V-Mixing System Brochure
Contents
1. Diam their own level of parameter THRESHOLD access passwords etc z et MEQ Library Use libraries for storing frequently used EQ settings Presets provide easy way to get started with most common sources E Gate Expander Library Use libraries for storing frequently used settings Presets provide easy way to get started with most common sources E Help Display Onboard Help provides detailed how to information on M 400 operation No need to bring the manual to the show Mixer LIVE MXIHG CONSOLE Mi 400 Mute Group Assign channels and buses to the 8 Mute Groups Use this screen to turn groups On Off EDCA Group Assign channels or buses to a DCA so that their levels can be MComp Library Overview screen for a Channel s AUX sends provides easy way to link E Limiter Display Large Compressor screen enables Use libraries for storing intuitive graphical operation MEFFECTS View and edit the 4 stereo high quality FX for channel bus inserts such as the advanced channel strip or for loop effects frequently used settings Presets provide easy way to get started with most common sources DDNS DA SEEC EET is i MEFFECT EDIT Reverb Various parameters allow precise and graphical setup of effects User Setup can be stored to internal Memory i bbe bed eas iT Use effects libraries for storing frequently used settings Presets provide easy way to get started w2. aS Roland by Roland Systems Group Roland Systems Group The cornerstone of Roland s Audio and Visual Solution Digital Snakes Digital Consoles lt m 1 Te BE Oe N Be eee ee ee a a o 4rigital Tua 48 channels 18 buses 8 matrices 56 bit processing ws gt lt 4 m M 400 Live Mixing Console Ver 2 0 M 380 Mixing Console AAV AVAVAYAY AS a 0 an d syst ems g rou p anet Copyright 2009 Roland Corporation All rights reserved All specifications and appearances are subject to change without notice SEP 2009 RAM 7028 GEN KS Digital Snake Multi Channel Digital Audio Transfer System ii CAT5e Cable The Breakthrough Digital Mixing Solution A simple CatSe REAC cable from stage to mixing console A breakthrough digital mixing and recording solution for live sound events and installations Live Mixing Console M 400 m 48 CHANNELS 18 BUSES 8 MATRICES with GEQs PEQs amp Effects 56 bit internal processing E Touch Sensitive Motorized Faders E USB Memory Player Recorder E DCA Groups Mute Groups e z E Scene Recall with Head Amp Gain foremost audio innovators From the VS series cae i Roland is Known as one of the world s the world s first stand alone Digital Studio Workstation released in 1996 to Roland s breakthrough 1999 V Mixing System incorporating high quality stage based preamps and a digital snake Roland has always had a rep
3. ae Vii i j pi E Ll 4 i IOO fe mee S a Ll be o T l hig a ofi lil la ra a a G i i i a E E i n i a PPP bid _S gt s VMixer by Roland Live Mixing Console M 400 Direct Connection with PC for multi channel recording The M 400 s REAC Split port enables direct connection with a PC s gigabit Ethernet port using only a Cat5e cable This allows recording of up to 40 channels using Cakewalk s SONAR software without the need for any external audio interfaces REAC driver must be installed on PC for multi channel recording The number of recording tracks may differ depending on the PC performance Remote control and offline setup using a PC The M 400 s second USB port provides direct PC connection for remote control and saving loading presets from a PC When a PC is on a wireless local network and connected to the M 400 a wireless tablet PC or other computer could be used on stage or in the house for any real time mixing or setup functions using Microsoft s Remote Desktop function The free M 400 RCS Ver 2 software can be downloaded from WWW rolandsystemsgroup net The cornerstone of Roland s Audio amp Visual Solution Employing visual entertainment at concerts or musical events is now very common Roland provides an integrated Audio amp Visual solution Connecting the M 400 with an EDIROL V 440HD Multi format Video Mixer usin
4. Heavy analog multi core cable requires large expensive conduit transferred without degradation 20 30 0 200 for installations and suffers from high frequency losses and potential for induced hums and buzzes Analog Multi Core Cable Se ae 24 bit multi channel recording to PC via REAC REAC s transfer Using a Cat5e cable simply connect a PC to the REAC split port on protocol provides the back of the M 400 V Mixer Take inputs and buses from to stage pristine digital audio in in their original digital form for up to 40 channels of recording a very light weight Integrate a high quality recording system with unprecedented ease inexpensive and easy to at an affordable price install cable format Output d 600 oh Stomelin lemeley cM le Maemu teliaceM REAC driver must be installed on PC for multi channel recording The number of recording tracks may differ depending on the PC performance cakewalk SONAR ee ee Swe as eS MC 7 gt e In addition to improving overall audio quality the V Mixing system is very cost effective to install The system s digital advantages of total recall built in effects and recording bring many benefits to any mixing installation Mixing Sustem Digital Audio Iransfer amp Mixing System rue Ee Eii Standard system consists of 2 S 1608 Digital Snakes on stage 32ch XLR 8ch XLR 2ch RCA gt 8ch XLR WE 2ch Di
5. Variable 2 8 ms typical Total System Latency of audio signal from S 1608 inputs to outputs via M 400 M 380 s REAC ports A or B Input Impedance Sample Rate 48 0 kHz Effects No insert effects Non Clip Maximum Input level XLR 3 31 type balanced with phantom power Nominal Output Level XLR input jacks 1 to 8 80 dB PAD On Input gain 10 dBu typical XLR output jacks 1 to 8 100 dB typical XLR input jacks 1 to 8 65 to 10 dBu PAD Off or 45 to 10 dBu PAD On RCA input jacks L R 18 to 0 dBu Talkback input jack 50 to 10 dBu XLR input jacks 1 to 8 14 k ohms RCA input jacks L R 10 k ohms Talkback input jack 41 K ohms XLR input jacks 1 to 8 8 dBu PAD Off or 28 dBu PAD On RCA input jacks L R 18 dBu Talkback input jack 8 dBu XLR output jacks 1 to 8 4 dBu Load impedance 10 k ohms Talkback Mic Input RCA Inputs L R XLR 3 31 type balanced with phantom power RCA Pin Type Output Impedance Recommended Load Impedance XLR output jacks 1 to 8 600 ohms PHONES jack 100 ohms XLR output jacks 1 to 8 10 k ohms or greater PHONES jack 8 ohms or greater XLR Outputs 1 to 8 Phone Output XLR 3 32 type balanced Non Clip Maximum Output level Stereo 1 4 inch phone type XLR output jacks 1 to 8 22 dBu 1 kHz 10 k ohms load PHONES jack 150 mW 150 mW 1 kHz 40 ohms load Digital Outputs REAC Ports USB Ports Optic
6. Supply 24 V from optional external power supply unit S 240P Power Consumption 130 W Output Impedance Recommended Load Impedance Residual Noise Level IHF A typ 10 k ohms or greater 90 dBu 128 dB Weight Equivalent Input Noise Level E 1 N 17 0 kg 37 Ibs 8 oz Dimensions 482 0 W x 336 0 D x 266 4 H mm 19 W x 13 1 4 D x 10 1 2 H inches 1 When a REAC Splitter S 4000 SP or a switching hub is used in line with REAC cables the network latency will increase by the amount of processing delay introduced by the splitting device itself The actual delay is dependant upon the specifications of the splitting device though the maximum delay amount for a single splitting device should be about 200 microseconds E M 48 Number of Input Channels 43 40 in STEREO AUX in 1 AMBIENT MIC in 4 STEREO LINE out STEREO PHONES out 24 bit 96 0 kHz 48 0 kHz 44 1 kHz PHONES jacks 1 2 250 mW 250 mW 1 or 2 1 kHz 40 ohms load LINE OUT L R jacks 12 dBu 1 kHz 10 k ohms load LINE OUT REC L R jack 6 dBu 1 kHz 10 k ohms load Number of Output Channels AD DA Conversion Non Clip Maximum Output level Nominal Input Level AUX IN L R 16 dBu at max volume AUX IN L R 10 K ohms AUX IN L R 2 dBu REAC port RJ 45 EtherCon type AUX IN L R jack Stereo miniature phone type LINE OUT L R jacks 1 4 inch TRS phone type LINE OUT REC L R jack Stereo miniature phone type PHONES jacks Ste
7. modules video decks or even additional phantom powered microphones Using the system s External Insert paths they can also serve as paths to external processors from channels or buses Even more console inputs The console also hosts an RCA stereo pair for direct connection of a CD player DVD player or VCR Along with the onboard USB Memory recording they provide additional means of playing back pre show audio sound effects or video DVD audio 4 Record and Playback audio to from USB memory drive The M 400 s USB Memory Recorder facilitates the playback of linear audio files using standard USB memory drives It can also be used to record high quality stereo mixes of the live event The USB drive is also used for saving loading console user setup data setting up unique User Passwords and for system updates aT TE i LEL E a gia The compact lightweight M 400 provides 48 channels and 16 AUX buses plus Main L R outputs This is an all in one design featuring Digital Effects processors V Mixer channel and bus DSP and stereo linear file recording playback function using a USB Memory Drive The M 400 provides extremely easy intuitive operation Compact Size 749mm VUMixer Liia biari i iei MW 400 ti aL pul a hn af uu jiii j at f PET 1 E E E lE 1 E E i E E TE iE H ce H W T E _ J E ii sad d bea TET a Es E 5 Es ie a e E a a E a aa e a b
8. 00 RCS remote control software When this button is pressed and held all outputs will be muted for an easy way to connect or disconnect microphones or other sources The I O unit with 8 inputs and 16 outputs for expansion of output channels in V Mixing System Not required when using an M 400 or M 380 V Mixer Outputs source audio to the Slave and Split devices It receives Input from the Slave device Digital output for the source signals coming Slave Receives Input from and sends output to the Master device into Ch1 and Che Split Receives Input from all of the Master device s sources Digital Suake S 4 000 S 320 Master The 1 0 unit with 32 inputs and 8 outputs for applications requiring more physical inputs Discrete circuit design with high quality components and 24 bit AD conversion 24 bit DA conversion for main and monitor outputs Redundant Input and Output terminal for REAC s Cat5e digital transfer Tough and Durable Ethercon connectors by Neutrik provide the highest possible system reliability Indicators for signal in clip and 48V on off naut weas annn oant son a monne Mh aina same Enables the remote control of musical instruments from Outputs source audio to the Slave and Split devices RS 232 terminal connects to the dedicated When this button is pressed and Master it receives Input from the Slave device S 4000R remote controller or
9. 00 provides the most comprehensive live recording editing mixing mastering and delivery solution available REAC driver technology enables users to record up to 40 channels of audio from an RSS V Mixing System or RSS Digital Snake directly into a PC using a single Ethernet cable VS 700C SONAR V STUDIO CONSOLE VS 700R SONAR V STUDIO I O SONAR Producer 999 99909 9909 Using the REAC Split port a direct Cat5e connection can be made to a PC s Gigabit Ethernet port Using Cakewalk s Sonar software up to 40 channels of audio can be recorded Recording Setup N 16ch XLR i ai see Optional Word Clock VS 700R REAC driver must be installed on PC for multi channel recording The number of recording tracks may differ depending on the PC performance Vs 700C RRS L niinn SONAR V STUDIO 8ch XLR 13 OPTIONS E S OPT Optical converter offers long distance REAC audio transfer The optical converter converts multi channel REAC signal to a digital optical signal and makes long distance transfer of up to 2km possible Rugged Neutrik OpticalCon conn
10. D x 8 11 16 H inches Rack mount 482 0 W x 231 3 D x 550 9 H mm 19 W x 9 1 8 D x 21 11 16 H inches M 400 19 8 kg 43 Ibs 11 oz M 380 14 0 kg 30 Ibs 14 oz Digital Snake S 1608 Number of Channels AD DA Conversion 16 inputs 8 outputs 24 bit 44 1 kHz 48 kHz 96 kHz 375 microseconds when using REAC cable only 1 AD REAC DA Latency approx 1 2 ms Network Latency Frequency Response 2 dB 0 dB 4 dBu 20 Hz to 20 kHz Analog Input x 16 XLR type balanced phantom power Analog Output x 8 XLR type balanced Digital Output connector x 1 Optical type REAC Connector x 1 RJ 45 EtherCon type Remote Connector x 1 RS 232C DB 9 type Total Harmonic Distortion Noise 0 05 or less PAD On Input Gain 4 dBu 22 Hz to 20 kHz Dynamic Range 110 dB Connectors 65 to 10 dBu PAD Off Nominal Input Level 45 to 10 dBu PAD On 1 dB step Max 28 dBu POWER Indicator x 1 REAC Indicator x 1 REMOTE Indicator x 1 MUTE ALL OUTPUTS Indicator x 1 AC 115V AC 117 V AC 220 V AC 230 V AC 240V 50 60 Hz 48 V each input remote controlled 10 k ohms or greater mesos 401 0 W x 135 0 D x 177 0 H mm 80 dBu or less 15 13 16 W x 5 3 8 D x 7 H inches 128 dB Weight 5 5 kg 12 Ibs 3 oz Indicators PAD 20 dB On Off 14k ohms 4 dBu Max 22 dBu 600 ohms Input Impedance Nominal Output Level Output Impedance Recommended Load Impedance Residual
11. Noise Level IHF A typ Equivalent Input Noise Level 1 When a REAC Splitter S 4000 SP or a switching hub is used in line with REAC cables the network latency will increase by the amount of processing delay introduced by the splitting device itself The actual delay is dependant upon the specifications of the splitting device though the maximum delay amount for a single splitting device should be about 200 microseconds Digital Snake S 4000S 3208 Number of Channels AD DA Conversion 32 inputs 8 outputs 24 bit 44 1 kHz 48 kHz 96 0 kHz 2 dB 0 dB 4 dBu 20 Hz to 20 kHz Dynamic Range 110 dB aetworktalene 375 microseconds when using REAC cable only 1 AD REAC DA Latency about 1 2 ms Input 32 XLR type balanced phantom power 4 ch input module x 8 Output 8 XLR type balanced 4 ch output module x 2 REAC MAIN BACKUP RJ 45 EtherCon type Remote Connector 1 RS 232C DB 9 type MIDI Connectors IN OUT 5 pin DIN type Frequency Response 65 to 10 dBu PAD Off 45 to 10 dBu PAD On 1 dB step Max 28 dBu Connectors Nominal Input Level PARAU UE UNION EXT Indicator External Power Supply Unit INT Indicator REAC Indicator CTRL Indicator ALARM Indicator MUTE ALL OUTPUTS Indicator Indicators Input Impedance 20 k ohms Nominal Output Level 4 dBu Max 22 dBu 150 ohms AC Power Supply AC 115 V AC 117 V AC 220 V AC 230 V AC 240 V 50 60 Hz DC Power
12. TV Broadcast A TV Broadcast B Radio Broadcast Master Console Personal Live Personal Mixing and Monitoring System Mixer The M 48 is the next generation live personal mixer that offers M 48 Live Personal Mixer New musicians the flexibly to control exactly what they want to listen to during their performances Limiter protects your ears from sudden volume spikes 2 phones output and volume attenuator Laven a Ww mel H e CE E ua H T t I i I is E ES t 2 M S ae T D 7 j L A ay uP sll a ATTA AL 7 Es h P P0 id Bal wam L wer Paty fee iz L R balanced output and Recording out Built in ambient microphone delivers Enables control of up to 40 audio sources via stage and audience sound to musician 16 setereo groups eee EMBEDDED POWER S 4000D soiitter and Power Distributor New Equipped with 10 REAC ports including 8 ports of REAC Embedded Power E Automatic detection of a REAC products Power is not supplied required by the connected device all via one CATSe cable The 40000 is required to use with the M48 if the device is not compatible with REAC Embedded Power REAC Embedded Power is unique Roland technology that enables the transfer of not only the digital audio signal but also the power Personal Monitoring Setup The M 48 enables control of up to 40 audio sources th
13. a computer installed with the free S 4000 RCS remote control software held all outputs will be muted for an Slave Receives Input from and sends output to the Master device easy way to connect or disconnect external MIDI devices Split Receives Input from all of the Master device s sources microphones or other sources Not required when using an M 400 or M 380 V Mixer One REAC cable enables full digital Multi Channel multi channel recording of up to 40 channels Recording The SONAR REAC Recording System provides the a comprehensive live recording mixing editing mastering and delivery solution The REAC driver enables users to record 40 channels from their Digital Snake V Mixer System directly into SONAR cakewalk by Roland REAC Recording System SONAR V STUDIO The SONAR V Studio 700 is the ultimate recording solution for use with REAC systems It includes the VS 700C V STUDIO Console multifunction control surface VS 7OOR V STUDIO I O audio interface and SONAR Producer software The system represents the best that software and hardware have to offer with amazing control integration and sound quality Striving to create the ideal music production environment Cakewalk and Roland have built the ultimate DAW Digital Audio Workstation integrated with high end tools Used in conjunction with the RSS V Mixing System or RSS Digital Snakes the REAC Edition of the SONAR V Studio 7
14. al type x 1 and Coaxial type x 1 Residual Noise Level IHF A typical RJ 45 EtherCon type x 3 Equivalent Input Noise Level E 1 N A type x 1 and B type x 1 OTHERS Remote Connectors Other Connectors Frequency Response RS 232C D Sub 9 pin type x 1 88 dBu All faders Min 126 dBu 800 x 480 dots Wide VGA backlit TFT color Display Power Supply Power Consumption MIDI 5 pin DIN type x 2 Out Thru amp In LAMP XLR 4 31 type x 1 M 400 only Grounding terminal AC Input INPUT OUTPUT CHARCTERISTICS XLR output jacks 1 to 8 2 dB 0 dB 20 k ohms load 4 dBu PHONES jack 3 dB 0 dB 40 ohms load 130 mw Total Harmonic Distortion Noise Dynamic Range XLR output jacks 1 to 8 0 05 typical PHONES jack 0 05 typical XLR output jacks 1 to 8 110 dB typical When a REAC Splitter S 4000 SP or a switching hub is used in line with REAC cables the network latency will increase by the amount of processing delay introduced by the splitting device itself The actual delay is dependent upon the specifications of the splitting device though the maximum delay amount for a single splitting device should be about 200 microseconds AC 115 V AC 117 V AC 220 V AC 230 V AC 240 V 50 60 Hz M 400 95 W M 380 75 W M 400 749 0 W x 626 0 D x 229 0 H mm 29 1 2 W x 24 11 16 D x 9 1 16 H inches M 380 Desktop 482 0 W x 581 3 D x 220 6 H mm 19 W x 22 15 16
15. at can be managed via 16 stereo groups assignable and unique per musician The M 400 and M 380 can setup and control multiple M 48 via the S 4000D Stage 4000D Splitter and Power Distributor Front of House M 48 M 48 M 48 M 48 pi Ble Keyboard Drums Vocal Guitar Vo O Sib basin In Ear Monitors In Ear Monitors In Ear Monitors In Ear Monitors 2 PA ssid Headphones Headphones Headphones Headphones 16ch XLR S 1608 DEEA EEPE gr ee S TL poses S 1608 VMixer m 400 TTT 1 ns D 1 __ _ Ge Q 8ch XLR O O 8ch XLR Personal Monitoring Setup with Other Mixers With your existing console connect the M 48 along with the S 1608 16 channel or the S 4000S 40 channel Digital Snake to utilize the complete system The next generation of digital monitoring can be incorporated along with your existing system 4000D Splitter and Power Distributor Front of House S 4000S Series or S 1608 M 48 Keyboard Drums Vocal Guitar Vo In Ear Monitors In Ear Monitors In Ear Monitors In Ear Monitors Headphones Headphones Headphones Headphones ey a Te o M 48 M 48 Version 2 1 S 4000S Series Ver2 0 S 1608 en en or higher is required when us
16. ectors provide highest possible system reliability S OPT REAC Optical Converter E S 4000 SP REAC Splitter enables splitting and extension of REAC signals S 1608 i S 1608 S OPT Optical Fiber Cable 2km S OPT Optical Fiber Cable AOD nn Please use Neutrik s Mobile Fiber Cable for optical signal transfer Please have contact with Neutrik for further details E Crossover Ethernet cable with Neutrik Ethercon connectors on both ends Dual 5 port dedicated splitter for V Mixing System provides highest possible reliability using Neutrik Ethercon connectors and a dual power supply REAC Splitter SPECIFICATIONS SC W20F 20 meter Premium Cat5e Cable SC W100S 100 meter Cat5e Cable E 100m Cat5e cable on reel 100m Cat5e cable on reel designed for light weight portable V Mixing System Compact and lightweight cable reel with SC W1008S cable pre rolled W100S R 100 meter Cat5e Cable Ethercon and OpticalCon are the registered trademarks of Neutrik E V Mixer M 400 M 380 PROCESSING Number of Channels Signal Processing Cross Talk 1kHz 48 inputs 18 buses 8 MATRIX AD DA Conversion Network Latency CONNECTORS XLR Inputs 1 to 8 56 bit 24 bit 44 1 kHz or 24 bit 48 kHz Nominal Input Level
17. er of recording tracks may differ depending on the PC performance V LINK connection with the EDIROL V 440HD Video Mixer Next Generation of Simple High Quality Audio Transfer REAC Roland Ethernet Audio Communication is Roland s original technology for low latency high quality digital audio transfer Products using REAC technology are installed today in many venues and have been used for high profile events worldwide REAC technology provides many system advantages Multi channel transfer with high quality audio Preamps on stage boost the input gain before the long journey REAC transfers 24 bit uncompressed multi channel audio with VEDY In analog e systems low Frequency Response Comparison m Mixing System low latency REAC technology eliminates the typical problems found in level mic signals must go long Analog Transfer analog transfer such as signal quality degradation or hums and distances before they are dBr AMS CH1 Vs GENFREO Me SWP TERMINATED 1s GENFREO Me SWP TERMINATED buzzes In addition since REAC transfer happens over light weight amplified With the REAC system cable and is immune to externally induced noise designers and the input signal is amplified on integrators have more freedom for cable placement resulting in stage right next to the source lower cost installations and then converted to a lossless i 24 bit digital signal This REAC Up to 40x40 channels over lightweight CatSe audio signal can then be
18. faders a large bright 800 x 480 color screen dedicated knobs for EQ Pan and Gain and Scenes for total recall of all console settings Designed for all operator levels the intuitive interface is quick to navigate and easy to learn and even has an onboard Help system The V Mixing System is the answer for high quality cost effective live digital audio mixing and control Quick and Easy Installation and Setup The V Mixing System uses the REAC protocol between the stage units and console using a simple Cat5e cable connection instead of bulky heavy multi core analog snakes The Cat5e connection is also immune from the hums buzzes and cross talk associated with analog snakes With no configuration required simply plug the Cat5e cable from the stage units SEE to the REAC A amp B ports located on the rear of the M 400 V Mixer and the system is connection ready to go REAC connection Supports advanced integrated applications Use the optional S OPT Optical converter to send signals up to 2 kilometers using fiber cable Using REAC up to 40 channels of audio can be recorded by simply connecting a Cat5e cable from the REAC Split port on the M 400 V Mixer to a gigabit network port on your PC running Cakewalk s SONAR software By using Roland s V LINK protocol you can connect the V Mixing System to the Edirol V 440HD Multi format Video Mixer for a completely integrated audio and video performance solution The numb
19. g V LINK provides an automatic Audio Follow Video mix V LINK The high contrast color LCD makes it easy to make precise edits and change parameters for all of the M 400 s functions Dedicated accessible buttons call up large displays for editing all important console processing routing and other functions All of the buttons and knobs and their logical layout are designed for fast and intuitive operation The large bright 800 x 480 color LCD gives a very clear view of all the M 400 s parameters VMixer Live Mixing Console M 400 Channel Edit SystemS amp uUtility E Patchbay Large intuitive screen for routing any stage or console input to M 400 channels and assigning buses to outputs Channel Display Channel Editing Display is a familiar and easy to use analog style layout of channel parameters Change values fast using the M 400 s dedicated knobs and buttons x siki Setup screen for all basic system parameters Sy I D EEQ Display Large graphical display of all EQ parameters for intuitive application of EQ Use dedicated knobs to rapidly change Gain Freq and Q values E Gate Expander Display Large Gate and Expander screen dite Ch biG enables intuitive graphical operation Assign sources and destinations and manage playlists for the USB Memory linear Wav recorder 7 iae arn yaren Mul ia MiG LEVEL LO MDO HI Mio aan m Set up multiple Users each with
20. gital i gt Phones 40ch GETS S 1608 x 2 V Mixer m 400 Basic Svstem A simple and affordable system to use one S 1608 Expanded Svstem One S 1608 and one S 40008 3208 Digital Snake y q Digital Snake on stage p y on stage side provide more physical inputs m 8ch XLR ae 16ch XLR_ pa REAC A oT lt 8h XLR Bie gt 2cherca loch XLR pemen a Sch XLR 8ch XLR Pees 2ch Digital pora REAC eee gt 8ch XLR 8ch XLR S 1608 FFURPURTURNOERTOOUCCON ETS A Phone 32ch XLR EOTTTOTOTETTTTET a gt 2ch Digital 16ch XLR _ N 2 __ _ i SS Ss O gt 40ch ES 8ch XLR gt Phones Vmixer m 400 A S 4000S 3208 VMixer M 400 48 input channels must be selected from 58 physical inputs via the M 400 patchbay The V Mixing system s REAC protocol makes it easy to split the source audio signals These splits can be used to connect to another M 400 acting as a monitor console M 48 Personal Mixing system or output for analog monitoring or recording requirements 40ch EEA S 4000 SP REAC Splitter Front of House 16ch XLR EATA verity staveeastvoniecnacal PITHTORTOR RRC PA ORO i 8ch XLR A S 16ch XLR BU 1 a rS e b M 4 00 Z gt M 400 BA The M 400 Mixer provides intuitive and easy operation for all V Mixing system functions Local Inputs and External Insert Effects The M 400 Console can be used to host additional inputs such as wireless mic
21. ing the M 48 KE so l ta CR E bed lad eed adie D Control Software S4000RCS Ver 2 0 Cu 4 y b y S i O ay Other Mixer L Pata a T p go 9990000 84 BRB Gee cose eS BE ERE Bas 29000000 88888883 Simple and flexible digital snake stage units E provide Superb Sound Quality l Digital Snake RSS Digital Snakes are an integral part of the V Mixing System Compact and portable they offer many flexible configurations for any installation The high quality 24 bit remote controlled mic pre amps enable digital conversion of the audio signal very close to the sources providing the highest possible audio quality Digital Suake S 1608 The standard I O unit for V Mixing System with 16 inputs and 8 outputs Discrete circuit design with high quality components and 24 bit AD conversion The indicators show signal in clip and 48V on off 24 bit DA conversion for main and monitor outputs Input and Output terminal for REAC s Cat5e digital transfer Tough and Durable Ethercon connectors by Neutrik provide the highest possible system reliability 3 1608 ae Suake RS 232 terminal connects to the dedicated S 4000R remote controller or a computer installed with the free S 40
22. ith each effect algorithm Large graphical screen provides easy intuitive editing of Limiter parameters for Main L R and AUX 1 16 buses Large overview screen provides quick view of all channel meters and fader positions buses for stereo operation and to set On Off and the Pre EQ Pre or Post send position for each bus View and edit many of the parameters for all channels in the current fader layer E External Effect Insert Configure up to 8 External Inserts for channels or buses using the Console s XLR inputs and outputs E GEQ PEQ Rack Setup screen for the M 400 s four dedicated 31 band Graphic EQs or 8 band PEQs You can even use the console s faders for fast editing controlled with one Master DCA Fader Upgrade Features E Scene Memory Display Total system recall is available using up to 300 scenes per project Recall all M 400 settings or filter parameters on a scene by scene or global basis Support for LCR Sound System The LCR Left Center Right mode is supported as a direct response to customer requests Simply enable the LCR mode in the system configuration to activate this feature E Six Newly Added Vintage Effects Access some of Roland s legendary vintage effects within the M 400 Original sounds used by engineers the world over extends the range of live expression RE 201 SDD 320 SDE 3000 SRV 2000 SBF 325 SPH 323 B Talkback Oscillator Display Set u
23. ng engine as the M 400 and with REAC digital audio transfer technology It enables a powerful and configurable mixing environment with high sound quality intuitive operation and easy set up for mobile applications or space restricted installations Coeateres ED Equipped with the M 400 mixing engine but rack mountable 12U 48 Ch Digital Audio Mixer powered by REAC technology 18 buses 8 matrices can be fully assigned from the patch bay 4 dual mono effects processors and four 31 band GEQs 8 band PEQs The M 380 can be used to setup configure and control multiple M 48 Live Personal Mixer USB Recorder Player enables live recording and a music playback Dedicated USB port for live or offline PC control using free M 380 RCS remote control software available from www rolandsystemsgroup net i E VA4ixer ff A es a o SPP thee CE LETT E fre Desktop Size Rack mount Size Dimensions 482 0 W x 581 3 D x 220 6 H mm Dimensions 482 0 W x 231 3 D x 550 9 H mm 19 W x 22 15 16 D x 8 11 16 H inches 19 W x 9 1 8 D x 21 11 16 H inches Broadcast Setup Here s an example of the advantages of REAC s ability to create digital signal splits Using an M 380 for mixing and a split to an S 0816 Digital Snake and or M 380 provides a variety of options in a broadcast suite Stage S 1608 S 4000 SP REAC Splitter Ibera VMixer M 380
24. p the Talkback bus destinations and edit Oscillator settings when doing room analysis Gad a a z e a ns t P peale 2 if E Monitor Display Assign sources to the Monitor bus and set up the Solo mode E Support for M 48 Personal Mixing System The M 400 can be used to setup configure and control multiple REAC enabled M 48 Live Personal Mixers The M 48 represents a breakthrough in professional personal monitoring and mixing E 8 band PEQ and RTA Any existing 31 band Graphic EQ can be switched to an 8 band Parametric EQ The Real Time Analyzer enables a quick look and instant adjustment of the acoustic characteristics of a venue Gate Compressor Assignability Up to 24 Gates and 24 Compressors can be assigned to any channel Gates independent from Compressors Addition of 8 Matrices Mix audio from AUX1 to AUX16 Main L R and any two direct channels Output Assignability Assign any channel bus or matrix to any output port Delay and Tap Tempo Delay Units parameter in msec meters feet and note Tap tempo parameter for note timing ATT Control ATT level can be controlled by preamp knob And More User Buttons User Settings and Preferences Additional Shortcuts and Workflow Improvements The Most Powerful Rack Mountable VAY beetle Digital Mixing Console Mixing Console M 380 M 380 Mixing Console New The M 380 is a compact and rack mountable console with the same mixi
25. reo miniature phone type and Stereo 1 4 inch phone type Input Impedance Non Clip Maximum Input level Connectors LINE OUT L R 6 dBu LINE OUT Vol Unity Load impedance 10 k ohms Nominal Output Level LINE OUT REC L R 12 dBu LINE OUT Vol Unity Load impedance 10 k ohms Power Supply DC 48 V It is supplied by S 4000D Power Consumption 13W PHONES jacks 1 2 10 ohms LINE OUT L R jacks 600 ohms LINE OUT REC L R jack 1 k ohms Output Impedance 297 0 W x 171 0 D x 67 0 H mm 11 3 4 W x 6 3 4 D x 2 11 16 H inches PHONES jacks 1 2 16 ohms or greater Composition impedance of 1 and 2 LINE OUT L R jacks 10 k ohms or greater LINE OUT REC L R jack 10 k ohms or greater Recommended Load Impedance 1 5 kg 3 Ibs 5 E S 4000D TE REAC Connector RJ 45 EtherCon Type x 2 Power Supply AC 115V AC 117 V AC 220 V AC 230 V AC 240 V 50 60 Hz onneciors REAC EMBEDDED POWER Connector RJ 45 EtherCon Type x 8 482 0 W x 285 0 D x 87 8 H mm 19 W x 11 1 4 D x 3 1 2 H inches Indicators REAC Power Red x 8 Link Green x 10 ACT Orange x 10 Power Blue x 1 4 2 kg 9 Ibs 5 oz
26. utation for innovation high quality audio and reliability Following The Perfect Digital Solution for Live Audio Distribution and Mixing these leading edge products comes a total mixing solution based on Roland s FDIROI powerful REAC technology From digital snakes on stage to CatSe audio by Roland yf y distribution to the intuitive M 400 control surface and mixing processor with built iE VEXI Ey System in linear recording to digital splits for direct multi channel PC recording the next generation V Mixing system establishes a new era in high quality digital mixing Digital Audio Transfer amp Mixing System The REAC digital transfer technology used on the 48 channel M 400 V Mixer establishes a new era in live audio mixing Superb Sound Quality The V Mixing system uses Cat5e based REAC technology to convert audio to a digital stream on stage using high quality 24 bit remote controlled mic pre amps Because the V Mixing System is all digital the integrity and sound quality of the audio signal is maintained from the stage units to the M 400 V Mixer and back to the outputs for connection to amps and speakers without Pe See l the high frequency and intelligibility losses found in analog cabling gt Od am a LA lel seh Analog Multi Cable ae REAC DIGITAL Digital Snake Intuitive and Easy Operation The M 400 V Mixer features 25 x 100mm motorized touch sensitive
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