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Red Digital Cinema Scarlet X 3.2 Operation Guide

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2. COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE INTEGRATION TIME Provides the ability to enter the Exposure value as a Shutter Integration Time xx milliseconds Range is 0 125 to 41 708 mS milliseconds Default is 20 833 MS 150800 ABsec 5600x BK 2 1 AC8 1 E iae sec 20 023 ms AA 120 000 Deg A001_C024 ABSOLUTE ANGLE Provides the ability to enter the Exposure value as a Shutter Angle xx Degrees Range is 1 000 to 360 000 Degrees Default is 180 0 Degrees 150800 ABsec 5600k 5K 2 1 RC amp 8 1 E ias sec EI 20 833 ms 120 000 Deg E As you adjust any of these three parameters the camera will automatically calculate the equivalent value in the other units but as a quick reference here are some common Speeds and Angles 13 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE To Convert Shutter Speed to Angle Equivalent Equivalent Degrees Shutter Speed x Frame Rate x 360 E g 1 48 x 24 x 360 8640 48 180 Equivalent Shutter 1 Frame Rate x 360 Angle E g 1 24 x 360 180 1 8640 1 80 1 48 oeorees SHUTTER DEGREES SHUTTER _ 9 1 89 399 WHITE BALANCE BASIC SETTINGS Allows you to manually set Color Temperature in the range from 1 700 to 100 000 KELVIN CA FPS 150800 7 4B s
3. 55 Lock Unlock Touchscreen Opreration 56 FIRST TIME USE SETTING UP YOUR RED EPIC 57 Attach Power Source 57 Battery of Quad Battery Module 58 RED Brick 59 DC 59 Power 59 Preparing to Record 59 Connect and Format aseisiin 59 Perform a Black Shading Calibration 61 Adjust Project Settings 61 63 Record Indicator 63 PIAY DOCK C PE 64 MENU CONTROLS 65 Adjustments 65 Basic Setting Adjustments 65 Advanced Setting Menus 66 COPYRIGHT 2012 RED Digital Cinema MAIN MENU 67 gH 67 Varispeed 67 Basic Settings 68 Advanced Settings 68 ISO Sensitivity 69 FO MEHR 69 EXD OS UNS sonen 71 Basic Settings 71 Advanced Settings 72 White Balance 74 Basic Settings 74 Advanced Settings 75 Resolution 77 HEDcode 77 REDcode Options for Various Frame Rates
4. 228 Preset Could Not Be 228 to REDMOTE 228 Cannot See Menus on LCD Touch Screen 228 APPENDIX K TECHNICAL SPECIFICATIONS 229 Camera Brain Dimensions 230 APPENDIX L RESOLUTION 234 APPENDIX M MAPS 235 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE DISCLAIMER RED has made every effort to provide clear and accurate information in this Operation Guide which is provided solely for the user s information While thought to be accurate the information in this document is provided strictly as is and RED will not be held responsible for issues arising from typographical errors or user s interpretation of the language used herein that is different from that intended by RED All safety and general information is subject to change as a result of changes in local federal or other applicable laws RED reserves the right to revise this Operation Guide and make changes from time to time in the content hereof without obligation to notify any person of such revisions or changes In no event shall RED its employees or authorized agents be liable to you for any damages or losses direct or indirect arising from the use of any technical or operational information contained in this document For comments or questions
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6. RED gt S gt LARLE I A EAR Er A GUIDE MYSTERIUM 4 WWW RED_COM THIS PAGE INTENTIONALLY BLANK RED SCARLET OPERATION GUIDE TABLE OF CONTENTS TABLE OF CONTENTS 1 DISCLAIMER enn 3 Copyright Notice 3 Trademark Disclaimer 3 COMPLIANCE 4 Industrial Canada Emission Compliance Statements 4 Federal Communications Commission FCC 4 Australia New Zealand 5 Japan Statements 5 European Union Compliance Statements 5 BEFORE YOU START 7 Important Safety INSTFUCTIONS uerunt mr 7 THEORY OF OPERATION 10 MYSTERIUM X Sensor 10 Image Processing 10 quM 11 Magic 12 Audio Recording 12 Microphone Level Analog INPUTS erorcera re 12 Line Level Analog Inputs 13 Video Monitoring Outputs 13 POND 13 RED LOD 13 HD SD rentes 13 HDMI 18 RED LCD Bomb EVFS 14 REDMOTES 15 Digital Magazine Media 15 Metadata 16 Clip Naming Conventions
7. 78 SECONDARY MENUS 78 HDR Menu 78 HDR ON OFF 79 SIONS P 79 Focus 79 Mode 80 DSMC Canon Mount Electronically Supported RN 83 Fe cO 84 Lens Information Display 87 RED DSMC Ti PL Mount Lens eee 87 DSMC Canon Mount 1E g e ee 87 Exposure 88 Presets 88 Camera Presets 88 LOOKs Presets 92 Media Menu 93 Select Media 93 Format Media 93 Eject Media 94 ISS ETT 95 Settings Menu 96 DISDIAY 96 Eo 0 C ERROR RR EN 108 T 112 System Status 115 Audio Video 116 123 Maintenance 134 miles qu 144 153 Power Status 153 Shutdown 154 APPENDIX A UPGRADING CAMERA FIRMWARE 155 1 RED SCARLET OPERATION GUIDE Verify Current Camera Firmware cessere Upgrade Procedure APPENDIX B MANAGING Formatting Media Media Capacity Remaining TNNT Eject Media from
8. Sensitivity Exposure Color Temp ee if A RESCAN DISCONNECT DEFAULT 001 CDOB DEFAULT 20 42 19 Bis ov RECONNECTING IF SIGNAL IS LOST On loss of wireless communication REDMOTE will scan for the camera it was last paired with Sensitivity Color Temp wow Hi Hz H3 H CH4 If the REDMOTE is unable to re connect after 30 seconds it will enter the manual SCAN menu follow the procedure outlined about to scan and identify camera s that you wish to connect to 187 955 0003_v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE OPERATING WITH MULTIPLE CAMERAS FROM A REDMOTE To control more than one camera from a single REDMOTE first pair the REDMOTE with each camera After pairing REDMOTE to the desired cameras press Soft Menu Button 1 CONNECT Available cameras will be listed Sensitivity Color Temp Select the camera you wish to control and press the ENTER button When you want to switch to a different camera press Soft Menu Button 1 CONNECT again to list available cameras and re select Sensitivity Exposure Color Temp RESCAN CANCEL DEFAULT REDMOTE OR LOCAL MENUS SOFT MENU BUTTON 2 When selected allows the user to toggle the REDMOTE between REMOTE and LOCAL menus Aperture Focus Zoom Sensitivity Exposure Color Temp 28005 Format Redcode Sensor FPS od a 550 CH
9. COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE LINE LEVEL ANALOG INPUTS The recording level of a Line input is affected only by the signal provided by the field production sound mixer or other external line level source The sound mixer operator should choose a mixer output level that aligns a reference tone signal to the OdBu 20dBFS reference mark drawn on the camera s Audio Level Meter or if using OVU as reference level a mixer output level that aligns a reference tone signal to the OVU 16dBFS reference mark This setting provides up to 24dB of input signal headroom above reference OdBu level before clipping up to 20dB above OVU reference level and maximizes the signal to noise ratio of the 24 bit digital recording VIDEO MONITORING OUTPUTS In its default configuration the RED DSMC camera can simultaneously support one VIEWFINDER output suitable for use by a BOMB EVF or RED LCD plus one PROGRAM output and one PREVIEW output suitable for use by HDMI or HD SDI monitors The various monitor outputs can support a set of overlay graphics including camera GUI timecode clip name and framing guides the specific overlay graphics for each type of output is user configurable The default VIEWFINDER output is the EVF LCD connector located on the front face of the Side SSD Module If neither of these is connected the VIEWFINDER output can be transferred to either the HDMI output
10. NOTE Two pre fabricated Ethernet interface cables are available from RED Digital Cinema e P N 790 0163 Ethernet Camera to Camera 3 ft 1m e P N 790 0159 Ethernet Camera to RJ45 3 ft 1m 169 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE DC IN POWER INPUT The 6 pin LEMO connector accepts DC input power between 11 5 V and 17 V DC Power conditioning provides protection against reverse polarity connection ESD under and over voltage and over current View into camera DC IN Power Input connector Mating Connector LEMO FGJ 1B 306 CWLD72Z SIGNAL DESCRIPTION VBATT Power input 11 5 to 17 V DC SCL BATT Serial Battery Bus Clock GROUND Power Return Camera Ground SCA BATT Serial Battery Bus Data WARNING It is very important that both pairs of VBATT and GROUND pins are wired up DO NOT fabricate power cables with just one each of VBATT and GROUND pins wired as this may cause damage to the camera s power supply this is not covered by Warranty NOTE Two pre fabricated DC Power input cables are available from RED Digital Cinema e P N 790 0138 DC Power REDBRICK QUICKPLATE to Camera 18 in 0 5m e P N 790 0164 DC Power XLR to Camera 10 ft 3m 170 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE HDMI OUT The HDMI output supports an HDTV and PC monitor compatible 10 bit 4 2 2 progressive s
11. 51 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE Frame Rate Current frame capture rate Shutter Speed Exposure Time or Degrees White Balance Color Temp Resolution Record Resolution Quality REDCODE setting Clip Filename Filename of the clip that will be shot Project Frame Rate Current project TIME BASE Gen Indicates presence of valid Genlock signal Sync Timecode Jam Sync status RIG Indicates 3D rig metadata is present LAN Indicates communication via Ethernet connection Media Status Media location and remaining media capacity in Power Indicates D C supply voltage or of remaining battery capacity Including current supply voltage e Clip Meter RGB sensor RAW clipping status e Audio Meter Audio input selection and e HDR Mode Displays HDRx mode status levels e False Color Mode Displays false color e Timecode Current timecode value overlay mode e Histogram Displays histogram e Magnify Tallies 1 1 if magnify is selected e TC Indicates presence of valid SMPTE timecode signal NAVIGATING MENUS The primary method to navigate Menus is via the Scroll Wheel on the REDMOTE or Side Handle Rotate clockwise to move right counter clockwise to move left However the Left and Right direction Navigation Keys REDMOTE or Side Handle or Adjustment Ring Side Handle may also be used for this purpose The Up and Down direction Navigation Keys provide additional
12. 16 SMPTE Timecode 18 Power Consumption 18 CAMERA OPERATIONAL CONTROLS 2 19 Bral NTC 19 Side SSD Module 20 Side Handle 22 22 23 FOOL P 24 Installation Remowval 26 DSMC Modules 28 Rear SSD Module 28 Quad Battery Module 28 Dual Battery Module 29 955 0003 v3 2 Rev A1 Module Installation 29 REDMOTE 22 2 33 DISDIAY S 35 BOMB EVF and Bomb EVF OLED Em 35 Touchscreen LCD 37 BASIC OPERATION 38 Power 38 Side Handle 38 Quad Battery Module 39 REDVOLT and REDVOLT 39 BACKPACK QUICKPLATPE 40 AC POWER ADAPTOR DSMC 41 External DC Power 42 Power 43 Power Down 44 Graphical User Interface and Navigation 45 RED LCD Touchscreen LCD BOMB EVF External Monitors 45 Side Handle 51 REDMOTE 51 Navigating Menus 52 Using Touchscreen LCD 53 Touchscreen Shortcuts 54 Power Down
13. 207 Camera Setup 207 Master 207 Slave Camera 208 Clip Naming Conventions 208 Reel No Slate Camera ID Camera Position 208 Connecting Cameras 209 Operation 210 Changing Settings 210 Recording 210 Power Down 210 APPENDIX G EXPOSURE USING FALSE COLOR AND llo 211 Underexposure 2 stops 211 Overexposure 2 stops 213 RED SCARLET X Operation Guide Version 3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema Appropriate Exposure 216 Adjusting the ISO Rating 219 APPENDIX H POST PRODUCTION 221 221 REDCINE X PRO 222 APPENDIX I MAINTENANCE 223 223 Exterior Surfaces 223 223 LCD Screen Touchscreen Non Touchscreen 223 EVI Usi mE UNO 224 REDMOTE Screen 224 lt 224 Side Handle LCD 224 Back Focus Adjustment 225 APPENDIX J TROUBLESHOOTING 228 No Media Attached 228 Recording Halted Record Error Shutdown
14. AGINS NOI LVH3dO OL 4343H U3NHOO 1331 AHL NI 379919 AHL 199135 MOVEAV 1d LIX3 OL N33H9S G97 JHL H3NHOO 1331 AHL NI MOUUV AHL 9NILO3T3S A8 Q3SS395V 38 OS IV NVO GAHOVLLV NO 119 JO MOVEAV Id SMOTIV t JO LAAHS OL OD v JO z LAAHS OL OD v JO L LAAHS OL OD v JO 133HS OL OD SONILLLAS aYnSOdx4 RED DIGITAL CINEMA COPYRIGHT 2012 Red Digital Cinema All trademarks trade names logos icons images written material code and product names used in association with the accompanying product are the copyrights trademarks or other intellectual property owned and controlled exclusively by Red Digital Cinema
15. e P N 790 0157 EVF LCD Cable Right Angle to Right Angle 6 in 0 15m e P N 790 0153 EVF LCD Cable Right Angle to Straight 18 in 0 5m 172 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE REDMOTE This section describes the physical connectors on the REDMOTE Mini USB Camera Interface REDMOTE Connections The REDMOTE interface connector allows communication between the REDMOTE and the camera Brain or any expansion module Make sure these contacts are kept clean and free of any contaminants that may interfere with a reliable electrical contact 173 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema 1 RED SCARLET OPERATION GUIDE APPENDIX D DEFAULT KEY FUNCTIONS CAMERA BRAIN KEY FUNCTION KEY FUNCTION Key Disabled Key Disabled Record Toggle SIDE HANDLE Record Half Press Record Half Release Record Full Press A m lt A E User B Release lt FUNCTION AF Mode Cycle WB Auto Calc Magnify Toggle FUNCTION Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Key Disabled Navigation CW User A Press User B Press User C Release User
16. e Resolution 1280 wide x 784 high full color 35 955 0003 v3 2 Rev A1 COPYHRIGHT O 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE e Contrast Ratio 1000 1 typical e Available diopter range 2 0 to 5 0 1 Focus Ring Brightness Controls RED BOMB EVF OLED brings advanced OLED technology into the field providing truer blacks and more color accurate images e Resolution 1280 wide x 1024 high full color e Contrast Ratio gt 10 00 1 typical e Available diopter range 2 0 to 5 0 l Focus Ring Talley Light Brightness Controls NOTE The specific function of EVF user keys B C may be programmed by the user 36 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE TOUCHSCREEN LCD Red offers a five inch touch screen LCD with 800 X 400 resolution and 4 4 4 progressive scan The touchscreen LCD allows navigation of camera menus and selection and adjustment of camera parameters by directly touching icons on the screen Gestures supported include e Tap on an icon to bring up a quick adjustment display e Hold Touch and hold on an icon to bring up an advanced interface display e Slide Touch and slide on an icon to increment a value e Pinch Touch with two fingers then open or close to magnify or normalize the video image User Key 1 1 1 Magnify Backlight Adjust User Key 2 2 Exposure Check RED 5 Touchscreen LCD Shown NOTE Defau
17. 3 Connect a SYNC cable P N 790 0154 to each camera and connect as to your 3 party device e Yellow BNC connector is for SMPTE unbalanced Timecode input 209 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE e Green BNC connector is for Tri Level Sync Genlock input e White BNC connector is a dual purpose Shutter SYNC input or input 4 Goto SETTINGS gt SETUP gt GPIO SYNC gt SYNC MODE and select GENLOCK 5 Verify the camera s project frame rate matches the Genlock and Timecode generator s framerate s 6 When properly connected and synchronized TC GEN and SYNC will illuminate Green on the UI OPERATION CHANGING SETTINGS When changes are made to the Master camera settings the Slave camera setting will also change but not in real time For example when you change the Frame Rate on the Master camera you will not see the change on the Slave camera until you set the Master camera at the new Frame Rate Also when making changes to the Secondary menu settings the Slave camera will not display those changes unless it affects items displayed on the main screen example when HDRx is enabled on the Master camera HDR will change to HDRx on the Slave camera RECORDING When the power record button is pressed on the Master camera to start stop recording the Slave camera will also start stop recording POWER DOWN When the Master camera is powered down using the Secondary Me
18. 3 Rotate upwards and pull down to disengage lip at top of side handle from camera brain 4 Remove side handle from camera 27 955 0003 v3 2 Rev A1 COPYHRIGHT O 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE DSMC MODULES REAR SSD MODULE The Rear SSD Module secures onto the back of the DSMC brain to serve as a rear location for recording onto 1 8 REDMAG SSD media nh D Cee QUAD BATTERY MODULE e The QUAD MATTERY MODULE holds up to 4 REDVOLTs or 2 REDVOLT XLs e Batteries may be hot swapped Battery Eject Button B A 7 P Quad Battery Module Shown with REDVOLT batteries Installed 28 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE DUAL BATTERY MODULE e DUAL BATTERY MODULE holds to 2 REDVOLTs e Batteries may be hot swapped Dual Battery Module Shown with REDVOLT batteries Installed MODULE INSTALLATION REMOVAL To install a DSCM Module to the camera an Adaptor Plate must be purchased separately The following procedure details installation of the Adaptor Plate and DSMC Module Install the Adapter Plate 1 Power down the camera 2 Remove the REDMOTE 3 Place the adapter plate over the v mount on the rear of the camera brain 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 30 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLE
19. Media Settings Power Format Media Eject Media U s 2 Select EJECT MEDIA 158 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE 3 When media is ejected Viewfinder output s will display MEDIA EJECTED SUCCESSFULLY So 4 Media can now be removed from the camera USING SIDE HANDLE 1 By default the lower of the three 8 SYSTEM KEYS is set to Eject Media when pressed 2 When media is ejected Viewfinder output s will display MEDIA EJECTED SUCCESSFULLY 3 Media now be removed from the camera USING SIDE SSD 1 Press both User Keys 1 and 2 at the same time to eject REDMAG 1 8 SSD Media 2 When media is ejected Viewfinder output s will display MEDIA EJECTED SUCCESSFULLY LLLLIY 3 Media can now be removed from the camera COPYING MEDIA For use when media is connected directly to your computer When copying media it is recommended that you drag the complete RDM folder on the digital magazine to the archive storage media This copies all the media and metadata files You will not need to copy the log magazine profile or presets files but if you do so it will do no harm 159 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE ERASING MEDIA NOTE If the media was formatted using SECURE FORMAT you cannot erase the media using an external source Erasing of the
20. Power General Purpose In 130 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CAMERA OUTPUT Permits the function of the SYNC OUT GPO pin in the CNTL connector to be defined as Sync Out Provides an Output Sync signal to act as a Shutter Start tally General Purpose Out Provides an Output Tally to act as a General Purpose Output tally signal Presets Media Settings Power General Purpose Out 131 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE SYNC MODE Allows the shutter timing scan start to be synced to an external signal Presets Media Settings Power sync Out Shutter Available options are OFF GENLOCK SHUTTER INTERNAL PROXY and SLAVE Default is Off OFF Shutter start time is defined by internal camera timing GENLOCK Shutter start time is slaved to an external RS170A tri level sync signal a k a Genlock SHUTTER Shutter start time is slaved to an external Shutter Sync signal INTERNAL Not implemented at this time PROXY Not implemented at this time SLAVE Not implemented at this time IMPORTANT If Sync Genlock mode is selected DO NOT set fps to higher than 72fps and to a speed NOT a multiple of the project base rate and genlock input 132 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE SYSTEM Available optio
21. f enabled in the USER KEYS menu the GPO trigger output in the CNTL connector will pulse PLAYBACK Playback is available on the RED DSMC Camera by going to SECONDARY MENUS gt SETTINGS gt PLAYBACK or by touching the Playback arrow icon in the upper Left corner of the GUI D P4ms 10800 48sec 5600x 4KHD RCB1 The Playback function will display 150800 5600x View Presets Media Settings Meta NR 7 aS a A001_C006 Ra 14 19 41 02 a cs 4 D k Wms For complete details go to SECONDARY MENUS gt SETTINGS gt PLAYBACK 64 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE MENU CONTROLS Displayed in the Upper Display Group of the VIEWFINDER output s are FRAMERATE FPS EXPOSURE ISO F Stop WHITE BALANCE RESOLUTION and QUALITY REDCODE These parameters are adjustable directly through this screen When using the touchscreen directly to the right of these parameters is the MENU icon which when pressed will take you to the secondary camera set up menus CA FPS 150800 ons 48sec 5600k AKHD ACB ADJUSTMENTS BASIC SETTING ADJUSTMENTS SIDE HANDLE REDMOTE e The MENU button can be used to ENTER the secondary menus as well as CANCEL inside lists and for navigating back up menus e Navigate to the desired setting using the NAVIGATION GROUP direction keys and press ENTER e Use the Scroll Wheel or Adjustment Ring to inc
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23. Filter Zoom Sensitivity EN NE 4 wur 21 43 18 fe When REDMOTE is operating wireless mode the icon indicates current charge capacity When satisfactory the icon is displayed in Green When battery charge becomes marginal the icon turns Yellow When battery charge is critically low and wireless communication is at risk of being lost the icon turns Red The REDMOTE should be re attached to the camera or rearmost module or be attached to a suitable USB power source to recharge the battery before re attempting wireless operation When attached to the camera or rearmost camera module or external USB power source this icon will either display solid green indicating fully charged or blink indicating the battery is being charged by the camera or external USB power source BATTERY LIFE When using the REDMOTE in wireless configuration the battery will last approximately 8 hours before charging is necessary NOTE When not using the REDMOTE for maximum battery storage life use the Power Lock Switch to power down the REDMOTE completely by pressing down in the power off position and using the displayed menu to shut down the REDMOTE and or the REDMOTE and camera Refer to POWER UP DOWN gt POWER DOWN If the Power Lock Switch is pressed down in the power off position and held until the REDMOTE powers down the battery storage life will be reduced greatly as there will be a slight power draw on the REDMOTE when shut d
24. Power present Camera ON LED Green Blinking Power present Running on Battery LED Yellow Blinking Power present 5 10 minutes of Battery time left LED Red Blinking Power present Less than 5 minutes of Battery time left 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema 19 RED SCARLET OPERATION GUIDE e Record Status LED Indicates record status LED Off No Media present LED Green Ready to Record LED Red Constant Recording LED Red Slow Blink Recording 25 Media Left LED Red Fast Blink Recording 5 Media Left LED Yellow Finalizing e Both LEDs Indicates camera status Both LEDs Green Blink firmware update in Progress SIDE SSD MODULE 20 FRONT lt z ue v ud La A SSD Slot User Key 1 User Key 2 Focus Record Button Media Indicator Side SSD Module Controls COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE e 55 Slot Slot for REDMAG 1 8 SSD digital media Magazine e User Key 1 Initiates user defined camera function Undefined by Default e User Key 2 Initiates user defined camera function Undefined by Default e User Key 1 User Key 2 Press both keys to Eject unmount REDMAG 1 8 SSD Magazine e Focus Record Button Touch for Auto Focus fully depress to Start or Stop Record e Media Indicator LED Indicates status of medi
25. crop and scaling operations The application can export either a single clip or a sequence of clips as 4K or 2K resolution 10 bit DPX or 16 bit TIFF files REDCINE X PRO can also render clips into standalone QuickTime movies using a variety of video codecs including H 264 Apple ProRes and Avid DNxHD REDCINE X PROFESSIONAL Build 3 16493 Test e 1 8 Fit Both v Default 2D A004_C003_0811N 4K 16 9 BY None Bin all clips LJ 0000000 CF 17 32 32 06 REDCINE X PRO is available for download at The REDCINE X PRO Operation Guide Is included with the download package 222 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE APPENDIX I MAINTENANCE WARNING DO NOT attempt to modify dismantle or open your camera lens or other accessory as doing so may expose you to electric shock and serious injury There are no user serviceable parts inside Alteration or repairs made to the camera lens or other accessory except by a RED authorized service facility will void the Limited Warranty CLEANING All RED products are designed for rugged durability but precision instruments demand proper care Please note the following care guidelines WARNING DO NOT rinse or immerse any element of the camera lens or other accessory keep them dry at all times WARNING DO NOT use soaps detergents ammonia acetone alkaline cleaners abrasive cleaning compounds
26. free to change these values at any time when you process the RAW footage Time Code and Edge Code values used by the camera are Non Drop Frame NDF Drop Frame DF is not supported Audio is captured uncompressed at 24 bit resolution 48KHz sample rate per channel Digital media such as REDMAG 1 8 SSDs are very robust but should be treated with equal care as exposed film or a videotape master We recommend storing digital media that contains your footage in a secure location and backing up the data to a digital archival media such as data tape or hard disk drive RECORD INDICATOR When recording the RED DSMC camera provides a variety of record indications tallies Timecode normally displayed in white colored text will be displayed in red colored text Asmall Red dot will appear in the top right corner of the VIEWFINDER output s ABsec A002_C026 REC LED on the right side of the camera Brain will illuminate Red REDMOTE upper LED will illuminate Red and the Timecode will turn Red 63 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE Aperture Focus Zoom sensitivity Exposure Color Temp 28005 Format Redcode Sensor FPS ak HD AD01_C003 DEFAULT DC CONK REMO If using a BOMB EVF the LED on the front will illuminate Red if Tally is enabled SMPTE RP188 timecode VITC 2 HANC metadata record flag will be enabled on HD SDI outputs
27. gt MEDIA gt FORMAT MEDIA Presets Media Settings Power Eject Media Format Media When FORMAT is selected a FORMAT dialog box will appear allowing you to add Camera Identity and 3D Position properties when formatting When desired options are set select FORMAT NOTE If any clips will be erased on the attached media you will be informed of the number Format 60 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE PERFORM A BLACK SHADING CALIBRATION Refer to SECONDARY MENUS gt SETTINGS gt MAINTENANCE gt CALIBRATION for complete details for performing a Black Shading Calibration ADJUST PROJECT SETTINGS TIME BASE To adjust the project TIME BASE press the MENU button on the Side Handle or REDMOTE Then use the Scroll Wheel or Direction Keys to navigate to SETTINGS gt PROJECT gt TIME BASE and press ENTER Adjust to the desired value using the Scroll Wheel and press ENTER once more to confirm Presets Media Settings Power If using a Touch Screen select SECONDARY MENUS gt SETTINGS gt PROJECT gt TIME BASE Adjust by sliding your finger up down or tapping on the desired value and then press anywhere else on the touch screen to confirm The following TIME BASES are currently available e 23 98 fps e 25 00 fps e 47 96 fps e 50 00 fps e 24 00 fps e 29 97 fps e 48 00 fps e 59 94 fps NOTE A project can only support on
28. or solvents These substances may damage lens coatings and electronic circuitry CAMERA AND ACCESSORY EXTERIOR SURFACES Clean ONLY using a dry cloth When cleaning your camera and accessories remember that it is not waterproof and moisture can damage electronic circuitry BRAIN OPTICAL LOW PASS FILTER OLPF If equipped with an OLPF use Delkin Devices Digital Duster Kit P N DDSS DUSTER2 or equivalent to clean OLPF surface LCD SCREEN TOUCHSCREEN NON TOUCHSCREEN The specialized AR and AS coatings on RED TOUCH LCD displays must be treated with special care to avoid scratching To help maintain the specialized AR and AS coatings on RED TOUCH LCD displays the RED TOUCH LCD comes with a RED Microfiber bag for cleaning and storage Using it will preserve the superior quality of these coatings Hand wash and air dry the RED Microfiber bag regularly NOTE RED s warranty does not cover any LCD display against scratches or damage due to use of improper chemicals to clean the LCD ONLY USE a RED Microfiber bag or equivalent Photographic Solutions PEC PADs P N 05011 and Isopropyl Alcohol gt 95 or equivalent Pancro Professional Lens Cleaner P N PANCROCLN to clean the screen on Touchscreen and Non Touchscreen LCDs 223 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE DO NOT USE any other solvents chemicals or third party cleaning kits because they have not been tested on RED TOUCH
29. the REDMOTE LCD and camera VIEWFINDER MENUS output will indicate NO MEDIA ATTACHED HOR 1 1 OFF LAN RIG SYNC GEN TC Aperture Focus m Zoom 3 0 Sensitivity Exposure Color Temp 150800 ACCESSING CAMERA CONTROLS SETTINGS The Navigation Group is used to navigate through camera menus Refer to CAMERA OPERATIONAL CONTROLS gt REDMOTE gt NAVIGATION GROUP The camera settings and status are displayed on the REDMOTE LCD Refer to BASIC OPERATION gt GRAPHICAL USER INTERFACE AND NAVIGATION gt REDMOTE 182 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CHANGING CAMERA SETTINGS USING CAMERA LCD EXTERNAL MONITOR AS REFERENCE To adjust a parameter value displayed on the camera s Upper Status Group first note the red colored bar located under 24fps in this example indicating the currently active parameter for instant adjustment CArps 28 7 AB sEC 56U0k BK 2 1 8 1 Use the NAVIGATION GROUP directional pad to move the cursor to a different parameter if desired then press the ENTER key to select that parameter and use the Scroll Wheel to adjust that parameter s value To confirm the change in parameter value and to exit the adjustment menu press the ENTER button To access the camera s menus press the MENU button at the lower left The MENU displays on the EVF LCD or external monitors if the LCD and or EVF are not
30. 2 Rev A1 RED SCARLET OPERATION GUIDE RED BRICK Attach to the camera using a V Plate and 2B to 1B Power Adapter Cable P N 790 0138 to the DC IN connector DC POWER Connect a DC power source to the camera in one of the following ways e Plug the RED AC Power Adapter into AC power and the LEMO connector to the DC IN connector e Plug the RED CHARGER into AC power and the LEMO connector to the DC IN connector via 2B to 1B Power Adapter Cable P N 790 0138 e Plug a 12V XLR based power source into the DC IN connector via adaptor cable P N 790 0164 NOTE The maximum sustainable power load of the DSMC AC Power Adapter is 150W 15V 10A The output of the adapter is over current protected and will shut down if an excess load condition occurs If the output trips for any reason remove any external loads from the camera such as lights motors etc turn off the Adapter and repeat the above procedure POWER UP Locate the camera s Power ON OFF button on the right face of the Brain If the Power Status LED is illuminated Red depress and then release the Power Record button If not illuminated check your battery charge status or external power source cable connection Once powered up the Power Status LED will illuminate Green confirming the camera is ready to use PREPARING TO RECORD Before each days recording the camera should be prepared as follows Physically set up camera as desired Verify camera is using the latest f
31. 2012 RED Digital Cinema 955 0003_v3 2 Rev A1 RED SCARLET OPERATION GUIDE MODES Available GUI display mode adjustments are Exposure Shutter Mode Aperture and Focal Distance EXPOSURE Selects GUI display of Shutter Exposure on Main screen as Time 1 xx sec or Angle Degrees Default is Time Angle is shown below 150800 28 180 0 J600k OK 2 1 SHUTTER Enables one of two shutter timing duration modes Absolute or Relative Default selection is Absolute Absolute Shutter Speed is defined exclusively by the Shutter Speed setting NOTE When operating in Absolute mode the shutter speed is reported in White text Relative Shutter Speed is defined by the requested Shutter Speed divided by the ratio of the current capture fps to the Project TIME BASE fps NOTE When operating in Relative mode the shutter speed is reported in Yellow text 150800 5 00 OK 2 1 NOTE If the operator requests a shutter speed that is outside the capability of the camera the camera will automatically limit them when a limiting parameter changes 105 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE APERTURE Selects GUI display of f stop as 1 4 f Stop or 1 3 f Stop Default is 1 3 FOCAL DISTANCE Allows you to set the Lens Info to display in Metric or Imperial measurements Default is Imperial CA FPS 150800 J600x JK c 1 HU 8 1 GUIDES This sub
32. 21mm f 2 8 Zeiss Distagon T 25mm f 2 Zeiss Distagon T 28mm f 2 Zeiss Distagon T 35mm f 2 Zeiss Planar 50mm f 1 4 ZE Zeiss Makro Planar 50mm f 2 Zeiss Planar T 85mm f 1 4 Zeiss Makro Planar 100mm f 2 83 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE ZONES Available options are CENTER and SPOT Default is CENTER This control allows selection of the boxes used to indicate objects in out of focus Focus Presets Media Settings Power Mode 70 v Zones Soot 7 CENTER Provides a large square target for focus When objects located in the circle are in focus the square will be Yellow or Green When objects located in the square are out of focus the square will be Red Presets Media Settings Power A002_C001 14 36 21 19 84 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE SPOT Provides a small square target for precise focus similar to Center focus only smaller When objects located in the square are in focus the square will be Yellow or Green When objects located in the square are out of focus the square will be Red Presets Media Settings Power 002 C001 14 36 38 18 SPOT FOCUS INDICATOR Moving The spot focus square can be moved around the screen Touchscreen Tap on the spot focus square directly on the touchscreen and drag to the location you wish to relocate the spot focus circle 85
33. 5600 View Presets Media Settings Meta Zebra Allows you to toggle ON OFF Zebras Refer to SETTINGS MENU gt DISPLAY gt ZEBRA for complete details about these options 150800 5600 View Presets Media Settings Meta 148 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Look Allows you to adjust the Color Gain FUT and Curve of the image during playback Refer to SETTTINGS MENU gt DISPLAY gt LOOK for complete details about these options 150800 5600k View Presets Media Settings Meta Color Gamma Record Exit When selected will exit playback to the main menu View Presets Media Settings Meta META Displays current clip META information 150800 5600k View Presets Media Settings Meta AO001 CO06 sad gt be aS 149 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE CLIP PLAYBACK STATUS BAR Displays the progress of the clip during playback 150800 00 View Presets Media Settings Touchscreen When using the touchscreen you can swipe your finger Left or Right to open and allow playback of the previous or next clip on the media Side Handle REDMOTE When using the Side Handle or REDMOTE you can use the navigation group to highlight the clip playback status bar 10800 5600x Media Settings n A Scroll Wheel Directi
34. BRAIN REAR 77 ADAPTOR MODULE CONNECTION POINTS T up v ATTACH REDMOTE v v U S PATENT NOS 7 544 919 ano 7 830 967 INSERT SSDMAG A HD SDI Headphone SYNC Video Sync CTRL RS232 Control GIG E Ethernet DC IN Power Input ret om Camera Brain Connectors Rear 163 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE HD SDI A standard 75 Ohm BNC connector provides a broadcast specification high definition video output PN SIGNAL DESCRIPTION DIRECTION HD SDI SMPTE 292M HD SDI Out HD SDI Output The HD SDI output provides a 720p progressive scan video feed operating at 50 00 or 59 94 Hz or a 1080p 10 bit 4 2 2 progressive scan video feed operating at 23 98 24 00 25 00 or 29 97 Hz when in 1 5GHz HD SDI mode or a 1080p 10 bit 4 2 2 progressive scan video feed operating at a 50 00 or 59 94 Hz when in 3GHz HD SDI mode The HD SDI output may be specified as a PROGRAM output clean feed video or as a PREVIEW output includes SurroundView look around Clip Name Timecode and Safe Action Safe Title frame guides In addition to video the HD SDI output also provides two channels of embedded audio Time of Day and Edge timecode record Tally flag and Clip Name information as SMPTE HP 188 VITC2 HANC metadata NOTE Default setting is PROGRAM NOTE HD SDI video output is Progressive Scan it does not support 1080i or 1080PsF modes 164 COPYRI
35. C Press User D Release User D Press Exposure Check Toggle User 1 Release Slot Set ISO Slot Set Aperture Slot Set Shutter Slot Set Color Temp User 1 Press User 2 Release User 2 Press User 3 Release User 3 Press User 4 Release User 4 Press User 5 Release User 5 Press Exposure Check Toggle User 6 Release Key Disabled Eject Media SH Toggle Key Lock Focus Mode Still Focus Mode Motion AF Start Record Toggle SH Toggle Backlight Navigation Menu User 6 Press User 7 Release User 7 Press User 1 4 Release User 1 4 Press Record Half Release Still Select Movie Select Record Full Release Backlight Release Record Half Press Nav Menu Release Record Full Press Nav North Release Backlight Press Nav South Release Nav Menu Press Nav East Release Nav North Press Nav South Press Navigation Up Nav West Release Navigation Down Nav Enter Release Nav West Press Navigation Right Rocker Release Rocker Release Rotary Front CW Rotary Jog CW Rotary Front CCW Rotary Jog CCW Nav East Press Navigation Left Nav Enter Press Navigation Select Rocker Press Iris Open Navigation CW Navigation CCW Navigation CCW Iris Close Key Disabled Rocker Press User A Release 4 J COPYRIGHT RED Digital Cinema _ 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE SIDE SSD MODULE User 1 Press Key Disabled User 1 Release Key Disabled A User 1 2 Press Key Disabl
36. Camera Unmount Using REDMOTE Touchscreen LCD Using Side Handle Using Side SSD Copying Media Erasing Media Macintosh OS X Windows APPENDIX C INPUT OUTPUT CONNECTORS Camera Brain Front MIC 1 MIC 2 Microphone Audio Camera Brain Rear Headphone SYNC Video Sync CTRL RS232 Control GIG E Ethernet DC IN Power Input HDMI Out APPENDIX D DEFAULT KEY FUNCTIONS APPENDIX E REDMOTE OPERATION 2 5 176 Control Connectors and 176 Controls 176 Operation 179 Docking and Undocking 179 Power Up Down 180 Recording 182 Accessing Camera Controls Settings 182 ADVANCED OPERATION REDMOTE 184 192 Internal Battery 192 Upgrading REDMOTE Firmware 194 APPENDIX F 3D SETUP OPERATION 207 Overview
37. Canon EF 200mm f 2 8L II Canon EF 20mm f 2 8 USM Canon EF 24mm f 1 4L Il Canon EF 24 105mm f AL IS Canon EF 24 70mm f 2 8L Canon EF 24mm f 2 8 Canon EF 28 300mm f 3 5 5 6L IS Canon EF 28mm f 1 8 USM Canon EF 28mm f 2 8 Canon EF 300mm f 2 8L IS Canon EF 300mm f AL IS Canon EF 35mm f 1 4L Canon EF 35mm f 2 Canon EF 400mm f 2 8L IS Canon EF 400mm f 4 0 DO IS Canon EF 400mm f 5 6L Canon EF 500mm f AL IS Canon EF 50mm f 1 2L Canon EF 50mm f 1 4 USM Canon EF 50mm f 2 5 Compact Macro Canon EF 600mm f AL IS Canon EF 70 200mm f 2 8L IS Canon EF 70 200mm f 2 8L IS II USM Canon EF 70 200mm f 4L 955 0003 v3 2 Rev A1 Canon EF 70 300mm f 4 5 6 IS USM Canon EF 70 300mm f 4 5 5 6 DO IS USM Canon EF 800mm f 5 6L IS Canon EF 85mm f 1 2L Il Canon EF 85mm f 1 8 USM Canon EF S 10 22mm f 3 5 4 5 USM Canon EF S 17 55mm f 2 8 IS USM Canon EF S 18 200mm f 3 5 5 6 IS Canon EF S 60mm f 2 8 Macro USM Sigma 10 20mm f 3 5 EX DC HSM Sigma 20mm f 1 8 EX DG ASP RF Sigma 24 70mm f 2 8 IF EX DG HSM Sigma 50mm f 1 4 EX DG HSM Sigma 70 200mm f 2 8 EX DG APO Macro HSM II Sigma 85mm f 1 4 EX DG HSM Sigma APO 50 150mm f 2 8 Il EX DC APO HSM Zeiss Distagon T 18mm f 3 5 Zeiss Distagon T 21mm f 2 8 Zeiss Distagon T 25mm f 2 Zeiss Distagon T 28mm f 2 Zeiss Distagon T 35mm f 2 Zeiss Planar 50mm f 1 4 ZE Zeiss Makro Planar 50mm f 2 Zeiss Planar T 85mm f 1 4 Zeiss Makro Planar 100mm f 2 Zeiss Distagon T 18mm f 3 5 Zeiss Distagon T
38. Digital Cinema RED SCARLET OPERATION GUIDE PRESETS Allows you to apply presets to the clip during playback Tamea PrE ELA MEDIA When selected will list all available clips on the attached media 150800 5600x View Presets Media A001_CO05_0119FX Settings AO01 COO06 4 LL 146 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Touchscreen 1 Double Tap the desired clip to open in the playback window 2 Load will also highlight You can also select LOAD to load the clip in the player and allow playback 150800 5600k View Presets Media Settings ps CRECEN 33S A001_C006 Side Handle REDMOTE 1 Select the desired clip to playback and press the ENTER button 2 Load will highlight Select LOAD to load the clip in the player and allow playback s0800 5600k View Presets Media Settings p AO01 CO06 JE Kk E 147 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema F OPERATION GUIDE RED SCARL h SETTINGS Available options are DISPLAY LOOK and RECORD View Presets Media Settings Meta Display Available options under Display are TOOLS and ZEBRA Presets Settings Meta Tools Allows you to toggle ON OFF Exposure Focus Video Edge and RAW Refer to SETTINGS MENU gt DISPLAY gt TOOLS for complete details about these options 150800
39. EC RoHS Directive 2002 95 EC and WEEE Directive 2002 96 EC This declaration is based upon compliance of the product to the following standards e EN 55022 Information Technology Equipment Radio Disturbance Characteristics e EN 55024 Information Technology Equipment Immunity Characteristics e EN 61000 3 2 Limits for harmonic current emissions e EN 61000 3 3 Limits for harmonic current emissions e EN 60950 1 Information Technology Equipment Safety 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE The Waste Electrical and Electronic Equipment WEEE mark applies only to countries within the European Union EU and Norway This symbol on the product and accompanying documents means that used electrical and electronic products should not be mixed with general household waste For proper treatment recovery and recycling please take this product to designated collection points where it will be accepted free of charge Alternatively in some countries you may be able to return your products to your retailer upon purchase of an equivalent new product Disposing of this product correctly will help save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling Please contact your local authority for further details of your nearest designated collection point Penalties may be ap
40. Functional when optional mount and e Lens Info Lens information when using lens are installed specific Canon or Cooke lenses e Shutter Speed Exposure Time or Degrees e Cursors Reference cursors Safe Action Safe Title Picture Center Grid Overlay e White Balance Color Temp ___ 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE Frame Guide Record or Projection area Next Clip Filename Filename of the clip that will be shot next Project Frame Rate Current project TIME BASE Noise Level Bar Relative number of RAW pixels in noise Histogram RGB Histogram Clip Level Bar Relative number of RAW pixels near clip Clip Meter RGB sensor RAW clipping status Temperature Displays camera sensor and core temperature in that order xx xxC Drop Indicates if any frames were dropped during recording of the clip Fan Speed Displays fan speed in HDR Mode Displays HDRx mode status False Color Mode Displays false color overlay mode Magnify Tallies 1 1 if magnify is selected TC Indicates presence of valid SMPTE timecode signal and Jam Sync status COPYRIGHT 2012 RED Digital Cinema Genlock Indicates presence of valid Genlock signal sensor sync to genlock Shutter Sync Indicates shutter sync status RM Indicates communication to REDMOTE LAN Indicates communication via Ethernet connection RIG Indicates 3D rig metadata is present Media Status M
41. Internal Drop Temp Media Power ISO 800 Monitor Output In the image above it is obvious the camera is over exposed The monitor is very bright and the histogram is justified to the right Note the red bar at the right edge of the histogram and the vertical color stack to the right of the histogram is showing red plus the three traffic lights to the right of that are all illuminated These indicators are suggesting that a signification portion of the sensor s RAW data is at clip and this clipping is occurring on Red Green and Blue channels 213 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 24 000 s gt vMCLR VE 48 Sec 5600 gj m a E a m m DE LL HHHE dms 1 a i J Ls Internal Drop Temp Media Power RC36 SO 800 False Color Exposure Select False Color Exposure note they E icon in the GUI when active This mode allows us to visualize where in the image over exposure is taking place These areas are indicated in red It is clear those areas are on the highlight on coin and at the top right edge of the color chip test chart 214 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE 24 0 900 vMCLR NV 48 sec 5600 i Lj Se io 2 D E il SET SHHT B a J TH E e 8 Internal Drop Temp Media
42. Power RC36 ISO 800 False Color Video Select False Color Video note the y V icon in the GUI when active This mode allows us to check the RGB video levels of the scene As all the white chips on the test chart are Yellow this suggests that a significant portion of the monitor path video is at the maximum legal 100 IRE value Because the scene is over exposed when the recorded R3D file is color corrected in post production the scene s highlight information will almost certainly be clipped however the shadow information will probably display cleanly once pulled back down to an acceptable brightness 215 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE APPROPRIATE EXPOSURE 24 FPS 0 000 s vmMCLR 48 Sec 5600 ISO 800 Monitor Output In this image the camera is appropriately exposed for this scene The monitor is neither very dark nor very bright and the histogram is spread evenly given that there are bright highlights on the coin we wish not to blow out Note that there is no red bar on either the left or the right edges of the histogram and the vertical color stack to the right of the histogram is at yellow These indicators suggest that there is no significant amount of the sensor s RAW data in the noise or at clip and that the peak level of the sensor s RAW data is about 2 8 stop below clipping 216 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLE
43. Storage range 20 C to 50 C 4 F to 122 If there are any performance issues with your camera or accessories when operating within this temperature range please file a support ticket on www RED com support O The Side Handle Side SSD Module Rear Modules and Lens Mount are NOT HOT SWAPPABLE meaning you cannot remove or install them while the camera is powered on Before installing or removing any of these accessories you MUST power down the camera Failure to do so may result in damage to the accessory and or camera brain that will not be covered under warranty P Do not bypass the third prong of the grounding type plug on the power cord of the AC Power Adapter A grounding type plug has two blades and a third grounding prong The third prong is provided for your safety A grounding type plug shall be connected to an outlet with a protective earthen connection If the grounding type plug does not fit into your outlet do not attempt to modify the plug or outlet consult a qualified electrician Q Protect all power cords from being pinched walked on or driven over by a vehicle Replace any power cords suspected of sustaining damage due to crushing or other forms physical damage 8 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CAUTION The power cord plug for the AC Power Adapter is used as the power disconnect To disconnect all power
44. The Reel No Cam ID and Cam Pos can be set when formatting the media or after formatting by using the SET option Refer to SECONDARY MENUS gt MEDIA Presets Media Settings Power E Zz cer Ja 208 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE For example if Master is set to LEFT and Slave is set to RIGHT and both Cam IDs are set to S the first clip recorded by this stereo camera configuration will be Master S001_L001_0503B6 R3D Slave 5001 R001 0503HR7 R3D Where 0503 represents 05 March B6 and R7 are examples of camera generated wildcard characters Note If both Master and Slave cameras are accidentally left in default settings of CENTER and CAM A ID the clips recorded on each camera will have the same file structure with the exception of the camera generated wildcard characters which protect against exact file name duplication Master A001 C001 0503B6 R3D Slave A001 C001 0503R7 R3D CONNECTING CAMERAS 1 While still powered up interconnect the cameras using a Master Slave GIG E Cable P N 790 0163 Plug the cable into the GIG E connector on the rear of each camera body 7 ADAPTOR MODULE CONNECTION POINTS y ATTACH REDMOTE v v A U S PATENT NOS 7 544 919 ano 7 830 967 Oo lt Q 4 2 Power down both cameras then power back If properly connected LAN will illuminate Green the UI
45. Works best with good lighting and contrast Works with both Center and Spot Zones TOUCH TRACK Dynamically updating positionable AF using touchscreen Works with Spot Zone only Keep AF Spot on subject while moving across frame will continuously focus on spot RACK For quickly selecting two focus points and executing rack focus between them Focus points are selected using the Touchscreen Shutter half press executes rack movement Works with Spot Zone only Rack mode remembers the last Center or Spot position and focus setting as the first rack point A second rack point needs to be defined by moving the spot window to the desired second location If the spot window is not moved a shutter half press will only cause the lens to execute a single AF adjustment on the original Spot On the other hand when two rack points have already been defined the rack point can be updated by moving the spot to a new location This will replace the rack point that is not in focus at that moment 82 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE DSMC CANON MOUNT ELECTRONICALLY SUPPORTED LENSES Canon EF 100 400mm f 4 5 5 6L IS Canon EF 100mm f 2 0 USM Canon EF 100mm f 2 8L Macro IS USM Canon EF 135mm f 2 0L Canon EF 135mm f 2 8 Soft Focus Canon EF 14mm f 2 8L II USM Canon EF 15mm f 2 8 Fisheye Canon EF 16 35mm f 2 8L II Canon EF 17 40mm f 4L Canon EF 180mm f 3 5L Macro Canon EF 200mm f 2 0L IS
46. a very low level in fact less than halfway 211 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE so800 s gt vmMCLR VE 48 5600 Temp Media Power 800 False Color Exposure Select False Color Exposure note they E icon in the GUI when active This mode allows us to visualize where in the image underexposure is taking place These areas are indicated in purple It is clear those areas are under the matchbox and coin and between the bottle and cigar holder 24 so800 s gt TO RN VV 48 Sec 5600 Drop Temp Media Power SO 800 False Color Video 212 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Select False Color Video note the 4 V icon in the GUI when active This mode allows us to check the RGB video levels of the scene As the peak white chips on the test chart are showing up in green and the underexpose areas are showing up in dark blue this says the monitor path video levels are only ranging between 44 IRE and 1 IRE Because the scene is under exposed when the recorded R3D file is color corrected in post production the scene s highlight information will certainly not be clipped however the shadow information will probably display with significant noise once pushed to an acceptable brightness OVEREXPOSURE 2 STOPS 24 0 U0 s gt vmMCLR 48 2110100 o agmacbeth
47. adjust Available options are MANUAL and CONFIRM Default is MANUAL MANUAL When selected all focus operations are manual CONFIRM Enables the Center or Spot focus square for use with manual focus This mode provides additional focus assistance to the photographer using RED YELLOW and GREEN color changes to the focus spot window Inadequate subject illumination and or contrast may interfere with normal Focus Confirm operation For best results with Focus Confirm operators should rock the focus ring focusing through the point of optimum focusing and back again in decreasing amplitude as when zeroing in for precision manual focus Presets Media Settings o Sot _ AUTO FOCUS NOTE The following menus will ONLY appear if a DSMC Canon Mount is installed with a Canon or Sigma lens attached With a DSMC Canon Mount installed and a supported lens attached available options become MANUAL CONFIRM SINGLE CONTINUOUS TOUCH TRACK and RACK Default is MANUAL All settings except MANUAL place a single square Center or a single rectangle Spot on the screen depending on the ZONES selection that indicate where the image is in focus Pressing the designated button for spot focus REDMOTE Side Handle button A default will cycle you through each Focus Mode option in order as you press the button repeatedly 80 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Foc
48. and a REDVOLT is installed into the side handle with REDVOLT batteries installed in the optional QUAD BATTERY MODULE 153 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE SHUTDOWN Power OFF controls are interlocked to prevent accidental powering down of the camera For details on the different ways to power down your RED DSMC Camera refer to BASIC OPERATION gt POWER DOWN 1 Enter the Secondary Menu using the touch screen REDMOTE or Side Handle 2 Select POWER 3 Select SHUTDOWN Shutdown 4 The camera will immediately power down displaying SHUTTING DOWN If a REDMOTE is connected the same message will display 154 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE APPENDIX A UPGRADING CAMERA FIRMWARE Your RED DSMC camera functionality may be upgraded by installing the latest firmware Camera firmware is identified by Version and SVN number which will be displayed by the camera on the LCD display when SYSTEM INFO is selected A higher number reflects a later release Make a habit of frequently visiting to check for later versions of camera firmware Operations Guide updates and post production software Your REDMOTE also requires a firmware upgrade Go to APPENDIX E REDMOTE OPERATION gt MAINTENANCE gt UPGRADING REDMOTE FIRMWARE VERIFY CURRENT CAMERA FIRMWARE With the camera ON select SECONDARY MENUS gt
49. color space than RGB provided that the Red clip color is not present in EXPOSURE view even if Red clip color is present in VIDEO view the apparently clipped RGB highlights can be recovered in post production by adjustment of ISO FLUT or changing the KNEE and WHITE values of the CURVE box 97 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE FOCUS This will emphasize edges in the image without changing brightness image content so it is easier to judge if the image is in focus By adjusting your lens zoom and focus you can see which objects are coming into and falling out of focus When selected the icon Fy will be displayed in the Lower Status Group K HE 30 45C 5 550 576 E0 F 72 8 VIDEO displays a multi color color overlay that allows you check the video level of the RGB monitor path calibrated to the SMPTE test signal and any outputs driven from that path such as HD SDI and HDMI When selected the icon Vy will be displayed in the Lower Status Group AK 3 0 AC c C D D C CHI NE BAM aus CH 2 OTE 0 V Purple represents Super Black Dark Blue represents Black Teal represents 3 stops under 18 Gray Green represents 18 Gray Pink represents Skin Tone Straw represents White and Yellow Orange and RED represent various degrees of signal clipping in RGB space By adjustin
50. e 29 97 fps e 48 00 fps e 59 94 fps NOTE A project can only support one Time Base as this defines the frame count to be used for time code and as the clip playback and editing frame rate It is also the primary frame rate for acquisition but variable speed over crank and under crank recordings can be made above and below this base frame rate using the VARISPEED menu VARISPEED When a frame rate other than the current TIME BASE has been selected the FPS text will turn Yellow and VARISPEED will be shown where the Audio Meter is normally displayed at the lower right of the display A001 C005 Varispeed 67 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE BASIC SETTINGS Provides quick selection of the most common VARISPEED frame rates EB 4BstC 9B UK UK 2 1 1 CArps COFPS 3 rps AB res 9 rps B rrs ADVANCED SETTINGS CA FPS 150800 QB sec 5600k BK 2 1 29 070 res When selected a numerical keypad will appear allowing the desired VARISPEED Framerate to be entered in 1 fps increments Maximum frame rate is a function of RECORD RESOLUTION and REDCODE settings Granularity is 0 001 FPS 10800 af 4Bsc 5600k Se 23 076 FPS ae A001 C024 On Touchscreen systems a Keypad is available for direct numeric entry of the VARISPEED FPS value Touch the value bounded by the and labels
51. from the AC Power Adapter unplug the power cord plug from the wall outlet During use the power cord plug should remain easily accessible at all times R Lithium lon batteries may be subject to special handling requirements pursuant to federal and local laws Please refer to specific shipping instructions included with your battery regarding proper transport of your battery Do not handle your battery if it is damaged or leaking Disposal of batteries must be in accordance with local environmental regulations For example California law requires that all rechargeable batteries must be recycled by an authorized recycle center Storing batteries fully charged or in high temperature conditions may permanently reduce the life of the battery Available battery capacity may also be temporarily lessened after storage in low temperature conditions WARNING Do not expose the battery to excessive heat WARNING Danger of explosion if an incorrect battery is charged with the RED Charger or is used to power the camera and accessories Replace only with the same or equivalent type battery CAUTION Refer all service and repair to qualified RED service personnel To reduce the risk of electric shock and damage to the camera or accessories DO NOT attempt to perform any servicing other than any procedures that are recommended in the operating instructions 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE THEORY
52. may be used with the camera via adaptor cable P N 790 0164 42 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE POWER UP Locate the camera s Power Record button on the right face of the Brain NOTE This button also serves as a Record Start Stop button once the camera is powered up Power Record Button Status LEDs When an appropriate power source is connected to the Brain the Power Status LED will illuminate Red If it is illuminated depress and then release the Power Record button The Power Status LED will initially go out and within 5 seconds illuminate Orange to confirm the camera is powering up then it will illuminate Green confirming the camera is powered up and ready to use If a formatted REDMAG 1 8 SSD is attached to the Brain once powered up the Media Status LED will illuminate Green If this LED is not illuminated verify a formatted REDMAG 1 8 SSD is inserted into the oide SSD Module and or format the SSD if it has not previously been formatted on the camera 43 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE NOTE Once powered up if the Power Status LED illuminates Red it indicates low remaining battery capacity and a battery exchange or switch over to external DC power is recommended POWER DOWN The camera can be powered down in two ways 1 Using REDMOTE or Side Handle Menu controls or via Touch Screen
53. navigation functions when pressed UP Selects Advanced Settings menu DOWN Selects standard Settings menu CAFps 150800 2 8 OBUDK OK 2 1 20223 ms 120 000 Deg As an example position the Cursor under the Shutter Speed 24FPS icon and press the UP Direction Key to access advanced adjustment values for Shutter Speed 52 l COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE USING TOUCHSCREEN LCD If operating a Touchscreen LCD camera menu navigation may be made through finger gestures OAFPs 0800 28 48sec 5600k 4KHD ACBI e adjust a parameter value simply touch it and then swipe the finger left right to adjust its value e To access an advanced parameter settings display press and hold down on the parameter icon e ouch anywhere outside the overlay windows to enter the value changes and to hide the sub menus e To enter the Secondary Menus touch the MENU icon Focus Presets Media Settings Power e To return to the Main Menus touch the MENU icon again e access the Playback function touch the arrow C4 FPS 150800 48sec 5600k AKHD RC81 e To exit the Playback function touch the circle Media Settings Meta 10800 5600 View Presets 53 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE TOUCHSCREEN SHORTCUTS The bottom por
54. of the UI When audio is enabled and an audio jack is plugged in detected by the camera the circle next to CH1 CH2 etc will be Green and the box around the signal will be highlighted When audio is enabled and an audio jack is not plugged in not detected by the camera the circle will be Red Also when audio is disabled and an audio jack is plugged in the circle will remain Gray but the box around the signal will be highlighted jack is detected by the camera 117 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema AUDIO OUTPUT Allows adjustment of audio output levels fed to the outputs Available options for each channel are ON and MUTE Default is ON at 9 dB Presets Media Settings Power AUDIO CHANNELS Allows selection of audio inputs and operational modes Presets Media Settings Power 118 l COPYRIGHT 2012 RED Digital Cinema 955 0003_v3 2 Rev A1 RED SCARLET OPERATION GUIDE INPUT Available inputs are CH 1 2 and CH 3 4 NOTE For cameras not equipped with a PRO I O module options are CH 1 2 Source Available options are NONE CAM ANALOG PRO I O ANALOG PRO I O AES A and PRO I O AES B NOTE For cameras not equipped with a PRO I O module options are NONE or CAM ANALOG Presets Media Settings NONE PRO 1 0 ANALOG PRO 1 0 AES B 119 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema
55. or the HD SDI output of the camera Brain BOMB EVF A 1280 x 784 pixel progressive scan color display providing the equivalent of viewing a 17 reference monitor from a distance of about 3ft 1m Display includes Surround View look around area frame guides and safe action title zebra and false color exposure overlays operation status and setup menus RED LCD A 800 x 480 pixel progressive scan color display supporting a touchscreen overlay Display includes Surround View look around area frame guides and safe action title zebra and false color exposure overlays operation status and setup menus HD SDI A 720p or 1080p progressive scan output suitable for monitoring or recording to an external VTR or DDR device May be configured for 10 bit LIN VIDEO or 10 bit LOG FILM encoded data HDMI A 720p or 1080p progressive scan output suitable for monitoring via a PC monitor or most HDTV displays 13 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 150800 ABsec 5600x 2 1 A001_C001 01 05 15 00 Example of HDMI Monitor Output in MENUS mode RED LCD BOMB EVF The optional RED LCD and BOMB EVF are specialized video monitors that provide the user with a variety of tools to assist framing focus and exposure including Surround View which is an additional look around area visible outside of the recorded image Frame Guides show
56. proper focus during this procedure 150800 ABsec 5600x A001_CO005 08 47 48 08 RED Focus Displayed Image on Camera 7 Insert a T 10 Torx screwdriver into the back focus adjustment screw The screw is oriented at approximately 80 as shown Performing Back Focus Adjustment 8 Carefully and slowly rotate the back focus adjustment screw to achieve optimum focus Turning CLOCKWISE moves the sensor forward 226 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Turning COUNTER CLOCKWISE moves the sensor rearward NOTE The center of the image will never be in perfect focus as the lines are less than 1 3 of a pixel in size 9 The back focus adjustment mechanism is self locking and does not require a supplementary locking Screw 10 Install the screw in plug in the back focus adjustment opening using a T 10 Torx screwdriver 11 This completes the back focus adjustment 227 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE APPENDIX J TROUBLESHOOTING NO MEDIA ATTACHED Displayed if media is not present or not formatted when pressing the record button Connect media to camera if necessary If media is already connected format media and attempt to record again Refer to APPENDIX B MANAGING DIGITAL MEDIA for detailed information RECORDING HALTED RECORD ERROR SHUTDOWN Displayed if media removed
57. remaining media capacity in the MEDIA indicator 100 is shown At 10 remaining capacity the media status will turn yellow at 5 it will turn red At 2 remaining the camera will cease recording This reserves a small amount of capacity for ancillary data to be written to the media NOTE When media is full the Side SSD LED will flash Red EJECT MEDIA FROM CAMERA UNMOUNT IMPORTANT Media must always be Ejected un mounted prior to removal or disconnection from the camera This ensures power is removed from the digital media and any open data files are closed Failure to do so may result in lost data or corrupted files Removing an SSD without first un mounting it will not physically damage the media however it does increase the risk of file corruption so it s good operational practice to un mount the media if possible before removing or disconnecting IMPORTANT Unmounting the digital media takes a few seconds protects the integrity of your recorded data and helps clips mount instantly to your workstation once in post production so it s a recommended habit to develop If you do not un mount the media the camera will offer a warning your files may not be damaged but you will have been warned NOTE The camera will respond to physical removal of the media without un mounting and display MEDIA REMOVED PRIOR TO UNMOUNT DATA INTEGRITY RISK USING REDMOTE TOUCHSCREEN LCD 1 Goto SECONDARY MENUS gt MEDIA Presets
58. selcet Custom presets may be created to store groups of camera settings For example White Balance and ISO settings for a particular shooting location can be captured and as a preset and easily recalled later Presets can also be saved on an SSD and applied to other RED DSMC cameras CREATING A PRESET e Select Presets from the secondary menus Default Key Mappings RED Default Look Settings RED lt All EE ee 88 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE e Select Create and enter a name for the new preset using the QWERTY keyboard e Press OK on keyboard to save the preset name e Copy the desired settings from the left box of the interface to the right box using the se ect one gt or select all button INDOOR SCENE Color Space Color Tint wil hae FLUT Control e Select and press Create button upper right corner of the screen The preset has been created and is now stored on the camera 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE SHARING PRESETS Presets may be shared between RED DSMC cameras using SSD media Camera to camera Camera to multiple cameras Select Presets from the secondary menu On SSD On Camera 90 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE COPY PRESETS FROM CAM
59. the desired Tint value directly NOTE Selecting Calc White Balance calculates a new Tint value This is maintained if the Color Temp is adjusted via the Color Temp parameter If you select ANY presets Tint will be reset to zero which is the default value 150800 ABsec 5600x 5K 2 1 SENN 0 000 e CALC WHITE BALANCE The Calc White Balance function analyzes the central 25 of the image visible in the monitor to calculate a Color Temperature that will render a white object as white CAFPS 150800 8 48sc 5600 2 1 RC 8 1 Aa Apply Preset To use Calc White Balance function place a White or Gray object under the ambient light select the Calc White Balance function and then press the Calc White Balance function box Calc White Balance is also assigned to a User Key on the REDMOTE and Side Handle as a factory default setting 16 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE RESOLUTION Allows adjustment of resolution 150800 VAB sec 5600k 2 1 AK 5K2 1 5KWS 5KAna 4KHD Default is 5K 2 1 REDCODE Allows adjustment of REDCODE settings EB 7 ABstC O9B UK OK 2 1 3 1 4 1 5 1 6 1 7 1 B 1 10 1 11 1 12 1 13 1 Range is 3 1 to 18 1 Default is 8 1 Use the scroll ribbon to select a target REDCODE compression ratio The camera will automatically select
60. the media using the camera even if formatting was previously performed on a computer Go to ADANCED MENU gt MEDIA gt FORMAT to properly format media before recording FORMATTING MEDIA Media must be formatted prior to using it for recording Formatting is performed on camera although media may be erased on a Macintosh OS X personal computer allowing the camera to just add the necessary project profile and clip log data NOTE Media formatted on camera will use a name and root volume in the format Camera Letter Reel Number Month Day where is two digit alphanumeric random number generated by the camera for each file e g A001 0512A6 RDM Clips recorded to the media follow similar naming conventions A001 C001 0512A6 001 RDC and A001 C001 0512A6 H mov etc IMPORTANT Media must always be un mounted prior to removal or disconnection from the camera This ensures power is removed from the digital media and any open data files are closed Failure to do so may result in lost data or corrupted files Refer to REMOVE MEDIA FROM CAMERA UNMOUNT This procedure outlines the formatting of REDMAG 1 8 SSD media using the RED DSMC camera Formatting the SSD media will take about 10 seconds 1 Insert SSD into camera Insert the REDMAG 1 8 SSD with the RED logo facing outward away from camera body SSD firmly into its slot but without using excessive force to prevent damage 2 When SSD media is inserted into the c
61. this equipment NOTE This device complies with Part 15 of the FCC Rules Operations subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesirable interference CAUTION If the device is changed or modified without permission from RED the user may void his or her authority to operate the equipment COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE AUSTRALIA AND NEW ZEALAND STATEMENT This device has been tested and found to comply with the limits for a Class B digital device pursuant to EN 55022 2006 JAPAN STATEMENTS This is a Class B product based on the standard of the Voluntary Control Council for Interference VCCI for information technology equipment If this equipment is used near a radio or television receiver in a domestic environment it may cause radio interference Install and use the equipment according to the instruction manual CO Wem Tae PESOS BS e Rl VCCI DHE THOS 72A B RRR OX SC SPP REP ay See TESA c Arte THR o THIEL EUROPEAN UNION COMPLIANCE STATEMENTS RED declares that the equipment described in this document is in conformance with C C the requirements of the European Council EMC Directive 2004 108 EC Low Voltage Directive 2006 95
62. to focus on a particular segment The In Red and Out Green points will be displayed in the Clip Playback Status Bar You can use the navigation group to select the exact location of the In and Out Points if desired 150800 Prese Media Settings Meta 001_ 006 14 19 58 03 TN d 4 FRAME BY FRAME REVERSE FORWARD Allows you to move through the clip frame by frame in the reverse direction A001 CO06 2 14 19 58 03 gt PLAY PAUSE Allows you to play and pause the clip A001_C006 14 19 58 03 PLAY ONCE LOOP Allows you to choose to play the clip one time or to loop the clip in the player Loop is shown below ET I n 1 i LA 152 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE PLAYBACK DIRECTION Allows you to play the clip forward or backwards Reverse playback is shown A001_C006 14 19 58 03 ADDITIONAL CLIP CAMERA INFORMATION Will indicate if clip was recorded in HDRx and current camera power status as well as audio input signals A001 CO06 PN 14 19 58 03 MD POWER The power menu displays the current power status of all attached power sources as well as allows you to shutdown the camera POWER STATUS The power status is displayed for the BRAIN SIDE HANDLE REAR 1 REAR 2 REAR 3 and REAR 4 Below is what is displayed when the camera is connected to DC power
63. 2 RED Digital Cinema RED SCARLET OPERATION GUIDE CALIBRATION Sensor calibration is a process where the camera generates a calibration map to correct for pixel defects and offsets based on current system and environmental settings This allows you to perform a Black Shading calibration of the MYSTERIUM X sensor two 2 different ways Default at 24 FPS 1 48 SEC or using your current FPS Exposure settings Presets Media Settings Power Black Shading Default Black Shading Current FPS Exposure To calibrate the sensor the image needs to be as dark as possible e Ataminimum put a lens cap on the lens WARNING Not all lens caps completely block IR They are made to protect the lens not necessarily to block light e Preferably take of the lens and use the lens mount cap provided by RED e If possible use a dark room e Just closing the Iris is NOT sufficient Additionally a SSD needs to be inserted in the camera to store the raw images during calibration Calibration is required e If the temperature deviates significantly from the currently used calibration it is recommended to recalibrate the sensor e f very long exposure longer then 1 24 Sec is used it is recommended to recalibrate After Calibration with a lens cap on and ISO set to maximum the sensor should show a uniform noise profile over the whole area without any falloffs on any side You can check at which temperature exposure time the curre
64. 5 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE RES Allows you to choose the output resolution for HD SDI monitors Available options are AUTO 720p and 1080p FREQ Allows you to choose the output frequency in Hertz Hz for HD SDI monitors Available options are AUTO 23 976 24 25 29 976 47 952 48 50 and 59 94 AUTOMATICALLY ASSIGN MENU SCREEN IF ENABLED When checked will assign an attached external monitor to display the menus if none are selected TEST SIGNALS Permits the video monitor outputs to be replaced with a video test pattern Available test patterns are CHIP CHART and SMPTE BARS Focus Presets Media Settings Power SMPTE Bars To enable a desired test signal select the desired test signal box To exit the test signal tap the touchscreen one time or press the Enter or Menu button on the Side Handle or REDMOTE CHIP CHART SMPTE BARS NOTE RED DSMC test signals are not recordable they are provided to help align external video monitors connected via the HD SDI or HDMI outputs 122 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE SETUP This menu permits a variety of system setup tasks to be accomplished Options available are KEYS SHORTCUTS DATE TIME NETWORK SERIAL REMOTE GPIO and SYSTEM KEYS Use Keys function to customize the assignment of DSMC
65. 7 96 48 50 59 97 HD SDI and HDMI with Frame Guides and Look Around or Clean Feed 1080p 4 2 2 720p 4 2 2 OUTPUT SMPTE Timecode HANC Metadata 24 bit 48Khz Audio REDMAG SSD Module 64 128 256GB Media REDCODE 16 bit RAW Processing Compression choices of 18 1 to 3 1 1 12 fps 5K FF 1 30 fps 4K HD 1 48 fps 3K HD 1 60 fps 1080p HD 1 120 fps 1K 2 channel uncompressed 24 bit 48KHz coca anes em egtan MONITORING OPTIONS RED LCD 5 Touchscreen Display BOMB EVF High Definition Viewfinder 5lbs Body only Aluminum Alloy TEMPERATURE RANGES Operating Range 0 C to 40 C 32 F to 104 F Storage Range 20 C to 50 C C4 F to 122 F 229 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE CAMERA BRAIN DIMENSIONS Dimensions shown in mm MYSTERIUM X Front View 230 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 FEED SCARLET OPERATION GUIDE Side View 231 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE NL dp p we mi D 3 m S aj D m 9 2 3 gt b te e Top View Bottom View 232 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE am oc eO e Rear View 233 955 0003_v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE APPENDIX L RESO
66. 9 4 1 02 bk E UPPER CONTROLS From Left to Right are ISO WHITE BALANCE VIEW PRESETS MEDIA SEETINGS and META Below the settings is the clip playback status bar 10800 5600k View Presets Media Settings Meta Exit Playback ICON Touchscreen Select the O on the Left to exit Playback mode NOTE The Menu ICON on the Right does not respond to commands when in Playback mode 10800 00 View Presets Media Settings Meta ISO Allows you to change the ISO in the clip during playback 150800 5 00 View Presets Media Settings Meta 20 0400 180500 150640 0800 1901000 1501280 101600 144 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE WHITE BALANCE Allows you to change the White Balance in the clip during playback 150800 5600k View Presets Media Settings Meta 5200k 5300k 5400k 5500x 5600x 57 00x 5800 5900 6000x Advanced Menu Opens the advanced White Balance settings without the ability to Calculate 150800 5600 View Presets Media Settings K4 F VIEW Allows you to select the items to be displayed in the playback window Available options are Center File Name Time Code Frame Guide Action Guide and Title Guide View Presets Media Settings Meta 145 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED
67. 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE Side Handle REDMOTE 1 Navigate to the focus menu 2 Press the down arrow on the Navigation Group 3 The spot focus square line weight will increase and the Red cursor under FOCUS will dim slightly Presets Media Settings Power A001_C024 17 42 11 02 4 Press the ENTER button 5 Use the directional arrows to move the Spot Focus square to the desired location Presets Media Settings A001_C024 17 42 11 02 6 To exit Press the ENTER button the spot focus square line weight will increase then press the UP arrow to go back to the FOCUS menu Press the MENU button Resizing The spot focus square can be resized using the Navigational Wheel or the Touchscreen Touchscreen Tap two times on the square directly on the touchscreen to increase size You can increase the size 3 times After that when you double tap the spot focus square it will decrease in size 86 COPYRIGHT 2012 RED Digital Cinema _ 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE LENS INFORMATION DISPLAY RED DSMC TI PL MOUNT LENS When a RED DSMC Ti PL Mount is installed and a Lens equipped with Cooke s S4 i system or equivalent is attached the Focal Length and Focal Distance is displayed on the LCD EVF and external monitors CArps 150800 5600x 5K 2 1 A002_C008 17 50 43 11 The foc
68. A FORMAT MEDIA EJECT MEDIA and UTILITIES IMPORTANT Media MUST be ejected from the camera before removal to prevent corruption and or loss of data on media SELECT MEDIA vy Elect Media ee Allows you to select the Media location to be used by the camera Default is the Side SSD S SSD Module FORMAT MEDIA When selected a new dialog box will appear allowing you to add properties to the media highlighted in the Current Media box when formatting Available options are REEL NO CAM ID CAM POS and FORMAT to format the media with the values entered 955 0003 v3 2 Rev A1 NM a 38 o E COPYRIGHT 2012 RED Digital Cinema 93 RED SCARLET OPERATION GUIDE NOTE If clips are present on the media you will be informed of how many clips will be erased when you format the media REEL NO When selected a keypad will appear allowing you to enter a value between 1 and 999 CAMERA ID SLATE Identifies the camera with a letter A through Z Default is A CAMERA POS POSITION Identifies the camera position as Right Left or Center Default is Center FORMAT When selected formats the media and adds the selected properties e During formatting the camera will display Formatting with a Green status bar REDMOTE will also display this message ee e When formatting is complete camera will display The magazine was successfully re fo
69. C 15 55 00 25 188 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE REMOTE Allows the user to adjust camera settings from REDMOTE by navigating the camera menus appearing on the VIEWFINDER output of the camera with summary data only appearing on the REDMOTE LCD FLUT Gamma Curve EUM _ HDR Mode HDR Factor Dar M on erudiri ge 11 18 17 LOCAL Allows the user to adjust camera settings from REDMOTE by navigating camera menus appearing on the REDMOTE LCD with summary data only appearing on the VIEWFINDER output of the camera 4 1 OFF LAN RIG SYNC Aperture Focus m Focus ft Filter Zoom 0800 Exposure Color Temp Format AB sec 00 OK 2 1 001 014 24 DEFAULT 150640 150800 1501000 CUSTOMIZING LOCAL MENUS When operating in LOCAL mode REDMOTE provides the user the option to configure which parameters to display in each of the parameter status windows You can assign the parameters to one of the 5 pages of information available under Soft Menu Buttons 4 8 To customize parameters 1 Ensure camera is ON and wirelessly connected to REDMOTE 2 If Soft Menu Button 2 reports as REMOTE press it once so it reports LOCAL 3 Select the Soft Menu Button page you would like to set the parameter on from the right hand side of the LCD Refer to SOFT MENU BUT
70. CBI 56 n n COPYRIGHT 2012 RED Digital Cinema 955 0003_v3 2 Rev A1 RED SCARLET OPERATION GUIDE FIRST TIME USE SETTING UP YOUR RED EPIC ATTACH POWER SOURCE If a REDVOLT battery is installed in the Side Handle and DC power is connect through the DC IN connector the DC IN power supply has priority and will power the camera instead of the battery BATTERY Connect a RED battery to the camera in one of the following ways SIDE HANDLE Attach a Side Handle and insert a REDVOLT battery INSTALL Press the battery door release button A Open battery door Press upwards on retainer C Insert a REDVOLT battery until it is fully seated and retainer C clicks into place pL oie c 1e zt Close battery door 57 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE REMOVE Press the battery door release button A Open battery door Press upwards on retainer C to release battery E Remove battery from side handle QUAD BATTERY MODULE Attach a Quad Battery Module and insert one or more REDVOLT batteries INSTALL Insert battery into desired location and press until a click is heard and battery is seated REMOVE w II ivi Et E E E 1 Press the battery eject button A for desired battery 2 When battery pops out remove battery from battery module B 58 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3
71. Cinema RED SCARLET OPERATION GUIDE BLACK SHADING PROCEDURE The calibration procedures are the same for both BLACK SHADING options The calibration procedures are the same for both Black Shading 24 FPS 1 48 SEC and Black Shading Current FPS Exposure options When selected a screen will appear asking if you wish to proceed with Black Shading calibration REDMOTE will also display the following messages Focus Presets Media Settings Power A002 C027 Black Shading calibration procedure 1 2 3 4 Astatus screen will show progress of the Capturing step Second pass shown 138 Ensure the sensor is NOT exposed to the calibration light source by installing the lens cap properly Ensure a properly formatted SSD is attached to the camera and properly formatted oelect OK to perform the Black Shading calibration The calibration will make 2 passes Once Capturing is complete a status screen will show progress of the Analyzing step COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE 6 Once Analyzing is complete a status screen will show progress of the Erasing step 7 Once Erasing is complete a status screen will show progress of the Programming step 8 The camera will perform this procedure twice 9 After Programming CALIBRATION SUCCESSFUL will be displayed Select OK to complete Black Shading calibration SELF TEST When s
72. DEFAULT Group names like camera Names can be used to uniquely address commands to a specific group of networked cameras Note the group name is limited to 8 characters default name is DEFAULT TARGET Using TARGET the user can specify if this camera can send commands to ALL devices on the network to NONE of the devices on the network meaning the camera will only listen to messages and not originate messages or to a specific TARGET device which can either be the NAME of a specific camera or device or a name of a GROUP of cameras or devices This structure allows for a lot of flexibility For example on a multi rig 3D shoot the user can either send commands to an individual camera e g Set CAM A L to 1 48th exposure to a group of cameras e g oet A to 48 FPS or to all cameras e g Start Recording on all cameras It is important to note that with the exception of the NONE setting all command filtering is happening on the receiver side of the communication link SERIAL PROTOCOL The camera can communicate to external devices via RS232 Serial Port and or the Gigabit Ethernet Port This selection allows the user to specify the serial communications PROTOCOL Available options are NONE ELEMENT TECHNICA 3ALITY SPC 7100 and 3ALITY SPC 7000 Default is NONE Settings GEFALL T GEF amp LIL T 7 os p bs fo 127 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARL
73. DMOTE This function is used to pair the camera to a REDMOTE for wireless operation D HOR Focus Presets Media Settings Power ee a x 5K 2 1 23 976 RC 5 1 SCAN AND PAIR REDMOTES F 71 32 46C E When selected the camera will look for an attached REDMOTE plus any REDMOTEs that are turned on with REDlink wireless enabled Available REDMOTES will appear in the left window The MAC Address for locally any attached REDMOTE will be in brackets lt gt Use the Pair and Unpair buttons to select and Pair Unpair REDMOTES MANUAL CHANNEL SELECT The Manual Channel Select option allows the user to change the communication channel for the REDLink wireless connection in the event of interference from other wireless devices Auto unchecked will pick the cleanest channel automatically on each camera boot Manual Channel Select is the default setting and for default uses Channel O 129 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE GPIO GPIO selects the GPIO preferences sub menu Presets Media Settings Power Sync Out w CAMERA INPUT Permits the function of the SYNC IN GPI pin in the SYNC connector to be defined as Sync In Accepts an Input Sync signal to control Shutter Start timing General Purpose In Accepts an Input Trigger signal to act as a General Purpose Input Presets Media Settings
74. EC 00 OK 2 1 RC 8 1 5200k 5300x 5400x 5500k 5600 5700 5800x 5900x 6000x Range is 1 700 10 000 Default is 5600K 14 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE ADVANCED SETTINGS When selected allows additional adjustment of the White Balance Available options are PRESET COLOR TEMP TINT and CALCULATE WHITE BALANCE Press APPLY PRESET for settings to take effect CAFPS 150800 2 8 5600k 2 1 8 1 x Apply Preset Calc White Balance PRESET Available preset options are SHADE DAYLIGHT FLOURESCENT INCANDECENT Preset to 9 000K Preset to 5 600K Preset to 4 500K Preset to 2 800K CLOUDY FLASH TUNGSTEN Preset to 7 500K Preset to 5 500K Preset to 3 200K COLOR TEMP Allows you to manually set Color Temperature in the range from 1 700 to 100 000 KELVIN Default is 5600 eArps 150800 A8stc 5600x 5K 2 1 ACB8 1 5600 0 000 de AQ01 C024 15 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE TINT Color Temperature calculations assume a pure light source that may not be true in the specific scene the camera is imaging To compensate for any residual colorcast the TINT parameter can adjust the RGB color balance with a compensating Magenta Green color component Default is 0 000 When selected a secondary keypad will appear allowing you to enter
75. ED SCARLET OPERATION GUIDE SLATE When selected a new dialog box will appear allowing you to add properties to the media highlighted in the Current Media box when formatting Available options are CAM ID CAM POS and SET to set the values entered Auto Incrementing Take If there is a value entered in the Scene box the camera will automatically increment the take number every time the camera starts and stops recording Note The scene name is limited to eight characters Camera Project Auto Slate S la Center m Camera Information Project Information Auto Slate Information SYSTEM STATUS Selecting System Status from the Project menu displays key project information 115 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE AUDIO VIDEO Menu adjusts AUDIO INPUT AUDIO OUTPUT AUDIO CHANNELS MONITOR CONTROL and TEST SIGNALS Presets Media Settings Audio Channels Bl Monitor Control AUDIO INPUT Allows you to enable disable and adjust levels for audio inputs CAM ANALOG Default is unchecked Range 8 to 64 dB default is 10 dB Presets Media Settings Power 116 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE You can also directly input your desired audio levels Focus ES 8 41 ene Power A001_C008 Audio channel level inputs are displayed in the lower section
76. EDCODE RAW compression then stored to a digital media Magazine such as REDMAG 1 8 SSD When recorded the RAW data is independent of any RGB domain color processing such as ISO White Balance or other RGB color space adjustments made by the camera operator These parameters are saved with the RAW data as reference METADATA i e color is not burned into the recorded RAW data 10 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE This recording technique permits RGB color processing choices to be deferred to post production or to be adjusted in the field to help a director visualize alternative color treatments without affecting the recorded RAW data s image quality or dynamic range The camera s monitoring path converts RAW sensor data to a white balanced 12 bit depth 2048 x 1080 pixel RGB 4 4 4 video signal This signal may be modified using ISO White Balance or other RGB color space adjustments as desired by the operator and is then scaled and gamma corrected to provide VIEWFINDER HD SDI and HDMI monitor outputs at 10 bit depth in 4 2 2 YCC or 8 bit depth in 4 4 4 RGB Frame guides and other camera data may be added as desired by the user to one or more of the outputs NOTE The supplied REDCINE X PRO application software can create and export RMD color look files which may then be imported as camera monitor path color processing PRESET
77. ERA TO SSD e Use scroll ribbon to select desired preset in camera box e Use gt button to move the preset to the SSD box COPY PRESETS FROM SSD TO CAMERA e Use scroll ribbon to select desired preset in SSD box Use gt button to move the preset to the Camera box The following window will appear M e Select Yes to copy the preset to the camera and apply the setting e Select No to copy the preset to the camera without applying the settings MANAGING PRESET FILES e The APPLY DELETE and CREATE buttons are only affect the camera box Presets on the SSD will remain there until the media is reformatted e Copy the desired settings from the S SSD Presets side of the interface to the Camera side using the select one gt or select all button 91 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE LOOKS PRESETS Look Presets allows you to save the specific color image white balance and detail settings to be used for other projects Meta is the default settings shot on the camera and cannot be deleted As looks are created they will be displayed alphabetically 92 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE MEDIA MENU The Media Menu is used to format media SSD prior to use on the camera as well as to Eject unmount the media prior to removal from the camera Available options when selected are SELECT MEDI
78. ET OPERATION GUIDE NETWORK If the Gigabit Ethernet port is used additional settings are required Each camera or device requires a unique IP ADDRESS For simple camera to camera communication via Ethernet both cameras need to be in the same sub net Use the same sub NETMASK and GATEWAY addresses and the first three groups of the IP address need to be the same In the example below two cameras two cameras are assigned to the group 3D RIG Note the IP Addresses 3D RIG MASTER IN NN ES EN 10 10 Master DHCP If a DHCP server is available in the communications network the DHCP option can be checked and the camera will obtain an IP Address Subnet Mask and Gateway address automatically from the DHCP server C2C If the camera to camera C2C check box is checked changes to the settings on this camera will be sent out via the network as UDP packets as a SET command Which then sets the property on other cameras SET commands sent to this camera will not be propagated 128 COPYRIGHT O 2012 RED Digital Cinema Slave EXT If the EXT check box is checked this camera can be controlled via TCP IP from an external device IP Address Permits the user to adjust the camera s static IP address Netmask Permits the user to adjust the Subnet Mask address Gateway Permits the user to adjust the Gateway address 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE RE
79. G RESTART Camera will automatically power down and will require you to manually power it up NOTE User key settings will be reset as well as any other changes from the cameras default settings The REDMOTE will also require paring to communicate wirelessly with the camera REDISCOVER Rediscovers all hardware and caches the data for future boot cycles When selected you will be asked to confirm if you want to reset all hardware discovery settings After settings are reset RESET HARDWARE DISCOVERY SUCCESSFUL INITIALIZING RESTART Camera will automatically power down and will require you to manually power it up 142 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE MOTION SENSOR CALIBRATION The RED DSMC Camera displays data from the accelerometer to help orient the camera After a firmware upgrade or Factory Restore the motion sensors need to be re calibrated through the Maintenance gt Motion Calib menu 143 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE PLAYBACK Playback allows you to view clips on media currently attached to the camera It also allows you to change the look of the playback clips be changing settings available when in playback mode NOTE SCARLET X menus shown EPIC menus similar 150800 5600k View Presets Media Settings Meta P A n N A001 C006 14 1
80. GHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE HEADPHONE 3 5mm stereo jack provides two channels of adjustable level analog audio for monitor headphones Headphone Output Connector PN SIGNAL DESCRIPTION DIRECTION A TIP LEFT Left channel audio Out B RING RIGHT Right channel audio Out cg eno Cameragound The camera s four audio channels may be monitored in pairs either 1L 2R or 3L 4 R or as a quad mix of 1 3L 2 4R based on the MIX parameter Default is 1L 2R Output volume may be adjusted as follows Volume master volume Adjusts headphone volume equally for left and right outputs Range is 18dB to OdB in 1dB steps Default is 9dB NOTE for maximum output signal quality only use high impedance headphones NOTE in Version 3 x software the above selection is not available the output is set to 1L 2R SYNC VIDEO SYNC A 4 pin LEMO connector supports shutter synchronization GPI timecode and genlock input signals The shutter Sync input signal acts as an immediate response hardware trigger to commence a scan This is useful for motion control and other applications where the camera is driven by a master timing device When using SYNC as the camera shutter timing reference fine shutter start time timing SHUTTER PHASE is disabled make any desired timing adjustments at the external SYNC generator Alternatively this input may be used as a Ge
81. LCD displays and can possibly damage them Not approved for use on RED TOUCH LCD displays e Rubbing Alcohol e Isopropyl Alcohol lt 90 e Windex e Pre packaged lens cleaner containing any additives such as detergent anti static fragrance etc For proper cleaning and storage remember to protect the RED TOUCH LCD by storing it in the RED Microfiber bag EVF Use Pancro Professional Lens Cleaner P N PANCROCLN and Photographic Solutions PEC PADs P N 05011 or equivalent to clean the viewfinder lens Ensure your spray the solution onto the pad and not directly onto the lens surface REDMOTE SCREEN Use Pancro Professional Lens Cleaner P N PANCROCLN and Photographic Solutions PEC PADs P N 05011 or equivalent to clean the screen on Touchscreen and Non Touchscreen LCDs LENSES Use Pancro Professional Lens Cleaner P N PANCROCLN and Photographic Solutions PEC PADs P N 05011 or equivalent to clean the viewfinder lens Ensure your spray the solution onto the pad and not directly onto the lens surface SIDE HANDLE LCD Use Pancro Professional Lens Cleaner P N PANCROCLN and Photographic Solutions PEC PADs P N 05011 or equivalent to clean the screen on the Side Handle LCD 224 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE BACK FOCUS ADJUSTMENT WARNING THERE IS A SCREW IN METAL PLUG INSTALLED IN THE CAMERA BODY COVERING THE BACK FOCUS SCREW THIS PLUG MUST BE REMOVED BEF
82. LCD icons Refer to SECONDARY MENUS gt POWER 2 Depress and continue to hold the Power Record button in its fully depressed position until the INITIATING CAMERA SHUTDOWN shows on the display After Power Down the Power Status LED will illuminate Red if an appropriate power source is available 44 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 BED SCARLET OPERATION GUIDE GRAPHICAL USER INTERFACE AND NAVIGATION RED LCD TOUCHSCREEN LCD BOMB EVF EXTERNAL MONITORS The following is a general description of the structure of the camera s Graphical User Interface GUI which overlays the video monitor signal on the Viewfinder output s of the camera FRAME RATE ISO RATING F STOP SHUTTER SPEED WHITE BALANCE RESOLUTION QUALITY CA FPS 150800 EB 485 00 OK 2 1 RC8 1 TITLE GUIDE LENS INFO ACTION GUIDE FRAME GUIDE PICTURE CENTER SPOT FOCUS OVERLAY GRID HDRx MODE MEDIA FALSE COLOR MODE SOURCE STATUS NEXT CLIP FILENAME DROP TC TIMECODE A001_C001 VALL D1 06 57 12 5K 2 1 0 44C lt lt 3 976 HISTOGRAM E 0 af F 67 RIG STATUS RAW NOISE RAW CLIP AUDIO METER RESOLUTION LEVEL BAR GENLOCK POWER PROJECT RAW CLIP SOURCE STATUS QUALITY GUI Display Elements The display elements include e Frame Rate Current frame capture rate e Resolution Record Resolution e ISO Rating Camera sensitivity e Quality REDCODE setting e F Stop
83. LT battery in the Side Handle or Battery Module to power the camera power status displays the location of the power source example SH Side Handle RM Rear Module and reports the remaining battery capacity and the displayed text is color coded as follows e Green gt 10 minutes e Yellow 5 10 minutes e Red lt 5 minutes 0 alee F 3 CHAE a S SSD Od 29 41C S SSD RMB1 CHIE E 0 5 f F 67 If using RED BRICK battery connected to DC IN power status displays BRICK and reports the 96 of remaining battery capacity and the displayed text is color coded as follows e Green 10 minutes e Yellow 5 10 minutes e Red 5 minutes 49 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE RAW CLIP METER The RAW Clip meter looks a traffic light style meter and indicates if either of the Red Blue or Green channels of the RAW sensor data are clipping This meter is unaffected by White Balance ISO VIEW or LOOK settings and therefore represents a true measurement of the exposure levels of the sensor at all times RAW NOISE LEVEL BAR The RAW noise level bar displays the amount of pixels in the image that are in noise For example if the bar is about 1 8 of the total height this would indicate approximately 1 8 of the total pixels in the image are at an exposure level at risk of displaying noise when pushed at highe
84. LUTION CHART 5 2011 RED COM INC ALL RIGHTS RESERVED COPYRIGHT HIGH DEFINITION 720 4080p 2K 5K ANA 3296 X 2700 3K 4K HD 3840 X 2160 4K e r4 mE is r NN in ii ie AUGUST 2011 5K 234 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE APPENDIX MENU MAPS 235 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema ONIINOO d3H ZLOZO Z S NOISH3A HEN Ar lt a lt n v v MIT LASHS cu Tbe 1 5 Aad AlddV 199195 VIG3IN TVNH3 IX3 WOudd 19313S 13539 OL LHOdMl lt 13539 VIGAIN IVNHALX3 193 13S P EI VIQ3IN IVNH3 LX3 OL 1HOdX3 lt 13599 VH3lNVO NO 193 13S 51953 VYANVS v JO f LAAHS OL OD v JO LAAHS OL OD 31V3HO S OM 5 5 indino SAN IVA 1037135 A 2 3IAVN 13S3Hd 1 gt enuen v v Mov JTONIS INHIJNOO oval HONOL INHIdJNOO TVANVIN SNONNILNOD IVNNVIN v JO z LAAHS OL OD WOusd L3S3ud qaaAv idsida 5319713 4145740 LdOdX3 LYOdWI A lt pelioedsun gt v S13Sdud lOdS aasn TESE tef OL 1 lt SAliddV 319 Od o aau s nos p ypepe ebexoA snjejs 1 pue 919 p 1 M peg ej
85. MOTE LOCAL and system setup SETUP WIRELESS CONNECT SOFT MENU BUTTON 1 Note This Button is hidden if REDMOTE is attached to the camera or rear most camera module Note If a REDMOTE has previously been successfully paired with a camera and the REDMOTE has scanned the wireless network and found that camera the following operation can be bypassed as the REDMOTE will auto scan and connect to that camera each time it is powered ON and undocked CONNECT REDMOTE TO A PAIRED CAMERA NOTE The following procedure assumes the camera has already been paired and named DEFAULT under the camera s SETTINGS gt SETUP gt REDMOTE and COMMUNICATION menus 1 Press CONNECT to initiate a scan by the REDMOTE for available paired cameras in wireless range 2 If the REDMOTE fails to find a camera it has been paired with the following screen will be displayed Select RESCAN and press the ENTER button in the Navigation Group to force a second scan for paired cameras in wireless range A wireless scan typically takes 20 30 seconds Sensitivity Exposure Color Temp 3 When REDMOTE finds a camera or cameras it has been paired with in wireless range the name of the available camera or cameras will be displayed for example a single camera named DEFAULT 184 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE A Sensitivity Exposure Color Temp RESCAN CANCEL DEFAULT 4 Select the desired c
86. NESS control adjusts the LCD backlight intensity Set value to maximum for daylight visibility set value lower for nighttime operation or for maximum battery run time when operating in wireless mode Default value is Maximum Volume The VOLUME control adjusts the loudness of the beep speaker As you adjust this value the REDMOTE will beep the speaker to give an audible confirmation of the selected volume Default value is Minimum Auto Shutdown The AUTO SHUTDOWN control adjusts the amount of time a REDMOTE will continue to operate when in the wireless mode after no detected activity i e no button presses are detected before powering down Default value is OFF REDMOTE will operate continuously until manually powered down DISPLAY LAYOUT SOFT MENU BUTTONS 4 8 To the right of the LCD are five Soft Menu buttons 4 8 These buttons select between a variety of camera status page layouts Note In Version 3 x software buttons 7 and 8 are undefined Gamma Curve 2 mE ETE MEL DC NONE CH1 DC NONE CH1 DC 15 ov 56 31 17 56 44 Menu Button 4 Menu Button 5 Menu Button 6 Menu Button 7 amp 8 191 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE MAINTENANCE INTERNAL BATTERY CHARGE STATUS An icon shows the charge status of the REDMOTE battery in the lower right corner of the LCD HOR 1 1 OFF LAN RIG SYNC GEN TC grids Focus m Focus ft
87. Note In Version 3 x software the frame count of the Timecode is not displayed This is normal and does not indicate an error 178 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE SOFT MENU BUTTONS 4 8 To the right of the LCD are five Soft Menu Buttons These buttons select a variety of camera status pages For complete information refer to OPERATION gt REDMOTE MENUS gt SOFT MENU BUTTONS 4 8 Note In Version 3 x software Soft Menu Buttons 7 and 8 are undefined POWER KEY LOCK SWITCH If the REDMOTE is powered OFF moving and holding the switch in the down POWER direction for 2 seconds will power UP the REDMOTE and if the REDMOTE is powered ON moving and holding the switch in the down POWER direction for 5 seconds will power DOWN the REDMOTE Moving the switch to the up LOCK position will lockout all REDMOTE buttons to prevent unintentional operation When in the LOCK position KEYS LOCKED will be displayed in red text above the SOFT MENU BUTTONS 1 3 on the REDMOTE LCD display USB POWER PORT The USB port may be used to charge the REDMOTE internal battery from a suitable USB power source Refer to CHARGING BATTERY LIFE gt CHARGING USING USB CONNECTOR for complete information OPERATION DOCKING AND UNDOCKING This section describes how to physically dock undock the REDMOTE to from the camera Brain or the back of the rearmost expansion module DOCKING 1 Place the f
88. OF OPERATION The RED family of Digital Still and Motion Cameras DSMC provide high performance digital imaging over a wide range of frame rates and optical formats including Super 35mm APS H The RED DSMC camera is supplied as standard with a PL mount and may be configured with mounts and 19 mm rods to accommodate most cinematography lenses matte boxes and follow focus systems Adaptors for 15mm offset studio and 15mm lightweight rods are also available In addition to compatibility with the majority of existing PL mount cinematography lenses a select range of Super 35mm PL mount prime and zoom lenses are available from RED Other lens mounts including the DSMC Canon mount are available permitting the use of Canon EF and EF S photographic lenses The Canon mount can report lens iris focus and zoom data when mated to an appropriate lens In addition iris and manual or auto focus settings may be controlled from the camera Lens mounts may be exchanged in the field however it is highly recommended that this be performed in a dust free environment as the optical path will be exposed to the elements during this process A B4 mount to PL mount adaptor is also available to permit use of 2 3 HD broadcast lenses on the RED DSMC camera The optical coverage it provides is approximately equivalent to 16mm hence the maximum recording resolution operating with a B4 mount 2 3 lens is 2K 2048 x 1152 pixels progressive scan MYSTERIUM X SENS
89. OPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE 13 When upgrade is complete the REDMOTE will automatically reboot and display REBOOTING on the screen A Sensitivity Exposure Color Temp 15 Verify the current REDMOTE firmware version by selecting SETUP gt SETUP SYSTEM the REDMOTE 205 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 16 Select Disconnect on the REDMOTE Upgrade Utility ad REDmote Upgrade Uti Disconnect No Connection Established With Select File REDmote Start Upgrade Cancel Upgrade 17 REDMOTE firmware upgrade is complete COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE APPENDIX F 3D SETUP OPERATION OVERVIEW The following information outlines basic procedures to connect two RED DSMC cameras together in a Master Slave configuration for 3D operation operation of cameras in Master Slave configuration and clip naming conventions for clips recorded on those cameras The MASTER camera will control only the METADATA parameters of both cameras On the SLAVE camera any other setting outside of these will need to be manually changed before recording CAMERA SETUP oelect one camera to be designated as Master and a second to be designated as Slave NOTE Cameras can also be set up in a MASTER MASTER and SLAVE SLAVE configuration
90. OR The MYSTEHIUM X sensor has been specifically designed for use with the RED DSMC camera and provides variable frame rate imaging at up to 120fps at 5K resolution and up to 240 fps at 2K resolution Native color balance for the MYSTERIUM X sensor is 5 000 KELVIN but it may be electronically compensated for any color temperature in the range 1 700 to 10 000 KELVIN White balance preset values include Tungsten 3200K and Daylight 5600K light sources The camera may also calculate a color neutralizing White Balance value on demand by imaging on a standard white or 1896 grey card The MYSTERIUM X sensor includes high precision analog to digital conversion capable of delivering up to 13 5 stops of dynamic range with daylight light sources over a camera sensitivity rating of 320 800 ISO In HDR mode dynamic range can be extended to approximately 18 stops IMAGE PROCESSING The digital image received from the sensor is formatted as a pixel defect corrected but in all other aspects unprocessed 12 bit 14 bit or 16 bit per pixel RAW data frame When operating in STILLS mode each image received from the sensor is treated as a unique FRAME however when operating in MOVIE mode successive images received from the sensor are collected together into a CLIP In all other regards a frame of information gathered in STILLS mode or MOVIE mode is identical Each RAW frame or sequence of RAW frames in a clip is compressed using proprietary wavelet based R
91. ORE TO PERFORMING A BACK FOCUS ADJUSTMENT TO REMOVE THE PLUG USE A T 10 TORX SCREWDRIVER NOTE To be able to perform this procedure as written you must have a PL mount and RED Focus Back focus is adjusted by turning the back focus adjustment on the top of the camera s front plate using a T 10 Torx screwdriver This screw is indicated by a Siemens Star with an arrow pointing to its location um um m Back Focus Adjustment Location 1 Remove the screw in plug located in the back focus adjustment opening using a T 10 Torx screwdriver Place the camera on a level stable surface or mount the camera on a tripod Install RED Focus to the camera PL mount a Remove the camera lens or sensor cover if equipped b Install RED Focus onto the camera in the position shown c Ensure RED Focus is secured to the camera with the camera lock ring 225 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE RED Focus Properly Installed on Camera Power up the camera Power up RED Focus Refer to POWER UP DOWN NOTE Remember that RED Focus will AUTOMATICALLY power down after 3 minutes Press the Red button on the front to power back up 6 Set the camera to Magnify Go to SECONDARY MENUS gt SETTINGS gt DISPLAY gt FALSE COLOR gt MAGNIFY NOTE The Focus option located under SECONDARY MENUS gt SETTINGS gt DISPLAY gt FALSE COLOR gt FOCUS can serve as a good double check for
92. R KEYS menu Default function for the General Purpose Output is Record Tally View into camera CTRL RS232 Control Interface connector Mating Connector LEMO FGG 00 304 CLAD27Z PIN SIGNAL DESCRIPTION 232 RX RS232 RX SS GPO Shutter Sync GPO Output 232 TX RS232 TX NOTE When active the GPO tally presents 3 3V 0 04 Amps maximum between pins 1 and 3 When used as Sync Out the rising edge of the pulse indicates start of exposure When used as a Tally the rising edge of the pulse indicates start of record falling edge represents end of record NOTE A pre fabricated CTRL interface cable is available from RED Digital Cinema P N 790 0152 RS232 Camera to DB 9 3 ft 1m 168 DB 9 Pin 1 DB 9 Pin 2 DB 9 Pin 3 DB 9 Pin 4 Shutter Sync GPO RS232 Tx RS232 Rx Ground COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE GIG E ETHERNET A 9 pin LEMO connector provides a Gigabit Ethernet port for remote camera setup master slave camera communication and external metadata ingest View into Ethernet Interface connector Mating connector FGG 0B 309 CLAD32Z PN SIGNAL DESCRIPTION DIRECTION ero betararc _ sp Datararos _ Ta moo era mara e pw Dataparar _ spe DataPares OO _ Ls ro batarare DonetGomect
93. RED SCARLET OPERATION GUIDE Mode Available options are UNBALANCED and BALANCED Presets Media Settings Power CAM ANALOG Pw v BALANCED Link Enables linkage between Channel Gain controls Limiter Enables signal limiter circuit Limiter enabled adds 10dB of headroom for Microphone level inputs or 4dB for Line Level inputs OUTPUT Link Enables linkage between Output Channel Attenuation controls MONITOR CONTROL This sub menu allows the monitor outputs settings to be modified For changes to take effect the camera MUST be restarted 120 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Presets Media Settings Power MODE Allows you to choose the output for the LCD EVF HDMI and HD SDI monitors LCD EVF Options are MENUS PREVIEW CLEAN OVERLAY 3D LEFT and 3D RIGHT If anything other than MENUS is selected on the LCD such as CLEAN to return to displaying the MENUS perform a double tap on the LCD screen HDMI Options are OFF MENUS PREVIEW CLEAN OVERLAY 3D LEFT and 3D RIGHT RES Allows you to choose the output resolution for HDMI monitors Available options are AUTO 720p and 1080p NOTE Some HDMI monitors may have trouble when AUTO is selected In these cases it is recommended to manually select the maximum monitor resolution provided HD SDI Options are OFF MENUS PREVIEW CLEAN OVERLAY 3D LEFT and 3D RIGHT 121 95
94. SCARLET OPERATION GUIDE APPENDIX C INPUT OUTPUT CONNECTORS CAMERA BRAIN FRONT Shown with PL Mount installed MYSTERIUM X Ey MIC 1 3 5mm Audio Jack B MIC 2 3 5mm Audio Jack Camera Brain Connectors Front 161 955 0003_v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE MIC 1 MIC 2 MICROPHONE AUDIO Two 3 5mm phone jacks on the front of the brain support two independent channels of balanced or unbalanced microphone level analog audio inputs sina kscnPmon DIRECTION Mic Input 48V Phantom Power B RING Mic Input 48V Phantom Power Microphone Level analog audio input signals are routed via a high quality pre amplifier and soft limiter whose Gain may be controlled using the Input Level control to achieve the desired audio reference recording level Microphone inputs support 48V 10mA Phantom Power as a user selectable option To assist with reference level setup the camera provides a color coded Peak Level Meter in the Graphical User Interface with witness marks that indicate OdBu 20dbFS and OVu 16dBFS levels Peak Level Meter range is 36dBu to 20dBu 54dBFS to OdBFS and provides input clip indication NOTE A pre fabricated XLR to TRS interface cable Part Number 790 0229 is available from RED Digital Cinema 162 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CAMERA
95. SETTINGS gt MAINTENANCE gt SYSTEM INFO Presets Media Settings Power tem Status System nto SW Update Calibration Self Test Restore System The camera s P I N number and current firmware version will be displayed HDR Focus Presets Media Settings Power UPGRADE PROCEDURE 1 Download current firmware from Follow instructions in Epic_read_me file 3 To restore factory default settings hold the power button down for 15 seconds while the camera is powering up 155 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE APPENDIX B MANAGING DIGITAL MEDIA MEDIA REDMAG 1 8 SSD is available with capacities of 64GB 128GB or 256GB Record duration is dependent on resolution quality and frame rate but a 64GB SSD will typically provide 24 minutes of 24fps 5K RAW recording On MAC computers with REDCINE X PRO installed RED Watchdog will mount the SSD as READ ONLY by default and you cannot write the firmware to the SSD RED Watchdog is identified by the RED Coin icon located on the Right side of the Menu Bar Right click on the icon to enter RED Watchdog settings and change to mount the drive as READ WRITE to allow you to save the firmware to the SSD Refer to REDCINE X PRO OPERATION GUIDE for complete RED Watchdog instructions and details IMPORTANT After connecting REDMAG 1 8 SSD to the camera and BEFORE recording you should format
96. Status e Exposure Histogram e Media Status e Audio Levels ICON BEHAVIOR TC e C Gray No analog time code is currently detected e C Red Analog time code is being detected but the use of it is not enabled e C Green Analog time code is being used to jam the time of day time code TC will revert to gray if the signal is no longer detected GEN e GEN Gray No genlock signal is currently detected J 48 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE e GEN Green A genlock signal compatible with the current project and monitor rates has been locked to SYNC e SYNC Gray The sensor sync mode is not Genlock e SYNC Red The sensor sync mode is Genlock but it is not locked to any genlock signal e SYNC Green A genlock signal compatible with the current project and monitor rates has been locked to and the sensor timing is also locked to it POWER STATUS If powering camera through DC power the current voltage will be displayed If using a REDBRICK or similar external battery to power the camera through DC IN power status displays the current supply voltage available from the battery Supply voltage decreases as battery is discharged the displayed text is color coded as follows e Green 12 0 V and up e Yellow 11 9 11 8V e Red 11 7 11 6V NOTE The camera will automatically power down if supply voltage drops to 11 5 Volts If using a REDVO
97. T OPERATION GUIDE 24 FPS 0 900 E vMCLR y E 48 5600 Digital ColorChecker SG Drop Temp Power 1 j 800 False Color Exposure Select False Color Exposure note they E icon in the GUI when active This mode allows us to visualize where there is under exposure purple or over exposure red in the image In this case there is a very small area of purple under the cracker box and just a suggestion of red on the highlight on the coin which suggested that the sensor is appropriately exposed for this scene 217 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 0 000 vMCLR NV 48 Sec 5600 Drop Temp Media Power 3 j SO 800 False Color Video Select False Color Video note the 4 V icon in the GUI when active This mode allows us to check the RGB video levels of the scene The two green squares in the upper right corner of the color chart and green in the background indicate that the scene s mid grey and skin tone elements plus peak white and blacks are all at appropriate levels Because the scene was well exposed when the recorded clip is color corrected in post production sufficient headroom exists for the scene s highlight information to be displayed without clipping and the shadow information can be displayed without significant noise even if the brightness of the shadow information is pulled up 218 COPYRIGHT 2012 RED Digita
98. T OPERATION GUIDE 4 Using a T 20 Torx lightly tighten the four screws Do not over tighten 5 Tighten the screws again in a cross pattern until tight ATTACHING THE DSMC MODULE WARNING DSMC Modules are NOT hot swappable meaning you cannot remove or install while the camera is powered on Before installing or removing a Module you MUST power down the camera Failure to do so may result in damage to the Module and or camera brain that is not covered by warranty Quad Battery Module shown 1 Insert the lip at the top of the module into the recess at the top of the adaptor plate 31 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema 32 SGCGARLET OPERATION GUIDE Rotate Module Down Until Flus Insert Lip At Top of Adaptor Plate with Adaptor ia aa COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE 3 While applying steady pressure to hold the module against the adaptor plate use a T 20 Torx screwdriver to rotate the lock on the adapter plate clockwise to secure the module Press Battery Module Flush with Adaptor Rotate Lock Clockwise Until Red Dot Lines Up with Lock Icon Installation is now complete To remove the DSMC Module and Adaptor Plate 1 Power down the camera 2 Use T 20 Torx screwdriver to rotate the lock on the adapter plate to the Unlock position 3 Rotate the module upwards and down to disengage lip at top of module fro
99. TATEMENT This equipment has been tested and found to comply with the limits for a class digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures 1 Reorient or relocate the receiving antenna 2 Increase the separation between the equipment and receiver 3 Connect the equipment into an outlet on a circuit different from that to which the receiver is connected 4 Consult the dealer or an experienced radio TV technician for help In order to maintain compliance with FCC regulations shielded cables must be used with this equipment Operation with non approved equipment or unshielded cables is likely to result in interference to radio and TV reception The user is cautioned that changes and modifications made to the equipment without the approval of manufacturer could void the user s authority to operate
100. TE F STOP SHUTTER SPEED and WHITE BALANCE on the MAIN MENU have advanced settings SIDE HANDLE REDMOTE 1 Navigate to the desired setting using the NAVIGATION GROUP direction keys and then press the UP directional key 2 Use the direction keys to navigate to the desired parameter adjustment field and press ENTER to confirm 3 Use the Scroll Wheel to adjust the selected parameter value 4 When desired selection is made press the MENU button to set TOUCHSCREEN 1 Press and hold the desired parameter to gain access to advanced setting adjustments 2 Press the field a keypad type menu may appear to allow adjustments 3 Press the desired parameter settings to adjust 4 When desired selection is made press anywhere in the screen area to set and exit the advanced settings submenu 66 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE MAIN MENU Available options under the MAIN MENU are FRAMERATE FPS ISO SENSITIVITY F STOP 1 SEC EXPOSURE WHITE BALANCE RESOLUTION and QUALITY REDCODE CArps 1580800 e8 AB sEC 56U0k BK 2 1 FPS If using a Touch Screen select SECONDARY MENUS gt SETTINGS gt PROJECT gt TIME BASE Adjust by sliding your finger up down or tapping on the desired value and then press anywhere else on the touch screen to confirm The following TIME BASES are currently available e 23 98 fps e 25 00 fps e 47 96 fps e 50 00 fps e 24 00 fps
101. TONS 4 8 4 Use the directional arrows on the Navigational Control to move the Red cursor to the desired location within that page to place the parameter 5 Now press SETUP Soft Menu Button 3 189 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 6 Select Setup Slot and press the ENTER button HOR 1 1 OFF LAN RIG SYNC GEN TC Aperture Focus m Zoom 3 0 u8cm Sensitivity Exposure Color Temp 150800 1 Turn Wireless Off NEATE uq Setup System ETT setup Slot DEFAULT Gamma Curve HDR Mode HDR Factor LCD Mode HDMI Mode HDSDI Mode Audio Gain 1 NONE Audio Gain 2 TE Z1 UY 5 8 Select the desired parameter and press the ENTER button FLUT Gamma Curve ee _ HDR Mode HDR Factor li a ee HDSDI Mode ERE 3 uad ern 22 9 You may now control this parameter directly from the REDMOTE NONE REDMOTE SETUP SOFT MENU BUTTON 3 When pressed SETUP provides the option of forcing the REDLINK wireless link ON or OFF and selecting the following REDMOTE Setup menu 190 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Adjustable parameters include LCD screen brightness beep speaker Volume and Auto Shutdown time In the lower section of the display is the MAC address and the current firmware build of the REDMOTE Brightness The BRIGHT
102. To set as MASTER MASTER select ALL under TARGET for both cameras This will allow either camera to make METADATA changes and control record start stop of both cameras To set as SLAVE SLAVE select NONE under TARGET for both cameras This allows each camera to control its own METADATA MASTER CAMERA Perform the following steps on the Master camera 1 Go to SECONDARY MENUS gt SETTINGS gt SETUP gt COMMUNICATION gt NAME and give the camera a unique NAME CAM A LEFT etc to o iso xs ps ps b 2 Under TARGET select ALL 3 Give the camera a unique IP address 4 Goto SLAVE CAMERA 207 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE SLAVE CAMERA Perform the following steps on the Slave camera 1 Go to SECONDARY MENUS gt SETTINGS gt SETUP gt COMMUNICATION gt NAME and give the camera a unique NAME CAM B RIGHT etc 2 Under TARGET select NONE 3 Give the Slave camera a unique IP address different from the Master CLIP NAMING CONVENTIONS REEL NO SLATE CAMERA ID CAMERA POSITION Before shooting in Master Slave or Master Master configuration for a Stereo 3D production make sure the Camera Slate i e Reel No and Cam ID are set to the same value for both Master and Slave cameras Then change the Cam Pos value from the system default of CENTER to either LEFT or RIGHT to identify the left eye and right eye camera in the stereo pair
103. Windows computers 1 Download the REDMOTE Update zip file to your desktop 2 Uncompress the zip file 3 Open the newly created folder 4 Double click on the REDMOTE upgrade setup exe file to install the program se 5e n Sn m Redmote Update U Windows Search Windows p Organize New folder E Downloads S Name Date modified S Recent Places 7 REDmote update setup 02 exe 5 5 2011 6 42 PM Application 29 Libraries Documents Music ee Pictures Podcasts B Videos JE Computer amp L Local Disk C G Camera Docume amp Public ROUGE _ 4 mW REDmote_update_setup_02 exe Date modified 5 5 2011 6 42 Application Size 5 54 MB 1 item selected Local intranet 199 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 5 Select 1 Agree to the license agreement Please review the license terms before installing REDmote update Press Page Down to see the rest of the agreement Copyright RED Digital Cinema Camera Company If you accept the terms of the agreement dick I Agree to continue You must accept the agreement to install REDmote update Nullsoft Install System v2 46 6 On the Choose Components screen select Install REDMOTE Firmware 7 Select Next Choose which features of REDmote update you want to install Check the components you want to i
104. YRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 12 Once the File Transfer Status is completed the REDMOTE Software Wizard will display Please Wait and Don t Unplug Firmware Upgrade is in Progress on REDMOTE 000 J _ File Transfer Status m Please Wait and Dont Unplug Firmware Upgrade is in Progress on REDmote Select File Start Upgrade Cancel Upgrade 13 After a few more seconds the REDMOTE Software Wizard will display Firmware Upgrade Successfully Done Select OK Firmware Upgrade Successfully Done Co 14 The REDMOTE Software Wizard will disconnect from the REDMOTE 15 REDMOTE will reboot 16 REDMOTE upgrade is complete REDMOTE will display POWER UP then SEARCHING once the upgrade has completed Finally displaying Camera RESCAN and going into IDLE mode 198 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 FEED SCARLET OPERATION GUIDE 17 Verify the current REDMOTE firmware version by selecting SETUP gt SETUP SYSTEM on the REDMOTE 18 REDMOTE upgrade is complete You can now reconnect to the camera NOTE Pairing of the REDMOTE may not be necessary after upgrading the REDMOTE firmware however after upgrading the camera firmware you must pair the REDMOTE again WINDOWS Install Upgrade Utility This procedure outlines installation of the REDMOTE Upgrade Utility for
105. a O O LED Off No Media LED Green Ready to Record LED Red Constant Recording LED Red Slow Blink Recording 25 Media Left LED Red Fast Blink Recording 5 Media Left LED Yellow Finalizing LED Yellow Blinking Media Access Format etc 21 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE SIDE HANDLE TOP Focus Record Button E LCD Display Adjustment Ring F LCD Backlight Button RED Side Handle Controls Top e Battery Door Release Button Releases Side Handle battery door to permit battery exchange e Focus Record Button Touch for Auto Focus fully depress to Start or Stop Record e Adjustment Ring Selects and adjusts camera parameter values Similar to the scroll wheel on the navigation group e LCD Menu Keys The specific functions for each key are defined by the LCD screen Defaults are 1 190 2 F Stop 3 Shutter Speed 4 White Balance e LCD Display Displays key camera parameter values e LCD Backlight Button Enables LCD backlight Note Side Handle controls can be locked unlocked by holding the 1 and 4 buttons simultaneously 22 COPYRIGHT 2012 RED Digital Cinema 955 0003_v3 2 Rev A1 RED SCARLET OPERATION GUIDE FRONT ES Stills Movie Slider Side Handle Controls Front e Stills Movie Slider Selects between STILLS and MOVIE modes of operation NOTE This switch is not active at this time Defaul
106. al length and focal distance values and range will vary depending on the attached lens When the focal length or focal distance of the lens is manipulated the current values are displayed DSMC CANON MOUNT LENS When a DSMC Canon Mount is installed and a Canon EF or EF S Lens or equivalent is attached the Focal Length and Focal Distance is displayed on the LCD EVF and external monitors When AF is set to Manual or Confirm mode the focus distance displays as a pair of Near Far distances When it is in AF mode a single estimated Focus distance is displayed Presets Media Settings Power A002_C008 17 38 00 02 The focal length and focal distance values and range will vary depending on the attached lens When the focal length of the lens is manipulated the current value is displayed under Focal Length The Focal Distance can be changed under MAIN MENU gt F STOP gt ADVANCED SETTINGS 87 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE EXPOSURE MENU Not implemented at this time PRESETS MENU CAMERA PRESETS Camera Presets are used to store and recall camera setup information such as LOOKs key mappings I O configuration etc Your RED DSMC camera has a number of factory installed settings APPLYING A PRESET e Select Presets from the secondary menus e Select the desired preset from the selection ribbon e Press APPLY button e Use the selection ribbon to
107. amera the camera will recognize if the media is unformatted LCD EVF and external monitors in the media section of the GUI NONE will be displayed twice as opposed to when no media is inserted the GUI displays NONE with three dashes below 156 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE REDMOTE NONE will be displayed twice as opposed to when no media is inserted the GUI displays NONE with three dashes below Onthe Side Handle NA will be displayed same as if no media is present 3 To format the media select SECONDARY MENUS gt MEDIA gt FORMAT MEDIA Presets Media Settings Power Format Media Eject Media 4 You will be prompted to set the media and select FORMAT Presets Media Settings Power x ae Format will erase 3 clips Viewfinder output s will display FORMATTING NOTE If when selecting FORMAT the display indicates FORMAT FAILED refer to MEDIA ERRORS 5 Once formatting is completed the Viewfinder output s will display THE MAGAZINE WAS SUCCESSFULLY FORMATTED THE DIGTAL MAGAZINE IS READY FOR IMMEDIATE USE ee 157 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE MEDIA CAPACITY REMAINING STATUS The Viewfinder output s will display the
108. amera to connect to for REDMOTE wireless operation and press the ENTER button in the Navigation Group The REDMOTE will connect to the selected camera A Sensitivity Exposure Color Temp RESCAN CANCEL DEFAULT 5 Once connected the REDMOTE will display the key operating parameters of the selected camera The wireless signal strength will be shown in the lower Right corner of the REDMOTE screen Aperture Focus m oom Sensitivity Exposure Color Temp 150800 AB SEC 00 Format Redcode Sensor FPS aK The camera VIEWFINDER monitor output will confirm REDMOTE is wireless connection by displaying RM and a signal strength icon in Green on the Lower Status Group 185 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE Note Once this procedure has occurred once the REDMOTE will automatically search for the camera each time it is undocked until the paired camera selection is changed CANCEL If you wish to exit the CONNECT menu at any time press CANCEL T Sensitivity Exposure Color Temp RESCAN CANCEL 186 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE DISCONNECT To stop communicating wirelessly with the camera select Soft Menu Button 1 Connect then select DISCONNECT and press the ENTER key in the Navigation Group HOR 1 1 OFF LAN RIG SYNC GEN TC Aperture Focus m Zoom 3 0 u8cm
109. battery to supply power to the camera On depletion a battery may be ejected from the Quad Battery Module for re charging and a new charged battery may be inserted in its place i e batteries may be hot swapped there is no need for the operator to power down the camera to replace a HEDVOLT battery when using the Quad Battery Module 39 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE BACKPACK QUICKPLATE The optional BACKPACK QUICKPLATE attaches directly to the back of the DSMC BACKPACK to provide a compact REDBRICK configuration for EPIC or SCARLET X Note DSMC BACKPACK is required for use of the BACKPACK QUICKPLATE BACKPACK QUICKPLATE REDBRICK 40 COPYRIGHT 2012 RED Digital Cinema 955 0003_v3 2 Rev A1 RED SCARLET OPERATION GUIDE AC POWER ADAPTOR DSMC AC POWER ADAPTOR DSMC When powering from the Module it is called in the lower UI as Rear Module RM Bx Bay number on lower Ul and identified as Rear 1 4 in the POWER status menu Presets Media Settings Power HOR Focus Presets Media Settings Power In use an LED on the Quad Battery Module will flash to show the battery currently powering the camera Current battery LED indicates status as follow e LED Off No Battery e LED Constant Green Battery Not used but Charged e LED Green Blinking Battery Used 100 11 e LED Yellow Blinking Battery has 10 minutes of run time remain
110. camera controls KEY MAPPING With Key Mapping you press the button you want to change and follow on screen instructions to complete the change When the Key Mapping tab is highlighted e Press the camera key you want to change e Use the pull down to select the desired function e Press menu or a blank area of the touchscreen to save the setting Key Disabled 123 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE OPTIONS e Select the desired option e Press menu or a blank area of the touchscreen to save the setting ADVANCED e The advanced tab allows you to set key functions using a series of pull down menus e Select Key Source Brain REDMOTE Side SSD etc e Select the key you wish to change e Select the desired key action EVF Pro 1 0 LCD Brain LCD Pro I O REDmote UI Soft Keys Key Source 124 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Side Handle SH Backlight Release SH Movie Select SH Nav East Press SH Nav Enter Press SH Nav Enter Release SH Nav Menu Press OoOO TNNT PENES User Key Side Handle SH Nav East Press Navigation VV Navigation CW Navigation Down Navigation Menu Navigation Right Navigation Select Key Action WARNING Do not remap the navigation keys Up Down Left Right Select Enter or Menu on the s
111. can video signal with embedded audio at 720p and 1080p resolution The HDMI output may be specified as a PROGRAM output clean feed video or as a PREVIEW output including SurroundView look around Clip Name Timecode and Safe Action Safe Title frame guides In addition to video data the HDMI output also provides 4 channels of embedded audio NOTE Default setting is PREVIEW NOTE HDMI video output is Progressive Scan it does not support 1080i or 1080PsF modes 171 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE SIDE SSD MODULE REAR lt lt gt a La 4 SSD Slot B VIEWFINDER LCD EVF Side SSD Module The Side SSD Module mounts to the left side of the camera Brain On the rear face of this module is a slot for inserting a REDMAG 1 8 SSD digital Magazine Do not attempt to insert any other media type or any foreign objects into this slot as damage to the Side SSD Module and or the camera Brain may occur The VIEWFINDER output Module on the front face of the Side SSD Module provides digital video communications and power interconnection between the camera and a RED EVF or RED LCD digital display Due to the requirement for absolute data integrity this requires a custom cable manufactured by RED the pin out of this interface is not published NOTE Pre fabricated EVF LCD cables are available from RED Digital Cinema
112. connected disconnected HOR Focus Presets Media Settings Power Use the NAV GROUP to make changes to the cameras settings Use the scroll wheel and directional pad to move the cursor to navigate and make changes to the desired settings When a desired setting change Is made press the ENTER button or the directional pad UP arrow to exit from that setting Exiting Menus to Main Screen To EXIT from the Secondary Menus and return to the main screen e Press the MENU button until the main screen is displayed USING REDMOTE LCD STAND ALONE The LOCAL function of the REDMOTE allows you to adjust the camera settings from the REDMOTE while observing the parameters directly on the REDMOTE LCD as opposed to on the camera LCD or an external monitor For complete details refer to REDMOTE MENUS gt SOFT MENU BUTTONS 1 3 gt 2 REMOTE gt LOCAL Aperture Focus m Zoom 731 Sensitivity Exposure Color Temp 150800 00 Format Redcode Sensor FPS AK CA FPS DEFAULT b 40 48 50 t CONNECT LOCAL SEIUP SY 183 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE ADVANCED OPERATION REDMOTE MENUS SOFT MENU BUTTONS 1 3 Located below the main LCD display are three Soft Menu Buttons who access advanced function menus identified by text in the LCD directly above the corresponding button These menus control wireless connection CONNECT camera or local menus RE
113. d X tracks in postproduction you will see only one 24fps blended image sequence HDRx provides multiple options for exploitation in postproduction e Blend the two tracks in post tools like REDCINE X Storm or any other application that supports the SDK to create Magic Motion This blending of the two tracks comes with a slider so you can decide just how much of each track you want to use A preview window shows you the combined result of your selection or you can view each track individually e Combine the two tracks using MNMB More Normal Motion Blur MNMB is designed to emulate the motion of a traditional camera with full motion blur This is a tool created by The Foundry that uses a new motion estimation algorithm designed specifically for HDRx The shorter exposure sharper image is blended to match the motion blur of the normal exposure Again a preview window shows the combined result of your selection or you can view each track individually e Use the X track data for motion tracking then combine the X track with the A track or just motion stabilize the A track using the motion analysis data extracted from the X track 11 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE e Exporting to EXR file format will give you a multi view EXR with both exposures like a stereo EXH NOTE If you ignore the X track data you will have a standard exposure with up to 13 5 stops of dynamic rang
114. defaults are movie specific When the toggle switch is set to the STILLS position all camera settings and defaults are stills photography specific Note In Version 3 x software the STILLS MOTION switch is disabled Default mode is MOTION 176 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE LEDS There are two status LED indicators located above the rockers switch on the left side of the LCD display The upper LED is used to signal camera readiness and camera record status e Red Camera Startup Camera Recording The lower LED is used to signal camera readiness and REDMOTE communication status to the camera e Green Camera Ready REDMOTE connected e Blinking Green Searching Establishing communication ROCKER SWITCH The function of the pressure sensitive ROCKER SWITCH may be assigned by the operator to one of a number of operational controls Refer to SECONDARY MENUS gt SETTINGS gt SETUP gt KEYS SHORTCUTS USER FUNCTION KEYS The function of each User Function Key may be assigned by the operator to one of a number of operational controls Refer to SECONDARY MENUS gt SETTINGS gt SETUP gt KEYS SHORTCUTS Default settings for User Function Keys A D are as follows e User Key A Toggles Auto Focus e User Key B Toggles View RAW e User Key C Toggles Focus Check 1 1 Magnify e User Key D Toggles Sensor RAW Exposure Check MENU BUTTON Below and to the
115. e Time Base as this defines the frame count to be used for time code and as the clip playback and editing frame rate It is also the primary frame rate for acquisition but variable speed over crank and under crank recordings can be made above and below this base frame rate using the VARISPEED menu 61 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE RECORD RESOLUTION CAFPs iso800 Made Ef ls sec 5600k BK 2 1 5K 5K21 5KWS 5KAna 4K 4KHD To adjust Record Resolution navigate the Cursor to the RESOLUTION icon in the Upper Status Row and press the Navigation Group ENTER key Adjust to the desired value using the Scroll Wheel and press ENTER a second time to confirm If using a Touch Screen press the RESOLUTION ICON adjust RESOLUTION by sliding your finger left right or tap on the desired resolution and then press anywhere else on the touch screen to confirm The following Recording Resolutions are currently available e SK e 4K e 2KHD e 5KHD e 4AKHD e 2KWS e 5K 2 1 e 3K e 1KHD e SKWS e 3K HD e 1KWS e 5K ANA e 2K RECORD QUALITY REDCODE Allows adjustment of REDCODE settings e B YABSEC u600k UK 2 1 Range is 3 1 to 18 1 Default is 8 1 Use the scroll ribbon to select a target REDCODE compression ratio The camera will automatically select the closest REDCODE to the desired target The display will a
116. e just as if you had not enabled HDRx For this reason we encourage the A track exposure to be normal as it provides the most options If you are tempted to shoot over under you are then fully committed to using HDRx and your postproduction options are reduced NOTE When recording in HDRx mode the camera records twice as many frames per second so the maximum frame rate or minimum REDCODE ratio and the maximum record time on your media Will be cut in half MAGIC MOTION Shooting at 24fps and with an 180 degree 1 48th shutter on a film or digital camera may create an optical illusion we are familiar with however it is not really the way the eye sees motion To understand this ask someone to stand in front of you and swing their arm over their head from one side to the other What you would observe in the recording is a constant motion blur until the arm stopped What your eye sees though is both motion blur AND a sharper reference to the arm and hand all along the motion path Magic Motion provides such a combination of motion blur A track and a sharper reference X track with the bonus of extreme dynamic range not available with any other motion capture camera system AUDIO RECORDING The RED DSMC camera can record up to two discreet channels of microphone level uncompressed 24 bit 48 KHz audio four channels of microphone level or line level audio inputs when equipped with a PRO I O Module that are synchronized with video and
117. e value of that parameter To confirm the parameter change press ENTER a second time NOTE Shutter angle is displayed in Relative mode by default as indicated by Yellow text If the red bar is not on the parameter you wish to change first use the Scroll Wheel to position the red bar under that parameter then press ENTER adjust with the Scroll Wheel and press ENTER a second time to confirm the value change 150800 ABseEc 5600k 5Ke 1 RC 8 1 30 32 33 40 48 50 eo v72 8B In the above GUI example the Scroll Wheel has been used to move the red cursor to the Shutter Speed parameter and the ENTER key has been pressed This reveals the Parameter Adjust Widow Adjust the value using the Scroll Wheel and then press ENTER to confirm the value change then close the sub menu 47 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema SCARLET OPERATION GUIDE m f LIVE ACTION AREA Contains the recorded image area plus Surround View look around area plus overlays for Frame Guide oafe Action Safe Title and the current Clip Name and Timecode values Each overlay may be color coded in one of 5 colors to maximize the contrast between the guide s and scene being captured AQ01 COO0 15 0272 1 23 LOWER STATUS ROW The Lower Status Row provides feedback on key systems level camera values including e Clip Settings e Temperature Power and Sync e Power
118. ed Record Half Press Key Disabled REDMOTE User A Press Navigation Select User D Press Navigation CW Still Select Navigation CCW Movie Select Key Disabled Record Half Press Key Disabled Record Full Press Key Disabled Nav Menu Press Key Disabled Nav North Press Key Disabled Nav South Press Key Disabled Nav East Press Key Disabled Nav West Press Key Disabled DISPLAY BRAIN KEY KEY FUNCTION LCD User 1 Press Decr LCD Brightness LCD User 2 Press Magnify Toggle LCD Up Arrow Press Exposure Check Toggle 175 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE APPENDIX E REDMOTE OPERATION CONTROL CONNECTORS AND DISPLAY This section describes the REDMOTE physical controls connectors and color LCD display CONTROLS ss TM 1 df 17 w SIZ f PS 4D gt REDMOTE Controls A Stills Motion Switch oF User Function Keys A D Menu Buttons 4 8 B Release Latch Left 6 MENU Button Power Lock Switch C Record Status LED Menu Buttons 1 3 Release Latch Right D Wireless Status LED E Zoom Rocker Switch Focus Record Button STILL MOTION SWITCH Navigation Group N USB External Power Port The STILLS MOTION toggle switch is used to switch between STILLS operation DOWN and MOTION operation UP When the toggle switch is set to the MOTION position all camera settings and
119. edia location and remaining media capacity in Power Indicates D C supply voltage or of remaining battery capacity Including current supply voltage Audio Meter Audio input selection and levels Timecode Current timecode value Menu ICON In the upper Right corner on the touchscreen LCD Opens the Secondary Menus Playback ICON p In the upper Left corner on the touchscreen LCD Accesses the Playback Function 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE The GUI is broken down into the following three main sections the Upper Status Row the Live Action Area and the Lower Status Row On VIEWFINDER output s all three sections are visible on PREVIEW outputs only the Live Action Area and associated graphic overlays are visible On PROGRAM outputs none of the graphic overlays are visible i e a PROGRAM output is defined to be a CLEAN FEED output UPPER STATUS ROW 150800 8 48s 5600k 4KHD 8 1 Provides immediate feedback on the most critical image composition parameter settings including from Left to Right e Playback Access Touchscreen e White Balance e Current frame capture rate e Record Resolution e SO Rating e Record Quality e Shutter Speed or Shutter Angle e Secondary Menus Access Touchscreen Whichever parameter is underlined with a red bar may be immediately adjusted by pressing ENTER in the Navigation Group of the Side Handle or REDMOTE then using the Scroll Wheel to change th
120. elected allows you to perform a self test for the sensor and LCD Touchscreen Focus Presets Media Settings Power 139 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE ENABLE DISABLE SENSOR TEST PATTERN When selected enables disables the sensor test pattern White Screen To turn on select ENABLE SENSOR TEST PATTERN Presets Media Settings Power Media Settings Power 140 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE TOUCHSCREEN When selected allows you to perform a touchscreen self test EEE dE H FETH When the touchscreen self test is on you can verify all areas of the touch screen respond to touch Simply touch each box using your finger The touchscreen responds to the touch and the Green box HE To exit the Touchscreen Self Test e Place your finger on the touchscreen and hold it there until the main screen appears e Press the Enter or Menu button on the Side Handle or REDMOTE RESTORE SYSTEM Restore System permits ALL camera configuration and setup data to be reset to factory default values __ _ 141 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE When selected you will be asked to confirm if you want to delete all settings and restore the factory default settings After settings are restored DEFAULT SETTINGS RESTORED INITIALIZIN
121. emale V Mount of the REDMOTE over the male V Mount of the camera Brian or rearmost module 179 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE ADAPTOR MODULE CONNECTION POINTS v v ATTACH REDMOTE v v A U S PATENT NOS 7 544 919 ano 7 830 967 INSERT SSD MAG A Note For illustration only rear surface of REDMOTE should face towards camera 2 Slide the REDMOTE down until a click is heard which indicates the REDMOTE is securely attached UNDOCKING 1 Depress the two latch release buttons located on each side of the REDMOTE 2 Slide the REDMOTE upward to release from the V Mount of the camera Brain rear most module 3 Remove the REDMOTE REDMOTE POWER UP DOWN Located on the upper right side of the REDMOTE is the Power Key Lock Switch refer to CONTROLS 180 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE POWER UP CONNECTED TO CAMERA If the REDMOTE is physically attached to a camera when the camera is powered up the REDMOTE will automatically power up along with the camera NOT CONNECTED TO CAMERA To manually power up the REDMOTE slide and hold the Power Key Lock Switch in the down direction for 2 seconds then release POWER DOWN USING CAMERA When REDMOTE is connected to the camera and the camera is powered down the REDMOTE will also power down When disconnected from the camera
122. ess the Secondary Menus Available options in this menu screen are HDR FOCUS PRESETS MEDIA SETTINGS and POWER EXPOSURE is not implemented at this time Focus Presets Media Settings Power HDR MENU Available options are HDR OFF HDRx and STOPS NOTE HDR mode cannot be modified when in Magnify 1 1 mode Presets Media Settings Power 78 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUID HDR ON OFF By default HDRx is OFF HDR button is illuminated Blue In the Lower Status Group of the Viewfinder screen the HDR text is Gray indicating HDRx is inactive To turn HDRx on navigate to the HDRx button using the Navigation Group and press ENTER or from the touchscreen directly touch the HDRx button In the Lower Status Group of the Viewfinder screen the HDR text will turn White indicating HDRx is active Varispeed STOPS To adjust the STOPS parameter select the Stops box and use the UP DOWN arrows to adjust Presets Media Settings Power Range is 1 to 6 Default is 2 FOCUS MENU The Focus Menu is used to enable and select Focus parameters including MODE and ZONES HOR Focus Presets Media Settings Power 19 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE MODE MANUAL FOCUS To adjust the MODE parameter select the Menu box and use the UP DOWN arrows to
123. etup was completed successfully Completed 11 The REDMOTE Upgrade Utility installation is complete Upgrading REDMOTE Firmware The following information will guide you through proper upgrading of your REDMOTE firmware on Windows computers using the REDMOTE Upgrade Utility 1 Connect a USB to mini USB cable between the computer and the USB connector on the REDMOTE 2 Ensure the REDMOTE wakes up and displays the Total Cameras Found screen NOTE When properly connected to the PC the battery charge indicator will be Green and blink 3 Under Programs locate REDMOTE_update and open the program 4 The REDMOTE Upgrade Utility window will open Press Connect Button To Connect With REDmote Start Upgrade Cancel Upgrade 5 Select Connect to establish communication between the REDMOTE and REDMOTE Update 202 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE NOTE If when connecting communication is not established quickly close the Upgrade Utility open it again and select Connect again This may have to be repeated a few times until communication is established 6 When connected Connection is Established with REDMOTE is displayed REDmote Upgrade Utility Disconnect Connection is Established With Select File REDmote Start Upgrade Cancel Upgrade 7 To begin upgrade click on Select File 8 Navigate to the bin file for updating
124. facility Will void the Limited Warranty Users are not permitted to make design changes or otherwise modify the operation of the camera lenses or other accessories without the express written approval of RED DIGITAL CINEMA Only use attachments accessories specified by RED G Install camera and accessories in accordance with the manufacturer s instructions Avoid imaging of laser beams as they may cause damage to the sensor DO NOT use the camera or accessories near water Avoid exposing your camera to moisture The unit is not waterproof so contact with water could cause permanent damage to the unit as well as electric 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE shock and serious injury to the user DO NOT use the camera in the rain or under other conditions with high moisture without appropriate protection and immediately remove power source if camera or accessories are exposed to moisture WARNING To reduce the risk of fire or electric shock do not expose the camera or accessories to rain or moisture J DO NOT expose your camera to excessive vibration or impact Shock Be careful not to drop your camera Internal mechanisms may be damaged by severe shock Mechanical alignment of optical elements may be affected by excessive vibration K ELECTROMAGNETIC INTERFERENCE The use of devices using radio or other communication waves may result in the malfunction or interference with the
125. g ISO FLUT and Shadow while looking at VIDEO check the operator can ensure that Black White and 18 Gray values conform to the desired levels on the HD SDI and or HDMI outputs The VIDEO bands provide the following information PURPLE Super Black IRE 1 0 BLUE Black IRE 1 3 TEAL Dark Gray IRE 9 12 Typical Level for 1896 Gray Card IRE 44 47 PNK Typical level for Caucasian Skin IRE 54 57 White RE 96 98 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE At all other values the monochrome image displayed represents the luminance value of the ISO adjusted image PURPLE TEAL PINK YELLOW RED BLUE GREEN STRAW ORANGE 003 CO03 07 41 21 14 EDGE EDGE displays a color overlay that outlines the edges of objects in an outline mode By adjusting your lens zoom and focus you can pinpoint focus When selected the icon will be displayed in the Lower Status Group WARNING This will potentially interfere with recordings done via HDMI HD SDI in Clean Mode A004_C024 L8 53 15 03 99 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE MAGNIFY Magnify displays the central region of the sensor in 1 1 pixel resolution When enabled the 1 1 text in the Lower Status Group will change to Green If in Magnify mode when the Record button is pressed the system will automatically exit this mode Whe
126. g motion on the screen to enable Focus Zoom To zoom out to normal view slide fingers apart Double Click Right 25 to Record When selected the right 25 of the screen can be double tapped to start and double tapped again to stop recording Double Click Left 25 to Start AF When selected the left 25 of the screen can be double tapped to start the Auto focus when DSMC Canon Mount and compatible lens are installed LOOK The LOOK menu permits adjustment of COLOR GAIN FLUT and CURVE metadata values These parameters will affect the look of the monitor path but do not affect the actual REDCODE RAW data being recorded COLOR The Color sub menu permits adjustment of SATURATION CONTRAST and BRIGHTNESS SATURATION Adjusts color saturation Range is 0 0 monochrome to 3 8 super color Default is 1 0 108 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CONTRAST Adjusts the overall contrast of the image Range is 1 0 flat to 1 0 max contrast Default is 0 0 BRIGHTNESS Adjusts brightness without crushing highlights Available range is 10 0 to 10 0 Default is 0 0 GAIN The GAIN sub menu permits adjustment of RED GAIN BLUE GAIN and GREEN GAIN RED Adjusts the gain of the RED channel only Range is 0 0 no Red to 10 0 Default is 1 0 BLUE Adjusts the gain of the BLUE channel only Range is 0 0 no Blue to 10 0 Default is 1 0 GREEN Adjus
127. he desired setting between 75 and 107 default is 99 ZEBRA 2 To enable select ZEBRA 2 check box Areas of the image exposed within these ranges will be indicated by crosshatched overlays at 45 degrees relative to vertical Zebra 2 is shown in the image below 003 CO01 0 5 0 2 06 22 High IRE Change the desired setting between 1 and 99 default is 47 102 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Low IRE Change the desired setting between and 84 default is 44 OVERLAY Allows you to enable and color code graphic overlays visible the on the Viewfinder and Preview outputs Use check boxes and pull down menus to control appearance of the overlays Grid The Grid display is shown below The grid may be used as a rule of thirds indicator CA rps 150800 ABsec 5600k BK 2 1 AC8 1 A001_C001 01 06 57 12 103 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema m Look Around Highlights the look around area A001 C012 Overlay Elements Lens Info P HOR Focal Length 66 00 mm Focus Dist 17 inch AO020 COO01 5K 2 10 23 9 File Name o 1 E LEV OPERATION GUID 20 274 5505 Motion Data Pitch amp Roll Focus Presets Media Settings Power 3 6 R 3 9 004 01 17 06 16 CH1 I CH2 H Scene Name Time Code COPYRIGHT
128. he operating parameters the camera will use for a given project Options available are TIME BASE and TIME CODE 112 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE TIME BASE Sets the TIME BASE fps to be used for the project the primary acquisition frame rate time code count and playback amp editing frame rate Setting is displayed in the lower left corner of VIEWFINDER output s Available options are 23 98 24 00 25 00 29 97 47 96 48 00 50 00 and 59 94 Default is 23 98 Presets Media Settings Power TIME CODE Selects the TIME CODE source to be used Options are EXTERNAL TC and INTERNAL USER PROVIDED TC Presets Media Settings Power J Die eee E m E x 113 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE TIME CODE DISPLAY Allows you to choose between TOD and Edge display TIME CODE SOURCE Available options are EXTERNAL and USER PROVIDED Presets Settings Power User Provided The three numerical boxes below allow you to set hours minutes and seconds in that order Use RTC Time When selected the camera uses the cameras Real Time Clock as the timecode counter source snapshot of the RTC Set Manually When selected allows the user to define a custom value as the timecode counter seed 114 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 R
129. ide handle doing so could render the camera inoperabel 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema 125 RED SCARLET OPERATION GUIDE DATE TIME This menu allows the user to reset the battery backed up internal clock of the camera This time value is used as a timestamp on the R3D files when recording to the RED MAG 1 8 SSD media Focus Presets Media Settings Power NOTE Enter time in 24 hour clock format i e 2 35 pm should be entered as 14 35 00 COMMUNICATION Communication Menu allows you to set a unique identification for the camera or a group of cameras when operating in command and control communications network Parameters are NAME GROUP TARGET set a SERIAL PROTOCOL ENABLE DHCP C2C or EXT IP ADDRESS NETMASK and GATEWAY Using the serial port or a direct Ethernet interconnect two cameras or one camera and one external device can be connected If the camera is connected via Ethernet to a hub or router multiple cameras and devices can communicate to each other NAME Allows the user to create a unique camera NAME used in network communications Note the camera name field is limited to 8 characters 126 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE GROUP A camera can also be identified as a member of a GROUP of devices For example a group 3DRIG_A could include two cameras CAM_A_L and CAM A R The default group is named
130. indicated by being Grayed out ABSEC 9600x 4K HD DSMC Canon Mount installed This menu will appear when a DSMC Canon Mount is installed and a Canon EF or EF S Lens or equivalent is attached a Non Canon EF or EF S Lens may not function as smoothly or accurately Adjusts the aperture F stop of the attached lens The attached lens for the example shown is a Canon EF 24 70mm 69 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE BASIC SETTINGS Allows adjustment of the aperture F stop of the attached lens The range will vary depending on the attached lens FED 4Bstc u600k OK 2 1 IHE Se 85 40 45 5D ADVANCED SETTINGS When selected the advanced settings menu allows fine control over the f stop value under APERTURE and focal distance under FOCUS 150800 YEO VAB E11 5600k 2 1 Sas APERTURE F STOP Provides the ability to enter the F stop value directly Range depends on attached lens Default depends on attached lens A001_C024 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE FOCUS Provides the ability to enter the focal distance directly Range depends on attached lens Default depends on attached lens 150800 ABsec 5600x 5K 2 1 A001_C024 EXPOSURE BASIC SETTINGS Adjusts the exposure of each frame captured by the MYSTERIUM X senso
131. ing e LED Red Blinking Battery has 5 minutes of run time remaining e LED Constant Red Battery Discharged Remaining batteries will have a steady LED on module When current battery reaches 4 charge the battery module will automatically switch over another battery by default the LOWEST charge capacity battery of the remaining batteries installed in the Module 41 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE Battery location and status are displayed in the lower UI In this case RM B1 Rear Module Bay 1 Battery location and status are also displayed on REDMOTE In this case RM Rear Module Bay 3 HOR 1 1 OFF LAN RIG SYNC GEN Sensitivity Exposure Color Temp 0500 AB SEC 9600r CMM 15 04 22 PE The POWER menu also shows all installed batteries and their state of charge Presets Media Settings Power A001_C008 EXTERNAL DC POWER RED DSMC Cameras accept input voltages between 11 5V 17V D C and can draw a maximum current of 12 Amps e An appropriate 150W supply with DC output rated at 15V 10A such as AC Power Adapter P N 740 0019 available from RED DIGITAL CINEMA e RED Charger For RED Charger you must use 2B to 1B Power Adapter Cable P N 790 0138 e RED BRICK 140Wh batteries may be used with Backpack Quickplate RED Quickplate Battery Belt Clip or RED Cradle via 2B to 1B Power Adapter Cable P N 790 0138 e 4 pin XLR DC power sources
132. ing common film presentation and television aspects such as 2 40 1 and 16 9 Focus aided by high display resolution 1 1 Focus Check function and False Color overlay Exposure aided by dual Zebras False Color overlay RAW Traffic Lights and RGB histogram System information including current frame rate ISO rating shutter speed color temperature record resolution record quality clip name timecode value and the remaining battery and media capacity For applications where use of an attached RED EVF or RED LCD is not desired for example when working on a crane the VIEWFINDER MENU output can be transferred to the HD SDI or HDMI outputs supporting remote camera monitoring up to 200 ft away 14 E gt COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE REDMOTE REDMOTE is a camera control unit for RED s family of DSMC cameras that attaches to the rear of the camera Brain or rearmost expansion module REDMOTE may also be detached from the camera or rearmost module and provide wireless remote control of the camera over proprietary REDlink protocol Whether attached or operating via wireless REDMOTE supports all controls necessary to operate the camera including Record Start Stop Shutter Speed White Balance ISO and programmable User Keys A color LCD displays critical camera parameters including media and battery capacity timecode and clip name lens data and expos
133. ion Using REDCINE X PRO footage can also be cropped resized or repositioned REDCINE X PRO can also encode 4K or 2K RAW footage into a variety of uncompressed RGB and compressed 4 2 2 video formats For film out multi media or special effects applications REDCINE X PRO may export a sequence of 2K or 4K image files in TIFF Open EXR DPX JPEG or Photoshop PSD file formats Provided the appropriate QuickTime codecs are available on the host computer workstation compressed video choices include ProRes DNxHD DV100 and M JPEG QuickTime movies at 1080p or 20p resolution providing compatibility with the majority of non linear editing systems Depending on the QuickTime movie resolution material may be taken directly to a broadcast delivery videotape format or after the editorial decisions have been made video can be conformed at full image resolution by replacing the lower resolution edit proxy with a high resolution 4K 2K or 1080p image file MONITORING When using RED Digital Cinema software tools it is recommended your monitor should be set to Adobe 1998 or to SMPTE C display profile If you use the HD Cinema display profile adjust the gamma to 2 2 221 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE E 8 REDCINE X PRO REDCINE X PRO is available for Intel based Mac OSX and Windows XP platforms The application performing white balance and one light color correction image pan scan
134. irmware version at www RED com support and if appropriate upgrade the camera firmware Refer to APPENDIX A UPGRADING CAMERA FIRMWARE Insert a blank or previously used but erasable REDMAG 1 8 SSD and format it Perform a BLACK SHADING CALIBRATION of the Sensor Check your PROJECT SETTINGS Time Base Record Resolution Record Quality etc Frame focus and record CONNECT AND FORMAT MEDIA Identify a REDMAG 1 8 64GB 128GB or 256GB SSD that has not previously been recorded to or is not a Camera master and may therefore be erased and re used Aligned the RED logo of the SSD to the outside and then push the SSD firmly but without excessive force into the slot in the Side SSD Module 59 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE NOTE When fully inserted the SSD media protrudes slightly from the SSD slot as indicated above When SSD media is inserted into the camera the camera will recognize if the media is unformatted LCD EVF and external monitors the media section of the GUI NONE will be displayed twice as opposed to when no media is inserted the GUI displays NONE with three dashes below On REDMOTE NONE will be displayed twice as opposed to when no media is inserted the GUI displays NONE with three dashes below On the Side Handle NA will be displayed same as if no media is present To format the media select SECONDARY MENUS
135. izable clips on their respective digital media Magazines A001_C001_0502 RDC B001 C001 0502 RDC C001 C001 0502 RDC 3D STEREO CAMERA SHOOTS The scheme also allows unique identification of Clips from left and right eye cameras on a stereo shoot For example two cameras both slated as Camera S can generate these easily recognizable clips on their respective digital media Magazines 5001 1001 0502 RDC 5001 01 0502 For more information refer APPENDIX 3D SETUP OPERATION gt CLIP NAMING CONVENTIONS SMPTE TIMECODE Time Code TC is a SMPTE timecode track that synchronizes to the camera s high precision internal clock or if operated in Jam Sync mode references to an externally supplied SMPTE master timecode signal TC is a sequential code that is continuous from frame to frame but is discontinuous from clip to clip Edge Code EC is a SMPTE timecode track that always starts at 1 00 00 00 on the first frame recorded to the digital media It is a sequential code that is continuous from frame to frame and also continuous from clip to clip EC is equivalent to RUN RECORD commonly found on broadcast cameras Irrespective of the timecode mode selected once recording starts the camera s timecode counter will update at the same instantaneous frame rate as the recording This ensures that a valid SMPTE timecode value is created for every frame in the clip eliminating any timecode count jumps that could affect pla
136. l Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE ADJUSTING THE ISO RATING In the following two examples the image exposed at ISO 800 rating have had the ISO rating adjusted first to ISO 6400 and then to ISO 100 NOTE Although the image and Histogram both adjust to changes in the ISO rating the sensor RAW meters do not change they always indicate what is happening at the sensor level and hence where the image is truly in noise or at clipping 24 so0400 48 5600 Internal Drop Temp Media Power RC36 6400 No Exposure Adjustment 219 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 24 FPS ISO 100 pen vMCLR 48 Sec 5600 Drop Temp Media Power ISO 100 No Exposure Adjustment In these extreme examples it is clear that the RGB domain images are respectively very bright and very dark The histogram data reflects that however you can also see that the sensor RAW meters are unchanged The exposure at the sensor at this point in time is the same If you choose to close the iris to reduce the brightness of the first image you will be reducing exposure at the sensor this biases exposure in favor of protecting the scene highlight Alternatively if you choose to open the iris to increase the brightness of the image of the second image you will be increasing exposure at the sensor this biases exposure in favor of minimizing noi
137. left of the User Keys is the MENU button press to switch between primary level and secondary level Camera menus When in Camera menus or REDMOTE menus press once to exit menus SOFT MENU BUTTONS 1 3 Below the LCD are three Soft Menu Buttons whose specific functions are indicated by the LCD screen For complete information refer to OPERATION gt REDMOTE MENUS gt SOFT MENU BUTTONS 1 3 NAVIGATION GROUP The Navigation Group allows navigation of the camera menus and adjustment of selected parameters 177 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE REDMOTE Navigation Group Scroll Wheel BEI Direction Keys Enter Button The Navigation Group has three separate operational capabilities SCROLL WHEEL The Scroll Wheel allows the operator to select and adjust the values of selected camera parameters DIRECTION KEYS The Direction Keys allows Left Right Up Down navigation thru the camera menus to select a desired parameter for adjustment ENTER BUTTON The Enter button allows confirmation of a parameter adjustment or operational mode selection FOCUS AND RECORD BUTTON Below the Navigation Group is the focus and record button A half press initiates Auto Focus a full press initiates Stills capture or starts stops a Movie recording When recording the upper LED will illuminate Red and the Timecode readout on the REDMOTE LCD will also display in red colored text
138. lse Color gt Exposure Check Menu Button Press to access camera setup menus Soft Menus Keys 1 3 Below the LCD are three 3 Soft Menu buttons 1 3 whose functions are defined on the LCD screen For complete information refer to APPENDIX E REDMOTE OPERATION gt OPERATION gt REDMOTE MENUS gt SOFT MENU BUTTONS 1 3 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE e Navigation Group Allows navigation through camera menus selection of camera parameter and adjustment of selected camera parameter REDMOTE Navigation Group A Scroll Wheel Direction Keys Enter Button Scroll Wheel Selects and adjusts selected camera parameter value Direction Keys Navigates camera menus and may select parameter for adjustment Enter Button Confirms selected parameter value adjustment e Focus Record Button Touch for Auto Focus fully depress to Start or Stop Record e Soft Menus Keys 4 8 To the right of the LCD are five Soft Menu buttons 4 8 These are pages displaying camera settings For complete information refer to APPENDIX E REDMOTE OPERATION gt OPERATION gt REDMOTE MENUS gt SOFT MENU BUTTONS 4 8 e Power Lock Slider Slide and hold down for two seconds to power up down REDMOTE and or camera Slide up to lock keys DISPLAYS BOMB EVF AND BOMB EVF OLED BOMB EVF is a high definition lightweight viewfinder that aligns quality performance with compact form factor
139. lt functions shown All keys may be programmed by the user 37 955 0003_v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE BASIC OPERATION This section describes basic operation starting from power up Viewfinder layout and Menu navigation WARNING THE SIDE HANDLE SIDE SSD MODULE REAR MODULES AND LENS MOUNT ARE NOT HOT SWAPPABLE MEANING YOU CANNOT REMOVE OR INSTALL THEM WHILE THE CAMERA IS POWERED ON BEFORE INSTALLING OR REMOVING ANY OF THESE ACCESSORIES YOU MUST POWER DOWN THE CAMERA FAILURE TO DO SO MAY RESULT IN DAMAGE TO THE ACCESSORY AND OR CAMERA BRAIN THAT WILL NOT BE COVERED UNDER WARRANTY Power draw is prioritized as follows when multiple power sources are available to the camera 1 DC Voltage or Brick 96 2 Battery Module batteries 3 Side Handle battery POWER SOURCES SIDE HANDLE The optional Side Handle accepts one REDVOLT Side Handle Battery Compartment 38 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 FEED SCARLET OPERATION GUIDE QUAD BATTERY MODULE The optional QUAD BATTERY MODULE accepts up to four REDVOLT or up to two REDVOLT XL batteries which can power the camera and typical accessories 7 Figure 16 Quad Battery Module REDVOLT AND REDVOLT XL REDBDVOLT REDVOLT and REDVOLT XL Note When multiple batteries are installed in the Quad Battery Module the power management circuit will select the lowest charged
140. lways show the current compression ratio being used by the camera If the camera is able to achieve the desired target compression ratio it will be displayed in white If the camera is unable to achieve the target compression ratio it will be displayed in yellow The current compression ratio will automatically be re calculated when changes are made to Resolution FPS HDRX Mode Media or Target REDCODE 62 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CAMERA ID SLATE If operating on a multi camera production enter a different Camera ID for each camera otherwise skip this step the camera is ready to shoot The Camera ID is set when the media is formatted Refer to ADVANCED MENU gt MEDIA for details RECORDING Ensure a formatted REDMAG 1 8 SSD is inserted in the camera s Side SSD Module then fully depress any one of the RECORD buttons located on the Brain Side SSD Module Side Handle or REDMOTE Fully depress again to stop recording The camera will automatically create a unique and sequential file name for each clip recorded on the SSD based on the Camera s I D set in the MEDIA menu REDCODE RAW data recordings store the Color Temperature and Exposure ISO and any RGB color processing values you use in the monitor path as metadata This metadata is used in REDCINE X or other post production software as initial white balance exposure and color correction points however you are
141. m adaptor plate 4 Remove module from adapter plate o Usea 20 to loosen the screws attaching the adaptor plate the camera brain 6 Remove the adaptor plate from the camera brain REDMOTE This section describes the physical controls on the REDMOTE For complete details on REDMOTE control refer to APPENDIX E REDMOTE OPERATION IMPORTANT For your REDMOTE to operate with this camera build version ensure your REDMOTE has been upgraded to the latest firmware Refer to APPENDIX E REDMOTE OPERATION gt MAINTENANCE gt UPGRADING REDMOTE FIRMWARE 33 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 34 REDMOTE REDMOTE Controls A StilMotionSlider F UserKeysA D K Soft Menu Keys 4 8 fey Release Button L G MENU Button Power Lock Slider Record LED H Soft Menu Keys 1 3 M Release Button L D Power LED ER Navigation Group N USB Connector A Rocker Switch Focus Record Button 7 7 Stills Motion Slider Allows selection of STILLS or MOVIE operational modes Rocker Switch Provides continuous adjustment of parameter specified in USER KEYS menu User Keys Press to initiate camera functions as defined in USER KEY menu Default settings for User Function Keys A D are as follow User Key A Toggles Focus Assist Indicator User Key B Toggles False Color gt RAW Check User Key C Toggles False Color gt 1 1 Magnify User Key D Toggles Fa
142. media must be performed by formatting on the camera MACINTOSH OS X Connect the REDMAG 1 8 SSD via RED STATION REDMAG 1 8 Open the Disk Utility Carefully choose the drive from the list on the left Select the Erase tab E Choose MS DOS FAT as the Volume Format You can add a Name if desired however the camera will overwrite this IMPORTANT Before performing the next step double check that this is the correct SSD that you wish to erase DATA FROM 6 Select Erase When the pop up window appears click on the Erase button 7 When the media is erased drag its icon to the trashcan and physically disconnect it 8 The media will need to be formatting by the camera before use Refer to FORMATTING MEDIA WINDOWS Connect the REDMAG 1 8 SSD via RED STATION REDMAG 1 8 Open Windows Explorer go to my computer icon right click and select EXPLORE Double click on the drive you wish to erase files from 9 de uet oelect all the files on the drive you wish to erase IMPORTANT Before performing the next step double check that this is the correct SSD that you wish to erase DATA FROM o Press the DELETE key on the keyboard select FILE DELETE or right click on selected file and choose DELETE When the pop up window appears click YES 6 The media will need to be formatting by the camera before use Refer to FORMATTING MEDIA 160 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED
143. menu provides a selection of frame guides and safe action and safe title guides User definable safe action and safe title guides may be saved as a USER PREFERENCE thereby permitting the camera guides to be fully customized for any application Available options are Size Line Style Color and Transparency P or Es UM v 106 COPYRIGHT O 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE eo i SIZE Available options are Off Full 4 3 16 9 1 85 1 1 9 1 2 4 1 or User LINE STYLE Available options are Solid Dashed or Bracket COLOR oets the frame guideline color to White Gray Teal Purple Yellow Green Blue Red or Black Select the color that provides maximum color contrast with the scene you are shooting Default is White TRANSPARANCY Sets the frame guide transparency Available options are 096 25 5096 75 and 100 MONITOR Allows you to modify brightness of the LCD and EVF parameters through Brightness Control Also allows options for the LCD touchscreen to be changed through Touch Gestures 107 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE BRIGHTNESS CONTROL Slide to the right for a brighter display slide to the left for a dimmer display TOUCH GESTURES These options apply ONLY to the Touchscreen LCD Pinch to Magnify When selected allows you to use two fingers in a pinchin
144. n 7 The Status should change to Connected after changes 194 COPYRIGHT 2012 RED Digital Cinema ENDS Gadget ig corrent y 6 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE NOTE After entering the IP address as shown above you may not connect during the upgrade procedure When you go back and check the IP address you see that it is 0 0 0 0 HOWEVER the status of the device is shown as Connected If this is the case you may need to enter the IP address a second or possibly a third time to make it stick 8 Click Apply at the bottom of the Network window 9 Proceed to UPGRADING REDMOTE FIRMWARE UPDATING REDMOTE FIRMWARE The following information will guide you through proper updating of your REDMOTE firmware MAC 1 Download the camera upgrade EPIC_vX X XX zip file located at http www red com support 2 The file will unzip automatically when downloaded The REDMOTE Upgrade is located in this download 3 Navigate to the downloads folder and open the newly created EPIC vX X XX folder or open it directly from the downloads window 4 Open the REDmoteUpgrade vXXX folder 5 Open the MAC folder 6 Double click the REDmoteUpgradeApp A Terminal window will open and the REDMOTE Software Wizard will open ANA REDmote Software Wizard Se Name Size File Transfer Status Press Connect button to establish a connection with REDMOTE Select File Remove File Star
145. n using a touchscreen you can also perform this function by pinching your fingers together and apart NOTE HDR mode cannot be modified when in Magnify 1 1 mode HDR Focus Presets Media Settings Power Jf Exposure Video M Focus RAW LIS A003 003 NOTE When in magnify mode you will not be able to adjust frame rate or resolution These options will be Grayed out 150800 2 8 TOA SEC 5600k 100 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE RAW RAW displays the image without any ISO correction When selected OFF will be highlighted in the Lower Status Group A003_C003 07 42 45 16 ZEBRA Zebras enable and adjust the upper and lower values for two independent Zebra indicators One zebra may be used for highlight exposure and the other for mid tone or shadows Zebras will be visible when in 1 1 zoom By default Zebra 1 and 2 are disabled Presets Media Settings Power 105 9 a E 7 F 4 S 101 955 0003_v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE ZEBRA 1 To enable select ZEBRA 1 check box Areas of the image exposed within these ranges will be indicated by crosshatched overlays at 45 degrees relative to vertical Zebra 1 is shown in the image below 003 CO01 05 0 1 44 23 High IRE Change the desired setting between 93 and 109 default is 108 Low IRE Change t
146. neral Purpose Input trigger whose function is programmed in the USER KEYS menu Default function for the GPI trigger is Record Start Stop The SMPTE timecode input provides a frame accurate time stamp for each frame of recorded video External TC must be chosen in the Project Timecode menu When SMPTE timecode is detected it will align the internal TC value to the external TC signal at every 00 frame crossing of the external TC signal 165 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE The Video Genlock input may be used as a vertical interval reference signal for the sensor and HD SDI outputs when precise synchronization is required between cameras such as for 3D and live broadcasts Note When GENLOCK is selected as the sensor shutter reference shutter start timing SHUTTER PHASE may still be adjusted HD SDI monitor outputs will automatically sync to the external GENLOCK signal as soon as it is detected there is no need to enable this function Sensor shutter sync to GENLOCK is only supported with HD SDI View into camera SYNC Video Sync Interface connector Mating Connector FGG 00 304 CLAD27Z PIN SIGNAL DESCRIPTION SS GPI Shutter Sync GPI Trigger Input TIMECODE SMPTE unbalanced timecode Input GENLOCK RS170A Tri Level Sync Input NOTE The Camera Brain s Shutter Sync GPI Trigger uses a 3 3 V Schmitt trigger 5 V tolerant current supplied by the trigger source B
147. nit e Date and GMT e HGB curves e Camera Name e Lens and shutter speed e shadow control e Location angie parameters e Luma curve e Scene e lens name brand ID e Take e Firmware version near focus far focus e Accelerometer Data e media serial 4 e Camera Network Name e Gyro Data e LTC user bits 3 32 bit e Production Name word reg dump from ISP Director Name e 54 static data e DP Name CLIP NAMING CONVENTIONS When you press RECORD the camera automatically creates a unique name for the CLIP being recorded to the REDMAG 1 8 SSD media The format of this name is Camera Letter Reel Number Month Day e g 001_ 002 0502 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Where A camera A 001 reel 001 C002 clip 002 and 0502 May 02 and the digits are two random characters generated by the camera to prevent any possibility of duplicate names being created So a three Clip sequence of Clip Folders within a Magazine Folder on Camera A would look like this A001_C001_0502 RDC A001_C002_0502 RDC A001_C003_0502 RDC 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema 17 RED SCARLET OPERATION GUIDE MULTI CAMERA SHOOTS The scheme provides flexibility to uniquely identify Clips from different cameras on a multi camera shoot For example three cameras slated as camera A camera B and camera C respectively can generate these easily recogn
148. ns are FAN CONTROL RECORD SPEED and STANDBY SPEED as well as BEEP SPEAKER and EVF TALLY LIGHT Focus Presets Media Settings Power FAN CONTROL Specifies cooling fan operation Available options are AUTO and MANUAL Manual will run the fan at the speeds specified in RECORD SPEED and STANDBY SPEED Default setting is AUTO Auto This setting selects VARIABLE speed fan operation in standby based on the camera core temperature Manual This setting allows you to set a fixed fan speed to be used during Record and Standby modes Record Speed Sets a fixed fan speed to be used during Record Range 25 100 Default is 50 Standby Speed oets a fixed fan speed to be used during Standby Range 25 10096 Default is 7596 133 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE INDICATORS Beep Speaker Available options are OFF and RECORD STOP When RECORD STOP is selected an audible beep will be heard when record is started and another when record is stopped Presets Media Settings Power SI s E Sa Record Stop EVF Tally Light When checked enables the Record Tally Red LED on the front of the EVF MAINTENANCE The maintenance menu allows the user to check system status and information save the camera diagnostic LOG to attached media perform a software update calibrate the sensor perform a camera self test and reset system settings
149. nstall and uncheck the components you don t want to install Click Next to continue Description Position your mouse over 4 component to see its description Select components to install Install REDmote Firmware Space required 13 2MB Nullsoft Install System v2 46 200 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE Choose the folder in which to install REDmote update Setup will install REDmote update in the following folder To install in a different folder click Browse and select another folder Click Next to continue IC Program Files x88 REDmote Space required 13 2MB Space available 216 7GB Nullsoft Install System v2 46 9 Choose the location for the shortcut Choose a Start Menu folder for the REDmote update shortcuts Select the Start Menu folder in which you would like to create the program s shortcuts You can also enter a name to create a new folder REDmote update 7 Zp Accessories Administrative Tools Adobe Adobe Creative Suite 5 Production Premium BlackBerry Cisco Systems VPN Client DW WLAN EPSON Epson Software FileZilla FTP Client Do not create shortcuts Mullsoft Install System v2 46 201 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 10 The program will now install A progress bar is displayed while installing When complete select Close Installation Complete S
150. ntly defined Lower Ejects unmounts the currently selected Media 20 955 0003 v3 2 Rev A1 COPYHRIGHT O 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE INSTALLATION REMOVAL WARNING THE SIDE HANDLE IS NOT HOT SWAPPABLE MEANING YOU CANNOT REMOVE OR INSTALL WHILE THE CAMERA IS POWERED ON BEFORE INSTALLING OR REMOVING THE SIDE HANDLE YOU MUST POWER DOWN THE CAMERA FAILURE TO DO SO MAY RESULT IN DAMAGE TO THE SIDE HANDLE AND OR CAMERA BRAIN THAT IS NOT COVERED BY WARRANTY To install the side handle 1 Power down the camera if necessary 2 Remove the brain side plate if installed by removing the single screw located at the bottom 3 Rotate upwards to disengage lip at top of side plate from camera brain Insert lip into top of camera brain Press side handle flush against camera brain Rotate thumbscrew 9 upwards until tight ti Rotate side handle down flush along side of camera brain Rotate thumbscrew upwards until tight Ensure side handle is secure to camera brain You may have to apply steady pressure to get the screw started 26 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE To remove the side handle 1 Power down the camera if necessary 2 Rotate the thumbscrew downwards until detached from camera body Disengage lip from top of camera brain Rotate side handle upwards to remove Rotate thumbscrew downwards until loose
151. ntly used calibration was taken on under SETTINGS gt MAINTENANCE SYSTEM STATUS under Calibration Calibration maps will stil be available after performing a system restore under SETTINGS gt MAINTENANCE gt RESTORE SYSTEM however the factory calibration map will be reselected 136 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CURRENT CALMAP Calibration maps are stored in the camera Due to the nature of the camera different calibration maps are needed for different situations Presets Media Settings Power Black Shading Default Black Shading Current FPS Exposure Factory This the calibration map generated during production This map is always present and selected as default on first use after performing a system restore under SETTINGS gt MAINTENANCE gt RESTORE SYSTEM User HS The user can select the CURRENT CALMAP The dialog only show the calmaps stored in memory FACTORY and USER HS in this case BLACK SHADING DEFAULT This option uses fixed settings which are the same used for the factory calibration around 23 Deg C BLACK SHADING CURRENT FPS EXPOSURE SETTINGS This option generates a calibration with the currently set frame rate exposure This can be used to generate a calibration for long exposures After calibration Which takes about 10 min the new map is automatically selected 137 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital
152. nu gt Power the Slave camera will also power down 210 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE APPENDIX G EXPOSURE USING FALSE COLOR AND ISO NOTE The following section uses a RED ONE camera display to illustrate exposure tools however the same principles apply to RED DSMC camera systems HED DSMC cameras provide several advanced exposure indication tools In the following examples we will show how these tools respond to a reference scene that is under exposed over exposed and then correctly exposed Each scene will have its unique characteristics so the correct exposure is a matter of judgment balancing the desire to avoid clipping any highlights and also avoiding underexpose of elements in deep shadow which may therefore be prone to noise when developed in post production The following reference scene includes highlight and shadow elements and was shot at ISO 800 UNDEREXPOSURE 2 STOPS 24 so800 pi vmMCLR 48 5600 ISO 800 Monitor Output In the image above it is obvious the camera is under exposed The initial clues are the monitor is very dark and the histogram is justified to the left Also note that red bar at the left edge of the histogram and the vertical color stack to the right of the histogram is only at grey These indicators are saying a significant amount of the senor s RAW data is in the noise and that the peak level of the sensor s RAW data is at
153. onal Pad e Scroll Wheel Rotating Clockwise or Counter Clockwise will move through the clip on frame at a time forwards or backwards e Directional Pad Pressing Left or Right to open and allow playback of the previous or next clip on the media e ENTER Button Pressing the ENTER button controls Play Pause of playback 150 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE LOWER CONTROLS From Left to Right PLAYBACK SPEED IN POINT MARKER FRAME BY FRAME REVERSE PLAY PAUSE FRAME BY FRAME FORWARD OUT POINT MARKER PLAY ONCE LOOP and PLAYBACK DIRECTION RESOLUTION PROJECT FRAMERATE QUALITY Display clip Resolution Framerate and Quality REDCODE When using the touchscreen touch the Resolution Framerate and Quality REDCODE to display the METADATA for the clip HISTOGRAM Displays the clip histogram The histogram will change based on any changes made in the Upper Controls When using the touchscreen touch the histogram to display the TOOLS menu 14 19 58 03 PLAYBACK SPEED Allows you to select x1 x2 x4 x8 or x16 playback speed A001 C006 14 19 4 1 02 151 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE IN OUT POINT MARKER Allows you to set In and Out Points during clip playback This allows you to playback only a certain portion of the clip as desired Helps when the clip is rather long and you want
154. oth edges of the input signal may be used as a trigger For example when GPI trigger is used for Record Start Stop e Start Record On Ground to 3 3 V transition e During Record Hold at 3 3 V e Stop Record On 3 3 V to Ground transition e During Stop Hold at Ground 166 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE TRIGGER BUTTON CIRCUIT Push to make push to break button or toggle Female HNC 100 Ohm 1 7V ZUMA Input Voltage when output is 3 3V to BV signal is hi N 10 uF 65 Ohm Component values are approximate use standard values NOTE A pre fabricated SYNC interface cable is available from RED Digital Cinema e P N 790 0154 Video Sync Camera to 3 BNC 3 ft 1m e White BNC Shutter Sync GPI e Yellow BNC SMPTE Timecode e Green BNC RS170A Genlock 167 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE CTRL RS232 CONTROL A 4 pin LEMO connector supports RS232 remote control for 3D camera communication and third party metadata ingest applications The shutter Sync Output signal acts as an immediate response hardware tally of a scan This is useful for 3D or motion control applications where a slave camera or lighting device needs to be synchronized to a master camera Alternatively this output pin may be used as a GPO General Purpose Output tally whose function is programmed in the USE
155. own using this procedure 192 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CHARGING CHARGE TIME A fully discharged REDMOTE battery will be fully charged in approximately 6 hours USING CAMERA While connected to the camera the REDMOTE will automatically recharge its internal battery Charge status is indicated by the Green Battery Icon at the top right of the REDMOTE LCD display screen A fully discharged REDMOTE battery will be re charged in approximately 6 hours if connected to a powered camera or a USB based power source such as laptop P C USING USB CONNECTOR The REDMOTE can be charged by connecting the RED Mini USB to USB cable 790 0230 between REDMOTE and a computer or a cell phone charger NOTE The REDMOTE can be charged using the Mini USB connector while connected and controlling a camera wirelessly NOTE If the computer cable hub do not provide enough voltage the REDMOTE will not charge and show an Error Charging message 1 Connect the USB connector to any computer computer must be ON to charge REDMOTE 2 Connect the Mini USB end to the REDMOTE USB Port located on the lower right side under rubber protective cover If the REDMOTE is powered down and paired camera is OFF the REDMOTE will power UP display STARTING UP display SEARCHING with flashing Green LED then settle into IDLE mode Green battery indicator will blink indicating REDMOTE is cha
156. plicable for incorrect disposal of this waste in accordance with you national legislation For business users in the European Union if you wish to discard electrical and electronic equipment please contact your dealer or supplier for further information Responsible party Red Digital Cinema 34 Parker Irvine CA 92618 USA COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE BEFORE YOU START Congratulations on your purchase of a RED DSMC Digital Still and Motion Camera Please read the attached safety instructions and only then unpack the camera body and any accessories If there is any physical damage or missing components for either your camera body or any accessories please file a support ticket at www RED com support moogmDsor RED SCARLET X Digital Still and Motion Camera IMPORTANT SAFETY INSTRUCTIONS READ BEFORE USING YOUR CAMERA Heed all cautions and warnings in these instructions Read these instructions before operating the camera and accessories Follow these instructions while operating the camera and accessories Keep these instructions with the camera and accessories at all times DO NOT attempt to modify dismantle or open your camera lens or other accessory as doing so may expose you to electric shock and serious injury There are no user serviceable parts inside Alteration or repairs made to the camera lens or other accessory except by a RED authorized service
157. pueH epis ulejg uoneoo vH3lNVO NMOG SH3MOd NMOQGLNHS Sod WED ON ew10 VIQ3IN LN3HHD S3ILNMILN loara salLrun Sod WED ON 99H LN3HHfD JViNHO3 LVINdOA AT oss NOILVOOT1 VIG3IN Q3HIS3G 19313S VIGSW 1LO3714Ss LV G3LN3IN31dINI LON uui s 519534 4aYnSOdx4 SONILLLAS 3 Q3HOVLLV BL 01 L o OAS 0008 1 01 vc L OSI 00801 01 0SC Sdd 0 91 000 1 8 01 E ME Mv MS 000 OF 0 002 L A8 TIM ALITWNO gt NOILN1OS3d 4 JONVIVE ALIHM gt 9018 9 3 30096 A v 3O9NV IV8 ALIHM ANIVA H31N3 SN31 Q3HOVLIV SN31 GSHOVLLV Sdd 0 0 000 I 1N323QNVONI N31SONnL 1H5lAVG 4asaudsanddy saivinovo 000 001 01 000 00L ATIVANVIN AYVA TIM AYVA TIIM SAA HAIN RIE RE tele AlddV lt L gM 9 IVO gt LH3d ATIVANVIN A v 93d 000081 SW 0 OAS 87 1 53d 000 09 01 000 SIN 80Z Lt 01000 OAS L0 SZ L 01 vZ L ATONV SEV LNI 143959910715 AGNOTD HSV14 3QvHS 519534 ONI INOO Q3H ZLOZO c NOISH3A Ld E br lt EN E 48 v L v EAE EI AEREI EE Aad EE 319901 960 0 9607001 9600 960 00L 960 00L OL 990070 A 00 0L OL 0
158. pying all clips recorded on the SSD to other media may be performed by a drag and drop operation on the RDM folder 15 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 015 03097P Applications l Documents SEARCH FOR L Li Tad digital magazine bin digital magdynamic bin ll items 118 1 GB available Today 1 14 PM Today 1 16 PM Typical Magazine Folder and clip structure ES um tm Q DEVICES m Name Date Modified Size Kind Macintosh HD ES A015 03097P RDM Today 1 14 PM Falder Pi iDisk 3 AD15 001 0309EJ RDC Today 1 14 PM Folder A015 03097P 015 COO1 0309EJ 001 R3D Today 1 15 PM 2 17 RED RAW R3D 015 C002 030989 RDC Today 1 15 PM Folder SHARED 015 002 030989 001 830 Today 1 15 PM 907 1MB REDRAW R3D upstairs G5 Y B3 015 C003 030955 RDC Today 1 15 PM Folder 4 29 GB RED RAW R3D PLACES A015 CO03 030955 O01 R3D Today 1 15 PM Desktop A015 CO03 030955 002 830 Today 1 16 PM 2 08GB REDRAW R3D GS stuart A015 C004 0309UL RDC Today 1 16 PM Folder 33 KB MacBi archive 33 KB MacBi archive For additional information about digital magazines refer to APPENDIX B MANAGING DIGITAL MEDIA METADATA RED s family of DSMC cameras record the Metadata which is data for each frame of the recording e Clip Name e 541 dynamic data e Copyright e ime Code e GMI time data e U
159. r Shutter speed presets are provided for all common speeds and shutter angles for 24 25 fos and 50 60 fps project frame rates 150800 eB Ef ls E11 5600k 2 1 30 36 40 48 50 60 72 98 Decreasing Shutter Speed increases the amount of time over which light falls on the sensor increasing exposure and motion blur on any objects moving within the frame Increasing Shutter Speed shortens the amount of time over which light falls on the sensor decreasing exposure and motion blur on objects moving within the frame Range is 1 24 sec 1 8000 sec Slowest available speed is 1 second per frame frame rate so for 24 fos it is 1 24 sec Default is 1 48 Sec 1 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE ADVANCED SETTINGS When selected the advanced settings menu allows fine control over the Exposure value and permits entry in any of the three following common units EXPOSURE Shutter Speed INTEGRATION TIME or ABSOLUTE ANGLE Shutter Angle CAFPS 150800 e 8 YABSEC OBUUK OK 2 1 HC 8 1 EXPOSURE SPEED Provides the ability to enter the Exposure value as a Shutter Speed 1 xx sec Range is 2 1 8000 Sec Slowest available speed is 1 frame rate so for 24 fps it is 1 24 Sec Default is 1 48 Sec 10800 M 48sec 5600k 5 1 140 sec _20 Melee 100 000 Des de msec
160. r ISO or FLUT values in post production RAW CLIP LEVEL BAR The RAW clip level bar displays the amount of pixels in the image that are clipping For example if the bar is about 1 4 of the total height this would indicate approximately 1 8 of the total pixels in the image are at an exposure level at risk of clipping and may not be recoverable by lowering ISO or FLUT values in post production o0 E COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE SIDE HANDLE As you navigate and adjust settings on the camera main menu settings only they will be reflected on the Side Handle LCD display The display elements include e Power Camera power status DC Shown e ISO Rating Camera sensitivity e Frame Rate Image capture rate e Shutter Speed Exposure Time or Degrees e Resolution Recording Resolution e White Balance Color Temp e Quality REDCODE setting REDMOTE Aperture Focus m Zoom 3 0 Sensitivity Exposure Color Temp iso800 00 Format Redcode Sensor FPS A001_c003 DEFAULT The display elements include e Camera ID Displays camera ID DEFAULT e Resolution Recording Resolution shown e Quality REDCODE setting e Wireless Status Displays signal strength when connected wirelessly e Frame Rate Image capture rate e Battery Indicator Displays battery life or e 50 Rating Camera sensitivity charge status shown of REDMOTE
161. rease or decrease the parameter value e When the desired value has been selected press ENTER to set BASIC ADJUSTMENTS USING SIDE HANDLE ONLY Although not recommended the Side Handle can be used stand alone to make basic adjustments to FPS ISO Shutter Speed Resolution and REDCODE located on the Main Menu screen Use the Navigation Group to make these adjustments while watching the cursor placement under the desired setting on the side handle LCD When desired setting is selected press the Enter button to access then use the Scroll Wheel Directional Pad or Adjustment Ring to make changes When done press the Enter button again to set the changed parameter The MENU button can be used to ENTER the secondary menus as well as CANCEL inside lists and for navigating back up menus TOUCHSCREEN e The MENU ICON can be used to ENTER the secondary menus as well as CANCEL inside lists and for navigating back up menus e Touch the desired parameter for adjustment e Slide your finger across the screen to scroll through the available parameter values e When desired the parameter value has been selected touch anywhere in the screen area to set 65 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE e To close an alpha numeric keypad when entering information directly tap anywhere on the screen outside the keypad ADVANCED SETTING MENUS At this time only FRAMERA
162. rging 5 A fully discharged REDMOTE battery will be fully charged in approximately 6 hours 193 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE UPGRADING REDMOTE FIRMWARE The REDMOTE update utility allows you to upgrade the firmware on your REDMOTE NOTE After firmware has been upgraded the REDMOTE must be paired to the camera again SETUP CONFIGURING REDMOTE CONNECTION WITH COMPUTER MAC The first step in upgrading REDMOTE firmware is to establish communication between the MAC and the REDMOTE 1 Connect a USB to mini USB cable between the computer and the USB connector on the REDMOTE 2 Go to System Preferences and choose Network This may open automatically when the REDMOTE is connected Look for a device called RNDIS Gadget e n Network Show All A Location Automatic Ethernet F Reo Connected and has the IP address 192 108 0 1 use 305 ads ConBgure IPv4 Manually a FireWire Y Address 492 168 0 _ Mask 222 2225 2252 0 AirPort Rogter DANS Server Search Domains BO2 1X WPA RED Connect Tum PEE ay UD Advanced 6 om id Click the lock to prevent Further changes Assist me 4 Change Configure IPv4 setting to Manually as shown 5 Inthe IP Address field enter 192 168 0 1 as shown 6 In the Subnet Mask field enter 255 255 255 0 as show
163. rmatted The digital magazine is ready for immediate use REDMOTE will also display this message Erg When selected will Eject unmount the media highlighted in the Select Media box EJECT MEDIA Presets Media Settings Power When ejected camera will display Media Ejected Successfully REDMOTE will also display this message COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 94 RED SCARLET OPERATION GUIDE UTILITIES Options are SECURE FORMAT Presets Media Settings Power SECURE FORMAT Secure Format is a low level format the rebuilds the SSD file system It should only be used if the performance of the SSD is in question s NU a E o iue Secure NOTE If clips are present on the media you will be informed of how many clips will be erased when you secure format the media 95 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE SETTINGS MENU This section describes the various secondary controls available to configure the camera Menu options are DISPLAY LOOK SENSOR PROJECT MODES AUDIO VIDEO SETUP MAINTENANCE and PLAYBACK Presets Media Settings Power DISPLAY Available options are TOOLS ZEBRA OVERLAY MODES FRAME GUIDE AREA GUIDES and MONITOR n D HDR Focus Presets Media Settings Power TOOLS The Tools menu permits the operator to adju
164. s This information is stored as reference metadata so that this color processing choice can be the default value used in Post Production Refer to SECONDARY MENUS gt PRESETS for details how to import and apply RMD file metadata HDRX HDRx is an option for extending dynamic range up to 6 stops over the base Dynamic Range offered by the camera When enabled HDRx simultaneously shoots two images of identical resolution and frame rate a normally exposed primary track A track and an underexposed secondary track X track whose exposure value reflects the additional stops of highlight protection desired i e if you select an HDR value of 2 and your primary track exposure is 1 48th sec the secondary track exposure will be 2 stops under or 1 192 sec The ISO and Aperture remain the same for both exposures During acquisition and recording the two tracks are motion conjoined meaning there is no gap in time between the two exposures This is very important to note because if they were traditional alternating exposures there would be a time gap between the two tracks that would show up as an undesirable motion artifact Both tracks A amp X are stored in a single R3D file oince there are two exposures in HDRx mode the camera is recording double the amount of frames each second For example when shooting at 24fps the camera is recording two 24fps tracks which is the data rate equivalent of 48fps however after combining the A an
165. se in the scene shadows The technique is similar in principle to re rating a film stock With practice the ISO rating can be used as a tool to assist ideal exposure based on the dynamic range identified within the scene 220 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE APPENDIX H POST PRODUCTION RED workflow is quite easy to understand especially if you have experience with photographic RAW image processing or shoot 16mm or 35mm film followed by a telecine transfer to video for non linear video editing and on line conform The RAW data captured by RED cameras has wide dynamic range and color space so you can freely change the white balance adjust exposure and alter highlight and shadow tonality in post production The RED DSMC camera records RAW sensor data using wavelet based REDCODE RAW compression to REDMAG 1 8 SSD The compressed RAW data is then transferred from the digital media to a Macintosh OSX or Windows XP workstation running REDCINE X PRO postproduction software These applications do not directly edit or conform the RAW data themselves but prepare the RAW data for editing and conforming by RGB domain post production software applications In film processing terms REDCINE X PRO act as an integrated film laboratory telecine and one light color corrector It converts recorded REDCODE RAW data to RGB video and provides basic one light image processing and color correct
166. specifically about the Operations Guide content please send a detailed message to OpsGuides red com COPYRIGHT NOTICE COPYRIGHT O 2012 Red com Inc All trademarks trade names logos icons images written material code and product names used in association with the accompanying product are the copyrights trademarks or other intellectual property owned and controlled exclusively by Red com Inc TRADEMARK DISCLAIMER All other company brand and product names are trademarks or registered trademarks of their respective holders RED has no affiliation to is not associated or sponsored with and has no express rights in third party trademarks MAC and QuickTime are registered trademarks of Apple Inc Intel is the registered trademark of Intel Corporation Windows Microsoft Windows and Windows Vista are the registered trademarks of Microsoft Corporation AVID is a registered trademark of Avid Technology Inc NUKE is a trademark of The Foundry Visionmongers Ltd Torx is a registered trademark of Textron Inc Canon and EOS are registered trademarks of Canon Kabushiki Kaisha Corporation 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE COMPLIANCE INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS This Class B digital apparatus complies with Canadian ICES 003 Cet appareil numerique de la classe B est conforme a la norme NMB 003 du Canada FEDERAL COMMUNICATIONS COMMISSION FCC S
167. st the GUI elements displayed on the Viewfinder output s Available options are OFF EXPOSURE FOCUS VIDEO EDGE MAGNIFY and RAW The Dialog is available by either going to SETTINGS gt DISPLAY gt TOOLS or simply clicking on the histogram in the lower left Presets Media Settings Power OF Focus video soe OFF Turns off any of the display modes in the first line COPYRIGHT 2012 RED Digital Cinema 955 0003_v3 2 Rev A1 RED SCARLET OPERATION GUIDE EXPOSURE This will show areas of under exposure Purple or over exposure Red on top of a monochrome image The color is based on RAW data so over under exposure refers to data actually close to clipping in the sensor When selected the icon Ey will be displayed in the Lower Status Group The EXPOSURE meter s color bands provide the following information PURPLE Minimum Exposure Between minimum and maximum exposure values the image is displayed as a monochrome image PURPLE RED In the image Purple areas represent sensor exposure levels that are likely to be noisy if gained up in postproduction Red areas represent sensor exposure levels that are at clipping A003 C003 07 38 54 07 NOTE As EXPOSURE meters sensor RAW information it is not affected by RGB domain adjustments such as ISO rating FLUT White Balance Video Gain or other LOOK information NOTE Because the RAW data represents a wider
168. t Upgrade Cancel Upgrade 195 955 0003_v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE 7 Click Connect When REDMOTE has been established Connection to REDMOTE has been achieved will be displayed NOTE If REDMOTE does not connect verify that the IP address set under CONFIGURING REDMOTE CONNECTION WITH COMPUTER MAC has held If not enter it again as outlined in the procedure REDmote Software Wizard Disconnect Quit File Transfer Status Connection to REDMOTE has been achieved Select File Remove File Start Upgrade Cancel Upgrade 8 Click Select File and navigate to the redmote 1 bin file located in the REDmote firmware vXXX folder 196 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE 9 Select Start upgrade e no REDmote Software Wizard M M H amp 9 Disconnect Quit Name Size redmote 76 6205824 File Transfer Status SG nnn File Transfer is in Progress Select File Remove File Start Upgrade Cancel Upgrade 10 File transfer status will be displayed as a Blue bar 11 Updating Firmware will be displayed with a Green status bar showing upgrade progress REDMOTE will also display UPGRADE during this process Aperture Focus Toom Exposure Sensitivity Color Temp 197 955 0003 v3 2 Rev A1 COP
169. t camera operation is MOVIE 955 0003 v3 2 Rev A1 COPYHRIGHT O 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE REAR RED Side Handle Controls Rear A MENU Button D User Keys A D BEES Rocker Switch NEN System Keys 1 3 Navigation Group F Thumbwheel Lock e Menu Button Press to access camera setup menus e Rocker Switch Increases or decreases selected value based on parameter selected in USER KEYs COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE e Navigation Group Allows navigation through camera menus selection of camera parameter for adjustment and adjustment of selected camera parameter Side Handle Navigation Group A Scroll Wheel Direction Keys Enter Button o Scroll Wheel Selects and adjusts camera parameter value o Direction Keys Navigates camera menus and may select parameter for adjustment o Enter Button Confirms selected parameter value adjustment e User Keys User Function Keys A D The specific function of these keys may be programmed by the user Default settings for User Function Keys A D are as follow User Key A Toggles Focus Assist indicator User Key B Performs White Balance calculation User Key C Toggles False Color gt 1 1 Magnify User Key D Toggles False Color gt Exposure Check e System Keys Function is defined by System Firmware Upper Toggles False Color gt Exposure Check Center Not curre
170. the REDMOTE firmware NOTE If you choose an incorrect file click on Select File again to locate the correct file NOTE Only one file can be added for upgrade 955 0003 v3 2 Rev A1 Organize v Ft Favorites WE Desktop redmote l bin Downloads Recent Places D m REDmoteUpgrade v2 0 2 gt REDmote Firmware v2 0 2 gt l Search REDmote Firmware v2 New folder Name Date modified Type 11 11 2011 5 21 PM BIN File Libraries Documents Music Pictures d Podcasts E Videos T7 File name redmote l bin Al Files cnc COPYRIGHT 2012 RED Digital Cinema 203 RED SCARLET OPERATION GUIDE 9 The selected file is shown in the window In this case the selected file is REDmote 1 bin REDmote Upgrade Utility nce Sm amp Connection is Established With REDmote 10 After selecting and verifying the correct file for upgrading the REDMOTE select Start Upgrade 11 During the upgrade the REDMOTE Software Wizard will display Please Do Not Unplug as well as a status bar showing File transfer progress iu REDmote Upgrade Utility c Please Do Not Unplug Upgrade is in Progress on REDmote 12 During the upgrade the REDMOTE will display Upgrading Firmware as well as a status bar showing upgrade progress Aperture Zoom Exposure Sensitivity Color Temp UPGRADE 204 C
171. the REDMOTE will not power down with the camera USING REDMOTE To power down REDMOTE slide and hold the Power Key Lock Switch in the down direction for 5 seconds Or slide and hold the Power Key Lock Switch in the down direction momentarily then release A screen will display with options to power down the REDMOTE the Camera or REDMOTE and Camera together Select the desired option and press the ENTER key in the REDMOTE Navigation Group Aperture Focus m Zoom 3 0 u8cm Sensitivity Exposure Color Temp ir A3 Era IS rj Shutdown Cam REDmote A Shutdown REDmote Shutdown Camera A001 03 NOTE Wireless mode shown When docked to camera SHUTDOWN CAMERA is not displayed 181 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE RECORDING e To record press the Red REC record button If media is connected and properly formatted the upper LED will illuminate Red and the Timecode value displayed in the LCD will change to Red text 4 1 OFF LAN RIG SYNC Aperture Focus m Zoom Sensitivity Exposure Color Temp AB sEC OBDUK Format FN Sensor FPS AK CA FPS paneon fie aa To stop recording press the REC button a second time After recording to media is completed the upper LED will go out and the Timecode value displayed in the LCD will change back to White text Note If media is NOT connected when record is requested
172. the closest REDCODE to the desired target The display will always show the current compression ratio being used by the camera Tf 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE If the camera is able to achieve the desired target compression ratio it will be displayed in white If the camera is unable to achieve the target compression ratio it will be displayed in yellow The current compression ratio will automatically be re calculated when changes are made to Resolution FPS HDRX Mode Media or Target REDCODE REDCODE OPTIONS FOR VARIOUS FRAME RATES Minimum frame rate is 1 sec per frame maximum frame rate is a function of REDCODE setting and record resolution 24 25 30 48 50 60 72 75 90 96 100 120 150 175 210 250 288 300 RC RC RC RC RC RC RC RC RC RC 3 1 4 1 4 1 6 1 T 1 8 1 9 1 10 1 12 1 12 1 RC RC RC RC RC RC RC RC RC RC 3 1 3 1 4 1 6 1 6 1 8 1 9 1 9 1 11 1 12 1 RC RC RC RC RC RC RC RC RC RC 3 1 3 1 3 1 4 1 5 1 5 1 6 1 7 1 8 1 8 1 RC RC RC RC RC RC RC RC RC RC RC RC 3 1 3 1 3 1 5 1 5 1 6 1 8 1 8 1 9 1 10 1 10 1 12 1 RC RC RC RC RC RC RC RC RC RC RC RC 3 1 3 1 3 1 4 1 4 1 5 1 6 1 6 1 7 1 8 1 8 1 10 1 RC RC RC RC RC RC RC RC RC RC RC RC RC RC RC RC RC RC 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 4 1 5 1 6 1 7 1 SECONDARY MENUS Press the Menu button on the REDMOTE Side Handle or touch the MENU icon on the LCD to acc
173. timecode to a REDMAG 1 8 SSD digital media Magazine Input signals are routed via a high quality pre amplifier and soft clip analog limiter in order to achieve the desired audio reference recording level and maximize dynamic range To assist with audio reference level setup the camera provides a color coded Audio Level Meter in the Graphical User Interface Meter range is 36dBu to 20dBu 56dBFS to OdBFS with audio input type reference level and audio input clipping indicators Audio monitor output options include a 2 channel headphone output on the camera Brain and 2 channel line level analog outputs from the optional PRO I O Module plus 2 channel and 4 channel 24 bit 48KHz uncompressed digital audio embedded in the HD SDI and HDMI outputs MICROPHONE LEVEL ANALOG INPUTS The recording level of a Microphone input is affected by the sensitivity of the microphone and the Gain setting of the camera s pre amplifier Available pre amplifier range is 8dB to 62dB with a default value of 10dB The camera operator should choose a Gain value that aligns the input signal to the OdBu reference line drawn on the camera s Audio Level Meter or the OVU reference line if operating at that level This setting provides up to 30dB of input signal headroom above reference OdBu level before clipping up to 26dB above OVU reference level and maximizes the signal to noise ratio of the 24 bit digital recording 12
174. tion of the touchscreen contains shortcuts to the most used camera screens Audio input Display Tools AUS1 CO33 Media Power System Configuration 54 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE POWER DOWN NOTE Camera will automatically power down if supply voltage drops to 11 5 Volts POWER MENU 1 Select the MENU icon in the right corner of the Upper Status Bar to reveal the Secondary Menus 2 Select POWER 3 Select SHUTDOWN 4 The camera will immediately power down P I USING POWER STATUS DISPLAY 1 Select the POWER status located between the audio channels and media remaining indicator to reveal the same menu illustrated above 2 Select SHUTDOWN 3 The camera will immediately power down 55 955 0003_v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE LOCK UNLOCK TOUCHSCREEN OPRERATION LOCK To lock out the touchscreen operation touch and hold the MENU icon until the LOCK icon e displays indicating the touchscreen has been locked out When locked the main menu will be displayed gt 24rs 10800 28 48sec 5600k 4KHD ACSI amp UNLOCK To unlock out the touchscreen and allow normal operation touch and hold the LOCK icon e until the MENU icon displays indicating the touchscreen has been unlocked D 24rs 150800 28 vV48sc 5800 4KHD A
175. to bring up press outside the keypad to confirm the value 68 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE ISO SENSITIVITY Adjusts the camera s ISO rating The sensitivity value is adjustable in 1 3rd stop increments When the ISO rating is adjusted the camera logs the change as metadata and the monitor path reacts accordingly Higher ISO values lead to brighter images in the monitor path and vice versa 150800 7e B Jis E11 5600k BK 2 1 0 15400 150500 159840 1800 101000 1801280 11600 so Range is ISO 250 12800 Default is ISO 800 F STOP Aperture controls the depth of field of the subject imaged by the camera and in combination with the shutter speed angle setting controls the amount of light falling on the sensor i e exposure Increasing the F stop to a higher number reduces exposure as well as increases the depth of field decreasing the F stop to a lower number increases the exposure and decreases the depth of field You can chose either 1 8 or 1 4 stops 150800 7e B Lf ls E11 5600k BK 2 1 oe AD 45 RED DSMC Ti PL Mount Installed When a lens equipped with Cooke s S4 i system is attached to the DSMC Ti PL Mount the camera will display the current aperture F stop of the attached lens This is for information only and on camera adjustment is NOT available manual adjustment only as
176. to factory defaults SW Update Calibration Self Test Restore System Motion Calib 134 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE SYSTEM INFO When selected the Viewfinder output s will display the camera Model current firmware Version installed and camera P I N Presets Media Settings Power SAVE LOG Select to write camera s LOG file to the REDMAG 1 8 SSD The LOG file is a diagnostic tool that can assist RED with camera troubleshooting After capture upload the LOG file to the RED customer service team contactable at www RED com support After successfully writing the log file to media viewfinder output s will display LOG SAVE COMPLETED REDMOTE will also display this message If media is not attached to the camera when attempting to perform a write log request external monitors will display NO MEDIA ATTACHED NOTE Log files will be stored as txt files in the 1 8 SSD root directory SW UPDATE NOTE Firmware upgrade currently uses a force upgrade procedure as outlined in APPENDIX A UPGRADING CAMERA FIRMWARE Update SW initiates a camera software firmware update If a software update is on the attached media you will be given the option to upgrade the camera earlier firmware version shown for reference ONLY For complete detailed procedure go to APPENDIX A UPDATING CAMERA FIRMWARE 135 955 0003 v3 2 Rev A1 COPYRIGHT 201
177. ts the gain of the GREEN channel only Range is 0 0 no Green to 10 0 Default is 1 0 FLUT The FLUT sub menu permits adjustment of FLUT EXPOSURE COMPENSATION and SHADOW 109 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE FLUT FLUT Floating Point Lookup Table adjusts mid range tone values Range 8 0 to 8 0 Default is 0 0 EXPOSURE Adjusts exposure compensation Available exposure range is 7 0 to 7 0 Default is 0 0 SHADOW Shadow adjusts the toe value of the FLUT or in other words the tone near Black Range is 2 0 to 2 0 Default is 0 0 Increasing the Shadow value raises the video level of near Blacks Lowering the Shadow value crushes the video level of near Blacks CURVES The curves dialog box allows the user to set define curves for Luminance and the red green and blue channels DuC E EE coo E E o2 02 0500 0500 07 0 5 1000 1 000 a COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 FEED SCARLET OPERATION GUIDE COLOR GAMMA The COLOR GAMMA sub menu permits adjustment of the monitor output Color Space and Gamma Curves 955 0003 v3 2 Rev A1 x REDColor2 Available Color Space Options REDColor3 REDGamma2 REDLogFilm Available Gama Space Options COPYRIGHT 2012 RED Digital Cinema 111 RED SCARLET OPERATION GUIDE PROJECT The project menu sets t
178. unit and or with audio and video signals L Clean only using a dry cloth When cleaning your camera remember that it is not waterproof and moisture can damage electronic circuitry DO NOT rinse or immerse any element of the camera lens or other accessory keep them dry at all times DO NOT use soaps detergents ammonia alkaline cleaners and abrasive cleaning compounds or solvents These substances may damage lens coatings and electronic circuitry M Maintain sufficient ventilation DO NOT block any ventilation openings or obstruct cooling fan airflow CAUTION Proper camera ventilation requires a minimum 1 2 1 25cm clearance between the camera ventilation openings and external surfaces Verify that objects that can block the fan intake and exhaust ports do not impede airflow Failure to permit adequate airflow may result in overheating of the camera degraded operation and in extreme situations damage to the camera N DO NOT operate or store near any heat sources such as radiators heat registers stoves or any other apparatus that produce heat Store in a protected level and ventilated place Avoid exposure to temperature extremes damp severe vibration strong magnetic fields direct sunlight or local heat sources during storage Remove any batteries from the camera before storage Recommended storage and usage temperatures for your camera lenses and other accessories are a Operating range to 40 C 32 F to 104 F o
179. ure information Aperture Focus m Focus ft 9 1 edin Filter Zoom sensitivity 150800 Exposure Color Temp Format Ee 001 014 iiid DEFAULT 5 550 DC 57 21 44 01 CONNECT REMOTE SETUP EB tu REDMOTE LCD display REDMOTE includes a rechargeable Li lon battery which automatically re charges when attached to the camera or rearmost module It may also be re charged by connecting to a USB 2 0 based power source such as a laptop PC or cell phone charger Under typical operating conditions REDMOTE should operate for up to 8 hours without requiring a re charge and support a wireless communication range of approximately 50 ft DIGITAL MAGAZINE MEDIA HEDCODE RAW compressed MOVIE clips and STILL images time code multi channel audio and metadata may be recorded to REDMAG 1 8 SSD solid state digital media Magazine of 64GB 128GB or 256GB capacity Each MOVIE clip is recorded with a unique name in a Clip folder with the extension RDC This folder contains all appropriate information describing the clip including one or more REDCODE RAW R3D files and all color grading metadata and other system level metadata such as lens and location information Refer to CLIP NAMING CONVENTIONS The individual Clip folders are placed into a Magazine folder i e root directory on the digital media This Magazine folder has the extension RDM As this folder contains all the recorded Clips co
180. us Presets Media Settings Power Spot BN Track Performance of Auto Focus may be reduced under the following conditions e The subject is dark or distant e There is inadequate contrast between the subject and background e scene has reflective highlights e The subject is backlit e There is inadequate surface contrast detail inside the window NOTE Edge Mode can be used for additional assistance in these conditions Refer to SETTINGS MENU gt DISPLAY gt TOOLS gt EDGE MANUAL When selected all focus operations are manual CONFIRM Enables the Center or Spot focus square for use with manual focus This mode provides additional focus assistance to the photographer using RED YELLOW and GREEN color changes to the focus spot window Inadequate subject illumination and or contrast may interfere with normal Focus Confirm operation For best results with Focus Confirm operators should rock the focus ring focusing through the point of optimum focusing and back again in decreasing amplitude as when zeroing in for precision manual focus SINGLE A Focus Record Button half press performs single shot AF Optimized for rapid focus even under low contrast conditions Works with both Center and Spot Zones 81 955 0003 v3 2 Rev A1 COPYRIGHT 2012 RED Digital Cinema RED SCARLET OPERATION GUIDE CONTINUOUS Once engaged with half press will attempt to keep objects in AF window in focus
181. while recording DO NOT remove media while camera is recording Power down the camera verify the media is inserted properly inspect connectors for damage power up and resume recording PRESET COULD NOT BE APPLIED If the preset could not be applied Preset Could Not Be Applied will appear to inform you Power down camera power back up and attempt to apply the preset that failed CAMERA CANNOT PAIRED REDMOTE Ensure REDMOTE display indicates IDLE before attempting to pair the camera to the REDMOTE Ensure the REDMOTE is detached from the rear of the camera body and powered on Ensure the REDMOTE wireless in turned on Ensure camera does not display REDLINK Upgrade Required CANNOT SEE MENUS ON LCD TOUCH SCREEN Double tap the LCD screen to exit clean mode 228 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE APPENDIX K TECHNICAL SPECIFICATIONS SENSOR 14 MEGAPIXEL MYSTERIUM X PIXEL ARRAY 5120 h x 2700 v 13 5 stops up to 18 stops with HDRx 6 fps with 5K FF and HDRx On 12 fps with 4K HD and DYNAMIC RANGE HDRx On 5120 h x 2700 v 27 7mm h x 14 6mm v 31 4 mm d Al Canon EF PL mount optional Equivalent to S35mm Motion APS H Still lenses ACQUISITION FORMATS 5K FF REDCODE RAW Full Frame 4K HD REDCODE RAW 3K HD REDCODE RAW 1080p REDCODE RAW 1K REDCODE RAW mee mmumememanan 0 RATES 23 98 24 25 29 97 4
182. yback or editing If operating in Jam Sync mode referenced to an external timecode source the clip s master time reference point is the first frame of the recorded clip NOTE When in Loop Record mode Edge Code will also become discontinuous from clip to clip because frames copied into the cache memory are discarded This may lead to editing difficulties with postproduction applications that assume continuous timecode POWER CONSUMPTION The camera draws approximately 60 watts when recording in 4K resolution 24fps MOVIE mode The camera is cooled by convection from the camera body assisted by a fan contained in a sealed air duct Under typical operating conditions a REDVOLT battery will run the camera and accessories for about 30 minutes and a REDVOLT XL battery will run the camera and accessories for about 90 minutes 18 COPYRIGHT 2012 RED Digital Cinema 955 0003 v3 2 Rev A1 RED SCARLET OPERATION GUIDE CAMERA OPERATIONAL CONTROLS This section describes the available operational controls on the RED DSMC camera Brain Side SSD Module Side Handle and REDMOTE accessories BRAIN ES Power Status LED EN Power Record Button Record Status LED Power Record Button Status LEDs e Power Record Button Powers camera Up Down and initiates Record Stop Start e Power Status LED Indicates Power status LED Red Power Present Camera OFF LED Yellow Power present Camera Booting LED Green

Red Digital Cinema Scarlet X 3.2 Operation Guide

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