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Roland F-120R User's Manual

1. 0 0151 Modulation Dela No Parameter Value Description p Adds modulation to the delayed sound Adjusts the frequency above which sound fed back to the Parameter Value Description an HEAT 17 200 8000 Hz effect is filtered out If you do ee When this is set to note the P Bypass not want to filter out any high ras 0 1 ms note effect is synchronized with the frequencies set this parameter tempo to Bypass Adjusts the ti til th 12 Left Level 0 127 0 127 Volume of each dela Delay Left 0 127 1 1270 ms asia ties se ee te Y delay sound is heard Hz 13 RightLevel 0 127 0 127 Volume of each delay Delay Left 0 21 nate Adjusts the time until the 14 Center Level 0 127 0 127 Volume of each delay delay sound is heard note Gain ofthe low frequenc Delay Right 15 LowGain 0 30 151508 inge la 4 Mode 0 1 ms note Settings of the Delay Right na q The parameters are the same 16 High Gain 0 30 15 15 dB ain of the high frequency 5 Delay Right 0 127 1 1270 ms as for the Delay Left range 6 DelayRight 0 21 note GOO Volume balance between the Feedback Nermal Selects the way in which delay 17 Balance 2 0 100 Do 1 00W direct sound D and the delay 7 0 1 i sound is fed back into the sound W Mode Cross effect 18 Level 0 127 0 127 Output level Adjusts the amount of the 8 Feedback 49 89 0 80 delay sound that
2. Upper Layer No Name MSB LSB PE MSB LSB PC 1 G Piano1 0 68 1 A E 5 2 G Piano2 16 67 1 3 G Piano3 8 66 2 z 4 HonkyTon 0 64 4 5 P String 0 68 1 1 65 50 6 P Choir 0 68 1 1 64 53 Y P Bell 0 68 1 0 68 99 Other button No Name MSB LSB RE No Name MSB LSB PC 1 VintgEP1 81 4 5 25 Strings1 0 71 50 2 VintgEP2 82 4 5 26 Strings2 0 64 49 3 PopEIPno 16 67 5 27 Choir 1 8 64 53 4 St FM EP 16 4 5 28 Choir 2 8 66 33 5 FM ElPno 0 70 6 29 Choir 3 8 68 53 6 Hrpchrd1 0 66 7 30 JazzScat 0 65 55 7 Hrpchrd2 8 66 y 31 Oboe 8 4 69 8 Vibrphon 0 0 12 32 Clarinet 52 4 72 9 Celesta 0 0 9 33 FluteTrv 50 4 74 10 Harp 0 68 47 34 FIVibAtk 52 4 74 11 ChOrgan1 0 66 20 35 SoprnExp 8 4 65 12 ChOrgan2 8 69 20 36 BlowAlto 50 4 66 13 AllSkate 82 4 18 37 StTenSax 9 4 67 14 DynoRtry 82 4 19 38 Trumpet 0 4 57 15 FltOrgan 16 66 20 39 MutTrump 2 4 60 16 JzOrgan 0 70 19 40 Trombone 0 4 58 17 AcMaster 50 4 22 41 Tbs Tb 43 4 62 18 Accordn 0 68 22 42 Ac Brass 80 4 62 19 HandHarm 51 4 23 43 SynthPad 0 64 90 20 NylonGt 0 4 25 44 SynthBel 0 68 99 21 NylstrGt 0 0 25 45 Standard 111 4 6 22 StlstrGT 0 0 26 46 Electric 111 0 25 23 JzGuitar 80 4 27 47 Brush 111 4 46 24 WarmDrv 65 4 30 34 Digital Piano MIDI Implementation Chart Date Jun 28 2012 Model F 120R RP301R Version 1 00 Function Transmitted Recognized Remarks Bas
3. Cabinet Speaker Microphone BG Stack 2 Large sealed enclosure 12x2 Condenser MS Stack 1 Large sealed enclosure 12x4 Condenser MS Stack 2 Large sealed enclosure 12x4 Condenser Metal Stack Large double stack 12x4 Condenser 2 Stack Large double stack 12x4 Condenser 3 Stack Large triple stack 12x4 Condenser 0 0120 Phaser This is a stereo phaser A phase shifted sound is added to the original sound and modulated No Parameter Value Description 4 Stage z i Mode 0 2 8 Stage onen of stages in the 12 Stage P Adjusts the basic frequency 2 Manual 2 0 127 0 127 from which the sound will be modulated When this is set to note the 3 Rate Mode 0 1 Hz note effect is synchronized with the tempo 0 05 10 00 4 Rate 1 1 127 Hz Frequency of modulation Hz 5 Rata 0 21 noia Frequency of modulation note 6 Depth 0 127 0 127 Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite Inverse The left and right 7 Polarity 0 1 Inverse phase will be opposite When Synchro using a mono source this spreads the sound Synchro The left and right phase will be the same Select this when inputting a stereo source 8 Resonance 0 127 0 127 Amount of feedback Adjusts the proportion of the Cross phaser sound that is fed back 9 0 98 98 98 Feedback ve into the effect Negative settings will invert the phase 10 Mix 0 127 0 12
4. 5 4 5 40 1x 00 PART PARAMETERS x 0 F Individual 40 2x 5A 4 5 4 5 48 00 00 SYSTEM PARAMETERS Bulk 4 5 48 01 10 PART PARAMETERS Bulk 48 1D OF 4 4 There are two ways in which GS data is transmitted Individual Parameter Transmission in which individual parameters are transmitted one by one and Bulk Dump Transmission in which a large amount of data is transmitted at once E Individual Parameters Individual Parameter Transmission transmits data or requests data for one parameter as one exclusive message one packet of FO F7 In Individual Parameter Transmission you must use the Address and Size listed in the following Parameter Address Map Addresses marked at cannot be used as starting addresses System Parameters Parameters related to the system of the device are called System Parameters Address H Size H Data H Parameter Description Default Value H Description 40 00 00 00 00 04 0018 07E8 MASTER TUNE 100 0 100 0 cent 00 04 00 00 0 cent 40 00 01 Use nibblized data 40 00 02 40 00 03 Refer to section 4 Supplementary material About Tuning 40 00 04 00 00 01 00 7F MASTER VOLUME 0 127 7F 127 FO 7F 7F 04 0
5. vv Release Time value relative change OOH 7FH 64 0 63 Initial value 40H no change Some Tones will not exhibit any change O Attack Time Controller Number 73 Status 2nd byte 3rd byte BnH 49H vvH n MIDI channel number OH FH ch 1 ch 16 vv Attack time value relative change 00H 7FH 64 0 63 Initial value 40H no change Some Tones will not exhibit any change O Cutoff Controller Number 74 Status 2nd byte 3rd byte BnH 4AH vvH n MIDI channel number OH FH ch 1 ch 16 vv Cutoff value relative change 00H 7FH 64 O 63 Initial value 40H no change Some Tones will not exhibit any change O Decay Time Controller Number 75 Status 2nd byte 3rd byte BnH 4BH vvH n MIDI channel number OH FH ch 1 ch 16 vv Decay Time value relative change 00H 7FH 64 0 63 Initial value 40H no change Some Tones will not exhibit any change O Vibrato Rate Controller Number 76 Status 2nd byte 3rd byte BnH ACH vvH n MIDI channel number OH FH ch 1 ch 16 vv Vibrato Rate value relative change 00H 7FH 64 0 63 Initial value 40H no change Some Tones will not exhibit any change O Vibrato Depth Controller Number 77 Status 2nd byte 3rd byte BnH 4DH vvH n MIDI channel number OH FH ch 1 ch 16 vv Vibrato Depth Value relative change OOH 7FH 64 0 63 Initial Value 40H no change Some Tones will not exhi
6. 40 40 40 40 00 00 00 40 00 00 00 40 40 40 40 00 00 00 40 00 00 00 00 00 00 00 00 00 00 00 00 00 ooo ooo oo oo 0 oO OO ooo oo ooo oO OO ooo oo o0c0o0coeo o ooo oo cent cent semitones cent Hz cent cent Hz cent cent semitones cent Hz cent cent Hz cent cent semitones cent Hz cent cent Hz cent cent MIDI Implementation 4 Supplementary Material Decimal and Hexadecimal Table In MIDI documentation data values and addresses sizes of exclusive messages etc are expressed as hexadecimal values for each 7 bits The following table shows how these correspond to decimal numbers H H H D H D H D H D H H H H 0 00H 32 20H 64 40H 96 60H 1 01H 33 21H 65 41H 97 61H 2 02H 34 22H 66 42H 98 62H 3 03H 35 23H 67 43H 99 63H 4 04H 36 24H 68 44H 00 64H 5 05H 37 25H 69 45H 01 65H 6 06H 38 26H 70 46H 02 66H 7 07H 39 27H 71 47H 03 67H 8 08H 40 28H 72 48H 04 68H 9 09H 41 29H TS 49H 05 69H 10 OAH 42 2AH 74 4AH 06 6AH 11 OBH 43 2BH 75 ABH 07 6BH 12 OCH 44 2CH 76 ACH 08 6CH 13 ODH 45 2DH 77 ADH 09 6DH 14 OEH 46 2EH 78 4EH 10 6EH 15 OFH 47 2FH 79 AFH 11 6FH 16 OH 48 30H 80 50H 12 70H Ay 1H 49 31H 81 51H 13 71H 18 2H 50 32H 82 52H 14 72H 19 3H
7. Level 0 127 0 127 Output Level 25 MIDI Implementation 0 0122 Rotary The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past Since the movement of the high range and low range rotors can be set indepen dently the unique type of modulation characteristic of these speakers can be simulated quite closely This effect is most suitable for electric organ tones No Parameter Value Description Simultaneously switch the rotational speed of the low frequency rotor and high frequency rotor 1 Speed 1 0 1 Slow Fast A ESE oes Slow Slows down the rotation to the Slow Rate Fast Speeds up the rotation to the Fast Rate 2 Woofer Slow 1 127 0 05 10 00 Slow speed Slow of the low Speed Hz frequency rotor 3 Woofer Fast 1 197 0 05 10 00 Fast speed Fast of the low Speed Hz frequency rotor Adjusts the time it takes the low frequency rotor to reach the newly selected speed Woof 4 sts 0 15 0 15 when switching from fast to Acceleration slow or slow to fast speed Lower values will require longer times 5 Woofer Level 0 127 0 107 Volume of the low frequency rotor Tweeter Slow 0 05 10 00 j Speed Ania Hz 7 Tweeter Fast 1 127 0 05 10 00 Settings of the high frequency Speed Hz rotor Tweeter The parameters are the same 7 Acceleration 0 13 0513 as for the low frequency rotor go e 0 127 0 127 Level 10 Separation 0 107 0 107 Spatia
8. s fed back into the effect Adjusts the frequency above 001 57 3D Delay which sound fed back to the This applies a 3D effect to the delay sound The delay sound will be positioned 90 9 HF Damp 0 17 200 8000 Hz effect is filtered out If you degrees left and 90 degrees right Bypass don t want to filter out any high frequencies set this No Parameter Value Description parameter to Bypass Delay lett When this is set to note the When this is set to note the 1 Mod 0 1 ms note effect is synchronized with the 10 Rate Mode 0 1 Hz note effect is synchronized with the tempo tempo Adjusts the delay time from 0 05 10 00 2 Delay Left 0 127 1 2540 ms the direct sound until the 11 Rate 1 127 Hz Frequency of modulation Hz delay sound is heard Hz Frequency of modulation Adjusts the delay time from 12 te al note note 3 Delay Left 0 21 note the direct sound until the 13 Depth 1 0 127 0 127 Depth of modulation delay sound is heard note 3 E Delay Right 14 Phase 0 90 0 180 deg Spatial spread of the sound 4 Mode 0 1 ms note Settings of the Delay Right i Gain of the low frequency A The parameters are the same 15 Low Gain 0 30 15 15 dB range 5 DelayRight 0 127 1 2540ms s forthe Delay Left 6 Delay Right 0 21 note 16 High Gain 0 30 asas anor the high frequency range 7 Delay Center 0 1 t Mode a ms Moto Settings ofthe Delay Center D100 0W Volume balance benweenthe The parameters are the same een i 8 Del
9. 0 30 15 15 dB Gain of the low frequency range 5 High Gain 0 30 15 415 dB Gain of the high frequency range 6 Level 0 127 0 127 Output level 0106 High Pass Filter This is a filter with an extremely sharp slope The cutoff frequency can be varied cyclically No Parameter Filter Type Value 0 3 Lpf Bpf Hpf Notch Description Filter type Frequency range that will pass through each filter Lpf Frequencies below the cutoff Bpf Frequencies in the region of the cutoff Hpf Frequencies above the cutoff Notch Frequencies other than the region of the cutoff Filter Slope 0 2 12 24 36 dB Amount of attenuation per octave 36 dB Extremely steep 24 dB Steep 12 dB Gentle Filter Cutoff 1 0 127 0 127 Cutoff frequency of the filter Increasing this value will raise the cutoff frequency Filter Resonance 2 0 100 0 100 Filter resonance level Increasing this value will emphasize the region near the cutoff frequency Filter Gain 0 12 dB Amount of boost for the filter output Modulation Sw Modulation Wave Rate Mode 0 1 Off On Tri Sqr Sin Saw1 Saw2 Hz note On off switch for cyclic change How the cutoff frequency will be modulated Tri Triangle wave Sqr Square wave Sin Sine wave Saw1 Sawtooth wave upward Saw2 Sawtooth wave downward When this is set to note the effect is sy
10. 0B 00 00 01 00 7F EFX Parameter 9 40 03 0C 00 00 01 00 7F EFX Parameter 10 40 03 0D 00 00 01 00 7F EFX Parameter 11 40 03 0E 00 00 01 00 7F EFX Parameter 12 40 03 OF 000001 00 7F EFX Parameter 13 40 03 10 000001 00 7F EFX Parameter 14 400311 000001 00 7F EFX Parameter 15 40 03 12 00 00 01 00 7F EFX Parameter 16 40 03 13 00 00 01 00 7F EFX Parameter 17 40 03 14 000001 00 7F EFX Parameter 18 40 03 15 000001 00 7F EFX Parameter 19 40 03 16 000001 00 7F EFX Parameter 20 Each parameter will be changed by EFX type Refer to EFX Parameter Map 40 03 17 00 00 01 00 7F EFX Send Level to Reverb Set to 0 when EFX type is changed 40 03 18 000001 00 7F EFX Send Level to Chorus Set to 0 when EFX type is changed 4003 1A 000001 00 7F EFX Depth Dry 100 EFX 100 ZE 11 MIDI Implementation Part Parameters This instrument has 16 parts Parameters that can be set individually for each Part are called Part parameters If you use exclusive messages to set Part parameters specify the address by Block number rather than Part Number normally the same number as the MIDI channel The Block number can be specified as one of 16 blocks from 0 H to F H The relation between Part number and Block number is as follows x BLOCK NUMBER 0 F Address H Size H 40 1x 00 00 00 02 40 1x 01 40 1x 02 0000 01 40 1x 03 0000 01 40 1x 04 0000 01 40 1x 05 00 00 01 40 1x 06 00 00 01 40 1x 07 0000 01 40 1x 08 0000
11. 1 Portamento Time Controller Number 5 1 Data Entry Controller Number 6 38 1 Volume Controller Number 7 1 Pan Controller Number 10 1 Expression Controller Number 11 1 Hold 1 Controller Number 64 Portamento Controller Number 65 Sostenuto Controller Number 66 Soft Controller Number 67 Filter Resonance Controller Number 71 2 Release Time Controller Number 72 2 Attack Time Controller Number 73 2 Cutoff Controller Number 74 2 Decay Time Controller Number 75 2 Vibrato Rate Controller Number 76 2 Vibrato Depth Controller Number 77 2 Vibrato Delay Controller Number 78 2 NNN N Portamento Control Controller Number 84 3 Effect 1 Reverb Send Level Controller Number 91 3 Effect 3 Chorus Send Level Control ler Number 93 3 NRPN MSB LSB Controller Number 98 99 3 RPN MSB LSB Controller Number 100 101 4 Program Change 4 Channel Pressure 4 Pitch Bend Change 4 Channel Mode Messages 4 All Sounds Off Controller number 120 4 Reset All Controllers Controller Number 121 4 Local Control Controller Number 122 4 All Notes Off Controller Number 123 5 OMNI OFF Controller Number 124 5 OMNI ON Controller Number 125 5 MONO Controller Number 126 5 POLY Controller Number 127 5 System Realtime Message 5 Active Sensing 5 System Exclusive Message 5 System Exclusive Messages Related to Mode Settings 5 GM1 System On 5 GM2 System On 5 GM System Off 6 GS
12. 12 0 12 0 Hz Use nibblized data 01 01 01 01 01 01 01 01 01 40 08 00 80 Description 0 1 ON ON ON ON ON ON ON OFF ON ON ON ON ON ON ON ON ON Poly 0 semitones 0 Hz PITCH OFFSET FINE allows you to alter by a specified frequency amount the pitch at which notes will sound This parameter differs from the conventional Fine Tuning RPN 1 parameter in that the amount of frequency alteration in Hertz will be identical no matter which note is played When a multiple number of Parts each of which has been given a different setting for PITCH OFFSET FINE are sounded by means of an identical note number you can obtain a Celeste effect 40 1x 19 00 00 01 40 1x 1A 00 00 01 40 1x 1B 00 00 01 40 1x 1C 00 00 01 40 1x 1D 00 00 01 40 1x 1E 00 00 01 40 1x 1F 00 00 01 40 1x 20 00 00 01 40 1x 21 00 00 01 40 1x 22 00 00 01 40 1x 23 00 00 01 Rx BANK SELECT is set to OFF by GM1 System On and Bank Select message will be ignored Rx BANK SELECT is set to ON by GM2 System On 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 5F 00 5F 00 7F 00 7F 00 01 PART LEVEL CC 7 VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PART PANPOT CC 10 except RANDOM KEY RANGE LOW KEY RANGE HIGH CC1 CONTROLLER NUMBER CC2 CONTROLLER NUMBER CHORUS SEND LEVEL CC 93 REVERB SEND LEVEL CC 91 Rx BANK SELECT Rx BANK SELECT is set to ON by po
13. 127 Output level high frequency range 9 High Gain 0 30 15 415 dB Amount of boost cut for the high frequency range i Volume balance of the original 01 5f Stereo Delay5 10 Balance 2 0 100 D1 de sound D and the delay sound This is a stereo delay DO 100W w No Parameter Value Description 11 Level palas oau Output volume When this is set to note the Delay Left A A 1 0 1 ms note effect is synchronized with the Mode tempo Adjusts the time until the 2 DelayLeft onez 1 1270 ms delay sound is heard Hz Adjusts the time until the 3 Delay Left 0 21 note delay sound is heard note Delay Right 4 Mode 0 1 ms note Settings of the Delay Right F The parameters are the same 5 Delay Right 0 127 1 1270 ms as for the Delay Left 6 Delay Right 0 21 note 7 Phase Left 0 1 Normal Phase of the delay sound 8 PhaseRight 0 1 Inverse Feedback Normal Selects the way in which delay 9 Mode 0 1 Cios sound is fed back into the effect See the figures above Adjusts the amount of the 10 Feedback 1 49 89 0 80 delay sound that s fed back into the effect Adjusts the frequency above which sound fed back to the 11 HF Damp 0 17 200 8000 Hz erect is filtered out If you Bypass don t want to filter out any high frequencies set this parameter to Bypass 12 Low Gain 0 30 asma E2 of the low frequency range 28 MIDI Implementation
14. 2x 27 00 00 01 00 7F CAf LFO2 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 13 MIDI Implementation 40 2x 28 40 2x 29 40 2x 2A 40 2x 30 40 2x 31 40 2x 32 40 2x 33 40 2x 34 40 2x 35 40 2x 36 40 2x 37 40 2x 38 40 2x 39 40 2x 3A 40 2x 40 40 2x 41 40 2x 42 40 2x 43 40 2x 44 40 2x 45 40 2x 46 40 2x 47 40 2x 48 40 2x 49 40 2x 4A 40 2x 50 40 2x 51 40 2x 52 40 2x 53 40 2x 54 40 2x 55 40 2x 56 40 2x 57 40 2x 58 40 2x 59 40 2x 5A 40 4x 23 40 4x 24 This EFX type is same to EFX type of System Parameter When this EFX type is same to EFX type of System parameter the part connect to EFX 40 4x 25 40 4x 26 40 4x 27 40 4x 28 14 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 06 00 7F 00 7F 00 7F 28 58 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 28 58 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 28 58 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F CAf LFO2 PITCH DEPTH CAf LFO2 TVF DEPTH CAf LFO2 TVA DEPTH PAf PITCH CONTROL PAf TVF CUTOFF CONTROL PAf AMPLITUDE
15. 51 33H 83 53H 15 73H 20 4H 52 34H 84 54H 16 74H 21 5H 53 35H 85 55H 17 75H 22 6H 54 36H 86 56H 18 76H 23 7H 55 37H 87 57H 19 77H 24 8H 56 38H 88 58H 20 78H 25 9H 57 39H 89 59H 21 79H 26 AH 58 3AH 90 5AH 22 7AH 27 BH 59 3BH 91 5BH 23 7BH 28 CH 60 3CH 92 5CH 24 7CH 29 DH 61 3DH 93 5DH 25 7DH 30 EH 62 3EH 94 5EH 26 7EH 31 FH 63 3FH 95 5FH 27 7FH H H H D decimal H hexadecimal Decimal values such as MIDI channel bank select and program change are listed as one 1 greater than the values given in the above table A7 bit byte can express data in the range of 128 steps For data where greater precision is required we must use two or more bytes For example two hexadecimal numbers aa bbH expressing two 7 bit bytes would indicate a value of aa x 128 bb In the case of values which have a sign 00H 64 40H 0 and 7FH 63 so that the decimal expression would be 64 less than the value given in the above chart In the case of two types 00 00H 8192 40 00H 0 and 7F 7FH 8191 For example if aa bbH were expressed as decimal this would be aa bbH 40 00H aa x 128 bb 64x 128 Data marked nibbled is expressed in hexadecimal in 4 bit units A value expressed as a 2 byte nibble Oa ObH has the value of ax 16 b lt Example1 gt What is the decimal expression of 5AH From the preceding table 5AH 90 lt Example2 gt What is the decimal e
16. 63 cen 40 O cent 40 1x 43 00 7F SCALE TUNING D 64 63 cen 40 O cent 40 1x 44 00 7F SCALE TUNING E 64 63 cen 40 O cent 40 1x 45 00 7F SCALE TUNING F 64 63 cen 40 O cent 40 1x 464 00 7F SCALE TUNING F 64 63 cen 40 O cent 40 1x 47 00 7F SCALE TUNING G 64 63 cen 40 O cent 40 1x 48 00 7F SCALE TUNING G 64 63 cen 40 O cent 40 1x 494 00 7F SCALE TUNING A 64 63 cen 40 O cent 40 1x 4A 00 7F SCALE TUNING A 64 63 cen 40 0 cent 40 1x 4B 00 7F SCALE TUNING B 64 63 cen 40 0 cent SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave The pitch of each identically named note in all octaves will change simultaneously A setting of 0 cent 40H is equal temperament Refer to section 4 Supplementary material The Scale Tune Feature 40 2x 00 000001 28 58 MOD PITCH CONTROL 24 24 semitone 40 0 semitones 40 2x01 000001 00 7F MOD TVF CUTOFF CONTROL 9600 9600 cent 40 0 cent 40 2x 02 000001 00 7F MOD AMPLITUDE CONTROL 100 0 100 0 40 0 40 2x 03 00 00 01 00 7F MOD LFO1 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 04 000001 00 7F MOD LFO1 PITCH DEPTH 0 600 cent 0A 47 cent 40 2x05 000001 00 7F MOD LFO1 TVF DEPTH 0 2400 cent 00 0 cent 40 2x 06 00 00 01 00 7F MOD LFO1 TVA DEPTH 0 100 0 000 40 2x 07 00 00 01 00 7F MOD LFO2 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 08 00 00 01 00 7F
17. Arabian Scale Example Settings Note name Equal Temperament Just Temperament Arabian Scale Keytone C C 0 0 6 CH 0 8 45 D 0 4 2 D 0 16 12 E 0 14 51 F 0 2 8 F 0 10 43 G 0 2 4 G 0 14 47 A 0 16 0 Att 0 14 10 B 0 12 49 The values in the table are given in cents Refer to the explanation of Scale Tuning to convert these values to hexadecimal and transmit them as exclusive data For example to set the tune C B of the Part1 Arabian Scale send the data as follows FO 41 10 42 12 40 11 40 3A 6D 3E 34 OD 38 6B 3C 6F 40 36 OF 50 F7 MIDI Implementation 5 Effect List 0100 Equalizer 0101 Spectrum 0102 Enhancer 0104 Isolator 0105 Low Boost 0106 High Pass Filter 0110 Overdrive 0111 Distortion 0112 Overdrive2 0113 Distortion2 0107 Speaker Simulator 0114 Guitar Amp Simulator 0120 Phaser 0129 Multi Stage Phaser 012a Infinite Phaser 0123 Stereo Flanger 0127 3D Flanger 0128 2Band Flanger 0121 Auto Wah 0103 Humanizer 012b Ring Modulator 0125 Tremolo 0126 Auto Pan 012c Slicer 0130 Compressor 0131 Limiter 0142 Stereo Chorus 0140 Hexa Chorus 0141 Tremolo Chorus 0143 Space D 0144 3D Chorus 0145 2Band Chorus 0122 Rotary 012d Rotary2 0300 Rotary Multi 015b Stereo Delay1 015c Stereo Delay2 015d Stereo Delay3 015e Stereo Delay4 015f Stereo Delay5 0150 Monaural Delay 0151 Modulation Delay 0152 Triple Tap Delay 0157 3D Delay 0
18. At 60 dB the sound becomes Boost Cut inaudible 0 dB is equivalent 3 High 2 to the input level of the sound Turns the Anti Phase function on and off for the Low frequency ranges 4 Anti Phase 0 1 Off On When turned on the Low Sw counter channel of stereo sound is inverted and added to the signal Adjusts the level settings for the Low frequency ranges Anti Phase Adjusting this level for certain 5 0 127 0 127 frequencies allows you to Low Level lend emphasis to specific parts This is effective only for stereo source Anti Phase Settings of the Anti Phase 6 Mid Sw dd ofon function for the Middle frequency ranges Anti Phase The parameters are the same 7 Mid Level 0 127 0 127 as for the Low frequency ranges o Turns Low Booster on off 8 0 1 Off On This emphasizes the bottom Sw to create a heavy bass sound Increasing this value gives you PRE TE a heavier low end 9 0 127 0 127 Depending on the Isolator and Level A filter settings this effect may be hard to distinguish 10 Level 0 127 0 127 Output Level 18 0105 Low Boost Boosts the volume of the lower range creating powerful lows No Parameter Value Description i Boost 8 50 125 Hz Center frequency at which the Frequency 1 lower range will be boosted Boost Gain Amount by which the lower 2 0 12 0 12 dB 2 range will be boosted 3 Boost Width 0 2 Wide Mid Width of the lower range that Narrow will be boosted 4 iow Gain
19. BANK SELECT OFF Rx BANK SELECT is set to OFF by GM1 System On and Bank Select message will be ignored Rx BANK SELECT is set to ON by GM2 System On Rx BANK SELECT is set to ON by power on Reset or by receiving GS RESET When Rx BANK SELECT LSB OFF Bank number LSB IIH will be handled as 00H regardless of the received value However when sending Bank Select messages you have to send both the MSB mmH and LSB IIH the value should be 00H together Bank Select processing will be suspended until a Program Change message is received The GS format Variation number is the value of the Bank Select MSB Controller number 0 expressed in decimal Some other GS devices do not recognize the Bank Select LSB Controller number 32 O Modulation Controller Number 1 Status 2nd byte 3rd byte BnH 01H vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Modulation depth Not received when Rx MODULATION OFF Initial value is ON The resulting effect is determined by System Exclusive messages With the initial settings this is Pitch Modulation Depth O Portamento Time Controller Number 5 Status 2nd byte 3rd byte BnH 05H vvH OH FH ch 1 ch 16 00H 7FH 0 127 Initial value OOH 0 n MIDI channel number vv Portamento Time This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control A v
20. Depth of modulation 10 Phase 0 90 0 180 deg Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied 11 Low Gain 0 30 15 15 dB Gain of the low range 12 High Gain 0 30 13 Level 0 127 0103 Humanizer 15 15 dB 0 127 Gain of the high range Output Level Adds a vowel character to the sound making it similar to a human voice No Parameter Value Description No Parameter Value Description Frequency at which the 1 Split Freq 0 16 200 8000 Hz low and high ranges will be divided Delay time from when the 2 Low Pre 0 195 0 0 100 0 ms original sound is heard to Delay when the low range flanger sound is heard Low Bate When this is set to note the 3 0 1 Hz note effect is synchronized with the Mode tempo Rate at which the low range 4 Low Rate 1 1 127 0 05 10 00 flanger sound is modulated Hz Hz Rate at which the low range 5 Low Rate 0 21 note flanger sound is modulated note 6 Low Depth 0 127 0 127 Modulation depth for the low range flanger sound 7 ow Phase 0 90 0 180 deg Spaciousness of the low range flanger sound Proportion of the low range flanger sound that is to Low E 8 0 98 98 98 be returned to the input Feedback i negative values invert the phase Delay time from when the High Pre original sound is heard to 9 0 125 0 0 100 0 Delay MS when the high range flanger sound
21. filter 4 hons Rate 0291 nte Modulation frequency of the Adjusts the delay time from chorus effect note 3 Pre Delay 0 125 0 0 100 0 ms the direct sound until the ehotis sound ish ard 5 Chorus 0 107 0 107 Modulation depth of the Depth 1 chorus effect When this is set to note the 7 4 Rate Mode 0 1 Hz note effect is synchronized with the j Tremolo Rate ja f ee this IS a to ae ne tempo Mode z note effect is synchronized with the tempo 0 05 10 00 P 5 Rate 1 1 127 H Frequency of modulation Hz Tremolo 0 05 10 00 Modulation frequency of the z 7 1 127 Rate 2 Hz tremolo effect Hz 6 Kate 0 21 fate Frequency of modulation MEE os note 8 Tremolo Rate 0 21 note Ogi enonured tiene OLuye tremolo effect note 7 Depth 2 0 127 0 127 Depth of modulation i remolo 8 Phase 0 90 0 180 deg Spatial spread of the sound 9 Separation 0 127 0 127 Spread of the tremolo effect 9 Low Gain 0 30 15 15 dB Gain of the low range Tremolo 10 High Gain 0 30 15 15dB Gain of the high range 19 Phase was 0 180 deg Spread of the tremolo effect Volume balance between Volume balance between D100 0W a 0W a 11 Balance 0 100 h the direct sound D and the 11 Balance 0 100 De the direct sound D and the DO 100W DO 100W chorus sound W tremolo chorus sound W 12 Level 0 127 0 127 Output Level 12 Level 0 127 0 127 Output Level 0140 Hexa Chorus Uses a six phase chorus six layers of choru
22. in the range of change Parameters marked absolute change will be set to the absolute value of the parameter regardless of the preset value Data entry LSB IIH is ignored MIDI Implementation O RPN MSB LSB Controller Number 100 101 Status 2nd byte 3rd byte BnH 65H mmH BnH 64H IIH n MIDI channel number OH FH ch 1 ch 16 mm upper byte MSB of parameter number specified by RPN Il lower byte LSB of parameter number specified by RPN Not received when Rx RPN OFF Initial value is ON The value specified by RPN will not be reset even by messages such as Program Change or Reset All Controller RPN The RPN Registered Parameter Number messages are expanded control changes and each function of an RPN is described by the MIDI Standard To use these messages you must first use RPN MSB and RPN LSB messages to specify the parameter to be controlled and then use Data Entry messages to specify the value of the specified parameter Once an RPN parameter has been specified all Data Entry messages received on that channel will modify the value of that parameter To prevent accidents it is recommended that you set RPN Null RPN Number 7FH 7FH when you have finished setting the value of the desired parameter Refer to Section 4 Examples of actual MIDI messages lt Example 4 gt On this instrument RPN can be used to modify the following parameters RPN Data entry MSB LSB MSB LSB 00H 00H
23. is filtered out If you Bypass don t want to filter out any high frequencies set this parameter to Bypass 12 LowGain 0 30 etre gp Gain of the low frequency range 13 HighGain 0 30 aa MORE high frequency range D100 0W Volume balance between the 14 Balance 2 0 100 direct sound D and the delay DO 100W sound W 15 Level 0 127 0 127 Output level 27 MIDI Implementation 015e Stereo Delay4 No Parameter Value Description This is a stereo delay i i y 13 High Gain 0 30 15 15 dB Gain of the high frequency range No Parameter Value Description Volume balance between the When this is set to note the 14 Balance 2 0 100 dd direct sound D and the delay Delay Left A 4 DO 100W 1 Mode 0 1 ms note effect is synchronized with the sound W tempo 15 Level 0 127 0 127 Output level Adjusts the time until the 2 Delay Left 0 127 1 1270 ms delay sound is heard Hz Adjusts the time until the 3 Delay Left 0 21 note y delay sound is heard note O 01 50 Monaural Delay Delay Right A delay that provides a long delay time 4 Mode 0 1 ms note Settings of the Delay Right 5 Delay Right 0 127 11970 m8 m O ae the same No Parameter Value Description 7 as tor the Delay Left When this is set to note the 6 Delay Right 0 21 note 1 Delay
24. is heard High Rate When this is set to note the 10 9 0 1 Hz note effect is synchronized with the Mode tempo Rate at which the high range 0 05 10 00 11 High Rate 2 1 127 flanger sound is modulated Hz Hz Rate at which the high range 12 High Rate 0 21 note flanger sound is modulated note Modulation depth for the 13 High Depth 0 127 0 127 JSR high range flanger sound 14 HighPhase 0 90 0 180deg SPaciousness of the high range flanger sound Proportion of the high range i flanger sound that is to High 15 0 98 98 98 be returned to the input Feedback E negative values invert the phase Volume balance of the original D100 0W 16 Balance 0 100 sound D and flanger sound DO 100W W 17 Level 0 127 0 127 Output volume 0121 Auto Wah Cyclically controls a fi No Parameter 1 Filter Type ter to create cyclic change in timbre Value Lpf Bpf Description Type of filter Lpf The wah effect will be applied over a wide frequency range Bpf The wah effect will be applied over a narrow frequency range 2 Manual 2 0 127 0 127 Adjusts the center frequency at which the effect is applied 22 1 Drive Sw 0 1 Off On Turns Drive on off 2 Drive 2 0197 0 127 Degree of distortion Also changes the volume 3 Vowel1 0 4 a e i o u Selects the vowel 4 Vowel2 0 4 a e i o u When this is set to note the 5 Rate Mode 0 1 Hz not
25. message is received this instrument will be able to receive the messages specified by General MIDI 2 and use the General MIDI 2 soundmap There must be an interval of at least 50 ms between this message and the next MIDI Implementation O GM System Off GM System Off is a command message that resets the internal state of this instrument from the GM state to its native condition This instrument will reset to the GS default state Status Data byte Status FOH 7EH 7FH 09H 02H F7H Byte Explanation FOH Exclusive status 7EH ID number Universal Non realtime Message 7FH Device ID Broadcast 09H Sub ID 1 General MIDI message 02H Sub ID 2 General MIDI Off F7H EOX End of exclusive There must be an interval of at least 50 ms between this message and the next O GS reset GS Reset is a command message that resets the internal settings of a device to the GS initial state Status Data byte Status FOH 41H 10H 42H 12H 40H F7H 00H 7FH 00H 41H Byte Explanation FOH Exclusive status 41H ID number Roland 10H Device ID dev OOH 1FH 1 32 Initial value is 10H 17 42H Model ID GS 12H Command ID DT1 40H Address MSB 00H Address 7FH Address LSB 00H Data GS reset 41H Checksum F7H EOX End Of Exclusive When this message is received Rx NRPN will be ON There must be an interval of at least 50 ms between this message and the next O Universal Realtime System Exclusive Mes
26. mmH Explanation Pitch Bend Sensitivity mm 00H 18H 0 24 semitones Initial Value 02H 2 semitones Il ignored processed as 00h specify up to 2 octaves in semitone steps Master Fine Tuning mm Il 00 00H 40 00H 7F 7FH 100 0 99 99 cents Initial Value 40 OOH 0 cent Il ignored processed as 00h 00H 01H mmH IIH specify up to 2 octaves in semitone steps Refer to 4 Supplementary Material About Tuning 00H 02H mmH Master Coarse Tuning mm 28H 40H 58H 24 0 24 semitones Initial Value 40H 0 cent Il ignored processed as 00h 00H 05H mmH IIH Modulation Depth Range mm 00H 04H 0 4 semitones Il OOH 7FH 0 100 cents 100 128 Cent Value RPN null Set condition where RPN and NRPN are unspecified The data entry messages 7FH7FH em after set RPN null will be ignored No Data entry messages are required after RPN null Settings already made will not change mm ll ignored Program Change Status 2nd byte CnH ppH n MIDI channel number OH FH ch 1 ch 16 pp Program number 00H 7FH prog 1 prog 128 Not received when Rx PROGRAM CHANGE OFF Initial value is ON After a Program Change message is received the sound will change beginning with the next Note on Voices already sounding when the Program Change message was received will not be affected O Channel Pressure Status 2nd byte DnH vvH n MIDI channel number OH FH ch
27. pitch to change 200 cents so in this case 200 x 3072 8192 75 cents of Pitch Bend is being applied to MIDI channel 11 lt Example4 gt B3 64 00 65 00 06 0C 26 00 64 7F 65 7F BnH is the Control Change status and n is the MIDI channel number For Control Changes the 2nd byte is the control number and the 3rd byte is the value In a case in which two or more messages consecutive messages have the same status MIDI has a provision called running status which allows the status byte of the second and following messages to be omitted Thus the above messages have the following meaning B3 6400 MIDI ch 4 lower byte of RPN parameter number 00H B3 65 00 MIDI ch 4 upper byte of RPN parameter number 00H B3 06 0C MIDI ch 4 upper byte of parameter value OCH B3 26 00 MIDI ch 4 lower byte of parameter value OOH B3 64 7F MIDI ch 4 lower byte of RPN parameter number 7FH B3 65 7F MIDI ch 4 upper byte of RPN parameter number 7FH In other words the above messages specify a value of OC 00H for RPN parameter number 00 00H on MIDI channel 4 and then set the RPN parameter number to 7F 7FH RPN parameter number 00 OOH is Pitch Bend Sensitivity and the MSB of the value indicates semitone units so a value of OCH 12 sets the maximum pitch bend range to 12 semitones 1 octave On GS sound sources the LSB of Pitch Bend Sensitivity is ignored but the LSB should be transmitted anyway with a value of 0 so that oper
28. sending a System Exclusive MASTER TUNE address 40 00 00H RPN 1 allows tuning to be specified in steps of approximately 0 012 cents to be precise 100 8192 cent and System Exclusive MASTER TUNE allows tuning in steps of 0 1 cent One cent is 1 100th of a semitone The values of RPN 1 Master Fine Tuning and System Exclusive MASTER TUNE are added together to determine the actual pitch sounded by each Part Hz in A4 cent RPN 1 Sys Ex 40 00 00 445 0 19 56 4C 43 1603 00 04 0C 04 196 444 0 15 67 4A 03 1283 00 04 09 OD 157 443 0 411 76 47 44 964 00 04 07 06 118 442 0 7 85 45 03 643 00 04 04 OF 79 441 0 3 93 42 42 322 00 04 02 07 39 440 0 0 00 4000 0 00040000 0 439 0 3 94 3D 3D 323 00 03 0D 09 39 438 0 7 89 3A 7A 646 00 03 OB 01 79 Frequently used tuning values are given in the following table for your reference Values are in hexadecimal decimal in parentheses lt Example gt Set the tuning of MIDI channel 3 to A4 442 0 Hz Send RPN 1 to MIDI channel 3 From the above table the value is 45 03H B2 64 00 MIDI ch 3 lower byte of RPN parameter number 00H B2 65 01 MIDI ch 3 upper byte of RPN para
29. 01 40 1x 09 0000 01 40 1x 0A 00 00 01 Part 1 MIDI ch 1 x 1 Part 2 MIDI ch 2 x 2 Part 9 MIDI ch 9 x 9 Part10 MIDI ch 10 x 0 Part11 MIDI ch 11 x A Part12 MIDI ch 12 x B Part16 MIDI ch 16 x F Data H Parameter 00 7F TONE NUMBER 00 7F P C VALUE 00 10 Rx CHANNEL 00 01 Rx PITCH BEND 00 01 Rx CH PRESSURE CAf 00 01 Rx PROGRAM CHANGE 00 01 Rx CONTROL CHANGE 00 01 Rx POLY PRESSURE PAf 00 01 Rx NOTE MESSAGE 00 01 Rx RPN 00 01 Rx NRPN Description CC 00 VALUE 0 127 1 128 1 16 OFF OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON Default Value H 00 00 Same as the Part Number 01 01 01 01 01 01 01 00 01 When GM1 System On and GM2 System On are received Rx NRPN will be set OFF When GS Reset is received it will be set ON 40 1x 0B 00 00 01 40 1x 0C 00 00 01 40 1x 0D 00 00 01 40 1x 0E 00 00 01 40 1x OF 00 00 01 40 1x 10 00 00 01 40 1x11 00 00 01 40 1x 12 00 00 01 40 1x 13 00 00 01 40 1x 16 00 00 01 40 1x 17 00 00 02 40 1x 18H 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 28 58 00 08 0F 08 08 F8 Rx MODULATION Rx VOLUME Rx PANPOT Rx EXPRESSION Rx HOLD1 Rx PORTAMENTO Rx SOSTENUTO Rx SOFT MONO POLY MODE CC 126 01 CC 127 00 PITCH KEY SHIFT PITCH OFFSET FINE OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON Mono Poly 24 24 semitones
30. 1 00 vv F7 40 00 05 00 00 01 28 58 MASTER KEY SHIFT 24 24 semitones 40 0 semitones 40 00 06 00 00 01 01 7F MASTER PAN 63 LEFT 63 RIGHT 40 O CENTER 4000 7F 0000 01 00 MODE SET 00 GS Reset 127 Exit GS mode Rx only Refer to System exclusive messages related to mode settings 400110 00 00 10 00 40 VOICE RESERVE Part 10 02 2 40 01 11 Part 1 06 6 40 01 12 Part 2 02 2 40 01 13 Part 3 02 2 40 01 14 Part 4 02 2 40 01 15 Part 5 02 2 40 01 16 Part 6 02 2 40 01 17 Part 7 02 2 4001 18 Part 8 02 2 4001 19 Part 9 02 2 4001 1A Part 11 00 0 4001 40 01 1F Part 16 00 0 The sum total of voices in the voice reserve function must be equal to or less than the number of the maximum polyphony The maximum polyphony of this instrument is 128 For compatibility with other GS models it is recommended that the maximum polyphony be equal or less than 24 40 01 30 00 00 01 00 07 REVERB MACRO 00 Room 1 04 Hall 2 01 Room 2 10 MIDI Implementation 02 Room 3 03 Hall 1 04 Hall 2 05 Plate 06 Delay 07 Panning Delay 40 01 31 00 00 01 00 07 REVERB CHARACTER 0 7 04 4 40 01 32 00 00 01 00 07 REVERB PRE LPF 0 7 00 0 40 01 33 00 00 01 00 7F REVERB LEVEL 0 127 40 64 40 01 34 00 00 01 00 7F REVERB TIME 0 127 40 64 400135 00 00 01 00 7F REVERB DELAY FEEDBACK 0 127 00 0 REVERB MACRO is a macro parameter that allows global setting of reverb parameters When you select the reverb type with REVERB MAC
31. 1 ch 16 vv Channel Pressure 00H 7FH 0 127 Not received when Rx CH PRESSURE CAf OFF Initial value is ON The resulting effect is determined by System Exclusive messages With the initial settings there will be no effect Pitch Bend Change Status 2nd byte 3rd byte EnH IIH mmH n MIDI channel number OH FH ch 1 ch 16 00 OOH 40 00H 7F 7FH 8192 0 8191 mm Il Pitch Bend value Not received when Rx PITCH BEND OFF Initial value is ON The resulting effect is determined by System Exclusive messages With the initial settings the effect is Pitch Bend E Channel Mode Messages All Sounds Off Controller number 120 Status 2nd byte 3rd byte BnH 78H 00H n MIDI channel number OH FH ch 1 ch 16 When this message is received all currently sounding notes on the corresponding channel will be turned off immediately O Reset All Controllers Controller Number 121 Status 2nd byte 3rd byte BnH 79H 00H n MIDI channel number OH FH ch 1 ch 16 When this message is received the following controllers will be set to their reset values Controller Reset value Pitch Bend Change 0 Center Polyphonic Key Pressure 0 off Channel Pressure 0 off Modulation 0 off Expression 127 max Hold 1 0 off Portamento 0 off Sostenuto 0 off Soft 0 off RPN unset previously set data will not change NRPN unset previously set data will not change Local Contro
32. 127 Frequency of modulation Hz r 7 Hz When this is set to note the Low Rate A i s 4 Rate 0 21 note Frequency of modulation note 3 Mode 0 1 Hz note effect is synchronized with the tempo 5 Depth 2 0 127 0 127 Depth of modulation p Sl Rate at which the low range 6 Phase 0 90 0 180 deg Spatial spread of the sound 4 iewiRate 1 127 as 0 00 chaniesound iemodubied 7 Low Gain 0 30 15 15 dB Gain of the low range z Hz 8 High Gain 0 30 15 15 dB Gain of the high range Rate at which the low range GON Volume balance between the 5 Low Rate 0 21 note chorus sound is modulated 9 Balance 0 100 DOA cour direct sound D and the chorus note sound W 6 Low Depth 0437 i7 Modulation depth for the 10 Level 0 127 0 127 Output Level 1 low range chorus sound 3 Low piace 0 90 0 180 deg Spaciousness of the low range chorus sound o 01 44 3D Ch Delay time from when the id orus 8 High Pre 0 125 0 0 100 0 original sound is heard to This applies a 3D effect to the chorus sound The chorus sound will be positioned 90 Delay AS When the high range chorus degrees left and 90 degrees right sound is heard High Rate When this is set to note the No_ Parameter Description 9 g 0 1 Hz note effect is synchronized with the Mode Type of filter tempo Off No filter is used 0 05 10 00 Rate at which the low range 1 Filter Type 0 2 Off Lpf Hpf Lpf Cuts the frequency range 10 High Rate 1 127 i i chorus sound is modulated above the Cutoff Fre
33. 15 15 dB Gain of the low range 8 Delay Center 0 127 1 2540 ms The parameters are the same 17 High Gain 0 30 15 15dB Gain of the high range as for the Delay Left Vol bal b h 9 Delay Center 0 21 note D100 0W glume balance Detween the 18 Balance 2 0 100 direct sound D and the effect C nter Adjusts the amount of the DO 100W sound W 10 Feedback 1 49 89 0 80 delay sound that s fed back into the effect 19 Level 0 127 0 127 Output Level 29 MIDI Implementation 0159 Tape Echo A virtual tape echo that produces a realistic tape delay sound This simulates the tape echo section of a Roland RE 201 Space Echo No Parameter Value Description Combination of playback heads to use Ms heads with diferent delay 1 Mode 0 6 Se Me oe id dsd S short M middle L long Tape speed 2 Repeat Rate 0 127 0 127 Increasing this value will 1 shorten the spacing of the delayed sounds 3 Intensity 0 127 0 127 Amount of delay repeats 4 Bass 0 30 15 15 dB Boost cut for the lower range of the echo sound 5 Treble 0 30 15 15 dB Boost cut for the upper range of the echo sound 6 HeadSPan _ 0 127 Independent panning for 7 Head MPan 0 127 L64 63R the short middle and long 8 HeadLPan 0 127 playback heads Amount of tape dependent distortion to be added Tape This simulates the slight tonal 9 P A 0 5 0 5 changes that can be detected Distorti
34. 159 Tape Echo 015a Reverse Delay 0172 Lo Fi 0175 Telephone 0156 Gate Reverb 0200 Overdrive gt Chorus 0201 Overdrive gt Flanger 0202 Overdrive gt Delay 0203 Distortion gt Chorus 0204 Distortion gt Flanger 0205 Distortion gt Delay 0206 Enhancer gt Chorus 0207 Enhancer gt Flanger 0208 Enhancer gt Delay 0209 Chorus gt Delay 020a Flanger gt Delay 020b Chorus gt Flanger E EFX Parameter Map The parameters with 1 or 2 at the end of parameter name can be controlled with each exclusive message Part EFX CONTROL 1 and Part EFX CONTROL 2 0 0100 Equalizer This is a four band stereo equalizer low mid x 2 high No Parameter Value Description 1 Low Freq 0 1 200 400 Hz Frequency of the low range 2 Low Gain 1 0 30 15 15 dB Gain of the low range 3 MidiFreg 0 16 200 8000 Hz Frequency ofthe middle range 1 4 Mid1 Gain 0 30 15 15dB Gain of the middle range 1 Width of the middle range 1 0 5 1 0 2 0 Set a higher value for Q 5 Mid1 Q o 4 0 8 0 to narrow the range to be affected 6 Mid2Freq 0 16 200 8000 Hz Frequency of the middle range 2 7 Mid2 Gain 0 30 15 15dB Gain of the middle range 2 Width of the middle range 2 A 0 5 1 0 2 0 Set a higher value for Q 8 Mid2 Q 0 4 4 0 8 0 to narrow the range to be affected i 2000 4000 A 9 High Freq 0 2 8000 Hz Frequency of the high range 10 High Gain 2 0 30 15 15 d
35. 20b Chorus gt Flanger 33 6 Tone List 34
36. 7 Level of the phase shifted sound 11 Low Gain 0 30 15 15dB Gain of the low range 12 High Gain 0 30 15 15dB Gain of the high range 13 Level 0 127 0 127 Output Level MIDI Implementation 0129 Multi Stage Phaser No Parameter Value Description Extremely high settings of the phase difference produce a deep phaser effect When this is set to note the 4 Rate Mode 0 1 Hz note effect is synchronized with the No Parameter Value Description tempo 4 Stage 0 05 10 00 ue 5 Rate 1 1 127 Hz Frequency of modulation Hz 12 Stage i Fi f modulat 1 Mode 0 5 16 Siage Number of phaser stages 6 Rate 0 21 not eae of modulation 20 Stage 24 Stage 7 Depth 2 0 127 0 127 Depth of modulation Adjusts the basic frequency 8 Phase 0 90 0 180 deg Spatial spread of the sound 2 Manual 2 0 127 0 127 from which the sound will be Adjusts the proportion of the modulated 9 Feedback 0 98 98 98 flanger sound that isfed back When this is set to note the into the effect Negative 3 RateMode 0 1 Hz note effect is synchronized with the settings will invert the phase tempo 10 Low Gain 0 30 15 15dB Gain of the low range 05 10 A 11 High Gai 0 30 15 15 dB Gain of the high 4 Rate 1 1 127 Dae 000 Frequency of modulation Hz ae ee eee Hz D100 0W Volume balance between Frequency of modulation 12 Balance 0 100 the direct sound D and the 5
37. B Gain of the high range 11 Level 0 127 0 127 Output Level 0101 Spectrum This is a stereo spectrum Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies No Parameter Value Description Band1 1 250Hz hits Band2 2 0 30 500Hz 1 Band3 3 oooHz vee Band4 4 2soHz 42 3 15 15dB Gain of each frequency band 5 Band5 0 30 2000Hz Band6 e 3150Hz lias Band7 7 4000Hz ae Bands 8 soo0Hz 939 Simultaneously adjusts the 0 5 1 0 2 0 E a 9 Q 0 4 width of the adjusted ranges 4 0 8 0 for all the frequency bands 10 Level 0 127 0 127 Output Level 17 MIDI Implementation 0102 Enhancer Controls the overtone structure of the high frequencies adding sparkle and tightness to the sound No Parameter Value Description 1 Sens 1 0 127 0 127 Sensitivity of the enhancer 2 wire over a 3 Low Gain 0 30 15 15 dB Gain of the low range 4 High Gain 0 30 15 15 dB Gain of the high range 5 Level 0 127 0 127 Output Level 0104 Isolator This is an equalizer which cuts the volume greatly allowing you to add a special ume in varying ranges effect to the sound by cutting the vo No Parameter Value Description 4 Boost Cut These boost and cut each of Low the High Middle and Low Boost Cut frequency ranges 2 0 64 60 4 dB Mid 1
38. CONTROL PAf LFO1 RATE CONTROL PAf LFO1 PITCH DEPTH PAf LFO1 TVF DEPTH PAf LFO1 TVA DEPTH PAf LFO2 RATE CONTROL PAf LFO2 PITCH DEPTH PAf LFO2 TVF DEPTH PAf LFO2 TVA DEPTH CC1 PITCH CONTROL CC1 TVF CUTOFF CONTROL CC1 AMPLITUDE CONTROL CC1 LFO1 RATE CONTROL CC1 LFO1 PITCH DEPTH CC1 LFO1 TVF DEPTH CC1 LFO1 TVA DEPTH CC1 LFO2 RATE CONTROL CC1 LFO2 PITCH DEPTH CC1 LFO2 TVF DEPTH CC1 LFO2 TVA DEPTH CC2 PITCH CONTROL CC2 TVF CUTOFF CONTROL CC2 AMPLITUDE CONTROL CC2 LFO1 RATE CONTROL CC2 LFO1 PITCH DEPTH CC2 LFO1 TVF DEPTH CC2 LFO1 TVA DEPTH CC2 LFO2 RATE CONTROL CC2 LFO2 PITCH DEPTH CC2 LFO2 TVF DEPTH CC2 LFO2 TVA DEPTH PART EFX TYPE MSB LSB PART EFX MACRO PART EFX DEPTH PART EFX CONTROL1 PART EFX CONTROL2 0 600 cent 0 2400 cent 0 100 0 24 24 semitone 9600 9600 cent 100 0 100 0 10 0 10 0 Hz 0 600 cent 0 2400 cent 0 100 0 10 0 10 0 Hz 0 600 cent 0 2400 cent 0 100 0 24 24 semitone 9600 9600 cent 100 0 100 0 10 0 10 0 Hz 0 600 cent 0 2400 cent 0 100 0 10 0 10 0 Hz 0 600 cent 0 2400 cent 0 100 0 24 24 semitone 9600 9600 cent 100 0 100 0 10 0 10 0 Hz 0 600 cent 0 2400 cent 0 100 0 10 0 10 0 Hz 0 600 cent 0 2400 cent 0 100 0 00 00 7F 7F 00 7F 00 7F 00 7F 00 7F 00 00 00 40 40 40 40 00 00 00 40 00 00 00
39. MIDI 1 score a GM2 System On message at the beginning of a General MIDI 2 score and a GS Reset message at the beginning of a GS music data Each song should contain only one mode message as appropriate for the type of data Do not insert two or more mode setting messages in a single song GM System On uses Universal Non realtime Message format GS Reset uses Roland system Exclusive format Data Set 1 DT1 O GM1 System On This is a command message that resets the internal settings of the unit to the General MIDI initial state General MIDI System Level 1 Status Data byte Status FOH 7EH 7FH 09H 01H F7H Byte Explanation FOH Exclusive status 7EH 1D number Universal Non realtime Message 7FH Device ID Broadcast 09H Sub ID 1 General MIDI Message 01H Sub ID 2 General MIDI 1 On F7H EOX End Of Exclusive When this message is received Rx BANK SELECT will be OFF and Rx NRPN will be OFF There must be an interval of at least 50 ms between this message and the next O GM2 System On This is a command message that resets the internal settings of the unit to the General MIDI initial state General MIDI System Level 2 Status Data byte Status FOH 7EH 7FH 09H 03H F7H Byte Explanation FOH Exclusive status 7EH 1D number Universal Non realtime Message 7FH Device ID Broadcast 09H Sub ID 1 General MIDI Message 03H Sub ID 2 General MIDI 2 On F7H EOX End Of Exclusive When this
40. MIDI Implementation Model F 120R RP301R Date Jun 28 2012 Version 1 00 1 Receive Data E Channel Voice Messages O Note off Status 2nd byte 8nH kkH 9nH kkH n MIDI channel number kk note number vv note off velocity O Note on Status 2nd byte 9nH kkH n MIDI channel number kk note number vv note on velocity Not received when Rx NOTE MESSAGE Polyphonic Key Pressure Status 2nd byte AnH kkH n MIDI channel number kk note number vv key pressure 3rd byte vvH 00H OH FH ch 1 ch 16 00H 7FH 0 127 00H 7FH 0 127 3rd byte vvH OH FH ch 1 ch 16 00H 7FH 0 127 01H 7FH 1 127 OFF Initial value is ON 3rd byte vvH OH FH ch 1 ch 16 00H 7FH 0 127 00H 7FH 0 127 Not received when Rx POLY PRESSURE PAf OFF Initial value is ON The resulting effect is determined by System Exclusive messages With the initial settings there will be no effect Control Change When Rx CONTROL CHANGE OFF all control change messages except for Channel Mode messages will be ignored The value specified by a Control Change message will not be reset even by a Program Change etc O Bank Select Controller Number 0 32 Status 2nd byte BnH 00H BnH 20H n MIDI channel number mm Il Bank number 3rd byte mmH IIH OH FH ch 1 ch 16 00H 00H 7FH 7FH bank 1 bank 16384 Initial Value 00 OOH bank 1 Not received when Rx
41. MOD LFO2 PITCH DEPTH 0 600 cent 00 0 cent 40 2x 09 000001 00 7F MOD LFO2 TVF DEPTH 0 2400 cent 00 0 cent 40 2x 0A 000001 00 7F MOD LFO2 TVA DEPTH 0 100 0 00 0 40 2x 10 000001 40 58 BEND PITCH CONTROL 0 24 semitone 42 2 semitones 40 2x11 000001 00 7F BEND TVF CUTOFF CONTROL 9600 9600 cent 40 0 cent 40 2x 12 000001 00 7F BEND AMPLITUDE CONTROL 100 0 100 0 40 0 40 2x 13 00 00 01 00 7F BEND LFO1 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 14 00 00 01 00 7F BEND LFO1 PITCH DEPTH 0 600 cent 00 0 cent 402x15 00 00 01 00 7F BEND LFO1 TVF DEPTH 0 2400 cent 00 0 cent 402x16 00 00 01 00 7F BEND LFO1 TVA DEPTH 0 100 0 00 0 40 2x 17 00 00 01 00 7F BEND LFO2 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 18 00 00 01 00 7F BEND LFO2 PITCH DEPTH 0 600 cent 00 O cent 402x19 00 00 01 00 7F BEND LFO2 TVF DEPTH 0 2400 cent 00 O cent 40 2x 1A 00 00 01 00 7F BEND LFO2 TVA DEPTH 0 100 0 00 0 40 2x 20 00 00 01 28 58 CAf PITCH CONTROL 24 24 semitone 40 0 semitones 402x21 00 00 01 00 7F CAf TVF CUTOFF CONTROL 9600 9600 cent 40 0 cent 40 2x 22 00 00 01 00 7F CAf AMPLITUDE CONTROL 100 0 100 0 40 0 40 2x 23 00 00 01 00 7F CAf LFO1 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 24 000001 00 7F CAf LFO1 PITCH DEPTH 0 600 cent 00 0 cent 40 2x 25 000001 00 7F CAf LFO1 TVF DEPTH 0 2400 cent 00 0 cent 40 2x 26 00 00 01 00 7F CAf LFO1 TVA DEPTH 0 100 0 00 0 40
42. Mode 0 1 ms note effect is synchronized with the 7 Phase Left 0 1 Nermal Phase of the delay sound tempo 8 PhaseRight_ 0 1 Inverse Delay time from when the Feedback Normal Selects the way in which delay 2 Delay Time 0 127 1 2540 ms original sound is heard to 9 Mode 0 1 Close sound is fed back into the when the delay sound is heard effect See the figures above Hz Adjusts the amount of the Delay time from when the 10 Feedback t1 49 89 0 80 delay sound that s fed back Delay Time original sound is heard to A 3 0 21 note into the effect 1 when the delay sound is heard Adjusts the frequency above note which sound fed back to the NORMAL Phase of the delay NORMAL 200 8000 Hz effect is filtered out If you 4 Phase 0 1 g non inverted INVERSE 11 HF Damp 0 17 j INVERSE Bypass don t want to filter out any inverted high frequencies set this Proportion of the delay sound parameter to Bypass 5 Feedback 49 89 0 80 that is to be returned to the 12 Low Gain 0 30 SS aR Gain of the low frequency input range Frequency at which the 13 High Gain 0 30 48 495 96 Gain of the high frequency 6 HF Damp 0 17 200 8000 Hz high frequency content of range Bypass the delayed sound will be cut b100 0w Volume balance between the Bypass no cut 14 Balance 2 0 100 D oow direct sound D and the delay 7 Pan 0 127 L64 63R Panning of the delay sound sound W 8 Low Gain 0 30 15 415 dB Amount of boost cut for the 15 Level 0 127 0
43. Open back enclosure 12x2 Condenser 5 pai 0 127 L64 63R Stereo location of the output p sound Built In 5 Open back enclosure 12x2 Condenser 6 Level 2 0 127 0 127 Output Level BG Stack 1 Sealed enclosure 12x2 Condenser BG Stack 2 Large sealed enclosure 12x2 Condenser MS Stack 1 Large sealed enclosure 12x4 Condenser 0111 Distortion MS Stack 2 Large sealed enclosure 12x4 Condenser Produces a more intense distortion than Overdrive The parameters are the same as Metal Stack Large double stack 12x4 Condenser for Overdrive 2 Stack Large double stack 12x4 Condenser 3 Stack Large triple stack 12x4 Condenser 0112 Overdrive2 This is an overdrive that provides heavy distortion Parameter Description i Driv 0 127 0 127 Degree of distortion Also changes the volume 2 Tone 0 127 0 127 Sound quality of the Overdrive effect 3 Ampsw 0 1 Off On Turns the Amp Simulator on off Type of guitar amp Sryjall Built ria type amp 4 Amp Type 0 3 ln 2 Stack 2 Stack large double stack 3 Stack amp 3 Stack large triple stack amp 5 Low Gain 0 30 15 15 dB Gain of the low range 6 High Gain 0 30 15 15 dB Gain of the high range 3 Pan 0 127 L64 63R Stereo location of the output sound 8 Level 2 0 127 0 127 Output Level 0113 Distortion2 This is a distortion effect that provides heavy distortion The parameters are the same as for Overdrive2 0107 Speaker Simulator Simulates the
44. RO each reverb parameter will be set to the most suitable value REVERB CHARACTER is a parameter that changes the reverb algorithm The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number 4001 38 00 00 01 00 07 CHORUS MACRO 00 Chorus 1 02 Chorus 3 01 Chorus 2 02 Chorus 3 03 Chorus 4 04 Feedback Chorus 05 Flanger 06 Short Delay 07 Short Delay FB 400139 000001 00 07 CHORUS PRE LPF 0 7 00 0 40013A 000001 00 7F CHORUS LEVEL 0 12 40 64 4001 3B 000001 00 7F CHORUS FEEDBACK 0 127 08 8 4001 3C 000001 00 7F CHORUS DELAY 0 127 50 80 4001 3D 000001 00 7F CHORUS RATE 0 127 03 3 4001 3E 000001 00 7F CHORUS DEPTH 0 127 13 19 40 01 3F 0000 01 00 7F CHORUS SEND LEVEL TO REVERB 0 127 00 0 CHORUS MACRO is a macro parameter that allows global setting of chorus parameters When you use CHORUS MACRO to select the chorus type each chorus parameter will be set to the most suitable value 40 03 00 00 00 02 00 7F EFX TYPE MSB LSB 00 00 7F 7F 00 01 Thru Refer to EFX Type Table This EFX Type is current EFX type of this system When part EFX type is same to this EFX type that part connect to EFX 40 03 03 000001 00 7F EFX Parameter 1 40 03 04 000001 00 7F EFX Parameter 2 40 03 05 000001 00 7F EFX Parameter 3 40 03 06 00 00 01 00 7F EFX Parameter 4 40 03 07 00 00 01 00 7F EFX Parameter 5 40 03 08 00 00 01 00 7F EFX Parameter 6 40 03 09 00 00 01 00 7F EFX Parameter 7 40 03 0A 00 00 01 00 7F EFX Parameter 8 40 03
45. Rate 0 21 note D0 100W note flanger sound W 6 Depth 0 127 0 127 Depth of modulation 13 Level 0 127 0 127 Output Level 7 Resonance 0 127 0 127 Amount of feedback 8 Mix 0 127 0 127 eae the phase shifted l 0127 3D Flanger 9 Pan 0 127 L64 63R ae location of thegutput This applies a 3D effect to the flanger sound The flanger sound will be positioned 90 el degrees left and 90 degrees right 10 Low Gain 0 30 15 15dB Gain of the low range 11 High Gain 0 30 15 15dB Gain of the high range No Parameter Value Description 12 Level 0 127 0 127 Output Level Type of filter 0 012a Infinite Phaser A phaser that continues raising lowering the frequency at which the sound is modulated No Parameter Value Description 1 Mode 0 3 1 2 3 4 Higher values will produce a deeper phaser effect Speed at which to raise or 2 Speed 1 0 127 100 100 lower the frequency at which the sound is modulated upward downward 3 ee 0 127 0 127 Amount of feedback 4 Mix 0 107 0 107 Volume of the phase shifted sound 5 Pan 0 127 L64 63R Panning of the output sound 6 Low Gai 0 30 15 15 dB Amount of boost cut for the low frequency range 7 High Gain 0 30 15 15 dB Amount of boost cut for the high frequency range 8 Level 0 127 0 127 Output volume 0123 Stereo Flanger This is a stereo flanger The LFO has the same phase for left and right It produces a metallic resonance that rises
46. alue of 0 results in the fastest change O Data Entry Controller Number 6 38 Status 2nd byte 3rd byte BnH 06H mmH BnH 26H IIH OH FH ch 1 ch 16 mm Il the value of the parameter specified by RPN NRPN mm MSB Il LSB n MIDI channel number O Volume Controller Number 7 Status 2nd byte 3rd byte BnH 07H vvH OH FH ch 1 ch 16 00H 7FH 0 127 Initial Value 64H 100 n MIDI channel number vv Volume Volume messages are used to adjust the volume balance of each Part Not received when Rx VOLUME OFF Initial value is ON O Pan Controller Number 10 Status 2nd byte 3rd byte BnH OAH vvH n MIDI channel number OH FH ch 1 ch 16 00H 40H 7FH Left Center Right Initial Value 40H Center vv pan Some Tones are not capable of being panned all the way to the left or right Not received when Rx PANPOT OFF Initial value is ON O Expression Controller Number 11 Status 2nd byte 3rd byte BnH OBH vvH OH FH ch 1 ch 16 00H 7FH 0 127 Initial Value 7FH 127 n MIDI channel number vv Expression This adjusts the volume of a Part It can be used independently from Volume messages Expression messages are used for musical expression within a performance e g expression pedal movements crescendo and decrescendo Not received when Rx EXPRESSION OFF Initial value is ON Copyright 2012 ROLAND EUROPE 1PS All rights reserved No part of this publication may b
47. ameter Value Description Adjusts the delay time from 4 Delay Time 0 127 1 2540 ms the direct sound until the delay sound is heard ms Adjusts the delay time from 5 Delay Time 0 21 note the direct sound until the delay sound is heard note Dela Adjusts the proportion of the 6 y 49 89 0 80 delay sound that is fed back Feedback into the effect Adjusts the frequency above which sound fed back to 5 Delay HF 0 17 200 8000 Hz the effect will be cut If you Damp Bypass do not want to cut the high frequencies set this parameter to Bypass Adjusts the volume balance between the sound that is Delay D100 0W 8 Balance p3 0 100 DO 100W sent through the delay W and the sound that is not sent through the delay D 9 Level 0 127 0 127 Output Level 0209 Chorus gt Delay This effect connects a chorus and a delay in series No Parameter Value Description Adjusts the delay time from 1 ne Pre 0 125 0 0 100 0 ms the direct sound until the y chorus sound is heard When this is set to note the Chorus Rate A i 4 2 0 1 Hz note effect is synchronized with the Mode tempo 0 05 10 00 3 Chorus Rate 1 127 Hz Frequency of modulation Hz 4 Cierus Rate 0291 note Frequency of modulation note 5 Chorus 0 127 0 127 Depth of modulation Depth Volume balance between 6 Chorus 0 100 DIOS the direct sound D and the Balance 1 DO 100W chorus sound W Delay Time When this is set t
48. ana a No Parameter Value Description there is no change in volume a Slash The level is momentarily sheet Wave set to 0 before progressing to 1 Mod Wave 0 4 Tri Sqr Sin nee e ie the level of the next step This Saw1 Saw2 a oe change in volume occurs even ee Vo Saute h if the level of the following ATTN step is the same as the preced When this is set to note the ing step 2 Rate Mode 0 1 Hz note effect is synchronized with the Timing of volume changes for tempo even numbered steps step 2 3 Rate 1 1 127 0 05 10 00 Hz Frequency of the change Hz 8 Shuffle 42 0 127 0 127 step 4 step 6 Frequency of the change The higher the value the later A Rate 0 21 note note the beat progresses i i 9 Level 0 127 0 127 Output level 5 Depth 2 0 127 0 107 Depth to which the effect is p applied 6 Low Gain 0 30 15 15dB Gain of the low range 7 High Gain 0 30 15 15 dB Gain of the high range 0130 Compressor 8 Level 0 127 0 127 Output Level Flattens out high levels and boosts low levels smoothing out fluctuations in volume No Parameter Value Description Sets th d at which 0 0126 Auto Pan 1 Attack 2 0 127 0 127 a 7 Cyclically modulates the stereo location of the sound Adiuststh i RICA justs the volume at whic 2 Threshold 1 0 127 0 127 j A No Parameter Value Description compression begins Modulation Wave 3 Post Gain 0 18 0 18 dB Adjusts the outp
49. and falls like a jet airplane taking off or landing A filter is provided so that you can adjust the timbre of the flanged sound No Parameter Description Type of filter Off No filter is used Lpf Cuts the frequency range 1 Filter Type 0 2 Off Lpf Hpf above the Cutoff Freq Hpf Cuts the frequency range below the Cutoff Freq 2 Cutoff Freq 0 16 200 8000 Hz Basic frequency of the filter Adjusts the delay time from 3 Pre Delay 0 125 0 0 100 0 ms when the direct sound begins until the flanger sound is heard Off No filter is used Lpf Cuts the frequency range 1 Filter Type 052 off Lpf Hpf above the Cutoff Freq Hpf Cuts the frequency range below the Cutoff Freq 2 Cutoff Freq 0 16 200 8000 Hz Basic frequency of the filter Adjusts the delay time from 3 PreDelay 0 125 von V En thedirect sound begins until the flanger sound is heard When this is set to note the 4 Rate Mode 0 1 Hz note effect is synchronized with the tempo 5 Rate 1 1 127 oe 0 00 Frequency of modulation Hz 6 Re 0 21 note Frequency of modulation note 7 Depth 2 0 127 0 127 Depth of modulation 8 Phase 0 90 0 180 deg Spatial spread of the sound Adjusts the proportion of the 9 Feedback 0 98 98 98 flanger sound that is fed back into the effect Negative settings will invert the phase Adjusts the method that will be used to hear the sound that is ou
50. as when All Sounds Off and All Notes Off is received and the corresponding channel will be set to Mode 3 E System Realtime Message Active Sensing Status FEH When Active Sensing is received the unit will begin monitoring the intervals of all further messages While monitoring if the interval between messages exceeds 420 ms the same processing will be carried out as when All Sounds Off All Notes Off and Reset All Controllers are received and message interval monitoring will be halted W System Exclusive Message Status Data byte Status FOH iiH ddH eeH F7H FOH System Exclusive Message status ii ID number An ID number manufacturer ID to indicate the manufacturer whose Exclusive message this is Roland s manufacturer ID is 41H ID numbers 7EH and 7FH are extensions of the MIDI standard Universal Non realtime Messages 7EH and Universal Realtime Messages 7FH dd ee data 00H 7FH 0 127 F7H EOX End Of Exclusive The System Exclusive Messages received by this instrument are messages related to mode settings Universal Realtime System Exclusive messages Universal Non realtime System Exclusive messages and Data Set DT1 O System Exclusive Messages Related to Mode Settings These messages are used to initialize a device to GS or General MIDI mode or change the operating mode When creating performance data a GM1 System On message should be inserted at the beginning of a General
51. ation will be correct on any device Once the parameter number has been specified for RPN or NRPN all Data Entry messages transmitted on that same channel will be valid so after the desired value has been transmitted it is a good idea to set the parameter number to 7F 7FH to prevent accidents This is the reason for the B3 64 7F B3 65 7F at the end It is not desirable for performance data such as Standard MIDI File data to contain many events with running status as given in lt Example 4 gt This is because if playback is halted during the song and then rewound or fast forwarded the sequencer may not be able to transmit the correct status and the sound source will then misinterpret the data Take care to give each event its own status It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order On some sequencers events occurring in the same or consecutive clock may be transmitted in an order different than the order in which they were received For this reason it is a good idea to slightly skew the time of each event about 1 tick for TPQN 96 and about 5 ticks for TPQN 480 TPQN Ticks Per Quarter Note 15 MIDI Implementation Example of an Exclusive Message and Calculating a Checksum Roland Exclusive messages are transmitted with a checksum at the end before F7 to make sure that the message was correctly received The value of the checksum is determi
52. ay 0 127 0 127 Volume of the reverse delay Level sound 30 No Parameter Value Description 9 iw Gain 0 30 15 15 dB Amount of boost cut for the low frequency range 10 High Gain 0 30 15 15 dB Amount of boost cut for the high frequency range Volume balance of the original D100 0W 11 Balance 2 0 100 sound D and the delay sound DO 100W W 12 Level 0 127 0 127 Output volume 0 0172 Lo Fi This is an effect that intentionally degrades the sound quality for creative purposes No Parameter Value Description Selects the type of filter i Pre Filter 0 5 1 6 applied to the sound before Type it passes through the Lo Fi effect Degrades the sound 2 LoFitype 1 0 8 1 9 quality The sound quality grows poorer as this value is increased Type of filter Off no filter is used Post Filter Lpf cuts the frequency range 3 Type 2 Off Lpf Hpf above the Cutoff Hpf cuts the frequency range below the Cutoff Post Filter 0 16 200 8000 Hz Basic frequency of the Post Cutoff Filter 5 Low Gain 0 30 15 15dB Gain of the low range 6 High Gain 0 30 15 15dB Gain of the high range Volume balance between the 7 Balance 2 0 100 p direct sound D and the effect DO 100W sound W 8 Level 0 127 0 127 Output level 0 0175 Telephone No Parameter Value Description 1 Voice Quality 0 15 0415 Audio quality of the telephone 1 voice 2 Treble 0 30 215 415 dB Bandwidth o
53. ay Center 0 127 1 2540 17 Balance 2 0 100 Do 100W direct sound D and the delay elay Center ms as for the Delay Left sound W 9 Delay Center 0 21 note 18 Level 0 127 0 127 Output level Center Adjusts the proportion of the 10 Feedback 1 49 89 0 80 delay sound that is fed back into the effect Tyi Adjusts the frequency above 001 52 Triple Tap Delay which sound fed back to Produces three delay sounds center left and right HeD ae 200 8000 Hz the effect will be cut If you P Bypass do not want to cut the high Parameter Description frequencies set this parameter Delay Left When this is set to note the to Bypass 1 Mode 0 1 ms note effect is synchronized with the 12 Left Level 0 127 t Output level of the del see 13 RightLevel 0 127 0 127 tae AT ORRE Adjusts the ti til th 2 DelayLeft 0 127 1 2540 ms RTE Bre 14 Center Level 0 127 delay sound is heard Hz Adjusts the time until the Adjusts the method that will 3 Delay Left 0 21 note delay sound is heard note be used to hear the sound y that is output to the OUTPUT Delay Right Speak jacks The optimal 3D eff 4 0 1 ms note bs peaker jacks The optimal 3D effect Mode cass of P omic 15 Output Mode 0 1 Phones willbeachieved if you select 5 Delay Right 0 127 1 2540 ms Se beba e Ssame Speaker when using speakers 6 DelayRight 0 21 note le A when using eadphones Delay Center P 7 Mode 0 1 ms note Settings of the Delay Center 16 Low Gain 0 30
54. bit any change O Vibrato Delay Controller Number 78 Status 2nd byte 3rd byte BnH 4EH vvH n MIDI channel number OH FH ch 1 ch 16 vv Vibrato Delay value relative change OOH 7FH 64 0 63 Initial value 40H no change Some Tones will not exhibit any change MIDI Implementation O Portamento Control Controller Number 84 Status 2nd byte 3rd byte BnH 54H kkH n MIDI channel number OH FH ch 1 ch 16 kk source note number 00H 7FH 0 127 A Note on received immediately after a Portamento Control message will change continuously in pitch starting from the pitch of the Source Note Number If a voice is already sounding for a note number identical to the Source Note Number this voice will continue sounding i e legato and will when the next Note on is received smoothly change to the pitch of that Note on The rate of the pitch change caused by Portamento Control is determined by the Portamento Time value Example 1 On MIDI Description Result 90 3C 40 Note on C4 C4on BO 54 3C Portamento no change C4 voice still sounding Control from C4 904040 Note on E4 glide from C4 to E4 80 3C 40 Note off C4 no change 80 40 40 Note off E4 E4 off Example 2 On MIDI Description Result BO 54 3C Portamento no change Control from C4 90 40 40 Note on E4 E4 is played with glide from C4 to E4 80 40 40 Note off E4 E4 off O Effect 1 Reverb Send Level Controller Number 91 Status 2nd byt
55. ces O Data Set 1 DT1 This is the message that actually performs data transmission and is used when you wish to transmit the data Status Data byte Status FOH 41H 10H 42H 12H aaH bbH F7H ccH ddH eeH sum Byte Explanation FOH Exclusive status 41H ID number Roland 10H Device ID 42H Model ID GS 12H Command ID DT1 aaH Address MSB upper byte of the starting address of the transmitted data bbH Address middle byte of the starting address of the transmitted data ccH Address LSB lower byte of the starting address of the transmitted data ddH Data the actual data to be transmitted Multiple bytes of data are transmitted starting from the address eeH Data sum Checksum F7H EOX End Of Exclusive The amount of data that can be transmitted at one time depends on the type of data and data can be received only from the specified starting address and size Refer to the Address and Size given in Section 3 Data larger than 128 bytes must be divided into packets of 128 bytes or less If Data Set 1 is transmitted successively there must be an interval of at least 40 ms between packets Regarding the checksum please refer to section 4 2 Transmit Data E Channel Voice Messages O Note Off Status 2nd byte 3rd byte 8nH kkH vvH OH FH ch 1 ch 16 00H 7FH 0 127 00H 7FH 0 127 n MIDI channel number kk note number vv note off velocity Note On Status 2nd byte 3rd byte 9
56. e The higher the value set the wider the sound is spread out 14 Low Gain 0 30 15 15dB Gain of the low range 15 High Gain 0 30 15 15dB Gain of the high range 16 Level 0 127 0 127 Output Level 0300 Rotary Multi This is an effect combining the VK series internal effect with an organ effect with the same features It comprises vibrato chorus overdrive and rotary effects No Parameter Value Description 1 Vib Cho 0 1 off On Switches the vibrato and Switch chorus effects Vibrato and chorus effect types V 1 V 2 V 3 Adds a wavering vibrato that is created by V 1 V 2 V 3 changes in the pitch The 2 Vib Cho Type 0 5 effect deepens as the value is C 1 C 2 C 3 increased C 1 C 2 C 3 Adds a fullness and breadth chorus to the sound The effect deepens as the value is increased This reproduces the subtle 3 Vib Cho 0 2 50 60 70 differences in the vibrato and Vintage chorus effects in organs built in different years 4 Mib Cho 0 127 0 127 Vibrato chorus effect volume Level 5 OD Switch 0 1 Off On Switches the overdrive effect 6 OD Drive 2 0 127 0 127 Amount of distortion 7 OD Level 0 127 0 127 Overdrive effect volume 8 Rotary 0 1 Off On Switches the rotary effect Switch Low and high frequency Rotary Speed rotation speeds Rate 2 1 o Slow Fast Slow Slow Rate Fast Fast Rate 10 R WfSlowSp 1 127 0 05 10 00 Rate wit
57. e which sound fed back to the 11 HF Damp O47 200 8000 Hz effect is filtered out If you Bypass don t want to filter out any high frequencies set this parameter to Bypass 12 Low Gain 0 30 Assan O7 Of the low frequency range No Parameter Value Description 13 HighGain 0 30 ia ome high frequency range D100 0W Volume balance between the 14 Balance 2 0 100 direct sound D and the delay DO 100W sound W 15 Level 0 127 0 27 Output level 015d Stereo Delay3 This is a stereo delay No Parameter Value Description When this is set to note the Delay Left y 1 0 1 ms note effect is synchronized with the Mode tempo Adjusts the time until the 2 Delay Left 0 127 1 1270 ms delay sound is heard Hz Adjusts the time until the 3 Delay Left 9221 note delay sound is heard note Delay Right 4 Mode 0 1 ms note Settings of the Delay Right z The parameters are the same 5 Delay Right 0 127 1 1270 ms as for the Delay Left 6 Delay Right 0 21 note 7 Phase Left 0 1 Normal Phase of the delay sound 8 Phase Right 0 1 Inverse Feedback Normal Selects the way in which delay 9 Mode 0 1 Gos sound is fed back into the effect See the figures above Adjusts the amount of the 10 Feedback 1 49 89 0 80 delay sound that s fed back into the effect Adjusts the frequency above which sound fed back to the 11 HF Damp 0 17 200 8000 Hz ES
58. e effect is synchronized with the tempo 6 Rata 1 127 0 05 10 00 Frequency at which the two Hz vowels switch Hz 7 Rate 1 0 21 Adi Frequency at which the two vowels switch note 8 Depth 0 127 0 127 Effect depth Determines whether the LFO 9 Input Sync 0 1 off On for switching the vowels is Sw reset by the input signal ON or not OFF 10 Input Sync 0 127 0 127 Volume level at which reset is Threshold applied Point at which Vowel 1 2 switch 49 or less Vowel 1 will have a longer duration yd Manual 05100 0 100 50 Vowel 1 and 2 will be of equal duration 51 or more Vowel 2 will have a longer duration 12 Low Gain 0 30 15 15dg Cain of the low frequency range Gain of the high fi 13 HighGain 0 30 s Hisde oe MEANS nSy range 14 Pan 0 127 L64 63R Stereo location of the output 15 Level 0 127 0 127 Output level MIDI Implementation 0 012b Ring Modulator This is an effect that applies amplitude modulation AM to the input signal producing bell like sounds You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect 012c Slicer By applying successive cuts to the sound this effect turns a conventional sound into when applied to sustain type sounds a sound that appears to be played as a backing phrase This is especially effective Parameter Descr
59. e reproduced in any form without the written permission of ROLAND EUROPE 1 MIDI Implementation O Hold 1 Controller Number 64 Status 2nd byte 3rd byte BnH 40H vvH n MIDI channel number OH FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Not received when Rx HOLD1 OFF Initial value is ON O Portamento Controller Number 65 Status 2nd byte 3rd byte BnH 41H vvH n MIDI channel number OH FH ch 1 ch 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Not received when Rx PORTAMENTO OFF Initial value is ON O Sostenuto Controller Number 66 Status 2nd byte 3rd byte BnH 42H vvH n MIDI channel number OH FH ch 1 ch 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON Not received when Rx SOSTENUTO OFF Initial value is ON O Soft Controller Number 67 Status 2nd byte 3rd byte BnH 43H vvH n MIDI channel number OH FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Not received when Rx SOFT OFF Initial value is ON Some Tones will not exhibit any change O Filter Resonance Controller Number 71 Status 2nd byte 3rd byte BnH 47H vvH n MIDI channel number OH FH ch 1 ch 16 vv Resonance value relative change 00H 7FH 64 O 63 Initial value 40H no change Some Tones will not exhibit any change O Release Time Controller Number 72 Status 2nd byte 3rd byte BnH 48H vvH n MIDI channel number OH FH ch 1 ch 16
60. es 3rd byte BnH 5BH vvH n MIDI channel number OH FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Initial Value 28H 40 This message adjusts the Reverb Send Level of each Part O Effect 3 Chorus Send Level Controller Number 93 Status 2nd byte 3rd byte BnH 5DH vvH n MIDI channel number OH FH ch 1 ch 16 vv Control value 00H 7FH 0 127 Initial Value 00H 0 This message adjusts the Chorus Send Level of each Part O NRPN MSB LSB Controller Number 98 99 Status 2nd byte 3rd byte BnH 63H mmH BnH 62H IIH n MIDI channel number OH FH ch 1 ch 16 mm upper byte MSB of the parameter number specified by NRPN Il lower byte LSB of the parameter number specified by NRPN Rx NRPN is set to OFF by power on reset or by receiving GM1 System On or GM2 System On and NRPN message will be ignored NRPN message will be received when Rx NRPN ON or by receiving GS RESET The value set by NRPN will not be reset even if Program Change or Reset All Controllers is received The NRPN Non Registered Parameter Number message allows an extended range of control changes to be used To use these messages you must first use NRPN MSB and NRPN LSB messages to specify the parameter to be controlled and then use Data Entry messages to specify the value of the specified parameter Once an NRPN parameter has been specified all Data Entry messages received on that channel will modify the va
61. f the Flanger A flanger sound that is fed back 6 Feedback 28 poeta into the effect Negative settings will invert the phase Volume balance between 7 Flanger 0 100 poo the direct sound D and the Balance 1 Do 100W flanger sound W Delay Time When this is set to note the 8 y 0 1 ms note effect is synchronized with the Mode tempo Adjusts the delay time from 9 Delay Time 0 127 1 2540 ms the direct sound until the delay sound is heard ms Adjusts the delay time from 10 Delay Time 0 21 note the direct sound until the delay sound is heard note Dela Adjusts the proportion of the 11 y 49 89 0 80 delay sound that is fed back Feedback 3 into the effect Adjusts the frequency above which sound fed back to 2 Delay HF di7 200 8000 Hz the effect will be cut If you Damp Bypass do not want to cut the high frequencies set this parameter to Bypass Adjusts the volume balance between the sound that is Delay D100 0W 13 Balance 2 0 100 D0 100W sent through the delay W and the sound that is not sent through the delay D 14 Level 0 127 0 127 Output Level 020b Chorus gt Flanger This effect connects a chorus and a flanger in series No Parameter Description Adjusts the delay time from 1 nera ple 0 125 0 0 100 0 ms the direct sound until the Delay chorus sound is heard When this is set to note the Chorus Rate A A 4 2 0 1 Hz note effect is synchronized w
62. f the telephone voice D100 0 Volume balance between the 3 Balance 2 0 100 i direct sound D and the effect D0 100W sound W 4 Level 0 127 0 127 Output level MIDI Implementation 0156 Gate Reverb No Parameter Value Description This is a special type of reverb in which the reverberant sound is cut off before its Frequency of modulation 6 Flanger Rate 0 21 note natural length note Flanger A No Parameter Description 7 Depth 0 127 0 127 Depth of modulation e A reverb ondi d Adjusts the proportion of the formal conventional gate Flanger flanger sound that is fed back Jan El 0y Normal reverb 8 Feedback 929 283970 into the effect Negative i Type 1 0 3 Reverse Reverse backwards reverb settings will invert the phase Sweep1 Sweep1 the reverberant Adjusts the volume balance Sweep2 sound moves from right to left b h dthati Sweep2 the reverberant Flanger D100 0W cas face that e sound moves from left to right 9 Balance 2 0 100 DO 100W sent tnrougn tne anger and the sound that is not sent Adjusts the delay time from through the flanger D 2 Pre Delay 0 125 0 0 100 0 ms the direct sound until the i 10 Level 0 127 0 127 Output Level reverb sound is heard Adjusts the time from when 3 Gate Time 0 99 5 500 ms the reverb is heard until it di i a 0202 Overdrive g
63. fect See the figures above Adjusts the amount of the 10 Feedback 1 49 89 0 80 delay sound that s fed back into the effect Adjusts the frequency above which sound fed back to the 11 HF Damp 0 17 200 8000 Hz effect is filtered out If you Bypass don t want to filter out any high frequencies set this parameter to Bypass 12 Low Gain 0 30 i5 pisdg Camere low frequency range 13 HighGain 0 30 15 p 5dB 7M of the high frequency range D100 0W Volume balance between the 14 Balance 2 0 100 direct sound D and the delay DO 100W sound W 15 Level 0 127 0 127 Output level 0 015c Stereo Delay2 This is a stereo delay No Parameter Value Description When this is set to note the Delay Left F 1 0 1 ms note effect is synchronized with the Mode tempo Adjusts the time until the 2 Delay Left 0 127 1 1270 ms delay sound is heard Hz Adjusts the time until the 3 Delay Left Al note delay sound is heard note Delay Right 4 Mode 0 1 ms note Settings ofthe Delay Right 3 The parameters are the same 5 Delay Right 0 127 1 1270 ms as for the Delay Left 6 Delay Right 0 21 note 7 Phase Left 0 1 Normal Phase of the delay sound 8 PhaseRight 0 1 Inverse Feedback Normal Selects the way in which delay 9 Mode 0 1 Cross sound is fed back into the effect See the figures above Adjusts the amount of the 10 Feedback 1 49 89 0 80 delay sound that s fed back into the effect Adjusts the frequency abov
64. ger This effect connects an enhancer and a flanger in series No Parameter Value Description Enh 1 laine 0 127 0 127 Sensitivity of the enhancer Sens 2 Enhancer Mix 0 127 0 127 edades generated by the enhancer Adjusts the delay time from 3 Flanger Pre 0 125 0 0 100 0 ms when the direct sound begins Delay until the flanger sound is heard Fianaer Rate When this is set to note the 4 9 0 1 Hz note effect is synchronized with the Mode tempo 5 FlangerRate 1 127 0 03 10 00 Frequency of modulation Hz 1 Hz 6 Flanger Rate 0 21 ote Frequency of modulation note 7 Flanger 0 127 0 127 Depth of modulation Depth Adjusts the proportion of the Flanger o flanger sound that is fed back 8 Feedback aoe 285628 into the effect Negative settings will invert the phase Adjusts the volume balance between the sound that is Flanger D100 0W 9 Balnai 0 100 DO 100W sent through the flanger W and the sound that is not sent through the flanger D 10 Level 0 127 0 127 Output Level 0 0208 Enhancer gt Delay This effect connects an enhancer and a delay in series No Parameter Value Description Enh 1 eine 0 127 0 127 Sensitivity of the enhancer Sens 1 2 Enhancer Mix 0 127 0 127 Se overtones generated by the enhancer Delay Time When this is set to note the 3 y 0 1 ms note effect is synchronized with the Mode tempo 32 No Par
65. h low frequency rotor Hz set to Slow rate 11 RWfFastSp 1 127 0 05 10 00 Rate with low frequency rotor Hz set to Fast rate Speed at which the low 12 RAWE Accel 0215 6216 frequency rotor s rotation rate changes when the rotation speed is switched 13 R Wf Level 0 127 0 127 Low frequency rotor volume 14 R TwSlow Sp 1 127 ak 0 99 Z High frequency rotor setting 15 RTwFastSp 1 127 0 05 10 00 This parameter is the same Hz as that for the low frequency 16 R Tw Accel 0 15 0 15 rotor 17 R Tw Level 0 127 0 127 18 Rotary 0 127 0 127 Amount of breadth in the Separat sound 19 Rotary Level 0 127 0 127 Output volume MIDI Implementation 0 015b Stereo Delay1 This is a stereo delay No Parameter Value Description When this is set to note the Delay Left A A 1 0 1 ms note effect is synchronized with the Mode tempo Adjusts the time until the 2 Delay Left 0 127 1 1270 ms delay sound is heard H2 Adjusts the time until the 3 Delay Left 05 note delay sound is heard note Delay Right 4 Mode 0 1 ms note Settings of the Delay Right i The parameters are the same 5 Delay Right 0 127 1 1270 ms as for the Delay Left 6 Delay Right 0 21 note 7 Phase Left 0 1 Norral Phase of the delay sound 8 Phase Right 0 1 Inverse Feedback Normal Selects the way in which delay 9 Mode 0 1 Goss sound is fed back into the ef
66. ic Default 1 1 16 Channel Changed 1 16 1 16 Default Mode 3 Mode 3 2 Mode Messages X Mode 3 4 M 1 Altered KEKKKKKHKKKE HEE Note A 15 113 0 127 Number True Voice HAHAHA AAA 0 1 27 Velocit Note On O O y Note Off o o After Key s X O 1 Touch Channel s X oO Pitch Bend X O 0 32 O 0 1 Bank select 1 X O i Modulation 5 X O he Portamento time 6 38 X O i Data entry 7 X oO i Volume 10 X O e Panpot 11 0 0 A Expression Control 64 0 O 1 Hold 1 Change 65 X O de Portamento 66 O O i Sostenuto 67 O o a Soft 84 X O 1 Portamento control 91 0 O Reverb Effect1 depth 93 X O Chorus E Effect3 depth 98 99 X O bl NRPN LSB MSB 100 101 X o l RPN LSB MSB Program 0 127 O Change True Number A 0 127 Program No 1 128 System Exclusive O O System Song Position X X Common Song Select X X Tune Request X X System Clock O X Real Time Commands O X All Sound Off X O 120 126 127 Reset All Controllers X oO Aux Local On Off X O Messages All Notes Off X O 123 125 Active Sensing O 0 System Reset X X 1 O X is selectable by Sys Ex Notes 2 Recognized as M 1 even if M 1 Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No 35 Contents MIDI Implementation 1 1 Receive Data 1 Channel Voice Messages 1 Note off 1 Note on 1 Polyphonic Key Pressure 1 Control Change 1 Bank Select Controller Number 0 32 1 Modulation Controller Number 1
67. iption No Parameter Value Description Adjusts the frequency at When this is set to note the 1 F 1 0 127 0 127 et aed which modulation is applied 1 Rate Mode 0 1 Hz note effect is synchronized with the Adjusts the amount of tempo 2 Sens 0 127 0 127 frequency modulation 2 Rate 1 127 0 05 10 00 Hz Rate at which the 16 step applied i j sequence will cycle Hz Determines whether the Rate at which the 16 step frequency modulation moves 3 Rate 1 al note sequence will cycle note 3 Polarity 0 1 Up Down towards higher frequencies i i 4 Attack 0 127 0 127 Speed at which the level Up or lower frequencies changes between steps Down R Specifies whether an input 4 LowGain 0 30 15 415 dp Gain of the low frequency Mind note will cause the sequence range 5 a 0 1 Off On to resume from the first step 5 High Gain 0 30 15 15 dB Gain of the high frequency of the sequence ON or not range OFF Volume balance between the Input Sync Volume at which an input D100 0W 6 0 127 0 27 6 Balance 2 0 100 D0 100W direct sound D and the effect Threshold note will be detected sound W Sets the manner in which the 7 Level 0 127 0 127 Output level volume changes as one step progresses to the next Legato The change in volume from one step s level to the 01 25 Tremolo next remains unaltered If the Cyclically modulates the volume to add tremolo effect to the sound level ofa Seton on is the t ing it 7 Mode 0 1 Legato Slash oe 3 enka w
68. ith the Mode tempo 3 Chofus Rate 1 197 0 05 10 00 Modulation frequency of the Hz chorus effect Hz A ChorusRate 0231 oie Modulation frequency of the chorus effect note 5 Chorus 0 127 0 127 Modulation depth of the Depth chorus effect Volume balance between Ch D100 0W 6 Prus 0 100 the direct sound D and the Balance 1 D0 100W chorus sound W Adjusts the delay time from 5 Flanger Pre 0 125 0 0 100 0 ms when the direct sound begins Delay until the flanger sound is heard No Parameter Value Description Flanger Rate When this is set to note the 8 9 0 1 Hz note effect is synchronized with the Mode tempo 0 05 10 00 Modulation frequency of the 9 Fl Rat 1 127 a Hz flanger effect Hz 10 Flanger Rate 0 21 nate Modulation frequency of the flanger effect note 11 Flanger 0 127 0 127 Modulation depth of the Depth flanger effect Adjusts the proportion of the Flanger flanger sound that is fed back 12 0 98 98 98 Feedback i into the effect Negative settings will invert the phase Adjusts the volume balance between the sound that is Flanger D100 0W 13 Balance 2 0 100 D0 100W sent through the flanger W and the sound that is not sent through the flanger D 14 Level 0 127 0 127 Output Level 33 MIDI Implementation 6 Tone List Piano button
69. l Controller Number 122 Status 2nd byte 3rd byte BnH 7AH vvH n MIDI channel number OH FH ch 1 ch 16 00H 7FH 0 127 00H Local Off 7FH Local On vv Control value MIDI Implementation O All Notes Off Controller Number 123 Status 2nd byte 3rd byte BnH 7BH 00H n MIDI channel number OH FH ch 1 ch 16 When All Notes Off is received all notes on the corresponding channel will be turned off However if Hold 1 or Sostenuto is ON the sound will be continued until these are turned off OMNI OFF Controller Number 124 Status 2nd byte 3rd byte BnH 7CH 00H n MIDI channel number OH FH ch 1 ch 16 The same processing will be carried out as when All Notes Off is received O OMNI ON Controller Number 125 Status 2nd byte 3rd byte BnH 7DH 00H n MIDI channel number OH FH ch 1 ch 16 OMNI ON is only recognized as All notes off the Mode doesn t change OMNI OFF remains MONO Controller Number 126 Status 2nd byte 3rd byte BnH 7EH mmH n MIDI channel number OH FH ch 1 ch 16 mm mono number 00H 10H 0 16 The same processing will be carried out as when All Sounds Off and All Notes Off is received and the corresponding channel will be set to Mode 4 M 1 regardless of the value of mono number POLY Controller Number 127 Status 2nd byte 3rd byte BnH 7FH 00H n MIDI channel number OH FH ch 1 ch 16 The same processing will be carried out
70. l dispersion of the 2 sound 11 Level 0 127 0 127 Output Level 012d Rotary2 This type provides modified response for the rotary speaker with the low end boosted further This effect is a descendant of the Roland VK Series built in rotary speaker No Parameter Value Description Rotational d of th 1 Speed 1 0 1 Slow Fast ne r Sea ea rotating speaker Switches the rotation of the rotary speaker 2 Brake 2 0 1 Off On When this is turned on the rotation will gradually stop When it is turned off the rotation will gradually resume Woofer Slow 0 05 10 00 Low speed rotation speed of 3 1 127 Speed Hz the woofer Woofer Fast 0 05 10 00 High speed rotation speed of 4 1 127 Speed Hz the woofer Adjusts the rate at which the 5 Woofer Trans 0 127 0 127 woofer rotation speeds up Up when the rotation is switched from Slow to Fast Adjusts the rate at which the 6 Woofer Trans 0 107 0 127 woofer rotation speeds up Down when the rotation is switched from Fast to Slow 7 Woofer Level 0 127 0 127 Volume of the woofer 26 No Parameter Value Description 8 weeter Slow 1 197 0 05 10 00 Speed Hz Tweeter Fast 0 05 10 00 2 Speed 1al Hz Tweeter Settings of the tweeter 10 _ 0 127 0 127 The parameters are the same rans Up 7 as for the woofer yi ea 0 127 0 127 rans Down ai 0 127 0 127 Level Sets the rotary speaker stereo 13 Spread 0 10 0 10 imag
71. lue of that parameter To prevent accidents it is recommended that you set RPN Null RPN Number 7FH 7FH when you have finished setting the value of the desired parameter Refer to Section 4 Supplementary material Examples of actual MIDI messages lt Example 4 gt On the GS devices Data entry LSB IIH of NRPN contrpller number 38 is ignored so it is no problem to send Data entry MSB mmH only without Data entry LSB controller number 6 On this instrument NRPN can be used to modify the following parameters NRPN Data entry MSB LSB MSB Description 01H 08H mmH Vibrato Rate relative change mm OEH 40H 72H 50 0 50 01H 09H mmH Vibrato Depth relative change mm OEH 40H 72H 50 0 50 01H OAH mmH Vibrato Delay relative change mm OEH 40H 72H 50 0 50 01H 20H mmH TVF Cutoff Frequency relative change mm OEH 40H 72H 50 0 50 01H 21H mmH TVF Resonance relative change mm OEH 40H 72H 50 0 50 01H 63H mmH TVF amp TVA Envelope Attack Time relative change mm OEH 40H 72H 50 0 50 01H 64H mmH TVF amp TVA Envelope Decay Time relative change mm OEH 40H 72H 50 0 50 01H 66H mmH TVF amp TVA Envelope Release Time relative change mm OEH 40H 72H 50 0 50 Parameters marked relative change will change relatively to the preset value 40H Even among different GS devices relative change parameters may sometimes differ in the way the sound changes or
72. meter number 01H B2 06 45 MIDI ch 3 upper byte of parameter value 45H B2 26 03 MIDI ch 3 lower byte of parameter value 03H B2 64 7F MIDI ch 3 lower byte of RPN parameter number 7FH B2 65 7F MIDI ch 3 upper byte of RPN parameter number 7FH OThe Scale Tune Feature Address 40 1x 40 The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B Though the settings are made while working with one octave the fine adjustments will affect all octaves By making the appropriate Scale Tune settings you can obtain a complete variety of tuning methods other than equal temperament As examples three possible types of scale setting are explained below O Equal Temperament This method of tuning divides the octave into 12 equal parts It is currently the most widely used form of tuning especially in occidental music On this instrument the default settings for the Scale Tune feature produce equal temperament O Just Temperament Keytone C The three main chords resound much more beautifully than with equal tempera ment but this benefit can only be obtained in one key If transposed the chords tend to become ambiguous The example given involves settings for a key in which C is the keynote O Arabian Scale By altering the setting for Scale Tune you can obtain a variety of other tunings suited for ethnic music For example the settings introduced below will set the unit to use the
73. nH kkH vvH n MIDI channel number OH FH ch 1 ch 16 00H 7FH 0 127 01H 7FH 1 127 kk note number vv note on velocity Control Change O Bank Select Controller Number 0 32 Status 2nd byte 3rd byte BnH 00H mmH BnH 20H IIH OH FH ch 1 ch 16 00H 00H 7FH 7FH bank 1 bank 16384 n MIDI channel number mm Il Bank number O Expression Controller number 11 Status 2nd byte 3rd byte BnH OBH vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Control value O Hold 1 Controller Number 64 Status 2nd byte 3rd byte BnH 40H vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Control value O Sostenuto Controller Number 66 Status 2nd byte 3rd byte BnH 42H vvH OH FH ch 1 ch 16 OOH 7FH 0 127 0 OFF 127 ON n MIDI channel number vv Control value O Soft Controller Number 67 Status 2nd byte 3rd byte BnH 43H vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Control value O Effect 1 Reverb Send Level Controller Number 91 Status 2nd byte 3rd byte BnH 5BH vvH OH FH ch 1 ch 16 00H 7FH 0 127 n MIDI channel number vv Control value Program Change Status 2nd byte CnH ppH n MIDI channel number OH FH ch 1 ch 16 pp Program number 00H 7FH prog 1 prog 128 E System Realtime Message O Realtime Clock Status F8H O Start Status FAH O Continue Status FBH Stop S
74. ncer 18 0104 Isolator 18 0105 Low Boost 18 0106 High Pass Filter 18 0110 Overdrive 19 0111 Distortion 19 0112 Overdrive2 19 0113 Distortion2 19 0107 Speaker Simulator 19 Specifications of each Speaker Type 19 0114 Guitar Amp Simulator 20 Specifications of each Speaker Type 20 0120 Phaser 20 0129 Multi Stage Phaser21 012a Infinite Phaser 21 0123 Stereo Flanger 21 0127 3D Flanger 21 0128 2Band Flanger 22 0121 Auto Wah 22 0103 Humanizer 22 012b Ring Modulator 23 0125 Tremolo 23 0126 Auto Pan 23 012c Slicer 23 0130 Compressor 23 0131 Limiter 24 0142 Stereo Chorus 24 0140 Hexa Chorus 24 0141 Tremolo Chorus 24 0143 Space D 25 0144 3D Chorus 25 0145 2Band Chorus 25 0122 Rotary 26 012d Rotary2 26 0300 Rotary Multi 26 015b Stereo Delay1 27 015c Stereo Delay2 27 015d Stereo Delay3 27 015e Stereo Delay4 28 015f Stereo Delay5 28 0150 Monaural Delay 28 0151 Modulation Delay 29 0152 Triple Tap Delay 29 0157 3D Delay 29 0159 Tape Echo 30 015a Reverse Delay 30 0172 Lo Fi 30 0175 Telephone 30 0156 Gate Reverb 31 0200 Overdrive gt Chorus 31 0201 Overdrive gt Flanger 31 0202 Overdrive gt Delay31 0203 Distortion gt Chorus 31 0204 Distortion gt Flanger 31 0205 Distortion gt Delay 31 0206 Enhancer gt Chorus 32 0207 Enhancer gt Flanger 32 0208 Enhancer gt Delay 32 0209 Chorus gt Delay 32 020a Flanger gt Delay 33 0
75. nchronized with the tempo Rate 1 127 0 05 10 00 Hz Rate of modulation Hz 10 Rate 0 21 note Rate of modulation note 11 Depth 0 127 0 127 Depth of modulation Attack 0 127 0 127 Speed at which the cutoff frequency will change This is effective if Modulation Wave is SOR SAW1 or SAW2 Level 0 127 0 127 Output level MIDI Implementation 0110 Overdrive O Specifications of each Speaker Type Creates a soft distortion similar to that produced by vacuum tube amplifiers The speaker column indicates the diameter of each speaker unit in inches and the number of units Parameter Value Description Degree of distortion E E R Drive 0 127 0 127 Also changes the volume Type Cabinet Speaker Microphone Type of guitar amp Small 1 Small open back enclosure 10 Dynamic Small Small small amp Small 2 Small open back enclosure 10 Dynamic Amp Type 1 0 3 Built In Built In single unit type amp Middle Open back enclosure 12x1 Dynamic 2 Stack 2 Stack large double stack JC 120 Open back enclosure 12x2 Dynamic 3 Stack amp 3 Stack large triple stack amp Built In 1 Open back enclosure 12x2 Dynamic Low Gain 0 30 15 15dB Gain of the low range Built In 2 Open back enclosure 12x2 Condenser High Gain 0 30 15 15dB Gain of the high range Built In 3 Open back enclosure 12x2 Condenser i Built In 4
76. ned by the address and data or size of the transmitted exclusive message O How to Calculate the Checksum Hexadecimal Numbers are Indicated by H The checksum is a value derived by adding the address size and checksum itself and inverting the lower 7 bits Here s an example of how the checksum is calculated We will assume that in the exclusive message we are transmitting the address is aa bb ccH and the data or size is dd ee ffH aa bb cc dd ee ff sum sum 128 quotient remainder 128 remainder checksum However the checksum will be 0 if the remainder is 0 lt Example gt Setting REVERB MACRO to ROOM 3 According to the Parameter Address Map the REVERB MACRO Address is 40 01 30H and ROOM 3 is a value of 02H Thus FO 41 10 42 12 40 01 30 02 7 F7 1 2 3 4 5 Address data Checksum 6 1 Exclusive Status 2 ID Roland 3 Device ID 17 4 Model ID GS 5 Command ID DT1 6 End of Exclusive Next we calculate the checksum 40H 01H 30H 02H 64 1 48 2 115 sum 115 sum 128 0 quotient 115 remainder checksum 128 115 remainder 13 ODH This means that FO 41 10 42 12 40 01 30 02 OD F7 is the message we transmit About Tuning In MIDI individual Parts are tuned by sending RPN 1 Master Fine Tuning to the appropriate MIDI channel In MIDI an entire device is tuned by either sending RPN 1 to all MIDI channels being used or by
77. ntrol rr 00H 7FH 0 200 pp 3 LFO Pitch Depth rr 00H 7FH 0 600 cents pp 4 LFO Filter Depth rr 00H 7FH 0 2400 cents pp 5 LFO Amplitude Depth rr 00H 7FH 0 100 O Scale Octave Tuning Adjust Status Data byte Status FOH 7EH 7FH 08H 08H ffH ggH F7H hhH ssH Byte Explanation FOH Exclusive status 7EH 1D number Universal Non realtime Message 7FH Device ID Broadcast 08H Sub ID 1 MIDI Tuning Standard 08H Sub ID 2 scale octave tuning 1 byte form ffH Channel Option byte1 bits 0 to 1 channel 15 to 16 bit 2 to 6 Undefined ggH Channel byte2 bits 0 to 6 channel 8 to 14 hhH Channel byte3 bits O to 6 channel 1 to 7 ssH 12 byte tuning offset of 12 semitones from C to B OOH 64 cents 40H 0 cents equal temperament 7FH 63 cents F7H EOX End Of Exclusive Universal Non realtime System Exclusive Messages O Identity Request Message Status Data byte Status FOH 7EH 10H 06H 01H F7H Byte Explanation FOH Exclusive status 7EH 1D number Universal Non realtime Message 10H Device ID 06H Sub ID 1 General Information 01H Sub ID 2 Identity Request F7H EOX End Of Exclusive Device ID 10H or 7FH MIDI Implementation Data Transmission This instrument can receive the various parameters using System Exclusive messages The exclusive message of GS format data has a model ID of 42H and a device ID of 10H 17 and it is common to all the GS devi
78. o note the 7 y 0 1 ms note effect is synchronized with the Mode tempo Adjusts the delay time from 8 Delay Time 0 127 1 2540 ms the direct sound until the delay sound is heard ms Adjusts the delay time from 9 Delay Time 0 21 note the direct sound until the delay sound is heard note Dela Adjusts the proportion of the 10 y 49 89 0 80 delay sound that is fed back Feedback into the effect Adjusts the frequency above which sound fed back to Delay HF 200 8000 Hz the effect will be cut If you 11 0 17 y Damp Bypass do not want to cut the high frequencies set this parameter to Bypass Adjusts the volume balance between the sound that is Delay D100 0W 12 Balance 2 0 100 Do 100W sent through the delay W and the sound that is not sent through the delay D 13 Level 0 127 0 127 Output Level MIDI Implementation 020a Flanger gt Delay This effect connects a flanger and a delay in series No Parameter Flanger Pre Description Adjusts the delay time from when the direct sound begins 1 Delay 0 125 0 0 109 0 mis until the flanger sound is heard naen When this is set to note the 2 g 0 1 Hz note effect is synchronized with the Mode tempo 0 05 10 00 3 Flanger Rate 1 127 Hz Frequency of modulation Hz A Flanger Rate 0 21 ae Frequency of modulation note 5 Flanger 0 127 0 127 Depth of modulation Depth Adjusts the proportion o
79. on A a E by signal analysis equipment Increasing this value will increase the distortion Speed of wow flutter 10 Wow Flutter 0 127 0 127 complex variation in pitch Rate caused by tape wear and rotational irregularity q1 WowFlutter nay 0 127 Depth of wow flutter Depth 12 Echo Level 2 0 127 0 127 Volume of the echo sound 13 DirectLevel 0 127 0 127 Volume of the original sound 14 Level 0 127 0 127 Output level 015a Reverse Delay This is a reverse delay that adds a reversed and delayed sound to the input sound A tap delay is connected immediately after the reverse delay No Parameter Value Description 1 Threshold 0 127 0 127 Volumeat which thereverse delay will begin to be applied Bedel When this is set to note the 2 y 0 1 ms note effect is synchronized with the Mode tempo Delay time from when sound Rev Delay is input into the reverse delay 3 Time 1 0 127 1 127 0ms until the delay sound is heard Hz Delay time from when sound Rev Delay is input into the reverse delay 4 Time oz note until the delay sound is heard note Revibela Proportion of the delay sound 5 y 49 89 0 80 that is to be returned to the Feedback input of the reverse delay Frequency at which the 6 Rev Delay HF 0 17 200 8000 Hz high frequency content of the Damp Bypass reverse delayed sound will be cut Bypass no cut 7 Rev Delay 0 127 L64 63R Panning of the reverse delay Pan sound 8 Rev Del
80. ontrol are newly provided for the General MIDI 2 O Reverb Parameters Status FOH Byte FOH 7FH 7FH 04H 05H 01H 01H 01H 01H 01H ppH vvH F7H pp 0 Data byte Status 7FH 7FH 04H 05H 01H 01H F7H 01H 01H 01H ppH vvH Explanation Exclusive status ID number Universal Realtime Message Device ID Broadcast Sub ID 1 Device Control Sub ID 2 Global Parameter Control Slot path length Parameter ID width Value width Slot path MSB Slot path LSB Effect 0101 Reverb Parameter to be controlled Value for the parameter EOX End Of Exclusive Reverb Type vv 00H Small Room Room1 vv 01H Medium Room Room2 vv 02H Large Room Room3 vv 03H Medium Hall Hall1 vv 04H Large Hall Hall2 vv 08H Plate Plate Reverb Time vv 00H 7FH 0 127 MIDI Implementation O Chorus Parameters Status FOH Byte FOH 7FH 7FH 04H 05H 01H 01H 01H 01H 02H ppH vvH pp 0 pp 1 Data byte Status 7FH 7FH 04H 05H 01H 01H F7H 01H 01H 02H ppH vvH Explanation Exclusive status ID number Universal Realtime Message Device ID Broadcast Sub ID 1 Device Control Sub ID 2 Global Parameter Control Slot path length Parameter ID width Value width Slot path MSB Slot path LSB Effect 0102 Chorus Parameter to be controlled Value for the parameter EOX End Of Exclusive Chorus Type vv 0 Chorus1 vv 1 Chorus2 vv 2 Chorus3 vv 3 Chorus4 vv FB Choru
81. ou tempo Damp Bypass do not want to cut the high Chorus Rate 0 05 10 00 i frequencies set this parameter 5 1 127 Hz Frequency of modulation Hz to Bypass Frequency of modulation Adjusts the volume balance 6 Chorus Rate 0 21 note note Dela BS i000W between the sound that is ch 8 en 2 0 100 DO 00W sent through the delay W 7 r 0 127 0 127 Depth of modulation i and the sound that is not sent R through the delay D Adjusts the volume balance 9 Level 0 127 0 127 Output Level between the sound that is 8 Chorus 0 100 ci sent through the chorus W Balance 2 Do 100W 9 and the sound that is not sent through the chorus D on Ta 7 7 5 2 a 0203 Distortion gt Chorus 2 7 a utut Teve The parameters are essentially the same as in Overdrive gt Chorus with the 0201 Overdrive gt Flanger This effect connects an overdrive and a flanger in series No Parameter Description 1 Overdrive 0 127 0 107 Degree of distortion Drive Also changes the volume 2 Overdrive 0 107 L64 63R Stereo location ofthe Pan overdrive sound Adjusts the delay time from 3 Flanger Pre 0 125 0 0 100 0 ms when the direct sound begins Delay until the flanger sound is heard Flanger Rate When this is set to note the 4 9 0 1 Hz note effect is synchronized with the Mode tempo Fl Rat 0 05 10 00 5 ead As 1 127 Hz Frequency of modulation Hz exception of the following two Overdrive Drive gt Dis
82. ovided so that you can adjust the timbre of the No Parameter Value Description Adjusts the differences in Pre Pre Delay 6 ae 0 20 0 20 Delay between each chorus Deviation sound Adjusts the difference in Depth 7 fier 0 40 20 20 modulation depth between Deviation each chorus sound Adjusts the difference in stereo location between each chorus sound 8 Pan l 0 20 0 20 0 All chorus sounds will be in Deviation the center 20 Each chorus sound will be spaced at 60 degree intervals relative to the center Volume balance between 9 Balance 0 100 D100 0W the direct sound D and the D0 100W chorus sound W 10 Level 0 127 0 127 Output Level 0141 Tremolo Chorus This is a chorus effect with added Tremolo cyclic modulation of volume chorus sound No Parameter Value Description SA Adjusts the delay time from Noi Parameter Value Description 1 Pre Delay 0 125 0 0 100 0 ms the direct sound until the Type of filter chorus sound is heard Off No filter is used Ehorub ate When this is set to note the 1 Filter Type 0 2 Off Lpf Hpf Lpf Cuts the frequency range 2 0 1 Hz note effect is synchronized with the above the Cutoff Freq Mode tempo Hpf Cuts the frequency range below the Cutoff Freq 3 ChorusRate 12197 0 05 10 00 Modulation frequency of the Hz chorus effect Hz 2 Cutoff Freq 0 16 200 8000 Hz Basic frequency of the
83. q Hz Hz Hpf Cuts the frequency range below the Cutoff Freq Rate at which the low range 11 High Rate 0 21 note chorus sound is modulated 2 Cutoff Freq 0 16 200 8000 Hz Basic frequency of the filter note Adjusts the delay time from Hi gh Depth Modulation depth for the E i i 12 0 127 0 127 3 Pre Delay 0 125 0 0 100 0 ms the direct sound until the 2 high range chorus sound chorus sound is heard PE HOLE 7 e paciousness of the high When this is set to note the 13 HighPhase 0 90 0 180 deg range chorus sound 4 Rate Mode 0 1 Hz note effect is synchronized with the Wel bal Theodard t tempo D100 0W olume balance of the origina 14 Balance 0 100 sound D and chorus sound 0 05 10 00 DO 100W w 5 Rate 1 1 127 z Frequency of modulation Hz W enodd 15 Level 0 127 0 127 Output volume 6 Rate 0 21 nat requency of modulation note 7 Depth 42 0 127 0 107 Modulation depth of the chorus effect 8 Phase 0 90 0 180 deg Spatial spread of the sound Adjusts the method that will be used to hear the sound that is output to the OUTPUT Speaker jacks 9 Output Mode 0 1 P The optimal 3D effect will Phones be achieved if you select Speaker when using speakers or Phones when using headphones 10 Low Gain 0 30 15 15dB Gain of the low range 11 High Gain 0 30 15 15 dB Gain of the high range Volume balance between 12 Balance 0 100 DO OW the direct sound D and the DO 100W chorus sound W 13
84. range 127 0 Turning this On produces a Pre Amp sharper and brighter sound 10 Bright 0 1 Off On This parameter applies to the rig JC 120 Clean Twin and BG Lead Pre Amp Types Determines whether the 11 SpeakerSw 0 1 Off On signal passes through the speaker ON or not OFF Speaker Type See the 12 12 0 15 table Type of speaker Adjusts the location of the mic that s capturing the sound of the speaker 13 Mic Setting 0 2 1 2 3 This can be adjusted in three steps from 1 to 3 with the mic becoming more distant as the value increases 14 Mic Level 0 127 0 127 Volume of the microphone 15 Direct Level 0 127 0 127 Volume of the direct sound 16 Pan 0 127 L64 63R Stereo location of the output 17 Level 0 127 0 127 Output level O Specifications of each Speaker Type The speaker column indicates the diameter of each speaker unit in inches and the number of units Type Cabinet Speaker Microphone Small 1 Small open back enclosure 10 Dynamic Small 2 Small open back enclosure 10 Dynamic Middle Open back enclosure 12x1 Dynamic JC 120 Open back enclosure 12x2 Dynamic Built In 1 Open back enclosure 12x2 Dynamic Built In 2 Open back enclosure 12x2 Condenser Built In 3 Open back enclosure 12x2 Condenser Built In 4 Open back enclosure 12x2 Condenser Built In 5 Open back enclosure 12x2 Condenser BG Stack 1 Sealed enclosure 12x2 Condenser 20
85. reset 6 Universal Realtime System Exclusive Messages 6 Master volume 6 Master Fine Tuning 6 36 Master CoarseTuning 6 Global Parameter Control 6 Reverb Parameters 6 Chorus Parameters 7 Channel Pressure 7 Controller 7 Scale Octave Tuning Adjust 7 Universal Non realtime System Exclusive Messages 7 Identity Request Message 7 Data Transmission 8 Data Set 1 DT1 8 2 Transmit Data 8 Channel Voice Messages 8 Note Off 8 NoteOn 8 Control Change 8 Bank Select Controller Number 0 32 8 Hold 1 Controller Number 64 8 Sostenuto Controller Number 66 8 Soft Controller Number 67 8 Effect 1 Reverb Send Level Controller Number 91 8 Program Change 8 System Realtime Message 9 Realtime Clock 9 Start 9 Continue 9 Stop 9 Active Sensing 9 System Exclusive Messages 9 Identity Reply 9 3 Parameter Address Map Model ID 42H 10 Address Block Map 10 Individual Parameters 10 System Parameters 10 Part Parameters 12 4 Supplementary Material 15 Decimal and Hexadecimal Table 15 Examples of Actual MIDI Messages 15 Example of an Exclusive Message and Calculating a Checksum 16 How to Calculate the Checksum Hexadecimal Numbers are Indicated by H 16 About Tuning 16 The Scale Tune Feature Address 40 1x 40 16 Equal Temperament 16 Just Temperament Keytone C 16 Arabian Scale 16 5 Effect List 17 EFX Parameter Map 17 0100 Equalizer 17 0101 Spectrum 17 0102 Enha
86. s vv 5 Flanger Mod Rate vv 00H 7FH 0 127 Mod Depth vv 00H 7FH 0 127 Feedback vv 00H 7FH 0 127 Send To Reverb vv 00H 7FH 0 127 O Channel Pressure Status FOH Byte FOH 7FH 7FH 09H 01H OnH ppH rrH F7H pp 0 pp 1 pp 2 pp 3 pp 4 pp 5 Data byte Status 7FH 7FH 09H 01H OnH ppH rrH F7H Explanation Exclusive status ID number Universal Realtime Message Device ID Broadcast Sub ID 1 Controller Destination Setting Sub ID 2 Channel Pressure MIDI Channel 00 OF Controlled parameter Controlled range EOX End Of Exclusive Pitch Control rr 28H 58H 24 24 semitones Filter Cutoff Control rr 00H 7FH 9600 9450 cents Amplitude Control rr 00H 7FH 0 200 LFO Pitch Depth rr 00H 7FH 0 600 cents LFO Filter Depth rr 00H 7FH 0 2400 cents LFO Amplitude Depth rr 00H 7FH 0 100 O Controller Status Data byte Status FOH 7FH 7FH 09H 03H OnH ccH F7H PpH rrH Byte Explanation FOH Exclusive status 7FH ID number Universal Realtime Message 7FH Device ID Broadcast 09H Sub ID 1 Controller Destination Setting 03H Sub ID 2 Control Change OnH MIDI Channel 00 OF ccH Controller number 01 1F 40 5F ppH Controlled parameter rrH Controlled range F7H EOX End Of Exclusive pp 0 Pitch Control rr 28H 58H 24 24 semitones pp 1 Filter Cutoff Control rr 00H 7FH 9600 9450 cents pp 2 Amplitude Co
87. sages O Master volume Status FOH Byte FOH 7FH 7FH 04H 01H IIH mmH F7H IIH mmH Data byte Status 7FH 7FH 04H 01H IIH mmH F7H Explanation Exclusive status ID number universal realtime message Device ID Broadcast Sub ID 1 Device Control messages Sub ID 2 Master Volume Master volume lower byte Master volume upper byte EOX End Of Exclusive ignored processed as 00H 00H 7FH 0 127 The lower byte IIH of Master Volume will be handled as 00H O Master Fine Tuning Status FOH Byte FOH 7FH 7FH 04H 03H IIH mmH F7H IIH mmH Data byte Status 7FH 7FH 04H 03H IIH mmH F7H Explanation Exclusive status ID number Universal Realtime Message Device ID Broadcast Sub ID 1 Device Control Sub ID 2 Master Fine Tuning Master Fine Tuning LSB Master Fine Tuning MSB EOX End Of Exclusive 00 00H 40 00H 7F 7FH 100 O 99 9 cents O Master Coarse Tuning Status FOH Byte FOH 7FH 7FH 04H 04H IIH mmH F7H IIH Data byte Status 7FH 7FH 04H 04H IIH mmH F7H Explanation Exclusive status ID number Universal Realtime Message Device ID Broadcast Sub ID 1 Device Control Sub ID 2 Master Coarse Tuning Master Coarse Tuning LSB Master Coarse Tuning MSB EOX End Of Exclusive ignored processed as 00H 28H 40H 58H 24 0 24 semitones Global Parameter Control Parameters of the Global Parameter C
88. sed sound to give richness and spatial spread to the sound No Parameter Value Description Adjusts the delay time from 1 Pre Delay 0 125 0 0 100 0 ms the direct sound until the chorus sound is heard When this is set to note the 2 Rate Mode 0 1 Hz note effect is synchronized with the tempo 0 05 10 00 3 Rate 1 1 127 Hs Frequency of modulation Hz Rat 0 21 noie Frequency of modulation note 5 Depth 2 0 127 0 127 Depth of modulation 24 MIDI Implementation 0143 Space D 0145 2Band Chorus This is a multiple chorus that applies two phase modulation in stereo It gives no A chorus effect that lets you apply an effect independently to the low frequency and impression of modulation but produces a transparent chorus effect high frequency ranges No Parameter Description No Parameter Value Description 0 0 100 0 Adjusts the delay time from the Frequency at which the 1 Pre Delay 0 125 ne i direct sound until the chorus 1 Split Freq 0 16 200 8000 Hz low and high ranges will be sound is heard divided When this is set to note the Delay time from when the 2 Rate Mode _ 0 1 Hz note effect is synchronized with the 2 Low Pre 0 125 0 0 100 0 ms original sound is heard to tempo Delay when the low range chorus 0 05 10 00 sound is heard 3 Rate 1 1
89. speaker type and mic settings used to record the speaker sound Parameter Value Description Speaker Type See the 1 0 15 table Type of speaker Adjusts the location of the mic that is recording the sound of the speaker Mic Setting 0 2 12 3 This can be adjusted in three steps with the mic becoming more distant in the order of 1 2 and 3 Mic Level 0 127 0 127 Volume of the microphone Direct Level 0 127 0 127 Volume of the direct sound Level 2 0 127 0 127 Output Level 19 MIDI Implementation 0114 Guitar Amp Simulator This is an effect that simulates the sound of a guitar amplifier No Parameter Value Description 1 Pre Amp Sw_ 0 1 Off On Turns the amp switch on off JC 120 Clean Twin MATCH Drive BG Lead MS19591 MS1959ll Pre Amp MS1959I ll e 2 Type 1 0 13 SLDN Lead Type of guitar amp Metal 5150 Metal Lead OD 1 OD 2 Turbo Distortion Fuzz 3 Pre Amp 0 127 0 127 Volume and amount of Volume distortion of the amp 4 pre Amp 0 127 0 127 Volume of the entire pre amp Master Pre Amp Low Middle 5 Gain 0 2 High Amount of pre amp distortion 6 _ Pre Amp Bass 0 127 Tone of the bass mid treble 7 Pre Amp 0 127 frequency range Middle 0 127 Middle cannot be set if Pre Amp MATCH Drive is selected as 8 Treble 0 127 the Pre Amp Type 0 127 Pre Amp MATCH Tone for the ultra high 9 0 127 A Presence Drive frequency
90. t Delay 4 Low Gain 0 30 715 15 dB Gain of the low range This effect connects an overdrive and a delay in series 5 High Gain 0 30 15 15 dB Gain of the high range a Volume balance between No Parameter Value Description 6 Balance 2 0 100 Do 1 cow the direct sound D and the 1 Overdrive 0 127 0 107 Degree of distortion reverb sound W Drive 1 Also changes the volume 7 Level 0 127 0 127 Output Level 2 Overdrive 0 127 L64 63R Stereo location of the Pan overdrive sound When this is set to note the a 3 Delay Mode 0 1 ms note effect is synchronized with the 0 0200 Overdrive gt Chorus tempo This effect connects an overdrive and a chorus in series Adjusts the delay time from 4 Delay Time 0 127 1 2540 ms the direct sound until the No Parameter Value Description delay sound is heard ms 1 eas 0 127 0 127 pie of cee Adjusts the delay time from rive so changes the volume 5 Delay Time 0 21 note the direct sound until the 2 Overdrive 0 197 L64 63R Ar the delay sound is heard note Pan OVETEIVE SOUN Bl Adjusts the proportion of the Adjusts the delay time from 6 y 49 89 0 80 delay sound that is fed back Chorus Pre y Feedback z 3 Delay 0 125 0 0 100 0 ms the direct sound until the into the effect chorus sound is heard Adjusts the frequency above Chorus Rate When this is set to note the which sound fed back to 4 Mode 0 1 Hz note effect is synchronized with the 3 Delay HF 0 17 200 8000 Hz the effect will be cut If y
91. tatus FCH Active Sensing Status FEH This will be transmitted constantly at intervals of approximately 250 ms W System Exclusive Messages O Identity Reply Status Data byte Status FOH 7EH 10H 06H 02H 41H 42H OOH OOH F7H 1DH 00H 01H 00H 00H Byte Explanation FOH Exclusive status 7EH 1D number Universal Non realtime Message 10H Device ID use the same as the device ID of Roland 06H Sub ID 1 General Information 02H Sub ID 2 Identity Reply 41H ID number Roland 42H Device family code LSB 00H Device family code MSB 00H Device family number code LSB 1DH Device family number code MSB 00H Software revision level 01H Software revision level 00H Software revision level 00H Software revision level F7H EOX End of Exclusive MIDI Implementation MIDI Implementation 3 Parameter Address Map Model ID 42H This map indicates address size Data range Parameter Description and Default Value of parameters which can be transferred using and Data set 1 DT1 All the numbers of address size Data and Default Value are indicated in 7 bit Hexadecimal form W Address Block Map An outlined address map of the Exclusive Communication is as follows 4 Address H Block 4 4 2 2222 40 00 00 SYSTEM PARAMETERS Individual 40 01 3F 4
92. tortion Drive Overdrive Pan gt Distortion Pan 0 0204 Distortion gt Flanger The parameters are essentially the same as in Overdrive gt Flanger with the exception of the following two Overdrive Drive gt Distortion Drive Overdrive Pan gt Distortion Pan 0 0205 Distortion gt Delay The parameters are essentially the same as in Overdrive gt Delay with the exception of the following two Overdrive Drive gt Distortion Drive Overdrive Pan gt Distortion Pan 31 MIDI Implementation 0206 Enhancer gt Chorus This effect connects an enhancer and a chorus in series No Parameter Value Description Enh 1 ta 0 127 0 127 Sensitivity of the enhancer Sens 2 Enhancer Mix 0 127 0 127 Leveliof theovertones generated by the enhancer Adjusts the delay time from 3 Chorus Pr 0 125 0 0 100 0 ms the direct sound until the Delay E chorus sound is heard ChofusRMe When this is set to note the 4 0 1 Hz note effect is synchronized with the Mode tempo Ch Rat 0 05 10 00 5 nan 1 127 Frequency of modulation Hz 1 Hz 6 Chonigshate 029 note Frequency of modulation note Ch 7 P 0 127 0 127 Depth of modulation Depth Adjusts the volume balance between the sound that is Chorus D100 0W 8 baana i 0 100 DO 100W sent through the chorus W and the sound that is not sent through the chorus D 9 Level 0 127 0 127 Output Level 0207 Enhancer gt Flan
93. tput to the OUTPUT Speaker jacks The optimal 3D effect 1 Output Mode 1041 Phones will be achieved if you select Speaker when using speakers or Phones when using headphones 11 Low Gain 0 30 15 15dB Gain of the low range 12 High Gain 0 30 15 15 dB Gain of the high range Volume balance between 13 Balance 0 100 DO the direct sound D and the DO 100W flanger sound W 14 Level 0 127 0 127 Output Level 21 MIDI Implementation 0128 2Band Flanger A flanger that lets you apply an effect independently to the low frequency and high frequency ranges No Parameter Value 3 Peak 0 127 0 127 Description Adjusts the amount of the wah effect that will occur in the range of the center frequency Set a higher value for Q to narrow the range to be affected 4 Sens 0 127 0 127 Adjusts the sensitivity with which the filter is controlled 5 Polarity 0 1 Up Down Sets the direction in which the frequency will change when the auto wah filter is modulated Up The filter will change toward a higher frequency Down The filter will change toward a lower frequency 6 Rate Mode 0 1 Hz note When this is set to note the effect is synchronized with the tempo 7 Rate 1 1 127 0 05 10 00 Hz Frequency of modulation Hz 8 Rate 0 21 note Frequency of modulation note 9 Depth 0 127 0 127
94. ut gain i tri Gain of the low fi Tri Sqr Sin Tri triangle wave 4 CowGain ics ABRES ain of the low frequency 1 Mod Wave 0 4 Sqr square wave range a Sin sine wave Gain of the high f i z ain of the high frequency Saw1 2 sawtooth wave 5 High Gain 0 30 15 15 dB range When this is set to note 6 Level 0 127 0 127 Output level 2 Rate Mode 0 1 Hz note the effect is synchronized with the tempo 3 Rate 1 1 127 0 05 10 00 Hz Frequency of the change Hz Rate 0 21 Rete Frequency of the change note 5 Depth 2 0 127 0 127 Depth to which the effect is applied 6 Low Gain 0 30 15 15 dB Gain of the low range 7 High Gain 0 30 15 15 dB Gain of the high range 8 Level 0 127 0 127 Output Level 23 MIDI Implementation 0131 Limiter Compresses signals that exceed a specified volume level preventing distortion from occurring No Parameter Value Description Adjusts the time after the i Release 0 107 0 107 signal volume falls below the Threshold Level until compres sion is no longer applied 2 Threshold 1 0 127 0 127 ee even compression begins 3 Ratio 2 0 3 sy ea Compression ratio 100 1 4 Post Gain 0 18 0 18 dB Adjusts the output gain 5 baw Gain 0 30 5115 AB Gain of the low frequency range Gain of the high fi 6 HighGain 0 30 451508 Med range 7 Level 0 127 0 127 Output level 0142 Stereo Chorus This is a stereo chorus A filter is pr
95. wer on Reset or by receiving GS RESET 12 0 127 0 127 0 127 64 RANDOM 63 LEFT 63 RIGHT C 1 G9 C 1 G9 0 95 0 95 0 127 0 127 OFF ON 64 40 40 40 00 7F 10 11 00 28 01 00 100 64 64 0 CENTER G9 16 17 40 ON OFF MIDI Implementation 40 1x 24 00 00 01 00 01 Rx BANK SELECT LSB OFF ON 00 OFF This instrument can be recognized Bank Select LSB 40H 43H even if this message is OFF 40 1x 25 000001 00 01 TONE REMAIN OFF ON 01 ON 40 1x 28 00 00 03 00 7F Bank Select LSB Range LSB from 40 40H 40 1x 29 LSB to 43 43H 40 1x 30 00 00 01 OE 72 TONE MODIFY 1 50 50 40 0 Vibrato rate NRPN 8 40 1x31 00 00 01 OE 72 TONE MODIFY 2 50 50 40 0 Vibrato depth NRPN 9 40 1x 32 00 00 01 OE 72 TONE MODIFY 3 50 50 40 0 TVF cutoff frequency NRPN 32 40 1x 33 00 00 01 OE 72 TONE MODIFY 4 50 50 40 0 TVF resonance NRPN 33 40 1x 34 00 00 01 OE 72 TONE MODIFY 5 50 50 40 0 TVF amp TVA Env attack NRPN 99 40 1x35 00 00 01 OE 72 TONE MODIFY 6 50 50 40 0 TVF amp TVA Env decay NRPN 100 40 1x 36 00 00 01 OE 72 TONE MODIFY 7 50 50 40 0 TVF amp TVA Env release NRPN 102 40 1x 37 00 00 01 OE 72 TONE MODIFY 8 50 50 40 0 Vibrato delay NRPN 10 40 1x 40 00 00 OC 00 7F SCALE TUNING C 64 63 cen 40 0 cent 40 1x 41 00 7F SCALE TUNING C 64 63 cen 40 O cent 40 1x 42 00 7F SCALE TUNING D 64
96. xpression of the value 12 34H given as hexadecimal for each 7 bits From the preceding table since 12H 18 and 34H 52 18x 128 52 2356 lt Example3 gt What is the decimal expression of the nibbled value OA 03 09 0D From the preceding table since OAH 10 03H 3 09H 9 ODH 13 10 x 16 3 x 16 9 x 16 13 41885 lt Example4 gt What is the nibbled expression of the decimal value 1258 16 1258 16 78 10 16 4 14 0 4 Since from the preceding table 0 00H 4 04H 14 OEH 10 OAH the answer is 00 04 OE OAH Examples of Actual MIDI Messages lt Example1 gt 92 3E 5F 9n is the Note on status and n is the MIDI channel number Since 2H 2 3EH 62 and 5FH 95 this is a Note on message with MIDI CH 3 note number 62 note name is D4 and velocity 95 lt Example2 gt CE 49 CnH is the Program Change status and n is the MIDI channel number Since EH 14 and 49H 73 this is a Program Change message with MIDI CH 15 program number 74 Flute in GS lt Example3 gt EA 00 28 EnH is the Pitch Bend Change status and n is the MIDI channel number The 2nd byte 00H 0 is the LSB and the 3rd byte 28H 40 is the MSB but Pitch Bend Value is a signed number in which 40 00H 64 x 128 0 8192 is 0 so this Pitch Bend Value is 28 OOH 40 00H 40 x 128 0 64 x 128 0 5120 8192 3072 If the Pitch Bend Sensitivity is set to 2 semitones 8192 00 OOH will cause the

Roland F-120R User's Manual

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