents Midas HS0001 Mono Input Module Midas HS0003 Input Fader Midas HS0004 Stereo Input Module Midas HS0003 Input Fader Midas HS0011 Group Module Midas HS0013 VCA Master Fader Midas HS0021 Master Module Midas HS0031 Monitor Module Midas HS0041 Matrix Module Midas Automation Heritage Menu Overview Ver 2 04 Midas Can Bus Cable Heritage Back Panel Frame Dimensions Block Diagrams Input Module Group Module Matrix Module Master Module Monitor Module Heritage Overview and Statistics Heritage Technical Specifications Crib Sheet Page 1 Page 2 Page 8 Page 13 Page 15 Page 19 Page 21 Page 25 Page 29 Page 32 Page 40 Page 48 Page 49 Page 51 Page 53 Page 54 Page 55 Page 56 Page 57 Page 59 Page 61 MIDAS 50001 Mono Input Module 500 15 15 lo mid 100 2k freq bell 100 15 15 bass 20 freq 400 I 20 freq 400 a stereo ler image mute MIDAS 5 HS0001 The 48V switch 48 volt phantom power to the input connector which is suitable for a condenser microphone or DI box The PAD switch gives 25dB of attenuation to the input signal which will allow the connection of high output microphones or line level signals If the E
6. immediately take you to the finished scene Previewing a Scene To preview a scene without effecting your mix select the scene number on the display using the ACT SCENE UP and DOWN buttons Once the desired number is displayed using the CHECK button the automated switch configuration and fader positions stored for that scene can be viewed without changing the actual settings The Automute Safe buttons on the inputs will display the input mute state The master VCA mutes will display the Master VCA mute setting with out altering the Audio The Group and Matrix Mute Safe buttons will display the checked scene mute status The display will also scroll through the other stored scene information telling you if midi in is enabled and the channel assigned The MIDI out information stored with the scene cross fade value and program change number the scene will respond to Pressing the CHECK button will drop you back into normal mode Recalling Scenes There are 3 methods by which scenes can be recalled a Stepping through existing scenes using the LAST and NEXT buttons This steps through the scenes in numerical order b Select the act scene number using the ACT SCENE UP and DOWN buttons when the correct scene number is displayed in the screen press the NOW button and the scene will be recalled c A scene can be assigned to a fast scene key 1 10 In this instance the scene is recalled by just pushing the fast scene key Assigning A Scene T
7. Install in accordance with the manufacturers instructions 8 Do nat install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat 9 Donot defeat the safety purpose the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety Ifthe provided plug does not fitinto your outlet consultan electrician for replacement ofthe obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Only use attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified personnel Servicing is required when the apparatus is damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped IEC 60065
8. L switch connects the signal generator output to the talk external output XLR generator generator internal external internal talk mic The TALK XLR socket accepts balanced 150 microphone signals The MIC GAIN preset gives continuous adjustment of the microphone amplifier 40 gain from 20dB to 60dB operates aly in conjunction with a peak limiter which 9 2 is factory set to 10dBu LA 20 60 oo mic gain level The TALK INTERNAL switch connects the talk mic output to the console s internal talk system and at the same time dims all the local outputs by 20dB to prevent howl round talk talk internal external meter PRE Mono infos The TALK input routes the talk external input to the mono local monitor output The MONO masters switch routes the post fader mono master mix to the mono local monitor output The SOLO switch routes solo signals to the mono local monitor output when ever a solo is active on the console This mt overrides any signals sent from the mono master but does not override talk inputs The mono output C O switch D disconnects the mono local monitor 2 output 0 output from the main output and mute re routes it to the secondary b output The phones MUTE switch mutes the headphone outputs phones stereo source The ST master switch routes the post fader stereo master mix to th
9. Sng XIN 1 I YaSIIVNO3 OWANVelvd ATINA ANVE UNO sng O1OS sna O1OS 1431 144 KINO 3sn 39438 lt lt INdNI sna ONOW INIOd 1 39 E sna 1431 NM SWNOIS 33 5 SIVNOIS n ABA TWNOIS SNOIIdO 1SOd 3tld ISAAA 3SVHd Janta SSvd IH NIVO xno QUOW Xnv ONON Xnv 034315 31901 sna OAala s OL VOA 6 VOA INN dd 1HORI OTOS 1431 0108 91901 O1OS o lt Nan zl Emm NW IHON lt indui LHOR lt LUASNI lt j sng l lt lt sna Nas E lt 1085 L lt lt sna dO 1431 TO 143 E ge 99 4 7079 1331 nn 93129185 n Jud SALIN 86 S 1 Alva 1331 808 i 57 830 SIS VIN aval V ANSSI sans XRIIVW INVeIOVICG 2019 ONON sng FINGOW INOUD 000 mm m quem A Es E EEE E EH ane vemm G Gee Gee 830 1 OL RR ma aras 1 sng 54 J Ul I BEES HESEI ERITAGE 3000 MATRIX MODULE BLOCK DIAGRAM ISSUE A DATE 1 5 98 METER
10. assignment functions are disabled RCAL Only recall and assignment functions are available STOR Scene storage editing recall and assignment are operational SYSTAII functions are available insert delete Operating the STORE key will store the current console assignments and settings to the snap shot being displayed on the numeric display he MIDI key allows the operator to edit the snap shot MIDI information On entering this mode the operator will be presented with a menu of the four MIDI messages that are stored within each snap shot its operation is similar to the system menu The COPY DELETE and INSERT keys allow the operator to edit the snapshot sequence in the following manner act scene c o dow INSERT Pressing this key will allow the operator to insert snapshot at the number on the numeric display The scene that was originally at the number and all con current scenes will be re numbered by adding one to their scene numbers now COPY This will copy the snapshot currently displayed on the numeric display to a temporary memory location This can then be stored or inserted to a new scene number in the normal fashion When in copy mode a fast scene number can also be assigned to the scene by simply pressing the desired fast scene switch DELETE will erase the snapshot that is currently being displayed on the numeric display from the automation memory The CHECK switch provides a preview of any snapshot o
11. m PRE SX m ES A mm E 2 5 to OR m E mute MIDAS Hso004 The 48V switch connects 48 volt phantom power to both input connectors and is suitable for condenser microphones or DI boxes The PAD switch gives 25dB of attenuation in both input signals to allow the connection of high output adjustment of the input amplifier gains microphones or line level signals If the from 15dB to 60dB input amplifiers are transformer coupled A option the pad greatly reduces the risk 3 of saturation at very low frequencies The GAIN control gives continuous The PHASE switches activate a 180 Bo The BALANCE control gives continuous degree phase change within the input and reciprocal adjustment of the stereo amplifiers The upper switch acts on the left and right signal levels by 10dB to left channel and the lower switch acts on 10dB This allows fine adjustment of the right channel left and right signal levels and imaging The treble FREQ control gives continuous adjustment of the frequency range that the ARS treble equalisers act on from 1k to 20k 20k 7 The TREBLE control gives continuous freq wl l adjustment of left and right boost and cut The treble BELL switch converts the from 154 to 15dB with OdB centre treble equalisers from traditional MIDAS 15
12. messages that can be sent per recalled scene Press CONFIRM c Using the UP and DOWN buttons scroll through the menu until the screen reads PROG Press the CONFIRM button d The window will read using the UP and DOWN keys a channel between 01 to 16 can be selected Press CONFIRM e The window P000 using the UP and DOWN keys a program change between 00 and 127 can be selected Press confirm and you will be dropped back to the first level of the menu When the desired messages have been edited press the MIDI button again to drop out of the menu f To then store the MIDI information with the scene the STORE button must be pressed followed by CONFIRM Assignment of Program changes to a Scene a Once a scene has been stored press the STORE button so that the display reads OVER STOR b Press the UP key until the display reads PRCH then press CONFIRM c Using the UP or DOWN key chose the required MIDI program change you wish the scene to be recalled by You have the choices NONE Program Changes 000 127 Inserting Scenes a Once you have created the scene you wish to insert edit the act scene number display using the ACT SCENE UP and DOWN buttons until the desired position 1s displayed b Press the INSERT switch The screen will then display done The original scene and any scene preceding it will then be incremented by one position NB The INSERT button will only be illuminated if a scene exists where you wish to place the scene
13. monitor outputs from the main a outputs and re routes them to the secondary b outputs The PHASE switch reverses the phase of MZ the left hand monitor signal When the left right reverse is ON the left hand monitor signals are routed onto the right channel output speakers and the right hand monitor signal are routed onto the left channel output speakers The LEFT switch routes left hand monitor signal to both the left and right local monitor speaker outputs The left MUTE switch controls the mute function on the left hand side of the stereo local monitor speaker outputs The SOLO PFL switch sends the mono PFL solo bus signals to the headphones and local monitor outputs in place of the stereo AFL solo bus signals Va The SOLO ON CLEAR switch and indicator has two functions it illuminates when any solo switch 1 active and when pressed it clears any active solo switches The MONITOR fader gives continuous adjustment of all three local monitor output levels from 104 to off 28 stereo output Em NER output b left only sum l r reverse 20 mute mute SOLO ee pre fade 5010 of solo clear monitor MIDAS ES 0031 R m uj The MONO sum switch adds the left and right monitor signals with a 4 5dB summing loss The 20 PAD switch acts on all three local monitor outputs causing them to dim by 20dB This functi
14. or automute assignment in conjunction with the SET switch on each channel as follows mute To enter ASSIGNMENT mode first press the LOCK switch to un lock the assignment system The VIRTUAL FADER switch enables the recall operation of the virtual fader system The virtual fader system can only be active if the console is unlocked to RECALL STORE or higher Press the ASSIGN KEYS to set up the required group number or numbers a long press will allow multiple assignment where as a short press will clear the previous settings Press the SET switch on the input channels to which the assignment is required Again there are two ways to do this a long press will remove all prior settings on the input and replace them with the new assignment a short press will toggle the state of any switches within the assignment set up i e if assign keys and two are on Pressing the input SET switch will cause that channel to toggle the number one and two assignments for the channel either from off to on or visa versa A The switch selects which micro is controlling the To enter CLEAR mode set all the assign console assignment and automation systems This is a major keys to off function At the point of change over there is no defined control of the faders within the fader tray and output levels will change To switch the assign keys off simply press The A
15. otherwise STORE may be used as normal Copying Scenes a Recall the scene you wish to copy by selecting the scene number and pressing the NOW button b Press the COPY button c The MIDI Button will be illuminated as default which indicates that the midi out messages will also be copied with the scene If you do not wish the midi out information to be copied to the new scene press the MIDI button so that the light is extinguished d The act scene numbers can now be scrolled through using the ACT SCENE UP and DOWN buttons until the desired position is reached then press the STORE button 43 Editing the Cross fade Value of a Scene a Recall the scene you wish to copy by selecting the scene number and pressing the NOW button b Press the STORE button and using the UP and DOWN buttons scroll through the display until XFADE is shown press CONFIRM c The current cross fade speed stored with the screen will be displayed Using the UP and DOWN buttons select the required cross fade speed d Press CONFIRM to store this new speed with the scene NB When a scene with a cross fade speed is being recalled the display will flash for the specified cross fade time Halting a Cross fade To Pause a crossfade during recall press the CANCEL button The crossfade can be resumed again by pressing the CONFIRM button Bypassing a Cross fade A crossfade can be bypassed by pressing the confirm button as the crossfade is being applied this will
16. scene number XFADE BR Thecross fade speed can be set from 0 1 to 100 seconds PRCH Allows selection of the Program change the scene will respond to between NONE 000 to 127 when MIDI In Program changes are enabled 41 Unlocking the Console To unlock the mixing console press the SYSTEM menu button Using the up down keys scroll through the menu until LOCK is displayed press CONFIRM Using the up down keys scroll through the menu until the desired level of unlock is displayed on the screen then press the confirm button Locking the Console To lock the mixing console press the SYSTEM menu button Using the up down keys scroll through the menu until LOCK is displayed press CONFIRM Using the up down keys scroll through the menu until TOTL is displayed on the screen then press the CONFIRM button The LOCK button located on the MODE SWITCHES disables the Assign keys Mode switches and Set switches on the Centre section and input faders Storing a Scene Setting up a scene Assigning VCA Mutes Faders etc 42 Assigning VCA s a Ensure that the lock button is not illuminated on the mode switches if it is just press the button to extinguish the LED b Press the VCA mode button so that it is illuminated This has now selected the VCA mode on the input modules c Using the ASSIGN KEY select which master VCA you wish to assign to a particular input module 1 10 Quickly enabling a button will clear a
17. the stereo masters to the MONITOR module When the TALK INTERNAL or GENERATOR INTERNAL are active on the MONITOR module the oscillator pink noise and talk mic can be routed to the stereo masters The mute SAFE switches remove the stereo master mutes from snapshot automation The VCA link to mono switch connects the mono master level control to the stereo master fader so that the mono output tracks any change of the stereo master fader 24 mute link to mono mute To mono masters MIDAS 50021 The BALANCE control gives continuous and reciprocal adjustment of the stereo left and right signal levels by 3dB to off This allows fine adjustment of the left right power levels and imaging The INS switches connect the master insert return signals to the stereo master signals The MUTE switches mute the stereo master signals at all points after the insert send The switches can be controlled from snapshot automation The STEREO to mono switch connects a mono sum of the pre insert stereo master signals to the mono master bus The MASTER FADER gives continuous adjustment of the stereo master output levels from 10dB to off kHz signal frea generator 7 o 10 level generator generator intemal extemal 1o all TALK internal E talk mic 40 0 oL EX 26 co 10 mic gain level talk talk internal ex
18. 3000 46 Linking Heritage Consoles together Via A maximum of 6 consoles can be linked via the CAN bus connector located at the rear of the Heritage consoles Any mixture of any Heritage consoles may be linked H3000 H2000 or H1000 They are linked using a cable the description of which is given on the next page If you have more than 2 consoles in a system the end consoles either end of the cable must have the RED termination button in the out position default all other consoles must have this Red button pressed in When linked only one console can be the master at any one time all other linked consoles are slaves The following functions are linked Master VCA Control Master AutoMute Control VCA Master Solo Solo in Place Mode Scene Storage and Recall See attached Note 1 Mode Switches Automation Assignment Keys Solo On Solo Clear See Note 2 Note 1 scene memory information remains local to the console so when saving or loading memories to or from the console by either computer file or midi sysex dump each console must be done individually When setting up a multiple console system it is recommended that programming is done from the start with all consoles linked This is to avoid recalling a scene that does not exist on a slave console If this is done you will see a warning message on the Master indicating that the scene does not exist and prompting for conformation at which point the master will recall t
19. 9 ONIN s ppo AF 03103195 M pulajul 1 A SUJISVA OL 0105 518 OTOS StHBISVIA OLOIOS Oul lul O 57 31901 OTOS 86 V 8z alva V 3155 ADO l8 FINGOW YOLINOW 000 39Vllel3H 518 1331518 sna 0105 4 lt O 1O3fNI SOLINOIN Q inei D OL 38U3A3U gpbz TE d O 0108 lt LO3PNI 0105 d RE 1 dO E E 1NIOd I2I3SNI lt sna 8 13 0105 d O O1OS P dd NANA QN3S Pu e 4 4 a ET INIOd RESNI lt 1 SIS 0105 E 133 sna 5 31v H 0105 StEDIV3ds duis e av HIOROL1 ONOW d O ONOA NANA ON3S wns es INIOd 1U3SNI lt d O ONOA a E E Os ONOW Q3SIIVINSION ATVH Siejspuu SUDAVIdS 58 Heritage 3000 Specification Overview Statistics 1 The Heritage 3000 is a 30 buss console with an additional 27 x 8 output matrix The busses are as follows 24 stereo or mono configurable groups 24 1 stereo master 2 1 mono master 1 1 stereo AFL 2 1 mono PFL 1 TOTAL 30 2 The 3000 has 10
20. B switch should there for be treated with the same the ones that are illuminated which will cautions used at console power up down toggle them off For reliability the assignment and automation systems are In this mode operating an input SET switch 100 duplicated The console can operate on either of the with a long press will clear all the VCA and systems shots are stored on BOTH of the systems automute assignments The mode switches The LED s indicate the status of each system in the following be used to select which parts are cleared Manner i e press mode to clear VCA s press LED green indicates which system is active MUTE mode to clear automutes or use a LED off indicates which system is inactive long press to activate both VCA and MUTE LED red indicates that a system is damaged or not mode for simultaneous clearing responding and that a service engineer must be called as soon as possible 33 Snapshot Automation System Snapshots can be stored in the automation system as ACTs or SCENEs There is no difference between an ACT or a SCENE apart from the numbering scenes are just sub sets within acts The AUTO MUTE GROUP MASTER switches 1 to 10 activate the mute circuits on any mute group assigned input channels The FAST SCENE keys provide the operator with ten quick entry points within the ACT SCENE sequence i e If FAST automation SCENE key one is associated with system ACT
21. Bell Freq Treble Bell Bandwidth Hi Mid Gain Hi Mid Freq Hi Mid Bandwidth lt 90dB lt 90dB lt 90dB gt 80dB 50 Ohms Balanced Source to drive gt 600 To drive gt 8 21dBu 21dBu 60dBu to 10dBu OdBu 10dBu 12dB Oct Continuously variable 3dB point from 20Hz to 400Hz Continuously variable 15 dB to 15 dB Centre detent 0dB Continuously variable 3dB point from 1k to 20k Continuously variable centre from 1k to 20k Continuously variable 0 1 Oct to 2 Oct Centre detent 0 5 Oct Continuously variable 15 dB to 15 dB Centre detent 0dB Continuously variable centre from 400Hz to 8k Continuously variable 0 1 Oct to 2 Oct Centre detent 0 5 Oct Lo Mid Gain Lo Mid Freq Lo Mid Bandwidth Bass Gain Bass Shelving Freq Bass Bell Freq Bass Bell Bandwidth Continuously variable 15 dB to 15 dB Centre detent 0dB Continuously variable centre from 100Hz to 2k Continuously variable 0 1 Oct to 2 Oct Centre detent 0 5 Oct Continuously variable 15 dB to 15 dB Centre detent 0dB Continuously variable 3dB point from 20Hz to 400Hz Continuously variable centre from 20Hz to 400Hz Continuously variable 0 1 Oct to 2 Oct Centre detent 0 5 Oct 63 64 E 1 1 EL jmd pum Sheet aC 60 BO EU P 50 gt lt 0 jo 20 20 ovt E E aut e
22. Can Bus Cable SEN ATX PWA ATX IPN Ug WYM p 2109 21482 uonoouuo ON NIL WS SISSVHO asvo VN LO HIJO ON VN guid qa T TAOD H NVO NITAD ROD TIAVI NVI NId ana I 3300 NVO VN uon uuoO ON VN Utd ALI 9109 2422 8081 sud 10529uu0 ETI CST Ug 2120 9109 y penbrejs Q0pgr HSXJS I NOO EXHSON SXINS I NOO SXINSON AMON 59196 HXJSON UTX Ud souoS X AXWSON IX UI 8103290009 T 909I X IHOV 000 H 0007H 000TH 10 8 NVO SH q IHVO NVO 21482 48 49 70000000000000007 000900 mess Eee 40000000900 no WILD WILD 19409 oseo oy 19407 000 HOV LIAHH Rear Panel Left View fe al ry 2 3 8 2 Ou Jl A a 0000000000 r Rear Panel Centre View z gt E o Q O O O 9 7 O g O O 9 QQ O O G O O IS O O O O O O o 0200 ter Heritage 3000 Frame Measurements 14 29 3 3mm Configuration
23. ES Used for initial set up of a show and during early rehearsals Also used for situations where no prior setup has been possible Fader positions stored to the automation memory are as per the real faders so great care must be taken to set them correctly prior to overstoring any adjustments 2 VIRTUAL FADER STORE MODE Used for later rehearsals and for shows where there is a large degree of change from night to night due to venue conditions or add lib s etc Each scene recalled is as it was stored but may need adjustment to suit the prevailing conditions Adjustments are clear and fast to implement with the real fader taking over from the virtual fader as required Overstoring is easily possible so as to fine tune the data stored in the automation memory 3 VIRTUAL FADER RECALL MODE Used for events and shows that are well rehearsed and predictable Each scene recalled is as it was stored plus an offset adjustment from the real fader if required Any adjustments that are made are active for all subsequent scenes until such time as they are removed by the operator Overstoring is not possible 39 Heritage Menu Overview Ver 2 06 Key this symbol denotes a CONFIRM button press Menu Button Menu 1 Menu 2 Level Level SYSTEME gt gt E automation and assignment functions are disabled MENU gt A LK Only Assignment functions are available gt RCAL Only recall and assignment functions are
24. Edn7 Midas TERNIR GROUP Walter Nash Road Kidderminster Worcestershire 11 7HJ England Tel 44 1562 741515 Fax 44 1562 745371 Company 2414018 E E E y w m une SIGNAL PROCESSING BY DEFINITION DESIGNED FOR A PURE PERFORMANCE DECLARATION OF CONFORMITY The Directive Covered by this Declaration 89 336 EEC Electromagnetic Compatibility Directive amended by 92 31 EEC amp 93 68 EEC Equipment Type Product Name Audio mixing console Heritage 3000 The Basis on which Conformity 1s being Declared The Products named above comply with the requirements of the listed EU directives by meeting the following standards EN 55013 1990 EN 50082 1992 50081 1 and 2 Generic Standard using EN55022 Limits and Methods EN55022 Class B Conduct Emissions EN55022 Class B Radiated Emissions EN61000 4 4 Fast Transient Burst Level 4 EN61000 4 2 Static Discharge Level 4 EN60204 Earth Continuity Insulation at 500V Alex Cooper Date Ist April 1999 Attention The attention of the specifier purchaser installer or user is drawn to special limitations of use which must be observed when these products are taken into service to maintain compliance with the above directives Details of these special measures and limitations to use are available on request and are also contained in product manuals ATTENTION The following special l
25. N The console should be located in a convenient space commensurate with the use to which the console is being put Ideally a cool area is preferred not in close proximity to power distribution equipment or other potential sources of interference Provision should be made for some flat surface surrounding the console to prevent people using it as a table top POWER The power supply should be located as far from the console as the connecting cable will allow It should be set for the appropriate line voltage and plugged into the mains outlet using the supplied cable THE POWER SUPPLY SHOULD NEVER BE OPERATED WITH THE MAINS EARTH DISCONNECTED Please note that the power supply contains LETHAL VOLTAGES greatly in excess of the mains voltage and that its rails can produce extremely large currents which could burn out equipment and wiring if shorted All testing and servicing should ONLY be carried out by qualified engineers CONNECTORS 000000 000000 MIDI In Pin 2 Ground Pin 4 In Pin 5 In MIDI Thru Pin 2 Ground Pin 4 In Pin 5 In MIDI Out Pin 2 Ground Pin 4 In Pin 5 In Input Output XLR Pin 1 Ground gt Pin 2 Hot OUT Pin 3 Cold 1nO NI RS 232 Midas Can Bus ee W eve Pin 2 Receive Data 5 Pin 3 Transmit Data Pin 5 GND RS 232 CAN Pin 1 18V 100mA max BUSS Pin 2 Can low Pin 3 OV Can Pin 4 Can High Pin 5 18V 100mA max Input Send
26. S PRE Wk 2 SELECTED TALK ALL gt MATRIX Qi MATRIX 1 BUS ES Eo INSERT POINT OUTPUT MATRIX SEND RETURN REFERENCE BUS MATRIX 2 gt gt gt gt BUS INSERT POINT MATRIX 2 p OUTPUT MATRIX 2 SEND RETURN OO PREVIEW SOLO LEFT MUTE AUTOMATION SOLO RIGHT PEL SOLO LOGIC MASTERS VCA m FROM MASTERS MATRIX 5 P MATRIX 5 MATRIX 5 7 gt gt Q OUTPUT BUS a e INSERT POINT MATRIX SEND RETURN REFERENCE Tes INST MATRIX 6 gt Qi BUS gt INSERT POINT MATRIX 6 OUTPUT SEND RETURN MATRIX 6 INJECT 694 FROM MASTERS 5 a 10 55 NOLWWOLNY SN 1 4 OTOS 1431 0108 91901 0108 d O dis NOIIVWOInV lt 169 193410 d Hor lt 4291P pcs gt lt INIOd 1U3SNI sna lt 5 lt 1 sng aN E lt lt sng 13 1 4 0 IS 1 5 1431 sul Ca lt 169 1 1431 indu NANA QN3S ONOW ES TW WL d O VOA 3109188 ONOIN n ONON Wns Jad SYILIN 1331 wns 86 V D alvo ANSSI 19019 FJINGOW JIISVIN 8 2 000 8 01 XRIIVIN OL Sn8 XRIIVW NM VM To mama SG PA E m H H H H s Hemd Gi del w LL B 56 OJOS 0105 O Tva01
27. SCENE 10 02 pressing it will store midi 5 5 recall ACT SCENE 10 02 Fast scenes are generated by using the COPY switch as described on the next page delete copy If dot is lit the scene number displayed is the scene currently cancel corm recalled If dot is lit the scene number displayed has scene information stored in it The ACT SCENE C O switch is used to select the acts or scenes in conjunction with the UP DOWN switches An appropriate indication ACT or SCENE will be illuminated to indicate this status The UP DOWN switches allow the operator to scroll through act scene numbers and navigate through menus LAST recalls the snap shot numerically preceding the snap shot that is currently recalled stored The LAST NOW and NEXT switches recall snapshots to the console surface NEXT recalls the snapshot numerically proceeding the snapshot that is currently NOW recalls the snap shot that is currently indicated on recalled stored the numeric display 34 The SYSTEM switch gives the operator access to the system menu Navigation of the menu is achieved by using the UP DOWN switches to select an entry and then pressing CONFIRM to execute the selected function or sub menu To exit a menu or sub menu press CANCEL The system menu contains LOCK which defines the level of console operation automation system These levels are store midi All automation and
28. TER module fader TALK The INS switches connect the matrix insert return signals to the matrix mixes INS The mute SAFE switches remove the matrix mutes from snapshot automation The SPLIT switch changes the matrix _ OLO AFL solos from mono to stereo The MATRIX faders give continuous adjustment of the matrix output levels from 10dB to off DA VCA The TALK switches connect the matrix mixes to the MONITOR module When the TALK INTERNAL or GENERATOR INTERNAL are active on the MONITOR module the oscillator pink noise and talk mic can be routed into the matrix mixes TALK INS The matrix MUTE switches mute the matrix signals at all points after the insert send The switches can be controlled from snapshot automation SAFE The SOLO switches send matrix signals to the PFL mono and AFL stereo busses Ifa SOLO switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch 15 released E the channel solo will turn off As a default the solo system is auto cancelling so each new solo cancels the last This function is time dependant which allows several solos to be active as long as they are switched on at approximately the same time 1 to solo both sides of a stereo mix press both solo switches at the same time Alternatively the SOLO ADD MODE switch on the MONITOR module can be used to defeat the
29. and cut from 15dB to 15dB with a 0dB centre detent The hi mid FREQ control gives continuous adjustment of the frequency range that the hi mid equaliser acts on from 400Hz to 8k The hi mid WIDTH dual concentric bottom control gives continuous adjustment of bandwidth from 0 1 to 2 with 0 5 octave centre detent The INS switch connects the input insert return signal to the input channel signal channel signal to pass through the insert path point before the equaliser when activated The EQ switch connects the equaliser and after the insert point when not into the input channel signal path activated The insert PRE switch arranges the input The LO MID dual concentric top control gives continuous adjustment of boost and cut from 15dB to 15dB The lo mid FREQ control gives with OdB centre detent continuous adjustment of the frequency range that the lo mid equaliser acts on from 100Hz to 2k The lo mid WIDTH dual concentric 15 4 bottom control gives continuous lo mid adjustment of bandwidth from 0 1 to 2 100 2 J octaves with 0 5 octave centre detent reg The BASS dual concentric top control gives continuous adjustment of boost and cut from 15dB to 154 with a 0dB centre detent The bass BELL switch converts the bass equaliser from traditional MIDAS shelving response to full parametric bell operation 100 The bass FREQ co
30. and off with each alternate press The STATUS leds are used to show 5 0 fader positions and the status of VCA and group assignments The central controller MODE switches toggle through the four available states group assignment MUTE group assignment FADER position manual recall and null and full automated VIRTUAL FADER RECALL FADER MANUAL RECALL AND NULL In this mode the STATUS LEDs are used to prompt the operator where to move the fader If the fader is not at the position stored in the current recalled snap shot one two LEDs will flash to indicate where the fader should be A single flashing LED indicates that the fader should positioned next to that LED 1f two LEDs are flashing the fader should be between the two LEDs As the fader is moved closer to the required position the LED s will stop flashing and will be replaced by a single continuously lit LED Once the fader is at the correct position all LEDs will extinguish 0003 The SOLO switch sends the input channel signal to the PFL mono and AFL stereo busses If the switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the channel solo will turn off As a default the solo system is auto cancelling so each new solo cancels the last This function is time dependant which allows several solos to be active as long
31. as they are switched on at approximately the same time The SOLO ADD MODE switch on the MONITOR module defeats the auto cancelling and allows multiple channel monitoring In this mode input solos have priority over outputs and will temporarily override any active output solos The input solos also override any active VCA solos The FADER gives continuous adjustment of the input channel level from 10dB to off FADER POSITION CHECK When a scene s contents are being checked see automation operation the STATUS LEDs will indicate the fader position stored in the scene by continuously illuminating one or two LEDs as appropriate VIRTUAL FADER RECALL When in VIRTUAL FADER mode see automation operation the automation system will generate a virtual fader set to the level of the input fader at the time the snap shot was stored The level of the virtual fader is added to the level of the physical input fader In this mode the STATUS LEDs indicate the position of the virtual fader by illuminating a bar of LEDs starting at 7 25 3 MIDAS 50004 Stereo Input Module PRE 4 PRE 8 m PRE PRE 3 m om PRE peu 6 PRE 12 PRE Ca 0 0 6 PRE PRE Ca 0 0 PRE 1 PRE C 0 8
32. auto cancelling and allow multiple channel monitoring In this mode input channel solos have priority over the matrix solos and will temporarily override them When the input solos are cancelled the matrix solos will be active again 004 31 Automation automation system store midi system insert delete copy check cancel confirm NA VN VN scene act scene c o virtual fader down up recall mode 2 3 Z 5 6 7 8 2 last now BEEEEEEEEE O MIDAS Assignment Control The LOCK switch will toggle state each time it is pressed When the LOCK switch 15 illuminated all assignment changes are disabled and virtual fader operation is locked either on or off The console will automatically revert to a locked state if no assignment controls are operated within a 90 second period The VCA MUTE and FADER switches set the current switches assignment display mode for the fader tray LED s As a default these switches interlock so that only one mode can be viewed at a time However if Mute and VCA are pressed down for more than 0 5 second the interlock is removed This is used for clear mode see below lock If the console is in VCA or MUTE mode the ASSIGN KEYS can be used to change settings for input VCA assignment
33. automute sub groups and 10 sub groups which include sub group muting 3 The 3000 has 52 input channels plus an additional 26 direct inputs on the group and master modules 4 The 3000 has a total XLR input count of 96 as follows 52 channel mic inputs 24 group direct inputs matrix bus inject inputs solo bus inject inputs master direct inputs external inputs 2 track return master bus inject talk mic input talk external input talk int line MN N W 5 The 3000 has a total XLR output count of 89 as follows 44 input channel direct outputs 24 audio group outputs matrix outputs master outputs solo outputs local outputs talk external output Oy UY 6 The 3000 has a total of 180 balanced 1 4 inch jacks for inserts as follows 52 input channel insert sends 52 input channel insert returns 24 audio group insert sends 24 audio group insert returns 8 matrix insert sends 8 matrix insert returns 3 master insert sends 3 master insert returns 3 local insert sends 3 ocal insert returns 59 7 The 3000 has 58 long throw faders for mix control with fader position recall and virtual fader functions 8 The 3000 has a total of 1043 automated switch functions as follows 480 input channel VCA sub group virtual assign switches 480 input channel mute sub group virtual assign switches 48 input channel mute switches 24 audio sub group mute switches 8 matrix mute swi
34. available gt STOR Scene storage editing recall and assignment operation available gt SYST E All Functions are available TIME Enables and Disables Automatic Mode Lock Function DATA E E SERIAL MIDI gt SAVE SERIAL MIDI AUTO E gt ENAB E YES NO SET PE Chnn E NOFF N ON SNGP PRCH CONS E gt NONE No consoles connected SLAVEE Console configured as a slave console MAST E Console configured as a Master Console CLR This clears all scene information on the console to give a clean starting point for programming MIDI gt OUTI g MIDI Out Message 1 OUT2 gt MIDI Out Message 2 OUT3 E gt MIDI Out Message 3 gt OUT4 MIDI Out Message 4 MIDI Out Sub Menus O denotes a number OUTOE CLR 40 N ONE gt MIDI Channel E 000 Note E gt V90 Note Velocity N OFFE Choo MIDI Channel E gt 000 Note E gt V0000 Note Velocity _ PROG gt Choo MIDI Channel E gt Program Change Number Store Menu storing new scene When storing a new scene there are no options available the scene will be stored with the fastest cross fade speed and the display will revert back to default Store Menu When Overstoring When Overstoring an existing scene the following options are available OVERSTOREB gt OVR STORE The scene is over stored and display reverts back to
35. both set central the channel will be routed with equal power to all three speakers Constant power is maintained at all times so that the image can be adjusted during the show without any perceived level change The ST switch connects the post fader channel signal to the master stereo bus via pan control MONO switch the post fader channel signal to the mono master bus k 2 image The METER monitors the peak signal level of the pre fader input channel gt 25 mute The MUTE switch mutes the input channel at all points after the insert send The switch can be controlled from snapshot automation and by automute scenes MIDAS HS0001 MIDAS 50003 Input Fader Hs0003 SP eb MIDAS The SAFE switches disable remote control of the channels as follows 1 The MUTE SAFE removes the channel mute from the snapshot automation and automute scenes il The FADER SAFE removes the channel fader from the virtual fader automation and VCA master fader control including vca mutes iii The AUTO SAFE removes the AB channel from the snapshot automation system only leaving the automutes VCA masters and assignment systems active The SET switch is used to programme the channel automute and VCA master assignment The central controller MODE and ASSIGN keys select the desired automute or VCA group and the SET switch will toggle the channel on
36. channel If the SET button is pressed and held for a short time then any Automutes already selected on that channel will be cleared and replaced with those selected on the assign key Fader Position a Ensure the Virtual Fader recall mode button is not illuminated and the faders are in normal mode if this is enabled the new fader position will not be stored b Move the faders to the desired position The only other automated buttons on the console to be set are the Input Mutes Master VCA Mutes Group Mutes Matrix Mutes and Master Mutes Storing a Scene Cont Selecting a memory number and storing the memory a The numbers in the display can be altered as follows Select either Act or Scene using the ACT SCENE switch You will see either act or scene illuminate below the display b The digits can then be altered between 00 99 using the UP and DOWN keys This function is looping so if you are on 00 you can go directly to 99 by scrolling down c To store a scene press STORE in the scene is new then it will just be stored and the screen will display done If the scene already exists then the display will read over str and you will need to press the confirm button The screen will then read done Editing Midi Program Change a Pressing the MIDI button places you in the MIDI menu b Using the UP and DOWN buttons scroll through OUTOI to 04 until the required message is reached On the Heritage there are a maximum of 4 MIDI out
37. controls perform a pan function with a constant power 3dB law while the right controls give continuous level adjustment from 6dB to off When configured as stereo groups the level control functions are disabled such that any assigned busses are sent at unity gain from the channel post fader post pan signals The defaults to control the channel placement within a group or master stereo mix and has a constant power law i e at the centre position The SIS switch enables the spacial imaging system which operates in conjunction with the pan and image controls It also acts as a left centre right master bus enable overriding any stereo When the spacial imaging system is active the IMAGE control can modify the action of the pan control so as to place the channel within a three speaker system When the image control is fully clockwise the pan control will operate in full left centre right such that a centre panned signal will route to the centre speaker only and will not appear in either of the left or right outputs When the image control is fully anti clockwise the pan control reverts to stereo such that a centre panned signal will route at equal power to the left and right speakers All other Image control positions generate a composite blend of the stereo and LCR panning systems so that the optimum degree of center image focus and speaker power can be obtained When the image control and pan control are
38. d the right controls give level adjustment of the right channel signal levels When configured as stereo groups the level control functions are disabled such that any assigned busses are sent at unity gain from the channel post fader post pan signals 11 The left and right PAN controls are used to place the input channel signals within a stereo group or stereo master mix As well as image placement the controls can also adjust the image width from SR stereo through mono to reverse stereo left and right crossed over The controls have a constant power law 1 e 3dB at the centre position The MONO switch connects the post my fader channel signals to th t The ST switch connects the post fader ong 18 channel signals to the stereo master bus via the pan controls bus 00 Or The METERS monitor the pre fader peak signal levels of input channel The MUTE switch mutes the input channel at all points after the insert send The switch can be controlled from snapshot automation and by automute scenes mute ho MIDAS HS0004 12 MIDAS 50003 Input Fader 5 mm e e Hs0003 SP MIDAS 13 The SAFE switches disable remote control of the channels as follows 1 The MUTE SAFE removes the channel mute from the snapshot automation and automute scenes The FADER SAFE removes the channel fader from the v
39. data 24 channel 32 channel 40 channel 48 channel 56 channel 64 channel 16 extender 20 mono 4 stereo 28 mono 4 stereo 36 mono 4 stereo 44 mono 4 stereo 52 mono 4 stereo 60 mono 4 stereo user specified 41 5 1054mm 140kg 308 6lbs 165kg 363 81bs 188kg 414 5lbs 215kg 473 9lbs 253kg 564 4lbs 260kg 573 2lbs 80kg 176 4lbs 7 76 197mm 1054mm x 1441mm 1054mm x 1713mm 1054mm x 1985mm 1054mm x 2257mm 1054mm x 2529mm 1054mm x 2772mm 1054mm x 657mm These weights are approximate and taken out of flight case 41 49 x 59 73 41 49 x 67 44 41 49 x 78 15 41 49 x 88 86 41 49 x 99 57 41 49 x 109 1 41 49 x 25 88 Also available as a bob tail 51 52 53 A9018 FINGOW LAANI OOOETX 86 9 LL E V 3NSSI 8 FINGOW INdNI 000 JOVIRIIH 5 gt m m i E TOULNOD E EEE E ovs E e uisvwNossv 9 STVNOIS NO INVON3430 SINOILONN3 NAOHS SV SAVA JO NOILONN4 5991 135 WNBINI JOVINOA Oj VOA i O O H 2 00 e 498 ONIONVIVE O WIINHOASNVIL m 21901 l L 21901 3SION bay bai bey 007 001 oor 02 XIN O O O AO SE od S209 203 NMOHS 76 30 Z NINO 51 1
40. e continuous adjustment of the sub group levels sent to the matrix mixes from 6dB to off The PRE fader switches change the signals sent to the matrix mixes from post 7 group fader to pre group fader The VCA switches assign the audio sub groups to VCA control from VCA masters 9 and 10 17 to masters The ST switches connect the post fader group signals to the stereo master stereo busses via the pan controls MONO A A The group PAN controls place the sub Se groups within the stereo master mix and P have a constant power law i e 3dB at RA A pan pan the centre position The MONO switches connect the post fader sub group signals to the mono master bus The TALK switches connect the sub groups to the MONITOR module When the TALK INTERNAL or GENERATOR INTERNAL are active on the MONITOR module the oscillator pink noise and talk The INS switches connect the group mic can be routed to the sub groups insert return signals to the sub group signals The MUTE switches mute the sub group signals at all points after the insert send ees The switches can be controlled from snapshot automation mute The mute SAFE removes the channel mute from snapshot automation The SPLIT switch changes the sub group AFL solos from mono to stereo m 50109 The SOLO switches send sub group signals to the PFL mono and AFL stereo busses If a SOLO switch is pressed for a short time it wil
41. e real fader to OdB When the fader is at OdB the red set led will illuminate indicating that the virtual fader is ready for adjustment Moving the fader will add an offset to the original stored scene The amount of offset is clearly indicated by the physical position of the fader above or below the OdB line The virtual fader position can also be viewed via the leds plus any adjustment offsets If a new scene is recalled the fader adjustments made will be added to the new scene also The adjustment can be removed by returning the fader to the OdB position or by clearing the fader to infin as detailed below In order to make the virtual fader leds as clear to view as possible it might be desirable to clear all non adjusted faders to infin To do this press the virtual fader switch and then move any fader that is to be cleared to the infin position Press the virtual fader switch again and the faders will be ready to be active again Only faders which do not need adjustment should be cleared as any virtual fader level changes made prior to clearing will be removed at the next scene recall Store Mode Recall a new scene and leds will indicate the current virtual fader positions Note that that these leds always indicate the actual fader setting that 1s controlling the audio To adjust a virtual fader move the real fader to the same position as the virtual fader When the fader has reached this point the red set led
42. e stereo local monitor outputs The MONO master switch routes the post fader mono master mix to the stereo local monitor outputs The talk LEVEL gives continuous adjustment of the post limiter signals from 10dB to off The TALK TO EXTERNAL switch connects the talk mic output to the talk external output XLR The PRE meter change over switch changes the operation of every meter on the console except the monitor meters RA mono output The normal meter operation is to monitor pre fader on input channels and post fader on all other signals When the pre meter change over is active the meters change to monitor input amplifiers or bus amplifiers as appropriate on all signals The talk LEVEL gives continuous adjustment of the external talk input from 10dB to off The talk LEVEL gives continuous adjustment of the external talk input from 10dB to off ___ The mono output MUTE switch mutes the mono local monitor output The PHONES level control gives continuous adjustment of the headphone level from 10dB to off The EXT switch routes the stereo external input 2 track return etc to the stereo local monitor outputs The SOLO switch routes solo signals to the stereo local monitor outputs when ever a solo is active on the console This overrides any signals sent from the stereo master mono master or external input 27 The stereo output b C O switch disconnects the stereo local
43. gramme a change to ACT 45 SCENE 02 set the value to 4502 45 MIDI NOTE to numerical value lookup table OCTAVE 1101112131415 16 9 NOTE 0 12 24 36 48 60 72 84 96 108 120 1 13 25 37 49 61 73 85 97 1109 121 d 2 14 26 38 50 62 74 86 98 110122 dg 3 15 27 39 51 63 75 87 99 111 123 4 16 28 40 52 64 76 88 00 112 124 f 5 17 29 41 53 65 77 89 01 113125 f 6 18 30 42 54 66 78 90 02 114126 g 7 119 31 43 55 67 79 91 021115127 g 8 20 32 44 56 68 80 92 03 116 9 21 33 45 57 69 81 93 04 117 10 22 34 46 58 70 82 94 05 118 b 1 23 35 47 59 71 83 95 06 119 MIDI Sysex Dumps To store the recall a memory between the console and a midi device or the windows software available from Midas such as an Yamaha MDF3 midi Filer select the SYSTEM menu using the UP and DOWN keys select DATA and press CONFIRM Using the UP and DOWN keys select either SAVE or LOAD and press CONFIRM There are 2 of communication either MIDI through the midi port rear of the console or via 5232 NB software will shortly be available to support this Select either MIDI or SERIAL using the UP and DOWN buttons and press CONFIRM The screen will then indicate the function being carried out and notify the user when finished Saving The Memory From The H3000 To A File 1 Connect the null modem cable 2 Se
44. he required scene but the slave will remain on the last existing scene recalled Midi may only be stored locally on a console if you wish to program midi outs on slave console you must first make this the master or stand alone this will be described later and then program your midi out messages as normal Note 2 As the Solo add and Clear function of the Heritage 1000 are controlled differently to that of the 3000 and 2000 The solo CLR and ADD functions are not linked and must be triggered locally on any 1000 linked into a system Switching a Console to Master or Slave a Press the SYSTEM menu and using the UP and DOWN keys scroll to CONS then press CONFIRM b Using the UP and DOWN keys select either Master or Slave then Press CONFIRM c You will then be prompted to choose the ID number of the console using the UP and DOWN keys you have a choice of ID 1 to 8 No 2 consoles in the same system must have the same ID d Pressing CONFIRM will then synchronize the console with the system Note When a console is in slave mode CONS is the only item of the SYSTEM menu that can be accessed If a slave console is reconfigured to be a master it will automatically make the original master console a slave when the CONFIRM button is pressed 47 EA memo 1 90915 poaoiddy 0 66 21 10 uosiy 5 Midas
45. imitations apply to the console and must be observed in order to maintain safety and electromagnetic compatibility performance POWER CONNECTION The console should only be operated with the power supply connected to ground via its mains supply connector CONTROL CONNECTIONS The console should only be operated with high quality screened control cables All connector shells should be of metal construction so that they provide a screen when they are plugged into the console All DEE connector shells should be connected to the cable screen XLR and DIN connectors should have pin 1 connected to the cable screen AUDIO CONNECTIONS The console should only be operated with high quality screened twisted pair audio cables All connector shells should be of metal construction so that they provide a screen when they are plugged into the console JACK connector shells should be connected to the cable screen All XLR connectors should have pin 1 connected to the cable screen ELECTRIC FIELDS If the console is operated in an electromagnetic field that is amplitude modulated by an audio frequency signal the signal to noise ratio may be degraded Degradation of up to 60dB may be experienced under extreme conditions 3V m 90 modulation INSTALLATION There are a number of points to consider when installing a mixing console Many of these points will have been addressed before the console is even unpacked but it is worth repeating them POSITIO
46. input amplifier is transformer coupled option the pad greatly reduces the risk of saturation at very low frequencies The GAIN control gives continuous adjustment of the Input amplifier gain from 15dB to 60dB 1 The DIRECT output control gives continuous adjustment of the direct output MAN level from 10dB to off The output is E derived from input channel post equaliser pre fader signal The PHASE switch activates a 180 degrees phase change within the input amplifier The PRE switch re configures the direct PRE o The TREBLE dual concentric top output to derive signal from the input Bicone control gives continuous adjustment of channel pre insert and equaliser It is 15 boost and cut from 154 to 154 with important to note that pre insert direct a 04 centre detent outputs are also pre mute ok The treble WIDTH dual concentric bottom control gives continuous adjustment of bandwidth from 0 1 to 2 octaves with a 0 5 octave centre detent Bell 15 This only operates when the BELL switch 15 activated gt Q 0 The treble FREQ control gives 20k continuous adjustment of the frequency range that the treble equaliser acts on from 1k to 20k The treble BELL switch converts the treble equaliser from traditional MIDAS shelving response to full parametric operation The HI MID dual concentric top control gives continuous adjustment of boost
47. irtual fader automation and VCA master fader control including vca mutes iii The AUTO SAFE removes the q AUTO channel from the snapshot automation system only leaving the automutes VCA masters and assignment systems active The SET switch is used to programme the channel automute and VCA master assignment The central controller MODE and ASSIGN keys select the desired automute or VCA group and the SET switch will toggle the channel on and off with each alternate press 4 The STATUS leds are used to show _ fader positions and the status of and MUTE group assignments The central controller MODE switches toggle through the four available states VCA group assignment MUTE group assignment FADER position manual recall and null and full automated VIRTUAL FADER RECALL FADER MANUAL RECALL AND NULL In this mode the STATUS LEDs are used to prompt the operator where to move the fader If the fader is not at the position stored in the current recalled snap shot one two LEDs will flash to indicate where the fader should be A single flashing LED indicates that the fader should positioned next to that LED if two LEDs are flashing the fader should be between the two LEDs As the fader is moved closer to the required position the LED s will stop flashing and will be replaced by a single continuously lit LED Once the fader is at the correct position all LEDs will extinguish
48. l fader position To regain virtual fader control switch the AUTOmation SAFE switch off and then recall the current or next required scene Virtual fader control will resume as the scene is recalled The fader will not be picked up and can be moved to infin if desired as long as it does not pass through the virtual fader position If it does it will pick up in the normal way Any input channel virtual fader can be totally isolated by pressing the FADER SAFE switch At this point the virtual fader will snap to match the real fader position and any master VCA and automation control will be removed To regain virtual fader control switch the fader safe off and recall a new scene The real fader can then be cleared to infin in the normal way When storing a scene the information loaded into the scene memory will always be as displayed by the leds This still applies if a fader is isolated by the fader safe or automation safe switches As you can see from the previous two pages there are many different ways to control faders within the console There is no right or wrong way and the best method will depend largely on the specific application and the user preference It is quite likely that the method chosen will change with time as the user gains more confidence in the system the performance becomes more regular and rehearsed The following recommendations are intended as a guide only 1 REAL FADER STORE AND RECALL MOD
49. l latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the channel solo will turn off default the solo system is auto cancelling so each new solo cancels the last This function is time dependant which allows several solos to be active as long as they are switched on at approximately the same time 1 e to solo both sides of a stereo mix press both solo switches at the same time Alternatively the SOLO ADD MODE switch on the MONITOR module can be used to defeat the auto cancelling and allow multiple channel monitoring In this mode input channel solos have priority over the sub group solos and will temporarily override them When the input solos are cancelled the mix group solos will be active again Sub group solos can also be temporarily overridden by activating the corresponding direct input solos The GROUP FADERS give continuous adjustment of the sub group output levels from 104 to off group MIDAS amp HS001 1 MIDAS HS0013 VCA Master Fader 19 The switches act on any post fader input channels or audio sub groups which are assigned to be controlled from the corresponding VCA masters The switches can be controlled from snapshot automation The AUTO SAFE switches disable snapshot automation control of the VCA master faders and VCA mutes The STATUS LEDs are off
50. lect the Show menu and click on Download From Console A window will open and set up the Comm port The message Waiting for Show data will then be displayed 3 Select the SYSTEM menu on the H3000 and scroll to Press CONFIRM then scroll to SAVE and press CONFIRM Now scroll to RS 232 and press The show memory from the H3000 will then be down loaded into the computer When the data transfer is complete the H3000 will ask you to confirm the STORE OK press CONFIRM 4 Select the Show menu in Hsutil and click on Save To File 5 A prompt will appear asking for a show a name Give the file type as shw 6 Click on OK and the file will be saved Down Loading A Show Into The H3000 1 Connect the null modem cable 2 Select Show menu and click on Load From File Using the browse function select the show you wish to download into the console and click on OK A window will open telling you the loading is complete click on OK 3 Select the Show menu in Hsutil and click on Upload to console A window will open asking you to hit upload when console is ready 3 Select the SYSTEM menu on the H3000 and scroll to then press CONFIRM Scroll to LOAD and press CONFIRM Now scroll to RS232 and press CONFIRM 4 Click on the Upload button 5 When the file is downloaded successfully the H3000 will prompt you to press CONFIRM The show memory from the computer will now be loaded into the H
51. ll other buttons enabled so only the one selected is illuminated push and holding the button down for 0 25seconds will not disable other buttons previously enabled d On the input channels you wish to assign to the master 5 selected press the SET Button the relevant LED s on the input channel will illuminate If the SET button is pressed quickly the selected on the assign keys will be added to those already selected on the channel If the SET button is pressed and held for a short time then any VCA s already selected on that channel will be cleared and replaced with those selected on the assign key Assigning Mutes a Ensure that the lock button is not illuminated on the mode switches if it 1s just press the button to extinguish the LED b Press the MUTE mode button so that it is illuminated This has now selected the mute mode on the input modules c Using the ASSIGN KEY select which Automutes you wish to assign to a particular input module 1 10 Quickly enabling a button will clear all other buttons enabled so only the one selected is illuminated push and holding the button down for 0 25seconds will not disable other buttons previously enabled d On the input channels you wish to assign to the Automutes selected press the SET Button the relevant LED s on the input channel will illuminate If the SET button 15 pressed quickly the Automutes selected on the assign keys will be added to those already selected on the
52. n the console surface WITHOUT recalling the ACTUAL setting to the console surface mutes are displayed on the safe switches so that current mute status is always present and accurate Whist in check mode the ACT SCENE and UP DOWN switches can be used to step through the snapshots 35 36 Fader Automation System The fader automation operates in two main ways REAL FADER MODE and VIRTUAL FADER MODE In REAL FADER MODE all of the internal VCA systems are controlled by the real physical faders The automation system can assist in the control of the real faders by prompting the operator using the 11 LED s next to each fader If the console is un locked to RECALL level or higher the operator can view the fader positions required for a given snapshot by recalling the scene and pressing the FADER MODE switch The LED s will flash to display the approximate position that the fader should be set to and they will extinguish when the fader has been moved to the correct position When the faders are close to the correct position the LED s will change to give up down indication either side of the required fader positions If the console is un locked to STORE level or higher operator can recall scenes as above and can also store and overstore When a store is made the fader position stored will always be the actual current position of the real fader In VIRTUAL FADER MODE the console automation takes control
53. ntrol gives continuous adjustment of the frequency range that the bass equaliser acts on 20Hz to 400Hz The bass WIDTH dual concentric bottom control gives continuous adjustment of bandwidth from 0 1 to 2 octaves with a 0 5 octave centre detent 160 This only operates when the BELL switch Bs is activated The HI PASS switch connects the filter in the input channel signal path before the insert point and equaliser SS The HI PASS filter control is 20 freq 400 continuously adjustable from 20Hz to 400Hz The aux PRE switches only operate when in one of the AUX bus modes they change the signals sent to the group busses from post fader to pre fader When configured as stereo auxes only the right switches are active PRE 5 PRE PRE 5 4 PRE The configurable group MIX controls 1 to 24 have two functions 1 They operate as bus assign ON OFF switches by way of a non latching push push action with LED status indication ii They adjust the levels sent from the input channel to the group busses when in one of the AUX bus modes The group mix busses can be configured in three modes MONO AUX STEREO AUX or POST PAN GROUP This is controlled on a bus by bus basis by the global BUS MODE switches on the GROUP modules When configured as mono auxes the left and right controls give independent level adjustments from 6dB to off When configured as stereo auxes the left
54. o A Fast Scene Key a Recall the scene you wish to assign to a FAST SCENE KEY b Press the COPY button followed by the FAST SCENE KEY button you wish to assign that ACT SCENE to The screen will then display done Deleting a Scene From A Fast Key a Press and hold down the FAST KEY you want to delete b When the YES and NO button start to flash you can now select either YES or NO to delete or cancel deletion of the FAST KEY Deleting A Scene Recall the scene you wish to delete Or display the scene number on the screen using the ACT SCENE UP and DOWN buttons When this is done press the DELETE button You will be asked to confirm this Press the CONFIRM button the screen will then say done when the scene is deleted 44 Midi In Assignment Setting The Console to Respond to MIDI Changes The console settings can be accessed via the AUTO submenu after pressing the System button This submenu option is only available when in SYS Lock Mode After selecting AUTO there are two further sub menus 1 ENAB ENABle this is the master switch for this function and can be set to YES or Toggling this switch will not delete the other setup parameters for this function 2 SETP SETuP this is where we set the actual midi parameters that are used for this function These parameters define the midi command that the console will respond to and decode the required act scene number The two parameters
55. o the sub group the switch is released the solo will turn signals and can be used as effects returns off As a default the solo system 1s auto etc or for console bus linking cancelling so each new solo cancels the last This function is time dependant level which allows several solos to be active as long as they are switched on at approximately the same time i e to solo 10 10 level The direct PRE switches move the point at which the direct signals are summed into the sub groups The default is post insert but when the PRE switches are both sides of a stereo mix press both solo a EN active the signals are summed at the sub switches at the same time Alternatively group mix busses the SOLO ADD MODE switch on the MONITOR module can be used to defeat The direct MUTE switches mute the sub the auto cancelling and allow multiple group direct inputs at all points channel monitoring In this mode input channel solos have priority over all other solos and will temporarily override them 16 The PRE insert switches change the signals sent to the matrix mixes from post group insert to pre group insert and override the pre fader switches It is important to note that pre insert matrix sends are also pre the group mutes E 6 ER IFR 6 6 6 6 a co 6 7 0 4 8 8 0 6 fader fader PRE PRE 5 insert The matrix MIX controls 1 to 8 giv
56. of all internal systems and displays a representation of the virtual fader position using the 11 LED s next to each fader Additional adjustment trims can be added if required using the real faders The virtual fader system works in distinctly different ways depending on the lock status If the console is un locked to RECALL level or higher scenes can be recalled but not stored or overstored If fader adjustments are required they are started by fader pick up at the OdB position Fader adjustments then remain active for all subsequent scenes recalled unless the adjustment is cleared If the console is un locked to STORE level or higher scenes can be stored recalled and overstored When a store is made the fader position stored will always be the virtual fader position regardless of the real fader If fader adjustments are required they are started by fader pick up at the current virtual fader position As soon as a new scene is recalled by the automation the fader adjustment 1 removed forcing the operator to pick up again before making further adjustments HS0003 The differences between virtual fader recall and store are explained in more detail in the chart below Recall Mode Recall a new scene and leds will indicate the current virtual fader positions Note that that these leds always indicate the actual fader setting that is controlling the audio To adjust a virtual fader move th
57. on 15 also activated whenever the talk system is in use to prevent howl round The RIGHT switch routes right hand monitor signal to both the left and right local monitor speaker outputs The right MUTE switch controls the mute function on the right hand side of the stereo local monitor speaker outputs The SOLO ADD MODE switch allows multiple channel access to the solo busses When the solo add mode is off the action of pressing a solo switch will cancel any previously active solo Multiple solos such as stereo left and right signals can be monitored in this mode of operation as long as the solo switches are pressed at approximately the same time When the solo add mode is on the auto cancelling is defeated which allows multiple channel or output soloing In this mode input solos have priority over output solos and VCA solos and will temporarily override them When the input solo is cancelled the output solos or VCA solos will return 21 masters control Ex Ens mute mute Es Too spit solo solo e 3 4 masters control solo solo e MIDAS 50041 Matrix Module 29 30 The METERS monitor the peak signal levels of the matrix outputs post fader The switches assign the matrix outputs to VCA control from the CA MAS
58. ontrols give continuous adjustment of the direct input levels from 10dB to off The direct signals are summed into the master left and right signals and can be used as effects returns etc or for console bus linking The master mono also has a direct input XLR on the rear of the console for which is intended for console linking only The direct PRE switches move the point ___ at which the direct signals are summed into the masters The default is post insert but when the PRE switches are active the signals are summed at the master mix busses The direct MUTE switches mute the master direct inputs at all points 22 level insert The direct SOLO switches send direct input to the PFL mono and AFL stereo busses Ifa SOLO switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the solo will turn off Asa default the solo system is auto cancelling so each new solo cancels the last This function is time dependant which allows several solos to be active as long as they are switched on at approximately the same time i e to solo both sides of a stereo mix press both solo switches at the same time Alternatively the SOLO ADD MODE switch on the MONITOR module can be used to defeat the auto cancelling and allow multiple channel monitoring In this mode input channel solos have priority over all other solos and will tempora
59. position To regain virtual fader control switch the AUTOmation SAFE switch off and then recall the current or next required scene Virtual fader control will resume as the scene is recalled The fader will not be picked up and can be moved to infin if desired as long as it does not pass through OdB If it does pass through OdB it will pick up in the normal way Any input channel virtual fader can be totally isolated by pressing the FADER SAFE switch At this point the virtual fader will snap to match the real fader position and any master VCA and automation control will be removed To regain virtual fader control switch the fader safe off and recall a new scene The real fader can then be cleared to infin in the normal way It is not possible to store a scene in this mode The main reason this is not allowed is because multiple overstores of faders which have adjustments made would result in incremental virtual fader position changes which in most cases would not be desired If faders are not cleared prior to recalling a new scene it may be advisable to clear them immediately afterwards to avoid confusion Any virtual fader can be isolated from further scene recall by pressing the AUTOmation SAFE switch After the switch is pressed it will also be possible to pick up the virtual fader at the recalled position and adjust it using the real fader Any subsequent scene recall will have no effect on the virtua
60. rily override them The matrix STEREO switches select the source for the lower matrix mix controls as either left channel right channel or a sum of both The PRE fader switches change the signals sent to the matrix mixes from post group fader to pre group fader The MONO level control gives continuous adjustment of the mono master output level from 10dB to off The mono TALK switch connect the mono master to the MONITOR module When the TALK INTERNAL or GENERATOR INTERNAL are active on the MONITOR module the oscillator pink noise and talk mic can be routed to the mono master outputs The mono INST switch connects the mono insert return signals to the mono master signals fader insert mute SAF The matrix MIX controls 1 to 8 give continuous adjustment of the master levels sent to the matrix mixes from 6dB to off The top control adjusts the feed from the mono master and the lower control adjusts the feed from the stereo masters The PRE insert switches change the signals sent to the matrix mixes from post group insert to pre group insert and override the pre fader switches It is important to note that pre insert matrix sends are also pre the master mutes The MUTE switch mutes the mono master signals at all points after the insert send The switch can be controlled from snapshot automation The mono mute SAFE removes the mono mute from snapshot automation 23 The TALK switches connect
61. tches 3 master mute switches 9 The 3000 has a total of 89 peak program meters with 20 LED segments on all outputs and 11 LED segments on input channels 60 Heritage 3000 Technical Specifications Input Impedance Input Gain all faders at OdB Maximum Input Level CMR at 100Hz CMR at 1kHz Frequency Response 20 to 20kHz Noise 20 to 20kHz System Noise 20 to 20kHz Distortion at 1kHz Mic Line Mic Mic Pad Line Level Inputs Mic Mic Pad Line Level Inputs Mic gain at 40dB Mic Pad gain 0dB Mic gain 40dB Mic Pad gain 0dB Line Mic to Mix gain 60dB Mic EIN ref 150 gain 60dB Summing Noise 48 channels routed with faders down Line to Mix Noise 48 channels routed at 4 pan centre Mic to Mix 60dB gain OdBu output 2k Balanced 20k Balanced Continuously variable from 15dB to 60dB Continuously variable from 104 to 35dB 6dBu 31dBu 21dBu Typ 115dB Typ 80dB gt 100dB gt 60dB gt 50dB OdB to 1dB 128dBu 80dB 754 lt 0 03 61 62 Crosstalk at 1kHz Output Impedance Maximum Output Level Nominal Signal Level Equaliser Channel to Channel Mix to Mix Channel to Mix Maximum Fader attenuation All Line Outputs Headphones All Line Outputs Headphones Mic Line Headphones Hi pass slope Hi pass frequency Treble Gain Treble Shelving Freq Treble
62. te the position of the virtual fader by illuminating a bar of LEDs starting at 21 ted mono aux red mona direct inputs 0 0 NASA 10 co 10 level level Tree insert insert Iva 1 ol 0 46 co 46 20 0200 o 46 co 46 3 0 46 co 46 4 nd cg 46 co 6 5 5 co 46 co 46 solo solo 0 8 eT group Mos Wsoon MIDAS 50011 Group Module 15 The METERS monitor the peak signal levels of the sub group outputs post fader P The global BUS MODE switches configure input module MIX controls to 30 s E act as either mono aux level and level 36 stereo aux level and pan or as audio The direct SOLO switches send direct green sub groups post fader and main pan This makes the console extremely input to the PFL AFL st 22 ren flexible and quick to reconfigure busses AFL is selected as stereo or mono depending on the group SPLIT switch settings If a SOLO switch is The DIRECT input controls give pressed for a short time it will latch on or red mono aux continuous adjustment of the direct input off but if it is held on for more than 1 direct in O 7 S levels from e 10dB to off The direct second the latching is disabled and when signals are summed int
63. ternal meter change over Ee PRE PN input n 10 Mono level masters g E ERA level mono source mono output output b mute 10 Ee stereo source stereo output output leftoniy sum ON PAD l r reverse 20dB DE mute mute 500 add mode pre fade Too ef solo clear amp 5 5 0 0 5 5 10 10 20 20 30 30 40 40 monitor MIDAS HS0031 Monitor Module 25 The monitor the peak signal levels of the stereo left and right monitor paths The 1kHz switch overrides the swept frequency control giving a fixed 1k tone The PINK switch overrides the oscillator by giving a pink noise output The GENERATOR INTERNAL switch connects the signal generator output to the console s internal talk all and talk select busses The TALK TO ALL switch overrides all output talk switches so that the generator or talk mic can be routed to ALL OUPUTS 26 The FREQ control gives continuous adjustment of the oscillator frequency from 50Hz to 5k signal fea 9 a generator LEVEL control gives continuous adjustment of the signal generator peak output signals from 10dBu to off The GENERATOR TO EXTERNAL
64. that can be set are as follows a The midi command this can be either of the following midi commands Note ON NOFF Note OFF SNGP Song Pointer PRCH Program Change b The MIDI channel this covers the full 16 channels possible the display shows CH 01 CH 16 Notes 1 To respond to an external midi request to change the act scene number the following conditions must be true a The AUTO ENAB menu setting must be set to YES b The console must not be in TOTL TOTaL Lock Mode C The console use must not be performing any menu operations Setting Up a Midi Device To cause the console to automatically change its act scene a MIDI command can be sent using the pre programmed command amp channel as set on the console The actual act scene number is encoded into the MIDI command data that is sent The required MIDI command data can be constructed by setting the midi command parameters as follows Note ON OFF These MIDI commands have two parameters as follows 1 NOTE this parameter is equivalent to the required number Each note has a numerical equivalent see table below 2 Velocity this parameter is equivalent to the required SCENE number Example To program a change to ACT 20 SCENE 44 Set the note to G 1 set velocity to 44 Song Pointer The command is a numerical value and is equivalent to the combined ACT amp SCENE number Example To pro
65. ustment of the left and right shelving 1 5 octave bandwidth 100 filters boost and cut from 15dB to 15dB with a OdB centre detent The bass FREQ control gives continuous adjustment of the frequency range that the bass equalisers act on from 20Hz 20 E en to 400Hz req m E The HI PASS switch connects the filters in the input channel signal path before SE the insert points 20 freq 400 The HI PASS filter control is continuously adjustable from 20Hz to 400Hz 10 The aux PRE switches only operate when in one of the AUX bus modes they change the signals sent to the group busses from post fader to pre fader PRE PRE The configurable group MIX controls 1 to 24 have two functions 1 They operate as bus assign ON OFF switches by way of a non latching push push action with LED status indication ii They adjust the levels sent from the input channel to the group busses when in one of the AUX bus modes The group mix busses can be configured in three modes MONO AUX STEREO AUX or POST PAN GROUP This is controlled on a bus by bus basis by the global BUS MODE switches on the GROUP modules When configured as mono auxes the left and right controls give independent level adjustments of the levels sent from a mono sum of the channels left and right sides The adjustment is from 6dB to off When configured as stereo auxes the left controls give level adjustment of the left channel signal levels an
66. when the console is in VCA or mute assignment modes see assignment operation When the console is FADER mode indication the STATUS LED s can indicate one of three states FADER MANUAL RECALL AND NULL In this mode the STATUS LEDs are used to prompt the operator where to move the fader If the fader is not at the position stored in the current recalled snap shot one two LEDs will flash to indicate where the fader should be A single flashing LED indicates that the fader should positioned next to that LED if two LEDs are flashing the fader should be between the two LEDs As the fader is moved closer to the required position the LED s will stop flashing and will be replaced by a single continuously lit LED Once the fader is at the correct position all LEDs will extinguish FADER POSITION CHECK When a scene s contents are being checked see automation operation the STATUS LEDs will indicate the fader position stored in the scene by continuously illuminating one or two LEDs as appropriate 20 HS0013 The vca SOLO switches are used to monitor the VCA master faders by creating a mix on the solo busses which consists of all input channels and audio sub groups which are assigned to control from the corresponding VCA masters Ifa VCA solo switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and
67. when the switch is released the solo will turn off When the console is operating in SOLO ADD MODE input channels have priority over VCA solos and will temporarily override them VIRTUAL FADER RECALL When in VIRTUAL FADER mode see automation operation the automation system will generate a virtual fader set to the level of the input fader at the time the snap shot was stored The level of the virtual fader is added to the level of the physical input fader In this mode the STATUS LEDs indicate the position of the virtual fader by illuminating a bar of LEDs starting at 124 44124 9 inputs i R co 10 10 level level Tere Irre fader insert TD 4 10 mono centre sr mute balance Ex Ens Ens mute mute Es Is linkto to mono mono TIDAS 0 5 0 5 5 10 10 20 20 30 30 40 40 a 4 masters moas HS0021 MIDAS HS0021 Masters Module 21 The METERS monitor the peak signal levels of the three master outputs post fader The SOLO IN PLACE switch sets the console to solo in place mode In this mode any input solo that is pressed activates a mute of all the other channels The mute safe switches on the input channels can be used to protect channels from this function if desired The DIRECT input c
68. will illuminate indicating that the virtual fader is now tracking the real fader Moving the real fader will there for adjust the position of the virtual fader and this is indicated by changes in the virtual fader leds If a new scene is recalled the fader adjustments will all be cleared and the set leds will extinguish to indicate that faders are not tracking even if their position suggests that they are because they are not set to infin In order to make the virtual fader leds as clear to view as possible it might be desirable to clear all non adjusted faders to infin To do this press the virtual fader switch and then move any fader that is to be cleared to the infin position Press the virtual fader switch again and the faders will be ready to be active again Any virtual fader level changes made prior to clearing will still be active but they will be cleared at the next scene recall 37 38 It is possible to pick up all the faders and then set them to OdB if adjustment is not required There is no need to clear them This is a user preference Any virtual fader can be isolated from further scene recall by pressing the AUTOmation SAFE switch After the switch is pressed it will also be possible to pick up the virtual fader at the recalled position and adjust it using the real fader exactly the same as for store mode Any subsequent scene recall will have no effect on the virtual fader

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