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Roland VS-700 User's Manual

1. 156 Installing the ARX Expansion Board 4 Insertthe board into the VS 700R s non latched board holders until you hear a click 2 Board E Connector E of board et m Align board s 2 holes with holders Connector of the VS 700R 60 Non latched holders 2 5 2 5 S 5 n lt v N e A 60 o 5 KA o 6 From above press down on the board at the three locations indicated in the illustration until the A latched board holders lock into place x e a o Edge of the board where the logo is affixed s 3 e Near the cutouts in the board 3 lt gt 5 3 x 8 Use the screws that you removed in step 2 to fasten the cover back in place 157 Installing the ARX Expansion Board Removing an Expansion Board To remove an expansion board reverse the process by which you inserted it 1 Unlatch the latched board holders 2 Verify that the two latched board holders are unlocked then gently pull up the board and disconnect the connector 3 Disengage the board from the non latched board holders and remove the board 4 Attach the cover by reversing step 2 of the installation process 158 Installation de la carte d expansion French Language for Canadian Safety Standard 9 Un maximum de un carte d expansion optionnelles serie ARX vendues separement peuvent etre installees dans le 2 VS 700R 2 Precau
2. Bend Range Up Pitch Bend Range Up Specifies the degree of pitch change in semitones when the P Env T4 V Sens Pitch Bend lever is all the way right For example if this parameter is set to 12 the pitch will rise one octave when the pitch bend lever is moved to the right most position Value 0 48 Pitch Envelope Time 4 Velocity Sensitivity Use this parameter when you want key release speed to affect the Time 4 value of the pitch envelope If you want Time 4 to be speeded up for quickly released notes set this parameter to a positive value If you want it to be slowed Bend Range Down Pitch Bend Range Down down set this to a negative value Specifies the degree of pitch change in semitones when the Value 63 463 Pitch Bend lever is all the way left For example if this is set to 48 and you move the pitch bend lever all the way to the left the pitch will fall 4 octaves Value 48 0 P Env Time KF Pitch Envelope Time Keyfollow Use this setting if you want the pitch envelope times Time 2 Time 4 to be affected by the keyboard location Based on the pitch envelope times for the C4 key positive settings will cause notes higher than C4 to have increasingly shorter times and negative settings will cause them to have increasingly longer times Larger settings will produce greater change 108 Creating a Patch Value 100 90 80 70 60 50 40 30 20 10 0 ege
3. mes 6 EE ACCESS PANEL cakewalk sonar v stuno congo e Connecting Recording Equipment Connections to the Analog Jacks A a The VS 700R provides a balanced XLR type connector that 62 ab Con n ecti n g a M IC is wired as shown in the illustration Check the wiring of your device before connecting it coLD VS 700R Rear Panel C amw om Sa Mer muss The eight audio inputs INPUT 1 8 contain phantom power supplies From SONAR s Tools menu open VS 700 and select the MIC PRE tab and click E 48 button to make settings When the system is powered up the phantom power will be turned off When you load a project in SONAR the state that is saved in the project will be reflected Se el When using a condenser mic that requires a balanced XLR connection that 3 supplies phantom power set E 48 button ON PHANTOM ON When using a dynamic mic etc that has a phone plug set EE 48 button OFF PHANTOM OFF You must leave the phantom power turned off unless you ve connected a condenser mic that requires a phantom power supply Supplying phantom power to a dynamic mic or audio playback device will cause malfunctions For details on the specifications of your mic refer to the owner s manual for your mic Mics with balanced XLR
4. 151 Patch Step LEO reete hire re ment 119 Patch TVA ERY act e RR E Reo tote 115 Pateh IVE seid e AE 109 Patel TVF ENV Foinn se d recon 111 Patch MG dite be tnt Ae 105 Patches tee ANRT ue ne et A 92 Index Fantom VS P Env Depth Pateh henri 108 130 0 70 P Env Level 0 4 Patch siennes Re DERE ERE Ga e AREE 109 Rhythm Set csetera quieres 130 P Env T1 V Sens Patching eene 108 Rhiythiri Set soe nn an eee 130 P Env T4 V Sens Patch atiende ne Ets 108 RhythirmiSGt menant 130 P Env Time 1 4 Patel s indie e EROR RE MR BR HRS Rhythm Set o Ecke Time Kane sn nn tin P Env V Sens Patch icr der tte An aree ir ls Rhythm Set d POIPOR MAN ess a anne nant a te 5352 1066 dm EES Phase Lock Switch Pitch Depth AROS Portamento cete rete aora Portamento Mode nn 100 Portamento Start ner 100 Portamento Switch ns 100 139 Portamento Time mn 100 139 Portamento Type serate eiecit tereti ceo 100 Power GOL Sessa 26 689 6 5 61 assistants 28 Preset MEMON serere teet SE e HRS 94 R Random Pan Depth Patel quse dote RE 114 Rhythm Set 134 Random Pitch Depth nn 107 Rate Detune RM 117 Receive Bank Select MIDI EISE AE Receive Channel 7 Receive Channel Pressure essent 142 Receive Expression nee 143 Receive Hold Tasso ese 143 Receive Modulation nn 142 Receive Pali tpe EORR Tee tide 143 Receive Pitch Be
5. xipueddy Creating a Rhythm Set Cutoff V Curve Cutoff Frequency Velocity Curve Rhythm TVF Env Selects one of the following seven curves that determine how keyboard playing dynamics velocity influence the cutoff frequency Set this to FIXED if you don t want the Cutoff frequency to be affected by the keyboard velocity Value FIXED 1 7 F Env Depth TVF Envelope Depth Specifies the depth of the TVF envelope Higher settings will cause the TVF envelope to produce greater change Negative settings will invert the shape of the envelope Value 63 63 F Env V Curve TVF Envelope Velocity Curve Selects one of the following 7 curves that will determine how keyboard playing dynamics will affect the TVF envelope Set this to FIXED if you don t want the TVF Envelope to be affected by the keyboard velocity Cutoff V Sens Cutoff Velocity Sensitivity Use this parameter when changing the cutoff frequency to be applied as a result of changes in playing velocity If you Value FIX 1 7 want strongly played notes to raise the cutoff frequency set this parameter to positive settings If you want strongly A L LJ V C L I played notes to lower the cutoff frequency use negative x settings 1 2 3 4 5 6 7 Value 63 63 F Env V Sens Resonance V Sens TVF Envelope Velocity Sensitivity Resonance Velocity Sensitivity Specifies how keyboard playi
6. 22 Panel Descriptions l MONITOR MAIN Jacks These are the main monitor output jacks They are balanced outputs They output the signals of the audio driver s VS 700 MAIN port MONITOR SUB Jacks These are sub monitor output jacks They provide balanced or unbalanced output They output the signals of the audio driver s VS 700 SUB port J INPUT 1 8 Jacks D These are eight channels of analog audio input Both XLR type balanced and phone type balanced or unbalanced e input jacks are provided A mic preamp and compressor are provided on each channel Phantom power is provided to the XLR jacks switchable for each channel The input signals are output directly to the audio driver s VS 700 IN 1 2 ou D 2 VS 700 IN 7 8 ports 3 The XLR jacks and phone jacks cannot be connected simultaneously Connections to the Analog Jacks p 78 z hf gt Top Panel 2 D o a o A 3 lt hi N e e zx o 2 3 et o 5 lt il 2 T E A ARX Expansion Board Slot 2 Here you can install an ARX expansion board x gt Installing the ARX Expansion Board p 155 23 Panel Descriptions Side Panel gt A C B pon A Rackmount Brackets If you want to install the system in a 19 rack attach the included rackmount brackets gt Attaching the Rackmount Brackets p 163 B Cooling Fan Intake Vent C Cooling Fan Exhaust Vent The VS 700R con
7. Suon oeuuo Multi Effects 2 0SU0 500Z SA Chorus Chorus adds depth and spaciousness to the sound You can select whether to use this as a chorus effect or a delay effect 0 Reverb Reverb adds the reverberation characteristics of halls or auditoriums Five different types are offered so you can select and use the type that suits your purpose Tl o 5 3 lt vi xipueddy 95 Creating a Patch With the Fantom VS you have total control over a wide 7 variety of settings Each item that can be set is known as a Functions of Patch Parame parameter This chapter explains the procedures used in creating patches and the functions of the patch parameters This section explains the functions the different patch parameters have as well as the composition of these parameters How to Make Patch Settings Parameters marked with a X can be controlled using specified MIDI messages Matrix Control Settings in the Control screen will determine how these parameters are controlled p 121 Start with an existing patch and edit it to create a new patch Since a patch is a combination of up to any four tones you should listen to how the individual tones sound before you edit Settings Common to the Entire Patch Four Tips for Editing Patches GENERAL Selecta patch that is similar to the sound you wish t
8. ert tere er teste eei be e Ren 57 OFFSET tiber ete Rete re Re 41 JOG SHUTTLE CURSOR Section sn 57 19 ENTER eR 56 Joystick ett p bet eese GRE 68 OUTPUT 1 10 Indicators rs 20 OUTPUT 1 10 Jacks K Kobe EE ns EAR ER ren L LCD CONTRAST Knob nn Be pel EE LED Level M tert ioiitit terit tette EFE SEND e Locking a Channel Strip Punch Record sense 72 R Rackmount Brackets nes 163 ncm 85 000000000 00 54 RECORD EDIT Section mn 71 Recording Equipment sen 78 Release timete e ti ete Return to zero Rewihd o edet rc nn i Rotary Encoder Knob RZ s cta RSE Pe reo Hee eei Te R de ARM RR GER nn R de MUTE Steed EE Rude MUTE Rude SOLO Rude ARM Buttons 40 R de SOLO enit cte eie e i ttti 40 S SAMPLE RATE knob nn 80 Sampling Rate nn 80 SAVE SAVESAS nr nr 56 Scroll Mode isis rene nat fs 59 SCROLL ZOOM nn ne tee 57 Scrub Play Mod r 63 SE E 36 SELECT nt een nr ede ur ete ont nee 57 SONAR s Sampling Rate nn 81 Specifications santa 172 SPET ER REM ER HR 65 Standalone Mode nn 164 Stereo Alt 84 SLOP onec eri ete tes Ne TN 54 Surround joystick panner en 68 SURROUND Section sms 68 SYNTELRACK nn mn nine eite teet 65 T Bar Section Threshold ieri iet deest ato vie escono TIME CODE nnt ERRARE RUBER Time Display treten TO CONSOLE Connec
9. tab The 16 assignable buttons are displayed along with their current assignments A ACCESS PANEL button assignments On the VS 700 property page click the ACCESS PANEL button that you would like to assign The Button Properties dialog appears Do one of the following Click Host Command if you want the button to trigger a SONAR command Click Keystroke if you want the button to trigger a raw keystroke When keystrokes are used the VS 700C Console substitutes friendly names for the keystrokes where possible For example the F1 key is displayed as Help Click Transport State if you want the button to trigger a transport function A Assign to a SONAR command Properties SE B Assign to a keystroke A Ha D Ce C Assign to a transport function Views Track View M B Keystroke shit Control Cat ACCESS PANEL Section Assignable Buttons 5 Usethe dropdown list to select the desired command or keystroke If you select a keystroke you can also select one or more optional modifier keys o 6 Click OK to close the Button Properties dialog You can now press the ACCESS PANEL button to trigger the assigned command or keystroke Keystrokes will not work with floating windows Modifier Buttons c The SHIFT CTRL ALT and COMMAND buttons function as modifiers That is they extend the functionality of other buttons and
10. 0 m de la carte T 27 lt Aligner les trous de la 2 carte et les supports D Connecteur de le VS 700R Supports non bloqu s n o z 5 A E o 5 lt a N e e A a o 5 c 6 Appuyer sur la carte aux trois points indiques sur l illustration jusqu a ce que les supports se bloquent en place lt hi Mem M E e e 2 Bord de la carte 8 LA o o se trouve le logo Pr s des d coupes m de la carte D 5 et g o 7 S assurer que les supports de carte sont bien bloques 3 lt un gt 5 3 x 8 Remettez le couvercle en place a l aide des vis retirees a l etape 2 161 Installation de la carte d expansion Retrait d une carte d expansion Pour retirer une carte d expansion suivre le processus inverse du processus d insertion 1 Suivre les instructions donnees dans le guide d utilisation de le VS 700R pour degager la fente ou la carte d expansion a ete installee 2 3 Verifier que les deux supports de carte sont debloques puis tirer delicatement sur la carte et deconnecter le connecteur 4 Fixerle couvercle en inversant l etape 2 du processus d installation 162 Attaching the Rackmount Brackets o If you want to install the VS 700R 1 0 in a 19 rack attach the included rackmount brackets n lt 1 Disconnect all connection cables from the VS 700R including the power cord 2 As shown in t
11. 4 Output gt How FLIP Mode Affects the ASSIGN Button When FLIP mode is enabled the ASSIGN button is disabled regardless of which FADER VIEW type is selected In FLIP 2 x lt mode the faders and rotary encoders swap functions When SHIFT FLIP buttons are pressed the values of the faders are shown on the LCD display but the faders and rotary encoders do not swap functions 39 CHANNEL STRIP Section Rude MUTE Rude SOLO Rude ARM Buttons The Rude MUTE Rude SOLO and Rude ARM buttons let you mute or unmute solo or unsolo arm or disarm all channels simultaneously When one or more channels are muted soloed or armed for recording the corresponding Rude button is lit as a convenient reminder Since the channel strips only show the status of the current set of eight channels the Rude MUTE Rude SOLO and Rude ARM buttons serve as a reminder that other non visible channels might be muted soloed armed ASSIGN A Rude MUTE button B Rude SOLO button C Rude ARM button The modifier buttons p 67 can be used to extend the functions as follows Button Default function SHIFT CTRL Rude MUTE Mute unmute all tracks Reserved Reserved Toggle Exclusive Solo Rude SOLO Solo unsolo all tracks Toggle Dim Solo mode mode Arm disarm all tracks for Rude ARM recording Reserved Reserved 40 AUTOMATION Butt CHANNEL STRIP Section The AU
12. Changes to the Settings e If you use a second I O unit open the top cover ARX slot of the second unit and set its SETTING DIP switches as follows Then turn the VS 700R s power off then on again Normal setting Setting for the second VS 700R unit The audio MIDI device names for the second I O unit will be the same as for the first unit but with a 2 added to the port name Connections ee 000000000000 1 Set the Sampling Rate of the two VS 700R I O units to the same value p 80 2 Connect the second VS 700R I O unit to your computer s USB connector 166 Connecting Two VS 700R I O Units 3 Connectthe WORDCLOCK Use a BNC cable to connect the WORDCLOCK OUT connector of the first unit to the WORDCLOCK IN connector of the second unit o Set the audio clock source of the second unit to Wordclock p 82 S Now the audio clock of the second unit will be synchronized i 4 Start up SONAR The USB connectors to which you connect the two VS 700R I O units must share the same USB controller within your computer o Otherwise the audio ports of the second unit won t be recognized If the audio ports of the second VS 700R 1 0 2 unit are not displayed in SONAR try reconnecting the USB cables of the two VS 700R I O units to different 2 connectors on your computer then quit and restart SONAR Repe
13. To Lock Unlock a Channel Strip inner 46 Locked Strip WAI Indication 47 TIME ES AY sence zen m 48 CHANNEL STRIP CONTROL Section EQ SEND and ACT nn 49 LCD DIS play s 51 Sen HA 51 SEND MOG s iR 52 ACT Mode 53 Transport SCHON mmorises 54 Starting Stopping Playback With a Foot Switch 55 RROJECT SEE f a Met nl ae 56 JOG SHUTTLE CURSOR Section E 57 Transport Mode Default ss 58 lee 59 Vosullute 60 redeem 61 EIU MOG lc 62 Scrub Play Mode 63 ACCESS PANEL Section Assignable Buttons nn 64 Mapping Assignable ACCESS PANEL Buttons 66 Modifier Buttons 67 SURROUND SECTIONS remaniement 68 T Bar SCO T 69 AUDIO OUTPUT SECTION p da eae 70 sie a6 DI RIES le E 71 Controlling Plug ins from the VS 700C Console nn 74 SA 0 3 O IH007 SA 9 0su0550074 SA Suon euuo 0 xipueddy Contents Connecting Recording EQUIPMENT nn Connections to the Analog Jacks Connections to the Digital Connectors Switching the Sampling Rate inserer 80 Setting SONAR s Sampling Rate nn 81 Audio Clock SoutCce o o ne din da KRA 82 Phantom BOWES ES SSSA tu eu s UE EE 83 Preamp Parameters aciei ie
14. x 125 Creating a Rhythm Set Tone Pitch Bend Range Rhythm Tone Pitch Bend Range Specifies the amount of pitch change in semitones 4 octaves that will occur when the Pitch Bend Lever is moved The amount of change when the lever is tilted is set to the same value for both left and right sides Value 0 48 Tone Receive Expression Rhythm Tone Receive Expression Switch For each rhythm tone specify whether MIDI Expression messages will be received ON or not OFF Value OFF ON Tone Receive Hold 1 Rhythm Tone Receive Hold 1 Switch For each rhythm tone specify whether MIDI Hold 1 messages will be received ON or not OFF Value OFF ON NOTE If NO SUS is selected for Env Mode parameter p 125 this setting will have no effect Tone Receive Pan Mode Rhythm Tone Receive Pan Mode For each rhythm tone specify how pan messages will be received Value CONTINUOUS Whenever Pan messages are received the stereo position of the tone will be changed KEY ON The pan of the tone will be changed only when the next note is played If a pan message is received while a note is sounding the panning will not change until the next key is pressed The channels cannot be set so as not to receive Pan messages 126 One Shot Mode The sound will play back until the end of the waveform or the end of the envelope whichever comes first The result will be the same as when the envelope s Tone Env M
15. xipueddy Creating a Performance With the Fantom VS you have total control over a wide variety of settings Each item that can be set is known as a parameter This chapter explains the procedures used in creating Performances and the functions of the Performance parameters Adjusting the Parameters of Each Part Parameter List Patch Group Selects the group to which the desired patch or rhythm set belongs Value PRA I Preset A I GM GM GM2 Patch Number Selects the desired patch or rhythm set by its number Value 001 Level Adjust the volume of each part This setting s main purpose is to adjust the volume balance between parts Value 0 127 Pan Adjust the pan of each part L64 is far left 0 is center and 63R is far right Value L64 0 63R Solo Switch Select one part whose sound you want to play Turn it SOLO to the part that you want to solo Parts other than the part you select here will not sound Value SOLO 136 Mute Switch Mutes MUTE or un mutes OFF each part Value OFF MUTE The Mute Switch parameter does not turn the part off but sets the volume to minimum so that no sound is heard Therefore MIDI messages are still received Octave Shift Adjusts the pitch of the part s sound up or down in units of an octave 3 octaves Value 3 43 Note that when a rhythm set is assigned to a part you cannot modify the Octave Shift parameter Coarse Tune
16. A Env T4 V Sens TVA Envelope Time 4 Velocity Sensitivity The parameter to use when you want key release speed to control the Time 4 value of the TVA envelope If you want Time 4 to be speeded up for quickly released notes set this parameter to a positive 4 value If you want it to be slowed down set this to a negative value Value 63 63 134 A Env Time 1 4 TVA Envelope Time 1 4 Specify the TVA envelope times Time 1 Time 4 Higher settings will lengthen the time until the next volume level is reached For example Time 2 is the time over which Level 1 will change to Level 2 Value 0 127 A Env Level 1 3 TVA Envelope Level 1 3 Specify the TVA envelope levels Level 1 Level 3 These settings specify how the volume will change at each point relative to the standard volume the Rhythm Tone Level value specified in the TVA screen Value 0 127 T1 T2 T3 T4 1 Level L1 L2 Note on Note off T Time L Level Time e w Output Settings Rhythm Output Rhythm Out Assign Specifies for each rhythm set how the direct sound will be output Value MFX Output in stereo through multi effects You can also apply chorus or reverb to the sound that passes through multi effects L R Output in stereo without passing through multi effects L R Output in mono without passing through multi effects Tone Out Assign Specifies how the direct sound of each tone will be out
17. Adjusts the pitch of the part s sound up or down in semitone steps 4 octaves Value 48 448 Coarse Tune and Octave Shift The Coarse Tune and Fine Tune parameters along with the Octave Shift parameter can all be seen as doing the same thing to the sound i e changing the pitch of the sound For example if C4 Middle C is played with the Coarse Tune parameter set to 12 the note produced is C5 one octave above C4 For example if C4 Middle C is played with the Octave Shift parameter set to 1 the note produced is C5 one octave above C4 However internally these function very differently When the Coarse Tune parameter is set to 12 the pitch itself is raised one octave On the other hand when the Octave Shift parameter is set to 1 it is the same as pressing the keys one octave up In other words use the Coarse Tune parameter when changing the pitch and the Octave Shift parameter when you wantto shift the entire keyboard for example when the number of keys is insufficient Creating a Performance Fine Tune Output Assign Adjusts the pitch of the part s sound up or down in 1 cent Specifies for each part how the direct sound will be output steps 50 cents Value O Value 50 50 MFX Output in stereo through multi effects You can also apply chorus or reverb to the sound that One cent is 1 100th of a semitone passes through multi effects 8 L R Output in stereo wi
18. Control settings is assigned to a part confirm that any MIDI messages used for the Matrix Control will be received If the Fantom VS is set up such that reception of MIDI messages is disabled then the Matrix Control will not function CTRL Destination 1 4 Matrix Control Destination 1 4 Matrix Control Destination selects the tone parameter that is to be controlled when using the Matrix Control The following parameters can be controlled When not controlling parameters with the Matrix Control set this to Velocity and Keyfollow correspond to Note messages Although there are no MIDI messages for LFO 1 through TVA Envelope they can be used as Matrix Control In this case you can change the tone settings in realtime by playing patches 122 OFF Up to four parameters can be specified for each Matrix Control and controlled simultaneously In this manual Parameters that can be controlled using the Matrix Control are marked with a x Opening and Closing the Filter CUTOFF RESONANCE Changes the cutoff frequency Emphasizes the overtones in the region ofthe cutoff frequency adding character to the sound Changing the Volume Pan and Pitch LEVEL Changes the volume level PAN Changes the pan PITCH Changes the pitch Changing How the Effects Are Applied OUTPUT LEVEL Changes the volume of output levels CHORUS SEND REVERB SEND Changes the amount of chorus Changes the amount of reverb Applying
19. EEEE EON RTE 95 147 Chorus Output Level nee 147 Chorus Output Select rs 147 Choris Send Level ntt EA 137 Chorus SOUFCe oct ceret ener codi ee 150 Chorus TYPES 147 Coarse TUNG i ee oie eese e ten 136 CONSOLE indicator rc rib shade 28 Control 194 Destra ere toi tors edet 148 Control 1 4 Sens ren 148 Control 1 4 Source sen 122 CTR Eege 120 CTRL Destination 1 4 CTRL Sens 1 4 GIRL TON E 124 Cutoff Frequency PACER oa A Rhythm Set ke Cutoff Key follow rss 110 C toff Offset EEN 98 138 Cutoff V Curve Patel pe c 110 Rhythim Set sinus 132 Cutoff V Sens Patch dice ere a 70 111 Rhythm Set SASSER 132 D Decay Time Offset nn 138 Delay Time sen e 118 Delay Time KE tem 118 el E 26 E Editing Patel pc Performance Editing a Sound clo iro ER RET Envelope eer nt E eb ied tei Equal Temperament Performance eet 92 142 F Fad Mod RRS aA EAER AOR R Fade Time Fantom VS Editor Fantom VS Plug In F Env Depth PatCh SARS 111 Rhythm Sete epe 132 F Env Level 0 4 Index Fantom VS Patch diea ceca e be fe 112 Rythm Set sse 133 F Env T1 V Sens Pateh eret cet ed lads e ed Ee Rhythm Set F Env T4 V Sens PACA MNT Rhythm Set F Env Time 1 4 Patch esee re a boe c e P bei mtus 112 Rliythit Set cetero SUE 133 2 Time KE km tecto e Rite 112 F Env V Curve
20. Part Receive Switch For each part specify whether MIDI messages will be received ON or not OFF If this is OFF the part will not respond Normally you should leave this ON but you can turn it OFF when you do not want a specific part to be playing during song playback Value OFF ON Tl o 5 3 lt ui xipueddy 141 Creating a Performance Equal Temperament This tuning divides the octave into 12 equal parts and is the most widely used method of temperament used in Western music The Fantom VS employs equal temperament when the Scale Tune Switch is set to OFF Just Temperament Tonic of C Compared with equal temperament the principle triads sound pure in this tuning However this effect is achieved only in one key and the triads will become ambiguous if you transpose Arabian Scale In this scale E and B are a quarter note lower and Cit E and G are a quarter note higher compared to equal temperament The intervals between G and B C and E F and G Bb and C and Eb and F have a natural third the interval between a major third and a minor third On the Fantom VS you can use Arabian temperament in the three keys of G C and F Example Equal Just Arabian Temperament Temperament Scale tonic C Note name 0 0 0 142 MIDI related settings Parameter List Rx Program Change Receive Pr
21. according to the velocity with which the keys are pressed If you want strongly played notes to raise the volume cutoff frequency set this parameter to positive settings If you want strongly played notes to lower the volume cutoff frequency use negative settings Set Velocity Sensitivity to Parameter List 0 when you want sounds played at a fixed volume and cutoff frequency regardless of the force with which the keys are played Part Scale Tune C B Value 63 63 Make scale tune settings for each part NOTE Value 64 63 Patches also contain a Velocity Sensitivity Offset setting p 99 The ultimate Velocity Sensitivity Offset value is the sum of the part s and the patch s Velocity Sensitivity Offsets Accordingly if the patch s Velocity Sensitivity Offset parameter is set to 127 maximum there will be no change in the part s Velocity Sensitivity Offset even when this is set to a positive value O The Fantom VS allows you to use temperaments other than equal temperament 8 Suon ouuo Part Pitch Bend Range Specifies the amount of pitch change in semitones 2 octaves that will occur when the Pitch Bend Lever is moved The amount of change when the lever is tilted is set to the same value for both left and right sides If you want to use the Pitch Bend Range setting of the patch assigned to the part p 108 set this to PAT Value 0 24 PAT 9 osuo 500Z SA 0 Receive Switch
22. button Fitto Project Hold down the COMMAND modifier button and push the SET button 60 JOG SHUTTLE CURSOR Section Select Mode Select mode lets you use the Jog Shuttle wheel to select clips or arbitrary sections of time within a clip or across 9 multiple clips The selection can then be edited in Edit mode 5 There are two different selection modes a Mode Explanation This mode lets you use the Free Edit Tool to select by time In this mode the SELECT Select by Time mode Ys button is lit e Select by Clip mode This mode lets you use the Free Edit Tool to select data by clip In this mode the SELECT 5 button blinks A E o To enable Select by Time mode default a Press SELECT button The SELECT button will be lit solid to indicate this mode lt L To enable Select by Clip mode us e 7 Press SHIFT SELECT button The SELECT button blinks when select by clip mode is enabled In Select mode the modifier buttons p 67 can be used to extend the functions as follows Q 5 Button Default function SHIFT CTRL ALT Move Free Edit 06 Se Move Free Edit Make 3 6 c Jog Shuttle Cursor by clips selection using the Cursor horizontally Cursor vertically 0 selecting whole clip Free Edit Cursor S 1 Move Free Edit y i e Up Down Move Free Edit Cursor vertically by Make a s ronne e e Reserved selection using the E cursors Cursor vertically c
23. in order to round off or un brighten the vary depending on Cutoff Frequency setting sound This is the most common filter used in A synthesizers BPF Band Pass Filter This leaves only the frequencies Resonance 8 in the region of the cutoff frequency Cutoff Emphasizes the portion of the sound in the region of the A Frequency and cuts the rest This can be useful cutoff frequency adding character to the sound Excessively 8 when creating distinctive sounds high settings can produce oscillation causing the sound to HPF High Pass Filter This cuts the frequencies in the distort T region below the cutoff frequency Cutoff Value 0 127 Frequency This is suitable for creating percussive sounds emphasizing their higher LPE BPF HPF PKG lt tones Level n PKG Peaking Filter This emphasizes the frequencies in i 1 a A the region of the cutoff frequency Cutoff 1 Frequency e i Se Frequency You can use this to create wah wah 11600997 effects by employing an LFO to change the cutoff 9 3 B __ ua o frequency cyclically E Ve f i LPF2 Low Pass Filter 2 Although frequency i i n components above the Cutoff frequency Cutoff s A Frequency are cut the sensitivity of this filter is i A half that of the LPF This makes it a comparatively 4 3 warmer low pass filter This filter is good for use S with simulated instrument sounds such as the Ge SEN SCENE acoustic piano
24. nor place heavy objects on the Q M MQM unit Always turn the unit off and unplug the power cord e NT E NT DEP ORDRE RES DER eT I LEUR RON RER before attempting installation of the circuit board ARX series p 155 Never handle the power cord or its plugs with wet 1 hands when plugging into or unplugging from an Y outlet or this unit 00 NOT play a CD ROM DVD ROM disc on a conventional audio CD player The resulting sound may be of a level that could cause permanent hearing loss Damage to speakers or other system components Before moving the unit disconnect the power plug from the outlet and pull out all cords from external Ge may result devices Do not put anything that contains water e g flower Before cleaning the unit turn off the power and e vases on this unit Also avoid the use of insecticides unplug the power cord from the outlet p 28 C perfumes alcohol nail polish spray cans etc near the unit Swiftly wipe away any liquid that spills on the unit using a dry soft cloth Whenever you suspect the possibility of lightning in M M E E E your area pull the plug on the power cord out of the c outlet Install only the specified circuit board ARX series Q Remove only the specified screws p 155 N CAUTION Should you remove screws of the ARX expansion board cover p 156 or the rackmount brackets p
25. or negative settings greater absolute values will allow greater amounts of change Set this to 0 if you don t want to apply the effect Value 63 63 CTRL Tone 1 4 Tone Control Switch 1 4 Matrix Control Tone selects the tone to which the effect is applied when using the Matrix Control Value OFF The effect will not be applied ON The effect will be applied REVS The effect will be applied in reverse 124 Creating a Rhythm Set o With the Fantom VS you have total control over a wide Assign Type variety of settings Each item that can be set is known as a Assign Type sets the way sounds are played when the same parameter This chapter explains the procedures used in key is pressed a number of times creating rhythm sets and the functions of the rhythm set parameters Value MULTI Layer the sound of the same keys Even with 2 continuous sounds where the sound plays for an A Functions of Rhyth m Set Parameters extended time such as with crash cymbals the 9 sounds are layered without previously played This section explains the functions the different rhythm set sounds being eliminated parameters have as well as the composition of these SINGLE Only one sound can be played at a time when the e parameters same key is pressed With continuous sounds 2 where the sound plays for an extended time the Making Settings Common to the Entire previous sound is stopped when the following 5 Rhythm Set GENERAL 0700
26. this product must be collected separately from household waste as defined in each region Products bearing this symbol must not be discarded together with household waste Dieses Symbol bedeutet dass dieses Produkt in EU L ndern getrennt vom Hausm ll gesammelt werden muss gem den regionalen Bestimmungen Mit diesem Symbol gekennzeichnete Produkte d rfen nicht zusammen mit den Hausm ll entsorgt werden Ce symbole indique que dans les pays de l Union europ enne ce produit doit tre collect s par ment des ordures m nag res selon les directives en vigueur dans chacun de ces pays Les produits portant ce symbole ne doivent pas tre mis au rebut avec les ordures m nag res Questo simbolo indica che nei paesi della Comunit europea questo prodotto deve essere smaltito separatamente dai normali rifiuti domestici secondo la legislazione in vigore in ciascun paese I prodotti che riportano questo simbolo non devono essere smaltiti insieme ai rifiuti domestici Ai sensi dell art 13 del D Lgs 25 luglio 2005 n 151 Este s mbolo indica que en los pa ses de la Uni n Europea este producto debe recogerse aparte de los residuos dom sticos tal como est regulado en cada zona Los productos con este s mbolo no se deben depositar con los residuos dom sticos Este s mbolo indica que nos pa ses da UE a recolha deste produto dever ser feita separadamente do lixo dom stico de acordo com os regulamentos de cada regi o Os produtos q
27. 0600000000000000000000000000000000000000000000000000000000000000909 Set the SETTING DIP switches located on the rear panel of the VS 700C console as shown below and then turn the VS 700C off then on again Normal setting SETTING Stand alone mode SETTING REC cio L Em E E E E E Limitations 0 0 906 00000000000000000000000000000000000000000000000000000000000009909 With the above setting you won t be able to connect the VS 700R 1 0 unit to the VS 700C The VS 700C console s audio functionality AUX IN PHONES 1 2 will not work 164 Using only the VS 700R I O The VS 700R I O unit can be used as an audio interface and synthesizer sound module even when the VS 700C console is not connected 0 81050030 0 suon euuo 80 sAwojue gt 5 3 x 165 Connecting Two VS 700R I O Units The Advantages of Connecting VS 700R 1 0 Units 00000000000000000000000000e By connecting two VS 700R 1 0 units you ll be able to take advantage of the audio input output of the two units have access to two synthesizers Fantom VS and be able to use two ARX expansion boards You will need a faster system if you connect two VS 700R 1 0 units Only ASIO is supported when using the audio input output of the second unit Applications that do not support ASIO cannot be used The audio ports of the second unit cannot be selected if SONAR is set to the WDM KS or MME driver mode
28. Frequency Cross Modulation uses a specified waveform to apply frequency modulation to the currently selected waveform creating complex overtones This is useful for creating dramatic sounds or sound effects FXM Color Specifies how FXM will perform frequency modulation Higher settings result in a grainier sound while lower settings result in a more metallic sound Value 1 4 FXM Depth Specifies the depth of the modulation produced by FXM Value 0 16 Wave Coarse Tune Adjusts the pitch of the waveform s sound up or down semitone steps 4 octaves Value 48 48 in The Coarse Tune of the entire rhythm tone is set by the Tone Coarse parameter p 129 Wave Fine Tune Adjusts the pitch of the waveform s sound up or down cent steps 50 cents Value 50 50 One cent is 1 100th of a semitone in 1 The Fine Tune of the entire rhythm tone is set by the Tone Fine Tune parameter p 129 127 O Suon ouuo 8 8165000 500Z SA 0 Tl o 5 3 lt ui xipueddy Creating a Rhythm Set Wave Level You can set the volume of the waveform Value 0 127 The volume level of each rhythm tone is set with the Tone Level parameter the volume levels of the entire rhythm set is set with the Rhythm Level parameter p 125 Wave Pan This specifies the pan of the waveform L64 is far left 0 is center and 63R is far right Value L63 0 63R Wav
29. In 3 k ohms NORMAL 470 k ohms Hi Z Head Room 18dB Nominal Output Level MAIN OUT SUB OUT OUTPUT 1 10 4 dBu balanced Maximum Output Level MAIN OUT SUB OUT OUTPUT1 10 22 dBu balanced PHONES 1 2 100 mW 100 mW 32 ohms loaded Output Impedance MAIN OUT SUB OUT OUTPUT1 10 600 ohms balanced PHONES 1 2 44 ohms Recommended Load Impedance MAIN OUT SUB OUT OUTPUT 1 10 10 k ohms or greater PHONES 1 2 32 ohm or greater Phantom Power DC 48 V unloaded maximum 10 mA maximum load All XLR type inputs Should be less than 50 mA in total Frequency Response NPUT 1 8 gt MAIN OUT 20 20kHz 0 dB 2 dB Sampling Frequency 44 1 kHz 48 kHz 20 40kHz 0 dB 2 dB Sampling Frequency 88 2 kHz 96 kHz 20 60kHz 0 dB 3 dB Sampling Frequency 192 kHz 20 90kHz 0dB 8 dB Sampling Frequency 192 kHz AUX IN MAIN OUT 20 20kHz OdB 2 dB Sampling Frequency 44 1 kHz 48 kHz NORMAL Hi Z SENS min 20 40kHz OdB 3 dB Sampling Frequency 88 2 kHz 96 kHz NORMAL Hi Z SENS min 20 40kHz OdB 3 dB Sampling Frequency 192 kHz NORMAL Hi Z SENS min 20 90kHz O0 dB 12 dB Sampling Frequency 192 kHz NORMAL Hi Z SENS min nternal Direct Monitor Mixer setting Stereo Link ON Input channel fader Unity only one channel 172 Specifications Total Harmonic Distortion Noise INPUT1 1 82 MAIN OUT 0 01 96 typ PAD ON GAIN min 1dB AUX IN
30. Mapped to e ee 0e 0606060060000000000000000000000009009909 Press the EQ SEND or ACT button The EQ SEND and ACT buttons operate exclusively so only one button at a time can be selected A channel strip must be selected before it can be edited in the CHANNEL STRIP CONTROL section Suon oeuuo To Select a Channel Strip 06000000000009000000000000000909000000000000000009090000000000000009000009909 Press the desired channel strip s SEL button For more information about selecting channel strips refer to Strip Select SEL p 36 lt 2 N e n N 5 un 0 Q Q PRE POST 3 e SA ul03UEJ xipueddy 49 CHANNEL STRIP CONTROL Section EQ SEND and ACT A Parameter name B Parameter value C Selected encoder row D Encoder with push button E Button F Selects which row displays parameters on the LCD Display G View EQ settings H View SEND settings I View ACT settings J PAGE switch shift the control parameter The modifier buttons p 67 can be used to extend the functions as follows Button Default SHIFT CTRL COMMAND SHIFT function COMMAND Select which row of controls DISPLAY Reserved Reserved Reserved Reserved to show on the LCD display Enable EQ mode E des EQ for the selected Reserved Reserved property pag Reserved for the selected channel strip channel st
31. PAN PAN PAN PAN PAN ODD VOLUME MUTE SOLO EVEN VEN o n RO E SYNTH To PC VOLUME MUTE 5 SOLO L t D e FANTOM VS VOLUME MUTE EE op MONO ARX To PC VOLUME MUTE A SOLO L t ARX EXPANSION BOARD 154 VOLUME MUTE SOLO PAN oo MONO DIGITAL 1 OUT OUTPUT 1 10 From PC INDICATOR OUTPUT 1 10 DA wl DIGITAL OUT 2 Ge 1 8 INDICATOR DIGITAL OUT 1 From PC Y Y From P INDICATOR DIGITAL OUT 2 ADAT 1 8 OPTICAL Sie 1 Go From PE INDICATOR Y MAIN OUT I 1 MONITOR MUTE Gd AES EBU coax L gt oo g oe DA MAIN OUT l U R 1 1 Rs z oo DA e 1 MAIN OUT D e gt 3 R ls d l i ot INDICATOR i SUB OUT I From PC y i 1 SUB OUT I 1 Z DA E gus our I 1 1 1 go DH een LE gus our _ PHONES LEVEL 1 pa LH PHONES 1 Console DA PHONES LEVEL 2 el Seal PHONES 2 I pa Lo Console Installing the ARX Expansion Board O Up to one optional Expansion Board ARX series sold separately can be installed in the VS 700R 8 For details on ARX expansion boards refer to the owner s m
32. Panel ioter dale tee p ER bud 15 Rear Range exe et RR D t ER GUERRE 18 VEH Ne BEE 19 Front Panel EE 19 Rear Panel ss tete eerie tene ES Dette b den 21 TOP Panel mE 23 Side PAIS tede ie e EN e reset e being 24 EELER Ta NU 25 Connections e Ee eo n EA ARSE 26 Turning the P wer OF de Rae pedem edited i Da P PRO 28 MS 700C CO ISOle o olea pa e 29 Overview of the VS 700C CONSO rennes 30 CHANNEL STRIP Section date cet 31 Channel Fad r ttt ee o e RE ia 32 Sheet EE E 32 Master Fade AREE 32 Adjusting the Touch Sensitivity of the Faders 33 Rotary Encoder noble 34 1089361 6 1 un ER m 34 Track Solo SOLO tete reete nn ere e e 35 Track Arm ARM ENEE 35 Strip Select SEL nn A 36 Contents LED Level Meter 37 LCD DiS play RC 37 551671805600 nn Ed 38 How FLIP Mode Affects the ASSIGN Button rennes 39 Rude MUTE Rude SOLO Rude ARM BUtTONS nr 40 AUTOMATION BUTTONS 41 FADER BANK BUTTONS 42 FADER VIEW Buttons TRACK BUS MAIN I O CONTROL mms 43 DAO CON I ennemies nes ete nee 44 Specifying the tracks and buses that can be controlled from the VS 700 console 45 Locking a Channel Strip nn 46
33. SUST If a one shot type Wave is selected it will not sustain even if this parameter is set to SUST Tone Rx Bender Tone Receive Pitch Bend Switch For each tone specify whether MIDI Pitch Bend messages will be received ON or not OFF Value OFF ON Tone Rx Expression Tone Receive Expression Switch For each tone specify whether MIDI Expression messages will be received ON or not OFF Value OFF ON Tone Rx Hold 1 Tone Receive Hold Switch For each tone specify whether MIDI Hold 1 messages will be received ON or not OFF Value OFF ON NOTE If NO SUS is selected for Env Mode parameter this setting will have no effect Creating a Patch Tone Rx Pan Mode Tone Receive Pan Mode a x 2 Matrix Control Settings Matrix Ctrl1 4 For each tone specify how pan messages will be received applied Tone parameter 121 Value CONT Whenever Pan messages are received the stereo ZS position of the tone will be changed Matrix Control i K ON The pan of the tone will be changed only when Ordinarily if you wanted to change tone parameters 2 the next note is played If a pan message is using an external MIDI device you would need to send received while a note is sounding the panning System Exclusive messages MIDI messages designed will not change until the next key is pressed exclusively for the Fantom VS However System Exclusive messages tend to be complicated and the
34. Starts a new portamento when another key is Portamento pressed while the pitch is changing Portamento is an effect which smoothly changes the pitch from the first played key to the next played key Pitch By applying portamento when the Mono Poly parameter is MONO you can simulate slide performance techniques on a violin or similar instrument Portamento Mode Time Specifies the performance conditions for which portamento Rt KEY press C5 key will be applied press C4 key Value NORMAL Portamento will always be applied NOTE Portamento will begin anew from the pitch where the current change would end LEGATO Portamento will be applied only when you play legato i e when you press the next key before Pitch releasing the previous key Portamento Type Specifies the type of portamento effect Value SMS al RATE The time it takes will depend on the distance Time between the two pitches press D4 key TIME The time it takes will be constant regardless of how far apart in pitch the notes are press C5 key press C4 key Portamento Time When portamento is used this specifies the time over which the pitch will change Higher settings will cause the pitch change to the next note to take more time Value 0 127 100 Creating a Patch Changing How a Tone Is Sounded TMT You can use the force with which keys are played PME 9 messages to control the way each Tone is pla
35. To Revert a Rotary Encoder to Its Previous Value Hold the COMMAND modifier button and press turn a rotary encoder The top row on the LCD display shows Revert After 1 2 second the parameter reverts to its previous value and the LCD display reverts to its previous display mode Track Mute 34 Use the MUTE button to mute unmute the assigned track or bus When the channel is muted the MUTE button is lit When one or more channels are muted the Rude MUTE button is lit as a convenient reminder You can press the Rude MUTE button to quickly unmute all channels For more information about Rude Mute refer to Rude MUTE Rude SOLO Rude ARM Buttons p 40 The modifier buttons p 67 can be used to extend the functions as follows FADER VIEW mode MUTE SHIFT MUTE ALT MUTE Automated mute TRACK Mute unmute Toggle input monitoring when Automation Write is enabled BUS Mute unmute Reserved Reserved MAIN Mute unmute Reserved Reserved CHANNEL STRIP Section Track Solo SOLO Use the SOLO button to solo unsolo the assigned track or bus When the channel is soloed the SOLO button is lit 9 When one or more channels are soloed the Rude SOLO button is lit as a convenient reminder You can press the 5 Rude SOLO button to quickly unsolo all channels For more information about Rude SOLO refer to Rude MUTE D Rude SOLO Rude ARM Buttons p 40 The modifier butto
36. V Sens o TVF Envelope Time 1 Velocity Sensitivity This allows keyboard dynamics to affect the Time 1 of the TVF envelope If you want Time 1 to be speeded up for strongly played notes set this parameter to a positive 4 value If you want it to be slowed down set this to a negative value Value 63 63 Tl o 5 3 lt a xipueddy 111 Creating a Patch F Env T4 V Sens TVF Envelope Time 4 Velocity Sensitivity F Env Time 1 4 TVF Envelope Time 1 4 x Specify the TVF envelope times Time 1 Time 4 Higher The parameter to use when you want key release speed to control the Time 4 value of the TVF envelope If you want Time 4 to be speeded up for quickly released notes set this settings will lengthen the time until the next cutoff frequency level is reached For example Time 2 is the time over which Level 1 will change to Level 2 parameter to a positive 4 value If you want it to be slowed Value 0 127 down set this to a negative value Value 63 463 adve E F Env Time KF TVF Envelope Time Keyfollow Frequency 10 i L Use this setting if you want the TVA envelope times Time 2 Cutoff l Time 4 to be affected by the keyboard location Based on the Lu L2 13 px p me TVF envelope times for the C4 key center C positive Note on Note off settings will cause notes higher than C4 to have increasingly shorter times and negative settings will cause them to T T
37. VIDEO CTRL button SONAR s video functionality will not be controlled in VIDEO CTRL mode Only the EDIROL video editing system is supported 168 About V LINK 2 What is V LINK m e e o ee 9 0 ee O O ee ee 0 0 0 09 0 ee O 0 ee ee O O O O O O ee 0 0 s V LINK AY 9 AV A is a function that allows music and images to be performed together By using MIDI to connect two or more V LINK compatible devices you can easily enjoy performing a wide range of visual effects that are linked to the expressive elements of a music performance For example if you use the VS 700 in conjunction with the EDIROL P 10 you ll be able to do the following Using the various controllers of the VS 700C console you can control the EDIROL P 10 and perform image switching o In SONAR you ll be able to record and play back V LINK data 8 In order to use V LINK between the VS 700 and the EDIROL P 10 you ll need to make connections using a MIDI cable sold separately a Connection Examples lt 60606060000000000000000000000000000000000000000000000000000000000000909 5 As an example we will use a setup in which the VS 700 is connected to the EDIROL P 10 Use a MIDI cable to connect 8 the VS 700R s MIDI OUT connector to the MIDI IN connector of the EDIROL P 10 A 3 To prevent malfunction or speaker dama
38. When you lock a channel strip the channel strip remains assigned to a particular track or bus in SONAR even if you re order the track bus in SONAR switch banks with the FADER BANK buttons or switch views with the FADER VIEW buttons To Lock Unlock a Channel Strip 46 Press SHIFT SEL buttons to lock the channel strip To unlock the channel strip press SHIFT SEL buttons again To temporarily disable all strip locking globally without losing the lock assignments press COMMAND SEL buttons Press COMMANDI SEL again to re lock the same channel strips When a channel strip is locked Anasterisk is displayed at the end of the track or bus name on the LCD display The WAI Where Am display in SONAR shows a rectangle around the locked track or bus refer to Locked Strip WAI Indication p 47 If a track or bus that is locked is deleted from the SONAR project the physical channel strip will automatically be unlocked CHANNEL STRIP Section Locked Strip WAI Indication SONAR s Track view and Console view show a color coded WAI short for Where Am I display to indicate which tracks 9 and buses are currently being controlled by a control surface S With strip locking you can effectively create multiple WAI regions In the main WAI range eight consecutive tracks or buses locked strips are shown grayed out Individually locked strips are shown with an orange rectangle around them In the followin
39. da je treba proizvod v dr avah EU zbirati lo eno od gospodinjskih odpadkov tako kot je dolo eno v vsaki regiji Proizvoda s tem znakom ni dovoljeno odlagati skupaj z gospodinjskimi odpadki To o ufoXo avt vro nA vet w otis x osc THS E E vo ovyxexoui vo TOOLOV TOETEL VA OVAAEYETAL XHOLOT OTO TA vzt J owta oax anrogoiuuata o6ubpova ue Soa TEOPAEMOVTAL oe x40 TEQLOYXT Ta 0014 MOV p QOUv TO ovyaexoui vo GULBOAO Sev T TEL VA ATOQQ TTOVTAL A I HE TA ATOQQ ULATA For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name VS 700C VS 700R Type of Equipment USB Audio Interface and Controller Responsible Party Cakewalk Inc Address 268 Summer Street Boston MA 02210 USA Telephone 617 423 9004 For EU Countries This product complies with the requirements of EMCD 2004 108 EC and LVD 2006 95 EC For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interf
40. e 10 20 30 40 50 60 70 80 90 100 Modifying the Brightness of a Sound with a Filter TVF TVF Env Time 9 m i Patch TVF mi Filter Type Selects the type of filter A filter cuts or boosts a specific A frequency region to change a sound s brightness thickness 9 or other qualities 5 ci 2 G C4 cs C6 C7 Key Value 2 et CHR RR MUR OFF Nofiteris used LPF Low Pass Filter This reduces the volume of all 72 frequencies above the cutoff frequency Cutoff P Env Time 1 4 Pitch Envelope Time 1 4 Freq in order to round off or un brighten the lt Specify the pitch envelope times Time 1 Time 4 Higher sound This is the most common filter used in 4 A s e eege synthesizers settings will result in a longer time until the next pitch is 8 reached For example Time 2 is the time over which the BPF ea Pass ei only the cur 2 in the region of the cutoff frequency Cuto tch ch from Level 1 to Level 2 pitch changes from Level 1 to Level2 Freq and cuts the rest This can be useful when 9 Value 0 127 creating distinctive sounds 6 7 7 7 HPF High Pass Filter This cuts the frequencies in the n 4 region below the cutoff frequency Cutoff Freq This is suitable for creating percussive sounds emphasizing their higher tones S PKG Peaking Filter This emphasizes the frequencies in M A e the region of the cutoff frequency Cutoff Freq m ECH You can use this to create wah wah ef
41. in a range of 0 127 Adjust this setting so that the touch sensitivity monitor indication in the LCD display changes from 3 OFF to ON when you touch each fader Increase the value if the indication fails to turn ON when 8 you touch a fader decrease the value if the indication turns ON when you merely bring your finger 3 lt near the fader cA The Fader Touch Sensitivity setting is common to all faders When you ve finished making settings hold down the SHIFT button and CTRL button and press the MUTE button of the audio output section bi You ll exit sensitivity adjustment mode and return to the previous screen 5 x 33 CHANNEL STRIP Section Rotary Encoder Knob The rotary encoders work in conjunction with the ASSIGN button to allow tactile control over various track bus and main parameters All eight rotary encoders always control the same parameter type across different tracks buses The rotary encoders control pan by default but can be configured to control other channel parameters by pressing the ASSIGN button For details on the ASSIGN button refer to ASSIGN Button p 38 You can push on the top of the rotary encoder to reset the parameter to its default and or unity setting C for pan and 0 dB for gains When FLIP mode is enabled the functions of the rotary encoders and faders are swapped allowing you to use the faders for more detailed control of the currently assigned encoder function
42. is Fade Time Thetim over which th LFO amplitude wil E 63 each 1 unit of the step data corresponds to a pitch of reach the minimum after the Delay Time has E 50 cents elapsed Value 36 36 gt 5 5 x 119 Creating a Patch Apply the LFO gradually after the key is released Dela high more uid __ Fade Time Pitch Cutoff Frequency i i Depth Level 1 Pan A Note Note on off low less Fade Mode OFF IN Delay Time The time from when the keyboard is released until the LFO begins to be applied Fade Time The time over which the LFO amplitude will reach the maximum after the Delay Time has elapsed Apply the LFO from when the key is pressed until it is released and gradually begin to decrease the effect when the key is released Delay Time Fade Time high more Pitch Cutoff Frequency Level Pan low less Note on Note off Fade Mode OFF OUT The time that the LFO will continue after the keyboard is released Delay Time Fade Time The time over which the LFO amplitude will reach the minimum after the Delay Time has elapsed 120 Controller related settings CTRL Patch Ctrl Tone Env Mode Tone Envelope Mode When a loop waveform is selected the sound will normally continue as long as the key is pressed If you want the sound to decay naturally even if the key remains pressed set this to NO SUS Value NO SUS
43. is requested to play more than 128 voices simultaneously currently sounding notes will be turned off to make room for newly requested notes The note with the lowest priority will be turned off first The order of priority is determined by the Patch Priority setting p 97 Patch Priority can be set either to LAST or LOUDEST When LAST is selected a newly requested note that exceeds the 128 voice limit will cause the first played of the currently sounding notes to be turned off When LOUDEST is selected the quietest of the currently sounding notes will be turned off Usually LAST is selected 0 Tl o 5 3 lt a xipueddy 93 Overview of the Fantom VS Note Priority in Performance Since Performance is usually used to play an ensemble consisting of several patches it is important to decide which parts take priority Priority is specified by the Voice Reserve settings p 140 When a note within a patch needs to be turned off to make room for a new note the Patch Priority setting of the patch will apply p 97 Voice Reserve The Fantom VS has a Voice Reserve function that lets you reserve a minimum number of notes that will always be available for each part For example if Voice Reserve is set to 10 for part 16 part 16 will always have 10 notes of sound producing capacity available to it even if a total of more than 128 notes total for all parts are being requested When you make
44. keyboard Same function as the ESC key on a keyboard CANCEL In EDIT mode drop the nudged Reserved Reserved clips JOG SHUTTLE CURSOR Section o The VS 700C Console jog shuttle is a combo wheel with cursor buttons which lets you perform edit zoom scroll and select operations The Jog and Shuttle wheels can be turned both clockwise and counterclockwise A Cursor buttons B SCROLL ZOOM button blinks in Zoom mode C SELECT button Select mode D EDIT button Edit mode o E Jog wheel A F Shuttle wheel A o By default the Jog Shuttle wheel controls the a transport but the control assignments can be changed depending on which Jog Shuttle mode is enabled The modes are as follows S M 7 S a Mode Explanation n Lets you use the Jog Shuttle wheel to navigate the Now time in SONAR For D Transport mode default more information refer to Transport Mode Default p 58 o Scroll mode Lets you use the Jog Shuttle wheel to scroll SONAR s Track view For more information refer to Scroll Mode p 59 Lets you use the Jog Shuttle wheel to zoom SONAR s Track view For more lt Zoom mode 2 D 2 information refer to Zoom Mode p 60 4 e Select made Lets you use the Jog Shuttle wheel to select a time region or entire clips For e more information refer to Select Mode p 61 7 Lets you use the Jog Shuttle wheel and cursor butt
45. knobs The modifier buttons are not assignable et 5 uv A SHIFT button B CTRL button C ALT button D COMMAND button lt 2 N n a 5 un lt Some buttons SAVE UNDO etc have labels above and below the button The label below the button has a x white background with dark text and indicates the button s secondary function when you hold down the SHIFT modifier button ze o T 9 3 et o 5 lt 2 T mo 5 2 x 67 SURROUND Section The SURROUND section lets you control surround bus parameters on the selected channel strip B C D A Surround joystick panner Angle and Focus B LFE SEND Level knob or FR Balance when SHIFT button is pressed C VIEW button open surround panner in SONAR D V LINK button The SURROUND section contains the following controls Interface Explanation Controls the Surround Panner of the selected channel strip The joystick X Y position Surround joystick panner simultaneously controls the Angle and Focus parameters in SONAR When controlling non surround channels the X axis controls pan Adjusts value of LFE Send on the selected channel strip s surround panner To control LFE SEND FRBalance Front Rear hold down the SHIFT modifier while you adjust the LFE SEND knob VIEW Opens the Surround Panner window in SONAR V LINK Enables the V Link protocol p 169 You ca
46. master fader controls the first available bus in your project however it can be assigned to control the level of any stereo or surround bus in SONAR To Assign a Bus to the Master Fader Drag the WAI strip in SONAR to assign a bus to the master fader For more information about the WAI strip see the SONAR online Help 32 CHANNEL STRIP Section Adjusting the Touch Sensitivity of the Faders Depending on the conditions in which you use the VS 700 the touch sensitivity of the faders may not work as you expect or the motor may operate incorrectly when you re operating the fader If this occurs 2 adjust the touch sensitivity as follows Close SONAR D 3 While holding down the SHIFT button and CTRL button press the MUTE button of the audio output section o The current sensitivity setting will be shown in the LCD display and you ll be in sensitivity adjustment mode Fader Touch Sensitivity 100 Rotate JOG to adjust sensitivity OFF OFF OFF OFF OFF OFF OFF OFF OFF lt e N e n a 5 un Fader Touch Sensitivity 0 127 Higher values will increase the touch sensitivity lower values will make it less responsive At a a setting of 0 touch sensitivity will be disabled a Touch sensitivity monitor This will indicate ON if touch sensitivity activates when you touch the fader and will return to 6 OFF when you remove your finger Turn the jog wheel to adjust Fader Touch Sensitivity
47. more plug ins If the item is a submenu of more plug ins the item has a gt character appended to the name and the items in the submenu are shown on the next encoder to the right 4 Pressthe encoder button to insert a plug in The selected plug in is inserted in the position indicated by the flashing ARM button and the LCD displays revert to showing the existing track info on the selected channel strip You can undo and redo any inserted plug in To undo press the UNDO button To redo press SHIFT UNDO buttons 74 Controlling Plug ins from the VS 700C Console To Delete a Plug in 1 Make sure Plug in mode is enabled refer to To Enable Plug in Mode p 74 9 2 Pressthe SOLO button on the channel strip that corresponds to the plug in you wish to delete 2 You can undo and redo any deleted plug in To undo press the UNDO button To redo press SHIFT UNDO buttons 60 5 To Bypass a Plug in 5 E o 1 Make sure Plug in mode is enabled refer to To Enable Plug in Mode p 74 m 2 Pressthe MUTE button on the channel strip that corresponds to the plug in you wish to bypass For each pair of plug ins top and bottom row on the LCD displays the left channel strip corresponds to the top plug in and the right channel strip corresponds to the bottom plug in lt i N e o n al 5 KA 9 SA wojue 0 xipueddy 75 Controlling Plug ins from the VS 700C Console To Control Plug i
48. not operate correctly unless the driver is installed in your computer Connecting the Power Cord 0 0 0 006 006 0000000000000000000000000000000000000000000000000000000000909 Connect the power cord VS 700C Rear Panel cakewalk O to Power Outlet Roland to Power Outlet 26 Connections Connecting Your Computer and Sound Reinforcement Equipment 0 09000000000000000000000000000000000000000000000000000000000000009909 Usethe included dedicated cable to connect the VS 700R and VS 700C Use a USB cable to connect the VS 700R to your computer 2 Connect your headphones speakers or other device to the VS 700 This package does not include sound reinforcement equipment such as headphones or speakers 2 Monitor sub Monitor main amplified speakers amplified speakers USB cable included 3 A 5 5 A z 2 wv Dedicated connection cable included 9 osuo 500Z SA 0 SA 0 3 VS 700C i i Stereo Stereo Headphones 1 Headphones 2 The VS 700 may not be recognized correctly if you re using a USB hub In this case connect it directly to a USB port on your computer xipueddy To prevent malfunction and or damage to speakers or other devices always turn down the volume and turn off the power on all
49. out Horizontally 2 a n Scroll Free Edi Zoom Free Edit Fly over to right Right cursor Cursor to the right Cursor in 6 Reserved horizontally lt K M e 6 7 o SA ul03UEJ xipueddy 59 JOG SHUTTLE CURSOR Section Zoom Mode Zoom mode lets you use the Jog Shuttle wheel to zoom SONAR s Track view To Enable Zooming with the Jog Shuttle Wheel Press SHIFT SCROLL ZOOM buttons The SCROLL ZOOM button blinks when Zoom mode is enabled Zoom Flyover mode In ZOOM Flyover mode you can scroll and zoom simultaneously to the screen center independent of the Now Time or the Free Edit cursor The modifier buttons p 67 can be used to extend the functions as follows Button Default function SHIFT CTRL SHIFT COMMAND Zoom in out g 2 e s Jog Shuttle Scroll horizontally Zoom in out vertically Fly over horizontally horizontally Up cursor Zoomiin vertically Scroll up Reserved Fly over up vertically Down cursor Zoom out vertically Scroll down Reserved Fly over down vertically Left cursor Zoom out horizontally Scroll left Reserved Fly over to left Horizontally Right cursor Zoom in horizontally Scroll right Reserved Fly over to right horizontally You can also control the following zoom functions ZoomUndo Hold down the COMMAND modifier button and push the UNDO button ZoomRedo Hold down the SHIFT and COMMAND modifier buttons and push the UNDO
50. p 28 Panel Descriptions VS 700R I O Front Panel SONAR V STUDIO I O VS 700R USB Indicator This will light when the console is connected via USB to your computer gt If the USB indicator of the VS 700R 1 0 unit isn t lit p 28 CONSOLE Indicator This will light when the VS 700C console is connected via the dedicated cable and has been detected If the cable is connected but the console has not been detected this will blink gt If the 1 0 indicator of the VS 700C console or the CONSOLE indicator of the VS 700R I O unit is blinking p 28 MIDI IN Indicator This will light when MIDI messages are received at the MIDI IN connector MIDI OUT Indicator This will light when MIDI messages are transmitted from the MIDI OUT connector DIGITAL IN Indicators These will light when audio signals are input to DIGITAL IN 1 or 2 DIGITAL OUT Indicators These will light when audio signals are output from DIGITAL OUT 1 or 2 19 60 o 2 5 n E o 5 n SA 3 0 81065000 0 xipueddy Panel Descriptions E SAMPLE RATE Knob This specifies the sample rate In order for this setting to be reflected by the system you must cycle the power to the VS 700R If you need to synchronize with another digital device you must first set this knob to the same sample rate as the master device 2 Switching the Sampling Rate p 80 F SYNCIndicator This indicates the audio clock status Audio Cloc
51. playback speed 9 3 8 To exit Scrub Play mode 3 lt Press the C button 2 T me 5 2 L 63 ACCESS PANEL Section Assignable Buttons The ACCESS PANEL section provides 16 assignable buttons that you can configure to control different functions in SONAR There are also 4 modifier buttons that are used to extend the functionality of other VS 700 hardware controls The modifier buttons are not assignable ACCESS PANEL SYNTH RACK AUDIOSNAP r r CONSOLE PIANO ROLL TRANSPORT FREEZE UTILITY DELETE ge COMMAND A VIEW buttons assignable B UTILITY buttons assignable C Modifier buttons Each assignable button is named according to their default function By default the buttons are assigned as follows 64 ACCESS PANEL Section Assignable Buttons Button Default function CTRL CTRL ALT ALT COMMAND TRACK Give focus to Track View Insert Audio Insert MIDI Reserved Reserved track track CONSOLE Open Console view Reserved Reserved Reserved Reserved Set ACT Open a synth context to that SYNTH Open Synth Rack view and current synth corresponds RACK switch ACT context to synths Reserved Reserved without to the opening selected SEL Synth Rack track PIANO ROLL Open Piano Roll view Reserved Reserved Reserved Reserved MARKERS Open Marker view Reserved Reserved Reserved Reserved TRANSPORT O
52. provide supervision until the child is capable of following all the rules essential for the safe operation of the unit Always grasp only the plug on the power supply cord rH Mc duc i aon on UU Gi Protect the unit from strong impact this unit Do not drop it S Atregular intervals you should unplug the power plug and clean it by using a dry cloth to wipe all dust cr Do not force the unit s power supply cord to share an and other accumulations away from its prongs Also outlet with an unreasonable number of other devices disconnect the power plug from the power outlet Be especially careful when using extension cords the whenever the unit is to remain unused for an total power used by all devices you have connected to extended period of time Any accumulation of dust the extension cord s outlet must never exceed the between the power plug and the power outlet can power rating watts amperes for the extension cord result in poor insulation and lead to fire Excessive loads can cause the insulation on the cord to GEERT EE E EE Try to prevent cords and cables from becoming entangled Also all cords and cables should be placed A Before using the unit in a foreign country consult with so they are out of the reach of children your retailer the nearest Roland Service Center or an i ho 223 2 0 en bot aslisted on thes ANS E Information separate leaflet Never climb on top of
53. s level when a note that s higher than its specified keyboard range is played Higher settings produce a more gradual change in volume If you don t want the Tone to sound at all when a note above the keyboard range is played set this parameter to 0 Value 0 127 Receive Channel Part Receive Channel Specifies the MIDI receive channel for each part Value 1 16 Voice Reserve This setting specifies the number of voices that will be reserved for each part when more than 128 voices are played simultaneously Value 0 63 FUL pri It is not possible for the settings of all parts to total an amount greater than 64 The remaining number of available voices will be displayed at rest Pay attention to this readout as you make Voice Reserve settings Calculating the Number of Voices Being Used The Fantom VS is able to play up to 128 notes simultaneously The polyphony or the number of voices sounds does not refer only to the number of sounds actually being played but changes according to the number of tones used in the patches and the number of Waves used in the tones The following method is used to calculate the number of sounds used for one patch being played Number of Sounds Being Played x Number of Tones Used by Patches Being Played x Number of Waves Used in the Tones Creating a Performance Part Velocity Sensitivity Offset S This changes the volume and cutoff frequency for each part Sca le Tu ne setti n g S
54. set is assigned xipueddy 139 Creating a Performance Key Fade Lower Part Keyboard Fade Width Lower Determines what will happen to the Part s level when a note that s lower than its specified keyboard range is played Higher settings produce a more gradual change in volume If you don t want the Tone to sound at all when a note below the keyboard range is played set this parameter to 0 Value 0 127 Level Key Fade Lower Key Fade Upper Key Range Lower Key Range Upper Key Range Lower Part Keyboard Range Lower Specifies the lowest note that the tone will sound for each part Value C 1 UPPER Key Range Upper Part Keyboard Range Upper Specifies the highest note that the tone will sound for each part Value LOWER G9 prid When the Key Range p 103 is set for each individual tone in a patch sounds are produced in the range where the Key Range of each tone and the Key Range for the part overlap Key range specified for Performance r 1 WA Malls Key range specified for Patch The range in which notes will play NOTE If you attempt to raise the lower key higher than the upper key or to lower the upper key below the lower key the other value will be automatically modified to the same setting 140 Key Fade Upper Part Keyboard Fade Width Upper This determines what will happen to the Part
55. the Pitch envelope If you want Time 1 to be speeded up for strongly played notes set this parameter to a positive value If you want it to be slowed down set this to a negative value Value 63 63 P Env T4 V Sens Pitch Envelope Time 4 Velocity Sensitivity Use this parameter when you want key release speed to affect the Time 4 value of the pitch envelope If you want Time 4 to be speeded up for quickly released notes set this parameter to a positive 4 value If you want it to be slowed down set this to a negative value Value 63 63 P Env Time 1 4 Pitch Envelope Time 1 4 Specify the pitch envelope times Time 1 Time 4 Higher settings will result in a longer time until the next pitch is reached For example Time 2 is the time over which the pitch changes from Level 1 to Level 2 Value 0 127 130 P Env Level 0 4 Pitch Envelope Level 0 4 Specify the pitch envelope levels Level 0 Level 4 It determines how much the pitch changes from the reference pitch the value set with Coarse Tune or Fine Tune on the Pitch screen at each point Positive settings will cause the pitch to be higher than the standard pitch and negative settings will cause it to be lower Value 63 63 4 T1 T2 T3 T4 T Pitch e Time L1 Note on Note off bel L2 L4 T Time L Level Creating a Rhythm Set Cutoff Frequency Selects the frequency at which the filter begins to have an effect on the wav
56. the ADAT connector 1 A maximum of eight channels can be input e A 0 o 5 GL lt M e 5 D e T 9 3 et o 5 lt When connection cables with resistors are used the volume level of equipment connected to the inputs E INPUT 1 8 jacks AUX IN Jack may be low If this happens use connection cables that do not contain resistors He 5 2 L 79 Switching the Sampling Rate Use the front panel SAMPLE RATE knob to select the sampling rate To make the system reflect the new setting you ll need to cycle the power to the system If you need to synchronize the VS 700 to another digital device you must first set this knob to the same sampling rate as the master device 1 Close the software you re using 2 Switch off the power to the VS 700R 1 0 and the VS 700C console 3 Set the VS 700R I O s SAMPLE RATE knob to the desired sampling rate 4 Power up the VS 700C console 5 Power up the VS 700R I O 6 Wait for the USB indicator to light 7 Switch the sampling rate in your software Setting SONAR s Sampling Rate p 81 The number of channels that can be used will depend on the sampling rate 44 1 48 kHz 88 2 96 kHz 192 kHz Input 1 8 8 8 4 Digital 1 In 2 2 0 Digital 2 In 8 4 0 AUX 1 1 1 Total input channels 19 15 5 Main Out 2 2 2 Sub Out 2 2 2 Output 1 10 10 10 6 Digital 1 Out 2 2 0 Digital 2 Out 8 4 0 Total output channe
57. the tempo that specifies the elapsed time until the tone is sounded Patch Tempo is synchronized with the tempo set in an external MIDI sequencer Example For a tempo of 120 120 quarter notes occur in 1 minute 60 seconds Setting Delay time d half note 1 second 60 60 1 second 4 quarter note 0 5 seconds 60 120 0 5 seconds J eighth note 0 25 seconds 60 240 0 25 seconds Creating a Patch Tone Coarse Tune x Adjusts the pitch of the tone s sound up or down in semitone steps 4 octaves Value 48 48 Tone Fine Tune x Adjusts the pitch of the tone s sound up or down in 1 cent steps 50 cents Value 50 50 One cent is 1 100th of a semitone Random Pitch Depth This specifies the width of random pitch deviation that will occur each time a key is pressed If you do not want the pitch to change randomly set this to 0 These values are in units of cents 1 100th of a semitone 0 1 2 3 4 5 6 7 8 9 10 20 30 40 50 60 70 80 90 100 200 300 400 500 600 700 800 900 1000 1100 1200 Value 107 O 5 1330 00 8 8165000 500Z SA 0 Tl o 5 3 lt vi xipueddy Creating a Patch Pitch Keyfollow Patch Pitch Env This specifies the amount of pitch change that will occur Patch Pitch Envelope when you play a key one octave higher i e 12 keys upward on the keyboard If you want the
58. three multi effects MFX1 MFX2 MFX3 one chorus and one reverb For each of the three multi effects the chorus and the reverb you can specify whether it will operate according to the effect settings of the performance or according to the effect settings of the patch or rhythm set assigned to the part you specify The three multi effects can be used independently or you can connect two or three of them in series For details on parameters 1 17 refer to Functions of Effect Parameters p 146 Signal Flow Diagram Routing MFX Output PEAY Part 16 go l4 MFX O Part 3 i j Part 2 Jo Far patch D go o MFX2 10 Zy A JO Patch AO 0 Rhythm _ Gy o NE ER i 1 9 e MFX3 Chorus Chorus Output D 680 d o S Reverb L R OUTPUT 145 0 81050030 0 suon euuo 8 SAwojue4 xipueddy Adding Effects Functions of Effect Parameters Part Output Here you can make output settings for the Performance These parameters are the same as the corresponding Performance settings For details refer to Output Level Part Output Level p 137 Q Part Output Level Set the level of the signal that is sent to the output destination specified by Part Output Assign Oo Valu
59. to amm set the loop end point Select clip Sets the Punch or Loop region oe SET to match the selected time Reserved aes Reserved Fit to Project maintain range previous selection Go to previous marker Press and hold LEFT FLAG RIGHT Reserved Reserved Reserved Reserved FLAG to clear the selection Go to next marker Press and hold LEFT FLAG RIGHT FLAG Reserved Reserved Reserved Reserved to clear the selection Enable disable Track view Open Snap to SNAP Snap to Grid Reserved Reserved Reserved Grid dialog Insert marker at current Now Time markers can be dropped View markerson The cp Open Markers MARKER during playback and when display see Marker mode LCD Reserved Reserved View in SONAR the transport is stopped display 71 O 8 Suon oeuuo lt N e A al 5 KA 9 SA 3 0 xipueddy RECORD EDIT Section To Specify the Punch Region Select transport mode p 58 Hold down the SHIFT button and press the PUNCH button The PUNCH and buttons will blink Use the jog shuttle and cursor to move to the punch in point Press the Y button The PUNCH and 3 1 buttons will blink Use the jog shuttle and cursor to move to the punch out point Press the PUNCH button To Punch Record To Loop 72 Press the PUNCH button The PUNCH button will light Press the ARM button for the track that you want to pu
60. to items that must never be carried out are forbidden The specific thing that must not be done is indicated by the design contained within the circle In the case of the symbol at left it means that the unit must never be disassembled The symbol alerts the user to things that must be carried out The specific thing that must be done is indicated by the design contained within the circle In the case of the symbol at left it means that the power cord plug must be unplugged from the outlet EE ALWAYS OBSERVE THE FOLLOWING Connect mains plug of this model to a mains socket outlet with a protective earthing connection Do not attempt to repair the unit or replace parts within it except when this manual provides specific instructions directing you to do so Refer all servicing to your retailer the nearest Roland Service Center or an authorized Roland distributor as listed on the Information separate leaflet Never install the unit in any of the following locations Subject to temperature extremes e g direct sunlight in an enclosed vehicle near a heating duct on top of heat generating equipment or are Damp e g baths washrooms on wet floors or are Exposed to steam or smoke or are Subject to salt exposure or are Humid orare Exposed to rain or are Dusty or sandy or are Subject to high levels of vibration and shakiness and sure to remain st
61. tone is already set to 127 maximum positive settings here will not produce any change Attack Time Offset Attack Time Offset alters the attack time of the overall patch while preserving the relative differences between the attack time values set for each tone in the A Env Time 1 parameters p 115 F Env Time 1 parameters p 112 Range 63 63 Attack Time The time it takes for a sound to reach maximum volume after the key is pressed and sound begun NOTE This value is added to the attack time value of a tone so if the attack time value of any tone is already set to 127 maximum positive settings here will not produce any change Release Time Offset Release Time Offset alters the release time of the overall patch while preserving the relative differences between the release time values set for each tone in the A Env Time 4 parameters p 115 F Env Time 4 parameters p 112 Range 63 63 Release Time The time from when you take your finger off the key until the sound disappears This value is added to the release time value of a tone so if the release time value of any tone is already set to 127 maximum positive settings here will not produce any change Velocity Sens Offset Velocity Sensitivity Offset Velocity Sensitivity Offset alters the Velocity Sensitivity of the overall patch while preserving the relative differences between the Velocity Sensiti
62. two filters Since the ring modulated sound can be mixed with tone 2 4 tone 1 3 TVA can adjust the amount of the ring modulated sound xipueddy 101 NI dl This type applies a filter to tone 1 3 and ring modulates it with tone 2 4 to create new overtones TONE 1 3 N R 4 A TONE 2 4 SR This type sends the filtered tone 1 3 and tone 2 4 through a ring modulator and then mixes in the sound of tone 2 4 and applies a filter to the result 2 GZ This type passes the filtered sound of each tone through a ring modulator to create new overtones The tone 1 3 TVA will control the volume balance of the two tones adjusting the depth of ring modulator SR __ This type passes the filtered sound of each tone through a ring modulator to create new overtones and also mixes in the sound of tone 2 4 Since the ring modulated sound can be mixed with tone 2 4 tone 1 3 TVA can adjust the amount of the ring modulated sound 102 Creating a Patch When TYPE 2 10 is selected and one tone of a pair is turned off the other tone will be sounded as TYPE 1 regardless of the displayed setting If you limit the keyboard area in which a tone will sound Keyboard Range p 103 or limit the range of velocities for which it will sound Velocity Range p 104 the result in areas or ranges where the tone does not sound is just as if the tone had been turned off This means that if TYPE 2 1
63. x 348 4 D x 87 3 H mm 17 1 8 W x 13 3 4 D x 3 7 16 H inches VS 700C Console 10 2 kg 22 lbs 8 oz Weight VS 700R 1 0 5 3 kg 11 lbs 11 oz Power Cord x 2 USB Cable Dedicated Connection Cable VS 700R Rackmount Brackets x 2 Getting Started VS 700 Owner s Manual Accessories SONAR 8 User s Guide Shortcuts and Quick Keys Guide SONAR 8 DVD ROM Beatscape DVD ROM Dimension Pro DVD ROM SONAR 8 additional content DVD ROM SONAR V STUDIO 700 CD ROM Options Pedal Switch Roland DP 2 OdBu 0 775Vrms nthe interest of product improvement the specifications and or appearance of this unit are subject to change without prior notice 174 Index For the index of Fantom VS refer to Index Fantom VS p 179 ARX Expansion Board 5 ASSIGN BURTON eere nn EE Attack TIME tege Audio Clock Source nr AUDIO OUTPUT Section mme 70 AUTOMATION Buttons mme 41 AUDCIN Jack sise 17 Block Diagram use et ENS BUS iieri eei dee C CANCEL orco ete OU Channel Fadet seggt Channel Strip ict rei aa CHANNEL STRIP CONTROL Section COMMAND esa Compact 85 E OPO BOES ER CONSOLE dites trae oet ind 65 Console View rennes 45 CONTROL MOdE e eege 69 Cooling Fan CTRL O Cursor buttons CUT en rr e eire e es RE D DELETE rss nn nent DIGITAL 1 AES EBU IN Connector DIGITAL 1 AES EBU OUT Connector nn 22 DIGITAL 1 C
64. 0 is selected and you create a keyboard area or velocity range in which one tone of a pair does not sound notes played in that area or range will be sounded by the other tone as TYPE 1 regardless of the displayed setting Booster 1 amp 2 3 amp 4 Booster Gain When a Structure Type of TYPE 3 or TYPE 4 is selected you can adjust the depth of the booster The booster increases the input signal in order to distort the sound This creates the distortion effect frequently used with electric guitars Higher settings will produce more distortion Value 0 6 412 18 Creating a Patch Booster Ring Modulator The Booster is used to distort the incoming signal A ring modulator multiplies the waveforms of two tones Q with each other generating many new overtones in 5 Booster level harmonic partials which were not present in either mi waveform Unless one of the waveforms is a sine wave evenly spaced frequency components will not usually be generated As the pitch difference between the two waveforms changes the harmonic structure the result will be an o 5 7 5 5 5 In addition to using this to create distortion you can use unpitched metallic sound This function is suitable for 3 the waveform WG1 of one of the tones as an LFO creating metallic sounds such as bells a which shifts the other waveform WG2 upward or o ug 5 downward to create modulation similar to PWM pulse 7 width modulation This parameter works best wh
65. 1 4 Source Matrix Control Source 1 4 Patch Mtrx Control 1 4 Source Patch Matrix Control 1 4 Sets the MIDI message used to change the tone parameter with the Matrix Control Value OFF Matrix control will not be used CC01 31 33 95 Controller numbers 1 31 33 95 PITCH BEND Pitch Bend AFTERTOUCH Aftertouch SYS CTRL1 SYS CTRL4 MIDI messages used as common matrix controls VELOCITY Velocity pressure you press a key with KEYFOLLOW Keyfollow keyboard position with C4 as 0 TEMPO The tempo of an external MIDI sequencer LFO1 LFO 1 LFO2 LFO 2 PITCH ENV Pitch envelope TVF ENV TVF envelope TVA ENV TVA envelope Ifyou want to use common controllers for the entire Fantom VS select SYS CTRL1 SYS CTRLA MIDI messages used as System Control 1 4 are set with the System Ctrl 1 4 Source parameters p 152 There are parameters that determine whether or not Pitch Bend Controller Number 11 Expression and Controller Number 64 Hold 1 are received p 120 When these settings are ON and the MIDI messages are received then when any change is made in the settings of the desired parameter the Pitch Bend Expression and Hold 1 settings also change simultaneously If you want to change the targeted parameters only then set these to OFF There are parameters that let you specify whether specific MIDI messages will be received for each channel in a performance p 141 When a patch with Matrix
66. 15 Panel Descriptions C 16 Time Display The VS 700C Console displays the project s current Now time in the top right corner You can switch the display between SMPTE and Bars Beats time by pressing the TIME CODE button The default view is Bars Beats gt Time Display p 48 CHANNEL STRIP CONTROL Section The CHANNEL STRIP CONTROL section lets you control EQ and SEND parameters for the selected channel strip as well as ACT parameters for the track bus effect plug in or soft synth that has focus in SONAR There are 12 rotary encoders and 4 buttons to control EQ SEND and ACT parameters CHANNEL STRIP CONTROL Section EQ SEND and ACT p 49 ACCESS PANEL Section The ACCESS PANEL section provides 16 assignable buttons that you can configure to control different functions in SONAR There are also 4 modifier buttons that are used to extend the functionality of other VS 700 hardware controls The modifier buttons are not assignable ACCESS PANEL Section Assignable Buttons p 64 Channel Strips The Channel Strip section provides eight motorized fader strips with identical controls You use the channel strips to control up to eight tracks or buses at a time and you can easily switch between different banks of tracks or buses CHANNEL STRIP Section p 31 RECORD EDIT Section The RECORD EDIT section lets you control punch recording and looping select clips or edit regions and insert or move markers REC
67. 163 keep them in a safe place out of children s reach so there is no chance of them being swallowed accidentally Always turn the phantom power off when connecting any device other than condenser microphones that A require phantom power You risk causing damage if you mistakenly supply phantom power to dynamic microphones audio playback devices or other devices that don t require such power Be sure to check the specifications of any microphone you intend to use by referring to the manual that came with it This instrument s phantom power 48 V DC 10mA Max USING THE UNIT SAFELY O sAwojue O IH007 SA 2105003 00 SuolJauuoy xipueddy IMPORTANT NOTES Power Supply Do not connect this unit to the same electrical outlet that is being used by an electrical appliance that is controlled by an inverter such as a refrigerator washing machine microwave oven or air conditioner or that contains a motor Depending on the way in which the electrical appliance is used power supply noise may cause this unit to malfunction or may produce audible noise If it is not practical to use a separate electrical outlet connect a power supply noise filter between this unit and the electrical outlet Before connecting this unit to other devices turn off the power to all units This will help prevent malfunctions and or damage to speakers or other devices Although the LCD and LEDs are switched off when the POWER switc
68. 2 USING THE UNIT SAFELY p 3 and IMPORTANT NOTES p 6 These sections provide important information concerning the proper operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit VS 700 Owner s Manual should be read in its entirety The manual should be saved and kept on hand as a convenient reference Copyright 6 2009 ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION USING THE UNIT SAFELY INSTRUCTIONS FOR THE PREVENTION OF FIRE ELECTRIC SHOCK OR INJURY TO PERSONS About N WARNING and ZA CAUTION Notices Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly Z WARNING Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly N CAUTION Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings as well to domestic animals or pets About the Symbols The AA symbol alerts the user to important instructions or warnings The specific meaning of the symbol is determined by the design contained within the triangle In the case of the symbol at left it is used for general cautions warnings or alerts to danger The symbol alerts the user
69. AXIAL OUT connector This will output the signal of the audio driver s VS 700 OUT DIGITAL1 port DIGITAL 1 AES EBU IN Connector This is an AES EBU format two channel stereo digital input This is switched with the COAXIAL IN S PDIF connector The input signal is output directly to the audio driver s VS 700 IN DIGITAL1 port Connections to the Digital Connectors p 79 DIGITAL 1 COAXIAL OUT Connector This is an S PDIF format two channel stereo digital output The same signal is also output to the AES EBU connector This will output the signal of the audio driver s VS 700 OUT DIGITAL1 port DIGITAL 1 COAXIAL IN Connector This is an S PDIF format two channel stereo digital input This is switched with the AES EBU connector The input signal is output directly to the audio driver s VS 700 IN DIGITAL1 port Connections to the Digital Connectors p 79 G WORDCLOCK IN Connector This is a WORDCLOCK input connector For details on checking and selecting the clock source refer to Audio Clock Source p 82 WORDCLOCK OUT Connector This is a WORDCLOCK output connector It outputs a clock at all times H OUTPUT 1 10 Jacks These are ten channels of audio output connectors They allow a broad range of connections such as for multi output in a surround system or as sends for outboard effects These are balanced outputs They output the signals of the audio driver s 1 2 VS 700 VS 700 OUT 9 10 ports
70. Cutoff Keyfollow Use this parameter if you want the cutoff frequency to change according to the key that is pressed Relative to the cutoff frequency at the C4 key center C positive settings will cause the cutoff frequency to rise for notes higher than C4 and negative settings will cause the cutoff frequency to fall for notes higher than C4 Larger settings will produce greater change Value 200 190 180 170 160 150 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 170 180 190 200 Cutoff frequency Octave Cutoff V Curve Cutoff Frequency Velocity Curve Selects one of the following seven curves that determine how keyboard playing dynamics velocity influence the cutoff frequency Set this to FIXED if you don t want the Cutoff frequency to be affected by the keyboard velocity Value FIXED 1 7 Liver Creating a Patch Cutoff V Sens Cutoff Velocity Sensitivity Patch TVF Env Patch TVF Envelope Use this parameter when changing the cutoff frequency to be applied as a result of changes in playing velocity If you want strongly played notes to raise the cutoff frequency set F Env Depth TVF Envelope Depth 2 this parameter to positive settings If you want strongly Specifies the depth of the TVF envelope Higher settings will i pl
71. EE 152 Ge CG 27 5161971216 ee Rr eset e SR 119 Step o 119 Stretch Tune Depth see 98 Structure Type 1 amp 2 3 amp 4 een 101 System Control System MIDI e System Parameter nee 151 System SOUNA 42e eii ee pte 151 T Temporary Area eee 94 Time Variant Amplifier 91 Time Variant Filter asian 91 unge 101 TMT Control SW rennes 105 TMT Velocity Control rennes 104 Tone Chorus Send Patch eee ete oet eee 116 Rhythim Set iniecit iisi 135 Tone Coarse Tune idi RhythtriSet eerste eet Tone Delay ette eR etie ttes Tone Delay Mode Tone Delay Time Tone Env Mode Patch e 4 10 7270 120 lgl E E 125 Tone Fine Tune Pateh 107 Rhythm Set oet enean 129 Tone Level Patel ente eeh EE Rhythm Set Tone Out Assign 0 114 Rhythm Set Tone Out Level Patch Rhythm Set Tone Pan Patch 114 Rhythm Set 133 Tone Pitch Bend Range EEN 126 Tone Random Pitch Depth EEN 129 Tone Receive Expression 126 Tone Receive Hold 1 126 Tone Receive Pan Mode 126 Tone Redamper Sw nn 121 Tone Reverb Send Patch iue tiir aai andate 116 Rhythm Set ette edes 135 Tone Rx Bender ettet 120 Tone RXEXpr ssion etre rete lei oce ire 120 Mesa 120 Tone Rx Pan Mode nn 121 CDI 91 TM us ete ti ARS 91 133 Patch Rhythm Set sepe
72. LFO to Modulate Sounds LFO1 LFO2 PCH DEPTH Changes the vibrato depth LFO1 LFO2 TVF DEPTH Changes the wah depth LFO1 LFO2 TVA DEPTH Changes the tremolo depth LFO1 LFO2 PAN DEPTH Changes the effect that the LFO will have on pan LFO1 LFO2 RATE Changes the LFO cycle rate Changes the speed of the LFO cycles The speed will not change if LFO Rate is set to note Changing the Pitch Envelope PIT ENV A TIME Changes the Env Time 1 parameter of the pitch envelope PIT ENV D TIME Changes the Env Time 2 and Env Time 3 parameters of the pitch envelope PIT ENV R TIME Changes the Env Time 4 parameter of the pitch envelope Creating a Patch Changing the TVF Envelope TVF ENV A TIME Changes the Env Time 1 parameter of the TVF envelope TVF ENV D TIME Changes the Env Time 2 and Env Time 3 parameters of the TVF envelope TVF ENV R TIME Changes the Env Time 4 parameter of the TVF envelope Changing the TVF Envelope TVA ENV A TIME Changes the Env Time 1 parameter of the TVA envelope TVA ENV D TIME Changes the Env Time 2 and Env Time 3 parameters of the TVA envelope TVA ENV R TIME Changes the Env Time 4 parameter of the TVA envelope Splitting Tones That Are Played TMT in If the Matrix Control is used to split tones set the TMT Vel Control parameter to OFF and the TMT Control Switch parameter to ON p 104 p 105 Ifthe Matrix Control is used to split tones we recommend setting the Matrix C
73. Lock Phase Lock Switch Set Phase Lock to ON when you want to suppress discrepancies in timing of parts played on the same MIDI channel prid When the Phase Lock parameter is set to ON parts on the same MIDI channel are put in a condition in which their timing is matched enabling them to be played at the same time Accordingly a certain amount of time may elapse between reception of the Note messages and playing of the sounds Turn this setting to ON only as needed Velocity Curve Type Velocity Curve selects for each MIDI channel one of the four following Velocity Curve types that best matches the touch of the connected MIDI keyboard Set this to OFF if you are using the MIDI keyboard s own velocity curve Value OFF 1 4 Creating a Performance 143 O Suon ouuo 8 8165000 500Z SA 0 Tl o 5 3 lt a xipueddy Adding Effects This section explains the procedures and settings for applying effects in each mode For details of the Fantom VS s onboard effects refer to About the Onboard Effects p 95 Turning Effects On and Off The Fantom VS s onboard effects can be turned on off as a whole Turn these settings OFF when you wish to listen to the unprocessed sound as you create a sound or when you wish to use external effects processors instead of the built in effects 144 Applying Effects Adding Effects In Performance you can use
74. MAIN OUT 0 01 96 typ NORMAL SENS min 1dB 0 3 96 typ Hi Z SENS min 1dB nternal Direct Monitor Mixer setting Stereo Link on Input channel fader Unity only one channel All sampling frequency Residual Noise Level INPUT 1 8 MAIN OUT 81 dBu typ PAD ON GAIN min 400 ohms terminated IHF A AUX INMAIN OUT 83 dBu typ PAD ON GAIN min 400 ohms terminated IHF A nternal Direct Monitor Mixer setting Stereo Link ON Input channel fader Unity only one channel All sampling frequency Equivalent Input Noise Level E I N INPUT 1 8 123 dBu typ PAD OFF GAIN max 400 ohms terminated IHF A AUX IN 120 dBu typ NORMAL SENS max 400 ohms terminated IHF A 108 dBu typ Hi Z SENS max 400 ohms terminated IHF A Output Connector MAIN OUT nternal Direct Monitor Mixer setting Stereo Link ON Input channel fader Unity only one channel All sampling frequency Dynamic Range AD block INPUT 1 8 104 dB typ PAD ON GAIN min AUX IN 106 dB typ NORMAL Hi Z SENS min DA block MAIN OUT SUB OUT OUTPUT 1 10 108 dB typ All sampling frequency Crosstalke 1 kHz INPUT 1 8 MAIN OUT 98 dB typ PAD ON GAIN min nternal Direct Monitor Mixer setting Stereo Link ON Input channel fader Unity only two channels which are adjacent each other All sampling frequency Built in Sound Generator Fantom VS Parts 16 parts Maximum Poly
75. Note off If you have selected a waveform that is a decay type sound i e a sound that fades away naturally even if the key is not released selecting DFF N or OFF D may result in no sound being heard Tone Delay This produces a time delay between the moment a key is pressed or released and the moment the tone actually begins to sound You can also make settings that shift the timing at which each tone is sounded This differs from the Delay in the internal effects in that by changing the sound qualities of the delayed tones and changing the pitch for each tone you can also perform arpeggio like passages just by pressing one key You can also synchronize the tone delay time to the tempo of the external MIDI sequencer LT If you are not going to use Tone Delay set the Delay Mode parameter to NORM and Delay Time parameter to 0 If the Structure parameters set in the range of 2 10 the output of tones 1 and 2 will be combined into tone 2 and the output of tones 3 and 4 will be combined into tone 4 For this reason tone 1 will follow the settings of tone 2 and tone 3 will follow the settings of tone 4 p 101 Tone Delay Time Specifies the time from when the key is pressed or if the Delay Mode parameter is set to OFF N or OFF D the time from when the key is released until when the tone will sound Value 0 127 Note Tone Delay Time specifies the beat length for the synchronized tempo when
76. OAXIAL IN Connector esee 22 DIGITAL 1 COAXIAL OUT Connector ee 22 DIGITAL 2 IN Connector ENEE 22 DIGITAL 2 OUT Connector EEN 22 Digital Connectors nr 79 DIGITAL IN Indicators nn 19 DIGITAL OUT Indicators 19 Digital Output 1 aR ne 86 DIP SWItCHeS ege beet e dee dd 164 166 Direct Monitor Mixer nn 86 DISPLAY ieget ort hee re EN 51 Display sete etin 48 DV37DL 3 ttt ENEE bietet 168 FADER VIEW gens nina E ER DEREN 38 FADER VIEW Buttons ne 43 Fantom VS Fast forward Market sn ere e b ee iren 73 MARKERS eRe nn nee 65 Master Fader 32 MIDIIN Connector eegene Age 21 FOOT SW Tiaras hacetan 55 MIDI IN Indicator re 19 FOOT SW ceres ette rU EROR Tote eo erred 55 MIDI OUT Connector cnrs 21 ER BALERS 69 MIDI OUT Indieator nr 19 did Ace 65 Modifier Buttons ne 67 Modifier buttons nn 64 G MONITOR 70 GAIN aee esee ta ie ire RR a 85 MONITOR MAIN Indicators ne 20 Goto end REH UE 54 MONITOR MAIN Jacks serrures 23 MONITOR SUB Indicators ne 20 l MONITOR SUB Jacks mn 23 VO CONTROL etc iro eret ve ti erste MONO MEA STD RES 86 l O Cohttol sise iim eed MUTE t tecti e boc ee RA PER ER REIR 70 INPUT 1 8 Jacks tetti teeth MUTE ss c nte o rS AREA EA EI eden 86 Input AIN sn tee teet eie tbt e eee d INPUT Indicators N Internal clock nn annee NEXT case ee EE 65 J O Jog wheel
77. ORD EDIT Section p 71 Transport Section The transport section provides standard control of RTZ return to zero Rewind Fast Forward Go to end Stop Play and Record Transport Section p 54 AUDIO OUTPUT Section The AUDIO OUTPUT section lets you control the volume of the MONITOR output and each headphone output You can also mute the MONITOR output and assign each headphone to monitor the MAIN SUB output AUDIO OUTPUT Section p 70 K M Panel Descriptions SURROUND Section The SURROUND section lets you control surround bus parameters on the selected channel strip SURROUND Section p 68 PROJECT Section The PROJECT sections provides convenient access to frequently used commands that normally require a keyboard or mouse such as Save Undo Redo OK ENTER and Cancel PROJECT Section p 56 Jog Shuttle Wheel The VS 700C Console jog shuttle is a combo wheel with cursor buttons which lets you perform edit zoom scroll and select operations JOG SHUTTLE CURSOR Section p 57 AUX IN Jack Front Panel This is a mic guitar input jack located on the front panel of the console It supports mic input when the switch is at NORMAL or guitar input when the switch is at Hi Z Use the SENS knob to adjust the input level The input signal is output directly to the VS 700 AUX port of the audio driver Connections to the Analog Jacks p 78 PHONES Jacks Front Panel These are two headph
78. Pad Synth priority and currently sounding notes will be e SPD Soft Pad Soft Pad Synth turned off beginning with the lowest volume o voice 3 VOX Vox Vox Choir 6 o PLK Plucked Plucked Harp etc Octave Shift ETH Ethnic Other Ethnic Adjusts the pitch of the patch s sound up or down in units of lt FRT Fretted Fretted Inst Mandolin etc an octave 3 octaves A 1 N PRC Percussion Percussion Value 3 3 S SFX Sound FX Sound FX 7 BTS Beat amp Groove Beat and Groove Patch Coarse Tune x o DAN Dd Drm Sat Adjusts the pitch of the patch s sound up or down in semitone steps 4 octaves CMB Combination s 0 Value 48 48 Patch Fine Tune Tl o 5 3 lt a Adjusts the pitch of the patch s sound up or down in 1 cent steps 50 cents Value 50 50 One cent is 1 100th of a semitone xipueddy 97 Creating a Patch Stretch Tune Depth This setting allows you to apply stretched tuning to the patch Stretched tuning is a system by which acoustic pianos are normally tuned causing the lower range to be lower and the higher range to be higher than the mathematical tuning ratios would otherwise dictate With a setting of OFF the patch s tuning will be equal temperament A setting of 3 will produce the greatest difference in the pitch of the low and high ranges OFF 1 3 The diagram shows the pitch change relative to equal temperament that will occur in the low and high ran
79. Pate DE 111 Rhythm Set sciemment 132 F Env V Sens Patch ee 111 Rhythm Set irre NA 132 idle xn 109 Filter Type 0 7 109 Rhythm Set i e iaceat citet 131 Eine T RE P 137 EX M itte ep cba ee reb AE 105 127 FXM Color PATER nine SA 106 lge Lu 127 FXM Depth Patch rs nr aad ate A sc Nr 106 Rhythm Set titer deberes 127 FXM Switch Patch uel Rhythm Set G GENERAL Patchs cra eC eh cot c elu dedu 96 uge 125 H head Phones iit ep ee RE ERE EUER REEF HARI 27 l VO indicato a SARS 28 J Just Temperament eeceecsscsssecsssscesscsccnscssesecnscnsensensensessesseesees 142 K Key Fade Lower 180 Path cdi ec eoe ei 103 Performance x ettet tetro bleus 140 Key Fade Upper Patch eee ter e ie e SR nes ir les Performance Key Range Lower 9 Performance Key Range Upper Patch Performance AR Lu e Te L Legato Retrigger nr 99 Legato A E 99 139 Le S e C EE 136 Level V Curve Patch Rhythm Set Level V Sens Patch iot att tn ns nn ret c Rhythm Set KEIER LFO Rate eege Low Frequency Oscillator EEN 91 M Master Key Shift nn 151 Master LeVel Aa 11 Master TUNS SASSER i repere etg 151 Matrix Control Matrix Ctrl1 4 121 MEMO sit e den e e e td 94 MEX ottico levet o RR HERE 146 MEX Chorus Send Level ns 147 MEX Control Channel nn 148 MEX Output Level rs 147 MFX Reverb Send Le
80. SONAR V STUDIO VS 700 Owner s Manual USB CONSOLE INPUT E 3 VS QE SAMPLE RATE SYNC Es rate Eel Soe Shes Sadd WORD CLK c5 MONITOR OUT E DE ve Er LEE SONAR V STUDIO I O VS 700R Y Y Th RECORD EDIT ete Em E E S ES cakewalk sonar v sTUDIO CONSOLE WARNING To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclo
81. SRA 133 TVA Depth itinere ridet he 118 TVA Env Patch duree es ee O 115 Rhythm SEES 134 TM 91 109 131 INE Depth er PEE 118 TVF Env Patch anni re e o a 111 Rhiythitti Seta eene RS 132 U USB Cable 44er ero ere euet eed 27 USB inidiCatoF titer 28 V Velo Fade Lower 104 Patch Rhythm SOR se ette tiene Aerei 128 Velo Fade Upper 104 770 7 9 Pati Rhythm Set ies asia tcr eren eate eese 129 Velo Range Lower PatER soso en eer tte e SEE eei 104 Rhythm Set ee Eet 128 Velo Range Upper Patch aaa dt tieni este a e oss 104 dn Lu 129 Velocity Curve Type men 143 Velocity Sens Offset rennes 99 Vibrato Delay Ge AS 139 Vibrato Depth uci tennis 139 Vibrato Rate sciet aaa 139 Voice Reserve sense deo ERUNT Eee dones 94 140 VS 700 driVe Tinin nN a Ee 26 W Wave Alter Pan SW ns 128 Wave Coarse TUNG mme 127 Wave Fine Tune nee 127 Index Fantom VS Wave Gain Pateh tannins PE terne Rhythm Set Wave Generator Wave bevel muinoin seeds Wave No L Mono Pateh ERs EE 105 Rhythm Set iesin 127 Wave No R Patch 09 Rhythm Set 4 Wave EE Wave Rnd Pan Sw rs 128 AAEN OTA DE EPEE AE EAE AVO bn A e 117 UE 91 Daun eet 127 lude 128 WMT Velocity Control re 128 183 MEMO 184 MEMO 185 186 For EU Countries o e 9 This symbol indicates that in EU countries
82. T EL Guitar Electric Guitar the patch itself when the effects are turned off the nor 0 DGT DIST Guitar Distortion Guitar results of your modifications will be easier to hear Actually sometimes just changing effects settings can BS Bass Acoustic amp Electric Bass give you the sound you want SBS Synth Bass Synth Bass STR Strings Strings 96 Creating a Patch Category Contents Patch Level ORC Orchestra Orchestra Ensemble Specifies the volume of the patch Value 0 127 HIT Hit amp Stab Orchestra Hit Hit m WND Wind Winds Oboe Clarinet etc Patch Pan PET Flute Flute Piccolo Specifies the pan of the patch L64 is far left 0 is center BRS AC Brass Acoustic Brass and 63R is far right SBR Synth Brass Synth Brass Value L64 0 63R SAX Sax Sax o HLD Hard Lead Hard Synth Lead Patch Priority This determines how notes will be managed when the 2 SLD Soft Lead Soft Synth Lead tat maximum polyphony is exceeded 128 voices o TEK Techno Synth Techno Synth Value 3 PLS Pulsating Pulsating Synth LAST The last played voices will be given priority and FX Synth FX Synth FX Noise etc currently sounding notes will be turned off in lt order beginning with the first played note SYN Other Synth Poly Synth un LOUDEST The voices with the loudest volume will be given BPD Bright Pad Bright
83. TAL Ex eS peo SAMPLE RATE SYNC p CILE ERE 3 4 5 ont a gS ams MANS MONITOR OUTPUT woroako c s s al LZ SONAR V STUDIO I O VS 700R 00 a VS 700R Block Diagram INPUT 1 3 5 7 POWER SENS 0 INPUT 1 3 5 7 LEVEL METER BYPASS BYPASS INPUT ka His PAD AD MPF TRS INPUT 2 4 6 8 PHANTOM POWER COMP To PC INPUT 2 4 6 8 LEVEL METER To PC BYPASS BYPASS VOLUME PAN PAD INPUT xum Sy TRS 022 AUX Console SENS AUX To PC D a LEVEL METER PAN MUTE VOLUME SoLo MUTE SOLO DIGITAL IN 1 To PC INDICATOR DIGITAL INPUT 1 SELECT A VOLUME SOLO PAN AES EBU Ge L o MUTE VOLUME SOLO cox G MONO DIGITAL IN 2 1 8 INDICATOR To PC DIGITAL INPUT 2 ADAT 1 8 VOLUME MUTE SOLO 8 PAN
84. TOMATION buttons let you enable disable automation recording and playback for all channels AUTOMATION WRITE OFF READ OFF OFFSET SNAP SHOT A WRITE OFF button B OFFSET button The modifier buttons p 67 can be used to extend the functions as follows Button Default function SHIFT COMMAND SHIFT COMMAND Enable disable write Enable disable read Enable disable write Enable disable read WRITE OFF automation for automation for automation for all automation for all selected track bus selected track bus tracks buses tracks buses OFFSET Enable disable Take an automation Reserved Reserved Offset mode snapshot 41 O 80 5 33000 lt 2 E n a 5 un SA wojue 0 xipueddy CHANNEL STRIP Section FADER BANK Buttons The VS 700C Console has eight physical channel strips that can be used to control up to eight tracks buses or mains at a time You use the FADER BANK buttons to switch between different banks of tracks buses mains which allows the channel strips to control a different set of tracks buses mains FADER BANK T8 A 8 button B 8 button The modifier buttons p 67 can be used to extend the functions as follows Button Default function SHIFT 8 Shift currently viewed channels forward up in Shift currently viewed channels forward up in banks of eight banks of one 8 Shift currently viewed chann
85. Time L Level have increasingly longer times Larger settings will produce greater change Value 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 F Env Level 0 4 TVF Envelope Level 0 4 Specify the TVF envelope levels Level 0 Level 4 These settings specify how the cutoff frequency will change at each point relative to the standard cutoff frequency the cutoff frequency value specified in the TVF screen Value 0 127 Time 112 Adjusting the Volume TVA TVA Env Patch TVA Tone Level x Sets the volume of the tone This setting is useful primarily for adjusting the volume balance between tones Value 0 127 Level V Curve TVA Level Velocity Curve You can select from seven curves that determine how keyboard playing strength will affect the volume If you do not want the volume of the tone to be affected by the force with which you play the key set this to FIXED Value FIXED 1 7 LEGE Level V Sens TVA Level Velocity Sensitivity Set this when you want the volume of the tone to change depending on the force with which you press the keys Set this to a positive value to have the changes in tone volume increase the more forcefully the keys are played to make the tone play more softly as you play harder set this to a negative value Value 63 63 If you wish to make adjustments to the entire patch while maintaining the relati
86. Tl o 5 3 lt a Tone Pan Rhythm Tone Pan Sets the pan for the rhythm tone L64 is far left 0 is center and 63R is far right Value L64 0 63R a Set the Pan for Waves comprising the rhythm tones with the Wave Pan parameter p 128 xipueddy 133 Creating a Rhythm Set Random Pan Depth Use this parameter when you want the stereo location to change randomly each time you press a key Higher settings will produce a greater amount of change Value 0 63 This will affect only waves whose Wave Rnd Pan Sw parameter p 128 is ON Alternate Pan Depth This setting causes panning to be alternated between left and right each time a key is pressed Higher settings will produce a greater amount of change L or R settings will reverse the order in which the pan will alternate between left and right For example if two rhythm tones are set to L and R respectively the panning of the two rhythm tones will alternate each time they are played Value L63 0 63R This will affect only waves whose Wave Alter Pan Sw parameter p 128 is ON or REV Rhythm TVA Env A Env T1 V Sens TVA Envelope Time 1 Velocity Sensitivity This allows keyboard dynamics to affect the Time 1 of the TVA envelope If you want Time 1 to be speeded up for strongly played notes set this parameter to a positive value If you want it to be slowed down set this to a negative value Value 63 63
87. Value 0 127 8 Specify the TVF envelope times Time 1 Time 4 Higher irn settings will lengthen the time until the next cutoff frequency The volume levels of the Waves from which the rhythm A level is reached For example Time 2 is the time over which tone is composed is set with the WMT1 4 Wave Level o Level 1 will change to Level 2 parameter p 128 2 Value 0 127 Level V Curve Level Velocity Curve lt Wi F Env Level 0 4 TVF Envelope Level 0 4 You can select from seven curves that determine how Le Specify the TVF envelope levels Level 0 Level 4 These keyboard playing strength will affect the volume If you do 8 settings specify how the cutoff frequency will change at each not want ie volume of the rhythm tone to be affected by 2 point relative to the standard cutoff frequency the cutoff the force with which you press the key select FIXED 9 frequency value specified in the TVF screen Value FIXED 1 7 8 Value 0 127 TT EL IU E 1 2 3 4 5 6 7 a N 8 Cutoff Level V Sens Level Velocity Sensitivity m Frequency Set this when you want the volume of the rhythm tone to o Note on Note off change depending on the force with which you press the E keys Set this to a positive value to have the changes in rhythm tone volume increase the more forcefully the keys are played to make the tone play more softly as you play harder set this to a negative value Value 63 63 T Time L Level
88. Voice Reserve settings you need to take into account the number of notes you want to play on each part as well as the number of tones used by the selected patch p 140 It is not possible to make Voice Reserve settings that would cause the total of all parts to be greater than 128 voices 94 About Memory Patch and performance settings are stored in what is referred to as memory There are two kind of memory temporary and non rewritable Fantom VS Preset PR I Preset H PR H Preset G PR G System Preset F PR F Preset E PR E Preset D PR D Preset C PR C Preset B PR B Preset A PR A Patch GM GM2 128 Patch Rhythm Set 256 19 1 Rhythm Set 9 Select sec III Temporary Area 1 Only in PR A PRST 2 The selected Patches Rhythm Sets cannot be changed Temporary Memory Temporary Area This is the area that holds the data for the patch that you ve selected When you play the Fantom VS sound is produced based on data in the temporary area When you edit a patch you do not directly modify the data in memory rather you call up the data into the temporary area and edit it there Settings in the temporary area are temporary and will be lost when the power is tu
89. able Never place it on stands that could wobble or on inclined surfaces Make sure you always have the unit placed so it is level Q The unit should be connected to a power supply only of the type described in the operating instructions or A as marked on the rear side of the unit Refer to p 173 for power requirements Use only the attached power supply cord Also the supplied power cord must not be used with any other device Do not excessively twist or bend the power cord nor place heavy objects on it Doing so can damage the cord producing severed elements and short circuits Damaged cords are fire and shock hazards This unit either alone or in combination with an amplifier and headphones or speakers may be capable of producing sound levels that could cause permanent hearing loss Do not operate for a long period of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should immediately stop using the unit and consult an audiologist Do not allow any objects e g flammable material coins pins or liquids of any kind water soft drinks etc to penetrate the unit O O IHOOZ SA 2105003 300 SA Suon euuo SA ul03UEJ USING THE UNIT SAFELY CAUTION n households with small children an adult should Theunit should be located so that its location or position does not interfere with its proper ventilation
90. and can simultaneously handle 16 sounds O The Fantom VS can play a maximum of 128 sounds simultaneously The following paragraphs discuss what this means and what will happen when more than 128 simultaneous voices are requested from the Fantom VS Because the Fantom sound generator can control multiple sounds instruments it is called a Multi timbral sound generator 8 Performance Calculating the Number of Voices Being Used Part 16 The Fantom VS is able to play up to 128 notes simultaneously The polyphony or the number of voices sounds does not refer only to the number of patches actually being played but changes according to the number of tones used in the patches and the number of waves used in the tones The following method is used to calculate the number of sounds used for one patch being played 5 133000 Patch Rhythm Set Number of patches being played x Number of tones used by patches being played x Number of waves used in the tones For example a patch that combines four tones each of which Part use two waves will use eight notes of polyphony at once 9 osuo 500Z SA A part is something to which you assign a patch or rhythm How a Patch Sounds set The Fantom VS has sixteen parts and you can assign a patch or rhythm set to each part When the Fantom VS
91. anual of your ARX expansion board For details on the ARX expansion editor plug in refer to the online manual for the editor plug in Port settings MIDI input and audio output The ARX expansion board s ports have the following names Suon oeuuo Port Name MIDI Out Port ARX Audio In Port ARX Cautions When Installing an Expansion Board Toavoid the risk of damage to internal components that can be caused by static electricity please carefully observe the following whenever you handle the board 9 osuo 500Z SA Before you touch the board always first grasp a metal object such as a water pipe so you are sure that any static electricity you might have been carrying has been discharged When handling the board grasp it only by its edges Avoid touching any of the electronic components or connectors Savethe bag in which the board was originally shipped and put the board back into it whenever you need to store or transport it 0 UseaPhillips screwdriver that is suitable for the size of the screw a number 2 screwdriver If an unsuitable screwdriver is used the head of the screw may be stripped Toremove a screw rotate the screwdriver counter clockwise To tighten the screws rotate the screwdriver clockwise When installing Expansion Board remove only the specified screws Becareful that the screws you remove do not drop into the interior of the VS 700R Donotleave the bottom
92. ardless of the current CHANNEL STRIP By default the T bar is assigned to the first usable ACT parameter For more information about CONTROL mode ACT see the SONAR online help SA 0 3 X RAY Lets you use the T Bar to adjust the global level of transparency of plug in windows in SONAR You can use the VS 700C console to control a video editing device such as the EDIROL DV 7DL When you turn on the VIDEO CTRL button you ll be able to use the controllers shown in the illustration below to control your video editing device For details refer to VIDEO CTRL Connecting an EDIROL DV 7DL Video Control p 168 xipueddy 69 AUDIO OUTPUT Section The VS 700R I O box provides two sets of stereo outputs main and sub for monitoring The VS 700C console also provides two headphone outputs The AUDIO OUTPUT section lets you control the volume of the MONITOR output and each headphone output You can also mute the MONITOR output and assign each headphone to monitor the MAIN SUB output A B C A PHONES 1 knob B PHONES 2 knob C MONITOR knob D SUB button for Phones 1 E SUB button for Phones 2 F MUTE button Interface Explanation Controls the volume of the first headphone output By default the MAIN output is sent PHONES 1 to the headphones Controls the volume of the second headphone output By default the MAIN output is PHONES 2 sen
93. ase of an external source the indicator will light if synchronization is locked The indicator will blink if synchronization is not locked If you re using SONAR you can select the clock source parameters as described below If you re using software other than SONAR use VS 700R 1 0 Editor which is included on the SONAR V STUDIO 700 CD ROM 1 From SONAR s Tools menu open VS 700 2 Select the MIC PRE tab 3 Clickthe SYNC check box to select the clock source These settings are not stored in the VS 700 Setting Screen label Explanation Internal clock INTERNAL The internal clock will be used as the master clock Digital 1 DIGITAL 1 Synchronized to the clock of the digital audio signal being input to Digital 1 Digital 2 ADAT DIGITAL 2 Synchronized to the clock of the digital audio signal being input to Digital 2 Word clock WORDCLK Synchronized to the word clock signal being input to the word clock input connector 82 Phantom Power Phantom power is supplied to the XLR connectors of the eight audio inputs It can be turned on off individually for each channel When the system is powered up phantom power will be off Subsequently when you load a project in SONAR the settings saved in the project will be applied If you re using SONAR you can turn phantom power on off as described below If you re using software other than SONAR use VS 700R 1 0 Editor which is incl
94. at this procedure until the audio ports of both En f e o VS 700R I O units are displayed 3 Alternatively you can connect the two VS 700R 1 0 units to a USB hub that is compatible with USB 2 0 and connect the hub to your computer lt a N e e A D o 5 a c lt hi N e e zx Regarding Monitoring S 06 0 000000000 0000000000000000000000000000000000000000000000009 09 By connecting the direct monitor mixer output of the second VS 700R 1 0 unit to the first VS 700R I O unit all inputs of the second I O unit can be monitored from the first VS 700R 1 0 unit ny Example connections for monitoring 3 o 5 Connect the second unit s SUB OUT to the first unit s INPUT 7 8 S As the second unit s direct monitor mixer output select SUB On the first unit adjust the INPUT 7 8 input level You ll hear the second unit s direct monitor signal in the first unit s direct monitor mixer output gt 5 5 E x 167 Connecting an EDIROL DV 7DL Video Control The VS 700C s following controllers can be linked with an EDIROL video editing system such as the EDIROL DV 7DL Audio channels 5 8 and the master fader Transport Jog shuttle wheel T bar Record Edit tool section Connecting the EDIROL DV 7DL and VS 700C Use a USB cable to connect the EDIROL DV 7DL s rear panel USB connector to the VS 700C s rear panel USB connector To Enable Video Control In the VS 700C s T bar section press the
95. atches are the basic sound configurations that you play during a performance Each patch can be configured by combining up to four tones How the four tones are combined is determined by the Structure Type parameter p 101 92 Example 1 A Patch consisting of only one Tone Tones 2 4 are turned off Patch Tone Tone Tone Tone 1 2 3 4 Example 2 A Patch consisting of four Tones Rhythm Sets Rhythm sets are groups of a number of different percussion instrument sounds Since percussion instruments generally do not play melodies there is no need for a percussion instrument sound to be able to play a scale on the keyboard It is however more important that as many percussion instruments as possible be available to you at the same time Therefore each key note number of a rhythm set will produce a different percussion instrument Rhythm Set Note Number 98 D7 Note Number 36 C2 Note Number 35 B1 Rhythm Tone Percussion instrument sound COE w T 1 1 Pitch TVF TVA Envelope Envelope Envelope Each percussion instrument consists of the following four elements For details refer to the explanations for Tones WG Wave Generator TVF Time Variant Filter TVA Time Variant Amplifier Envelope Overview of the Fantom VS Performances 1 About Simultaneous Polyphony A performance has a patch or rhythm set assigned to each of the 16 parts
96. atures Main Features of the VS 700C Console Control of mix and plug in parameters with real time visual feedback Touch sensitive motorized faders Control over SONAR plug in effects and soft synths Many buttons to trigger SONAR commands plus 16 assignable buttons Multiple modifier buttons to extend the functionality of other controls Tape style transport controls Jog shuttle wheel with cursor style buttons for scrubbing editing zooming and scrolling Surround joystick panner Meter displays with track names and parameters Main Features of the VS 700R I O SONAR V STUDIO I O VS 700R 19 in 24 out USB 2 0 audio interface 24 bit 192 kHz high quality audio Eight channels of preamps compressors built in Built in Fantom VS synthesizer Single slot for ARX series expansion boards 14 Panel Descriptions VS 700C Console Top Panel D 3 A B C 5 A E o 5 Ki lt a N e e A D o 5 a c lt hi N e e zx cakewalk 8 T 9 3 et o A LCDDisplay 5 The VS 700C features three 2 line LCD displays The left LCD display shows information about the CHANNEL STRIP CONTROL section and the other two LCD displays show information about the channel strips gt LCD Display p 37 p 51 B T Bar E The T Bar lets you control the Front Rear Balance parameter in the surround panner an ACT parameter or the X Ray 8 opacity x gt T Bar Section p 69
97. ayed notes to lower the cutoff frequency use negative cause the TVF envelope to produce greater change Negative 2 settings settings will invert the shape of the envelope Value 63 63 Value 63 63 To edit the overall patch while preserving the relative F Env V Curve TVF Envelope Velocity Curve A differences in the Cutoff Frequency Velocity Sensitivity e values set for each tone set the Velocity Sens Offset Selects one of the following 7 curves that will determine how 2 parameter p 99 However this setting is shared by the keyboard playing dynamics will affect the TVF envelope Set a Level V Sens parameter p 113 this to FIX if you don t want the TVF Envelope to be affected 6 by the keyboard velocity 2 Resonance V Sens PAUSE cesis Resonance Velocity Sensitivity A This allows keyboard velocity to modify the amount of W F LJ 4 C ES x Resonance If you want strongly played notes to have a 1 2 3 4 5 6 7 e greater Resonance effect set this parameter to positive 4 n settings If you want strongly played notes to have less 9 Resonance use negative settings F Env V Sens TVF Envelope Velocity Sensitivity 3 Value 63 63 Specifies how keyboard playing dynamics will affect the 2 depth of the TVF envelope Positive settings will cause the TVF envelope to have a greater effect for strongly played lt notes and negative settings will cause the effect to be less Value 63 63 zx F Env T1
98. ayed outside the specified key velocity range to not be sounded at all set this to 0 Value 0 127 Velo Range Lower Velocity Range Lower This sets the lowest velocity at which the waveform will sound Make these settings when you want different waveforms to sound in response to notes played at different strengths Value 1 UPPER Creating a Rhythm Set Velo R U Velocity R U EE Modifying Pitch PCH PCH Env This sets the highest velocity at which the waveform will sound Make these settings when you want different waveforms to sound in response to notes played at different Rhythm Pitch 2 strengths z Value LOWER 127 2 Tone Coarse Tune Rhythm Tone Coarse Tune If you attempt to set the Lower velocity limit above the Selects the pitch at which a rhythm tone sounds Upper or the Upper below the Lower the other value will automatically be adjusted to the same setting Valuer 68 c o Set the coarse tuning for Waves comprising the rhythm Velo Fade Upper Velocity Fade Width Upper tones with the Wave Coarse Tune parameter p 127 2 This determines what will happen to the tone s level when c the tone is played at a velocity greater than its specified Tone Fine Tune Rhythm Tone Fine Tune 2 velocity range Higher settings produce a more gradual change in volume If you want notes played outside the Adjusts the pitch of the rhythm tone s sound up or down in specified key velocity range to not be sounded at all set this 1 cent ste
99. button again to exit Edit mode To Fade the Selected Clip s 62 Select a clip by using the Free Edit Tool see Select Mode p 61 Press the EDIT button Do one of the following To fade the left clip edge hold down the SHIFT modifier button and press the button in the RECORD EDIT section Tofadethe right clip edge hold down the SHIFT modifier button and press the x button in the RECORD EDIT section The r or button blinks to indicate Fade edit mode JOG SHUTTLE CURSOR Section 4 Turnthe Jog or Shuttle wheel 5 When you are finished editing press the EDIT button again to exit Edit mode o To Move the Selected Clip s A 1 Select a clip by using the Free Edit Tool see Select Mode p 61 a 2 Press the EDIT button 2 S 3 Turnthe Jog Shuttle or press the arrow keys to move the clip to the desired location c Left right arrows Nudge 1 resolution a SHIFT Left right arrows Nudge 2 resolution CTRL Left right arrows Nudge 3 resolution 4 When you are finished editing press the EDIT button again to exit Edit mode Scrub Play Mode lt 2 N e n al 5 KA 2 Scrub Play mode lets you control the playback speed with the Jog and Shuttle wheels To Enable Scrub Play Mode a N e e Press and hold the button then press the button 7 In Scrub Play mode o The e and buttons blink The Jog and Shuttle wheels control the
100. ched particularly at plugs convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped For the U K IMPORTANT THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured GREEN AND YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol Dor coloured GREEN or GREEN AND YELLOW The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED Before using this unit carefully read the sections entitled IMPORTANT SAFETY INSTRUCTIONS p
101. cover removed After installation of the Expansion Board is loosen tighten complete be sure to replace the cover sAwojue Be careful not to cut your hand on the opening for installing the board Do not touch any of the printed circuit pathways or connection terminals Never use excessive force when installing a circuit board If it doesn t fit properly on the first attempt remove the board and try again When circuit board installation is complete double check your work Always turn the unit off and unplug the power cord before attempting installation of the circuit board ARX series gt 5 5 2 x Install only the specified circuit board ARX series Remove only the specified screws 155 Installing the ARX Expansion Board How to Install an Expansion Board Install the Expansion Board after removing the panel cover 1 Before installing the Expansion Board turn off the power of the VS 700R and all connected devices and disconnect all cables including the Power cable from the VS 700R 2 Fromthe VS 700R remove only the screws shown in the following diagram and detach the cover VS 700R Top Panel 3 Orientthe board with the slot of the VS 700R as shown in the illustration S Non latched holders Slot of the VS 700R Latched holders Board expansion board Holes that engage the non latched holders
102. d 8 Mute Group 2 Rhythm Level applies to the entire rhythm set the other On an actual acoustic drum set an open hi hat and a closed S parameters are set individually for each rhythm tone hi hat sound can never occur simultaneously To reproduce 3 the reality of this situation you can set up a Mute Group Rhythm General The Mute Group function allows you to designate two or more rhythm tones that are not allowed to sound lt simultaneously Up to 31 Mute Groups can be used rhythm m Rhythm Level Rhythm Set Level tones that are not belong to any such group should be set to 3 Sets the volume of the rhythm set PER Value 0 127 Value OFF 1 31 6 In The volume levels of the tones from which the rhythm Tone Env Mode Rhythm Tone Envelope Mode set is composed is set with the Tone Level parameter p When a loop waveform is selected the sound will normally 133 The volume levels of the Waves from which the continue as long as the key is pressed If you want the sound E rhythm tone is composed is set with the Wave Level to decay naturally even if the key remains pressed set this to E parameter p 128 NO SUS 3 Value NO SUS SUSTTAIN Y Rhythm Tone Name If the One Shot Mode p 126 is ON it will not sustain even if this parameter is set to SUST You can assign a name of up to 12 characters to the rhythm tone Value space A Z a z 0 9 amp amp 2 4_ gt 5 5
103. d it difficult to make detailed settings try clicking and holding a knob or slider and then dragging the mouse farther away This lets you set the value at any position as long as you continue holding down the mouse button When doing so you will be able to make precise adjustments to the value whenever the mouse cursor is away from the center of the knob or slider When a value is displayed you can also press the cursor keys up down to modify it To initialize a parameter value You can initialize the value of a parameter by holding down the CTRL key on your computer keyboard and clicking the slider or knob of that parameter For more details refer to the Fantom VS Editor online Help 90 Overview of the Fantom VS How the Fantom VS is Organized Classification of Fantom VS Sound Types When using the Fantom VS you will notice that a variety of different categories come into play when working with sounds What follows is a simple explanation of each sound category Tones On the Fantom VS the tones are the smallest unit of sound However it is not possible to play a tone by itself The patch is the unit of sound which can be played and the tones are the basic building blocks which make up the patch m COR iu t Pitch TVF TVA Envelope Envelope Envelope iae audio signal Tones consist of the following five components control signal WG Wave Generator Specifies the PCM waveform wave that i
104. devices before making any connections 27 Turning the Power On Once the connections have been completed p 26 turn on power to your various devices in the order specified By turning on devices in the wrong order you risk causing malfunction and or damage to speakers and other devices If you need to turn off the power completely first turn off the POWER switch then unplug the power cord from the power outlet Refer to Power Supply p 6 1 Minimize the VS 700C s AUDIO OUTPUT VS 700C Top Panel knobs three locations 2 Start up your computer 3 Turn on the power switch of the VS 700C 4 Turn on the power switch of the VS 700R SONAR V STUDIO 1 0 5 Turn on the power switch of your monitor speakers Due to a circuitry protection feature the VS 700R requires a few moments after power up before it is ready for normal operation If the connections are correct the VS 700R s USB indicator will light If the USB indicator of the VS 700R I O unit isn t lit If the USB indicator of the VS 700R isn t lit the driver has not been installed correctly Refer to the Troubleshooting chapter in Getting Started If the 1 0 indicator of the VS 700C console or the CONSOLE indicator of the VS 700R I O unit is blinking Check the following points Arethe VS 700C and VS 700R powered up Arethe VS 700C and VS 700R correctly connected via the dedicated cable Is the VS 700 R I O unit connected to your com
105. e 0 127 2 Part Chorus Send Level Sets the level of the signal sent to chorus for each part Value 0 127 Part Reverb Send Level Sets the level of the signal sent to reverb for each part Value 0 127 Part Output Assign Specifies for each part how the direct sound will be output Value MFX Output in stereo through multi effects You can also apply chorus or reverb to the sound that passes through multi effects L R Output in stereo without passing through multi effects L R Output in mono without passing through multi effects PAT The part s output destination is determined by the settings of the patch or rhythm set assigned to the part Chorus and reverb are output in mono at all times Theoutput destination of the signal after passing through the chorus is set with the Chorus Output Select 12 146 Part Output MFX Select Part Output Multi Effects Select Of the three systems of multi effects that can be used simultaneously specify which multi effects will be used Value 1 3 MFX 1 MFX 3 MFX1 3 For the following parameters 6 o Settings can be made individually for three systems multi effects MFX1 MFX3 6 MFX Type Multi Effects Type Use this parameter to select from among the 78 available multi effects Value 0 Through 78 Adding Effects MFX1 3 Output Chorus Output Multi Effects 1 3 Output D Chorus Output Level 5 m Q MFX Output Level Adjusts the vo
106. e The VS 700C Console must be put in Plug in mode in order to edit plug ins To Enable Plug in Mode Hold down the CTRL modifier button and press a channel strip s SEL button When Plug in mode is enabled the names of existing plug ins on the selected channel strip are displayed across the LCDs If the selected channel strip doesn t contain any plug ins FX bin is empty No Plugins appears on the LCD display Up to 8 plug ins are displayed on the upper and lower rows of the LCDs as follows LCD row Channel strips Channel strips Channel strips Channel strips 1 2 3 4 5 6 7 8 Top Plug in 1 Plug in 3 Plug in 5 Plug in 7 Bottom Plug in 2 Plug in 4 Plug in 6 Plug in 8 Each plug in name is shown with up to 16 characters which is the width of two channel strips For each pair of plug ins top and bottom row the left channel strip corresponds to the top plug in and the right channel strip corresponds to the bottom plug in To Insert a Plug in 1 Make sure Plug in mode is enabled refer to To Enable Plug in Mode p 74 2 Pressthe ARM button on the channel strip that corresponds to the position at which you want to insert a new plug in The ARM button flashes to indicate the insert position plug in 1 8 3 Turn the encoders to find the plug in that you wish to insert The available plug ins are presented on the LCD displays in a hierarchical fashion An Item is either a plugin or a submenu of
107. e Rnd Pan Sw Wave Random Pan Switch Use this setting to cause the waveform s panning to change randomly each time a key is pressed ON or not OFF Value OFF ON Therange of the panning change is set by the Rnd Pan Depth parameter p 134 Wave Alter Pan Sw Wave Alternate Pan Switch This setting causes panning of the waveform to be alternated between left and right each time a key is pressed Set Alternate Pan Switch to ON to pan the Wave according to the Alter Pan Depth parameter p 134 settings or to REV when you want the panning reversed If you do not want the panning to change each time a key is pressed set this to OFF Value OFF ON REV 128 Changing How a Rhythm Tone is Sounded WMT The WMT Wave Mix Table uses key velocity to control the four waveforms assigned to the rhythm tone Rhythm WMT WMT Velocity Control Velocity Control Switch WMT Velocity Control determines whether a different rhythm tone is played ON or not OFF depending on the force with which the key is played velocity When set to RND the rhythm set s constituent rhythm tones will sound randomly regardless of any Velocity messages Value OFF ON RANDOM Velo Fade Lower Velocity Fade Width Lower This determines what will happen to the tone s level when the tone is played at a velocity lower than its specified velocity range Higher settings produce a more gradual change in volume If you want notes pl
108. e Wave No R Wave Number R keyboard velocity cannot be used simultaneously to make different tones to sound When you want to make the different tones to sound set the Velocity Control parameter p 104 to OFF Selects the basic waveform for a tone Along with the Wave number the Wave name will appear at the lower part of the display When in monaural mode only the left side L is specified When in stereo the right side R is also specified Suon oeuuo When using a multisample in stereo you must specify the same number for L and R Value 1 1240 The upper limit will depend on the wave group When using a multisample in stereo you must specify the same number for L and R Wave Gain 2 0SU0 500Z SA Sets the gain amplification of the waveform The value changes in 6 dB decibel steps an increase of 6 dB doubles the waveform s gain If you intend to use the Booster to distort the waveform s sound set this parameter to its maximum value p 103 Value 6 0 6 12 0 FXM Switch This sets whether FXM will be used ON or not OFF Value OFF ON FXM FXM Frequency Cross Modulation uses a specified waveform to apply frequency modulation to the Tl o 5 3 lt vi currently selected waveform creating complex overtones This is useful for creating dramatic sounds or sound effects xipueddy 105 Creating a Patch FXM Color Specifies how FXM
109. each tone if the tone is not sent through MFX Value 0 127 Creating a Patch LFO Rate LFO1 LFO2 Rate x Adjusts the modulation rate or speed of the LFO Modulating Sounds LFO1 2 Step LFO Value 0 127 Note An LFO Low Frequency Oscillator causes change over a LFO Rate sets the beat length for the synchronized tempo is cycle in a sound Each tone has two LFOs LFO1 LFO2 synchronized with the tempo set in an external MIDI s and these can be used to cyclically change the pitch sequencer 2 cutoff frequency and volume to create modulation type Example effects such as vibrato wah and tremolo Both For a tempo of 120 120 quarter notes occur in 1 minute 60 have the same parameters so only one explanation is seconds needed n o Setting LFO Rate Patch LFO 1 2 d half note 1 second 60 60 1 second A d quarter note 0 5 seconds 60 120 0 5 seconds e Waveform LFO1 LFO2 Waveform J eighth note 0 25 seconds 60 240 0 25 seconds Selects the waveform of the LFO Value A SIN Sine wave This setting will be ignored if the Waveform parameter x TRI Triangle wave Geet e 5 Sawtooth wave o SAW D Sawtooth wave negative polarity Rate Detune LFO1 LFO2 Rate Detune S SQR Square wave LFO Rate Detune makes subtle changes in the LFO cycle rate Ey RND Bandom way Rate parameter each time a key is pressed Higher settings RRE Oncethe attack ofthe waveform output by
110. ed to the part you specify MFX 1 3 Source Multi Effects 1 3 Source Selects the multi effects parameter settings that will be used by the performance If you wish to use the performance settings select PRF If you wish to use the settings of the patch rhythm set assigned to one of the parts select the part number Value PRF P1 P16 When Patch or Rhythm Set Settings Are Selected When the patch or rhythm set s multi effects settings are selected those settings are shown in each of the performance s multi effects setting screens and the settings can be then be changed as well Changes to patch or rhythm set multi effects parameter settings are lost when another patch or rhythm set is selected To keep the modified settings save the settings 149 O Ssuon ouuo 8 81065000 500Z SA 0 Tl o 5 3 lt vi xipueddy Adding Effects Chorus Source Selects the chorus parameter settings that will be used by the performance If you wish to use the performance settings select PRF If you wish to use the settings of the patch rhythm set assigned to one of the parts select the part number Value PRF P1 P16 When Patch or Rhythm Set Settings Are Selected When the patch or rhythm set s chorus settings are selected those settings are shown in each of the performance s chorus setting screens and the settings can be then be changed as well Changes to patch or rhythm set cho
111. eform s frequency components Modifying the Brightness of a Sound with a Filter TVF TVF Env LPF3 Low Pass Filter 3 Although frequency components above the Cutoff frequency Cutoff Frequency are cut the sensitivity of this filter changes according to the Cutoff frequency While this filter is also good for use with simulated acoustic instrument sounds the nuance it exhibits differs from that of the LPF2 even with the same TVF Envelope settings If you set LPF2 or LPF3 the setting for the Resonance parameter will be ignored 131 o Value 0 127 5 Rhythm TVF With LPF LPF2 LPF3 selected for the Filter Type parameter S lower cutoff frequency settings reduce a tone s upper 2 harmonics for a more rounded warmer sound Higher Filter Type settings make it sound brighter Selects the type of filter A filter cuts or boosts a specific If BPF is selected harmonic components will change frequency region to change a sound s brightness thickness depending on the TVF Cutoff Frequency setting This can be A or other qualities useful when creating distinctive sounds S Value With HPF selected higher Cutoff Frequency settings will 2 OFF No filter is used reduce lower harmonics to emphasize just the brighter a LPF Low Pass Filter This reduces the volume of all components of the sound 2 frequencies above the cutoff frequency Cutoff With PKG selected the harmonics to be emphasized will Freq
112. elects which row displays parameters on the LCD display e o EQ Mode EQ mode lets you control the per channel EQ for the selected channel strip T 3 To Enable EQ Mode 8 060900 00000000000000000000000000000000000000000000000000000000000000909 3 Press the EQ button The EQ button is lit when enabled S In EQ mode you can control the four band EQ You can control the following parameters for each band A Band gain B Band frequency gt C Band shape Q 5 D Band enable disable m 2 L 51 CHANNEL STRIP CONTROL Section EQ SEND and ACT SEND Mode In SEND mode there are different parameters of control for stereo and surround buses SEND mode lets you control AUX SEND parameters for the selected channel strip To Enable SEND Mode Press the SEND button The SEND button is lit when enabled You can specify four SEND levels for an audio track For a MIDI track you can specify the reverb and chorus sends Audio tracks MIDI tracks Q PRE POST A Send level B Send pan angle C Pre post toggle press D Send enable E Reverb level F Chorus level 52 CHANNEL STRIP CONTROL Section EQ SEND and ACT ACT Mode ACT mode lets you control any automatable parameter for the track bus effect plug in or soft synth that has focus 9 3 Some plug ins do not support automation and can therefore not be controlled via ACT D Unlike EQ mode or SEND mode ACT mode lets you control the plug in that has focus The
113. els backward Shift currently viewed channels back down in down in banks of eight banks of one 42 CHANNEL STRIP Section FADER VIEW Buttons TRACK BUS MAIN 1 0 CONTRO You use the FADER VIEW buttons to specify what channel type tracks buses or mains is assigned to the channel strips FADER VIEW TRACK The modifier buttons p 67 can be used to extend the functions as follows 1 0 CONTROL Button Default function SHIFT COMMAND TRACK Assign the channel strips to tracks Enable disable Layer Reserved mode BUS Assign the channel strips to buses Reserved Reserved MAIN Assign the channel strips to mains Reserved Reserved 1 0 CONTROL Enable control of VS 700R 1 0 from Reserved Open the VS 700 property rotary encoders page in SONAR Swap the functions of the rotary Toggle between FLIP encoder and corresponding fader displaying encoder or Reserved the ASSIGN button is disabled in FLIP mode fader values on the LCD display 43 O 80 5 33000 lt 2 E n a 5 un SA 0 xipueddy CHANNEL STRIP Section Control When 1 0 CONTROL mode is enabled you can use the channel strip rotary encoders to control the Mic Pre Gain Threshold Attack and Release parameters on the VS 700R I O Additional 1 0 parameters can be controlled from the VS 700 property page plus the stereo digital input mode and digi
114. en you use it in conjunction with the Wave Gain parameter lt p 105 vi N e Uses WG1 as LFO Adjusts WG1 output e D 9 Key Fade Lower Keyboard Fade Width Lower a Booster This determines what will happen to the tone s level when a 3 note that s lower than the tone s specified keyboard range is played Higher settings produce a more gradual change in Z volume If you don t want the tone to sound at all when a 7 note below the keyboard range is played set this parameter WG2 g 4 to 0 5 Value 0 127 Distorted area of the Waveform changes Key Range Lower Keyboard Range Lower 9 Ww Specifies the lowest note that the tone will sound for each Shift in waveform by WG1 tone Value C 1 UPPER Tl o 5 3 lt vi Key Range Upper Keyboard Range Upper Specifies the highest note that the tone will sound for each tone Value LOWER G9 LT If you attempt to raise the lower key higher than the upper key or to lower the upper key below the lower key the other value will be automatically modified to the same setting xipueddy 103 Creating a Patch Key Fade Upper Keyboard Fade Width Upper This determines what will happen to the tone s level when a note that s higher than the tone s specified keyboard range is played Higher settings produce a more gradual change in volume If you don t want the tone to sound at all when a note below the keyboard range is played set this parameter t
115. ents Value 0 127 With LPF LPF2 LPF3 selected for the Filter Type parameter lower cutoff frequency settings reduce a tone s upper harmonics for a more rounded warmer sound Higher settings make it sound brighter If BPF is selected harmonic components will change depending on the TVF Cutoff Frequency setting This can be useful when creating distinctive sounds With HPF selected higher Cutoff Frequency settings will reduce lower harmonics to emphasize just the brighter components of the sound With PKG selected the harmonics to be emphasized will vary depending on Cutoff Frequency setting To edit the overall patch while preserving the relative differences in the Cutoff Frequency values set for each tone set the Cutoff Offset parameter p 98 Resonance Emphasizes the portion of the sound in the region of the cutoff frequency adding character to the sound Excessively high settings can produce oscillation causing the sound to distort Value 0 127 To edit the overall patch while preserving the relative differences in the Resonance values set for each tone set the Resonance Offset parameter p 98 LPF BPF HPF PKG Level High 4 n n n P Frequency il gt i gt Cutoff frequency 4 4 4 s 2 H H i i g Blu S i 0 fN a N f ege A 4 4 4 4 H N EN f Low eu gt gt NE gt gt 110
116. erence will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help This device complies with Part 15 of the FCC Rules Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesired operation Unauthorized changes or modification to this system can void the users authority to operate this equipment This equipment requires shielded interface cables in order to meet FCC class B Limit For Canada NOTICE This Class B digital apparatus meets all requirements of the Canadian Interference Causing Equipment Regulations AVIS Cet appareil num rique de la classe B respecte toutes les exigences du R glement sur le mat riel brouilleur du Canada For C A US Proposition 65 WARNING This product contains chemicals known to cause cancer birth defects and other reproductive harm inc
117. ernal elements Asmall amount of heat will radiate from the unit during normal operation To avoid disturbing your neighbors try to keep the unit s volume at reasonable levels You may prefer to use headphones so you do not need to be concerned about those around you especially when it is late at night When you need to transport the unit package it in the box including padding that it came in if possible Otherwise you will need to use equivalent packaging materials Some connection cables contain resistors Do not use cables that incorporate resistors for connecting to this unit The use of such cables can cause the sound level to be extremely low or impossible to hear For information on cable specifications contact the manufacturer of the cable Copyright Recording duplication distribution sale lease performance or broadcast of copyrighted material musical works visual works broadcasts live performances etc belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law This product can be used to record or duplicate audio or visual material without being limited by certain technological copy protection measures This is due to the fact that this product is intended to be used for the purpose of producing original music or video material and is therefore designed so that material that does not infringe copyrights belonging to others for example your
118. fects by z employing an LFO to change the cutoff Note off frequency cyclically LPF2 Low Pass Filter 2 Although frequency T Time L Level components above the Cutoff frequency Cutoff Freq are cut the sensitivity of this filter is half that of the LPF This makes it a comparatively P Env Level 0 4 Pitch Envelope Level 0 4 warmer low pass filter This filter is good for use with simulated instrument sounds such as the Specify the pitch envelope levels Level 0 Level 4 It acoustic piano determines how much the pitch changes from the reference pitch the value set with Coarse Tune or Fine Tune on the Tl o 5 3 lt vi LPF3 Low Pass Filter 3 Although frequency components above the Cutoff frequency Cutoff Pitch screen at each point Positive settings will cause the Freq are cut the sensitivity of this filter changes pitch to be higher than the standard pitch and negative according to the Cutoff frequency While this settings will cause it to be lower filter is also good for use with simulated acoustic Value 63 63 instrument sounds the nuance it exhibits differs from that of the LPF2 even with the same TVF Envelope settings xipueddy If you set LPF2 or LPF3 the setting for the Resonance parameter will be ignored p 110 109 Creating a Patch Cutoff Frequency x Selects the frequency at which the filter begins to have an effect on the waveform s frequency compon
119. ferring to How to Apply the LFO p 119 change the setting until the desired effect is achieved Fade Time LFO1 LFO2 Fade Time Specifies the time over which the LFO amplitude will reach the maximum minimum Value 0 127 After referring to How to Apply the LFO p 119 change the setting until the desired effect is achieved Key Trigger LFO1 LFO2 Key Trigger This specifies whether the LFO cycle will be synchronized to begin when the key is pressed ON or not OFF Value OFF ON Pitch Depth LFO1 LFO2 Pitch Depth x Specifies how deeply the LFO will affect pitch Value 63 63 TVF Depth LFO1 LFO2 TVF Depth Xx Specifies how deeply the LFO will affect the cutoff frequency Value 63 63 TVA Depth LFO1 LFO2 TVA Depth Specifies how deeply the LFO will affect the volume Value 63 63 Creating a Patch Pan Depth LFO1 LFO2 Pan Depth x How to Apply the LFO Specifies how deeply the LFO will affect the pan Value 63 63 Apply the LFO gradually after the key is lt Positive and negative settings for the Depth pressed i parameter result in differing kinds of change in pitch 2 and volume For example if you set the Depth high morei poy Fade Time parameter to a positive value for one tone and set Pitch 0 another tone to the same numerical value but make it Cutoff Frequency 1 Depth negative the modulation phase for the two tones will E A be the
120. g Clip Switching Co 01 X RAY Image Switching Clip Switching Co 02 VIDEO CTRL Image Switching Clip Switching Co 03 PUNCH Image Switching Clip Switching Co 04 LOOP Image Switching Clip Switching Co 05 SNAP Image Switching Clip Switching C0 06 gt Image Switching Clip Switching C007 lt Image Switching Clip Switching C0 08 SET Image Switching Clip Switching Co 09 MAKER Image Switching Clip Switching CO OA VIEW Image Switching Clip Switching Co 0B JoG Video Control Video Bank Select BO 00 00 13 T BAR Video Control BO OB 00 7F JOYSTIC Y Video Control Color Cr Control BO 47 00 7F LFE SEND Video Control BO 49 00 7F JOYSTIC X Video Control Brightness Control BO 4A 00 7F SHUTTLE Video Control Playback Speed EO 00 00 20 00 40 00 00 10 00 30 00 40 40 40 00 50 00 60 00 70 7F 7F m E 170 Troubleshooting o lt This chapter lists problems that you might experience while using the VS 700 and how to solve them For more n about the following problems which might occur during installation or setup refer to the Troubleshooting chapter in Getting Started separate document Problems when installing the driver or SONAR Problems with the driver Problems with SONAR 35 Problems with the VS 700R Unit 5 E D D D D 9 All INPUT indicators are blinking The cooling fan has stopped a Turn off the power and address the cause of the overheating or damage Contact a service center l
121. g figure channel strips 1 2 and 3 are locked to tracks 9 8 and 7 respectively The main WAI range shows the three strips as grayed out A o 3 Track amp A rack F et o Track 8 a ack f lt 2 E n a 5 un lt kb N e e Ed 6 A Locked strips orange rectangle B Default assignments for locked strips when unlocked gray C Unlocked strips D Main WAI range E For more information about WAI see the SONAR online help 3 5 lt 2 T o 5 2 L 47 Time Display The VS 700C Console displays the project s current Now time in the top right corner You can switch the display between SMPTE and Bars Beats time by pressing the TIME CODE button The default view is Bars Beats MINUTES SECONDS MS FRAMES L LT TIME CODE ET TESTI cr 1 1 NE BEATS SUB DIVISION TICKS A TIME CODE button 48 CHANNEL STRIP CONTROL Section EO SEND and ACT O The CHANNEL STRIP CONTROL section lets you control EQ and SEND parameters for the selected channel strip as well as ACT parameters for the track bus effect plug in or soft synth that has focus in SONAR 8 There are 12 rotary encoders and 4 buttons to control EQ SEND and ACT parameters As with all rotary encoders on the VS 700C Console you can press the top of an encoder to return the parameter to its default setting To Specify Which Type 9t Parameters the Encoders and Buttons are
122. ge minimize the volume on all your equipment and turn off the 2 power before you make connections Ly MIDI cable sold separately USB cable included lt MIDI IN MIDI OUT n N e e zx o Dedicated connection cable included T Ei 3 et o 5 EDIROL P 10 sold separately S gt 5 kl 5 VS 700C 2 19 About V LINK Settings for SONAR Insert a MIDI track somewhere other than in the project and make the following driver settings for the input and output Next turn on Ia the Input Echo button of the MIDI track Once set up this way you ll be able to record and play back V LINK data in SONAR Port Driver MIDI Input V LINK VS 700 MIDI Output IO MIDI VS 700 Turning the V LINK ON OFF 1 Intheleft of the panel press V LINK so the indicator is lighted The V LINK setting will be on When the V LINK button is lighted you ll be able to carry out video control in keeping with operations performed on the VS 700C When V LINK is switched on the Video Control function p 168 is turned off and the VIDEO CTRL button will function on behalf of the V LINK feature switching video clips 2 Press V LINK again The V LINK button will go out and the V LINK setting will be off V LINK Parameters VS 700C Controller V LINK Control Transmitted MIDI Message FRBALL Image Switching Clip Switching C0 00 ACT Image Switchin
123. ges This setting will have a subtle effect on the way in which chords resonate Value Pitch difference from equal temperament Parameter value OFF Low note range High note range Analog Feel Analog Feel Depth 98 Specifies the depth of 1 f modulation that is to be applied to the patch 1 f modulation is a pleasant and naturally occurring ratio of modulation that occurs in a babbling brook or rustling wind By adding this 1 f modulation you can simulate the natural instability characteristic of an analog synthesizer Value 0 127 Cutoff Offset Cutoff Frequency Offset alters the cutoff frequency of the overall patch while preserving the relative differences between the cutoff frequency values set for each tone in the Cutoff Frequency parameters p 110 Range 63 63 NOTE This value is added to the cutoff frequency value of a tone so if the cutoff frequency value of any tone is already set to 127 maximum positive settings here will not produce any change Resonance Offset Resonance Offset alters the resonance of the overall patch while preserving the relative differences between the resonance values set for each tone in the Resonance parameter p 110 Range 63 63 Resonance emphasizes the overtones in the region of the cutoff frequency adding character to the sound NOTE This value is added to the resonance value of a tone so if the resonance value of any
124. h is switched off this does not mean that the unit has been completely disconnected from the source of power If you need to turn off the power completely first turn off the POWER switch then unplug the power cord from the power outlet For this reason the outlet into which you choose to connect the power cord s plug should be one that is within easy reach and readily accessible Placement Using the unit near power amplifiers or other equipment containing large power transformers may induce hum To alleviate the problem change the orientation of this unit or move it farther away from the source of interference This device may interfere with radio and television reception Do not use this device in the vicinity of such receivers Noise may be produced if wireless communications devices such as cell phones are operated in the vicinity of this unit Such noise could occur when receiving or initiating a call or while conversing Should you experience such problems you should relocate such wireless devices so they are at a greater distance from this unit or switch them off Do not expose the unit to direct sunlight place it near devices that radiate heat leave it inside an enclosed vehicle or otherwise subject it to temperature extremes Excessive heat can deform or discolor the unit When moved from one location to another where the temperature and or humidity is very different water droplets condensation may form i
125. hanges linearly with the bias point at the center Tone Pan x Sets the pan of the tone L64 is far left 0 is center and 63R is far right Value L64 0 63R Pan Keyfollow Use this parameter if you want key position to affect panning Positive settings will cause notes higher than C4 key center C to be panned increasingly further toward the right and negative settings will cause notes higher than C4 key center C to be panned toward the left Larger settings will produce greater change Value 100 100 Pan 100 50 114 Random Pan Depth Use this parameter when you want the stereo location to change randomly each time you press a key Higher settings will produce a greater amount of change Value 0 63 Alternate Pan Depth This setting causes panning to be alternated between left and right each time a key is pressed Higher settings will produce a greater amount of change L or R settings will reverse the order in which the pan will alternate between left and right For example if two tones are set to L and R respectively the panning of the two tones will alternate each time they are played Value L63 0 63R NOTE When any value from Type 2 10 is selected for the Structure parameter in the Pan KF Rnd Pan Depth Alter Pan Depth parameter settings the output of tones 1 and 2 are joined in tone 2 and the output of tones 3 and 4 are joined in
126. he VS 700C Console Button Explanation Activates the CHANNEL STRIP CONTROL section for the selected channel Also Default no modifier button sets the current track in SONAR if FADER VIEW is assigned to TRACK Enable Plug in mode For more information refer to Controlling Plug ins SES from the VS 700C Console p 74 SHIFT SEL Locks unlocks the channel strip to the corresponding track bus in SONAR p 46 COMMAND SEL Toggles a global enable state for locking If you have strips locked you can disable and re enable locking and the same strips will be locked SEL SEL SEL SEL E AUT p pd en La Le Le La 36 CHANNEL STRIP Section LED Level Meter The LED level meter displays the channel s current peak volume level The indicated levels are 0 dB peak 3 dB 12 9 dB 24 dB and 48 dB 5 a o 5 5 n b o 5 7 a LCD Display Each channel strip including the master fader has a two line LCD display that displays track information based on S which ASSIGN function is selected a A 0 E un Guitar1 Drum01 25 L lt 2 N e e x o A Track bus main name B Value of parameter that is assigned to the rotary encoder C Encoder or IO Cntrl based on 1 0 Control p 44 D Name of parameter that is assigned to the rotary encoder Pan SendVol In or Out M o 3 lt gt T T 5 2 x lt 37 CHANNEL STRIP Section ASSIGN But
127. he VS 700R 1 0 For details refer to I O Control p 44 m 2 x 85 Direct Monitor Mixer By using the Direct Monitor Mixer input signals and signals from the internal sound generator can be output directly to the monitor without being routed through the computer The Direct Monitor Mixer is a stereo mixer that lets you adjust parameters such as volume and pan for each input and audio source As the output destination of the mixer you can select Main Sub or Digital 1 Out as desired You can also select more than one of these simultaneously If you re using SONAR you can edit the Direct Monitor Mixer parameters as described below If you re using software other than SONAR use VS 700R 1 0 Editor which is included on the SONAR V STUDIO 700 CD ROM 1 From SONAR s Tools menu open VS 700 2 Select the DIRECT MIX tab 3 Applythe desired Direct Monitor Mixer settings These settings are not stored in the VS 700 Input Settings Setting Screen label State Explanation The adjacent stereo pair will be mixed to a Mono MONO Stereo Mono monaural signal If the input signal is a single channel monaural use the MONO setting Solo SOLO OFF ON Solo within the monitor mix Mute MUTE OFF ON Mute within the monitor mix Pan PAN L 10096 R 100 Adjust the pan within the monitor mix Volume VOLUME 6 dB Monitor volume Output Destination Settings The output of the m
128. he illustration below remove three screws each from the left and right sides of the VS 700R A 5 5 n an o 5 un lt Va N o A A o 5 e lt e N o o E o Hn D 5 8 TT 3 lt 4 Install the unit in the rack as appropriate for your situation Fasten the screws securely Becareful not to lose the included screws For safety s sake do not use any screws other than the included ones If you install the system in a 19 rack you must leave at least 1 cm of space outside the intake vent and exhaust vent Becareful when installing the unit in the rack so you do not get your fingers pinched gt 5 5 2 x For the installation refer also to Placement p 6 163 Using only the VS 700C Console Standalone Mode You can connect the VS 700C console via its USB connector directly to your computer and use it as a control surface About the Driver 0 0 0 00 0006 0000000000000000000000000000000000000000000000000000000000909 If you are connecting the VS 700C console via its USB connector directly to your computer you ll need to install the dedicated VS 700C driver The VS 700C driver and a Readme file explaining how to install it are located in the Drivers VS700C folder of the SONAR V STUDIO 700 CD ROM For details on installing the driver refer to the Readme file Settings on the VS 700C 0
129. iecur tenebant eii Pasce dhe eder 84 Compressor Palatietel s uae gate no en er iei cuoi e pda TEE 85 Direct Monitor ET 86 Fantom VS SVnthiesIZzel anun a WEG av dun a SZ Inserting the Fantom VS Plugin 88 Fantom VS Editor Selecting a Sound nn 89 Fantom VS Editor Editing a Sound aai rd RR Go ERN RO RN To select a parameter type ENEE To edit parameter values To initialize a parameter value Overview of the Fantom VS uso eer EE How the Fantom VS is Organized esee Classification of Fantom VS Sound Types About Simultaneous Polyphony About Memory rm Temporary Memory Non Rewritable Memory About the Onboard Effects Effect Types 7 How Effects Units Work inner Cr atind a Pate sacs Seas How to Make Patch Settings Functions of Patch Parameters Settings Common to the Entire Patch GENERAL 10 Contents Changing How a Tone Is Sounded TMTI enen 101 Modifying Waveforms WG rene 105 Modifying the Brightness of a Sound with a Filter TVF TVF Env 109 Adjusting the Volume TVA TVA Env nes Output Settings see Modulating Sounds LFO1 2 Step LFO Controller related settings CTRL Matrix Control Settings Matrix Cl Al Creating a Rhythm Seba hai nre annees Functions of Rhythm Set Parameters tenent
130. ifferent System parameters do and also how these parameters are organized 2 5 System MIDI S 5 Parameter Value Description 7 Rx Program Change a 3 Receive Program Change Switch OFF ON Specifies whether Program Change messages will be received ON or not OFF e n Rx Bank Select t Receive Bank Select Switch OFF ON Specifies whether Bank Select messages will be received ON or not OFF 8 A 0 3 System Sound z o Parameter Value Description Master Tune 415 3 4662 Hz Adjusts the overall tuning of the Fantom VS The display shows the frequency of the A4 note center A c Master Level 0 127 Adjusts the volume of the entire Fantom VS Master Key Shift 24 24 Shifts the overall pitch of the Fantom VS in semitone steps Specifies whether currently sounding notes will continue sounding when another patch or rhythm set is selected ON or not OFF Also when this is ON changes produced by incoming MIDI messages such as Volume or Pan CC 5 7 10 65 68 71 74 RPN 0 1 2 MONO ON POLY ON as well as tonal quality and volume changes produced by the various controllers will be n feos OFF ON inherited 5 Patch Remain Switch NOTE 3 Effects settings change as soon as you switch to a new patch or rhythm set without being influenced by the Patch Remain setting Because of 3 this certain effects settings can cause notes that were until then sounding to no longer be heard even though Patch Re
131. isted in the a Information leaflet separate document e a o Problems with the VS 700C Unit E 3 Fader touch sensitivity does not respond correctly or the fader motor operates incorrectly while you re operating the fader 5 0 60 06 0 00 0006 00000000000000000000000000000000000000000000000000000000090009 un Adjust the touch sensitivity as described in Adjusting the Touch Sensitivity of the Faders p 33 zx o T 9 3 et o 5 lt gt 5 5 2 x 171 Specifications VS 700C VS 700R USB Audio Interface and Controller Number of Audio Record Playback Channels Sampling Frequency 44 1 kHz 48 kHz Record 19 channels Playback 24 channels Sampling Frequency 88 2 kHz 96 kHz Record 15 channels Playback 20 channels Sampling Frequency 192 kHz Record 5 channels Playback 10 channels Signal Processing PC interface 24 bits AD DA Conversion 24 bits Internal 40 bits Sampling Frequency AD DA Conversion 44 1 kHz 48 kHz 88 2 kHz 96 kHz 192 kHz DIGITAL 1 2 IN OUT 44 1 kHz 48 kHz 88 2 kHz 96 kHz INPUT 1 8 40 to 4 dBu PAD ON Nominal t Level 60 to 16 dBu PAD OFF 0100251115 AUX IN 60 to 20 dBu NORMAL 50 to 10 dBu Hi Z Pad 20 dB ON OFF INPUT 1 8 2 dBu PAD OFF Maximum Input Level 22 dBu PAD ON P AUX IN 2 dBu NORMAL SENS min 8 dBu Hi Z SENS min INPUT 1 8 35k ohms Input Impedance AUX
132. k Source p 82 G INPUT Indicators These indicate the input levels from the INPUT connectors and AUX connectors If PEAK has lit the sound has distorted If the cooling fan p 24 has stopped turning because of a malfunction all indicators will blink For details refer to Troubleshooting p 171 H MONITOR MAIN Indicators These will light when audio signals are output from MONITOR MAIN MONITOR SUB Indicators These will light when audio signals are output from MONITOR SUB l OUTPUT 1 10 Indicators These will light when audio signals are output from OUTPUT 1 10 J POWER ON Switch Press this to turn the power on off gt Turning the Power On p 28 K Rackmount brackets If you want to install the system in a 19 rack attach the included rackmount brackets gt Attaching the Rackmount Brackets p 163 20 Panel Descriptions Rear Panel ma T ym CT A ars A TO CONSOLE Connector Use the dedicated cable to connect this to the VS 700C console Do not use any cable other than the dedicated cable gt Connecting Your Computer and Sound Reinforcement Equipment p 27 B ACInlet Connect the included power cord to this inlet Connecting the Power Cord p 26 For details on the power supply and power consumption refer to Specifications p 172 C MIDI IN Connector This is a MIDI input connector You can connect your MIDI keyboard or MIDI controller here This can also be u
133. l be modulated more 2 smoothly connected to create a flowing feel This creates a rapidly for higher settings and more slowly with lower smooth transition between notes which is effective when settings you wish to simulate the hammering on and pulling off Value 64 463 1 techniques used by a guitarist a Turn this parameter ON when you want to use the Legato Vibrato Depth e feature and OFF when you don t If you want to use the a A Legato Switch setting of the patch assigned to the part p For each part this adjusts the depth of the vibrato effect the 9 99 set this to PAT depth at which the pitch is modulated The pitch will be 6 Value OFF ON PAT Roques more greatly for higher settings and less with lower settings This setting is ignored for parts to which a rhythm set is Value 4 3 lt assigned 7 i e Vibrato Delay S Portamento Switch For each part this adjusts the time delay until the vibrato pitch modulation effect begins Higher settings will o Specify whether portamento will be applied Turn this parameter ON when you want to apply Portamento and OFF when you don t If you want to use the Portamento Switch setting of the patch assigned to the part p 100 set Value 64 63 this to PAT Value OFF ON PAT produce a longer delay time before vibrato begins while lower settings produce a shorter time Tl o 5 3 lt a This setting is ignored for parts to which a rhythm
134. leased Value 0 127 After referring to How to Apply the LFO p 119 change the setting until the desired effect is achieved When using violin wind or certain other instrument sounds in a performance rather than having vibrato added immediately after the sounds are played it can be effective to add the vibrato after the note is drawn out somewhat If you set the Delay Time in conjunction with the Pitch Depth parameter and Rate parameter the vibrato will be applied automatically following a certain interval after the key is pressed This effect is called Delay Vibrato Delay Time KF LFO1 LFO2 Delay Time Keyfollow Adjusts the value for the Delay Time parameter depending on the key position relative to the C4 key center C To decrease the time that elapses before the LFO effect is applied the effect is continuous with each higher key that is pressed in the upper registers select a positive value to increase the elapsed time select a negative value Larger settings will produce greater change If you do not want the elapsed time before the LFO effect is applied the effect is continuous to change according to the key pressed set this to 0 Value 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 Time 118 Fade Mode LFO1 LFO2 Fade Mode Specifies how the LFO will be applied Value ON IN ON OUT OFF IN OFF OUT After re
135. lips selecting 0 Free Edit Cursor whole clip Move Free Edit Make a time range Left Right Move Free Edit Cursor horizontally 9 e 2 Reserved selection using the cursors Cursor horizontally by clips selecting hole cli Free Edit Cursor whole clip 7 5 SELECT Enable Move mode Reserved Center Free Edit Moye Five Edit et Cursor Cursor to Now Time o 5 lt n You cannot select discontinuous clips across different tracks Clip select will not loop the screen when selection reaches the end of the project Selection will end To clear the selection Push and hold the LEFT FLAG button P then push the RIGHT FLAG button m 5 2 x 61 JOG SHUTTLE CURSOR Section Edit Mode Edit mode lets you use the Jog Shuttle wheel and cursor buttons to nudge the selected data apply clip fades and crop clip edges To Enable Editing with the Jog Shuttle Wheel 1 2 Make a selection see To enable Select by Time mode default p 61 Press the EDIT button To Crop the Selected Clip s Select a clip by using the Free Edit Tool see Select Mode p 61 Press the EDIT button Do one of the following To crop the left clip edge press the r button in the RECORD EDIT section To crop the right clip edge press the button in the RECORD EDIT section The P 1ort 1 button is lit to indicate Crop edit mode Turn the Jog or Shuttle wheel When you are finished editing press the EDIT
136. ls 24 20 10 80 Switching the Sampling Rate Setting SONAR s Sampling Rate o n SONAR you cannot change the sampling rate of a project that contains audio data S s 1 Startup SONAR 2 2 Ifan Audio Driver Error is displayed during startup click Use Anyway e 3 Choose Options Audio to display the Audio Options dialog box E 4 Onthe General tab of the dialog select a value in the Sampling Rate dropdown menu and a c value from the Audio Driver Bit Depth dropdown menu 5 Click OK to close the Audio Options dialog box lt Wi If you are asked to restart SONAR follow the on screen instructions After you ve changed the sampling rate we ur recommend that you execute Wave Profiler located in the same dialog box 8 A 9 6 Restart SONAR The newly selected sampling rate will be in effect T Selecting a high sampling rate will allow you to handle audio at a higher quality but this will require a greater level of performance from your CPU memory and hard disk If you are unsure about the performance of your computer we recommend that you use 44 100 Hz or 48 000 Hz The sampling rate setting is also reflected in new project files that you subsequently create lt M e 5 D e sAwojue xipueddy 81 Audio Clock Source You can choose one of four types of clock source The current clock source is shown by the front panel SYNC indicator In the c
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138. lume of the sound that has passed through i Multi Effects Output Level chorus 2 Adjusts the volume of the sound that has passed through the Value 0 127 multi effects Value 0 127 D Chorus Output Select Specifies how the sound routed through chorus will be 8 MFX Chorus Send Level output 3 Multi Effects Chorus Send Level Value A Adjusts the amount of chorus for the sound that passes MAIN Output to the OUTPUT jacks in stereo S through multi effects If you don t want to add the Chorus REV Output to reverb in mono CA 0 007 M R Output to the OUTPUT jacks in stereo and to Value 0 127 reverb in mono A x MFX Reverb Send Level o O Reverb n Multi Effects Reverb Send Level a o Adjusts the amount of reverb for the sound that passes 2 through multi effects If you don t want to add the Reverb Reverb Type o upu effect set it to 0 Selects the type of reverb Value 0 127 Value 0 Off Reverb is not used a Chorus 1 Reverb Normal reverb a e 2 SRV Room This reverb simulates typical room m acoustic reflections 6 Chorus Type 3 SRV Hall This reverb simulates typical concert hall Selects either chorus or delay acoustic reflections Value 4 SRV Plate This reverb simulates a reverb plate a 0 Off Neither chorus or delay is used popular type of artificial reverb unit that 1 Chorus Chorus is used derives its sound from the vibration of a metallic plate You can also achieve unusual metallic sounding re
139. m of the tone Cutoff Frequency value and the patch and part Cutoff Offset values If the tone s cutoff frequency is already set to 127 maximum there will be no change produced by setting the Cutoff Offset to a positive value Resonance Offset Adjusts the Resonance for the patch or rhythm set assigned to a part Value 64 63 NOTE Patches also have a Resonance Offset setting p 98 The final Resonance value is the sum of the tone Resonance value and the patch and part Resonance Offset values If the tone s resonance is already set to 127 maximum there will be no change produced by setting the resonance offset to a positive value 138 Attack Time Offset Adjusts the TVA TVF Envelope Attack Time for the patch or rhythm set assigned to a part Value 64 63 Patches also contain the Attack Time Offset setting p 98 The final TVA Envelope attack time value is therefore the sum of the tone s TVA Envelope Time 1 setting the patch s Attack Time Offset and the part s Attack Time Offset If the tone s Time 1 parameter is already set to 127 maximum there will be no change produced by setting the Attack Time Offset to a positive value The same applies to the TVF envelope Release Time Offset Adjusts the TVA TVF Envelope Release Time for the patch or rhythm set assigned to a part Value 64 63 pri Patches also contain a Release Time Offset setting p 99 The final TVA Envelope release time value is theref
140. main has been set to on gt 9 5 x 151 System Settings System Control Parameter Value Description System Control Assign selects the MIDI message used as the System Control OFF OFF The system control knob will not be used Source 1 4 CC01 31 33 95 CC01 31 33 95 Controller numbers 1 31 33 95 PITCH BEND PITCH BEND Pitch Bend AFTERTOUCH AFTERTOUCH Aftertouch System Control This function which departs from previously used methods and instead allows you to use MIDI messages to change tone settings in realtime is called the Matrix Control p 121 Similarly the function allowing you to use MIDI messages to change multi effects settings in realtime is called the Multi effects Control p 149 Normally the Matrix Control is used for making patch settings and the Multi effects Control for making settings to patches rhythm sets and performances However if you do not need to change the MIDI messages used for matrix control or multi effects control by each patch rhythm set performance or if you want to use a specific MIDI message for matrix control or multi effects control you will want to make use of System Control In other words you could call the System Controls global Matrix Control Multi effects Control for the entire Fantom VS You can use up to four System Controls 152 Appendix ee use CONSOLE INPUT Ei Ei a MIDI DIGI
141. multi effects parameters to be controlled with the multi effects control The multi effects parameters available for control will depend on the multi effects type 148 Control 1 4 Sens Multi Effects Control 1 4 Sensitivity Sets the amount of the multi effects control s effect that is applied To make an increase in the currently selected value to get higher values move to the right increase rates and so on select a positive value to make a decrease in the currently selected value to get lower values move to the left decrease rates and so on select a negative value For either positive or negative settings greater absolute values will allow greater amounts of change Set this to 0 if you don t want to apply the effect Value 63 63 MFX Control Channel Multi Effects Control Channel This determines the channel that will be used for reception when using the Multi effects Control to modify multi effects parameters in real time when the MFX1 3 Source parameter p 149 is set to PRF Set this to DFF when the Multi effects Control is not being used Value 1 16 OFF Multi Effects Control If you wanted to change the volume of multi effects sounds the delay time of Delay and the like using an external MIDI device you would need to send System Exclusive messages MIDI messages designed exclusively for the Fantom VS However System Exclusive messages tend to be complicated and the amount of data that need
142. n The channels cannot be set so as not to receive Pan amount of data that needs to be transmitted can get 5 messages quite large 2 For that reason a number of the more typical of the 2 Tone Redamper Sw Tone Redamper Switch Fantom VS s tone parameters have been designed so 3 they accept the use of Control Change or other MIDI You can specify on an individual tone basis whether or not messages for the purpose of making changes in their the sound will be held when a Hold 1 message is received values This provides you with a variety of means of lt after a key is released but before the sound has decayed to changing the way patches are played For example you 2 silence If you want to sustain the sound set this ON When can use the Pitch Bend lever to change the LFO cycle 2 using this function also set the Rx Hold 1 parameter ON rate or use the keyboard s touch to open and close a n This function is effective for piano sounds filter 8 Value OFF ON The function which allows you use MIDI messages to S make these changes in realtime to the tone parameters D is called the Matrix Control Up to four Matrix Controls can be used in a single patch To use the Matrix Control specify which MIDI message a Source parameter will be used to control which a parameter Destination parameter and how greatly Sns parameter and the tone to which the effect is Tl o 5 3 lt vi xipueddy Creating a Patch Control
143. n Parameters 1 Inthe CHANNEL STRIP CONTROL section press the ACT button to enable ACT mode 2 Asdescribed below place the focus on the plug in that you want to control To switch ACT context to the first FX in the selected channel strip s FX bin Hold down the SHIFT modifier button and press the ACT button in the CHANNEL STRIP CONTROL section To switch ACT context to the first synth in the Synth Rack Hold down the CTRL modifier button and press the ACT button in the CHANNEL STRIP CONTROL section To navigate to other ACT contexts Hold down the COMMAND modifier button and press the PAGE LEFT or PAGE RIGHT button 3 Usethe rotary encoders and buttons in the CHANNEL STRIP CONTROL section to control the desired parameter s You can also use the T bar to control a single ACT parameter For more information about using the T bar refer to T Bar Section p 69 76 700R I O VS VS 700R SONAR V STUDIO I O INPUT an 1 a a i OUTPUT R Di ee D ij OOOO OOOO Ez E E d
144. n also use the T Bar to control Front Rear Balance refer to T Bar Section p 69 You can move the active window in SONAR by holding down the COMMAND modifier button and moving the Surround Panner move the joystick until it catches the window 68 T Bar Section O The T Bar lets you control the Front Rear Balance parameter in the surround panner an ACT parameter or the X Ray opacity 8 A T Bar B LEDs C FR BAL button D ACT button E X RAY button F VIDEO CTRL button Suon oeuuo X RAY VIDEO CTRL The joystick surround panner can control both Width and Front Rear Balance simultaneously refer to SURROUND Section p 68 The T Bar section contains the following controls lt 2 N e n a 5 un Interface Explanation T Bar Adjusts the value of the selected T Bar parameter FR BAL ACT or X RAY In FR BAL mode indicates if the T Bar value is above the corresponding Front Rear Balance value LED on the selected channel strip In FR BAL mode indicates if the T Bar value is below the corresponding Front Rear Balance value on the selected channel strip 0 LED When working with surround sound lets you control the balance between the front and rear FRBAL speakers of the selected channel strip s main surround panner same as using the surround joystick panner ACT Lets you use the T Bar as a full time ACT control reg
145. nch record The ARM button will light red Press the DN button to start recording When you ve finished recording press the ER button to stop recording Press the LOOP button The LOOP button will light RECORD EDIT Section To Specify the Loop Region 1 Select transport mode p 58 9 2 Hold down the SHIFT button and press the LOOP button The LOOP and P buttons will 2 blink 3 Use the jog shuttle and cursor to move to the loop start point g 4 Press the button The LOOP and buttons will blink A et S 5 Usethe jog shuttle and cursor to move to the loop end point a 6 Pressthe LOOP button To Insert a Marker 1 Use the jog shuttle and cursor to move to the time at which you want to insert a marker lt 2 N e n al 5 KA 2 2 Press the MARKER button a 3 The marker dialog box will appear 3 7 4 As desired edit the name the time and the groove clip pitch 5 Press the OK ENTER button 3 To Access the Marker View 3 3 lt 1 Hold down the COMMAND button and press the MARKER button A 2 The marker view will appear 1 To View Marker Information in the Console 3 2 x 1 Hold down the SHIFT button and press the MARKER button 2 Marker information will appear in the console 73 Controlling Plug ins from the VS 700C Console You can display insert delete and bypass track and bus plug ins directly from the VS 700C Consol
146. nd mn 142 Receive Polyphonic Key Pressure EE 142 Index Fantom VS Receive Program Change en 142 Receive Switch Jai e ERA Ge EER 141 Receive VOLUME ENEE ENEE tee 143 Relative Level sure nn 126 Release Time Offset nr 99 138 Resonance 110 11 Rhythm Set asicseesde tope gabe ipte ice 131 Resonance Offset rene 98 138 Resonance V Sens PATER atc ta Seta 111 Rhythm Set e nn 132 Reverb nn 95 147 Reverb Output Level nee 148 Reverb Send Level nn 138 Reverb SOUICe 3325 en AE ees 150 Reverb Type ssl 147 Rhythm Generals nine 125 Rhythm Lev l E 125 Rhythm Out ASSIGN rs 135 Rhythm Output nn 135 Rhythm Pite ce eerie eee 129 Rhythm Pitch Env ette etit eere 130 Rhythm Set Parameter ss 125 RhYthin Sets e ee Ree REN e eee 92 Rhythm Tone Name rs 125 Rhythm TVA Rhythm TVA Env Rhythm TVF Rhythm TVR du Rhythm Wave dc e aaa e E Ring Modulator SAAR ae ett elle DEE Rx Bank Select ee arte teet ettet System FUNCTION rennes 151 Rx Channel Pressure RX EXpressiOn sen nest ain RXHOIQET nn ind Rx Modulation RAPA uso RR A RE A tM die Rx Pitch Bend Rx Poly Key Pressure rs Rx Program Change 142 151 RX VON ea ns E A pie 143 S Segel Deeg 141 Sel cting a Sounds tette ettet 89 Simultaneous Polyphony nn 93 SOLOS WICH Seas 136 182 Source
147. ng dynamics will affect the This allows keyboard velocity to modify the amount of Resonance If you want strongly played notes to havea greater Resonance effect set this parameter to positive 4 depth of the TVF envelope Positive settings will cause the TVF envelope to have a greater effect for strongly played notes and negative settings will cause the effect to be less settings If you want strongly played notes to have less Value 63 463 Resonance use negative settings Value 63 463 F Env T1 V Sens TVF Envelope Time 1 Velocity Sensitivity This allows keyboard dynamics to affect the Time 1 of the TVF envelope If you want Time 1 to be speeded up for strongly played notes set this parameter to a positive 4 value If you want it to be slowed down set this to a negative value Value 63 63 132 Creating a Rhythm Set F Env T4 V Sens TVF Envelope Time 4 Velocity Sensitivity Adjusting the Volume TVA TVA Env The parameter to use when you want key release speed to o control the Time 4 value of the TVF envelope If you want Rhythm TVA S Time 4 to be speeded up for quickly released notes set this P parameter to a positive value If you want it to be slowed 2 down set this to a negative value Tone Level Rhythm Tone level Value 263263 Sets the volume of the rhythm tone Use this parameter to adjust the volume balance between rhythm tones F Env Time 1 4 TVF Envelope Time 1 4
148. ns p 67 can be used to extend the functions as follows FADER VIEW mode SOLO SHIFT SOLO a TRACK Solo unsolo Enable Disable Solo Override BUS Solo unsolo Reserved 2 MAIN Reserved Reserved S a Track Arm ARM lt 72 Use the ARM button to arm the track for recording When the track is armed for recording the ARM button is lit 3 When one or more channels are armed for recording the Rude ARM button is lit as a convenient reminder You can a press the Rude ARM button to quickly disarm all tracks For more information about Rude ARM refer to Rude Q MUTE Rude SOLO Rude ARM Buttons p 40 2 The modifier buttons p 67 can be used to extend the functions as follows FADER VIEW mode ARM lt TRACK Arm for recording n N BUS Reserved MAIN Reserved o T Ei 3 etx o 3 lt un gt T ke 5 2 x lt 35 CHANNEL STRIP Section Strip Select SEL Use the SEL button to activate the CHANNEL STRIP CONTROL section for the selected channel which allows you to control EQ and Send parameters for that channel The eight SEL buttons are mutually exclusive so only one channel at a time can be selected When enabled the SEL button stays lit The modifier buttons p 67 can be used to extend the functions as follows The SEL button is not bi directional Changing the current track in SONAR will not change the selected channel on t
149. nside the unit Damage or malfunction may result if you attempt to use the unit in this condition Therefore before using the unit you must allow it to stand for several hours until the condensation has completely evaporated Depending on the material and temperature of the surface on which you place the unit its rubber feet may discolor or mar the surface You can place a piece of felt or cloth under the rubber feet to prevent this from happening If you do so please make sure that the unit will not slip or move accidentally Maintenance For everyday cleaning wipe the unit with a soft dry cloth or one that has been slightly dampened with water To remove stubborn dirt use a cloth impregnated with a mild non abrasive detergent Afterwards be sure to wipe the unit thoroughly with a soft dry cloth Never use benzine thinners alcohol or solvents of any kind to avoid the possibility of discoloration and or deformation Additional Precautions Useareasonable amount of care when using the unit s buttons sliders or other controls and when using its jacks and connectors Rough handling can lead to malfunctions Never strike or apply strong pressure to the display Asmall amount of noise may be heard from the display during normal operation When connecting disconnecting all cables grasp the connector itself never pull on the cable This way you will avoid causing shorts or damage to the cable s int
150. o 0 Value 0 127 Level Fade Lower Fade Upper Range Lower Range Upper TMT Velocity Control TMT Velocity Control Switch TMT Velocity Control determines whether a different tone is played ON or not OFF depending on the force with which the key is played velocity When set to RANDOM the patch s constituent tones will sound randomly regardless of any Velocity messages When set to CYCLE the patch s constituent tones will sound consecutively regardless of any Velocity messages Value OFF ON RANDOM CYCLE NOTE Instead of using Velocity you can also have tones substituted using the Matrix Control p 105 However the keyboard velocity and the Matrix Control cannot be used simultaneously to make different tones to sound When using the Matrix Control to switch tones set the Velocity Control parameter to OFF Velo Fade Lower Velocity Fade Width Lower This determines what will happen to the tone s level when the tone is played at a velocity lower than its specified velocity range Higher settings produce a more gradual change in volume If you want notes played outside the specified key velocity range to not be sounded at all set this to 0 Value 0 127 104 Velo Range Lower Velocity Range Lower This sets the lowest velocity at which the tone will sound Make these settings when you want different tones to sound in response to no
151. o create It s hard to create a new sound that s exactly what you Patch General want if you just select a patch and modify its parameters ee REL T dd M b ES at random It makes sense to start with a patch whose sound is related to what you have in mind Patch Category Decide which tones will sound Specifies the type category of the patch When creating a patch it is important to decide which Cat Content tones you are going to use Set Tone Switch 1 4 to ER 2 specify whether each tone will sound on or not off It No Assign No assign is also important to turn off unused tones to avoid PNO AC Piano Acoustic Piano wasting voices unnecessarily reducing the number of simultaneous notes you can play EP 09 Electric Piano 3 Other Keyboards Check the Structure setting KEY Keyboards lay Harpsichard etc The important Structure parameter determines how the BEL Bell Bell Bell Pad four tones combine Before you select new tones make sure you understand how the currently selected tones MLT Mallet Mallet are affecting each other ORG Organ Electric and Church Organ Turn Effects off ACD Accordion Accordion Since the Fantom VS effects have such 3 profound HRM imene Harmonica Blues Hat impact on its sounds turn them off to listen to the AGT AC Guitar Acoustic Guitar sound itself so you can better evaluate the changes you re making Since you will hear the original sound of EG
152. ode parameter p 125 is set to NO SUS Value OFF ON Relative Level Corrects for the volume of the rhythm tone This parameter is set by the key based controller system exclusive message Normally you should leave it set to 0 Value 64 63 If the rhythm tone level is set to 127 the volume will not increase beyond that point Modifying Waveforms WG With rhythm tones sounds are created by combining up to four Waves eight for stereo Tips on Creating a Rhythm Tone The Waves for the bass drum snare hi hat toms and other percussion instruments are each assigned to one rhythm tone When adding 3D effects to the sound make the Pan settings for each rhythm tone individually Rhythm Wave Wave No L Mono Wave Number L Mono Wave No R Wave Number R This selects the Waves comprising the rhythm tone Along with the Wave number the Wave name will appear at the lower part of the display When in monaural mode only the left side L is specified When in stereo the right side R is also specified Value 1 1240 When using a multisample in stereo you must specify the same number for L and R Wave Gain Sets the gain amplification of the waveform The value changes in 6 dB decibel steps an increase of 6 dB doubles the waveform s gain Value 6 0 6 12 FXM Switch This sets whether FXM will be used ON or not OFF Value OFF ON Creating a Rhythm Set FXM FXM
153. ogram Change Switch For each MIDI channel specify whether MIDI Program Change messages will be received ON or not OFF Rx Bank Select Receive Bank Select Switch For each MIDI channel specify whether MIDI Bank Select messages will be received ON or not OFF Rx Pitch Bend Receive Pitch Bend Switch For each MIDI channel specify whether MIDI Pitch Bend messages will be received ON or not OFF Rx Poly Key Pressure Receive Polyphonic Key Pressure Switch For each MIDI channel specify whether MIDI polyphonic key pressure messages will be received ON or not OFF Rx Channel Pressure Receive Channel Pressure Switch For each MIDI channel specify whether MIDI Channel Pressure messages will be received ON or not OFF Rx Modulation Receive Modulation Switch For each MIDI channel specify whether MIDI Modulation messages will be received ON or not OFF Rx Volume Receive Volume Switch For each MIDI channel specify whether MIDI Volume messages will be received ON or not OFF Rx Pan Receive Pan Switch For each MIDI channel specify whether MIDI Pan messages will be received ON or not OFF Rx Expression Receive Expression Switch For each MIDI channel specify whether MIDI Expression messages will be received ON or not OFF Rx Hold 1 Receive Hold 1 Switch For each MIDI channel specify whether MIDI Hold 1 messages will be received ON or not OFF Phase
154. one jacks located on the front panel of the console They monitor either the MAIN port or SUB port and each has a switch on the console to select the signal that it will monitor The volume can be adjusted independently for each jack AUDIO OUTPUT Section p 70 17 60 o 2 5 n E o 5 n SA wojue 0 81050000 0 xipueddy Panel Descriptions Rear Panel 18 cakewaik by Roland TO I O Connector Use the dedicated cable to connect the VS 700C Console to the VS 700R I O unit Do not use any cable other than the dedicated cable gt Connecting Your Computer and Sound Reinforcement Equipment p 27 USB Connector By connecting the USB connector of the console directly to your computer without using the VS 700R 1 0 unit you can use the console as a control surface Using only the VS 700C Console Standalone Mode p 164 SETTING DIP Switches Change the settings of these switches if you have connected the console directly to your computer without using the VS 700R I O unit Using only the VS 700C Console Standalone Mode p 164 FOOT SW Jacks Here you can connect two foot switches 2 Starting Stopping Playback With a Foot Switch p 55 LCD CONTRAST Knob This adjusts the brightness of the LCD display AC Inlet Connect the included power cord to this inlet Connecting the Power Cord p 26 POWER ON Switch Press to turn the power on off Turning the Power On
155. onitor mixer can be mixed to the following three audio outputs You can select multiple output destinations simultaneously but the same signal will be output If you re monitoring through headphones select Main or Sub 86 Setting Screen label State Explanation Main output MAIN OFF ON Main output Sub output SUB OFF ON Sub output Digital output 1 DIGITAL 1 OFF ON Digital output 1 Fantom VS Synthesizer INPUT USB CONSOLE D a MIDI DIGITAL a ED CE SAMPLE RATE SYNC Uu p e ajs SONAR V STUDIO I O VS 700R 3 2 1 en Ca UT NR CO Wore cl ta Ci sos r5 MONITOR OUTPUT EUR a00 le Inserting the Fantom VS Plug In 88 The Fantom VS Editor is a VSTi soft synth that is inserted just like any other plugin soft synth Start SONAR Start a new project or open an existing project see the SONAR online Help for details Do one of the following to insert the Fantom VS Editor soft synth On the Insert menu point to Soft Synths and select Fantom VS In the Synth Rack view click the Insert Soft Synth and ReWire devices button and select Fantom VS from the popup menu The Insert Soft Synth Options dialog appears Select the Simple Instrument Track check box then click OK to close the Inse
156. ons to nudge the selected o Edit mode data apply clip fades and crop clip edges For more information refer to Edit Mode p 62 Lets you control the playback speed with the Jog Shuttle wheel For more 0 6 information refer to Scrub Play Mode p 63 M 3 o iR 5 The following shortcuts apply to all modes lt x n COMMAND Jog Wheel momentarily enables horizontal zoom SHIFT COMMAND Jog Wheel momentarily enables Fly Over horizontal scroll CTRL COMMAND Jog Wheel momentarily enables vertical zoom CTRL SHIFT COMMAND Jog Wheel momentarily enables vertical scroll gt T mo 5 2 x 57 JOG SHUTTLE CURSOR Section Transport Mode Default Transport mode lets you use the Jog Shuttle wheel to navigate the Now time The Jog wheel can navigate by either SMPTE or Bars Beats time depending on the current Time Display mode refer to Time Display p 48 To Enable Navigation with the Jog Shuttle Wheel The Jog Shuttle wheel is in Transport mode by default Transport mode is enabled when the EDIT SCROLL ZOOM and SELECT buttons are disabled The modifier buttons p 67 can be used to extend the functions as follows Button Default function SHIFT COMMAND CTRL SHIFT COMMAND COMMAND Navigate to the B S Move Now Marker Zoom in out Zoom in out Fly Over Jog next previous ba by Beat horizontall verticall horizontall or second y y y y Shuttle Fast forward Rese
157. ontrol Sens to 63 Selecting a lower value may prevent switching of the tones Furthermore if you want to reverse the effect set the value to 63 Ifyou want to use matrix control to switch smoothly between tones use the Velo Fade Lower and Velo Fade Upper parameters p 104 The higher the values set the smoother the switch is between the tones 123 O 5 1330000 8 8105000 500Z SA 0 Tl o 5 3 lt a xipueddy Creating a Patch Changing the Depth of Frequency Modulation for FXM FXM DEPTH Changing Specific Multi Effects Parameters MFX CTRL1 4 Change the parameter that was specified by MFX Control 1 4 Assign parameter Dod If you have not made the necessary settings for using the multi effect the multi effect will not be applied even if you attempt to control it as a Matrix Control destination e If you re not using Matrix Control OFF Matrix Control will not be used CTRL Sens 1 4 Matrix Control Sens 1 4 Sets the amount of the Matrix Control s effect that is applied If you wish to modify the selected parameter in a positive direction i e a higher value toward the right or faster etc from its current setting select a positive value If you wish to modify the selected parameter in a negative direction i e a lower value toward the left or slower etc from its current setting select a negative value For either positive
158. ore the sum of the tone s TVA Envelope Time 4 setting the patch s Release Time Offset and the part s Release Time Offset If the tone s Time 4 parameter is set to 127 maximum there will be no change in the Release Time Offset even when this is set to a positive value The same applies to the TVF envelope Decay Time Offset Adjusts the TVA TVF Envelope Decay Time for the patch or rhythm set assigned to a part Value 64 63 Creating a Performance Mono Poly Portamento Time Set this parameter to MONO when the patch assigned to When portamento is used this specifies the time over which the part is to be played monophonically or to POLY when the pitch will change Higher settings will cause the pitch o the patch is to be played polyphonically If you want to use change to the next note to take more time If you want to use S the Mono Poly setting of the patch assigned to the part p the Portamento Time setting of the patch assigned to the E 99 set this to PAT part p 100 set this to PAT a Value MONO POLY PAT Value 0 127 PAT This setting is ignored for parts to which a rhythm set is This setting is ignored for parts to which a rhythm set is assigned assigned a o 3 Legato Switch Vibrato Rate 2 You can add legato when performing monophonically The For each part adjust the vibrato speed the rate at which the a term legato refers to a playing style in which notes are pitch is modulated The pitch wil
159. own original works can be recorded or duplicated freely Do not use this unit for purposes that could infringe on a copyright held by a third party We assume no responsibility whatsoever with regard to any infringements of third party copyrights arising through your use of this unit IMPORTANT NOTES Microsoft and Windows and Windows Vista are registered trademarks of Microsoft Corporation The screen shots in this document are used in compliance with the guidelines of the Microsoft Corporation e Windows is known officially as Microsoft Windows operating system ASIO and VST are trademarks of Steinberg Media Technologies AG MMP Moore Microprocessor Portfolio refers to a patent portfolio concerned with microprocessor architecture which was developed by Technology Properties Limited TPL Roland has licensed this technology from the TPL Group All product names mentioned in this document are trademarks or registered trademarks of their respective owners O sAwojue O IH007 SA 2105U03300 SA X Suon euuo Contents USING THE UNIT SAFELY ceret dee aci terree tete eerte stet 3 IMPORTANT NOTES ee ed 6 Overview of the V 200 13 Main Features set e en EE 14 Main Features of the VS 700C Console eene ntnntn testen tutte tenian 14 Main Features of the VS 700R Orne 14 Panel Descriptions SSSR 15 VS 700C Console P 15 Top
160. pen Large Transport Reserved Reserved Reserved Reserved NEXT five 112061 open Reserved Reserved Reserved Reserved window CLOSE Close current window Reserved Reserved Reserved Reserved FADE Apply Fade Selected Clips Reserved Reserved Reserved Reserved command CUT Cut selected data Reserved Reserved Reserved Reserved FREEZE Apply Freeze Track command Reserved Reserved Reserved Reserved COPY Copy Sete ata te Reserved Reserved Reserved Reserved clipboard SPLIT Split selection at Now marker Reserved Reserved Reserved Reserved PASTE 0 data 0 Reserved Reserved Reserved Reserved track and Now Time CLIP MUTE Toggle dip Beer Reserved Reserved Reserved Reserved selected clip s DELETE Delete selected data Reserved Reserved Reserved Reserved 65 O 8 5 33000 lt 2 N e n al 5 KA 9 SA wojue 0 xipueddy ACCESS PANEL Section Assignable Buttons Mapping Assignable ACCESS PANEL Buttons 66 To map assignable ACCESS PANEL buttons Do one of the following to open the VS 700 property page On SONAR s Tools menu click VS 700 Onthe Controllers Surfaces toolbar Views Toolbars Controllers Surfaces make sure VS 700 is selected in the dropdown menu and then click the Properties button 3 On the VS 700C Console press COMMAND I O CONTROL buttons The VS 700 property page appears Click the SURFACE
161. phony 128 voices Wave Memory 128 M bytes 16 bit linear equivalent Preset Patches 1 152 256 GM2 Rhythm Sets 19 9 GM2 ARX Series Expansion 1slot VS 700C Console Display 32 characters 2 lines backlit LCD x 2 40 characters 2 lines backlit LCD x 1 VS 700C Console AUX IN jack 1 4 inch phone type PHONES jacks PHONES1 2 Stereo 1 4 inch phone type FOOT SW jacks FOOT SW 1 2 1 4 inch phone type USB connector USB Type B AC Inlet VS 700R 1 0 INPUT jacks 1 8 XLR type 1 4 inch TRS phone type MONITOR MAIN jacks L R XLR type Connectors MONITOR SUB jacks L R 1 4 inch TRS phone type OUTPUT jacks 1 10 1 4 inch TRS phone type WORD CLOCK connector IN OUT BNC type DIGITAL 1 connectors AES EBU IN OUT XLR type COAXIAL IN OUT RCA phono type DIGITAL 2 connectors ADAT IN OUT Optical type MIDI connectors IN OUT 5 pin DIN type USB connector USB type B AC Inlet XLR type 1 GND 2 HOT 3 COLD Power Supply AC 117 V AC 230 V AC 240 V 50 60 Hz Current Consumption Power Consumption VS 700C Console 0 31 A 31 W AC 117 V 0 21 A 31 W AC 230 V AC 240 V VS 700R I O 0 51 A 33 W 117 V 0 35 A 39 W AC 230 V AC 240 V 173 O Suon oeuuo 8 8165000 500Z SA 0 Tl o 5 5 lt a Specifications VS 700C Console 730 W x 430 9 D x 126 5 H mm Dimensions 28 3 4 W x 17 D x 5 H inches mension VS 700R I O 433 9 W
162. pitch to rise one octave as on a conventional P Env Depth Pitch Envelope Depth keyboard set this to 100 If you want the pitch to rise two Adjusts the effect of the Pitch Envelope Higher settings will octaves set this to 200 Conversely set this to a negative cause the pitch envelope to produce greater change value if you want the pitch to fall With a setting of 0 all Negative settings will invert the shape of the envelope keys will produce the same pitch Value 12 12 Value 200 190 180 170 160 150 140 130 120 10 100 90 8070 69 530 710 530 520 710 P Env V Sens Pitch Envelope Velocity Sensitivity 0 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 170 Keyboard playing dynamics can be used to control the depth 180 190 200 of the pitch envelope If you want the pitch envelope to have more effect for strongly played notes set this parameter to a Pitch positive value If you want the pitch envelope to have less effect for strongly played notes set this to a negative value Value 63 63 P Env T1 V Sens Pitch Envelope Time 1 Velocity Sensitivity This allows keyboard dynamics to affect the Time 1 of the Pitch envelope If you want Time 1 to be speeded up for strongly played notes set this parameter to a positive value If you want it to be slowed down set this to a negative value Value 63 63
163. plugs Mics with phone plugs VS 700C Front Panel For a mic NORMAL f select the NORMAL setting u Use this to adjust the recording level Connecting Synthesizers or Audio Equipment VS 700R Rear Panel If you want to connect equipment such as a synthesizer or effects processor use audio cables to connect the output connectors of such devices to the VS 700R s INPUT jacks 1 2 Connecting a Guitar or Bass VS 700C Front Panel If you want to connect a guitar or bass directly connect it to the AUX IN jack located on the front panel of the VS 700C console For a guitar or bass NORMAL4 f select the Hi Z setting Use this to adjust the recording level 78 Connecting Recording Equipment o lt m S 2 P o P Connecting a Digital Audio Source If you want to digitally connect a DAT or similar device connect its output connector e g DIGITAL OUT connector to the VS 700R s DIGITAL IN connector VS 700R Rear Panel 60 The DIGITAL 1 coaxial connector and AES EBU connector are a mutually exclusive selection To make your choice go to SONAR s Tools menu open VS 700 select the MIC D PRE tab and make the desired setting in the DIGITAL 1 INPUT field DIGITAL 1 Using an i INPUT AES EBU a coaxial 1 1 If you re connecting an ADAT device connector connector A connect it to
164. ps 50 cents to 0 Value 50 50 x Value 0 127 e One cent is 1 100th of a semitone n Level IR Set the fine tuning for Waves comprising the rhythm S Velocity tones with the Wave Fine Tune parameter p 127 o EE MN TAT Tone Random Pitch Depth 5 This specifies the width of random pitch deviation that will u occur each time a key is pressed If you do not want the pitch 8 to change randomly set this to 0 These values are in units 7 of cents 1 100th of a semitone Value 0 1 2 3 4 5 6 7 8 9 10 20 30 40 50 60 70 80 90 100 200 300 400 500 600 700 800 900 1000 1100 1200 Tl o 3 3 lt a xipueddy 129 Creating a Rhythm Set Rhythm Pitch Env P Env Depth Envelope Depth Adjusts the effect of the Pitch Envelope Higher settings will cause the pitch envelope to produce greater change Negative settings will invert the shape of the envelope Value 12 12 P Env V Sens Pitch Envelope Velocity Sensitivity Keyboard playing dynamics can be used to control the depth of the pitch envelope If you want the pitch envelope to have more effect for strongly played notes set this parameter to a positive value If you want the pitch envelope to have less effect for strongly played notes set this to a negative value Value 63 63 P Env T1 V Sens Pitch Envelope Time 1 Velocity Sensitivity This allows keyboard dynamics to affect the Time 1 of
165. put Value MFX Output in stereo through multi effects You can also apply chorus or reverb to the sound that passes through multi effects L R Output in stereo without passing through multi effects L R Output in mono without passing through multi effects Ifthe Rhythm Output Assign is set to anything other than TONE these settings will be ignored Chorus and reverb are output in mono at all times The output destination of the signal after passing through the chorus is set with the Chorus Output Select p 147 Creating a Rhythm Set Tone Out Level Set the level of the signal that is sent to the output destination specified by Patch Tone Output Assign Value 0 127 Tone Chorus Send Send Level Output MFX Specifies the level of the signal sent to the chorus for each tone if the tone is sent through MFX Value 0 127 Tone Reverb Send Send Level Output MFX Specifies the level of the signal sent to the reverb for each tone if the tone is sent through MFX Value 0 127 Tone Chorus Send Send Level Output non MFX Sets the level of the signal sent to chorus for each tone if the tone is not sent through MFX Value 0 127 Tone Reverb Send Send Level Output non MFX Sets the level of the signal sent to reverb for each tone if the tone is not sent through MFX Value 0 127 135 O 5 1330 000 8 81065000 500Z SA 0 Tl o 5 3 lt a
166. puter via a USB cable and is the USB indicator of the VS 700R I O unit lit 28 VS 700C Console mu wee 5 E NN 5 se E E e NE HEEE 7 We ee SONAR v STUDIOT O 5 eO DD Monor ourpur v R pom Overview of the VS 700C Console The VS 700C Console consist of different sections that are used to control SONAR including Nine touch sensitive motorized faders User definable buttons to map via ACT Dedicated section for controlling plug ins and track bus parameters Jog Shuttle wheel Transport controls Surround joystick panner A B C A LCD display p 37 p 51 B T bar p 69 C Time display p 48 D CHANNEL STRIP CONTROL section p 49 E ACCESS PANEL section p 64 F Channel strips p 31 G RECORD EDIT section p 71 H Transport section p 54 I AUDIO OUTPUT section p 70 J SURROUND section p 68 K PROJECT section p 56 L Jog Shut
167. reverse of each other This allows you to shift Sch 2 back and forth between two different tones or combine low less it with the Pan setting to cyclically change the location D Fade Mode ON IN of the sound image Delay Time The time from when the keyboard is played a NOTE until the LFO begins to be applied When the Structure parameter is set to any value from 2 through 10 the output of tones 1 and 2 will be Fade Time The time over which the LFO amplitude will lt combined into tone 2 and the output of tones 3 and 4 reach the maximum after the Delay Time has n will be combined into tone 4 This applies to the Pan elapsed gt Depth parameter settings For this reason tone 1 will e tallow the settings of tone 2 and tone 3 will follow the e Apply the LFO immediately when the key is o settings of tone 4 p 101 pressed and then gradually begin to S decrease the effect Patch Step LFO high more Delay Time T Fade Time 7 Pitch n Step Type LFO Step Type Cutoff 00 a Leve When generating an LFO waveform from the data specified Pan in LFO Step1 16 specify whether the level will change 6 abruptly at each step or will be connected linearly ders Value TYPE stair step change TYPE2 linear change Fade Mode ON OUT Delay Time The time that the LFO will continue after the Step 1 16 LFO Step 1 16 keyboard is played m Se 2 3 e P Specifies the data for the Step LFO If the LFO Pitch Depth
168. rip Enable SEND SEND mode forthe Reserved Reserved Reserved Reserved selected channel strip Switch ACT Open the Close the Enable ACT context to the property page property page ACT Maps Reserved first synth in the for the current for the current Synth Rack ACT context ACT context p sep bc PAGE LEFT Reserved Reserved through other Reserved EQ SEND or ACT ACT contexts parameters Page through selected track s EQ SEND or ACT parameters Step forward PAGE RIGHT there are up to4 Reserved Reserved through other Reserved pages of ACT ACT contexts parameters for a total of 64 parameters 50 CHANNEL STRIP CONTROL Section EQ SEND and ACT LCD Display O The LCD display above the CHANNEL STRIP CONTROL section shows EQ SEND and ACT information for the selected channel strip depending on which mode is selected The CHANNEL STRIP CONTROL section contains four rows of controls three rows of knobs and one row of buttons Only one row at a time can be shown on the LCD display 8 To specify which row of controls to show on the LCD display Press the DISPLAY button The LEDs above the DISPLAY button indicate which row of controls is shown on the LCD display Suon ouuo CHANNEL STRIP CONTROL LOW SEND1 LOW MID SEND2 HFMID SEND3 HI SEND4 GAIN LEVEL lt 2 N n a 5 un n EG E SEND lt A vi N 8 A DISPLAY button S
169. rned off or when you select another patch performance Non Rewritable Memory Preset Memory Data in Preset memory cannot be rewritten However you can call up settings from preset memory into the temporary area and modify them Overview of the Fantom VS About the Onboard Effects How Effects Units Work The multi effects chorus and reverb effects can be set Effect Types individually The intensity of each effect will be set for each part O 8 The Fantom VS has built in effect units and you can Depending on the settings you can have effect settings for a independently edit each unit s settings patch or rhythm set assigned to a part applied to the entire performance Multi Effects The multi effects are multi purpose effects that completely Bart change the sound type by changing the sound itself Contained are 78 different effects types select and use the type that suits your goals In addition to effects types composed of simple effects such as Distortion Flanger and gt Chorus other such effects you can also set up a wide variety of other gt Reverb effects even connecting effects in series or in parallel Furthermore while chorus and reverb can be found among the multi effects types the following chorus and reverb are handled with a different system Three types of multi effect can be used simultaneously these are referred to as MFX1 MFX2 and MFX3
170. rt Reserved Reserved When idle Start playback PE Play from Free Edit ER Play During playback Pause 0 0 Cursor When idle start playback and enable recording on all armed tracks Record During playback enable recording punch on armed Reserved Reserved tracks 54 Transport Section Starting Stopping Playback With a Foot Switch On the back of the VS 700C Console are two foot switch connections The default functions are as follows 9 FOOT SW 1 Controls PLAY z FOOT SW 2 Controls RECORD a The functions that are assigned to the foot switches can be configured in the VS 700 property page D o 2 5 A E o 5 uv lt e N e A a 5 KA 9 SA 3 0 xipueddy 55 56 PROJECT Section The PROJECT sections provides convenient access to frequently used commands that normally require a keyboard or mouse such as Save Undo Redo OK ENTER and Cancel UNDO PROJECT OK ENTER CANCEL A SAVE SAVE AS button B UNDO REDO button C OK ENTER button D CANCEL button The modifier buttons p 67 can be used to extend the functions as follows Button Default function SHIFT COMMAND SAVE SAVE AS Save the current project Save As Reserved UNDO REDO Step backwards through the Undo Step forward through the Undo Zoom Undo history Undo history Redo SHIFT COMMAND Zoom Redo OK ENTER Same function as the ENTER key on Reserved Reserved a
171. rt Soft Synth Options dialog A new instrument track is inserted and the Fantom VS Editor appears If the Fantom VS Editor does not appear do one of the following In the Synth Rack view double click the FantomVS Editor VST synth icon Inthe Track view double click the miniature track icon m to the left of the track name If a message indicates MIDI devices aren t set up correctly click OK In Fantom VS Editor click the Setup menu button and select Set Up MIDI Devices to open the Set Up MIDI Devices dialog In the Fantom VS Editor Input Output lists choose Fantom VS and click OK Fantom VS Editor Selecting a Sound o lt In order to edit a patch you must first select the patch you wish to edit n lt 1 Inthe upper part of Fantom VS Editor s main window click the desired part number 1 16 SORES Re EE 60 o 5 5 n E 2 Intheupper part of Fantom VS Editor s main window click the Patch list and choose the desired 3 patch from the menu that appears lt a N e eo A 0 o a For more details refer to the Fantom VS Editor online Help o lt hi M e o D o Tl o 5 3 lt ui xipueddy 89 Fantom VS Editor Editing a Sound Consider the following tips before editing patches Selecta patch that is similar to the sound you wish to create It s hard to create a new sound that s exactly what you wan
172. rus parameter settings are lost when another patch or rhythm set is selected To keep the modified settings save the settings Reverb Source Selects the reverb parameter settings that will be used by the performance If you wish to use the performance settings select PRF If you wish to use the settings of the patch rhythm set assigned to one of the parts select the part number Value PRF P1 P16 When Patch or Rhythm Set Settings Are Selected When the patch or rhythm set s reverb settings are selected those settings are shown in each of the performance s reverb setting screens and the settings can be then be changed as well Changes to patch or rhythm set reverb parameter settings are lost when another patch or rhythm set is selected To keep the modified settings save the settings 150 Specifying the multi effect structure MFX Structure Here s how to specify how MFX 1 3 will be connected MFX Structure MFX Structure Type Specify how MFX1 3 will be connected Value Type 01 Type 16 System Settings o lt Settings that affect the entire operating environment of the Fantom VS such as tuning and MIDI message reception are referred to as system functions This section explains how to make settings for the System functions and describes the functions of the different System parameters Functions of System Parameters 60 This section explains what the d
173. rved Zoom in out Zoom in out Fly Over Rewind horizontally vertically horizontally Up cursor Move cursor up Reserved Zoom in vertically Zoom in vertically Reserved Down cursor Move cursor down Reserved Reserved Reserved Zoom out vertically Left cursor Move cursor left TAB left zoom out Reserved Reserved horizontally n i Zoom in Right cursor Move cursor right TAB right horizontally Reserved Reserved 58 JOG SHUTTLE CURSOR Section Scroll Mode Scroll mode lets you use the Jog Shuttle wheel to scroll SONAR s Track view and zoom and scroll the Free Edit Cursor 9 m S To Enable Scrolling with the Jog Shuttle Wheel 2 Press the SCROLL ZOOM button The SCROLL ZOOM button is lit when Scroll mode is enabled The modifier buttons p 67 can be used to extend the functions as follows 35 Button Default function SHIFT CTRL SHIFT CTRL SHIFT 5 COMMAND A et Scroll Free Edi Temporary switch Scroll Free Edit e Fly Over Jog Shuttle to Zoom Zoom vertically 5 Cursor horizontally Cursor up down horizontally horizontally 2 Up cursor Scroll Free Edi Zoom Free Edit Reserved Reserved Fly over up Cursor up Cursor in vertically lt n 5 D n 1 Dounc rsar Scroll Free Edi Zoom Free Edit Reserved Reserved Fly over down a Cursor down Cursor out vertically 6 Left cursor Scroll Free Edi Zoom Free Edit Reserved Reserved Fly over to left n Cursor to the left Cursor
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175. s the basis of the sound and determines how the pitch of the sound will change The Fantom VS has 1 240 different waveforms All patches built into the Fantom VS consist of combinations of tones which are created based on these waveforms There are four wave generators for each rhythm tone percussion instrument sounds TVF Time Variant Filter Specifies how the frequency components of the sound will change TVA Time Variant Amplifier Specifies the volume changes and the sound s position in a stereo soundfield Envelope You use Envelope to initiate changes to occur to a sound over time There are separate envelopes for Pitch TVF filter and TVA volume For example if you wish to modify the way in which the sound attacks or decays over time you would adjust the TVA envelope LFO Low Frequency Oscillator Use the LFO to create cyclic changes modulation in a sound The Fantom VS has two LFOs Either one or both can be applied to affect the WG pitch TVF filter and or TVA volume When an LFO is applied to the WG pitch a vibrato effect is produced When an LFO is applied to the TVF cutoff frequency a wah effect is produced When an LFO is applied to the TVA volume a tremolo effect is produced LFO is not included in the rhythm tones percussion instrument sounds 91 310 003 3000 suon euuo 0 0 Tl o 5 3 lt a xipueddy Overview of the Fantom VS Patches P
176. s to be transmitted can get quite large For that reason a number of the more typical of the Fantom VS s multi effects parameters have been designed so they accept the use of Control Change or other MIDI messages for the purpose of making changes in their values For example you can use the Pitch Bend lever to change the amount of distortion or use the keyboard s touch to change the delay time of Delay The parameters that can be changed are predetermined for each type of multi effect In the multi effect setting screen a c symbol will be shown at the left of the parameter The function that allows you use MIDI messages to make these changes in realtime to the multi effects parameters is called the Multi effects Control Up to four multi effects controls can be used in a single patch rhythm set performance When the multi effects control is used you can select the amount of control Sens parameter applied the parameter selected Destination parameter and the MIDI message used Source parameter By using the Matrix Control instead of the Multi effects Control you can also change the parameters of some popular multi effects in realtime p 121 Adding Effects Specifying the Effect Source For each of the three multi effects the chorus and the reverb you can specify whether it will operate according to the effect settings of the performance or according to the effect settings of the patch or rhythm set assign
177. sed as an MTC input In the driver this will appear as IO MIDI VS 700 MIDI OUT Connector This is a MIDI output connector You can connect an external MIDI sound module here In the driver this will appear as IO MIDI VS 700 D USB Connector Connect this to a computer that supports USB 2 0 gt Connecting Your Computer and Sound Reinforcement Equipment p 27 At first before connecting anything to this connector you must install the driver as described in Getting Started separate document After the driver has been installed and connections have been completed correctly the USB indicator will light If the USB indicator isn t lit the driver has not been installed correctly Refer to the troubleshooting section of Getting Started and install the driver once again 21 60 o 2 5 n E o 5 n SA wojue 0 81065000 0 xipueddy Panel Descriptions E DIGITAL 2 OUT Connector This is an ADAT output connector You can connect it to an ADAT device and output up to eight channels of audio DIGITAL 2 IN Connector This is an ADAT input connector It allows up to eight channels of input The input signals are output directly to the VS 700 IN DIGITAL2 1 2 VS 700 IN DIGITAL2 7 8 ports of the audio driver Connections to the Digital Connectors p 79 F DIGITAL 1 AES EBU OUT Connector This is an AES EBU format two channel stereo digital output The same signal is also output to the CO
178. selected channel strip will z not be controlled To Enable ACT Mode o 22 ie 3 Press the ACT button The ACT button is lit when enabled 2 o 5 uv Q PRE POST lt 2 N e n a 5 un lt u M A Continuous parameters o e B Toggle parameter In ACT mode the modifier buttons p 67 can be used to extend the functions p 50 The VS 700C Console can be mapped to up to 65 ACT parameters at a time By default the T bar is assigned to the first usable ACT parameter and the CHANNEL STRIP CONTROL section has 4 pages of 16 parameters For more information about ACT see the SONAR online help T 3 et o 5 lt 2 T me 5 2 L 53 Transport Section The transport section provides standard control of RTZ return to zero Rewind Fast Forward Go to end Stop Play and Record E F G A Return to zero RTZ B Rewind C Fast forward D Go to end GTE E Stop F Play G Record The modifier buttons p 67 can be used to extend the functions as follows Button Default function SHIFT ALT RTZ Move Now marker to beginning of project Go to Time 0 Go to previous marker Reserved Rew Move Now marker backward at a consistent rate Reserved Reserved FFwd Move Now marker forward at a consistent rate Reserved Reserved DN GTE Move Now marker to end of project Go to next marker Reserved Stop Stop the transpo
179. sitive motorized faders to control levels of audio tracks MIDI tracks and buses When tracks buses are armed for automation recording the faders allow you to record automation data by touching releasing the faders For more information about automation recording refer to Rude MUTE Rude SOLO Rude ARM Buttons p 40 During playback the motorized faders move in response to existing automation data The motorized faders are very quiet but there may be situations when you want total silence when mixing a soft piece of music or recording with a microphone near the VS 700C Console To disable the fader motors press COMMAND I O buttons to open the VS 700 property page then click Disable Fader Movements To Revert a Fader to Its Previous Value Hold the COMMAND modifier button and touch move a fader The top row on the LCD display shows Revert After 1 2 second the parameter reverts to its previous value and the LCD display reverts to its previous display mode FLIP Mode When FLIP mode is enabled the functions of the rotary encoders and faders are swapped allowing you to use the faders for more detailed control of the currently assigned encoder function refer to ASSIGN Button p 38 By default the fader value is only displayed on the LCD display when you move the fader To toggle between always showing rotary encoder values or fader values on the LCD display press SHIFT FLIP buttons FLIP Master Fader The
180. sure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing instructions in the literature accompanying the product INSTRUCTIONS PERTAINING TO A RISK OF FIRE ELECTRIC SHOCK OR INJURY TO PERSONS IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS WARNING When using electric products basic precautions should always be followed including the following NOooRONM Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with a dry cloth Do not block any of the ventilation openings Install in accordance with the manufacturers instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet WARNING THIS APPARATUS MUST BE EARTHED 10 Protect the power cord from being walked on or pin
181. t if you just select a patch and modify its parameters at random It makes sense to start with a patch whose sound is related to what you have in mind Decide which tones will sound When creating a patch it is important to decide which tones you are going to use Set Tone Switch 1 through 4 to specify whether each tone will sound on or not off It is also important to turn off unused tones to avoid wasting voices unnecessarily reducing the number of simultaneous notes you can play Checkthe Structure setting The important Structure parameter determines how the four tones combine Before you select new tones make sure you understand how the currently selected tones are affecting each other Turn Effects off Since the Fantom VS effects have such a profound impact on its sounds turn them off to listen to the sound itself so you can better evaluate the changes you re making Since you will hear the original sound of the patch itself when the effects are turned off the results of your modifications will be easier to hear Actually sometimes just changing effects settings can give you the sound you want To select a parameter type From the Navigation block select the page that contains the parameters you wish to edit Navigation block Main block To edit parameter values You can edit values by clicking and dragging the buttons sliders or knobs If you feel that the sliders and knobs in the panel are too small and fin
182. t to the headphones This controls the volume of the monitor outputs sub and main on the VS 700R I O box MONITOR It does not affect the volume of the headphone output SUB below PHONES 1 Sends the SUB stereo output to headphones 1 SUB below PHONES 2 Sends the SUB stereo output to headphones 2 This mutes the monitor outputs sub and main of the monitor outputs on the VS 700R MUTE 1 0 box It does not mute the headphone outputs 70 RECORD EDIT Section In the RECORD EDIT Section you can perform punch recording looping select clips or edit regions and insert move markers A Punch B Loop C Snap D P flag Set IN Point E Y flag Set OUT Point A H PUNCH EDIT LOOP EDIT r F Set Iren f Sal G Marker D F Button Default function SHIFT CTRL ALT COMMAND Enable PUNCH edit mode button flashes in PUNCH edit Set h Enable disable Auto Punch mode ei Sen Record PUNCH recording button is lit when use the LEFT FLAG button to Reserved P QUE g selection in Options dialog enabled set the punch in point and use SE the RIGHT FLAG button to set y the punch out point Enable LOOP edit mode button flashes in LOOP edit Set loo Enable disable Loop mode mode inte 2 LOOP during playback recording use the LEFT FLAG button to Reserved P Mn Reserved e selection in button is lit when enabled set the loop start point and ode use the RIGHT FLAG button
183. tains a cooling fan that prevents internal overheating External air is drawn in through the intake vent then is expelled from the exhaust vent while carrying along with it the heat that has accumulated inside the unit Do not block the cooling fan intake vent or exhaust vent Doing so will cause the internal temperature to rise possibly causing heat related malfunctions If you install the system in a 19 rack you must leave at least 1 cm of space outside the intake vent and exhaust vent 24 Connections USB CONSOLE INPUT a a MIDI DIGITAL m our w our o oloxo os o SAMPLE RATE SYNC PI p sa mm 213 4 5 5 7 R MAINS Lu Monitor OUTPUT G o o oo m D c 7 3 m SONAR V STUDIO I O VS 700R cakewalk sonar v sruoconsoLe Connections NOTE Before connecting the VS 700C and VS 700R to your computer you must install the VS 700 driver in your computer as described in Getting Started separate document The VS 700C and VS 700R will
184. tal sync mode From the VS 700C console 1 2 Press the VS 700C s I O CONTROL button 1 0 CONTROL L4 Press the VS 700C s ASSIGN button to assign the desired 1 0 parameter to the channel strip encoders The available parameters are as follows Mic Pre Gain p 84 Threshold p 85 Attack p 85 Release p 85 From the VS 700 property page 1 44 Make sure the VS 700 plug in has been enabled in SONAR see Running SONAR for the First Time in VS 700 Getting Started Do one of the following to open the VS 700 property page On SONAR s Tools menu click VS 700 Onthe Controllers Surfaces toolbar Views Toolbars Controllers Surfaces make sure VS 700 is selected in the dropdown menu and then click the Properties button H E n On the VS 700C console push COMMAND I O CONTROL The VS 700 property page appears Click the MIC PRE tab Adjust the desired parameters CHANNEL STRIP Section Specifying the tracks and buses that can be controlled from the VS 700 console 9 lt The tracks and buses that can be controlled from the VS 700 console will match the tracks and buses that can be D controlled from SONAR s track view or console view If desired you can also control all tracks and buses in the project z 1 OnSONAR s Options menu click Controllers Surfaces to open the Controllers Surfaces dialog a o 5 2 Under Con
185. tenent ttnnnntttnnnnes Making Settings Common to the Entire Rhythm Set GENERAL 125 Modifying Waveforms Wl Changing How a Rhythm Tone is Sounded WMT Modifying Pitch PCH PCH Env nn Modifying the Brightness of a Sound with a Filter TVF TVF Env 131 Adjusting the Volume TVA TVA Env rennes 133 Output S TtINgS eec c S 135 Creating d Performances EE Adjusting the Parameters of Each Part Parameter List Scale Tune settings Parameter List MIDlI related settings mn 142 Parameter BL e anata ais 142 Adding WE 144 Turning Effects On and Off iian aan ana 144 Applying EEC alsalam hS Sree 145 Signal Flow Diagram Routing 145 Functions of Effect Parameters nn 146 Specifying the Effect Source Specifying the multi effect structure MFX Structure een 150 SYSTEM Setting S P 151 Functions of System Parameters EEN 151 11 SA ul03UEJ O IHOOZ SA 2105U03300 SA X Suon euuo 0 xipueddy Contents 12 AD DCO EENEG VS 700R Block E Le LTE 154 Installing the ARX Expansion Board nee 155 Port settings MIDI input and audio Output 155 Cautions When Installing an Expansion Board 155 How to Install an Expansion Board ee 156 Removing an Expansion Board 158 Installation de la carte d expansion ss 159 Precautions a prendre lors de l installation d une carte d expansion 159 Installation d une carte d e
186. tes played at different strengths Value 1 UPPER Velo Range Upper Velocity Range Upper This sets the highest velocity at which the tone will sound Make these settings when you want different tones to sound in response to notes played at different strengths Value LOWER 127 If you attempt to set the Lower velocity limit above the Upper or the Upper below the Lower the other value will automatically be adjusted to the same setting When using the Matrix Control to have different tones played set the lowest value Lower and highest value Upper of the value of the MIDI message used Velo Fade Upper Velocity Fade Width Upper This determines what will happen to the tone s level when the tone is played at a velocity greater than its specified velocity range Higher settings produce a more gradual change in volume If you want notes played outside the specified key velocity range to not be sounded at all set this to 0 Value 0 127 Level LZ es Fade Lower Fade Upper Range Lower Range Upper Creating a Patch TMT Control Sw TMT Control Switch Use the Matrix Control to enable ON or disable OFF sounding of different tones Value OFF ON Patch WG NOTE Modifying Waveforms WG O 8 You can also cause different tones to sound in response to notes played at different strengths velocity on the Wave No L Mono Wave Number L Mono keyboard p 104 However the Matrix Control and th
187. teurs Uu Ne jamais forcer lors de l installation de la carte de circuits imprimes Si la carte s ajuste mal au premier essai enlevez la 3 carte et recommencez l installation E Quand l installation de la carte de circuits imprimes est terminee reverifiez si tout est bien installe 6 Toujours eteindre et debrancher le VS 700R avant de commencer l installation de la carte ARX series S 3 a gt 5 5 2 x 159 Installation de la carte d expansion Installation d une carte d expansion Retirer le panneau inferieur avant d installer les cartes d expansion 1 Avantd installer la carte d expansion Wave coupez l alimentation du VS 700R et de tous les appareils branches et debranchez tous les cables du VS 700R y compris le cable d alimentation 2 Surles modeles VS 700R retirer uniquement les vis illustrees dans le schema ci dessous et retirer le couvercle 3 Orienter la carte de facon a ce qu elle s aligne avec la vente de le VS 700R comme le montre l illustration Fente de le VS 700R Supports non bloqu s Supports bloqu s Carte carte d expansion E H Logo Roland p d Trous de retenue des supports non bloqu s 160 Installation de la carte d expansion 4 Inserer la carte dans les supports non bloques jusqu a ce qu un clic se fasse entendre Carte 9 Connecteur 8
188. the Patch Output Assign is set to anything other than TONE these settings will be ignored When the Structure Type parameter has a setting of Type 2 10 the outputs of tones 1 and 2 will be combined with tone 2 and the outputs of tones 3 and 4 will be combined with tone 4 For this reason tone 1 will follow the settings of tone 2 and tone 3 will follow the settings of tone 4 p 101 If you ve set Tone Out Assign to MFX set the MFX Output Assign parameter to specify the output destination of the sound that has passed through the multi effects The output destination of the signal after passing through the chorus is set with the Chorus Output Select 116 Sounds are output to chorus and reverb in mono at all times Tone Out Level Set the level of the signal that is sent to the output destination specified by Tone Output Assign Value 0 127 Tone Chorus Send Send Level Output MFX Specifies the level of the signal sent to the chorus for each tone if the tone is sent through MFX Value 0 127 Tone Reverb Send Send Level Output MFX Specifies the level of the signal sent to the reverb for each tone if the tone is sent through MFX Value 0 127 Tone Chorus Send Send Level Output non MFX Sets the level of the signal sent to chorus for each tone if the tone is not sent through MFX Value 0 127 Tone Reverb Send Send Level Output non MFX Sets the level of the signal sent to reverb for
189. the will cause greater change This parameter is invalid when LFO is allowed to develop in standard fashion Rate SERO note a the waveform then continues without further Value 3 change BND D Once the decay of the waveform output by the Offset LFO1 LFO2 Offset 6 LFO is allowed to develop in standard fashion Raises or lowers the LFO waveform relative to the central the waveform then continues without further value pitch or cutoff frequency Positive settings will change move the waveform so that modulation will occur from the TRP Trapezoidal wave central value upward Negative settings will move the mn S amp H Sample amp Hold wave one time per cycle LFO waveform so that modulation will occur from the central value is changed value downward S CHAOS Chaos wave Value 2100 50 0 50 100 VSIN Modified sine wave The amplitude of the sine 2 wave is randomly varied once each cycle of the waveform STEP A waveform generated by the data specified in LFO Step 1 16 This produces a fixed pattern of stepwise change like that created by a step modulator 2 9 5 5 x If you set this to BND U or BND D you must turn the Key Trigger parameter to ON If this is OFF it will have no effect 117 Creating a Patch Delay Time LFO1 LFO2 Delay Time Delay Time LFO Delay Time specifies the time elapsed before the LFO effect is applied the effect continues after the key is pressed or re
190. thout passing through multi effects L R Output in mono without passing through multi effects PAT The part s output destination is determined by the settings of the patch or rhythm set assigned to the part Suon ouuo If you ve set Tone Out Assign to MFX set the MFX Output Assign parameter to specify the output destination of the sound that has passed through the multi effects Chorus and reverb are output in mono at all times Theoutput destination of the signal after passing through the chorus is set with the Chorus Output Select 9 osuo 500Z SA Output MFX Select Part Output Multi Effects Select Of the three types of multi effects that can be used simultaneously specify which multi effects will be used Value 1 3 MFX 1 MFX 3 0 Output Level Part Output Level Set the level of the signal that is sent to the output destination specified by Part Output Assign Value 0 127 Chorus Send Level Part Chorus Send Level Sets the level of the signal sent to chorus for each part Value 0 127 Tl o 5 3 lt m xipueddy 137 Creating a Performance Reverb Send Level Part Reverb Send Level Sets the level of the signal sent to reverb for each part Value 0 127 Cutoff Offset Adjusts the cutoff frequency for the patch or rhythm set assigned to a part Value 64 63 NOTE Patches also have a Cutoff Offset setting p 98 The final Cutoff frequency value is the su
191. ting determines whether sounds are replayed ON or not OFF when performing legato Normally you will leave this parameter ON When OFF when one key is held down and another key is then pressed only the pitch changes without the attack of the latter key being played Set this to OFF when performing wind and string phrases or when using modulation with the mono synth keyboard sound Value OFF ON Let s say you have the Legato Switch set to ON and the Legato Retrigger set to OFF When you try to sound a legato by pressing a higher key while a lower key is held down the pitch may sometimes not be able to rise all the way to the intended pitch stopping instead at an intermediate pitch This can occur because the limit of pitch rise as determined at the wave level has been exceeded Additionally if differing upper pitch limits are used for the waves of a Patch that uses multiple tones it may stop being heard in MONO When making large pitch changes set the Legato Retrigger to ON 99 O Suon oeuuo 8 8105000 500Z SA 0 Tl o 5 3 lt ui xipueddy Creating a Patch Portamento Switch Portamento Start Specifies whether the portamento effect will be applied ON When another key is pressed during a pitch change produced or not OFF by portamento a new pitch change will begin This setting Value OFF ON specifies the pitch at which the change will begin Value PITCH
192. tions a prendre lors de l installation d une carte d expansion Veuillez suivre attentivement les instructions suivantes quand vous manipulez la carte afin d eviter tout risque n d endommagement des pieces internes par l electricite statique 2 Toujours toucher un objet metallique relie a la terre comme un tuyau par exemple avant de manipuler la carte pour vous decharger de l electricite statique que vous auriez pu accumuler Lorsque vous manipulez la carte la tenir par les cotes Evitez de toucher aux composants ou aux connecteurs g Conservez le sachet d origine dans lequel etait la carte lors de l envoi et remettez la carte dedans si vous devez la i ranger ou la transporter Utilisez un tournevis de type Phillips de la taille adaptee a celle des vis tournevis numero 2 Un tournevis inadequat A peut endommager la tete de la vis un Pourretirer une vis tourner le tournevis dans le sens contraire des aiguilles d une 8 montre Pour serrer les vis tourner le tournevis dans le sens des aiguilles d une W DA desserrer resserrer 3 Pour installer les carte d expansion retirer uniquement les vis mentionnees 6 Assurez vous que les vis retirees ne tombent pas dans le VS 700R 3 Nepas laisser le panneau de protection avant detache S assurer de l avoir rattacher apres avoir installe le disque dur Faites attention de ne pas vous couper sur l ouverture d installation de la carte lt Ne pas toucher aux circuits imprimes ou aux connec
193. tle wheel p 57 M AUX IN Jack Front Panel p 78 N PHONES Jack Front Panel p 70 30 CHANNEL STRIP Section O The Channel Strip section provides eight touch sensitive motorized fader strips with identical controls You use the channel strips to control up to eight tracks or buses at a time and you can easily switch between different banks of tracks or buses refer to FADER BANK Buttons p 42 That is although there are only eight physical channel strips you can switch them to control an unlimited number of tracks and buses in your project The channel strips always show the status of the current set of eight channels 8 The Channel Strip section also provides a single motorized Master fader which is used to control the level of the master bus You use the FADER BANK and FADER VIEW buttons to assign tracks and buses to the channel strips refer to FADER BANK Buttons p 42 and FADER VIEW Buttons TRACK BUS MAIN 1 0 CONTROL p 43 The assigned channel strip names are displayed on the LCD displays Suon oeuuo A LCD display p 37 B Rotary encoder p 34 C MUTE button p 34 D SOLO button p 35 E ARM button arm for recording p 35 F SEL button Select p 36 G LED level meter p 37 H Channel fader p 32 lt 2 N e n a 5 un 0 SA 0 3 xipueddy 31 CHANNEL STRIP Section Channel Fader Use the touch sen
194. to control the Mic Pre Gain Threshold Attack and Release parameters on the VS 700R I O For details refer to I O Control p 44 84 Compressor Parameters o lt Digital compressors are built into the eight audio inputs INPUT 1 8 n lt If you re using SONAR you can edit the compressor parameters as described below D If you re using software other than SONAR use VS 700R 1 0 Editor which is included on the SONAR V STUDIO 700 CD ROM Fe m L n D 1 From SONAR s Tools menu open VS 700 2 5 2 Select the MIC PRE tab S 5 a 3 Apply the desired compressor settings lt n These settings are not stored in the VS 700 d A Setting Screen label Range Default Explanation n o Comp switch COMP OFF ON OFF Enables the compressor 2 o Threshold THRES 60 0 dB 20dB Specifies the signal level at which the compressor D will be applied 1 1 0 lt Si 1 2 N 1 14 S 1 1 6 5 1 1 8 Ratio RATIO 1 2 0 140 Specifies the compression ratio by which the O 1 2 5 audio signal will be compressed 1 3 2 1 4 0 1 5 6 1 8 0 M 1 16 a 1 INF o 5 Attack time ATK 0 100 Actual value 0 27100 ms lt Release time REL 0 100 Actual value 10 500 ms Gain GAIN 30 30 dB 0 dB Adjusts the output level of the compressor gt You can use the channel strip rotary encoders to control the Mic Pre Gain Threshold Attack and Release parameters on t
195. ton Use the ASSIGN button to change the parameter that s assigned to the rotary encoders of the channel strips The available functions vary depending on which FADER VIEW button TRACK BUS MAIN or 1 0 CONTROL is selected ASSIGN FADER VIEW TRACK A ASSIGN button B FADER VIEW buttons C I O CONTROL button The following table shows which parameter types are available for each FADER VIEW FADER VIEW Channel strip ASSIGN ASSIGN ASSIGN ASSIGN type function1 function2 function3 function4 default Audio Pan Send 1 Volume Input Output TRACK MIDI Pan Chorus Send MIDI Channel Output Stereo Pan Send 1 Volume Send 1 Pan Output BUS Surround Reserved Send 1 Volume Reserved Output MAIN Audio Reserved Reserved Reserved Reserved Mic Pre Gain Threshold 1 0 CONTROL audio Attack p 85 Release p 85 p 84 p 85 p 85 p 85 When the I O CONTROL mode you can switch On Off of PAD p 84 by pressing the rotary encoder CHANNEL STRIP Section The illustration below shows how the parameter will be switched if FADER VIEW is set to TRACK Bass1 Guitar1 0071 Encoder o 30 R 25 L c lt bi 1 i Guitar1 Encoder A im o D gt A e o 5 7 lt 72 N A D E un Guitar1 Drum01 Encoder lt 2 N ASSIGN m 5 o 1 Pan default display T 3 2 Send Volume Chorus Send S 3 lt 3 Input A
196. tone 4 For this reason tone 1 will follow the settings of tone 2 and tone 3 will follow the settings of tone 4 p 101 Creating a Patch Patch TVA Env A Env Time 1 4 TVA Envelope Time 1 4 x Specify the TVA envelope times Time 1 Time 4 Higher settings will lengthen the time until the next volume level is A Env T1 V Sens reached For example Time 2 is the time over which Level 1 2 TVA Envelope Time 1 Velocity Sensitivity will change to Level 2 Pj This allows keyboard dynamics to affect the Time 1 of the Value 0 127 2 TVA envelope If you want Time 1 to be speeded up for strongly played notes set this parameter to a positive A Env Level 1 3 TVA Envelope Level 1 3 value If you want it to be slowed down set this to a negative C value Specify the TVA envelope levels Level 1 Level 3 These settings specify how the volume will change at each point o Value 63 63 5 relative to the standard volume the Tone Level value 5 specified in the TVA screen 2 T4 V Sens Value 0 127 c TVA Envelope Time 4 Velocity Sensitivity a The parameter to use when you want key release speed to 2 us control the Time 4 value of the TVA envelope If you want lt Time 4 to be speeded up for quickly released notes set this n parameter to a positive value If you want it to be slowed ME down set this to a negative value Level e Value 63 63 Lu 13 gt Time Note on Note off 5 T Time L Le
197. tor ENEE 21 TrackeArm ARM eet baeo ete he pe edes ture Track Mute Track Solo SECH Seeerei Track View qe ECT TACKS ANA DUSES ERE Re TRANSPORT i rei e ee sr ar Transport Mode nn Transport Section rene Two VS 700R 1 0 Units U UNDO REDO rtt tpe tecto Ed 56 Unlock a Channel Strip nn 46 USB COMMOCCON oio oid resort 18 21 UTILITY idet metit ede Cede eU Rad ned ui 64 V Video Control W WAI Indication rennes 47 Word clock eseu 82 WORDCLOCK IN Connector sms 22 Index WORDCLOCK OUT Connector sens 22 WRITE OPF eme 41 X X RAY 69 Z ZOOM Ve TEE 60 178 Index Fantom VS A A Env Level 1 3 Patch dede RR 115 ix Kugel EE 134 A Env T1 V Sens Pateh egene 115 Rhythm Set ais 134 A Env T4 V Sens Pateh sand nire a ofi tal 115 lge Lu 134 A Env Time 1 4 Pateh Segoe Seeerei Rhythm Set A Env Time KF Alternate Pan Depth Literie ec PER Rhythm Set Analog Feel E RR es ese Arabian Scale P rformiance utet tetro 142 Assign a Name Rhythm Tone Name nn 125 ASSIGN TYPE seins 125 Attack Time Offset ENEE 98 138 B Bend Range Down rene 108 Bend Range Up esses 108 Bias Patel ant 787778857557 113 613501166198 CERO 114 Bias LOVE RR UM 113 Bias POSITION is ARES 113 Boostet EPA 103 Boost r 1 amp 2 SEARLE 102 C ale eelere ee 27 Category p 96 Cette
198. trol Strips Visible in select one of the following D et 9 SEREN 3 Connected Controllers Surfaces Out Port A W WAI color CONSOLE VS 700 Y v M BY Help In Port CONSOLE VS 700 Controller Surtace VS 700 1 A xX Import ACT Data WAI Display Track View Console View Control Strips Visible in Track View lt 2 E n a 5 un Console View MIDI Devices Explanation A 1 N Track View Control the tracks buses shown in SONAR s Track view S Console View Control the tracks buses shown in SONAR s Console view E All Strips If you want the VS 700C Console to always show all tracks and buses in the project o P regardless if any tracks or buses are hidden in SONAR s Track view or Console view Once a change is made the VS 700C Console is updated immediately T D 3 3 Click Close 5 lt n 2 T o 5 2 x 45 CHANNEL STRIP Section Locking a Channel Strip Channel strip locking allows you to Control tracks buses that are not within the same channel bank range of eight consecutive tracks or buses For example you can control tracks 1 through 7 along with track 20 Control both tracks and buses simultaneously For example channel strips 1 through 4 can control tracks 1 through 4 and channel strips 5 through 8 can control buses 1 through 4
199. uded on the SONAR V STUDIO 700 CD ROM From SONAR s Tools menu open VS 700 Select the MIC PRE tab Click 48 48 button to turn phantom power on off These settings are not stored in the VS 700 83 O 8 5 1330007 8165000 500Z SA lt M e 5 D e sAwoque xipueddy Preamp Parameters Preamps are built into the eight audio inputs INPUT 1 8 If you re using SONAR you can edit the preamp parameters as described below If you re using software other than SONAR use VS 700R 1 0 Editor which is included on the SONAR V STUDIO 700 CD ROM 1 From SONAR s Tools menu open VS 700 2 Select the MIC PRE tab 3 Applythe desired preamp settings These settings are not stored in the VS 700 Setting Screen label Range Default Explanation Enables the low cut filter for the input The cutoff Low eut F OFF ON OFF frequency is 100 Hz Normal normal Phase CG phase Normal Inverts the polarity of the input signal Invert reverse phase PAD OFF ON ON Attenuates the input signal by 20 dB Adjusts the gain of the input signal in a range of 0 Input gaini 778 8 44 dB The adjustment is in 1 dB steps If this setting is on the preamp and compressor Stereo link KO OFF ON OFF settings of the adjacent even numbered channel will be the same as this channel You can use the channel strip rotary encoders
200. ue apresentem este s mbolo n o dever o ser eliminados juntamente com o lixo dom stico Dit symbool geeft aan dat in landen van de EU dit product gescheiden van huishoudelijk afval moet worden aangeboden zoals bepaald per gemeente of regio Producten die van dit symbool zijn voorzien mogen niet samen met huishoudelijk afval worden verwijderd Dette symbol angiver at i EU lande skal dette produkt opsamles adskilt fra husholdningsaffald som defineret i hver enkelt region Produkter med dette symbol ma ikke smides ud sammen med husholdningsaffald Dette symbolet indikerer at produktet m behandles som spesialavfall i EU land iht til retningslinjer for den enkelte regionen og ikke kastes sammen med vanlig husholdningsavfall Produkter som er merket med dette symbolet ma ikke kastes sammen med vanlig husholdningsavfall Symbolen anger att i EU l nder m ste den har produkten kasseras separat fran hushallsavfall i enlighet med varje regions best mmelser Produkter med den har symbolen far inte kasseras tillsammans med hush llsavfall T m merkint ilmaisee ett tuote on EU maissa ker tt v erill n kotitalousj tteist kunkin alueen voimassa olevien m r ysten mukaisesti T ll merkinn ll varustettuja tuotteita ei saa h vitt kotitalousj tteiden mukana Ez a szimb lum azt jelenti hogy az Eur pai Uni ban ezt a term ket a h ztart si hullad kt l elk l n tve az adott r gi ban rv nyes szab lyoz
201. ve values of TVA Level Velocity Sensitivity among tones adjust the Velocity Sens Offset parameter p 99 However this setting is shared by the Cutoff V Sens parameter p 111 Creating a Patch Bias Bias causes the volume to be affected by the keyboard position This is useful for changing volume through keyboard position pitch when playing acoustic instruments LOWER Level Key BiasPosition G9 Ww Wm Wm Bias Level Adjusts the angle of the volume change that will occur in the selected Bias Direction Larger settings will produce greater change Negative values will invert the change direction 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 Value Bias Position Specifies the key relative to which the volume will be modified Value C 1 G9 113 O 5 133 00 8 81065000 500Z SA 0 Tl o 5 3 lt ui xipueddy Creating a Patch Bias Direction Selects the direction in which change will occur starting from the Bias Position Value LOWER Thevolume will be modified for the keyboard area below the Bias Point UPPER Thevolume will be modified for the keyboard area above the Bias Point LO amp UP Thevolume will be modified symmetrically toward the left and right of the Bias Point ALL The volume c
202. vel 147 MFX Structure 150 MFX Type 146 MERL Er 149 MOno Pol er cete eet cett eee perte Multi Effects Enr iot debo deeft Mute Group ra eec ee eet i M te SWITCH N NUMBER OF Voices 5 erc or e ta ior den oe 140 O Octave Shift tette tit ie tone tio uet dee 97 136 On Off Effects user RERBA RE NIRE One Shot Mode Output Assign Performance ice ettet teinte 137 Output Level Performance re 137 Output MEX Select eese 137 Output Settings Patel 116 ge Lu 135 P CIE 136 Pan Depth eei ertet tree etie 119 Pan Kevtollouw EEN 114 wl 93 Part Chorus Send Level nn 146 Part Output ASSIGN nee 146 Part Output Level rene 146 Part Output MEN Select nn 146 Part Pitch Bend Range EEN 141 Part Reverb Send Level ns 146 Part Velocity Sensitivity Offset ENEE 141 Pateh pe Rae lEnnt den 96 Patch Category Patch Coarse Tune Patch Fine Tune 97 Patch Gern ral 4 ur ait cad SR Eri erede 96 Patch Group 136 P atch Eev l accro tc ei ce REA Nee Pee Tett 97 Patch LEO 142 gerettet onere etos cene ne 117 Patch Matrix Control 1 4 Source mn 122 Patch Number nn 136 Patch Out Assign edd iden 116 Patch Output duce ce Raa 116 Patch Pais eoe ese tse penses e s 97 Palen Parameters Satie 96 Patch Pitch Env oa o s n PR e aa 108 Patch Prier 97 Patch Remal uoce taste
203. vel o A Env Time KF o TVA Envelope Time Keyfollow Use this setting if you want the TVA envelope times Time 2 lt Time 4 to be affected by the keyboard location Based on the n TVA envelope times for the C4 key center C positive a settings will cause notes higher than C4 to have increasingly shorter times and negative settings will cause them to 8 have increasingly longer times Larger settings will produce greater change Value 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 Time Tl o 5 3 lt a xipueddy 115 Creating a Patch Output Settings Patch Output Patch Out Assign Specifies how the direct sound of each patch will be output Value MFX Output in stereo through multi effects You can also apply chorus or reverb to the sound that passes through multi effects L R Output in stereo without passing through multi effects L R Output in mono without passing through multi effects TONE Outputs according to the settings for each tone Tone Out Assign Specifies how the direct sound of each tone will be output Value MFX Output in stereo through multi effects You can also apply chorus or reverb to the sound that passes through multi effects L R Output in stereo without passing through multi effects L R Output in mono without passing through multi effects If
204. verbs using SRV Plate 5 GM2Reverb General MIDI 2 reverb 2 Delay Delay is used 3 GM2 Chorus General MIDI 2 chorus Tl o 5 3 lt a xipueddy 147 Adding Effects Reverb Output D Reverb Output Level Adjusts the volume of the sound that has passed through reverb Value 0 127 If you want to use common controllers for the entire Fantom VS select SYS CTRL 1 SYS CTRL 4 MIDI messages used as System Control 1 4 are set with the Sys Ctrl 1 4 Source parameters p 152 In patch rhythm set mode there are parameters that determine for each tone rhythm tone whether or not Pitch Bend Controller Number 11 Expression and Controller Number 64 Hold 1 are received p 120 When these settings are ON and the MIDI messages are received then when any change is made in the settings of the desired parameter the Pitch Bend Expression and Hold1 settings also change simultaneously If you want to change the targeted parameters only then set these to OFF There are parameters that determine whether or not specific MIDI messages are received for each MIDI channel p 120 When using the multi effects control confirm that any MIDI messages used for the multi effects control will be received If the Fantom VS is set up such that reception of MIDI messages is disabled then the multi effects control will not function Control 1 4 Dest Multi Effects Control 1 4 Destination Sets the
205. vity values set for each tone in the parameters below Cutoff V Sens parameter p 111 Level V Sens parameter p 113 Range 63 63 Velocity Pressure with which the key is pressed This value is added to the velocity sensitivity value of a tone so if the velocity sensitivity value of any tone is already set to 63 maximum positive settings here will not produce any change Mono Poly Specifies whether the patch will play polyphonically POLY or monophonically MONO The MONO setting is effective when playing a solo instrument patch such as sax or flute Value MONO Only the last played note will sound POLY Two or more notes can be played simultaneously Creating a Patch Legato Switch Legato Switch is valid when the Mono Poly parameter is set to MONO This setting specifies whether the Legato Switch will be used ON or not OFF With the Legato Switch parameter ON pressing a key while continuing to press a previous key causes the note to change pitch to the pitch of the most recently pressed key sounding all the while This creates a smooth transition between notes which is effective when you wish to simulate the hammering on and pulling off techniques used by a guitarist Value OFF ON Legato Retrigger Legato Retrigger Switch The Legato Retrigger is valid when the Mono Poly parameter is set to MONO and the Legato Switch parameter is set to ON The set
206. will perform frequency modulation Higher settings result in a grainier sound while lower settings result in a more metallic sound Value 1 4 FXM Depth x Specifies the depth of the modulation produced by FXM Value 0 16 Tone Delay Mode Selects the type of tone delay Value NORM The tone begins to play after the time specified in the Delay Time parameter has elapsed No Tone Delay Delay time Note on Note off HOLD Although the tone begins to play after the time specified in the Delay Time parameter has elapsed if the key is released before the time specified in the Delay Time parameter has elapsed the tone is not played Delay time d 2 Note on Note off 106 OFF N Rather than being played while the key is pressed the tone begins to play once the period of time specified in the Delay Time parameter has elapsed after release of the key This is effective in situations such as when simulating noises from guitars and other instruments Delay time eo A A Note on Note off OFF D Rather than being played while the key is pressed the tone begins to play once the period of time specified in the Delay Time parameter has elapsed after release of the key Here however changes in the TVA Envelope begin while the key is pressed which in many cases means that only the sound from the release portion of the envelope is heard Pow Delay time 1 7 i d LAN A A Note on
207. xpansion 160 Retrait d une carte d expansion Attaching the Rackmount Brackets sn Using only the VS 700C Console Standalone Mode sss 164 Using only the VS 700R Ormes 165 Connecting Two VS 700R l O Units 166 Connecting an EDIROL DV 7DL Video Control nn 168 Connecting the EDIROL DV 7DL and VS 700C ENEE 168 To Enable Video Control rennes 168 About V LINK iii ee eee Ie Rete tte I aao abt e A 169 TEGUBIESHIOOLING RR T T 171 Problems with the VS 700R Unit inner 171 Problems with the VS 700C Unit rennes 171 Kee UC 172 is qe Q 175 dex e 179 iew of the VS 700 Overv VS 700R SONAR V STUDIO I O 3 00s SACH E W Jam 5 S E 3 8 E x ETE i B5 EISE 20 5 2 8 S shai en NE EAR ri 2 Ei 1 z0 2 d E RECORD EDIT ACCESS PANEL cakewalk sonar conscce Main Fe
208. yed This is n i lt referred to as the Tone Mix Table TMT 3 For details on these settings refer to How to Make g This type mixes the sound of tone 1 3 and tone 2 4 applies Patch Settings p 96 a filter and then applies a booster to distort the waveform Patch TMT 9 5 A E Structure Type 1 amp 4 9 Determines how tone 1 and 2 or tone 3 and 4 are connected TONE 2 4 Pu Value 1 10 The following 10 different Types of combination are This type applies a booster to distort the waveform and then C 1 available combines the two filters The TVA for tone 1 or 3 controls a the volume balance between the two tones and adjusts e booster level n o 5 un c lt Di With this type tones 1 and 2 or 3 and 4 are independent TONE 2 4 un Use this type when you want to preserve PCM sounds or S r Ka create and combine sounds for each tone This type uses a ring modulator to create new overtones and combines the two filters The tone 1 3 TVA will control the o volume balance of the two tones adjusting the depth of ring modulator a SI Tl o 3 3 lt m This type stacks the two filters together to intensify the characteristics of the filters The TVA for tone 1 or 3 controls TONE 2 4 WG the volume balance between the two tones This type uses a ring modulator to create new overtones and in addition mixes in the sound of tone 2 4 and stacks the

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