Kodak E200 135
Contents
1. 3 stop Warm White 20C 40M 1 stop Warm White Deluxe 30B 30C 1 stops Cool White 40M 10Y 1 stop Cool White Deluxe 20C 10M 7 3 stop Unknown Fluorescent 30M 3 stop When the type of fluorescent lamp is unknown try this filter and exposure adjustment color rendition may be less than optimum High Intensity AT Exposure Discharge Lamp Filters Adjustment GENETAL EIECtIG 80B 20C 2 14 stops Lucalox General Electric 2 Multi Vapor 20R 20M 3 stop Deluxe White 4 Mercury 30R 30M 1 stops Clear Mercury 70R 1 4 stops This is a high pressure sodium vapor lamp The information here may not apply to other manufacturers sodium vapor lamps due to differences in spectral characteristics Note Consult the manufacturer of high intensity lamps for ozone ventilation requirements and safety information on ultraviolet radiation Some primary color filters were used in the previous tables to reduce the number of filters and keep the exposure adjustment to a minimum Red filters were substituted for equivalent filtration in magenta and yellow Blue filters were substituted for equivalent filtration in cyan and magenta KODAK PROFESSIONAL EKTACHROME Film E200 e E 28 Adjustments for Long and Short Exposures No filter correction or exposure compensation is required for exposures from 1 10 000 to 10 seconds Note This information applies only when exposing the film to daylight T2. 35 mm slide to establish the setup for KODAK EKTACHROME Films on all scanners This target meets ANSI standards and represents the dye sets of all EKTACHROME Films For Photo CD Applications Use the Universal E 6 Film Term to scan all KODAK EKTACHROME Films for KODAK PCD Imaging Workstation applications For output to a Photo CD player Using the Universal E 6 Film Term should result in an image that closely matches your original in density tone scale and overall color balance when viewed on a player For output devices other than Photo CD players The YCC data that results when using the Universal E 6 Film Term is capable of producing a high quality duplicate of your original in terms of density tone scale and color reproduction Final quality of your reproduced image depends on the capabilities of your output device the viewing environment and the rendering path used KODAK PROFESSIONAL EKTACHROME Film E200 e E 28 IMAGE STRUCTURE Diffuse rms Granularity 12 very fine Characteristic Curves Exposure Daylight 1 100 second Process E 6 Densitometry Status A DENSITY 3 0 2 0 1 0 0 0 1 0 LOG EXPOSURE lux seconds FO09_0059AC Modulation Transfer Curves 200 100 70 50 30 20 RESPONSE Oo oO ON PTT LAA TrA F LUE TLL 1 2 345 10 20 50 100 200 600 SPATIAL FREQUENCY cycles mm F009_0061AC Read at a gross diffuse visual density of 1 0 using a 48 micrometre aperture 12X magnificati
3. TECHNICAL DATA COLOR TRANSPARENCY FILM KODAK PROFESSIONAL EKTACHROME Film E200 KODAK PROFESSIONAL EKTACHROME Film E200 is a daylight balanced 200 speed color transparency film designed for processing in KODAK Chemicals Process E 6 The film offers moderate contrast along with excellent color and image structure making it the first high speed color transparency film with the look of a lower speed film In addition E200 Film delivers outstanding push processing performance to an exposure index EI of 800 with only minimal shifts in contrast and color balance E200 Film also features KODAK T GRAIN Emulsions for extremely fine grain and very high sharpness plus improvements in reciprocity and manufacturing consistency The film is designed for exposure with daylight or electronic flash You can also expose it with tungsten illumination 3200 K or photolamps 3400 K using filters Use E200 Film to produce color transparencies for projection or viewing with 5000 K illumination Duplicate transparencies can be made by direct printing To make color prints you can print transparencies onto color reversal paper Or make internegatives for printing onto color negative paper You can also scan transparencies for digital printing and for graphic arts and photo CD applications FEATURES BENEFITS Outstanding Maintains good contrast and push processing color balance performance out to e Extends shooting range El 800 under d
4. ab 320 Push 1 8 minutes 640 Push 2 11 minutes 800 Push 3 13 minutes KODAK PROFESSIONAL EKTACHROME Film E200 e E 28 RETOUCHING TRANSPARENCIES Use KODAK E 6 Transparency Retouching Dyes You can chemically retouch the 120 format of this film on both the base and the emulsion side Retouch only the emulsion side on the 135 size For information on retouching equipment supplies and techniques see KODAK Publication No E 68 Retouching Transparencies on KODAK EKTACHROME Film PRINTING TRANSPARENCIES You can reproduce images made of E200 Film by using a variety of Kodak materials Duplicate Color Transparencies For direct printing use KODAK PROFESSIONAL EKTACHROME Duplicating Film EDUPE Color Prints You can scan your image to a file and print digitally to KODAK PROFESSIONAL PORTRA SUPRA and ULTRA ENDURA Papers KODAK PROFESSIONAL ENDURA Transparency Display Material KODAK PROFESSIONAL ENDURA Clear Display Material KODAK PROFESSIONAL ENDURA Metallic Paper SCANNING TRANSPARENCIES For Graphic Arts Applications The KODAK EKTACHROME Film family is characterized by sets of image dyes which perform very similarly when scanned The scanner operator can set up one basic tone scale and color correction channel for EKTACHROME Films and then optimize the tone scale and gray balance for the requirements of individual images Use the KODAK Color Input Target Q 60E1 4 x 5 in transparency or Q 60E3
5. emanding existing light conditions Preferred contrast of an Improved reproduction of El 100 speed color highlight and shadow details transparency film lower e More tone gradation for more contrast than other natural appearing images high speed color transparency films e KODAK T GRAIN e Finest grain structure of any Emulsions in all color daylight high speed color records transparency film on the market High sharpness Grain and sharpness hold up well under push conditions Enhanced colors while Pleasing colors for maintaining exceptional results both natural looking skin tones outdoors and in the studio Beautiful skin tone reproduction for both outdoor and studio applications Consistent results in exposures from 10 seconds to 1 10 000 second with no exposure or filter corrections Superb reciprocity Eastman Kodak Company 2005 September 2005 e E 28 SIZES AVAILABLE Sizes and catalog CAT numbers may differ from country to country See your dealer who supplies KODAK PROFESSIONAL Products Rolls Code ee ase 135 36 5 mil 0 13 mm 120 E200 l 3 9 mil 0 10 mm 220 35 mm x 100 ft E200 SP404 5 mil 0 13 mm Perforated on both edges STORAGE AND HANDLING Load and unload film in subdued light Store unexposed film in a refrigerator at 13 C 55 F or lower in the original sealed package To avoid moisture condensation on film that ha
6. he data are based on average emulsions rounded to the nearest 1 3 stop and assume normal recommended processing Use the data only as a guide For critical applications make tests under your conditions PROCESSING Process E200 Film in KODAK Chemicals Process E 6 For consistent processing of this and all other EKTACHROME Films use a lab that is a member of the KODAK Q LAB Process Monitoring Service Push Processing Characteristics You can increase the effective speed 1 e push of E200 Film by adjusting the time of the first developer Increased film speed is useful under dim lighting conditions or when you need high shutter speeds to stop action or small lens openings for increased depth of field Pushing E200 Film will also compensate for underexposure Exposing KODAK PROFESSIONAL EKTACHROME Film E200 for Push Processing Labs that provide push processing with Process E 6 usually offer the service for fixed time increases such as push 1 push 2 or push 3 in the first developer see the following table It is a good idea to make a series of test exposures and then work with your lab to determine optimum exposure settings for push processing The following exposure indexes are good starting points for daylight exposures when you intend to have E200 film push processed Starting Point Exposures for Push Processing EKTACHROME Film E200 E Specify This PSN Typical Time in xposure Index AE to the First Developer
7. jects t Subjects shaded from sun but lit by large area of clear sky Electronic Flash Use the appropriate guide number in the following table as a starting point for your equipment First select the unit output closest to the number given by your flash manufacturer Then find the guide number for feet or metres To determine the lens opening divide the guide number by the flash to subject distance If transparencies are consistently too thin overexposed use a higher guide number if they are too dense underexposed use a lower number Unit Output Guide Number BCPS Distance in Feet Distance in Metres 350 60 18 500 70 D4 700 85 26 1000 100 30 1400 120 36 2000 140 42 2800 170 50 4000 200 60 5600 240 70 8000 280 85 BCPS beam candlepower seconds Fluorescent and High Intensity Discharge Lamps Use the color compensating filters and exposure adjustments below as starting points to expose this film under fluorescent or high intensity discharge lamps For critical applications make a series of test exposures under your actual conditions To avoid the brightness and color variations that occur during a single alternating current cycle use exposure times of 1 60 second or longer with fluorescent lamps with high intensity discharge lamps use 1 125 second or longer Fluorescent Lamp Compensating ae t ilters Daylight 50R 1 stop White 40M
8. ns for KODAK PROFESSIONAL Products visit Kodak on line at http www kodak com go professional If you have questions about KODAK PROFESSIONAL or you can contact Kodak in your country for more information Storage and Care of KODAK Photographic Materials Before and After Processing Products call Kodak In the U S A 1 800 242 2424 Ext 19 Monday Friday 9 a m 7 p m Eastern time In Canada E 31 Be and Special Filter Data for KODAK 1 800 465 6325 Monday Friday E 38 KODAK EKTACHROME Duplicating Films ae eee iia oe OR RODAN Note The Kodak materials described in this publication for use l with KODAK PROFESSIONAL EKTACHROME Film E200 E103RF KODAK PROFESSIONAL Color Reversal Films are available from dealers who supply KODAK E 163 pena ROFESSIONAL EKTACHROME Film PROFESSIONAL Products You can use other materials but you may not obtain similar results E 4024 KODAK PROFESSIONAL EKTACHROME Films Qu E100G and E100GX EASTMAN KODAK COMPANY KODAK PROFESSIONAL EKTACHROME Film E200 KODAK Publication No E 28 CAT 163 4153 Kodak Kodak Professional Ektachrome Endura Portra Q Lab Supra T Grain Ultra and Wratten are trademarks Kodak Imaging Solutions Minor Revision 9 05 Printed in U S A
9. on KODAK PROFESSIONAL EKTACHROME Film E200 e E 28 Spectral Sensitivity Curves Forming Layer Forming Layer LOG SENSITIVITY Effective Exposure 0 1 second Process E 6 Densitometry 1 0 Density E N D 250 300 350 400 450 500 550 600 650 700 750 WAVELENGTH nm Sensitivity reciprocal of exposure erg cm required to produce specified density F009_0060AC Spectral Dye Density Curves Normalized dyes to form a visual neutral density of 1 0 for a viewing illuminant of 5000 K Process E 6 Visual Neutral OS 400 500 600 700 WAVELENGTH nm FO09_0062AC 1 0 0 5 DIFFUSE SPECTRAL DENSITY 0 0 NOTICE The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified They are representative of production coatings and therefore do not apply directly to a particular box or roll of photographic material They do not represent standards or specifications that must be met by Eastman Kodak Company The company reserves the right to change and improve product characteristics at any time KODAK PROFESSIONAL EKTACHROME Film E200 MORE INFORMATION Kodak has many publications to assist you with information on Kodak products equipment and materials The following publications are available from Kodak customer service or from dealers who sell Kodak products For the latest version of technical support publicatio
10. s been refrigerated allow the film to warm up to room temperature before opening the package Process film as soon as possible after exposure Protect processed film from strong light and store them in a cool dry place For more information on storing transparencies see KODAK Publication No E 30 Storage and Care of KODAK Photographic Materials Before and After Processing DARKROOM RECOMMENDATIONS Do not use a safelight Handle unprocessed film in total darkness EXPOSURE Use the exposure index EI numbers below with cameras or light meters marked for ISO or ASA speeds or exposure indexes Do not change the film speed setting when metering through a filter Metering through filters may affect meter accuracy see your meter or camera manual for specific information For critical work make a series of test exposures KODAK Exposure Light Source WRATTEN a ie Gelatin Filter Daylight or Electronic Flash None 200 Photolamp 3400 K No 80B 64 Tungsten 3200 K No 80A 50 Daylight Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset Lighting Conditions ee cit Bright hazy sun on sand or snow 1 250 fl22 Bright hazy sun distinct shadows 1 250 fno Weak hazy sun soft shadows 1 250 f 11 Cloudy bright no shadows 1 250 f 8 Heavy overcast or open shadet 1 250 f 5 6 Use f 8 for backlit close up sub
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