PYLE Audio Mixer PYD1939 User's Manual
Contents
1. BNC Lamp Adaptor Allows you to connect a 12V 3W lamp to light the panel Power Switch and Red light Illumination Equalizer On Off Switch Effect Switch Send Receive Lets you connect a sound effect device such as reverb sampler etc and either play the signal from it or play another input through it Headphone Level Control Headphone Jack Accepts headphones with 1 4 plug Headphone CUE PGM Control Allows you to listen simultaneously or separately to the CUE material or the active program ECHO Delay Control Lets you adjust the delay time for the echo ECHO Repeat Control Lets you control the time period during which the echo is repeated ECHO Level Control Controls the depth of the echo effect ECHO On Off Switch Sound Effect CUE Switch Lets you monitor the selected sound effect before mixing it in Sound Effect Volume Control Lets you control the volume level of the sound effect within the mix Sound Effect Speed Control Lets you control the pitch of the selected sound effect Digital Sound Effects Selectors Lets you create special sound performance mixes from the eight preprogrammed special effects Channel Assign Switch Lets you select the input source to be mixed by the Crossfade Slider Control Crossfade Slider Control Allows you to smoothly switch between the input sources assigned to Channel A and Channel B 4 Pyle Pro Mixer Owner s Manual BNC Lamp Adaptor Allows you to connect a 12. Crossfade Slider Control Allows you to smoothly switch between the input sources assigned to Channel A and Channel B the input sources assigned to Channel A and Channel B 2 Pyle Pro Mixer Owner s Manual Pyle Pro Mixer Owner s Manual 3 Features and Controls PYD1959 Mixer Channel Gain Control Lets you adjust the gain of the input source Features and Controls PYD1949 Mixer Channel Gain Control Lets you adjust the gain of the input source Channel Input Selector Lets you choose the input source to play for each channel Channel Input Selector Lets you choose the input source to play for each channel Channel CUE Sample Switch Allows you to monitor the selected audio input source and set up the destination channel for the sampled Channel CUE Switch Allows you to monitor the selected audio signal PUL SOUree anA prepare ipio kamiina ei Dual Display Meter Indicates the levels of Left and Right Master Dual Display Meter Indicates the levels of Left and Right Master Channels Channels Master Level Control Lets you control mixer s overall volume level Master Level Control Lets you control mixer s overall volume level Master Mono Stereo Selector connecting a balanced or unbalanced low impedance microphone with XLR type or 1 4 plug MIC 1 Combo Input Jack For connecting a balanced or unbalanced low impedance microphone with XLR type or 1 4 plug Master Balance Control 10 Band Equalizer Allows you to tailo
3. pyleaudio com 14 Pyle Pro Mixer Owner s Manual o F geg PUDIOSS ui channel cofessiona Maner T r3 S py E PRO anr n LE a a TFTP Fripp a Pree l p m g ounner Manual Your PYLE PRO Series Performance Mixer is a sophisticated control center perfect for mixing sound from multiple playback sources such as microphones tuners CD players turntables or the audio outputs from a VCR This mixer is ruggedly constructed for home or professional use Wide range volume controls permit you to adjust sound levels accurately to achieve just the right mix for playing through your speaker system or for recording Please read this manual thoroughly before you attempt to set up and use the mixer It contains a range of suggestions and instructions to insure safe usage Set up and used properly you can expect years of trouble free service from this product Owner s Manual Table of Contents Input Output Features 10 Monitoring Cueing Inputs Features and Controls PYD1919 Mixing Inputs Features and Controls PYD1929 11 Adding Equalization to the Mix Features and Controls PYD1939 Adding External Effects to the Mix Features and Controls PYD1949 Using the MicrophoneTalkover Mode Features and Controls PYD1959 Microphone Tone and Level Controls Presetting Controls Before Use Using the MIC Frequency Kill Switches Connecting the Mixer Inputs Using the Mono Stereo Switch Using t
4. the device s audio outputs to the EFFECTS RECEIVE jacks on the mixer To activate the loop with which now has an outboard processor press the Effects Switch The effect devices are now in the audio chain Be sure the device is ON Using the Microphone Incorporating Voice into the Mix To blend voice from the microphones with the audio program material first be sure the MIC TALKOVER switch is set to the ON position In this position the MIC channel is mixed into the program like any other audio input source Then adjust the corresponding MIC level controls to increase or decrease the microphone level this will not affect the main volume inputs When a microphone is not in use set the MIC TALKOVER switch to OFF Talkover Mode Talkover mode allows a voice to be heard clearly through the microphone by attenuating all the other audio input sources This mode is engaged by setting the Talkover Switch to the TALKOVER position Microphone Tone Controls These BASS MID and TREBLE controls permit you to tailor the tone frequencies of the MIC inputs processed through the mix Left in their center positions the sound is unaffected flat Microphone Level Controls The independent MIC1 and MIC2 controls permit you to increase or decrease the levels of these microphones within the mix Using the MIC Frequency Kill Switches For unique circumstances or interesting special effects you can completely eliminate the bass mid o
5. In order to avoid sudden unpleasant sound output plug end of an appropriate 12V 3W r gooseneck style or similar lamp into adjust the output devices controls to these settings before you the lamp socket provided in the connect the mixer s output jacks to these devices input jacks upper right corner of the mixer control panel Power is supplied to this lamp when the mixer power OUTPUT DEVICE CONTROL SETTING ie N TONE FLAT Amplifier Receiver POWER EE 8 Pyle Pro Mixer Owner s Manual Pyle Pro Mixer Owner s Manual 9 Using the Mixer Controls Turning on the Mixer 1 Turn on the output amplifier and temporarily set its volume to the minimum setting 2 On the mixer turn ON the power switch The adjacent power LED will illuminate 3 Turn on the audio input sources you wish to mix and set them to play or talk continuously into the microphone 4 To monitor the audio input sources so that you can decide when to mix in each input see Monitoring Cueing the Inputs 5 To mix the audio input sources so that you can play them through your amplifier system or record them on your tape deck see Mixing the Inputs Monitoring Cueing the Inputs 1 Set the CUE ASSIGN switch of the input source MIC CH1 CH2 CH3 or CH 4 you wish to monitor 2 Adjust the Headphone Level control to a comfortable listening level 3 The Headphone CUE PGM control permits you to switch easily from lis
6. Sources Connect up to 8 such sources tuner cassette deck CD Player camcorder or VCR to the input jacks for Line 1 if not being used as Phono 1 input Line 2 Line 3 if not being used as Phono 2 input Line 4 Line 5 and Line 6 Please note that Phono 1 and Line 1 as well as Phono 2 and Line 3 use the same jacks The selector switch e s below the jacks should be set to Line position if the jacks are used for the High Level input sources described here Use RCA type patch cables High Level Output Audio Source f LEFT output VC oma If you use a High Level Output Audio Source s you u i vel Output Audio Sour n RIGHT output in the Phono1 Line1 and or Phono2 Line3 input jack s be sure to place the Input Select CD player cassette deck camcorder VCR etc switch in the LINE1 and or LINE3 position s Connecting Turntables and Other Level Output Audio Sources Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks Please note that Phone 1 and Line 1 as well as Phono 2 and Line 3 use the same jacks The selector switch below the jacks should be set to Phono position if the jacks are used for phono inputs When using a turntable you should also securely connect its ground wire usually green or black to the Ground screw on the input panel of the mixer Use RCA type patch cables I E ae ll esh D DA Q O a a cE J a 3 F i A p oen E i zz I Ce gt Magnetic cartri
7. connect a sound effect device such as reverb sampler etc and either play the signal from it or play another input through it Headphone Level Control Headphone Jack Accepts headphones with 1 4 plug Headphone CUE PGM Control Allows you to listen simultaneously or separately to the CUE material or the active program Zone Level Control Lets you control the mixer s overall ZONE volume level if you set up remote speakers or DJ booth monitors Zone Mono Stereo Selector Zone Balance Control Master Level Control Lets you control mixer s overall volume level Master Mono Stereo Selector Master Balance Control Channel Assign Switch Lets you select the input source to be mixed by the Crossfade Slider Control Crossfade Slider Control Allows you to smoothly switch between the input sources assigned to Channel A and Channel B Pyle Pro Mixer Owner s Manual 1 Features and Controls PYD1929 Mixer Features and Controls PYD1939 Mixer Channel Gain Control Lets you adjust the gain of the input source Channel Input Selector Lets you choose the input source to play for each channel MIC 1 Combo Input Jack For connecting a balanced or unbalanced low impedance microphone with XLR type or 1 4 plug Channel CUE Switch Allows you to monitor the selected audio Channel Gain Control Lets you adjust the gain of the input source fralo input source and prepare it prior to mixing it in MIC 1 Combo Input Jack For con
8. samples so in the event you do not press stop it will automatically stop after 12 seconds 12 Pyle Pro Mixer Owner s Manual 4 To playback the recorded sample ONCE turn the SAMPLER MODE switch to SINGLE and press START STOP The LED will go on indicating that a sample is playing Pressing START STOP during playback will stop the playback Each time you press the START STOP control the unit will replay the recorded sample from the beginning and play it through the end of the recorded sound Rapid consecutive pressing of the START STOP button will create an interesting stuttering effect 5 To playback the record sample repeatedly looping set the SAMPLER MODE switch to REPEAT and press START STOP The mixer will play the sampled recording all the way through and thenrepeat it until you press the START STOP button 6 To adjust the speed of the playback signal rotate the SAMPLE PITCH control to reduce or increase the pitch of the sample during playback 7 To adjust the level of the sample playback as it enters the mix rotate the SAMPLE LEVEL to increase or decrease the level Troubleshooting Your mixer should require very little maintenance If you have problems refer to the chart below for possible solutions If you cannot solve the problem contact a qualified technician for assistance PROBLEM POSSIBLE SOLUTION Nothing works e Check the AC connection Make sure the AC outlet is live e Check the power c
9. 2V 3W lamp to light the panel Power Switch and Red light Illumination Equalizer On Off Switch Effect Switch Send Receive Lets you connect a sound effect device such as reverb sampler etc and either play oh the signal from it or play ts another input through it Headphone Level Control Headphone Jack Ml Accepts headphones with rere irrea 1 4 plug Headphone CUE PGM Control Allows you to listen simultaneously or separately to the CUE material or the active program MIC Talkover Allows you to lower the level of the input sources so you can talk them using the DJ Mic MIC1 2 Level Controls Lets you control the MIC levels as they enter the mix MIC1 2 Tone Controls Sampler Start Stop Controls the start and stop of the sampling process Sampler Mode Selector Selects the function of the sampler section Sampler Pitch Control Lets you control the sampled signal s pitch Sampler CUE Switch Allows you to monitor the desired sample signal Sampler Level Control Lets you adjust the volume of the desired sample signal as it enters the mix Channel Assign Switch Lets you select the input source to be mixed by the Crossfade Slider Control Crossfade Slider Control Allows you to smoothly switch between the input sources assigned to Channel A and Channel B Pyle Pro Mixer Owner s Manual 5 Presetting the Controls Before Use Since sudden high output levels from your Pyle Pro mixer can damage not only
10. IP Model No Date of Purchase Purchased at C Sound Contractor Installer C Mail Order C Music Products Store C Catalog Merchandiser warranty registration card PYLE PRO MIXERS Serial if available C Other Equalizer Control Frequencies Boost Cut Range MIC Tone Control Treble Mid Bass Talkover Attenuation Echo Delay Time PYD 1929 1949 Sampling Length Power Source Dimensions inches mm R A 30 60 120 250 500 1K 2K 4K 8K and 16KHz 10 dB from center 10kHz 10 30dB 1 kHz 10 30dB 100Hz 10 30dB 16dB 50mS 120MmS 12 Seconds 120 VAC 60HZ 230 VAC 50 Hz 19 0 x 4 13 x 9 45 482 x 105 x 240 PYLE PRO Service Center 1600 63rd Street Brooklyn NY 11204 You must also include the following items with your return e A copy of your sales receipt or other proof of purchase e A brief letter indicating the problem you are experiencing with the product e Include in your letter your return address daytime phone number and R A number e Also include a check or money order for 20 00 for return shipping handling and insurance or provide your Visa MC number with expiration date Our obligation under this warranty is limited to the repair or replacement of the defective unit when it is returned to us prepaid This warranty will be considered void if the unit was tampered with improperly serviced or subject to misuse neglect or accidental damage www
11. Specifications PYD1919 1929 1939 1949 1959 Input Sensitivity Impedance Mic 1 2 Phono 1 2 Line 1 8 Output Level Amp Zone Record Frequency Response S N Ratio at 1 kHz Mic Phono Line Distortion Mic Phono Line Limited Warranty All PYLE PRO products are carefully constructed and tested before shipment Units purchased in the USA are warranted to be free of defects in material and workmanship for two 2 years from the date of purchase This warranty is limited to the original retail purchaser of the mixer Should the unit fail due to factory defects in material or workmanship your 1 5 mV 600 Ohms bal unbal 3 0 mV 50K Ohms 150 0 mMV 27K Ohms 2 0 V 10 kOhms 2 0 V 10 kOhms 150mV 10 kOhms 20Hz 20kKHz 3 dB gt 60 dB 1 5mV input gt 70 dB 3 0mV input gt 80 dB 150 0 mV input 0 20 0 05 0 03 unit will be repaired or replaced at the sole discretion of PYLE To obtain warranty service you must first call our Consumer Return Hotline at 718 236 6948 to obtain a Return Authorization Number This R A must appear on the outside of your package and on all paperwork relating to your return When returning the unit to us for warranty service it must be carefully packed and shipped prepaid to w Please complete warranty card detach and return W Thank you for purchasing this PYLE product To activate your warranty please mail this card within 10 days Name Address City State Z
12. audio devices connected to the mixer output but your hearing as well especially if you are using headphones please adjust the mixer s controls BEFORE connecting AC power or turning on the unit Set up the mixer controls like this before you start CONTROL SETTING Connecting the Mixer Inputs This mixer permits connection of up to eight 8 audio input sources and two microphones Such a system might include for example Two Microphones Two Microphones Two Microphones Two Microphones Two Turntables Eight CD players Two Turntables Two Turntables Six CD players Three CD players Four CD players Three Cassette Decks One Rhythm Synth One Cassette Deck Do not connect any audio source with a HIGH LEVEL OUTPUT to the Please observe LOW LEVEL PHONO 1 or PHONO 2 mixer audio input jacks an audio the following source output with a volume control is HIGH LEVEL Connecting Microphones Microphone 1 Connect a balanced unbalanced low impedance 600 Ohm XLR type mic OR a low impedance mic with a 1 4 plug to the MIC 1 jack in the upper left corner of the mixer control panel Use 1 4 or ar rene XLR type jack HIRI peara fis sen EET Microphone 2 Connect a high quality balanced unbalanced low impedance 600 Ohm microphone with a 1 4 plug to the MIC 2 jack on the lower left corner of the mixer s back panel MIC 2 Use 1 4 6 Pyle Pro Mixer Owner s Manual Connecting High Level Output Audio
13. dge turntable LEFT output _ N RIGHT output GROUND wire from turntable NOTE If you use a Turntable in the Phono1 Linel and or Phono2 Line3 input jack s be sure to place the Input Select switch in the PHONO1 and or PHONOZ2 position s Pyle Pro Mixer Owner s Manual 7 Using the Channel Input Gain Controls Using Headphones Adjusting the Gain controls for each channel permits you to fine tune the level of each of the audio inputs since input levels usually vary Rotate the Gain controls clockwise to increase levels After you preset the gain levels for each input it is recommended that you do not adjust them further as you can cause sound level imbalances during a mix Plug a pair of stereo headphones not supplied with a 1 4 jack into the Phones input Using headphones not only affords you the opportunity to listen privately but also enables you to monitor cue the incoming audio sources so you can locate an exact passage or section before mixing it in It also gives you the opportunity to set up the relative volume level of the upcoming passage Connecting the Mixer Outputs before it joins the mix Listen Safely Please observe the following Output to an Amplifier To play the mixer s output signal through your speaker system for events such as parties dances conferences etc connect an audio patch cord not supplied from the mixers AMP L and R jacks Do not listen at ext
14. f decrease the REPEAT control To vary the time in between the repeats increase or decrease the DELAY control To adjust the output level of the echo increase or decrease the LEVEL control Using the Sound Effects PYD1939 and PYD1949 There are eight pre programmed sound effects for your selection Press and hold any button to eos a sound which is added to the mix The sound will play continuously until you release the utton The SPEED control lets you raise or lower the pitch of the sound effect and the VOLUME control allows you to increase or decrease the effect s volume level within the mix Using the Digital Sampler PYD1959 The PYD1959 mixer contains a digital sampler circuit which can record 5 different samples to the internal recording IC These samples can then be assigned to CH 1 CH 2 CH 3 CH 4 and the MIC ee for fi aa At the time of playback the SPEED control can be adjusted to change the pitch of the sample Follow these steps to record a sample 1 Play the audio source for recording as a sample 2 While it is playing press the desired cue sample channel assign button i e CH 1 CH 2 CH 3 CH 4 or MIC 3 To record the source to that channel set the SAMPLER MODE switch to the RECORD position and press the START STOP button to begin recording The LED will go on indicating recording is in progress To stop recording press the START STOP button again Please note that the recording IC is limited to 12 second
15. he Gain Controls Using the Crossfader w Assign Switches Connecting the Mixer s Outputs Using the Echo Controls pyp1929 and PYD1949 to Amplifiers Using the Sound Effects PYD1939 and PYD1949 to Recorders Using the Digital Sampler pyp 1959 to Zone Speakers Troubleshooting Using Headphones Care and Maintenance Connecting the Lamp Specifications Using the Mixer Controls Warranty Turning On the Mixer i 1 2 3 4 5 6 8 Input Output Features all models Effects Send Receive jacks permits you to either include externally generated effects such as a digital sampler or synth IN the mix or to process the mixed sound echo reverb etc Stereo Line Inputs let you connect most high level audio sources such as CD players tape deck tuner or VCR 00000000000 00 Go 263838335528 oo Output Jacks to connect the mixer to a E receiver or amplifier choose to use cables with either 1 4 plugs or RCA plugs Ground Screw for turntables MIC2 Microphone connector permits you to connect a Input Select Switches set these balanced or Dual Purpose Stereo Inputs for using a turntable with a magnetic cartridge OR a high level input source Zone Output Jacks to connect the mixer to a second receiver or amplifier powering speakers in the DJ booth or in a remote location switches based on what is plugged unbalanced low into Phono1 Linei and Phono2 Line3 impedance microphone Record Output Jacks to connect the input jac
16. i i E aa 7S 8 re fi Pirie ray 5 BNC Lamp Adaptor Allows you to connect a 12V 3W lamp to light the panel Power Switch and Red light Illumination O Equalizer On Off Switch Effect Switch Send Receive Lets you connect a sound effect device such as reverb sampler etc and either play the signal from it or play another input through it Headphone Level Control Headphone Jack Accepts headphones with 1 4 plug Headphone CUE PGM Control Allows you to listen simultaneously or separately to the CUE material or the active program m ez BNC Lamp Adaptor Allows you to connect a 12V 3W lamp to light the panel Power Switch and Red light Illumination Equalizer On Off Switch Effect Switch Send Receive Lets you connect a sound effect device such as reverb sampler etc and either play the signal from it or play another input through it Headphone Level Control Headphone Jack Accepts headphones with 1 4 plug Headphone CUE PGM Control Allows you to listen simultaneously or separately to the CUE material or the active program MIC Talkover Allows you to lower the level of the input sources so you can talk them using the DJ Mic MIC1 2 Level Controls Lets you control the MIC levels as they enter the mix MIC1 2 Tone Controls MIC Talkover Allows you to lower the level of the input sources so you can talk them using the DJ Mic MIC1 2 Level Controls Lets you con
17. ix NOTE Once you set this level we suggest you do not change it 4 If you add or change input sources adjust the corresponding MIC1 2 or CH1 CH2 CH3 or CH4 level control s to maintain the average reading of 0 on the Blue LED meters 5 To change the overall sound level adjust the RECEIVER AMPLIFIER NOT THE MIXER volume control to the desired volume 10 Pyle Pro Mixer Owner s Manual Adding Equalization to the Mix You can further tailor the sound processed through the mixer to match your acoustic surroundings or suit your personal preferences by using the ten frequency sliders for each channel To engage the equalization module press the Equalization On Off Switch The LED next to the switch will be illuminated indicated the EQ mode has been engaged Each one of the sliding controls boosts or cuts the selected frequency by up to 10 dB If you leave a Slider at the center 0 position the corresponding frequency range for that stereo channel will be left unaffected flat Please note that in order to provide a smooth range of control the frequency ranges overlap slightly Therefore for example if you raise the level in the 2K range the 1K and 4K ranges are also slightly affected Adding External Effects to the Mix To connect a sound effect device such as an echo reverb or digital sampler processor first connect the EFFECTS SEND jacks to the external device s AUDIO IN jacks using RCA type cables Then connect
18. ks with 1 4 plug mixer to a tape deck for recording the mixed program i Pyle Pro Mixer Owner s Manual Features and Controls PYD1919 Mixer MIC 1 Combo Input Jack For connecting a balanced or unbalanced low impedance microphone with XLR type or 1 4 plug MIC 2 Input Jack on input panel For connecting a balanced or unbalanced low impedance microphone with 1 4 plug MIC Frequency Kill Switches Allows you to kill the selected frequency range instantly for interesting effects LED lights to indicate kill is activated A jiji MIC Talkover Allows you to lower the level of the input sources so you can talk them using the DJ Mic MIC1 2 Level Controls Lets you control the MIC levels as they enter the mix MIC1 2 Tone Controls E Channel Gain Control Lets you adjust the gain of the input source Channel Input Selector Lets you choose the input source to play for each channel Channel CUE Switch Allows you to monitor the selected audio input source and prepare it prior to mixing it in Dual Display Meter Indicates the levels of Left and Right Master Channels 10 Band Equalizer Allows you to tailor the mixer output to suit your taste or performance environment Each frequency range can be cut or boost by up to 10dB BNC Lamp Adaptor Allows you to connect a 12V 3W lamp to light the panel Power Switch and Red light Illumination Equalizer On Off Switch Effect Switch Send Receive Lets you
19. necting a balanced or unbalanced low impedance microphone with XLR type or 1 4 plug oe areas Meter Indicates the levels of Left and Right Master Channels Master Level Control Lets you control mixer s overall volume level Channel Input Selector Lets you choose the input source to play for each channel Channel CUE Switch Allows you to monitor the selected audio input source and prepare it prior to mixing it in MIC 2 Input Jack on input panel For connecting a balanced or For connecting a balanced or unbalanced low impedance microphone unbalanced low impedance microphone with 1 4 plug pe Z Pay Meter Indicates the levels of Left and Right Master with 1 4 plug annels 10 Band Equalizer Allows you to tailor the mixer output to suit your taste or performance environment Each frequency range can be cut or boost by up to 10dB MIC 2 Input Jack on input panel Master M St Select aster Mono Stereo Selector Master Balance Control MIC Frequency Kill Switches Allows you to kill the selected frequency range instantly for interesting effects LED lights to indicate kill is activated MIC Frequency Kill Switches Allows you to kill the selected frequency range instantly for interesting effects LED lights to indicate kill is activated 10 Band Equalizer Allows you to tailor the mixer output to suit your taste or performance environment Each frequency range can be cut or boost by up to 10dB oe oe oe mw E E
20. onnection to the rest of the system receiver amplifier etc No signal from an e Check the control setting audio input e Check the connection between the mixer and the input source source Hum from PHONO e Check that the turntable s ground wire usually black or green is fastened securely to the GROUND SCREW on the mixer input panel Hum from other e Make sure there are no low level inputs connected to the LINE input jacks source Feedback is e Move the microphone further away from the output speakers or use a directional microphone present w Please complete warranty card detach and return W Care and Maintenance Your Pyle Pro Mixer is an example of superior design and craftsmanship The following suggestions will help you care for your mixer so you can enjoy years of use e Keep the mixer dry If it gets wet wipe immediately e Use the mixer only in well ventilated installations e Handle the mixer gently and carefully do not drop e Keep the mixer away from dust and dirt PYLE PRO Audio Inc 1600 63rd Street Brooklyn NY 11204 e Wipe occasionally with a damp cloth to keep it looking new Do not use harsh chemicals solvents or detergents Pyle Pro Mixer Owner s Manual 13
21. r the mixer output to suit your taste or performance environment Each frequency range can 10 Band Equalizer Allows you to tailor the mixer output to suit be cut or boost by up to 10dB your taste or performance environment Each frequency range can De cUL or DOOSE Dy Up se Lodi MIC 2 Input Jack on input panel For connecting a balanced or unbalanced low impedance microphone with 1 4 plug MIC 2 Input Jack on input panel For connecting a balanced or unbalanced low impedance microphone with 1 4 plug Zone Mono Stereo Selector Zone Balance Control Zone Balance Control Zone Mono Stereo Selector MIC Frequency Kill Switches Allows you to kill the selected frequency range instantly for interesting effects LED lights to indicate kill is activated MIC Frequency Kill Switches Allows you to kill the selected frequency range instantly for interesting effects LED lights to indicate kill is activated Zone Level Control Lets you control the mixer s overall ZONE volume level if you set up remote speakers or DJ booth monitors Zone Level Control Lets you control the mixer s overall ZONE volume level if you set up remote speakers or DJ booth monitors BERBER Pra A MLU lalkover Allows you to lower tne level of the input sources so you can talk them using the DJ Mic MIC1 2 Level Controls Lets you control the MIC levels as they enter the mix MIC1 2 Tone Controls jp E a in a g P F a i a i
22. r treble frequency range from the MIC channels by pressing the kill button for that range When the Kill mode is active the LED above the button will be illuminated Pyle Pro Mixer Owner s Manual 11 Using the Mono Stereo Mode Switch When the MASTER MONO STEREO switch is in the MONO position the mixer combines the right and left channels and sends them to the OUTPUT R and L jacks These combined outputs can be used by a monoaural amplifier such as a PA amp In the STEREO position right and left channels remain separate The mixer outputs can be used by a stereo amplifier or recorder The ZONE MONO STEREO switch works similarly except that its setting affects the ZONE R amp L Outputs Using the Crossfader with the Assign Switches For crossfading effects you can assign any of the four channels to either A or B sides of the crossfade mix using the Crossfade assign knobs When the crossfade slider is in the center position the two assigned channels play equally Sliding the control towards the A position will increase the level of A and fade out B proportionally to the Lahr a center Likewise sliding the control towards the B position will increase the level of B and fade out A Using the Echo Controls PYD1929 and PYD1949 The built in Echo effect is applied to the total mix To turn on the Echo mode and activate the DELAY REPEAT cycle press the ECHO ON OFF switch To change the length of time a sound is repeated increase o
23. remely high volume levels Extended to your receiver amplifier s left and right input jacks high volume listening can lead to permanent hearing loss Follow these guidelines to protect your hearing especially when using headphones This mixer features two kinds of output jacks for you to choose from RCA style and 1 4 type DO NOT USE BOTH SIMULTANEOUSLY Always start by setting the volume level to the lowest possible level before listening Output to a Tape or Digital Audio Recorder To play the mixer s output signal through your speaker system for events such as parties dances conferences etc connect an audio patch cord not supplied from the mixers REC L and R jacks to your receiver amplifier s left and right input jacks Put headphones on and then gradually increase the volume as necessary Once you set the volume level do not increase it Over a period of time your ears adapt to a volume level and there is a temptation to increase it Even though such an increase may not cause discomfort it might still damage your hearing Stereo Headphones Zone Output To monitor the mixer output to a second set of speakers in the DJ booth or in a remote location connect an audio patch cord not supplied from the mixers ZONE L and R jacks to your secondary amplifier s left and right input jacks Connecting the Lamp 12v 3W lamp If you wish to intall a console lamp not supplied simply insert the CAUTION
24. tening to CUE material to the playing PROGRAM sound You can also listen to both simultaneously by moving the Headphone CUE PGM control to a point midway between the two ends PYD 1939 and PYD 1949 These models also have an F X CUE for you to monitor the sound effect being applied PYD 1959 This model has an additional CUE on the sampler module for you monitor the sampled signal being applied To monitor a sampled signal press the SAMPLE ASSIGN button for the channel to which the sample has been saved and then press the SAMPLE CUE button to audition this sound Mixing the Inputs There are a maximum of ten input sources available at one time including two microphone inputs Both microphone input sources are always available as part of the mix if desired Each of the four audio channels can be linked to two different input sources and one of these sources for each channel is available for mixing Turn on all the available audio sources and be sure they are providing sound before continuing 1 Select the Channel Input Selectors for each channel choose the audio sources you want to mix for each channel i e choose PHONO1 LINE1 or LINE2 2 Set the Mic and Channel Level controls all to within the 8 10 range 3 Slide the MASTER volume control toward 10 until you get an average reading of 0 on both Output Level LED Meters The output level displayed in the meters represents the TOTAL output from all the channels supplying audio to the m
25. trol the MIC levels as they enter the mix MIC1 2 Tone Controls Zone Balance Control L ECHO Level Control Controls the depth of the echo effect i r p Zone Mono Stereo Selector ECHO Repeat Control Lets you control the time period during which the echo is repeated Zone Level Control Lets you control the mixer s overall ZONE volume level if you set up remote ECHO Delay Control Lets you adjust the delay time for speakers or DJ booth monitors the echo ECHO On Off Switch Sound Effect CUE Switch Lets you monitor the selected sound effect before mixing it in Sound Effect Volume Control Lets you control Zone Level Control Lets you control the mixer s overall ZONE the volume level of the sound effect within the mix volume level if you set up remote speakers or DJ booth monitors Sound Effect Speed Control Lets you control Zone Mono Stereo Selector the pitch of the selected sound effect Digital Sound Effects Selectors Lets you create special sound performance mixes from the eight preprogrammed special effects Zone Balance Control Master Level Control Lets you control mixer s overall volume level Master Mono Stereo Selector Master Balance Control Channel Assign Switch Lets you select the input source to be mixed Channel Assign Switch Lets you select the input source to be mixed by the Crossfade Slider Control by the Crossfade Slider Control Crossfade Slider Control Allows you to smoothly switch between
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