Fostex DE-10 User's Manual
Contents
1. MNN r N UNE mce Set to LINE when connecting to a keyboard Adjust the input levels from a key une mos Set to MIC G board using the input level controls E when connecting See lt Caution on Effect Processing gt to a microphone or on the next page for details about how guitar to set the level Adjust the input level of a microphone or guitar using the TRIM control In the single 1 2 mode these jacks are not used Connect to the L and R out Connect to a microphone or guitar di Connect to the input of a key puts of a keyboard If the key rectly Set the input select switch to MIC board amplifier or guitar ampli board provides a mono out G fier put use the L MONO jack Set the input select switch to LINE 19 Fostex DE 10 Owner s Manual In the single 1 2 mode these controls and indi cators are not used ADJUST I Ea e oe pisronnon H e mse f amum ons f omme ce Peron Tear rance vomo T lt Front panel settings gt 1 Set the MODE switch to SINGLE 1 or SINGLE 2 2 Set the TYPE switch to the desired position You can select from among the following eleven types for each single mode See page 8 15 for details about each type e When selecting SINGLE 1 ow SINGLE 1 DUA TA oncer srono mun2. ASP H F A Harmonic Feedback Algorithm There is one of indispensable elements in the natural echo called Early Reflection sound which is usually sacrificed in commercial reverb products in order to reduce costs In practice the Early Reflection sound means the very first rever berated sound that bounces back from walls floors and ceilings of concert halls The entire reverb sound quality depends on this Early Reflection sound and how closely it can resemble the real echo The H F A is an algorithm that enables the effect unit to reproduce a clear and natural Early Reflection sound by applying an ideal harmonic feedback to each delay module A S P Fostex Advanced Signal Processing Technology The A S P is an exclusive new digital effect processing technology designed by Fostex This method extracts maximum efficiency from the limited DSP power It achieves an overwhelmingly high density Early Reflection sound and wonderfully smooth High Dump response through the H F A Harmonic Feedback Algorithm Also it carries out an elaborate reverb simulation with clear sounds through the H D L P Hi Density Logarithmic Processing which eliminates the mutual interference between the numerous integrated delay modules and reduce the impurity and grit of the sound H D L P Hi Density Logarithmic Processing The reverb sounds consist of lots of small delay elements combined in a complex way which ar
3. 8588 013 000 359872 Owner s Manual 24bit Dual Multi Effect Processor ase Model m G 1CO DUAL MULTI EFFECT PROCESSORS Introductions Thank you very much for having purchased the Fostex DE 10 This unit is a completely independent two channel Multi Effect Processor that employs the A S P Fostex Advanced Signal Processing Technology which is newly developed by Fostex It provides high quality ambient effects almost equivalent to a professional effect processor In addition to the typical Reverbs it offers not only various practical algorithms such as Delay Chorus Flanger and Pitch Bend but some combinations of these are also available e g Delay Reverb Also the DE 10 offers three operation modes as Dual Mode Single 1 Mode and Single 2 Mode The Dual Mode works twice as much as an independent single channel Multi Effect Processor which configures as 1 Input 2 Output times two The Single 1 and 2 Mode works as a 2 Input 2 Output Multi Effect Processor You can use the unit by connecting it to the AUX Send and AUX Return of an Audio Mixer for a recording Also you can directly connect the output from your musical instruments Line Level only to the unit so that it will be a useful aid in your live performance To fully exploit all of its many useful features and functions we recommend you read this manual first before you start using the DE 10 FOSTEX Fostex D
4. G MULTI 2 8 Distortion Lead Bright lead guitar sound by applying a short delay G MULTI 2 9 Mono Delay Lead Lead guitar sound with a mono delay G MULTI 2 10 L R Delay Lead Lead guitar sound with an L R delay G MULTI 2 11 Delay Chorus Lead Lead guitar sound with an L R delay and a chorus EFFECT 1_ADJUST knob PARAM 1 Adjust the Distortion Gain EFFECT 2_ADJUST knob PARAM 2 Adjust the Distortion Output EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold Chorus OUTPUT 1 L INPUT 1 gt Compressor gt Distortion gt Gate gt or Delay Reverb Flanger OUTPUT 1 R lt NOTE gt When using any one of G_MULTI 2 settings above and no input signal is fed you may hear an input noise This is due to the character of the effects In such a case you can reduce the noise by setting the gate to on by PARAM 3 14 DE 10 Owner s Manual FOSTEX e BASS MULTI B MULTI 1 Normal Bass Normal bass sound with compression tuned for a bass B MULTI 2 Slap Bass Slap bass sound with compression and natural modulation B MULTI 3 Fretless Bass Deeply moderated bass sound B MULTI 4 Distortion Bass 1 Slightly distorted bass sound which stands out in the orchestra sound B MULTI 5 Distortion Bass 2 More distorted sound than B MULTI 4 resulting in more distinct sound B MULTI 6 Distortion Bass 3 Distorted sound with moderate flanging effect B MULTI 7 Ambience Bass Solo
5. 1 Natural bass sound Suitable for a bass solo B MULTI 8 Ambience Bass Solo 2 Distorted sound with natural feeling B MULTI 9 Flange Bass 1 Moderate flanged bass sound B MULTI 10 Flange Bass 2 Deep flanged bass sound B MULTI 11 Chorus Bass Rich and spacious bass sound by adding a chorus effect Recommended to be used with a reverb lt B MULTI 1 2 3 7 9 10 11 gt EFFECT 1_ADJUST knob PARAM 1 Adjust the Modulation Level EFFECT 2_ADJUST knob PARAM 2 Adjust the Reverb Delay Level EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold lt B MULTI 4 5 6 8 gt EFFECT 1_ADJUST knob PARAM 1 Adjust the Distortion Gain EFFECT 2_ADJUST knob PARAM 2 Adjust the Distortion Output EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold Chorus or Flanger OUTPUT 1 L INPUT 1 gt Compressor Distortion gt Gate gt Delay Reverb OUTPUT 1 R lt NOTE gt When using any one of BASS MULTI settings above and no input signal is fed you may hear an input noise This is due to the character of the effects In such a case you can reduce the noise by setting the gate to on by PARAM 3 e VOCAL MULTI V MULTI 1 Normal Vocal Light compression and reverberation applied only to the high frequency range V MULTI 2 Doubling Vocal Light compression and moderate short delay Suitable for adding the brightness to a dull vocal V MULTI 3 Diffusion
6. Panning delay only for the high frequency range with reverberation Adjust the Delay Time Adjust the Delay Feedback Adjust the Reverb Time INPUT 1 gt gt OUTPUT 1 L DELAY REVERB INPUT 2 gt gt gt OUTPUT 1 R Long stereo delay with maintaining the stereo image Mid stereo delay with maintaining the stereo image Short stereo delay with maintaining the stereo image Mono long delay Mono short delay Long panning delay Short panning delay Long diffusion delay Short diffusion delay Center panned doubling Diffusion doubling Adjust the Delay Time gt gt Adjust the Delay Feedback INPUT DELAY OUTPUT 4 Adjust the Character INPUT 2 gt OUTPUT 1 R Fostex DE 10 Owner s Manual e MISC Miscellaneous MISC 1 Random E R MISC 2 Soft Random E R MISC 3 Tight Random E R MISC 4 Long E R MISC 5 Short E R MISC 6 Large Hall E R MISC 7 Soft Large Hall E R MISC 8 Small Hall E R MISC 9 Soft Small Hall E R MISC 10 Reverse E R MISC 11 Gate Reverb Random early reflections When applied to instruments with a slow attack this produces a natural feeling of air and space Random early reflections Less high range than MISC 1 so suitable for backing tracks Random early reflections with only high frequency components Miraculous ambience that could not exist in the real world with early reflections that continue without being covered by
7. Recti Amplifier AMP SIM 3 Metal Panel Recti Amplifier AMP SIM 4 British Class A30 Amplifier AMP SIM 5 Fat Bass Amplifier AMP SIM 6 Kick AMP SIM 7 Snare 1 AMP SIM 8 Snare 2 AMP SIM 9 Voice 1 AMP SIM 10 Voice 2 AMP SIM 11 Radio Voice You can distort a kick sound appropriately You can distort a snare sound appropriately You can distort a snare sound excessively You can get a smooth distortion You can get a boomy and bright distortion You can get a bullhorn sound EFFECT 1_ADJUST knob PARAM 1 Adjust the Distortion Gain EFFECT 2_ADJUST knob PARAM 2 Adjust the Distortion Output Level EFFECT 2_ MIX knob PARAM 3 e DISTORTION DIST 1 Distortion DIST 2 Rhythm DIST 3 Over Drive DIST 4 Acoustic DIST 5 Blues DIST 6 Fuzz DIST 7 Lead Adjust the Gate Threshold OUTPUT 1 L INPUT 1 gt Amp Simulate gt Gate OUTPUT 1 R You can get a hard distortion like driving a three stacked amplifier You can get a slight distortion when picking the guitar strongly You can get a smooth distortion like driving a tube amplifier You can get an electric acoustic guitar sound You can get a fat overdrive sound You can get a rough sound with a fat low frequency range You can get a bright and smooth distortion 13 Fostex DE 10 Owner s Manual DIST 8 Metal You can get a shred sound DIST 9 Bass 1 Simulates a bass amplifi
8. Vocal Natural Vocal Vivid Vocal Wet Vocal soca a ee oe ee EFFECT 1_ADJUST knob PARAM 1 EFFECT 2_ ADJUST knob PARAM 2 EFFECT 2_MIX knob PARAM 3 e DLY REV Delay Reverb DLY REV 1 DLY REV 2 DLY REV 3 DLY REV 4 DLY REV 5 DLY REV 6 DLY REV 7 DLY REV 8 DLY REV 9 Hi Freq L R Delay DLY REV 10 Lo Freq L R Delay Reverb DLY REV 11 Hi Freq L R Delay Reverb Mono Delay Reverb Long Mono Delay Reverb L R Delay Reverb Long L R Delay Reverb Short Delay Reverb Lo Freq Mono Delay Hi Freq Mono Delay Lo Freq L R Delay aoe ee ee eS EFFECT 1_ADJUST knob PARAM 1 EFFECT 2_ ADJUST knob PARAM 2 EFFECT 2_MIX knob PARAM 3 DELAY DELAY 1 DELAY 2 DELAY 3 DELAY 4 DELAY 5 DELAY 6 DELAY 7 DELAY 8 DELAY 9 Diffusion Delay DELAY 10 Doubling DELAY 11 Diffusion Doubling Stereo Long Delay Stereo Delay Stereo Short Delay Mono Long Delay Mono Delay L R Long Delay L R Delay Diffusion Long Delay Ga a a pa a amma gar ga EFFECT 1_ADJUST knob PARAM 1 EFFECT 2_ADJUST knob PARAM 2 EFFECT 2_MIX knob PARAM 3 DE 10 Owner s Manual FOSTEX Same as DUAL mode PLATE 7 but higher density reverberation Same as DUAL mode PLATE 8 but higher density reverberation Same as DUAL mode PLATE 9 but higher density reverberation Unusual plate reverb with a light flanging effect applied Special reverb with an agg
9. and lingering lows Plate reverb with unique character in the high range Plate reverb with unique character in the mid range Plate reverb emphasizing a digital feel with metallic sounding early reflection Plate reverb with low density reverberation ADJUST knob Adjust the Reverb Time OUTPUT L INPUT PLATE OUTPUT R The early reflections of an ideal vocal booth plus short reverberation with extended high range This adds sparkle to the sound and is effective when you want to make the vocal stand out in the ensemble All around reverb that makes any vocal sound great The early reflections of an ideal vocal booth plus short reverberation This adds a natural feeling of air and is effective with simple arrangements with an unhurried vocal Reverb with a short delay and a plate character Adds depth to the sound Spacious stadium type early reflections plus short reverberation with extended high range Good for chorus parts Easy to use vocal reverb with moderate delay and reverberation Reverb that adds depth and spaciousness to the sound A good high range makes this ideal for chorus parts as well A short delay plus a gentle reverb Recommended for slow songs Spacious short delay plus a reverb with a real plate character Blends naturally into any background Spacious short delay plus short reverberation Stadium type early reflection plus majestic reverb Adds dept
10. and the entire frequency range decays in the same way EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level EFFECT 2_MIX knob PARAM 3 Adjust the Character INPUT 1 gt gt OUTPUT 1 L S HALL INPUT 2 gt OUTPUT 1 R ROOM ROOM 1 Natural Room Same as DUAL mode ROOM 1 but higher density reverberation ROOM 2 Garage Same as DUAL mode ROOM 2 but higher density reverberation ROOM 3 Dead Room Same as DUAL mode ROOM 3 but higher density reverberation ROOM 4 Live Room Same as DUAL mode ROOM 4 but higher density reverberation ROOM 5 Vivid Room Same as DUAL mode ROOM 5 but higher density reverberation ROOM 6 Off Mic Same as DUAL mode ROOM 6 but higher density reverberation ROOM 7 Hard Wall Drum Booth Same as DUAL mode ROOM 7 but higher density reverberation ROOM 8 Wood Wall Drum Booth Same as DUAL mode ROOM 8 but higher density reverberation gt OUTPUT 1 L gt OUTPUT 1 R PLATE 7 Dark Plate PLATE 8 Hi Freq Plate PLATE 9 Mid Freq Plate PLATE 10 Large E R Plate PLATE 11 Flat Plate EFFECT 1_ADJUST knob PARAM 1 EFFECT 2_ ADJUST knob PARAM 2 EFFECT 2_ MIX knob PARAM 3 e VOCAL VOCAL 1 VOCAL 2 VOCAL 3 VOCAL 4 VOCAL 5 VOCAL 6 VOCAL 7 VOCAL 8 VOCAL 9 Doubling Vocal VOCAL 10 Dry Vocal VOCAL 11 Stadium Vocal Standard Vocal Karaoke Vocal Booth Warm Vocal Diffusion
11. lingering low frequency reverb components L HALL 3 Vivid Large Hall Reverb with crispness and good presence L HALL 4 Hard Wall Large Hall Large hall surrounded by hard walls many early reflections and a strong high frequency ratio L HALL 5 Soft Wall Large Hall Reverb with restrained high frequency range and gentle character L HALL 6 Long Pre Delay Large Hall Reverb with an extremely long pre delay time simulating a fairly broad space L HALL 7 Cave Reverb simulating a cave Perhaps the thick moss accounts for the excellent high frequency absorption L HALL 8 Stadium Stadium reverb with many long early reflections L HALL 9 Vivid Stadium Stadium reverb with a dry character L HALL 10 Auditorium Reverb simulating a space with little reverberation such as a large auditorium L HALL 11 Big Cave Simulates a more spacious volume than the cave of L HALL 7 Reverb time is longer ADJUST knob Adjust the Reverb Time OUTPUT L INPUT gt L HALL OUTPUT R e S HALL Small Hall S HALL 1 Natural Small Hall Conventional small hall with sonic detail clarity and an appropriate amount of early reflections S HALL 2 Lo Freq Small Hall Small hall with lingering low frequency reverb components S HALL 3 Vivid Small Hall General purpose small hall with crisp sound and few early reflections S HALL 4 Hard Wall Small Hall Small hall surrounded by hard walls many early
12. n INPUT O INPUT SELECT INPUT INPUT m4 T D A o R go CEH 129 ADJUST al os TYPE VARIATION gt a D A O MONO EFFECT PROCESSOR OUTEUT 2 S D A TV TYPE VARIATION gt jas D A L MONO EFFECT PROCESSOR ix PURETA m p io m ADJUST ADJUST ADJUST amp N PARAM 1 PARAM 2 PARAM 3 A D f MUTE DATA DA A tees OUTPUT 2 MUTE DATA D A 21 Fostex DE 10 Owner s Manual Declaration of EC Directive This equipment is compatible with the EMC Directive 89 336 EEC Directive on approximation of member nation s ordinance concerning the electromagnetic compatibility and with the Low Voltage Directive 73 23 EEC Directive on approximation of member nation s ordinance concerning electric equipment designed to be used within the specified voltage range The Affect of Immunity on This Equipment on this equipment are as shown below The affect of the European Specification EN61000 6 1 coexistence of electromagnetic waves common immunity specification of noise in some cases In the electrical fast transient burst requirements surge conducted disturbances by radio frequency fields power frequency magnetic field radiate electromagnetic field requirements and static electricity discharging environment this could be affected by generation FOSTEX DISTRIBUTORS LIST IN EUROPE Includi
13. range Plate reverb with flanging effect Plate reverb with flanging effect applied only to the low frequency range Plate reverb with flanging effect applied only to the high frequency range EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level EFFECT 2_ MIX knob PARAM 3 INPUT 1 gt OUTPUT 1 L Adjust the Character PLATE INPUT 2 gt OUTPUT 1 R 12 DE 10 Owner s Manual FOSTEX e MIC SIM Microphone Simulation MIC SIM 1 Trad Condenser 3k Low Cut Off Simulates the sound of a multipurpose professional condenser microphone with a large diaphragm Its warm and transparent sound is suitable for a vocal as well as a drum overhead or guitar amplifier Simulates the sound of MIC SIM 1 above with the Low Cut switch to On You can suppress boosted low frequencies as a result from placing a microphone in close proximity to the signal source Simulates the sound of one of the most popular condenser microphones in professional studios together with the Classic condenser 87 You can get a high fidelity clean sound of an acoustic piano MIC SIM 4 Trad Condenser 414 Low Cut 150Hz Simulates the sound of MIC SIM 3 above with the Low Cut switch to On You can suppress boosted low frequencies Simulates the sound of a dynamic microphone suitable for a kick You can get a clean and powerful sound by applying it to a kick or
14. reflections and a strong high frequency ratio S HALL 5 Soft Wall Small Hall Small hall with little high frequency range S HALL 6 Long Pre Delay Small Hall Small hall with a long pre delay time simulating a broad space S HALL 7 Narrow Small Hall Small hall simulating a long and narrow space where the reverberation is concentrated in the center S HALL 8 Dead Hall Relatively dead small hall with a low high frequency ratio S HALL 9 Small Stadium Small hall simulating a space with low density reverberation such as a gymnasium S HALL 10 Out Door Stage Simulation of an outdoor stage Extremely small amount of reverberation S HALL 11 Flat Reverb Small hall with no early reflections and the entire frequency range decays in the same way ADJUST knob Adjust the Reverb Time OUTPUT L INPUT S HALL OUTPUT R ROOM ROOM 1 Natural Room Conventional room reverb simulating a nice space with just enough sparkle ROOM 2 Garage Room reverb with crisp presence simulating a small live space such as a garage ROOM 3 Dead Room Room reverb simulating a small dead room Add just a bit of this to give warmth to a sound Ideal for narrations ROOM 4 Live Room Room reverb simulating a live space with low density reverberation ROOM 5 Vivid Room All purpose room reverb with few early reflections and good definition ROOM 6 Off Mic Room reverb with reverberation concentrated
15. reverberant components Random early reflections at close spacing appear all at once Effective for giving natural spaciousness to pad type sounds Early reflections of a large hall Early reflections of a large hall Gentler sound than MISC 4 Early reflections of a small hall Early reflections of a small hall Gentler sound than MISC 6 Early reflections of reverse reverb Effective on vocal or brass section Gated early reflection with a crisp cutoff EFFECT 1_ADJUST knob PARAM 1 Adjust the Room Size INPUT 1 gt OUTPUT 1 L EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Feedback MISC EFFECT 2_MIX knob PARAM 3 e CHORUS CHORUS 1 3D Chorus CHORUS 2 Doubling Chorus CHORUS 3 Mono Chorus CHORUS 4 Thin Chorus CHORUS 5 Thin Doubling Chorus CHORUS 6 Deep Chorus CHORUS 7 Deep Doubling Chorus CHORUS 8 Warm Chorus CHORUS 9 Mono Warm Chorus CHORUS 10 SFX Chorus 1 CHORUS 11 SFX Chorus 2 Adjust the Character INPUT 2 OUTPUT 1 R Simulation of an analog three phase chorus with great spaciousness and depth CHORUS 1 plus a doubling effect produced by a short delay Center panned chorus Ideal for vocals or sax Clean thin chorus CHORUS 4 plus a doubling effect produced by a short delay Deep chorus CHORUS 4 plus a doubling effect produced by a short delay Complex chorus using the feedback algorithm Center panned chorus of CHORUS 8 SFX cho
16. 21 FAX 31 20 697 4201 lt NORWAY gt NAME Fitzpatrick ADD P B 4316 Nydalen 0402 Oslo Norway TEL 47 23 400 380 FAX 47 23 400 389 lt PORTUGAL gt NAME Caius Tecnologias Audio e Musica Lda ADD Praca do Bom Sucesso No 61 Bom Sucesso Trade Center Escritorio 701 702 4150 1460 Porto Portugal TEL 351 22 608 06 10 FAX 351 22 608 06 29 lt SPAIN gt NAME Letusa S A ADD C Laguna 10 28923 Alcorcon Madrid Spain TEL 34 91 4862800 FAX 34 91 9414597 lt SWEDEN gt NAME TTS Scandinavia AB ADD Kavallerivagen 24 172 48 Sundbyberg Sweden TEL 46 8 59798000 FAX 46 8 59798001 lt SWITZERLAND gt NAME Audio Bauer Pro AG ADD Bernerstrasse Nord 182 CH 8064 Zurich Switzerland TEL 41 1 4323230 FAX 41 1 4326558 lt UK gt NAME SCV London ADD 40 Chigwell Lane Oakwood Hill Industrial Estate Loughton Essex IG10 3NY U K TEL 44 20 8418 0778 FAX 44 20 8418 0624 22
17. E 10 Owner s Manual CAUTION TO PREVENT ELECTRIC SHOCK MATCH WIDE BLADE OF PLUG TO WIDE SLOT FULLY INSERT RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION POUR VITER LES CHOCS LECTRIQUES INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU AU FOND CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE A F ETY N ST R U CTI O N S 10 Power Sources The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing instructions in the literature accompanying the appliance Read Instructions All the safety and operating instructions should be read before the appliance is operated 11 Grounding or Polarization The precautions that should be taken 2 R
18. E 2 MODE e L HALL Large Hall L EEErEETEErF npnnypnpypn wl HALL 1 Special Large Hall 1 HALL 2 Special Large Hall 2 HALL 3 Large Stage Reverb HALL 4 Large Stadium HALL 5 Large Theater HALL 6 Warm Large Hall HALL 7 Chorus Large Hall HALL 8 Sizzle Large Hall HALL 9 Flanging Large Hall HALL 10 Large Cave HALL 11 Large Tunnel EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level EFFECT 2_MIX knob PARAM 3 HALL Small Hall HALL 1 Special Small Hall 1 HALL 2 Special Small Hall 2 HALL 3 Small Stage Reverb HALL 4 Small Stadium HALL 5 Small Theater HALL 6 Warm Small Hall HALL 7 Chorus Small Hall HALL 8 Sizzle Small Hall HALL 9 Flanging Small Hall HALL 10 Small Cave S HALL 11 Small Tunnel EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level EFFECT 2_MIX knob PARAM 3 e ROOM ROOM 1 ROOM 2 ROOM 3 ROOM 4 ROOM 5 ROOM 6 ROOM 7 ROOM 8 Long E R Room Short E R Room Room E R Announce Booth Pf Booth Warm Room Chorus Room Sizzle Room en a a a ee a ROOM 9 Flanging Room ROOM 10 Lo F Flanging Room ROOM 11 Hi F Flanging Room EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time Hall reverb simulating a large hall with ideal acoustic characteristics which applies
19. FECT 1_ADJUST knob PARAM 1 Not used EFFECT 2_ADJUST knob PARAM 2 Adjust the Distortion Output Level EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold OUTPUT 1 L INPUT 1 Mic Simulate gt Gate OUTPUT 1 R AMP SIM Amplifier Simulation AMP SIM 1 British 800 Amplifier Simulates the 800 series British tube amplifier a synonym for rock The king of the rock sound of the 80 s hard rock and heavy metal Distorted raging sound Simulates the American combo model amplifier designed to get high gain sound for the 90 s hard rock and heavy metal Fat bass and raging distorted sound Simulates the amp head of the high gain amp series same as the Tremo Recti Amplifiers Deep and well separated distortion and heavy sound Suitable for the metal sound Simulates a most popular British sound tube amplifier The preamp section is designed using the class A circuit for creating the fat and warm sound Usually used in the range between clear and crunch sound but sometimes used with the higher gain to get a harder distortion Simulates the American combo amplifier designed as a bass amplifier but used by many guitarists because of its fat presence sound Suitable for jazz and blues with its clear and crunch sound however because you can get a raging distortion that you cannot expect from an ordinary bass amplifier when raising the gain It can be used for a wide range of genres AMP SIM 2 Tremo
20. NGE 9 Mono Dual Flange FLANGE 10 Hi Freq Flange FLANGE 11 Lo Freq Flange lt FLANGE 1 2 3 4 5 6 gt Stereo flanger which applies flanging effect while maintaining the stereo image Fast rate Stereo flanger which applies two normal and reverse flanging effects while maintaining the stereo image Slow rate Stereo flanger which applies two normal and reverse flanging effects while maintaining the stereo image Fast rate Single flanger Slow rate Single flanger Fast rate Special dual flanger in which two types of flanging effects fly around complicatedly Slow rate Special dual flanger in which two types of flanging effects fly around complicatedly Fast rate Special mono dual flanger in which two types of flanging effects fly around complicatedly Fast rate Special flanger which applies a flanging effect only to the high frequency range Flanger with double depth EFFECT 1_ADJUST knob PARAM 1 Adjust the Flange Rate EFFECT 2_ADJUST knob PARAM 2 Not used EFFECT 2_ MIX knob PARAM 3 lt FLANGE 7 8 9 10 11 gt Adjust the Flange Feedback INPUT 1 gt gt OUTPUT 1 L FLANGE INPUT 2 gt gt OUTPUT 1 R EFFECT 1_ADJUST knob PARAM 1 Adjust the Flange Rate 1 EFFECT 2_ADJUST knob PARAM 2 Adjust the Flange Rate 2 EFFECT 2_MIX knob PARAM 3 Adjust the Flange Feedback 11 Fostex DE 10 Owner s Manual Effects in SINGL
21. PLATE 6 Normal Plate Old Plate Vivid Plate Lo Freq Plate Sharp Plate Mono Plate sao eo ee ee Adjust the Character INPUT 1 gt INPUT 2 gt Same as DUAL mode PLATE 1 but higher density reverberation Same as DUAL mode PLATE 2 but higher density reverberation Same as DUAL mode PLATE 3 but higher density reverberation Same as DUAL mode PLATE 4 but higher density reverberation Same as DUAL mode PLATE 5 but higher density reverberation Same as DUAL mode PLATE 6 but higher density reverberation 8 ROOM Effects in SINGLE 1 MODE L HALL Large Hall L HALL 1 Natural Large Hall Same as DUAL mode L HALL 1 but higher density reverberation L HALL 2 Lo Freq Large Hall Same as DUAL mode L HALL 2 but higher density reverberation L HALL 3 Vivid Large Hall Same as DUAL mode L HALL 3 but higher density reverberation L HALL 4 Hard Wall Large Hall Same as DUAL mode L HALL 4 but higher density reverberation L HALL 5 Soft Wall Large Hall Same as DUAL mode L HALL 5 but higher density reverberation L HALL 6 Long Pre Delay Large Hall Same as DUAL mode L HALL 6 but higher density reverberation L HALL 7 Cave Same as DUAL mode L HALL 7 but higher density reverberation L HALL 8 Stadium Same as DUAL mode L HALL 8 but higher density reverberation L HALL 9 Vivid Stadium Same as DUAL mode L HALL 9 but higher density reverberation L HALL 10 Auditorium Rev
22. Vocal Designed for adding a chorus effect to a center positioned vocal V MULTI 4 Distortion Vocal Distorted vocal sound for standing out the vocal V MULTI 5 Flange Distortion Vocal Distorted vocal sound with adding a moderate flanging effect A unique sound can be generated V MULTI 6 Radio Voice Typical radio voice Simulates a radio sound with its characteristic compression V MULTI 7 Small Radio Voice Simulate a smaller radio than V MULTI 6 V MULTI 8 Flange Voice A special voice that can be used as an effect voice lt V MULTI 1 2 3 6 gt EFFECT 1_ADJUST knob PARAM 1 Adjust the Modulation Level EFFECT 2_ADJUST knob PARAM 2 Adjust the Reverb Delay Level EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold lt V MULTI 4 5 7 8 gt EFFECT 1_ADJUST knob PARAM 1 Adjust the Distortion Gain EFFECT 2_ADJUST knob PARAM 2 Adjust the Distortion Output EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold Chorus OUTPUT 1 L INPUT 1 Compressor Distortion Gate gt or Delay Reverb Flanger OUTPUT 1 R V MULTI 9 Line Select 1 Input 1 routes to Output 1 L while Input 2 routes to Output 1 R V MULTI 10 Line Select 2 Input 1 routes to Output 2 L while Input 2 routes to Output 2 R V MULTI 11 Mute No signal is output from Output 1 2 Parameter Settings Non lt NOTE gt When using any one of VOCAL MULTI settings above and no input sig
23. ate such a unique character A P S carries out a double accuracy operation for each frequency range using the D A O Double Accuracy Operation to simulate the frequency curve as well as carries out harmonics feedback processing using the H F A Harmon ics Feedback Algorithm Reverb Chorus The so called Reverb effect consists of various reflection This makes the one original sound appear to have many sounds mixed together For example when you clap your hands in a tunnel you will hear the sound linger even after you stop clapping your hands This is the Reverb The sounds we normally hear in daily life have three types of sounds mixed together i e Direct sound Early Reflection sound and Late Reflection sound The Direct sound means the sound directly reaches the ears from the sound source The Early Reflection sound means the sound that comes after the Direct sound and has rebound off the wall of the tunnel up to a few times The Late Reflection sound means that the sound rebounds many times long after the Direct sound has disappeared Our ears normally hear the Direct sound Early Reflection sound Late Reflection sound in that order Delay This is the effect to add a delayed sound to the original sound You can obtain a richer sound or completely change the original source sound by using the Delay Pitch The Pitch basically means the frequency of the audio But in the case of a
24. bass It has a slightly boosted low frequencies Simulates the sound of a dynamic microphone which is frequently used for recording a tom tom Suitable for recording a skin percussion because of its powerful attack feeling with a high frequency peak Simulates the sound of MIC SIM 6 above with the Low Cut switch to On You can suppress boosted low frequencies more than MIC SIM 6 MIC SIM 8 German Dynamic 421 Low Cut SPE Simulates the sound of MIC SIM 6 above with the Low Cut switch to On SPE You can considerably suppress boosted low frequencies Suitable for a speech Simulates the sound of a modern condenser microphone which has a wider dynamic range and bright sound It offers a warm tube sound making a vocal or acoustic guitar as if it were recorded by a condenser microphone Simulates a professional tube microphone with a large diaphragm that offers clean and dry sound Suitable for an acoustic guitar and brass MIC SIM 11 Vintage Condenser 87 Low Cut Off Simulates the sound of a classic and historic model used for vocals and strings frequently in professional studios Provides outstanding warm sound among condenser microphones MIC SIM 2 Trad Condenser 3k Low Cut On MIC SIM 3 Trad Condenser 414 Low Cut Off MIC SIM 5 Trad Dynamic 112 MIC SIM 6 German Dynamic 421 MIC SIM 7 German Dynamic 421 Low Cut 2 MIC SIM 9 Modern Condenser 2 MIC SIM 10 Vintage Condenser 47 EF
25. ck Spacious mono delay without feedback DELAY 7 Mono Doubling DELAY 8 Diffusion Doubling DELAY 9 Lo Freq Delay DELAY 10 Hi Freq Delay 1 DELAY 11 Hi Freq Delay 2 sas ss ee se ADJUST knob Adjust the Delay Time Mono doubling delay Stereo doubling delay Delay Type 1 with only the low frequency components Delay Type 2 with only the high frequency components Delay Type 1 with only the high frequency components OUTPUT L INPUT DELAY OUTPUT R e MISC Miscellaneous MISC 1 Random E R MISC 2 Soft Random E R MISC 3 Tight Random E R MISC 4 Long E R MISC 5 Short E R MISC 6 Large Hall E R MISC 7 Soft Large Hall E R MISC 8 Small Hall E R MISC 9 Soft Small Hall E R MISC 10 Reverse E R MISC 11 Gate Reverb ADJUST knob Adjust the size of the room e CHORUS CHORUS 1 Natural Chorus CHORUS 2 Deep Chorus CHORUS 3 CHORUS 4 CHORUS 5 Mono Chorus Doubling Chorus DE 10 Owner s Manual FOSTEX Random early reflections When applied to instruments with a slow attack this produces a natural feeling of air and space Random early reflections Less high range than MISC 1 so suitable for backing tracks Random early reflections with only high frequency components Miraculous ambience that could not exist in the real world with early reflections that continue without being covered by reverberant components Random early reflections at clo
26. d by slightly shifting the pitch CHORUS 11 L R Delay Chorus Pitch chorus panned to the center aos oe CHORUS 6 gt OUTPUT L ADJUST knob Adjust the depth of the chorus INPUT CHORUS OUTPUT R e PITCH PITCH 1 3 Pitch 1oct Pitch shift with a variable range of 1 octave No pitch shift when ADJUST 0 Select one of three variations PITCH 1 is normal PITCH 2 has faster response and PITCH 3 is clearest Pitch shift with a variable range of 0 2 octaves 1 octave when ADJUST 0 Select one of three variations PITCH 4 is normal PITCH 5 has faster response and PITCH 6 is clearest Pitch shift with a variable range of 2 0 octaves 1 octave when ADJUST 0 Select one of three variations PITCH 7 is normal PITCH 8 has faster response and PITCH 9 is clearest Pitch shift with delayed feedback Offsetting the pitch will produce interesting results Pitch shift that produces a strange effect like a simulation of a space alien We recommend that you set ADJUST to 0 PITCH 4 6 Pitch Shift Up PITCH 7 9 Pitch Shift Down PITCH 10 Pitch Delay PITCH 11 SFX Pitch ADJUST knob Adjust the amount of pitch change 1 octave gt OUTPUT L INPUT gt PITCH OUTPUT R e FLANGE FLANGE 1 Dual Flange Dual flanging in which two effect sounds with different modulation phase are heard from left and right Deep feedback FLANGE 2 Dual Flange Lo Feedback D
27. dangerous to use any power cable that is cut or frayed If the power cable is damaged immediately stop using it and have it repaired e Do not plug in or unplug the power plug with wet hands Doing so may result in dangerous electric shock e Do not open the unit or touch any parts in side Doing so may result in a dangerous electric shock and could damage the unit e Do not let water or other liquids flammable materials or metal objects such as pins get in side the unit These things may cause electrical shock or short circuit the DE 10 and damage it If the DE 10 should become wet unplug the power cable from the AC outlet and contact your authorized service station Location e Avoid using the DE 10 in the following locations e Locations of extreme low or high temperatures or extreme changes in temperature e Locations with excessive moisture or dust e Locations where direct sunlight falls for an extended time or near a stove or other source of heat e Locations where electrical voltage varies e Unstable locations or where there is heavy vibration e Near strong magnetic fields on top of a television or speaker Fostex DE 10 Owner s Manual Digital Effect Functions The DE 10 achieves superb ambience effects by employing the Fostex A S P Fostex Advanced Signal Processing Technology as well as simulations of microphones amplifiers with overwhelming reality by employing the newly developed A S P
28. de the jack while monitoring the appropriate peak indicator 17 C oe C2 buat move ike Er aaa SINGLE MODE MONO LINE MIC G ee 5 LINE INPUT 1 jack and Input level control This jack connects to a line level 10 dBV source It is active when the input select switch is set to LINE In the dual mode the source signal is routed to EFFECT 1 When the INPUT 2 R jack is not plugged the same signal is fed to both EFFECT 1 and EFFECT 2 You can adjust the input level by the control beside the jack while monitoring the appropriate peak indicator In the single mode the source signal is routed to the L channel of the effect When the INPUT 2 R jack is not plugged the same signal is fed to both the Land R channels of the effect You can adjust the input level by the input level control beside the jack while monitoring the appropriate peak indicator lt NOTE gt When the input select switch is set to MIC G this jack is not active Input select switch Selects the input jack to be active for INPUT 1 The LINE INPUT jack is active You can con LINE nect a line level source The MIC GUITAR INPUT jack is active You can MIC G connect a microphone or guitar directly MIC GUITAR INPUT jack and TRIM control This jack is used to connect to a microphone or guitar It is active when the input select switch is set to MIC G In the dual mode the source signal is routed
29. due to not a malfunction DELAY REV AMP SIM lt Notes on using the ADJUST and MIX controls gt e When you turn the ADJUST or MIX control a click may be generated with some effect type 4 Using the appropriate ADJUST control adjust the parameter for each of EFFECT 1 and 2 5 Using the appropriate MIX control adjust the mixing e If the default of a parameter is the maximum or balance of dry and effect signals fed from the OUTPUT ore oe jeans sane jacks for each of EFFECT 1 and 2 8 r TESp y 18 DE 10 Owner s Manual FOSTEX How to use the Single 1 2 Mode We describe how to use the single 1 or 2 mode below lt About features of the Single Mode gt You can use the DE 10 as a high quality single channel effect processing unit Stereo inputs and outputs are provided Three main parameters for each effect can be edited from the preset values You can apply a higher density reverberation than the dual mode For the delay flange and pitch effects the independent channel algorithm is employed offering completely separated processing for L and R channels The following shows the examples of using the single mode for a live performance in which a guitar keyboard and microphone are directly connected to the DE 10 while the effect outputs of the DE 10 are connected to a keyboard amplifier or guitar amplifier You can also use the Model 8051 optional foot switch for controlling on off of EFFECT MUTE
30. e motely control the Effect Mute ON OFF AUX SEND MIXER VARIATION aout wk TE PARANT ECE 5 ete puvzev G Cae reer r heee ete ET voc et oea s e mse f amm i A lt rnem f vomm 3 A E te PEAK lt Front panel settings gt 1 Set the MODE switch to DUAL ADAU Ene aie ator The PEAK indicator on the front panel illuminates when the input signal to be monitored reaches 6 dB below the clipping level Adjust the input level appropriately so that the PEAK indicator occasionally flickers If you hear 2 Set the TYPE switch for each of EFFECT 1 and 2 to the desired position You can select from among the following eleven types the output sound distorted though the PEAK indicator See page 5 7 for details about each type does not steadily light or illuminate so often it may be SINGLE 2 SINGLE DUAL SINGLE 2 due to the signal level increase in the effect processing A G DELAY DISTORTION In such a case reduce the input level so that the output B S HALL H MISC G MULTI 1 sound is not distorted c ROOM ROOM _ cHoRUS G muLTI2 D PLATE PLATE 3 piteh mutt iti z TN CSH R oor lt Note on changing the switch position gt E When you change the position of the MODE EFFECT TYPE or VARIATION switch the DE 10 resets the internal DSP 3 Set the VARIATION switch for each of EFFECT 1 and 2 to and the output signal disappears momentarily This is the desired position
31. e produced by many delay modules inside the effect unit In order to obtain smooth and comfortable reverb sounds it is very important to efficiently organize the relationship between each delay module and minimize negative mutual interference The H D L P is a technology which applies efficient logarithmic processing to each delay module so that they can work in the most efficient way in order to eliminate harmful reverb elements and roughness This makes it possible to establish high density and transparent sounds About A S P Combining the ambience effect technology established through the development of A P S with acoustic theories accumu lated through the development of transducers such as monitor speakers for many years Fostex developed a unique simula tion algorithm engine called A S P which performs overwhelmingly realistic microphone amplifier simulation To simulate a microphone the frequency response of the microphone which is the most essential factor that decides the sound character of each famous popular microphone must be reproduced correctly To get this A P S carries out a double accuracy operation for each frequency range using the unique D A O Double Accuracy Operation Regarding a guitar amplifier the peak and dip of the specific frequencies as well as feedback of the peak frequency s harmon ics are the most essential factors that decide the sound character of each famous popular amplifier To simul
32. emue emn vo wucr_ SINGLE 2 MIC SIM AMP SIM SW SINGLE 1 DUAL A L HALL oc B S HALL ROOM D PLATE E VOCAL F DELAY REV 3 Set the VARIATION switch to the desired position 4 Using the ADJUST PARAM 1 through PARAM 3 controls adjust the effect parameters In the single mode you can control three parameters for each effect as shown in the table below 5 Using the MIX control adjust the mixing balance of dry and effect signals fed from the appropriate OUTPUT jacks 20 PARANA lt About PEAK indicator gt The PEAK indicator on the front panel illuminates when the input signal to be monitored reaches 6 dB below the clipping level Adjust the input level appropriately so that the PEAK indicator occasionally flickers If you hear the output sound distorted though the PEAK indicator does not steadily light or illuminate so often it may be due to the signal level increase in the effect processing In such a case reduce the input level so that the output sound is not distorted lt Note on changing the switch position gt When you change the position of the MODE EFFECT TYPE or VARIATION switch the DE 10 resets the internal DSP and the output signal disappears momentarily This is due to not a malfunction lt Notes on using the ADJUST and MIX controls gt e When you turn the ADJUST or MIX control a click may be generated with some effect type e If the default
33. er DIST 10 Bass 2 You can get a sound like recording a distorted bass sound through a line DIST 11 Bass 3 You can get a fat bass sound EFFECT 1_ADJUST knob PARAM 1 Adjust the Distortion Gain EFFECT 2_ADJUST knob PARAM 2 Adjust the Distortion Output Level EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold OUTPUT 1 L INPUT 1 Distortion Gate OUTPUT 1 R e GUITAR MULTI 1 G MULTI 1 1 Natural Clean Guitar Clean guitar sound featuring natural compression and moderate reverberation G MULTI 1 2 Vivid Chorus Guitar Contemporary guitar sound featuring a vivid and clear tone G MULTI 1 3 Warm Chorus Guitar Warm and clean guitar sound with a deep chorus effect G MULTI 1 4 Rhythm Guitar Designed for a rhythm guitar with compression and drive circuits G MULTI 1 5 Warm Rhythm Guitar Designed for a rhythm guitar with warm sound by adding a chorus effect G MULTI 1 6 Flange Rhythm Guitar Designed for a rhythm guitar with a flanging effect G MULTI 1 7 Acoustic Guitar Simulates an acoustic guitar sound with applying compression and reverberation G MULTI 1 8 Crunch Guitar Crunch guitar sound G MULTI 1 9 Vivid Crunch Crunch guitar sound with a moderate chorus effect G MULTI 1 10 Delay Crunch Solo Crunch guitar sound with L R delay Suitable for a mellow song G MULTI 1 11 Flange Crunch Solo Crunch guitar sound with a light and coarse flang
34. erb simulating a space with little reverberation such as a large auditorium L HALL 11 Big Cave Simulates a more spacious volume than the cave of L HALL 7 Reverb time is longer EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level EFFECT 2_MIX knob PARAM 3 Adjust the Character INPUT 1 gt gt OUTPUT 1 L L HALL INPUT 22 gt OUTPUT 1 R e S HALL Small Hall S HALL 1 Natural Small Hall Same as DUAL mode S HALL 1 but higher density reverberation S HALL 2 Lo Freq Small Hall Same as DUAL mode S HALL 2 but higher density reverberation S HALL 3 Vivid Small Hall Same as DUAL mode S HALL 3 but higher density reverberation S HALL 4 Hard Wall Small Hall Same as DUAL mode S HALL 4 but higher density reverberation S HALL 5 Soft Wall Small Hall Same as DUAL mode S HALL 5 but higher density reverberation S HALL 6 Long Pre Delay Small Hall Same as DUAL mode S HALL 6 but higher density reverberation S HALL 7 Narrow Small Hall Same as DUAL mode S HALL 7 but higher density reverberation S HALL 8 Dead Hall Same as DUAL mode S HALL 8 but higher density reverberation S HALL 9 Small Stadium Same as DUAL mode S HALL 9 but higher density reverberation S HALL 10 Out Door Stage Simulation of an outdoor stage Extremely small amount of reverberation S HALL 11 Flat Reverb Small hall with no early reflections
35. etain Instructions The safety and operating instructions so that the grounding or polarization means of an appliance is should be retained for future reference not defeated 3 Heed Warnings All warnings on the appliance and in the 12 Power Cord Protection Power supply cords should be routed operating instructions should be adhered to 4 Follow Instructions All operating and use instructions should so that they are not likely to be walked on or pinched by items placed upon or against them paying particular attention to cords be followed at plugs convenience receptacles and the point where they 5 Water and Moisture The appliance should not be used near exit from the appliance water for example near a bathtub washbowl kitchen sink 13 Cleaning The appliance should be cleaned only as laundry tub in a wet basement or near a swimming pool and recommended by the manufacturer the like 14 Nonuse Periods The power cord of the appliance should be 6 Carts and Stands The appliance should be used only with a unplugged from the outlet when left unused for a long period of cart or stand that is recommended by the manufacturer time 15 Object and Liquid Entry Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings LA LAL 16 Damage Requiring Service The appliance should be serviced by qualified service personnel when A The power supply cord or the plug ha
36. fect in the single 1 or 2 mode The center position is the default Turning left decreases the value while turning right increases the value 5 EFFECT 1 MIX control Adjusts the balance of the output sound from the OUTPUT 1 jacks on the rear panel in the dual or single mode e Hard left DRY 100 EFFECT 0 e Center DRY 50 EFFECT 0 e Hard right DRY 0 EFFECT 100 6 MODE select switch Selects the mode between DUAL SINGLE 1 and SINGLE 2 7 EFFECT 2 TYPE switch Selects the type for EFFECT 2 in the dual mode This switch does not function in the single 1 or 2 mode You can select from among 11 effect types as same as EFFECT 1 8 EFFECT 2 PEAK indicator Lights up when the input level of EFFECT 2 in the dual mode exceeds 6 dB which is just below the clipping level This indicator does not function in the single 1 or 2 mode We recommend to adjust the INPUT LEVEL control on the rear panel appropriately so that this indicator sometimes lights up 16 VARIATION ADJUST PARAM 2 DLY REV 6 MODE voca e peLay 5 s s 7 z SINGLE2 e SINGLET ii 9 EFFECT 2 VARIATION switch Selects the variation for the effect type selected for EFFECT 2 in the dual mode This switch does not function in the single 1 or 2 mode You can select from among 11 variations as same as EFFECT 1 10 EFFECT 2 ADJUST PARAM 2 control and indicator Adjusts the parameter value for EFFECT 2 in the dual mode or the parame
37. h and spaciousness to a vocal ADJUST knob Adjust the Reverb Time e DLY REV Delay Reverb OUTPUT L INPUT VOCAL OUTPUT R DLY REV 1 Mono Delay Hall Reverb DLY REV 2 L R Delay Hall Reverb DLY REV 3 Diffusion Delay Hall Reverb DLY REV 4 Mono Delay Room Reverb DLY REV 5 L R Delay Room Reverb DLY REV 6 Diffusion Delay Room Reverb DLY REV 7 Mono Delay Plate Reverb DLY REV 8 L R Delay Plate Reverb DLY REV 9 Diffusion Delay Plate Reverb DLY REV 10 Mono Single Delay Plate Reverb DLY REV 11 L R Single Delay Plate Reverb ADJUST knob Adjust the Delay Time e DELAY DELAY 1 DELAY 2 DELAY 3 DELAY 4 DELAY 5 DELAY 6 Mono Delay L R Delay Diffusion Delay Mono Single Delay L R Single Delay Diffusion Single Delay Mono delay hall reverb Panning delay hall reverb Spacious delay hall reverb Mono delay room reverb Panning delay room reverb Spacious delay room reverb Mono delay plate reverb Panning delay plate reverb Spacious delay plate reverb Mono delay without feedback plate reverb Panning delay without feedback plate reverb OUTPUT L REVERB gt OUTPUT R INPUT gt DELAY Typical mono delay with moderate feedback Typical panning delay with moderate feedback Spacious mono delay with moderate feedback Typical mono delay without feedback Typical panning delay without feedba
38. hile the indicator is lit it turns off This the pa rameter is set to the default value DE 10 Owner s Manual FOSTEX Names and Functions Rear panel section a ee R model 8051 MONO i a 4 1 Power cord 2 FOOT SW jack By connecting the optional Model 8051 foot switch to this jack you can alternate on or off of the EFFECT MUTE function via the foot switch Contact our dealer or local Fostex sales office if you want to know details about the Model 8051 3 OUTPUT 2 jacks L MONO R In the dual mode these jacks feed the EFFECT 2 sound in stereo L and R In the single mode 1 or 2 they do not feed any signal When only the L MONO jack is plugged it feeds the summed signal of L and R 4 OUTPUT 1 jacks L MONO R In the dual mode these jacks feed the EFFECT 1 sound in stereo L and R In the single mode they feed the selected effect sound in stereo L and R When only the L MONO jack is plugged it feeds the summed signal of Land R 5 LINE INPUT 2 jack Input level control This jack is used to connect to a line level 10 dBV source In the dual mode the source signal is routed to EFFECT 2 You can adjust the input level by the control beside the jack while monitoring the appropriate peak indicator In the single mode the source signal is routed to the R channel of the effect You can adjust the input level by the input level control besi
39. in the center ROOM 7 Hard Wall Drum Booth Room reverb simulating a drum booth with hard walls Crisp and good for percussion as well ROOM 8 Wood Wall Drum Booth Room reverb simulating a drum booth with a boost in the low to mid ranges ROOM 9 Live House Room reverb simulating a small club ROOM 10 Back Stage Room reverb simulating the sound back stage ROOM 11 Hi Freq Room Room reverb with unique character in the mid range ADJUST knob Adjust the Reverb Time OUTPUT L INPUT gt ROOM OUTPUT R Fostex DE 10 Owner s Manual e PLATE PLATE 1 Normal Plate PLATE 2 Old Plate PLATE 3 Vivid Plate PLATE 4 Lo Freq Plate PLATE 5 Sharp Plate PLATE 6 Mono Plate PLATE 7 Dark Plate PLATE 8 Hi Freq Plate PLATE 9 Mid Freq Plate PLATE 10 Large E R Plate PLATE 11 Flat Plate VOCAL VOCAL 1 Standard Vocal VOCAL 2 Karaoke VOCAL 3 Vocal Booth VOCAL 4 Warm Vocal VOCAL 5 Diffusion Vocal VOCAL 6 Natural Vocal VOCAL 7 Vivid Vocal VOCAL 8 Wet Vocal VOCAL 9 Doubling Vocal VOCAL 10 Dry Vocal VOCAL 11 Stadium Vocal Contemporary feeling plate reverb with a wide bandwidth Conventional plate reverb with the character of classic plate devices Crisp plate reverb with extended highs Plate reverb with a gentle character Plate reverb with only the high frequency component Plate reverb panned to the center Plate reverb with rapidly decaying highs
40. ing effect featuring a brilliant high frequency range lt G MULTI 1 2 3 gt EFFECT 1_ADJUST knob PARAM 1 Adjust the Modulation Level EFFECT 2_ADJUST knob PARAM 2 Adjust the Reverb Delay Level EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold lt G MULTI 4 5 6 7 8 9 10 11 gt EFFECT 1_ADJUST knob PARAM 1 Adjust the Distortion Gain EFFECT 2_ADJUST knob PARAM 2 Adjust the Distortion Output EFFECT 2_MIX knob PARAM 3 Adjust the Gate Threshold Chorus or Flanger OUTPUT 1 L INPUT 1 Compressor Distortion gt Gate Delay Reverb OUTPUT 1 R lt NOTE gt When using any one of G_MULTI 1 settings above and no input signal is fed you may hear an input noise This is due to the character of the effects In such a case you can reduce the noise by setting the gate to on by PARAM 3 e GUITAR MULTI 2 G MULTI 2 1 Warm Distortion Distortion guitar sound like the JCM800 G MULTI 2 2 Heavy Distortion Distortion guitar sound like Recti Head G MULTI 2 3 Thin Flange Distortion Distortion guitar sound with a moderate flanging effect G MULTI 2 4 Deep Flange Distortion Distortion guitar sound with a deep flanging effect G MULTI 2 5 Thin Metal Flange Metal distortion with thin flanging effect G MULTI 2 6 Deep Metal Flange Metal distortion with deep flanging effect G MULTI 2 7 Blues Lead Natural and mild lead guitar sound
41. mmon early reflection The amount of reverberation is small Room reverb with short early reflection and the small amount of reverb sound Reverb for adding the brightness to a piano sound Room reverb which emphasizes the thickness of sound by applying chorus effect Room reverb with thin chorus effect Room reverb with the characteristic high frequency range Room reverb with flanging effect Room reverb with flanging effect applied only to the low frequency range Room reverb with flanging effect applied only to the high frequency range INPUT 1 gt gt OUTPUT 1 L EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level ROOM EFFECT 2_ MIX knob PARAM 3 e PLATE PLATE 1 PLATE 2 PLATE 3 PLATE 4 PLATE 5 PLATE 6 PLATE 7 PLATE 8 High Density Plate High Density Old Plate Phase Shift Plate No E R Plate Warm Plate Chorus Plate Sizzle Plate ae ee ag ey aa PLATE 9 Flange Plate PLATE 10 Lo F Flange Plate PLATE 11 Hi F Flange Plate High Density Vivid Plate Adjust the Character INPUT 2 OUTPUT 1 R High density plate reverb High density plate reverb with deep and fat sound High density plate reverb with the vivid high frequency range Plate reverb with phase shifted sound Neutral plate reverb sound with no early reflection Rich plate reverb sound with chorus effect Plate reverb with thin chorus effect Plate reverb with the characteristic high frequency
42. n effect unit it works this way for instance you can amend the vocal tone by changing the Pitch lifting or dropping as much as an octave Also you can obtain some unusual effects by mixing the shifted Pitch sound and the original sound together sources The Chorus is used to widen or thicken the origi nal sound Flanger The Flanger is one of applications of the Delay This is used to create a sound like a jet airplane ascending or descend ing Distortion The distortion effect distorts the sound and adds harmonics Four types of the distortion effect are provided the guitar distortion bass distortion drum distortion and voice distor tion The distortion is used for the insert effect Simulation Simulators for famous guitar amplifiers and microphones are provided You can get a familiar distortion sound of a famous guitar amplifier or a popular microphone sound A simulator can be used for the insert effect DE 10 Owner s Manual FOSTEX The Details of the Preset Effects The DE 10 has 11 preset Effect Types available on both the Dual Mode and Single 1 2 Mode Each Effect Type further offers a maximum of 11 variations See Operations on page 18 and 19 for how to set up the Preset Effects Effects in DUAL MODE LLHALL Large Hall L HALL 1 Natural Large Hall Conventional large hall with sonic detail clarity and an appropriate amount of early reflections L HALL 2 Lo Freq Large Hall Large hall with
43. nal is fed you may hear an input noise This is due to the character of the effects In such a case you can reduce the noise by setting the gate to on by PARAM 3 15 fostex DE 10 Owner s Manual Names and Functions Front panel section r a DRY EFF 2 e snnt sna Dw mse femm e room T room cnomus f omom ce o mme e o mmen f emm s e e voca mcsm x rimon vomum Ce anae au su 1 EFFECT 1 TYPE switch Selects the type for EFFECT 1 in the dual mode or for the effect in the single 1 or 2 mode You can select from among 11 effect types for each mode as shown in the table below WLF SINGLE 1 DUAL SINGLE 2 R SINGLE 1 DUAL SINGLE 2 A L HALL L HALL G DELAY DISTORTION B S HALL S HALL H MISC G MULTI 1 c ROOM ROOM 1 CHORUS G MULTI 2 D PLATE PLATE J PITCH B MULTI E VOCAL MIC SIM K FLANGER VO MULTI F DELAY REV AMP SIM 2 EFFECT 1 PEAK indicator Lights up when the input level of EFFECT 1 in the dual mode or of the effect in the single 1 or 2 mode exceeds 6 dB which is just below the clipping level 3 EFFECT 1 VARIATION switch Selects the variation for EFFECT 1 in the dual mode or for the effect in the single 1 or 2 mode You can select from among 11 variations 4 EFFECT 1 ADJUST PARAM 1 control and indicator Adjusts the parameter value for EFFECT 1 in the dual mode or the parameter 1 value for the ef
44. ng non EU countries lt AUSTRIA gt NAME ATEC Audio u Videogeraete VertriebsgesmbH ADD Im Winkel 5 A 2325 Velm Austria TEL 43 2234 74004 FAX 43 2234 74074 lt BELGIUM gt NAME General Audio ADD Albert Temmerstraat 21 1731 Zellik Belgium TEL 32 2 4630650 FAX 32 2 4661500 lt DENMARK gt NAME SC Sound ApS ADD Malervej 2 DK 2630 Taastrup Denmark TEL 45 4399 8877 FAX 45 4399 8077 lt FINLAND gt NAME Noretron Oy Audio ADD P O Box 22 FIN 02631 Espoo Finland TEL 358 9 5259330 FAX 358 9 52593352 lt FRANCE gt NAME Sennheiser France ADD 128 bis avenue Jean Jaures 94851 Ivry sur Seine Cedex France TEL 33 1 4987 0300 FAX 33 1 4987 0324 lt GERMANY gt NAME Mega Audio GmbH ADD Stromberger Str 32 D 55411 Bingen Germany TEL 49 6721 94330 FAX 49 6721 32046 lt GREECE gt NAME Bon Studio S A ADD 6 Zaimi Street Exarchia 106 83 Athens Greece TEL 30 210 3809 605 606 607 608 FAX 30 210 3845 755 210 3827 868 lt ICELAND gt NAME I D elrf electronic Ltd ADD ARMULA 38 108 REYKJAVIK ICELAND TEL 354 588 5010 FAX 354 588 5011 lt ITALY gt NAME Proel S p A ADD Zona Via Alla Ruenia 37 43 64027 Sant Omero Teramo Italy TEL 39 0861 81241 FAX 39 0861 887862 lt THE NETHERLANDS gt NAME IEMKE ROOS AUDIO B V ADD Kuiperbergweg 20 1101 AG Amsterdam The Netherlands TEL 31 20 697 21
45. of a parameter is the maximum or minimum value you cannot increase or decrease the value using the ADJUST control respectively lt INPUT x 3 gt LINE INPUT x 2 Connector Input Impedance Input Level MIC GUITAR x 1 Connector Input Impedance Input Level lt OUTPUT x 4 gt Connector Output Impedance Output Level Dual Mode 6mm phone jack unbalanced 20kQ or more 10dBV 6mm phone jack unbalanced 500kQ or more 55dBV 15dBV Controllable 6mm phone jack unbalanced 10kQ or more 10dBV DE 10 Owner s Manual FOSTEX Specifications lt FOOT SW gt Connector lt OTHERS gt e Frequency Response e Dynamic Range AD converter e DA converter Total Harmonic Distortion e Sampling Frequency lt GENERAL gt e Dimensions e Weight e Power Supply e Power Consumption 6mm phone jack Optional Model 8051 20kHz 20kHz TYPICAL 92qB TYPICAL 20bit 64 times over sampling delta sigma 24 bit 128 times over sampling delta sigma 0 01 TYPICAL 44 1kHz 482 W x 44 H x 230 D mm Approx 2 5kg 120V AC 60Hz 230V 50 60Hz 8w Specifications and appearance are subjects to change without notice for product improvement Block Diagram MIC GUITAR O Tam 7 INPUT 1 1 amp 2 INPUT O INPUT SELECT TYPE VARIATION d L MONO OUTPUT 1 Single 1 2 Mode MIC GUITAR INPUT L MONO
46. ppliances 20 The appliance is not completely isolated from the power supply including amplifiers that produce heat even if the power switch is at off position Table of Contents Precautions please read before use csceecscesecees 3 Digital Effect Functions scsssscsesscrererresersecersecssnensaneseeness 4 The details of the preset Effects s sasununnnnununannnnnnnnanannns 5 o Effects in DUAL MOQE 2 1ssecscceecscesessccersseesecensneesenes 5 ESHALL Large Hall sircniiednetiannniai 5 SHALE Small Hall wecsssscsisiscsssecectstdertatsccsivas lerncctss 5 ROOM pachen alin addon ede 5 BEATE oaii eer AREN ORI OE AEN 6 VOCAT a Ne Eaa A AAA AEA 6 DLY REV Delay Reverb sssssesesesesesesesesesesesesesesesee 6 DELA Y prelasta ein a a EEEE ATEENA 6 MISC Miscellaneous cescecssessscessecsccesseesseesseessesscesees 7 CHORUS siete Gert rea Ae E A AE 7 PUT CH E EEOAE E ETA 7 ELANGE I T O O E T 7 e Effects in SINGLE 1 MOC 2 1ccccsescerssscresensenenesrens 8 L HALL Large Hall w ecsccccsccsssssssssscsscsssscsscssssssscssesseees 8 S HALL Small Hall wisescsssssssssssssssscsscscsscsscsscssesssscnees 8 ROOM reiini ta AE ENEO ie eae teeteee hall 8 PLATE vsssistevevtsascecssvecni casssbesnsvecestbertsastenventcactetietie lt besnes 8 VOGAL oaran r TE e A bake iA EANA 9 DLY REV Delay Reverb ss sssessssssssssesesoresoseseseserese 9 DELAY merienn aA e EA 9 MISC Miscellaneous sesesesesesesesesoseseseoo
47. ressive flanging effect applied Adjust the Reverb Time Adjust the E R Level INPUT 1 gt OUTPUT 1 L Adjust the Character PLATE INPUT 2 gt OUTPUT 1 R Same as DUAL mode VOCAL 1 but higher density reverberation Same as DUAL mode VOCAL 2 but higher density reverberation Same as DUAL mode VOCAL 3 but higher density reverberation Same as DUAL mode VOCAL 4 but higher density reverberation Same as DUAL mode VOCAL 5 but higher density reverberation Same as DUAL mode VOCAL 6 but higher density reverberation Same as DUAL mode VOCAL 7 but higher density reverberation Same as DUAL mode VOCAL 8 but higher density reverberation Same as DUAL mode VOCAL 9 but higher density reverberation Mysterious reverb with a light flanging effect applied to VOCAL 1 Mysterious reverb with a light flanging effect applied to VOCAL 4 Adjust the Reverb Time Adjust the E R Level INPUT 1 gt OUTPUT 1 L Adjust the Character VOCAL INPUT 2 gt OUTPUT 1 R Mono delay with reverberation Long mono delay with reverberation Panning delay with reverberation Long panning delay with reverberation Short delay with reverberation Mono delay only for the low frequency range Mono delay only for the high frequency range Panning delay only for the low frequency range Panning delay only for the high frequency range Panning delay only for the low frequency range with reverberation
48. rus 1 Suitable for strings Pad etc SFX chorus 2 Suitable for strings Pad etc EFFECT 1_ADJUST knob PARAM 1 Adjust the Chorus Depth EFFECT 2_ADJUST knob PARAM 2 Not used EFFECT 2_ MIX knob PARAM 3 e PITCH PITCH 1 3 Stereo Pitch PITCH 4 6 Dual L R Pitch PITCH 7 9 Dual Mono Pitch PITCH 10 Pitch Delay PITCH 11 Pitch Sweeper lt PITCH 1 2 3 gt INPUT 1 gt OUTPUT 1 L Not used CHORUS INPUT 2 gt gt OUTPUT 1 R Stereo pitch shift with maintaining the stereo image Can be shifted within the range of one octave The internal processing of each type differs resulting in the sound character difference Pitch 1 Recommended for general use Pitch 2 Recommended for use when the pitch variation is small to get a smooth sound Pitch 3 Recommended for use when you do not want to alter the tone character Note that however a delay is generated Dual pitch shift You can hear the two different pitch shifted sound from the center The internal processing of each type differs resulting in the sound character difference Pitch 4 Recommended for general use Pitch 5 Recommended for use when the pitch variation is small to get a smooth sound Pitch 6 Recommended for use when you do not want to alter the tone character Note that however a delay is generated Dual pitch shift You can hear the two different pitch shifted sound from
49. s been damaged or B Objects have fallen or liquid has been spilled into the appliance or C The appliance has been exposed to rain or D The appliance does not appear to operate normally or 7 Wall or Ceiling Mounting The appliance should be mounted to exhibits a marked change in performance or a wall or ceiling only as recommended by the manufacturer E The appliance has been dropped or the enclosure damaged 8 Ventilation The appliance should be situated so that its location 17 Servicing The user should not attempt to service the appliance An appliance and cart combination should be moved with care Quick stops excessive force and uneven surfaces may cause the appliance and cart combination to overturn or position dose not interfere with its proper ventilation For example the appliance should not be situated on a bed sofa rug or similar surface that may block the ventilation beyond that described in the operating instructions All other servicing should be referred to qualified service personnel openings or placed in a built in installation such as a bookcase 18 The appliance should be situated away from drops of water or or cabinet that may impede the flow of air through the ventilation spray of water openings 19 Objects containing liquid such as vase must not be put on the 9 Heat The appliance should be situated away from heat sources appliance such as radiators heat registers stoves or other a
50. se spacing appear all at once Effective for giving natural spaciousness to pad type sounds Early reflections of a large hall Early reflections of a large hall Gentler sound than MISC 4 Early reflections of a small hall Early reflections of a small hall Gentler sound than MISC 6 Early reflections of reverse reverb Effective on vocal or brass section Gated early reflection with a crisp cutoff OUTPUT L INPUT gt MISC OUTPUT R Conventional chorus with fairly shallow depth suitable for any sound Adds a natural spaciousness and depth without changing the character of the original sound Chorus with greater depth Suitable when you want to aggressively modify the sound of an electric piano etc Conventional chorus plus a doubling effect created by a short delay Light chorus panned to center Adds natural depth and warmth to vocals or sax etc Mono Doubling Chorus The effect of CHORUS 4 plus a doubling effect created by a short delay Mono Deep Chorus Deep chorus panned to center Effective for adding body to a center panned instrument such as bass CHORUS 7 Mono Deep Doubling Chorus The effect of CHORUS 6 plus a doubling effect created by a short delay CHORUS 8 Hi Freq Chorus Chorus applied only to the high frequency range CHORUS 9 Lo Freq Chorus Chorus applied only to the low frequency range CHORUS 10 Mono Delay Chorus Pitch chorus that adds depth to the soun
51. seseseeeeseeeo 10 CHORUS iiiscsscsssviacvessta ceccstveccsstvastestvstvenstacdentvalecastasdene 10 PICH eeart eNi A ERa EA A AR REENEN ENARE 10 PLANGE sopien A I OAA 11 o Effects in SINGLE 2 mode scs0sscssssessssessssessenens 12 L HALL Large Hall irn oeeie 12 S HALL Small Hall wuesesessssssssssssscssscsscsssccesesesesseeeees 12 ROOM saticitos Sinaia Saal eS 12 PLATE onset A N AS in 12 MIC SIM Microphone Simulation scssccsereeeee 13 AMP SIM Amplifier Simulation cssccsecesereeees 13 DISTORTION sescscscsesscsectverseccvetecscvetzcncscavcsasievtaaccnvaveccs 13 GUITAR MOLTI T arera EIRE ARAA 14 GUITAR MOLTI 2 EEEE Ei IA 14 BASS MULTI aait are eN E E A 15 VOGAE MULL rerea E EA A AR 15 Names and Functions Front panel Section 0 16 Names and Functions Rear panel section 0 0 0 17 How to use the DUAL mode sceccecsssesersessessseees 18 How to use the SINGLE 1 and 2 mode ss110sssseeees 19 Specifications 2sssscsecesecseseecersesersenssseesseseseeseeseesseessseesanse 21 Block Diagram ssccecceccecsecsesenssceseesesensnnsnceessesnnsensssssesas 21 Declaration Of EC Directive 1 secssssssssesssesssessssssescseseen 22 DE 10 Owner s Manual Fostex Precautions please read before use Power supply e When unplugging the power cable from the AC outlet be sure to grasp the power plug Attempting to unplug it by pulling on the power cable may damage the wiring e It is
52. soft early reflection sound Hall reverb simulating a large hall which applies different early reflection sound from L HALL 1 Hall reverb sounding on the stage in a large hall Large stadium reverb Large theater reverb Large hall reverb with thickness by applying chorus effect Clean large hall reverb with chorus effect Large hall reverb with sizzle sound Clean large hall reverb with deep flanging effect Like a sound of wind blowing in a large cave Reverb in a large tunnel with flanging effect INPUT i OUTPUT 1 L L HALL INPUT 2 gt OUTPUT 1 R Adjust the Character Hall reverb simulating a small hall with ideal acoustic characteristics which applies soft early reflection sound Hall reverb simulating a small hall which applies different early reflection sound from L HALL 1 Hall reverb sounding on the stage in a small hall Small stadium reverb Small theater reverb Small hall reverb with thickness by applying chorus effect Clean small hall reverb with chorus effect Small hall reverb with sizzle sound Clean small hall reverb with deep flanging effect Like a sound of wind blowing in a small cave Reverb in a small tunnel with flanging effect INPUT 1 OUTPUT 1 L S HALL INPUT 2 gt gt OUTPUT 1 R Adjust the Character Room reverb with long early reflection Room reverb with short early reflection Room reverb with co
53. ter 2 value for the effect in the single 1 or 2 mode The center position is the default Turning left decreases the value while turning right increases the value 11 EFFECT 2 MIX PARAM 3 control and indicator Adjusts the balance of the output sound from the OUTPUT 2 jacks on the rear panel in the dual mode e Hard left DRY 100 EFFECT 0 e Center DRY 50 EFFECT 0 e Hard right DRY 0 EFFECT 200 In the single mode this control adjusts the parameter 3 value for the selected effect type The center position is the default Turning left decreases the value while turning right increases the value 12 EFFECT MUTE switch and indicator Each press of the switch alternates on and off of EFFECT MUTE The indicator lights up when the mute is on while it turns off when the mute is off Note that the dry sound is not muted regardless of the switch setting lt NOTE gt When connecting an external foot switch and step ping it down pressing this switch does not alternate on and off of EFFECT MUTE 13 POWER switch and indicator Turns the power on or off The indicator lights up when the power is on lt Hints About the ADJUST indicators for parameters gt Each ADJUST indicator lights when moving the appro priate control after changing the effect type or varia tion This shows that the current position of the con trol matches the parameter value On the contrary if you change the effect type or varia tion w
54. the center One octave higher than PITCH es 4 through 6 The internal processing of each type differs resulting in the sound character difference Pitch 7 Recommended for general use Pitch 8 Recommended for use when the pitch variation is small to get a smooth sound Pitch 9 Recommended for use when you do not want to alter the tone character Note that however a delay is generated Dual pitch shift with long delay feedback You can adjust two pitches and pitch adjustment Dual pitch shift with short delay feedback You can adjust two pitches and pitch adjustment EFFECT 1_ADJUST knob PARAM 1 Adjust the Pitch EFFECT 2_ADJUST knob PARAM 2 Not used INPUT 1 gt gt OUTPUT 1 L EFFECT 2_MIX knob PARAM 3 lt PITCH 14 5 6 7 8 9 10 11 gt Adjust the Pitch 1 2 PITCH INPUT 22 gt gt OUTPUT 1 R EFFECT 1_ADJUST knob PARAM 1 Adjust the Pitch 1 EFFECT 2_ADJUST knob PARAM 2 Adjust the Pitch 2 EFFECT 2_ MIX knob PARAM 3 Adjust the Pitch 1 2 10 e FLANGE FLANGE 1 Stereo Flange DE 10 Owner s Manual FOSTEX Stereo flanger which applies flanging effect while maintaining the stereo image Slow rate FLANGE 2 Stereo Flange lt Faster gt FLANGE 3 Stereo Dual Flange FLANGE 4 Stereo Dual Flange lt Faster gt FLANGE 5 Single Flange FLANGE 6 Single Flange lt Faster gt FLANGE 7 Dual Flange FLANGE 8 Dual Flange lt Faster gt FLA
55. to EFFECT 1 When the INPUT 2 R jack is not plugged the same signal is fed to both EFFECT 1 and EFFECT 2 You can adjust the input level by the control beside the jack while monitoring the appropriate peak indicator In the single mode the source signal is routed to the L channel of the effect When the INPUT 2 R jack is not plugged the same signal is fed to both the Land R channels of the effect You can adjust the input level by the TRIM control beside the jack while monitoring the appropriate peak indicator lt NOTE gt When the input select switch is set to LINE this jack is not active Fostex DE 10 Owner s Manual How to use the Dual Mode We describe how to use the Dual Mode below lt About features of the Dual Mode gt 1 You can use the DE 10 as a two channel effect processing unit 2 Each effect processor EFFECT 1 and EFFECT 2 provides a mono input and stereo output jacks 3 A main parameter for each effect can be edited from the preset value The following shows the example of using the dual mode in which the DE 10 is connected between the AUX SEND and AUX RTN jacks for applying the desired effect to a sound LINE MIC G ee Adjust the incoming signal level Set the input se from the mixer See lt Caution on lector to LINE Effect Processing gt below for details lt about how to adjust the level lt Point gt Connect the Foot SW K into the jack to r
56. ual flanging Light feedback FLANGE 3 Dual Flange No Feedback Dual flanging Almost no feedback FLANGE 4 Lo Freq Flange Flanging with modulation in the low frequency component Deep feedback FLANGE 5 Double Width Flange Lo Feedback Flanging with modulation in the low frequency component light feedback FLANGE 6 Hi Freq Flange Flanging applied only to the high frequency range FLANGE 7 Lo Freq Flange Flanging applied only to the low frequency range FLANGE 8 Mono Dual Flange Two types of flanging heard from the center Deep feedback FLANGE 9 Mono Dual Flange Lo Feedback Two types of flanging heard from the center Light feedback FLANGE 10 Mono Single Flange One effect heard from the center Deep feedback FLANGE 11 Mono Single Flange Lo Feedback One effect heard from the center Light feedback ADJUST knob Adjust the modulation speed of the flanging gt OUTPUT L INPUT FLANGE OUTPUT R fostex DE 10 Owner s Manual ROOM 9 Live House ROOM 10 Back Stage ROOM 11 Hi Freq Room Same as DUAL mode ROOM 9 but higher density reverberation Amazing room reverb with a light flanging effect Special reverb with flanging applied to the early reflections of the room EFFECT 1_ADJUST knob PARAM 1 Adjust the Reverb Time EFFECT 2_ADJUST knob PARAM 2 Adjust the E R Level EFFECT 1_MIX knob PARAM 3 e PLATE PLATE 1 PLATE 2 PLATE 3 PLATE 4 PLATE 5
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