Wiley Advanced Painter Techniques
Contents
1. 86 Adding Reflected Light 86 Adding Highlights 87 Chapter 4 Chapter 5 Chapter 6 Painting a Gooey Surfact 4 4 4 lt 9 4nap ckented ektir Creating Cracks in the Rocks Giving the Cracks Dimension Getting Gooey Adding Dimension Removing the Bevel Adding More Shadows Highlights and Texture Pinal Thong hit nvdeet waka eee oeeee ena y dawn ece Painting a Fantasy Forest with the Image Hose Using the Image O66 gei d w Sa who ke ea Ra who Settine Up he Lidge ct cede eases ose A as Paratine Trees in the Forests lt lt 0 lt lt x lt cdeeassoateses Painting a Few Trees to Produce a Forest Creating a Nozzle File of the Trees Adding Leaves to the Trees 6 cos 54 eoecennee wows ns Creating a Leaf Brush Creating a Leaf Nozzle Pimsbhing LOUCKCS eso stead oe Se he eee ey dayneenees Enhancing the Scene with Shadows Adding Light Adding Dust Motes Adding a Little More Light and Dust Adding Fauna in the Flora Putting a Soft Focus on Reality Final Thone hii et xtea et oateenornesteetesn west Painting the Sleepwalker Painting a Night Scene 4004044 daedaen end evens oes Setting Up the Image Painting the Sleepwalker x0 5 2ccece dees cuSaeatons Putting Up Wallpaper Darkening the Image Painting the Sleepwalking Character Cloning the Image Adding Floorboards for Balance Smoothing Out the Rough Spots Painting the Eye Candy in the Image Adding Wispy Smoke Cooling Down2. 9 Adding Beads 272 Creating an Amazing Background sacaceseuatecseescsaaaces oo Pimighin e ETSE EEEE E EE 277 Pinal Chone hts nreerrerinei ienke aT E dese 2G OE ERRIRE ar 277 Index 278
3. Contents Introduction xiii Chapter 1 Painting an Oil Portrait 1 Creating a 3D Look with 2D Tools 245 h shecdaedersnandeenveuss 2 Considering the Result First 4 94 9 o 430 cae 49 dade eae ade ba ow eos 2 Setting Up Your Canvas 3 Adding Light 5 Painting the Portrait 0644404 4420 gee a E ees 7 Drawing the Sketch and Toning the Canvas 7 Enhancing the Oil Painting Texture 15 Refining the Portrait 18 Finishing Touches oot o onnenn 26 nal Thought sesse ee kN 4 e EES sas 31 Chapter 2 Painting Clouds Water and Stone 33 Learning the Fundamentals of Painting a Landscape 34 Painting the Cloe Wo foe uta es ena ee ee ekg eas 34 Defining the Horizon 38 Creating Fluffy Clouds 38 Refining the Details 42 Painting Aa Water oo oo en he oo eo 8 ee Gord Bee ees 43 PaintA AE Rocky Cliffs 0 0 eee cee cee eees 51 Creating Pits and Holes 57 Adding More Textural Effects 59 LOM DICLING th Watefi sirs 4 ara hk AG nrs Posed Oka HE Ow Sa eS OA 60 Pini hin TOn eS aioe odbc edu s eerste teen Gs do whee ees 63 Poal I honehi intiteetnedseseeeoeeeewesseeenevee renee es 66 Chapter 3 Painting a Rocky Surface Then Making It Look Wet 69 Creating a Rocky VExtUle a4 as bya yeh ooo RE ee ae RRNA 70 Adding Color Using Gradients 74 Combining the Images into One Texture 78 Painting a Wet SUtiate srscrrriato sirara eet es a eee 81 Duplicating for Future Use 82 Creating Shadows 83 Adding Shine 84 Darkening and Softening
4. rom Concept to Complete Defining Concept Work 645 oa5 oe aes 0 SS AOE de bese eS Setting Up the Mase 445 242 2549e he hoe tin eee eee oe cd Sete the Mood dnd lone s 65 464 6een naan Kee ee de eth eaNwes Playing with Color Schemes Choosing the Light Source Painting the MOnSter 615 4445 4044 dd ae Fae ed ae Bw a oe Making More Monster Developing a Wet and Gooey Look Pitching he Monster ccceecn4 causeencnsehbecae dna nue wate d Refining the Monster Details Softening the Edges Adjusting the Foreground Paintimne the FOreeround 4 45 4 i gt amp dna de B94 044 HARK RODEO KR OS Pim bine FOUCKCS 540o ec45checcuee ATEEN ES tance aes eee Final T honghis 44 wktateaw dais amp o0 d 4 ew AE eee Chapter 9 Painting Shiny Baubles 245 Using a Different Approach 45 4 0 5 40 440 3 ad edd oaweed ood ae oes 246 Painting hefa Erara re ae ee a es 246 Adding a Decorative Pattern to the Fabric 4 lt a05 lt 00ouwegus ben 247 Painting the Earrings 4 44 es od Oe oe baa we de ke a 250 Pata ime thie Neck Rini ee 164 006 arrar eke eee em eae ee es 256 Creating the Neck Rings 256 Turning the Neck Rings Silver 259 Using Liquid Metal to Paint ewelty lt i 06 2 04ed 4 4052454 260 Accessing the Liquid Metal Plug In Layer 261 Painting Jewelry Using the Liquid Plug In Layer 263 Creating Another Piece of Jewelry Using Liquid Metal 265 Using a Custom Brush to Paint Decorative Shapes 268 Creating the Custom Brush of Feathers 26
5. the Night Enhancing the Mood with Moonlight Finishing Touches 2 25440 anc de aoueene PLESE e eee Panal Thoughit 42st etucseeneese ee netaasaeesees Painting a Sea Serpent Using a Paper Texture for the Mape 62 lt 644eeane4 Creating the Paper Texture Wet and Dry Digital Watercolor Layers Chapter 7 Chapter 8 Painting the Sea Monster amoarga caa sande Yee ee he eae ate Moving from Dark to Light Painting in the Details Making the Scales Seamless Practicing Scales Adding Scales to the Sea Serpent Adding the Fog Bank 0 ccc cee eee eee eeees Adding the Sea Serpent s Reflection in the Water Pinishine FOUCHCSs 645 654 00ren adn irsi enkaa eos hao aes Pard TI WOUCits coat eae hee ones tes bee bos eee etadae does Red Riding Hood Importing the Sketch and Setting Up the Image Using Custom Brushes to Paint the Forest Background Creating a Leaf Brush Separating the Character and Background Painting the Separated Background Painting Vines Making a Grass Paper 1extune s ac dnuaueehy ooo dee H eee anaes Building a Grass Nozzle File 4 4 56264 624 644420048 068 44404 Painting Red Riding Hood a4 ghee a ea 4 ae WA eh se ee Adding Weave to the Basket Finishing POMC Mesa 24 ca eni 41h oes pa Bee Ree oe ee Anchoring with Gravel and Shadow Adding Texture to Red s Cape A Little Lighting Paal Thone hi oi lt cu see cue hhoe ane cee eee een ue ewes 4 ox F
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