Kodak E-24 User's Manual
Contents
1. Background Hoesen Exposure Color in Slide pe g Adjustment Filter Magenta 75G 1 stop Blue 50R 50Y 11 2 stops Cyan 70R O5Y 0 Dark green 50M 1 stop Yellow orange 90B 40C 2 stops Remove the CP filter pack from Dark red the light source 0 Add 90C 20G in front of the lens You can increase exposure by extending the exposure time as long as it does not exceed 8 seconds PROCESSING Process KODAK VERICOLOR Slide Film in KODAK FLEXICOLOR Chemicals for Process C 41 Do not process this film in washless minilab process cycles i e Process C 41B and C 41RA This film is of an older design that requires a stabilizing agent for image stability Process this film only in a processor that uses KODAK FLEXICOLOR Stabilizer III and Replenisher For information on processing see KODAK Publication No Z 131 Using KODAK FLEXICOLOR Chemicals KODAK VERICOLOR Slide Film e E 24 KODAK VERICOLOR PRINT FILM 4111 Sheets KODAK VERICOLOR Print Film is intended for producing positive transparencies from color negatives and internegatives for displays or photo mechanical reproduction This film has a dimensionally stable 7 mil ESTAR Thick Base with a retouching surface on both sides SIZES AVAILABLE KODAK VERICOLOR Print Film 4111 ESTAR Thick Rolls in x ft Spec No Base CAT No 40 x 100 ae 7 mil 122 2993 50 x 100 0 182. compensating filters over the lens For backgrounds of various colors use the filters and exposures given in the tables below Use a 3200 K light source To determine the shutter speed and lens aperture for exposure use an incident light meter set at the exposure index indicated below When you add the filters in front of the camera lens increase the exposure as shown in the tables Make an exposure series of at least 1 stop in 2 stop increments Keep the exposure time between and 8 seconds Note Reverse text slides exposed with KODAK WRATTEN Gelatin Filters usually have more saturated colors than slides made with KODAK Color Compensating Filters Using KODAK WRATTEN Gelatin Filters Use an Exposure Index EI of 8 with no filters over the light source Place the WRATTEN Gelatin Filter over the lens Background KODAK WRATTEN Exposure Color in Slide Gelatin Filter No Adjustment Red brown None 0 Purple die iat 2 stops Darkblue deep oie oe 2 StopS Cyan deep a tricolor malops Dark green eee 4 stops Red felt 4 stops Orange light TE fstops Dark Yellow ae ater 4 stops Magenta deep Ti tricolor 4 stops You can increase exposure by extending the exposure time as long as it does not exceed 8 seconds Using Color Compensating Filters Use an Exposure Index EI of 2 with a filter pack of CP60R CP50 over the light source Place the color compensating filters over the lens
3. has a tungten halogen 3200 K light source a heat absorbing glass and untraviolet absorbing filter such as a KODAK WRATTEN Gelatin Filter No 2B or a KODAK Color Printing Filter CP2B and built in dichroic filters Printing Color Negatives and Internegatives KODAK VERICOLOR Print Film is intended for exposures times of 1 to 20 seconds Set the illumination at the exposure plane at 2 footcandles 22 lux without a negative or filters in the light beam Use an initial exposure time between 1 and 15 seconds To print negatives made on Kodak color films onto VERICOLOR Print Film use a starting filter pack of 20M 30Y Negatives made on daylight balanced films exposed with tungsten light will require more yellow filtration Push processed negatives may require a different filter pack These filter packs are based on average emulsions of VERICOLOR Print Film See the film carton for supplementary information on each emulsion The information lists filter and includes aperture adjustments for times of 10 and 120 seconds The aperture adjustment includes the exposure adjustment required for the filters Use these recommendations as a guide for making trial exposures For best tone rendering and color balance make a test transparency from each type of film negative View the test tranparencies on a illuminator that has the same color quality and brightness as the illuminator you will use to display or view the finished transparencies Becau
4. TECHNICAL DATA COLOR FILM KODAK VERICOLOR Slide Film NOTICE These films are discontinued KODAK VERICOLOR SLIDE FILM 5072 Rolls KODAK VERICOLOR Slide Film is intended for producing same size positive transparencies from color negatives or for making reduced size transparencies from larger negatives You can use this film for professional and photofinishing applications with contact printing or copying and duplicating equipment You can also use this film to copy black and white line art to make reverse text slides or crop negatives to make tighter composition on transparencies This film is coated on an acetate base and is available in 35 mm x 100 foot rolls 5072 Film and 135 36 rolls SO 279 Film You can mount it in standard 2 x 2 inch slide mounts or use it uncut as film strips Process KODAK VERICOLOR Slide Film in KODAK FLEXICOLOR Chemicals for Process C 41 SIZE AVAILABLE KODAK VERICOLOR Slide Film 5072 Acetate Rolls mm x ft Spec No Base CAT No 35 x 100 ft perf VS 663 Smnl 122 1217 3 0 13 mm Eastman Kodak Company 2000 December 2002 e E 24 STORAGE AND HANDLING High temperatures or high humidities may produce undesirable changes in VERICOLOR Slide Film Store unexposed film at 13 C 55 F or lower in the original sealed package To prevent condensation on film that has been refrigerated allow the film to warm up to room temperature b
5. efore you open the package Use the film as soon as possible after purchase and before the expiration date For consistent results use the same handling procedures between exposure and processing Keep exposed film cool and dry and process it as soon as possible after exposure If processing must be delayed you can minimize changes in the latent image of KODAK VERICOLOR Slide Film by storing it in a moistureproof container and freezing it before processing Allow the film to warm up to room temperature before you process it Store processed film at 21 C 70 F or lower at a relative humidity below 50 percent For information on long term storage see KODAK Publication No E 30 Storage and Care of KODAK Films and Papers Before and After Processing Note When you use KODAK VERICOLOR Slide Film for reverse text slides and exact color reproduction is not critical you do not have to freeze the exposed film if you process it within 7 days DARKROOM RECOMMENDATIONS Do not use a safelight Handle unprocessed film in total darkness EXPOSURE Equipment Expose this film with optical or contact printing equipment For large scale production you can use printers and copying equipment modified for production applications Use exposing equipment that has a tungsten halogen 3200 K light source a heat absorbing glass an ultraviolet absorber such as a KODAK WRATTEN Gelatin Filter No 2B or a KODAK Color Printing Filter CP2B and b
6. mm 122 2249 Size ESTAR Thick Sheets Inches Base CAT No 10 4x5 122 1357 10 8x 10 122 1373 50 8x 10 7 mil 122 1399 50 10x 10 0 18 mm 122 1415 10 11x14 122 1431 10 20 x 24 122 1472 STORAGE AND HANDLING High temperatures or high humidities may produce undesirable changes in these films Store unexposed film at 13 C 55 F or lower in the original sealed package To prevent condensation on film that has been refrigerated allow the film to warm up to room temperature before you open the package Use the film as soon as possible after purchase and before the expiration date For consistent results use the same handling procedures between exposure and processing Keep exposed film cool and dry and process it as soon as possible after exposure Store processed film at 21 C 70 F or lower at a relative humidity below 50 percent For information on long term storage see KODAK Publication No E 30 Storage and Care of KODAK Films and Papers Before and After Processing Note You can freeze exposed KODAK VERICOLOR Print Film to minimize changes If you cannot process this film within 4 hours after exposing it store it in a moistureproof container and freeze it to avoid changes in the latent image Allow the film to warm up to room temperature before you process it DARKROOM RECOMMEDATIONS Do not use a safelight Handle unprocessed film in total darkness EXPOSURE Equipment Use exposing equipment that
7. same rate KODAK VERICOLOR Slide Film KODAK Publication No E 24 CAT 000 0000 Kodak Estar Flexicolor Vericolor and Wratten are trademarks MORE INFORMATION Kodak has many publications to assist you with information on Kodak products equipment and materials The following publications are available from Kodak customer service or from dealers who sell Kodak products or you can contact Kodak in your country for more information E 30 Storage and Handling of KODAK Films and Papers Before and After Processing Z 131 Using KODAK FLEXICOLOR Chemicals Note The Kodak materials described in this publication for use with KODAK VERICOLOR Films are available from dealers who supply KODAK PROFESSIONAL Products You can use other materials but you may not obtain similar results Kodak Minor Revision 12 02 Printed in U S A
8. se of the variables involved in producing internegatives from different types of transparency films make test to determine the best filter pack for printing internegatives onto KODAK VERICOLOR Print Film Start with a filter pack that produces successful results in printing original camera negatives and adjust filtration and exposure as required KODAK VERICOLOR Slide Film e E 24 KODAK VERICOLOR Slide Film PROCESSING Process KODAK VERICOLOR Print Film in KODAK FLEXICOLOR Chemicals for Process C 41 Do not process this film in washless minilab process cycles i e Process C 41B and C 41RA This film is of an older design that requires a stabilizing agent for image stability Process this film only in a processor that uses KODAK FLEXICOLOR Stabilizer II and Replenisher For information on processing see KODAK Publication No Z 131 Using KODAK FLEXICOLOR Chemicals at www kodak com go photochemicals RETOUCHING Use KODAK E 6 Transparency Retouching Dyes or KODAK Liquid Retouching Colors to retouch transparencies made on KODAK VERICOLOR Print Film Note Although both types of dyes will produce a good visual match neither will perfectly match the image dyes of KODAK VERICOLOR Print Film therefore you may notice a slight mismatch in photomechanical reproductions of the transparencies Also when retouched transparencies are used in displays for an extended period of time the retouching dyes and image dyes may not change a the
9. uilt in dichroic filters Printing Color Negatives and Internegatives KODAK VERICOLOR Slide Film is intended for exposure times of 1 4 second to 8 seconds Set the illumination level at the exposure plane to 16 footcandles 172 lux without a negative or filters in the light beam Use an initial exposure time between and 4 seconds To print negatives made on Kodak color films onto VERICOLOR Slide Film use a starting filter pack of 20M 30Y Negatives made on daylight balanced films exposed with tungsten light will require more yellow filtration The filter pack is based on average emulsions of KODAK VERICOLOR Slide Film See the film carton for supplementary information on each emulsion This information includes starting filter pack and aperture adjustments The aperture adjustment includes the exposure adjustment required for the filters Because of the variables involved in producing internegatives from different types of transparency films make tests to determine the best filter pack for printing internegatives onto KODAK VERICOLOR Slide Film Start with a filter pack that produces successful results in printing original camera negatives and adjust filtration and exposure as required Making Reverse Text Slides You can use KODAK VERICOLOR Slide Film to produce reverse text slides with white or near white letters on a dark or colored background To make a reverse text slide photograph dark letters on white background with color
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