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        ATA Amplifiers Manual
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1.                                                         FULL RANGE  FULL RANGE SPEAKERS  STEREO LINE INPUT    2 6  6   cj Ec    El  E EE  Ej ge                   58          og      5    o       of   03 c1        te  a   E   05  Her         BATTERY  12v  Ti      VIAFUSE  pd REMOTE TURN ON  jii  48 CHASSIS GROUND                            MONO    This application illustrates the basic mono bridging method for all Autotek  amplifiers     Interconnect cable checklist    A MONO signal source is required  such as would be available from the mono  sub bass output of an active crossover  whether stand alone  or built into a head  unit or equalizer  Important  Do not be tempted to connect the hot  or positive  outputs  from any source together to obtain a mono signal  as this could very well  damage the output stage of that source    Itis necessary to feed the SAME signal to both left and right inputs via a Y adapter  RCA cable  Connect the mono speaker positive terminal to the RIGHT    and its  negative terminal to LEFT       FULL RANGE    Switch setting checklist     The AMPLIFIER X OVER switch should be in the LPF position and the MODE  should be in the MONO position     Crossover frequency control setting checklist   LPF  11 o   clock    Minimum final loudspeaker impedance    4ohm mono     MONO SPEAKER       MONO LINE INPUT j  VIA Y ADAPTER 2 6  6   FROM MONO SOURCE              RIGHT                              SPEAKER OUTPUT     BRIDGED      fun                               
2.                         STEREO LINE 8  INPUTS                   a                                      2 ohm per channel       FULL RANGE  i SPEAKERS  E    gt      FULL RANGE     SPEAKERS                 TO BATTERY  12v    VIA FUSE  B REMOTE TURN ON  8   amp             9 chassis GROUND             2 or 3 CHANNEL SYSTEM    Here we show how to use the 4 channel amplifiers as a 3 channel unit by taking  advantage ofthe mono bridging capability of all Autotek amplifiers     The following example shows how to create a 3 channel system by mono  bridging channel pair 3   4  In order to create a 2 channel system  simply follow  the example to also mono bridge channel pair 1   2     Interconnect cable checklist      MODE  Setat 3CH     Connect the inputs of channel pair 1 2 to a suitable stereo source  e g  a head  unit with good quality RCA cables     AMONO signal source is required to bridge channel pair 3 4  such as would be  available from the mono sub bass output of an active crossover  whether  standalone  or built into a head unit or equalizer  If you only have 1 set of RCA  outputs from your headunit  you can simply connect those to the inputs for ch  1 2 and switch the MODE to 2ch  The amplifier will auto sum the signal and  provide mono output for bridged channels 3 4    Important  Do not be tempted to connect the hot  or positive outputs  from any  source together to obtain a mono signal  as this could very well damage the  output stage of that source      It is necessary 
3.           TO BATTERY  12v           FUSE   48                          0                               CHASSIs GROUND                                     The HIGH LEVEL inputs        used when the radio CD player does         have RCA cable outputs  You can connect the radio CD player speaker wires directly to the    amplifier via the high Level Inputs     Use this connector for 2 CH amplifiers  GRAY  CH 1 Speaker Input    BROWN  CH 1 Speaker input     Black  Chassis Ground   GREEN  CH 2 Speaker Input     White  CH 2 Speaker Input         Use both connectors for 4 CH amplifiers       ORANGE  CH 3 Speaker Input    PINK  CH 3 Speaker input    Black  Chassis Ground   BLUE  CH 4 Speaker Input    YELLOW  CH 4 Speaker Input            1000 4         1400 4         2000 4 FOUR CHANNEL AMPLIFIER APPLICATIONS    4 CHANNEL FULL RANGE SYSTEM    Here we show how to use the 4 channel amplifiers as straight forward discrete 4  channel full range units  The MODE switch should be in 4CH     Interconnect cable checklist     Connect the four inputs of the amplifier to a Radio CD with quality RCA cables     Switch setting checklist    1 2CH X OVER  FULL   3IACH X OVER  FULL    Crossoverfrequency control checklist   Channels 1 2      HIPASS  N A   LOW PASS          Channels 3 4    HIPASS  N A   LOWPASS  N A    Levelcontrol checklist    Refer to the section    Setting up systems after installation for best performance     Minimum final loudspeaker impedances              FULL RANGE cif           
4.         SPEAKERS  FULL RANGE               BATTERY  12v  STEREO LINE 3S  REMOTE TURN ON  INPUTS  lt f  8  e  cassis GROUND    lt J  INTERCONNECT  RCA CABLE  MONO SPEAKER       ri                 3       100 3NI1                                                       p         o      ddl        395   8 78 31       hi    e    6  9855  3008 MaAOX                                     TO BATTERY  12v  e VIA FUSE   SH         REMOTE TURN ON  Git CHASSIS GROUND                REM BATT 2V          POWER INPUT  3v                   E  GND                          1200 1         2000 1 MONO AMPLIFIER APPLICATION    Basic application    These sub bass amplifiers can be used in any of the bi amplification systems described in  this manual  replacing the 2 channel amplifiers as per the illustrations     Interconnect cable checklist   Connect the inputs to a suitable source  e g  a head unit with good quality RCA cables   Connect the LINE OUT to the inputs of the system highs amplifier     Use at least  12 gauge speaker wiring  The amps have dual speaker terminals   simplifying the hookup of multiple speakers  These amps are mono  1 channel  amplifiers  which have multiple positive and negative connections for ease of wiring  The 2 positives  are the same internally and the 2 negatives are the same internally     Crossover frequency control checklist   LOW PASS  40Hz to 150Hz  SUBSONIC 15 Hz to 55 Hz   BASS EQ  0 to  12dB    Level control checklist   Refer to the section    Setting up system
5.    Use of MAXXLINK products ensures that your amplifier will deliver maximum performance for years to come   Maxxsonics is so confident in this amplifier  installed properly with a qualifying MAXXLINK amp kit  you can add up to  12 months of additional warranty coverage to this amplifier  For more information  please check out  MAXXLINKAudio com Warranty  Check out all the MAXXLINK products for your installation at MAXXLINKAudio com    TREAD LOUDLY   INDEX PPAGE      1   1111 1    11 114111 110 6 011                                                                                                                 1  Amplifier Feature Descriptioris i    3  ecce a elite erre cer ires vei aee eant                   i 2  2 CHANNEL AMPLIFIER APPLICATIONS                                                                                                     kareke ra kareke Ha Ha itte                                                                                               3  Full range stereo  mono  A CHANNEL AMPLIFIER APPLICATIONS    irritare                                            e           raye 4 5  4  3 and 2 channel operation  front rear high pass using a 2 channel model for mono sub bass  1 CHANNEL AMPLIFIER  APPLICATIONS    eade repe a a     ERU                         rr 6  Basic mono amplifier application  Features and Specifications si  ctetuer eene ccr re re re RC RC UR Fea eR eR epe Pe PR Pe rrr REED           ERA               n 7  Setting Up Systems After Installat
6.   Power up the system    The following procedure may seem like overkill  but there is nothing more frustrating when turning on a system for the first time  and it does not work properly  immediately    First  make sure the head unit is off  and turn all level controls to minimum  counterclockwise   including the head unit volume control  Set all equalizers to 0 dB  no  boost   and all crossover frequency controls at approximate frequencies  as recommended by the loudspeaker manufacturer  Set all input selector and crossover  switches as required for the application  Remove all amplifier fuses  and insert the main fuse at the battery  If the fuse does not blow  you can insert the fuse in one of  the amplifiers  and we are ready to turn on the system  Turn the head unit on  insert a CD  or select a radio station  and increase the head unit volume control  If the  system sounds fine  turn off the head unit  and install fuses in the remaining amplifiers  one by one  till the complete system is powered up and functioning properly     AMPLIFIER                DESCRIPTIONS       Each model is capable of 4 8 2 Ohms stereo per channel  or 4 Ohms mono bridged operation except tine mann amps faults indicated by the red    PROTECT    LED   which are capable of 4  2 and 1 Ohm loads  CAUTION  DO NOT OPERATE ANY AMPLIFIER BELOW THE INTENDED IMPEDANCE  YOU WILL CAUSE   The input sensitivities for rated output powers are variable from 0 2V 10 6V  DAMAGE TO THE AMPLIFIER THAT WILL NOT BE COVER
7.   UT D    TEK  TREAD LOUDLY    ATA SERIES  AMPLIFIERS           8   0    2          1 200 2          2000  2           1        4          1 400 4          2000 4         1 200 1          2000  1              SERIES AMPLIFIERS    Congratulations on your purchase        thank you for supporting                               Series products          been  designed to a very high level of performance  with features unavailable in similarly priced amplifiers  These amplifiers  have variable crossovers built in  with added touches such as subsonic filter  bass equalization and a remote Level  control module  some models  that allows subwoofer Level control from the drivers seat  The multi channel models  have kept your factory headunit and existing controls in mind by offering high level inputs which allow for your OEM  radio to remain in place  Please read through this manual completely as we have compiled a guide that will keep you  on the road and enjoying your music for years to come     The car audio professionals at Maxxsonics recommend that you only use one of the MAXXLINK amplifier installation  kits to install this amplifier  The MAXXLINK amplifier installation kits are designed to deliver proper power and fusing  to the amplifier from the vehicles electrical system  Additionally  the kit includes signal cables  RCA s  that are  designed to reject noise and improve signal quality from the source unit to the pre amplifier section  This amp is  going to sound unbelievable  
8.  to choose Stereo for full range 2 channel operation or MONO for bridging operation   HIGH INPUT  If your radio CD player does not have unbalanced  RCA  outputs  you can use the HIGH level  wire  inputs    LINE INPUT  The line input accepts unbalanced  RCA  inputs from 0 2V to 6V    LINE OUTPUT  The line output passes through signal from the line inputs which allows you to daisy chain multiple amplifiers from one signal     Note thatthe LOW PASS signal is MONO    Inthe LPF position  the HIGH PASS filter acts as asubsonic filter    When the LPF mode is selected  a 0 to  12dB  at 45Hz  BASS  EQis also switched in        ATA1000 4   ATA1400 4         2000 4 FOUR CHANNEL AMPLIFIERS          47007 E OUTPUT E Designed and Engineered in the U S A LINE INPUT                                X OV LPF HPF BASS EQ LeveL   MODE CH2               bal O O O OL  C  FULL LPF HPF    2               8 O O 30Hz 250Hz 60Hz 12KHz 048 948 6V 0 2    X OVER LPF HPF BASS EQ LEVEL  E   f 5  g                   O Q         CH3  RESEREY        FULLLPFHPF 30iz 2505          1205        948 6V 0 2                         The4channelampshavethesamefeatures as the 2 channel models accept that there        2 sets of controls  1setforchannels1 amp 2and1setforchannels3 amp 4    In addition  the 4 channel models have a Mode switch which allows you to select 2  3 or 4 channel operation  Switch to 2 channel if you only have 1 set of RCA s in CH 1 2 and  the unit will automatically supply signal to channels 3 4  Sel
9.  to get more specific on the settings for your amplifier     Subsonic    This setting acts as a low frequency cut off for your system bass reproduction  The point that you set it at cuts off any frequencies from reproduction beyond this point  The 12 o clock  position is a great starting point  EXAMPLE  If you adjust the Subsonic to 25Hz  the amplifier will not play frequencies below 25Hz but will play frequencies from 25Hz to the chosen Low  Pass frequency     Bass Boost    This setting is a fixed bass boost at 45Hz that is variable from 0 12dB  This feature provides impact to your bass  but if not adjusted correctly  it can be over used and cause damage to  your subwoofers and amplifiers  It is best to slowly turn this setting clockwise until the desired punch is felt  It is not recommended to exceed the 12 o clock position unless listening at a  low volume or a low recording quality as this can result in high distortion and possibly clipping     Low Pass   The LPF control acts as a ceiling and doesn t allow frequencies to the right of the desired setting to be reproduced  The 12 o clock position is a great starting point  EXAMPLE  If you  adjust the Low Pass to 80Hz  the amplifier will not play frequencies above 80Hz but will play frequencies from 80Hz to the chosen Subsonic frequency     Level Control Setup    Ensure that the Level is turned completely to the left prior to turning the system on  Next you should insert a CD or cassette that you are familiar with to use as 
10. 9 45                  ees   LL ZA    7   4 CHANNEL MONO BLOCK  FEATURES   MAXX Output Power Rating   fom EEES        General Specifications  15Hz   150Hz  Yes  Crossover Operation         40Hz  150  2  15Hz   55Hz  Line Gut   Yves              es    Yes O Yes                                         TT  Balanced Input  Din Jack No No fe               Mis cellaneou s  10 24  x 2 08  x 9 45    11 02  x 2 08  x 9 45   12 6  x 2 08  x 945    9 05  x 208  x 9 45    15 75  x 2 08  x 9 45   _ 7   Vzv 5 2        2 2 2                  4    1 2 GN JI    Note  features subjecy to change with out notice       SETTING UP SYSTEMS AFTER INSTALLATION FOR BEST PERFORMANCE    2  amp  4 Channel Amplifiers  General   At this point you are ready to get more specific on the settings for your amplifier     High Pass     When in HPF operation  this setting acts as a low frequency cut off for your system reproduction  The point that you set it at cuts off any frequencies from reproduction beyond this point   The 12 o clock position is a great starting point  EXAMPLE  If you adjust the HPF to 100Hz  the amplifier will not play frequencies below 100Hz but will play frequencies from 100Hz to the  highest frequency the amplifier is capable of reproducing     When in LPF operation  this setting acts as a low frequency cut off for your system reproduction aka Subsonic Filter  The point that you set it at cuts off any frequencies from  reproduction beyond this point  The 12 o clock position is a great start
11. ED UNDER THE WARRANTY PRINTED IN THE BACK  Allcrossovers are fully variable in their respective ranges  OF THE MANUAL  2  amp  4 Channel amps are capable of 4 and 2 Ohms wired stereo and 4 Ohms wired mono  Crossover filters are 12dB Octave     bridged  Certain mono amps        capable of 4  2 and 1 Ohm and others are only capable of 4  amp  2  0tms     APOWER LED indicates the powered up and tumed on condition  Be sure to check the specifications matrix for specific mode  impedance capabilities   All Autotek amplifiers feature a comprehensive diagnostic system  with speaker lead short circuil  and amplifier DC             800 2   ATA1200 2         2000 2 TWO CHANNEL AMPLIFIERS                                                    LINE OUT LINE INPUT Designed and Engineered in the U S     7 TR  P          LEVEL     BASSEQ      E MODE          ie al E          Oo O O    2 FULLLPF HPF MONO STEREO             0 2V 0948 9dB  60Hz 12KHz 30Hz 250Hz  vU M      QUU                C    The X OVER slide switch selects the internal crossover functions     The input signal is routed directly to the LINE OUT RCAjacks  regardless of the X OVER setting simplifying daisy chaining of amplifiers    HPF  Selects the builtin HIGH PASS filter  variable from 60 Hz to 1 2kHz      FULL  Bypasses all crossovers for full frequency range operation     LPF  Selects the builtin LOW PASS   variable from 30 Hz to 250Hz     BASS EQ  Adjustable 45Hz bass boost from 0dB to 1248    MODE  The mode switch allows you
12. a reference  and turn tthe  head unit volume control to about 80  of its        setting  The system sound level will of course be very low  and the following procedures will help you to match the amplifier input  sensitivities properly to the head unit output signal level    It is important to match the amplifier LEVEL input sensitivity to the Radio CD output sensitivity  This can be located      the Radio CD manual    If the Radio CD output sensitivity is 2 volts  then adjust the amplifier LEVEL input to 2 volts     If you are not sure what the Radio output sensitivity is  follow these general guide lines    Tum the level control up slowly  till you hear distortion  then back off a few degrees on the control  If at any point your amplifier goes into protection  yol will need to turn the Level to the         a bit and then try again  If you reach a point where the output does not increase  stop turning the Level control to the right as the amplifier suby   output in this application        Sit back and enjoy the music     TROUBLESHOOTING    SYSTEM    The key to finding the problem in a misbehaving sound system is to isolate parts of that system in a logical fashion to track down the fault     Description of the PROTECT system built into all Autotek amplifiers   The diagnostic system will shut down the amplifier  until reset by turning the head unit off  and back on  This state of affairs will be indicated by the front panel PROTECT  LED lighting up under the following conditi
13. auge power cable and ground cable using the chart below as reference to what size wire you require  Street Machine series amplifiers require at  least 4 gauge power wire  In a multi amplifier system  add the total value of the manufacture recommended fusing to get your total system amperage  Some  applications may require multiple runs of power wire to meet the system requirements  In multi amplifier systems it is advisable to mount a large enough fuse right at  the battery  and run one or multiple  12 volt power cables to a fused distribution block near the amplifiers  It is then a simple matter to connect the  12 volt terminal of  each amplifier to the distribution block  During this process  please ensure that the main power fuse is removed to avoid shorting the electrical system  The main fuse  must be within 12  of the vehicles battery     Ground each amplifier with as short a ground lead as possible directly to the vehicle chassis using at least 4 gauge wire or equivalent to the size of the amplifiers     power wire  Use a ground distribution block  if you wish  but it is extremely important to keep the main ground lead from this distribution block to the chassis as short  as possible   not more than 12   The ground connection integrity to the chassis is very important  and the best way to achieve a good  solid electrical and mechanical  contact is to use a large round crimp lug  crimped and soldered to the ground cable  The next step is to scrape the paint off the vehi
14. cle chassis   slightly larger than  the ground lug  at the connection point  Drill a clearance hole in the chassis  the same size as the lug hole  and use a bolt  spring washer and nut to securely fasten  the ground lug  Use petroleum jelly to coat the bolt lug connection  to prevent oxidization with time     TIP  Use the same approach when installing head units  equalizers or any audio equipment for that matter   run short individual grounds from each piece directly to  the vehicle chassis  to minimize ground loops and system noise  All power  ground and speaker connections should be crimped and soldered for reliability  Make sure  that none of the cable insulation can chafe against exposed metal in the vehicle  causing short circuits to the chassis    WIRE LENGTH    AMPERAGE NOTE  This Matrix is a general rule     wm   e   e   a   a f a f       ofthumb  Please refer to the  E JN HEBE EN EEE XEL EL SEN EI a aka  peus   a  2   e   e               an be found on page 7   puse   51 50   10                                   Safe                    sequence    After all cables are run  connect speaker wires to the speakers and amplifiers  then run and plug in RCA cables  Next  connect all power  ground  and remote turn on  leads  Now connect all  12 volt cables to the amplifier s and distribution blocks and fuse holders  Finally  connect the main  12 volt cable to the battery  with the main  fuse removed  and we are almost ready to power up the system       9    9 3              
15. d as a result of insufficient or improper packing materials  are not covered by this limited warranty and such damaged product will be returned     as is  at the expense of the owner     FOR EXTENDED WARRANTY INFORMATION  PLEASE VISIT  WWW MAXXWARRANT Y COM           MAXXSONICS  Designed and Engineered in the USA  www maxxsonics com       MAXXSONICS  MBOUARTI auTOTEK      HIFONIC     CRUNCH     WWW MAXXSONICS COM  847 540 7700       
16. djust the crossover filter from 15Hz to 55Hz     LOWPASS  Allows yo to adjust the LOW PASS crossover filter from 40Hz to 150Hz    LEVEL  Adjusts the input sensitivity from 0 2 volts to 6 volts    BASSBOOST  45Hz bass boost adjustable from Odb to 1208    REMOTE CONTROL  This is the input jack for the remote Level control    LINEINPUT  The line input accepts unbalanced  RCA  inputs from 0 2V to 6V    LINE OUTPUT  The line output passes through signal from the line inputs which allows you to daisy chain multiple amplifiers from one signal     The ATA1200 1 is capable of 4  amp  2 Ohm loads  not 1 Ohm   The ATA2000 1 is capable of 4  2  amp  1 Ohm loads   Operating the amp below the capable impedance can cause damage to the amp not covered in the warranty           800 2         1200 2         2000 2 TWO CHANNEL AMPLIFIER APPLICATIONS    FULL RANGE STEREO    This is the most basic application for the 2 channel amplifiers     1  Interconnect cable checklist    Connect the LINE INPUTS to the Radio CD with good quality RCA cables   2  Crossover Switch    The X OVER switch must be in the FULL position    3  Crossover frequency control checklist    N Aforfull range operation     4  MODE    Should be inthe STEREO position    5  Line Level    Refer to the section    Setting up systems after installation for best performance     NOTE  Minimum final loudspeaker impedances   4 amp 20hms stereo mode or 4 Ohms mono mode  This amplifier will not do 1 Ohm stereo or 2 1 Ohm mono operation      
17. ect 3 channel when you only have RCA s     CH 1 2 but plan to run channels 3 4 bridged  Select 4 channel if you  are providing RCA s to channels 1 2 and 3 4    The X OVER slide switch selects the internal crossover functions     The input signal is routed directly to the LINE OUT RCAjacks  regardless of the X OVER setting simplifying daisy chaining of amplifiers     HPF  Selects the built in HIGH PASS filter  variable from 60 Hz to 1 2kHz      FULL  Bypasses all crossovers for full frequency range operation     LPF  Selects the builtin LOW PASS   variable from 30 Hz to 250Hz     BASS EQ  Adjustable 45Hz bass boost from OdB to 12dB    LINEINPUT  The lineinput accepts unbalanced  RCA  inputs from 0 2V to 6V    LINE OUTPUT  The line output passes through signal from the line inputs which allows you to daisy chain multiple amplifiers from one signal     Note that the LOW PASS signal is MONO    Inthe LPF position  the HIGH PASS filter acts as a subsonic filter    When the LPF mode is selected  a 0 to  12dB  at 45Hz  BASS  EQis also switched in        ATA1200 1   ATA2000 1 MONO BLOCK AMPLIFIERS       UO    fo            and Engineered      the U S A LINE OUT LINE INPUT    POWER    xus           de  Low        ogri   O                         08 898 15Hz 55Hz 40Hz 150Hz 02V             96598  5                      The LINE INPUT signal is routed directly to the LINE OUT RCA jacks  regardless of the X OVER setting simplifying daisy chaining of amplifiers    SUBSONIC  Allows you to a
18. er the amplifier  to be free from defects in material and workmanship for one  1  Year from date of purchase     All other parts and accessories of the system are warrantied to be free from defects in  material and workmanship for one  1  year from date of purchase  Maxxsonics will   repair or replace at it s option and free of charge during the warranty period  any system  component that proves defective in materials and workmanship under normal installation   use and service provided that the product is returned to the authorized Maxxsonics dealer  from where it was purchased  A photo copy of the original receipt must accompany the  product being returned     Valid purchase receipts will contain the name and address of the authorized reseller     Any damage to the product as a result of misuse  abuse  accident  incorrect wiring   improper installation  alteration of date code or bar code labels  revolution  natural  disaster  or any sneaky stuff because someone messed up  repair or alteration out side  of our factory or authorized service centers and any thing else you have done that you  should not have done is not covered     This warranty is limited to defective parts and specifically excludes any incidental  or consequential damages connected therewith  This warranty is not to be construed  as an insurance policy     Warranty on installation labor  removal  re installation and freight charges are not the  responsibility of Maxxsonics USA Inc     Warranty products damage
19. gether a full system with front and rear  highs  with mono sub bass     Interconnect cable checklist      Using good quality RCA cables  feed the front and rear outputs of a head  unit to the inputs of the 4 channel amplifier as shown      Also connect the LINE OUT of the 4 channel amplifier to the LINE INPUT of  the 2 channel amplifier as shown     Mono bass woofer wiring   Connect the mono speaker positive terminal to the LEFT    and its negative  terminal to RIGHT       Switch setting checklist   4 channel highs amplifier     1 2CH X OVER  HPF     3 4CH X OVER  HPF    2 channel bass amplifier     X OVER switch  LPF    Crossover frequency control checklist     4 channel highs amplifier     Channels 1 2     HI PASS  100 Hz  LOW PASS  N A    Channels 3 4     HI PASS  100 Hz    LOW PASS  N A    2 channel bass amplifier     HI PASS  Subsonic filter   10 Hz to 40 Hz    LOW PASS  80 Hz    Please note that these frequency points are suggestions only  Refer to the  loudspeaker manufacturer specifications and the section  Setting up systems  after installation for best performance     Level control checklist     Refer to the section    Setting up systems after installation for best  performance     Minimum final loudspeaker impedances     2 ohm per channel in stereo mode     4 ohm mono bridged        FULL RANGE                  12 SPEAKER OUTPUT     SPEAKERS                                                                                                  E    FULL RANGE   cm      E T
20. ing point  EXAMPLE  If you adjust the HPF to 60Hz  the amplifier will not play frequencies below 60Hz but will play  frequencies from 60Hz to the chosen Low Pass frequency     When in FULL operation  the LPF crossover is bypassed     Bass EQ    This setting is a fixed bass boost at 45Hz that is variable from 0 12dB  This feature provides impact to your bass  but if not adjusted correctly  it can be over used and cause damage to  your speakers and amplifiers  It is best to slowly turn this setting clockwise until the desired punch is felt  It is not recommended to exceed the 12 o clock position unless listening at a low  volume or a low recording quality as this can result in high distortion and possibly clipping     Low Pass    The LPF control acts as a ceiling and doesn t allow frequencies to the right of the desired setting to be reproduced  Turning the potentiometer all the way to the right is a great starting  point  EXAMPLE  If you adjust the LPF to 120Hz  the amplifier will not play frequencies above 120Hz but will play frequencies from 120Hz to the chosen Hi Pass or Subsonic frequency    When in HPF operation  this setting is bypassed     Level Control Setup    Ensure that the Level is turned completely to the left prior to turning the system on  Next you should insert    CD or cassette that you are familiar with to use as a reference  and turn     head unit volume control to about 80  of its full setting  The system sound level will of course be very low  and the foll
21. ion For Best Performance                                                                                                                                                                                            tastes testes titres share tis AA KA KAK AHAA 8  Troublesheotirig and DIagnoSti6s    osea                                               RERO                               9  RoductWarranty   ono etie        an                                                           10    Check out our videos of new products     events and technical tutorials at    www youtube com maxxsonicsusainc       2012 Maxxsonics USA  Inc  All rights reserved  All Maxxsonics USA  Inc   trademarks  including  Maxxsonics  the M Logo  the Maxxsonics logo and  MAXXLINK are owned by Maxxsonics USA  Inc  Use of the    in connection with a  mark of Maxxsonics USA  Inc  indicates that the mark is registered in at least the  United States     GENERAL INSTALLATION PROCEDURE  System Design    The success of any car stereo system relies on several factors  such as the system design  execution of the installation  and system setup  Please  remember that any system is only as good as its weakest link     Please remember that higher power systems are not necessarily useful purely for high sound pressure levels  but also to establish a headroom capability  to  reproduce musical peaks cleanly without distortion  Lower power amplifiers will clip earlier than their more powerful cousins  and cause loudspeaker fai
22. lt supply and ground  Remember to isolate the problem   first unplug amplifier input RCA  cables  ifthe noise is still present  check the speaker leads  if not  plug the RCA   s back  and investigate the source driving the amplifier  one component ata time     Aticking or whine that changes with engine RPM    1 This problem could be caused by radiation pickup of RCA cables too near to a fuel pump or a distributor  for instance    relocate cables   2 Check that the head unit ground is connected straight to the vehicle chassis  and does not use factory wiring for ground    3 Try to supply the head unit with a clean  12 volt supply directly from the battery    instead of using a supply from the in dash wiring fusebox     Aconstant whine    This type of noise can be more difficult to pinpoint  but is usually caused by some kind of instability  causing oscillations in the system   1 Checkall connections  especially for good grounds    2 Make sure that no speaker leads are shorting to exposed metal on the vehicle chassis    3 RCAcables are notorious for their problematic nature  so check that these are good  in particular the shield connections     We have also provided several videos that will help you with your battery   alternator and even Big 3 upgrades at www youtube com maxxsonicsusainc      Maxxsonics Limited Warranty    As the manufacturer of Maxxsonics  MB Quart  Autotek  Crunch and Hifonics car audio  products  Maxxsonics USA Inc  Warrants to the original consumer purchas
23. lure when  overdriven  due to the harmonics generated by a clipped signal  thus overheating voice coils     Amplifiers should be mounted with the fins running horizontally for best convection cooling  to minimize overheating  Purchase the best quality RCA cables you can  afford  for reliability and less engine noise interference in the audio system     Installation    Y              WOOD    It is highly recommended that the amplifier be mounted to a board of MDF or other solid       structure using the 4 mounting screws provided  Avoid mounting the ay  amplifier to metal as this can introduce noise and other unwanted issues  When mounting       the amplifier ensure that it is mounted HORIZONTALLY  as shown      the diagram above  for  optimal heat dissipation  Mounting amplifiers to speaker enclosures is not recommended as  this can cause damage to the amplifier components  When choosing a location for T T  mounting the amplifier  ensure that you check for clearance from wires  gas tank  electrical      devices        brake lines etc     General   Run the wiring so that RCA cables are at least 18    away from power and speaker cables  Keep RCA cables away from electrical devices in the vehicle that can cause  electrical noise  such as electric fuel pumps  emission control modules and other on board electronic modules        T T                            Power and ground connections see the features matrix on page 7 for proper gauge cables per amplifier     Use a sufficient g
24. ns     Fuses blowing   1 The use of loudspeaker impedances below the recommended minimums will draw more current   check    2 Ashorton the main  12 volt cable from the battery to the vehicle chassis will cause the main fuse to blow    3   Ifan amplifier fuse blows continually  with only  12 volt  ground and remote leads connected  the amplifier may be faulty     System does not turn on   1 Checkall fuses    2 Check all connections    3   Measure the  12 volt and remote turn on voltages at the amplifier terminals  If these are non existent or low  take voltage measurements at fuse holders  distribution  blocks  the head unit s  12 volt and remote leads to localize the problem     Noise problems  System noise can be divided into two categories  hiss  and electrical interference     Hiss  or white noise   1   High levels of white noise usually occurs when amplifier level controls are turned up too high   readjust according to the procedures in section  Setting up systems after  installation for best performance      2 Another major problem that can cause excessive hiss  is a noisy head unit  unplug the amplifier input RCA cables  and ifthe hiss level reduces  the source unit is at fault     Electrical interference   The inside of an automobile is a very hostile electrical environment  The multitude of electrical systems  such as the ignition system  alternator  fuel pumps  air conditioners   to mention just a few  create radiated electrical fields  as well as noise on the  12 vo
25. ons    1 Asort circuit on the loudspeaker leads    2 An internal amplifier fault that causes a DC offset on the loudspeaker output     Should the amplifier go into protect mode  simply disconnect all RCA and speaker leads  while keeping  12 volt  power ground and remote leads connected    1  Now turn the amplifier back on  and if the diagnostic LED lights  the amplifier has an internal fault    2  lf not  plug the RCA cables back  and reset the amplifier  lf it goes into diagnostic now  the fault lies in the input  either with bad cables or source unit    3  If the amplifier seems fine with RCA cables plugged in  connect the speakers  one at a time  and if one of the speakers or its wiring is faulty  it will activate the diagnostic  system     Amplifier heatsink overheating   The amplifiers will shut down when the heatsink temperature reaches 80 degrees centigrade  and turn back on once the unit has cooled down below that point    Causes of overheating    1   Inadequate cooling   relocate or remount to provide better natural airflow over the fins    2   Driving high power levels into low impedances   back off on the volume control  and or make sure you are not loading the amplifier with less than the recommended  loudspeaker impedance     Low output power   1 Check that level controls have been set up properly    2 Make sure that the battery voltage  as measured at the amplifier   s  12 volt and ground terminals  is 11 volts or more   3 Check all  12 volt and ground connectio
26. owing procedures will help you to match the amplifier input  sensitivities properly to the head unit output signal level    It is important to match the amplifier LEVEL input sensitivity to the Radio CD output sensitivity  This        be located in the Radio CD manual    If the Radio CD output sensitivity is 2 volts  then adjust the amplifier LEVEL input to 2 volts     If you are not sure what the Radio output sensitivity is  follow these general guide lines    Tum the level control up slowly  till you hear distortion  then back off a few degrees on the control  If at any point your amplifier goes into protection  you will need to turn the Level to the  left a bit and then try again  If you reach a point where the output does not increase  stop turning the Level control to the right as the amplifier speaker combo has reached its maxx  output in this application     2or3 way active systems  all     Always start with the bass  or low frequency amplifier as a reference  by turning its control up to the point where distortion is audible  and back it off some    Now adjustthe level control for the highs ortweeter channels in a 2 way active system  to balance the highs to lows    In a 3 way active system  match the midrange level to the bass  and then the highs to the midrange and bass  It may be necessary to perform a few iterations of the midrange and highs level  control settings to achieve a satisfactory sound balance     Mono Amplifiers    General   At this point you are ready
27. s after installation for best performance     Minimum final loudspeaker impedance   ATA1200 1 is capable 4  amp  2 Ohms  not capable of 1 Ohm   ATA2000 1 is capable of 4  2  amp  1 Ohm    MONO  SUBWOOFER                                                                                        B   88     38  EIE p  NUES      6666   KEE Z2     y       9            5  BE LM           BATTERY  12v  DESIGNATED EM        3 VIAFUSE  MONO OUTPUT         5                           TURN ON  FROM HEAD UNIT          GJL_   ______ cHASSIS GROUND                                                                                                                                                             m e Iso ou                                          PARALLEL MONO tee      SUBWOOFERS      69        i     2 OHMS EACH MINIMUM                            a    a    1    5 e asa                                                                 EUM   N   FULLRANGE   STEREO LINE INPUT Y ADAPTOR  B           gt  NOT USED       Note  You can use the Radio CD designated mono line output or a full range stereo line output   For full range stereo line output  you will need an optional  Y Adaptor  as shown     FEATURES           Output Power Rating  General Specifications    Cro ssover Operation             Lneot hm   Yes T Ye                 00300  Unbalanced Input  RCA Jack  Yes  Balanced Input  Din Jack No  No  Miscellaneous  Power Terminal  7 09  x 2 08  x 9 45    7 87  x 2 08  x 9 45   9 84  x 2 08  x 
28. to feed         SAME signal to both left and right inputs via    Y   adapter RCAcable      Connect the mono speaker positive terminal to the LEFT    and its negative  terminal to RIGHT   as shown     Switch setting checklist    1 2CH X OVER  FULL   3IACH X OVER  LPF    Crossover frequency control checklist   Channels 1 2     HIPASS  N A     LOW PASS          Channels 3 4    HIPASS  N A   LPF  11 o clock    TIP  If you are using the mono sub bass output of an active crossover  there is  nothing wrong with switching in the low pass filter in these amplifiers for a  steeper low pass rolloff     Level control checklist    Refer to the section    Setting up systems after installation for best performance     Minimum final loudspeaker impedances      2 ohm per channel in stereo mode    4ohm mono bridged                       FULL RANGE  II  STEREO LINE   lt                                        INPUTS 4 1     IO   ee   MONO LINE INPUT E i    Unless using procedure    4 listed above for 3ch                                                               MONO 5               E e   8   Bi    FULL RANGE        SPEAKERS  A He       TO BATTERY  12v              FUSE           REMOTE TURN ON   8  S crassis GROUND                1000 4         14000 4         2000 4 FOUR CHANNEL AMPLIFIER APPLICATIONS    Front Rear high pass  using    2 channel amplifier for          sub bass    The combination of a 2 and a 4 channel amplifier  utilizing their built in  crossovers  makes it a snap to put to
    
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