Electro-Voice Microphone N/D468 User's Manual
Contents
1. 150 ohms balanced low Z Sensitivity Open Circuit Voltage 3 1 mV Pascal 1 kHz Power Level 0 dB ImW pascal 51 dB 1 kHz Microphone Connector 3 pin XLR type Equivalent Output Noise 14 dB A weighted 0 dB 0 00002 pascal Polarity Positive pressure on diaphragm causes Positive voltage on pin 2 ref Pin 3 Finish 000000000 0 0 Non reflecting black Materials Grillescreen Memraflex Dimensions Length ae out ae Pie a s Bee RS 4 5 in 115 mm Diameter 2 05 in 52 mm Shank aaa 0 80 in 20mm Weight Neko raeas I e a 6 7 oz 190 grams SHIPPING ors 224 Saree oes 16 oz 453 grams Accessories included 311 stand clamp Soft zippered gig bag wae E AVERAGE RESPONSE tee FREQUENCY IN HERTZ N D468 response Part Number 5358352. Designed specifically for horns drums acoustical and electric guitars the N D468 provides a smooth natural sound capturing the excitement of the instrument The supercardioid pattern provides superior rejection and acoustic isolation in any application An innovative EV design harnesses the increased power of a neodymium based magnet design allowing a large diameter voice coil up to 50 larger than other mics for dynamic efficient microphone performance N DYM offers the power and clarity to cut through the mix Whatever your instrument application the N D468 is sure to be a top performer Designed specifically for musical instruments Flexible mechanical design for optimum positioning Supercardioid pattern for exceptional acoustic isolation and feedback rejection Accurate response even in high sound pressure levels SPL Rugged steel construction for exceptional durability Operation The low frequency response of the N D468 microphone varies with the distance from the sound source Known as proximity cffect maximum bass response is produced in close up use with the microphone 4 inch from the sound source Normal bass response is experienced with working distances greater than 24 inches Working close to the microphone will produce a more robust sound Close up positioning of the microphone will also reduce the potential for feedback from the sound reinforcement system When close miced the ba
3. Brass 6 24 away and on axis with the bell of the instrument Acoustic Guitar Place mic 6 12 from where finger board Joins the body Standard Placement amp Use Guidelines 1 Always point the microphone at the desired source of sound and away from any unwanted sources 2 The microphone should be located close to the sound source to minimize interference from other potential sound sources 3 Use the 3 to l mle when using multiple microphones Place each microphone three times farther from other microphones as from the desired sound source 4 Minimize over handling of the microphone to reduce unwanted mechanical noise 5 Working close to the microphone will increase the bass tone and also provide increased gain before feedback Warranty This product is guaranteed against malfunction from any cause for two 2 years from the date of onginal purchase In addition the Limited Warranty for the acoustic system contained in the microphone shall apply for the life of this product defines as a period of ten 10 years from the date that the manufacture of this microphone model has been discontinued Any and all active electronics incorporated in this microphone are guaranteed against malfunction due to material workmanship for a period of three 3 years from the date of original purchase This Limited Warranty does not extend to cables connectors or switches For warranty service please call us at 616 695 6831 or
4. 1 800 234 6831 5 dB per division e N D468 polar 180 7 4 Wiki SUU0AbarichAve S Minneqpote MN E64270Phona 6 12084 406 1FAX 8 1278840083 70GP regress Avene Unit 10 Scorbereugh Datorie Canada M 1N2X IPhone 416 431 4075FAX 418 431 4568 jesontesd Katener resed CH 2682PEACH Sevkezortond Phone 07 1 41 32 331 BESHAXD i 1 4 1 32 391 1221 Hirachbargerfang Prone 01 46 0421 PDBCEAK D1 1 40 0421 706205 Pass de Caurcarin AlmeLech Walesa Leyes 771 Fiera Le wollen fronce Phons 0 1 1 33 1 8480 O0G0FAX 01 1 33 1 8008 5 109 Saanti rete ow 7 10 Frome Australia UnitZ3 Moust SMiverecterll 3 08 21 28 Australis Phere 01 1 4172 9848 MEFAX D 1 4112 9048 5586 Wongilong Unie OF 21 Luk Hep letustriliidy 6 Luk Hap St Sen rKong tewloon HongKong Prone 1 1 262 2761 SEUBAX D 1262 2351 3328 Jepan Toby dope 14 Prone 011 0 1326 7OQOFAKO 1 81 35325 7788 2 6 00izen Segrarsi tu seen Taian Caram Pre Ltd 30154Ui Md FOS 10K ampong Libi trdwetrigl steve Singapore 408706 Phane 01 86 746 8700FAX 0 1 08 748 1208 TecnsioghEapecielizede U0 S A 4s C Y Av ParqueChepettoper 906 20 1 EIP or gva Nuucaipan Meuce 0F 53390 Phens D1152 5358 MFAXD 1 5215958 5588 N D468 Specifications Element a Dynamic N DYM magnet structure Frequency Response Close Response 30 22 000 Hz Far Response 60 22 000 Hz Polar Pattern Supercardioid Impedance
5. ss boost provides an increase in overall microphone output level The mixer gain may be proportionately reduced resulting in a reduction of the system s sensitivity to feedback caused by sound entering the microphone from the loudspeakers W I RED MICROPHONE Microphone Use and Placement Please note that micing techniques are a matter of personal preference These are merely guidelines to assist in the placement ofthe microphone to gain optimal performance Usage Optimal Placement Electric Guitar and Bass Guitar Amplifier Place microphone approximately 1 2 from and at a 90 degree angle to the speaker cone To reduce boominess move the microphone off axis to the cone from 90 to 45 or move mic from center of cone to either edge Tom Toms On double headed Toms place mic over the top of drum 1 3 and at a 45 angle to the drum surface and 1 2 in from the drum edge On single headed Toms use above method or place mic inside Tom from underncath at a 90 angle from the center of head 3 5 away Snare Drum Place mic 1 3 above the heads 1 2 in from the rim Aim each mic at the top heads angled down about 45 If the drum rings tape deadening material to the head or use damping rings For more snare sound place a 2nd mic underneath aimed up at the bottom of head Cymbals Place microphone one to two fect above the top of cymbals High Hat Place 5 inches above outside edge at a 5 down angle
Download Pdf Manuals
Related Search