Kodak E100G 120
Contents
1. Rolls Code Spec No Acetate Base 135 36 E100G 5 mil 35 mm x 100 ft E100G SP404 0 13 mm 120 E100G 3 9 mil 220 E100G 0 10 mm Perforated on both edges Film Code Sheets ESTAR Eras aen Thick Base 4x5in E100G 7 mil 8x10in E100G 0 18 mm KODAK PROFESSIONAL READYLOAD Single Sheet Packet 7 mil 4x5 E100G 0 18 mm For best results use with the KODAK PROFESSIONAL READYLOAD Single Sheet Packet Film Holder CAT No 893 7542 KODAK PROFESSIONAL EKTACHROME Film E100GX FEATURES BENEFITS e High efficiency T GRAIN Extremely fine grain Rolls Code Acetate Base Emulsion Technology e Remarkably detailed scans Spec No e Greater enlargements 135 36 E100GX Bani s Lower Dmin 2 Whiter brighter whites 35 mmx 100ft E100GX SP404 0 13 mm e Lower contrast tone scale e Extended tonal range from 12 El X highlights to shadows o 00G iene e Improved highlight and 220 E100GX shadow detail e Matched color records for Pleasing natural skin tone a neutral tone scale reproduction e Consistent gray scale rendition throughout tonal range Outstanding reciprocity e No speed or color compensation required for exposures from 1 10 000 to 10 seconds e Image archivability e Dark storage image stability of at least 80 years e Images can be accessed for further use many years into the future In storage conditions of 10 C 50 F and 15 20 relative humidity2. Eastman Kodak Company 2009 Perforated on both edges STORAGE AND HANDLING Load and unload film in subdued light Store unexposed film in a refrigerator at 13 C 55 F or lower in the original sealed package To avoid moisture condensation on film that has been refrigerated allow the film to warm up to room temperature before opening the package Process film as soon as possible after exposure Protect processed film from strong light and store it in a cool dry place For more information on storing transparencies see KODAK Publication No E 30 Storage and Care of KODAK Photographic Materials Before and After Processing DARKROOM RECOMMENDATIONS Do not use a safelight Handle unprocessed film in total darkness EXPOSURE Use the exposure index EI numbers below with meters and cameras marked for ISO or ASA speeds or exposure indexes Do not change the film speed setting when metering through a filter Metering through filters may affect light meter accuracy see your meter or camera manual for specific information For critical work make a series of test exposures KODAK Exposure Light Source WRATTEN k dez Gelatin Filter Daylight or Electronic Flash None 100 Photo lamp 3400 K 80B 32 Tungsten 3200 K 80A 25 Daylight Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset Lighting Co
3. 0GX e E 4024 CURVES Diffuse rms Granularity 8 extremely fine Read at a gross diffuse visual density of 1 0 using a 48 micrometre aperture Characteristic Curves E100G Film 4 0 Exposure Daylight 1 100 second Process E 6 Densitometry Status A 3 0 gt 2 20 W a 1 0 0 0 3 0 2 0 1 0 0 0 1 0 F009_0525AC LOG EXPOSURE lux seconds Characteristic Curves E100GX Film 4 0 Exposure Daylight 1 100 second Process E 6 Densitometry Status A 3 0 gt 2 20 W a 1 0 0 0 3 0 2 0 1 0 0 0 1 0 F009_0524AC LOG EXPOSURE lux seconds Spectral Sensitivity Curves E100G and E100GX Films LOG SENSITIVITY Process E 6 Density E N D 1 0 250 300 350 400 450 500 550 600 650 700 750 WAVELENGTH nm Sensitivity reciprocal of exposure erg cm required F009_0526AC to produce specified density Spectral Dye Density Curves E100G and E100GX Films Normalized Dyes to form a visual neutral density of 1 0 for a viewing illuminant of 5000 K Process E 6 Magenta DIFFUSE SPECTRAL DENSITY 400 500 600 700 WAVELENGTH nm F009_0527AC NOTICE The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified They are representative of production coatings and therefore do not apply directly to a particular box or roll of photographic material They do not represent standards or specifications that must be me
4. OFESSIONAL EKTACHROME and then optimize the tone scale and gray balance for the Duplicating Film EDUPE requirements of individual images Use the KODAK Color Input Target Q 60E1 4 x 5 inch Color Prints transparency or Q 60E3 35 mm slide to establish the setup You can scan your image to a file and print digitally to for KODAK EKTACHROME Films on all scanners These KODAK PROFESSIONAL PORTRA SUPRA and targets are manufactured to ANSI standards and represent ULTRA ENDURA Papers the dye sets of all EKTACHROME Films Dicey Se ENDURA Clear Digital For Photo cD Applications Use the Universal E 6 Film Term to scan all KODAK KODAK PROFESSIONAL ENDURA Transparency EKTACHROME films for Photo CD Imaging Workstation Display Material applications KODAK PROFESSIONAL ENDURA Metallic Paper For output to a Photo CD Player Using the Universal E 6 Film Term should result in an image that closely matches your original transparency in density tone scale and overall color balance when viewed on a player For output to Devices Other than Photo CD Players The YCC data that results when using the Universal E 6 Film Term is capable of producing a high quality duplicate of your original transparency in terms of density tone scale and color reproduction Final quality of your reproduced image depends on the capabilities of your output device the viewing environment and the rendering path that is used 4 KODAK PROFESSIONAL EKTACHROME Films E100G and E10
5. OFESSIONAL Products visit Kodak on line at http www kodak com go professional If you have questions about KODAK PROFESSIONAL Products call Kodak In the U S A 1 800 242 2424 Ext 19 Monday Friday 9 a m 7 p m Eastern time In Canada 1 800 465 6325 Monday Friday 8 a m 5 p m Eastern time Note The Kodak materials described in this publication for use with KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX are available from dealers who supply KODAK PROFESSIONAL Products You can use other materials but you may not obtain similar results Kea EASTMAN KODAK COMPANY Kodak Imaging Solutions KODAK PROFESSIONAL Minor Revision 9 09 EKTACHROME Films E100G and Kodak Kodak Professional Edupe Ektachrome Endura Estar Printed in U S A E100GX Portra Q Lab Readyload Supra T Grain Ultra and Wratten KODAK Publication No E 4024 are trademarks
6. TECHNICAL DATA COLOR TRANSPARENCY FILM KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX Grain as Fine as Your Art Product Discontinuance Due to declining sales volumes Kodak is discontinuing KODAK PROFESSIONAL EKTACHROME Film E100GX by year end 2009 or when stock is depleted The suggested alternative product is KODAK PROFESSIONAL EKTACHROME Film E100G KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX are the next generation of color transparency films Both films deliver extremely fine grain rms 8 a lower D min for whiter brighter whites and an improved tone scale These films feature the latest advancements in Kodak s Color Amplifying Technology and KODAK T GRAIN Emulsion Technology to capture light more efficiently EKTACHROME E100G Film offers moderately enhanced color saturation with a neutral color balance EKTACHROME 100GX Film also features moderately enhanced color saturation but with a warm balance the X is for warm Both films produce exceptional results for advertising fashion editorial architecture nature wildlife and other commercial applications These films are designed for exposure with daylight or electronic flash September 2009 e E 4024 SIZES AVAILABLE Sizes and catalog numbers may differ from country to country See your dealer who supplies KODAK PROFESSIONAL Products KODAK PROFESSIONAL EKTACHROME Film E100G
7. ghlights or compensate for underexposure By understanding these effects in advance you can use pushing creatively and reliably Exposure for Push Processing Labs that provide push processing usually offer the service for fixed time increases i e push 1 2 or push 1 in the first developer It is a good idea to make a series of test exposures and then work with your lab to determine optimum exposure settings A recommended starting point for E100G or E100GX Films is to underexpose by 1 stop EI 200 for a push process 8 minutes in the first developer RETOUCHING Use KODAK E 6 Transparency Retouching Dyes You can chemically retouch sheet and 120 220 formats of these films on both the base and the emulsion side Retouch only the emulsion side on the 135 size For information on retouching equipment supplies and techniques see KODAK Publication No E 68 Retouching Transparencies on KODAK EKTACHROME Film KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX e E 4024 3 PRINTING TRANSPARENCIES SCANNING TRANSPARENCIES You can reproduce images made on E100G and E100GX For Graphic Arts Applications Films by using a variety of Kodak materials The KODAK EKTACHROME Film family is characterized by sets of image dyes that perform very similarly when Duplicate Color Transparencies scanned The scanner operator can set up one basic tone scale For direct printing use and color correction channel for all EKTACHROME Films KODAK PR
8. nditi Sred ens ighting Conditions Paie Opening Bright hazy sun on sand or snow 1 125 22 Bright or hazy sun distinct shadows 1 125 ie Weak hazy sun soft shadows 1 125 11 Cloudy bright no shadows 1 125 18 Heavy overcast open shadet 1 125 15 6 Use f 8 for backlit close up subjects t Subject shaded from the sun but lit by a large area of clear sky Electronic Flash Use the appropriate guide number in the table below as a starting point for your equipment First select the unit output closest to the number given by your flash manufacturer then find the guide number for feet or metres To determine the lens opening divide the guide number by the flash to subject distance If transparencies are consistently too thin overexposed use a higher guide number if they are too dense underexposed use a lower number gt Guide Number Unit Output BCPS Distance in Distance in Feet Metres 350 40 12 500 50 15 700 60 18 1000 70 21 1400 85 26 2000 100 30 2800 120 36 4000 140 42 5600 170 50 8000 200 60 BCPS beam candlepower seconds Multiple Exposure with Electronic Flash No filter corrections or exposure adjustments are required for the effects of multiple consecutive flashes multipops up to 4 flashes For 8 flashes add CCO5M filtration Adjustments for Long and Short Exposures No filter correction or exposure compensation is required for expos
9. nsity Saanen cane Exposure Discharge Lamps Filters Adjustment General Electric Lucalox 80B 20C 2 1 3 stop a 20R 20M 2 3 stop Deluxe White Mercury 30R 30M 1 1 3 stops Clear Mercury 70R 11 3 stops This is a high pressure sodium vapor lamp The information in the table may not apply to other manufacturers high pressure sodium vapor lamps due to differences in spectral characteristics Note Consult the manufacturer of high intensity lamps for ozone ventilation requirements and safety information on ultraviolet radiation Some primary color filters were used in the previous tables to reduce the number of filters and keep the exposure adjustment to a minimum Red filters were substituted for equivalent filtration in magenta and yellow Blue filters were substituted for equivalent filtration in cyan and magenta PROCESSING Chemicals Process E100G and E100GX Films in KODAK Chemicals Process E 6 For consistent processing of these and all other EKTACHROME Films use a lab that is a member of the KODAK Q LAB Process Monitoring Service Push Processing Characteristics You can increase the effective speed i e push of E100G and E100GX Films by adjusting the first developer time Increased film speed is useful under dim lighting conditions or when you need high shutter speeds to stop action or small lens openings for increased depth of field You can also use a short push to slightly increase contrast sharpen hi
10. t by Eastman Kodak Company The company reserves the right to change and improve product characteristics at any time KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX e E 4024 5 KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX Modulation Transfer Curves MORE INFORMATION E100G and E100GxX Films Kodak has many publications to assist you with information on Kodak products equipment and materials The following publications are available from Kodak customer service or from dealers who sell Kodak products or you can contact Kodak in your country for more information E 8 KODAK EKTACHROME 64 Professional Film E 130 KODAK EKTACHROME 64T Professional Film E 27 KODAK EKTACHROME 100 Professional Film E 163 KODAK PROFESSIONAL EKTACHROME Film E100VS E 113 KODAK EKTACHROME 100 Plus Professional Film E 28 KODAK PROFESSIONAL EKTACHROME Film E200 1 2 345 10 20 50 100 200 600 E 30 Storage and Care of KODAK Photographic SPATIAL FREQUENCY cycles mm Materials Before and After Processing E103RF KODAK PROFESSIONAL Color Reversal Films E 144 KODAK EKTACHROME 160T Professional Film E 145 KODAK EKTACHROME 320T Professional Film E 147 KODAK EKTACHROME 1600 Professional Film E 161 KODAK EKTACHROME 400X Professional Film E 2529 KODAK PROFESSIONAL EKTACHROME Duplicating Film EDUPE 2 119 Using KODAK Chemicals Process E 6 RESPONSE FO09_0523AC For the latest version of technical support publications for KODAK PR
11. ure times from 1 10 000 to 10 seconds At exposure times of 120 seconds add CC10R filtration Note This information applies only when the films are exposed to daylight The data are based on average emulsions rounded to the nearest 1 3 stop and assume normal recommended processing Use the data only as a guide For critical applications make tests under your conditions 2 KODAK PROFESSIONAL EKTACHROME Films E100G and E100GX e E 4024 Fluorescent and High Intensity Discharge Lamps Use the color compensating filters and exposure adjustments below as starting points to expose these films under fluorescent or high intensity discharge lamps For critical applications make a series of test exposures under your actual conditions To avoid the brightness and color variations that occur during a single alternating current cycle use exposure times of 1 60 second or longer with fluorescent lamps with high intensity discharge lamps use exposure times of 1 125 second or longer Pe ren AEDA Exposure p Filters Adjustment Daylight 50R 1 stop White 40M 2 3 stop Warm White 20C 40M 1 stop Warm White Deluxe 30B 30C 1 1 3 stops Cool White 40M 10Y 1 stop Cool White Deluxe 20C 10M 2 3 stop Unknown Fluorescent 30M 2 3 stop When the type of fluorescent lamp is unknown try this filter and exposure adjustment color rendition may be less than optimum High Inte
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