Fujifilm Pro 160 S 135/36
Contents
1. 19 CHARACTERISTIC CURVES D 20 SPECTRAL SENSITIVITY CURVES 4 0 T T T T Exposure Daylight 1 125 sec Process C 41 Process C 41 Densitometry Status M 3 5 Densitiometry Status M Density 1 0 above D min 3 0 8 25 H Blue Green A o Sensitive Sensitive Red _ 5 20 5 __Layer Sensitive A ao Layer ATT Layer o 15 g i gL A amp Cyan Qe g Sensitive 1 0 Layer oe 0 5 0 0 4 0 3 0 2 0 1 0 0 0 400 500 600 700 Exposure log H lux seconds Wavelength nm Sensitivity equals the reciprocal of the exposure J cm required to produce a specified density 21 MTF CURVE 22 SPECTRAL DYE DENSITY CURVES 150 100 Typical densities for a mid scale neutral subject and for D min 70 2 0 50 a S 30 a Mid scale Density g 20 g a 5 5 Exposure Daylight o Process C 41 a 10 w 10 oc 5 7 3 Minimum Density 5 3 2 oop CE CC 1 5 10 20 50 100 200 400 500 600 700 Spatial Frequency cycles mm Wavelength nm Aola The data herein published were derived from materials taken from general production runs However changes in specifications may occur without prior notice 8 Fuji FUJ l Fl LM ee eee ae ae Tokyo 106 8620 Japan Ref No AF3 174E EIGI 05 1 FG HB2. FUJIFILM PRODUCT INFORMATION BULLETIN AF3 174E COLOR NEGATIVE FILMS FUJICOLOR PRO 160 S PROFESSIONAL C4 FEATURES AND USES FUJICOLOR PRO 160 S PROFESSIONAL is an ISO film speed 160 daylight type color negative film designed for professional use featuring more highly optimized skin tone reproduction and neutral gray balance especially important for portrait photography Through its use of Fourth Color Layer technology the newest emulsion technologies and new coupler technology this film is able to deliver better grain quality and smoother skin tone reproduction than current films Moreover thanks to its well controlled gray balance it provides a wider exposure latitude that makes it more suitable for digital scanners The further addition of single channel printing results in uniform printing efficiency with other films in the FUJICOLOR PRO series Features Smooth extremely fine skin tone rendition optimized for portraiture Superb skin tone rendition Wide exposure latitude producing less variation in over or under exposed frames Wide exposure stability Rich gradations from the highlights to the shadows and depiction of natural looking grays Optimized digital scanner suitability Neutral gray balance Grain quality raised to a superior level Higher grain density in images for enhanced skin texture depiction Negative density level unified with other PRO series films fo
3. 8 1 Printed in Japan
4. by lowering the shutter speed or by increasing the lens opening Whenever possible test exposures are recommended Other factors that should be considered when deter mining the exposure settings are lamp configuration length of time used and line voltage as they may affect lamp output and color balance Fluorescent Lamps When photographing under fluorescent lamps it is recommended that a shutter speed range of 1 30 to 1 second be used to prevent influence from lamp flicker Tungsten Lamps When using 3200K tungsten lighting use a Wratten filter No 80A Fuji LBB 12 filter and increase the lens opening by 12 3 stops In the case of cameras with TTL metering there is no need for additional exposure compensation Fuji Light Balancing Filter 6 LONG EXPOSURE COMPENSATION For exposures of 4 seconds or more the exposure com pensation indicated in the table below is required No color balance compensation is required for exposures within a shutter soeed range of 1 4000 to 2 seconds Exposure Compensation Table Exposure Time sec 1 4000 to 2 4 Exposure Correction Lens Opening Unnecessary 1 3 The sign indicates an increase in the lens opening VTA EXPOSURE PRECAUTIONS When using an accessory such as a reflector umbrella reflector or diffuser to control light intensity or diffuse the light make sure that no change has occurred in the color or composition of the accessory s m
5. after sunrise and 2 hours before sunset e Since light conditions vary greatly for cloudy bright and open shade use of an exposure meter is recommended e Close up shots with backlighting may require a lens opening adjustment of f1 to f2 stops EXPOSURE FOR VARIOUS LIGHT CONDITIONS G Daylight J Under usual daylight conditions color balancing filters are not necessary Under the following exposure con ditions however the indicated filters are recommended Filter Wratten filter No 2C SC 39 Subject Conditions Fair weather open shade and shaded landscapes Bright distant scenes snow landscapes seaside scenes aerial scenes and open landscapes Fuji Sharp cut Filter U Wratten filter No 1A SC 40M Itraviolet For excessively high or low color temperatures use of the color balancing filters is recommended NOTE When artificial illumination is being used as the main or auxiliary light source either indoors or outdoors under conditions in which sunlight is present the use of either an electronic flash or blue flash bulbs is recommended Electronic Flash e Electronic flash produces light similar to daylight so filters are not needed However the possibility of undesirable effects on color balance due to various factors the type of flash used and amount of time used etc should be taken into consideration Test exposures are recommended e f shutter
6. type and film surface With the notch located in the upper right hand corner the emulsion surface is facing toward you The same notch is provided on QuickLoad type films FUJIFILM PRODUCT INFORMATION BULLETIN FUJICOLOR PRO 160 S PROFESSIONAL AND FIGURES The side on which the edge markings are reversed is the emulsion side 14 PROCESSED FILM EDGE MARKINGS e 135 Size 36 Exp Emulsion Number Film Type Flame Number Flame Number Production Identification Code 502 oosccs OO PROTEOS 00A fe PROTEOS OA PRO 60S FUJI PROGOS 36A 502 o 00odoo0oi ooon oo o0 C0 on do o coonogooocooon0d CO Oe Cte UHI OU CeO Oe U CO HTU p OO Oe Oe Oe D A MOr W A oo M T A o A A o Moon oa vn APA Hf 1 vn eo od TI IA MO A WA ss Fy 2 MTA E oo8GG5 Production Latent Image Bar Code Identification Code 10 0 e 120 Size 12 Exp 6x6 Emulsion Number Film Type a PRO160S J J Production Identification Code 1 a PRO160S ABCDEF ABCD FUJI 2 a PROI160S ABCDEF 502 3 a PRO160S ABCDEF ABCDEF FUJI 19 a PRO160S e 220 Size 24 Exp 6x6 Emulsion Number Film Type lt J PRO160S a J 7 Production Identification Code 502 1 lt 1 PRO160S ABCDEF ABCD FUJI 2 lt 1 PRO160S ABCDEF 502 3 lt 1 PRO160S ABCDEF ABCDEF FUJI 39 lt 1 PRO160S Sheet Size Film Type e QuickLoad Film Type Emulsion Number Jnn Number Production Production Identification Code Identification Cod
7. aterials or reflective surface and that the color of the light has not been altered by the material 8 UNPROCESSED FILM HANDLING STORAGE HANDLING e Expose film before the expiration date indicated on the film package and process as soon as possible after exposure FUJICOLOR PRO 160 S PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN e When removing film stored at low temperatures in a refrigerator or freezer etc allow it to reach room temperature before opening it Opening film while it is still cold may cause condensation to form on the film surface causing color changes or the emulsion to become more susceptible to scratches Roll film should be loaded and unloaded quickly and away from direct sunlight Film loaded in cameras should be exposed and processed promptly Sheet film must be handled in total darkness and with care so as not to touch the emulsion surface X rays inspection machines used to inspect checked in baggage at airports can cause fogging of film Put both exposed and unexposed film into carry on baggage preferably in a transparent plastic bag or a net bag that allows the film to be seen Because of the increasing number of airports using strong X ray machines for carry on baggage it is recommended that you remove film from your carry on baggage and request a visual manual inspection of your film Film fogging may occur near X ray equipment used in hospitals factories laboratories and ot
8. e FUJIFILM PRO160S 50241 AB CDEF FUJIFILM PRO160S 50241 ABCDEF QL O O la FUJICOLOR PRO 160 S PROFESSIONAL TECHNOLOGIES INCORPORATED IN FUJICOLOR PRO 160 S PROFESIONAL E 15 1 Super Nano Structured Grain Technology FUJIFILM PRODUCT INFORMATION BULLETIN 15 3 Super Efficient Coupler Technology Super Nano Structured Grain Technology provides nano scale control over silver halide crystals enhancing the efficiency at which photoelectrons are gathered into the sensitivity nuclei during exposure The result is finer grain and higher speeds Through this technology FUJICOLOR PRO 160 S PROFESSIONAL is able to boast better grain quality higher sharpness and more smoothly continuous tones than the current NPS even with the same film speed 15 2 Super Efficient DIR Coupler Technology Super Efficient DIR Coupler Technology has enabled the free control of the interlayer effect resulting in even better color reproduction than that of the current film as well as an edge effect enhanced sharpness Through the incorporation of new high color genera tion yellow couplers this film has realized thinner lay ers and higher sharpness 15 4 Super Efficient Light Control Technology The cutting of unnecessary reflected light by a new light absorbing agent has enabled this film to enjoy suppressed color blurring and increased sharpness 6 FILM STRUCTURE D Before Pr
9. her places where radiation is used Always keep film away from sources of radiation STORAGE Storing exposed or unexposed film under hot and humid conditions may adversely affect the speed color balance and physical properties of the film Although it is best to store film at a low temperature for practical purposes film should be stored as follows Store at a place cool and dark away from direct sunlight or high temperatures and humidity Short term Storage Long term Storage Store at 10 C 50 F or below e New building materials newly manufactured furni ture paints and bonding agents may produce gases which could affect photographic film Do not store film lightproof boxes containing film or cameras or film holders loaded with film near these materials e Film should be sealed in plastic bags prior to cold storage When taken out of cold storage film should be allowed to reach room temperature before open ing by letting it stand over 3 hours for refrigerated film or over 6 hours for frozen film Polyester polystyrene polyethylene polypropylene etc Q D This film is designed for processing by Process C 41 or its equivalent as wells as Fujifilm Process CN 16 PROCESSING 10 CONTROL STRIPS Use FUJICOLOR NEGATIVE FILM CONTROL STRIPS to manage processing performance 11 PROCESSED FILM HANDLING AND STORAGE Since the purpose of film is to provide a long
10. ocessing After Processing Protective Layer Blue Sensitive Layer Con oe eese 08800 0 so s to oes Lr A ee aining H Colorless Yellow Coupler 4 Yellow Filter Layer Green Sensitive Layer Containing es al Yellow Negative Image greas Magenta Negative Image and Yellow Colored Magenta Coupler o ose b Se 104 Poe Yellow Colored Residual Coupler ore Se fee oe else 2 eog a F a aera Fourth Color sensitive Inter Layer Layer he aa ae Brotonok LAMY Ta was aoe ege ones Light Magenta Image Red Sensitive Layer Contai A fe LE ike Red Colored Cyan Coup o hoo odla e tee coe oe ee aeo Osaa tes 0 Cyan Negative Image and Red Colored Residual Coupler Inter Antihalation Layer Layer Film Base 17 DIFFUSE RMS GRANULARITY VALUE Ds Micro Densitometer Measurement Aperture 48 um in diameter Sample Density 1 0 above minimum density Based on Fujifilm measurements Due to difference in mea surement conditions comparison with color reversal film is not possible A Silver Halide Coupler Processing induced Dye 18 RESOLVING POWER Test Object Contrast 1 6 1 Test Object Contrast 1000 1 63 lines mm 125 lines mm FUJIFILM PRODUCT INFORMATION BULLETIN FUJICOLOR PRO 160 S PROFESSIONAL
11. r maximum printing uniformity and efficiency Color Balancing Filter e Fine grain quality e Addition of single channel suitability ISO FILM SPEED G Light Source ISO Film Speed Daylight amp Electronic Flash Tungsten Light 3200K Indicates the effective speed resulting fro Fuji Light Balancing filter 160 23 None Wratten No 80A or LBB 12 m designated filter use 50 18 equivalent 3 FILM SIZES EMULSION NUMBER BASE MATERIAL AND THICKNESS Emulsion Size and Package Configuration Number 135 36 exp 120 12 exp 6x6 12 exp 6x6 5 roll pack 220 24 exp 6x6 5 roll pack 4x 5in 10 2 x 12 7 cm 10 and 50 sheets 4x 5in 10 2 x 12 7 cm QL 20 sheets 8 x10 in 20 3 x 25 4 cm 10 sheets 9 x12 cm 20 sheets 13x18 cm 20 sheets Roll 502 Sheet Thickness 122um 135 98um 120 220 175um Base Material Roll Cellulose Triacetate Sheet Polyester 4 EXPOSURE GUIDE Use a meter to determine the exposure setting If a meter is not available refer to the following table Daytime Outdoors Seashore Bright Hazy Cloudy Cloudy or Snow Sunlight Sunlight Bright Day or Scenes Open under Shade Bright Sun Lens 2 2 2 2 2 Opening 222 3 162 3 f 112 3 82 3 5 62 3 Shutter Speed 1 125 sec e The settings in the table above are for 2 hours
12. soeeds slower than 1 60 second are used light from non flash sources such as room lighting may cause color imbalances Make test exposures e The use of a flash meter is advisable but the following formula can also be used to obtain satisfactory lens opening Lens Electronic Flash Guide Number at ISO 160 Aperture f number Electronic Flash to Subject Distance meters or feet When using an auto flash unit the ISO film speed setting should be set to 160 Since the amount of light on the subject may vary according to amount of light reflected from surrounding surfaces and other factors follow the instructions provided with the flash unit Flash Bulbs With blue flash bulb exposures compensating filters are unnecessary With clear flash bulbs however use a Wratten filter No 80C Fuji LBB 8 filter and increase the lens opening by 1 stop However since the light quality may vary with the bulb type and the manufac turer and the amount of light may vary with the lighting equipment and diffusion technique test exposures should be made with the equipment being used Fuji Light Balancing Filter FUJIFILM PRODUCT INFORMATION BULLETIN FUJICOLOR PRO 160 S PROFESSIONAL Daylight Photoflood Photo Reflector Lamps e Daylight type photoflood or photo reflector lamp output may be lower than that indicated by the exposure meter It is recommended to compensate for the difference by increasing the exposure time
13. term record of memorable events as much effort as possible has been made to use materials that exhibit the least amount of change over time but the effects of light heat atmospheric oxygen contaminant gases humidity and mold cannot be completely avoided It is possible however to minimize change in the photographic image or base material by maintaining appropriate storage conditions such as those used by museums and art galleries Temperature and humidity control is the most important key to minimizing the change that occurs in film Films stored in the dark under the following conditions may be expected to show almost no change over time ane Senos Temperature Relative Humidity More than 20 years Below 10 C 30 50 10 20 years Below 25 C 30 50 1 Color negative film should be inserted into sleeves for storage Furthermore it is recommended that film as well as prints be placed into non airtight containers made of paper plastic or metal designed for the storage of photographs To prevent film base especially TAC base decomposi tion it is essential that the container or case be allowed to air out during one dry day each year Polyester polystyrene polyethylene polypropylene etc 2 Processed film should be stored at a place as far away as possible from high temperatures direct sunlight and other strong light The following con ditions are not desirable for the storage of film and sho
14. uld be avoided in the case of long term storage e Storage in a closet lying against a wall that is exposed to cold outside air where condensation may form e Storage in an attic or on top of a closet or cabinet near the ceiling where high temperatures may form FUJIFILM PRODUCT INFORMATION BULLETIN FUJICOLOR PRO 160 S PROFESSIONAL a2 PACKAGING SPECIFICATIONS Packaging formats may vary in different markets Size Item Contents 135 Film Box Plastic Case Same as the current product Cartridge 120 Film Box Backing Paper Before Exposure After Exposure 120 120 120 120m 120 gt FUJIFILM a 120 120 120 20 120 FUJICOLOR DAYUGNT im FUJICOLOR me Seal ee fruar PRO lt Top Seal 60S End Seal lno bicowor ENE inon remas mo 160 120 isas wee FUJICOLOR PRO 160 S PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN Size Item Contents 220 Film Box ASL Backing Paper Before Exposure After Exposure T FUJIFILM 28 Sri nnna UY yf D2 ff2 ff 20 ff 2 i l WTB ve e gi aan mC a 20M P2O4 220 20f ff V220ff20fY eon FUJICOLOR _ owuicier m m FUJICOLOR m m a a Seal _ Backing Paper Wood Top Seal LRG lt End Seal PRO 160 ZZO sos nwi pot Sheet Box QuickLoad Box a3 SHEET FILM CODE NOTCHING Sheet film is provided with a notch code for identifying the emulsion
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