Fujifilm Pro 160NS
Contents
1. apir ane od soa ae 28 BASES we saa ae 04 ad 0 5 a a d a B o bp d es eeae0aet e pestreie pie Vranie TE eee aaor cath ps tte sedsetsaects a 18 15 3 Super Efficient Coupler Technology Through the incorporation of new high color generation yellow couplers this film has realized thinner layers and higher sharpness 15 4 Super Efficient Light Control Technology The cutting of unnecessary reflected light by a new light absorbing agent has enabled this film to enjoy suppressed color blurring and increased sharpness After Processing 29 cow Negative Image Magenta Negative Image and Yellow Colored Residual Coupler Light Magenta Image Cyan Negative Image and Red Colored Residual Coupler a4 90 A Silver Halide Coupler Processing induced Dye RESOLVING POWER eee 63 lines mm eee 125 lines mm Test Object Contrast 1 6 1 Test Object Contrast 1000 1 FUJICOLOR PRO 160 NS PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN 19 CHARACTERISTIC CURVES 4 0 Exposure Daylight 1 125 sec Process C 41 3 5 Densitiometry Status M Density NO O 4 0 3 0 2 0 1 0 0 0 Exposure log H lux seconds 21 MTF CURVE Exposure Daylight Process C 41 Response Spatial Frequency cycles mm 20 SPECTRAL SENSITIVITY CURVES gt Process C 41 Densitometry Status M2. Subject Distance meters or feet When using an auto flash unit the ISO film speed setting should be set to 160 Since the amount of light on the subject may vary according to amount of light reflected from surrounding surfaces and other factors follow the instructions provided with the flash unit Flash Bulbs With blue flash bulb exposures compensating filters are unnecessary With clear flash bulbs however use a Wratten filter No 80C Fuji LBB 8 filter and increase the lens opening by 1 stop However since the light quality may vary with the bulb type and the manufacturer and the amount of light may vary with the lighting equipment and diffusion technique test exposures should be made with the equipment being used Fuji Light Balancing Filter FUJIFILM PRODUCT INFORMATION BULLETIN e FUJICOLOR PRO 160 NS PROFESSIONAL Daylight Photoflood Photo Reflector Lamps e Daylight type photoflood or photo reflector lamp output may be lower than that indicated by the exposure meter It is recommended to compensate for the difference by increasing the exposure time by lowering the shutter speed or by increasing the lens opening Whenever possible test exposures are recommended e Other factors that should be considered when determining the exposure settings are lamp configuration length of time used and line voltage as they may affect lamp output and color balance Fluorescent Lamps When photographing under fluorescent lamp
3. Density 1 0 above D min Blue Sensitive Layer Sensitive Relative Sensitivity log 400 Sensitive Layer 500 600 700 Wavelength nm Sensitivity equals the reciprocal of the exposure J cm required to produce a specified density 22 SPECTRAL DYE DENSITY CURVES Mo oO Spectral Diffuse Density o 0 0 Mid scale Density Typical densities for a mid scale neutral subject and for D min 400 500 600 700 Wavelength nm FUJICOLOR PRO 160 NS PROFESSIONAL e FUJIFILM PRODUCT INFORMATION BULLETIN The data herein published were derived from materials taken from general production runs However changes in specifications may occur without prior notice E UJ 4 l L M FUJIFILM Corporation fi 7 3 Akasaka 9 chome Minato ku Tokyo 107 0052 Japan Ref No AF3 0232E KAMISF 10 3 FG
4. FUJIFILM PRODUCT INFORMATION AF3 0232E BULLETIN COLOR NEGATIVE FILMS FUJICOLOR PRO 160 NS PROFESSIONAL 1 FEATURES AND USES FUJICOLOR PRO 160 NS PROFESSIONAL is an ISO films peed 160 daylight type color negative film designed for professional use featuring more highly optimized skin tone reproduction and neutral gray balance especially Important for portrait photography Through its use of Fourth Color Layer technology the newest emulsion technologies and new coupler technology this film is able to deliver better grain quality and smoother skin tone reproduction than current films Moreover thanks to its well controlled gray balance it provides a wider exposure latitude that makes it more suitable for digital scanners The further addition of single channel printing results in uniform printing efficiency with other films in the FUJICOLOR PRO series Features e Superb skin tone rendition Smooth extremely fine skin tone rendition optimized for portraiture e Wide exposure stability Wide exposure latitude producing less variation in over or under exposed frames e Neutral gray balance Rich gradations from the highlights to the shadows and depiction of natural looking grays Optimized digital scanner suitability e Fine grain quality Grain quality raised to a superior level Higher grain density in images for enhanced skin texture depiction e Addition of single channel suitability
5. NS Daylight Under usual daylight conditions color balancing filters are not necessary Under the following exposure conditions however the indicated filters are recommended Filter Wratten filter No 2C SC 39 Subject Conditions Fair weather open shade and shaded landscapes Bright distant scenes snow landscapes seaside scenes aerial scenes and open landscapes Wratten filter No 1A SC 40M Fuji Sharp cut Filter Ultraviolet For excessively high or low color temperatures use of the color balancing filters is recommended When artificial illumination is being used as the main or auxiliary light source either indoors or outdoors under conditions in which sunlight is present the use of either an electronic flash or blue flash bulbs is recommended Electronic Flash Electronic flash produces light similar to daylight so filters are not needed However the possibility of undesirable effects on color balance due to various factors the type of flash used and amount of time used etc should be taken into consideration Test exposures are recommended If shutter soeeds slower than 1 60 second are used light from non flash sources such as room lighting may cause color imbalances Make test exposures The use of a flash meter is advisable but the following formula can also be used to obtain satisfactory lens opening re o Electronic Flash Guide Number at ISO 160 ure _ i Electronic Flash to
6. Negative density level unified with other PRO series films for maximum printing uniformity and efficiency 2 ISO FILM SPEED Color Balancing Filter 160 23 Tungsten Light 50 18 Wratten No 80A 3200K equivalent or LBB 12 Indicates the effective speed resulting from designated filter use Fuji Light Balancing filter Light Source Daylight amp Electronic Flash none 3 FILM SIZES EMULSION NUMBER BASE MATERIAL AND THICKNESS Emulsion Number Size and Package Configuration 120 12 exp 6x6 5 roll pack 4 x 5 in 10 2 x12 7 cm 20 sheets 8 x10 in 20 3 x 25 4 cm 20 sheets Base Material Thickness Cellulose Triacetate 98um 120 Polyester 175um EXPOSURE GUIDE D Use a meter to determine the exposure setting If a meter is not available refer to the following table Daytime Outdoors seashore Bright or Snow Sunlight scenes under Hazy Sunlight Cloudy Bright Day or Open Shade Bright Sun Lens Opening f 22 3 t 16 3 f 1 143 f 5 6 3 Shutter Speed sec e The settings in the table above are for 2 hours after sunrise and 2 hours before sunset e Since light conditions vary greatly for cloudy bright and open shade use of an exposure meter is recommended e Close up shots with backlighting may require a lens opening adjustment of f1 to f2 stops 1 125 5 EXPOSURE FOR VARIOUS LIGHT CONDITIO
7. ay vary in different markets 120 Film Box Backing Paper Before Exposure After Exposure tO 120 120 120 120 120 120 120 E o A E 12001 FUJIFILM E120 CN 16 C WA EXPOSED iREA EXPOSED 8 i aaa 190 D a 120 120 120 120 120 120 Seal _ Backing Paper ai ALM AN Top Seal 2E End Seal iea UPOSED HE R QUED LIGHT oe i 20 120 LOR Profe u FU ic Envelope olr Wou PN 160 NS 120 w soon 20 Sheet Box Fu ji EM a Professional Film PROL 1 3 SHEET FILM CODE NOTCHING gt Sheet film is provided with a notch code for identifying the emulsion type and film surface With the notch located in the upper right hand corner the emulsion surface is facing toward you FUJICOLOR PRO 160 NS PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN 14 PROCESSED FILM EDGE MARKINGS AND FIGURES The side on which the edge markings are reversed is the emulsion side e 120 Size 12 Exp 6x6 Emulsion Number S Film Type lt JPN160NS J 7 Production Identification Code 401 1 lt 3 PN160NS ABCDEF ABCD FUJI 2 lt J PN160NS ABCDEF 401 3 lt J PN160NS ABCDEF ABCDEF FUJI 38 lt PN160NS e Sheet Size ili Tyee Emulsion Number _ J Production Identification Code FUJIFILM PN160NS 40141 AB CDEF O FUJIFILM PRODUCT INFORMATION BULLETIN e FUJICOLOR PRO 160 NS PROFESSIONAL 15 TECHNOLOGIES INCORPORATED IN FUJICOLOR PRO 160 NS PROFESIONAL 15 1 Super Nano St
8. ratures in a refrigerator or freezer etc allow it to reach room temperature before opening it Opening film while it is still cold may cause condensation to form on the film surface Causing color changes or the emulsion to become more susceptible to scratches Roll film should be loaded and unloaded quickly and away from direct sunlight Film loaded in cameras should be exposed and processed promptly Sheet film must be handled in total darkness and with care so as not to touch the emulsion surface X rays inspection machines used to inspect checked in baggage at airports can cause fogging of film Put both exposed and unexposed film into carry on baggage preferably in a transparent plastic bag or a net bag that allows the film to be seen Because of the increasing number of airports using strong X ray machines for carry on baggage it is recommended that you remove film from your carry on baggage and request a visual manual inspection of your film Film fogging may occur near X ray equipment used in hospitals factories laboratories and other places where radiation is used Always keep film away from sources of radiation STORAGE Storing exposed or unexposed film under hot and humid conditions may adversely affect the speed color balance and physical properties of the film Although it is best to store film at a low temperature for practical purposes film should be stored as follows Store at a place cool and dark a
9. ructured 2 Grain Technology Super Nano Structured gt Grain Technology provides nano scale control over silver halide crystals enhancing the efficiency at which photoelectrons are gathered into the sensitivity nuclei during exposure The result is finer grain and higher speeds Through this technology FUJICOLOR PRO 160 NS PROFESSIONAL is able to boast better grain quality higher sharoness and more smoothly continuous tones than the current NPS even with the same film speed 15 2 Super Efficient DIR Coupler Technology Super Efficient DIR Coupler Technology has enabled the free control of the interlayer effect resulting in even better color reproduction than that of the current film as well as an edge effect enhanced sharpness FILM STRUCTURE Before Processing Protective Layer Blue Sensitive Layer Containing Colorless Yellow Coupler Yellow Filter Layer Green Sensitive Layer Containing HRS Yellow Colored Magenta Coupler ast rA r o dg sooo ss korap oP a Srofoa ad Fourth Color sensitive Layer Inter Layer Red Sensitive Layer Containing Red Colored Cyan Coupler Inter Layer Antihalation Layer Film Base DIFFUSE RMS GRANULARITY VALUE e3 47 Micro Densitometer Measurement Aperture 48 um in diameter Sample Density 1 0 above minimum density Based on Fujifilm measurements Due to difference in measurement conditions comparison with color reversal film is not possible
10. s it Is recommended that a shutter speed range of 1 30 to 1 second be used to prevent influence from lamp flicker Tungsten Lamps When using 3200K tungsten lighting use a Wratten filter No 80A Fuji LBB 12 filter and increase the lens opening by 17s stops In the case of cameras with TTL metering there is no need for additional exposure compensation Fuji Light Balancing Filter 6 LONG EXPOSURE COMPENSATION For exposures of 4 seconds or more the exposure compensation indicated in the table below is required No color balance compensation is required for exposures within a shutter speed range of 1 4000 to 2 seconds Exposure Compensation Table Exposure Time sec 1 4000 to 2 4 Exposure Correction Unac ai Lens Opening y S The sign indicates an increase in the lens opening ere EXPOSURE PRECAUTIONS When using an accessory such as a reflector umbrella reflector or diffuser to control light intensity or diffuse the light make sure that no change has occurred in the color or composition of the accessory s materials or reflective surface and that the color of the light has not been altered by the material 8 UNPROCESSED FILM HANDLING STORAGE HANDLING e Expose film before the expiration date indicated on the film package and process as soon as possible after exposure FUJICOLOR PRO 160 NS PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN e When removing film stored at low tempe
11. t galleries Temperature and humidity control is the most important key to minimizing the change that occurs in film Films stored in the dark under the following conditions may be expected to show almost no change over time D Storage Period with Almost No Change Relative Humidity Below 10 C Below 25 C 1 Color negative film should be inserted into sleeves for storage Furthermore it is recommended that film as well as prints be placed into non airtight containers made of paper plastic or metal designed for the storage of photographs To prevent film base especially TAC base decomposition it is essential that the container or case be allowed to air out during one dry day each year Polyester polystyrene polyethylene polypropylene etc 30 50 30 50 More than 20 years 10 20 years Processed film should be stored at a place as far away as possible from high temperatures direct sunlight and other strong light The following conditions are not desirable for the storage of film and should be avoided in the case of long term storage e Storage in a closet lying against a wall that is exposed to cold outside air where condensation may form e Storage in an attic or on top of a closet or cabinet near the ceiling where high temperatures may form FUJIFILM PRODUCT INFORMATION BULLETIN e FUJICOLOR PRO 160 NS PROFESSIONAL 12 PACKAGING SPECIFICATIONS Packaging formats m
12. way from direct sunlight or high temperatures and humidity Short term Storage Long term Storage Store at 10 C 50 F or below e New building materials newly manufactured furniture paints and bonding agents may produce gases which could affect photographic film Do not store film lightproof boxes containing film or cameras or film holders loaded with film near these materials e Film should be sealed in plastic bags prior to cold storage When taken out of cold storage film should be allowed to reach room temperature before opening by letting it stand over 3 hours for refrigerated film or over 6 hours for frozen film Polyester polystyrene polyethylene polypropylene etc 9 PROCESSING This film is designed for processing by Process C 41 or its equivalent as wells as Fujifilm Process CN 16 10 CONTROL STRIPS Use FUJICOLOR NEGATIVE FILM CONTROL STRIPS to manage processing performance 11 PROCESSED FILM HANDLING AND STORAGE Since the purpose of film is to provide a long term record of memorable events as much effort as possible has been made to use materials that exhibit the least amount of change over time but the effects of light heat atmospheric oxygen contaminant gases humidity and mold cannot be completely avoided It is possible however to minimize change in the photographic image or base material by maintaining appropriate storage conditions such as those used by museums and ar
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