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Peavey FX Mixer Series User's Manual
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2. PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY EFFECTIVE DATE JULY 1 1998 What This Warranty Covers Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U S A and Canada What This Warranty Does Not Cover The Warranty does not cover 1 damage caused by accident misuse abuse improper installation or operation rental product modification or neglect 2 dam age occurring during shipment 3 damage caused by repair or service performed by persons not authorized by Peavey 4 products on which the serial number has been altered defaced or removed 5 products not purchased from an Authorized Peavey Dealer Who This Warranty Protects This Warranty protects only the original retail purchaser of the product How Long This Warranty Lasts The Warranty begins on the date of purchase by the original retail purchaser The duration of the Warranty is as follows Product Category Duration Guitars Basses Amplifiers Pre Amplifiers Mixers Electronic Crossovers and Equalizers 2 years 3 years Drums 2 years I year Enclosures 3 years 2 years Digital Effect Devices and Keyboard and MIDI Controllers I year I year Microphones 2 years Speaker Components incl speakers baskets drivers diaphragm replacement kits and passive crossovers and all Accessories I year Tubes and Meters 90 days Denotes additional wa
3. FX Mixer Series 16 24 and 32 Channel e Four Bus Mixing Consoles gt gt gt gt gt gt gt gt Intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Intended to alert the user of the presence of important operating and maintenance servicing instructions in the literature accompanying the product CAUTION Risk of electrical shock DO NOT OPEN CAUTION To reduce the risk of electric shock do not remove cover No user serviceable parts inside Refer servicing to qualified service personnel WARNING To prevent electrical shock or fire hazard this apparatus should not be exposed to rain or moisture and objects filled with liquids such as vases should not be placed on this apparatus Before using this apparatus read the operating guide for further warnings Este s mbolo tiene el prop sito de alertar al usuario de la presencia de voltaje peligroso sin aislamiento dentro de la caja del producto y que puede tener una magnitud suficiente como para constituir riesgo de descarga el ctrica Este s mbolo tiene el prop sito de alertar al usario de la presencia de instruccones importantes sobre la operaci n y mantenimiento en la informaci n que viene con el producto PRECAUCION Riesgo de descarga el ctrica NO ABRIR PRECAUCION Para disminuir el riesgo de desca
4. This switch mutes all Aux Group and L R sends from the corresponding channel This switch is equipped with a red LED that will illuminate when the channel is muted When the MUTE button is out the LED functions as a Clip indicator that will illuminate at 2 dB below clipping Muting the channel does not prevent the PFL signal from being sent to the PFL AFL mix when the PFL Switch 12 is in 12 PFL Switch Signal PFL LED This switch connects the channels pre fader signal to the PFL AFL mix When the PFL button is in the channel s signal can be monitored through the headphones and or on the PFL AFL display A yellow LED in the Master section will blink to indicate that the signal on the Master LED display and at the headphone output is PFL Selecting PFL allows the operator to monitor a channel even with the channel muted and is especially useful for cuing CDs tapes When the PFL button is out the yellow channel LED will function as a signal presence indicator 30 dBu 13 Channel Fader This control varies the signal level from oo to 10 dB and sends the signal from the channel to the L R and Group buses and to the Effects Sends The optimum setting is the unity gain position STEREO INPUT CHANNELS 14 Mic Gain This control establishes the nominal operating level for the mic input XLR of Stereo Input Channels the channel The mic gain can be adjusted over a wide range o dB 60 dB to compensate for soft voices or very loud d
5. FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT AT PEAVEY S OPTION IF WE ELECT TO REPLACE THE PRODUCT THE REPLACEMENT MAY BE A RECONDITIONED UNIT PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE LOSS OF USE LOST PROFITS LOST SAVINGS DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR ANY OTHER DAMAGES WHETHER INCIDENTAL CONSEQUENTIAL OR OTHERWISE EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES Some states do not allow the exclusion or limitation of incidental or consequential damages so the above limitation or exclusion may not apply to you This Warranty gives you specific legal rights and you may also have other rights which vary from state to state If you have any questions about this warranty or service received or if you need assistance in locating an Authorized Service Center please contact the Peavey International Service Center at 601 483 5365 Peavey Canada Ltd at 905 475 2578 FEATURES AND SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE Logo referenced in Directive 2002 96 EC Annex IV x OJ L 37 38 13 02 03 and defined in EN 50419 2005 The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005 27 Gl Features and specifications subject to change without notice Peavey Electronics Corporation e 5022 Hartley Peavey Dr e Meridian MS 39305 601 483 5365 e FAX 601 486 1278
6. Right 100 dBu 82 dBu 80 dBu Groups 1 4 Aux 1 6 101 dBu 105 dB 81 dBu 85 dB Hum and noise measurements 22 Hz to 22 kHz BW Output IA e ee Channel and SNE 4 dBu 22 dBu Unbal Insert Send Headphone 4 dBu 22 dBu Unbal 1 4 TRS Tip left Ring right Sleeve Ground o dBu 0 775 V RMS Gain Mic Input Gain Adjustment Range o dB to 60 dB Bal Connector Unbal XLR Pin 1 Gnd Pin 2 Pin 3 1 4 TRS Tip 4 Ring Sleeve Ground 1 4 TRS Tip 4 Ring Sleeve Ground RCA Jacks 1 4 TRS Tip send Ring return Sleeve Ground 80 dB max gain 20 dB to 40 dB 60 GB max gain oo to 20 dB 30 dB direct to L R output 40 dB via channel max gain 20 Hz to 20 kHz o dB 1 dB 22 Hz to 22 kHz BW 22 Hz to 22 kHz BW Residual Noise S N Ratio Ref 4dBu Test Conditions Master Fader Down Channel Levels Down Master Fader Nominal Channel Levels Down Master Fader Nominal Channel Faders Nominal Panned Odd Channels left Even Channels right Master Fader Down Channel Levels Down Master Fader Nominal Channel Levels Down Master Fader Nominal Channel Faders Nominal Panned Odd Channels left Even Channels right All controls off All channel sends nominal masters nominal 22 16FX 24FX and 32FX Specifications Equivalent Input Noise EIN 129 dBu Mic input terminated with 150 Ohms Crosstalk Attenuation Adjacent Input Channels
7. gt ioan in mor 91901 wY KS KM NOLLIS HALSVN NI HOLIMS WOH HMd WOLNWHd r SS ei l A JO LT STANNYHO 034318 p Td ER CA Z ONO ONOW ARS ST lt 4 1 Tyn Ixaaexav T Hol A van lt H YA ug 1 4 LS Z y vm T L g ANdNI VIO y d TT wn exny T EEN AH SR 9 LH3SNI Thom A x A E EN am T r Gen La CH d ed ih ae J Dan omg el rt oe E lt ye i x am AYA ua 5 Ge Reeg o Ss OI 100 gt Es anolo L i i ano mor ain F NOLLO3S 43 18VW NI HOLIMS WOU UMd WOLNYHd Ar waavs wus f wasi d T su L Sex W o meer STANNVHO ONOW rb SANO4D 33 ZZZ 2283 2h 85 282885 3333 21 20 Inputs Function Microphone 150 Ohms Line 10 k Ohms Stereo Line direct to L R Stereo Line via channel Channel and Group Insert Return EFX2 Return Media In Input Z Ohms min 2 2k 20k 10k 10k 22k 20k 10k o dBu 0 775 V RMS Min Input Level sensitivity is the smallest signal that will produce nominal output 4 dBu with channel and master faders set for maximum gain Nominal settings are defined as all controls set at o dB or 50 rotation for rotary controls for nominal output Microphone gain control is as specified FX Series Specifications Input Gain Setting Max Gain 60 dB Min Gain o dB Max Gain 40 dB Min Gain 20 dB Max Ga
8. our free booklet Shock Hazard and Grounding Connect only to a power supply ofthe type marked on the unit adjacent to the power supply cord If this product is to be mounted in an equipment rack rear support should be provided Note for UK only Ifthe colors of the wires in the mains lead of this unit do not correspond with the terminals in your plug proceed as follows a The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E the earth symbol colored green or colored green and yellow b The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black c The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red This electrical apparatus should not be exposed to dripping or splashing and care should be taken not to place objects containing liquids such as vases upon the apparatus Exposure to extremely high noise levels may cause a permanent hearing loss Individuals vary considerably in suscep tibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time The U S Government s Occupational Safety and Health Administration OSHA has specified the following permissible noise level exposures Duration Per Day In Hours Sound Level dBA Slow Response 8 90 6 92 4 95 3 97 2 1
9. password could result in your inability to change settings CAUTION Restoring the factory settings option resets your mixer s presets reformatting factory presets and erasing all other user presets This option is handy when your venue has permanently changed and all new presets are required Once confirmed the presets are not retrievable and will be permanently lost Should you select this option in error a warning screen allows you to cancel the procedure USB Menu Options Entering the USB function allows users to play or record mp3 aiff and wav files using a USB drive pur chased separately DIGITAL PROCESSING ARENA This feature is perfect for playing a pre recorded musical piece through assigned channels of your mixer USB drives also allow you to record specific segments of your work or an entire gig up to the amount of free memory available on your USB drive After connecting a USB drive to the USB port 60 enter the USB menu Follow on screen instructions to select files available for playback or to name files for recording again using soft knobs 45 46 to make all selections Firmware Updates To install a firmware update hold down the left Software Encoder 45 while powering up your mixer Follow on screen prompts to complete your process Necessary files can be downloaded from the In ternet and installed using your computer or an optional USB drive If the installation is successful your mixer will automati
10. plans d eau 6 N utilisez qu un tissu sec pour le nettoyage de votre unit 7 N obstruez pas les syst mes de refroidissement de votre unit et installez votre unit en fonction des instructions de ce manuel Ne positionnez pas votre unit a proximit de toute source de chaleur 9 Connectez toujours votre unit sur une alimentation munie de prise de terre utilisant le cordon d alimentation fourni 10 Prot gez les connecteurs de votre unit et positionnez les cablages pour viter toutes d connexions accidentelles 11 N utilisez que des fixations approuv es par le fabriquant 12 Lors de l utilsation sur pied ou pole de support assurez dans le cas de d placement de l ensemble enceinte support de pr venir tout basculement intempestif de celui ci 13 Il est conseill de d connecter du secteur votre unit en cas d orage ou de dur e prolong e sans utilisation 14 Seul un technicien agr par le fabriquant est m me de r parer contr ler votre unit Celle ci doit tre contr l e si elle a subit des dommages de manipulation d utilisation ou de stockage humiditg 15 Ne d connectez jamais la prise de terre de votre unit 16 Si votre unit est destin e a etre mont e en rack des supports arriere doivent etre utilises 17 Note pour les Royaumes Unis Si les couleurs de connecteurs du cable d alimentation ne correspond pas au guide de la prise secteur proc dez comme suit a Le conne
11. presets and plenty of user defined customizable presets Each preset effect may contain 1 3 effects The split screen display EFX 1 and EFX 2 contains information for the current active presets The two active presets shown on the LCD 47 are independent and can be assigned to any channel s using EFX 1 2 Sends 8 The screen displays the preset number effects 1 99 the title for that individual effect Church Choir for example and which effects are included in that preset compressor reverb delay etc To change the preset for EFX 1 or EFX 2 use the corresponding Software Encoder knob 45 When you reach the desired preset you will be prompted to select the CATHEDRAL SMALL ROOM new preset by pressing the Effects switch 44 An TUBE HARD DW EXPDR 4 1 asterisk will appear beside any preset number that BYPASS FLANGE Hvy has been edited but not saved Once a new preset x has been selected you may return to the previous preset by pressing the software encoder Recall To edit a preset press the software switch labeled Edit USER 34 FACTORY 11 and follow the on screen directions which allow in dividual parameter changes For example you may wish to increase the bass and decrease the amount REGALL EDIT 34 EbIT 11 RECALL of reverb on the Joe s Bar preset preset 37 The lib library is a helpful place to start Peavey has pre programmed your FX mixer with a library of com monly used effects settings Delay Reve
12. to the individual effect within a preset Remember factory presets cannot be altered by the user If you choose to adjust or build on a factory preset which we encourage you to do your saved settings will be automatically directed to the next unused customized preset WARNING When user defined customizable presets are saved they will automatically replace the current settings for that preset UNLESS you assign a new preset number If you overwrite the originally saved preset settings the old settings are no longer retrievable QUICK TIP From anywhere within the digital arena you can return to the main effects screen simply by pressing the Effects Button 44A OUTPUT PROCESSING 44B Output Processing Pressing the Output Processing button 44B allows users to adjust the main L R signal output from the FX mixer in your choice of stereo output dual mono output or subwoofer output modes Users can create and save presets for all three effects com bined Your mixer is also equipped with one neu tral preset allowing an unadjusted zero starting place for creating a new preset By default the stereo output menu appears when the Output Processing button 44B is pressed If you prefer to work in dual mono output or subwoofer mode return to the main output processing screen by pressing the mode soft knob choice Stereo Output Mode The stereo outpu
13. 00 112 102 1 10 1 2 110 1 4 or less 115 According to OSHA any exposure in excess of the above permissible limits could result in some hearing loss Earplugs or protectors to the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss if exposure is in excess of the limits as set forth above To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation SAVE THESE INSTRUCTIONS WICHTIGE SICHERHEITSHINWEISE ACHTUNG Beim Einsatz von Elektroger ten m ssen u a grundlegende Vorsichtsma nahmen befolgt werden 1 po bon 10 11 12 13 14 15 16 17 18 19 Lesen Sie sich diese Anweisungen durch C Bewahren Sie diese Anweisungen auf Beachten Sie alle Warnungen Befolgen Sie alle Anweisungen Setzen Sie dieses Ger t nicht in der Nahe von Wasser ein Reinigen Sie es nur mit einem trockenen Tuch Blockieren Sie keine der L ftungs ffnungen F hren Sie die Installation gem den Anweisungen des Herstellers durch Installieren Sie das Ger t nicht neben Warmequellen wie Heizungen Heizger ten fen oder anderen Ger ten auch Verst rkern die W rme erzeugen Beeintr chtigen Sie nicht die Sicherheitswirk
14. 1 kHz 70 dB typical Mute Button Attenuation D kHz 80 dB typical Left to Right Outputs 1 kHz 70 dB typical Channel Fader Kill 1 kHz 80 dB typical Common Mode Rejection Ratio Mic Input 50 dB minimum 20 Hz to 20 kHz 60 dB typical 1 kHz Phantom Power Signal Clip Indicators 48 volts Yellow 30 dBu Red 2 dB below clipping Dimensions 16FX 7 25 h x 19 0 w x 18 0 d on table top 16 7 wide without rack ears 24FX 7 75 high x 24 4 wide x 18 8 deep 18 4cm x 48 3cm x 45 7cm on table top 19 7cm x 619cm x 47 7cm 42 4cm wide without rack ears 10RU 17 44 x 19 0 X 7 25 in equipment rack 6 75 behind rack 32FX 7 75 high x 32 5 wide x 18 8 deep 44 3cm x 48 3cm x 18 4cm in equipment rack 19 7cm x 82 6cm x 47 7cm 17 1cm behind rack Installation Note Ventilation This unit must have the following clearances from any combustible surface top 8 sides 12 back 12 Weight Power Requirements 16FX 22 lbs 10 0 kg 16FX dosmetic 120 VAC 60 Hz 50 watts nominal 24FX 25 lbs 11 4 kg 16FX export 230 VAC 50 60 Hz 50 watts nominal 32FX 30 lbs 30 0 kg 24FX 100 240 VAC 50 60 Hz 60 watts nominal 32FX 100 240 VAC 50 60 Hz 70 watts nominal Test Conditions 120 VAC 60 Hz maintained throughout testing 23 NOTES NOTES NOTES
15. One of the on board effects processors can be patched to any Group Insert 53 Group Outputs These Group Outputs feature 1 4 TRS balanced jacks and provide output signal from the Groups The output level is set by the Group Level faders 26 54 Left Right Outputs The Left Right Outputs feature two 1 4 TRS Z balanced jacks and two fully balanced XLR outputs The 1 4 outputs can be used with Tip Ring Sleeve TRS balanced or Tip Sleeve TS unbalanced connec tors The output level is set by the Master Level faders 40 Both outputs can be used simultaneously 55 AUX 1 6 Outputs These AUX Outputs feature 1 4 TRS balanced jacks and provide signal from the Auxiliary Outputs The output level is set by the AUX Level controls 19 20 se Effects 2 Patch Jack This 1 4 TRS jack allows the internal Effects 2 processor to be patched to an Input or Group Insert or to an external device The tip carries the input return signal to the compressor and the ring carries the output send 7 EFX 2 Return Jacks These 1 4 high impedance balanced inputs can be used as stereo or individual returns Designed for effects return they can also be used as additional stereo inputs The L Mono input provides signal to both inputs if no connector is attached to the Right jack The tip is the positive input for both balanced and unbalanced use 58 Media In Jacks The Media Input jacks are set up for a 4 dBu input from a stereo aud
16. cally restart If unsuccessful or to exit the update mode press the power button to restart Rear Panel CONNECTIONS Inserts These jacks are 1 4 Tip Ring Sleeve TRS connectors that allow external S rkirs signal processors to INGEAT INSERT INSERT 4 be inserted into the ED aVe e e Va AD ITA 9 OO KOKO N a Je ae Input Channel sig TD S Z I I Te FAX iW WZ ROUP4 GROUPS GROUP 2 GROUP nal path Tip Send Ring Return Sleeve Ground One of the on board effects processors can be patched to any chan nel with an Insert Cc YOOO Line 1 4 Inputs These jacks are 1 4 balanced TRS high impedance inputs The tip is the positive input and should be used for unbalanced inputs It has 20 dB less gain than the XLR input and does not have phantom power available The Mic and Line inputs should not be used simultaneously 50 Mic XLR Inputs XLR balanced inputs optimized for a microphone or other low impedance source Pin 2 is the positive input Because of the wide range of gain adjustment signal levels up to 14 dBu can be accommodated 51 Stereo 1 4 Inputs These 1 4 unbalanced inputs work as a stereo line input using both jacks or as a mono input if the con nection is made to the L Mono input only 52 Group Inserts These jacks are 1 4 TRS connectors that allow external signal processors to be inserted into the Group signal path Tip Send Ring Return Sleeve Ground
17. channels e 75 Hz low cut filter on all mono input channels e Inserts on all mono channels e Four bus design with direct group outputs and L R assignment e Four monitor sends per channel pre fader e Two effects sends per channel post fader e Pan and PFL on each channel e Clip LEDs for the entire signal path for clipping e Signal presence LEDs on every input group and return e Mute switches with LED indicator on every input group and return channel e 48 volt phantom power switch e Dual DSP engines for output processing dual effects and digital 1 0 e Output processing includes EQ Delay and Compressor Limiter e Large LCD graphics user interface e Dual USB ports e Direct streaming of audio to and from your computer e Built in MP3 compression direct recording and playback via USB removable data storage device e Media inputs with level control assignable to L R mix e Headphone output with level control e Two 12V BNC lamp jacks 24FX and 32FX mixers only Front Panel MONO INPUT CHANNELS This control establishes the nominal operating level for the channel The input gain can be adjusted over a wide range o dB 60 dB to compensate for soft voices or very loud drums To maximize the signal to noise ratio the gain should be set to the proper level with the Channel Fader 13 set to o It can be set by pressing the PFL Switch 12 and adjusting for o dB on the output meter If the clip LED comes on and remains lit reduce
18. cteur vert et jaune doit tre connectrer au terminal not E indiquant la prise de terre ou correspondant aux couleurs verte ou verte et jaune du guide b Le connecteur Bleu doit tre connectrer au terminal not N correspondnat la couleur noire du guide c Le connecteur marron doit tre connectrer au terminal not L correspondant la couleur rouge du guide 18 Cet quipement lectrique ne doit en aucun cas tre en contact avec un quelconque liquide et aucun objet contenant un liquide vase ou autre ne devrait tre pos sur celui ci 19 Une exposition de hauts niveaux sonores peut conduire des dommages de l coute irr versibles La suscep tibilit au bruit varie consid rablement d un individu l autre mais une large majorit de la population exp riencera une perte de l coute apr s une exposition une forte puissance sonore pour une dur e prolong e L organisme de la sant am ricaine OSHA a produit le guide ci dessous en rapport la perte occasionn e Dur e par Jour heures Niveau sonore moyen dBA 8 90 6 92 4 95 n 3 O7 2 100 1 102 1 105 YA 110 Y ou inf rieur 115 D apr s les tudes men es par le OSHA toute exposition au del des limites d crites ce dessus entrainera des pertes de l amp coute chez la plupart des sujets Le port de syst me de protection casque oreilette de filtrage doit tre observ lors de l op ration cette unit ou des dommages irr vers
19. e level of the Media Input signal from the RCA jacks 58 to the Left and Right buses when the L R switch 35 is in 35 Media In L R Switch Routes the Media Input signal to the Left and Right buses 36 Record Out Control Controls the Record Output level of the pre fader Left and Right main output signal to the RCA jacks 59 Regardless of the position of the L R Media Switch 39 when any PFL AFL switch on the mixer is activated this display indicates the signal level being sent to the PFL AFL bus The PFL AFL indicator flashes if either mode PFL or AFL is selected 37 Headphone Output Jack The Headphone Output is a 1 4 TRS Tip Left Ring Right Sleeve Ground jack The signal sent to this output is normally the Left Right mix When the L R Media Switch 39 is engaged the Media Input signal is selected and is monitored through headphones An activated PFL or AFL button indicated by a yellow flashing LED switches the headphone output jack monitor to the selcted signal Gs Headphone Level This control sets the Headphone Output level To avoid damage to your hearing make sure to turn the control fully counterclockwise before using headphones Slowly turn the knob clockwise until you reach a comfortable listening level Normally the signal in the headphones is the Left Right signal If the L R Media Switch 39 is engaged the Media Input signal is selected and monitored through headphones An activated PFL or AFL butt
20. e terminal that is marked with the letter N or colored black 3 The wire that is colored brown must be connected to the terminal that is marked with the letter L or colored red The fuse is located within the cap of the fuse holder If the fuse fails THE FUSE MUST BE REPLACED WITH THE SAME TYPE AND VALUE IN ORDER TO AVOID DAMAGE TO THE EQUIPMENT AND TO PREVENT VOIDING THE WARRANTY If the mixer repeatedly blows the fuse it should be taken to a qualified service center for repair 64 Line Fuse 16FKTM mixer only WARNING The fuse should only be replaced when the power cord has been disconnected from its power source
21. e the unit to the original factory presets SCREEN ADJUSTMENT CHANGE SECURITY SETTINGS CHANGE PASSWORD RESTORE FACTORY SETTINGS To accommodate lighting LCD 47 viewing may be adjusted simply by entering the view angle option from the main utility screen using soft knobs 45 46 to make all adjustments SELECT To accommodate varying users your FX mixer is equipped with a two level security system The main mixer operator user controls who can do what with the digital effects board granting passwords to people for specific processing rights such as disabling effects edit disabling output edit etc Security settings can be adjusted simply by entering the security choice option from the main utility screen using the soft knobs 45 46 to make all adjustments MASTER USER TIP Peavey highly recommends that you set a security password Allowing someone else to operate your unsecured FX mixer grants that user complete access to change all of your settings Security passwords protect the time you spent to get your presets just right while allowing you to safely provide digital processing access for even the most inexperienced users In the event you wish to change your password press the change password button from the main Digital 1 0 menu 440 and follow on screen directions A IMPORTANT Write and store your password in a safe place No one other than you should have access to this password loss of your
22. e www peavey com 2005 Printed in the U S A EX000029
23. einen bestimmten Zeitraum ausreichend starkem L rm ausgesetzt ist Die US Arbeitsschutzbeh rde Occupational and Health Administration OSHA hat die folgenden zul ssigen Pegel f r L rmbelastung festgelegt Dauer pro Tag in Stunden Ger uschpegel dBA langsame Reaktion 8 90 6 92 4 95 3 97 2 100 1 102 1 10 YA 110 Yy oder weniger 115 Laut OSHA kann jede Belastung ber den obenstehenden zul ssigen Grenzwerten zu einem gewissen Geh rverlust f hren Sollte die Belastung die obenstehenden Grenzwerte bersteigen m ssen beim Betrieb dieses Verst rkungssystems Ohrenstopfen oder Schutzvorrichtungen im Geh rgang oder ber den Ohren getragen werden um einen dauerhaften Geh rverlust zu verhindern Um sich vor einer m glicherweise gef hrlichen Belastung durch hohe Schalldruckpegel zu sch tzen wird allen Personen empfohlen die mit Ger ten arbeiten die wie dieses Verst rkungssystem hohe Schalldruckpegel erzeugen k nnen beim Betrieb dieses Ger ts einen Geh rschutz zu tra gen BEWAHREN SIE DIESE SICHERHEITSHINWEISE AUF INSTRUCTIONS IMPORTANTES DE SECURITE ATTENTION L utilisation de tout appareil lectrique doit tre soumise aux precautions d usage incluant CE 1 Lire ces instructions 2 Gardez ce manuel pour de futures r f rences 3 Pr tez attention aux messages de pr cautions de ce manuel 4 Suivez ces instructions 5 N utilisez pas cette unit proche de
24. es are normally used for monitor sends or for feeding a sepa rate mix to external equipment There are internal jumpers that can be switched to change the send point to pre EQ Unity gain is at the center detent position with up to 10 dB of gain in the fully clockwise position 60660 8 AUX 5 6 EFX 1 2 Sends These controls send the channels post fader signal to each of two aux effects buses These buses are normally used for effects sends or for feeding the inter nal effects processors Unity gain is at the center detent position with up to 10 dB of gain in the fully clockwise position Front Panel This control determines the signal s position with respect to the assigned L R and Group 1 4 buses Rotating the control counterclockwise increases the amount of signal sent to Land odd numbered groups rotating clockwise increases the amount sent to R and even numbered groups For example with the channel Bus Assign switch 10 in the 1 2 position rotating the control counterclockwise increases the amount of signal sent to Group 1 while rotating clockwise increases the amount sent to Group 2 The C position sends equal amounts to each 10 1 2 3 4 L R Bus Assign Switches These post fader switches determine where the channel signal is being sent For example to send a signal to Groups 1 amp 2 depress the 1 2 button The PAN control 9 determines the signal level that is sent to each signal bus 11 Mute Switch Mute Clip LED
25. i la exposici n excede los l mites indicados m s arriba Para protegerse de una exposici n a altos niveles de sonido potencialmente peligrosa se recomienda que todas las personas expuestas a equipamiento capaz de producir altos niveles de presi n sonora tales como este sistema de amplificaci n se encuentren protegidas por protectores auditivos mientras esta uni dad est operando GUARDE ESTAS INSTRUCCIONES ENGLISH 16FX 24FX and 32FX 4 Bus Console Mixer Congratulations on purchasing the Peavey 16FX 24FX or 32FX four bus console mixer The Peavey 16FX 24FX and 32FX are studio quality mixing consoles designed to meet diverse needs These consoles feature Peavey exclusive technology that enhances live studio reproduction as well as project studio recording making them perfect for every venue FX Series mix ers also feature built in DSP effects that are useful in real world recording and sound reinforcement while parameter controls allow you to tailor each effect to meet your needs Please read this guide carefully to ensure your personal safety as well as the safety of your equipment FEATURES e Silencer mic preamps with current source dual feedback design e 12 XLR mic inputs on 16FX 20 XLR mic inputs on 24FX 28 XLR mic inputs on 32FX e Two stereo channels with direct to L R assignment capability e Three band channel EQ on all input channels e Sweepable mid frequency control on all mono input
26. ibles peuvent tre occasionn s Le port de ces syst mes doit tre observ par toutes personnes susceptibles d tre expo s es des conditions au del des limites d crites ci dessus GARDEZ CES INSTRUCTIONS INSTRUCCIONES IMPORTANTES PARA SU SEGURIDAD CUIDADO Cuando use productos electr nicos debe tomar precauciones basicas incluyendo las siguientes 1 RE e Ee N 10 11 12 13 14 15 16 17 18 19 Lea estas instrucciones C Guarde estas instrucciones Haga caso de todos los consejos Siga todas las instrucciones No usar este aparato cerca del agua Limpiar solamente con una tela seca No bloquear ninguna de las salidas de ventilaci n Instalar de acuerdo a las instrucciones del fabricante No instalar cerca de ninguna fuente de calor como radiadores estufas hornos u otros aparatos incluyendo amplificadores que produzcan calor No retire la patilla protectora del enchufe polarizado o de tipo a Tierra Un enchufe polarizado tiene dos puntas una de ellas m s ancha que la otra Un enchufe de tipo a Tierra tiene dos puntas y una tercera a Tierra La punta ancha la tercera se proporciona para su seguridad Si el enchufe proporcionado no encaja en su enchufe de red consulte a un electricista para que reemplaze su enchufe obsoleto Proteja el cable de alimentaci n para que no sea pisado o pinchado particularmente en los enchufes huecos y los puntos que salen de
27. in 20 dB Nominal Gain odB Max Gain 20 dB Nom Gain odB N A odB Max Gain 10 dB Nom gain odB Max Gain 10dB Nom Gain odb Min 76 dBu 16 dBu 56 dBu 4 dBu 26 dBu 6 dBu 36 dBu 16 dBu 16 dBu 16 dBu 6 dBu 16 dBu 6 dBu Input Levels Nominal 56 dBu 40 dBu 4 dBu 20 dBu 36 dBu 24 dBu 16 dBu 4 dBu 16 dBu 4 dBu 6 dBu 4 dBu 6 dBu 4 dBu Max 20 dBu 40 dBu 2 dBu 22 dBu 2 dBu 22 dBu 12 dBu 22 dBu 10 dBu 20 dBu Bal Unbal Unbal Unbal Unbal Unbal Connector XLR Pin 1 Gnd Pin 2 Pin 3 1 4 TRS Tip Ring Sleeve Ground 1 4 TS Tip Sleeve Ground 1 4 TS Tip Sleeve Ground 1 4 TRS Tip send Ring return Sleeve Ground 1 4 TRS Tip 4 Ring Sleeve Ground RCA Jacks 16FX 24FX and 32FX Specifications Outputs Min Load Z 0 Function Nominal 4 dBu 22 dBu Master Left Right 4 dBu 22 dBu Groups 1 4 and Aux 1 6 Record Out Mic Input to Left Right Balanced Output Line Input Gain Range Line Input to Left Right Balanced Output Stereo Line Input Gain Range Stereo Line Input to Left Right Balanced Output Frequency Response Mic Input to Left Right Output Total Harmonic Distortion amp Noise 0 01 20 Hz to 20 kHz Mic to Left Right Output 0 005 Mic Pre amp Hum and Noise Output Master Left
28. io media source The signal feeds the Media In level control 34 Record Output Jacks The output jacks can provide a 4 dBu output signal to a stereo recording device The output level is controlled by the Record Output level control 36 USB Memory Connector Use this A type USB connector to plug in a removable data storage device to read or write MP3 formatted files 61 USB Computer Connector Use this B type USB connector to connect with a computer 62 Power Switch Pressing the power switch supplies power to the unit 63 Removable Power Cord 7 j Rome This receptacle is for the IEC line cord included that pro X O vides AC power to the unit Connect the line cord to this 120 VAG 60 Hz connector and to a properly grounded AC supply Damage BEER to the equipment may occur if an improper line voltage is used see voltage marking on unit A Never remove or cut the ground pin of the line cord plug The console is supplied with a properly rated line cord If lost or damaged replace this cord with one of the proper rating NOTE FOR UK ONLY If the colors of the wires in the mains lead of this unit do not correspond with the colored markings iden tifying terminals in your plug proceed as follows 1 The wire that is colored green and yellow must be connected to the terminal marked by the letter E or by the Earth symbol or colored green or green and yellow 2 The wire that is colored blue must be connected to th
29. l aparato Usar solamente a adidos accesorios proporcionados por el fabricante Usar solamente un carro pie tr pode o soporte especificado por el fabricante o vendido junto al aparato Cuando se use un carro tenga cuidado al mover el conjunto carro aparato para evitar que se da e en un vuelco No suspenda esta caja de ninguna manera Desenchufe este aparato durante tormentas o cuando no sea usado durante largos periodos de tiempo Para cualquier reparaci n acuda a personal de servicio cualificado Se requieren reparaciones cuando el aparato ha sido da ado de alguna manera como cuando el cable de alimentaci n o el enchufe se han da ado alg n l quido ha sido derramado o alg n objeto ha ca do dentro del aparato el aparato ha sido expuesto a la lluvia o la humedad no funciona de manera normal o ha sufrido una ca da Nunca retire la patilla de Tierra Escr banos para obtener nuestro folleto gratuito Shock Hazard and Grounding Peligro de Electrocuci n y Toma a Tierra Conecte el aparato s lo a una fuente de alimentaci n del tipo marcado al lado del cable de alimentaci n Si este producto va a ser enracado con m s equipo use alg n tipo de apoyo trasero Nota para el Reino Unido solamente Si los colores de los cables en el enchufe principal de esta unidad no corresponden con los terminales en su enchufe proceda de la siguiente manera a El cable de color verde y azul debe ser conectado al terminal que est marcad
30. lanced inputs An adjacent LED illuminates when Phantom Power is activated LAMIP 12Vde MES MASTER Caution au a hera A If phantom power is used do not MABIBI 7 em connect unbalanced dynamic micro 3 i phones or other devices to the XLR inputs Some wireless receivers may be damaged Consult their manuals Note Make sure the Master Level Faders 40 are completely down when switching on the phantom power and when connect ing microphones to the Mic inputs to prevent pops from affecting the loud speakers COGO GOGO 3 Left Right Bus Assign Switches These post fader switches determine where the Group mix signal is being sent For example if each individual drum mic is assigned to Group 1 depressing the Left button will send the drum mix to the Left bus and to the Left Out 54 on the rear panel MEDIA IN em c 3 N OCOGO 4 Mute Switch Mute Clip LED This switch mutes its respective Group send from the Group channel This switch is equipped with a red LED that will il luminate when the Group is muted When the Mute button is out the LED functions as a Clip indicator that will illuminate at 2 dB below clipping COGE 11 Front Panel 25 AFL Switch Signal AFL LED This switch connects the Groups post fader signal to the PFL AFL mix When the AFL button is in the Group s signal can be monitored through the headphones and or on the PFL AFL display A yellow LED in the Maste
31. o con la letra E el s mbolo de Tierra earth coloreado en verde o en verde y amarillo b El cable coloreado en azul debe ser conectado al terminal que est marcado con la letra N o el color negro c El cable coloreado en marr n debe ser conectado al terminal que est marcado con la letra Lo el color rojo Este aparato el ctrico no debe ser sometido a ning n tipo de goteo o salpicadura y se debe tener cuidado para no poner objetos que contengan l quidos como vasos sobre el aparato La exposici n a altos niveles de ruido puede causar una p rdida permanente en la audici n La susceptibilidad a la p rdida de audici n provocada por el ruido var a seg n la persona pero casi todo el mundo perder algo de audici n si se expone a un nivel de ruido suficientemante intenso durante un tiempo determinado El Departamento para la Salud y para la Seguridad del Gobierno de los Estados Unidos OSHA ha especificado las siguientes exposiciones al ruido permisibles Duraci n por D a en Horas Nivel de Sonido dBA Respuesta Lenta 8 90 6 92 O 4 1 3 97 2 100 1 102 1 105 YA 110 0 menos 115 De acuerdo al OSHA cualquier exposici n que exceda los limites arriba indicados puede producir alg n tipo de p rdida en la audici n Protectores para los canales auditivos o tapones para los o dos deben ser usados cuando se opere con este sistema de sonido para preve nir una p rdida permanente en la audici n s
32. on indicated by a yellow flashing LED switches the head phone level monitoring to the selcted signal 9 L R Media Switch This switch selects the signal that is monitored by the headphones When out the Main Left Right post fader signal is monitored When in the Media Input post fader signal is monitored 40 Master Level Faders The Master Faders control the levels sent to the Main Left Right outputs 54 Best results are obtained when these controls are set near the o point 41 Left Right PFL AFL Level Displays These indicators graphically display the level of the signal selected by the L R Media Switch 38 When the switch is in these indicators show the level of the post fader level of the Media Input When the switch is out these indicators show the level of the Main Left and Right outputs Signal is sampled at the summing amp and post master faders to monitor clipping throughout the Left Right section The Clip LED indicator will illuminate when any level in the signal chain approaches 2 dB clipping NOTE Clip LED can illuminate before the rest of the array indicating the summing amp reaches clipping 42 Power LED This LED indicates that AC power is supplied to the unit the power switch is on and the unit is function ing properly 43 Lamp 12Vdc 24FX and 32FX mixers only These outputs are designed to power gooseneck lamps such as the Peavey ML 1 Front Panel DIGITAL PROCESSOR 44 Page Select Switche
33. r section will blink to indicate that the signal on the Master LED display and the Headphone Output is the PFL AFL mix When the AFL button is out the yellow group LED will blink as an indication of signal presence 30 dBu 26 Group Fader This control varies the signal level from oo to 10 dB and sends the signal from the Group to the Left and or Right buses and to the Group Output jacks 53 The optimum setting is the unity gain position 7 TO AUX 1 amp TO AUX 2 Controls These controls determine the level of the respective Effects Return signal that is sent to the respective AUX bus allowing musicians singers to hear internal and or external effects in their monitors NOTE Due to the creation of an electronic feedback loop do not use AUX Sends 1 or 2 as the path to external equipment that is to be sent back to the corresponding AUX mix 1 or 2 This control determines the placement of the Effects Return signal s position with respect to the as signed L R and Group 1 4 buses Rotating the control counterclockwise L sends more signal to the LEFT output and odd numbered GROUPS rotating clockwise R sends more signal to the RIGHT output and even numbered GROUPS The C position sends equal amounts to each 9 EFX LEVEL Control This control determines the level of the Effects Return signal being sent to its assigned buses It func tions similarly to the Channel Faders 13 1 2 3 4 L R Bus Assign Switches Like
34. rb Deesser etc You may choose to use the library effect as programmed or tweak the parameters to your own personal preference DIGITAL PROCESSING ARENA PROCESSING ARENA A IMPORTANT When a signal passes through a digital effects processor a short delay results When this EFX 1 USER 34 same signal returns to the mixer and combines with the main output the small delay difference results in a comb filter Short changing delays are the basis of wah wah effects To prevent the comb filter effect increase the delay time simply by including an effect block such as reverb or delay Note that many effects like compressor limiter gate chorus etc do not work well when used alone on an effects send Fortunately the EFX 2 Patch Jack 56 can be patched directly into an Insert 48 on any channel or subgroup Group Inserts 54 Press the EFX 2 Patch Switch 33 to activate the patch In this configuration comb filtering is eliminated be cause the only signal path is through the processor If you make a mistake you do not have to start over The undo button will revert the last change to its original setting much like the undo command in a word processor To make further refinements to any user defined preset you have two choices press the back button and start completely over or simply use the soft knobs 45 46 to return
35. rga el ctrica no abra la cubierta No hay piezas tiles dentro Deje todo mantenimiento en manos del personal t cnico cualificado ADVERTENCIA Para prevenir choque electrico o riesgo de incendios este aparato no se debe exponer a la lluvia o a la humedad Los objetos llenos de liquidos como los floreros no se deben colocar encima de este aparato Antes de usar este aparato lea la guia de funcionamiento para otras advertencias Ce symbole est utilis dans ce manuel pour indiquer a l utilisateur la pr sence d une tension dangereuse pouvant tre d amplitude suffisante pour constituer un risque de choc lectrique Ce symbole est utilis dans ce manuel pour indiquer a l utilisateur qu il ou qu elle trouvera d importantes instructions concernant l utilisation et l entretien de l appareil dans le paragraphe signal ATTENTION Risques de choc lectrique NE PAS OUVRIR ATTENTION Afin de r duire le risque de choc lectrique ne pas enlever le couvercle Il ne se trouve l int rieur aucune pi ce pouvant tre repar e par l utilisateur Confiez l entretien et la r paration de l appareil un r parateur Peavey agr AVIS Dans le but de reduire les risques d incendie ou de decharge electrique cet appareil ne doit pas etre expose a la pluie ou a l humidite et aucun objet rempli de liquide tel qu un vase ne doit etre pose sur celui ci Avant d utiliser de cet appareil lisez attentivement le guide fonc
36. rranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase What Peavey Will Do We will repair or replace at Peavey s discretion products covered by warranty at no charge for labor or materials If the product or component must be shipped to Peavey for warranty service the consumer must pay initial shipping charges If the repairs are covered by warranty Peavey will pay the return shipping charges How To Get Warranty Service 1 Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center OR 2 Ship the defective item prepaid to Peavey Electronics Corporation International Service Center 412 Highway 11 amp 80 East Meridian MS 39301 or Peavey Canada Ltd 95 Shields Court Markham Ontario Canada L3R 9T5 Include a detailed description of the problem together with a copy of your sales receipt or other proof of date of purchase as evidence of warranty coverage Also provide a complete return address Limitation of Implied Warranties ANY IMPLIED WARRANTIES INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY Some states do not allow limitations on how long an implied warranty lasts so the above limitation may not apply to you Exclusions of Damages PEAVEY S LIABILITY
37. rums To maximize the signal to noise ratio the gain should be set to the proper level with the Channel Fader 13 set to The mic gain can be set by pressing the PFL button 12 and adjusting for dB on the output meter If the clip LED comes on and remains lit reduce the gain is Stereo Gain 15 This control establishes the nominal operating level for the stereo line inputs 1 4 jacks of the channel The Stereo Gain can be adjusted over a sufficient range oo to 20 dB to accommodate almost any input level It operates in conjunction with the L R CH Switch 16 to route the stereo signal directly to the L R buses or through the channel strip Front Panel 16 L R CH Switch This switch establishes the routing of the stereo line input 1 4 jacks signal When the switch is out the stereo line input signal is routed directly to the L R buses bypassing the channel strip In this mode the mic input XLR signal is routed through the channel When the switch is in the stereo line input signal is routed through the channel and the mic input signal is disconnected The signal level is controlled via the Stereo Gain control 15 Input Select Stereo USB Switch This switch selects the input signal that will feed the stereo line input of the second stereo channel When the switch is out the signal from the stereo line inputs is routed to the Stereo Gain control 15 When the switch is in the signal from the device connected
38. s A B C Use these three switches to select the desired digital processor page that is shown in the LCD Graphics User interface 47 and controlled by the encoders 45 and the soft switches 46 Software Encoders These encoders allow you to edit the selected parameters as indicated on the LCD 47 46 Software Switches These switches select the functions that are indicated on the LCD 47 LCD The Liquid Crystal Display reveals all of the menus available for editing DIGITAL PROCESSING ARENA This is a brief overview of the digital processing capabilities of your new FX mixer While you can expect incredible results following this guide mastering the art of digital processing will be achieved through experimentation Keep in mind that until you confirm your changes by pressing save no alterations have been made to the presets Peavey engineers programmed your mixer with a variety of the most commonly used presets which are ready to use right out of the box However your FX mixer will only reach its full digital processing potential through your acquired expertise Review the process below and begin exploring the digital mixing world beyond factory presets 44A Effects Screen When you power up your FX Mixer the Peavey logo will briefly appear on the LCD 47 In a few seconds once the mixer software is fully loaded the effects screen will appear on the LCD 47 Your FX Mixer fea tures a variety of commonly used factory
39. s Install in accordance with manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding plug The wide blade or third prong is provided for your safety Ifthe provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point they exit from the apparatus Only use attachments accessories provided by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as when power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped Never break off the ground pin Write for
40. t option features four customizable output effects Feedback Ferret EQ Delay and Limiter To edit an effect press the Soft Encoder button 45 and then enter the edit mode using Soft Switches 46 To save a new preset save current or to use a previously saved setting load saved enter the lib library mode using the soft knobs 45 46 Remember in stereo mode these parameter adjustments are made to both the left and right channels equally DIGITAL PROCESSING ARENA Dual Mono Output Mode The dual mono output mode functions exactly like the stereo mode except that parameters may be adjusted independently for left and right channels To save a new preset save current or to use a previ ously saved setting load saved enter the lib library mode using the soft knobs 45 46 Subwoofer Output Mode This mode features an internal crossover filter that allows you to adjust parameters of frequency levels high frequencies feed to the left channel and low frequencies feed to the right To save a new preset save current or to use a previously saved setting load saved enter the lib library mode using the soft knobs 45 46 44C Digital 1 0 Pressing the Digital 1 0 440 allows user access to the utility or USB menu options Utility Menu Options Entering the utility function allows users to adjust UTILITY screen contrast assign two levels of user acces sibility security change or access password or restor
41. the channel assign switches these buttons determine the bus assignment of the Effects Return signal They determine where the signal is being sent Gi Mute Switch Mute Clip LED This switch mutes its respective Effects Return from being sent to the buses This switch is equipped with a red LED that will illuminate when the Effects is muted When the Mute button is out the LED func tions as a Clip indicator that will illuminate at 2 dB below clipping 32 AFL Switch Signal AFL LED This switch connects the Effects Return post fader signal to the PFL AFL mix When the AFL button is in the Effects Return signal can be monitored through the headphones and or on the PFL AFL display A yellow LED in the Master section will blink to indicate that the signal on the Master LED display and the Headphone Output is the PFL AFL mix When the AFL button is out the yellow Effects Return LED will blink as an indication of signal presence 30 dBu G Effects 2 Patch Switch This switch determines whether the Effects 2 processor will be used in the Return 2 or will be patched to an Input Channel or Group insert point This switch can also be used to perform the bypass function When the effects processor is assigned to the EFX 2 Return the 1 0 jack 56 is bypassed Similarly when the effects processor is being patched externally only the external Stereo Return jacks 57 are used to return a signal 12 Front Panel Media In Level Control Controls th
42. the gain The low cut filter has a corner frequency of 75 Hz When engaged it can improve clarity by removing low frequencies that make a mix sound muddy This filter reduces handling and stage noise breathing noise and unwanted low frequency energy that can rob your sound system of power Engaging this switch will O remove those frequencies from the system and restore power where needed We recommend engaging it for all channels except those with the lowest bass tones such as Bass guitar and Kick drum 315 1 630 MID S FREQ d 15608 3 Hi EQ This shelving type tone control adjusts treble frequency levels 15 dB at 10 KHz resulting in less noise or more brilliance 4 Mid EQ This active tone control is a bandpass peak notch type that varies mid fre quency response by 15 dB in a range from 100 Hz to 5 kHz The center frequency is controlled by the Mid Freq 5 control Mid Freq This control determines the center frequency of the Mid EQ 4 control Center frequency for the bandpass filter can be set from 100 Hz to 5 kHz 6 Low EQ This shelving type tone control adjusts bass frequency levels 15 dB at 70 Hz adding depth to thin signals or clarity to overly thick signals Caution Excessive low frequency boost causes increased power consumption and increases the possibility of speaker damage T AUX 1 4 Sends These controls send the channel s pre fader post EQ signal to each of four aux buses These bus
43. tigkeit ausgesetzt wurde nicht normal arbeitet oder heruntergefallen ist Der Erdungsstift darf nie entfernt werden Auf Wunsch senden wir Ihnen gerne unsere kostenlose Brosch re Shock Hazard and Grounding Gefahr durch elektrischen Schlag und Erdung zu Schlie en Sie nur an die Stromversorgung der Art an die am Ger t neben dem Netzkabel angegeben ist Wenn dieses Produkt in ein Ger te Rack eingebaut werden soll muss eine Versorgung ber die R ckseite eingerichtet werden Hinweis Nur f r Gro britannien Sollte die Farbe der Dr hte in der Netzleitung dieses Ger ts nicht mit den Klemmen in Ihrem Stecker bereinstimmen gehen Sie folgenderma en vor a Der gr n gelbe Draht muss an die mit E Symbol f r Erde markierte bzw gr ne oder gr n gelbe Klemme angeschlossen werden b Der blaue Draht muss an die mit N markierte bzw schwarze Klemme angeschlossen werden c Der braune Draht muss an die mit L markierte bzw rote Klemme angeschlossen werden Dieses Ger t darf nicht ungesch tzt Wassertropfen und Wasserspritzern ausgesetzt werden und es muss darauf geachtet werden dass keine mit Fl ssigkeiten gef llte Gegenst nde wie z B Blumenvasen auf dem Ger t abgestellt werden Belastung durch extrem hohe L rmpegel kann zu dauerhaftem Geh rverlust f hren Die Anf lligkeit f r durch L rm bedingten Geh rverlust ist von Mensch zu Mensch verschieden das Geh r wird jedoch bei jedem in gewissem Ma e gesch digt der ber
44. tionnant pour avertissements suppl mentaires Dieses Symbol soll den Anwender vor unisolierten gef hrlichen Spannungen innerhalb des Geh uses warnen die von Ausreichender Starke sind um einen elektrischen Schlag verursachen zu k nnen Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam machen die Handhabung und Wartung des Produkts betreffen VORSICHT Risiko Elektrischer Schlag Nicht ffnen VORSICHT Um das Risiko eines elektrischen Schlages zu vermeiden nicht die Abdeckung enfernen Es befinden sich keine Teile darin die vom Anwender repariert werden k nnten Reparaturen nur von qualifiziertem Fachpersonal durchf hren lassen WARNUNG Um elektrischen Schlag oder Brandgefahr zu verhindern sollte dieser Apparat nicht Regen oder Feuchtigkeit ausgesetzt werden und Gegenst nde mit Fl ssigkeiten gefuellt wie Vasen nicht auf diesen Apparat gesetzt werden Bevor dieser Apparat verwendet wird lesen Sie bitte den Funktionsf hrer f r weitere Warnungen IMPORTANT SAFETY INSTRUCTIONS WARNING When using electrical products basic cautions should always be followed including the following 1 eS EN 10 11 12 13 14 15 16 17 18 19 Read these instructions Keep these instructions C Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with a dry cloth Do not block any of the ventilation opening
45. to either USB port 60 61 is routed to the Stereo Gain control 15 is Mid EQ In the Stereo Input channels this active tone control is a bandpass peak notch type that varies mid frequency response by 15 dB at a center frequency of 850 Hz MASTER SECTION Auxiliary Masters 1 4 This control sets the output level of the AUX 1 4 mixes and is adjustable from oo to 10 dB 20 Auxiliary Masters 5 6 This control sets the output level of the various AUX 5 6 mixes and is adjustable from oo to 10 dB These signals are also sent to the EFX1 and EFX2 internal effects processors respectively 21 AFL Switch AFL Clip LED This switch directs the post fader AFL signal to the Headphone output 37 and activates the PFL AFL LED display An adjacent red LED illuminates to signify this selection If AFLis not selected the LED functions as a Clip indicator Selecting AFL allows monitoring of AUX Masters with the full PFL AFL Level Display as well as allowing the operator to hear the output Front Panel 22 Phantom Power Switch This switch applies 48 VDC voltage to the input XLR connectors to power condenser microphones requiring phan tom power This switch is recessed into the console and requires a small tool such as a pencil or pen tip to activate A regular low impedance dynamic mic such as the PVM 22 will not be harmed The Line inputs 49 amp 50 are not connected to the 48 V supply and are safe for bal anced or unba
46. ung des gepolten Steckers bzw des Erdungssteckers Ein gepolter Stecker weist zwei Stifte auf von denen einer breiter ist als der andere Ein Erdungsstecker weist zwei Stifte und einen dritten Erdungsstift auf Der breite Stift bzw der dritte Stift dient Ihrer Sicherheit Sollte der beiliegende Stecker nicht in Ihre Steckdose passen wenden Sie sich bitte an einen Elektriker um die ungeeignete Steckdose austauschen zu lassen Sch tzen Sie das Netzkabel sodass niemand darauf tritt oder es geknickt wird insbesondere an Steckern oder Buchsen und ihren Austrittsstellen aus dem Ger t Verwenden Sie nur die vom Hersteller erh ltlichen Zubeh rger te oder Zubeh rteile Verwenden Sie nur einen Wagen Stativ Dreifu Tr ger oder Tisch der den Angaben des Herstellers entspricht oder zusammen mit dem Ger t verkauft wurde Wird ein Wagen verwendet bewegen Sie den Wagen mit dem darauf befindlichen Ger t besonders vorsichtig damit er nicht umkippt und m glicherweise jemand verletzt wird Trennen Sie das Ger t w hrend eines Gewitters oder w hrend l ngerer Zeitr ume in denen es nicht benutzt wird von der Stromversorgung Lassen Sie s mtliche Wartungsarbeiten von qualifizierten Kundendiensttechnikern durchf hren Eine Wartung ist erforderlich wenn das Ger t in irgendeiner Art besch digt wurde etwa wenn das Netzkabel oder der Netzstecker besch digt wurden Fl ssigkeit oder Gegenst nde in das Ger t gelangt sind das Ger t Regen oder Feuch
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