Home

Mamiya DM System User's Manual

1. cscsssssssssssssssssssssssssssssssssscssssscssssssssssscssnssssscssoses 37 Replacing the diopter correction leNS csesseseeesssseseeseesesesseeseeasseeseetseeseeseeaneees 38 Attaching to a tripOd csessscssessssesseseesssessseseeaeseeseeatsasseesteaeseeseeseeaesenseeaeeassenseeateateees 39 Contents Basic camera OPCLAatlONS ssscsssssessessessesssenescesseenseneeseeseeenseseeseesess 41 Turning on the CCT isoina a AAE 42 LES va 22g 09 Tees 0 18 LW cd oaran aE a 43 Abourihe Ey 0A csisae ee ates cuss cates cioag ned a cu aetecnaitseteaaetaetiaces 44 Using THE front and rear CIA cistasstcnsdocstuniandntiasoranteistacsssnetecnbslgtnodatuonisietusionsatonacacsdesenss 45 Holdiny the SyS 1 sa a ee 46 Backlight uUttOn enenenesnsnonononrnrnrnsnnnnennnnnnnrununururarurnrnrnrnrnrurnrerenenennnrnrururururnrnrnrnrnrnrnr en 47 FOCUSING the CANCE A siisiisvnstvaninsvnsavavnnivevncanevduisavtsaversnnssvavnvuvanvenensavens 49 Focusing the CAMICV A sisssacsccnscizaccessiagancesasnncaactesacanciieecascnseasasdianisascoetusendceetiancceadeanemetss 50 FOT cls ee E E E E Dl Man al C1 Stes ceae seas nase n enna aetanuaenranasececateseancunetoan tabu ciantetactvessiacbeuserectestotevetel 52 Manual focusing using the focus MaLK cessessseesseeeseeesseeeeseeanseeasseeasseeaeseeaees 52 When auto focus FIG ic esaceiccgevacetang tecaeac ondtnabevsnteessxsiesbenanesesetensivee ene seaeea anne tearens 53 Using the auto focus FUNCTION
2. 3 By further turning more values can be selected The rear dial can also be used for setting From 1 to 10 turns the value increases in single units while 10 to 60 turns means increases by units of 10 On allows unlimited values to be set After multiple turns the mark RP will appear in the main LCD Repeat turning will lead to a countdown being displayed on the main LCD and after taking a photo the camera will return to auto bracketing mode Chapter 6 Exposure Modes 71 4 Press the shutter button and take the pictures When the shutter button is pressed during shooting in auto bracketing mode the shooting sequence and auto bracketing mark blink on the LCD inside the viewfinder Furthermore the auto bracketing 48mark blinks the bracket step width is displayed and the shooting sequence can be checked on the external LCD a EFA im aS Over exposure Normal exposure Under exposure 5 Press the auto bracketing button then turn the front dial to OF to cancel Then press the auto bracketing set button or half press the shutter button to return to the normal display mode Chapter 6 Exposure Modes 12 TAKING PHOTOS WITH THE MIRROR UP This function prevents mirror caused vibrations which may blur the image in close up photography when shutter speed is slow when a telephoto lens is used or when photographing a poster or another picture When using the mirror up electromagnetic cable rel
3. Busy gt Digital Back Lens Shutter gt Capture a cr Ma D ro a jm Dm r we a CA w nx jur x al Repeat a Time br w battery ba d D ve ww and Ua rr me x MA T Display examples in the custom function mode Selection Step Iris Hold battery Shot No Dial function a mn cer eA Le a mm oT ww pad we ww J pa ug j w KJ Dag r gt vue pT a a re ad wy ped x ro a Mar Daag Da at a r m ad Ne T b rm Dial action Dial direction AE AF lock Half press AE lock AF lock ww co a D mm wu p O He r ww ew Sed Yad i Er lt a m r Oad wa m jar w laal a ra nd ac One push exposure AF assist light Flash sync r gt o aa T Nn je wiz P r Buzzer Sd Da Vd X r g ba d D ww ar Shutter in Program Shutter in Manual eS M gt r n Nr at wa m AF second mode 187 SYSTEM SPECIFICATIONS Camera SPECIACATIONS ccccccccccceeccecueceueeeceeeeuceeeeuceeueuueeeaueeseeueueuueeeeuauueeeaeeeueueneesaneeens Digital Back SOP CING NON S unaren E SA KOUDE NOOA searre E E eee EE eee Chapter 14 System specifications 190 CAMERA SPECIFICATIONS Camera type Actual image size Lens mount Vie
4. Cursor tools The Cursor tools are part of the general toolbar and one of the most vital and useful collections there within The Cursor tools give you immediate access to the most used tools with just the click of the mouse The Cursor tools gives access to a number of closely related sub features e g zoom in and zoom out The Cursor tools can be activated by simple keyboard shortcuts Read more on this in the Shotcuts section Holding down the Shift button when using a given Cursor tools keyboard shortcut allows cycling through the Cursor tool sub features Trash When deleting images the image file will be placed in the session s trash folder but can still be retrieved from the Trash Files will not be permanently deleted unless moved to the computer s trash or you select Delete Permanently from Capture One To place the files directly in the OS Trash hold down CMD Delete To delete permanently press Shift CMD Delete By holding down the Alt on MAC and use a given Cursor tools keyboard shortcut you activate the opposite cursor tool once without changing the Cursor tool feature permanently Chapter 11 Using the software 134 THE INTERFACE Import images Reset adjustments Customize MAC Grid amp Guides 7 Rotate left right Composition mode Move to Focus mask Apply adjustments Copy adjustments Select previous next Trash Edit selected py adj Process Undo Redo Capture a Move varian
5. It is possible to configure which exposure areas appear overexposed or underexposed Chapter 8 Using the digital back settings and evaluating shots 93 CHECKING FOCUS 1 Tap zoom 2 To magnify the image area 100 1 1 tap a desired point on the image 3 To Increase or reduce the magnification tap either in or out and then tap the image 1 0 put actual Each tap on the image changes the magnification by a fixed percentage 4 To pan the image tap the arrows en i I i in x dih pi E Eii r PaT ae I ha z Ls 6 a I 5 To revert to a view of the entire image tap fit Chapter 8 Using the digital back settings and evaluating shots 94 SETTING THE GRAY BALANCE To set the gray balance for future shots 1 Do one of the following wm e Include a gray card in the shot e Ensure that there is a neutral gray area in the shot Camera 2 lap gray 4 Tap OK to use the new gray balance setting or tap cancel f the gray card is not large enough in full screen view use the zoom tool to enlarge the picture before setting the gray balance Chapter 8 Using the digital back settings and evaluating shots CHECKING COMPOSITION USING THE GRID Place a grid on the shot as an aid for composition and alignment of an image This task is performed in Shoot view Ri z gt it NLS yer m a i Lr ae H 2 Evaluate the composition M
6. How to see the effects of sharpening The effects of sharpening and noise reduction are shown as they will appear in the final image in the viewer Zoom to 100 either by using the Zoom tool or if you are using the hand cursor just double click where you want to check details When you are at 100 it is easy to see the changes as you work with the detail tools How to determine the right amount of sharpening A rule of thumb for sharpening used to be that the image should look over sharp on screen to look correct in print These ideas have been superseded The current thinking is that a 2 stage workflow is better First sharpen the fine detail in the image Use the capture or raw pre sharpening setting Secondly a more aggressive sharpening affect can be used This should be applied when the image has been sized according to printing dimensions There is no accurate measure of what is the right amount Sharpening Is a skill that is learned over time lf you feel insecure on the right amounts of sharpening try out one of the many Sharpening presets After selecting the preset you can always edit the parameters further How to turn off image sharpening Turn sharpening off by selecting Disable Sharpening There is no sharpening applied behind the scenes Chapter 11 Using the software 166 NOISE REDUCTION Luminance noise exists in every digital image This noise is caused by the light sensitive chip regardless
7. Preparing the battery and compact flash card 28 CHARGING THE DIGITAL BACK BATTERY The lithium ion battery used with the Mamiya DM System digital back can be charged using the MCL103 battery charger provided Charging the Battery Using the Haenel MCL103 To charge the battery with the 12V DC Power Supply 1 Connect one end of the 12V DC power supply cable to the Haenel MCL103 battery charger 2 Connect the 12V DC power supply to a wall outlet using the correct socket plug for the region Attention Do not use any power supply cables other than the cable provided Many factors contribute to the amount of shots that can be taken with a single battery The following will help increase the battery life 1 Set the Mamiya DM System to enter sleep mode or turn it off when not in use 2 Set the backlight on the digital back to turn off after the camera has been idle for a certain amount of time 3 Avoid leaving the batteries in the Mamiya DM System when not in use 4 Do not lock the mirror up unnecessarily 5 Do not charge the Mamiya DM System batteries in extreme tempertures Extreme temperature environments will affect both battery power and charging capacities The optimal temperature for charging using and storing batteries is 25 C 77 F Chapter 3 Preparing the battery and compact flash card 29 DIGITAL BACK BATTERY POWER STATUS Charging begins when the lithium ion battery is attached to the Haenel charger and the i
8. cseesssessseeseseeseseeseseeseseeseseeseeensteeesteanseeatseeatsneens 54 AF ASSIS UA ARO ie DE sssini e 55 Exposure ModeS sssssnensunnnnunnnnunnnnunnnnunnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nanen nnan ennan 57 Po T 1d 8 comer eer sce nee te ee nee rere omen eee Te nee Teer geen ere eee ee ee 98 Aperture Priority AE AV cccssssesessssssseeseeseeeseeseesessaeeseeseesaeeseeseesaeeeeseeeaeeseeseneaees 59 Shutter Pront AE TV nr ere 60 Monoa Node Miesse A S 61 YT Oe a AE AEA 62 Custom Function Modessa aeea a e e 63 Auto Mode MeCHANISM sscsccssessseseesseesseeseeseseeseesteasseeseeaesaeseesteaesenseeaeeatseeseeaeeateees 64 Exposure Metering TOC Sct see cies eet eatacanee scecaseeasnsceecasnacstcndesetectecel tension eaae 65 Exposure WARNING 5 sonics sccchadien sche dtvetahetisetehatuess5adacacetadevesshadivasatasbancetadesatehedtuetenedeseteberee 66 Exposure COMM CTIS AN O I irrsos cccnseceee teeta cetera sec secceeucheco aaciaee dinua aaa rietan 67 POM MOTE ar A E A A 68 Auto PWN IOC sn axcc cate screccsescctncinnectadsncacdedsimetedegenetic eaeastodecsactoteainachadeanestedeabersenste 70 Takie photos with the TIE FOU cases sc ccs naana 72 Mirror up dely seinne oane o aaa Eaa NO EE OE 73 Self OMT MO Geka a E E AA eee ee 74 PACS EY Al photography sss teriasece cs dace decepce te cscs insnsieestansieoceananieulsuseceundantedsdsvetaaeteaanneied 75 Long Exposure MOC viscsisecscscnsecedscssecncsaccesactsndeuncusecacedesessonsesorsunstsadeues
9. mamiua Mamiya DM System User s Manual Contents e Gal 101 6 eee eS enn O ne nee ae 1 Thanks for your PULCHASEC sscssesesseessessssessseeanseeaesteaesecanseeaeseeaeseeaeseeatseeateneaeeetanees 2 Copyrights Trademarks COmpliances cesescssesseessesseeseeseesesesseesesasseeseeasenees 3 NY AUT AMM ars wiser Siete eens dens tas ae tna ae vest ite oases ecnidea tea sat etuaisean vaeiieuusueanaenaRteasteat Importance of the protective IR filter G1aSS cseseseesseseseeesseeeeseeeeseeeeseeanseeees 6 Important care notes for the digital back ccssessssscsssscssssessssessssssssssensssessnssnanes 7 Important care notes for the camera DOCY cssesssessssesssecsesseseseeseseeseseestseeaeees 9 Getting to KNOW your camera SySteM s sessnsunenennennnnunennnnnnnnnnnnn 11 Product OV CEN 10 sacaitossecatecractanssatecntesscsrotectvesaedaaeanse ceterstececccseecececetececucsteceeccstevececesecees 12 Names Of parts and LUNCTIONS cseeeseesseeesssseseseessseeseseeseseeseseeseeeesteneateesaeeesaeees 13 3B 8 Fcc eee ene nn ane ene Sane rE Le rrr en eR eR 14 Viewimder LC D ssa EE 15 Liguid Crystal DISplay sicas eai aiaa raana anaa aiai 16 Basic description of home screen on digital p aCK ononsnsenenunensnrnrnnnnnnnnnennrnn 17 Digital back charger and attery enononononnnnnnnnnnnnrununururururnrnrnrnrnrnrnrnrnrererenennnnnnne 18 Note on batteries for camera rechargeable vs disposable
10. Basic camera operations 43 USING THE SHUTTER SHUTTER RELEASE BUTTON The shutter release button has a two step action The first step is the half press when the button is pressed lightly When half pressed the camera functions are activated When the shutter button is pressed further down the shutter is tripped This position is called the release position s Jm ma Normal Half press Release position Chapter 4 Basic camera operations 44 ABOUT THE DRIVE DIAL SINGLE FRAME MODE The film is advanced by one frame each time the shutter is released Set the shutter release mode selector lever to S CONTINUOUS MODE Photographs are taken continuously as long as the shutter release button Is pressed Set the shutter release mode selector lever to C and hold down the shutter for continuous shooting MIRROR UP SHOOTING Press the shutter button to move the mirror up Press the shutter button again to trip the shutter and take a picture Chapter 4 Basic camera operations 45 USING THE FRONT AND REAR DIAL The front and rear dials can be used for selections within different photographic settings such as focus area changing shutter speed and aperture selecting exposure metering modes choosing exposure compensations choosing auto bracketing modes and designating times for mirror delay the self timer and interval photography For details on how to use the front and rear dial
11. Chapter 11 Using the software 149 USING THE WHITE BALANCE TOOL The best part of the image to use a the White Balance source White balances should be created from a special white balance card If unavailable try to find an area that is neutral grey Remember the slightest color in the area will affect all colors in the image Try to find a clean bright grey or neutral area the darker the area is the larger is the chance that there can be noise making it very hard to do a precise leveling of the colors How to White Balance images with the pick white balance tool To do a click balance select the white balance picker w in the tool menu bar Quick or Cursor Tool bar The button will go orange to confirm that it is active Select an area of the image that looks neutral a grey or dark white area if possible The color picker takes this value as neutral grey and uses that information to map all other colors Auto White Balancing images Capture One has a builtin auto white balance Select the image to be neutralized and then click the auto white balance picker The image will be automatically corrected by the software To apply auto white balance to a range of images first select the images to be adjusted then click the auto white balance button How to get the as shot in camera White Balance Go to the Quick tool tab or the White Balance Tool Tab and select the Mode pull down menu Choose the shot setting and all selected
12. Users nwb rary Output Chapter 11 Using the software 172 PROCESSING COMPLETED IMAGES Open with Allows Capture One to automatically open the processed file in an application Most users choose Adobe Photoshop to open the file immediately after processing The best practice when processing a batch of files is to set Open with to None This will prevent computer related resources from being depleted Naming Output naming provides a range of options for naming the processed files Adding a job name in the blank field increases these options and the helpful sample panel provides a preview of how the chosen convention will work Process destination Beneath naming is the heading Location This is where you choose the output destination for processed files Click on the button and navigate to a suitable folder This can be on a local or networked drive This can also be set on the output location on the Library tool tab Process Summary The Process Summary window provides an overview of all the settings chosen for an image before processing This includes the actual and final processed size name format and file size Clicking Presets provides a choice to process the primary or variant image When you press the Process button the file or files will start processing the Primary Capture automatically Output to DNG Many see a benefit of using DNG for archival purposes Outputting to DNG format in Capture One in essenc
13. this ensuring a natural look to the selective changed colors Images like the feathers showing many colors in the relation with each other keep smoothness on a lower level It is also possible to just select one color slice from the menu below the sliders or choose global if you want to affect all colors at once This is however a more creative tool that shouldn t be used instead of colorbalance To help you determining the areas that actually changes you can check mark View selected color range this will remove color from all not selected colors Blocking entire color areas The Color editor can be used not only to change colors but also to saturate or desaturate specific colors or groups of colors Saturation is created to adjust up to 80 in both directions so repeat de saturation 2 3 times and you will have black white areas whilst preserving other colors than the selected Marking up the view selected color changes will automatically desaturate all notselected colors You can make up to 30 selective color changes in one image Original color Target color Chapter 11 Using the software 153 OPTIMIZING EXPOSURE Basic controls Adjusting an image that is too dark bright The best way to lighten or darken an image is to use the exposure slider For more precise and advanced control the exposure slider should be used to centre the data within the histogram and define an initial exposure ensuring that no hi
14. to create a new preset Use the default setting applied automatically by the software and then zoom into 200 to fine tune settings for an image if you have a group of similar images apply the resulting setting to all images or create a new preset Chapter 11 Using the software 167 REMOVING POST CAPTURE DUST AND SPOTS How to get rid of dust on the images Dust is not uncommon when doing medium format photography A lot can be avoided by using air and keeping the protection plate on the back as clean as possible Even so the chip creating the image is by far too sensitive to not see a tiny tiny dust particle Dust particles will appear to be unsharp The Dust removal tool is created to find the unsharp edges and remove the dust particle perfectly by analyzing the underlying colors The dust removal tool is a part of the spot removal tool After selecting Dust removal tool in the Type drop down menu mark up the dust spots on the image using the Spot cursor tool The size of the spot cursor tool can be adjusted by pulling the sides of the cursor tool circle or by using the Radius slider the dust removal circle is moved by placing the cursor inside the circle and moving it Switch between the individual removal circles in the Spot drop down menu The active marking is orange this way you can change the size of a circle from dust to spot removal and adjust size When all dust particles are marked up and removed it w
15. underexposed pictures 1 When exposure compensation button is pressed 4 appears on the external LCD When the front or rear dial is turned counterclockwise the exposure is increased conversely when it is turned clockwise it is decreased The exposure compensation value can be checked on the external LCD or LCD inside the viewfinder 2 After taking the pictures press exposure compensation button again to return the exposure compensation value to 0 The exposure compensation value mark on the external LCD is cleared and the exposure compensation function is released Exposure compensation is also possible during AE lock The shutter speed changes with exposure compensation in manual mode M Display of the exposure compensation of the viewfinder LCD When a Metz flash is not equipped Av Aperture Priority AE The set value is displayed Tv Shutter Priority AE The difference between the metered value and Manual Mode the set exposure value is e eer e Synchro Mode Not Notdisplayed oo Chapter 6 Exposure Modes 68 AE LOCK MODE Shooting with the AE lock function is useful in cases where the desired focal point differs from where the focal point is usually measured or when it is necessary to measure the exposure using spot metering in order to bring the desired subject into focus The AEL button will lock the Auto exposure value as the photo Is being recomposed 1 Turn the exposure mo
16. Capture One allows tethered shooting with the Mamiya DM System which means you are shooting images directly onto the computer without any interim storage To shoot tethered connect the Mamiya DM System to the computer using a FireWire cable The digital back will automatically be recognized USB can be used if necessary The Capture Tab is the control center for shooting tethered To connect the firewire cable see Connecting the firewire cable for tethered mode section in chapter 7 When shooting tethered select the folder where you want to store the captured images This can be done directly from the Capture Tab or alternatively in the Library tab NOQGSAVIHOOE amp amp EXPOSURE EVALUATION NEXT CAPTURE NAMING Format Name and Camera Counter Name Untitled Sample Untitled1234567 110 Capture To C Documents and Settings hl Space Left 248 Captures 4 GB NEXT CAPTURE ADJUSTMENTS ICC Profile Default All Other Copy from last CAMERA CONTROLS Program M Shutter 1 1255 Aperture f 5 6 EV Adj CAMERA Camera Phase One P65 Format M Raw L Sensor On Iso 400 Balance Chapter 11 Using the software 148 USING THE WHITE BALANCE TOOL When the image contains a wrong color balance There are many variables that can cause incorrect color but a good starting point is to set the white balance correctly Always bring a greycard to your shoot if you want to make sure the images and camera can be controlled properl
17. Exposures C 06 Front Rear dial dF This function is used to interchange the functions of the front and rear dials in the M manual mode 0 Front dial TV rear dial Av OF 1 Front dial AV rear dial Tv On C 07 Rear dial in P mode d_AC Initializing the P mode on the rear dial then changing the function to the front dial will cancel out P mode function on the rear dial 0 Enable 1 Disable C 08 Dial Direction d_dl This function is used to determine the direction in which the electronic dial is to be rotated to increase and decrease shutter speed the f number and exposure compensation 0 CW Decrease OF 1 CW Increase On C 09 AEL amp AFL button AEFL This function is used to set whether to interchange the operations of the front and rear AEL and AFL buttons 0 Default setting front AFL rear AEL OF 1 Switched front AEL rear AFL On Chapter 13 Custom functions TYPES OF CUSTOM FUNCTIONS C 10 Release button HALF This function is used to set the AE lock and AF operations when the shutter release button Is half pressed 0 AF operation default setting 1 AF amp AE operation 2 Only shutter release C 11 AEL function lock unlock mode AEL This function is used to set the method of operating the AEL button to lock AE At the default setting when the AEL button is pressed AE is locked pressing the button again releases the AE lock At the 1 setting released after one
18. IEEE 1394A links the computer to Mamiya DM System The cable carries both communication signals and electrical power The cable is a hotplug cable that can be connected or disconnected without turning the computer off or quitting the application 1 Connect one end of the FireWire cable to the port at the bottom of the Mamiya DM System Make sure that the FireWire cable connector is aligned to the left of the Mamiya DM System OWES p Connecting the FireWire cable to the Mamiya DM digital camera back USING THE DIGITAL BACK SETTINGS AND EVALUATING SHOTS Checking the CXPOSUC cccccccccceecceeeaeceeeeaeeceeeeeeeeeeeeauueeeeeeeeeeeeeeueeeeeueueeeuaueeeeeeaeeneaneas 90 Checking the exposure with the picker tol c cccccccssecceeeecceeeeeeeeeceeeeeeeeeeeueesueeeeaaeeeens 91 Checking the exposure with the over or under exposure AlariMS cccecceseeeceseeeeeeeeeeeeeeeees 92 CERE TOC aaa E E E bine ain ed A E 93 Senne he eray dl aC E eaea EE ER 94 Checking composition USING the Ol iinciiuaecentvntserdesntinctssinsratdiudesadtiviadentonsucdsatarcntciuivn 95 Changing the color otf the grid MES sininen rnane n E R 96 Browsme through IMac S isenana eni iae Er e stunt en T RR E aiea Ei ii 97 Flagging or creating comments in Shoot VIGW cccccececceeeeeeseeeeeeeeceeceeeeeeeeeeeeaeeeeeeeeeeneenses 98 Chapter 8 Using the digital back settings and evaluating shots 90 CHECKING THE EXPOSURE Camera Setu Check the ex
19. IMAGES 1 Tap more No images selected m 2 Tap sort and select the desired sort method by name time or flag Mo images selected 4g I J E zit al ne As ae OON fa PEN IMAGE FILE MANAGEMENT AND PREFERRED SETTINGS Selecting a Wn 0 02 ce 108 PNW NS WA E aE E E tetas eeeacumdcuctcacas 109 Op ning images in SHOOT VIEW iiscusinsnitscniecanndinnueiaiesncigabani aai a i a poea ik 110 Shooting Wthout overlays sorset anuna ienie EN EEEE AN EAEN E EAE EE 111 Working m Wil screen ModE vertunccarsiyacedtacsiateranertasbet cia coumiceigercinectseacriateidenrasieidtecerimiaieen 112 Setine 2rd atribute S aaaea eE E E EE EE E 113 usme Me CODA Recrear E EEEE 114 Adjusting the transperancy of the crop MaSk ccccccsceecceeeeeeceeeeeuceceeeeeeeeesueeeeeeeeeeeeeenanens 115 Adjusting the transperancy of the histogram and info baf 116 Setting the expos re GIANT esasi EEEE ETARE 117 Resetting TE file name COUNLET ice sivnnntosuicamiacvataneneaastiiss atiensdys vainduveiiemnbuieuasavanmirdeenedss 118 Formatting the compact flash card in portable MOd cccccccceeccsceeeceeeeeeeseeueeseeeeeeeaeues 119 CONMSURING the user DUTTON aucdrccsctcoctacsuonaninexdesaihinion sect ainsa Ra TENAR ERA 121 Configuring the user button for edit VICW ccccccccecccceececeeseeeeeceseeceeeeseeeeeeeeeeeeeenaeeeeeneanes 122 Configuring a long press of the user button esssseessrsssrrrrnsrrrnnerrrnnunrrrrenrrrnnnrrrrnnrrrrrssr
20. Shoot View Options gt 3 Tap the desired setting Chapter 10 Image fille management and preferred settings 118 RESETTING THE FILE NAME COUNTER The Mamiya Digital System s digital back adds a number in sequence to the base name that is defined each time a shot is taken The counter can be reset to zero at any time 1 Tap File name Camera Settings l rE Shots Folder Tie name gt 2 Tap reset Camera Settings File name PPP rrrre CECCCCEEC i G Chapter 10 Image fille management and preferred settings 119 FORMATTING THE COMPACT FLASH CARD IN PORTABLE MODE Use this procedure to perform a quick format of the compact flash card Quick format is useful in the following circumstances e To erase all the data on the card e f the card is not performing as expected for example pictures cannot be saved on the card saving on the card takes a long time or if error messages concerning the card appear lf the compact flash card is new or if the compact falsh card has been used on a non digital camera back do not perform a quick format Perform the procedure detailed in Formatting the compact flash card in MAC Windows in chapter 3 Formatting the compact flash card erases all data on the card 1 Tap Quick Format System Setup 2 Tap the disk to be formatted and then tap choose DISK a a i a 4 x Chapter 10 Imag
21. The Library tool allows access to the images within the Albums you have created as well as to any image collections stored in folders on a computer or networked resource The Library Is very similar to the file browser in the operating system Finder on Mac Explorer on Windows and is closely connected with the file browsers in the operating system Browsing through the image collections is simple due to the hierarchical tree structure of the library The Library tool allows you to designate an Output folder a Move to folder a Capture folder and a Trash folder More information on these folders will be discussed later on in this guide Quick The Quick tool tab includes a selection of key tools which gives easy access to tools for fast image enhancement In Base characteristics you can choose between different ICC camera profiles and film curves An ICC profile is automatically applied according to the make and model of the selected RAW file We have created several specialized ICC profiles to many cameramodels to fit all needs Use curve to set the basic behavior of the pixels stadard high low contrast film or linear especially for scientific photography Adjusting the white balance and exposure and processing the selected image can be done from here The ICC file will follow the primary selected RAW file not all files in the folder To apply an ICC profile to many RAW files at once use Copy Apply Adjustments Ma Phaie Cine FOS M
22. When at C 00 chose 1 A 2 B or 3 C to store a specific set of user function selections for the group of custom settings from C 01 to C 19 However if you set C 00 to O the settings used will be the default set 1 Turn on the power Turn the shutter release mode lever to the S or C position 2 Turn the exposure mode dial to select CF Custom Function mode 3 Turn the rear dial to select the settings for user A B or C 4 Turn the front dial to select the item you want to set There are 19 items from C 01 to C 19 R Ql Chapter 13 Custom functions 183 INITIALIZING USER FUNCTIONS 1 By turning the exposure mode dial CF custom function mode can be selected 2 By turning the rear dial user A b or C can be selected 3 Press and hold down set button for longer than 1 second and settings for A B C can be initialized or the settings can be returned to default The default user setting is User 0 Chapter 13 Custom functions CAMERA CUSTOM FUNCTIONS QUICK GUIDE No C 00 C 01 C 02 C 03 C 04 C 05 C 06 C 07 C 08 C 09 C 14 C 15 C 16 C 19 C 97 C 98 C 99 Item Custom Function User Steps of aperture shut ter speed Exposure compensation Aperture setting after lens change Time to sleep Battery type Auto Bracketing steps Front Rear dial function exchange in manual mode Di
23. a clipboard with image adjustments which can be copied from one image and applied to other images The default copy contains only the parameters where actual adjustments are made to the settings of the source image Here is where one can deselect specific adjustments not required for other images and save a set of adjustments as a Style for later use Chapter 11 Using the software 141 PROCESS RECIPE BATCH Process Recipe This tab allows the process parameters to be defined and for the images to be processed A process Recipe can be defined parameters such as file formats quality color space resolution and size can be configured You can decide what metadata will be included in the processed image file and it is also possible to systematically rename the output files as desired Batch Enable the user to see which images are in queue for processing and which images have been processed previously within the Batch tool tab The order of processing can be changed by drag and drop images can be deleted from the batch queue by marking and pressing backspace Upon pressing Process the batch will start Fer Dees Cite Tipsa Oo A A LA Dy puite a 4 IE io kimran J PRIH Pim ee b Chapter 11 Using the software 142 ORGANISING THE WORKFLOW IMPORTING IMAGES Organizing the workflow The Library tool tab in Capture One is where all file import and file and folder organization takes place In the folders section
24. able to enhance for instance blue sky without oversaturating the rest of the image Chapter 11 Using the software 155 OPTIMISING EXPOSURE For advanced exposure adjustment it is recommended that levels are adjusted first followed by curves The curves tool has been designed not to clip image information and will only operate on tones within the defined white and black points of the image The correct Level settings In an ideal situation levels should be adjusted to slightly clip the end points of the image histogram at the shadow end and to the maximum highlight level on the right side of the histogram The images below show before and after adjusting the levels for an image As shown black point and white point adjustments have been brought in very slightly This has the effect of lightening the lighter tones and darkening the shadow tones in the image at the same time increasing contrast slightly The process has to be done very carefully in order to preserve the feeling that the image evokes The highlight warning function can be configured to provide visual feedback when adjusting the levels Once the highlight and shadow points of the image have been fixed the density or mid tone values of the image can be adjusted using the centre or gamma slider on the levels tool The fastest way to use levels is by using the auto tool as a starting point This will not clip information if the result is not desired you can fine tu
25. adjusts for flash It can be adjusted within 3EV in increments of 1 3 steps 1 Turn on the power Install the SCA3952 adapter on the Metz flash and put it on the camera then lock the flash in place using the locking knob on the flash shoe Turn the shutter release mode selector lever to the S or C position and turn ON the flash power switch 2 When the flash charge confirmation lamp lights press the set button in The s display appears on the main LCD panel 3 Turn the front or rear dial to select the flash compensation value Y i fj U CUSTOM FUNCTIONS Setting CUSTOM FUNCTIONS cccccccceccsceecceseeeceeceuceeeeeceeeueueeuauueeeauueueueueesuaueeevauueusaueeaueansss 182 iitaizne User TMI WONG sore tinted cos camesenncaia uci netebeeatanmacnneescatunpneicdadneneenteeeeuuactecneaasceseaanune 183 Camera custom functions QUICK CUNAG iinvsaieannissiciadenns ninnisin aeii aiana nana e aeai 184 Types of custom IUNCHONS sisne25 cisreaixs sen eranputinhwanssaiedueenticviadeneaaitneyenntoaunaBooay aE EEA nananet 185 Chapter 13 Custom functions 182 SETTING CUSTOM FUNCTIONS The custom functions allow you to change the method for using or accessing the camera functions as you like Take photographs the way you are most comfortable with The custom functions can store separate settings for 3 users You can preset the functions for indoor outdoor or portrait photographs and for other conditions
26. buttons e Roll the user button back or forwards 97 Chapter 8 Using the digital back settings and evaluating shots 98 FLAGGING AND ANNOTATING IN SHOOT VIEW While shooting flag your image or add a note as desired Then view the flag or note on the image in Edit view and in the image information 1 Tap the image and hold until the flag note and delete buttons appear 2 Do one of the following e Tap flag to flag the image e Tap note to add a comment about the image EDITING IMAGES EGUNE VIEW tee sateen neiieaien desea str eva uacries austen te OEE e OSE ESRR 100 Drowsine throuch MaE oo diate ceeca datos essa euireadsaeoaeaanie d AET DEEN 101 Viewing iniormation and EXIF Cale siren cetiee rvoiauerti ecdurvimekiemlatuailedsesdaivente e E iiaia 102 Selecting multiple Mag OS ersin aana ENAA ENE ERRE AE dwiduitewes vite EREADERS 103 Flagging creating comments or deleting IMAES ccccececeeceeseeeeeeeeeuseeeueeneuseneuseneusenenss 104 SAL WO A EE EESE AEE A AIA anak EA E EA A A TET 105 Chapter 9 Editing images EDIT VIEW 100 Use Edit view to e Display images in various view modes e Browse through images e Flag annotate and delete single or multiple images e Move images from one folder to another Accessing Edit View from Shoot View When in Shoot view access Edit view directly without returning to the main menu In Shoot view tap edit The above image Is Edit view Chapter 9 Editin
27. eens AE r ORE DORRE 137 Library Sr COlOl eneon E Erai E AE E EEEE EEE AN EEEE 138 E ASAN OC E T A E T EE EE A ET EE ET 139 Details AdjUStMENt ds iinatiiaeisstuiinitoin sraitaaindinoia enekdiod indi netutessbluleinslatindsmiw EEEko Reirs rE Esken rerni 140 Process Recipe Batocerini a a a tee e aSa 141 Organising the workflow Importing iMageS ssessssesrnserrnnerrnnerrneerrnerrnnrrrrnrrrrnrrrrerrrens 142 OOM NS TE er E EEE EAA EE 143 Organising Mage S esrurincrinrsisinenninn nenen stn arn iaa ENEN ENOAT KETENE REANA Na 144 OVINE TO TOE S eisni a A E E mien 145 WOKKE W AOS aieea EE E AE EAE E A E A OE 146 Temnered aptr E scanere er Ee E EEA AREE EEEE 147 Using the white balance tool cccccccssseesssseeerssseeecenseesseeeeeseeueeeseeeeteaeeeesseeesenseetsagees 148 CO D E eE E EE 151 Adius tine COOL erroaren onana R a E EAEI NUNS 152 i TST OO SUES eee Eae EE Ee Eine E a a 153 Managing exposure using curves and high dynamic range ccccccecceceseeeeeeeseeeeeeeeeeeeeens 156 Managing highlight and SNACOWS xscsiwstnisadanaaiensnenaredicined deaeanstinandtdeeaatnnedaaweustnnsdeduavedeicdndes 158 MW LENIN E A E E E E EE E EN E EE E E E O E 159 Eo E E rt tr NN E AE EE E A A E ine 161 Straightening and rotating an Image craindocinavincrcnesva vansndidd an vracamiiua eaa Sia teadisiniviens 162 Samene an MAA Eara iE eE E E E E EE 164 EONS oF a NON E E E E E 166 Removing post capture dust and SPOtS ccccceccccecesecceeeeeeueeceeeee
28. files OQOaswvA IAP OE YM amp LIBRARY Session Capture One Session Folders Chapter 11 Using the software 143 EXPORTING FILES How to export files Files can be exported in several ways from Capture One The Original image files are never changed by the application so they can be exported to another application or folder at any point It is important to emphasize that when exporting files the image file is processed meaning a new file is created based on the image file containing the editing added After process and export to another folder the original raw file can be found in the original folder Processed files can be exported in a range of formats that can be opened by industry standard imaging applications Read more on flleformats in the output chapter All files can be exported to any folder on the local machine or connected network Copyright and captions can already be added at import METADATA Copyright Phase One amp Drew Gardner Caption P65 from Photokina 08 Chapter 11 Using the software 144 ORGANISING IMAGES How to organise images Capture One allows the organisation of images in a variety of ways We recommend importing images to a folder on a main drive using the importer dialogue File gt Import Images At the same time the images can be copied to an archive or backup disk for greater data security The images should be edited Move the best examples or those with the highes
29. for the above mentioned sections refer to their specific sections in this user s manual Chapter 4 Basic camera operations 46 HOLDING THE SYSTEM HOLDING THE CAMERA Horizontal Vertical Hold the camera still when taking photos to obtain sharp pictures Grasp the grip firmly press both elbows against the body and support the camera at the bottom with the left hand At slow shutter speeds or when using the self timer it is best to use a tripod and a cable release or an electromagnetic cable release optional accessories Chapter 4 Basic camera operations 47 BACKLIGHT BUTTON To see the main panel at night or in dark places press the backlight button 3 The backlight will go on for approximately 20 seconds and then go off unless there is another operation f the backlight button is held down for one second the light will remain on until the button is pressed again When the backlight is on the camera will not go into sleep mode whereby draining the battery power FOCUSING THE CAMERA FOCUSING the CAMEVAL ccceccccseeceeceeeeeeeececcuueeetauceeeeeueeeeeueeueuueeeeaeeeeeeueeeaeueenanseetsaeeeenenses 50 OCS aa a E A EE 51 KEINU e OCIS EE E E E E E E E A N EA 52 Manual focusing USING the FOCUS MaLK cccccccescseccceeeeeeceeeeaeeeeeeeaeeeeeeeaeeeeeseeaeeeeeseageneenes 52 When auto FOCUS Tal S sritectascirvsretacciaatorevedancrcatonsavidncverssssbelinadieubesineditsanioeiriduabeesnenat
30. frame File size MOS MOS lossless compression TIFF 16 bit 8 bit RGB 8 bit CMYK ISO sensitivity LCD screen LCD size Image viewing Viewing tools Languages Properties Operation conditions Portable power supply Image storage CF card portable mode Optional camera interfaces Dimensions WxHxD Weight DM33 48x36 6726x5040 33MP 1 1 67MB 4 MB 190MB 102MB 136MB 50 800 touchscreen with stylos 6x 7cm Up to 20 images on LCD screen with 1 1 zoom DM28 44x33 6144x4622 28MP l 53MB 31MB 159MB 80MB 106MB 50 800 192 DM22 48x36 5356x4056 22MP 0 9 42MB 21MB 128MB 63MB 84MB 25 400 Histogram spot meter f stop average exposure meter exposure alarms English German French Spanish Italian Japanese Chinese Temperature 0 40 C Humidity 15 80 RH non condensing 1x lithium ion battery 2350Ah power FireWire 800 tethered mode Mamiya Pro II Mamiya Pro IID 4x5 Graflock 95x82x59mm 600g Chapter 14 System specifications 193 TROUBLE SHOOTING For your benefit there are user s forums on our web page www mamiya com In the event that you think something is wrong or faulty with your Mamiya DM System please consult these pages first to see if the problem can be rectified before handing the System to your dealer for servicing www mamiya com
31. has been achieved To reposition the cropped area click in the middle and the button will turn into a cross Move the cropped area When the desired result has been achieved select any other button from the cursor tool selector The crop will be applied and the updated preview will fill the viewer How to reuse a crop setting from one image to another Once an image has been cropped the settings can be copied and pasted to multiple images in the same way that other settings can be Adjustments gt Copy Adjustments and then select other image s and Adjustments gt Apply Adjustments How to set a crop aspect ratio Select one of the predetermined Aspect Ratios from the drop down menu Your crop will automatically be constrained to these aspect proportions When you make a crop in an image the crop orientation landscape vs portrait will automatically switch to maximize the crop area staying within the aspect ration constraints Chapter 11 Using the software 162 STRAIGHTENING AND ROTATING AN IMAGE Straightening How to straighten an image Nothing is more irritating than an image where the horizon is just a few degrees away from horizontal or a vertical building that is crooked Capture One was the first RAW workflow software to allow rotation Capture One 5 now offers an even more sophisticated straightening tool Select the Rotation Straighten button in the cursor tool palette or in the composition tool and drag along a straight ed
32. in its location How to remove images from an album Select the image to be removed and hit the backspace delete key or right click on the image and select delete Only the variant in the album is deleted the original image file in its folder remains How to move images between Capture One and the OS file browser Images can be dragged and dropped from the Capture One Browser into the OS file browser and vice versa Using the Option key during the drag drop operation allows you to switch between move and copy operations lf the image movement is initiated from Capture One then the associated settings file will also be moved along with the image Your image settings changes will not be lost lf the image movement is initiated from the Finder then the associated settings file is not moved unless you manually move the settings separately any changes will be lost when reading the image from the new location How to remove an album Highlight the aloum and click Edit gt Delete Album Alternatively right click gt Delete Cherie tool Rename kemige fren Farle Sel as Capture Polder Set od Mowe Te Pedder Sat as Dubout Folder Shura in Library Sheer n Fodder Made infa lnipat Chapter 11 Using the software 147 TETHERED CAPTURE Introduction With Capture One you can speed up the creative process by capturing images directly to the computer and have them appear almost instantly in the application Tethered capture
33. name Camera Settings Shots Folder gt ob 1 Chapter 7 Basic Digital Back Operations 85 ADDING NOTES OR COPYRIGHTS TO YOUR SHOTS 1 Scroll down and then tap the Info button Camera Settings Shots Folder File name L Compression Lossless T 2 Click in either the Description or Copyright Notice area Camera Settings Default Annotation and Copyright Description G Copyright Notice Chapter 7 Basic Digital Back Operations 86 CREATING A BASE NAME FOR THE SHOT 4 Using the virtual keypad tap the name of the folder and then tap OK To create a subfolder tap the new folder tap open and then tap new Mew Folder name ob 1 Selecting a Folder for Your Shot Select the folder to save the shots in tap a folder and then tap choose d Chapter 7 Basic Digital Back Operations 87 ADDING NOTES OR COPYRIGHTS TO YOUR SHOTS Shots are automatically saved in the storage unit connected to the camera digital magazine DM or compact flash CF To enhance organization create folders for storing the shots 1 Tap Shots Folder Camera Settings TT 2 Tap down x Disk u a oes Chapter 7 Basic Digital Back Operations 88 CONNECTING THE FIREWIRE CABLE Important To avoid connection problems use only the Mamiya DM FireWire cable supplied with Mamiya DM System The FireWire cable
34. of ISO Normally this noise is more visible at high ISO values Higher Noise levels at high ISO values are caused because the signal has been amplified Luminance Removes the pattern like noise often present in shadow areas Best practice is to set Luminance to 25 even for low ISO images Images with noise that is displeasing increase the setting value and check the effect in the Viewer at 100 magnification Color Removes color noise from images typically noticeable as subtle green magenta patterns It is very difficult to recommend specific settings as noise varies from camera to camera but the program defaults provide a good starting point The viewer provides a clear view of the effect of filters on image noise How to remove noise from images Noise should be removed from the images using a combination of the above tools Capture One automatically applies some noise reduction to images based on the ISO and exposure data from the camera that is contained in the image metadata The default settings provide a good starting point for further adjustments Removing noise from Capture One Capture One allows the removal of luminance and color noise from images using the color and luminance noise reduction sliders Both sharpening and noise reduction tools allow the user to create presets making it extremely easy to create regular settings for a specific camera or type of image Simply click the preset button and select add preset
35. of the Library Tool Tab navigate through the folders to one that contains image files When the folder is highlighted thumbnails of the image files will be created and displayed in the browser The Library Tool Tab provides an overview of all folders on the local machine and even on the network if sharing has been enabled Importing files How to import images Browse to a disk containing image files on a local or network computer or by importing directly from a memory card in a card reader Choose File gt Import images or select the import images button to begin the import process Immediately a large dialogue box appears showing a preview of files to be imported This dialogue box also provides a range of options from which to choose Inserting a memory card into a card reader will also bring up the import dialogue window The Import window offers a range of options to make importing a quick and straightforward task It is important to remember that you are importing images from one location to another Create or define a folder to which the files will be imported to This can be done manually or through the Locations tab on the file importer window Capture One can automatically create subfolders named by date or userdefined When importing you can also choose to rename the files as they are imported from the camera or cd memorycard The file names can be changed by doubleclicking on the filename in the browser or when exporting the
36. shot after AE lock Is set it is released when the shutter is triggered At the 2 setting AE lock is only kept while the AE lock button is being pressed 0 One shot 1 Continuous 2 While pressed C 12 AFL AFL This function is used to set the AF lock method when the AFL button is operated AF gt lt Lock Is activated with one press of the auto lock button then deactivated with a second press 0 While pressed default setting 1 AF operation 2 Continuous C 13 M mode AEL OnEP When using M manual mode one push function the shutter speed or aperture value can be set automatically by pressing AEL button 0 Shutter speed shift tv 1 Aperture value shift Av 2 No no C 14 AF assist setting AF_L The AF auxiliary light fires automatically when the subject is too dark to perform AF but this function can be used to prevent the AF auxiliary light from firing 0 On On 1 Off OF 186 C 15 Flash sync FLSY When shooting moving subjects with flash you can set the synchronization timing This allows you to have the flash fire at the beginning of the exposure or at the end of the exposure O First default setting 1 Second C 16 Beep bu When the SET button is pressed a beep sounds 0 ON AF Default setting 1 ON 2 OFF C 17 Shutter TV AV amp P Sh_P When using P Av or Tv mode and the leaf shutter lens is attached but you prefer to use the focal plane shutter 0 Mixed De
37. shows how the value picked on the image translates to the image curve Output 47 Output Chapter 11 Using the software 157 MANAGING EXPOSURE USING HIGH DYNAMIC RANGE TOOL The bulk of image adjustments can be done with the exposure slider and the levels curves tools There are two scenarios where the High Dynamic Range tool may prove to be essential In certain situations image contrast is such that clipping may occur at both ends of the histogram In such cases the HDR tool provides a means of optimizing the image to deal with the extreme contrast and prevent the clipping of highlights and shadows High Dynamic range also provides the means to make use of images that have been accidentally over or underexposed to an extent that render them unusable with conventional exposure tools How to optimize the dynamic range of an image The dynamic range of an image Is optimized at the shooting stage by adjusting exposure to capture the maximum amount of data This may result in an image that does not look optimal on the LCD display Bear in mind that around 1 2 1 stop of additional data can be recovered from overexposed highlights Once the image has been opened in Capture One it is optimized by using the various tools within the software to adjust the data The High Dynamic Range tools can help with difficult images where contrast is extreme Applying a soft proof profile for the output should be configured in order to edit
38. sssseseeeee 19 PU TV UMC TNS Cia Seca e caeecticetce zea ence ca ac tesaseepaincateceaieatcnad ce ctateatnenaeueechaeeacte 20 Using the eyepiece SRUtTET usissosisivoinsisresonsisvansosisnonidsi suusatada sanapas eaaeo 21 Preparing the battery and compact flash Card 23 Inserting the Camera Datteries sssssssssssssssssssssssssssssssssssssssssssssssscsscssosscssnsscssess 24 Battery power TC OWNS wcgisicetestetwtsinesictnceancdanschuccsn se axcennnetnceaeaeancsucdebecannsesmcoanseiecensseaxdonsee ince 25 Camera Sleep mode and attery CALe cseseccsessseeseeseessseeseeseesseesesssseeseeseeaseees 26 Inserting and removing the digital back DatteLry sssseseeesseseseeesseeseesseeees 27 Charging the digital back DA leL VY svscicesscisceactesnieantsessoaneuskdeaneavataastasetaaxenvaiacnsacttaowvate 28 Digital Back battery power StatUS ceesssseseeseeseeseeseeseeseeseeseeseeseeseesenseeseeseeseeas 29 Formatting the compact flash Card in MAC cessesesssessseessseessseeseseeseseeseseeaeees 30 Formatting the compact flash Card in WiINCOWG ssssssesssesseeerseeesseeeeseeeseeaees 31 Inserting and removing the compact flash Card sesssessseeseeeseeeesteeseeeseeees 32 Attaching and removing a LOS wviccsinccdscsincsinstesencncscussdsndsuescwstewnsdnestusdsuscucstustesndecseus 34 Detaching the digital AC ss csesecos cscs cscs cscs ccesesenesds coenasencecsccdsczenccastccetasdnescaccesaseeccaicceeaces 36 Adjusting the Camera GiOptel
39. to display interval mode as On 4 Turn the rear dial to set the interval time Settings include O seconds no interval time 1 to 10 seconds increased by the second 10 to 90 seconds increased in units of 10 2 to 10 minutes increased by the minute or 10 to 60 minutes increased in units of 10 minutes per turn 5 Turn the front dial to the repeat mode rP 6 Turn the rear dial and choose your preferred duration by turning Settings can be made from 2 to 10 in single units 10 to 60 in units of 10 or for limitless On 7 Check the focus and framing in the m viewfinder then press the shutter for the shutter to be released gt z wo Repeat turning according to the number of times will lead to a countdown appearing in the display Chapter 6 Exposure Modes 76 LONG EXPOSURE MODE BULB MODE To expose film longer than 30 seconds adjust the shutter speed to B bulb In order to prevent camera shake use an electromagnetic shutter release and tripod 1 Turn the exposure mode dial and set it to M manual mode 2 Turn the front dial to select bulb then turn the rear dial to set the aperture 3 Determine the composition focus then take the picture The shutter remains open as long as the shutter release button is pressed As the camera is electronically controlled even during exposures it is recommended to replace batteries before bulb ex
40. 000 sec Aperture values can be set from maximum to minimum aperture 1 Turn the exposure mode setting dial to M Manual position 2 Turn the rear dial to set the desired aperture 3 Turn the front dial to set the desired shutter speed gt RY UA H Chapter 6 Exposure Modes 62 SYNCHRO MODE X Select this mode when you use a flash The shutter speed will be fixed at 1 125 sec for synchronization To adjust synchro speed turn the rear dial When using a large flash unit for use in studios changing the synchronizing speed is recommended When 1 800 sec shutter speeds can not be achieved even though the leaf shutter lens is attached try another exposure mode Chapter 6 Exposure Modes CF CUSTOM FUNCTION MODE Both the camera functions and methods can be changed by using custom functions 63 Chapter 6 Exposure Modes 64 AUTO MODE MECHANISM When using the leaf shutter lens the leaf shutter s working range is from 1 800 sec to 1 sec For other speeds 1 4000 1 800 sec 1 60sec bulb use the focal plane shutter e a Ty NNN a NF V Chapter 6 Exposure Modes 65 EXPOSURE METERING MODES There are three exposure metering modes to select a proper exposure modes to suit the subject s lighting condition How to select an exposure mode 1 Exposure mode mark is displayed when the exposure mode button is pressed Since three different exposure modes are dis
41. 03 battery charger with 12 volt DC power Supply and a set of 5 international socket plugs The lithium ion battery is 2350Ah power Chapter 2 Getting to know your camera system 19 NOTE ON BATTERIES FOR CAMERA RECHARGEABLE VS DISPOSABLE In addition to disposible alkaline or lithium batteries rechargeable nickel metal hydride Ni MH or nickel cadium batteries can be used In this case custom setting 04 battery type on the camera body must be changed to 1 Ni CD Ni MH Do not mix different types of batteries or old ones with new ones and ensure the batteries are placed with the correct polarity Chapter 2 Getting to know your camera system 20 ATTACHING THE NECKSTRAP Put the neck strap through the mounts and secure it using the buckle as illustrated After attaching the strap pull it to make sure it does not loosen at the buckle Caution To ensure safety pull the ends of the strap taut and check that they are fastened securely to the metal mounts on the camera Chapter 2 Getting to know your camera system 21 USING THE EYEPIECE SHUTTER Close the eyepiece shutter when there is a strong light source behind the camera or when pressing the shutter release button without looking through the viewfinder This prevents exposure error due to light entering from the viewfinder Turn the eyepiece shutter lever in the direction of the arrow PREPARING THE BATTERY AND COMPACT FLASH CARD Inserting t
42. 92 Checking 1G US cca iiccedesetpcnsiireteveskesansediudmaeshatdiwnteiwennetieasdinneslsduvanwilnehdanetinandeuatieghedvs admsmuntines 93 Setting the gray Dalance csccsssscssssssssssssssnssssssssessnssessnssessnssessnssessnssessnssosenssnsenses 94 Checking composition using The GTIC cceccsssssssssssssssssssssssssssssssssscssnssnssossnses 95 Changing the color of the grid lin S snusneusunununununnnnnunnnnnunununnnnnennnnnnnnnnnnanannnnnnnn 96 Browsing through iMAGEG cscssssscssssssssssnsssssnssnssnssnssnssnssnssessnssnssnssssnssssnssnssnsenses 97 Flagging or creating comments in Shoot VICW csesesesseesseseesseeseeseeaeseeseeseeetees 98 Edi n Mag S aisinas aaan saaana aaa 99 EHN O VIO rosa a E a a i 100 Browsing through iWNAGES cccseseseeseeseeseeseeseeseeseeseeseeseeseeseeseeseeseesesseeseeseesesseeseess 101 Viewing information and EXIF Cata sssscssssssssccsssssssesssssssssessssssssecsssssssssecssonsese 102 Selecting multiple MACS csc eve eeeetces ce ceccunsc ac enceacccesuavecanteeescsstdeecenduoctecsescuesaseee 103 Flagging creating comments or deleting iMages csescsesssseseseeseseeseesseaeees 104 SOPOT V9 62 1 cle Sen en nee eee 105 Image file management and preferred SettingS 10 107 Selecting a COE taste aa wea es ssteinctacaduausava wevwstnsa vas catedb nates tbtgcnwe a vuseseh Suaunibsersensnneaions 108 MOVIE WTA GCS E E E 109 Opening images in shoot VI OW sec
43. ITNESS FOR PARTICULAR PURPOSE ARE LIMITED TO THE WARRANTY PERIOD NO WARRANTIES EXPRESSED OR IMPLIED WILL APPLY AFTER THE WARRANTY PERIOD For latest Mamiya product news and updates visit www mamiya com Limitation of Liability The product software or services are being provided on an as is and as available basis Except as may be stated specifically in your contract Mamiya Digital Imaging Co Ltd expressly disclaims all warranties of any kind whether express or implied including but not limited to any implied warranties of merchantability fitness for a particular purpose and noninfringement You understand and agree that except as may be stated specifically in your contract Mamiya Digital Imaging Co Ltd shall not be liable for any direct indirect incidental special consequential or exemplary damages including but not limited to damages for loss of profits goodwill use data or other intangible losses even if Mamiya Digital Imaging Co Ltd has been advised of the possibility of such damages resulting from i the use or the inability to use the product or software ii the cost of procurement of substitute goods and services resulting from any products goods data software information or services purchased iii unauthorized access to or alteration of your products software or data iv statements or conduct of any third party v any other matter relating to the product software or services The text an
44. Tool Palette consists of a number of Tool tabs which when read from left to right outlines the most favored workflow sequence The Palette can be placed to the left or right of the interface or hidden Tool Tab There are many Tool Tabs each giving access to features that will allow amongst other things the adjusting and processing of images Each Tool Tab contains a number of tools Each tool has it s own set of controls to adjust the image file The color space of the histograms Placed at the top of several of the Tool Tabs is a guidance histogram This histogram provides an up to date visualization of the exposure in the image The histogram reflects the output RGB color space lf the image has been changed into BW then the histogram displays monochrome It is worth noticing that even though the histogram displays monochrome the processed image will still be RGB All tools in the Tool Tabs of Capture One have up to 3 automation shortcuts Auto Presets Reset and Local Copy The Auto feature optimizes the image from the controls in the specific tool Reset cancels all changes made to controls in a given tool The Presets feature lets you define and save tool settings for later use Lens Correction Tool Library tool Color tool Output Capture tool Crop tool Metadata Quick tool History Exposure tool Detail tool Adjustments HISTOGRAM BO 100 Chapter 11 Using the software 138 LIBRARY CAPTURE COLOR
45. aCF volume 11 Select File gt Get Info 12 In the MamiyaCF Info window ensure that Format shows Macintosh PC Exchange MS DOS 13 Close the Disk Utility application 14 Drag the MamiyaCF volume to Trash O CON DOP UN KF Ls a Eisi Lining co iin a i E i 15 8 Cal tees i Asai a m mp pe el se oe ee oe eee ee ee ee ae Sed py oe ie bao Been Te Parag a nai mat a eee ee es eg ee eed oe Lege ed es eg ed a raan alli Fisi SO PR 2 HE be Fait p DASI E Air ET F a ee H a ig r Eid Goma m meetin a eS eee e i aai i i i a ol Fai ii ENT H L IZH emar hii Pole heer Mu A bh ered r ww fewer mii Mer Pi feud tee Fes apam ee eee ee e IEE H ee ee FE DLE Tis apm Jim w mr kimi F Tin fer frai Boisi ipay ith ai bi o i e Loe Ba i Favs APs ee n EFE i ea os Cie LF Lae ar Gis LSN E Lr EL E nge in mem l i ep hynny in J mart ria 1 HIRET Fh ra sate LPH EH F FEER Tams krea wi eee ito aam I ee Ri TASE l pa Pri h AE EE CEL H A EE S E ETT i fjr mms far fF m in merri ma nomi A merah boma Ean ei wi ee meri a PEAT Drp im gai BE N pa HE ep a E a i a HEA lihe O W MA AT apl Hire l Te art r Lae Ter Geek Drine oe Irie Lapuh JAA A a l Bn i TEH j nr H Hal w lammi pym LEAT plilsi Hi os LHL bie Himi Priam mia birheng miina ia AAIE Chapter 3 Preparing the battery and compact flash card 3l FORMATTING THE COMPACT FLASH CARD IN WINDOWS Formatting in Windows 1 Insert the compact flash card in a c
46. ach Piim tiiedaed a LI EE r E i _ i ie Li he em Ea E Me i T la B T E i T E T i ifs FUR ay i ge a lel bag ble sioti meag dra Ji frier CR Lb mig ae A p Dee NN tole ari har Chapter 11 Using the software 139 EXPOSURE COMPOSE Exposure The Exposure tool tab provides controls to adjust the exposure of images There are basic controls e g Exposure Compensation which affect the whole image and there are also advanced controls e g Curves which allow for fine tune adjustments Levels and Curves can adjust overall lightness values but also in the individual Red Green and Blue color channels Composition The Composition tool tab provides the crop feature and it s related settings Here aspect ratios can be applied to images to meet output format needs Rotate and Straighten tools are also available from this tool tab Linemed Ehr a Mole Lace Ana Custom Meme O22 og Chapter 11 Using the software 140 DETAILS ADJUSTMENT Details Image sharpness and noise reduction Is controlled from the Details tool tab as well as the PRO features Moir and Clarity The Details tool tab includes a navigation tool and focus tool that allow a quick check of the details anywhere on the image at any zoom level Use the Focus window to keep track of the sharpness in 100 view and the Spot Removal tool to get rid of dust and spots Adjustments The Adjustments tool tab provides
47. ad X Na ar md T CN ja w ja mt P gt a mm a D ww al w Pa 1 mr ww Display examples in the custom function mode a a mn Selection A ia Dag ur mt Step Iris Hold battery Shot No Dial function vu vw D a ju ur KJ Sd j w vw S pe y D O r el j u Da jur OR mr a om ur a mr wa A at w m Dial action Ia all rm a x N w a min a nin Dial direction AE AF lock Half press AE lock AF lock One push exposure AF assist light Flash sync D 2 D mors L9 Dn r al d pe Fr w w w al ur mal ww jaur wap m na al 4 nm nd ew pad a 7 X se r gt zw 1 a a Liz w r Buzzer ja a at rn bu pd a b ww c Shutter in Program mn gt Shutter in Manual a im jaur a AF second mode w b Chapter 2 Getting to know your camera system 17 BASIC DESCRIPTION OF HOME SCREEN ON DIGITAL BACK Number of images in the current folder Camera or on the disk settings Number of shoot remaining shots view Remaining Edit view battery power Set up menu Chapter 2 Getting to know your camera system 18 DIGITAL BACK CHARGER AND BATTERY The Mamiya DM System is sold with a Haenel MCL 1
48. age Viewer sae Sh Lightness Chapter 11 Using the software 136 BROWSER Thumbnails of all recognized images in a given folder or Album are shown in the Browser The browser will show Thumbnails as they are corrected and show the entire view and mask if the image Is cropped Use the Browser to navigate images in a collection and to select images Many actions can be performed in the Browser such as rating images and some cursor tools can be used directly on the thumbnails By hiding the Browser there is more space for the Viewer Place the Browser next to or below the Viewer if desired Play with the configurations to find out which is most suitable Browser toolbar The Browser toolbar controls how the thumbnails in the Browser are displayed Here you can choose to show the thumbnails in grid or list mode Grid mode shows thumbnails whereas list mode shows the images in a tabular format along with key exposure information The size of the thumbnails in the Browser toolbar can also be controlled Browser in gridview Size of thumbnails Sort options Browser in listview Size of thumbnails Sort options Chapter 11 Using the software 137 TOOL PALETTE Tool Palette is the common name for a group of tools forming an interface element The tools found here give access to controls for adjusting the images Here you can also browse through albums and process adjusted raw files This is your image control center The
49. all settings from the original image including white balance color exposure and other changes that have been made in Capture One With the exception of Lens Cast correction Digital Backs only and metadata any changes made to an original image can also be applied to a variant Lens Cast is a special case as it is regarded as a correction of the original image That correction is applied to the original and automatically applied to any variant When creating a variant metadata information is not changed because the content and the creator of the image have not changed Chapter 11 Using the software 161 CROPPING AN IMAGE How to crop an image To crop an image select the crop button in the Composition tool panel or the cursor tool selector To quickly free crop an image make sure that Unconstrained is selected and simply drag a crop frame in the image area Depending on the preferences that have been set there will be a semi transparent mask hiding the area that is being cropped The dimensions will indicate the size of the cropped image To view the cropped image select another cursor tool and the image will be shown in its final form You can still see the original image with the cropping mask in the thumbnails Re selecting the crop tool at any time will allow adjustment of the crop settings The best practice is to drag the edges of the preview inwards the cursor will turn into a two way arrow until the desired crop
50. applied An example would be to use a preset to warm up the colors in a selected group of images Using the different controls in the color balance panel The Color wheel Changes the color balance of the image by moving the neutral point around the color wheel Drag it using the mouse but fine tuning should be done with the H and S sliders H Hue Moves the color tone point around the color wheel to provide subtle color changes S Saturation Increases the saturation by moving in or out along the radius of the color wheel Chapter 11 Using the software 152 ADJUSTING COLORS How to edit defined colors only The Color Editor allows you to select a narrow color area and adjust this area without affecting other colors in the capture The Color Editor tool is split by basic and advanced Basic is created for standard editing whereas Advanced provides a much more specialized tool for editing defined shades of color in saturation brightness hue and smoothness Working in slices Working in larger areas of color will avoid the image to appear unnatural The slice will allow your adjustments to all shades of the selected color slice Select the color area to be adjusted using the basic color correction picker now only one pie slice is highlighted The black circle indicates the picked color value and the thin black lines indicates the end of the smoothness effect Smoothness indicates how far the mixture will be applied
51. apter 13 Custom functions 185 TYPES OF CUSTOM FUNCTIONS C 00 Custom functions profile SEL 0 None default 0 1 A 2 B 326 When 0 has been selected and set none of the custom items can be set C 01 EV Steps StEP This function is used to set the size of increments concerning the shutter speed f number and exposure compensation value 0 0 3 1 3EV step default setting 1 0 5 1 2EV step 2 1 0 1EV step C 02 Lens change IrIS This function is used to set the f number display method for the previously used lens when the lenses have been interchanged The default setting is 0 in which case the f number of the lens prior to the changeover is displayed 0 Previous f number 1 Aperture open 2 Minimum aperture setting C 03 Sleeptimer HOLd This function is used to set the time for sleep mode to be established after the camera s power is turned on The default setting is 15 seconds 0 15 seconds 1 30 seconds 2 60 seconds 3 Disabled The batteries will continuously lose power when On no sleep mode has been set C 04 Battery Type batt This function is used to set the batteries used in the camera so that the remaining battery charge will be displayed correctly on the external LCD panel 0 Alkaline 1 Ni CD Ni MH 2 LHON ONLY FOR USE WITH VERTICAL GRIP C 05 Bracketing Stno Setting bracket s width for auto bracketing Setting 0 3 Exposures 1 5 Exposures 2 7
52. ard reader 2 On the desktop click My Computer Preparing a Compact Flash Card for Shoot 13 3 Right click Removable Disk and from the menu select Format 4 In the Format dialog box in the File System box select FAT32 5 In the Volume label box type MamiyaCF 6 Click Start 7 When the format procedure is complete go to the desktop and click My Computer 8 Right click Removable Disk and from the menu select Eject Hard Disk Drives eat System IC Local Disk 12 6 Gu a Gal oat Dats Di Local Disk ct GU zar BE Devices wilh Remorable Slorage 3 36 Floppy A 34 inch Finp ease Dh Open risk TED Drive P Explore SB 43137 on dhee Sharing ard Security ve 20 ME 261 KE Sw departs on tinel Open as Portable Medis Devica ve 1 000 ME 1 00 HE a ilii gs ir F B l l L l rri on iiet ft 0 0 GF 241 2 GR fi 2 0 GF 24 2 GE fi 0 Me fh ME fi A Me 278 ME 2 0 Gu 13 0 tot Creat afi aie ae viis a C Guach Fones Chapter 3 Preparing the battery and compact flash card 32 INSERTING AND REMOVING THE COMPACT FLASH CARD 1 Open the compact flash door Open the door Lo a o Compact flash Chapter 3 Preparing the battery and compact flash card INSERTING AND REMOVING THE COMPACT FLASH CARD Open the compact flash door and then press the release button Release button 33 Chapter 3 Preparing the bat
53. ching the rubber eye piece f there is dirt or dust on the lens surface remove it with a blower or sweep it off gently with a lens brush f there are fingerprints or dirt on the lens surface wipe away with a piece of clean soft gauze Using solvents could discolor the diopter correction lens frame Chapter 3 Preparing the battery and compact flash card ATTACHING TO A TRIPOD 39 When using a tripod with 3 8 screw instead of 1 4 screw remove the small screw from the tripod screw hole on the bottom of the body using a plus screwdriver then use a coin to remove the tripod screw adapter bushing BASIC CAMERA OPERATIONS Turning ON the CAMEL A L ccecccceeceeceeeeeeeeeeeeeuceeseeeeeeeeseeeeeueeeeeeseesaeeetseeeeeeeeeeueaeeeetaneeetanss 42 Usine ME SHURE cui escort sicteaintes E EE siasaedcisdisioce a SE 43 AOU ME ONV Call nveseareceatetentieeaverteteataictic E E EE O EE R E E 44 Using the trontand rear CNG rani poned sninernuntavennteuaitciduinaunvtd E EAE E EAE N 45 HONE ME Syo eN eer EE 46 BACKI NE DOUNON esar ae E E EE E T E EAE 47 Chapter 4 Basic camera operations 42 TURNING ON THE CAMERA 1 Set the drive dial to S single frame advance mode The drive dial has an S single frame advance mode setting and a C continuous advance mode setting When set to L the power is turned off When set to M UP the mirror moves into the set postion Chapter 4
54. com support When running the application choose Digital Back only mode This software Is free and compatible with the Mamiya DM System Sra eh ae EI Acipate Capi Orna Ajis Caps One Pg ie AE ot Hie ee Seley Maaie AE puf He ee Seley Linas Data FIL Tes ET iniii Leeda Dat MFJ Freg ETE 1a Eid bia ee ee Lage re f fed WH pE E ak Dra PIR f F F ee m i PERPE E EPE AG Ley eee ed d Pear Par pel Se irid Por eu Pauw Kane Fou hanse Ae Lit Rina Lii hina Fofi Cium z Courtine lianed Se Hack irig i Haris irig T Loria Ajabe Captian Ore A Funes piona el Ber riimi fer roo Pedia wartly the ie re eel daii i piian feet in pre Ltt ead See ese Sore feel Barter Bere fost Mame Profile Crater Uad Ges Pair Lanlira F Chapter 11 Using the software 133 THE INTERFACE The interface is divided into a number of elements all providing a set of tools Familiarize yourself with these elements and the terminology to make this guide clear in its meaning The image to the left provides an overview of the interface elements Interface explanation Menu Similar to other applications Capture One has a menu structure where key features are listed and can be operated from Toolbar Below the Menu lies the Toolbar The Toolbar contains buttons for the most common features in Capture One The Toolbar can be customized to display only the controls required or simply hide the Toolbar which provides more room for images
55. d o for overexposure By turning the front or rear dial in the AE lock mode the aperture and shutter speed value can be changed without changing the exposure value that is set when entered into AE lock mode In the P mode Program AE mode turning either the front or rear dial shifts the program to PH and PL When in Av Aperture priority AE or Tv Shutter priority AE turning one of the dials changes both the aperture and shutter speed values Exposure compensation and auto bracketing function can be used when the camera is in the AE lock mode in normal operation or with the mirror locked up Chapter 6 Exposure Modes 70 AUTO BRACKETING MODE When in situations where it is difficult to determine the best exposure compensation It is advisable to change the exposure setting gradually from normal to under and over Continuous turning up of the values eventually leads to auto bracketing 1 Turn the shutter release mode selector lever to the S or C position When set at the S position one frame can be shot with each press of the shutter release button In the C mode the camera takes three or two frames successively with one press of the shutter release button 2 By pressing the auto bracketing button auto bracketing mode is selected In the main LCD the auto bracketing mark will flash on and off As it is flashing turn the front dial to On
56. d drawings herein are for illustration and reference only The specifications on which they are based are subject to change Mamiya Digital Imaging Co Ltd may at any time and without notice make changes to this document Mamiya Digital Imaging Co Ltd assumes no liability for technical or editorial errors or omissions made herein and shall not be liable for incidental consequential indirect or special damages including without limitation loss of use loss or alteration of data delays or lost profits or savings arising from the use of this document http www mamiya com Copyright 2010 Mamiya Digital Imaging Co Ltd All rights reserved Chapter 1 Basic info IMPORTANCE OF THE PROTECTIVE IR FILTER GLASS A The digital back on the Mamiya DM System has a protective IR filter glass over the sensor The sensor is the most important and expensive part or the DM System The protective IR filter glass is located on the underside of the Mamiya DM System s digital back WARNING The sensor is extremely sensitive to ESD Electro Static Discharge and can be damaged by it During some stages of the installation process the protective IR filter glass is exposed to the environment Do not touch the IR filter glass Any contamination of the IR filter glass such as dust or fingerprints will appear in images that you capture Chapter 1 Basic info IMPORTANT CARE NOTES FOR THE DIGITAL BACK Clean the protective IR filte
57. d optical company Schneider Kreuznach For other photographic genres there are lenses suited for landscapes portraiture fashion architecture commercial and macro Chapter 2 Getting to know your camera system 13 NAMES OF PARTS AND FUNCTIONS Hot shoe Exposure mode dial Mirror Do not touch the mirror Eyepiece shutter lever Main LCD Rear dial l Electronic contacts Strap lug Front dial Shutter release button Lens mount Drive dial alignment mark Depth of field preview button Auto focus assist infrared light Diopter adjustment dial emission window Self timer lamp Strap lug AF lock button Focus mode selector lever Synchro terminal Electronic shutter release Lens release button contact Chapter 2 Getting to know your camera system 14 NAMES OF PARTS AND FUNCTIONS Self timer button Interval button Main LCD backlight button Multiple exposure button R i ubber eye piece Focus point selector button Set button Flash auto adjustment select button Exposure compensation button Digital back Auto exposure lock button Auto bracketing button AEL Exposure metering button LCD DISPLAYS Auto bracketing icon Lens shutter icon Synchro mode icon AE lock icon Program AE mode icon Auto focus lock icon Custom function icon RE a f rt Aperture User function icon ore Gas OS CSS Cs Oe Mirror up mode icon Focal plane shutter icon Ape Wet S Giz Repeat mod
58. de setting dial and select P Av or T 2 Focus on the subject for metering exposure and press the AEL button on the rear of the grip will appear on the viewfinder LCD indicating that the exposure value is locked 3 Move the camera to recompose the shot then take the picture 4 By pressing the AEL button AE lock will be cancelled onthe viewfinder LCD blinks to indicate the exposure is locked when continuing to take the next picture in the AE lock mode When the shutter release mode selector lever is turned to the L power OFF position or after a lapse of one hour the AE lock mode will automatically be cancelled In the Manual M exposure mode the AE lock function cannot be used When the exposure metering value difference display appears press AEL button for about 1 second The one push shift function is now activated to shift to the shutter speed based on the metered result Chapter 6 Exposure Modes 69 Metered value difference indicator Keep pressing the AEL button and the difference between the metered exposure value and the exposure of the new composition will be displayed on the viewfinder LCD This function can be used to see if an object of very different brightness levels can be properly captured f the difference between the set value and the metered value exceeds 6EV the viewfinder LCD blinks u for underexposure an
59. ds is selectable by the second 10 seconds to 90 seconds is selectable by units of 10 seconds 2 minutes to 10 minutes is selectable by the minute while 10 to 60 minutes is selectable by units of 10 minutes i 407 5 Check the view through the gexa Viewfinder to ensure the image area and focusing are correct then press the shutter button The shutter will release after the selected time frame Releasing self timer mode 1 Press the self timer button to set self timer mode 2 Turn the front dial to OF To release the self timer while it is operating turn off the power by setting the drive dial to L When there is bright light source behind the camera or when you press the shutter button without looking through the viewfinder light may enter from the viewfinder s eyepiece adversely affecting the exposure metering Turn the eyepiece shutter open close knob to close the eyepiece shutter then take the pictures Mirror up delay photography can be achieved after setting self timer mode by turning the drive dial to M UP Mirror up mode Chapter 6 Exposure Modes 75 INTERVAL PHOTOGRAPHY By repeated turning the interval time can be set automatically It can be set to suit scenes such as cloud movement or views of insects in action 1 Ensure the camera is firmly secured on a sturdy tripod 2 Hold and press the interval button for the interval mode 3 Turn the front dial
60. e creates a new RAW file There are no options for size or compression with this format All changes made to the image will be discarded when creating the DNG flle h None Create thumbnails on save kob Rae and Ceanber J Capiu Mimi Learn CAPER ICE Profile Format File Size Chapter 11 Using the software 173 ABOUT BATCH About batches After the output recipe is created mark the files to be processed Now choose File gt Process or press Process button The batch of files will be processed to the selected output folder lf you wish to Process all selected instead of just one first select the images you wish to process then press Process or choose File gt Process Capture One has been designed to process batches of images quickly and efficiently The Batch of files will start processing immediately after choosing File gt Process or Process button Batch processing can work in two ways depending on your preference By default processing happens in the background without noticeable effect on the performance of the application There is the option to stop the batch queue enabling it to process images when other work has finished or overnight To set the application to work in this way go to the Batch Tool tab At the bottom of the tab press the Stop button Processing will not commence until this has been reset to Start When there are a large number of images in the batch queue processing priority can be chang
61. e fille management and preferred settings 120 3 Tap ok _ ii i a pa F m You are about to erase all the data on this disk Chapter 10 Image fille management and preferred settings 121 CONFIGURING THE USER BUTTON Configure the user button for viewing indicators or flagging images in Shoot view and for flagging or deleting images in Edit view Configuring the User Button for Shoot View 1 Tap User Button System Setup a a 3 In th SoS 4 lf Indicators were selected in step 3 tap Actions Settings and Chapter 10 Image fille management and preferred settings 122 CONFIGURING THE USER BUTTON FOR EDIT VIEW To configure the user button for flagging or deleting images 1 Tap User Button System Setup 3 Tap Flag or Delete Chapter 10 Image fille management and preferred settings 123 CONFIGURING A LONG PRESS OF THE USER BUTTON The User Button can be set so that a long press can either lock or unlock the touch screen or turn the display on or off 1 Tap User Button Chapter 10 Image fille management and preferred settings 124 ALIGNING THE TOUCH SCREEN 1 Tap Display System Setup 3 Follow the instructions on the screen Chapter 10 Image fille management and preferred settings TURNING OFF THE BACKLIGHT 1 Tap Display SeCuo gt i mt 2 Tap Backlight Off After 3 Tap a power source 125 Chapte
62. e icon Remaining battery D rja n at Sey et Delay time power icon Exposure compensation Focus area Icon Self timer icon Spot metering icon SE Exposure compensation icon Dial lock ircon nog Flash compensation icon Chapter 2 Getting to know your camera system 15 VIEWFINDER LCD Auto focus area frame OS gt e lt ai AX tnta ana 6 Pb During actual use only the relevant icons and indicators are displayed Defocus indicators Auto bracketing mode mark Exposure metering E mode display AE lock indicator Flash charge indicator i Flash compensation mark AS Focus marks Displayed when subject is in focus Exposure compensation value Difference between metered and set exposure values Caution mark Exposure mode mark Shutter speed Aperture During actual use only the relevant icons and indicators are displayed Chapter 2 Getting to know your camera system LIQUID CRYSTAL DISPLAY Liquid Crystal Display Due to the limitations of the space and letters words and letters on the LCD are abbreviated Display examples of the main LCD Aa ON E OFF Err Error i gt Plus nf Under Over Normal Lock Self Timer bulb Busy Digital Back Lens Shutter Capture Repeat mE gt Time ja x ene Oe T m a a a ar m wu 1 T ve jar Z 4 Dg Sd 0 Z LIZ
63. ease RE401 optional is recommended Using auto focus and auto exposure 1 Set the drive dial to M UP 2 Select S single focus mode by turning the focus mode selector lever 3 Turn the exposure mode setting dial to choose any of P Av or Tv exposure mode 4 Focus the subject and determine composition and exposure 5 The mirror moves up when the shutter button is fully pressed 6 Press the shutter button again to take pictures Auto bracket exposures can be made when the auto bracketing mode is set before taking photos with mirror up After the set time mirror up photography will be cancelled The mirror will return to the original position if the lens is removed from the camera body Chapter 6 Exposure Modes 73 MIRROR UP DELAY To change from the self timer setting to the mirror up setting press the shutter button so the mirror goes into the upright position and once the set time has expired the shutter will release and the mirror will return to the lower position Separately purchased electronic cable release RE401 can be used to eliminate camera shake When using auto focus the operational method is the same as 1 to 3 1 Press the self timer button and turn the front dial to On 2 Turn the rear dial to select the time needed 0 5 1 second to 10 seconds allows for increases by the second while 10 to 90 seconds increases by 10 seconds per turn Fo
64. ed by dragging and dropping unprocessed files around in the queue You can always remove files from the batch queue by marking the file or files and pressing backspace mac History The batch tool tab shows a history of all recent filles that have been processed If for any reason there is a need for further copies of these images the relevant ones can be selected and the Reprocess button selected Chapter 11 Using the software 174 CREATING A WEB CONTACT SHEET To output a group of images to a web based contact sheet select the images and choose File gt Make Web Contact Sheet A dialogue presents itself offering the opportunity to provide information such as title description etc The best practice is to choose the dark grey background color Light grey background color option is also available if preferred An amazing feature of the web contact sheet is that the size of the images and thumbnails can be customized If you have access to a secure server or a password protected web folder it makes sense to preview images to clients at 800 pixels so they can see the quality of the images You can see the pixel size of thumbnails or preview size when adjusting the slider the number indicates how many pixels the images are wide Once all options have been selected choosing Export outputs a complete folder to add to your web site It is Important that the name Is in lower case and without spaces you can use hyphen
65. eeeeeeeeeueeeueeeeueeueeeuaeueeeeseeeees Important care notes for the digital DaCK ccccccccecccesceeeceeeeeeeceeeeeeeeeeeeaeeeeeeeaeeeeeseaeeeeenes Important care notes for the Camera DOY ccccccceccceeeeeeceeeeeeeeceeeuceeeeeueueeeeeeaeeeeeneaeeees O N DW BP W PP Thanks for your purchase The Mamiya DM Systems have been designed for lovers of photography who want to produce outstanding images of professional quality The Mamiya DM System has been manufactured for heavy professional use and will give you a long service life if properly maintained In order to ensure long usage of the Mamiya DM System we recommend sending it in for annual servicing and keeping it up to date with firmware upgrades or tips and techniques for better handling as provided on our webpage See www mamiya com for more information Copyright Trademarks FCC Compliance Mamiya Digital Imaging Co Ltd 2010 All rights reserved This document is also distributed in Adobe Systems Incorporated s PDF Portable Document Format and Phase One A S 2010 You may reproduce the document from the PDF file for internal use Copies produced from the PDF file must be reproduced in whole Adobe Acrobat Adobe Illustrator Distiller Photoshop PostScript and PageMaker are trademarks of Adobe Systems Incorporated Apple AppleShare AppleTalk iMac ImageWriter LaserWriter Mac OS Power Macintosh and TrueType are registered trademarks of Apple Comput
66. er Inc Macintosh is a trademark of Apple Computer Inc registered in the U S A and other countries Any Mamiya Digital Imaging Co Ltd equipment referred to in this document complies with the requirements in part 15 of the FCC Rules for a Class A digital device Operation of the Mamiya Digital Imaging Co Ltd equipment in a residential area may cause unacceptable interference to radio and TV reception requiring the operator to take whatever steps are necessary to correct the interference Equipment Recycling pzd In the European Union this symbol indicates that when the last user wishes to discard this product it must be sent to appropriate facilities for recovery and recycling This electronic information product complies with Standard SJ T 11363 2006 of the Electronics Industry of the People s Republic of China Mamiya Limited Warranty Warranty Coverage Obtaining Warranty Service Exclusions and Limitations Mamiya warrants the Mamiya product against defects in materials and workmanship for a period of one 1 year from the date of original retail purchase Should you discover a defect Mamiya will as its option repair or exchange the Mamiya product at no charge to you provided that you notify Mamiya during the warranty period In the event that you believe the Mamiya product requires service or the system is not operating properly please first check the online forums on www mamiya co jp Often problems can be
67. es If you wish to freehand rotate more images at once firstly freehand rotate one image then use Copy Apply Adjustments Capture One allows adjustments up of to 45 degrees For adjustments greater than this use rotate left right Rotate Left Right Allows rotation of 90 degree to the left or right By pressing shift while rotating Left Right you will rotate all selected image files Fine tune the rotation or rotating by mouse scroll over the slider this way you will change the degree of rotation by 0 1 at the time if carefully scrolled Rotate more than one image at the time by first selecting the images then simply press Rotate Icon How to revert to the uncropped image Undoing any change in Capture One is performed by using Edit gt Undo or the Undo button In the rotation tool it is possible to select the reset button or use Preset drop down menu gt Rotate snap 90 Chapter 11 Using the software 164 SHARPENING AN IMAGE Sharpening is an essential process when working with images created by digital cameras The Capture One sharpening is a newly designed and enhanced unsharp mask The purpose is to compensate for the effect of internal filters in all DSLRs that soften the image and to compensate for the softening effect that occurs when the images are printed By default Capture One sharpening settings have been configured to provide a good looking image on screen Additionally the software comes with a number of presets tha
68. fault Focal Plane shutter operation at lt 1S 1 Leaf shutter 2 Focal plane shutter C 18 Shutter in M amp X Sh When initializing the setting use of the lens shutter and its respective ranges or the focal plane shutter can be chosen when the leaf Shutter lens is attached 0 Mixed Default Focal Plane shutter operation at lt 1S 1 Leaf shutter 2 Focal plane shutter C 19 AF Priority AF_2 Accuracy of auto focusing priority default setting or speed priority can be decided 0 Speed Aperture to f 8 is recommended when using this function 1 Accuracy default setting recommended for lenses with long focal length Chapter 13 Custom functions TYPES OF CUSTOM FUNCTIONS C 97 Support for Mamiya ZD backs This function should ONLY be activated when shooting on a Mamiya ZD back 0 Default setting NO Mamiya ZD back on the camera body 1 Mamiya ZD back on camera body C 98 Lens firmware version The current firmware version can be checked C 99 Body firmware version The current firmware version of the body can be checked Liquid Crystal Display Due to the limitations of the space and letters words and letters on the LCD are abbreviated Display examples of the main LCD ie ON re OFF cer Error 1 Plus us Under a Over jur T Normal Lock gt Self Timer bulb N T m d jar je re weet Nea pam A Da rn ew re u Og ja T
69. for this output device Chapter 11 Using the software 158 MANAGING HIGHLIGHT AND SHADOWS How to lighten shadowed areas and darken highlighted areas in an image A good way to adjust the shadows and highlights in your image is with the curves tool Use the Pick Curve Point tool u to click in the area of the image to be adjusted A point will be put on the curve and this allows very precise adjustment of the exact tonal area of the image that you prefer To fine tune this use the arrow keys on the keyboard This practice is much more accurate compared to relying on the sliders in levels to achieve an overall result How to prevent loss of detail in highlighted and shadowed images Correct exposure in combination with the dynamic range tool where necessary prevents highlight and shadow detail loss Chapter 11 Using the software 159 VARIANTS Introduction A variant is actually a copy of the settings used to create an image preview it is not a duplicate of the original file This means that it is possible to create multiple image variants without using any Significant disk space Variants provide an easy way to try different settings or modify the work you have done on an image without risk Original image data is untouched by any changes made How to create different expressions from one image Variants provide an easy way to try different settings or modify the work you have done on an image without risk and without copying
70. g images 101 BROWSING THROUGH IMAGES To browse through images do one of the following e Tap prev and next e Use the scroll bar e Roll the user button back or forward When moving from one image to the next the image is automatically selected Chapter 9 Editing images VIEWING INFORMATION AND EXIF DATA Camera 1 Tap more and tap an image 2 Tap view and select a single view oa py Fi J h E 1fl25 2 5 a tt Ii0 100 BO mm Auto 42 5 Aptus 22 2005 04 27 Information saved with the image and the EXIF data appears beside the image Ey a ee elete LOTOZO1 m 7 j G prev ney 102 Chapter 9 Editing images 103 SELECTING MULTIPLE IMAGES 1 In Edit view tap an image and hold the stylus on it until the Multi button appears on the image LOZ0201 4 ge gt z RGY 2 oe e pA S Sola Slalele flag no 2 Tap the Multi button and then tap the images that you want to select Chapter 9 Editing images 104 FLAGGING ANNOTATING AND DELETING IN EDIT VIEW 1 Tap the image and then tap flag note or delete LOZOZ0T 4m T EE a P T a E ae a moe J 7 E a3 Te T mal F s i ET wore dt wy rh Ve F ji Tria Pad note Ieee Prev Het MmoOre P a al ee en ee Lr ie es ed i Lao LLA f multiple images are selected the action is performed on all the selected images Chapter 9 Editing images 105 SORTING YOUR
71. g photos in manual focus mode or using the M645 manual lens f focus is adjusted using the focus mark with an M645 lens be sure to open the aperture This function can be used with a lens of f 5 6 aperture or higher Chapter 5 Focusing the camera 53 WHEN AUTO FOCUS FAILS The Auto Focus function requires contrast on the subject Auto Focusing may fail to achieve accurate focus with certain subjects described below In such cases either switch to the manual focus mode and focus manually or bring into focus an object at the same distance as the object you want to photograph lock the focus using the focus lock mechanism then take the picture Low contrast subject blue skies Two or more objects overlapping at white walls and other objects different distances within the focus frame animals in cages etc l HERET L J WUE i Subjects with continuous repeated Extremely backlit reflective subjects patterns building exteriors blinds etc car bodies water surfaces etc When the subject is far smaller than the focus frame Chapter 5 Focusing the camera 54 USING THE FOCUS LOCK FUNCTION lf the object to be focused on is not in the focus frame the camera focuses on the background at the center In such cases use the focus lock function to lock the focus before releasing the Shutter 1 Set the focus mode selector lever to S or C Put the subject in the focus frame i and ha
72. ge that should be vertical or horizontal Fine tune the straightening or rotating by mouse scroll over the slider changing the degree of rotation by 0 1 at the time if carefully scrolled When to crop an image that requires straightening It is easier to rotate the image first as the software automatically crops the rotated image to the maximum usable dimensions Following this the crop can be fine tuned by the user perhaps to fit to a specific aspect ratio such as 6x4 inches 10x1l5cm Applying straighten or crop settings to a group of images Straighten the image as required optimize the crop and then copy the settings using the Copy Apply buttons on the menu bar Select the next image group of images that you want to apply the same settings to and click the Apply button To apply to a group of images first copy adjustments edit the copied adjustments in Adjustments Clipboard Tab then select the image files you wish to apply the crop and identical crop and rotations will be applied to all images To enhance the functionality of the copy and paste settings it is possible to select which of the settings are pasted see the Settings chapter for a full explanation of this feature Straight lineguide Chapter 11 Using the software 163 STRAIGHTENING AND ROTATING AN IMAGE Rotate Freehand To adjust the image by eye move the slider on the angle tool to left or right A grid appears making it easy to align vertical or horizontal lin
73. ghlight or shadow clipping occurs When this stage has been completed use the levels controls to fine tune the lightness and darkness of the mid tones of the image How to use the image adjustment slider Sliders provide the best way to adjust exposure and contrast Use one tool at a time before moving onto the next tool Exposure Adjusts the exposure in much the same way as the controls on the camera do The slider is calibrated to provide a range of 2 5 stops Chapter 11 Using the software 154 OPTIMIZING EXPOSURE Contrast Moving the slider to the right increases contrast throughout the image Moving to the left decreases Brightness Provides a tool to primarily brighten the mid tones of the image this tool has the effect of increasing mid tone contrast By contrast the gamma or centre slider of the levels tool works on the mid tones but has the effect of lightening shadow areas and reducing contrast Saturation Increases or decreases saturation of the image When saturation is decreased the image is black and white Then the histogram changes from RGB to monochrome though the image is still in a RGB color space chosen as out output color space The saturation slider is not just saturation but intelligent saturation The negative values represent regular saturation settings the positive values are comparable to what 3rd party software would call vibrance Vibrance is more gentle to the skintones and will be
74. h control supports Metz SCA3002 system SCA3952 Adapter Select by pressing the mirror up button Program AE mode icon synchro mode icon shutter speed aperture custom function icon user function icon focal plane mode icon lens shutter mode icon AE lock icon auto focus lock icon mirror up icon focus area icon auto bracketing icon self timer icon repeat mode icon delay mode icon remaining battery power icon spot metering icon dial lock icon flash compensation icon exposure compensation icon exposure compensation delay time X contact sync speed 1 125 sec On shutter button On side of body electromagnetic cable release RE401 and RS402 can be purchased separately Self timer intervals can be set from 0 5 to 90 sec 0 5 10 sec by the second 10 to 90 sec in 10 sec units 2 to 10 mins by the minute and 10 to 6 mins in units of 10 minutes Preview Button on body 19 items U 1 4 inch and U 3 8 included 6 AA size batteries alkaline magnesium lithium nickel hydride or nickel cadmium rechargeable batteries An external battery case can be connected 6 W X5 H X6 D 153 W X128 H X152 D mm 2 3 pounds 1 030 g body only This information is based on a linear horizontal vertical measurement Chapter 14 System specifications DIGITAL BACK SPECIFICATIONS Mamiya DM System digital back types Digital back CCD size mm Number of pixels Resolution Capture rate sec
75. he backlight acica ec ccacaresccesonesdeecesacecssasscceysosscacssonsestesdenssacstecsedeesesezeesteaides 125 Turning on the acklight sesseseeususneneeununurnenunururnneunururnnennururnnennunurnnennururnnnnnnnnrnnennnn 126 Setting the volume for digital back SOUMAG sscssssssssssssssesssessssessssessesessnssanaes 127 Setting personal iNfOTMAtION ceceeeeseessseessseeseseeseseeseeeeseeeeseeeesteeeseeerseeansteanseeess 128 Restoring factory SETUUNGS cssecsssessssessssscsssscssssessssssssssessssensssonsssonsesseassseassseasaseonaes 129 Viewing the digital acK nnonononononononnnnnnnnnnrnnururununururnrnrnrnrnrnrnrurererenennnrnrnnnrnrnrnrnrnrnne 130 Using the SOLCWALEC scsssssessessssessessensesensensenseneneenseseenennensessenseseneessens 131 ACU Oaa e ee eee ee eee ea ee 132 The mter ACO cece neces dnss ed aa n eE Ea Ro EER a Naa e Eiai 133 TG PE E E PEE A cece A E S SA A T E 135 PrO SOT i E S N 136 Tool palat Escena EEEE 137 ETT ACS D o A E E A A E 138 Exposure COMPOSE snaa E ee oe ee 139 Details Adjustment nsona aAA aiaiai 140 Process Recipe Batchi een en nn en eee eee 141 Organising the Workflow Importing iMagGeS cseeesseeeseeeeseeeeseeseseeseseeaeseeaees 142 Boore TS icc crn nce te cress onsale ccc deceit anaes ptecueoes nse eees 143 Organising Urs 191 ar peepee een reer ete see ore Dee oenyen Stet sean ee eesti sen Stet ee eee Sete nren oer ennnen 144 TVW TOU CTS sns ia ia aaa 145 Workin VU Me
76. he camera DatteriS ccccccccccsececseeeceeeeceeeeeeueeeeueeeeeeeeeeeereusetenseneueeteneeneneenenes AIRY power ICONS xeccadeahesuned soancuoucadencutacesunnce fecaietedacdueactderaduescuhpcesutneutecadetedueesesences Camera sleep mode and battery Care cccceccccccseeccceeececcceeeeeeeeueeeceeeesueceeeseeeeeeeenaeeeeentanes Inserting and removing the digital back Dattery ccccsecesseeeeseeerseeereeeeteeeerseeerseeensneenanes Chareme the digital Pack Datter y ceceserscnanasirriaavangernasnetsbecuotinncsaretnuadtaneiatwaaseiaielaidtaceruir Digital back battery power iICONS sssssssnsesrserrernerrnurrnnrrrerrnnrnnnrnnnrrnnrrnrrnnrnnnrrnrrrnrrnnrrnnne Formatting the compact flash card in MAG aiciievaveisetevvscnirrtnginnsinetinisotanpenwansinediavieedinedinins Formatting the compact flash Card in WINGOWS cccccccceecceeseeeceeeeeeceeeeeueeeeeeeaeeeeneaeeneeseas Inserting and removing the Compact flash Card c cccceccccecseeceeeeeeeeeeeeeeeeeeeseeeeeeeeeaeeeeeneas Attaching ana removing A lCNS teciinsendticimnexaniaenitneslveineeineventioudticimeveikwertveulveensineverieds STAC IMTS the digital DAC K cua xiunnasncsninsioeecngdiniecnaissntslontoeusnsimnstcnindaiisisied gies diniessninbisiont asdsadioadesneaiiwn FOVISHME me camera CIOPICL sssrini issic dinine eine NEn TEL Ee ETEA ENEEIER ENEE Replacing the diopter correction l NS ccccccccccceceeecececececeeeueeeueeeeeueeaueeeeueeeueeaeeeaneensess ACAN EG el ADOC eoa doeus
77. ide the camera body reads the flash reflected off the sensor at the moment of exposure The sensor is connected via the Mamiya DM System camera s dedicated hot shoe to a shoe or handle mount style Metz flash unit via the Metz SCA 3952 TTL Adapter Maximum flash sync speed is 1 125 sec making daytime synchronization possible To utilize the TTL flash feature with all TTL operable Metz flash units a Metz SCA 3952 Module is required Please see the chart below for compatibility and or additional adapters that may be necessary The resulting flash exposure automation determines correct flash exposure and automatically adjusts the output of the flash It also automatically corrects for exposure compensation normally required when using filters close up bellows or extension tubes Adapter SCA3952S CA3000C Mot Faan unit Type of Flash ModuleC _onverter Metz 44 MZ 2 Shoe mountx Metz 54 MZ 3 Shoe mountx Metz 45 CL 3 and 4 Handle mountx Metz 60 CT 4 Handle mountx Metz 70 MZ 5 and 4 _ Handle mount 1 Mount the SCA3952 adapter onto the Metz flash insert fully into the camera s hot shoe then tighten with the locking knob 2 Set the exposure mode then check the shutter speed and aperture Shutter speedA perture Automatically set by camera to 1 60 sec when Automatically set the metered shutter speed is 1 60 or slower by camera Aperture Priority AE and 1 125 when it is 1 125 sec or faster Any aper
78. ieaekussur tenes E deewniedaaunoeniesesGees 24 25 26 21 28 29 30 31 o2 34 36 37 38 Chapter 3 Preparing the battery and compact flash card 24 INSERTING THE CAMERA BATTERIES Set the drive dial to L to turn off the power Use six AA alkaline or lithium batteries 1 Lift the battery case lock lever turn it counter clockwise and pull out the battery holder 2 Insert the batteries while ensuring their polarities are properly aligned with the and markings on the battery case 3 Return the battery holder to its case and lock it by turning the lever clockwise Make sure it is fixed firmly in place Chapter 3 Preparing the battery and compact flash card BATTERY POWER ICONS 2 Set the drive dial to S to turn on the power Check the battery condition in the lower right corner of the main LCD sI l 2e ESE The batteries are sufficiently charged There is little power remaining Have new batteries on hand Camera will still operate There is very little power remaining Camera will stop TENSA operating soon Flashing Set the shutter release mode selector lever to L to turn the power off and replace the batteries with new ones S5 a 4 __ See When the batteries are spent batt flashes on the Fg yA main LCD and the viewfinder s LCD when the shutter Flashing release button Is pressed When replacing the batteries be sure to u
79. iene 53 Using THE auto TOCUS TUNCTION ities ican dens taveiestiuiecuns ontedinsdvwes sbenisniualiainbes beidunaoutntinsdneslencdes 54 AP ASSIS Tait ACG NOM E E A E E E E 595 Chapter 5 Focusing the camera 50 FOCUS AREA This camera enables the selection of the focus area best suited to the kind of pictures that will be taken The selected focus area can be checked on the external LCD panel INSIDE THE VIEW FINDER Focus point selection mark NORMAL FOCUS AREA SPOT FOCUS AREA j q E q _ L I gt en M AF area Left AF Center Right AF area AF area area Bring the subject into focus inside the Select the frame from among the focus frame mark on the viewfinder and focus frame marks on the viewfinder and bring the subject into focus SELECTING THE FOCUS AREA 1 When focus point selector button is pressed for 1 second the focus point selection mark appears on the display 2 Turn the front or rear dial and select automatic selection left J center Jor right C3 3 Press the SET or focus point selector button to enter the setting Chapter 5 Focusing the camera 5I MANUAL FOCUS MODE M The auto focus function can be cancelled in order to focus manually 1 Switch to M manual focus mode Turn the focus mode selector lever and set it to M manual focus mode M F appears on the external LCD panel 2 Manual focus operation for te
80. ill save time to copy the dust removal filters and paste into the rest of your images as the dust particle normally do not move Chapter 11 Using the software 168 REMOVING POST CAPTURE DUST AND SPOTS How to get rid of a spot on the model Unlike dust spots on your motive will usually be sharp or nearly sharp However from time to time it is necessary to remove these spots The Spot removal tool is created to find the sharp edges and remove the spot perfectly by analyzing the underlying colors and structure After selecting Spot removal tool in the Type drop down menu you can now mark up the spots on the image using the spot cursor tool The size of the Spot cursor tool can be adjusted by pulling the sides of the cursor tool circle or by using the Radius slider the spot removal circle is moved by placing the cursor inside the circle and moving it Switch between the individual removal circles in the spot drop down menu The active marking is orange this way you can change the size of a circle from dust to spot removal and adjust size Chapter 11 Using the software 169 METADATA Metadata is a term that means data about data In photographic terms it refers to data that describes your image and how it was taken Raw files holds metadata in up to 4 different places Embedded EXIF Embedded IPTC IM Embedded XMP XMP Sidecar file these 4 types of metadata will be automatically updated and read by Capture One Man
81. images will revert to the white balance they were captured with Chapter 11 Using the software 150 USING THE WHITE BALANCE TOOL How to apply white balance from one image to another Select an image with the white balance and color balance settings you like Copy them with Adjustments gt Copy Adjustments in the menu bar Select the images you want to modify and use the Apply settings button on the menu bar to paste the settings to the image Images that are too dark can be lightened by up to 2 5 stops made 6 times brighter Bright images can theoretically be made darker by the same amount Chapter 11 Using the software 151 COLOR BALANCE The Color Balance tool allows the opportunity to create a unique look How to fine tune the image s color balance Fine tuning of color to the highest standards is possible in Capture One but the accuracy of the results is dependent on having a well calibrated monitor to accurately reflect the changes made to images First an accurate white balance should be set Then color adjustments can be made to create the desired mood for the image Like other settings in Capture One these changes can be saved as a preset and applied to additional images The advantage to setting the white balance first is because saved color adjustment presets are relative to the colorvalues created in whitebalance or at import A group of images can be white balanced to a neutral value and then a preset can be
82. lder that will always serve as the Move To for all images Follow the same procedure or simply navigate to a chosen folder highlight and Right Click gt Set as Move To Output Folder In the same way that Move To folders can be specific to a group of images or a nominated folder on the hard disk the output or process folder can be set in the same way depending on the preferred way of working To add it as a sub folder for a group of images follow the procedure for Move To above and when Right Clicking choose Set as Output Folder To create a single output folder on the hard disk double click on Application Folders gt Output Folder A dialogue box will appear Navigate to the folder you wish to use for your outputs or processed files Chapter 11 Using the software 146 WORKING WITH ALBUMS Album folders are virtual collections Using albums is an easy way to compare images from different folders without having to place the images in the same folder In addition to this albums only references images from folders it doesn t copy them Making changes to images in albums will however affect the source image How to create a new album A new album can be created in several ways File gt New album or Library Tool panel Right click gt Add New Album How to add images to an album Images can simply be dragged individually or as a group to an album When the images are moved a variant is created so the original remains
83. lephoto and zoom lenses All Mamiya 645 AF Telephoto and Zoom lenses can be switched from Auto Focus to Manual Focus by sliding the focusing ring on the lens forward until it clicks When this Is done the Auto Focus inscription on the lens barrel is covered and the lens can then be focused manually When the Focusing Ring is set in this position the external LCD display on the top of the camera will show LP It is not necessary to set the Focus Mode Selector on the body to M To switch back to auto focus simply slide the focusing ring back towards the camera and the Auto Focus inscription on top of the lens will again be visible This method applies to Mamiya 645 AF Telephoto and Zoom lenses only 3 Adjust the focus Turn the lens focusing ring until the subject is in focus When it is in focus the focus mark lights in the viewfinder LCD Chapter 5 Focusing the camera 52 MANUAL FOCUS MODE MANUAL FOCUSING USING THE FOCUS MARK Focus confirmation method With the shutter release button half pressed turn the lens focusing ring to focus on the subject When the subject is in focus the focus mark lights in the viewfinder s LCD If gt is lit in the viewfinder s LCD the camera is focused on a point behind the object If is lit the camera is focused on a point in front of the object TURN THE FOCUSING RING CLOCKWISE TURN THE FOCUSING RING COUNTERCLOCKWISE Use the focus mark when takin
84. lfpress the shutter release button 2 Lock the focus When the focus mark in the viewfinder LCD is lit press the AF lock button on the front of the camera to lock the focus 3 Adjust the composition With the shutter release button half pressed Slide the camera to achieve the desired composition and release the shutter When the focus mode is set at S single focus mode and the focus mark is lit hold the shutter release button halfway down to lock the focus Chapter 5 Focusing the camera 55 AF ASSIST INFRARED LIGHT When the subject is dark or under exposed and the camera fails to auto focus a red lamp may light up on the front of the camera when the shutter release button is half pressed This is a light that assists the camera s auto focus function cW PIY S men as Q x S IZ LL The AF assist infrared light is emitted only when the focus mode is set to S single focus mode Effective range of the AF assist infrared light is limited It does not reach distant subjects Range 9m 29 5 ft using 80 mm f 2 8 lens under test conditions When using a lens hood or a bellows lens hood sold as an optional accessory that may interfere with the assist light set focus before mounting the hood EXPOSURE MODES FO STAN PAE hata ee A E E utes sae tnecetceo tesa cee E E E E anteeaeensuseesess POS UNC Priority AE NAV raccdieisincautnsesstnd dusndiainetnes NE i EA EEE A daraa Snater Prront
85. llowing ways When using a compact flash and battery e Press and hold the On Off button until the light turns orange If a setting in the Setup menu has been changed the camera saves the new setting and then shuts down When using a digital magazine Press the On Off button When working in tethered mode Do one of the following e When not using a compact flash card on the desktop right click the compact flash card and select Move to Trash Apple Mac OS X operating system or Eject Microsoft Windows operating system and then unplug the FireWire cable e f you are not using a compact flash card unplug the FireWire cable Chapter 7 Basic Digital Back Operations 82 CHANGING THE INTERFACE LANGUAGE 1 Scroll down and then tap Interface Language System Setup L Owner Information FoI TT T E E aot Cre Le r fe store Factory Settings 2 Tap the desired language System SetuolinterFace Language Chapter 7 Basic Digital Back Operations 83 SETTING THE DATE AND TIME 1 Scroll down and then tap Date and Time System Setup 2 Using the virtual keypad tap the date and time values and then tap ok Month Day Chapter 7 Basic Digital Back Operations 84 VIEWING AND DEFINING THE CAMERA SETTINGS Define a base name for your shots The digital camera back applies this name to all shots adding a number in sequence each time until a new base name is defined 1 Tap File
86. mask while shooting 1 Tap Shoot View Options 2 In the Crop Masking bar do one of the following e To view the crop mask tap On e To hide the crop mask tap Off 114 Chapter 10 Image fille management and preferred settings 115 ADJUSTING THE TRANSPARENCY OF THE CROP MASK Camera To show or hide the crop mask while shooting 1 Tap Shoot View Options Quick Format BA Shoot iew Options ba Shoot User Button kad Display ka Sounds ba 2 Tap Crop Mask Transparency On Shoot Auto Rotation Crop Masking gt gt Crop Mask Transparency 25 Histogram Info Transparency 0 3 Tap the desired intensity where 0 is opaque and 100 is completely transparent 0 fo 100 Chapter 10 Image fille management and preferred settings 116 ADJUSTING THE TRANSPARENCY OF THE HISTOGRAM AND INFO BAR 1 Tap Shoot View Options Quick Format gt KI Shoot iew Options be a User Button k E Display Y lt Sounds a 2 Tap Histogram Info Transparency On Shoot Y Auto Rotation Crop Masking Crop Mask Transparency 25 gt Histogram Info Transparency 0 3 Tap the desired intensity where 0 is opaque and 100 is completely transparent 0 So To Yo 100 o Chapter 10 Image fille management and preferred settings 117 SETTING THE EXPOSURE ALARM To set the exposure alarm to show underexposed areas overexposed areas or both 1 Tap
87. ndicator light turns on The indicator light begins to blink when the battery is 95 charged Charging Is complete when the indicator light turns off When charging the battery for the first time be sure to charge the battery for 12 hours regardless of the indicator light turning off The battery should not be left in the charger when the charger is not connected to a power source If a battery is left in an unpowered charger the red indicator light on the charger and the green indicator light on the power supply are illuminated on the charger giving the false impression that the battery is being charged If the battery is not removed from the charger the battery will be discharged Chapter 3 Preparing the battery and compact flash card 30 FORMATTING THE COMPACT FLASH CARD IN MAC Formatting in Mac OS X Insert the compact flash card into the card reader or the digital back On the desktop double click the system disk Select Applications gt Utilities gt Disk Utility On the left panel of the Disk Utility dialog box select the removable disk to be formatted Click the Erase tab In the Volume Format box select MS DOS FAT32 In the Name box type MamiyaCF Click Erase In the confirmation message that appears click Erase Formatting is complete when the progress bar disappears from view the Volume Format box shows Mac OS Extended journaled and the Name box shows Untitled 10 On the desktop select the Mamiy
88. ne the result manually Highlight warning shows where the levels should be set here app 245 Chapter 11 Using the software 156 MANAGING EXPOSURE USING CURVES How to work with curves Levels are used to control the overall tonal distribution of an image Curves provide the ability to remap the area within the shadow and highlight limits set by the Levels tool areas to produce a desired image There are certain classic curves that are used in image applications to achieve specific results in images Best known is the S curve which is used to increase contrast in an image The S curve achieves the increase in contrast by pulling down the shadow values normally on the quarter tones and increasing the values of the tones at the three quarter tone mark as shown in the image The brightness values at the quarter tones before applying the curve are around 65 with image tonal values from black O to white at 255 The curve darkens these tones to around 50 whilst the three quarter tones at 190 are raised to 200 lightening them in the final image The inverse S curve has the opposite effect of lightening the shadows and darkening the highlight tones Causing a reduction in contrast For advanced use the Pick Curve point picker tool p can be used to pick a specific tonal area within an image This value is added to the curve to allow adjustment of the values for that part of the image The image below clearly
89. ng the AFL button Aperture Priority AE Shutter Priority AE programmed AE PH PL setting possible and manual TTL metering center weighted average AV spot S and variable ratio A S auto Both the shutter speed and the aperture level can be set to 1 3 or 1 2 using the electronic dial lock function EV 2 to EV 19 with ISO100 and AF80mm f 2 8 D lens Expandable to 5 EV With AEL button canceled by pressing the button again When AEL button is pressed exposure compensation and metering difference is displayed in the viewfinder 6EV 1 3 steps in M mode Electronically controlled vertical metal focal plane shutter vertical travel AE 30 to 1 4000 sec 1 8 step manual 30 to 1 4000 sec 1 2 or 1 3 steps 1 min 60 sec 1 step X bulb Bulb electronically controlled tIME shutter curtain protection mechanism Chapter 14 System specifications 191 CAMERA SPECIFICATIONS Auto bracket shot Flash synchronization Flash control Mirror up shot LCD displays Sync terminal Cable release socket Remote control terminal Self timer Depth of field confirmation Custom settings Tripod socket Power requirements External power socket Size amp weight Enable with auto bracket button 3 frame shots 5 frame or 7 frame shot with auto bracketing Specify 1 3 1 2 2 3 or 1EV steps X contact point 1 125 seconds Synchro speed can be changed away from terminal TTL direct flas
90. nnururnrnrnrnrnrnrnrnrnrnrerenennnnnnnnnrnrnrnrnrnna 174 Flash photography e s sensunennunennnnunnnnunonnunnnnunnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnmnnn 177 PERONO TIP e E 178 Powe SW e tec etta ed cae bcct since acanetaseedaotnesnueeencetathastscatencesact 179 Flash compensation setUNp S issiria nen nS ns ee 180 Custoni functors ee aiana aana 181 Setting custom functionS e enseseseuneesernrnnrnrnrurnnrnrnrnrnrunnrunnnnnrurnrnrunnnnnnnnnnnrnrnnnnnnnnne 182 Initializing user functionS e eesesereseesernenrurururunsernrnrnrunurnnnnrnrnrnrurunurnnnrnrnrnrnrnnnnener nn 183 Camera custom functions quick GUIE ccccctsssstsssssssesssscssssssssssssssssssssesnsseansseanes 184 Types of custom fuUnctionS sesesessesnenenernnnnnernrnrnrurnnnnnerurnrnrnrunnnnnnnrnrnrnrunnnnnennrnrnnnnnn 185 System specificatioOnS ssususunenennununnnnnnnnunnnnnnnnunnnennnnnnnnnnnnnnnnn nnmnnn 189 Camera specificationS sese enenensnenuneesnrnrnrnrnnnrnnnernrnrnrnrnnnnnernrnrnrurunnnnnnnnnrnnnrnnnnnennn ernea 190 Digital back specdificatonS s sveiusisruiuuninunineninutununh orn nner nen eee sains 192 Tobes hooi a ienne E ER 193 GETTING TO KNOW YOUR CAMERA SYSTEM Thanks Tor SOUL DUNC NaS Caracena E Copyrights Trademarks COmpllanC Ss aicsvecsievtacersesvkces vevcdaceeonsecieisasvacburedientvesteiauereseenes NVA ANY AE E E E P AAE E saa ota sant dest sae EE E E EE EEEE Importance of the protective IR filter SlaSS ccc ccecccccecceseeeces
91. ns IN S ssrrsspisysssnnsnesano darruno sodar Nari odarty 146 Tethered CPi E oeaan EAEan aaae aE aa aa aa sia 147 Usine the white Daldnce tool secunna 148 Color DalaMce c sccsssssssssssssssssssssnsssssnssnscnssessnsenssnssnssasenssnsessnssscssssassssssassasensenseasse 151 Adjusting COMO isiccesistisivstosinncinessursundinnentaneinionsnstanbe sausaaneiun bn sitvnpbinewnubhbedtossanensetnaisdvosheunas 152 OPUSME ExPOSUTE seora EE EEE TENESSE 153 Managing exposure using curves and high dynamic range 156 Managing highlight and SHAAOWG sssssseseessessseseeseseeseestestsasseeseeassesseesteateees 158 A ERD URIS e E E E A E A chceageeceseciue A A AA AE 159 COPE E ccc eects E E 161 Straightening and rotating an UWMAQE sceeseeessessseseeseeaeseeseestsesseeseeatsenseeseeaeeees 162 Sharpening an MaL E sasra E aaa i isai 164 Noise 6276 LH 6H 0 Rear ne ne en eC ie ee me Re eno Be ee mee 166 Removing post capture dust ANC SPOtS ccscscseseseseseeseeseeseeseeseeseeseeseeseeseeseees 167 Contents 12 13 14 IY NON Menten eects A E E E A E T E E E E E E E ase 169 Adding and resetting megadata to image fil S ce sseesssssesssseesesseseesenseeseeeesens 170 Mig eet glial Process TeC PE eene ener ne ne ree ere erent eons 171 Processing completed TIA 2 CS sicacesersenccesteavetantensstactudsetsossessisetadesssetaassiactidestansiasetantee 172 ADOC O U eee E E 173 Creating a web contact Sh et enenoesnsnonoennnnnnnrnn
92. onncsaudesnasneseenavencies 76 Contents 10 Basic digital back OPeCTratiONS csscssessessessessessessessessesseneensensenes 77 Us mEt S O lUS ias esas nea ts to lac oes tuna ns eaaatna nutes etuientoesnemeaaies 78 PASSE enero ee eee re enone E eae ee eo arent eee 79 Turine on the AM A TR sess eset esac eieaa a ae eaea as 80 Turning off the digital TING sc scctesanacctavisnasetsacnncstutianceeeasencsdntiesndtssetscstrtesedesatansetnnacnie 81 Changing the interface LATS UA OC sec sca sistcusisancitaniGaseiunsccsndowstacsituasiausdaasvoundeotsaesacstusaveases 82 Setting the date ARGUING cs sosayccicinscysosccsanncinasarsutniataviesmianionssasinacsastsnntunaioaunnadsentoncuaents 83 Viewing and defining the camera SettiNgS sessesssseesseessseesseeeseeersseersteanseeees 84 Te EN a Tolder ae Eae NE NR eet ENEE EEEE ENEE N Eai 85 Creating a base name for the SHOt ccscsssscsssscsssssssssssssscssscsssscessssessssssssseessssarses 86 Adding notes or copyrights to your ShOtS eeeererurururnnunnrnrnrnrnrnrnrnrnrerenerenennnnne 87 Connecting the firewire cable for tethered MOde s ssesssesesensssesennnnnnnnrnnnunnrnrnenrnns 88 Using the digital back settings and evaluating shots 89 Checking the oo 4 01 6 51 0 1c Cem ne eae ee ee nanne 90 Checking the exposure with the picker tOO ssessscesseesssesseseseeseeseesseeseeeeeees 91 Checking the exposure with the over or under exposure alarm 00
93. oving the Grid Lines Move the grid lines to help align the composition This task is performed in Shoot view 1 Tap more 2 Tap gridset 3 ez i b Hi j E an te m five H 3 Tap the line to be moved The selected line is highlighted 4 Use the arrows to move the grid lines as desired Chapter 8 Using the digital back settings and evaluating shots 96 CHECKING COMPOSITION USING THE GRID Camera e The longer arrows move the grid lines 10 pixels at a time qu mp e The shorter arrows move the grid lines 1 pixel at a time Ria Changing the Color of the Grid Lines Change the grid line color according to preference This task is performed in Shoot view 1 Tap more 2 Tap gridset 3 Tap color The color of the grid lines changes 4 To cycle through to view additional colors continue to tap color uP Setting Grid Attributes Select the number of grid lines and the line type This task is performed in Setup view 1 Tap Shoot View Options 2 Tap Grid Setting 3 Set the grid attributes e To set the number of grid lines tap Horizontal Grid Lines and Vertical Grid Lines and tap the desired number of lines e To set the number of line type tap Line Type and select the desired line type Chapter 8 Using the digital back settings and evaluating shots BROWSING THROUGH YOUR IMAGES Do one of the following e Jap more and then tap the prev and next
94. perture and the camera selects the optimum shutter speed accordingly Use the Av mode to maintain specific control over depth of field i e taking portraits or landscapes 1 Turn the exposure mode setting dial to Av aperture priority AE position 2 Turn the front or rear dial to set the desired aperture A i f wf J The shutter speed value will blink when the subject is too dark or too bright for a correct exposure To obtain the correct aperture adjust the aperture value until the shutter speed value Stops blinking and remains lit Chapter 6 Exposure Modes 60 SHUTTER PRIORITY AE TV Set the desired shutter speed and the camera selects the optimum aperture accordingly Fast shutter speed can be used to freeze motion and slow shutter speed can be used to blur motion on purpose 1 Turn the exposure mode setting dial to Tv shutter priority AE position 2 Turn the front or rear dial to set the desired shutter speed P Ny oo The aperture value will blink when the subject is too dark or too bright for a correct exposure To obtain the correct aperture adjust the shutter speed value until the aperture value stops blinking and remains lit Chapter 6 Exposure Modes 61 MANUAL MODE M This mode is used to set both the aperture and shutter speed for total exposure control Varying shutter speeds can be selected including bulb tIME and manually from 60 mins to 1 4
95. played sequentially when either the front or rear dial is turned select an appropriate exposure mode 2 Press the SET button or exposure metering mode button to enter the setting Exposure Metering Modes Chapter 6 Exposure Modes 66 EXPOSURE WARNINGS A With an inappropriate exposure setting when shooting subjects that are too light or dark the user is warned by the flashing external LCD or the LCD inside the viewfinder At such times the correct exposure cannot be obtained Warnings that the exposure is outside the metering range O Program AE P The shutter speed and f number blink PTT NNN O Aperture priority AE Av The shutter speed blinks O Shutter priority AE Tv The f number blinks O Manual mode M The exposure metering value difference is displayed Important When a polarizing filter is used ensure that a circular polarizing filter circular filter C PL is used The correct exposure cannot be obtained with a normal polarizing filter PL Chapter 6 Exposure Modes 67 EXPOSURE COMPENSATION In some situations such as a great difference between the subject and background brightness or overall subject tones that will not meter correctly because they are all black or white the resulting photograph may be under or overexposed When this occurs use the exposure compensation function Exposure compensation can also be used in order to intentionally create overexposed or
96. posure BASIC DIGITAL BACK OPERATIONS Using the StylUS ccccccesceseseeceeeeeeeeeeeeeeseeeeseeeeeeeeeeeeeeeeeeeseeteeeeeueeteueeteueeteueeteneeteneeteneetes BASIC SCS era E ula Gccntevlelints miadceuanieclanmssvenn Turne on ine dietal BACK cases ire entero nteticnnececatecd yiete mien oai veer En GTE EEEo Tumpe of the dig tal Dat Keiciu iraniani Enone E EA A AEE EAEE REA Changing the interface lanQuage cccccccccccccceeecceeeuecceeeseeeceeeeaeeeeeueaueeeeeeeueeeeeueeeeeeaaeses Setting the date and BIN ex cieueecea nics geoseest i eeren kere EEEE ENEAN EEEE EEO EErEE E Viewing and defining the camera SettingS ccccccccseccceeeeeceeeeeueeeeeeseeeeeeeseeeeeeeaeeeeeueaeeees FSIS a TONG ON seirena aa a rE REA E E Creating a base name for the shot sseesssseerrrsesrrrnnsrrrnnrrrnnnsrrrrrnrrrnnnnrrnnnnrrernsrrreeerrrens Adding notes or copyrights to your SHOtS ccccscceeseeeceeeeeeeeeeeeeseueeeeeeeeeeeeeeeeeseeeeeeeeeagess Connecting the firewire cable for tethered MOdEC ccccccceceecceeeeeeeceeeeeeeeeeeeaeeeeeeeanseeenens Chapter 7 Basic Digital Back Operations 78 USING THE STYLUS The digital back is supplied with a stylus Use the stylus to tap the touch screen To remove the stylus for use slide it out of the slot located at the top of the digital camera back Chapter 7 Basic Digital Back Operations 79 THE BASIC STEPS Follow these steps to shoot and edit your images Prepare to shoot Tu
97. posure of the shot in the following ways e Examine the histogram exposure data e Use the picker tool to view the exposure data for a specific spot on the image e Use the exposure alarms to view the overexposed and underexposed areas of the image Press the user button to view the histogram the exposure alarms and additional shot information when in Shoot view To maximize the display size of the shot double tap the image Checking Exposure with the Histogram 1 Tap histog 2 Examine the histogram to check that most of the exposure data lies within the exposure limits Exposure data that lies within the limits is shown in white Overexposed and underexposed data is shown in gray Chapter 8 Using the digital back settings and evaluating shots 91 CHECKING EXPOSURE WITH THE PICKER TOOL 2 Tap o and then tap a spot on the image The tapped spot is marked by a magenta circle A magenta line on the histogram indicates the exposure data related to the spot t Tap uA to enlarge the histogram The exposure meter 0 4 shows the overall exposure in f stops To remove the spot from the image tap on the histogram and then tap outside the image area Chapter 8 Using the digital back settings and evaluating shots 92 CHECKING EXPOSURE WITH THE OVEREXPOSURE AND UNDEREXPOSURE ALARMS 1 Tap over A flashing mask covers the overexposed and underexposed areas of the image 1
98. r 10 Image fille management and preferred settings 126 TURNING ON THE BACKLIGHT AFTER 1 Tap Display System Setup Chapter 10 Image fille management and preferred settings 127 SETTING THE VOLUME FOR THE CAMERA BACK SOUNDS 1 Tap Display Chapter 10 Image fille management and preferred settings SETTING PERSONAL INFORMATION 1 Tap Owner Information Date and time Owner Information Company Address Telephone E riail Mew Folder name ob 1 PPT Err Er PEEEErr EETTTE Ss 128 Chapter 10 Image fille management and preferred settings 129 RESTORING FACTORY SETTINGS 1 Tap Restore Factory Settings D A Date and Time Camera a Owner Information ar W w Shoot gt Restore Factory Settings L O EJ Interface Language 3 About Setu 2 Tap ok r T33HNY32 E Mamiya will replace your settings with the Factory settings The Owner Information will be kept Chapter 10 Image fille management and preferred settings 130 VIEWING THE DIGTAL BACK Tap About The Mamiya DM System s digital back information is displayed on the About screen USING THE SOFTWARE FAC LINCO Ve 224s ananoaiacatana neds doatacensseandats R ERE 32 TC CCT A ca N E E E E E N E E A 133 VOOM AN eE E A E E 135 POW SON AAEE A A E P ond anny E E A E S E E E T O A T 136 MOO palate sac ceavasatnsiatehacaseietansessaedeanansateceaensseneodeini
99. r 2 to 10 minutes the value increases by the minute and 10 to 60 minutes increases by 10 minutes per turn 3 Line up the photograph through the viewfinder and half press the shutter button to ensure the focus and framing is correct 4 Press the shutter button completely and the mirror will go to the upper position then after the set time the shutter will release and the mirror will return to the lower position To cancel mirror up delay photography turn to the drive dial to any setting other than M UP or turn the self timer setting off By turning the drive dial to the M UP setting mirror up mode and selecting the self timer setting mirror up delay photography can be taken Another method is to select self timer then turn the drive dial to M UP Chapter 6 Exposure Modes 74 SELF TIMER MODE Once the shutter button has been pressed the shutter will release after the selected time has passed The self timer lamp will blink and three seconds prior to when the shutter releases the blinking will flash more rapidly This is a useful function for the photographer to be able to take commemorative shots of his or herself 1 Make sure the camera is firmly attached to the tripod 2 Press the self timer button to set the self timer mode to 3 Turn the front dial until self timer mode is set to On 4 Turn the rear dial to select the countdown time 0 5 1 second to 10 secon
100. r glass using the steps as illustrated above Be sure to use a cleaning wipe and cleaning fluid isopropyl alcohol These items can be purchased separately from your Mamiya dealer Spray away from the IR filter glass first to remove any condensation that may be inside the sprayer nozzle then spray the protective IR filter glass with ionized nitrogen to remove large dust particles Prepare the cleaning wipe to fit the width of the protective IR filter glass as shown in the above illustrations Do not touch any part of the wiping cloth that will come into contact with the protective IR filter Chapter 1 Basic info IMPORTANT CARE NOTES FOR THE DIGITAL BACK A Important Never use a dry cloth for cleaning Never clean the protective IR filter glass with a window or lens cleaner The residues from these products may permanently cloud the glass plate Never spray compressed air directly on the digital back Do not reuse cleaning wipes Put the protective cover over the sensor plate whenever the digital back is not attached to the system To prevent contamination of the sensor do not remove the protective IR filter glass The protective IR filter can be replaced only by Mamiya trained service centers Chapter 1 Basic info IMPORTANT CARE NOTES FOR THE CAMERA BODY Maintenance and care of the camera Read instructions prior to use Protect camera against shocks and falls by using the supplied neck strap whenever possible Check
101. rn the camera and digital back on and perform some basic steps before taking the first shot View the camera settings View the predefined camera settings choose another Camera setting or make changes to specific camera settings Take and evaluate a shot Take a shot Check the exposure focus and composition of the shot and set the gray balance for future shots Edit your images Organize the images using the Mamiya DM System s digital back editing tools Chapter 7 Basic Digital Back Operations 80 TURNING ON THE DIGITAL BACK Compact Flash Card and Battery To turn on your Mamiya DM Systems digital back when using a compact flash card and battery 1 Ensure that the battery is charged For more information see the Quick Start Guide 2 If this is the first time using the compact flash card with the digital camera back format the card For detailed instructions on formatting the compact flash card see the Formatting a compact flash card in MAC Windows in chapter 3 3 Press and hold the On Off button on the camera back until the orange light turns on and then release the On Off button The light turns green and a beep sounds to indicate that the camera is ready for you to shoot 4 Verify that the Ready to Shoot message appears on the touch screen Ready to Shoot Realy to Shown Chapter 7 Basic Digital Back Operations 81 TURNING OFF THE DIGITAL BACK Turn the digital back off in one of the fo
102. rrne 123 Alienne TE touch Sereen TEE EE KE 124 Timin on Mhe Dacke Ni eeano eibr rinnen E EEEE E EEE O EEEN EEO 125 Turning Off the backlight cccccccccccccceceeeceeeeeeecceeeaeeeeeeeaeeeeeeeeaeeeeeeeaeueeeeeeeeeeueueceeeeuaagsess 126 Setting the volume for digital back SOUNS cccccccscsseeeeeseeceeeseeeeseeeeaeeeeeeeaeeeeeeeaneeenens 127 SEINE DElSOR al ATOR MAUOM isccsnendirinns tennticneus nrn va ved EEEo aa Tsee abun 128 Restoring factory Setting se edccics exc sna bir adinitnsamartviba E eE EAE ANA EAEE EVEEN ENE ETEEN enn 129 Viewing th digital ACK sie cciucinensesanditnonsasttund eophsnenetiannandesldonbencouitina candies aedeuedeotuaneetiunnninds 130 Chapter 10 Image fille management and preferred settings 108 SELECTING A FOLDER 1 Tap more 2 lap folder 3 Tap on the desired folder and tap choose Disk Shots folder 3 Inh amp NE up shots The Shots folder always appears at the top of the folder list Chapter 10 Image fille management and preferred settings 109 MOVING IMAGES 1 Tap an image and hold the stylus on it until the Move button appears on the screen LOZOZOT 4 gm ie Ti a gt Gh 3 Tap the desired destination folder DISsk na Pam i 4 Tap Move Chapter 10 Image fille management and preferred settings 110 OPENING IMAGES IN SHOOT VIEW To view images at full screen size individual images can be opened in Shoot vie
103. s or underscores When generating a Web Contact Sheet Capture One uses the generated proxies in order to achieve a much faster result However if the proxies have not been generated yet the Web Contact Sheet must wait for this to happen This can take quite some time so If you are experiencing slow progress in the sheet missing proxies is most likely to be the reason When asked for a name after export remember that the name you choose will be the folder name and will appear on your web site for example www adomain com foldername Chapter 11 Using the software 175 CREATING A WEB CONTACT SHEET Adding disabling sharpening for contact sheets Sharpening can be applied to the images themselves not to the web contact sheet as a whole Workflow for adjusting exposure for images meant for the web The most effective way to adjust images quickly for output is to fine tune exposure and contrast then copy the settings and then to select all similar images and paste the settings to them FLASH PHOTOGRAPHY FS Ul ONO 2 ADI A E EP EE E E E E E AEE A AE A TT Roar CUT SNC rar EEEE EEEREN Flash compensation Setting Siac uocescndecensbacancdvustcadecendeatsed mest endecenseacaesdvess h TE hiii Chapter 12 Flash photography 178 FLASH PHOTOGRAPHY In addition to its standard flash sync system the Mamiya DM System s camera features TTL through the lens electronic flash exposure metering A flash sensor located ins
104. sable Rear dial in P mode Dial Function direction AEL amp AFL button exchange Shutter half press func tion AEL function lock unlock mode AFL lock mode setting One push function M Mode AF assist beam Flash sync timing Beep Choose shutter function P Av or Tv mode Shutter function in Manual mode AF Speed Mamiya ZD digital back support Lens Firmware version Body Firmware version Initial setting 0 Last used 0 3 1 3 EV step Previous aperture value 15 sec Alkaline 3 Front TV Rear AV Yes No switching Front AFL Rear AEL AF operation Continuous Set with AF lock only Shutter speed shift Fires Front Curtain ON AF Mixed When inside the range of the leaf shutter lens Mixed When inside the range of the leaf shutter lens High Speed mode NO Mamiya ZD back 1 User A 0 5 1 2EV step Open 30 sec NiMH or NiCD 5 Front Av Rear Tv No Switched CCW Increase CW Decrease Front AEL Rear AFL AF operation amp AE Lock One shot AF operation Aperture value shift Does not fire Rear Curtain ON Only Leaf shutter Only Leaf shutter High accuracy mode Mamiya ZD back 184 2 3 User B User C 10 1 EV step Minimum 60 sec ON Future feature 7 OFF no function While the shutter button is pressed Continuous Off OFF Only Focal plane shutter Only Focal plane shutter Ch
105. se six new batteries of the same type Do not mix different types of batteries or old batteries with new ones Chapter 3 Preparing the battery and compact flash card 26 CAMERA SLEEP MODE AND BATTERY CARE 1 Battery life of the originally supplied batteries is dependant on storage conditions 2 Blots and fingerprints on terminals may cause loose connections and corrosion Wipe the terminals before inserting the batteries 3 We recommend carrying spare batteries in remote or foreign locations 4 Battery performance decreases in low temperatures Keep them warm when in cold climates or locations External battery case PE401 is available as an optional accessory 5 Store the batteries in a cool and dry place away from direct sunlight 6 Remove the batteries from the camera body when not in use for a long time 7 Replace the batteries with new ones as soon as they are spent Liquid leakage from the battery may damage the camera 8 Read the battery label warnings to ensure proper handling Chapter 3 Preparing the battery and compact flash card 27 INSERTING AND REMOVING THE DIGITAL BACK BATTERY 1 Press the button on the underside of the Mamiya DM digital back to remove the battery slot cover 7 V Removing the battery slot cover 2 Press the battery into the recess on the bottom of the Mamiya DM System digital back and then slide it across until it snaps into place Inserting the battery Chapter 3
106. sion bit depth and color space in addition to the normal options for resolution and size There is also the option to create contact sheets for web use For archival use Capture One can export images to the open standard Digital Negative DNG files Images intended for manipulation or post production in other software should be exported as 16 bit TIFF files in the Adobe RGB or ProPhoto RGB color spaces 16 bit output increases the color graduations from black to white in each of the three color channels from 256 in 8 bit output to 65 536 per channel in 16 bit This makes a huge difference in the way that an image can be adjusted without visible damage It also prevents banding on gradients such as skies How to create a process recipe Process Settings consist of a selection of options to create and output images as required The Process Settings tool tab provides many choices for the output of your images Here is a summary of what each setting does Format Choose the output file format depending on the determined use of the file TIFF for maximum quality or JPEG for size and convenience TIFF files provide the option of 16 bit output GOSA OOE Example of output recipe edad ite for compressed TIFF TIFF z Compress LEW C Profile Adobe AGE 11998 300 px in Scale Fixed LOO LE 4 ade 4k Disable With Adobe Photoshop C33 File Icon Create thumbnails on save OUTPUT ALANINE Format Capture Name Sample 20060919_158 mn
107. solved simply by adjusting settings or through trouble shooting The online forums provide a wealth of information expressly for this purpose If the problem can not be resolved through information on the user s forums please contact your local Mamiya dealer This warranty does not apply if the Mamiya DM System has been damaged by accident installation shipment abuse misuse misapplication neglect fire water lightning or other acts of nature by failure to follow supplied instructions or by modification or repair by unauthorized personnel Mamiya shall not be liable for any indirect damages including without limitation lost profits damage to other property caused by any defect in the Mamiya DM System damages based upon inconvenience loss of use of the Mamiya DM System loss of time commercial use incidental and or consequential damages for the breach of any expressed or implied warranty including damage to property and to the extent permitted by law damages for personal injury even if Mamiya has been advised of the possibility of such damages The Mamiya DM System may contain refurbished parts Mamiya warrants the refurbished parts in Mamiya products for a period of one year from the date of original retail purchase THIS WARRANTY IS IN LIEU OF ALL WARRANTIES WHETHER ORAL OR WRITTEN EXPRESSED OR IMPLIED ALL EXPRESSED OR IMPLIED WARRANTIES FOR THIS MAMIYA DM SYSTEM INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND F
108. szecccecsscnscecstenccateceuscectteusceusteundetadeusdeuideusdeustoundesseeusdes 110 Shooting without overlayS sesesssseeunusuenseunururnnennururnnennunurununnununnnennunurnnennnnurnnnnnnnnnne 111 Working in ll screen MOG scccsncenasozncetuconscesancenessedoanseuedensstuedamnceuaesencesateensbunsenateinees 112 Set nge orid attribute Sesiinae er ree nea one Seer nee ene NOE cSt er aiaia 113 Using the Crop maSKk csscsssssssssesssssssessessseeseeseeasseeseeaeseeseeaeeasseeseeateaeseeseeatsneseeaeeateess 114 Contents 11 Adjusting the transparency of the Crop MaSk csssesssesssseseseeerseeeeseeeseeeseeaees 115 Adjusting the transparency of the histogram and info Dat cesseeeeeee 116 Setting the C590 UI OT pena rssesanteasccennaieaeanennoseapanen msm aeioniauierenne tania aoniateene 117 Resetting the file name COUNTET ccsscssssssssscsssscssscsssssessssessssessssessssensnseesseesesesonses 118 Formatting the compact flash card in portable MOdE cesseeseeeseesseeeseees 119 Configuring the user EO ats ceccp seca ce cs azesv cece teccaptsacsaes canccstecunscuearsecste tance 121 Configuring the user button for edit ViOW ccccsscsssessssessssssssssessssensssssssssssssseaees 122 Configuring a long press of the user DUUCON cc eeeseeesseeseeeeseeeesteetseeanseeanseeees 123 Aligning the touch SCf n anenenenrunenenenranenenenrununenenrnnunenenrnnenennnnnnunenennnnnnenennnn ennnen ne 124 Turning off t
109. t Hold the digital back lever open on the right side of the digital back then press the upper part of the digital back to the camera body When detaching the digital back pull back the detachment lever found on the right side and pull away from the camera body Chapter 3 Preparing the battery and compact flash card a ADJUSTING THE CAMERA DIOPTER Look through the viewfinder and make sure that the focus frame rectangle with circle is in sharp focus If it is not turn the diopter adjustment dial in the direction if you are nearsighted and in the direction if you are farsighted If this is not sufficient consider using an optional diopter correction lens See below Point the camera at a bright plain object such as a white wall when making this adjustment r 1 L l Diopter not matching Diopter matching Range of adjustment of diopter correction lenses optional accessory Diopter correction lens Range of adjustment DE401 standard 2 5 to 0 5 DE402 for nearsighted users 5 0 to 2 0 DE403 for farsighted users Chapter 3 Preparing the battery and compact flash card 38 REPLACING THE DIOPTER CORRECTION LENS 1 Remove the rubber eye piece by sliding it upwards 2 Remove the existing diopter by sliding downwards using the fingernail groove and detach 3 Insert a new diopter by aligning It to the base of the diopter holder and sliding it upwards into place then reatta
110. t are accessed from the pull down menu Any of these presets can be activated and set as a default for all images When an image is destined for post production or retouching in other software we recommend processing the image without sharpening applied How to sharpen an image Capture One has a range of presets formulated to provide good starting points for sharpening images for most purposes lf the concept of sharpening is unfamiliar take a little time to look at how the settings change the appearance of images on screen at 100 and compare these to final prints Typically an image that is sharpened for print or press will look overly sharp on screen but produce a pleasing result when printed Inkjet printer settings Inkjet printers vary from small desktop models to ultra wide large format machines Start with the supplied inkjet setting check the result and if desired adjust If you modify the settings then the new settings may be named uniquely and saved as a preset When using Pan H doubleclick anywhere on the image the area you click on will go to 100 Chapter 11 Using the software 165 SHARPENING AN IMAGE Magazine or brochure printer settings lf images are processed for later printing the amount of sharpening needed varies A good starting point would be Amount 350 Radius 0 9 Threshold 2 Fine tune this to suit your needs and the recommendation from the printing place and save as preset
111. t rating to a separate folder using the Move To function Once rated and moved the best images can be quickly optimized before proofing to clients as JPEGs or creating web gallery The web gallery function built into Capture One is extremely quick File gt Make Web Contact Sheet The web contact sheet will in addition to the images show caption and copyright information which can be added when importing files Once the client has approved or selected the best images they can be further refined using the built in tools o gt EF i Tg ae ee eee eo ee a D ie mme Pai E 3 ps yr cae me aie ee ee O E Chapter 11 Using the software 145 MOVE TO FOLDERS About Move To Folders Move To folders help create an effective and extremely rapid workflow by moving great images to a seperate folder rather than rating selecting and then moving the images How to use Move To functionality Select the folder with your image files Right Click gt Add New Folder Name it appropriately Select Best Keepers and then select it Right Click gt Set as Move To Folder When moving through images in the main image folder any file can be selected and moved to the new folder by clicking on the Move To button or using Cmd Ctrl J To see the images that have been transferred to the Move To folder go to Library gt Application Folders gt Move To Folder An alternative way of working is to create a single fo
112. t to move to folder Exposure warnings reterences Ty ery triesrie eraai F P P n j Se Er roS Cursor Tools Tool Tab The Browser The Viewer Chapter 11 Using the software 135 VIEWER TOOLBAR The Viewer toolbar provides the option to view a single image or multiple images at once The zoom level of the images can be controlled In the center of the Viewer toolbar the RGB and Lightness or CMYK readout values are available Viewer The Viewer is the largest element in Capture One here the images can be viewed and the effects of the adjustments can be checked Up to 12 images can be seen simultaneously in the Viewer With tools such as Compare Item and shortcuts for synchronized zooming and panning image comparisons can easily be done To create more space for the Viewer hide the Tools and Brower which provides close to full screen viewing of the images and more room for other interface elements The top left Icon of the Viewer allows choice between one or multiple image viewer The Image exposure parameters The parameters are right on top of the image indicating the values of RGB The last digit is a Lightness or Luminance value a value created to illustrate the dark light average of the different color channels eg in RGB The darkest will be O the clean white will be 255 this scale could also be compared to the HS scale If using CMYK gamut the value shown will be the CMYK values One or multiple im
113. tdeveiuneeetmopebeaiiamadetentes LTD E el i raat pete E E E E OE E E AEE A AE E Viewfinder LCD Liquid Crystal Display Basic description of home screen on digital DACK wid ssiueisweii s vineewetionsnnsswesio sscedevdsivadsecauetedenseens Battery charger parts and TINCHONS nscnt scsrenicicotesctetadieansiesventinibens Mune ENOAR EE EO erinadi Note on batteries for camera rechargeable vs disposable Attaching the neckstrap Using the eyepiece shutter 12 13 14 1D 16 17 18 19 20 21 Chapter 2 Getting to know your camera system 12 PRODUCT OVERVIEW Mamiya DM Systems are digital solutions for photographers who take their art seriously and passionately They have been manufactured to cater to photographers who want to take pro level digital images with a professional feel that only a medium format system can provide The Mamiya DM Systems boast 35mm handling and speed fully customizable settings and top quality photographic results Images are shot in 16 bit RAW files with high resolution exceptional color accuracy and exquisite detail of which not a single megapixel is squandered due to the premium quality 33 28 and 22 megapixel sensors A comprehensive range of 16 precision lenses are available for the Mamiya DM System user all constructed drawing on over 60 years of experience and innovation For demanding daylight situations there are three leaf shutter lenses developed in collaboration with renowne
114. tery and compact flash card 34 ATTACHING AND REMOVING A LENS ATTACHING 1 Remove the front body cap just like removing a lens by pushing the lens release button backward and then turning the front body cap counter clockwise and lift out To remove the front lens cap squeeze the shiny sections together and lift out To remove rear lens cap turn it counter clockwise Chapter 3 Preparing the battery and compact flash card 35 ATTACHING AND REMOVING A LENS 2 Line up the lens mount alignment mark with mark on the camera to fit the lens in place then rotate it in the direction of the arrow until it clicks into place Do not touch the distance ring or other rotating parts when attaching the lens When installing a lens do not press the lens release button REMOVING XX Nee While sliding the lens release button back rotate the lens counter clockwise O until it stops and lift it off A ae AA d H p NN Ny UBEEt SS After removing the lens from the camera body protect both ends by attaching the caps Oil dust fingerprints or water on the electronic contacts could result in malfunction or corrosion Wipe such impurities off with a clean piece of cloth Chapter 3 Preparing the battery and compact flash card DETACHING THE DIGITAL BACK 36 Rest the digital back on the lower ledge of the camera body so the camera body contact pins and digital back contact pins mee
115. the batteries frequently and always carry spares The sealed batteries supplied with the Camera may have been subject to storage conditions which have reduced their service life Wipe battery contacts before installation and watch correct polarity Battery life varies depending on frequency of use type age storage condition ambient temperature use external battery case in very cold weather etc Always remove the battery when camera is not used for a long period of time Always keep covers on lenses and camera body Do not store the camera at temperatures exceeding 40 C 105 F and 10 C 15 F Avoid humid or sea air environments Prolonged disuse shortens camera life Periodically exercise the shutter at different speeds lens diaphragms at different apertures and focusing mechanism Protect camera against rain and moisture Do not touch lens surfaces Use blower or lens tissue to remove dust particles Always test your equipment before going on important assignments The Importance of Proper Maintenance The camera has mechanisms that are controlled by gears levers springs etc all of which require occasional lubrication Ambient conditins can also affect these mechanisms as well as the optical glass of the lenses We recommend periodic servicing of the camera and lenses GETTING TO KNOW YOUR CAMERA SYSTEM Product OVervieW 0 Names of parts and TUNCUONS esacctesdianentccnedentcsdacacubscedccadunbosGbcd xiac
116. the image files New Variant creates a duplicate of the image using default settings The image Is created as it came out of the camera or DNG file except rotation Clone Variant creates an exact duplicate of the image you are working on complete with any changes made The white frame of one image in the Viewer shows you which image you are working on In this case you work on the original NOT the Variant You have adjusted the exposure stopped the highlight clipping and fine tuned the shadows when you want to make a BW copy black and white image No problem Create a clone variant go to Quick Tool tab gt Saturation and set saturation to 100 Alternatively choose a Black and White profile in Profile pull down When you change an image to BW the Histogram and Levels automatically switches to monochrome Chapter 11 Using the software 160 VARIANTS How to delete Variants The easiest way to delete a Variant is marking the variant in the Viewer or browser and pressing Delete or on PC press Backspace You can also right click and choose Delete from the menu When a Variant is deleted only the settings file for the Variant is deleted The original image file is untouched The settings inherited by a Variant from the original image Normal Variants inherit the raw default settings from the original image metadata and Lens Cast corrections where appropriate with Digital Back files Clone Variants inherit
117. ture Automatically set Shutter Priority AE Automatically set by camera to 1 125 when the by pends set shutter speed is 1 125 sec or faster Program AE Manual Mode Any aperture Synchro Mode 1 60 to 1 125 sec Any aperture With TTL flash photography the reflection of the flash is metered and the intensity of the flash is adjusted automatically so TTL flash photography may not be suitable to all conditions In the cases described below we recommend using a flash meter to check the intensity of the flash or to use a manual flash setting Chapter 12 Flash photography 179 REAR CURTAIN SYNC MODE Use the Rear Curtain Sync Mode for any of the below conditions 1 When the size of the subject you want to light with the flash is relatively small within the picture 2 When the background behind the subject is extremely bright or when there is a strongly reflective object in the background 3 When the background behind the subject is extremely dark outdoors at night etc 4 When light from the flash is incorrectly directed and falls too widely from the subject When a moving subject has been shot under this function the flash of light appears after the moving subject il FERRE T i Grnega al i Rear curtain sync mode Front curtain sync mode Chapter 12 Flash photography 180 FLASH COMPENSATION SETTINGS By combined use of a Metz flash and the SCA3952 adapter the camera
118. ueceueeaueeueeeeeueeueeeaeeeeeeees 167 DVS VAN PE E EE AE EE E E E E A E A E E AT 169 Adding and resetting megadata to image fll S usseisesrneesrresrrrssrrnsrrrrnrrrrnrrrrnrrrrerrreen 170 Creating a prOcCesSs rECIDE srdsoinehiner inne anaa AATAKE REE RNA aN RA ANA DEAE RARE 171 Processing completed IMAGES ccccssseccsseeeseeeceeseseeesenseetsuseerseeueetseeeetenseetseseeesenseetas 172 ADOULENTI 173 Creating a web contact SNOC TE iwsisiutdavarncissaavenaiivatacavarasimnecdanevesiatudsixadanqiinsassuiwoidddvaanayanesans 174 Chapter 11 Using the software 132 ACTIVATION OF CAPTURE ONE Upon attaching your system to a computer a dialogue box appears requesting product registration Click yes and follow the registration procedure To activate Capture One connect to the internet Activation of Capture One DB is free and compatible with the Mamiya DM System To activate Capture One 5 or Capture One PRO you will need to obtain a license key Enter license code in the license activation dialogue box Type in your details in the required fields to activate the software Once entered press the Activate License button and activation will be validated by Phase One s activation server The software is now activated and ready for use Troubleshooting lf experiencing problems activating the software follow the instructions provided in the application or visit our website for inspiration and troubleshooting http www phaseone
119. w This is useful for checking focus or composition w To open a specific image in Shoot view do one of the following e Jap the image and then tap shoot e Double tap the image Camera LOZOZOT 4 mp y oP we Chapter 10 Image fille management and preferred settings 111 SHOOTING WITHOUT OVERLAYS After each shot indicators and information about the shot appear as an overlay Clear the overlays if this information is not to appear while shooting 1 Tap Shoot View Options 2 Tap On Shoot 3 On the Clear overlays bar tap Yes Chapter 10 Image fille management and preferred settings WORKING IN FULL SCREEN VIEW lf desired hide the menu buttons and view shots full screen while you work 1 Tap Shoot View Options 3 On the Maximize image bar tap Yes To view the menu buttons when working in full screen view tap the image 112 Chapter 10 Image fille management and preferred settings SETTING GRID ATTRIBUTES To set the number of lines and line attributes for the grid 1 Tap Shoot View Options 2 Tap Grid Setting The grid options appear e To set the number of horizontal or vertical grid lines tap Horizontal Grid Lines Vertical Grid Lines and tap the desired number of lines e To set the line type tap Line Type and select the desired line type 113 Chapter 10 Image fille management and preferred settings USING THE CROP MASK To show or hide the crop
120. wfinder Focusing screen Field of view Viewfinder information Auto focus method Focus area AF assist beam AF lock Exposure modes AE metering mode Increments of shutter Speed and aperture Metering range Exposure compensation AE lock Shutter Shutter speed 6 x 4 5cm format electronically controlled focalplane shutter TTL multiple mode AE AF single lens reflex 56x 41 5 mm Mamiya 645 AF Mount compatible with M645 Mount manual focus confirmation focus aid stopped down exposure metering Fixed prism viewfinder magnification x0 71 built in diopter adjustment 2 5 to 0 5 optional diopter correction lenses provide adjustment ranges of 5 to 2 diopter and O to 3 diopter built in eye piece shutter Interchangeable Matte standard Checker and Microprism Type C for Non AF M645 lenses 94 of actual image Focus mark defocus mark warning mark aperture value shutter speed metering mode A S A S exposure compensation value difference between set value and metered value and flash ready OK lamp with TTL Metz connection TTL phase difference detection method sensor CCD line sensor I type operating range EVO to EV18 ISO 100 Displays the focus area in the viewfinder screen Activates automatically under low light low contrast Range 9m when using AF80mm f 2 8 D lens By pressing the shutter release button halfway down in the AF S mode or by pressi
121. y When to apply white balance adjustments to the image The best practice is to set the white balance of an image or group of images before making other adjustments When the white balance is set then choose to add a color tone to affect the look of the image Using the White Balance controls in the tool panel Mode Provides a list of different white balance presets e g daylight tungsten fluorescent and such but also camera custom and shot which is the white balance used by the camera when the image was shot Advanced users may prefer to create their own or to choose alternative options Kelvin Changes the color temperature of the image within the range 800 to 14000 degrees Kelvin By moving the slider to the right the image will become warmer yellowish and to the left cooler blueish To fine tune the green magenta balance it is necessary to use the tint slider Tint Tint allows for fine tuning of the green and magenta balance The scale on the slider represents actual Kelvin value subject to slight variations from camera to camera Capture One allows you to use your own camera profiles and third party camera profiles for particular lighting conditions Load the profiles in the correct color profile folder for your OS currently ColorSync on Mac OS X These profiles will be available in the profile menu once the application has been re started Windows users may have to restart the OS for the profiles to be available
122. y AE A eoor nea EEA aim E E E E aeuun Manual Mode Mineros E EE dates EEE ET ewes V MOUE a E A EE E E EEN Custom AIG OG ModE crrr penia EEE N TE E EE Auto Mode IMEC IAN SI ss seiitsiexinaconacebaiacuieaidtiuanasiuisehenacdeiidaevnnsuacebanaeaesldtbaxasimntebeiaedeuisexeasueaneys Exposure Metering MOG OSs sscasess s sci nisicusioaaG nteieditanciswiined varssaltisditencowinedattees olinediacb wlincd senneuimeaduascl ant Exposure Ware Saera EE EEEE SE Exposure COMPENSATO Tenia E E Ei PE LOOK NOUGAT E AUO Brack tne NWIOUG ccctenctercncienctseracvensiantecueses Es Eo IN EERE aE OT E RE RETEA IGERS Taking photos with the Mirror Up cccccccccccscecceececcececeeececeueeeuueuueeeeueueueeeueeaueeeuueaueeaneeness VIO UMD CS eE E E Se e ICAO ioc A E E E EE EAA PE PE E EA EEE E E Mtera PHOTO TANNY ea E a E A LONC EXPO UE MOIE orr ee nea ee A ee ae RN Chapter 6 Exposure Modes 58 PROGRAM AE P The aperture and shutter speed are determined automatically for the optimum exposure according to the existing ambient light This mode is best suited for general photography allowing the user freedom to concentrate on the subject Turn the exposure mode setting dial to P program AE position f a correct exposure cannot be obtained the shutter speed and aperture value blink In such cases the pictures can be taken but they may turn out too bright or too dark Chapter 6 Exposure Modes 59 APERTURE PRIORITY AE AV Set the desired a
123. y users merely use metadata to keep keywords or simply copyright information oe Q METADATA Mame Basic File name Rating EXIF Camera M a i Serial Firm Sortware Owner Lens Manwal BO mm camera custom 1 BOBA x 6732 Format Date B 18 08 3 12 29PM Chapter 11 Using the software 170 ADDING AND RESETTING MEGADATA TO IMAGE FILES How to reset metadata When pressing reset adjustments on Primary Variant Capture One will reset all adjustments made to the image file except metadata is to prevent from removing information such as copyright from the image file by mistake If you have added metadata to an image file and wish to delete all added metadata use the local reset button How to add the same metadata to image files in the same session After adding the metadata the Local Copy allows you to select which of the metadata you wish to copy and then select the target images and apply BM Shot_001_152 11Q Today 10 44 40 7 MB F Shot_001_152 xmp Today 10 44 8 KB E Shot_001_153 11Q Today 10 45 40 8 MB Shot_001_153 xmp Today 10 45 8 KB Remove Tool Load Metadata pS y k Adjustments Clipboard From Shot 001067 0 Wens ites To suppress this dialog Hold down Option to Copy or Shift to Copy and Apply oy Copy Apply Chapter 11 Using the software 171 CREATING A PROCESS RECIPE Images can be processed from Capture One as TIFF or JPEG files with options for file compres

Mamiya DM System User's Manual

Contents

Download Pdf Manuals

Related Search

Related Contents