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USER MANUAL - Analog Way

1. 17 4 7 Output 5 19 4 7 1 Standard output 4 7 2 Video output 4 8 Communication 5 20 4 8 1 Serial interface 4 8 2 LAN interface 4 9 Environmental specifications 22 4 10 HDCP 23 4 10 1 Input HDCP detection 4 10 2 Output HDCP detection 4 10 3 Keys checking 4 10 4 Output management 4 10 5 HDCP Classification 4 10 6 Status 5 1 DESCHIDUON 5 1 1 Rear panel 5 1 2 Front panel 6 1 RCS 26 6 2 Connecting with the 26 6 3 ROS top 28 6 3 1 Setup 6 3 2 Edit 6 3 3 Live O 7 OPERATING THE EIKOS FROM THE 5 29 7 1 Operating 29 ann a daa EA UR ee eee nee eens 20 7 2 1 Mode 7 2 2 Audio 7 2 3 Screens 7 2 4 Preview 7 2 5 Misc 7 2 6 Output management 7 2 7 Input management 7 2 8 Logo frame management 7 2 9 Video out 7 2 10 Audio management
2. Single Link Standard 3G SDI HDMI e NTSC 525 480i Yes Yes Yes No PAL 625 576i Yes Yes Yes No SECAM 625 576i Yes Yes Yes No EDTV 480p 525 480p Yes No Yes Yes EDTV 576p 625 576p Yes No Yes Yes HDTV 720p 1280x720 Yes Yes Yes Yes HDTV 1035i 1920x1035 Yes Yes Yes Yes HDTV 1080i 1920x1080 Yes Yes Yes Yes HDTV 1080p 1920x1080 Yes Yes Yes Yes HDTV 1080sF 1920x1080 Yes Yes Yes Yes HDTV 1080p 1920x1080 Yes Yes Yes Yes HDTV DCDM 2048x1080 No Yes No No VGA 640x480 Yes No Yes Yes 800x480 800x480 Yes No Yes Yes WVGA 848x480 Yes No Yes Yes SVGA 800x600 Yes No Yes Yes 1280x600 1280x600 Yes No Yes Yes 720p RGB 1280x720 Yes No Yes Yes XGA 1024x768 Yes No Yes Yes WXGA 1280x768 Yes No Yes Yes SWXGA 1360x768 Yes No Yes Yes 3 4 7 Output specifications Single Link Standard 3G SDI HDMI pis 1366x768 1366x768 Yes No Yes Yes 800p RGB 1280x800 Yes No Yes Yes SWXGA 1366x800 Yes No Yes Yes 1152x864 1152x864 Yes No Yes Yes 900p RGB 1440x900 Yes No Yes Yes 1600x900 1600x900 Yes No Yes Yes 960p RGB 1280x960 Yes No Yes Yes SXGA 1280x1024 Yes No Yes Yes 1360x1024 1360x1024 Yes No Yes Yes DILA4 3 1364x1024 Yes No Yes Yes SXGA 1400x1050 Yes No Yes Yes WSXGA 1680x1050 Yes No Yes Yes 1080p RGB 1920x1080 Yes No Yes Yes 2K 2048x1080 Yes No Yes Yes Q WXGA 2048x1152 Yes No Yes Yes UXGA 1600x1200 Yes No Yes Yes
3. bel B a Ea P4 LFS LF6 LF A LF8 EKS550 1 Front panel display 4 line VFD 2 Menu scroll knob 3 Layer selection Frame un scaled layer for still frames Layer A B C scaled positionable layers for live sources Logo 1 2 un scaled positionable layer for still logos 4 Matrix mode 1 to 2 select the output 1 or 2 a layer and a source then press TAKE 5 Adjustment adjust layer or logo position size active layer zoom active layer 6 Quadravision W1 to W4 4 layers with a choice of 8 customized templates 7 Effect Cut select Cut as the current transition type Fade select Fade as the current transition type User 1 to 4 select as a customized transition 8 On Off Stand by hold for 3 seconds for stand by mode 9 Control Exit menu Home menu or back one level Enter validate the menu or command 10 Input selection 1to 4 access source 1 to 4 display frame logo 1 to 4 HDMI 1 2 access HDMI 1 or HDMI 2 SDI 1 to SDI 4 access SDI 1 to SDI 4 display frame logo 5 to 8 Quick Frame allows to quickly display a foreground frame 11 Function Preview display Mosaic Preview Shift secondary function selection button 12 Layer Black clear the layer Freeze freeze unfreeze the input selected in the currently selected layer 13 Step Back recall the last preset into your Preview monitor 14 TAKE transition the pre selected source
4. To download the Remote Control Software please visit our website and go into the product section Then into the download link please download the RCS associated to your product Install it and then open Here is the startup screen ll 6 2 Connecting with the RCS Enter the IP address of the device and then the remote port Click on SET AS DEFAULT if you want the software to remenber 2 your configuration Click on Connect to start the connection CONNECT YOUR DEVICE emote Address 127 4 0 0 5 Once connected you have access to this screen Device v00 09 Build 3 BETA RCS v0 0 54 BETA In case of difficulties Verify that you are using the correct network cable and that it is free from defects Crossover or straight cable as required Check the IP address of both the device and the computer It must have a unique IP address on the same network as your Eikos You may need to manually configure a static IP address for your computer in your computer s network configuration You may need to temporarily disable any other networks on the computer such as turning off the wifi connection Close the RCS Restart the RCS Once your computer has established connection the RCS control panel will begin to load and will begin to synchronize with the device When the small Sync icon at the bottom right of the display has turned green the RCS software is ready to use Some computers use a
5. 7 2 6 Output management Into the output section you will be able to manage your output resolutions formats sync types test patterns etc On the SETUP gt OUTPUT TAB the following screen will appear COMPUTER 1920 X 1080 16 9 1080P COMPUTER 1920 X 1080 16 9 1080P 60 00 HZ 60 00 HZ Size 1920 x 1080 Size 1920 x 1080 HDCP Idle HDCP Idle A short summary of each output settings appears on the main page You can see the number of outputs their resolution rate and HDCP status Select an output to adjust by either clicking on it from the column on the left or clicking the configuration cog icon for that output Once the individual output setup page is opened you have access to MODE choose your rate generation mode internal free running within the unit or Framelock by choosing an input as a reference input FORMAT choose the output resolution format RATE choose the signal timing standards if the mode is set to internal STATUS the status menu will show you the current output status APPLY click on this button to apply the new format rate PLUG STATUS indicates the status of the attached monitor and confirms connectivity TYPE you can choose the type of output synchronization on the analog plug for example RGsB for sync on green or RGBHV for separate H and V sync wires FORCE DVI MODE select this box to force the output to DVI mode instead of the default HDMI au
6. 7 2 10 Audio management To setup your analog audio input simply click on ON PRELIST if you have a Preview output the audio input will be played on it Then adjust the GAIN from 11 to 6dB A red indicator light will be displayed if you reach the input clip If the input clip light is being illuminated it means that the input gain is too high and the signal is being distorted To solve this issue decrease the gain value The OdB corresponds to a 4dBu signal in input The gain manual adjustment is only available for analog input For every input you have the possibility to set up your source as a mono audio or stereo audio source You have the possibility to adjust the level vs right level using the Pan knob All input still have their own level which is O by default decrease or increase the value to modify the sound level Audio Group A Specific feature DIGITAL SOURCE all digital sources will have their sample rate displayed MERGE SDI SOURCE SDI source you can choose 2 channels on one of the 4 groups PGM Out 1 PRW Out 2 The available audio output controls depend on the device setup configuration If you are in a program preview mode you will have program preview audio outputs If you are in matrix mode you will have 2 programs audio outputs For the audio output you will find A LEFT RIGHT PAN ADJUSTMENT A GAIN ADJUSTMENT this setting will help you to calibrate the analog audio
7. PROG PRVW a a Logo2 Logo 1 Logo 8 Logo1 Logo 1 Logo 7 LayerC SDI 1 SDI 4 LayerB DVI 1 DVI 2 LayerA Input1 Input8 Frame Frame1 8 OUTPUT 2 FORMAT 1920X1080 RATE 50 00HZ LOCK INTERNAL MATRIX MODE OUTPUT 1 FORMAT 1920X1080 RATE 50 00HZ LOCK INTERNAL SCR amp 1 SCR 2 Logo Logo 1 Logo 8 LayerB Input1 SDI 4 LayerA Input1 SDI 4 Frame 1 8 OUTPUT 2 FORMAT 1920X1080 RATE 50 00HZ LOCK INTERNAL QUADRAVISION MODE OUTPUT 1 FORMAT 1920X1080 RATE 50 00HZ LOCK INTERNAL PROG PRVW O a Win 4 Input1 SDI 4 Win 3 5012 5014 Win 2 DVI 1 DVI 2 Win 1 Input1 Input8 OUTPUT 2 FORMAT 1920X1080 RATE 50 00HZ LOCK INTERNAL 8 5 Menu tree MIXER MODE MATRIX MODE QUADRAVISION MODE WIN 1 FULLSCREEN WIN 2 FULLSCREEN WIN 3 FULLSCREEN WIN 4 FULLSCREEN SPLIT SCREEN 1X LEFT 3X RIGHT 3X LEFT 1X RIGHT 1X TOP 1X BOTTOM SPLIT 2H SPLIT 2 V SPLIT 3 H SPLIT 3 V O1 Only for OUTPUT 2 O2 For OUTPUT 2 only displayed when OUTPUT2 is not synchronized with OUTPUT1 OUTPUT1 OUTPUT2 SYNC W OUT1 OUTPUT STATUS O3 Depending on the output format O4 Only for interlaced output format O5 Only Computer and HDTV OUTPUT FORMAT HDTV 720P HTDV 10351 HTDV 10801 HTDV 1080P 640X480 4 3 800X600 4 3 848X480 16 9 1024X768 4 3 1152X864 4 3 1280X720 16 9 1280X768 15 9
8. y A A WIPE ANGLE TOP RIGHT WIPE ANGLE BOTTOM WIPE ANGLE BOTTOM WIPE CIRCLE BOTTOM WIPE CIRCLE BOTTOM WIPE CIRCLE TOP LEFT CORNER HARD LEFT CORNER HARD RIGHT CORNER HARD LEFT CORNER HARD RIGHT CORNER HARD CORNER HARD t t B 2g 48 WIPE CIRCLE WIPE CIRCLE CENTER STRETCH DOWN STRETCH UP STRETCH RIGHT HARD STRETCH LEFT HARD RIGHT CORNER HARD OUT HARD HARD HARD 8 2 14 Capturing frames STRETCH CENTER STRETCH CENTER STRETCH CURTAIN IN HARD OUT HARD IN HARD BORDER The border has to be setting up in the Layer Menu Press Layer button gt go in border menu gt select and set your border with color and size Press TAKE to view the result on the Program screen NO BORDER EDGE BORDER 4 A A Y NN i e A transparency be applied to the shadow border e Size and style of layer border are adjustable 8 2 14 Capturing frames It is possible to store up to 8 frames in the Eikos non volatile memory To capture a frame display the exact content you want to save on one of your outputs at the exact resolution you can use the freeze button if you want Then follow this step Logos Frames menu gt record Frame menu gt Frame Choose the frame number slot and wait until the unit finishes to save Your frame is now saved and you can use it through the frame button CO LL S 8 2 15 Working with frames The capture of frames
9. 1280X800 16 10 1280X960 4 3 1280X1024 5 4 A nm 8 5 Menu tree 1360X768 16 9 1360X1024 4 3 1366X768 16 9 1366X800 15 9 1400X1050 5 3 1440X900 16 10 1600X900 16 9 1600X1200 4 3 1680X1050 16 10 1920X1080 16 9 1920X1200 16 10 2048X1080 2048X1152 16 9 FORMAT CUSTOM 1 FORMAT CUSTOM 2 FORMAT CUSTOM 3 FORMAT CUSTOM 4 FORMAT CUSTOM 5 FORMAT CUSTOM 6 FORMAT CUSTOM 7 FORMAT CUSTOM 8 FORMAT CUSTOM 9 FORMAT CUSTOM 10 OUTPUT RATE INTERNAL REF N 23 97 2 93 E N 24HZ 92 E SN 25 7 03 C E 29 97HZ 03 E 30HZ 92 Z 50HZ 93 A 59 94 7 3 NE J 8 5 Menu tree FOLLOW 0 5 INPUT 1 INPUT 2 INPUT 3 INPUT 4 HDMI 1 SDI 1 SDI 4 VIDEO OUT FOLLOW X1 FOLLOW X2 GAMMA FLICKER FILTER ANALOG TYPE RGBS RGsB SOG RGB HV YUV DVI TYPE AUTO RGB FULL 0 255 RGB LIMITED 16 235 YUV DVI AS HDMI HDCP DETECTION MEN 8 5 Menu tree CENTERING PIC TEST PATTERN OFF V GREY SCALE H GREY SCALE V COLOR BAR H COLOR BAR GRID SMPTE BURST V GRADIENT H GRADIENT VIDEO OUT CONFIG MODE V1 Displayed in matrix mode V2 Depending on the output format RECORDING MODE V3 Only for interlaced output format V4 Only if the config mode is on recordi
10. 7 2 11 Service management 7 2 12 Control management 7 3 24 4 41 7 3 1 Layer management 7 3 2 Layer adjustments 7 3 3 Effects 7 3 4 Background Frame 7 3 5 Preset load and save management e e ive 4 3 O 8 OPERATING THROUGH THE FRONT PANEL 49 8 1 1 Menu navigation 8 1 2 Home menu 8 1 3 Operating modes 8 1 4 Reseting default values 8 1 5 Eikos color codes 8 2 Settings in Mixer 50 8 2 1 Source Input selection 8 2 2 Input selection settings 8 2 3 Source Output selection 8 2 4 Output selection settings 8 2 5 Preview features 8 2 6 Preview mode and OSD settings 8 2 7 Preview ld 8 2 8 How to use the Mosaic Preview feature 8 2 9 Working with layers 8 2 10 Working with layers functions 8 2 11 Opening transitions and closing live layers 8 2 12 Layer adjustment menu 8 2 13 Layers with transitions amp borders 8 2 14 Capturing frames 8 2 15 Working with frames 8 2 16 Opening transitions amp closing still layers logos or frames 8 2 17 Frame input setup menu 8 2 18 Frames as layer 8 2 19 Layer transitions amp effects
11. 8 2 20 Capturing logos 8 2 21 Capturing an animated logo 8 2 22 Logos input setup menu 8 2 23 Working with logos 8 2 24 Logos as layer 8 2 25 Creating presets 8 2 26 Working with presets 8 2 27 Working with audio 8 2 28 Special features 8 3 Settings in native Matrix 65 8 3 1 Source Input selection 8 3 2 Input selection settings 8 3 3 Working with layers 8 3 4 Source Output selection 8 3 5 Output selection settings 8 3 6 Working with native Matrix mode 8 3 7 Working with Cut Fade or Transitions 8 3 8 Working with presets in Matrix mode 8 3 9 Working with Mirror modes As 8 3 10 Working with frames logos 8 4 Settings in Quadravision mode 8 4 1 Working with templates 8 4 2 Working with presets 8 4 3 Creating a preset 8 4 4 Working with frames logos 8 5 Menu tree en 9 1 Dashboard 9 O 10 APPLICATIONS NOTE ANDTIPS O 11 WARRANTY 11 2 Repair and return instructions cee eens 11 3 Return conditions 13 1 Crestron 2 amp 3 series Midra Driver ba skp E ERR ANE 13 2 AMX NetLinx Integrated Controllers Midra Driver 09 72 100 100 101 101 102 102 102 o 102 103 1 Trademarks O 1
12. IN3 HDMI IDLE IN4 DVI D IDLE IN4 HDMI IDLE IN5 HDMI IDLE IN6 HDMI IDLE OUT1 DVI D IDLE OUT2 DVI D IDLE FRONT PANEL KEY LOCKING MENUS KEYBOARD ONLY MENUS 8 5 Menu tree MATRIX TK MODE TAKE BOTH TYPE DIRECTION EFFECT DURATION LCD BRIGHTNESS KEY BRIGHTNESS RESET ERASE RESET LAYERS RESET THE LAYERS POSITION AND SIZE gt NO YES ERASE MEMORIES ERASE ALL THE IMAGE SETTINGS gt NO YES ERASE PRESETS ERASE ALL THE PRESET MEMORIES gt NO YES ERASE CUST FRMT ERASE ALL THE CUSTOM FORMATS gt NO YES COMPUT CUSTOM1 COMPUT CUSTOM2S COMPUT CUSTOM3 8 5 Menu tree COMPUT CUSTOM4 COMPUT CUSTOMS COMPUT CUSTOM6 S COMPUT CUSTOM7 COMPUT CUSTOM8 J COMPUT CUSTOM9 COMPUT CUSTOM10 EMPTY DEFAULT VALUES RESET THE DEVICE TO ITS DEFAULT VALUES gt NO YES TECH SUPPORT THE AMERICAS TECHSUPPORTOANALOGWAYUSA COM TEL 1 212 269 1902 EUROPE MIDDLE EAST AND AFRICA TECHSUPPORT ANALOGWAY COM TEL 33 0 1 81 89 08 76 ASIA PACIFIC TECHSUPPORT ANALOGWAYASIA COM TEL 65 6292 5800 9 1 Dashboard RCS O 9 MAINTENANCE AND SUPPORT 9 1 Dashboard RCS On the RCS you have access to a chart with general information on the unit Please click on the Dashboard button INFO Device Firmware Ser
13. WUXGA 1920x1200 Yes No Yes Yes Note 1 Reduced Blanking 4 7 Output specifications 4 7 1 Standard output The Eikos has two standard outputs The standard output contains Analog Computer Video HD15 HDMI output over a DVI I connector or DVI I output DVI Analog and DVI Digital VGA 4 7 2 Video output Please see the formats available on the output Output Type Format Signal HDTV Analog HDTV Analog Computer Video Ouput Computer Analog Computer HDTV Digital HDTV DVI I Output Computer Digital Computer Please note that SDTV and EDTV are not available on the standard output but only on the video output module 4 7 2 Video output The Eikos has one video output This video output contains 3G HD SD SDI BNC Analog SDTV 4 x BNC Composite YC YUV RGBS 3G HD SD SDI VIDEO OUT Please see the output formats of the monitoring output Output Type Format Signal Video Y C Output SDTV Analog SDTV Video Y Pb Pr Output SDTV Analog SDTV Video RGBSTTL Output SDTV Analog SDTV SDTV Digital SDTV Zn Senat HDTV Digital HDTV 4 8 Communication specifications 4 8 1 Serial interface A standard RS232 interface is available through a DB9 female connector permits controlling the device It permits updating the device Data Rate 1200 to 115200 Bauds 8 data bits 1 stop bit no parity bit no flow control by default DTR amp RTS needed for f
14. 2 in terms of settings All layers settings are available in the Layer menu once the layer is selected NOTE Take a look at the blinking of the Matrix mode button to always know on which output you are working on 8 3 4 Source Output selection Same as Mixer mode NOTE If you want to use HDCP content from your sources be sure to plug HDCP compliant screens or projectors If it s not the case the output image could be disabled 8 3 5 Output selection settings To set up the outputs go in the Output 1 or Output 2 menu and choose first the appropriate format reso lution and then the adapted rate for your screens by using the knob button and the ENTER button Output gt Output Format gt Output rate You can also in the Output 2 menu synchronise all the changes from the Output 1 to the Output 2 by checking the case Synch w Out 1 It allows you to set up both outputs at the same time Output 2 gt Synch w Out 1 Try to use the native resolution of your screens projectors in order to obtain the best image quality 8 3 6 Working with native Matrix mode NOTE The output status can provide you all information about the output in real time This feature is parti cularly needed when HDCP is used thanks to the HDCP status All changes have to be validated by pressing the Ok button in order to be saved Video Out Display mode Presentation Availability Output 1 Menu gt Video Out gt Connection gt Outpu
15. TRADEMARKS The terms HDMI HDMI High Definition Multimedia Interface and the HDMI logo are trademarks or registered trademarks of HDMI Licensing LLC in the United States and other countries O 2 INTRODUCTION Thank you for choosing the Analog Way Eikos Before you start setting up your Eikos for the first time please read through all of the documentation to become familiar with its powerful features The Eikos can be used in several configurations which results in a versatile video production tool for live event staging and fixed installation applications 3 Terms and definitions 3 TERMS AND DEFINITIONS BACKGROUND a Background is a source typically originating from a computer Eikos enables you to work with still frame background visually in back of all other sources LAYER a layer is an image display element such as a PIP window Key logo or Background that has a visual priority either in front or in back of another layer 1 frame non resizable up to 4 live layers resizable and 2 logos available on the Eikos PIP a PIP Picture In Picture is a picture typically of reduced size which is positioned over another background image or other PIPs PIPs can be repositioned reduced enlarged and displayed with borders PIPs can overlap depending on their visual priority Eikos offers various slides wipes and fades for dynamic PIP entrances and exits A flying PIP is also possible using v
16. There are enough scalers for making a transition All inputs are locked on to scalers before the TAKE There are no constraints for closing during the TAKE All the necessary closing transitions are performed to free occupied scalers and then the Eikos performs all openings for example when a frame or a logo needs to be changed except with Cut effect e TAKE sequenced shot Case 3 There are not enough scalers for making a transition All inputs are not locked on to scalers All the necessary closing transitions are performed to free occupied scalers The Eikos locks on to new sources and performs all openings 8 2 12 Layer adjustment menu e To have access to the layer adjustment menu a source has to be affected to your layer Press Layer button gt Press source e Once a source is attached to layer you can have access to the layer adjustment menu Press Layer button Press TAKE to view the result on the Program screen e To adjust layers there is a shortcut on a front panel too Press Layer button gt Press ADJ button 8 2 13 Layers with transitions amp borders Transitions All the settings are available in the Layer menu after pressing the selected layer The transition effects have some shortcuts on the front panel too To use it Press the selected Layer gt Press the Cut Fade User 1 3 or User 2 4 button The effect will be immediately attached to the selected layer Preview Concerning the U
17. adjustment of the luminance levels of the keyed hue The White Level is the luminance lower bound Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key e Titling alpha if you have selected one of the two Titling mode the titling menu appears This option places a transparent black backdrop behind the entire layer to which the key is applied This effect is useful for using bright titles on bright backgrounds such as clouds e Invert keying by default this mode is disabled When this mode is activated the key selection will remain on screen and all other portions of the image will be keyed away For example you would see the green screen behind the actor while the actor would be keyed away 8 3 1 Source Input selection 8 3 Settings in native Matrix mode 8 3 1 Source Input selection Same as Mixer mode 8 3 2 Input selection settings Same as Mixer mode 8 3 3 Working with layers Same as Mixer mode Settings Layer A Layer B Position YES YES Size YES YES Zoom YES YES Transparency YES YES Border YES YES Opening effects YES YES Closing effects YES YES Smooth Move YES YES H Flip V Flip YES YES The layers are used in the same way as the Mixer mode A source has to be selected to activate the PIP set tings Each layer has its own settings Layer A on Output 1 is not linked to Layer A on Output
18. assign Ex Layer A gt Source 4 The source number 4 will be displayed in the Layer A Press TAKE to view the result on the Program screen e To delete a layer from the Preview screen Press Layers gt Press Black button Press TAKE to view the result on the Program screen e To clear all layers on your Preview screen Hold the Black button at least 3 seconds Press TAKE to view the result on the Program screen e To freeze a layer Select a Layer gt Press Freeze button vu w uo i 2 layers 3 layers 3 layers Frame MEN 8 2 10 Working with layers functions 8 2 10 Working with layers functions Once a source is assigned to a layer you will have access to some layer settings in the Layer menu or direct ly by pressing the layer button The settings available depend on the layer selected Layer adjusts set up layer size and position Layer zoom set up layer zoom size and position Size Templates adjust a specific size Fullscreen 1 2 1 3 Transparency adjust the layer transparency Border choose the border and adjust its properties Opening and Closing effect adjust the Open Close effect type and duration Smooth move enable disable smooth move H amp V Flip flip the data of the layer Status get the selected layer status All changes have to be validated by pressing the ENTER button in order to be saved Press TAKE to view the result on the Program screen Settings av
19. can be done only under the following conditions The capture can be done from the Program output or the Preview output The disappearance of frames or logos on the Preview and Program output is normal during saving A frame captures the state of the specified output at the output resolution and must be recalled using the same output resolution Resizing or other image manipulation of the captured frame is not possible Attempting to use a frame at a different resolution will result in a partial frame display or a frame which does not fill the screen During the capture the output is outlined by a white border and includes the pixels into the white rectangle 8 2 15 Working with frames Frames are mainly used as backgrounds in a typical show or event setup and can be recorded from any of the Eikos 10 sources and called back at the press of a single button To use a frame be sure first that it is well saved then Press Frame button gt Press Frame button NOTE Frames may be used only one at a time and can be placed only in the frame layer 8 2 16 Opening transitions amp closing still layers logos or frames When transitioning still layers depending on how many scalers are in use the Eikos TAKE function will act in one of 2 different ways when transitioning the next preset Preview to the current preset Program TAKE shot 1 e All still frames make an opening and closing phase e All sources of the same layer are compl
20. complex event setups or putting together intricate shows your Eikos will also deli ver some of what you could expect from a dedicated mixer along with its switcher and scaler capabilities 2 In the Layer Selection section press the Layer A button The button will start blinking On your Preview screen Layer A will appear as a color rectangle The parameters of the layer will automatically appear on your Eikos VFD menu screen 3 In the Layer Menu make the position size border and transparency settings you like then select Opening Effect in the layer options press the ENTER button and select Type Select Slide Left Right for example and press the ENTER button to confirm Navigate to Duration in the Opening Effect sub menu and set the duration of your effect by rotating the SCROLL knob and pressing ENTER Repeat the procedure in the Closing Effect sub menu to determine the way your layer will close Try Slide From Left Right for the closing type with a duration of 1 5 seconds for example 8 2 20 Capturing logos To capture a logo display the exact content you want to save on the Program or Preview screen you can use the freeze button if you want Then follow these steps Logos Frames menu gt Record Logo menu gt Set up your logo gt Store menu gt logo To set up your logo you have several features available Position Size Adjustment Keying type Luma Chroma key Cut out color Select the logo number you
21. on the right side of the screen Click on the double arrow button on the right to show or hide the layer adjustment tab Selected layer The selected layer status information will indicate which screen layer and source assigned to that layer are selected You must select a layer in order to see the layer properties menu for that layer Reset feature You can reset each category of layer settings quickly Pos Size Transparency Cropping Border Transitions Effects Timing or you can choose to reset every settings in one click using the ALL button You can freeze the input assigned to the selected layer using the Freeze button The settings reset here only affects the selected layer on the selected preset For example you can reset the layer settings for layer A on Preview and Program will be unaffected until you press TAKE rr 7 3 3 Effects Position Size Adjust the size horizontally X or vertically Y then adjust the width and the height of your layer You can use the cursor or directly enter a value To keep the aspect ratio by using the cursor please enable the KEEP ASPECT RATIO button You will find it on the right of the width and height cursors Transparency Use the Transparency to give at your layer a transparent effect Layers behind the transparency layer will show through more or less based on the transparency value Cropping only for live layers The Cropping feature allows you to cut the part of the image
22. output component Depending on the device you will use after the analog way device adjust carefully the analog gain Basically for a O level the default value is 4 dBu A MASTER LEVEL it indicates the level of your input On its right a bar will move up and down to indicate the audio level in real time A red button will turn on if the maximum level is reached A DELAY ADJUSTMENT the delay can be automatically calculated or manually adjusted To adjust it manually first disable the Auto button 7 2 11 Service management Into the service section you will find tools to warn you if the unit has a ss problem Under TEMPERATURE there is the alarm tab FPGA or board E MOTHERBOARD MICRO are faulty it will be displayed FPGAFELINDRA Sensor Temperature FPGA TATIANA Temperature CARDS Name MOTHERBOARD CF CAMELYA CF FELINDRA CF TATIANA FPGA Fan Speed d CF FAV CF VIDEO OUT CAMELYA CF SDI IN 1 FELINDRA CF SDI IN 2 XPORT TECHNICAL SUPPORT In this menu all specific settings which cannot be sorted under the other menus are listed Network The interface loaded into the unit uses the IP configuration Under INTERFACE you can define a new IP address Netmask pero Gateway Port choose the port ders Protocol choose TCP by default or UDP Functions Under function you can edit TIME
23. riparare l apparecchiatura poich con l apertura del coperchio metallico o di qualsiasi altro pezzo costituente la scatola metallica nonch svitare le viti che appaiono esteriormente poich ci pu provocare all utilizzatore un rischio di shock elettrico o altri rischi Qualora si apra l unita la garanzia non sara piu valida e APERTURE DI VENTILAZIONE Le apparecchiature possono comportare delle aperture di ventilazione si prega di non introdurre mai oggetti o ostruire le sue fessure Se un liquido o un oggetto penetra all interno dell apparecchiatura disconnetterla e farla controllare da personale qualificato prima di rimetterla in servizio 4 1 4 German 4 1 4 German Um den Betrieb dieses Gerats zu verstehen raten wir Ihnen vor der Inbetriebnahme alle Sicherheits und Betriebsanweisungen genau zu lesen Diese Sicherheits und Betriebsanweisungen fur einen sp teren Gebrauch sicher aufbewahren Alle in den Unterlagen an dem Ger t und hier angegebenen Sicherheitsanweisungen einhalten e ACHTUNG um jegliches Risiko eines Stromschlags oder Feuers zu vermeiden das Gerat nicht Regen Feuchtigkeit oder intensiven W rmequellen aussetzen e EINBAU Eine ausreichende Luftzufuhr sicherstellen um jegliche berhitzung im Ger t zu vermeiden Das Ger t nicht auf und in N he von Textiloberfl chen die Bel ftungs ffnungen verschlie en k nnen aufstellen Das Ger t nicht in N he von Warmequellen wie z B Heizk r
24. rre ANALOG _DVI 1 8 9 10 11 12 13 14 Power supply 100 240 VAC 2 5 50 60HZ FUSE F4A 250 VAC internal autoswitchable 110W 3G HD SD SDI inputs 1 to 4 S PDIF audio inputs 1 to 2 MCO male connector for audio inputs balanced 1 to 4 MCO male connector for audio outputs balanced 1 to 2 S PDIF audio outputs 1 to 2 Video out connectors 1 x BNC F 3G HD SD SDI with audio embedded 3 x BNC F Y Cb Cr 1 x BNC F Composite video PAL NTSC 8 Universal Analog Computer TV HDTV inputs 1 to 4 yo Bb 9 DVI connectors DVI D inputs 1 to 4 Capability to receive digital audio signal from HDMI connector via an adaptor HDMI compatible 10 Ethernet plug 11 HDMI connectors HDMI inputs 3 to H6 Digital audio compliant 12 Communication port communication port with DB9 female connector 13 Universal Analog Computer TV HDTV HD15 outputs 1 to 2 14 DVI connectors DVI I outputs 1 to 2 Capability to transmit digital audio signal towards a HDMI connector via an adaptor HDMI compatible _ _ 5 1 2 Front panel 5 1 2 Front panel LAYER SELECTION _ __ _ ATRIX MODE DJUSTMENT COADRAVISION W ANALOG WAY 8 707370 no fF m INPUT SELECTION LAYER EFFECT DIQOU i user 2 Jj Ste CUT USER 4 Ji i LFI LF2 LF3 LF4 CONTROL UNCTION
25. screen Win3 Full screen Win4 Full screen MEN J 8 4 1 Working with templates 3 x Left 1 x Right 1 x Top 3 x Bottom Split 2H Split 2V 8 4 2 Working with presets 8 4 2 Working with presets Presets are useful to recall all layers windows settings pressing just one button In presets you ll save posi tion size transparency source attached etc Layers settings The source settings such as colors zoom etc are not saved into a preset You can recall a preset at any time It will be displayed on your Preview in order to check the content before taking it on the main screen 8 4 3 Creating a preset Presets are the copy of a configuration To save it Go in the Preset menu gt save preset gt select the origin and the destination press Enter to confirm To load it Go in the Preset menu gt load preset gt select the destination press Enter to confirm You can also load a preset directly through the front panel using the presets button Press P 1 to 4 or Press shift then P 5 to 8 to load the preset directly to the Preview screen In the Preset menu you have access to the step back feature which allows recalling the last configuration on the Preview screen 8 4 4 Working with frames logos Logos are available for display in Quadravision mode 8 5 Menu tree 8 5 Menu tree MIXER MODE OUTPUT 1 FORMAT 1920X1080 RATE 50 00HZ LOCK INTERNAL
26. section of the Eikos will display and give you access to the following items on the menu VFD screen MODE select to choose which mode the Eikos will work in Mixer Matrix Quadravision mode OUTPUT 1 select to set the output types and resolutions of Output 1 OUTPUT 2 select to set the output types and resolutions of Output 2 VIDEO OUT select to configure Video output card settings INPUT select to configure the 10 individual input types and resolutions PRESET select to store and use presets PRESET LAYOUT select a layout for the Quadravision mode IMAGE select to change source image settings of an input KEYING TITLING select to access keying and titling controls and parameters when video layer is selected SCREEN setup your background color and your Quick Frame LAYER select to adjust layer size position border transparency or transitions FRAMES LOGOS select to store record use and manage logos and frames into the Eikos AUDIO select to access all audio input and output parameters OSD SETTINGS select to display OSD CONTROL select to access device software information LAN settings reset factory settings and other user oriented functions These items are only displayed if a valid input is assigned to the current layer 8 1 3 Operating modes The Eikos offers 3 modes to work from the Mixer mode the Matrix mode which turns your Eikos into a true 10 x 2 scaled mat
27. set up your shows or events 7 2 Setup Go to the setup section to start to set up your unit A Setup assistant is available to help you to correctly adjust all basic setups of your unit Matrix Quadravision E 7 2 1 Mode The device can work in 3 different modes Mixer mode Matrix mode or Quadravision mode Mixer mode This mode allows for a single Eikos to seamlessly switch any of its 10 analog digital inputs with any other of the inputs add PIP titling or logo insertion to the live frame while previewing your every move before going live to avoid embarrassing errors on your main screen The Video output of the Eikos allows to have a copy of the full Main screen at a video resolution for recording or broadcasting gackground ogo 2 coreground 7 2 2 Audio Matrix mode This mode turns your Eikos into a true 10 x 2 scaled matrix while preserving seamless switching capabilities Program 1 and Program 2 outputs can be set to different resolutions and rates Switching between any of the inputs can be done with the various effects Cut Fade Slides and synchronized on both outputs Quadravision mode This mode allows to display up to four live windows while preserving seamless switching capabilities not if all 4 layers are displayed Several templates are available 7 2 2 Audio 4 Previous Next gt In this section you will setup the audio of your device you have several modes In
28. the internal real time clock AUTO LOCK when this feature is enabled you will be locked out from selecting empty inputs that have E no source connected Auto Lock LCD BRIGHTNESS adjust the brightness of your LCD Factory Reset LCD Brightness KEY BRIGHTNESS adjust the brightness of your keyboard Device Time 11 01 2000 01 35 Edit Erase Memories Key Brightness Erase memories Into this section you can erase individual settings e Erase input settings memory all input settings will return to their default value This includes image aspect user format and keying parameters e Erase thumbnail all the thumbnails you store on your computer will be erased Factory reset Click on start to erase all settings except network and RCS parameters The unit will reboot itself after the factory reset 7 3 Edit When you enter into the Edit menu you will encounter by default this window On this example we have the Screen 1 Program and the Screen 1 Preview The following example can be applied for any other output configurations To display an input into one of the available layers A B or C simply drag and drop the input from the left column to the layer on the chosen screen You can assign or change the inputs directly on Program as well as Preview 7 3 1 Layer management To display logo open the logo list column next to the source list and then drag and drop the desired logo on
29. you don t want Simply adjust the size horizontally or vertically and then adjust the position to display only the desired content This crop is a layer property all inputs displayed in this layer will be cropped Do not confuse this setting with the input crop which is specific to an input Borders only for live layers Choose a border for this layer from the available patterns including EDGE and SHADOW For each pattern you will have specific values to adjust like colors transparency width height or position V and position H Transitions On the Transitions section you can filter which transitions you want to see For Example you can show just the Slide Wipe Circle or Stretch transitions Each layer has an opening and a closing transition The opening effect will be applied when the layer switch from a source to another source or when the layer is switching from empty and appears with a source To set up the duration of the transition please see below the timing and duration settings If you want to force the layer to perform a closing and opening transition see FORCE TRANSITION 7 3 3 Effects Force transition The Force Transition button disables the cross transition between two sources into the same layers Enabling the Force Transition it forces the layer to go out and then go in with the desired effect instead of mixing directly the two sources Smooth Move Enable the Smooth Move to perform a smooth transition on
30. 0HZ 1280X720 50HZ 1280X720 59 94HZ 1280X720 60HZ 1280X768 50HZ 8 5 Menu tree 1280X768 60HZ RB 1280X768 60HZ 1280X768 75HZ 1280X768 85HZ 1280X768 120HZ RB 1280X800 50HZ 1280X800 60HZ RB 1280X800 60HZ 1280X800 75HZ 1280X800 85HZ 1280X800 120HZ RB 1280X960 50HZ 1280X960 60HZ 1280X960 85HZ 1280X960 120HZ RB 1280X1024 50HZ 1280X1024 60HZ 1280X1024 75HZ 1280X1024 85HZ 1280X1024 120HZ RB 1360X768 50HZ 1360X768 60HZ 1360X768 120HZ RB 1360X1024 50HZ 1360X1024 60HZ 1366X768 50HZ 1366X768 60HZ RB 1366X768 60HZ 1400X1050 50HZ 1400X1050 60HZ RB 1400X1050 60HZ 1400X1050 75HZ 1400X1050 85HZ 1400X1050 120HZ RB 1440X900 50HZ 1440X900 60HZ RB 1440X900 60HZ 1440X900 75HZ 1440X900 85HZ 1440X900 120HZ RB 1600X900 50HZ 1600X900 60HZ RB 1600X1200 60HZ 1600X1200 60HZ 1600X1200 65HZ 1600X1200 70HZ 1600X1200 75HZ 1600X1200 85HZ 8 5 Menu tree 1680X1050 50HZ 1680X1050 60HZ RB 1680X1050 60HZ 1680X1050 75HZ 1680X1050 85HZ 1920X1080 23 976HZ 1920X1080 24HZ 1920X1080 25HZ 1920X1080 29 97HZ 1920X1080 30HZ 1920X1080 50HZ 1920X1080 59 94HZ 1920X1080 60HZ 1920X1200 50HZ 1920X1200 60HZ RB 2048X1080 23 976HZ 2048X1080 24HZ 2048X1080 25HZ 2048X1080 29 97HZ 2048X1080 30HZ 2048X1080 50HZ 2048X1080 59 94HZ 2048X1080 60HZ 2048X1152 50HZ o amp e e gt lt gt lt e N N N e e E E N N A A UJ UJ 2048X1152 60HZ RB STATUS PRESET PRESE
31. ECTROMAGNETIC COMPATIBILITY e EC 61000 3 2 2009 e EC 61000 3 3 2008 e CISPR22 2008 e CISPR24 2010 e FCC Part15 of 2012 e ECS 003 of August 2012 ENVIRONMENT e RoHS e WEEE USE TRANSPORT e ETS 300 019 2 2 Environmental conditions and environmental tests for telecommunications equipment Part 2 2 specification of environmental tests Transportation Specification T 2 3 Public transportation e ETS 300 019 2 3 Environmental conditions and environmental tests for telecommunications equipment Part 2 3 specification of environmental tests Stationary use at weather protected locations Specification T 3 1 and T 3 1 E Temperature controlled locations A If your device should lose power unexpectedly you may lose any unsaved settings 4 10 HDCP management 4 10 HDCP management 4 10 1 Input HDCP detection The input HDCP detection is managed by the input components according to HDCP specification 4 10 2 Output HDCP detection The Eikos manages the output HDCP detection according to one of the following criteria Hot plug 3 second period attempt 4 10 3 Keys checking Keys checking is performed according to the most restrictive condition among the 2 following ones Every 2 seconds Every 128 frames 4 10 4 Output management HDCP protected content can be displayed only on HDCP protected outputs or displays Therefore whenever an HDCP protected source is placed into a layer routed to a n
32. ERS empty layers will not be displayed in the RCS TOGGLE PRESET enable disable the TOGGLE PRESET the Preview becomes the previous Program MOSAIC PREVIEW enable disable the Mosaic Preview mode on the PREVIEW monitor if available RELOAD PROGRAM load the preset of the Program screen into the Preview screen STEP BACK return to the configuration you had before the last TAKE MIRROR BUTTON the mirror button allows you to define for each layer the way it will be copied in the preset You can choose to mirror the layer flip the position or flip the position and the data from another screen To access this feature you first need to be in the Matrix mode Mirror x EEE HE HH HH HH 7 3 5 Preset load and save management Save a preset St PGM Save To MMemory shift click to edit details Once your preset is set up you can store it into one of the 64 preset slots To do that click on SAVE MM and choose the number corresponding to the slot number WARNING in the RCS you cannot save a preset for only 1 screen when you are in matrix mode only MASTER MEMORIES can be saved into the EDIT section In addition in the EDIT section as you work on screen by screen the load button loads only single memory You will find the load MASTER MEMORIES in LIVE MODE The first 8 presets are stored into the unit all the other presets are stored locally on your computer and will only be available wh
33. M VERTICAL FROM CENTER HORIZONTAL FROM CENTER 9 HV FROM 9 FROM BOTTOM LEFT CORNER FROM BOTTOM RIGHT CORNER FROM TOP LEFT CORNER FROM TOP RIGHT CORNER EFFECT DURATION SMOOTH MOVE H FLIP CAPTURE SOURCE LOGOS FRAMES PROGRAM PREVIEW SCREEN 1 SCREEN 2 RECORD FRAMES FRAME 1 FRAME 2 EMPTY FRAME 3 FRAME 4 FRAME 5 EMPTY FRAME 6 EMPTY FRAME 7 FRAME 8 RECORD LOGOS RECORD ANIM POSITION SIZE ADJUST LUMAKEY 9 LEVEL BLACK 8 5 Menu tree P1 Matrix mode only P2 Displayed depending on the switcher mode P3 Only displayed with a valid preset F1 Displayed in Mixer mode without mosaic preview and in Matrix mode F2 Displayed in Mixer mode without mosaic F3 Displayed in Matrix mode F4 Display empty is the slot is free F5 Only displays logo and valid frame list F6 Displayed depending on the type of keying F7 Only displayed for animated logo F8 Not displayed for animated logo 8 5 Menu tree L LEVEL WHITE CHROMAKEY 9 COLOR GRABBER H POS V POS TOLER L BLACK L WHITE MANUAL SETTING R KEY G KEY B KEY TOLER L BLACK L WHITE CUT OUT COLOR RECORDING TIME STORE LOGO 1 LOGO 2 LOGO 18 LOGO 4 18 L
34. Menu tree AUDIO DELAY 1KHZ OSC OUT1 PRELIST i OUT2 PRELIST A SOURCE NONE INPUT 1 INPUT 2 INPUT 3 INPUT 4 HDMI 1 HDMI 2 SDI 1 SDI 2 SDI 3 SDI 4 LEVEL BALANCE CONTROL VERSIONS VERS 1 0 0 VARIABLE SET 1 CALIMERO MAIN MICRO CAMELYA DESIGN SOFTWARE IHS FELINDRA DESIGN SOFTWARE IHS TATIANA DESIGN SOFTWARE IHS TSTP P CC J 8 5 Menu tree CONNECTION C1 Only displayed in UDP C2 Displayed for User1 User2 User3 and User4 RS232 LAN C3 Displayed if the effect type is not cut or fade C4 Displayed if at least one custom format is not valid C5 Displayed if the custom format is valid C6 Displayed if no custom formats are valid RS232 BAUD RATE 1200 BAUDS 2400 BAUDS 9600 BAUDS 19200 BAUDS x 57600 BAUDS 115200 BAUDS LAN SETUP DEVICE ADDRESS REMOTE ADDRESS c GATEWAY ADDRESS DEVICE PORT REMOTE PORT NETMASK DEFAULT SETUP RESET THE LAN PARAMETERS gt NO YES FUNCTIONS AUTO LOCK AUTO QUICK FRAME DYNAMIC FIT PREVIEW ID HIDE UNUSED FREEZE MODE INPUT FREEZE FREEZE ALL 8 5 Menu tree STANDBY BAUD RATE SET MESSAGE ON SET MESSAGE OFF CLEAR MESSAGE ON CLEAR MESSAGE OFF STANDBY DATE TIME YEAR MONTH DAY MINUTE SECOND HDCP SUMMARY IN1 DVI D IDLE IN2 DVI D IDLE IN3 DVI D IDLE
35. NC POL 29 HDCP 21 AUTOSET FREEZE ACTIVE PLUG een 8 5 Menu tree DVI D SDI HDMI ANALOG SETTINGS DVI D SETTINGS SDI SETTINGS HDMI SETTINGS TYPE SDTV COMPOSITE 9 SDTV Yc e VIDEO RGBS VIDEO RGsB e VIDEO YUV e COMPUTER 50679 COMPUTER BW COMPUTER HV COMPUTER C TTL COMPUTER C AUTO YUV 9 RGB FULL 0 255 9 RGB LTD 16 235 9 AUTOSET SYNCHRONIZED VCR MODE S A AS HDCP ENABLE H SYNC LOAD HI Z 75 OHMS x 3D COMBO FILTER DISABLE DEFAULT LOW FILTERING HIGH FILTERING x FORMAT AUDIO INPUT NONE m 8 5 Menu tree ANALOG 2 GROUP C ANALOG 3 LEFT CHANNEL RIGHT CHANNEL CHANNEL 1 ANALOG 4 S PDIF 1 S PDIF 2 CHANNEL 2 CHANNEL 3 CHANNEL 4 EDID EDID current preferred timing 1920x1080 50Hz gt Change 640X350 85HZ 640X400 85HZ 720X400 85HZ 640X480 59 94HZ 640X480 72HZ 640X480 75HZ 640X480 85HZ 720X480 59 94HZ 720X576 50HZ 800X600 50HZ 800X600 56HZ 800X600 60HZ 800X600 72HZ 800X600 75HZ 800X600 85HZ 800X600 120HZ RB 848X480 50HZ 848X480 60HZ 1024X768 50HZ 1024X768 60HZ 1024X768 70HZ 1024X768 75HZ 1024X768 85HZ 1024X768 120HZ RB 1152X864 50HZ 1152X864 60HZ 1152X864 75HZ 1280X720 23 976HZ 1280X720 24HZ 1280X720 25HZ 1280X720 29 97HZ 1280X720 3
36. OGO 5 EMPTY LOGO 6 EMPTY 18 LOGO 7 EMPTY 18 LOGO 8 FRAME 1 FRAME 312 FRAME 4 P FRAME 72 FRAME 82 LOGO 1 LOGO 22 LOGO 8 8 5 Menu tree AUDIO MODE A1 Displayed if the audio mode is different of no audio A2 Displayed if the audio mode is routing mode A3 Displayed if the audio mode is Preset mode A4 Displayed if the switcher is on mixer or NO AUDIO PRESET MODE quadravision mode A5 Displayed if the switcher is on matrix mode A6 Displayed if the audio input is analog A7 Displayed if the delay mode is manual ROUTING MODE SOURCE SETTINGS ANALOG INPUT 1 ANALOG INPUT 2 ANALOG INPUT 3 ANALOG INPUT 4 DVI INPUT 1 DVI INPUT 2 DVI INPUT DVI INPUT 4 HDMI INPUT 3 HDMI INPUT 4 HDMI INPUT 5 HDMI INPUT 6 SDI INPUT 7 SDI INPUT 8 SDI INPUT 9 SDI INPUT 10 S PDIF 1 S PDIF 2 MUTE STEREO ANALOG GAIN LEVEL BALANCE E LEVEL BALANCE DIGITAL OUTPUT S PDIF AES3 MEN 8 5 Menu tree OUTPUT 1 j 5 OUPUT 2 i j MAIN AUDIO J i PRELIST AUDIO i OUT1 MAIN OUT2 MAIN B PRESETMODE 3 BREAKAWAY TOP LAYER FOLLOW MASTER MUTE STEREO ANALOG LEVEL MASTER VOLUME BALANCE SOURCE uu s s LEVEL BALANCE DELAY MODE 8 5
37. REEZE EXECUTE Choose first Program or Preview click on FREEZE if you want to freeze your output Then click on EXECUTE to save your frame into the selected slot EXECUTE Current Format SDTV PAL 720 x 576 ntRate 50 00 Hz Plug YPbPr VALID Plug CVBS VALID Plug SDI VALID Apply click to apply Rate and Format You will find the status of your output and the possibility to choose the test pattern In addtition you can adjust FLICKER choose the value of the flicker filter to disabled the flicker effect on your screen interlaced lines effect GAMMA increase or decrease the gamma of your output OV CAN enable disable the overscan underscan RPNESS adjust the sharpness of the image SET UP a all Clicking on Layout you have the choice between a 4 3 or a 16 9 aspect ratio You can still play with the H V position and H V size in order to adjust accurately the video out image on your final screen 7 2 10 Audio management The audio section permits the management of level balance and other audio settings for each input E ANALOG WAY Edit Ya INPUTS OUTPUTS LOGOS PRECONFIG VIDEO OUT SERVICES only Current r CONTROL PGM Out 1 PRW Out 2 input 1 analog Mono Stereo input 2 analog On prelist Gain 4dBu 1 Mono Stereo input 1 dvi Rate Mono Stereo inp
38. Sources To use keying first select a source in the desired layer Layer button source number button Then in the main menu select the Keying Titling menu You now have several choices to key your sources The Luma Key and the Chroma Key based on the Luma pixel values and the Chroma pixel values and for both an additional Titling menu which can be useful to choose the transparency value of your keying Keying Titling menu gt Type menu gt Select your keying type Once your keying mode is selected the Eikos provides you some keying advance setting For Luma Key e Luma Keying is used to key from a particular luminous intensity It produces a hard edged key based on intensity which is most suitable for titling effects You can choose to key things that are extremely dark or extremely bright and keep everything in between or invert to key only things that are of a medium intensity e The black and white levels define where to begin the keying In the range 0 to 255 Orepresents no luminance or black and 255 represents full luminance or white Level Black As the Black Level is changed from O to 255 things that are black are first keyed out followed by dark grey then light grey and so forth until the entire picture is keyed out at 255 Level White As the White Level is changed from 255 to O things that are white are first keyed out followed by light grey then dark grey and so forth until the entire picture is
39. T MGMT P1 Matrix mode only P2 Displayed depending on the switcher mode BOTH OUTPUTS P3 Only displayed with a valid preset PA Only displayed if there is no valid preset CURRENT OUTPUT OUTPUT 1 OUTPUT 2 PRESET LAYOUTS DEFAULT H SPLIT SCREEN V SPLIT SCREEN BKGND TL PIP BKGND TR PIP BKGND BL PIP 2 BKGND BR PIP 2 PIP H SPLIT 2 PIP V SPLIT 1L 2H SPLIT 1R 2H SPLIT 1T 2V SPLIT 1B 2V SPLIT 2 3 DIAG STEP BACK SAVE PRESET SAVE FROM gt MAIN SAVE TO MEM1 SAVE PRESET FROM CURRENT gt MEM1 gt NO YES LOAD PRESET LOAD FROM gt SCR1 lt MEM1 LOAD TO SCR1 MAIN LOAD PRESET FROM SCR1 MEM1 gt SCR1 MAIN gt NO YES ERASE PRESET PRESET MEMORY 1 PRESET MEMORY 223 PRESET MEMORY 322 PRESET MEMORY 4 PRESET MEMORY 5 PRESET MEMORY 6 3 PRESET MEMORY 7 PRESET MEMORY 8 8 5 Menu tree QUAD LAYOUTS WIN 1 FULLSCREEN WIN 2 FULLSCREEN WIN 3 FULLSCREEN WIN 4 FULLSCREEN SPLIT SCREEN 1X LEFT 3X RIGHT LEFT 1X RIGHT 1X TOP 3X BOTTOM SPLIT 2H SPLIT 2V SPLIT 3H SPLIT 3V Q5 Only displayed in quadravision mode 8 5 Menu tree IMAGE S AUTO CENTERING G1 Displayed when a valid input is affected to a layer G2 Displayed for computer analog signal EDTV and HDTV analog
40. USER MANUAL Eikos Ref EKS550 ANALOG WAY n 11111 MY 17 3G HD 0 50 INPUTS a 7 Ca i i 3 Mi HH gr i Dec ag 1 2 jl RESS I MADE IN EU VERSAL ANALOG ji gt ERSAL ANALOG MODEL SPX450 uw HH ALOG UNIVERSAL ANALOG UNIV ovio UNIVERSAL AN J a 25 owo _ 7 2 T TIUS SL Hide ANALOG WAY Pioneer in Analog Leader in Digital O THANK YOU By following these simple steps you will be able to obtain the most from your powerful Eikos and its many features O 3 TERMS AND DEFINITIONS cnc 8 4 HARDWARE SPECIFICATIONS coco 9 4 1 Safety instructions 9 4 1 1 English 4 1 2 French 4 1 3 Italian 4 1 4 German 4 1 5 Spanish 4 2 Unpacking and inspection 14 4 3 Rack 14 4 4 Cable and adaptor 15 4 5 Hardware 5 15 4 5 1 Signal descriptions 4 5 2 Supported video formats 4 5 3 Computer formats 4 5 4 Input Computer formats 4 5 5 Output Computer formats 4 6 Input
41. a valid input is affected to a layer K2 Only displayed for Type Luma key or Lumakey Titling K3 Only displayed for Type chroma key or chromakey Titling K4 Only displayed for Type Lumakey Titling or Chromakey Titling K5 Only displayed for Type different than none A4 Displayed if the switcher is on mixer or quadravision mode 8 5 Menu tree SCREEN SETTINGS i SCREEN 1 SCREEN 2 BACKGROUND COLOR BLUE QUICK FRAME FRAME 1 FRAME 7 FRAME 8 AUTO TAKE PRESET TOGGLE LAYER LAYER COPY MODE NO COPY CLONE MODE COPY H POS FLIP COPY amp FLIP ALL LAYER ADJUST H POS V POS HV POS HV SIZE H SIZE V SIZE LAYER ZOOM H POS VPOS H SIZE V SIZE SIZE TEMPLATES FULL SCREEN 3 4 FULL SCREEN 2 3 FULL SCREEN 1 2 FULL SCREEN 1 3 FULL SCREEN 1 4 FULL SCREEN TRANSPARENCY BORDER 8 5 Menu tree Y1 Displayed when a valid input is affected to a layer Y2 Only displayed in matrix mode Y3 Not available for frame and logos Y4 Only slide wipe and stretch Y5 Only wipe and stretch Y6 Only circle wipe and stretch Y7 Only slide wipe and circle 8 5 Menu tree ADJUST OPENING EFFECT CLOSING EFFECT 4 _ CLEAN CUT SLIDE CIRCLE STRETCH DIRECTION LEFT TO RIGHT RIGHT TO LEFT BOTTOM TO TOP TOP TO BOTTO
42. age will be captured as tranparent NOTES e The cut out color is only a visual tool to help identify the transparent areas of the logo These colored re gions will not be captured but later displayed as transparent area e Capturing a logo is limited to a small percentage of the output resolution To capture and display a full screen image use the still frame 8 2 21 Capturing an animated logo To capture animated logo display the exact content you want to save on the Program screen you can use the freeze button Then follow this step Logos Frames menu gt Record Anim menu gt Set up your Anim gt Store menu gt logo To set up your animation you have several features available Position Size Adjustment Keying type Luma Chroma key Recording time Cut out color Select the animated logo 8 and wait until the unit finishes saving Your animation is now saved and you can use it through the background logo button Only one animated logo can be saved in the Eikos 8 2 22 Logos input setup menu In the logos frames menu the logos can be deleted in the Erase menu Logos Frames menu gt Erase menu gt Select Logo 8 2 23 Working with logos A simple or animated logo can be manipulated through the front panel On the front panel the logo are associated to the input respectively To assign a logo to the logo layer Press 0201 Layer button gt Press Input Logos 1 to 8 are available directly b
43. ailable Settings Background live PIP 1 Position YES YES YES Size YES YES YES Zoom YES MES YES Transparency YES YES YES Border YES YES YES Opening effects YES YES YES Closing effects YES YES YES Smooth Move YES YES YES H Flip V Flip YES YES YES Even the logo and frame buttons can access to their own settings but a logo framett has to be affected too The Program output can displayed simultaneously up to 7 layers stacked from bottom to top as follows Frame one stored frame selected from 8 available Layer A one source selected from 10 inputs available Layer B one source selected from 10 inputs available Layer C one source selected from 10 inputs available Logo 1 one stored logo selected from 8 available Logo 2 one stored logo selected from 8 available Quick Frame one of the 8 frames available 8 2 11 Opening transitions and closing live layers When transitioning live layers depending on how many scalers are in use the Eikos TAKE function will act in one of 3 different ways when transitioning the next preset Preview to the current preset Program e TAKE 1 shot Case 1 There are enough scalers for making a transition All inputs are locked on to scalers 8 2 12 Layer adjustment menu There are no contraints for closing before the TAKE All opening and closing transitions can be performed simultaneously e TAKE 2 shot Case 2
44. all modes you have the possibility to output the audio in AES3 or SPDIF NO AUDIO the audio of your device is switched off PRESET MODE the standard mode of use of the device You have two possibilities e Top layer the sound on the output will follow the audio input of the top layer e Breakaway when breakaway is activated the audio on the output is memorized into the preset A change of preset changes the audio on the output A change of content into a video layer has no effect on the audio ROUTING MODE in this configuration simply choose an audio input to assign it to the output The audio configuration remains the same during the show In this example input1 is on out1 and input 2 is on out 2 7 2 3 Screens 4 Previous Next In the screen configuration you will find the state of your screen It indicates the screen resolution the maximum number of layers you can use e iia You will find configuration for the Quick Frame and the background color too m The Quick Frame will be your emergency frame that can be displayed in front of every layer Here select the frame slot number to be displayed as the Quick Frame T 006566 If you are in Matrix mode you have 2 screens status Quick Frame FRAME 1 Screens 4 Previous Next Into the PREVIEW section you have the possibility to choose your PREVIEW mode Click on Mosaic to have a Mosaic Preview of all your inputs Click on Preview to F
45. allen lassen und keine schweren Gegenst nde auf es stellen Wenn das Stromkabel besch digt ist das Ger t sofort abschalten Es ist gef hrlich das Ger t mit einem besch digten Stromkabel zu betreiben ein abgenutztes Kabel kann zu einem Feuer oder Stromschlag f hren Das Stromkabel regelm ig untersuchen F r den Ersatz wenden Sie sich an Ihren Verk ufer oder Kundendienststelle e ANSCHL SSE Alle Eing nge und Ausg nge mit Ausnahme der Stromversorgung sind Safety Extra Low Voltage SELV Schaltungen wie in UL IEC 60950 1 definiert e REPARATUR UND WARTUNG Der Benutzer darf keinesfalls versuchen das Ger t selbst zu reparieren die ffnung des Ger ts durch Abnahme der Abdeckhaube oder jeglichen anderen Teils des Geh usessowie die Entfernung von au en sichtbaren Schrauben zu Stromschl gen oder anderen Gefahren f r den Benutzer f hren kann Wenden Sie sich an Ihren Verk ufer Ihre Kundendienststelle oder an qualifizierte Fachkr fte Das ffnen des Geh uses f hrt zum Verlust der Garantie e FFNUNGEN UND MUNDUNGEN Die Ger te k nnen ber ffnungen verf gen Bel ftung Schlitze usw Niemals Gegenst nde in die ffnungen einf hren oder die ffnungen verschlie en Wenn eine Fl ssigkeit oder ein Gegenstand in das Ger t gelangt den Stecker herausziehen und es vor einer neuen Inbetriebnahme von qualifiziertem Fachpersonal berpr fen lassen 4 1 5 Spanish 4 1 5 Spanish Para comprender mejor el fu
46. alog Way reserves the right to refuse for repair and service a product for which the warranty is void e n no way shall Analog Way be responsible for direct or indirect loss of profit or consequential damages resulting from any defect in this product NOTE Analog way offers a warranty extension of 2 years it includes parts labor and return shipping If you are interested please contact your territory sales representative 11 2 Repair and return instructions These Return Material Authorization RMA regulations determine the procedure to be followed when returning defective product The aim is to ensure fast and simple handling of the returned product and bring the best satisfaction In the unlikely event that a product is required to return for repair please call the regional Maintenance center Customer Service and ask to receive a Return Material Authorization number RMA Three regional maintenance centers are available depending on your location See chapter 12 Contact information e Before sending any device to Analog Way please contact us to obtain a Return Material Authorization RMA number Please have the model and serial number available and the reason for calling e RMAs are valid for 30 days after which a new RMA must be requested e Package the unit securely in the original shipping materials or suitable equivalent Analog Way is not responsible for damage which occurs due to improper packaging The customer assumes respons
47. c luma on an input The device offers an individual keying for each input Into the input settings find the keying menu You have 2 ways of using the keying Keying Setup Mode DSK TITLING COLORKILLER classic color keyer removing a specific color space defined by user LUMAKILLER luma keyer removing a specific lumanance level range 7 2 8 Logo management Keying setup can be done either by setting directly color references and tolerances or by using the color grab assistant 17 INVERT BUTTON at any time you can choose to invert the actual keying using this button DSK TITLING Current Color 00FF00 DSK TITLING nable MN DSK TITLING after your keying the DSK titling feature allows you to play with the transparency of your deleted pixels Enabling this simply adjust the opacity settings to make your keyed pixels less or more dark This is useful when keying white or light colored text over a bright background How to use the LUMA KEY Select the lumakiller and then adjust manually the luma level Luma Low Level e Luma High Level Manually set the minimum luminance value Luma Low Level Everything darker than this value will be keyed away Luma High Level Everything brighter than this value will be keyed away Then adjust the maximum luminance value to define the range of luminance levels which will be deleted Once you have completed the setup of your keyed input
48. d drop it into the scene box from the memories selection on the right 00000000 This toolbar acts like a command for your timeline Simply click on play to launch the timeline You can stop the timeline at any moment using the pause or stop button Use the loop button to load again your timeline when it s finished Take a look at the global time of your timeline thanks to the clock on the right of the toolbar Note To control the Eikos Analog Way also provides Crestron and AMX modules For more details see appendices 8 1 1 Menu navigation O 8 OPERATING THROUGH THE FRONT PANEL 8 1 Front panel 8 1 1 Menu navigation To access the Eikos menu press the EXIT MENU button in the control IMJANALOG WAY section To highlight items in the menu which will appear on the VFD screen turn the scroll knob left or right to the desired menu item When you have reached the desired menu item press the ENTER button in the control section to access that menu function Pressing the ENTER button pgm when a selection has been made sets the value to that selection in the a Eikos memory When all settings been made press the EXIT MENU button to exit sub menus and return to the main menu Eikos T Simply selecting a menu item will not set it to that value Be sure to press the ENTER button when parametering the menu items or to push the scroll knob 8 1 2 Home menu Pressing the MENU button in the menu
49. dles of the device can be dismantled but with caution The original screws removed must not be reintroduced to their location without handles in place Substantial damages can occur including risk of electric shock from the main voltage Only M4x12mm screws can be used They are supplied with the unit 4 4 Cable and adaptor information 4 4 Cable and adaptator information A large choice of cables and adaptors are compatible with the Eikos Please refer to the hardware specifications chapter to find the most suitable cables for your operations 4 5 Hardware specifications 4 5 1 Signal descriptions For each type of signal here are the levels and the impedance accepted by the Eikos Analog SDTV Type Levels Impedance Composite 0 7 0 3 Vpp 750 S Video Y 0 7 Vpp 0 3 Vpp 0 7 Vpp pu YUV Y 0 7 Vpp 0 3 Vpp U 0 7 Vpp 750 V 0 7 Vpp RGsB R 0 7 Vpp G 0 7 Vpp 0 3 Vpp 750 0 7 Vpp G 0 7 Vpp lt 750 or S TTL Analog EDTV Type Levels Impedance YUV Y 0 7 Vpp 0 3 Vpp U 0 7 Vpp 750 V 0 7 Vpp RGsB 0 7 Vpp G 0 7 Vpp 0 3 Vpp 750 B 0 7 Vpp R G B 0 7 Vpp R G B 750 or S TTL Analog HDTV These formats are compatible with bi level and tri level sync on 1 or 3 wires Type Levels Impedance YUV Y 0 7 Vpp 0 3 Vpp U 0 7 Vpp 0 3 Vpp 750 V 0 7 Vpp 0 3 Vpp RGsB R 0 7 Vpp 0 3 Vpp G 0 7 Vpp 0 3 Vp
50. e the device QUICK FRAME The Quick Frame feature allows the instant display of a stored frame above all layers 4 1 1 English O 4 HARDWARE SPECIFICATIONS 4 1 Safety instructions 4 1 1 English All of the safety and operating instructions should be read before the product is operated and should be maintained for further reference Please follow all of the warnings on this product and its operating instructions e WARNING To prevent the risk of electric shock and fire do not expose this device to rain humidity or intense heat sources such as heaters and direct sunlight Slots and openings in the device are provided for ventilation and to avoid overheating Make sure the device is never placed near a textile surface that could block the openings Also keep away from excessive dust vibrations and shocks e POWER Only use the power supply indicated on the device of the power source Devices equipped with a grounding plug should only be used with a grounding type outlet In no way should this grounding be modified avoided or suppressed Connection of equipment to main supply must be after branch circuit breaker of the building installation e POWER CORD The device is equipped with a detachable power cord to remove mains disconnect it at appliance coupler A rear switch is also available turn OFF to switch off the device Caution The power cord constitutes the only mean to completely disconnect the equipment from the main p
51. e to perform powerful transition effects seamlessly It can depend on your configuration 8 3 8 Working with presets in Matrix mode The Eikos has 4 scalers to understand how your effect will be performed you need to know how many scalers are used on your outputs Don t forget that you always need one free scaler to perform seamless transitions Example 1 layer on each output gt 2 scalers used gt 2 seamless transitions 2 layers on each output gt 4 scalers used gt no seamless transition ie fade through black The frame and the logos are not considered as live layers and are not counted as using a scaler 8 3 8 Working with presets in Matrix mode In Matrix mode you will find a new menu into Preset menu called Preset management This will help you to define what kind of preset you want to save BOTH OUTPUT preset saved for both outputs CURRENT OUTPUT preset saved only for the current output OUTPUT 1 preset saved only for output 1 OUTPUT 2 preset saved only for output 2 8 3 9 Working with Mirror modes The Mirror Matrix mode is a specific Matrix mode where the output 2 will be the perfect mirror copy of the output 1 In that way each settings apply to output 1 will be performed on the output 2 too Mode Menu gt Matrix mode Menu Using the Matrix mode several configurations are available the simple mode and the mirror mode Using the Mirror mode to use the mirror mode simply
52. en using the RCS2 software If you want to have more details you can SHIFT CLICK on any preset to bring up a detailed status window In this window you can rename each preset using the PRESET LABEL Bax The first icon displays a window with all preset detail The second one allows you to let the windows open The last one quits the window 7 3 5 Preset load and save management Load a preset To recall a previously saved preset click the Load button on the right side of each screen and select a preset to load MM 10 FrFr3 EKS550 Mixer 07 11 2013 16 30 32 Reset button You can reset a screen using the reset button Using that all sizes and positions will be deleted Your layers will be reset If the HIDE UNUSED LAYERS button is enabled and all of your layers are empty and hidden you can still access the layers using the layer icons on the left side of each screen 7 4 Live 7 4 Live The Live mode is designed for easy live operation of the device after you have created some presets ANALOG WAY 1024 x 768 emm Beli ed STEP QUICK FRAME 1024 x 768 DashBoard Device v01 00 Build 12 RCS v01 00 20 LOAD On the right you will find all your saved presets under the tab called MASTER MEMORIES ee A simple drag and drop on the screen will load your preset into the screen Program or SAVE Previ ew MASTER MEMORY If you want to change an i
53. erenced source framelock feature LABEL rename your input according to your source AUDIO MAPPING select the audio input that will be linked with the video input Embedded Audio nat EMBEDDED SIGNAL AUDIO status indicates if an embedded audio signal is detected or not 7 2 7 Input management STATUS format and size of the input CONTROL Black select Black to transform your input in a uniform color Freeze use this button to freeze the specific input EDID choose the EDID for the selected plug Change Edid Preferred Format x 640X350 85HZ 640X400 85HZ 640X480 85HZ Under the HDCP section you can Enable disable the HDCP communication feature Read the HDCP status If the HDCP status says Active this output connection is currently utilizing HDCP to protect the signal if the HDCP status indicates Idle this output connection is currrently not utilizing HDCP Next is the IMAGE tab where you can find all settings about the display of your input COLORIMETRY Level Under the COLORIMETRY section you have LEVEL define the selected input luminosity level CONTRAST define the selected input contrast level COLOR define the selected input color level O black and white full full color HUE set up the hue phase of your NTSC signal USER GAIN Under the USER GAIN section you find THE RED GREEN BLUE increase decrease the Red Green Blue level of your inp
54. ertical horizontal or diagonal movement A PIP is considered as a layer FRAME a frame is a full screen image which is selected from one of the still frames you can capture A frame can be captured in flash memory from any video or computer source plugged into the machine LOGO a logo is a part of a screen image that can be captured in flash memory from any video or computer source by keying or image cut out A logo can be positioned anywhere on the screen KEYING Key is an electronic process whereby a video image is electronically superimposed over another source or background by dynamically removing a portion of the first image For example removing all content of a certain color such as green or blue is called a Chroma Key and removing content based on its brightness or luminance levels is called a Luma Key Keys are typically used for titles logos and special effects Eikos allows you to key a live source such as a camera shot with green or blue background or a title with a black background over any other source or sources SEAMLESS Clean transition with no glitch or loss of sync while switching between two sources For example fading through black to another source is a seamless transition TRUE SEAMLESS Clean seamless transitions with no glitch or freeze between two sources For example crossfading from source to source is a true seamless transition RCS Remote Control Software used to control set up and operat
55. etely different between the current preset and the next preset The opening and closing effects of the layer are set to Cut TAKE shot 2 e One of the layer makes a change of source which is not in Cut e The opening and closing phases can be done with different effects e The still frame appears and disappears of the layer with the following effects Cut Fade Slide or Wipe 8 2 17 Frame input setup menu In the frame input setup menu you have the possibility to save a frame and the possibility to erase a stored frame Logos Frames menu gt save Frame gt Frame Logos Frames menu gt Erase gt Frame 8 2 18 Frames as layer The frame is considered as a layer and has some settings available Pos Size Transparency Opening Closing effect Snooth move and Status Those settings have to be used as layer settings Press frame button to have access to the layer menu settings You can change frame or delete frame on the Preview screen using the same way the layers do Delete Press frame button gt Press Black Change Press frame button gt Press another Frame Press TAKE to view the result on the Program screen 8 2 19 Layer transitions amp effects 8 2 19 Layer transitions amp effects The Eikos offers a wide variety of transitions between the scenes you create for your shows and events It allows for live recall of 8 user presets each of which you can edit at any given time 1 Whether catering for
56. follow e Sources on the Program output are indicated in red when active e Sources on the Preview output are indicated in green when active e Buttons in the layer section turn red or green depending on whether the selected layer is active in respectively the Program or Preview window e menu buttons are indicated in green e Selecting a button with an available source or function will cause that button to blink green on the preview or red once it is on the Program output e TAKE button reacts as follows If take function is available the button will appear in green When the take function is active it will light up red 1 Source is on the Program output 2 Mosaic Preview enable 43 Freeze enable Solid red H1 Source is on Preview H2 Function available for modification 43 Current output on Matrix mode Solid green Blinking red on the Program output Layer source selected or is not currently Blinking green active on the Program output Layer source selected or is currently active 8 2 Settings in Mixer mode 8 2 1 Source Input selection Plug your sources using the 4 multi plug inputs 2 HDMI Inputs or 4 3G HD SD SDI inputs Be sure that all connectors are firmly attached using all available locking screws 8 2 2 Input selection settings To set up your inputs automatically Input menu Auto settings You can also do it manually on each input using the ENTER and the Knob button and set up the inputs ty
57. frame logo can be memorized from Output 1 or 2 To record a frame logo please refer to the chapter 8 2 14 Capturing frames and 8 2 20 Capturing logos in the Mixer mode To use a frame logo refer to Working with frame logo As a source each frame logo can be used by both outputs you just have to select the correct matrix button first Quadravision mode allows the display of up to 4 live sources on a screen The Preview will display just the outline of each layer to show the position size and the source attached Choose Quadravision mode in the Mode menu then choose your first template To use windows first attach your source to the desired window you have to use the windows button in the Quadravision field Press W button gt Press input Press TAKE to apply the change on the main screen All windows have the same settings as layers in other modes You can have access to them by the Layer menu or directly by pressing the W button once a source is attached You always have access to the shortcut tran sition button black button Press W button gt Press the Cut fade user1 user2 user3 user4 button to set up the transition 8 4 Settings in Quadravision mode 8 4 1 Working with templates Some templates are available for the Quadravision mode you will find them here Home menu gt Quadravision layout Templates are just here to provide some useful layer positions you can adjust them manually at any time Win1 Full
58. ial Number RCS CONNECTIVITY IP Address MAC Address On this chart you will find under the INFO tab the Device name the Serial number of your product the actual firmware and the software version of the RCS Under CONNECTIVITY you will find the current IP address of your unit and its MAC address 10 1 HDCP O 10 APPLICATIONS NOTE AND TIPS 10 1 HDCP HDCP is a content protection mechanism which uses encrpytion to prevent high value content from being delivered to non authorized devices For example Blu ray players use HDCP on their HDMI outputs to ensure that the HDMI output cannot be routed to a digital recording device The Eikos is fully HDCP compliant meaning that you will be able to use the Eikos to accept HDCP protected sources and route them to any HDCP protected outputs As Analog Way is a licenced HDCP adoptor this also means that the Eikos is prevented from displaying any HDCP protected images on any non HDCP compliant outputs as is the case for all licenced HDCP compliant devices HDCP can only be used on certain connection formats including DVI HDMI and Displayport Keep in mind that simply because a connection is using a DVI HDMI or Displayport connection it does not guarentee that the devices connected are maintaining an active HDCP connection For example you may find video recording or capture devices equipped with an HDMI input however HDCP licencing forbids these devices from capturing HDCP
59. ibility until the unit arrives at our facility e Out of warranty products will be charged an evaluation fee if no problems are found or if you choose not to proceed with the repair e Discontinued products are not admitted for return and repair e Be sure to include the RMA number clearly on the shipping label or on the exterior of the package e Nounit will be accepted without a valid RMA clearly visible 11 3 Return conditions In the unlikely event that you want to return the product please call the regional Maintenance center Customer Service e f you are unhappy with the performance of any product purchased from us you can return it within 30 days of purchase e Returned equipment must be in original condition with all accessories and packaging materials e Returns may be subject to a refurbishment and or restocking fee e e O 12 CONTACT INFORMATION The Americas Europe Middle East amp Africa Asia Pacific Analog Way SAS Headquarters Tel 33 0 1 81 89 08 60 Fax 33 0 1 57 19 04 54 2 4 rue Georges Besse 92160 Antony FRANCE Sales General information saleseuro analogway com Technical support techsupport analogway com Tel 33 0 1 81 89 08 76 Analog Way Germany Tel 49 7161 5075668 salesgermany analogway com UNITED STATES Analog Way Inc Tel 1 212 269 1902 Fax 1 212 269 1943 299 Broadway Suite 1620 New York NY 10007 USA Sales General infor
60. io e CABLE DE CORRIENTE El equipo se suministra con un cable de corriente si desconectamos el cable dejamos al equipo sin alimentaci n Un interruptor situado en la trasera de la unidad permite apagar el equipo Atenci n El cable de alimentaci n constituye el nico medio de desconectar el aparato totalmente de la red el ctrica Para estar seguro de que el aparato no est m s alimentado este cable debe de ser desconectado de la toma de corriente Aplicar las siguientes consignas El material conectado a residencia a la red inform tica debe de tener un dispositivo de seccionamiento f cilmente accesible que debe de ser incorporado al exterior del aparato Desconectar el aparato del enchufe mural si no piensa utilizarlo durante varios d as Para desconectar el cable tire de la clavija No tire nunca del cable propiamente dicho El enchufe de alimentaci n debe estar cerca del aparato y ser de f cil acceso No deje caer el cable de alimentaci n ni coloque objetos pesados encima de l Si el cable de alimentaci n sufriera alg n da o ponga el aparato inmediatamente fuera de tensi n Es peligroso hacer funcionar este aparato con un cable averiado ya que un cable da ado puede provocar un incendio o un choque el ctrico Verifique el estado del cable de alimentaci n de vez en cuando P ngase en contacto con su distribuidor o con el servicio de posventa si necesita cambiarlo e CONEXIONES Todas las entradas y salidas a e
61. ion Once your inputs all have been configured the output settings of the Eikos must be set according to the machines plugged on your Eikos Program and Preview outputs video projector Preview monitor NOTE If you want to use HDCP content from your sources be sure to attach HDCP compliant screens or projectors If HDCP sources are used with non HDCP compliant screens the output image could be disabled 8 2 4 Output selection settings To set up the output go in the Program Output or Preview Output menu and choose first the adapted format resolution and then the appropriate rate for your screens by using the knob button and the ENTER button Program Output Output Format Output rate Please note that a pair format rate is only applied when the rate is validated Use the native resolution of your screens projectors in order to obtain the best image quality In the Preview Output menu you can also match the output configuration the Program Output to the Preview Output by checking the case Sync w Out 1 It allows you to set up your outputs via the output 1 menu Preview output Synch w Out 1 Some other settings are available too OUTPUT STATUS display the status of the selected output OUTPUT FORMAT choose the output format OUTPUT RATE choose the output rate GAMMA use this feature to set up the output gamma ANALOG TYPE set up the type of synchronization of your analog output DVI TYPE set up the type
62. ire tutti i consigli indicati su questo manuale e sull apparecchiatura e ATTENZIONE Alfinedi prevenirequalsiasirischiodishockelettricoed incendio nonesporrel apparecchiatura a pioggia umidit e a sorgenti di eccessivo calore e INSTALLAZIONE Assicuratevi che vi sia una sufficiente circolazione d aria per evitare qualsiasi surriscaldamento all interno dell apparecchiatura Non collocare l apparecchiatura in prossimit o su superfici tessili suscettibili di ostruire il funzionamento della ventilazione Non installate l apparecchiatura in prossimit di sorgenti di calore come un radiatore o una fuoruscita d aria calda n in un posto esposto direttamente ai raggi del sole a polvere eccessiva a vibrazioni o a shock meccanici Ci potrebbe provocare un erroneo funzionamento e un incidente e ALIMENTAZIONE Far funzionare l apparecchiatura solo con la sorgente d alimentazione indicata sull apparecchiatura Le apparecchiature queste devono essere obbligatoriamente collegate su una sorgente fornita di una efficiente messaa terra In nessun caso questo collegamento potr essere modificato sostituito o eliminato Connessione delle apparecchiature alla rete elettrica deve essere successiva interruttore di circuito dell impianto dell edificio e CAVO DI ALIMENTAZIONE dispositivo e dotato di un cavo di alimentazione removibile per rimuovere alimentazione scollegarlo dalla Presa L interruttore di accensione e disponibile sul pannello posteriore
63. irmware upgrade 4 8 2 LAN interface A standard LAN interface is available through a RJ 45 connector It permits controlling the device It permits transferring configuration It permits connectivity with the RCS application It permits updating the device 4 8 2 1 Protocol Protocol Availability TCP Yes UDP Yes 4 8 2 2 IP address Address allocation Availability Static user defined address Yes Default IP address 192 168 2 140 4 8 2 LAN interface 4 9 Environmental specifications 4 9 Environmental specifications Dimensions Weight gt D 15 75 x W 19 x H 3 46 with rack mount and handles gt D 400 mm x W 483 mm x 88 mm gt 6 3kg 13 9 Ib Compatible with a Standard 19 rack Height 2 U gt D 14 17 x W 17 3 x H 3 46 without rack mount and handles D360mm x W 440 mm x H 88 mm e Cooling air flows from right side to left side e Max ambient operating temperature lt 40 C lt 104 F e Operating temperature O to 40 C 32 F to 104 F e Storage temperature 40 to 70 C 40 F to 158 F e Operating humidity 10 to 8096 non condensing e Input voltage range 100 240 VAC autosensing 50 60 Hz e Typical consumption 110 W ELECTRICAL SECURITY e EC 60950 1 2005 2nd Edition Am 1 2009 e EN 60950 1 2006 A1 2010 A11 2009 A12 2011 CSA C22 2 National Differences specified in the CB Test Report e UL listed Canada amp US EL
64. keyed out at O Non Inverted mode Keyed Away Visible Picture Keyed Away Black level White level MEN LL n 8 2 28 Special features For Chroma Key Chroma Keying is used to key from a particular color It produces a key which is most suitable for moving images and weatherman style applications Color grabber Select Chroma Key menu gt Select Color grabber menu Using a crosshair you can select a particular hue based on what is on screen Once you have adjusted the crosshairs to a desired position press set enter to capture the color value at that instant You can then adjust the other parameters such as Tolerance to further refine your key Manual Setting Select Chroma Key menu gt Manual Settings menu e R G B these controls allow you to manually select a hue defined by its Red Green and Blue values as you can find in Windows Paint software e Tolerance the Tolerance parameter allows you to expand your key color selection to include colors which are similar to the selected value A tolerance of 1 will select only the desired hue whereas a tolerance of 255 will select nearly all hues e Black Level this option permits adjustment of the luminance levels of the keyed hue The Black Level is the luminance lower bound Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key e White Level this option permits
65. l installation lectrique du b timent e CORDON D ALIMENTATION Les appareils sont quip s d un cordon d alimentation d tachable la mise hors tension se fait en d branchant ce cordon de l appareil l appareil poss de un interrupteur en face arri re appuyez dessus pour teindre l appareil Attention le cordon d alimentation constitue le seul moyen de d brancher l appareil totalement de l alimentation secteur Pour tre certain que l appareil n est plus aliment ce cordon doit tre d branch de la prise murale Appliquer les consignes suivantes Le mat riel reli demeure au r seau doit avoir un dispositif de sectionnement facilement accessible qui doit tre incorpor l ext rieur de l appareil D brancher le cordon d alimentation de la prise murale si vous pr voyez de ne pas utiliser l appareil pendant quelques jours ou plus Pour d brancher le cordon tirez le par la fiche Ne tirez jamais sur le cordon proprement dit La prise d alimentation doit se trouver proximit de l appareil et tre ais ment accessible Ne laissez pas tomber le cordon d alimentation et ne posez pas d objets lourds dessus Si le cordon d alimentation est endommag d branchez le imm diatement de la prise murale Il est dangereux de faire fonctionner un appareil avec un cordon endommag un cable abim peut provoquer un risque d incendie ou un choc lectrique V rifiez le c ble d alimentation de temps en temps Con
66. late you can make further modifications to the layers before Taking your selections to Program CLEAR E n POS E LAYOUT Layer position A layer position shortcut is also available After having selected a layer simply click on the Pos button to have quickly access to a layer position Choose the new position The change is applied straight away on your preset LAYOUT Layer size You can choose between several aspect ratio Once selected the new aspect ratio is applied on the selected layer Other layer adjustments CLEAR BUTTON this button allows you to clear the selected layer from your preset CLEAR ALL BUTTON remove all layers from your preset CONTENT SIZE set layer size to its content size SCREEN SIZE set layer size to screen size LAYER SIZE SOURCE RATIO set the layer size to fit the source ratio ALIGN BUTTON you need first to select at less 2 layers then you can align them horizontally or vertically use Shift to select 2 layers 7 3 5 Preset load and save management KEEP ASPECT RATIO BUTTON enabling this feature will keep the layer aspect ratio during resizing WIREFRAME MODE allows to enable disable the layer thumbnails on your RCS SHOW LAYER OUT OF SCREEN enable disable the possibility to display a layer out of the screen into the RCS TRAP LAYERS ON SCREEN disable the ability to position the layer off of the screen HIDE UNUSED LAY
67. m being displayed on VGA or SDI outputs and only allow it to be displayed on outputs protected by HDCP To work around this problem the Eikos allows the HDCP features of a particular input to be disabled which in turn informs the Mac computer to avoid using HDCP and allows content such as Keynote and the desktop to be displayed as this input will no longer use HDCP protection Please note that disabling the HDCP features of the input do not circumvent HDCP protections and thus do not allow you to view any content which requires this protection For more information about HDCP please refer to our whitepapers on HDCP or visit the HDCP foundation website 11 1 Warranty conditions O 11 WARRANTY 11 1 Warranty conditions Analog Way warrants the product against any defects in materials and workmanship for a period of three 3 years from the date of purchase when used in accordance with the user s manual and standard industry practices e In the unlikely event of any malfunction from such defects during the warranty period Analog Way will at its discretion repair or replace the defective units e The warranty does not apply if the product is determined to have been Improperly installed or abused Handled with improper care Used or stocked in abnormal conditions Modified opened Damaged by fire war or Natural disasters Acts of God e Analog Way s direct employees are solely authorized to make this determination e An
68. mation salesusa analogway com Technical support techsupport analogwayusa com Analog Way Italy Tel 39 02 39493943 salesitaly analogway com 12 Contact information Analog Way Pte Ltd Tel 65 6292 5800 Fax 65 6292 5205 152 Beach Road 15 03 Gateway East SINGAPORE 189721 Sales General information sales analogwayasia com Technical support techsupport analogwayasia com Analog Way UK Tel 44 0 2076 979133 salesuk analogway com 13 1 Crestron 2 amp 3 series 13 APPENDICES 13 1 Crestron 2 amp 3 series Midra Driver Using this driver software developers and integrators can easily provide CRESTRON powerful solutions for remotely controlling any Midra series Switchers through Crestron 2 series or 3 series Control Systems The package includes The precompiled driver modules that can be used for recalling presets selecting source inputs changing PIP content configuring audio inputs and outputs One sample SIMPL program that demonstrates the use of all the features available within this driver 3 projects provided targeting Crestron QM RMC MC3 and CP2E Control Systems Two VTPro sample projects one for XPanel and one for the Crestron Mobile Pro application for iPad and Android devices both running with the sample program mentioned above Help files in French and English The samples provided are ready to use programs and can be freely adapted or used as a base to build yo
69. n energy saving mode that turns off the network adaptor during pe A riods of inactivity To avoid the inconvenience of reconnecting the software during use please ensure your network adaptor remains active by disabling the energy saving mode 6 3 RCS top menu 6 3 RCS top menu Setup 6 3 1 Setup The Setup page is where you will review and modify the device configuration such as output resolutions input settings and more 6 3 2 Edit The Edit mode is the place where you will manage preset creation You will make input selections manage your inputs adjust the layer attributes such as size position effect etc You can save all your screen configurations into presets as well as review and recall them on each individual screen 6 3 3 Live The Live mode is the section where you will operate your show You can quickly recall presets or make input selections as well as setup a sequence of presets that can run continuously with custom durations or wait for user interaction 7 1 Operating mode O 7 OPERATING THE EIKOS FROM THE RCS 7 1 Operating mode Before you start setting up your Eikos for the first time take some time to think about how you will be using it The Eikos offers a choice of three operating modes which results in a versatile video production tool for live event staging and fixed installation applications NOTE We recommend resetting the device to its default values every time you
70. ncionamiento de este aparato le recomendamos que le acuidadosamente todas las consignas de seguridad y de funcionamiento del aparato antes de usarlo Conserve las instrucciones de seguridad y de funcionamiento para que pueda consultarlas posteriormente Respete todas las consignas indicadas en la documentacion relacionadas con el producto y este documento e CUIDADO Para prevenir cualquier riesgo de choque el ctrico y de incendio no exponga este aparato a la lluvia a la humedad ni a fuentes de calorintensas e INSTALACI N Cerci rese de que haya una circulaci n de aire suficiente para evitar cualquier sobrecalentamiento al interior del aparato No coloque el aparato cerca ni sobre una superficie textil que pudiera obstruir los orificios de ventilaci n No instale el aparato cerca de fuentes de calor como radiador o boca de aire caliente ni en un lugar expuesto a los rayos solares directos o al polvo excesivo a las vibraciones o alos choques mec nicos Esto podr a provocar su mal funcionamiento o un accidente e ALIMENTACI N Ponga a funcionar el aparato nicamente con la fuente de alimentaci n que se indica en el aparato Los aparatos deben estar conectados obligatoriamente a una fuente equipada con una puesta a tierra eficaz Por ning n motivo este enlace de tierra deber ser modificado cambiado o suprimido Conexi n del equipo a la red el ctrica debe ser posterior del interruptor de circuitos derivados de la instalaci n del edific
71. nd left balance DIGITAL AUDIO SPDIF AES3 choose the digital audio output mode e Main audio prelist audio define the main or prelist audio settings PRESET MODE Top layer the sound on the output will follow the audio input of the top layer Breakaway when breakaway is activated the audio on the output is memorized into the preset A change of preset changes the audio on the output A change of content into a video layer has no effect on the audio 8 2 28 Special features Master mute select to mute your master audio Stereo select to choose between mono or stereo output Analog level set up the analog gain of your analog output 4dBu by default Master volume set your master volume of the output Balance set the right left balance of your output 8 2 28 Special features DYNAMIC FIT automatically activates the transparent background e Automatic adjustment of the layer Ratio to fit the source image borders during a transition Layer Image live 8 2 28 Special features SMOOTH MOVE EFFECT e Smooth Move layer control the acceleration of the layer The time can be different between the opening and closing layer WORKING WITH DSK Chroma Luma key e Eikos allows to use a live source with green or blue or any color background and to key it over another live input e Background is removed and replaced by another source e Title can be keyed DSK on Analog or Digital
72. ng OUTPUT 1 PLUG OUTPUT 2 PLUG CONNECTION SCREEN 1 SCREEN 2 SCREEN H TILED SCREEN V TILED OUTPUT STATUS OUTPUT FORMAT SDTV PAL SDTV NTSC EDTV 480P EDTV 576P HDTV 720P HDTV 10351 HDTV 10801 HDTV 1080P HDTV 1080P CC 8 5 Menu tree DCDM 2K OUTPUT RATE 23 97HZ 24HZ 25 2 2 29 97HZ 30HZ 47 95HZ 48HZ 50HZ V 59 94HZ 60HZ ADJUST H POS V POS H SIZE V SIZE GAMMA FLICKER FILTER SHARPNESS UNDER OVERSCAN CENTERING PIC TEST PATTERN OFF V GREY SCALE H GREY SCALE V COLOR BAR H COLOR BAR GRID SMPTE V GRADIENT H GRADIENT CO 8 5 Menu tree INPUTS CONFIG STATUS 11 Displayed when input is a multiplug input 12 Displayed when a valid input signal is detected 13 Displayed when it is an analog plug and when the signal is computer HV type 14 Displayed for HDMI and DVI D plugs AUTOSET ALL SYNC STATUS I5 Displayed when the plug is analog DVI D or INPUT 1 NO HDMI 16 Displayed when the plug is analog eve 17 Displayed when the plug is analog and the INPUT 3 NO signal type is VIDEO RGBS 18 Displayed when the plug is not SDI INPUT 4 NO HDMI 1 NO HDMI 2 NO SDI 1 NO SDI 2 NO SDI3 NO SDI 4 NO INPUT 1 NS 6 4 INPUT 4 i HDMI1 HDMI 2 i SDI 1 i SDI 2 j SDI 3 i SDI 4 INPUT STATUS INPUT 1 ACTIVE PLUG 1 FRMT RATE 2 SY
73. nit If desired this screw can be removed and replaced by a compatible aftermarket HDMI plug locking mechanism to ensure a secure HDMI connection This threaded hole should not be left empty This hole is used by a TX10 screw when you receive the unit if you wish to use an HDMI cable with a security fixing screw you can take this screw off and use your own in order to insure good fixing of your HDMI plug Please take a look at the accepted formats regarding the input plug type Plug Type Formats Signals Universal Analog Input SDTV EDTV HDTV Computer Analog SDTV Analog EDTV Analog HDTV Analog Computer DVI D Input SDTV EDTV HDTV Computer Digital SDTV Digital EDTV Digital HDTV Digital Computer HDMI Input SDTV EDTV HDTV Computer Digital SDTV Digital EDTV Digital HDTV Digital Computer 3G HD SD SDI Input SDTV HDTV Digital SDTV Digital HDTV WARNING Only the video and audio signal is processed for the HDMI and 3G HD SD SDI inputs other em bedded auxiliary features are not supported or passed through The embedded audio is processed All other HDMI features such as HDMI Ethernet Channel Audio Return Channel 3D 4K Content Type Deep Color and x v Color are NOT supported Each input can display only one active plug at a time It is instantly available on the device and can be dis played simultaneously on many layers or outputs with different sizes and positions
74. nput into your preset into the live mode simply use the left source ribbon and drag and drop your input into a layer You can still use the load master memory to load a master memory from the memory of the device or the RCS using the following windows Please click on SAVE MASTER MEMORIES and then choose a number to save the current preset of the unit into a master memory You can load at any moment a frame or a logo in the same way into a frame or logo layer To activate the QUICK FRAME simply press the Quick Frame button located on the right side of each screen Remember that a preset saved into a screen with a 1024x768 resolution will keep its size into a screen of higher resolution Therefore it is best to save preset memories only after you have configured the output resolution You still have access to the LOAD SAVE RESET preset feature Once your preset is ready to send use the T bar or the TAKE button You still have access to STEP BACK button 7 4 Live When you use several screens you have the possibility to load a preset on one or several screens To TAKE only one screen separately select which screens should be affected by the TAKE using this button SEQUENCE The sequence feature consists on a timeline composed by 16 scenes Each scene can be filled by a preset memory Simply click on MM to choose the memory slot you want to put into the scene To select the memory simply choose it into the list or drag an
75. o formats SDTV formats Standard Vertical frequency Horizontal frequency NTSC 525 480i 59 94Hz 60Hz 15 735 KHz PAL 625 576i 50Hz 15 625 KHz SECAM 625 576i 50Hz 15 625 KHz EDTV formats Standard Size Vertical frequency Horizontal frequency 480p 525 480p 59 94Hz 60Hz 31 47 KHz 576p 625 576p 50Hz 31 25 KHz HDTV formats Standard Vertical frequency 720p 1280 x 720 23 97Hz 24Hz 25Hz 29 97Hz 30Hz 50Hz 59 94Hz 60Hz 1920 x 1035 59 94Hz 60Hz 1080i 1920 x 1080 50Hz 59 94Hz 60Hz 1080sF 1920 x 1080 50Hz 59 94Hz 60Hz 1080p 1920 x 1080 23 97Hz 24Hz 25Hz 29 97Hz 30Hz 50Hz 59 94Hz 60Hz Cinema formats Format Size Vertical frequency DCDM 2048 x 1080 24Hz 4 5 3 Computer formats Important The maximum pixel clock frequency is 165 MHz Supported formats include 1920x1200 60hz RB 1600x1200 60hz RB 2048x1152 60hz RB 4 5 4 Input Computer formats The Eikos inputs support GTF version 1 1 CVT version 1 1 and DMT version 1 0 rev 12 standards All others non standard formats are supported via the custom format capability of the framework r 4 5 5 Output computer formats 4 5 5 Output Computer formats The Eikos outputs support GTF version 1 1 CVT version 1 1 and DMT version 1 0 rev 12 standards Other non standard formats are supported via the custom format capability of the framework The Eikos offers a list of pre defined output formats The li
76. of color space of your digital output DVI as HDMI DVI output content as HDMI Audio is included 8 2 4 Output selection settings HDCP DETECT enable or not the HDCP detection on the output CENTERING PIC display the centering test pattern TEST PATTERN choose to display one of the available test pattern All changes have to be validated by pressing the ENTER button in order to be saved NOTE The output status can provide you all information about the output in real time This feature is particularly needed when HDCP is used with long cable to be sure that the communication is well handled Video Out The Video Out allows you the same settings as other outputs with some additional specific options SHARPNESS set up the sharpness on the video out image FLICKER FILTER apply a flicker filter on your video output to eliminate flickering UNDER OVERSCAN enable or not the automatic video zoom overscan ADJUST adjust your video output in term of H V position and size In Matrix mode the menu Connection Mode appears It allows you to choose recording Output 1 or Output 2 8 2 5 Preview features The Preview output can display all adjustments before the TAKE All current layers for the Program are defined by a colorful frame on Preview They are identified by a letter and a number with the same color Frame Frx with x of 1 to 8 Layer A Axx with xx of 1 to 10 Layer B Bxx with xx of 1
77. on protected output the Eikos will not output the protected content on this non protected output and the layer will be grayed If possible the Eikos will allow to display all other non protected contents otherwise the entire output will be muted until the protected content is no longer routed 4 10 5 HDCP Classification Class Support HDCP Receiver Yes HDCP Transmitter Yes HDCP Repeater No HDCP Receiver The HDCP negotiation can be enabled or disabled on all HDCP inputs HDCP Transmitter The HDCP negotiation can be enabled or disabled on all HDCP outputs The Eikos can manage HDCP repeaters on its outputs up to 32 display devices can authenticate simultaneously on each output 4 10 6 Status In order to permit quick identification of all the HDCP operations on the device the Eikos provides a full set of status summary to help the user with the HDCP management A front panel menu that displays all the general HDCP status of all inputs and outputs 35 5 1 1 Rear panel 5 CONNECTING THE EIKOS 5 1 Description 5 1 1 Rear panel _ 3G HD SD SDI INPUTS M T 1 ouTs2 L L Re R SDI 1 SDI 2 01 4 SDI 4 AUDIO INPUTS Bo m a Nas 9 MADE UNIVERSAL ANALOG UNIVERSAL ANALOG UNIVERSAL ANALOG MODEL EKS550 ANALOG 232 DVI D DVI D ovt D OVI tuum nv Um m
78. ower Apply the following guidelines The equipment connected to the network must have a release system easily accessible and located outside the unit Unplug the power cord do not pull on the power cord but always on the plug itself The outlet should always be near the device and easily accessible Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them If the power supply cord is damaged unplug the device Using the device with a damaged power supply cord may expose your device to electric shocks or other hazards Verify the condition of the power supply cords once in a while Contact your dealer or service center for replacement if damaged e CONNECTIONS All inputs and outputs except for the power input are Safety Extra Low Voltage SELV circuits as defined in UL IEC 60950 1 e SERVICING Do not attempt to service this product yourself by opening or removing covers and screws since it may expose your device to electric shocks or other hazards Refer all problems to qualified service personnel You may lose warranty when you open the unit e OPENINGS Never push objects of any kind into this product through the openings If liquids have been spilled or objects have fallen into the device unplug it immediately and have it checked by a qualified technician MEN J 4 1 2 French 4 1 2 French Afin de mieux comprendre le fonctionnement de cet appa
79. p 750 B 0 7 Vpp 0 3 Vpp Digital SDTV Type Characteristics SD SDI YUV 10 bits 4 2 2 270 Mb s No payload ID management Only A level type DVI RGB ou YUV 8 bits 4 4 4 16 235 TMDS HDMI RGB or YUV 8 bits 4 4 4 or 4 2 2 16 235 TMDS Digital EDTV Type Characteristics DVI RGB or YUV 8 bits 4 4 4 16 235 TMDS HDMI RGB or YUV 8 bits 4 4 4 4 2 2 16 235 TMDS Digital HDTV Type Characteristics HD SDI YUV 10 bits 4 2 2 1 485Gb s and 1 485 1 001Gb s Only A level type Input and output payload ID management for HDTV format only 3G SDI YUV 10 bits 4 2 2 2 97Gb s and 2 97 1 001Gb s Only A level type Input and output payload ID management for HDTV format only DVI RGB or YUV 8 bits 4 4 4 16 235 TMDS HDMI RGB or YUV 8 bits 4 4 4 or 4 2 2 16 235 TMDS MEN x 4 5 2 Supported video formats Analog computer Digital computer Type Levels Impedance Type Characteristics RGsB R 0 7 Vpp DVI RGB 8 bits 4 4 4 0 255 TMDS G 0 7 Vpp 0 3 Vpp 750 HDMI RGB or YUV 8 bits 4 4 4 or 4 2 2 0 7 Vpp 0 255 TMDS G B 0 7 Vpp R G B 750 RGBS 0 3 Vpp 750 or TTL G B 0 7 Vpp 75 Q RGBHV H TTLand V TTL 4 5 2 Supported video formats The Eikos can support all the following vide
80. pe one by one You can also check your actual input configuration using the config status Input menu Config Status 3 8 2 2 Input selection settings You can find several settings for each input some settings are specific to some signal type INPUT STATUS display the input status AUTOSET launch an automatic setup on the inputs FREEZE freeze the input ACTIVE PLUG choose the active plug of the input TYPE to set up your input type Computer Video etc AUTOSET launch an autoset on this plug ENABLE enable disable the input SYNCHRONIZED enable this option when you source is from the same refresh rate than the reference rate HDCP ENABLE enable disable the HDCP automatic detection HSYNC LOAD to change the load of the sync signal 3D COMBO FILTER choose manually the combo filter for interlaced source FORMAT for analog source choose to force a analog format AUDIO INPUT select the input audio source according to the input video source EDID set up your EDID for the selected plug STATUS to summarize the input status Concerning the HDMI inputs a specific feature allows enable disable the HDCP receiver for the input chosen It can be very useful especially using a Mac Input menu gt HDMI gt HDCP detection NOTE The input status is available at any time in the status input menu and can give you information about format rate and HDCP status 8 2 3 Source Output select
81. per oder Warmluftkappe aufstellen und es nicht dem direkten Sonnenlicht berm igem Staub Vibrationen oder mechanischen St en aussetzen Dies kann zu Betriebsst rungen und Unf llen f hren e STROMVERSORGUNG Das Ger t nur mit der auf dem Ger t bezeichnete Stromquelle betreiben Ger t mit geerdeter Hauptstromversorgung muss an eine Stromquelle mit effizienter Erdung angeschlossen werden Diese Erdung darf auf keinen Fall ge ndert umgangen oder entfernt werden Anschluss von Ger ten ans Stromnetz muss nach Abzweigschalter des Geb udes Installation e NETZKABEL Das Ger t ist mit einem l sbaren Netzkabel ausgestattet um es v llig vom Netz zu trennen ziehen Sie bitte das Netzkabel aus der Kaltger tebuchse Des Weiteren befindet sich auf der R ckseite ein Schalter mit dem das Ger t ausgeschaltet werden kann Achtung Das Netzkabel stellt die einzige M glichkeit dar das Ger t vollst ndig vom Netzanschluss zu trennen Um sicherzustellen dass das Ger t nicht mehr versorgt wird muss dieses Kabel aus der Netzsteckdose ausgesteckt werden Bitte beachten Sie die folgenden Hinweise Wenn Ger te dauerhaft am Netz bleiben m ssen sie ber eine leicht zug ngliche Trennvorrichtung verf gen die au en am Ger t angebracht sein muss Das Kabel mittels dem Stecker herausziehen Niemals am Stromkabel selbst ziehen Die Steckdose mu sich in der N he des Ger ts befinden und leicht zug nglich sein Das Stromkabel nicht f
82. place the it in layer B on top of your background such as a camera in layer A in order to complete the keyed title or lower third effect How to use the CHROMA KEY Manually set the Hue and luminance to choose the color space you want to delete into your image Set it manually looking at the color change into Current color If you want you can quickly select a color from a color panel clicking on CURRENT COLOR Then click on the color itself to obtain the color panel Once your main color is chosen you can define a degree of tolerance around this color The tolerance will define around the main color an area that will be keyed too You may still need to make further adjustments to the luminance level to complete your key effect Grabber activate the grabber to grab the color you want to key Move the cursor and click on the grab button to grab the color 7 2 8 Logo frame management To save a logo frame click on this button 302 x 264 The next page opens From here you can capture from the main or from the Preview You can still freeze the output before saving your logo frame You can also utilize the logo keying feature to key away part of the image before saving the logo ll 7 2 9 Video out Capture LOGO 1 x Select the area you want to save using the adjustable white square Once it is ok simply click on execute to save the logo How to save a frame Capture FRAME 1 x o Program Preview ES F
83. posizionarlo su OFF per spegnere il dispositivo Attenzione il cavo di alimentazione e il solo modo di disconnettere l apparecchio dell alimentazione Per assicurarsi che totalemente l apparecchio non piu collegato il cavo deve essere disconesso della presa murale Seguire le instruzioni seguenti materiale collegato a residenza alla rete deve avere un dispositivo di sezionamento facile da raggiongere eche deve essere inserito all esterno del apparecchio Disconnettere l apparecchiatura dalla presa murale se si prevede di non utilizzarla per qualche giorno Per disconnettere il cavo tirare facendo forza sul connettore La presa d alimentazione deve trovarsi in prossimit dell apparecchiatura ed essere facilmente accessibile Non far cadere il cavo di alimentazione n appoggiarci sopra degli oggetti pesanti Se il cavo di alimentazione danneggiato spegnere immediatamente l apparecchiatura E pericoloso far funzionare questa apparecchiatura con un cavo di alimentazione danneggiato un cavo graffiato pu provocare un rischio di incendio o uno shock elettrico Verificare il cavo di alimentazione spesso Contattare il vostro rivenditore o il servizio assistenza per una sostituzione e CONNESSIONE Tutti gli ingressi e le uscite tranne che per la potenza in ingresso sono bassissima tensione di sicurezza SELV circuiti definiti UL IEC 60950 1 e RIPARAZIONI E ASSISTENZA L utilizzatore non deve in nessun caso cercare di
84. protected content HDCP is not supported on connection formats such as composite component Svideo SD SDI HD SDI 3G SDI or VGA This means that any source which becomes protected by HDCP cannot be converted to these formats For example while you may find a Blu ray player which can directly output a composite video signal HDCP licencing forbids converting the HDCP protected HDMI signal back to composite or any other non protected format To help troubleshoot HDCP in your installation each input and output page is equiped with HDCP status information to indicate in realtime when HDCP encryption is being used Certain devices such as Macintosh computers can be misleading to use in conjunction with an HDCP compliant presentation switcher such as the Eikos This is because devices like the Mac computers can be used to output both HDCP protected content such as a movie downloaded from iTunes as well as non HDCP protected content such as a Keynote presentation or the desktop When a computer first connects to an HDCP compliant device such as the Eikos it learns the capabilities of the device through the EDID connection Upon seeing the HDCP compatibility of the attached Eikos devices like the Mac computers will immediately attempt to use HDCP encrpytion at all times despite the content currently displayed on the computer screen Since this source would now be considered an HDCP protected source the Eikos would be required to prevent it fro
85. r screen is memorized as a preset 8 2 26 Working with presets The 8 user presets of the Eikos can be recalled at any stage during your show or event 1 Press the PRESET button then press one of the eight first preset buttons to choose which memory 1 to H8 you wish to use The preset will be displayed on your Preview screen 2 Once you have selected your preset simply press the TAKE button to view the result on your main screen 8 2 27 Working with audio Into the audio menu you will find some audio adjustments e Audio mode NO AUDIO the audio of your device is switched off PRESET MODE the standard mode of use of the device You have two possibilities Top layer the sound on the output will follow the audio input of the top layer Breakaway when breakaway is activated the audio on the output is memorized into the preset A change of preset changes the audio on the output A change of content into a video layer has no effect on the audio ROUTING MODE in this configuration simply choose an audio input to assign it to the output The audio configuration remains the same during the show e Source settings into this menu you will have access to all source settings ANALOG SETTINGS Mute select to mute the input Stereo select to choose between mono or stereo input Analog gain set up the analog gain of your analog input 0 for 4dBu Level balance select to adjust the input audio level and right a
86. r simply have the standard Preview with all layer size and position Remember that Mosaic Mode PM LJ i 2 only 1 oie at the time can be display on the Preview ES PRESET ASPECT disabling this option disable the Preview indications on your Preview MELLE 222 monitor ins as the blinking layer wireframe and source number OSD Fields OSD Fields enable or disable all information about your layer configuration Enabled o Select Fields ALL Input Alpha Border Opening Effects Closing Effects Keying Smooth Move Screens Preview 4 Previous GENERAL SETTING PRESET TOGGLE by default the device will not swap the Program and Preview busses during each TAKE Disabling this option will leave the Preview bus unchanged during each TAKE and only the Program will be updated When this option is enabled the Preview and Program busses will be during each TAKE AUTOTAKE enable the automatic TAKE Each time a source is changed on feque Laver MM Freeze al PEE it triggers a TAKE to be launched YNAMIC FIT enable or disable the automatic recognition of black band for digital content The size and the aspect ratio of the layer are automatically adapted FREEZE MODE choose to freeze all inputs or only one input when you use the freeze function PIP BACKGROUND COLOR here you chose the automatic color of PIP background black is the default color Preset Toggle Auto Take Dynamic Fit Pip Background Color J 005192 e
87. reil nous vous conseillons de bien lire toutes les consignes de s curit et de fonctionnement avant utilisation Conservez les instructions de s curit et de fonctionnement afin de pouvoir les consulter ult rieurement Respectez toutes les consignes marqu es dans la documentation sur le produit et sur ce document e ATTENTION Afin de pr venir tout risque de choc lectrique et d incendie ne pas exposer cet appareil a la pluie l humidit ou des sources de chaleur intense e INSTALLATION Veillez assurer une circulation d air suffisante pour viter toute surchauffe l int rieur de l appareil Ne placez pas l appareil sur ou proximit d une surface textile susceptible d obstruer les orifices de ventilation N installez pas l appareil proximit de sources de chaleur comme un radiateur ou une poche d air chaud ni dans un endroit expos au rayonnement solaire direct des poussi res excessives des vibrations ou des chocs m caniques Ceci pourrait provoquer un mauvais fonctionnement et un accident e ALIMENTATION Ne faire fonctionner l appareil qu avec la source d alimentation indiqu e sur l appareil Les appareils doivent tre obligatoirement connect s sur une source quip e d une mise la terre efficace En aucun cas cette liaison de terre ne devra tre modifi e contourn e ou supprim e Raccordement des quipements l alimentation principale doit tre post rieur au disjoncteur de branchement de
88. rix with numerous effects and PIPs and logos and Quadravision mode which displays 4 live layers To choose which mode the Eikos will operate in press the EXIT MENU button and select mode in the menu by rotating the scroll knob Then press the ENTER button to enter the MODE sub menu Select the desired mode by rotating the scroll knob and press the ENTER button to confirm your choice Press the EXIT MENU button to return to the main menu MEN x 8 1 4 Reseting default values 8 1 4 Reseting default values It is strongly recommended resetting all of the default values of your Eikos unit before setting up your shows and events This will help eliminate confusion caused by unneeded settings from a previous operator To do so press the EXIT MENU button and select Control in the menu by rotating the corresponding knob Then press the ENTER button to enter the Reset Erase sub menu Select Default Values by rotating the scroll knob and press the ENTER button to enter your choice to restart your Eikos with its factory settings This operation should take approximately 30 seconds 8 1 5 Eikos color codes Analog Way engineers have developed a handy user friendly way of identifying machine status on the front panel via the use of color codes on the buttons of the machine All new Analog Way machines use the same codes for quick recognition of the status of any device of the range at any given time For the Eikos button color codes are as
89. s frame rates and reduced blanking Click on CHECK to verify if your format is a valid signal You can SAVE and LOAD your Custom format Load Custom Format Check tal Pixels 1328 pixels ical Lines 798 lines 63 58 MHz 47 84 kHz Once your outputs are configured you have now to configure the inputs connected to your device Under the inputs section you can view your inputs by active plugs or by all plugs active and inactive In both cases an AUTOSET ALL can be launched to set up automatically your inputs Once the AUTOSET ALL is done you can check one by one your inputs and see if they were correctly detected by checking the input STATUS The input STATUS is defined by a FORMAT and a RATE If that information is not available your input has not been properly detected or set up In this case you can enter manually into each input settings by using the left menu Under the SIGNAL tab you will find ae ACTIVE PLUG select the plug used by the unit at the moment Only this plug can be displayed on your output SETUP PLUG select the plug you want to set up all changes will be applied to this plug even if this plug is active or not do not mismatch with the active plug SIGNAL TYPE define the type of your signal video SD HD YUV RGB or Computer HV SOG etc ENABLE enable disable the input REF SYNC affect the input to the ref sync input Use this box only if your source is genlocked with the ref
90. s advised to power on the unit Should you encounter any issue you must contact immediately your local distributor or dealer or closest Analog Way technical support offices see chapter 12 Contact information 4 3 Rack mount information Tabletop mounting The Eikos can be used directly on a table the unit is equipped with 4 handy anti slip rubber feet Rack mounting The Eikos is compatible with a 19 enclosure Please follow the instructions below to install the device in a 19 rack Place the device in your rack Attach the device to the rack by screwing 2 front ears on it screws not included Rear fixing is also recommended in particular for permanent installations Connect all of the cables of the device and attach them to the rack with the help of tie wraps IMPORTANT The openings in the side of the device are for cooling Do not cover these openings to avoid blocking air circulation Be sure that no weight in excess of 2 kg 4 4 Lbs is added onto the Eikos The maximum ambient operating temperature should not exceed 40 C 104 F The rack and all mounted equipment in it must be reliably grounded according to national and or local electrical standards your Eikos It is strongly advised to avoid using front handles as rests for your Eikos they are Dismantling front handles of the device could invalidate warranty on after sales services of designed for manipulation purposes only If required front han
91. s onto the Program output with the selected effects 15 Preset P1 to P8 stores and recalls 8 presets available MEN J 6 1 RCS requirement O 6 CONTROLLING THE EIKOS The Eikos can be controlled and operated either via the Front Panel from your computer via the RCS or via one of our Event Controllers Control of the Eikos can also be integrated into automation and control systems contact your local technical support for more details 6 1 RCS requirement The recommended requirements are Operating system Adobe Air Windows XP SP3 or above 1Gb Ram Mac OS v10 7 or above 200Mb of free space Ubuntu v10 or above 100Mb Network adaptor or above Linux OS 11 or above 1920x1080 optimized screen resolution 1366x768 as the minimum screen resolution For Linux users The RCS is an Adobe AIR application that requires the most recent version of this runtime As Adobe AIR is no longer supported for desktop Linux distributions please use a dedicated software such as WINE to use applications designed for Microsoft Windows on your operating system 1 First install a Microsoft Windows compatibility layer software on your Linux PC 2 Then install the Adobe AIR last release using your emulator 3 Finally install the RCS using your emulator You are ready to use the RCS 6 2 Connecting with the RCS 2 The RCS2 is an Adobe Air application that runs on your computer Before you can D S connec
92. select the Matrix mode throught the main menu then the mirror mode can be activated layer by layer thanks to the layers menu Select the chosen layer and go in the layer menu then select the Layer Copy Mode menu There are several mirror positioning options 1 No Copy this mode is the standard Matrix mode output 1 and 2 are independent OUTPUT 1 OUTPUT 2 2 Clone mode Outputs 1 and 2 will be the same All changes on output 1 will be affected to output 2 Layers will have the same position and size OUTPUT 1 OUTPUT 2 OUTPUT 1 OUTPUT 2 8 3 9 Working with Mirror modes 3 Copy amp H pos Flip mode Output 2 will be exactly the same as output 1 except the fact that the selected layer will have its H position flipped standard Mirror mode OUTPUT 1 OUTPUT 2 OUTPUT 1 OUTPUT 2 4 Copy amp H Flip all modes Output 2 will be exactly the same as the output 1 except the fact that the se lected layer will have its H position and data flipped only for live layers OUTPUT 1 OUTPUT 2 OUTPUT 1 OUTPUT 2 NOTES e Remember to simplify the use of this feature you need to manipulate Output 1 While in mirror mode Output 2 will follow e Every change on Output 2 will have an effect only on Output 2 but remember that if a change occurs on Output 1 after that Output 2 will update automatically to match output 1 8 3 10 Working with frames logos 8 3 10 Working with frames logos The
93. ser 1 3 and User 2 4 button they have to be set up before in the Control menu gt Func tions gt Front panel gt Prog Keys CUT duration time can be set to delay the cut effect FADE e Adjustable pre timed fades or manual transition with T Bar e Fade between any input computer or video e Adjustable cross fading duration 8 Program Program Preview Preview ee 8 2 13 Layers with transitions amp borders WIPE e Numerous wipes can be selected horizontal and vertical from the center or outside in circle Zoom in and out e Horizontal from left center or vertical from up down center SLIDE e Sliding of video or computer images during the transition e Horizontal from to left right or vertical from to up down A L The Eikos offers 33 seamless transition effects including 31 options in addition to a dissolve fade and a cut effect ra E 3 CUT FADE SLIDE DOWN HARD SLIDE UP HARD SLIDE RIGHT HARD SLIDE LEFT HARD gt H gt lis Eu SLIDE ANGLE SLIDE ANGLE TOP SLIDE ANGLE BOTTOM SLIDE ANGLE BOTTOM WIPE DOWN HARD WIPE UP HARD LEFT CORNER HARD RIGHT CORNER HARD LEFT CORNER HARD RIGHT CORNER HARD 1 lt WIPE RIGHT HARD WIPE LEFT HARD WIPE CENTER IN HARD WIPE CENTER OUT HARD WIPE CURTAIN IN WIPE ANGLE TOP LEFT HARD CORNER HARD E P
94. st of output formats is always displayed from in creasing number of pixels per line and then number of lines Format Size Aspect ratio 50 oun Format Size Aspect ratio 50 mus Hz VGA 640x480 4 3 Yes Yes WSXGAP 1680x1050 16 9 Yes Yes WVGA 848x480 16 9 Yes Yes 1080p 1920x1080 16 9 Yes Yes SVGA 800x600 4 3 Yes Yes 2K 2048x1080 17 9 Yes Yes 720p 1280x720 16 9 Yes Yes UXGA 1600x1200 4 3 Yes Yes XGA 1024x768 4 3 Yes Yes WUXGA 1920x1200 16 9 Yes Yes WXGA 1280x768 5 3 Yes Yes 2048x1152 16 9 Yes Yes SWXGA 1360x768 16 9 Yes Yes 1366x768 1366x768 16 9 Yes Yes WXGA2 1280x800 16 9 Yes Yes SWXGAP 1366x800 5 3 Yes Yes 1152x864 4 3 Yes Yes 900p 1440x900 16 10 Yes Yes 1440x900 3 2 Yes Yes 1600x900 16 9 Yes Yes 1280x960 4 3 Yes Yes SXGA 1280x1024 5 4 Yes Yes 1360x1024 4 3 Yes Yes SXGAP 1400x1050 5 3 Yes Yes 4 6 Input specifications The Eikos offers 10 seamless inputs Some inputs contain several plugs A plug corresponds to a socket or connector on the rear panel The following types of plugs are available on the rear panel HDMI Single DVI D HDMI compatible 3G HD SD SDI BNO Universal Analog HD 15 4 6 Input specifications M3x0 5 mm The Eikos uses an HDMI plug with a standard mounting screw above the connector Please see the diagram below This hole is occupied by a Torx10 screw when you receive the u
95. t 1 YES Output 2 Menu gt Video Out gt Connection gt Output 2 Matrix mode only Output 1 amp 2 side by side Menu gt Video Out gt Connection gt Output Titled Matrix mode only Horizontally Output 1 amp 2 Top and Bottom Matrix mode only Menu gt Video Out gt Connection gt Output Titled Vertically In native Matrix mode the menu connection mode allows you to choose recording Output 1 or Output 2 In Matrix mode the SDI output embeds audio from Output 1 and Output 2 8 3 6 Working with native Matrix mode To activate the native Matrix mode Mode Menu gt Matrix mode Menu You ll find all menus from the Mixer mode in the main menu except some specific matrix function added To work with native Matrix mode you have to use the Matrix buttons first For instance if you want to put the fame 1 on the Output 1 and the live source 3 on the output 2 Press Matrix 1 button gt Press Frame button gt Press input 1 Press Matrix 2 button gt Press Layer A button gt Press input 3 Press TAKE to view the result on both screens Don t forget to press the correct Matrix button before pressing the Layer selection button in order to be sure doing the manipulation on the correct output 8 3 7 Working with Cut Fade or Transitions All the transitions Cut Fade or Transitions are available in the native Matrix mode Although the Matrix mode is activated you will be abl
96. t to your device you must first download and install Adobe Air then download and install the RCS2 on your computer In order to connect the RCS2 to the device you need to use a LAN connection Use a crossover cable if you connect your computer directly to the unit or use straight cables if you are connecting through a switch or hub Before switching ON the unit please plug a LAN cable on the rear 21 xl panel into the Ethernet port Then switch ON the unit General You can get IP settings assigned automatically if your network supports By default the network settings on the Eikos are ARR Ee Eee E Default IP Address 192 168 2 140 Default Subnet Mask 255 255 255 0 Default port 10500 Obtain an IP address automatically Use the following IP address IP address 192 168 2 50 Subnet mask 255 255 255 0 To be able to connect to this address your computer will need to 132 168 2 1 be configured to use a unique IP address on the same network If Obtain DNS server address automatically this setup will be part of a larger network with other devices please eee check with your network administrator before plugging these iio devices into the network to avoid any IP address conflicts For example you could assign the following static IP address to your gt kaa as Advanced computer Example Computer IP address 192 168 2 50 Example Computer Subnet Mask 255 255 255 0 Default gateway
97. tactez votre revendeur ou le service apr s vente pour un remplacement e CONNEXIONS Toutes les entr es et sorties except e l entr e d alimentation sont des circuits de tr s basse tension de s curit TBTS tels que d finis dans UL IEC 60950 1 e R PARATION ET MAINTENANCE l utilisateur ne doit en aucun cas essayer de proc der aux op rations de d pannage car l ouverture des appareils par retrait des capots ou de toutes autres pieces constituant les boitiers ainsi que le d vissage des vis apparentes l ext rieur risquent d exposer l utilisateur des chocs lectriques ou autres dangers Contactez le service apres vente votre revendeur ou adressez vous un personnel qualifi uniquement l ouverture de l appareil provoque la perte de la garantie e OUVERTURES ET ORIFICES Les appareils peuvent comporter des ouvertures a ration fentes etc veuillez ne jamais y introduire d objets et ne jamais obstruer ses ouvertures Si un liquide ou un objet penetre l int rieur de l appareil d branchez imm diatement l appareil et faites le contr ler par un personnel qualifi avant de le remettre en service ra 4 1 3 Italian 4 1 3 Italian Allo scopo di capire meglio il funzionamento di questa apparecchiatura vi consigliamo di leggere bene tutti i consigli di sicurezza e di funzionamento prima dell utilizzo Conservare le istruzioni di sicurezza e di funzionamento al fine di poterle consultare ulteriormente Segu
98. the layer Disable the smooth move if you require a constant speed move H amp V Flip only for live layers The H amp V Flip rotates the PIP on a horizontal or vertical axe All image data will be flipped 7 3 4 Background frame The Background frame layer acts like any other layer Simply select it and drag and drop a saved frame The frame 1 is now assigned to the Background frame into the Preview preset 7 3 4 Background frame Layer layout CLEAR TM uu y Re m E CLEAR er POS Y SIE Y Ft LAYOUT E M F 1 The layer layout gives you access to several predefined layouts with 4 3 2 or 1 PIP already sized and placed into the output It can help you to quickly set up 3 PIPs side by side for example Number of layers depends on the used mode Once clicking on the layout button you have access to the presets with 4 when Quadravision mode 3 2 1 PIPs or all layouts Two other options are available below EE Clear other layers layers already displayed and not included into the chosen layout will be cleared Fade Out Other Layers Fade out other layers layers already displayed and not included into the chosen layout will be faded out during the transition They are still present on the preset but with a 10096 transparency After selecting the layout the changes are applied on the selected screen The size and position of all layers are updated After applying a layout temp
99. to 10 Layer C Cxx with xx of 1 to 10 Logo 1 L1x with x of 1 to 8 Logo 2 L2x with x of 1 to 8 Quick Frame Because the number of resources available is limited the Preview displays only one live or still layer at a time The others are only identified by their colorful frame and their number 8 2 6 Preview mode and OSD settings The Preview output can display 7 fields on OSD To set up your Preview menu gt OSD Settings gt OSD Fields Field 1 Input Field 2 Transparency Field 3 Border Field 4 Opening Effect Field 5 Closing Effect Field 6 Smooth Move Field 7 Keying 8 2 7 Preview Id The function disables all the display of ID information in Preview mode The colored frames and numbers indicating your source selection on each layer are disabled To set up your Preview Id menu gt Control gt Functions gt Preview Id A AR E 8 2 8 How to use the Mosaic Information Availability 8 2 8 How to use the Mosaic Preview Name of input feature Displaying Green Preview Red Main Grey No source YES Resolution if recognized input YES Line frequency if recognized input YES The Mosaic Preview displays all inputs on HDCP nn one screen with live information about the Keyin e input status Enable YES Freeze YES 8 2 9 Working with layers e To assign a source to a layer press the Layer button press the Source you want to
100. to the logo layer The same procedure is used to display a Background Frame You can assign a source to a layer by dropping the selected source into the layer letter icon located on the left side of the layout window This is particularly useful when the desired layer is hidden or blocked by other layers When a layer contains an input and is notempty the RCS displays the input number or a customizable thumbnail icon that represents your input Please note this thumbnail is not a live image 7 3 2 Layer adjustments In this example 3 inputs are affected to 3 layers into the Screen 1 Preview The TAKE button on the bottom right side allows sending your configuration made on the Preview screen to the Program screen With each press of the TAKE button the Preview screen is transitioned to the Program screen By default PRESET TOGGLE mode is disabled That means after a TAKE the Preview stays as it was before The Program and Preview will have the same content if desired you can activate the PRESET TOGGLE mode from the SETUP gt PRECONFIG MISC menu which will automatically swaps preview and program with each TAKE After each TAKE the Preview is reloaded with the previous Program Layers management In this Edit mode you have access to a lot of preset tools that can help you to create the preset you imagined gt O 0 gt 7 3 2 Layer adjusments The layer properties are found by opening the tab
101. tosense mode When in DVI mode no embedded audio will be transmitted PATTERN a selection of patterns is available to test your output These patterns will override any input selection that you might have You can choose from e No Pattern turns the pattern off e Vertical or horizontal Grey Bars displays grey bars e Vertical or horizontal Color Bars displays color bars e Grid displays an 8x8 box grid pattern e SMPTE bars displays the SMPTE color bar pattern e Vertical Burst displays alternating black and white 1 pixel wide columns e Centering displays a 1 pixel wide dotted line at the edge of the output only available for computer formats e Vertical or horizontal gradient displays a O to 100 gradient pattern FLICKER choose the value of the flicker filter to remove the flicker effect on your interlaced output screen GAMMA increase or decrease the gamma of your output HDCP enable disable and see the HDCP status A La RONS ROSA D 255 16225 YUV TROL NO PATTERN ther Depending on the output format chosen only relevant settings will appear A 7 2 7 Input management Custom format The device offers the possibility to create your own output format Edit your Custom Format E cu Choose CVT mode restricted settings or FULL mode full settings and Honzonta pixeis start to create your format by adjusting the Horizontal Vertical pixel
102. ur own real world Midra controller application 13 2 AMX NetLinx Integrated Controllers Midra Driver Using this driver software developers and integrators can easily provide A powerful solutions for remotely controlling Midra series Switchers ag through AMX NetLinx integrated controllers The package includes The precompiled driver modules that can be used for recalling presets selecting source inputs changing PIP content configuring audio inputs and outputs One sample NetLinx Studio program that demonstrates the use of all the features available within the driver Two TPDesign4 sample projects one for AMX Modero S Touch Panels and one for Apple iPad both running with the sample program mentioned above Help files in French and English The samples provided are ready to use programs and can be freely adapted or used as a base to build your own real world Midra controller application Follow us NM FIVE ANALOG WAY Pioneer in Analog Leader in Digital EKS550 03 31 2014 Pictures and drawings non contractual Specifications subject to change without prior notice
103. ut Next you have the ASPECT tab All settings about the blanking and aspect ratio are available there BLANKINGS ADJUSTMENTS H Position Under the BLANKING ADJUSTEMENTS H amp V POSITION SIZE you can manually adjust the input blanking with the V amp H size or position r ule 7 2 7 Intput management Under the ASPECT RATIO section ASPECT IN forces a particular aspect ratio for the source 5 4 4 3 etc This setting has no effect when set to native PREDEFINED CROP choose a specific cropped ratio if you use a source with black bands on top bottom or left right ASPECT OUT define the way the image will be displayed into a layer full screen centered cropped or 1 1 OVERSCAN choose to apply or not a predefined zoom on the image use with video signal Next settings available on the ASPECT tab are CROP use the Top Bottom Left and Right values to crop your input gt ab O Setup Input 5 The next tab is the USER FORMAT In this tab you can explicitly define the input format The input format is automatically detected by the Eikos but you can change it or force it The available formats are close to the current one in terms of lines This is only available for analog computer formats COMPUTER 1400X1050 Set As User Format COMPUTER 1920X1080 CURRENT Set As User Format Keying Feature With the keying feature you will be able to key easily a color space or a specifi
104. ut 2 dvi Rate Mono Stereo input 3 hdmi Rate Mono Stereo input 4 hdmi Rate Mono Stereo Audio Group GMA e Ch3 v v Mono Stereo Audio Group GMA e Cn1 Ch2 v d Mono Stereo input spdif 1 Rate Mono Stereo 0 dBFS Analog level dBFS Analog level sue 10 414 10 o 15dBu 0 15dBu 4 2 Device v01 00 Build 2 BETA RCS v01 00 13 BETA About DashBoard Before modifying the audio settings be sure to check the audio Jaa input mapping Each video input has one audio source mapped to it The audio mapping configuration is found under Menu Inputs each input Audio Source EMBEDDED EMBEDDED Embedded Audio ANALOG 1 ANALOG 2 ANALOG 3 ANALOG 4 S PDIF 1 Audio Signal STATUS Into the AUDIO SETTINGS To display only the Current audio input which is played click on Current button Filter your Audio inputs x ALL INPUTS All analog Inputs input 1 analog o input 2 analog input 3 analog input 4 analog If you want to select which audio input will be displayed click on the list button B then select the input audio source you want input 1 dvi input 2 dvi input 3 dvi input 4 dvi All HDMI input3nami input 4 hdmi hdmi 1 hdmi 2 NIE input 9 sdi input 10 sdi MEZ o input spdif 1 o input spdif 2 input 1 analog Gain kr 11 g 40Bu Mono Stereo Pan
105. video H POS G3 Displayed for analog signal G4 Displayed for computer analog signal BLANKING ADJUST G5 Displayed for video signal G6 Displayed for interlaced signal G7 Displayed for 50 hz interlaced signal and activated low latency V SIZE G8 Displayed for 60 hz interlaced signal and non CROPPING activated low latency TOP LEFT BOTTOM RIGHT OPTIMIZE PHASE TOTAL UNDER OVER UNDERSCAN OVERSCAN ASPECT IN NATIVE 5 4 1 25 1 4 3 1 33 1 16 10 1 60 1 15 9 1 66 1 16 9 1 77 1 21 9 2 33 1 PREDEFINED CROP NONE LETTERBX 1 78 1 LETTERBX 1 85 1 LETTERBX 2 35 1 PILLARBX 1 33 1 J 8 5 Menu tree ASPECT OUT 1 1 CENTERED FULL SCREEN CROPPED SHARPNESS LOW MEDIUM HIGH COLORIMETRY BRIGHTNESS CONTRAST COLOR HUE COMPONENT LEVEL RED GREEN BLUE LOW LATENCY 2 2 PULLDOWN 3 2 PULLDOWN RESET SETTINGS RESET THE PLUG TO ITS DEFAULT VALUES gt NO YES KEYING TITLING TYPE NONE LUMAKEY CHROMAKEY LUMAKEY TITLING CHROMAKEY TITLING LUMAKEY LEVEL BLACK LEVEL WHITE CHROMAKEY COLOR GRABBER L BLACK L WHITE MANUAL SETTING R KEY G KEY B KEY TOLER L BLACK L WHITE TITLING ALPHA TRANSPARENCY INVERT KEYING 8 5 Menu tree K1 Displayed when
106. want to save and wait until the unit finishes saving Your logo is now saved and you can use it through the logo button You can save up to 8 logos with the Eikos The capture of logos can be done only with the following conditions The capture can be done on the Program output or the Preview output The disappearance of logos on the Preview and Program output is normal during saving The logos are captured with the same size as is visible on the Program output without any form of adjust ments If zooming is required resize the layer or use the layer zoom or input zoom A logo captures the state of the defined area on the specified output at the Program output resolution and must be recalled using the same output resolution Resizing or other image manipulation of the captured logo is not possible The capture zone is outlined by a white rectangle and includes the pixels beneath the white border The non captured area has a reduced brightness MEN LL a ee 8 2 21 Capturing an animated logo Logo capture is limited in the number of pixels being captured When the logo capture area is resized exten ding the horizontal size may reduce the vertical size to compensate Logos can also be captured and displayed with transparent areas By adjusting the keyer in the logo capture menu the portions of the captured area can be keyed away and captured as transparent The logo Cut out color can help display which portions of the im
107. xcepci n de la entrada de alimentaci n son de tensi n extra baja de seguridad SELV circuitos definidos en UL IEC 60950 1 e REPARACI N Y MANTENIMIENTO Por ning n motivo el usuario deber tratar de efectuar operaciones de reparaci n ya que si abre los aparatos retirando el cap o cualquier otra pieza que forma parte de las cajas o si destornilla los tornillos aparentes exteriores existe el riesgo de producirse una explosi n choques el ctricos o cualquier otro incidente Contacte el servicio de posventa a su distribuidor o dirigirse con personal cualificado nicamente La unidad pierde la garant a si esta ha sido abierta e ABERTURAS Y ORIFICIOS Los aparatos pueden contener aberturas aireaci n ranuras etc Nointroduzca all ningun objeto ni obstruya nunca estas aberturas Si un l quido o un objeto penetra al interior del aparato descon ctelo y h galo revisar por personal cualificado antes de ponerlo nuevamente en servicio x 4 2 Unpacking and inspection 4 2 Unpacking and inspection e 1 x Eikos EKS550 e 1 x Power supply cord e 1 x Ethernet cross cable for device update e 1 x Remote Control Software RCS e 1 x Set of 6 audio 5 pin screw terminals e 1x Front rack ears the parts are stowed in the packaging foam e 1 x User manual PDF e 1 x Quick start guide User manual quick start guide and the RCS are available on www analogway com Before racking and plugging any inputs and outputs it i
108. y the input button on the front panel You can change logos or delete logos on the Preview screen using the same way the layers do Clear Press Logo 1 or 2 button gt Press Black Change Press Logo 1 or 2 button gt Press another Input 8 2 24 Logos as layer Logos are under the layer rules you will have direct access to settings by pressing the logo layer button You have 2 logos layers buttons available You can use the Pos Size Zoom adjustment button and the Effect button from the front panel too 8 2 25 Creating presets 8 2 25 Creating presets The Eikos allows the creation of user defined presets very easily Any setup you have configured on screen can be stored into one of the 8 available user presets 1 After having configured layers transitions logos on your screen go to the Preset menu by pressing the EXIT MENU button and select Preset by rotating the scroll knob Then press the ENTER button to enter the Preset sub menu Choose Preset Copy by scrolling with the corresponding knob and press the ENTER button to access the sub menu 2 In the sub menu choose Save From Program or Save From Preview to determine which screen you want to memorize the preset from then set the preset memory 1 to 8 you wish to use as your User Preset by default the Eikos will choose the next available preset in the Eikos memory By pressing the ENTER button the Eikos will ask you to confirm Select Yes you

USER MANUAL - Analog Way

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