DIMENSION REVERB USER'S GUIDE
Contents
1. 5 Now play again and the input will stay dry and not go into the reverb effect 22 External Control This control allows for some fun ambient effects where a background sound can be created and maintained while a separate part can be played along without turning the entire output into mush Using the REVERB SEND for bypass trailing A common problem when bypassing reverb and delay effects is that the trailing sound is lost When the REVERB SEND is assigned to the Expres sion Pedal it can also be used as a soft bypass With the expression pedal in the toe down position the reverb will be fully engaged By moving to the expression pedal to the heel down position this will effectively bypass the effect but allow the reverb to trail off MIDI CONTROL The Dimension Reverb can be controlled via generic MIDI messages In order to use the MIDI functionality of the unit it requires a Source Audio Soundblox 2 MIDI Adapter Please check www sourceaudio net for avail ability The adapter connects to the Multi Function input and provides standard MIDI IN and OUT 5 pin DIN connectors Using Soundblox 2 pedals with MIDI greatly extends the functionality of he units Having MIDI I O allows for remote automation external control ers firmware updates and more If you have more than one Soundblox 2 pedal only one MIDI Adapter is necessary The Multi Function output will act as a MIDI thru to pass the MIDI messages on the other pedals via a2. DEPTH OPTION SELECT 1 OPTION soundblox 2 PLATE E DOME TTREBLE CONTROL ASSIGN By default the expression pedal and Hot Hand inputs are assigned to control the TIME parameter This can easily be changed to control any other knob parameter or an additional REVERB SEND parameter To as sign control to a knob parameter 1 Select the desired external con HH for Hot Hand 2 Press and hold the CONTROL o blink slowly rol option EXP for expression pedal PUT A button until the LED begins 3 Set the low position of the desired knob for example MIX B to the 4 Press the CONTROL INPUT bu rapidly owest setting you would like to use ton again and the LED will now blink 5 Set the desired high position you would like to use 6 Press the CONTROL INPUT bu 20 External Control ton to complete the assignment The LED will blink 3 times to indicate the process is complete Note Different control assignments can be used for each preset Don t forget to save your settings REVERB SEND PARAMETER There is an additional parameter that does not have a knob associated with it but can be used with the expression pedal input or with Hot Hand HH MIDI Press and hold EXP CONTROL INPUT To select REVERB SEND as the assigned parameter for external control set the CONTROL INPUT to OFF no LEDs lit Press and hold the CON TROL INPUT button until all thr
3. modulation is an optional setting that adds some nice animation to the reverb sound In the physical world reverb modulation would be the sound created in a room with moving walls Obviously real rooms don t have moving walls but they do have moving air cur rents and also a complexity of reverberation paths way beyond what we can simulate With a slow rate and low depth setting the LFO provides an added level of realism to our reverb BASS green LED Like the TREBLE control the BASS param eter works like a bass tone control by damping the amount of bass frequencies that go through the feedback loop Set to full counter clockwise this is most bass damping which will tend to cut the overall bass tone Full clockwise will allow the bass frequencies to ring out resulting in more overall bass 12 Controls Knobs e DEPTH red LED The second control related to the LFO The DEPTH control adjusts the total amount of modulation applied to the reverb As the depth is turned up there is a sense that the wet signal is running through a chorus effect With more depth pitch shifts on individual echoes may be heard and things get rather unnatural but what s wrong with that Factory Defaults given the number of different functions available on the OPTION KNOB it can be useful to zero all of the controls to a default value We pre loaded the Dimension Reverb with unique default settings for each reverb type which are a good start
4. um sc soundblox 2 DIMENSION REVERB USER S GUIDE SA225 WELCOME Thank you for purchasing the Soundblox 2 Dimension Reverb The Dimension Reverb features a broad set of painstakingly crafted profes sional quality reverb effects including models of popular mechanical reverbs acoustical reverbs and our own original effect creations Each reverb effect can be customized and tweaked by a full set of useful controls and additional interface options The Dimension Reverb also features a new compact physical format in addition to many new and useful features designed for easy on stage use Like all Soundblox effects pedals the Soundblox 2 Dimension Reverb is also Hot Hand Ready The Quick Start guide will help you with the basics For more in depth in formation about the Dimension Reverb move on to the following sections Enjoy The Source Audio team For full compliance with EN 61000 4 6 standard input cable must be less If possible dispose of the device at a recycling center Do not dispose of the device with the household waste ee than 3 meters in length 21 Welcome OVERVIEW DIVERSE SOUND PALETTE 12 unique rich sounding reverb effects based on physical spaces and mechanical reverbs DEEP CONTROL SET Access to Reverb control parameters typically found only on professional rack systems STATE OF THE ART DSP Our proprietary 56 bit Digital Signal Processor the SA601 and crystal
5. Source Audio SA160 Daisy Chain cable For information on using your Soundblox 2 with MIDI and for MIDI map pings please visit our website at www sourceaudio net External Control 23 USE WITH HOT HAND All Soundblox pedals are compatible with our Hot Hand accessories Hot Hand units consist of a ring mounted accelerometer that is used to detect motion for controlling effect parameters On the Dimension Reverb a Hot Hand unit can be connected to the Multi Function input To enable Hot Hand select the HH mode as the external control option This will take he input signals for the Hot Hand unit and use them to control whichever parameter has been assigned The Dimension Reverb can also be calibrated to change the midpoint of he Hot Hand control range To do this follow the calibration procedure below Note that calibration is only used for Hot Hand mode and calibra ion is NOT required before use To perform a calibration 1 Select a preset by pressing a footswitch 2 Enable Hot Hand control by selecting HH mode from the external controls 3 Press and hold the CONTROL INPUT button until the HH red LED be gins to blink slowly this is the same as the control assign procedure 4 Put the Hot Hand sensor into the desired calibration position 5 Press the footswitch for the currently selected preset The HH LED will blink when the calibration is complete o If you have trouble with calibration and need to g
6. at delay is set with the PRE DELAY control The output of that delay is sent into the main reverb loop through the injection mixer The audio circulates through the main reverb loop consisting of a number of delay lines with their lengths set by the EFFECT knob The precise lengths of these delay ines are varied by an LFO Low Frequency Oscillator controlled by the RATE and DEPTH These delay outputs go into additional diffusers also controlled by DIFFUSE then to a block that creates the final wet signal then to the injection mixer and then to the feedback block The reverb TIME knob sets the amount of feedback through the loop anywhere from 0 0 mini mum time to 0 993 maximum time The higher the feedback the longer he sound will continue to circulate through the entire reverb loop Lower eedback will make the output signal die away more quickly The Unitary Mixer takes all these signals and combines them to produce he same number of output signals However this mixer has special properties such that the signal energy leaving the mixer is exactly equal to the energy going in This is an important feature that keeps the signal rom ringing excessively at any given frequency Next there is a bank of ilters that control the high and low frequency damping The amount of damping is set by the TREBLE and BASS controls At this point the signal low wraps around back into the delay lines Meanwhile the extracted wet signal is combined with t
7. ch corresponds to preset 2 Pressing either of the footswitches will engage the respective preset Pressing the same footswitch again will put the effect back into bypass mode Pressing the other footswitch will engage the other preset without going into bypass There are indicator LEDs for each footswitch that show which preset is currently enabled or both LEDs will be off when the effect is in bypass mode When a preset is enabled and edited the indicator LED for that preset will begin to blink occasionally to show that the preset has been edited Once a preset has been edited it can be saved by pressing and holding the footswitch The LED will blink quickly to indicate that the preset has been saved Once changes are saved the LED will be lit solidly again Note Changes made to a preset will be lost if you go into bypass or switch to another preset without saving An edited preset can be saved to either of the two preset locations For example if preset 1 has been selected and edited it can be saved to pre set location 2 by pressing and holding the right footswitch Controls Footswitches 15 EFFECT TYPES Here are some brief descriptions of the EFFECT knob settings on the Soundblox 2 Dimension Reverb PLATE 1 E DOME ARENA SPRING 1 STAGE SPRING 2 CLUB MODVERB METAL BOX ECHO ROOM SOUNDS The first five EFFECT choices are intended to represent real acoustical spaces progressing in size from small to
8. clear 24 bit converters COMPACT DESIGN A compact rugged cast aluminum housing UNIVERSAL BYPASS Select either analog buffered or relay based True Bypass 2 USER PRESETS Easy to configure user presets selectable via two footswitches MULTI FUNCTION INPUT A multi purpose control input for use with Hot Hand expression pedal or MIDI Overview 13 QUICK START 1 POWER To power the unit connect the included DC adapter power supply to the 9V DC jack on the back panel Note Using a non Source Audio supply could damage the unit Please be very cautious when using 3rd party power supplies 2 GUITAR AUDIO CONNECTIONS Next plug your guitar or other instrument into the jack labeled GUITAR IN via a standard cable Connect your amp or other audio device to the GUITAR OUT jack again with a standard cable Both input and output are mono signals GUITAR IN GUITAR OUT MULTI FUNCTION our voc 41 Quick Start 3 BRIEF KNOB FOOTSWITCH AND BUTTON DESCRIPTIONS see Controls section for more details e EFFECT KNOB selects the reverb type to be used e TIME adjusts the duration of the reverb e OPTION adjusts parameter selected by the OPTION SELECT button e TREBLE controls the high frequency damping on the reverb e MIX balances the wet and dry signals e OPTION SELECT selects which parameter will be controlled by the OPTION knob e CONTROL INPUT selects the external cont
9. ee LEDs blink rapidly The REVERB SEND is now selected as the parameter to be externally controlled Next select either HH or EXP mode to control the REVERB SEND The REVERB SEND controls how much of the guitar input will be sent in to the reverb effect and how much will be sent to the output In some ways this is similar to the MIX control However there is an important difference in that this control comes before the reverb By using the RE VERB SEND you can selectively send some input signal to the reverb and bypass the reverb for other input This allows you to create sounds that will ring out and sustain with the REVERB SEND on When the REVERB SEND is turned down the sound of the reverb will continue to circulate while a dry sound can be played over it The following example will help explain Continued External Control 21 PLATE 1 DIMENSION REVERB E2 SPRING 1 MIX PRE DELAY OUTPUT DIFFUSE RATE BASS DEPTH OPTION SELECT 1 OPTION TTREBLE Nay Jnl 1 Select the expression pedal input and assign it to REVERB SEND as described above 2 Select a desired reverb type ex ARENA A and turn up the TIME B knob to create a long tailing and sustained effect 3 Put the expression pedal in toe down position and play into the effect The sound will now begin to reverberate 4 Next move the expression pedal into the heel down position to turn down the REVERB SEND
10. enormous The room sounds are labeled Room Club Stage Arena and E Dome 16 Effect Types PLATE AND SPRING REVERBS Our Plate and Spring effects are simulations of two popular mechanically constructible reverb units The critical component in a real plate reverb is large plate of sheet metal Plate reverbs tend to have a high diffusion rate so for an accurate representation the DIFFUSE knob should be on the high side The Spring Reverbs simulate the effect of broadcasting a signal into an actual coiled metal spring Spring reverbs are commonly found built into many guitar amplifiers MODVERB All of the reverbs have LFO modulation applied to the delay line lengths but ModVerb has delay lines nearly as long as the E Dome delays and an additional modulation in which the internal wiring of the reverb smoothly changes at the LFO rate METAL BOX This reverb type also has extra modulation It replicates a very small space perhaps the size of a metal cargo shipping container It will give a sort of chorused sound with very short reverb times and a lot of modulation ECHO This a basic delay algorithm using all the same controls that the reverbs use The TIME knob sets the feedback amount while the PRE DELAY sets the echo time Add some diffusion to create more interesting delay effects Effect Types 117 EXTERNAL CONTROL One of the new Core Features of the Soundblox 2 line of effects pedals is the addition of the Multi Fu
11. esulting from the negligent or intentional acts of the shipper or its contracted affiliates You should contact the shipper for proper claims procedures in the event of damage or loss resulting from shipment Cum Jara SOURCE AUDIO LLC 120 CUMMINGS PARK WOBURN MA 01801 SOURCEAUDIO NET
12. et back to the default setting place the sensor on a flat level surface with the blue LED facing down and run the calibration procedure again 24 External Control UNIVERSAL BYPASS Another added feature in the Soundblox 2 line is Universal Bypass which allows you to select between buffered and relay based true bypass In other effects pedals both traditional bypass methods have pros and cons associated with them Active analog bypass or buffered provides a consistent input impedance so that if the input is susceptible like a guitar pickup to variations in input impedance there won t be any notice able change in tone Buffered bypass is typically quieter and less prone o clicks and pops True bypass has the benefit of providing a dedicated hardwire bypass signal path however it can cause clicks pops and ypically requires a mechanically complex 3P3T 3 pole 3 throw switch Relay based true bypass is a better option but can cause tonal varia ions since the input impedance can vary when the effect is engaged vs bypassed deally the first pedal in a signal chain should be a buffered input followed by true bypass in the rest of the signal chain The Soundblox 2 line introduces Universal Bypass as the solution to this problem Each Soundblox 2 pedal can be configured to either buffered or relay based true bypass modes depending on what is needed in a pedal signal chain By default the Soundblox 2 Dimensio
13. f the sound Delaying the reverb makes it much easier to hear the dry signal without sacrificing any of the reverb signal Also try using pre delay with a very short reverb time for an interesting and non traditional effect This combination creates a single heavily processed echo Tip If the pre delay knob is moved while audio is running through the effect a Doppler shift will be heard Assigning an expression pedal or Hot Hand to the Pre Delay knob See the Control Assign section is a great way to create some extremely far out effects Continued Controls Knobs 11 e OUTPUT red LED Sets the overall output volume of the effect which is useful for matching the level of the effect vs the bypass volume It can also be used to prevent clipping if longer reverb times are used with continuous loud inputs DIFFUSE green LED Adjusts the amount of spreading in the feedback loop The higher this parameter is set the more the sound will be diffused as it circulates in the reverb loop Sharp transients like guitar pick noise will be smeared out over time At least a small amount of diffusion is recommended to create natural sounding reverbs Larger amounts can smooth over what might otherwise be an undesirable set of individual early echoes However maximum diffusion may produce some ring ing at certain frequencies RATE red LED Adjusts the rate of the LFO Low Frequency Oscillator that is applied to the reverb The
14. g out This can also be thought of as a feedback control to set how long the input will circulate through the reverb effect before dying away The minimum time corresponds to zero feedback within the reverb This will produce a single echo spread out by the dif ference in times of the various delay lines inside the reverb The shortest times are not realistic in a traditional reverb sense and the longest times are extreme but each can produce some very interesting effects OPTION OPTION The OPTION knob offers six secondary parameters that can be assigned to a single physical knob Press the OPTION SELECT button to scroll through the parameters The knob will adjust the parameter that is cur rently selected by the OPTION SELECT button 10 Contols Knobs PRE DELAY OUTPUT Press button to DIFFUSE select option RATE BASS DEPTH OPTION SELECT e PRE DELAY green LED Sets the initial time before the reverb begins Pre delay times vary between 0 and 5 seconds In ECHO mode delay times vary between 0 and 2 5 seconds Pre delay is excellent for creating slapback effects It will also create the illusion of playing in a larger space the longer it takes to hear the first echo the further away the walls would be Long pre delay times may seem excessive but can work well in a band or mix context Tip Use pre delay to add clarity If the reverb begins too soon after a note is played it tends to clutter the perception o
15. he dry signal controlled by the MIX knob and his becomes the final output Theory of Operation 7 CONNECTIONS GUITAR IN Connect your guitar bass or other instrument here using a standard MONO 4 cable GUITAR OUT Connect this to your amp pedal or other audio device MULTI FUNCTION IN optional The multi function input is a flexible control input for use with external controllers It can accept digital or analog signals which allows the Dimension Reverb to interface with the following accessories e SA110 SA115 Hot Hand Wireless Adapter e SA111 Hot Hand Wired Sensor e SA161 Source Audio Dual Expression Pedal e Source Audio Soundblox 2 MIDI Adapter MULTI FUNCTION OUT optional Use a Source Audio daisy chain cable to connect this jack to the sensor multi function input of another Soundblox pedal 9V DC Connect the included 9 Volt DC power supply here GUITAR IN GUITAR OUT FUNCTION FUNCTION IN OUT 8 Connections CONTROLS KNOBS EFFECT not labeled The effect knob selects which reverb type will be used There are 12 posi tions around the knob For information on the individual settings see the Effect Types section PLATE 1 E DOME PLATE 2 ARENA SPRING 1 STAGE SPRING 2 CLUB MODVERB ROOM METAL BOX ECHO Continued Controls Knobs 19 TIME TIME This is the primary reverb control The TIME parameter sets how long the reverb sound will rin
16. ing point for each reverb sound You can recall these values at any time by pressing and holding the OPTION SELECT button until the six red and green LEDs begin to blink MIX DRY WET MIX Adjusts the balance of the wet reverb sound and the clean input signal Full counter clockwise is a completely dry tone and full clockwise is the effected tone with no dry signal added Continued Controls Knobs 13 TREBLE TREBLE This knob controls the high frequency damping or roll off in the feed back loop As the knob is turned down full counter clockwise and more damping is applied higher frequencies will tend to die out more quickly for a duller sound Turn the knob fully clockwise for the least amount of damping which will result in more overall treble in the sound Discovering Preset Knob Positions Since the Dimension Reverb preset values can differ from the physical knob positions it may be useful to determine the positions of the preset knob values To do this start with the pedal in bypass and set all of the knobs to the full counter clockwise position Next enable the preset and slowly turn each knob up one ata time until the preset indicator LED be gins to blink rapidly When this happens the current position of the knob matches the saved value 14 Controls Knobs CONTROLS FOOTSWITCHES There are two footswitches on the Dimension Reverb The left footswitch corresponds to preset 1 and the right footswit
17. n Reverb is set to use the relay based true bypass To switch to buffered bypass press and hold the right footswitch when powering up the pedal Continue to hold the footswitch until the footswitch LED blink slowly 3 times The pedal is now in buffered bypass To switch back to true bypass repeat the same process with the left footswitch Universal Bypass 25 SPECIFICATIONS Dimensions Audio Performance e L 4 5 inches e Maximum input level 2 0 Vrms 6 dBV e W 4 5 inches e Input impedance 1 MOhm e H 2 25 inches including knobs e Output impedance 1 kOhm Weight 115dB DNR audio path e 1 00 lbs 24 bit audio conversion e 56 bit digital data path Power e Universal Bypass buffered or relay e 140mA 9V DC max 180mA with Hot based true bypass Hand Wireless Adapter e Negative tip power jack TROUBLESHOOTING Noise Power Source Ensure that the proper power supply is being used Near noise source Move pedal away from power supplies and other equipment Other equipment Remove other effects from signal chain see if noise persists Bad cables Swap out audio cables Hot Hand doesn t work Low power Ensure that the proper power supply is being used Not calibrated properly Calibrate the Hot Hand see page 24 Not connected properly Check Hot Hand connections 261 Specifications Unit appears dead no LEDs lit Wrong power supply Use correc
18. nal warranty period This Limited Warranty is extended to the original retail purchaser This Limited Warranty can be transferred to anyone who may subsequently purchase this product provided that such transfer is made within the applicable warranty period and Source Audio is provided with all of the following information i all warranty registration information as set forth on the registration card for the new owner ii proof of the transfer within thirty 30 days of the transfer and iii a photocopy of the original sales receipt Warranty coverage shall be determined by Source Audio in its sole discretion This is your sole warranty Source Audio does not authorize any third party including any dealer or sales representative to assume any Liability on behalf of Source Audio or to make any warranty on behalf of Source Audio Warranty 27 WARRANTY INFORMATION Source Audio may at its option require proof of the original purchase date in the form of a dated copy of original authorized dealer s invoice or sales receipt Service and repairs of Source Audio products are to be performed only at the Source Audio factory or a Source Audio authorized service center Prior to service or repair under this Limited Warranty the purchaser must request from Source Audio a return authorization which is available at Source Audio LLC 120 Cummings Park Woburn MA 01801 781 932 8080 or at www sourceaudio net Unauthorized service repair o
19. nction Input The Multi Function input is an intelligent control input that can accept both digital and analog control signals The Multi Function input replaces the Sensor Input on previous Soundblox pedals The MULTI FUNCTION input can connect to wired or wireless Hot Hand accessories a Source Audio Expression Pedal or a future Source Audio MIDI interface that will enable full MIDI I O access to the pedal GUITAR IN GUITAR OUT MULTI MULTI FUNCTION FUNCTION IN OUT NDC 18 External Control HH MIDI Button EXP CONTROL INPUT Selecting an external control input Press the CONTROL INPUT button to cycle between the external control options There are four possible settings e OFF no LEDs on External control is disabled in this mode e EXP Expression Pedal for use with the SA161 Source Audio Dual Expression Pedal By default the expression pedal will control the TIME parameter The expression pedal can also be assigned to control any other knob parameter or the REVERB SEND parameter see below e MIDI MIDI control mode Select to enable MIDI I O through the Soundblox 2 MIDI Interface e HH Hot Hand mode Select to enable Hot Hand control By default Hot Hand will be assigned to control the TIME param eter Alternatively Hot hand can also be also be assigned to control any other knob parameter or the REVERB SEND Continued External Control 19 DIFFUSE RATE BASS
20. r modification will void this Limited Warranty DISCLAIMER AND LIMITATION OF WARRANTY DO NOT OPEN THE EFFECTS PEDAL UNDER ANY CIRCUMSTANCE THIS WILL VOID THE WARRANTY THE FOREGOING LIMITED WARRANTY IS THE ONLY WARRANTY GIVEN BY SOURCE AUDIO AND IS IN LIEU OF ALL OTHER WARRANTIES ALL IMPLIED WARRANTIES INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR ANY PARTICULAR PURPOSE EXCEEDING THE SPECIFIC PROVI SIONS OF THIS LIMITED WARRANTY ARE HEREBY DISCLAIMED AND EXCLUDED FROM THIS LIMITED WARRANTY UPON EXPIRATION OF THE APPLICABLE EXPRESS WARRANTY PERIOD SOURCE AUDIO SHALL HAVE NO FURTHER WARRANTY OBLIGATION OF ANY KIND EXPRESS OR IMPLIED SOURCE AUDIO SHALL IN NO EVENT BE LIABLE FOR ANY SPECIAL INCIDENTAL OR CONSEQUENTIAL DAMAGES SUFFERED BY THE PURCHASER OR ANY THIRD PARTY INCLUDING WITHOUT LIMITATION DAMAGES FOR LOSS OF PROFITS OR BUSINESS OR DAMAGES RESULTING FROM USE OR PERFORMANCE OF THE PRODUCT WHETHER IN CONTRACT OR IN TORT SOURCE AUDIO SHALL NOT BE LIABLE FOR ANY EXPENSES CLAIMS OR SUITS ARISING OUT OF OR RELATING TO ANY OF THE FOREGOING Some states do not allow the exclusion or limitation of implied warranties so some of the above limitations and exclusions may not apply to you This Limited Warranty gives you specific legal rights and you may also have other rights which vary from state to state This Limited Warranty only applies to products sold and used in the USA Source Audio shall not be liable for damages or loss r
21. roller type to be used e FOOTSWITCHES Enables Disables a preset depending on the selected footswitch Press and hold to save an edited preset soundblox 2 PLATE 1 DIMENSION REVERB E D OME TIME MIX ARENA PRE DELAY OUTPUT DIFFUSE pietus ECHO mi BASS DEPTH Exp OPTION CONTROL 1 INPUT OPTION Te ne Quick Start 15 THEORY OF OPERATION For those readers interested in seeing exactly what s happening inside the Dimension Reverb figure 1 is a block diagram of the reverb algorithm The various control knobs are positioned next to the processing steps they control OUTPUT O PRE DELAY Volume Trim Diffusion Pre Delay DIFFUSE S5 delay a ll Diffusion H KR H fites LS SH delay ip Diffusion 4 H HAH LI Fites LS e 7 z 7 a ee SH delay p Diffusion H L4 Filters H Delay Times HF ALF Damping Unit Wet Injection Feedback a y LFO LFO S Gain oe RATE DEPTH ume Miet TREBLE BASS wet Q TIME mx V R gt figure 1 dry amp EFFECT 6 Theory of Operation Looking at the diagram of the algorithm the input audio signal comes in initially and goes through a volume control and a diffusion block con trolled by DIFFUSE before entering the pre delay line The length of th
22. t power supply as defined on page 4 Input plug not connected Ensure that input cable is connected to the GUITAR input Corroded input cable plug Check input cable plug for corrosion on sleeve swap out cable if necessary LIMITED WARRANTY Source Audio LLC hereinafter Source Audio warrants that your new Source Audio Soundblox 2 Dimension Reverb when purchased at an authorized Source Audio dealer in the United States of America USA shall be free from defects in materials and workmanship under normal use for a period of two 2 years from the date of purchase by the original purchaser This Limited Warranty does not extend to the batteries which are purchased as is Please contact your dealer for information on warranty and service outside of the USA Under this Limited Warranty Source Audio s sole obligation and the purchaser s sole remedy shall be repair replacement or upgrade at Source Audio s sole discretion of any product that if properly used and maintained proves to be defective upon inspection by Source Audio Source Audio reserves the right to update any unit returned for repair and to change or to improve the design of the product at any time without notice Source Audio reserves the right to use reconditioned parts and assemblies as warranty replace ments for authorized repairs Any product repaired replaced or upgraded pursuant to this Limited Warranty will be warranted for the remainder of the origi
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