Peavey MD Monitor Mixer User's Manual
Contents
1. CHANNEL 1 Low Z unbalanced stereo jack tip pre send OUTPUTS MASTER 1 Low Z unbalanced line for each of 6 mixes 1 unbalanced sample out 1 headphone out BRIDGING CHANNEL MICROPHONE INPUTS OUTPUTS Replaces conventional spliter box Mic Impedance Designed for 800 ohm or lower mics Balanced system with ground isolation Nominal Input Lovol 26 dBM 40 mV RMS Minimum Input Level 42 dBM 6 mV RMS Maximum Input Level 20 dB A Y RMS CHANNEL PRE RETURN INPUTS Line Impedance Hi Z 47K ohms unbalanced Designed Input Level 0 dBV 1 V RMS MASTER AUXILIARY INPUTS Line Impedance Hi Z 33K ohms unbalanced Nominal Input Level 0 dBV 1 V AMS MASTER amp CHANNEL SENDS UNBALANCED OUTPUTS Lood Impedance 600 ohms or greater Nominal Output 0 dBV 1 V RMS Maximum Output 18 d amp V 8 Y RMS into 50K ohm load 18 dBM 6 V AMS into 690 ohm load SAMPLE UNBALANCED OUTPU Load Impedance 10K ohms or gres Nominal Output 0 dBV 1 V RMS Maximum Output 18 484 8 Y RMS into 10K onm load HEADPHONES Mono amp with stereo jack Load Impedance 4 ohms to 0 ohms Maximum Output Power 100 mW THE FOLLOWING SPECS MEASURED WITH A NOMINAL INPUT GAIN SETTING OF 20 dB ALL CHANNELS ALL CHANNEL MATRIX CONTROLS AND ALL MASTER SLIDER CONTROLS ARE SET ATO dB ALL EQ SET FLAT ALL LO CUT FILTERS SET AT 20 Hz ALL LO Z INPUTS TERMINATED WITH 600 OHMS ALL HI Z INPUTS amp ALL OUTPUTS TERMINATED WITH 47K OHMS FREQUENCY RESPO2. FORTH ABOVE TO INSURE AGAINST POTENTIALLY DANGEROUS EXPOSURE TO HIGH SOUND PRESSURE LEVELS IT IS RECOMMENDED THAT ALL PERSONS EXPOSED TO EQUIPMENT CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS SUCH AS THIS AMPLIFICATION SYSTEM BE PROTECTED BY HEARING PROTECTORS WHILE THIS UNIT ISIN OPERATION CAUTION THIS MIXING CONSOLE PREAMP HAS BEEN DESIGNED AND CONSTRUCTED TO PROVIDE ADEQUATE SIGNAL VOLTAGE FON PLAYING MODERN MUSIC IMPROPER USE OF THE GAIN EQUALIZATION CONTROLS AND OR IMPROPER USE OF INTERNAL EXTERNAL BUSSES MAY CREATE CLIPPING SQUARE WAVES AND POSSIBLY CAUS SUBSEQUENT DAMAGE TO THE LOUDSPEAKER SYSTEMS EXTENDED OPERATION OF THE GAIN EQUAL IZATION CONTROLS IN THEIR MAXIMUM POSITIONS 1S THEREFORE NOT RECOMMENDED PLEASE BE AWARE THAT MAXIMUM POWER CAN BE OBTAINED WITH VERY LOW SETTINGS OF THE GAIN EQUAL ZATION CONTROLS I THE INPUT THIS LIMITED WARRANTY VALID ONLY WHEN PURCHASED AND REGISTERED IN THE UNITED STATES OR CANADA ALL EXPORTED PRODUCTS ARE SUBJECT TO WARRANTY AND SERVICES TO BE SPECIFIED AND PROVIDED BY THE AUTHORIZED DISTRIBUTOR FOR EACH COUNTRY Cos clauses de garantienesont valables qu aux Etls Unisetau Canada Dans tous es autres pays es clauses de garantie te maintenance sonttiees parle isribuleur national assuree par lul selon la legislation en vigueur Diese Garantio ist nur in dan USA and Kanada gultig Allo Export Produkto sind dor Garantie und dem Service des Importeurs des jewalligen Landes unterworien Esta garantia
3. FROM MIX OUTPUT FROM MIX OUTPUT INPUT INPUT e OUTPUT OUTPUT TO POWER AMP TO POWER AMP EQ 27 NOTES Use good quality shielded cords for all connections Only 2 equalizers are shown but system is capable of 6 equalized mixes Use 1 3 octave equalizers whenever possible DIAGRAM C SAMPLE SPEAKER POWER AMP PATCH cureurs SAMPLING POWER AMP SPEAKER CORD SAMPLING SPEAKER THIS ENCLOSURE SHOULD ALWAYS BE THE SAME TYPE AND SIZE THAT IS USED ON STAGE SO THAT SAMPLING TONALITY WILL BE VERY SIMILAR TO WHAT THE GROUP IS LISTENING TO aye MASTER bey ir TYPICAL EACH CHANNEL MD 16 x 6 MONITOR MIXER SPECS SUMMARY OF FUNCTIONS 76 channels in 6 mixes out 1 sample out bridging male amp female XLA balanced input output with ground isolation and pre send amp return each channel 1 unbalanced auxiliary and 1 unbalanced output for each mix mono hcadphono output for solo listening input gain attentuation 3 band EQ and 6 matrix sends each channel solo Variable lo cul master slider LED ladder and auxiliary input level each master mix INPUTS EACH CHANNEL Bridging male amp female XLA Low Z balanced mic in out with ground isolation 1 High Z unbalanced stereo jack ring pre return INPUTS MASTER 1 High Z unbalanced auxiliary for each of 6 mixes 1 unbalanced solo patch OUTPUTS EACH
4. are patched tagether and the solo function is desirable on both units When two consoles are used for additional channels in a monitor situation the logic and signal should be connected so that listening capability is possible for both consoles through the solo feature for each monitor mix NOTE A TWO CONDUCTOR SHIELDED CORD FITTED WITH STEREO PLUGS RING TIP AND SLEEVE MUST BE USED TO ACCOMPLISH THIS PATCH SAMPLE OUTPUT JACK The Sample Output Jack is a 1 4 phone jack and provides a signal trom the sample level on the front panel and should be used for the monitor mix engineer to sample the different mixes that are occurring on stage This creates a separate system which is usually located near the monitor mix Console and should include the same basic type of amplifier and speaker system that is employed on stage so that the mix engineer will know exactly how the monitors sound on stage The patch hookup for this system would be from the Sample Output Jack fo the amp speaker system that is used for the sampling source NOTE For most high level monitor applications a separate sampling speaker amplifier system is much more effective than trying to do a monitor mix through headphones See explanation of Sample Level Contro and Diagram C CHANNEL INPUTS OUT IN JACK The Out in Jack on each channel is stereo 1 4 phone and allows individual channel patching immediately after the Input Gain Control and before the equalization The first position c
5. selected by a rotation of the control knob The range of frequency selection is 20 Hz to 500 Hz The low cut feature is a very useful device for matching the output signal with the capabilities of the power amp speaker system for a particular mix Low frequencies which the speaker system will not reproduce efficiently may be cut rolled off at 12 dB per octave thus eliminating the muddiness often encountered with monitor systems Monitor speaker systems in general are noi required to reproduce as much low end as the ou front main house system Many monitor speaker systems are incapable of reproducing frequencies much below 100 Hz and the durability and projection of these systems is greatly increased when those devices are not driven with frequencies below their cut off capabilities SOLO FUNCTION The Solo Function Switch is a push push type and allows the operator to select any or all master mixes in his headphone or sample output The Solo Function is the final signal output of each master mix after the master slide level control In order to monitor any master output with this feature the solo master level control in the master section mustbe set to the desired listening level and a solo button must be depressed on any master mix NOTE Any number of master mixes may be monitored at the same time with the Solo Function MASTER MIX LEVEL SLIDERS All six master mix sliders function identically to regulate the output level of each mix se
6. 8 1989 Printed in the U S A 80370401 4 89
7. N INTERNATIONAL SERVICE CENTER HIGHWAY 0 EAST MERIDIAN MS 39301 including therewith a complete detailed description of the problem together with a legible copy of the original PROOF OF PURCHASE anc a complete return address Upon Peavey s receipt of these items Ifthe delectis remedial under these limited warranties and the other termsand conaitlons expressed herein have been complied with Peavey will provide the necessary warranty service to repair or replace the product and will retum it FREIGHT COLLECT to you the Purchaser Peavoy s liability tothe purchaser tor damages from any cause whatsoever end regardless of Ihe form of action including negligence is limited to the actual damages up to the greater of 500 00 or an amount equal to the purchase price of the product that caused the damage or that is the subject of or is cirectly related to the causo of action Such Purchase price willbe that in effect for the specific product when the causeof action arose This limitation of liability wilinot apply to claims for personal injury or damage to real Property or tangible personal property allegedly caused by Peavey s negligence Peavey does not assume liability for personal injury or property arising out of or caused by an Unauthorized alteration or non AMR attachment nor does Peavey assume any responsibility for damage to intorconnocted non AMR equipment that may result from the normal functioning end maintenance of the AMR equipment UNDER NO CI
8. NSE Any in out combination with 1 V AMS output 10 2 dB 20 Hr to 30 KH SYSTEM HUM amp NOISE All channels on 80 dBV Lo Z mic inputs EQUIVALENT INPUT NOISE 20 Hz 20 KHz 150 ohms 128 d8V OVERALL DISTORTION Any in out combination 20 Hz 20 KHz 1 V RMS Less than 05 THD typically below 01 EQUALIZATION 1 18 dB 60 Hz amp 8 KHz snolving 5 0B 600 Hz pesk notch LOW CUT FILTERS 12 dB octavo slope 20 Hz to 500 Hz CROSSTALK Greater than 60 48 1 KHz MAXIMUM AVAILABLE GAIN 14 3B Master Control 6 dB Channel Matrix Control 40 dB Input Control 60 GB Total LED READOUT RANGE 21 to 6 dBV POWER REQUIREMENTS 120 VAC 60 Hz 40 watts MIXER CAUTIONS EXPOSURE TO EXTREMELY HIGH NOISE LEVELS MAY CAUSE A PERMANENT HEARING LOSS INDIVIDUALS VARY CONSIDERABLY IN SUSCEPTIBILITY TO NOISE INDUCED FEARING LOSS GUT NEARLY EVERYONE WILL LOSE SOME HEARING IF EXPOSED TO SUFFICIENTLY INTENSE NOISE FOR A SUFTIGIENT TIME THE US GOVERNMENTS OCCUPATIONAL SAFETY AND HEALTH ADMINISTRATION IOSHA HAS SPECIFIED THE FOLLOWING PERMISSIBLE NOISE LEVEL EXPOSURES DURATION PER DAY IN HOURS SOUND LEVEL cA SLOW RESPONSE ACCORDING TO OSHA ANY EXPOSURE IN EXCESS OF THE ABOVE PERMISSIBLE LIMITS COULD RESULT IN SOME HEARING LOS FAR PLUGS ON PROTECTORS IN THE EAR CANALS OR OVER THE EARS MUST BEWORN WHEN OPERATING THIS AMPLIFICATION SYSTEM IN ORDEA TO PREVENT A PERMANENT HEARING LOSS IF EXPOSURE IS IN EXCESS OF THE LIMITS AS SET
9. OWNERS MANUAL WARNING TO PREVENT ELECTRICAL SHOCK OR FIRE HAZARD DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE BEFORE USING THIS APPLIANCE READ THE OPERATING GUIDE FOR FURTHER WARNINGS 4 CHANNEL 12 9g 3 7 2 a 1 3 a 10 GN 303 5 8 9 a 12 12 INPUT GAIN CONTROL The Input Gain Control determines the sensitivity of each individual channel and should be adjusted accordingly to each instrument or vocal that is being patched into this system The operator must adjust the input gain so that overload clipping is avoided at the input A very strong signal coming into the mixer would require a fairly low setting of the Input Gain Control and obviously a very weak signal will require fairly high settings of this control To properly adjust the input sensitivity of each channel the channel matrix levels and the master mix levels should be operated near zero dB and the gain should then be adjusted for maximum levels that are required for the particular situation This can easily be done by setting up the highest expected input signal level and adjusting the Input Gain so that no clipping or distortion is heard trom the amp speaker system Alter this mixer has been used several times the operator will havea very good idea of the signal levels encountered and will be ablo to set up the input sensitivity with no difficulty Please be aware that different types of microphones will have different output levels and differ
10. RCUMSTANCES WILL PEAVEY BE LIABLE FOR ANY LOST PROFITS LOST SAVINGS INCIDENTAL DAMAGES OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PRODUCT EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES THESE LIMITED WARRANTIES ARE IN LIEU OF ANY AND ALL WARRANTIES EXPRESS OR IMPLIED INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR USE PROVIDED HOWEVER THAT IF THE OTHER TERNS AND CONDITIONS NECESSARY TO THE EXISTENCE OF THE EXPRESS LIMITED WARRANTIES AS HEREINABOVE STATED HAVE BEEN COMPLIED WITH IMPLIED WARRANTIES ARE NOT DISCLAIMED DURING THE APPLICABLE ONE YEAR OR NINETY DAY PERIOD FROM DATE OF PURCHASE OF THIS PRODUCT Some states do not allow limitation on how long an implied warranty lasts or the exclusion or limitation of incidental or consequential damages so the above limitations or exclusions may not apply to you Those limited warranties give you specific legal rights and you may also have other rights which may vary from state to state THESE LIMITED WARRANTIES ARE THE ONLY EXPRESS WARRANTIES ON THIS PRODUCT AND NO OTHER STATEMENT REPRESENTATION WARRANTY OR AGREEMENT BY ANY PERSON SHALL BE VALID OR BINDING UPON PEAVEY Inthe ovont of any modification or disclaimer of axprass or implied warranties or any limitation of remecies contained herein conflicts with applicable lew then such modification disclaimer or limitation as the case may be shal
11. boost are extremely unpleasant and will probably never be used except for special effects or to correct extremely marginal microphones or unusual voice timbres Monitor systems tend to get vory muddy and lose a certain amount of presence when excessive amounts of mid range is used LOW FREQUENCY CONTROL This control is capable of 15 dB boost or cutat 60 Hz and demonstrates a shelving characteristic so that excessive lows are not boosted below the Usable range of sound reinforcement speaker systems The shelving action of this circuit has proven to yield much more satisfying and effective equalization characteristics than some of the the wide open EQ circuits claiming 20 to 25 dB boost and cut Care should be taken with the Low Frequency Control to not overboost lows on any particular instrument or vocal due to the fact that tremendous amounts of power amp headroom will be used up and a general muddiness will be apparent in the monitor system Woofers may also be blown much more easily with excessive low frequency boost MATRIX LEVEL CONTROLS There are six level controls on each channel of the MD Monitor Mixer which complete the monitor mix matrix and allow each instrument or vocal to be assigned to any or all of the six mixes The channel level controls should be operated near the zero indication unity gain whenever possible for optimum headroom and signal to noise Operation of this control above the zero point increases system gain and n
12. ent performers will get widely varying signals from microphones depending on the strength of their voices and or their basic microphone technique HIGH FREQUENCY EQUALIZATION CONTROL The High Frequency Control is capable o 15 dB boost or cut at 8 KHz with a shelving characteristic sloping down to the crossover point High frequency boost is obtained with a clockwise rotation of this control and counterclockwise rotation results in a cutting of the high frequencies Flat response is obtained in the center 12 00 o clock position This lat 12 00 o clock position is an excellent place to begin tuning the system so that with different rooms and concert halls you will be able to determine what degree oqualization is needed or not then you may adjust accordingly MID FREQUENCY EQUALIZATION CONTROL The Mid Control is capable of 15 dB boost or cut at 600 Hz with a peak notch type of filter response This middle EQ circuit enables control over the vital mid range trequencies The action of this middie filter is somewhat different than the high and low EQ since it is of the peaking and notching type This type filler response is necessary to avoid undue interaction with the high and low equalizers Caution must be exercised in order to avoid overboosting or overcutting the mid range Experience has proven that for most applications a very slight mid range cut tends to produce a tight and well detined sound Generally large amounts of mid range
13. es vallda solamente cuando el producto es comprado en E U continentales o en Canada Todos los productos que sean compradosenel extranjero estan sujetos a las garantias y servicio que cada distribuidor autorizado determine y ofrezca en los diferentes paises RETAIN YOUR PROOF OF PURCHASE LIMITED WARRANTY Peavey Electronics Corporation warrants this Audio Media Research AMR product EXCEPT for covers footswitches patchoords tubes and meters to be free from defects in material and workmanship for a period of one 1 year from date of purchase PROVIDED however that this limited warranty is extended only to the original retail purchaser and is Subject to the conditions exclusions and limitations hereinafter set forth 90 DAY LIMITED WARRANTY ON TUBES AND METERS IHhisproduct contains tubes or meters Peavey warrants the tubes or meters contained inthe productto be free from defects in material and workmanship tora period of ninety 90 days trom date of purchase PROVIDED however tnat this limited warranty Is extended only to the original retail purchaser and is also subject to the conditions exclusions and limitations set forth CONDITIONS EXCLUSIONS AND LIMITATIONS OF LIMITED WARRANTIES These limited warranties shall be void and of no effect it a The firat purchase of the product is for tho purpose of resale or b The original retail purchase is not made rom an AUTHORIZED AMA PRODUCTS DEALER or c The product has been damaged b
14. l be deemed to be modified to the extent necessary to comply with such law INSTRUCTIONS WARRANTY REGISTRATION CARD 1 Mail the completed WARRANTY REGISTRATION CARD to PEAVEY ELECTRONICS CORPORATION ATTN WARRANTY DEPT POST OFFICE BOX 1230 MERIDIAN MS 39301 Keep your PROOF OF PURCHASE In the event warranty service is required during the warranty period you will need this document 2 IMPORTANCE OF WARRANTY REGISTRATION CARDS AND NOTIFICATION OF CHANGES OF ADDRESS a Completion and mailing of WARRANTY REGISTRATION CARDS Should notification become necessary for any condition that may require correction the REGISTRATION CARD will help insure that you are contacted and properly notified b Notice of address changes If you move from the address shown on the WARRANTY REGISTRATION CARD you should notify Peavey of the change of address so as to facilitate your receipt of any bulletins or other forms of notification which may become necessary in connection with any condition that may require dissemination o information or correction 3 Should you have any questions or problems you may contact Poavay direct by tolophoning 601 483 5372 Any correspondence with the factory concerning this product should include the sarial number of the item s PRE Features and specifications subject to change without notice Peavey Electronics Corporation 711 A Stroot Meridian MS 39302 2898 U S A 601 483 5365 Telex 504115 Fax 484 427
15. lick of this jack when used with a mono phone plug 1 2 will allow a separate output from each individual channel whenever asignal such as this is needed for any reason The audio Chain is not interrupted when an output is merely taken from each individual channel However when a stereo plug is used and the jack is fully engaged second click this input becomes a send on the tip and a return on the ring for channel conditioning Limiters equalizers noise gates etc may be patched in line with the individual channels through the Outin stereo jack LOW Z BALANCED IN OUT JACKS Each channel of the MD is equipped with a Low Z balanced splitter system for the interconnection of microphones or Instruments between the house main mixer and the MD Monitor Console The splitter system allows mics to go directly OUT J to the monitor mixer and then be patched directly to the Low Z Input connectors of the house mixer through the main snake cable system See Diagram A CHANNEL CHANNEL SHOWN TYPICAL EACH CHANNEL Low z NOTE MIC LINES AND SNAKE CABLES MUST BE SHIELDED DIAGRAM A FROM STAGE PATCH BETWEEN IN MICS MONITOR MIXER BALANCED AND HOUSE MAIN INPUT MIXER SIGNALS FROM MICS OR OUT INSTRUMENTS ON STAGE WHICH FROM ARE REQUIRED IN THE MONITOR OTHER MIX CHANNELS TO MAIN OUTFRONT MIXER SNAKE NO ADDITIONAL SPLITTER BOX REQUIRED DIAGRAM B EXTERNALLY EQUALIZED MONITOR MIXES m outeurs
16. oise and below the zero point sacrifices headroom Please notice each control is capable of 6 dB of gain above the zero unity gain position MASTER SECTION See page 3 OUTPUT MIX LEVEL INDICATION Six ten segment LED arrays have been utilized to visually indicate the output level of each of the MD s six separate mixes Masters 1 through 6 have their own respective LED ladders which indicate output levels from 21 dBV to 6dBV Each main output is capable of 18 dBV so there is 12 dB of headroom left when the top LED flashes for each output section AC POWER SWITCH LED The Power Switch is a rocker type which is off at the bottom position and on at the top The LED indicates that the AC mains are supplying the necessary power to the mixer SAMPLE LEVEL Many times monitor applications require the monitor mix engineer s to have a sampling amp speaker system in order to listen to the exact same mix the players are hearing The Sample Level Contral is the gain determining element for the sample output on the rear panel Some monitor situations may only call for headphone sampling ai the monitor mix board and in that case the sample output will not necessarily be used In most cases however for high level operation the separate sampling speaker is much more effective than typical headphones The main advantage is that the monitor mix engineer is able to listen under similar conditions through the same type speaker as the portormors on stage NOTE For
17. parately For example Master 1 feeds the output on the rear panel for mix 1 only These controls should be operated near the mid point or zero dB position 3 for optimum headroom and signal to noise performance NOTE A setting above the zero dB position will increase output signal but will also increase system noise and a setting below zero dB will result in improved noise performance atthe 8 expense of less headroom Notice there is 14 dB of gain available above the zero position for situations where extra gainis 10 required A rough rule of thumb for setting the master sliders would be at the input sensitivity rating of the power amplifier for that particular mix For instance if the power amp sensitivity rating is 3dBV then adjust the slider for that mix to 3dB as a starting point AUX AUX AUX AUX AUX AUX IN IN IN IN IN IN 3 OUTPUTS SOLO our REAR PANEL AUXILIARY INPUT JACK There is an Auxiliary Input for each separate mix to allow patching in other outboard signals such as additional monitor channels or an outboard monitor mixer There are no auxiliary input level controls associated with these jacks but the signal simply mixes into the master summing buss for each separate monitor mix and is controlled by the master mix level slide control SOLO PATCH The Solo Patch is a stereo 1 4 jack and is designed to interconnect the electronic logic of the solo feature when two monitor mixers
18. sample output to become operational solo switches and sample level must be pre set HEADPHONE LEVEL The Headphone Level is a gain regulating device which determines the listening level in the headphones for the solo system The related jack for the headphonesis immediately to the right of the Headphone Level Control and will accept most typical headphone units with no problem When monitoring the sample system through stereo headphones the signal appears monaurally in both earpieces ON MS MADEIN OFF e POWER 1 2 3 4 5 6 6 e 5 __ 5 e __ __ __1_e 3 3 e 3 E 9 9 bd 0 o hd o bd D hd e 3 o 3 bd 3 3 bd 3 6 gt 6 3 5 5 e 8 9 5 8 Ll e x 12 12 12 12 12 g 15 15 _e _ 1 15 e 15 e 18 ind 18 18 18 18 t 21 e 21 e 21 9 21 7 OUTPUT LEVEL INDICATOR dBV A 456 156 O Oe E 7 3 7 12x6 MONITOR O O MIYE 1 8 Y E MIXER 0 10 oo SAMPLE LEVEL HP LEVEL HEADPHONE X 74 20 500 LOW CUT CONTROL LOWCUT Each of the six respective mastors include a Low Cut Control which tailors the low frequency response of all instruments or vocals assigned to that particular mix The purpose of this contro isa roll off function of 12 dB per octave beginning at the trequency which is
19. y accident or unreasonable use neglect improper service or maintenance or other causes not arising out of dafects in material or workmanship or d The serial number affixed to the product is altered defaced or removed In the event of a defect in material and or workmanship covered by this limited warranty Peavey will a In ihe case of tubes or meters replace the defective component without charges or b In other covered cases e cases involving anything other than covers footowilchos patchcorde tubos or meters repair the defect in material or workmanship or replace the product at Peavey s option and provided however that in any case all costs cf shipping i necessary are paid by you tne Purchaser THE WARRANTY REGISTRATION CARD SHOULD BE ACCURATELY COMPLETED MAILED TO AND RECEIVED BY PEAVEY ELECTRONICS CORPORATION WITHIN FOURTEEN 14 DAYS FROM THE DATE OF YOUR PURCHASE In order to obtain service under these warranties you must a Bring the defective tem to any AUTHORIZED DEALER or AUTHORIZED AMR PRODUCTS SERVICE CENTER and present the ORIGINAL PROOF OF PURCHASE suppiiec to you by the AUTHORIZED DEALER in connection with your purchase from him of this produci Ifthe DEALER or SERVICE CENTER is unable to provide the necessary warranty service you will ba diractad to the nearest other AUTHORIZED DEALER OR AUTHORIZED SERVICE CENTER which can provide such service oR b Ship the detective item prepaid to PEAVEY ELECTRONICS CORPORATIO
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