Fujifilm 100F User's Manual
Contents
1. f Exposure Separated Light Process E 6 CR 56 Yellow Magenta 400 500 Wavelength 600 nm Costes The data herein published were derived from materials taken from general production runs However as Fujifilm is constantly upgrading the quality of its products changes in specifications may occur without notice 6 w FUJIFILM FUJI PHOTO FILM CO LTD 26 30 Nishiazabu 2 chome Minato ku Tokyo 106 8620 Japan 700 Ref No AF3 036E EIGI 99 6 HB 20 1 Printed in Japan2. total 2 stops Mixed Light Lamps Under mixed light conditions derive the basic filter con figuration to suit the main light source 5 LONG AND MULTIPLE EXPOSURE COMPENSATION No exposure correction or color balance compensation is required for exposures within a 1 4000 to 128 seconds shutter speed range However for exposures of 128 seconds or longer reciprocity failure related color bal ance and exposure compensations are required FUJICHROME PROVIA 100F Professional RDP Ill FUJIFILM DATA SHEET Exposure time 1 4000 128 sec 4 min 8 min Color Compen sating Filter vee Not Recom None Exposure 1 3 stop mended Corrections Exposure correction values include filter exposure factors These values are added to unfiltered exposure meter readings followed by number required increase in lens opening Multiple Exposures No exposure correction or color balance compensation is required for up to eight consecutive multiple expo sures using an electronic flash 6 EXPOSURE PRECAUTIONS D With artificial light such as electronic flash photoflood fluorescent tungsten mercury vapor etc the lamp out put and color temperature may be affected by such fac tors as make age of equipment and line voltage Re flectors and diffusers can also influence light intensity and color temperature 7 FILM HANDLING D e Expose film before the expiration date indicate
3. 82A or Low Color Temperature No 82C 1 3 to Morning and evening twilight scenes LBB 2 2 3 and portraits LBBA stop Kodak Filters Fuji Sharp cut Filter Fuji Light Balancing Filter not available in certain markets Lens opening Electronic Flash e Electronic flash produces light similar to daylight so filters are not needed However the possibility of undesirable effects on color balance due to various factors differences in equipment amount of use etc should be taken into consideration and test ex posure made e The use of a flash meter is advisable but the follow ing formula can also be used to obtain satisfactory lens opening ae ISO 100 Electronic Flash Guide Number f number Electronic Flash to Subject Distance meters or feet e Set the film speed at ISO 100 Since the amount of light reflected onto the subject from surrounding surfaces will differ with the conditions refer to flash unit instructions Daylight Photoflood Photo Reflector Lamps e Daylight type photoflood or photo reflector lamp output tends to be lower than that indicated by an exposure meter so it is advisable to compensate for this by increasing exposure time or the lens opening Whenever possible test exposures are recommended e Other factors requiring consideration when deter mining the exposure time are lamp configuration use duration and line voltage as they may
4. OLOR INTERNEGATIVE FILM IT N thus greatly increasing RDP Ill s versatility High quality duplicates can be made on FUJICHROME DUPLICATING FILM CDU TYPE II CDU II FUJIFILM DATA SHEET FUJICHROME PROVIA 100F Professional RDP III 12 RETOUCHING 43 SHEET FILM CODE NOTCHING Changes in density and color balance can be made by A notch identifying this emulsion type is located in the using readily available retouching dyes and bleaching upper right hand corner when the emulsion surface is chemicals facing toward you The same notch is provided for QuickLoad type films Nery YZ Emulsion side 14 PROCESSED FILM EDGE MARKINGS lt Rolls gt e 135 Size ee y Film Designation Zo Emulsion Number ROPW 001 124BC3 00 FUJI ROPIE FUJI ROPIE FUJ ROP I FUJI ROPI 001 FUJI ROPE E ROPI 001 ocodcoDOD0DO0DDDOOODOCOOOODOOOOOOOCOOODOOD a0000co000 o000000000000000000000000000000000000 0000000099 ss C gt 00A s6eL gt 0A asL gt 1A asl gt 2A 36a 12ABC3 These designations are repeated along the film edge Film Designation _ A a Emulsion Number ROPM 001 FUJI ADP FUJ ROP ROPH O01 FUJI ROPE T RDP I 001 Co000d0DD00000D0DDDDDDDDCODDD00DDDDDDDOND 0000o 35mm x 30 5 100 ft ogo0o0o00000000000000000000000000000000000 gt 43A IA gt 2A These designations are repeated along the film edge e 120 Size Film Designation Ji Zo Emulsion Number F
5. UJ ADPII ABCDEF GHJ FUJI ROP III RDPI 004 FUJI ADP I FUJ ROP II RDPIIC gt 1 ROPIIC gt 2 ROP IIL 3 ROP ICS 4 RDP IIC gt 19 These designations are repeated along the film edge e 220 Size Film Designation a Emulsion Number FUJI ROP IN ABCDEF GHJ FUJI RDP III ROP II 001 FUJI ROPIIL FUJI ROP IIL ROPIIC gt 1 ADP IIC gt 2 ROP IIIT gt 3 ROP gt 4s ROP IiC gt age These designations are repeated along the film edge FUJICHROME PROVIA 100F Professional RDP Ill FUJIFILM DATA SHEET lt Sheets gt e Standard Sheet Film FUJIFILM ROP III e QuickLoad FUJIFILM ROP Ill The emulsion is on the opposite side Base side facing you as FILM STRUCTURE gt Before After Processing Processing Protective Layer Blue Sensitive Layer a3 containing Yellow Coupler a320 PPO A bos v Yellow Positive Image s Magenta Positive Image Yellow Filter Layer Interiayer Green Sensitive Layer containing Magenta Coupler Tope Sao ob Ves oY oo 4 Ps a ene DASA Red Sensitive Layer TA Eat Gian Positive Image containing Cyan Coupler y interlayer Antihalation Layer Safety Film Base _ ____ Coupler A Silver Halide Processing induced Dye Backing Layer These layers become colorless and transparent after processing The backing layer is colorless and transparen
6. W FUJIFILM AF3 036E DATA SHEET COLOR REVERSAL FILMS FUJICHROME PROVIA 100F Professional RDPII 1 FEATURES AND USES FUJICHROME PROVIA 100F Professional RDP III is an ultra high quality daylight type ISO 100 color reversal film With the finest grain an RMS granularity value of 8 among ISO 100 color reversal films and an extremely high sharpness it captures details with unprecedented clarity while providing rich gradation vivid and faithful color reproduction and well controlled gradation bal ance These characteristics make it an ideal choice for a wide range of subject matter from product and outdoor photography to fashion work and portraiture Features Results e Super fine Grain Finely detailed image forma tion for large size enlarge ments and other work requir ing high magnification as a result of the finest grain among ISO 100 color rever sal film e Vivid and Faithful Extremely satisfying color Color depiction providing the Reproduction most brilliant primaries with out sacrificing the delicate pastels for wide ranging ap plication e Rich Tone e Smooth gradation reproduc Reproduction tion with superb depth thanks to bias free brilliant highlights and excellent highlight to shadow grada tion linearity e Improved e Increased resistance to loss Reciprocity in film speed and color bal Characteristics ance during long exposures as well as consistently accu rate mul
7. affect lamp output and color balance Fluorescent Lamps e The use of the following combinations of color com pensating filters is advisable when photographing under fluorescent lighting e For exacting work however test exposures are rec ommended because lamp make and age may af fect light output and color balance Exposure Time 1 4 second Fluorescent White Daylight Cool White Warm White Lamp Type W D CW WW Color Compen No 80B sating Filters 25M 20BBOR 10M 35M 15M 10R Exposure Corrections St0p 1 stop 1 stop 2 1 3 stops Kodak Color Compensating Filters or Fuji CC Filters recom mended Exposure correction values include filter exposure factors These values are added to unfiltered exposure meter readings followed by number required increase in lens opening NOTES e Use 1 30 or slower shutter speeds For shutter speeds longer than 128 seconds exposure ad justments will be necessary to compensate for reciprocity failure Tungsten Lamps e A Kodak Filter No 80A or Fuji Light Balancing Filter LBB 12 is recommended along with a 123 lens stop increase when using 3200K tungsten lighting e f household tungsten lighting room lamps etc constitutes the main source of illumination in addi tion to the above filter a Kodak filter No 82A or Fuji Light Balancing Filter LBB 2 is required plus an aperture increase of 1 3 stop
8. d on the film package and process promptly after expo sure e When loading and unloading roll film avoid direct sunlight If there is no shade turning one s back toward the sun will shade the film e Handle sheet film in total darkness and do not touch emulsion surfaces The use of a safelight will cause fogging e X ray equipment used to inspect carry on baggage at airport terminals can cause film fogging so both exposed and unexposed films should be removed for manual inspection e Film fogging may occur near X ray equipment in hospitals factories laboratories and other loca tions Always keep film away from possible sources of radiation 8 FILM STORAGE D Unprocessed Film e Storing exposed or unexposed film under high tem perature and humidity conditions will cause adverse speed color balance and physical property changes Store film under the following conditions OShort to medium term Storage Below 15 C 59 F aee Refrigerator OLong term Storage Below 0 C 32 F ceecee Freezer e Building material finishes used on newly manufac tured furniture paints and bonding agents may pro duce gases which affect photographic film Do not store film lightproof boxes of film loaded cameras or film holders under these conditions e Before use allow films to stand at room tempera ture over 3 hours for refrigerated film and over 6 hours for frozen film Long rolls such as 100 feet 30 5m will
9. e Base Thickness Rolls 135 127um 120 98um 220 98um Sheets 205um 4 EXPOSURE GUIDE AND EXPOSURE UNDER VARIOUS LIGHT CONDITIONS Use a meter for exposure determination If a meter is not available refer to the following table Seashore or Lens Aperture Exposure Time 1 250th Sec 1 FUJIFILM DATA SHEET FUJICHROME PROVIA 100F Professional RDP III NOTES e The foregoing settings are for 2 hours after sunrise and 2 hours before sunset e Provide lens opening 1 2 stop smaller during the summer and 1 2 stop larger during the winter e Excessively bright or dark or backlit subjects may require plus or minus 1 stop lens opening adjustments Daylight Under daylight conditions color balancing filters are not necessary but the following exposure conditions may require the indicated filters Exposure oer Correction Subject Conditions Fair weather open shade and shaded landscapes Bright distant scenes snow land UV Filter scapes seaside scenes aerial No 2C None scenes and open landscapes oan Close ups of plants and subjects hav ing bright colors Excessively high or low subject color temperatures may require the following filter additions and exposure corrections Exposure AW Correction Subject Conditions High Color Temperature Cloudy weather landscapes or por No 81A 1 3 traits under clear weather open LBA 2 stop shade No
10. require additional time Opening the package box while film is cold may cause harmful condensation Processed Film e Exposure to light high temperature and humidity can cause color changes in processed films Therefore place such films in mounts or sleeves and store in dark dry cool and well ventilated loca tions under the following conditions OMedium term Storage Below 25 C 77 F at 30 to 60 RH OLong term Storage Below 10 C 50 F at 30 to 50 RH NOTES As with all color dyes those used in this film will discolor or fade with time 9 PROCESSING This film is designed for processing in Kodak Process E 6 Fujifilm Process CR 56 or Fuji Hunt Process C6R etc 10 Use a standard viewer Visual responses will differ with light source quality and brightness Therefore employ a viewer which meets the ISO ANSI standard e The ISO standard ISO DP3664 2 specifies an illu minated viewer surface with a color temperature de rived from a CIE illuminant D D Daylight with a re ciprocal color temperature of 5000K an average brightness of 1400cd m 300cd m a brightness uniformity of more than 75 a light diffusion level of more than 90 and an average color rendition as sessment value of more than Ra90 Transparency viewers should meet these standards VIEWING LIGHT SOURCES 11 PRINTS AND DUPLICATES Processed transparencies can be made into prints on FUJICHROME papers or FUJIC
11. t both before and after processing but it is not provided with 135 size film 16 DIFFUSE RMS GRANULARITY VALUE ee 8 Micro densitometer Measurement Aperture 48 um in diameter Sample Density 1 0 above minimum density FUJIFILM DATA SHEET FUJICHROME PROVIA 100F Professional RDP III 17 RESOLVING POWER Chart Contrast TOS Tornei 60 lines mm Chart Contrast TOO M retiisi 140 lines mm 18 CHARACTERISTIC CURVES P 4 0 T 1 T T Exposure Daylight 1 50 sec Process E 6 CR 56 3 5 Densitometry Fuji FAD 30S Status A 3 0 m 25 a Z 20 2 E O A 15 1 0 0 5 0 0 3 0 2 0 1 0 0 0 Exposure log H lux seconds 20 MTF CURVE 150 100 70 gI oO w oO Response 8 10 5 3 _ Exposure Daylight Process E 6 CR 56 2 1 5 10 20 50 100 200 Spatial Frequency cycles mm SPECTRAL SENSITIVITY CURVES Sensitivity log T Process Densitometry Fuji FAD 30D Status A Density E 6 CR 56 1 0 above D min Blue Sensitive Layer Green Sensitive Layer Red Sensitive Layer 400 Sensitivity equa 500 600 Wavelength nm 700 s the reciprocal of the exposure ergs cm2 required to produce a specified density 21 SPECTRAL DYE DENSITY CURVES o Spectral Diffuse Density kaj on 0 0
12. tiple exposure per formance e Excellent Push e Outstanding tolerance to ex pull processing posure and density compen sation during processing within 1 2 stop to 2 stops resulting in minimal varia tions color balance and gra dation e E 6 CR 56 C6R e As with other FUJICHROME Processing film world wide processing available using E 6 CR 56 C6R chemicals CR 56 is Fujifilm processing system equivalent to E 6 processing C6R is Fuji Hunt processing system equivalent to E 6 processing 2 SPEEDS Light Source Speed Filter Daylight ISO 100 21 None H S S0216 UBB ee Indicates the effective speed resulting from designated filter ae Kodak Filter Fuji Light Balancing Filter not available in certain markets e Speed and color compensating filter values are in cluded in each of the sheet film boxes Use these values in exposure determination 3 FILM SIZES EMULSION NUMBER BASE MATERIAL AND THICKNESS F Emulsion Sizes TR 135 36 exp 36 exp 5 roll and 20 roll packs Rolls 35mm x 30 5m 100ft 120 12 exp 12 exp 5 roll packs 220 24 exp 5 roll packs 4 x 5in 10 2 x 12 7 cm 001 aes 10 sheets and 50 sheets 8 x 10 in 20 3 x 25 4 cm Sheets a 10 sheets and 50 sheets 11 x 14 in 27 9 x 35 6 cm EA T 10 sheets QuickLoad 4 X Sin 20 sheets Some sizes are not available in certain markets Base Material Cellulose Triacetat
Download Pdf Manuals
Related Search