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Peavey 212s User's Manual

1. Parameters Send The Send Send Level p jacks Range is 0 100 Dir The Dir Direct Level parameter determines the level of the direct signal that is mixed with the input from the effect loop returns Range is 0 100 Rin The Rtn Return Level parameter determines the level of the signal that is returned to the effects chain Range is 0 100 Sum The Sum Summed Return Level parameter turns ON and OFF an analog switch that sums the stereo retums with the analog output from the digital effects rameter determines the level of the signal that is sent to the Effects Send Splitter Bi Amp SP The splitter bi amp effect enables you to split the stereo signal into two separate chains placing different effect types on each chain The signal following the splitter is MONO and only appears one channel Therefore note that the signal on the LEFT path top line only passes through the LEFT half of effects following the splitter and the signal on the RIGHT path bottom line only appears on the RIGHT channel of effects following the splitter High Pass Filter E Effects gt Left Out Effects Balance 3 Effects Right Out Low Pass Filter Splitter Bi Amp Parameters Mode There are two modes available SPLITTER and The Bal Balance parameter controls the right left balance of the splitter output This works like a normal stereo balance
2. Setting the Scale factor to a negative number flips the controller output so that increas controller values decrease the value of the controlled parameter VOLUME CONTROL DURING PERFORMANCE The TransFex Pro 2125 will respond to MIDI volume change me are global That is they affect the unit even after the program is changed A CV pedal assigned to controller 7 will act as a MIDI volume pedal You can reassign the volume to a different control number if you wish Volume can also be controlled from the front panel but this is not usually done during performance See chapter 4 ages controller 7 These changes Chapter A Using MIDI There are four major functions that can be performed via MIDI on the TransFex Pro 2125 change Programs s change effect parameters during performance via Continuous Controller messages store presets on via MIDI system exclusive messages and remotely edit and store any user accessible Iso be set up to transmit Banl remote storage devic parameter using special Remote Editing SysEx messages The TransFex Pro 2128 cana MIDI program change messages when a new program is selected from either the front panel or via MIDI TRANSMIT AND RECEIVE CHANNELS annels The unit can be set MIDI me 10 transmit messages on any of these channel all sixteen channels To change the channel the unit receives appears as below ges are transmitted and received on one of sixteen differe
3. editing refer to Appendix A Individual Effects 1 Press the Play button and use the Y and A butions to select the preset you want to edit The preset name number in this example is SmoothLead U6 De SmoothLead U6 2 Press the Edit button one time By using the Add Del Button you can remove effects from the chain or add effects By positioning the cursor on arrows or signs and using the Y and A buttons you can change rom series to parallel connection of effects Also if the Edit button is pressed while the cursor is positioned on an arrow or sign the output level of the effect can be adjusted This can be helpful in preventing the overdriving of one effect into another CH TB HG DL 3 Position the cursor under the effect you want to edit Use the left and right arrow buttons to move the cursor i Press the Edit buton again Atk Fast CCOMPRS Atk Rel Sus Lev Hat 5 Position the cursor under the parameter you want to change Use the left and right arrow buttons to move the cursor Change the value using the V and A buttons Go ahead experiment Repeat steps 3 through 6 until all changes are made 8 Now it s time to store the changes you made you don t want to lose your changes do you 9 Press the Store button STORE CSmoothLead TO U6 SmoothLead 10 From this display it is possible to change the name of the preset and set the storage location 1L
4. 26 5 8 inches 11 1 4 inches 20 3 4 inches 75 pounds THIS LIMITED WARRANTY VALID ONLY WHEN PURCHASED AND REGISTERED IN THE UNITED STATES OR CANADA ALL EXPORTED PRODUCTS ARE SUBJECT TO WARRANTY AND SERVICES TO BE SPECIFIED AND PROVIDED BY THE AUTHORIZED DISTRIBUTOR FOR EACH COUNTRY Ces clauses de garantie ne sont valables qu aux Etats Unis et au Canada Dans tour les aulres pays los clauses de garantie et de maintenance sont fixees par le distributeur national et assuree par lul selon la legislation envigueur Diese Garantie ist nur in den USA and Kanada guitig Alle Export Produkte sind der Garantie und dem Service des Importeurs des jewelligen Landes unterworfen Esta garantia es valida solamente cuando el producto es comprado en E U continentales o en Canada Todos los productos que sean comprados en el extranjero estan sujetos a las garantias y servicio que cada distribuidor autorizado determine y ofrezca en los diferentes paises PEAVEY ONE YEAR LIMITED roa WARRANTVIREMEDY PEAVEY ELECTRONICS CORPORATION PEAVEY warrants this product EXCEPT for cavers footswiches petchcords tubes and meters to be ree trom defects in material and workmanship fora period of one 1 year from date of purchase PROVIDED however that this limited warranty is extended to the original retail purchaser and is subject to the conditions exclusions and limitations hereinafter set forth PEAVEY 90 DAY LIMITED WARRANTY ON TUBES AND METERS It thi
5. 22 T Dynamics Control Adjusts the power level of theamplifier from 10 percentto 100 percent power When setto lower settings the power compression simulation will be much more pronounced 23 Power Switch This switch is used to turn the TransFex on off To tum it on Hip the switch to the on position stem exclusive functions or store functions THE BACK PANEL 24 25 26 27 28 St 32 33 34 Line Cord 120V units only For your safety we have incorporated a three wire line mains cable with proper grounding facilities It is not advisable to remove the ground pin under any circumstances If it is necessary to use the amp without proper grounding facilities suitable grounding adaptors should be used Greatly reduced shock hazard exists when the unit is operated with the proper grounded receptacles Ground Switch Three position rocker type switch which for most applications should be operated in the center zero position If hum or noise is noticed coming from the speaker with the ground switch in the center position place the ground switch to positive or negative or to minimize hum should a hum noise problem continue consult your authorized Peavey Dealer the Peavey Factory or a Qualified Service Technician Note The ground switch is not functional on 220 240 volt models MIDI Out Thru Used to transmit program changes and system exclusive information to an e
6. 4 gt Distortion La gt Parameters Dr The Dr Drive parameter controls the amount of distortion by pre filtering and boosting the input signal Range is 0 100 The Ps Post Gain parameter is used to reduce the signal level to prevent overdriving the EQ section of the effect Range is 0 100 Fi The Ft Fat parameter controls the low frequency gain Parameter range 150 Hd Ed Edge parameter controls the high frequency gain Range is 50 Bd The Bd Body parameter controls the mid frequency gain Range is 50 Sb The Sh Shif parameter is used to select the center point of the mid frequency range The shift frequency is adjustable from Hz to 900 Hz in 10 Hz increments Kv The Rs Resonance parameter adjusts the bandwidth of the midrange frequency Range is 0 1 to 4 9 Overdrive OD The Overdrive effect consists of an overdrive type digital distortion Overdrive is a mono effect Pre Drive Level J Pres 2 x SOR EQ d Clipper Lo Roll L Parameters LR The LR Low Rolloft parameter is used to adjust the overall tone by rolling off the low fr Range is NORML and 0 1 to 1 9 kHz PD The PD Pre Drive parameter is a gain control used to overdrive the signal Range is 1 10 Ck The CM Clip parameter is a solt clipping control which provides increased sustain Reducing the clip level increases the sustain Range is 0 99 quencies
7. Note As the clip level is reduced the overall output level of the overdrive is reduced Therefore very low clip levels will require a large increase in output volume This can greatly decr of the effect and inerease noise ase the dynamic range lu The Lv Level parameter adjusts the output level of the Overdrive effect Range is 0 100 Chorus Flanger CP The versatile Chorus effect allows for generation of all the common modulated effects Chorus Flange Doubling and many uncommon effects The Chorus effect can create a stereo effect from a mono input maintain the stereo integrity of a stereo input Feedback Flange Mix d Left Output Left o MA EX Input T OL Rate LFO Depth 23 uv Delay Right i es Input SJ Feedback Flange Mix O Right Output Parameters The Rt Rate parameter controls the chorus rate Range is 0 9 9 Hz Dp The Dp Depth parameter controls the chorus depth Range is 0310096 DL The DI Delay parameter controls the width of the Chorus modulation Range is 0 28 9 ms Fb The Fb Flange parameter is used to create flange effects Range is 99 The Mx parameter sets the direct effect mix Range is 100 Some setting examples produce a Chorus effect try setting To produce a Doubling effect try setting Rt 14 Rt 2 1 Hz Dp 31 Dp 13 D 30 ms DI 15 8 ms Fb 0 Fb 11 Mix 50 Mix 69 To produce a F
8. DPM 3 or other sequencer or computer equipped with MIDI and the appropriate software The TransFex Pro 212s can dump f the user presets sets of ten presets or individual presets When reloading sets or individual presets they can be loaded back to where they originated or into any other set or preset location Presets can even be reloaded directly into the edit buffer MIDI SysEx functions are in the MIDI menu under the Global bution Press the Global button several times until the MIDI menu appears Recu Ch 1 CMIDII RC TC TP DP LP 0515 in the MIDI menu D To dump a single preset to an extemal storage device or another TransFex Pro 212s display press the right or left arrow button until the cursor is under DP Dump Dume Prst Ul EXECS RC TC TP DP LP 05 LS Use the or A buttons to select the preset 4 128 Prst All or Edit Buf to be dumped Press the Store Exec button to execute the dump The display will briefly show SYSER DUMP in Progress Note The MIDI transmit channel of the TransFex Pro 212s must be set the same as the MIDI receive channel on the external device unless the external device is set to OMNI The TransFex Pro 212s can also dump sets of presets The sets are arranged as follows Set 0 09 Set 1 10 19 Set 2 Set 3 Set 4 Ser 5 Set 6 Set7 Set 8 Set 9 90 99 Set 10 100 109 Set 11 110 119 Set 12 120 127 To dump a set of presets to an external device or another TransFex
9. To change the name Press the left arrow button until the cursor is under the first character of the name then use the Y and A buttons to change the character 12 Tochangethe storage location Press the left arrow button until the cursoris under the storage location then use the and A buttons to select the new user storage location 13 That ssfully edited and stored a pres it You have just su Congratulations Program Mapping Program mapping is a convenient system that allows factory and external presets with optional ram cartridges when any particular MIDI program change is sent For example you could set up MIDI program change 0 to correspond to preset UO user 0 then MIDI program change 1 to correspond to preset Factory 6 then MIDI change 2 to also correspond to preset F6 then MIDI program change 3 could correspond to preset U3 simply by not changing iD and so on This way you don t have to make copies of patches in order to call them up with more than one MIDI program change you to call up any of the internal user and Another useful feature of program mapping is that you can now edit every occurrence of a preset in the whole program map scheme in other words if you had your favorite patel preset UQ andl you had it mapped to programs A0 A10 A20 A30 so it was the first program in each bank and you decided to change it all you d have to do is change it once Then all the other mapped occ
10. may be loaded as 1 byte or 2 bytes of data 1 Rate Tenths 2 Depth 3 Delay units may be loaded as 1 byte or 2 bytes of data Delay tenths 5 Feedback 0 200 gt 100 to 100 6 Mix 0 200 gt 100 to 100 FX TYPE 5 Delay PRAM 0 Left mono Delay low byte may be loaded as 1 byte or 2 bytes of data Left mono Delay high byte Left mono Feedback Right Delay Cow byte may be loaded as 1 byte or 2 bytes of data Right Delay high byte Right feedback fix 0 200 gt 100 to 100 Tape Sim Delay Type high aybble tape sim freq low nybble delay type FX TYPE amp Pitch Shift 1 PRAM 0 Pitch 0 24 gt 12 10 12 i Cents 0 100 gt 50 to 50 2 Feedback E Left Mix 4 PreDelay Length 5 Right Mix 6 Input Pan O full right 100 full left 7 Pitch Shifi2 PRAM 0 Pitch 0 24 gt 12 to 12 1 Gents 0 100 gt 50 to 50 2 Feedback 3 Let Mix PreDelay Length Right Mix 6 Input Pan 0 full right 100 full lef amp Reverb PRAM Q Type Size Time seconds may be loaded as 1 byte or 2 bytes of data Time tenths Damping Mix Gated Reverb Time Pre Delay FX TYPE 9 Classic EQ PRAM 0 1 Low Gain Mid Gain Mid Shift High Gain EX SA 5 Band Graphic Equalizer PRAM a es 100 Hz Gain 0 48 gt 12 to 12 in 5 steps 330 Hz Ga
11. 0 100 To understand what the Scale feature can do it is important to understand how continuous controllers affect the parameters to which they are assigned In the TransFex Pro 212s continuous controllers vary individual parameters about their programmed value For example Reverb mix is variable from 0 to 100 Let s say the mix is set to 50 in the current preset If a continuous controller is assigned to this parameter the parameter will be varied about that nominal value A MIDI controller value of 52 which is in the middle of the range of controller values will correspond to the programmed value for that parameter in the preset in this case 50 Controller values above or below 52 will change the value of the affected parameter accordingly The amount of change is controlled by the Scale factor The Scale factor is percentage of the total range of values for a specific parameter and may be set from 0 to 100 For instance in the case of the Reverb mix parameter which has range of 0 to 100 scale factor of 30 would allow a maximum change of plus or minus 30 since 30 of 100 is 30 With the parameter set to 50 it could be varied from 20 50 30 to 80 50 30 MIDI controller value 0 would result in a mix level of 20 MIDI controller value 52 would result in a mix level of 50 the pro grammed value MIDI controller value 127 would result in a mix level of 80 and all values between 0 and 127 would be scaled accordingly
12. Pro 212s In the MIDI menu display press the right or left arrow button until the cursor is under DS Dump Dume Set Ui EXEC TE TP DP LP DS LS Use the Y or A buttons to select the set 0 12 10 be dumped Press the Store Exec button to execute the dump The display will briefly show SYSEX DUMP in Progress Note The MIDI transmit channel of the TransFex Pro 212s must be set the same as the MIDI receive cha on the extemal device unless the external device is set to OMNI LOADING SETS OR PRESETS TO THEIR ORIGINAL LOCATIONS load sets or presets to their original locations from an externa storage device or another TransFex Pro 212s set the MIDI receive channel to match the MIDI send channel on the external storage device or other TransFex Pro 212s Then send the set or presets to the TransFex Pro 212s That s all there is to it Note See the owner s manual of the storage device for instructions on sending MIDI dumps LOADING SETS OR PRESETS TO NEW LOCATIONS To load sets or presets to a new location set the MIDI receive channel to match the MIDI nd channel on the external storage device or TransFex Pro 212s Then select LP Load Preset if loading a preset to new location or LS Load Set if loading a set to a new location Select the new location Then send the preset TansFex Pro 212s or set to the Note The MIDI receive channel of the TransFex Pro 212s must be the same as the channel the data was
13. Reverb RV The versa ile stereo Reverb effect contains eight types of reverb each with fully adjustable parameters Rererb Types PLATE Produces a smooth reverb similar to that achieved with plate reverbs TUNNEL Produces the many echoes associated with the acoustics with plate reverbs 4 SPRING Simulates the reverb produced by a spring reverb machine ROOM Produces the ambience of a live room STAGE Produces the ambience associated with a club stage HALL Produces the reverberation ambience associated with a concert 3 4 GATED Produces a smooth rolling reverb that cuts off sharply rather than d 4 REVRS Produces a reverb that builds from a quiet attack to a sharp decay giving the impr of an instrument sound being played in reverse Pre Delay Reverb Parameters Iy The Ty Type parameter selects the type of reverb desired Select PLATE TUNNEL SPRING ROOM STAGE HALL GATED or REVRS The parameters will change depending on the type of reverb selected 52 The Sz Size parameter determines the size of the reverb being used Range is SMALL MEDIUM LARGE or HUGE This parameter is not available when using the GATED or REVRS reverb type PD The PD PreDelay parameter determines the amount of delay that is to be added before the reverberations begin Range 0 46ms This parameter is not available when using the GATED or REVRS reverb type Tim The Tm Time parame
14. Schlag verursachen zu k nnen Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam machen dic Handhabung und Wartung des Produkts betreffen VORSICHT Risiko Elektrischer Schlag Nicht ffnen VORSICHT Um das Risiko cines elektrischen Schlages zu vermeiden nicht die Abdeckung enfernen Es befinden sich keine Teile darin die vom Anwender repariert werden k nmen Reparaturen von qualifiziertem Fachpersonal durchf hren lassen Dieses Symbol soll den Anwender vor unisolierten gef hrlichen Spannungen innerhalb des Geh uses warnen die ACHTUNG Um einen elektrischen Schlag oder Feuergefahr zu vermeiden sollte dieses Ger t nicht dem Regen oder Feuchtigkeit ausgesetzt werden Vor Inbctricbnalime unbedingt dic Bedienungsanleitung lesen Contents Introduction Features om 5 About this Manual Chapter I Setup The Front Panel usss T 7 The Back Panel 7 e e 10 The First Time You Turn It On Reinitialization DI Adjusting The Global Input And Output Levels and Global D cl Export Back Chapter 2 Overview Getting Started Ges e 9 Sieten 2 Preview the Sounds from the Front Panel 12 Definitions and Abbreviations 12 Definitions ius 12 Abbreviations 9 Race EE Chromatic Tuner 7 EE Chapter 3 Editing Programs 15 Play Mode e Hum TE sd
15. There are two banks of 128 programs in the unit s memory Bank A and Bank B A third bank C becomes available when the optional RAM cartridge is installed Program banks can be changed on the front panel by incrementing the program above 127 or below 0 while in play mode or by sending MIDI bank select message to the unit The format of the MIDI bank select message is BO 00 00 20 00 01 02 all numbers in hexadecimal where BO 00 MIDI continuous controller 0 bank select 00 bank high byte always 0 20 MIDI 2 byte data indicator 00 01 02 00 selects Bank A 01 selects Bank B 02 selects Bank C MIDI bank select command will tell the unit to switch to a program in the new bank the next time the program is changed either via MIDI program change or from the front panel To set up the presetto program map see chapter 2 MIDI CONTINUOUS CONTROLLERS Many of the factory presets in the TransFex Pro 212s have MIDI continuous controllers assigned to them The controller assignments are set up to take advantage of the General Purpose Controller messages transmitted by an optional MIDI foot controller Continuous controllers make temporary changes to effect parameters depending upon the value of the controller message received These changes are only made in the DSP and not in Preset memory or the edit buffer Continuous controllers are not intended for sound editing but only for variation during performance For a description of how to ass
16. d13 or de emphasize 18 the particular band Ranges is 24dB to 12dB Fra 2 Channel Mixer MX The 2 Channel mixer can be used to combine any portion of Left and Right signals and send these mixed to its Left and Right output Parameters Lk The Lin Lout parameter will set the percentage of the left input signal that will be sent to the output Ly The Lin Rout parameter will set the percentage of the left input signal that will be sent to the right output Ai The RinLout parameter will set the percentage of the right input signal that will be sent to the left output Rr The RinRout parameter will set the percentage of the right input signal that will be sent to the right output Coil Tap CT The Coil Tap effect is a special digital filter which can be used to emphasize or de emphasize harmonies Parameters Fg When the phase parameter is set to a positive number the Fq Frequency parameter controls the amount of harmonics being emphasized When the phase parameter is set to negative number the harmonics are de emphasized Range is 1 10 Ph The Ph Phase parameter is used toselect the emphasis orcle emphasis of harmonics Setting the Phase to positive number will emphasize harmonics while setting the Phase to a negative number de emphasizes the harmonics Range is 100 Exciter EX The Exciter effect uses a distortion technique to add harmonics Using this technique does not in fact re
17. each of these be set to recall presets from either user preset memory factory preset memory or from the cartridge The cartridge also provides a third program bank Bank Abbreviations Effect Types MX Compressor cr Ds Distortion E OD Overdrive EF Envelope Filter cr Chorus Flanger PN Pan DL Delay ss Pi Pitch Shift 1 ST P2 Pitch Shift 2 NG Noise Gate RV Reverb FX Effects Loop cQ Classic Equalizer 5 Splitter Biamp 5B 5 Band Graphic Equalizer TB TransTube Preamp 3B 3 Band Sweep Mid Equalizer TR Tremolo 4B 4 Band Parametric Equalizer RS Rotary Speaker PH Phaser CHROMATIC TUNER The TransFex Pro 212s comes with a chromatic tuner to allow you to tune your guitar using the front panel display The tuner is also accessible from the PFC 10 MIDI foot controller To access the tuner v Chromatic Tuner 1 From Play mode press the Global button one time The following screen should be displayed ACCESS TUNER TUNER Tune Mode FERECE 2 Press the Store Exec button to access the Tuner or move the cursor under Mode to change the Tuner mute status To change the Tuner mute status use the A buttons to change between Bypass and Muted Mode MUTED TUNER Tune Mode 3 Pressing the Play Edit or Global buttons will exit the Tuner into one of those particular pages Note When entering the Tuner mode any changes made while editing a preset
18. in brackets Using the A or Y buttons change the preset name Once the preset name is what you want you will need to store the preset in a preset location To do this press the Right or Left Arrow button until the cursor is under the preset number Use the or Y buttons to select the new preset location Note If you do not want to store your changes over the existing preset press the Edit or Play buttons at this time to abort the command Press the Store Exec button to store the new preset The display will briefly show STORE COMPLETE TO 56 Smoothlead MAPPING PRESETS TO PROGRAMS Any program from any bank can map to or call up any preset In performance this is an extremely handy feature To change which preset is called by the program currently selected press the right arrow button so that the cursor is flashing under the preset name Use Y or buttons to select the preset you desire to have mapped to this program Changes are automatically stored so this is all you have to do Press the left arrow button to select the program switch to the next program and set it up by repeating the above steps When a RAM cartridge is installed programs in Banks A or B can be programmed to point to presets stored on the cartridge If at a later time the cartridge is removed and this program is selected the display will show Az H CART CH33B 0D RU The sound being played will not change You should re
19. in program bank A The number following it is the program number The tis stored in user name is the name of the preset which that program points to The U indicates that this pres preset memory and the number is the number of the preset On the bottom line of the display are the first five effects in the effects chain If the chain is longer than 6 effects the others will not be shown In this case the chain is Transtube preamp in series with the parallel combination of Pitch Shift in parallel with Pitch Shift 2 in series with the Noise Gate in series with Delay Note Lower case letters indicate that the effect has been bypassed CREATING A CUSTOM MULTI EFFECT CHAIN The first step tocreating a custom preset is selecting an existing preset that is similarto it then changing adding or deleting effects until you have the chain you desire The next step is to edit the parameters of the effects in the chain Recall a preset in PLAY mode as described previously Press the Edit button to edit the chain Delete unwanted effects by moving the cursor under the effect using the Left and Right arrows and pressing the Add Del button You can change effects to another type by placing the cursor under the effect and pressing the A or V buttons You can add new effects in the chain by placing the cursor on the PATH INDICATOR Carrow or plus sign between any two effects and pressing the Add Del button Effects can also be added at
20. of 500 00 or an amount equal to the purchase price of the product that caused tne damage or that is the subject of or is directly related to the cause of action Such purchase price that in affect for the specific product when the cause of action arose This limitation liability will not apply to claims for personal injury or damage to real property or tangible personal properly allegedly caused by Peavey s negligence Peavey caes net assume liability for personal injury or property damage arising out of or caused by non Peavey alteration or attachment nor doss Peavey assume any responsbilty for damage to interconnected nen Peavey equipment that may result from the normal functioning and maintenance o the Peavey equipment UNDER NO CIRCUMSTANCES WILL PEAVEY 8E LIABLE FOR ANY LOST PROFITS LOST SAVINGS ANY INCIDENTAL DAMAGES OR ANY CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PRODUCT EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY SUCH DAMAGES THESE UM TED WARRANTIES ARE IN LIEU OF ANY AND ALL WARRANTIES EXPRESSED OR IMPLIED INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR USE PROVIDED HOWEVER THAT IF THE OTHER TERMS AND CONDITIONS NECESSARY TO THE EXISTENCE OF THE EXPRESSED LIMITED WARRANTIES AS HEREINABOVE STATED HAVE BEEN COMPLIED WITH IMPLIED WARRANTIES ARE NOT OISCLAIMED DURING THE APPLICABLE ONE YEAR OH NINETY DAY PERIOD FROM DATE OF PUR
21. respectively When the sensitivity is positive the frequency values correspond to the frequency range 100 Hz to 2 kHz Rs When the Bandpass filter type is selected the Rs Resonance parameter is used to adjust the amount of the Bandpass filter Range is narrowest to 100 widest When the Lowpass filter elected Resonance adjusts the steepness of the filter cutoff The Ty Type parameter d to select the filter type Select LP Slo owpass slow LP Fst Cowpass fast BP Slo bandpass slow or BP Fst bandpass fast Mx The Mx Mix parameter is used to control the direct effect mix at the output of the effect Range is 0 100 s Range with Auto Pan PN The Auto Pan effect is used to pan the output signal between the Jeft and right outputs The panning rate and depth are both user selectable The Auto Pan is a stereo effect Depth Left Output i Le LFO E Depth Right Output Parameters Ri The Rt Rate parameter selects the speed at which the signal pans between the two outputs Range is 0 0 99 9 Hz Dp The Dp Depth parameter determines the amount of signal being panned Range is 0 100 Selecting a depth setting of 1096 would yield a less defined pan and setting the depth to 90 would result in a deep panning from side to sick Speaker Simulation 88 The TransFefx Pro 212s has four stereo speaker simulation curves 2x12 Open Simulates t
22. the mode Clean Crunch Lead parameters Passive EQ Bs The Bs Bass parameter adjusts the amount of low frequencies present in the audio signal Range is 0 100 When TB is present in a chain turning the Bass knob will alter this parameter s value even if you are not directly editing the TB parameters Mi The Mi Middle parameter adjusts the amount of midrange frequencies present in the audio signal Range is 0 100 When TB is present in a chain tuming the Mid knob will alter this parameters value even if you are not directly editing the TB parameters Tr The Tr Treble parameter adjusts the amount of high frequencies present in the audio signal Range is 0 100 When TB is present in a chain turning the Treble knob will alter this parameter s value even if you are not directly editing the TB parameters Ps The Ps Presence parameter determines the amount high frequency boost or cut Range is 30 Ultra parameters Active EQ Bt The Bt Bottom parameter adjusts the amount of low frequencies present in the audio signal Range is 50 When TB is present in a chain turning the Bass knob will alter this parameter s value even if you are not directly editing the TB parameters Bd The Bd Body parameter adjusts the amount of midrange frequencies present in the audio signal Range is 50 When TB is present in chain turning the Mid knob will alter this parameters value even if you are not directly editing the TB parameters F
23. the beginning and end of the chain in the same manner You can change the path between the two effects An arrow means that the two effects are in series a plus sign indicates that the two effects are in parallel If the two effects are in parallel the output level must be reduced to prevent clipping later effects IF two effects are in parallel the output level must be reduced by 50 if three effects are in parallel the output level must be reduced by 33 ete With the cursor under the path indicator and Y buttons will change the path If you are using a Splitter to split the right and left channels into separate effect chains the left path is on the upper line and the right path is on the lower line Moving the cursor past the last effect on the upper line will move it down to the first effect on the line EDITING INDIVIDUAL EFFECT PARAMETERS Each effect type has one or more parameters that control the sound of that effect See Appendix A for effect details To edit the individual effect s parameters place the cursor under the elfect you wish to edit and press the Edit button once The value of the first parameter and the effect name will appear on the ect parameters appear on the bottom line The cursor will meter Using ing edit again top line of the display list of abbreviated be flashing under the first parameter Using the or Y buttons will change the value of the pa the Right orLeft Arrow buttons
24. will move the cursors to other parameters forediting By pre the display will return to the effects chain display EFFECT LEVEL CONTROL By placing the cursor under the path between any two effects and pressing the Edit button you will be able to control the output levels of each effect block CM3TB2SNGSDL You may now adjust the output level of the effect immediately preceding the cursor position as shown COMPRESSOR OUTPUT LEVE 186 Using the or V buttons vary the effect level until the desired level is obtained You can use the Right or Left Arrow buttons to switch between the various effect output in the chain When done adjusting the levels press the Edit button again to return to the chain edit screen lev COMPARING YOUR SOUNDS TO OTHER PRESETS While in any edit mode a Compare mode is available which will allow comparison between the presets currently being edited and any one of the factory or user presets Pressing the Compare button will toggle in and out of Compare mode Pressing the A or buttons will allow you to select any preset to compare against You can now use the Compare button to toggle back and forth between the sound you are editing and the chosen preset STORING YOUR PRESET Press the Store Exec button and the store display will appear STORE Smoothlead 1 TO US Smoothlead Press the Right or Left Arrow buttons until the cursor is under the first letter of the preset name
25. Bass Knob Preamp Mid Global Midrange Knob Prcamp High Global Treble Knob Post Gain Global Output Level Knob Knobs 2 6 are dual purpose knobs When a preset contains the TransTube TB effect in an effects chain these knobs when ch anywhere other than the GLOB page adjust the Pre Gain Low Mid High and Post Gain respectively of the TransTube circuit When the TransTube effect is not present in an effects chain these knobs adjust the Input Level Low Mid High and Output Level on a global scale This means that all presets are affected by these settings 7 PreGain Global Input Level LEDs When in doubt about whether you are adjusting the TransTube or the Global settings just look at the front panel Right by the Pre Gain knob you will see two LEDs one located by Pre Gain and one located by Global Input Level Notice that only one is lit at any given time By glancing at these LEDs you can instantly determine whether you are changing the TransTube or Global settings If the LED by Pre Gain is lit you are adjusting the TransTube s pre and post gain and FQ If the LED by Global Input Level is lit you are adjusting the Global input output and EQ gown 10 11 12 13 Assignable Active Clip LED This is a bicolor LED used to indicate normal activity and when clipping occurs The LED will glow green during normal activity and will glow when clipping occurs The clip
26. CHASE OF THIS PRODUCT SOME STATES DO NOT ALLOW LIMITATION ON HOW LONG AN IMPLIED WARRANTY LASTS DR THE EXCLUSION OR LIMITATION OF INCIDENTAL OF CONSEQUENTIAL DAMAGES SO THE ABOVE LIMITATIONS CR EXCLUSIONS MAY NOT APPLY TO YOU THESE LIMITED WARRANTIES GIVE YOU SPECIFIC LEGAL RIGHTS AND YOU MAY ALSO HAVE OTHER RIGHTS WHICH MAY VARY FROM STATE TO STATE THESE LIMITED WARRANTIES ARE THE ONLY EXPRESSED WARRANTIES ON THIS PRODUCT AND NO OTHER STATEMENT REPRESENTATION WARRANTY OR AGREEMENT BY ANY PERSON SHALL BE VALID CR BINDING UPON PEAVEY Inthe evant of any modification disclaimer of exprassed implied warranties or any limitation of remedies contained herein conflicts with applicable law then such medication disclaimer or limitation as the case may be shall be to ba modified to the extent necessary to comply with such lav Your remedies for broach of these warranties are limited to those remedios provided herein and Peavey Electronics Corporation gives this limited warranty only with respect to equipment purchased in the United States of America INSTRUCTIONS WARRANTY REGISTRATION CARD 4 Mail the completed WARRANTY REGISTRATION GARD te PEAVEY ELECTRONICS CORPORATION POST OFFICE BOX 2808 MERIDIAN MISSISSIPPI 39302 2898 a Keep tho PROOF OF PURCHASE In the event warranty service is required during the warranty period you wil neec this document There will be no identification card Issued by Peavey Electronics Corpo
27. D BE ACCURATELY COMPLETED AND MAILED TO AND RECEIVED BY PEAVEY WITHIN FOURTEEN 14 DAYS FROM THE DATE OF YOUR PURCHASE In order to obtain service under these warranties you must a Bring the defective item to any PEAVEY AUTHORIZED DEALER or AUTHORIZED PEAVEY SERVICE CENTER and present therowith the ORIGINAL PROOF OF PURCHASE supplies to you by the AUTHORIZED PEAVEY DEALER In connection with your purchase from him of this product It the DEALER or SERVICE CENTER is unable to provide the necessary warranty service you will be directed to the nearest other PEAVEY AUTHORIZED DEALER AUTHORIZED PEAVEY SERVICE CENTER which can provide such service OR b Shipthodofsctivo item propaid to PEAVEY ELECTRONICS CORPORATION Intemational Service Center 326 Hwy 11 amp 80 East MERIDIAN MS 39301 incluciing therewith complete detailed description of ho problem together with a legible copy of the original PROOF OF PURCHASE and a complete retum address Upon Peavey s receipt cl these tems If the defect is remedial uncer these limited warranties and the other terms and conditions expressed herein have been complied with Peavey will provide the necessary warranty service to repair or replace the product and will retum it FREIGHT COLLECT to you the purchaser Peavey slabilty to the purchaser for damages from any cause whatsoever and regardless of the form of action including negligence Is limited to te actual damages up to the greater
28. Gate 15 Effects Loop 16 Splitter 17 Transtube 18 Tremolo 19 Phaser 1 Rotary Speaker FF of Left top path Important note to programmers When adding a splitter to the chain add the splitter at the desired location then be sure to add an End of Left Path in the position following the last desired effect for the left path Right path effects follow this marker When deleting the splitter from the chain the end of left path marker must be replaced with an End of Chain marker before replacing the splitter with another effect Effects can be added to the current end of the effect chain or any existing effect can be changed to another type Any attempt to add an effect beyond the end of the existing chain or to duplicate an existing effect will be ignored by the unit FX IYPEl Compressor This command allows remote access to the Compressor parameters The data is stored as follows PRAM 0 Attack Time 1 Release Time 2 Sustain 3 Level Noise Gate Threshold 0 9 gt 1 10 FX TYPE 2 Distortion PRAM 0 Drive 1 Post Gain 2 Fat Bottom 3 Edge 4 Body 5 Shift 6 Resonance units may be loaded as 1 byte or 2 bytes of data 7 Resonance tenths FX TYPE 3 Overdrive PRAM 0 LoRollOff units X may be loaded as 1 byte or 2 bytes of data 1 LoRollOff tenths 2 PreDrive 3 Clip Level 4 Output Level FX_TYPE 4 Chorus PRAM 0 Rate units
29. LED can be assigned and placed anywhere within the effects chain to help run down overload conditions Display Window 20 2 line Liquid Crystal Display LCD with variable view angle adjustment for easy visibility Arrow Direction Buttons Used to navigate through the menus on the display Lefi Right Up ar Down and to inerease or decrease selected values Mode Button amp LEDs This button increases the number of TransTube gain stages When clean crunch or lead are selected the EQ is passive and you will use Pregain Pad Postgain Bass Middle High and Presence for editing the TransTube When ultra is used the EQ is active and Bass Middle High and Presence will be for editing the TransTube When ultra is used the EQ is active and Low Middle High and Presence change to Bottom Body Edge and Shift respectively Play Button This button is used to access the preset selections program mapping and program volume Edit Button This button accesses the editing functions for constructing new presets or editing existing ones Add Del Button This button is used to add or delete effects from an effects chain 15 Bypass Compare Button Dual function button used to compare two presets the one being edited to the original or to bypas the unit When editing a preset the Compare function is accessed when this button is pressed When in the play mode press the Play button to enter the play mode the Bypass
30. Owner s MANUAL 7TransFex Pra 2125 Midi Programmable Stereo TransTube Pre Amp Stereo TransTubo Power Amp Digital Stereo Processor Dual 12 Combo Speaker Enclosure TransFex Pra Midi Programmable Stereo TransTube Pre Amp Stereo TransTube Power Amp 24 bit Digital Stereo FX Processor Intended to alert the user to the presence of uninsulated dangerous voltage within the producer s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons ing and maintenance servicing instructions in the Intended to alert the user of the presence of important oper literature accompanying the product CAUTION Risk of electrica CAUTION To reduce the ri qualified service personnel shock DO NOT OPEN of electric shock do not remove cover No user serviceable parts inside Refer servicing to WARNING To prevent electrical shock or fire hazard do not expose this appliance to rain or moisture Before using this appliance read the operating guide for further warnings Este s mbolo tiene el prop sito de alertar al usu aislamiento deniro de la caja del producto que puede tener una magnitud suficiente como para corrientazo de la presencia de voltaje peligroso que no tiene istituir riesgo de te s mbolo tiene el prop sito de alertar al usario de la presencia de instruccones importantes sobre la operaci n y mantenimiento en la lite
31. POLY Mode 2 OMNI ON Mode 3 OMNI OFF POLY Mode 4 OMNI OFF 0 Yes X No Appendix C System Exclusive Format The following is the format for the System Exclusive dump and load requests FO 00 00 1B 09 05 rs ch em nn data cksum data cksum Af Where rs reserved for future use ch MIDI receive channel cm MIDI command See Table of Commands nn number of selected User Preset or Set Include only for Dump One Preset Dump One Controller or Dump Set requests Do not include in Dump All Presets Controllers or Programs dati parameter data included only in load messages cksum modulo 128 checksum included only in load messages Note For valid SYSEX DUMP requests the data and checksum is not included Table of Commands Note All numbers are in hexadecimal cm nn 00nn Dump One Preset nn 00 7F including continuous controllers 02nn Dump Preset Set nn 00 OB including continuous controllers 04 Dump All Presets nn not included including continuous controllers 06 Dump Programs 0E Dump Edit Buffer Dump One Preset Dumps one preset s parameter data and continuous controllers Dump Preset Set Dumps ten preset s parameter data and continuous controllers Dump Ail Presets Dumps all 128 user presets parameter data continuous controllers and the program volume map Dump All Programs Dumps the program volume map Dump Edit Buffer Dumps con
32. T path top line only passes through the LEFT half of effects fallowing the splitter and the signal on the RIGHT path bottom line only appears on the RIGHT channel of effects following the splitter High Pass Filter E Effects gt Left Out Effects Balance sc Effects Right Out low Pass Filter Splitter Bi Amp Parameters Mode There are two modes available SPLITTER and BI AMP Bal The Bal Balance parameter controls the right left balance of the splitter output This works like normal stereo balance where the signal output from both sides is 100 at a balance of 50 at 0 100 of the right signal is passed through and none of the left signal is passed at 100 100 of the left signal passes and none of the right signal is passed This is a high pass filter that allows frequencies higher than the specified frequency to pass to the left channel Range is 20 Hz to 3 3 kHz This parameter is not available when SPLITTER is used Lo R This is a low pass filter that allows frequencies lower than the specified frequency to pass to the right channel Range is 20 Hz to 3 3 kHz This parameter is notavailable when SPLITTER is used Parameters The Atk Attack Time parameter is used to remove sharp attack transients The larger this number the longer the attack will take to open the gate once closed Range 0 99 Rel The Rel Release Time parameter adjusts the amoun
33. This is the storage location of all parameters pertaining to the sound itself The preset can be thought of as the effects chain the settings for all effects in the chain and the settings of all continuous controllers for that effects chain Each preset has a name There are two preset memory banks in the TransFex Pro 212s factory and user When new the user bank is identical to the factory bank however as you make changes to the presets or create new presets From scratch you will be saving these changes in the user memory or the optional RAM cartridge While you can make changes to the presets in the factory memory those changes can only be saved to locations in the user memory or the cartridge The factory presets will at all times be Pro s A program is w prog available unchanged as they came from the Peavey factory When a RAM cartridge is installed a third bank of 128 presets becomes available for play editing and storage changes when the TransFex Pro 212s responds to a MIDI program change command such as those sent to the unit from an optional foot controller Programs are merely point This really comes in handy when setting up your performance You can arrange your presets into sets and banks so that they can easily be recalled in playing order from the front panel from an optional foot controller or via MIDI The TransFex Pro 212s has two banks of programs inside Bank A and Bank B Fach has 128 programs in it and
34. a Tune fraction Type Balance FX TYPE 10 Envelope Filter PRAM 0 Sensitivity 1 Frequency Resonance Type Mix FX TYPE 11 Auto Pan PRAM Rate units may be loaded as 1 byte or 2 bytes of data Rate tenths Depth FX TYPE 12 Speaker Simulator PRAM 0 Type FX TYPE 13 Stereo Simulator PRAM 0 Lowpass Filter olf on 1 Tune 2 Depth FX TYPE 14 Noise Gate ck Time ie Time Sensitivity FX TYPE 15 Effects Loop Level Direct Level 2 Return Level 5 Summer FX TYPE 16 BFAMP Splitter PRAM 0 Mode 1 Balance 2 Highpass Freq mantissa may be loaded as 1 byte or 2 bytes of data 3 Highpass Freq exponen 4 Lowpass Freq mantissa V may be loaded as 1 byte or 2 bytes of data Lowpass Freq e FX TYPE 17 Transtube PRAM 0 Mode 1 Preg 2 Pad 3 Postgain i Bass Bottom gain 5 Middle Body gain 6 Treble Edge gain Presence Shift TYPE 18 Tremolo PRAM 0 Left Speed units 1 Left Speed tenths 2 Left Intensity 3 Right Speed units 4 Right Speed tenths 5 Right Intensity FX TYPE 19 Phaser PRAM 0 Rate 1 Depth 2 Mix FX TYPE 1A Rotary Speaker Rotor High Speed Rotor Low Speed Drum High Speed Drum Low Speed Frequency Modulation High Low Speed Select an Modulation Mix FX TYPE 1 Name Buffer Edit PRAM Ten PRAMS each r
35. ack circuit This feature is used to simulate a warmer more realistic room sound Range is 1K 2K 4K 8K or OFF Mx The Mx Mix parameter sets the direct elfect mix Range is 5100 Tapped Delay This delay creates a stereo delay from a mono source The range is from 010 255 dks Gf using the MIDI syne feature and 010 4 ms Gf using a normal delay Lett Feedback Input 5 ZG Left Output e A Tape E 9 1 DH PL IC Right Input Mix gt Right Output Parameters Dy The Ty Type parameter selects the type of delay desired Select STEREO TAPPED or MONO The parameters will change depending on the type of delay selected LD The LD Left Delay parameter selects the amount of delay on the left channel Range is 0 255clks when using the MIDI Sync feature or 0 724ms using normal delay RD TheRD Right Delay parameterselectsthe amount of delay onthe leit channel Range is 0 255 1 5 when using the MIDI Sync feature or 0 724ms when using normal delay Fb Fb Feedback parameter selects the amount of delay feedback Feedback is always taken from the longest delay output Range is 0 99 75 TS Tape Simulator parameter is used as low pass filter before the signal is put through the feedback circuit This feature is used to simulate a warmer more realistic room sound Range is 1K 2K 4K 8K or OFF Vx The Mx Mix parameter sets
36. am number A2 SmoothLead F CM gt TE gt HG gt DL 13 Press the A button one time to move t program number A3 AZ FingerPick 03 SP DL RU Li Press the right arrow button one time to place the cursor under preset name A3 FingerPick US TB PH SP DL RU the Wand A buttons to change FingerPick to SmoothLead F6 AZ SmoothLead F CM gt TB gt HG gt DL 16 Congra ions You are now a Program Mapping pro Okay maybe you re not a pro yet but at least you re familiar with program mapping Assignable Clip LED After you ve written a new preset if you notice that the clip LED changes from green to red or if you hear acrackly edgy distortion this may indicate an overload problem somewhere in the effects chain No problem Push the Global button until the following screen appears Bypass Mode DIRECT By UH Mtr Move the cursor under Mtr and by using the and Y buttons you can move the clip LED to the output of cach segment of the effects chain As you move the clip LED play your instrument and watch the clip It will stay green for the effects that have correct output levels but will tum red when you find the effect input or output that is overloading If the LED barely flickers red it s probably OK if it stays bright red it probably indicates digital clipping Once you locate the problem simply press the Edit button and adjust the effect or its output level to fix the overload One obvi
37. ameters SP RH He RL FM P MX The SP Speed parameter altemately switches the drum and rotor speeds from low to high or vice versa The speed changes gradually like a real rotary speaker The RH Rotor High Speed parameter adjusts the speed of the Rotor which plays the high frequencies when the SP parameter is high Its range is 0 100 Typical values are in the 40 to 50 range The H Drum High Speed parameter adjusts the speed of the Drum wvhich plays the low frequencies when the SP parameter is high Its range is 0 100 The rotary speaker effect sounds most normal if the drum speed is 1 2 to 1 3 the value of the Rotor speed The RL Rotor Low Speed parameter adjusts the speed of the Rotor when the SP parameter is low Its range is 0 100 The L Drum Low Speed parameter adjusts the speed of the Drum when the SP Its range is 0 100 The FM Rotor Frequency Modulation parameter affects the amount of pitch shift that the spinning Rotor yields The range is 0 100 and typically sounds best around 75 The P Drum Rotor Pan Modulation parameter widens the stereo image by adjusting the amount of lefi right panning similar to the AutoPan effect The range is 0 100 and typical values of about 75 sounel good The MX Wet Dry Mix parametecallows mixing between wetand dry For maximum Rotary speaker effect adjust this parameter to 100 setting of 0 will result in all dry signal passing through
38. d The Ed Edge parameter adjusts the amount of high frequencies present in the audio signal Range is 550 When TB is present in a chain turning the Treble knob will alter this parameter s value even if you are not directly editing the TB parameters Sb The Sh Shift parameter determines the center of the two mid frequency bands Range is 300Hz to 900Hz in 10 Hz increments Tube Preamp Signal fk tel oco Right Analog Digital Postiohe Filter for Clean Crunch and Lead settings Ded on the frontend of an effects chain Digital Left Input Sak ett Opor ghi mpar Passe Ther oe Rid ost Tube Filter for Clean Crunch oni Lead Tremolo TR The stereo Tremolo effect is the traditional amplitude modulated effect with the exception of allowing independence between left and right channels LFO gt gt Left Output Right Output LFO Parameters Lsp The Lsp Left Speed parameter adjusts the speed of the left modulator Range is 0 0 10 9Hz in increments of 0 1 Hz Lin The Lin Left Intensity parameter determines the amount of left signal being modulated Range is 0 100 Rsp The Rsp Right Speed parameter adjusts the speed of the right modulator Range is 0 0 10 9Hz in increments of 0 1 Hz Rin The Rin Right Intensity parameter determines the amount
39. do this press the Global button until you get to the CART menu Place the cursor under In Initialize and press the Store Exec button WARNING Initializing the RAM Cartridge will overwrite all current data on the cartridge with ibe user presets SAVING PRESETS ON THE CARTRIDGE Presets may be stored individually to the cartridge by using the normal store procedure or all user presets may be saved on the cartridge by using the Save User gt Cart function on the CART menu This function also writes Program Bank A into the Program Bank converting all pointers to user presets into pointers to cartridge presets in the process LOADING PRESETS FROM THE CARTRIDGE Cartridge presets may be recalled individually from the cartridge to the edit buffer orall presets may be loaded to user preset memory by using the Load Cart User function on the CART menu This function also writes program bank C into program bank A converting all pointers to cartridge presets into pointers to user presets in the process CARTRIDGE BATTERY Most cartridges have a replaceable backup battery which maintains memory storage while the cartridge is removed from the unit or the unit is turned off The battery will last from two to five years depending on the model If the battery becomes low the unit will warn you by periodically displaying the following screen CAUTION Cart Battery Low If this message is displayed you should back up your cart
40. efer to a character position in the name buffer FX TYPE 1C 23 correspond to controllers 1 8 Each controller has five parameters they are PRAM 0 Effecttype may beloadedas 1 byteor 2bytes of data 1 Effect parameter 3 Continuous Controller Number 1 128 Channel 0 16 16 is Omni Scale Factor 100 100 These Effect type Parameter Pairs are identical to the pairs listed above Each of the 2 byte parameters are referenced by the first PRAM of the pair Some effects parametersdo not have controllers available An error message willappear ifan unused FX_TYPE Parameter pair is sent FX TYPE 24 Effect Levels PRAM 0 Effect 1 level 1 Effect 2 level 2 Effect 3 level 3 Effect 4 level 4 Effect 5 level 5 Effect 6 level 6 Effect 7 level 7 Effect 8 level Specifications POWER AMP SECTION Rated Power amp Load Power specs measured with T Dynamics 100 90 W RMS into 8 ohms per side 130 W RMS into 4 ohms per side Power Clipping typically 6 THD kHz 120V AC line 90 W AIMS into 8 ohms per side 130 W RMS into 4 ohms per side Frequency Response 30 308 60 Hz to 20kHz 75 W RMS into 8 ohms per side Power Amp Hum amp Noise Greater than 80 dB below rated power Power Consumption 600 W 50 60 Hz 120 V AC Domestic 600 W 60 Hz 220 230 240 V AC Export PREAMP EFFECTS SECTION D A and Conversion Rate 44 1 kHz Quantization 16 b
41. eparated frequency bands Range is 100 500Hz Depth The Depth parameter is the depth of the stereo separation Rang is 0 100 Noise Gate NG The Noise Gate effect is a downward expander The Peak level is determined by the input signal plus attack and decay variables which set the speed at which the peak can change Parameters Ate The Atk Attack Time parameter is used to remove sharp attack transients The larger this number the longer the attack will take to open the gate once closed Range 0 99 Ret The Rel Release Time parameter adjusts the amount of time it takes a decaying signal to drop below the threshold The larger this number the longer it will take fora decaying signal to drop below the threshold Range 1 99 Thr The Thr Threshold parameter sets the level in dB below digital clipping thatthe gate will begin to close Range is 2 to 90 dB Sen Sen Sensitivity parameter determines the peak level below threshold that the gate will be fully closed Range is 1 9 Effects Loop FX any other effect and can be placed anywhere in the effects chain The sends are mono and are available from one tthe back of the unit The returns are in stereo and this stereo signal may be summed in sterco with the output from the DSP after the last effect in the cl The signal returning to the DSP is also stereo and isadded to the stereo direct signal This signal is then pa on to the next effect in the cha
42. er Preamp Amp Out Left The left preamp out can be used to route the amplified signal to a mixing console THE FIRST TIME YOU TURN IT ON REINITIALIZATION This procedure is recommended the first time your TransFex Pro 212s is turned on after purchase from your Peavey dealer This ensures that the memory is initialized and that the battery is fully charged WARNING Tbe following procedure will overwrite all changes made to the unit s memory storage replacing them with factory settings Only perform the following if you desire to re initialize the unit 1 While holding both the Y down dec arrow and A right arrow buttons on the front panel power up the unit by turning on the power switch The unit has now been initialized to factory settings It is recommended that you leave the unit tumed on for at least three hours at this time to ensure the battery has a full charge The unit s battery should then last several years before replacement is required The unit will warn you when the battery is getting low Battery replacement must be performed at an authorized Peavey Service Center Adjusting The Global Input And Output Levels and Global EQ Very Important follows Once the connections are all made set up the input and output levels of the TransFex Pro 212s Turn on the TransFex Pro 212s and press the Global button until you get to the IGLOBI display set all level controls to 0 input level knob on the fron
43. function is accessed when this button is pressed 3s Note Only the digital effects can be bypassed The TransTube preamp TB cannot be bypassed 16 Global Button This button is used to access the view angle adjustment gain adjustment MIDI settings continuous controller assignments global gain and EQ settings and the chromatic tuner 17 Store Exec Button Used to store changes to preset memory and to initiate s 18 RAM Cartridge Usecl to expand the number of programs from 256 to 384 load programs into memory and copy programs from memory to cartridge 19 Master Level Controls the overall volume level of the system Once a desired balance of the clean and lead channel volume levels is achieved the entire system level may be increased or decreased with the master level control 20 Resonance Control Used to fine tune the low frequency range of the speaker enclosure by varying the damping factor of the amplifier at low frequency This control can be set to boost the gain of the power amp in the low frequencies at the resonance atienuation point of the speaker cabinet to offset low end frequency dropout 21 Presence Control Used to fine tune the high frequency range of the speaker enclosure by varying the damping factor of the amplifier at high frequencies This control can be set to boost the gain of the power amp in the high frequencies at the presence attenuation point of the speaker cabinet to offset high end frequency dropout
44. he frequency response of an open backed cabinet 2x12 Closed iulates the frequency response of a closed backed cabinet i 4x12 Cabinet Simulates the sound of four 12 speakers in a single cabinet 4x12 British Simulates the frequency response of a well known British manufacturer s guitar speaker setup These speaker simulation curves are convenient for both live performance and recording applications where the guitar is directly connected to a mixing console Tip To only afi try adding the following to the end of your effects chain ct what goes out the balanced direct outputs and have full range going to your cabinet ER ER use the siereo Effects Send outputs to go to your cabinet Stereo Simulator ST A transverse filter approach is used to simulate stereo separation of a mono signal The mono signal is fed into acombfilterand the outputand input issummed in the right channel and subtracted from the left channel The resulting output simulates stereo separation of frequency bancls Tune adjusts the distance between the separated frequency bands There is a LowPass filter which when on will keep the bass centered between the two channels The Depth of the stereo separation is variable From 0 100956 Parameters The LP LowPass parameter is a lowpass filter which when on will keep the bass centered between the two channels Choose ON or OFF Tune The Tune parameter adjusts the distance between the s
45. he phase shift is modulated Tt can be varied from 0 100 although this range is somewhat higher than most stomp box phasci Dp The Dp Depth control adjusts a feedback loop in the phase shifter to allow for a higher frequency and more resonant whistle This isn t like a depth contol on a chorus where the depth at 0 means no effect just try it The 0 100 range sounds the most normal when set around 50 and sounds like some of the more elaborate phase shifters with color switches ete when set to around 100 Vix The Mx Mix parameter would always be set to 100 for a typical stomp box sounding phaser If set lower however more subtle phase shifis can be obtained In ordertoallow stereo pitch shifting yet still have a pitch shifterava Pitch 1 and Pitch 2 P1 and P2 ble which does not use a large amount of effect space we have developed a pitch shift effect with a panning input and independent left and tight mix control This effect is the only one that can be used in two loc ions in the chain simultaneously thus allowing true stereo and independently controllable pitch shifting on each channel By placing two pitch shifters in parallel or series and setting their inputs and mix levels panned to opposite sides independent stereo detuning will be available Feedback _ 1 pM Input b Pre Delay Pitch Pan Shifter gt Right Mix PE Parameters In The In input pa
46. ign controllers to effect parameters see chapter 3 MIDI VOLUME CONTROL The TransFex Pro 212s responds to MIDI Volume controller 7 commands on its receive channel You may tum thisfunctionon oroff change the controller that volume respondsto change the responsescale or manually change the global volume level These functions are performed on the Volume menu under the Global button Press the Global button several times until the volume menu appears as below UOLUME 188 runL 1 midi OFF 7 5c 58 With the cursor flashing under the volume level use the Y or A buttons to adjust the volume This volume level affects all presets and remains the same even while changing from one preset to another That s why we refer to it as the global volume To tum the MIDI volume feature press the right arrow button to move the cursor under midi OFF the bottom line of the display Use the Y or A buttons to turn MIDI volume or OFF To change the controller number to which the volume responds place the cursor under the sign on the number botiom line and use the Y or A buttons to select new controll The MIDI Sca range control n change the range of volume vary this place the cursor under 86 for scale and use the or A buttons ied by the controller A Scale of 50 will give you full MIDI SYSTEM EXCLUSIVE REMOTE STORAGE d reload presets on a remote ich as a Peavey MEDI Librarian MIDI 9
47. in The movable effects loop appears just Note Whena MONO signal is returned plug the signal into the LEFT MONO effects return jack This ensures that 100 of the return signal is summed back into the A D converter Instrument Mono Stereo Stereo Input Output Returns Du Sun A 47 20 wn o I Le SE zy Y AD Converse D A Converter AD Converter Converter Send N Level Return Level b iE Effects Direct Level i Effects BL ee 8 4 Effects Loop Parameters Send The Send Send Level parameter determines the level of the signal that is sent to the Effects Send jacks Range is 0 100 Dir The Dir Direct Level input from the effect loop returns Range is 0 100 Rin The Rin Return Level parameter determines the level of the signal that is returned to the effects chain Range is 0 100 Sum The Sum Summed Return Level parameter turns ON and OFF an analog stereo retums with the analog output from the digital effects meter determines the level of the direct signal that is mixed with the itch that sums the Splitter Bi Amp SP The splitter bi amp effect enables you to split the stereo signal into two separate chains placing differenteffect types on euch chain The signal following the splitter is MONO and only appears on one channel Therefore note that the signal on the LEF
48. in 0 48 12 to 12 in 5 dB steps 1 kHz Gain 0 48 gt 12 to 12 in 5 dB steps kHz Gain 0 48 gt 12 to 12 in 5 dB steps 10 kHz Gain 0 48 gt 12 10 12 in 5 dB steps FX TYPE SE 3 Band Mid Sweep Equalizer PRAM px Low Gain 0 50 Mid Freq mantissa may be loaded as 1 byte or 2 bytes of data Mid Freq exponent Mid Gain 0 50 High Gain 0 50 Type FEX TYPE C 4 Band Parametric Equalizer PRAM Band 1 Frequency mantissa may be loaded as 1 byte or 2 bytes of data Band 1 Frequency exponent Band 1 1 Bandwidth Band 1 Gain 0 72 gt 24 to 12 in 5 dB steps Band 2 Frequency mantissa may be loaded as 1 byte or 2 bytes of data Band 2 Frequency exponent Band 2 1 Bandwidth Band 2 Gain 0 72 gt 24 to 12 in 5 dB steps Band 3 Frequency mantissa may be loaded as 1 byte or 2 bytes of data Band 3 Frequency exponent Band 3 andwidth Band 3 Gain 0 72 gt 24 to 12 in 5 dB steps Band 4 Frequency mantissa V may be loaded as 1 byte or 2 bytes of data Band 4 Frequency exponent Band 4 L Bandwickh Band 4 Gain 0 72 24 to 12 in 5 dB steps FX TYPE D Mixer PRAM Left in to Left out Left in to Right out Right in to Left out Right in to Right out EX E Coil Tap PRAM 0 Frequency 1 Phase FX TYPE F Exciter PRAM 0 Drive Tune integer X may be loaded as 1 byte or 2 bytes of cat
49. ir This product should not be placed near a source of heat such as a stove radiator or another heat producing amplifier 8 Connect only to a power supply of the type marked on the unit adjacent to the power supply 9 Never break off the ground pin on the power supply cord For more information on grounding write for our free booklet Shock Hazard and Grounding 10 Power supply cords should always be handled carefully Never walk or place equipment on power supply cords Periodically check cords for cuts or signs of stress especially at the plug and the point where the cord exits the unit 11 The power supply cord should be unplugged when the unit is to be unused for long periods of time 12 If this product is to be mounted in an equipment rack rear support should be provided 13 Metal parts can be cleaned with a damp rag The vinyl covering used on some units can be cleaned with a damp rag or an ammonia based household cleaner if necessary Disconnect unit from power supply before cleaning 14 Care should be taken so that objects do not fall and liquids are not spilled into the unit through the ventilation holes or any other openings 15 This unit should be checked by a qualified service technician if a The power supply cord or plug has been damaged b Anything has fallen or been spilled into the unit c The unit does not operate correctly d The unit has been dropped or the enclosure damaged 16 The user should not at
50. it Oversamping 64X The following specsare measured witha 0 33 VRMS 10 EV signal and the controls setas follows Master Level 10 Resonance and Presence 0 T Dynamics 100 Global input Level set just below DSP clipping Global EQ s set 0 Global Output Leve adjusted ior rated power Effects chain with Delay and Effects loop on Delay mix sel to 0 Effects Send and Retum Levels 100 Effects Direct Level 0 Effects Sum tumed OFF Frequency Response 12 Hz to 20 kHz 2 dB Total Harmonic Distortion Less thaln 0 02 at 1 kHz 1 V RMS Preamp Signal to Noise Ratio Greater than 86 cB System Hum and Noise Greater than 75 dB below rated power Effects Send Load Impedance 1 ohm or greater Nominal Output Level 10 dBV 0 3 V RMS FX must be in the TransFex patch Effects Return Impedance HighZ 40 K ohms Designed Input Level 10 dBV 0 3 V RMS FX must bo in the TransFex patch Preamp Outputs Load Impedance 1 K ohm or greater Nominal Output Level 0 1 V RMS Power Amp Inputs Impedance 1K chm or greater Input Level for rated pwr 4 dBV 0 6 V RMS or greater depending on Master Level Switching jack provides preamp cutout io power amp input connection when not used External Footswitch Functions MIDI Channel solaction MIDI Continuous Controller functions Remote Tuner Access Remote Preset Displey Using optional PFC 10 MIDI pedal Dimensions Width Depth Height Weight
51. lange effect try Rt 0 1 Hz etting Dp 100 D 6 1 ms Fb 42 Mix 43 Delay DL The TransFex Pro 2128 offers three types of delays Stereo Tapped and Mono Each of these delays offers the ability to set the delay time using a special MIDI Sync Delay feature The Left and Right delay times can be set independently to track MIDI clock messages Stereo Delay Atue stereo delay with delay times from 010 255 clks Gf using the MIDI sync feature or 0 to 361 ms Gf using a normal delay Left 3 0 Mix Left Output Simulator Pey T Feedback Feedback A Tape ae e Simulator Delay t ight e Right Output Parameters The Ty Type parameter selects the type of delay desired Select STEREO TAPPED or MONO The parameters will change depending on the type of delay selected LD The LD Left Delay parameter selects the amount of delay on the left channel Range 50 36 LE The LF Left Feedback parameter selects the amount of delay feedback on the left channel This generates a repeating or echoing sound Range is 0 99 RD The RD Right Delay parameter selects the amount of delay on the right channel Range is 0 364ms RE The RF Right Feedback neter selects the amount of delay feedback on the right channel This generates a repeating or echoing sound Range is 0 99 TS The TS Tape Simulator parameter is used as a low pass filter before the signal is put through the feedb
52. ll presets all 128 presets are dumped each with its own modulo 128 checksum for error trapping during reload These are followed by the two program maps System Exclusive Dump Examples To dump Preset 1 00H over MIDI channel 1 send the following string FO 00 00 1B 09 05 00 00 00 00 F7 To dump Preset Set 3 02H over MIDI channel 1 send the following string FO 00 00 1B 09 05 00 00 02 02 F7 To dump all Presets over MIDI channel 1 send the following string FO 00 00 1B 09 05 00 00 04 F7 To dump all Programs over MIDI channel 1 send the following string F0 00 00 1B 09 05 00 00 06 F7 To dump the Edit Buffer over MIDI channel 1 send the following string FO 00 00 1B 09 05 00 00 F7 Appendix D Remote Editing with SysEx Remote Editing Via SYSEX The Sysex command is of the following format FO 00 00 1B 09 05 rs ch 10 type pram datL 00 datH2 datL2 F7 where is reserved for future use ch is the MIDI channel number the unit is set to receive on x type is the effect indicator pram is the offset to the parameter datH datL is the first byte in nybble form 00 indicates that this is a 2 byte variable optional datL2 is the second byte in nybble form optional Any parameter in the edit buffer can be remotely edited using the Remote Editing SysEx commands This includes the effects chain effects levels all effect parameters the preset name and the eight continuous controllers A
53. ll remote editing changes are made to the preset in the edit buffer User Presets will not be affected until the change is made permanent by storing it either remotely or from the front panel The remote store buffer command is of the following format FO 00 00 1B 09 05 rs ch 11 dest F7 where dest is the User preset storage location 0 127 Remote Editing Example If the following chain is present in the edit bufler TB2CM and you want to edit the Pregain parameter 1 in the Tube effect FX Type 17 to a level of 45 2011 via sysex using MIDI channel 41 00H you would send the following string F0 00 00 1B 09 05 00 00 10 17 01 02 OD F7 The 02 OD is the hex nybblized equivalent of 45 The following is a detailed look at the exact edit buffer locations being accessed by each EX TYPI FX TYPE 0 Effect Chain s is the command to edit the effect chain Pram is a number between 0 and 7 which corresponds to the location of the parameter in the effect The data corresponds to each effect as follows all numbers in hexadecimal Data 00 End of Chain 01 Compressor 02 Distortion 03 Overdrive 04 Chorus 05 Delay 06 Pitch 1 07 Piteh2 O8 Reverb 09 Classic EQ OA 5 Band Graphic Equalizer 08 3 Band Mid Sweep Equalizer OC 4 Band Parametric Equaliz 00 Mixer 0E Coil Tap Aa iter 10 Envelope Filter 1 Pan 12 Speaker Simulator 13 Stereo Simulator 14 Noise
54. meters Configuration when _ TB is on front end of chain nsTube Preamp yee He Signal Input N All other settings Note The Global Input Level is non functional when the Transtube TB is atthe front of the effects chain CLEAN gain stages and a passive EQ to achieve clean to slightly distorted tones CRUNCH Three gain stages and a passive EQ for medium distortion amounts 4 LEAD Four gain stages and a passive EQ for high gain distortion ULTRA Same as Lead except with active EQ allowing for greater tonal variation Parameters Pr The Pr Pregain parameter adjusts the amount of gain the signal has before entering the preamp Range is 0 100 When TB is present in a chain turning the Pre Gain knob will alter this parameter s value even if you are not directly editing the TB parameters Pd The Pd Pad parameter changes gain of the first TransTube stage without effecting tone Select either Hi for distortion or Lo for clean Pk Pt Postgain parameter adjusts the amount of gain the signal has as it leaves the preamp Range is 0 100 When TB is present in a chain turning the Post Gain knob will alter this parameter s value even if you are not directly editing the TB parameters Note The previous three parameters apply to all four TransTube modes however the following four parameters Bs Mi Tr Ps change to Bt Bd d Sh respectively when ULTRA is selected as
55. n until you get to the MIDI screen 2 Position the cursor under TC using the right or left arrow button Use the W and A buttons to change the channel over which MIDI messages are transmitted Make sure the receiving uni on the channel selected is set to n Xmit Ch 2 MIDI RC TC TP DP LP DS LS 3 Position the cursor under DP using the right or left arrow button Use the Y and A buttons to select the preset to dump via MIDI Dume Prst U3 EXEC RC TC TP DP LP DS LS 4 Press the Exec button to send the preset The following display is shown SVSEX DUMP in progress Loading a Preset to a new location Loading a preset to its original location does not require a procedure Simply send the preset from the transmitting unit The TransFex Pro 212s will automatically store it in its original location 1 Press the Global button until you get to the MIDI screen Position the cursor under RC using the right or left arrow button Use the Y and A buttons to change the channel over which MIDI messages are received Make sure the sending unit is set to transmit on the channel selected m Recy Ch 1 CMIGII RC TC TF DP LP DS LS 3 Position the cursor under LP using the right or left arrow button Use the W and A buttons to select the preset to receive via MIDI Load Pret 08 RC TC TP DP LP DS LS 4 Now send the preset to the Trans displa x Pro 212s from the transmitting unit You should see
56. nt MIDI cl and to respond to valid incoming messages on any one or on press the Global button until the MIDI menu Ch 1 MIDI RC TC TP DP LP DS 15 The cursor is flashing under RC Receive Channel Use the W or A buttons to select MIDI channel 1 16 or OMNI OMNI will allow your unit to respond to valid MIDI commands received on any channel To change the MIDI channel the unit transmits on press the right arrow button The cursor is now flashing under TC Transmit Channel Use the W or A buttons to select the desired MIDI transmit channel Cone through sixteen To tum the transmit program change feature on or off use the right or left arrow buttons to position the flashing cursor under TP Transmit Program Change Use the Y or A buttons to tum this feature ON or OFF When ON Transmit Program change will send a MIDI Progeam Change message out on the transmit channel each time the program is changed either from the front panel or via MIDI including changes sent from an optional MIDI foot controller The other functions on the MIDI menu are system exclusive functions and are described in the section titled System Exclusive Remote Storage MIDI PROGRAM CHANGE AND BANK SWITCHING The TransFex Pro 212s will respond to valid MIDI Program Change and Bank Select messages received the unit s receive channel Program changes will cause the unit to recall a program within the program bank currently selected
57. of right signal being modulated Range is 0 100 Compressor CM The Compressor effect suppresses high input levels while boosting small signal levels as the input decreases The net result is a more consistent output volume and increased sustain Peak Det asus Noise gt Output Input d Gate Compressor Sustain Level Parameters Atk The Atk Attack parameter adjusts the speed at which the compressor responds to increases in signal level Range is from X Slow to X Fast Rel The Rel Release parameter adjusts the time for the output signal to decay Range is from X Slow to X Fast Setting the release toX Fast results in a very rapid decay while setting the release to X Slow results in a very Sus The Sus Sustain parameter provides seven levels of sustain to vary the maximum amount of gain that can be achieved by the compressor at small signal levels Range is 0 6 lev The Lev Level parameter adjusts the maximum output of the compressor Range is 0 100 At low signal levels a compressor s gain may be very high thus raising the level of noise output with no gnal present The Ngt Noise Gate Threshold parameter provides ten levels of noise sion on the output Range is 1 10 Distortion DS is a mono effect The Distortion effect consists of a digital distortion followed by an equalizer section Th Drive Post Q
58. originally wansmitted on An error message will appear if they are not the same Tf this occurs set the receive channel to the channel shown in the message and transmit again REMOTE EDITING USING MIDI SYSTEM EXCLUSIVE ansFex Pro 212s This will allow chain and continuous controller A set of special system exclusive editing commands is available on the remote programming of all effect parameters effect levels the elfe Iso be stored in any user preset location remotely These changes can be assignments The edit buffer can a heard immediately but will not appear on the screen unless the parameter being edited is currently selected See Appendix B for complete remote editing command information for programmers of remore editing devices or software Chapter 5 RAM Cartridge The optional RAM Cartridge acts as 4 memory extension for the storage of 128 additional presets Presets can be accessed individually and played directly off the RAM cartridge without the need to move them into internal user memory The 128 additional programs appear as Program Bank and can be set up to point to any preset in cartridge user or factory preset memory Note The RAM cartridge menus are accessed through the Global button INITIALIZING NEW CARTRIDGES RAM Cartridges sold separately by your Peavey Dealer Ask for the Cache Card 32 77023 When new cartridges must be initialized for use with the TransFex Pro 212s To
59. ous place to look is after paralleled effects to ensure s have been reduced to 50 if there are 2 effects 33 if there are 3 ete that their output 1 Global Stuff Utility MIDI and Controller Screens ls provide instruction on several of the most common global settings for the TransFex Pro u want These mini tutori 212s Each mini tutorial is independent of the previous mini tutorials This allows you to learn wt when you want to and proceed without wondering if you missed anything in a previous mini tutorial Setting the View Angle 1 Press the Global button until the following screen is displayed Burass Modes DIRECT By VA Mtr 2 Position the cursor under VA using the right or left arrow button Use the Y and A buttons to adjust the display to a comfortable viewing angle Setting the MIDI Receive Channel 1 Press the Global button until you get to the MIDI screen Che MIDI RC TC TP DP LP 05 15 2 Position the cursor under RC using the right or left arrow button Use the Y and buttons to change the channel over which MIDI messages are received Setting ihe MIDI Transmit Channel 1 Press the Global button until you get to the MIDI screen xmit Ch 2 CMIDII RC TC TP DP LP DS LS 2 Position the cursor under TC using the right or left arrow button Use the W and A buttons to change the channel over which MIDI messages are transmitted Dumping a Preset 1 Press the Global butto
60. place the cartridge or selecta new preset for this program vailable on the RAM cartridge When reprogramming this bank you must ensure age A third program bank that the cartridge write protect is disabled otherwise you will get the following me CARTRIDGE WRITE PROTECTED The program will not change For more information on the RAM cartridge see chapter 5 MIDI DYNAMIC EFFECT PARAMETER CONTROL MIDI dynamic parameter control introduces a vast variety of expression possibilities This could include changing delay or reverb times EQ frequencies or gains effect levels and many other parameters in real time with any MIDI continuous controller Each preset in the TransFex Pro 212s has eight selectable controls These controllers can be assigned to any variable parameters of the available effects within the preset The MIDI continuous controllers are stored along with the preset To edit and assign parameters to continuous controllers you will use the CNTRL menu If you are in any edit mode and press the Global button the CNTRL menu will appear If you are in Play mode then you will have to push the Global button several times until the CNTRL menu appears A typical CNTRL screen might rea DISTH Drive CCHTRLI 1 Pram CR Ch Sc The first number shows which of the eight controllers you are editing With the cursor flashing under this number you can use the or A buttons to view each of the eight controlle
61. r assignments Pressing the Right Arrow button one time moves the cursor under the word PRAM The Y ora buttons can now be used to select the parameter to be controlled by this controller Parameters for each of the effects in the chain will appear in turn Note If a controller was previously assigned to an effect type that has been deleted from the chain the controller will still be assigned to that parameter but will have no effect on the sound This feature allows you to experiment with different effects in the chain without having to re assign the controller each time Placing the cursor under C on the bottom line allows you to assign a particular MIDI CONTINUOUS CONTROLLER to this parameter The available controllers are numbers 1 20 Press the Right Arrow button again The cursor is flashing under Ch for CHANNEL Fach controller may be assigned 10 receive on any of the sixteen MIDI channels or OMNI The unit defaults to all controllers set to the unit RECV channel in the MIDI menu SC is the MIDI Parameter Control Scale Factor This allows the control range to be adjusted from full range to some percentage of full range Here s how the Scale Factor works The TransFex Pro 212s centers these values around 52 so that with a scale factor of 100 a 10006 52 095 and 127 1009 MIDI continuous controllers output a value between 0 and 12 controller output of MIDI Value 0 52 127 TransFex Pro 212 100
62. rameter controls the left right input pan PD The PD CPreDelay parameter allows up to 46 milliseconds of delay before the pitch transposition begins This creates a doubling or chorusing type sound Range is 0 46ms Pro The Pt Pitch parameter is used to select large amounts of transposition in half step increments Range is 12 1 octave Ct Cents parameter is used to fine tune the transposed pitch when necessary Range is 50 10 step is 100 cents Fb The Fb CFecdback parameter controls the amount of output signal that is sent back to the input of the PreDelay This can be used to create climbing or descending pitch type Range is 0 99 LM The LM Left Mix parameter controls the direct effect mix to the output of the effect for the left output channel Range is 0 10096 RM The RM Right Mix parameter controls the direct effect mix to the output of the effect for the right output channel Range is 0 100 The Rotary Speaker effect is normally thought of as a keyboard effect However many Rotary Speaker RS ic guitar sound were actually created by running guitar through a rotary speaker cabinet This simulation incorporates separate Rotor and Drum speed controls for both high and low speeds nd the ability to ramp between high and low speeds via MIDI continuous controller The frequency shift amount and stereo pan width can be adjusted as well as the overall mix in wet and dry Par
63. ration 2 IMPORTANCE OF WARRANTY REGISTRATION CARDS AND NOTIFICATION OF CHANGES OF ADDRESSES a Completion and malling of WARRANTY REGISTRATION CARDS Should notification become necessary for any condition thal may require correction the REGISTRATION CARD wil help ensure that you are contacted and properly notified b Notice of address changes If you move from address shown on the WARRANTY REGISTRATION CARD you should noliy Peavey of the change ot address so as to facilitate your receipt cf any bulletins or other forme of notification which may become nacessary in connection with any condition that may require dissemination ot information correction 3 You may contact Peavey directly by telephoning 601 483 5365 IMPORTANT SAFETY INSTRUCTIONS WARNING When using eleciric products basic cautions should always be followed including the following Read all safety and operating instructions before using this product All safety and operating instructions should be retained for future reference Obey all cautions in the operating instructions and on the back of the unit 1 operating instructions should be followed This product should not be used near water ie a bathtub sink swimming pool wet basement etc This product should be located so that its position does not interfere with its proper ventilation It should not be placed flat against a wall or placed in a built in enclosure that will impede the flow of cooling a
64. ration 711 Street Meridian MS 39301 U S A 601 483 5365 Telex 504115 Fax 466 1278 61996 80300465 Printed in U S A 12 96
65. ratura que viene con el producto PRECAUCION Riesgo de corrientazo No abra PRECAUCION Para disminuir el riesgo de corrientazo no abra la cubierta No hay piezas adentro que el usario pueda reparar Deje todo mantenimiento a los t cnicos calificados ADVERTENCIA Para evitar corrientazos o peligro de incendio no deje expuesto a la lluvia o humedad este aparato Antes de usar este aparato lea m s advertencias en la gu a de operaci n symbole est utilis pur indiquer l utilisateur Ia pr sence l int rieur de ce produit de tension non isol e dangereuse pouvant tre d intensit suffisante pour constituer un risque de choc lectrique Ce symbole est utilis pour indiquer l utilisateur qu il ow qu elle trouvera d importantes instructions sur Tutilisation ct l entretien service de l appareil dans la litt rature accompagnant le produit ATTENTION Risques de choc lectrique NE PAS OUVRIR ATTENTION Afin de r duire lc risque de choc lectrique ne pas enlever le couvercle ne se trouve l int rieur aucune pi ce pouvant tre r parge par l utilisateur Confier l entretien un personnel qualifi AVERTISSEMENT de pr venir les risques de d charge lectrique ou de feu n exposcz pas cet appareil la pluie ou Thumidit Avant d utiliser cet appareil lisez les avertissements suppl mentaires situ s dans le guide von Avsreichender St rke sind um einen elektrischen
66. renee nil Creating a Custom Multi effect Chain 5 5 15 Editing Individual Effect Parameters e 15 Effect Level Control s 16 Comparing your Sounds to Other Presets 16 Storing your Preset s Sabine e 16 Mapping Presets to Programs MIDI Dynamic Effect Parameter Control e Mon Volume Control During Performance 19 Chapter 4 Using MIDI Transmit and Receive Channels MIDI Program Change and Bank Switching MIDI Continuous Controllers MIDI Volume Control MIDI System Exclusive Remote Storage Loading Sets or Presets to their Original Locations Loading Sets or Presets to New Locations Remote Editing using MIDI System Exclusive Cbapter 5 RAM Cartridge Initializing New Cartridges e Saving Presets on the Cartridge o Loading Presets from the Cartridge Cartridge Battery Tutorials Editing and Stori Program Mapping Global Stuff Utility MIDI and Controller Screens How to Set Up A Continuous Control Appendix A Individual Effects Appendix B MIDI Implementation Appendix C System Exclusive Format Appendi Remote Editing with SysEx e Specifications a Preset Chapter 1 Setup A 39 35 MIDI PROGRAMMABLE TRANSTUBE PRE AMP erT nica INPUT PREGAN vs DESONED AND VADENUSA gt THE FRONT PANEL x Input Used for instrument level signals Preamp Pre Gain Global Input Level Knob Preamp Low Global
67. ridge data immediately then replace the battery and restore the backed up data the cartridge Tutorials Here are several of the most common functions performed with the Trans in tutorial form Editing and Storing a Preset Why edita preset While we try to provide presets that kick a uh that is are usefull sometimes it is necessary to adjust parameter settings to achieve the sound you are looking for The easiest way to do this is to edit an existing preset and store it to a user location since the factory presets are read only Initially you may notice thatthe factory presets and the user presets look identical they are They are also identical whenever the TransFex Pro 212s is initialized This is because the TransFex Pro 212s copies all the factory presets to the user preset locations when initialized So if you dont want to lose your presets we suggest you save them via MIDI The MIDI Streamer a MIDI Data Storage Processor from Peavey is an excellent choice for doing this Keep in mind that while editing any preset the five controller knobs can be used to tweak the tone or gain of the TransTube preamp The Mode switch allows you to change the preamp from Clean to Crunch Lead or Ultra In fact if you simply want to edit the tone or gain of a preset you don t even have to go into Edit mode just turn the knobs until you re happy and press the Store button to store the patch For more hints on the
68. ront Panel Pressing the Play button twice will always ensure you are in play mode The cursor short flashing underline will be under the letter A B or Cin the top left comer of the display This letter indicates the program bank that is currently selected See the section tiled Setting Up Your Programs Ra Browncake UB TB P1 P2 HG DL The number that immediately follows the program bank is the program number It is a number between 0 and 127 The name that follows the program number is the preset name Following the preset name is aletter U F or Cand the preset number This isthe preset currently being played The letterindicates which preset memory bank this preset is stored in U is for user preset memory F is factory preset memory and C is for cartridge preset memory While the flashing cursor is under the program bank pressing the W or A buttons will change the program being played In this manner you can listen to each one of the 128 presets in the bank Incrementing above program 127 or decrementing below program 0 will switch to the next program bank DEFINITIONS AND ABBREVIATIONS Before continuing on into the detailed operations of the TransFex Pro 212s it would be helpful to understand some terms used in describing functions and capabilities of the unit Also presented here is a reference list of the abbreviations you ll be running across while programming the TransFex Pro 212s Definitions Preset
69. s product contains tubes meters Poavoy warrants the tubes or meters contained In the product ic be frae from defects in material and workmanship for a period ninety 90 days from date purchase PROVIDED howovor thal this limited warranty is extended only to the original retail purchaser and is also subject to the conditions exclusions and limitations hereinafter set fort CONDITIONS EXCLUSIONS AND LIMITATIONS OF LIMITED WARRANTIES These limited warranties shall be void and of no effect if a The first purchase of the product is for the purpose of resale or b The original retail purchase is not made from an AUTHORIZED PEAVEY DEALER or The product has been damaged by accident or unreasonable use neglect improper service or maintenance other causes not arising out of defects in material or workmanship d The serial number affixed to tho product is altered defaced or removed In the event of defect in material and or workmanship covarad by this limited warranty Peavey wil In the case of tubes or motors roplace the defective componen without charge b nother covered cases e cases involving anything other than covers footswilches paichcords tubes meters repair the defect in material workmanship replace the product al Peavoy s option and provided however thal in any case all costs of shipping if necessary are paid by you the purchaser THE WARRANTY REGISTRATION CARD SHOUL
70. sult in a distorted sound but instead produces an exciter effect Parameters Dr The Dr Drive parameter setting determines the amount of harmonics added Range is 0 no harmonics to 100 maximum harmonics Tu The Tu Tune parameter controls the amount of emphasis Range is 0 1K excites lower frequencies to 4 9K excites higher frequencies Ty The Ty Type parameter is used to select between three different distortion types which produce three different sounds Range is 1 3 Type 1 adds even harmonics type 2 adds odd harmonics type 3 acids even and odd harmonics Ba The Ba Balance parameter is used to set the balance Range is 0 direct to 100 excited Envelope Filter EF The Envelope Filter effect is an amplitude modulated filter As the input signal level to the envelope filter changes the filter frequency changes This effect is sometimes referred to as an automatic wah Parameters Sn The Sn Sensitivity parameter is used to adjust the sensitivity to changing input signal level is 100 If the sensitivity is set to a positive number then the filter frequency will increas a rising input If sensitivity is negative then frequency decreases with a rising input level Fy The Frequency parameter adjusts the starting point of the filter frequency Range is 0 100 From there the filter will sweep up or down depending on sensitivity asthe playing level changes frequency ranging from 2K to 5K
71. t of the TransFex Pro 212s output level knob on the front of the TransFex Pro 212s and the input level control on your power amp Gf it has one Adjust the input level control on the front of the TransFex Pro 212s while playing your instrument The level should be set so that the Active Clip LED just begins to turn red on your absolute loudest playing level Then tum on your power amp Set the input level control on the amplifier to your normal playing level No sound will be heard from it yet Finally slowly adjust the master level control on the front of the TransFex Pro 212s while playing until a suitable playing level is reached Note thatthe T Dynamics control must be fully clockwise to achieve full power Set the Bass Mid and Treble levels to taste These settings are global This is a very handy feature For example if you develop your effects at home and then go to a live stage and notice that there is not enough high end in that particular room stage all you must do is go to the IGLOBI display and adjust the Treble to taste This will affect all of your patches Chapter 2 Overview GETTING STARTED After connecting and adjusting the levels on the TransFex Pro 212s you may wish to preview the sounds before continuing This short section describes how you can quickly access each of the sounds and gives a ption of some of the functions of the optional PEC 10 MIDI Foot Controller brief des Preview the Sounds from the F
72. t of time it takes a decaying signal to drop below the threshold The larger this number the longer it will take for a decaying signal to drop Alk below the threshold Range 1 99 Thr The Thr Threshold parameter sets the level in dB below digital clipping that the gate will begin 10 close Range is 2 to 90 dB Sen The Sen Sensitivity parameter determines the peak level below threshold that the gate will be fully closed Range is 1 9 Effects Loop FX The movable effects loop appears just as any other effect and can be placed anywhere in the effects chain The sends are mono and are available from one jack at the back of the unit The returns are in stereo and this stereo signal may be summed in stereo with the output from the DSP alter the last effect in the chain The signal returning to the DSP isalsosterco and is added to the stereo directsignal anal isthen passed on to the next effect in the chain Note Whena MONO signal isretucned plug the signal into the LEFT MONO effects return jack This ensures that 100 of the retum signal is summed back into the A D converter Instrument Mono Stereo Stereo Input Output Returns Dm Sum e gt O L D v v 9 AD Convener D A Converter AD Converter D A Converter Sas sed cae ean Return 2 Level amp Effects Direct Level Effects gt 4 1 este V
73. tempt to service this equipment All service work should be done by a qualified service technician 17 this product should be used only with a cart or stand that is recommended by Peavey Electronics 18 Exposure to extremely high noise levels may cause a permanent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient timc The US Governments Occupational Safety and Health Administration OSHA has specified the following permissible noise level exposures Duration Per Day In Hours Sound Level dBA Slow Response 8 90 6 92 4 95 5 97 2 100 112 102 3 105 12 1 4 or less 115 According to OSHA any exposure in excess of the above permissible limits could result in some hearing loss Far plugs or protectors inthe earcanals or overthe ears must be worn when operating this amplification system in order to prevent a permanent hearing loss if exposure is in excess of the limits as set forth above To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be proged by hearing protectors while this unit is in operation SAVE THESE INSTRUCTIONS 27 Features and specifications subject to change without notice Peavey Electronics Corpo
74. tents of name chain parameter and continuous controller from edit buffer SYSEX Dump File Format The following information is provided for programmers wishing to make use of sysex dump files to initialize remote editing software The first ten bytes transmitted in response to a dump one preset request is the sysex load one preset header Following that in nybblized form are ten namehytes Next come ten nybblizedbyies representing the effects chain Finally come 310 nybblized bytes representing the effect parameters The format of this data isthe same format used in the remote editing commands The order of the effects and the number of bytes for each effect is as follows Levels 8 bytes ixer 4 bytes Compressor 5 bytes Coil tap 2 bytes Distortion 8 bytes 5 bytes Overdrive 5 bytes Envelope filter 6 bytes Chorus 5 bytes Auto pan Delay 8 bytes Speaker simulator y Pitch 7 bytes 3 bytes Pitch2 7 bytes 4 bytes Reverb 8 bytes Effects loop 4 bytes Classic eq i bytes Bi amp s 6 bytes 5 band eq 5 bytes Transtube 8 bytes 3 band eq 6 bytes Tremolo 6 bytes band eq 16 bytes Phaser 3 bytes Rotory Speaker 8 bytes Following that are forty nybblized bytes representing the eight continuous controller assignments Once again the format is the same as the remote editing format in Appendix D s are the Module 128 checksum and the End Of Exclusive message The last two byt dump all format During a Dump a
75. ter allows vary each reverb time Range is 0 30s seconds for all re types except GATED and REVRS For GATED and REVRS types the range is 25 365ms Dp The Dp Damping parameter controls the overall tone of the reverb being produced Range is 125 Hz to 8 kHz or OFF A low setting 250 Hz results in high frequency reverberations being decayed very quickly higher settings 4 KHz 8 kHz or OFF allow the high frequencies b to continue on in the reverberation This parameter is not available when using the GATED or REVRS reverb type Mix The Mx Mix parameter controls the direct effect mix atthe output of the effect Range is 0 100 Classic EQ CQ The Classic Equalizer effect is a sweepable mid EQ used on many guitar amplifiers Parameters Zo The Lo Low parameter controls the level of the low frequency range Range is 0 100 Me The Md Mid parameter controls the level of the mid frequency range Range is 0 100 Sh The Sh Shif parameter is used to select the center of the mid frequency Range is 0 100 Hi The Mi High parameter controls the level of the high frequency range Range is 0 100 5 Band Graphic Equalizer 5B The 5 Band Graphic Equalizer effect isa full stereo five band EQ with 12 dB gain on each frequency band allowing emphasis or de emphasis of any of the five bands The center frequencies of the five bands are as follows 100 Hz 330 Hz 1 kHz 3 kHz 10 kHz 3 Band EQ wi
76. th Sweepable Mid 3B The 3 Band Sweepable Mid EQ effect i standard stereo EQ with 12 dB of gain on each frequency band Parameters Tj The Ty Type parameter allows you to select from the following three EQ and Drastic io The Le Low Gain parameter adjusts the gain of the low frequency band parameter Range is 50 Arg The MFrq Mid Frequency parameter is used to select the center frequency of the mid frequency band Range is 99 Hz 3 3 kHz Mid The Mid Mid Gain parameter adjusts the gain of the mid frequency band parameter Range is 480 Hi Hi High Gain parameter adjusts the gain of the high frequenc Range is 50 s Guitar Voice band parameter 4 Band Parametric EQ 4B The Parametric Equalizer is a four band stereo equalizer with individually adjustable center Frequei bandwidths and gains for each of the four bands Parameters Band Bands Band where is 1 2 3 or 4 parameter is used to select any one of the four d has been selected the frequency bandwidth and gain setting may t particular band be made for tha Frequency parameter is used to select the center frequency point of each band Range is 20 Hz 16 kHz BW The BW Bandwidth parameter determines the width of the band Range is 1 100 of an octave Guin The Gain parameter adjusts the gain of the band Depending upon the setting the gain can be used to emphasize
77. the direct effect mix Range is 100 Mono Delay A Mono delay with delay times ranging from 0 to 255 clks if using the MIDI sync feature or 0 to 724 ms GF using a normal delay Left Input gt m Right Input f Left Output Tape Simulator eh D A Converter Right Output Parameters The Ty Type parameter selects the type of delay desired Select STEREO TAPPED The parameters will change depending on the type of delay selected Di The DI Delay parameter selects the amount of delay Range is 0 724ms Fb The Fb Feedback parameter selects the amount of delay feedback Feedback is always taken from the longest delay output Range is 0 99 75 TS Tape Simulator parameter is used as a low pass filter before the signal is put through the feedback circuit This feature is used to simulate a warmer more realistic room sound Range is 1K 2K 4K 8K or OFF The Mx Mix parameter sets the direct effect mix Range is 100 Pbaser PH The classic phaser or phase shilier is one of the most commonly recorded guitar effects of the 70 s This effect modulates the phase shift amount of a signal and sums it back to the dry signal Tt typically sounds best if used in front of the Transtube preamp but it is quieter and more dramatic if used after the preamp Parameters RI The Rt Rate parameter adjusts the speed that t
78. the following SYSEX DUMP in Progress If you see IGNORING 5 on channel 3 You need to Set the receive channel on the TransFex Pro 212s to the MIDI channel shown in the display Send the preset again from the transmitting unit HOW TO SET UP A CONTINUOUS CONTROLLER For this example let s walk through the steps required to create wah wah effect using a continuous controller pedal Assuming you have a continuous pedal hooked up to the TransFex Pro 212s via a MIDI foot controller first select or write a patch that has the envelope filter EF effect and store it Then push the Edi button select EF and push the Edit button again Next push the Global button until the following screen is displayed Recu 1 CMIDIJ RC TC TP DP LP 05 LS Move the cursor under RC and use the Wand A buttons to select channel 1 Forthis example we will assume s a continuous channel send Next push the Global button until the your foot controller has channel 7 following screen is displayed EHUFLT Fres CCHTRLI 191 Pram CR Ch Se Move the cursor under Pram and use the Y and A buttons to select Freq Next move the cursor under and select Cntrl Next move the cursor under Ch and select RCV Next move the cursor under Sc and select 100 It is important to note that the scale can be set from 100 allowing normal or reverse wah wah effects You can set the scale anywhere in between to adjust the effect
79. to change the preset that program number AO calls up from Browneake UO to Grays U22 Grays U2 TB2HG2P1 4 Press the left arrow button one time to place the cursor under the program number Notice that when the cursor is under the program number beth the program number and the preset name number change when either the Y or A button is pressed ursor under the preset name This leaves you in igned to AQ Gravs U22 TB3HG9P1 5 Press the button one time to move to program number This is like saying Olay I m through with program number AO now want to go to program number Ad and assign a preset to it Al Kleenkorus Ui TB P1 CF 6 Press the right arrow button one time to place the cursor under the preset name AL Kleenkorus U1 TB P1 CF 7 Use the and A buttons to change KleenKorus U1 to cPhazeLee U20 CREER Ai cPhazeLee 8 Press the left arrow button one time to place the cursor under the program number Al cPhazeLee U26 PH2TE 9 Press the A button one time to move to program number A2 B2 The Bosman U2 TB HG P1 RU 10 Press the right arrow button one time to place the cursor under the preset AZ The Bosman U2 TB HG P1 RU 11 Use the Y and A buttons to change The Bosman U2 to SmoothLead AZ SmoothLead F CM gt TB gt HG gt DL 12 Press the left arrow button one time to place the cursor under the progr
80. to your tastes Next press the Edit button and move the cursor under n and select a sensitivity level Try 48 to start Next move the cursor under Fq and selecta frequency try 50 Next move the cursor under Rs and set the resonance try 82 Next move the cursor under Ty to selecta filter try LP Slo Next move the cursor under Mx and try a mix level of 50 Now work the continuous controller pedal to try the effect Adjustthe envelope filter parameters and the scale to suit your taste Press the Store button to save the settings and continuous controller to your preset Note if you get volume control instead of wah wah push the Global button until the following screen is displayed woLUME 188 10012 141 0 87 Sc 54 or under midi and change the setting to OFF Now try your effect You can also use the 4 band Move the cu parametric EQ to create this effect Appendix A Individual Effects TransTube TB Th tr by using the Mode bution TransTube effect uses the patented Transtube technology to alter the audio signal in a more tional manner The TransTube effect has four modes voices to select from These are accessed Note To change the TransTube mode you must be in Play Mode accessed by pressing the Play button Edit Mode accessed by pressing the Edit button or the TransTube page accessed when you press the Edit button second time to begin editing the TransTube para
81. urrences would be changed as well A Program Map is simply a diagram that points from a program such as 1 to a preset for instance DualGuitar U1 When new or reinitialized the TransFex Pro 212s restores the Program Map to the factory default settings where the program number corresponds one to one with the preset number e g 10 50 1550 etc The following tutorial should help to illustrate the usefulness of the Program Map Suppose you have the following presets that you use all the time and you want to be able to have quick acc to them from the front panel of the TransFex Pro 212s Program Current Preset Desired Preset New Preset s Current Program AO Browncake UO Grays U22 A22 Al KleenKorus UL cPhazeLee U20 A20 A2 The Bosman U2 SmoothLead F6 B6 Fingerpick U4 SmoothLead F6 B6 1 Press the Play button This places you in the play mode In this mode you can view both the program number and the preset name number on one screen For instance B8 Browncake UA Aa Browncake Ua TBP 1 P24NG gt DL TB2P1 P22HG DL Cursor under Program Number Cursor under Preset Name amp Number 2 Press the right arrow button one time to place the program number AO but allows you to change the preset name number a AG Brauncake UG TB9P1 P22HG2DL 3 Use the Y and A buttons to change Brewneake UO to Grays U22 At this point you are telling the TransFex PRO 212s I want to stay in program number AO but I want
82. where the signal output from both sides is 100 at a balance of 50 at 100 of the right signal is passed through and none of the left signal i at 100 100 of the left signal passes and none of the right signal is d Hi L This is a high pass filter that allows frequencies higher than the specified frequency to pass to the left channel Range is 20 Hz to 3 3 kHz This parameter is not available when SPLITTER is used Lo R This is a low pass filter that allows frequencies lower than the specified frequency to pass to the right channel Range is 20 Hz to 3 3 kHz This ible when SPLITTER is used ameter is not avai Appendix B MIDI Implementation MIDI Implementation Date 1 95 Model Tube Fex Version 1 0 Function Transmitted Recognized Remarks 116 116 Memorized Default 13 Mode Messages x x ed x x Note MIDI Dynamic True Voice X Effects Controller Velocity Note On X Note Off x x After x o MIDI Dynamic wuch Ch s X z Effects Controller Pitch Bender x MIDI Dynamic Effects Controller Control Change x 0 120 Controller 91 Bypass Truce 0 127 0 127 Sysiem Exclusive System Songs Pos x x Song Sel x Common Tune x X Clock Syne Delay Real Time Commands S Local On Off Auxiliary All Notes Off x X Messig s Active Sense x x Reset X Mode 1 OMNI ON
83. will be last unless they are first stored The tuner is also accessible from the PFC 10 MIDI foot controller 4 When the Tuner is accessed you should sce a display similar to one of the following EI Tm CNTS 12 ze NOT CHTS i e NOTE A Note is gt 2 cents of being in tune Note is lt 2 cents of being in tune The display on the right shows a note that is essentially tuned The display on the left shows a note that is a little sharp and should be adjusted Since the bar moves as it tracks the note the bar far to the left with a cents value of CNTS 12 would have indicated that the note was flat by 12 cents 5 To access the tuner from the 10 MIDI footswitch simply tap the bank tuner footswitch button twice The display will mirror the one on the TransFex Pro 212s When tuning is complete tap any other patch button to return to play mode Chapter 3 Editing Presets PLAY MODE c time during performance the TransFex Pro 212s will be in the Play mode The play mode is accessed by pressing the Play button The TransFexPro 212salso switches to Play mode each time it responds to a MIDI program change command such as those sent by an optional foot controller A typical displ for Play mode is shown below AG Browncake UB TBP 1 P2 NG DL As described in the quick start section the first letter A in the display with the flashing cursorunder it indicates thet the program being played is
84. xternal MIDI device This also provides the chaining of MIDI compatible devices All data received at the MIDI in jack is echoed unaltered to this jack except valid systern exclusive commands that the unit responds to Note Since valid program change or continuous controller commands the unit receives will be transmitted out of the MIDI out thru care should be taken to avoid looping the output back to the input MIDI In Used to receive MIDI commands and system exclusive information from an external MIDI device External Speaker Jacks Stereo Provided for connection of Right and Left external speaker cabinets Minimum external speaker impedance is 8 ohms Left Mono and Right Effects Loop Return The left mono and right effects loop returns accept stereo signals from external effects processors If only one signal is being returned to the TransFex use the left mono effects loop return Effects Send Output for supplying signals to external low level effects or signal processing equipment Power Amp In Right Used to connect line level signal to the right power amplifier Preamp Out Right The right preamp out can be used to route the amplified signal to a mixing console tape recorder etc orto connect the preamp output using a shielded cable to an input of the tape recorder mixer etc This patch does not affect the operation of the amplifier Power Amp In Out Left Used to connect line level signal to the left power amplifi

Peavey 212s User's Manual

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