Allen & Heath ZED12 FX DJ mixer
Contents
1. FOOT SWITCH PHANTOM POWER INSERT L Power PEL PHONES AUXI STEREO AUX2 2TRKRTN USB RTN MONTOR _ POST AUX1 MASTER AUX2 MASTER i 2 13 14 E 2 1 2 b 3 a 4 E 5 E 6 7 8 E 9 E 10 FX R MAIN OUT Allen amp Heath 9 ZED 12FX 16FX amp 22FX User Guide PANEL DRAWINGS 22FX m Ada i Long o5 Lg gg Lu ug ig U Lu Du fu Lh Tis ee cols ih Petts be erm ITD TTF mT2. 0w oo H 1 os os J s os o 1 1 E SUS HES Sy AA BUS AA EA EX Ee ll Loto Et L Jof E Jof E Laf Loto Lio o Loto C tofl Lodo Lof E Lof E toj L o E Loj E Lof E Laj E Fo Jt 9 m m m m m u u u u 2 2 2 2 2 a w o o a u a le er o o B z E 1 2 4 5 6 7 8 10 11 12 13 14 15 nl 19 20 1 22 FX LN D Allen amp Heath 10 ZED 12FX 16FX amp 22FX User Guide INTRODUCTION TO THE ZED I2FX I6FX amp 22FX The following is a technical overview of ZED if you want to please skip to the next section The Allen amp Heath ZED series mixers have been carefully and lovi
3. OR ZED 12FX 16FX or ZED 22FX MIXER 2 4 Type A B USB Lead Mains Lead To connect the ZED to your computer Check that the correct mains plug is fitted SONAR LE Music Software Install disk J 4 2 0 0 ZED 12FX 16FX amp 22FX User Guide Allen amp Heath SAFETY INSTRUCTIONS WARNINGS Read the following before proceeding CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR Read instructions Do not remove cover Power sources Power cord routing Grounding Water and moisture Ventilation Heat and vibration Servicing Installation Allen amp Heath Retain these safety and operating instructions for future reference Adhere to all warnings printed here and on the console Follow the operating instructions printed in this User Guide Operate the console with its covers correctly fitted Connect the console to a mains power unit only of the type described in this User Guide and marked on the rear panel Use the power cord with sealed mains plug appropriate for your local mains sup ply as provided with the console If the provided plug does not fit into your outlet consult your s
4. AUXI sup L RTN USB RTN ALT QUT in MONITOR mm 1R ln POST AUX1 MASTER AUX2 MASTER 2 30 N 1 7 2 Y 3 4 DI s X e 7 78 2 E Allen amp Heath 8 ZED 12FX 16FX amp 22FX User Guide PANEL DRAWINGS 6FX f hz hou xa a 5 am a c leo ken kon ALLEN amp HEATH AC MAINS IN Ae 100 240V 4694 26W Ex CE X E 1 c 3047465 Cert to CANCSA Sid C222 No 60065 03 Contos to ANSVUL Std 60065 2005 THTT D TIL LER his device comples with Part 15 of the Rules OO MITT Operalon subject 1o the flowing two conditions n 1 this device may not cause harmful interference and LE LE IIT Lf 2 this device must accept any interference received including interference that may cause undesired operation CAUTION RISK OF
5. 1 ID ALLEN amp HEATH ZED 22 FX war REDUCE Tre KO FUSE AC MAINS IN oF ON 100 2400 STRN REC QUT N 2 INSERT L MAN OU INSERT R 16 WNSERT RR IA AEQ rss re UP LR post E 121053 H1V3H9N3TIV Jarama co PHONE Brom OE mmis i M AE B L iL rwewew we E RK ATH use am ALT y g ZED
6. nieerence hat cus unes AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF RE REPLACE FUSE WITH SAME TYPE AND RATING ATTENTION REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE REFER SERVICING TO QUALIFED SERVICE PERSONNEL WARNING THIS APPARATUS MUST BE EARTHED FUSE AC MAINS IN TIAL 250V 20mm Orr ON 100 240V 47 63Hz 40W MAK 12 PX Serial No STRTN 2TRK RTN REC OUT ALTOUT AS MIC MIC ER FN atte L 29 AN 7 AUXt OUT INSERT L MAIN OUT f gt GS R SUM J STI IN INSERT INSERT A N INSERT ST EZ 5 NN x Ln HF rake i Hz Hz 3s Ld 5 LR PRE taps 3 9 mm ESO JE UP LR post ales s as Lo o o i f Ola ls mu o mee x 5 ZR SZ B gt My verb level late decay C pvrve toe 5 iae EX el size 10 Plate predly Elo 20 Coy mu L R Ae um ante ey imer ot poms Gens em id
7. In sert Mic Preamps H W Insert Delay 1 Show Laet Saved Setup A PTAI CH Name Format 2 ZED Stereo OUT Stereo R 1 O Setup input Output Bus Insert MicPreamps Insert Delay Show Last Saved Setup A PTAI O Name Format 12 L R no input Interface ZED Stereo Input L Mono bus ZED StorinptR wavefom an 7 Finally check the interface and settings are working by recording some audio from the ZED mixer to PT9 and then play the audio back to the ZED afterwards Always be wary of audio feedback loops with bi directional inter face connections which can cause high level audio feedback if signals are routed back to themselves either in the mixer or in the software system Allen amp Heath 28 ZED 12FX 16FX amp 22FX User Guide ER E 2228222857 MICROPHONE SIGNAL FROM DIRECT BOX STEREO LINE LEVEL SIGNAL EFFECTS RETURN STEREO e HIV3H9N3TIV SUB BASS EFFECTS SEND ADDITIONAL TO INTERNAL EFFECTS STAGE MONITOR SIGNALS LINE LEVEL USB CONNECTION MAIN PA LINE LEVEL OUT LEFT RIGHT amp SUB FOLDBACK MONITORS len Al APPLICATION DR
8. create a new output path if one doesn t exist name it here it s called ZED Stereo OUT and tick it to enable The output path can be set as stereo or mono channels as is required 5 Still in I O Setup click the Input tab Again the input sources should appear for enabled devices in Pro Tools Aggregate l O Create a new path for the inputs and name as you prefer Here we have a stereo input named ZED Stereo Input Note that mono channels can use one chan nel of a stereo input path Make sure the path is ticked and click OK 6 Select the inputs and outputs for your tracks in your session Here the input for mono Track is selected as the Left channel from the ZED USB interface The track outputs can either be routed to the ZED directly or to a master bus in Pro Tools and then to the ZED Butt in input A oem USt Audio CODEC Y USB Audio CODEC USt Auno COOKE USB Audio CODEC Pro Tools Aggregate 1 0 Dock Source wo we ute vee in Qut esae UM pu o Cove CODEC amp Osa Digi Device Hom Configure Speakers Playbac Engine Pro Tools Aggregate 1 0 2 Current Engine Settings Buffer Size 512 Samples Host Processors 4 Processors 3 CPU Usage Limit 85 9 Host Engine M Igrore Errors During Playback Record may cause clicks and pops Minimize Additicnal Latency Setup Input Output Bus
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10. Compatibility directive 2004 108 EC and the European Low Voltage Directive 2006 95 EC This product has been tested to EN55103 Parts amp 2 1996 for use in Environments El E2 E3 and E4 to demonstrate compliance with the protection requirements in the European EMC directive 2004 108 EC During some tests the specified performance figures of the product were affected This is considered permissible and the product has been passed as acceptable for its intended use Allen amp Heath has a strict policy of ensuring all products are tested to the latest safety and EMC standards Customers requiring more information about EMC and safety issues can contact Allen amp Heath NOTE Any changes or modifications to the console not approved by Allen amp Heath could void the compliance of the console and therefore the users authority to operate it ZED I2FX 16FX amp 22FX User Guide AP7085 Issue 2 Copyright 2007 Allen amp Heath Limited All rights reserved Allen amp Heath Limited Kernick Industrial Estate Penryn Cornwall TRIO 9LU UK http www allen heath com Allen amp Heath 3 ZED 12FX 16FX amp 22FX User Guide PACKED ITEMS Check that you have received the following ALLEN amp HEATH gl ZZ ZZ ZZ IN ALLEN amp HEATH E OR
11. ELECTRIC SHOCK DO NOT OPEN AVI RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF FIRE FUSE WITH SAME AND RATING ATTENTION REMPLACER PAR UN F SIBLE STRICTEMENT IDENTIQUE EN VALEURS REFER SERVICING TO QUALIFIED SERVICE PERSONNEL WARNING THIS APPARATUS MUST BE EARTHED CET APPAREIL DOIT ETRE MIS A LA TERRE Laite suojamaadotuskostetmita varustettuun pistorasiaan Apparate tikoples jordet stikkontakt Apparaten skall anslutas jordat utag FUSE TIA L 250V 20mm OFF ON 16FX Serial No ENGINEERED ENGLAND SY ALLEN amp HEATH LIMITED MADE IN CHINA 2TRK RTN REC OUT AUXI OUT AUX30UT 10 INSERT INSERT gt INSERT AUX3 RX O av LRPRE UP IR post I ovre res 3 yee se o Pate wenn E otero eae Pas n 2 egen 13 Hal size meme 52 rae iie eg ince en C icons dm O ticos I PARAMETER HOLD TAP seo
12. R out L R faders 0 22 22kHz ZED 22FX 84dBu Allen amp Heath 12 ZED 12FX 16FX amp 22FX User Guide 465mm 18 3 inches 4 mu IE E ELA 9 9 6 e a e 9 Berl Bul e Qua Bi Ba Ba DA MEN 98 3 9 92 3 6 ZED 22FX 645mm 25 4 inches ZED 12FX 385mm 15 2 inches ZED I6FX 464mm 183 inches Unpacked Packed 450 17 77 e e OR es a ZED 12FX 6 5kg 143 Ib I0 5kg 23 Ib Weight ZED I6FX 8 5kg 18 7 Ib 13kg 28 6 Ib mm inches ZED 22FX 10 5kg 23 1 Ib I5kg 33 Ib A rack mounting kit is available for ZED 12FX The part number is ZEDI402 RKI9 A rack mounting kit is available for ZED 16FX The part number is ZEDI802 RKI9 Allen amp Heath 13 ZED 12FX 16FX amp 22FX User Guide BLO
13. Windows 7 treats the USB audio device as a microphone source instead if a line input so set the device volume level much lower we found setting to 3 is ideal If you want to reduce latency delay there are some different drivers available for your operating system Please check the Allen amp Heath website www allen heath com for details and links to third party companies able to supply appropriate driv ers for your operating system Allen amp Heath 25 ZED 12FX 16FX amp 22FX User Guide cakewalk SONAR X1 LE DIGITAL AUDIO WORKSTATION SONAR LE Overview SONAR XI LE is a software application from Cakewalk and is included free of charge with your new ZED mixing console SONAR XI LE is a powerful first step into the world of sequencing and hard disk recording on the Windows platform You ll be able to record from your ZED mixer create tracks and arrange songs then play back to your ZED mixer via the USB port You can decide whether the SONAR family of products is right for you If you choose to upgrade your copy of SONAR XI LE to a more full featured version like SONAR Producer you ll now be able to do so at significant savings We will describe the basic steps of installing the software and getting started here for more comprehensive help or technical support please use the Help files in SONAR LE or visit the SONAR LE website www cakewalk com Products SONARLE The website will have details on registering your
14. as described on previous pages Stereo Input Channel ST2 The only difference from stereo input channel STI is the labelling of the additional stereo input on phono con nectors labelled as 2 Track Return This is to indicate that a 2 track stereo input can be inserted here for playback of a stereo recording or incidental music Stereo Input Channel ST3 Stereo input channel ST3 also has an additional stereo input but instead of being on phono connectors it comes from the USB audio input The level control ON switch and routing switch are the same as for stereo input channel STI It is best to leave the ON switch in its UP position when the USB input is not in use The phono sockets carry the analogue record output signals that are sourced from the main L R outputs They are pre fade post L R insert Effects Channel and ST4 input The FX Effects channel has one stereo input ST4 on jack sockets which adds to the output of the built in digital effects processor This stereo input can be used with an external effects processor to return the effects signal to the main mix The phono sockets carry the Alternate stereo output which comes from the selector switches and level con trol in the master section USB connector amp output selection A standard USB type B connector plugs in here cable supplied The three selector switches determine what is sent on the USB output They work on a priority system so that if more than one is pressed
15. of 12kHz is around 3dB from the maximum cut or boost of the circuit It has plenty of gain and actually gives slightly more that the 15dB leg end suggests dBr 20 00 15 00 10 00 10 00 15 00 20 00 i i 10000 00 30000 00 MF EQ The MF Mid Frequency equaliser affects the middle of the audible frequency range The frequency graduations on the sweep control are the centre frequencies of the EQ The range has been carefully chosen to cover boomy frequencies around 120Hz to 250Hz which may need cutting back or a lift at 2 to 3kHz may be required for microphone intelligibility LF EQ The LF Low Frequency equaliser affects the response at the low end of the audio range The graph shows the response of the LF EQ at maximum cut and boost The corner frequency is 80Hz 20 00 1000 00 10000 00 30000 00 10 00 Hz 100 00 Allen amp Heath l6 ZED 12FX 16FX amp 22FX User Guide MONO INPUT CHANNEL Auxes amp 2 Each of these controls sends a signal to an auxiliary bus The signal is sourced pre fade which means that the level is independent of and unaf 2 fected by the fader Auxes amp 2 are primarily used for foldback monitoring purposes as the fader does not affect the level They can also be used as feeds for record
16. separate to the main outputs The level control adjusts the volume of the output from off to 6dB Alternate output selector switches These under panel switches select the signal source for the Alt out put They select between the L R pre fade L R post fade or the monitor L R signals Aux amp 2 master level controls For adjusting the level of the Aux and 2 outputs The range of level control is from off to 6dB Master L R faders High quality 100mm faders for the main L R outputs 10dB gain at the top unity gain marked at 0 Allen amp Heath 24 ZED 12FX 16FX amp 22FX User Guide USB CONNECTION p UP LR post J USB Audio Interface The ZED is equipped with a stereo bi directional USB 1 1 compliant audio CODEC It is fully compliant with USB 2 ports and uses standard Windows and MAC Core Audio Drivers In other words plug it in and your computer will find it and be able to transfer audio to and from the ZED USB device You will need some form of audio software running on your computer to be able to record and play back what you re cord but on a basic level you can use your computers media player to play straight to the ZED device Just a couple of points to look out for Windows XP Vista When you plug in your ZED USB interface to your computer if the volume level is low or inaudible check the device volume in control panel Sounds and Audio Devices Volume Set the volume to High Windows 7 At present
17. the L R meters and be fed to the headphones circuit for monitoring The PK LED illuminates dimly to indicate the PFL switch is pressed and brightly to indi cate the effects signal is within 5dB of clipping Fader The 100mm fader affects the level of the effects signal to the left amp right buses and Auxes amp 2 There is 10dB of gain at the top and the unity gain position is marked by 0 21 ZED 12FX 16FX amp 22FX User Guide EFFECTS PROCESSOR ZED 2274 e Dly verb level 9 Plate decay e Dly verb size Plate predly Dly verb regen 11 Plate colour f 4 PingPong regen Halli size amp BeatDly regen Hall2 size amp 6 Ambient echo Arena size 7 Slapverb size 15 Flanger dpth e 8 DoubleZED size 16 Chorus dpth Bank 9 16 Effects Type List amp Description There are 16 different effects presets in the ZED Effects Processor Each is fed with a mono signal from the FX bus and the output from the effects processor is in ste reo Each preset has a parameter adjust control which is matched to the preset This control may morph several parameters all at once for example the parameter con trol for the Chorus effect will adjust not only the depth but the response of the filters in software to create a more or less intense effect In general when adjusting the effect parameter the more LED s that are illuminated the more intense the effect or hig
18. the one nearest the top takes precedence So if all 3 are pressed then the Aux amp 2 signals would be sent by the USB device Please refer to the section describing using the USB audio port for more details Allen amp Heath 20 ZED 12FX 16FX amp 22FX User Guide EFFECTS PROCESSOR ZED Ex Dly verb level 9 Plate decay BeatDly regen Hall2 size 6 Ambient echo Arena size SlapVerb size dpth 8 DoubleZED size dpth SEL E A PARAMETER HOLD Tap STEREO 4 A 4 Allen amp Heath Effects Type Selection LED 8 Green LED s show one of 16 effects types available If the Bank LED is off the green LED s will show one of to 8 on the effects list or off if no LED s are the tempo of the delay time The green LED s also display the level of the parameter adjustment when the TAP button is held down The more LED s that illuminate the more the pa rameter is increased in value or intensity Dly verb size Plate predly 5 D1 verb regen 11 Piate colour lit if the Bank LED is on the green LED s will show which of effects types 9 to 4 PingPong regen 12 Halt size 16 is selected For effects types to 5 the green LED will blink in time with Bank LED The Bank LED illuminates when one of the effects type 9 to 16 is selected If the Bank LED is on then the green LED will show which effect is selected from the list SEL Buttons The SEL buttons select t
19. wired as Pin Chassis Pin 2 hot Pin 3 Cold Line Input Jack Socket Standard 1 4 6 25mm Jack socket for balanced or unbalanced line level signals Wired Tip Hot Ring cold Sleeve Chassis The Line input overrides the Mic input so if you want to hear something plugged in to the xlr socket make sure nothing is plugged into the Line input Insert Jack Socket Standard 1 4 6 25mm Jack socket for unbalanced insert send and return signals Wired Tip send Ring return Sleeve Chassis Nominal level is OdBu The insert point is after the 100Hz filter and before the EQ Gain Control This adjusts the gain of the input amplifier to match the signal level of the input The gain is varied from 6dB attenuation to 63dB for signals plugged in to the xlr socket Mic Input and 10dB to 26dB for signals plugged into the Line input jack 100Hz Hi pass Filter The Hi pass filter is used for reducing pop noise and rum ble from microphone signals It is a 2 pole 12dB per oc 10 00 20 00 30 00 40 00 50 00 tave filter with a corner frequency set at 100Hz The filter affects signals from both Mic XLR and Line jack socket iilii 10000 00 30000 00 10 00 Hz 100 00 1000 00 Allen amp Heath 15 ZED 12FX 16FX amp 22FX User Guide MONO INPUT CHANNEL HF EQ The HF High Frequency equaliser affects the frequency response of the higher audible frequencies The corner frequency
20. 283 709 me pex e x t USB 4 1 AUX 2 RETURN C SUM al E Lae STEREO CHANNEL 2 AUX3 fr meters 1 SUM S la PRIORITY SWITCHING EJ 2TRKRTN o FX AUX 1 E E GAIN LR d 9 PFL AFL EB DONE g EFFECTS SEND ey EB R po E o 2 TRK RTN RA E E i i 2TRK RTN tJ epu MN An E 1 20 EFFECT TYPE USB RTN gt 2 TRK RTN TO MONITOR SELECTION 5 USB RETURN L1 8 9 PHONES STEREO CHANNEL 3 i 7 O een DSP 15 REC OUT El EFFECTS gt 1 SEL L PFL ACTIVE gt GAIN LR PROCESSOR SELDOWN ACTIVE L 1 Ro g TARIPARAMETER D HARE Y pe ux I ALT LEVEL A i Cy Prt f x i i lt USB RETURN FROM COMPUTER i gt STEREO 9 91 CUN RECORD OUT O RECESSED SWITCHES TO ALT OUT STEREO EFFECTS CHANNEL i MUTE ALT OUT 7 L EXT FX IN Q SUM d T SUM MONO OUT 9 BAL E D Ee o 7 1 FOOTSWITCH ALT OUT A ZED 12FX 16FX amp 22FX User Guide 14 Allen amp Heath MONO INPUT CHANNEL 1 INSERT 09 P 10 6 e 26 CR GAIN fj A 0 10 00 Mic Input Socket Standard 3 Pin XLR socket
21. ALLEN amp HEATH Z 46 FX USER GUIDE Publication AP7085 Limited One Year Warranty This product is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner To ensure a high level of performance and reliability for which this equipment has been designed and manufactured read this User Guide before operating In the event of a failure notify and return the defective unit to ALLEN amp HEATH Limited or its authorised agent as soon as possible for repair under warranty subject to the following conditions Conditions Of Warranty The equipment has been installed and operated in accordance with the instructions in this User Guide The equipment has not been subject to misuse either intended or accidental neglect or alteration other than as described in the User Guide or Service Manual or approved by ALLEN amp HEATH Any necessary adjustment alteration or repair has been carried out by ALLEN amp HEATH or its authorised agent This warranty does not cover fader wear and tear The defective unit is to be returned carriage prepaid to ALLEN amp HEATH or its authorised agent with proof of purchase Units returned should be packed to avoid transit damage In certain territories the terms may vary Check with your ALLEN amp HEATH agent for any additional warranty which may apply This product complies with the European Electro magnetic
22. AWING STUDIO SETUP 1 PUNK 25 i E A is E 5 l emm I 0 gt 49 gt a OM U x o TA De 9 00 x ow Sy 2DAZS O O m m M 2 z 2 3 9 UC Jr o 95 22926 A X mM O gt lt m O 2 9 8 8 9 Allen amp Heath 30 ZED 12FX 16FX amp 22FX User Guide WIRING NOTES PROCESSOR Insert cable wiring RETURN OUT INSERT MEO F R GROUND RETURN SEND LINK RING TO SLEEVE TO UNBALANCE Y Adapter Y Adapter 2 Outputs to 1 Input RCA phono jacks adapter 1 Output to 2 Inputs RCA PHONO CABLE E bet L C1 m m I gt c UNBALANCED PEL L 5 UNBALANCED INSTRUMENT CABLE UNBALANCED Yes CE a TO BALANCED TRS JACK CABLE BALANCED Jl E c X X 0 SIT li II steeve ground Sleeve ground Ring cold Ring cold Tip hot Tip hot TO 2 hot ground MIC CABLE BATANGEB 1 ground id FROM INPUT E y 0 OUT
23. CK DIAGRAM ZED 12FX 16FX amp 22FX BLOCK DIAGRAM d D PEAK RECORD OUT MONO CHANNEL LI 3 BAND EQUALISER T FADER READ E LINSERT MAIN LR A 100Hz INSERT ip aw a PAN O Faers n i H R INSERT 0 um Q MAIN OUT om 0dBu NOMINAL OU pa 2 AUXA MASTER LEVEL 2 Or OUT 2n pa 3 E 7 SOLDER LINK AUX2 STEREO CHANNEL 1 FX MASTER LEVEL o AAA ERR ME AA Q AUX2 OUT 1 1 y m STEREO RETURN ON El PEAK t d STEREO CHANNEL E z a neon 1 R 1 O CHAN 2 BAND EQUALISER MUTE FADER A OE SUM LJ ll am T L e x EFFECTS SEND rs Zu STEREO PRIORITY SWITCHING USB DEVICE SB TSIEREOUO AUX 1 2 AAA L S
24. PUT XLR MALE XLR FEMALE 8 1 ground 2 hot BALANGEU TRS to XLR F CABLE BAuANcE MM a PES es General pa m Sleeve ground XLR FEMALE Wiring Ring cold Tip hot Information xiu 1 ground BALANCED TRS to XLR M CABLE ANGER cc E HITO Sleeve ground Ring cold Tip hot Allen amp Heath 3l ZED 12FX 16FX amp 22FX User Guide PRODUCT SUPPORT Investigate ALLEN amp HEATH s other ranges at www allen heath com Large Live Sound mixers iLive digital and GL Series Small Format Live Sound mixers ZED MixWizards and PA Series Registering your product Thank you for buying the Allen amp Heath ZED I2FX 16FX or 22FX mixer We hope that you are happy with it and that you enjoy many years of faithful service with it Please go to www allen heath com register asp and register your product s serial number and your details By registering with us and becoming an official Registered User you will ensure that any warranty claim you might make is actioned quickly and with the minimum delay Alternatively you may either copy or cut off this section of the page fill in the details and return it by mail to Allen amp Heath Ltd Kernick Industrial Estate Penryn Cornwall TRIO 9LU UK gt 2 tE 8 e 86 s E S Y La E a 2 o 9 6 0 E 5 33 55 S28 3 e E ge lt E
25. R Headphones jack sockets One 1 4 and one 3 5mm jack socket for stereo headphones Wired Tip left Ring right Sleeve Chassis It is recommended that headphones with an impedance higher than 30ohms are used Plate predly Plate colour Hall size Hall2 size Arena size PHONES Flanger dpth OX 16 Chorus R PFL ACTIVE MIN MAX E AUXI STEREO E E AUX2 EN 2TRK RTN Footswitch connection Standard 1 4 6 25mm Jack socket for use with a footswitch Wired so that a switch closure between Tip and Sleeve will activate the effects mute circuitry to cut the effects return and ST4 from the main LR mix and the Aux amp 2 sends HLVAHSNATIV pes USB RTN N m an 48v Phantom Power switch ij Press this in to switch 48v Phantom Power to all the Mic input xlr connectors if any of the microphones attached require power Dy namic microphones won t mind being connected to a phantom powered input but care is needed to ensure that 48v is not switched on if an xlr is used to input a signal from an electronic circuit ie Another mixer or keyboard When switching 48v on or off or plugging in connectors to channels with 48v present it is important and normal practise to mute the channels This will avoid loud clicks and bangs potentially getting through to the amps amp speak ers with the possible effect of damaging the speakers or the audience s hearing JM PRE m POST Left Ri
26. as a stereo pair depending on the position of the STEREO switch please see above Auxes amp 2 are pre fade but muted when the Mute switch is pressed There is 6dB of gain at the fully clockwise position Aux 3 amp FX sends These controls take a mono sum of the left amp right stereo channel signals from after the fader and send them to the Aux 3 and FX buses respectively They are muted when the Mute switch is pressed and have 6dB of gain at maximum Balance control The Balance control varies the relative levels between the left and right channels Mute Switch Mutes the signals to the main L R and the Aux buses PFL Switch amp PK LED The Pre Fade Listen switch takes a mono sum of the stereo channel signals from before the fader and mute switch When pressed the signal will appear on the L R meters and be fed to the headphones circuit for monitoring The PK LED illuminates dimly to indicate the PFL switch is pressed and brightly to indicate the channel signal is within 5dB of clipping Fader The 100mm fader affects the level of the channel signal to the left amp right buses and Auxes 3 amp FX There is 10dB of gain at the top and the unity gain position is marked by 0 Allen amp Heath 19 ZED 12FX 16FX amp 22FX User Guide STEREO INPUT CHANNELS ST2 3 amp FX 2TRK RTN REC OUT ALT OUT To 9 10 Stereo Input Channel STI This is stereo input channel STI
27. ecay time 10 Plate predly Plate reverb with pre delay Good for vocals percussion PARAMETER adjusts pre delay time for increased intelligibility 11 Plate colour Classic plate reverb PARAMETER adjusts tonal texture from dark to bright 12 Hall size Smooth classic hall reverb PARAMETER adjusts size of hall 13 Hall2 size Brighter hall reverb PARAMETER adjusts size of hall 14 Arena size Arena reverb PARAMETER adjusts size of arena 15 Flanger dpth Classic flanger effect PARAMETER adjusts depth and tonality 16 Chorus dpth Chorus effect PARAMETER adjusts depth and tonality Allen amp Heath 22 ZED 12FX 16FX amp 22FX User Guide MASTER SECTION Aux output jack sockets AUX OUT INSERT L Standard 1 4 jack sockets for Aux to 3 outputs FX or Aux 4 is a the internal Effects bus and does not have an output socket Imped ance balanced nominal level OdBu AUX2 OUT INSERT R O O Mix L R Insert jack sockets TEM Standard 1 4 6 25mm Jack sockets for unbalanced insert send and AUX3 OUT MONO OUT N y return signals Wired Tip send Ring return Sleeve Chassis V Nominal level is OdBu Q Q PHONES un Main L R output xlr sockets Main left amp right outputs Impedance balanced signals chassis POWER pin2 hot pin3 cold Nominal level OdBu Mono output jack socket L A mono sum of the main left amp right post fade signals PHANTOM POWE
28. ent audio drivers T Show Mono Outputs Colors 3 Metronome REP 7 Left USB Audio CODEC Right USB Audio CODEC Stereo USB Audio CODEC Selected Track Input Series Selected Track Inputs USB Audio CODEC 1 in 1 out Corse 0 000 Sec SONAR X1 14 aer View Options Tracks Layers Clips 10 02 441 1 2ED Left 2 ZED Right Clips ZED 12FX 16FX amp 22FX User Guide CONNECTING A ZED TO PRO TOOLS 9 ONA MAC If you use Pro Tools 9 and want to connect to your ZED console using a Mac computer here are some notes Connect your ZED mixer to your Mac via USB and power on the mixer 2 With Pro Tools 9 installed open Audio MIDI Setup on your Mac PT9 should have created a Pro Tools Aggre gate I O folder in the Audio Devices list The ZED interface should appear as USB Audio CODEC in the list along with other audio devices in your system Tick Use to enable the device in PT9 You may need to also tick Resample in order for the audio data settings to be compatible with your PT9 session Audio MIDI Setup 3 Run Pro Tools 9 and create a new session with at least two audio tracks Open the SETUP Playback Engine window and select Pro Tools Aggregate l O as the Current Engine Click OK 4 n PT9 click SETUP and then I O Select Output from the menu and the devices available should appear in a box labelled PTAI O Pro Tools Aggregate I O Here you can
29. ervice agent for assistance Route the power cord so that it is not likely to be walked on stretched or pinched by items placed upon or against it Do not defeat the grounding and polarisation means of the power cord plug Do not remove or tam per with the ground connection in the power cord WARNING This equipment must be earthed To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet conditions Do not place containers of liquids on it which might spill into any openings Do not obstruct the ventilation slots or position the console where the air flow required for ventilation is impeded If the console is to be operated in a rack unit or flightcase ensure that it is constructed to allow adequate ventilation Do not locate the console in a place subject to excessive heat or direct sunlight as this could be a fire hazard Locate the console away from any equipment which produces heat or causes excessive vi bration Switch off the equipment and unplug the power cord immediately if it is exposed to moisture spilled liquid objects fallen into the openings the power cord or plug become damaged during lightning storms or if smoke odour or noise is noticed Refer servicing to qualified technical personnel only Install the console in accordance with the instructions printed in this User Guide Do not connect the output of power amplifiers directly to the console Use audio connec
30. fects range from classic reverbs cascaded delay plus reverbs to shimmering flanger amp chorus effects The different effects types are selected with a simple up down button interface and the tempo of the delay settings can be entered using the TAP button Holding the TAP button allows the parameters of the effects to be adjusted The audio signal to the DSP is converted using 24 bit high dynamic range converters running at 48kHz sample rate ensuring low noise low distortion transparent effects Mono and Stereo Channels One of the great things about the ZED series is the number and variety of things you can plug in In addition to the mono channels there are three stereo channels each with a main stereo input on jack sockets two of them have the ability to take additional stereo inputs from phono sockets the third can take the USB audio input Flexibility gives you control USB Getting audio to and from a computer easily is now a common requirement for live sound and music production The way we have imple mented this on ZED is super flexible and super easy No longer do you need to fiddle around the back of your computer to get to the soundcard inputs only to find that the levels are all wrong and noisy Just plug in a USB lead to your ZED select the USB routing on the mixer and the device on your computer and that s it Quality audio to and from your PC or MAC As you can tell we re very proud of this product we hope you like it too A
31. ght meters 12 segment LED meters peak type response the 0 position re flects OdBu at the outputs These display the signals from the moni tor selector switches below or the PFL pre fade listen signals from any selected channels which overrides Allen amp Heath 23 ZED 12FX 16FX amp 22FX User Guide MASTER SECTION uu Headphone level control PHANTOM POWER 6 Adjusts the level of the headphone signal Warning To avoid damage to your hearing do not operate the headphones o 9 or sound system at excessively high volume Continued exposure to high volume sound can cause frequency selective or wide range hearing loss a Plate decay Plate predly Plate colour Hall1 size Hall2 size Arena size Flanger dpth Chorus dpth R Monitor selector switches These 4 switches select the signal source for the headphones moni zen tor and the meters They work on a priority basis If they are all up then the post fade main L R signals will feed the monitor circuit if use an USB and 2 TRK are pressed then only the 2 TRK signals will feed the monitor circuit The stereo option of pressing both AUX and AUX 2 together allows Aux to feed the left and Aux 2 to feed the right monitor circuit This is useful if a stereo mix is set up using Auxes amp 2 HIVAHYNITIV ALT MASTER mr JR Alternate output level control The Alt Alternate Output is useful for connecting a pair of moni tor speakers
32. he audio signal before raising the fader or un muting the channel The PK LED illuminates dimly to indicate the PFL switch is pressed and brightly to indicate the channel signal is within 5dB of clipping Fader The 100mm fader affects the level of the channel signal to the left amp right buses and Auxes 3 amp 4 There is 10dB of gain at the top and the unity gain position is marked by 0 Allen amp Heath 17 ZED 12FX 16FX amp 22FX User Guide STEREO INPUT CHANNEL STI Stereo Return Phono sockets This is an additional stereo input to the main stereo channel input below The gain is varied by the ST RTN control and this input can be sent to either the stereo channel or straight to the L R main bus depending on the setting of the under panel switch These inputs are unbalanced Stereo input jack sockets Standard 1 4 jack sockets for line level stereo signals Can be used with a mono input where the L M input will also connect to the R input if nothing is plugged in to R The Stereo inputs accept unbalanced or balanced signals Stereo Return Level control Adjusts the level of the stereo return input from off fully attenu ated to maximum where it has 10dB of gain Stereo Return ON switch This switches the signal on when pressed in Leaving the switch in the up position is recommended when the stereo return input is not in use to minimise unwanted noise being passed through Stereo Routing selector switch Th
33. he type of effect They also adjust the parameter of the selected effect when the TAP button is held down TAP Button The TAP button is used in two ways If one of effects types to 5 are selected then the TAP button can be used for adjusting the frequency or tempo of the delay parameter If the TAP button is held down the SEL buttons then become parameter adjust buttons to increase or decrease the level of the parameter assigned to the selected effect AUX amp 2 Send controls These controls send the effects processor output signal and the external effects return on ST4 to the Aux buses amp 2 either in mono or stereo depending on the under panel se lector switch described on Pagel 7 These send controls are commonly used to add some reverb or effect onto the Aux amp 2 buses that may be used for stage monitoring or foldback The overall level from these send controls will be affected by the fader and the Mute switch so the effect can be quickly cut from the monitors if required for announcements etc Balance control The Balance control varies the relative levels between the left and right channels Mute Switch Mutes the effect signals to the main L R and the Aux buses The Footswitch jack socket can also be used to mute the effects signal PFL Switch amp PK LED The Pre Fade Listen switch takes a mono sum of the stereo effects signals from before the fader and mute switch When pressed the signal will appear on
34. her the parameter value To restore the parameter settings to the factory defaults hold down both SEL but tons whilst switching on the power to your ZED A PARAMETER HOLD E Effects Type Table with description Effect Preset Name Effect Description amp Parameter adjustment Dly verb level Delay with Reverb Delay feeds reverb Classic Plate TAP for delay time Min 70mS Max 1 35S Adjust the level of reverb 2 Dly verb size Delay with Reverb Delay feeds reverb Classic Plate TAP for delay time Min Min 70mS Max 1 35S PARAMETER Adjusts the size of reverb 3 Dly verb regen Delay with Reverb Delay feeds reverb Classic Plate TAP for delay time Min 70mS Max 1 35S PARAMETER adjusts the regeneration of the delay 4 PingPong regen Ping Pong delay left then right in parallel with Plate reverb TAP for left delay time Min 70mS Max 1 35S PARAMETER adjusts the delay regeneration 5 BeatDly regen As 4 but right delay is set for 1 4 beat of left Good for off beat 4 4 delay sound TAP for left delay time amp PARAMETER adjusts the delay regeneration 6 Ambient echo Echo Delay with Reverb PARAMETER adjusts the echo time 7 SlapVerb size Reverb with echo reflections creating classic slapback reverb sound PARAMETER adjusts the slapback size more slap echo 8 DoubleZED size Classic stereo doubler PARAMETER adjusts delay and size 9 Plate decay Classic plate reverb PARAMETER adjusts d
35. ing and are available sources to the USB interface for this purpose These sends are affected by the Mute switch so muting the channel will also mute the Aux sends A N The control varies the signal level to the bus from off fully attenuated to 6dB with unity gain at the arrow There are master level controls for the Aux amp 2 outputs situated in the 00 6 master section of the mixer NENNT Auxes 3 amp FX These are post fade sends which means that the signals are affected by the channel fader Primarily used for effects sends the aux signal will reduce if the fader is pulled down so keeping the correct proportion of the effect G Muting the channel will also mute the Aux sends and the send controls have 6dB gain fully clockwise There are no master level controls for Aux 3 output or the FX mix bus PAN The pan control adjusts how the signal from the mono input channel is shared between the left and right buses and subsequently the main stereo outputs Set to the mid position equal amounts of signal are fed to left and right with pan set to L none is sent to the Right bus Mute Switch 0 This mutes or cuts the signal to the left amp right buses and the Aux buses A rectangular LED illuminates to show the Mute switch is pressed PFL Switch amp PK LED The PFL Pre Fade Listen switch sends the channel signal to the PFL bus and subsequently to the headphones and the main L R meters Used for checking t
36. is switch selects whether the Stereo Return signal is sent to the L R bus directly or the stereo channel When it is pressed in the Stereo Return signal sums together with the main stereo input Stereo Level control Adjusts the level of the STI input The range is from off to 10dB Stereo Channel EQ The Stereo Channel EQ is 2 band with corner frequencies of 12kHz for the HF and 80Hz for the LF dBr 20 00 15 00 10 00 10 00 15 00 20 00 10 00 Hz 100 00 1000 00 10000 00 30000 00 Allen amp Heath 18 ZED 12FX 16FX amp 22FX User Guide STEREO INPUT CHANNEL STI STEREO STEREO Aux 2 switch This is an under panel selector switch that configures Auxes amp 2 to be either mono sends or a stereo send pair UP A mono sum of the left amp right stereo channel signal is sent to Aux buses amp 2 by the control knobs DOWN The left stereo channel signal is sent to Aux and the right is sent to Aux 2 by the control knobs Note This can be useful when setting up a seperate stereo output from the main L R output using Auxes amp 2 possibly for recording This can be selected to feed the USB output to create an independent stereo feed for recording using a computer Aux amp 2 sends These control the level of the signals sent to the Aux amp 2 buses The Aux amp 2 send controls are configured either as two mono sends or
37. llen amp Heath 11 ZED 12FX 16FX amp 22FX User Guide SPECIFICATIONS Operating Levels Input Mono channel XLR Input 6 to 63dBu for nominal 17dBu in max Mono channel Line Input Jack socket 10 to 26dBu 30dBu maximum Insert point TRS Jack socket OdBu nominal 21 dBu maximum Stereo Input Jack sockets OdBu nominal control Off to 10dB Stereo input phono sockets OdBu nominal control Off to 10dB Output L R amp Mono Outputs L amp R XLR Mono Jack OdBu nominal 21dBu maximum Aux Outputs Jack sockets OdBu nominal 21 dBu maximum Alt Outputs phono sockets OdBu nominal 21dBu maximum Rec Outputs phono sockets OdBu nominal 21 dBu maximum Frequency Response Mic in to Mix L R Out 30dB gain 0 5 dB 20Hz to 20kHz Line in to Mix L R out OdB gain 0 5 1dB 10Hz to 30kHz Stereo in to Mix L R out 0 5 1dB 10Hz to 30kHz THD n Mic in to Mix L R Out OdB gain IkHz 10dBu out 0 004 Mic in to Mix L R Out 30dB gain IkHz 0 014 Line in to Mix L R out OdB gain OdBu IkHz 0 005 Stereo in to Mix out OdB gain 10dBu IkHz 0 003 Headroom Analogue Headroom from nominal 0Vu 21dB USB in amp out headroom from nominal 0Vu 14dB USB Audio CODEC Coder Decoder USB Audio In Out USB 1 1 compliant 6bit Sample Rate 32 44 1 or 48kHz Noise Mic Pre EIN max gain 150R input Z 22 22kHz 127dBu Mix L R out L R faders 0 22 22kHz ZED I2FX 88dBu Mix L R out L R faders 0 22 22kHz ZED I6FX 86dBu Mix L
38. mps from the PA series the ZED 12FX 16FX amp 22FX pre amps use a two stage design with carefully controlled amounts of gain in each stage When amplifying the signal from the XLR input the gain range is huge 69dB of range to be exact and is very evenly distributed around the gain control meaning better control of signal level Most of the gain comes from the first stage so unwanted noise is kept to a minimum There is no pad switch or pad circuit line level signals are simply plugged into the second stage of the pre amp by using the line input jack socket This has the great advantage of lower noise when using the line input It is common to attenuate line level signals the amplify them back up again which can give more noise or hiss EQ The ZED series mixers are equipped with a 3 band equaliser circuit on each mono input and a 2 band EQ on the stereo channels The fre quency and response of each has been carefully chosen to give the maximum performance when using the EQ on a variety of sources AUX system Zed 12FX 16FX amp 22fX mixers have 4 Aux buses 3 are used for connecting external equipment such as foldback stage monitors or exter nal effects processors and one is used for the internal effects processor Effects Processor Zed 12FX 16FX amp 22FX mixers have a professional quality effects processor built in which uses our own effects algorithms developed by our talented engineering staff at Allen amp Heath The ef
39. ngly designed in the beautiful county of Cornwall in the UK and is manu factured alongside a wide range of professional audio mixing consoles Many of the components used in ZED are exactly the same as in the larger Allen amp Heath products and the construction methods are also very similar utilising individual vertically mounted channel circuit boards with each rotary control fixed with a metal nut to the front panel This provides a very robust product that will resist damage and give years of reliable use It also makes servicing much easier should it be required with the ability to remove one particular channel from the mixer at a time or easily change a fader The audio circuitry is based on years of continual development and refinement the performance of all the elements within the mixer scruti nised and perfected to ensure the very best sound quality possible Multi application ZED s are great for live mixing Their layout makes them very easy to use and the 100mm faders give much better control of the mix com pared to most products at a similar price They are also great for recording either a live show or an audio project at home can be built up track by track and studio monitor speakers can be fed from the Alt Outputs ZED mixers are also ideal for teaching establishments houses of worship hotels and conference centres where their ease of use and robust qualities make them a top choice Mic Line Pre amps Based on the pre a
40. oroughly before using again Cleaning Avoid the use of chemicals abrasives or solvents The control panel is best cleaned with a soft brush and dry lint free cloth The faders switches and po tentiometers are lubricated for The use of electrical lubricants these parts is not recommended The fader and potentiometer knobs may be re moved for cleaning with a warm soapy solution Rinse and allow to dry fully before refitting them Transporting The console may be transported as a free standing unit or mounted in a rack or flightcase Protect the controls from damage during transit Use adequate packing if you need to ship the unit Hearing To avoid damage to your hearing do not operate any sound system at exces sively high volume This applies particularly to close to ear monitoring such as headphones and in ear systems Continued exposure to high volume sound M can cause frequency selective or wide range hearing loss Allen amp Heath 6 ZED 12FX 16FX amp 22FX User Guide CONTENTS Thank you for purchasing your Allen amp Heath ZED mixer To ensure that you get the maximum benefit from the unit please spare a few minutes familiarizing yourself with the controls and setup procedures outlined in this user guide For further information please refer to the additional information available on our web site or contact our technical support team http www allen heath com http www allen heath com zed ht
41. product and upgrading it should you wish There are also tutorials to get you started SONAR XI LE Key Features Powered by SONAR 32 audio tracks 64 MIDI tracks 8 simultaneous inputs and outputs 24 bit 96 kHz audio quality 24 simultaneous effects 8 simultaneous virtual instruments Integrated VST VSTi support Support for ACID format loops Support for ReWire clients such as Live or Reason Active Controller Technology automatically maps MIDI keyboards and control surfaces to the parameters you need most on effects instruments volume pan and other mix elements Edit MIDI directly from the Track View with the Inline Piano Roll View Support for 32 bit and 64 bit versions of Windows 7 Windows Vista and Windows XP operating systems SONAR LE Installation Put disk into CD or DVD ROM drive and follow instructions on screen Register your copy of SONAR LE by accessing the Cakewalk website Your SONAR LE software will display its unique serial number If the installing computer has access to the internet just click Register if not use a differ ent computer to access cakewalk com and register by typing in the serial number Allen amp Heath 26 ZED 12FX 16FX amp 22FX User Guide SONAR LE will run automatically after installation or else Click the icon created on the desktop To initially configure SONAR LE with ZED Create a normal Cakewalk project an option offered when starting SONAR In Edi
42. t Preferences configure the l O enable the USB Audio CODEC under Devices This is the ZED interface For now disable any other devices listed for example the computer s internal soundcard listed here In SONAR XI LE different views are available The Track view shows audio and MIDI tracks in a timeline aspect and the Console view shows a mixer style layout Different views can be displayed by the dock tabs at the bottom of the screen On the left is the Track Inspector Add an audio track or two clicking Insert Audio Track Tracks can be named by clicking the name box here we have named tracks 182 ZED Left and ZED Right Configure the inputs for the tracks using the IN OUT routing drop down menu in the Track Inspector Here we select LEFT USB Audio to track and RIGHT USB Audio to track 2 The track outputs are routed to the Master bus in SONAR Select the output for the Master bus in SONAR by clicking the drop down arrow in the Inspector and selecting STEREO USB Audio CODEC which is the ZED USB re turn In order to check the configuration enable Input Echo On the top right button in the track view header Play some audio through your ZED mixer and select the USB send buttons to the audio signal for example the L R mix N B Do not route the USB return to the L R mix in your ZED mixer at this stage a feedback loop could occur You should see the signal on the metering in SONAR LE To try a recording enable the Record bu
43. tors and plugs only for their intended purpose 5 ZED 12FX 16FX amp 22FX User Guide SAFETY INSTRUCTIONS Important Mains plug wiring instructions The console is supplied with a moulded mains plug fitted to the AC mains power lead Follow the instructions below if the mains plug has to be replaced The wires in the mains lead are coloured in accordance with the following code TERMINAL WIRE COLOUR E NEUTRAL BLUE WHITE EARTH GND GREEN amp YELLOW GREEN The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or with the Earth sym bol This appliance must be earthed The wire which is coloured Blue must be connected to the terminal in the plug which is marked with the letter N The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L Ensure that these colour codes are followed carefully in the event of the plug being changed General Precautions Damage To prevent damage to the controls and cosmetics avoid placing heavy objects on the control surface scratching the surface with sharp objects or rough handling and vibration Environment Protect from excessive dirt dust heat and vibration when operating and stor ing Avoid tobacco ash smoke drinks us and exposure to rain and mois ture If the console becomes wet switch off and remove mains power imme diately Allow to dry out th
44. tp www myspace com thezedspace WW 3 Packed Items 4 Safety Instructions 5 COMES 7 Panel Drawings 8 Introduction to ZED 12 16 amp 22FX E Specifications neh 12 DIMENSIONS 13 Block Diagram 14 Mono Input Channel 15 Stereo Input Channel ST 18 Stereo Input Channel ST2 3 amp FX 20 Effects 21 Master Serious 23 USB Connection 25 SONAR LE software introduction 26 SONAR LE configuration 27 Pro Tools9 on a Mac with ZED 28 Application Information Live 29 Application Information Studio 30 Wiring 3l Product Support 32 Allen 8 Heath 7 ZED 12FX 16FX amp 22FX User Guide PANEL DRAWINGS I2FX pe di E IH IIT m Tus device compls with Part 15 of he FOC Rus CAUTION Operation subeci o n folowing to conditons gt RSK OF ELECTRIC SHOCK 1 Ws may not case tec and TITO ITD DO NOT OPEN LS dena must cep tene
45. ttons on the tracks and click the main Record button on the transport toolbar Recorded audio signal should be displayed in red Click stop or hit the space bar on your keyboard to stop the recording Once you have recorded audio in your SONAR project you can play it back to the ZED mixer De select the record arm buttons and Input Echo on the tracks or you could get both the recorded track signal AND the live input signal playing and possibly a feedback loop Press play or hit the spacebar on the keyboard You should see the audio being played and levels on the meters in SO NAR On your ZED mixer Press USB Rtn ON and turn the level up to the desired point Audio should be playing from the tracks in SONAR to the L R bus in your ZED Allen amp Heath xl Audio Select audio recording and playback devices Check uncheck an entry to enable disable the driver Click on a friendly name to edit it Friendly Name Driver Name SoundMAX HD Audio SoundMAX HD Audio USB Audio CODEC USB Audio CODEC Driver Settings Playback and Recording MIDI Devices Instruments Control Surfaces Playback and Recording File Friendly USB Audio CODEC O SoundMAX HD Audio Audio Data Driver Name USB Audio CODEC SoundMAX HD Audio VST Settings Project Record MIDI Metronome Customization Display T Use friendly names to repres
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